1 00:00:01,401 --> 00:00:04,170 >> THE NEW BOOK "PERIL" BY BOB WOODWARD AND ROBERT COSTA 2 00:00:04,237 --> 00:00:06,773 HIGHLIGHTS THE PRESSURES THAT FORMER VICE PRESIDENT MIKE PENCE 3 00:00:06,840 --> 00:00:09,976 FACED TO OVERTURN THE RESULTS OF THE 2020 ELECTION. 4 00:00:10,043 --> 00:00:12,779 >> THERE'S THIS OTHER ANECDOTE IN THE BOOK THAT IN LATE 5 00:00:12,846 --> 00:00:17,517 DECEMBER, THEN-VICE PRESIDENT PENCE CALLED FELLOW HOOSIER AND 6 00:00:17,584 --> 00:00:20,387 SOMEBODY ELSE WHO IS A FORMER VICE PRESIDENT NOW, DAN QUAYLE, 7 00:00:20,453 --> 00:00:22,255 TO ASK WHETHER HE COULD OR SHOULD HONOR THAT DEMAND FROM 8 00:00:22,322 --> 00:00:24,758 THEN-PRESIDENT TRUMP TO OVERTURN THE ELECTION RESULTS. 9 00:00:24,824 --> 00:00:27,660 AND THE BOOK SAYS QUAYLE TOLD PENCE, "MIKE, YOU HAVE NO 10 00:00:27,727 --> 00:00:29,963 FLEXIBILITY ON THIS-- NONE, ZERO. 11 00:00:30,029 --> 00:00:31,865 FORGET IT." 12 00:00:31,931 --> 00:00:35,668 >> "THE ADVENTURES OF MIKE PENCE." 13 00:00:35,735 --> 00:00:44,043 TONIGHT'S EPISODE: "TO COUP OR NOT TO COUP." 14 00:00:44,110 --> 00:00:45,945 >> SHOULD I SUBVERT DEMOCRACY? 15 00:00:46,012 --> 00:00:46,646 WHAT TO DO. 16 00:00:46,713 --> 00:00:49,949 GREAT SCOTT! 17 00:00:50,016 --> 00:00:50,683 A PHONE CALL! 18 00:00:50,750 --> 00:00:51,384 >> IT'S ME, DAN QUAYLE. 19 00:00:51,451 --> 00:00:52,252 >> DAN, THANK GOD YOU CALLED. 20 00:00:52,318 --> 00:00:53,153 I'M TRYING TO OVERTURN A JUST ELECTION. 21 00:00:53,219 --> 00:00:53,953 HOW DO I DO IT? 22 00:00:54,020 --> 00:00:54,621 >> YOU CAN'T. 23 00:00:54,687 --> 00:00:55,088 YOU HAVE NO FLEXIBILITY, NONE. 24 00:00:55,155 --> 00:00:57,957 AT ALL. 25 00:00:58,024 --> 00:01:00,293 >> BUT IF I DON'T DO IT, THE PRESIDENT SAID HE WON'T BE MY 26 00:01:00,360 --> 00:01:01,127 FRIEND ANYMORE. 27 00:01:01,194 --> 00:01:03,830 >> MIKE, FRIENDSHIP TAKES TWO PEOPLE. 28 00:01:03,897 --> 00:01:06,599 REMEMBER, THERE'S NO "I" IN FRIEND. 29 00:01:06,666 --> 00:01:07,400 >> I'M PRETTY SURE THERE IS. 30 00:01:07,467 --> 00:01:09,202 YOU'RE PROBABLY THINKING OF POTATO. 31 00:01:09,269 --> 00:01:09,969 >> HA-HA-HA! 32 00:01:10,036 --> 00:01:12,138 >> HA-HA-HA! 33 00:01:12,205 --> 00:01:12,772 >> HA-HA-HA-HA! 34 00:01:12,839 --> 00:01:14,007 >> OKAY, NO COUP. 35 00:01:14,073 --> 00:01:15,275 >> WHAT'S THE WORST THAT COULD HAPPEN? 36 00:01:15,341 --> 00:01:16,943 >> MOTHER! 37 00:01:17,010 --> 00:01:17,977 HIDE ME! 38 00:01:20,280 --> 00:01:21,948 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 39 00:01:22,015 --> 00:01:30,757 TONIGHT: PLUS, STEPHEN WELCOMES: 40 00:01:30,824 --> 00:01:37,964 JESSICA CHASTAIN AND STEPHEN SONDHEIM 41 00:01:38,031 --> 00:01:45,972 FEATURING JON BATISTE AND STAY HUMAN. 42 00:01:46,039 --> 00:01:48,741 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 43 00:01:48,808 --> 00:01:49,342 CITY, IT'S STEPHEN COLBERT! 44 00:01:54,013 --> 00:01:56,316 ( CHEERS AND APPLAUSE ) >> Stephen: HEY, EVERYBODY! 45 00:01:56,382 --> 00:02:00,753 HEY, MY OLD FRIEND. 46 00:02:00,820 --> 00:02:15,735 ♪ ♪ ♪ >> Audience: STEPHEN! 47 00:02:15,802 --> 00:02:16,336 STEPHEN! 48 00:02:16,402 --> 00:02:16,703 STEPHEN! 49 00:02:16,769 --> 00:02:17,971 STEPHEN! 50 00:02:18,037 --> 00:02:18,771 STEPHEN! 51 00:02:18,838 --> 00:02:22,842 ♪ ♪ ♪ ( APPLAUSE ) 52 00:02:22,909 --> 00:02:24,711 >> Stephen: MAN. 53 00:02:24,777 --> 00:02:29,949 LADIES AND GENTLEMEN, "WELCOME TO "THE LATE SHOW." 54 00:02:30,016 --> 00:02:31,317 I AM YOUR HOST, STEPHEN COLBERT. 55 00:02:31,384 --> 00:02:32,685 FOLKS-- ( CHEERS AND APPLAUSE ) 56 00:02:32,752 --> 00:02:33,953 I'M GLAD YOU'RE FEELING GOOD. 57 00:02:34,020 --> 00:02:36,356 IT'S IMPORTANT, YOU KNOW, TO STAY HOPEFUL. 58 00:02:36,422 --> 00:02:45,965 NO MATTER WHAT, AS BAD AS THE LAST FIVE YEARS HAVE BEEN, AND 59 00:02:46,032 --> 00:02:47,100 AS ANXIOUS AS WE'RE ALWAYS ALL FEELING, IT'S REASSURE TO KNOW 60 00:02:47,166 --> 00:02:49,235 AND I BELIEVE IMPORTANT TO REMEMBER-- THAT AT ANY MOMENT, 61 00:02:49,302 --> 00:02:50,537 IT COULD GET MUCH, MUCH WORSE. 62 00:02:50,603 --> 00:02:53,473 TAKE CALIFORNIA, WHERE LAST NIGHT, GOVERNOR GAVIN NEWSOM 63 00:02:53,540 --> 00:02:55,909 SURVIVED A RECALL WITH ALMOST 64% OF THE VOTE. 64 00:02:55,975 --> 00:03:05,952 ( CHEERS AND APPLAUSE ) SORRY, CALIFORNIA REPUBLICANS, I 65 00:03:06,019 --> 00:03:12,458 ( CHEERS AND APPLAUSE ) SORRY, CALIFORNIA REPUBLICANS, I 66 00:03:12,525 --> 00:03:14,928 KNOW YOU SPENT 20 MONTHS AND MILLIONS OF DOLLARS ON THIS 67 00:03:14,994 --> 00:03:18,464 RECALL, BUT YOU KNOW WHAT THEY SAY: YOU WIN SOME, BUT NOT IN 68 00:03:18,531 --> 00:03:19,832 CALIFORNIA. 69 00:03:19,899 --> 00:03:24,470 ( LAUGHTER ) ( APPLAUSE ) 70 00:03:24,537 --> 00:03:26,105 AND NEWSOM CELEBRATED HIS NONREMOVAL IN A SPEECH TO 71 00:03:26,172 --> 00:03:34,280 SUPPORTERS, WHERE HE LAID OUT WHAT THIS MEANS FOR CALIFORNIANS 72 00:03:34,347 --> 00:03:37,984 >> I WANT TO FOCUS WHAT WE SAID YES TO AS A STATE. 73 00:03:38,051 --> 00:03:39,285 WE SAID YES TO SCIENCE. 74 00:03:39,352 --> 00:03:40,486 WE SAID YES TO VACCINE. 75 00:03:40,553 --> 00:03:43,456 WE SAID YES TO ENDING THIS PANDEMIC. 76 00:03:43,523 --> 00:03:44,991 WE SAID YES TO DIVERSITY. 77 00:03:45,058 --> 00:03:46,192 >> Stephen: AND NOTHING SAYS DIVERSITY LIKE A RICH WHITE GUY 78 00:03:46,259 --> 00:03:47,026 NAMED GAVIN. 79 00:03:47,093 --> 00:03:57,470 ALL THE COLORS OF THE RAINBOW-- IVORY. 80 00:03:57,537 --> 00:04:01,007 HE ALSO HAD STRONG WORDS FOR REPUBLICANS WHO FALSELY CLAIMED 81 00:04:01,074 --> 00:04:02,175 THE RECALL ELECTION WAS RIGGED. 82 00:04:02,241 --> 00:04:12,385 >> I THINK ABOUT JUST IN THE LAST, YOU KNOW, FEW DAYS, THE 83 00:04:12,452 --> 00:04:17,557 FORMER PRESIDENT PUT OUT SAYING THIS ELECTION WAS RIGGED, 84 00:04:17,624 --> 00:04:20,927 DEMOCRACY IS NOT A FOOTBALL. 85 00:04:20,994 --> 00:04:21,894 YOU DON'T THROW IT AROUND. 86 00:04:21,961 --> 00:04:27,767 IT'S MORE LIKE A, I DON'T KNOW, ANTIQUE VASE. 87 00:04:27,834 --> 00:04:29,469 ( LAUGHTER ) >> Stephen: WAY TO BE RELATABLE, 88 00:04:29,535 --> 00:04:30,470 GOV. 89 00:04:30,536 --> 00:04:33,539 ( AS NEWSOM ) "DEMOCRACY'S NOT A FOOTBALL. 90 00:04:33,606 --> 00:04:36,409 IT'S AN ANTIQUE VASE, OR A BOTTLE OF '93 CHATEAU D'YQUEM, 91 00:04:36,476 --> 00:04:39,746 OR ORCHESTRA SEATS AT THE METROPOLITAN OPERA. 92 00:04:39,812 --> 00:04:41,114 UNLESS THEY'RE DOING AIDA! 93 00:04:41,180 --> 00:04:41,881 I CANNOT TOLERATE VERDI. 94 00:04:41,948 --> 00:04:45,251 AM I RIGHT, FELLOW FOOTBALL FANS?" 95 00:04:45,318 --> 00:04:48,421 COME ON! 96 00:04:48,488 --> 00:04:50,323 ( APPLAUSE ) WRITTEN TO CELEBRATE THE OPENING 97 00:04:50,390 --> 00:04:52,492 OF THE SUEZ. 98 00:04:52,558 --> 00:04:54,394 ONE OF THE REPUBLICANS WHO SAID THE ELECTION WAS RIGGED WAS 99 00:04:54,460 --> 00:04:58,164 TALK RADIO HOST AND MAN STILL WAITING FOR HIS MOM TO PICK HIM 100 00:04:58,231 --> 00:05:01,300 UP, LARRY ELDER. 101 00:05:01,367 --> 00:05:07,073 EVEN BEFORE ELECTION DAY, ELDER POSTED BASELESS ACCUSATIONS OF 102 00:05:07,140 --> 00:05:09,542 VOTER FRAUD ON HIS WEBSITE. 103 00:05:09,609 --> 00:05:10,743 THAT IS CHUTZPAH. 104 00:05:10,810 --> 00:05:13,212 CASTING DOUBT ON THE INTEGRITY OF OUR ELECTIONS WITHOUT FIRST 105 00:05:13,279 --> 00:05:16,916 INVENTING A PILLOW? 106 00:05:16,983 --> 00:05:19,085 ( LAUGHTER ) ( APPLAUSE ) 107 00:05:19,152 --> 00:05:22,221 BUT AFTER THE RESULTS CAME IN, ELDER STRUCK A FAR DIFFERENT 108 00:05:22,288 --> 00:05:26,225 TONE: >> AS YOU KNOW, MY OPPONENT, 109 00:05:26,292 --> 00:05:30,229 GOVERNOR GAVIN NEWSOM-- ( CROWD BOOING ) 110 00:05:30,296 --> 00:05:31,064 COME ON. 111 00:05:31,130 --> 00:05:34,233 LET'S-- LET'S-- LET'S BE GRACIOUS. 112 00:05:34,300 --> 00:05:41,040 LET'S BE GRACIOUS IN DEFEAT. 113 00:05:41,107 --> 00:05:42,308 >> Stephen: "COME ON, ANGRY MOB, THAT I WHIPPED UP WITH FALSE 114 00:05:42,375 --> 00:05:44,410 CLAIMS OF VOTER FRAUD, LET'S BE GRACIOUS AS WE CONCEDE DEFEAT TO 115 00:05:44,477 --> 00:05:46,112 THE GEORGE SOROS-BACKED LIZARD-MEN BANKERS WHO WANT TO 116 00:05:46,179 --> 00:05:48,948 SMOKE OUR CHILDREN'S ADRENAL GLANDS IN THE BASEMENT OF A 117 00:05:49,015 --> 00:05:49,282 PIZZA PARLOR." 118 00:05:49,348 --> 00:05:50,049 COME ON. 119 00:05:50,116 --> 00:05:50,817 COME ON. 120 00:05:50,883 --> 00:05:58,224 ( APPLAUSE ) IT'S... 121 00:05:58,291 --> 00:06:01,327 ♪ ♪ ♪ SPEAKING OF GRACIOUS IN DEFEAT, 122 00:06:01,394 --> 00:06:07,734 WE'RE GETTING MORE DETAILS ABOUT THE FINAL DAYS IN OFFICE OF 123 00:06:07,800 --> 00:06:09,502 FORMER PRESIDENT "SWAMPOPOTAMUS." 124 00:06:09,569 --> 00:06:11,938 THEY'RE COMING FROM BOB WOODWARD AND ROBERT COSTA'S NEW TELL-ALL 125 00:06:12,004 --> 00:06:17,643 "PERIL," WHICH SHEDS NEW LIGHT ON THE ROLE OF MIKE PENCE, WHOSE 126 00:06:17,710 --> 00:06:21,514 HEROIC REFUSAL TO THROW OUT THE ELECTION RESULTS ON JANUARY 127 00:06:21,581 --> 00:06:25,084 6th IS HOW HISTORY WILL REMEMBER HIM-- AS LONG AS HISTORY DOESN'T 128 00:06:25,151 --> 00:06:33,559 READ THIS NEW BOOK, BECAUSE THEN HISTORY WILL KNOW HE SUCKS 129 00:06:33,626 --> 00:06:35,228 JUST AS MUCH AS YOU THOUGHT HE DID. 130 00:06:35,294 --> 00:06:36,763 BECAUSE THIS BOOK REVEALS THAT, RIGHT UP 'TILL THE END, PENCE 131 00:06:36,829 --> 00:06:38,231 WAS LOOKING FOR WAYS TO DO HIS BOSS'S EVIL BIDDING. 132 00:06:38,297 --> 00:06:42,235 AND TO GET SOME IDEAS, HE CALLED UP FORMER VICE PRESIDENT AND 133 00:06:42,301 --> 00:06:46,239 PAINTING WHOSE EYES FOLLOW YOU NOWHERE, DAN QUAYLE. 134 00:06:46,305 --> 00:06:48,641 WOW, QUAYLE AND PENCE. 135 00:06:48,708 --> 00:06:51,144 ON A PHONE CALL! 136 00:06:51,210 --> 00:06:54,213 WHAT A CONVERSATION THAT MUST HAVE BEEN. 137 00:06:54,280 --> 00:06:55,081 OH, TO BE A FLY ON THEIR HEAD. 138 00:06:55,148 --> 00:07:08,194 ( LAUGHTER ) ( APPLAUSE ) 139 00:07:08,261 --> 00:07:10,229 ON THE CALL, PENCE ASKED QUAYLE IF THERE WAS ANY WAY FOR A VICE 140 00:07:10,296 --> 00:07:12,431 PRESIDENT TO FACILITATE A COUP, BUT DAN SHUT HIM DOWN, SAYING, 141 00:07:12,498 --> 00:07:13,499 "MIKE, YOU HAVE NO FLEXIBILITY ON THIS-- NONE, ZERO. 142 00:07:13,566 --> 00:07:14,267 FORGET IT. 143 00:07:14,333 --> 00:07:17,336 PUT IT AWAY." 144 00:07:17,403 --> 00:07:19,071 ALSO WHAT PENCE SAYS TO HIMSELF ANY TIME HE THINKS ABOUT WEARING 145 00:07:19,138 --> 00:07:22,241 SHORTS: "FORGET IT, MIKE. 146 00:07:22,308 --> 00:07:24,577 PUT IT AWAY. 147 00:07:24,644 --> 00:07:25,645 YOU CAN'T SHOW ANYONE YOUR KNEES-- A.K.A. THE DEVIL'S 148 00:07:25,711 --> 00:07:30,216 ELBOWS! 149 00:07:30,283 --> 00:07:34,220 ( LAUGHTER ) YOU KNOW WHERE KNEES LEAD-- TO 150 00:07:34,287 --> 00:07:37,056 THE THIGHS. 151 00:07:37,123 --> 00:07:41,460 AND THE THIGHS LEAD TO... 152 00:07:41,527 --> 00:07:41,961 THE BATHING SUIT AREA." 153 00:07:42,028 --> 00:07:43,095 PENCE-- AND SCENE. 154 00:07:43,162 --> 00:07:46,232 PENCE PUSHED BACK AT QUAYLE, SAYING OF HIS BOSS, "BUT HE 155 00:07:46,299 --> 00:07:50,236 REALLY THINKS HE CAN. 156 00:07:50,303 --> 00:07:54,106 AND THERE ARE OTHER GUYS THERE SAYING I'VE GOT THIS POWER." 157 00:07:54,173 --> 00:07:55,308 IT'S LIKE TALKING TO A CHILD: "WELL, MIKE, IF ALL YOUR OTHER 158 00:07:55,374 --> 00:08:01,080 FRIENDS WERE JUMPING OFF A THERE YOU GO. 159 00:08:01,147 --> 00:08:05,918 OKAY. 160 00:08:05,985 --> 00:08:06,786 GET ME A SHOVEL AND A SHOP VAC." 161 00:08:06,853 --> 00:08:08,988 PENCE-- IT PAINT A PICTURE, DOESN'T IT? 162 00:08:09,055 --> 00:08:11,490 PENCE DIDN'T GET IT, REPEATING HIS BOSS'S FALSE ELECTION FRAUD 163 00:08:11,557 --> 00:08:13,059 CLAIMS ABOUT ARIZONA, TO WHICH QUAYLE REPLIED, "MIKE, I LIVE IN 164 00:08:13,125 --> 00:08:14,260 ARIZONA. 165 00:08:14,327 --> 00:08:16,596 THERE'S NOTHING OUT HERE." 166 00:08:16,662 --> 00:08:18,130 ( LAUGHTER ) ( APPLAUSE ) 167 00:08:18,197 --> 00:08:22,235 INCIDENTALLY, ALSO ARIZONA'S TOURISM SLOGAN. 168 00:08:22,301 --> 00:08:25,071 ( LAUGHTER ) EVENTUALLY, PENCE DECIDED NOT TO 169 00:08:25,137 --> 00:08:28,541 DESTROY OUR REPRESENTATIVE GOVERNMENT, BUT THIS IS A 170 00:08:28,608 --> 00:08:31,077 CHILLING STORY THAT ILLUSTRATES JUST HOW CLOSE WE WERE TO 171 00:08:31,143 --> 00:08:34,213 DISASTER, WHICH LED SOME PEOPLE TO CONCLUDE: "DAN QUAYLE MAY 172 00:08:34,280 --> 00:08:37,083 HAVE SAVED AMERICAN DEMOCRACY." 173 00:08:37,149 --> 00:08:37,884 >> Jon: WOW. 174 00:08:37,950 --> 00:08:42,021 >> Stephen: THAT IS A SHOCKER. 175 00:08:42,088 --> 00:08:43,222 YOU REALLY DON'T EXPECT ANYTHING TO BE SAVED BY DAN QUAYLE. 176 00:08:43,289 --> 00:08:45,558 IT'S LIKE SENDING UP THE BAT SIGNAL, AND THE GUY WHO SHOWS UP 177 00:08:45,625 --> 00:08:49,061 IS DAN QUAYLE. 178 00:08:49,128 --> 00:08:59,839 ( LAUGHTER ) WE ALSO HAVE AN UPDATE ON LAST 179 00:08:59,906 --> 00:09:01,073 NIGHT'S BIGGEST STORY BY FAR. 180 00:09:01,140 --> 00:09:01,674 I'M TALKING, OF COURSE, ABOUT NICKI MINAJ'S COUSIN'S FRIEND'S 181 00:09:01,741 --> 00:09:04,143 BALLS. 182 00:09:04,210 --> 00:09:07,079 YOU GUYS KNOW THE STORY I'M TALKING ABOUT? 183 00:09:07,146 --> 00:09:08,381 WE'VE MADE SOME JOKES AND BITS, SOME GAGS ABOUT THESE TESTICLES, 184 00:09:08,447 --> 00:09:12,618 AND WE'VE GOT A FEW MORE, WHICH BRINGS US TO TONIGHT'S: 185 00:09:12,685 --> 00:09:13,419 "STEPHEN COLBERT'S BALL GAGS." 186 00:09:13,486 --> 00:09:14,387 ( LAUGHTER ) ( APPLAUSE ) 187 00:09:14,453 --> 00:09:18,224 FOR THOSE OF YOU-- THEY TOOK THAT AWAY QUICKLY. 188 00:09:18,291 --> 00:09:22,228 THEY TOOK IT THAT LOWER THIRD AWAY QUICKLY, DIDN'T THEY? 189 00:09:22,295 --> 00:09:25,064 FOR THOSE OF YOU WHO HAVE BEEN LIVING UNDER A ROCK OR A 190 00:09:25,131 --> 00:09:30,303 PARTICULARLY LARGE PAIR OF BALLS, NICKI MINAJ CAUSED A 191 00:09:30,369 --> 00:09:34,240 CONTROVERSY WHEN SHE TWEETED, "MY COUSIN IN TRINIDAD WON'T GET 192 00:09:34,307 --> 00:09:36,175 THE VACCINE CUZ HIS FRIEND GOT IT AND BECAME IMPOTENT. 193 00:09:36,242 --> 00:09:37,310 HIS TESTICLES BECAME SWOLLEN." 194 00:09:37,376 --> 00:09:39,312 OF COURSE, "YOUR COUSIN'S FRIEND" IS A MUCH MORE TRUSTED 195 00:09:39,378 --> 00:09:43,015 SOURCE THAN ALL OF THE WORLD'S DOCTORS. 196 00:09:43,082 --> 00:09:44,250 THAT'S WHY IN AN EMERGENCY, YOU ALWAYS HEAR PEOPLE YELL, 197 00:09:44,317 --> 00:09:45,051 "THIS MAN IS HAVING A HEART ATTACK! 198 00:09:45,117 --> 00:09:45,952 QUICK! 199 00:09:46,018 --> 00:09:48,921 IS ANYONE HERE SOMEONE'S COUSIN'S FRIEND?" 200 00:09:48,988 --> 00:09:53,759 ( LAUGHTER ) LAST NIGHT, WE HAD SOME FUN WITH 201 00:09:53,826 --> 00:09:56,963 MINAJ'S TWEET IN OUR COLD OPEN. 202 00:10:13,713 --> 00:10:15,214 >> Stephen: WILL IT WILL GET YOU. 203 00:10:15,281 --> 00:10:15,948 IT WILL GET YOU. 204 00:10:16,015 --> 00:10:18,184 >> Jon: THAT WILL MAKE YOU MOVE. 205 00:10:18,250 --> 00:10:22,188 >> Stephen: IT WILL GET YOU. 206 00:10:22,254 --> 00:10:23,656 >> Stephen: NOW, NICKI'S A FRIEND OF THE SHOW-- OR AT LEAST 207 00:10:23,723 --> 00:10:26,292 A COUSIN'S FRIEND-- SO IT'S NO SURPRISE SHE SAW THE BIT AND 208 00:10:26,359 --> 00:10:28,928 RETWEETED IT, ADDING, "I NEVER CITED THAT AS A REASON I DIDN'T 209 00:10:28,995 --> 00:10:29,762 GET VACCINATED. 210 00:10:29,829 --> 00:10:34,066 THE LIE IS SO FUNNY/ENTERTAINING THO. 211 00:10:34,133 --> 00:10:40,940 I'D SAY SMTHNG MEAN TO THIS LADY BUT I "RLLY" LIKE STEPHEN 212 00:10:41,007 --> 00:10:44,910 COLBERT. 213 00:10:44,977 --> 00:10:47,480 #SUPERBALLS." 214 00:10:47,546 --> 00:10:57,990 NIKI, NIKI, DARLING NICKI, NICK, FOR THE RECORD, I "RLLY" 215 00:10:58,057 --> 00:10:59,158 LIKE YOU, TOO! 216 00:10:59,225 --> 00:11:00,226 THAT'S WHY I WANT YOU TO GET VACCINATED.SO YOU CAN COME ON 217 00:11:00,292 --> 00:11:01,327 THE SHOW AGAIN, BECAUSE WITHOUT A SHOT, THE NETWORK 218 00:11:01,394 --> 00:11:04,163 "RLLY" WON'T LET YOU IN. 219 00:11:04,230 --> 00:11:08,934 NOW YESTERDAY-- THIS IS TRUE-- TRINIDAD AND TOBAGO'S MINISTRY 220 00:11:09,001 --> 00:11:10,970 OF HEALTH WAS INUNDATED WITH REQUESTS TO FACT CHECK THIS 221 00:11:11,037 --> 00:11:12,104 CLAIM, SO TODAY, THEIR PUBLIC HEALTH MINISTER MADE THIS 222 00:11:12,171 --> 00:11:17,510 ANNOUNCEMENT: >> ONE OF THE REASONS WE COULD 223 00:11:17,576 --> 00:11:23,783 NOT RESPOND YESTERDAY IN REAL TIME TO MS. MINAJ IS THAT WE HAD 224 00:11:23,849 --> 00:11:25,317 TO CHECK AND MAKE SURE THAT WHAT SHE WAS CLAIMING WAS EITHER TRUE 225 00:11:25,384 --> 00:11:28,921 OR FALSE. 226 00:11:28,988 --> 00:11:30,189 WE DID. 227 00:11:30,256 --> 00:11:32,925 UNFORTUNATELY, WE WASTED SO MUCH TIME YESTERDAY RUNNING DOWN THIS 228 00:11:32,992 --> 00:11:34,860 FALSE CLAIM. 229 00:11:34,927 --> 00:11:40,933 ( LAUGHTER ) AS WE STAND NOW, THERE IS 230 00:11:41,000 --> 00:11:44,937 ABSOLUTELY NO REPORTED SUCH SIDE EFFECT OR ADVERSE EVENT OF 231 00:11:45,004 --> 00:11:52,912 TESTICULAR SWELLING IN TRINIDAD-- OR, I DARESAY, 232 00:11:52,978 --> 00:11:57,049 DR. HINES, ANYWHERE ELSE, NONE THAT WE KNOW OF ANYWHERE ELSE IN 233 00:11:57,116 --> 00:11:59,318 THE WORLD. 234 00:11:59,385 --> 00:12:00,619 >> Stephen: WOW, WOW. 235 00:12:00,686 --> 00:12:01,220 >> Jon: THAT REALLY HAPPENED. 236 00:12:01,287 --> 00:12:04,390 >> Stephen: WAIT A SECOND. 237 00:12:04,457 --> 00:12:07,827 SIR, ARE YOU CALLING NICKI MINAJ A LIAR? 238 00:12:07,893 --> 00:12:16,936 BECAUSE TO DO THAT TAKES SOME REALLY BIG-- WAIT A SECOND! 239 00:12:17,002 --> 00:12:18,237 NOW I KNOW WHY HE'S SITTING BEHIND THAT GIANT TABLE! 240 00:12:18,304 --> 00:12:20,639 LAST NIGHT, MINAJ WAS ALSO A SUBJECT OF DISCUSSION FOR 241 00:12:20,706 --> 00:12:23,409 TUCKER CARLSON, SEEN HERE DISCUSSING THE SIZE OF HIS OWN 242 00:12:23,476 --> 00:12:24,210 BALLS. 243 00:12:24,276 --> 00:12:25,277 ( LAUGHTER ) ( APPLAUSE ) 244 00:12:25,344 --> 00:12:35,754 ( APPLAUSE ) TUCKER-- 245 00:12:35,821 --> 00:12:38,157 TUCKER WAS ONE OF THE FIRST TO JUMP ON THIS STORY MONDAY NIGHT, 246 00:12:38,224 --> 00:12:40,626 BUT HE HAD GOTTEN A CRUCIAL DETAIL WRONG, WHICH LED HIM TO 247 00:12:40,693 --> 00:12:42,862 ISSUE THIS RARE CORRECTION: >> LAST NIGHT, WE READ IT, WE 248 00:12:42,928 --> 00:12:45,364 PUT THE GRAPHIC ON THE SCREEN, AND WE SUGGESTED THAT NICKI 249 00:12:45,431 --> 00:12:47,766 MINAJ'S COUSIN IS THE ONE WITH THE SWOLLEN TESTICLES IN 250 00:12:47,833 --> 00:12:49,468 TRINIDAD. 251 00:12:49,535 --> 00:12:50,870 AND WE WERE WRONG, AND WE WANT TO ADMIT IT. 252 00:12:50,936 --> 00:12:52,905 WE HENCEFORTH CORRECT THE RECORD. 253 00:12:52,972 --> 00:12:58,310 NICKI MINAJ'S COUSIN'S TESTICLES ARE NOT SWOLLEN. 254 00:12:58,377 --> 00:13:00,079 AS FAR AS WE KNOW, HE'S FINE. IT IS NICKI MINAJ'S COUSIN'S 255 00:13:00,146 --> 00:13:04,917 FRIEND'S TESTICLES WHO ARE SWOLLEN FROM TAKING THE VAX. 256 00:13:04,984 --> 00:13:08,921 >> Stephen: I'M GLAD TO SEE FOX NEWS IS FINALLY COMING TO TERMS 257 00:13:08,988 --> 00:13:10,389 WITH SOME OF ITS DANGEROUS MISSTATEMENTS. 258 00:13:10,456 --> 00:13:13,692 AND THIS TIME-- THIS TIME-- ( APPLAUSE ) 259 00:13:13,759 --> 00:13:15,661 >> Jon: YOU HAVE TO TELL THE TRUTH. 260 00:13:15,728 --> 00:13:16,862 MEAN WHAT YOU SAY. 261 00:13:16,929 --> 00:13:20,633 >> Stephen: THIS TIME, IT'S NOT TRIVIAL STUFF LIKE "WAS THE 262 00:13:20,699 --> 00:13:24,103 ELECTION STOLEN?" OR, "SHOULD I HUFF HORSE 263 00:13:24,170 --> 00:13:25,604 MEDICINE?" NO, FOX VIEWERS. 264 00:13:25,671 --> 00:13:27,606 YOU GOTTA SQUIRT IT STRAIGHT UP YOUR BUTT. 265 00:13:27,673 --> 00:13:32,011 CARLSON HAS BEEN REPORTING ON MINAJ'S TWEET BECAUSE HE'S 266 00:13:32,077 --> 00:13:34,213 DESPERATE FOR ANY PROOF THAT THE VACCINE IS NOT SAFE, WHICH 267 00:13:34,280 --> 00:13:35,948 LED TO THIS APPEAL: >> WE HAVEN'T BEEN ABLE TO 268 00:13:36,015 --> 00:13:40,920 FIGURE OUT WHETHER THIS SHOW IS BROADCAST IN TRINIDAD, BUT IF 269 00:13:40,986 --> 00:13:44,290 NICKI MINAJ'S COUSIN'S FRIEND IS WATCHING, OR HIS FORMER 270 00:13:44,356 --> 00:13:46,559 FIANCEE IS WATCHING, WE WANT TO HEAR YOUR STORY. 271 00:13:46,625 --> 00:13:47,793 WE'LL COME TO PORT OF SPAIN TO SEE YOU. 272 00:13:47,860 --> 00:13:52,164 LET US KNOW. 273 00:13:52,231 --> 00:13:53,399 >> Stephen: THAT'S RIGHT. 274 00:13:53,465 --> 00:13:56,902 TUCKER'S WILLING TO GO ANYWHERE TO GET THE IMPORTANT STORIES. 275 00:13:56,969 --> 00:13:59,772 IT REMINDS ME OF WHEN CRONKITE WENT TO VIETNAM TO INTERVIEW 276 00:13:59,838 --> 00:14:01,373 JIMI HENDRIX'S COUSIN'S FRIEND WHO CLAIMED THE POLIO VACCINE 277 00:14:01,440 --> 00:14:04,910 GAVE HIM A MICRO-TAINT. 278 00:14:04,977 --> 00:14:08,914 ( LAUGHTER ) WELL... 279 00:14:08,981 --> 00:14:12,484 ( LAUGHTER ) WE DON'T HAVE ANY IMAGES? 280 00:14:12,551 --> 00:14:14,687 THIS IS CBS? 281 00:14:14,753 --> 00:14:20,593 WE DON'T HAVE IMAGES OF CRONKITE INTERVIEWING A MICRO-TAINT? 282 00:14:20,659 --> 00:14:22,828 I CAN'T BELIEVE THAT. 283 00:14:22,895 --> 00:14:24,296 WELL, WE HERE AT "THE LATE SHOW" ALSO WANT THE TRUTH, BUT I DON'T 284 00:14:24,363 --> 00:14:25,397 WANT TO WASTE MY TIME ON NICKI MINAJ'S COUSIN'S FRIEND 285 00:14:25,464 --> 00:14:28,934 OR THE EX-FIANCEE. 286 00:14:29,001 --> 00:14:35,808 I WANT TO INTERVIEW THE BALLS-- WHICH, AT THIS POINT, ONE 287 00:14:35,874 --> 00:14:37,409 ASSUMES, ARE NOW SO LARGE THEY HAVE BECOME SELF-AWARE AND HAVE 288 00:14:37,476 --> 00:14:43,749 ACQUIRED THE POWER OF SPEECH. 289 00:14:43,816 --> 00:14:47,820 ALSO, AND THIS IS TRUE, WE CHECKED, AND MY SHOW IS 290 00:14:47,886 --> 00:14:52,024 BROADCAST IN TRINIDAD. 291 00:14:52,091 --> 00:14:53,826 SO NICKI MINAJ'S COUSIN'S FRIEND'S GIANT BALLS, IF YOU'RE 292 00:14:53,892 --> 00:14:56,929 WATCHING, I'LL COME DOWN TO PORT OF SPAIN OR THE FRENCH RIVIERA, 293 00:14:56,996 --> 00:15:00,633 OR THE ROLLING HILLS OF TUSCANY. 294 00:15:00,699 --> 00:15:03,535 IT DOES NOT MATTER WHERE, I JUST WANT US TO HANG. 295 00:15:03,602 --> 00:15:05,304 ( LAUGHTER ) ( APPLAUSE ). 296 00:15:05,371 --> 00:15:07,740 >> Jon: AAAH! 297 00:15:07,806 --> 00:15:08,274 AAAH! 298 00:15:08,340 --> 00:15:10,009 COME ON, JAZZ COWBOY! 299 00:15:10,075 --> 00:15:13,212 >> Stephen: THE POINT IS, I WILL GO ANYWHERE FOR A SIT-DOWN 300 00:15:13,279 --> 00:15:16,248 WITH THESE GIANT BALLS. 301 00:15:16,315 --> 00:15:19,685 HOWEVER, I DRAW THE LINE AT INTERVIEWING A TALKING DICK. 302 00:15:19,752 --> 00:15:22,354 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 303 00:15:22,421 --> 00:15:27,793 MY GUESTS ARE JESSICA CHASTAIN AND STEPHEN SONDHEIM. 304 00:15:27,860 --> 00:15:29,295 BUT WHEN WE COME BACK, MY NEW FASHION UPDATE IS THE LATE NIGHT 305 00:15:29,361 --> 00:15:31,497 FASHION SEGMENT FOR THE FALL. 306 00:15:31,563 --> 00:15:32,531 CHECK IT Y'ALL. 307 00:15:57,523 --> 00:16:00,859 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 308 00:16:00,926 --> 00:16:06,532 ♪ OH, YEAH, YEAH OH, YEAH, YEAH 309 00:16:06,598 --> 00:16:08,701 ♪ OH, YEAH, YEAH. 310 00:16:08,767 --> 00:16:10,202 >> Stephen: HEY, EVERYBODY! 311 00:16:10,269 --> 00:16:19,278 SAY HELLO TO JON BATISTE AND STAY HUMAN. 312 00:16:19,345 --> 00:16:21,480 THE POWER OF SONG. 313 00:16:21,547 --> 00:16:28,253 ( CHEERS AND APPLAUSE ). 314 00:16:28,320 --> 00:16:30,522 >> Jon: YEAH, JON! 315 00:16:30,589 --> 00:16:34,426 >> Stephen: JON, WE'VE KNOT-- WE'VE GOT ANOTHER JUST HOT RUN 316 00:16:34,493 --> 00:16:35,761 OF GUESTS TONIGHT. 317 00:16:35,828 --> 00:16:39,498 OUR FIRST GUEST THIS EVENING IS THE WONDERFUL, THE TALENTED 318 00:16:39,565 --> 00:16:41,100 JESSICA CHASTAIN, WHO IS HERE TONIGHT. 319 00:16:41,166 --> 00:16:46,405 SHE IS IN THE NEW MOVIE "THE EYES OF TAMMY FAYE." 320 00:16:46,472 --> 00:16:47,539 , "THE EYES OF TAMMY FAYE." 321 00:16:47,606 --> 00:16:50,843 AND THEN WE HAVE A LIVING TREASURE, STEPHEN SONDHEIM, IS 322 00:16:50,909 --> 00:16:52,044 HERE TONIGHT. 323 00:16:52,111 --> 00:16:53,245 ( CHEERS AND APPLAUSE ). 324 00:16:53,312 --> 00:16:57,149 GRACING BROADWAY, DWRASSING BROADWAY WITH HIS PRESENCE ONCE 325 00:16:57,216 --> 00:16:58,317 AGAIN. 326 00:16:58,384 --> 00:16:58,884 I'VE GOT A QUESTION-- DO YOU HAVE ANY CONNECTION TO ANY OF 327 00:16:58,951 --> 00:17:00,052 THESE PEOPLE? 328 00:17:00,119 --> 00:17:04,256 I KNOW YOU WENT TO JUILLIARD AND JESSICA WENT TO JUILLIARD. 329 00:17:04,323 --> 00:17:05,457 >> Jon: THAT'S RIGHT, THAT'S RIGHT. 330 00:17:05,524 --> 00:17:08,026 >> Stephen: ONE OF YOU MAY BE OLDER THAN THE OTHER BUT I 331 00:17:08,093 --> 00:17:10,729 WONDER IF THERE IS ANY CROSS-OVER. 332 00:17:10,796 --> 00:17:11,897 DO YOU KNOW HER? 333 00:17:11,964 --> 00:17:14,400 >> Jon: SHE LEFT THE YEAR BEFORE I GOT THERE, BUT I KNOW A 334 00:17:14,466 --> 00:17:16,735 LOT OF PEOPLE WHO ACTED WITH HER. 335 00:17:16,802 --> 00:17:17,536 SONDHEIM, OH, MY GOD. 336 00:17:17,603 --> 00:17:20,038 >> Stephen: HAVE YOU MET THE MAESTRO? 337 00:17:20,105 --> 00:17:25,177 >> Jon: I DID AN ARRANGEMENT FROM ONE OF HIS SONGS 338 00:17:25,244 --> 00:17:29,014 "ASSASSIN," AND IT WAS ONE OF THE BEST EXPERIENCES OF MY LIFE, 339 00:17:29,081 --> 00:17:31,016 PERFORMING THAT, AND REALLY DISSECTING THE MOVIE. 340 00:17:31,083 --> 00:17:32,251 >> Stephen: YOU DID IT FOR HIM. 341 00:17:32,317 --> 00:17:32,785 >> Jon: YES. 342 00:17:32,851 --> 00:17:33,685 >> Stephen: WOW. 343 00:17:33,752 --> 00:17:36,288 THAT MUST HAVE BEEN A LITTLE NERVE-RACKING. 344 00:17:36,355 --> 00:17:37,489 >> Jon: OH, YEAH. 345 00:17:37,556 --> 00:17:41,126 ( LAUGHTER ) >> Stephen: IT'S LIKE SAYING 346 00:17:41,193 --> 00:17:43,662 "TO BE OR NOT TO BE" FOR SHAKESPEARE. 347 00:17:43,729 --> 00:17:46,398 >> Jon: YEAH, TO PLAY THE MUSIC FOR THE COMPOSER. 348 00:17:46,465 --> 00:17:47,433 >> Stephen: YEAH. 349 00:17:47,499 --> 00:17:49,268 >> Jon: OH, MY GOODNESS! 350 00:17:49,334 --> 00:17:50,836 BECAUSE HE HEARS EVERYTHING. 351 00:17:50,903 --> 00:17:54,173 SO, YOU KNOW, I'M REALLY-- I'M SO GLAD HE'S HERE, BECAUSE HE'S 352 00:17:54,239 --> 00:17:58,277 REALLY ONE OF THE LAST REAL COMPOSERS FOR BROADWAY IN THAT 353 00:17:58,343 --> 00:17:59,445 ORIGINAL TRADITION OF THE MUSIC. 354 00:17:59,511 --> 00:18:01,814 >> Stephen: WELL, YEAH, HE'LL BE RIGHT THERE, AND WHAT AN 355 00:18:01,880 --> 00:18:03,482 HONOR TO HAVE BOTH OF THEM TONIGHT. 356 00:18:03,549 --> 00:18:05,484 STICK AROUND FOR THAT, Y'ALL. 357 00:18:05,551 --> 00:18:09,488 ( LAUGHTER ) FOLKS, IT'S AN EXCITING TIME FOR 358 00:18:09,555 --> 00:18:15,093 FASHIONISTAS HERE IN THE BIG APPLE, BECAUSE FASHION WEEK JUST 359 00:18:15,160 --> 00:18:16,895 WRAPPED UP, AND FOR THE FIRST TIME IN ALMOST TWO YEARS, NEW 360 00:18:16,962 --> 00:18:20,365 YORK FASHION WEEK WAS BACK IN PERSON. 361 00:18:20,432 --> 00:18:22,401 FASHION WEEK IS BACK, BABY! 362 00:18:22,468 --> 00:18:23,235 AND THANK GOD! 363 00:18:23,302 --> 00:18:25,337 YOU KNOW, YOU KNOW IT'S MY LIFE, CHRIS. 364 00:18:25,404 --> 00:18:32,110 YOU KNOW IT'S WHAT I LIVE FOR. 365 00:18:32,177 --> 00:18:33,879 AND THANK GOD THE SHOWS WERE LIVE, BECAUSE WHEN THEY WERE ON 366 00:18:33,946 --> 00:18:45,491 ZOOM, YOU COULD NEVER TELL IF ANA WINTOR WAS WAS DISAPPROVING 367 00:18:45,557 --> 00:18:46,758 OR FROZEN. 368 00:18:46,825 --> 00:18:48,827 AND THE FASHION PARADE IS RIGHT ON TI,E, BECAUSE AFTER 18 MONTHS 369 00:18:48,894 --> 00:18:50,562 OF SWEATPANTS, WORKERS RETURNING TO THE OFFICE ARE REEVALUATING 370 00:18:50,629 --> 00:18:52,431 WHAT IT MEANS TO DRESS FOR WORK AND TRYING TO FIGURE OUT THEIR 371 00:18:52,498 --> 00:18:53,632 NEW POST-COVID STYLE. 372 00:18:53,699 --> 00:18:55,634 WHICH IS WHY I'M HERE TO HELP CATCH YOU UP ON ALL THE LATEST 373 00:18:55,701 --> 00:18:57,503 STYLE AND BEAUTY TRENDS IN MY SEGMENT: 374 00:18:57,569 --> 00:19:04,276 "THE LATE CHIC PRESENTS: STEPHEN COLBERT'S SLAY YOUR FLEEK." 375 00:19:04,343 --> 00:19:06,478 ( CHEERS AND APPLAUSE ) THEY LOVE IT. 376 00:19:06,545 --> 00:19:09,481 I DID NOT KNOW THEY WOULD BE SO EXCITED FOR THIS. 377 00:19:09,548 --> 00:19:13,051 WOW. 378 00:19:13,118 --> 00:19:16,421 I HOPE YOU'RE READY TO HAVE YOUR FLEEK SLAYED, BECAUSE FIRST UP 379 00:19:16,488 --> 00:19:22,427 ON THE RUNWAY: FASHIONISTAS ARE LOVING EXTREME SUNGLASSES. 380 00:19:22,494 --> 00:19:25,497 I'M NOT SURE EXTREME IS WHAT I WANT FROM PROTECTIVE EYEWEAR. 381 00:19:25,564 --> 00:19:29,501 IT'S LIKE BUYING A NECK BRACE THAT MARKETS ITSELF AS 382 00:19:29,568 --> 00:19:30,202 CRAZY A-F. 383 00:19:30,269 --> 00:19:31,870 SO WHAT ARE EXTREME SUNGLASSES? 384 00:19:31,937 --> 00:19:36,041 ONE STYLE GETTING A LOT OF ATTENTION ARE THES OAKLEY OVER 385 00:19:36,108 --> 00:19:40,412 THE TOPS-- ALSO KNOWN AS A SPORTS BRA FOR YOUR EYEBALLS. 386 00:19:40,479 --> 00:19:46,418 ( LAUGHTER ) SO-- NICE, NICE. 387 00:19:46,485 --> 00:19:48,887 SO, HOW MUCH WILL IT SET YOU BACK TO KEEP YOUR EYES ON TREND? 388 00:19:48,954 --> 00:19:52,424 WELL, RIGHT NOW, THE OVER THE TOPS CAN ONLY BE FOUND ON EBAY 389 00:19:52,491 --> 00:19:56,728 AND ARE GOING FOR A COOL $2,000-- THOUGH, YOU COULD JUST 390 00:19:56,795 --> 00:19:58,430 CUT OUT THE MIDDLE MAN AND GIVE SOMEONE A THOUSAND BUCKS TO TELL 391 00:19:58,497 --> 00:20:01,266 YOU YOU LOOK STUPID. 392 00:20:01,333 --> 00:20:04,403 ( LAUGHTER ) OF COURSE, ANOTHER BIG 393 00:20:04,469 --> 00:20:09,474 POST-COVID FASHION TREND THIS FALL IS CYCLING SHORTS. 394 00:20:09,541 --> 00:20:10,676 SKIN-TIGHT, LATEX SHORTS. 395 00:20:10,742 --> 00:20:13,745 PERFECT FOR ALL OF US DESPERATE FOR PEOPLE TO SEE EVERY LAST 396 00:20:13,812 --> 00:20:17,482 CURVE OF OUR SOURDOUGH-ENHANCED PANDEMIC ASS. 397 00:20:17,549 --> 00:20:21,486 ( LAUGHTER ) THESE ARE SO HOT-- 398 00:20:21,553 --> 00:20:27,426 ( APPLAUSE ) ♪ ♪ ♪ 399 00:20:27,492 --> 00:20:29,494 THESE ARE SO HOT, JUST A FEW WEEKS AGO, POP DIVA LADY GAGA 400 00:20:29,561 --> 00:20:37,502 ROCKED SOME BIKE SHORTS PAIRED WITH EIGHT-INCH HEELS. 401 00:20:37,569 --> 00:20:39,705 AND I GOTTA SAY, SHE IS PULLING OFF THOSE BIKE SHORTS WAY BETTER 402 00:20:39,771 --> 00:20:42,774 THAN LANCE ARMSTRONG PULLED OFF THAT MEAT DRESS. 403 00:20:42,841 --> 00:20:45,477 ( LAUGHTER ) BUT SHORTS ARE NOTHING WITHOUT 404 00:20:45,544 --> 00:20:51,750 SOMETHING TO KEEP THEM UP, AND FOR THAT, YOU'LL NEED THE FALL'S 405 00:20:51,817 --> 00:20:53,485 BIG ACCESSORY TREND: BIZARRELY LONG BELTS, BECAUSE EXTRA-LONG, 406 00:20:53,552 --> 00:20:57,489 PENDULOUS BELTS ARE TRENDING. 407 00:20:57,556 --> 00:21:01,493 BY THE WAY, NICKI MINAJ'S COUSIN'S FRIEND SAYS THE VACCINE 408 00:21:01,560 --> 00:21:03,629 GAVE HIM A VERY PENDULOUS BELT. 409 00:21:03,695 --> 00:21:09,501 ( LAUGHTER ) SO THOSE ARE THE HOTTEST FASHION 410 00:21:09,568 --> 00:21:10,402 TRENDS FOR FALL, PEOPLE. 411 00:21:10,469 --> 00:21:16,341 AND NOW-- ( APPLAUSE ) 412 00:21:16,408 --> 00:21:17,509 AND NOW IT'S TIME TO PUT IT ALL TOGETHER FOR YOUR PERFECT, 413 00:21:17,576 --> 00:21:19,011 POST-COVID FALL OFFICE LOOK. 414 00:21:19,077 --> 00:21:21,480 WORK IT! 415 00:21:21,546 --> 00:21:26,418 HERE IT IS, LADIES AND GENTLEMEN, THE LOOK FOR THE 416 00:21:26,485 --> 00:21:27,185 FALL. 417 00:21:27,252 --> 00:21:29,488 BRING IT RIGHT THERE, RIGHT THERE. 418 00:21:29,554 --> 00:21:31,390 YEAH. 419 00:21:31,456 --> 00:21:32,858 GIVE A LITTLE TURN. 420 00:21:32,924 --> 00:21:34,426 GIVE A LITTLE TURN. 421 00:21:34,493 --> 00:21:35,227 RIGHT THERE. 422 00:21:35,293 --> 00:21:36,028 HOLD IT! 423 00:21:36,094 --> 00:21:36,628 FLEX IT! 424 00:21:36,695 --> 00:21:37,496 FLEX IT! 425 00:21:37,562 --> 00:21:38,864 THERE YOU GO. 426 00:21:38,930 --> 00:21:40,432 THERE YOU GO. 427 00:21:40,499 --> 00:21:43,201 ( CHEERS AND APPLAUSE ). 428 00:21:43,268 --> 00:21:44,136 STAY RIGHT THERE. 429 00:21:44,202 --> 00:21:44,870 RIGHT THERE. 430 00:21:44,936 --> 00:21:46,405 STAY RIGHT THERE. 431 00:21:46,471 --> 00:21:47,806 THERE IT IS, EVERYBODY. 432 00:21:47,873 --> 00:21:52,277 IT'S AN OFFICE OUTFIT THAT SAYS, "CALL MAINTENANCE I GOT MY BELT 433 00:21:52,344 --> 00:21:53,478 CAUGHT IN THE SHREDDER AGAIN." 434 00:21:53,545 --> 00:21:55,814 AND, NO, IT DOESN'T INCLUDE A SHIRT. 435 00:21:55,881 --> 00:21:57,482 THERE WERE NO SHIRT TRENDS THIS FALL. 436 00:21:57,549 --> 00:22:04,022 SO HOPEFULLY, YOUR OFFICE IS NIPPLE POSITIVE. 437 00:22:04,089 --> 00:22:05,123 WE'LL BE RIGHT BACK WITH THE STAR OF "THE EYES OF TAMMY 438 00:22:05,190 --> 00:22:08,193 FAYE," JESSICA CHASTAIN. 439 00:22:08,260 --> 00:22:08,860 ( CHEERS AND APPLAUSE ). 440 00:22:08,927 --> 00:22:09,394 ♪ ♪ ♪ STAY RIGHT THERE. 441 00:22:09,461 --> 00:22:09,895 YOU STAY RIGHT THERE! 442 00:22:18,570 --> 00:22:22,674 ♪ ♪ ♪ ( CHEERS AND APPLAUSE ) 443 00:22:22,741 --> 00:22:25,711 >> Stephen: HEY, WELCOME BACK! 444 00:22:25,777 --> 00:22:29,981 WELCOME BACK TO "THE LATE SHOW," EVERYBODY. 445 00:22:30,048 --> 00:22:34,453 ( CHEERS AND APPLAUSE ) LADIES AND GENTLEMEN, MY FIRST 446 00:22:34,519 --> 00:22:38,190 GUEST IS AN OSCAR- NOMINATED ACTRESS YOU KNOW FROM "THE 447 00:22:38,256 --> 00:22:41,126 HELP," "ZERO DARK THIRTY," AND "MOLLY'S GAME." 448 00:22:41,193 --> 00:22:44,696 PLEASE WELCOME BACK TO "THE LATE SHOW," JESSICA CHASTAIN 449 00:22:44,763 --> 00:22:54,740 ♪ ♪ ♪ ( APPLAUSE ) 450 00:22:54,806 --> 00:23:03,248 ♪ ♪ ♪ ( APPLAUSE ) 451 00:23:03,315 --> 00:23:03,715 >> Stephen: HEY. 452 00:23:03,782 --> 00:23:04,750 >> THAT'S NICE. 453 00:23:04,816 --> 00:23:06,485 THERE ARE PEOPLE IN HERE! 454 00:23:06,551 --> 00:23:08,353 >> Stephen: ISN'T THAT NICE? 455 00:23:08,420 --> 00:23:08,620 YEAH. 456 00:23:08,687 --> 00:23:09,721 >> OH! 457 00:23:09,788 --> 00:23:11,890 >> Stephen: YEAH, IT WAS PRETTY SAD WHEN THERE WERE NO 458 00:23:11,957 --> 00:23:13,091 PEOPLE IN HERE. 459 00:23:13,158 --> 00:23:16,561 WELL, YOU'VE BEEN IN FRONT OF A FEW PEOPLE RECENTLY-- VENICE 460 00:23:16,628 --> 00:23:17,462 FILM FESTIVAL. 461 00:23:17,529 --> 00:23:19,564 >> YEAH, BUT NOT REALLY IN FRONT OF PEOPLE. 462 00:23:19,631 --> 00:23:21,333 >> Stephen: JUST THE RED CARPET, I SUPPOSE. 463 00:23:21,399 --> 00:23:23,969 >> YEAH, RED CARPET, AND ALSO SITTING IN THE AUDIENCE. 464 00:23:24,035 --> 00:23:24,436 >> Stephen: RIGHT. 465 00:23:24,503 --> 00:23:25,670 >> AMONG EVERYONE. 466 00:23:25,737 --> 00:23:29,207 >> Stephen: WELL, THE PREMIERE WAS HERE IN NEW YORK LAST NIGHT, 467 00:23:29,274 --> 00:23:29,875 "THE EYES OF TAMMY FAYE." 468 00:23:29,941 --> 00:23:31,376 HOW DID IT GO? 469 00:23:31,443 --> 00:23:32,778 DID YOU HAVE A GOOD TIME? 470 00:23:32,844 --> 00:23:37,349 >> OH, MY GOSH, I HAD THE BEST TIME EVER. 471 00:23:37,415 --> 00:23:41,353 THERE WAS A HOT-PINK CARPET, AND DRAG QUEENS AND STEVE PETERS WHO 472 00:23:41,419 --> 00:23:43,321 IS IN OUR FILM. 473 00:23:43,388 --> 00:23:46,691 TAMMY FAYE DID AN INTERVIEW WITH HIM IN 1985. 474 00:23:46,758 --> 00:23:49,361 SHE BROUGHT HIM ON HER SHOW. 475 00:23:49,427 --> 00:23:53,999 HE'S AN OPENLY GAY MINISTER WHO HAS AIDS SO HE WAS THERE LAST 476 00:23:54,065 --> 00:23:56,134 NIGHT, TOO. 477 00:23:56,201 --> 00:23:58,303 AND JAY BAKKER, HER SON. 478 00:23:58,370 --> 00:24:01,273 >> Stephen: I WANT TO GET TO THAT, BUT REMIND PEOPLE WHO 479 00:24:01,339 --> 00:24:02,507 TAMMY FAYE WAS. 480 00:24:02,574 --> 00:24:05,377 EVEN PEOPLE WHO MAY REMEMBER JIM AND TAMMY, MAY NOT REMEMBER-- 481 00:24:05,443 --> 00:24:07,879 MAY NOT EVEN KNOW WHO EXACTLY THIS PERSON WAS. 482 00:24:07,946 --> 00:24:10,248 WHY DID YOU-- YOU'VE BEEN TRYING TO MAKE THIS MOVIE FOR 10 YEARS. 483 00:24:10,315 --> 00:24:11,383 >> YEAH. 484 00:24:11,449 --> 00:24:12,918 >> Stephen: YOU'RE ALSO A PRODUCER ON THIS MANUFACTURE. 485 00:24:12,984 --> 00:24:15,620 WHY DID YOU WANT TO TELL HER STORY? 486 00:24:15,687 --> 00:24:22,127 >> I WAS ON THE TOUR FOR SWRER, AND I SAW THE DOCUMENTARY 487 00:24:22,194 --> 00:24:27,332 "THE EYES OF TAMMY FAYE," AND I GREW UP WITH "S.N.L.," SKETCH 488 00:24:27,399 --> 00:24:29,668 COMEDIES AND THE TABLOIDS AND SHE WAS ALWAYS ON THE COVER AND 489 00:24:29,734 --> 00:24:33,205 MADE FUN OF BECAUSE SHE WAS A LARGER-THAN-LIFE PERSON. 490 00:24:33,271 --> 00:24:36,808 SHE WAS A TELEEVANGELIST AND VERY EMOTIONAL AND SHE'S FODDER 491 00:24:36,875 --> 00:24:37,642 FOR COMEDY. 492 00:24:37,709 --> 00:24:39,144 >> Stephen: AND SHE WAS ALWAYS CRYING. 493 00:24:39,211 --> 00:24:43,281 JAN HOOKS WOULD ALWAYS PORTRAY HER WITH MASCARA GOING DOWN HER 494 00:24:43,348 --> 00:24:43,682 FACE. 495 00:24:43,748 --> 00:24:44,282 >> ABSOLUTELY. 496 00:24:44,349 --> 00:24:46,618 SO SHE WAS AN EASY TARGET. 497 00:24:46,685 --> 00:24:49,688 AND THE DOCUMENTARY, ACTUALLY, REEVALUATES HER. 498 00:24:49,754 --> 00:24:53,558 AND YOU REALIZE, YOU KNOW, HER HUSBAND WAS CHARGED AND 499 00:24:53,625 --> 00:24:55,260 CONVICTED OF CRIMES, AND SHE NEVER WAS. 500 00:24:55,327 --> 00:24:58,129 AND YET, SHE WAS STILL VILIFIED BY THE MEDIA. 501 00:24:58,196 --> 00:25:01,032 SO I WANTED TO GO BACK AND CELEBRATE HER FOR THE THINGS 502 00:25:01,099 --> 00:25:05,904 THAT SHE DID AND SAID RATHER THAN THAN, LIKE, VILIFY HER FOR 503 00:25:05,971 --> 00:25:08,840 HOW MUCH MAKEUP SHE WORE, WHICH IS KIND OF WHAT THE HISTORY WAS. 504 00:25:08,907 --> 00:25:11,877 >> Stephen: WHICH IS ACTUALLY MORE THAN YOU EVEN THINK YOU 505 00:25:11,943 --> 00:25:12,177 REMEMBER. 506 00:25:12,244 --> 00:25:13,345 >> YES. 507 00:25:13,411 --> 00:25:15,046 >> Stephen: WHEN YOU ACTUALLY GO BACK AND LOOK AND GO-- I 508 00:25:15,113 --> 00:25:16,281 WATCHED THE MOVIE LAST NIGHT. 509 00:25:16,348 --> 00:25:17,849 AND YOUR PERFORMANCE IS FANTASTIC. 510 00:25:17,916 --> 00:25:19,017 >> THANK YOU. 511 00:25:19,084 --> 00:25:21,286 >> Stephen: AND WHILE-- WHILE YOU CAN'T REALLY PLAY TAMMY 512 00:25:21,353 --> 00:25:24,789 FAYE, I IMAGINE, WITHOUT SEEMING LIKE YOU'RE GOING OVER THE TOP, 513 00:25:24,856 --> 00:25:26,725 IT NEVER FEELS UNREAL, ESPECIALLY IF YOU GO BACK AND 514 00:25:26,791 --> 00:25:27,926 LOOK AT TAMMY FAYE. 515 00:25:27,993 --> 00:25:32,297 AND YOU REALIZE EVERYTHING THAT YOU'RE DOING, WHAT SEEM LIKE 516 00:25:32,364 --> 00:25:36,101 EXTREME IN THE MOVIE, IS EXACTLY WHAT SHE-- 517 00:25:36,167 --> 00:25:37,035 >> I KNOW. 518 00:25:37,102 --> 00:25:38,737 >> Stephen: WAS EXACTLY THE WAY SHE LOOKED. 519 00:25:38,803 --> 00:25:39,905 >> IT'S TRUE. 520 00:25:39,971 --> 00:25:43,275 IT'S A SCARY THING WHEN YOU PLAY A REAL PERSON, AND THEY'RE 521 00:25:43,341 --> 00:25:47,479 EASILY GOOGLABLE-- GOOGLABLE. 522 00:25:47,545 --> 00:25:49,114 IS THAT A WORD? 523 00:25:49,180 --> 00:25:51,750 >> Stephen: THEY HAVE GOOGLABILITY. 524 00:25:51,816 --> 00:25:52,984 >> GOOGLABILITY. 525 00:25:53,051 --> 00:25:56,655 A LOT OF THE SCENES ARE TAKEN STRAIGHT FROM HISTORY SO YOU CAN 526 00:25:56,721 --> 00:25:59,157 WATCH THE MOVIE AND SEE IT ON YOUTUBE, THE REALITY OF IT. 527 00:25:59,224 --> 00:26:00,992 SO THAT'S A LOT OF PRESSURE. 528 00:26:01,059 --> 00:26:04,963 HOPEFULLY-- THE GOOD THING IS BECAUSE I'M PRETTY BIG IN THIS 529 00:26:05,030 --> 00:26:07,499 FILM IN TERMS OF PERFORMANCE. 530 00:26:07,565 --> 00:26:09,534 HOPEFULLY PEOPLE WHEN THEY ACTUALLY LOOK AT HER, THEY'LL 531 00:26:09,601 --> 00:26:13,238 GO, "OH, YEAH, THAT'S WHAT SHE WAS LIKE. 532 00:26:13,305 --> 00:26:16,608 SHE REALLY WAS--" I THINK I WOULD HAVE LOVED HER. 533 00:26:16,675 --> 00:26:17,842 SHE'S FUNNY. 534 00:26:17,909 --> 00:26:21,846 >> Stephen: THERE'S A SORT OF CARICATURE WE HAVE IN OUR MINDS 535 00:26:21,913 --> 00:26:25,250 OF TV PREACHERS, SPECIFICALLY, AND OFTEN BASED ON THINGS THAT 536 00:26:25,317 --> 00:26:27,018 ARE ACTUAL TOUCHSTONES OF THEIR BEHAVIOR. 537 00:26:27,085 --> 00:26:30,655 BUT SHE HAD SOME VERY INTERESTING, QUITE LOVING 538 00:26:30,722 --> 00:26:30,956 BELIEFS. 539 00:26:31,022 --> 00:26:32,123 >> YEAH. 540 00:26:32,190 --> 00:26:33,391 >> Stephen: AND JUST GETTING BACK TO THIS, THIS CLIP THAT I 541 00:26:33,458 --> 00:26:35,393 WANT TO SHOW IN JUST A MOMENT HERE. 542 00:26:35,460 --> 00:26:38,763 SHE WAS VERY ACCEPTING OR MORE ACCEPTING THAN ONE WOULD IMAGINE 543 00:26:38,830 --> 00:26:40,532 OF THE GAY COMMUNITY. 544 00:26:40,598 --> 00:26:41,666 >> YEAH. 545 00:26:41,733 --> 00:26:44,836 IN 1985, I MEAN THE AIDS EPIDEMIC WAS KILLING, YOU KNOW, 546 00:26:44,903 --> 00:26:47,572 COMMUNITIES OF PEOPLE AND DESTROYING FAMILIES. 547 00:26:47,639 --> 00:26:53,778 AND SHE REALLY WRAPPED HER ARMS AROUND THE L.G.B.T.Q. ALDIENCE 548 00:26:53,845 --> 00:26:57,849 AT THE TIME, WHEN CONSERVATIVE EVANGELICLES WERE TURNING THEIR 549 00:26:57,916 --> 00:26:58,783 BACKS ON THEM. 550 00:26:58,850 --> 00:27:01,553 THE GOVERNMENT WOULDN'T EVEN TALK ABOUT AIDS. 551 00:27:01,619 --> 00:27:03,755 SHE BROUGHT STEVE PETERS ON HER SHOW. 552 00:27:03,822 --> 00:27:07,225 AND SHE BASICALLY TALKED TO HER AUDIENCE AND SAID, YOU KNOW, "WE 553 00:27:07,292 --> 00:27:10,028 NEED TO LOVE THROUGH ANYTHING AS MOMS AND DADS. 554 00:27:10,095 --> 00:27:16,401 SO IF SOMEONE COMES OUT TO YOU, WE CHRISTIANS LOVE WITH 555 00:27:16,468 --> 00:27:17,602 ANYTHING." 556 00:27:17,669 --> 00:27:20,038 AND SHE SAID, "THE CHRISTIANS ARE THE SALT OF THE EARTH AND 557 00:27:20,105 --> 00:27:25,777 NEED TO THROW THEIR ARMS AROUND AIDS PATIENTS." 558 00:27:25,844 --> 00:27:31,483 THAT WAS RADICAL FOR HER TIME WHEN YOU HAD PEOPLE LIKE JERRY 559 00:27:31,549 --> 00:27:35,520 FALWELL SAYING HOMOSEXUALITY IS A CANCER DESTROYING THIS 560 00:27:35,587 --> 00:27:36,654 COUNTRY. 561 00:27:36,721 --> 00:27:39,190 TO HAVE THAT WOMAN GO AGAINST THAT KIND OF AUTHORITY IS 562 00:27:39,257 --> 00:27:40,358 AWESOME. 563 00:27:40,425 --> 00:27:41,359 >> Stephen: WE HAVE A CLIP OF THAT MOMENT RIGHT NOW, JIM. 564 00:27:41,426 --> 00:27:44,362 >> AND HOW SAD IS THAT? 565 00:27:44,429 --> 00:27:51,436 THAT WE AS CHRISTIANS WHO ARE SUPPOSED TO LOVE EVERYONE ARE 566 00:27:51,503 --> 00:27:57,075 AFRAID SO BADLY OF AN AIDS PATIENT, THAT WE WILL NOT GO UP 567 00:27:57,142 --> 00:28:06,484 TO THEM AND PUT OUR ARM AROUND THEM AND TELL THEM THAT WE CARE. 568 00:28:06,551 --> 00:28:10,321 ( APPLAUSE ) >> Stephen: IT'S REALLY HARD 569 00:28:10,388 --> 00:28:11,923 TO BELIEVE. 570 00:28:11,990 --> 00:28:13,425 >> AAAH! 571 00:28:13,491 --> 00:28:14,559 THANK YOU SO MUCH! 572 00:28:14,626 --> 00:28:16,394 >> Stephen: I HAVE-- IT'S REALLY-- I HAVE INTERVIEWED A 573 00:28:16,461 --> 00:28:20,098 LOT OF PEOPLE, LIKE IN MARVEL MOVIES WHO LOOK LESS TRANSFORMED 574 00:28:20,165 --> 00:28:22,067 IN THEIR PARTS THAN YOU DO THERE. 575 00:28:22,133 --> 00:28:26,604 I MEAN, IT'S-- I KNOW THAT'S YOU, BUT IT'S AN INCREDIBLE 576 00:28:26,671 --> 00:28:28,573 TRANSFORMATION, BUT BELIEVABLE AT THE SAME TIME. 577 00:28:28,640 --> 00:28:29,741 HOW LONG DID THAT TAKE? 578 00:28:29,808 --> 00:28:32,177 >> WELL, THE MAKEUP-- THE LONGEST IT TOOK WAS SEVEN HOURS 579 00:28:32,243 --> 00:28:32,610 ONE DAY. 580 00:28:32,677 --> 00:28:33,745 IT'S A LOT. 581 00:28:33,812 --> 00:28:37,415 >> Stephen: WELL, THAT-- THAT-- THAT OPENLY GAY MINISTER. 582 00:28:37,482 --> 00:28:38,483 >> YES. 583 00:28:38,550 --> 00:28:42,487 >> Stephen: THAT YOU'RE SPEAKING TO THERE, WHO WAS 584 00:28:42,554 --> 00:28:46,491 H.I.V. POSITIVE AT THE TIME IN 1985, HE LIVED. 585 00:28:46,558 --> 00:28:47,725 >> HE DID. 586 00:28:47,792 --> 00:28:49,294 >> Stephen: HE CAME TO THE PREMIERE. 587 00:28:49,360 --> 00:28:51,696 THAT'S THE REAL STEVE PETERS RIGHT THERE. 588 00:28:51,763 --> 00:28:52,197 ( APPLAUSE ). 589 00:28:52,263 --> 00:28:52,997 >> YES. 590 00:28:53,064 --> 00:28:54,399 >> Stephen: HAD YOU MET HIM BEFORE? 591 00:28:54,466 --> 00:28:55,700 >> I HAD NEVER MET HIM. 592 00:28:55,767 --> 00:28:59,637 SO LAST NIGHT WAS VERY EMOTIONAL FOR ME TO SEE HIM, AND HES SO 593 00:28:59,704 --> 00:29:01,506 BEAUTIFUL IN HIS RAINBOW SCARF. 594 00:29:01,573 --> 00:29:04,309 IT WAS LIKE-- IT WAS A VERY EMOTIONAL PREMIERE. 595 00:29:04,375 --> 00:29:07,312 >> Stephen: DID HE TELL YOU HOW HE FELT ABOUT TAMMY FAYE? 596 00:29:07,378 --> 00:29:08,413 >> HE LOVED HER. 597 00:29:08,480 --> 00:29:10,782 ON YOUTUBE YOU CAN SEE THE INTERVIEW. 598 00:29:10,849 --> 00:29:12,684 THEY REALLY-- THEY HAD NEVER MET BECAUSE HE WAS HAVING 599 00:29:12,750 --> 00:29:16,354 CHEMOTHERAPY AND THE TRIP WAS TOO BIG FOR HIM, SO THEY SPOKE 600 00:29:16,421 --> 00:29:19,124 THROUGH-- LIKE ZOOM, I GUESS AN OLD-FASHIONED ZOOM. 601 00:29:19,190 --> 00:29:20,758 AND THEY JUST LOVED EACH OTHER. 602 00:29:20,825 --> 00:29:23,328 YOU COULD JUST FEEL IT JUST FROM THAT ONE INTERVIEW. 603 00:29:23,394 --> 00:29:26,931 >> Stephen: AND SHE GOT ALL KINDS OF HEAT IF FOR HAVING DONE 604 00:29:26,998 --> 00:29:27,398 THAT. 605 00:29:27,465 --> 00:29:28,633 >> OH, DESTROYED. 606 00:29:28,700 --> 00:29:31,436 LATER ON, SHE WAS REALLY EXILED FROM HER RELIGIOUS COMMUNITY. 607 00:29:31,503 --> 00:29:34,606 I BELIEVE BECAUSE OF IT. 608 00:29:34,672 --> 00:29:38,243 BUT, ALSO, I BELIEVE BECAUSE OF THAT INTERVIEW, BOTH HER AND 609 00:29:38,309 --> 00:29:39,377 STEVE PETERS SAVED LIVES. 610 00:29:39,444 --> 00:29:42,580 I MEAN, THERE WERE A LOT OF YOUNG PEOPLE STRUGGLING WITH 611 00:29:42,647 --> 00:29:46,484 THEIR, YOU KNOW, HOW THEY IDENTIFIED, AND SHE WAS REACHING 612 00:29:46,551 --> 00:29:48,186 OUT HER ARMS TO HELP THEM AND LOVE THEM. 613 00:29:48,253 --> 00:29:50,121 >> Stephen: WE HAVE TO TAKE A QUICK BREAK. 614 00:29:50,188 --> 00:29:50,788 >> OKAY. 615 00:29:50,855 --> 00:29:51,990 >> Stephen: BUT DON'T GO AWAY. 616 00:29:52,056 --> 00:29:55,093 WHEN WE COME BACK, I WILL ASK JESSICA ABOUT A CERTAIN BIT OF 617 00:29:55,160 --> 00:29:57,428 FOOTAGE FROM THE RELD CARPET IN VENICE THAT YOU WON'T WANT TO 618 00:29:57,495 --> 00:29:57,862 MISS. 619 00:30:06,337 --> 00:30:12,677 ( APPLAUSE ) WE ARE BACK WITH THE STAR OF 620 00:30:12,744 --> 00:30:14,879 "THE EYES OF TAMMY FAYE," JESSICA CHASTAIN. 621 00:30:14,946 --> 00:30:16,548 IT'S A BIG MONTH. 622 00:30:16,614 --> 00:30:23,688 YOU'RE ALSO STARRING IN HBO "SCENES FROM A MARRIAGE" ADAPTED 623 00:30:23,755 --> 00:30:28,026 FROM INGMAR BERGMAN'S 1973 MINISERIES, ALONGSIDE OSCAR 624 00:30:28,092 --> 00:30:28,693 ISAACS. 625 00:30:28,760 --> 00:30:29,894 >> I KNOW WHERE YOU'RE GOING. 626 00:30:29,961 --> 00:30:32,230 >> Stephen: THEN WHY DON'T YOU SAY IT FOR ME? 627 00:30:32,297 --> 00:30:33,398 YOU GUYS GO WAY BACK. 628 00:30:33,464 --> 00:30:34,465 >> WAY BACK. 629 00:30:34,532 --> 00:30:36,701 >> Stephen: YOU'RE OLD FRIENDS. 630 00:30:36,768 --> 00:30:39,837 YOU'RE OLD FRIENDS. 631 00:30:39,904 --> 00:30:41,372 SO THERE'S NOTHING TO BE MADE OF THE FOOTAGE WE ROLL. 632 00:30:41,439 --> 00:30:44,142 >> WE WENT TO COLLEGE TOGETHER AT JUILLIARD. 633 00:30:44,209 --> 00:30:46,611 >> Stephen: JUILLIARD, EXACTLY. 634 00:30:46,678 --> 00:30:48,279 YOU'RE BOTH IN LOVING RELATIONSHIPS WITH OTHER PEOPLE. 635 00:30:48,346 --> 00:30:51,149 >> WE'RE BOTH MARRIED TO OTHER PEOPLE. 636 00:30:51,216 --> 00:30:52,116 >> Stephen: IT'S GOING GREAT. 637 00:30:52,183 --> 00:30:53,818 >> WE HAVE BEEN FRIENDS FOR MORE THAN 20 YEARS. 638 00:30:53,885 --> 00:30:57,455 IF IT HASN'T HAPPENED YET, IT'S NOT GOING TO HAPPEN. 639 00:30:57,522 --> 00:30:58,623 SORRY TO TELL EVERYBODY. 640 00:30:58,690 --> 00:31:00,291 PEOPLE GOT VERY EXCITED BY THIS. 641 00:31:00,358 --> 00:31:03,294 >> Stephen: THERE'S THIS FOOTAGE IF YOU HAVEN'T SEEN-- 642 00:31:03,361 --> 00:31:04,796 >> OH, MY GOD! 643 00:31:04,862 --> 00:31:07,265 >> Stephen: THIS IS YOU GUYS ON THE RED CARPET IN VENICE AND 644 00:31:07,332 --> 00:31:08,733 YOU'RE WAVING AT THE CROWDS AS YOU SHOULD. 645 00:31:08,800 --> 00:31:10,668 >> I'M LOOKING STRAIGHT AHEAD. 646 00:31:10,735 --> 00:31:12,570 >> Stephen: GO BACK ONE MORE TIME. 647 00:31:12,637 --> 00:31:14,372 I'M NOT READY FOR THIS. 648 00:31:14,439 --> 00:31:15,173 GO BACK OVER. 649 00:31:15,240 --> 00:31:15,773 START OVER. 650 00:31:15,840 --> 00:31:16,307 ROLL IT AGAIN. 651 00:31:16,374 --> 00:31:22,614 >> STEPHEN-- OOOHH! 652 00:31:22,680 --> 00:31:24,315 >> Stephen: THERE YOU GO... 653 00:31:24,382 --> 00:31:25,016 >> NO. 654 00:31:25,083 --> 00:31:26,150 >> Stephen: THERE YOU GO. 655 00:31:26,217 --> 00:31:29,687 >> IT'S A SLOW-MOTION-- IT'S A SLOW-MOTION VIDEO, AND I'M 656 00:31:29,754 --> 00:31:33,491 LOOKING STRAIGHT AHEAD, DIDN'T EVEN REALIZE WHAT HE WAS DOING, 657 00:31:33,558 --> 00:31:34,592 UNTIL THE PHOTOGRAPHERS LAUGHED. 658 00:31:34,659 --> 00:31:38,529 >> Stephen: I'M NOT SAYING YOU'RE GETTING LOST IN OSCAR 659 00:31:38,596 --> 00:31:39,664 ISAAC. 660 00:31:39,731 --> 00:31:45,270 >> IT'S MY ARM PITS JIEM I'M SAYING HE'S GETTING LOST IN 661 00:31:45,336 --> 00:31:45,970 JESSICA CHASTAIN. 662 00:31:46,037 --> 00:31:47,105 >> IT'S THE POWER OF THE ARMPIT. 663 00:31:47,171 --> 00:31:48,273 IT'S A VERY STRONG FORCE. 664 00:31:48,339 --> 00:31:50,875 >> Stephen: YOU COULD SELL SOME DEODORANT RIGHT NOW IF YOU 665 00:31:50,942 --> 00:31:53,645 COULD TELL PEOPLE WHAT HE WAS SMELLING. 666 00:31:53,711 --> 00:31:54,279 HUSSEY RED. 667 00:31:54,345 --> 00:31:55,446 WHAT WERE YOU WEARING? 668 00:31:55,513 --> 00:31:59,317 >> I BETTER GET SOME KIND OF CAMPAIGN OUT OF THIS, I DON'T 669 00:31:59,384 --> 00:32:00,251 KNOW. 670 00:32:00,318 --> 00:32:01,152 SECRET? 671 00:32:01,219 --> 00:32:02,687 >> Stephen: WELL, IT'S LOVELY TO SEE YOU. 672 00:32:02,754 --> 00:32:04,522 THANK YOU SO MUCH FOR BEING HERE AGAIN. 673 00:32:04,589 --> 00:32:05,657 >> THANK YOU. 674 00:32:05,723 --> 00:32:07,125 >> Stephen: THE MOVIE IS FANTASTIC, AND YOUR PERFORMANCE 675 00:32:07,191 --> 00:32:07,659 IS INCREDIBLE. 676 00:32:07,725 --> 00:32:08,226 >> I APPRECIATE THAT. 677 00:32:08,293 --> 00:32:12,897 THANK YOU. 678 00:32:12,964 --> 00:32:14,032 >> Stephen: "THE EYES OF TAMMY FAYE" IS IN THEATERS THIS 679 00:32:14,098 --> 00:32:15,366 WEEKEND AND "SCENES FROM A MARRIAGE" IS ON HBO. 680 00:32:15,433 --> 00:32:18,202 JESSICA CHASTAIN, EVERYBODY WE'LL BE RIGHT BACK WITH 681 00:32:18,269 --> 00:32:21,005 BROADWAY LEGEND STEPHEN SONDHEIM. 682 00:32:43,828 --> 00:32:44,996 >> SOMEBODY IN THE WHITE HOUSE 683 00:32:45,063 --> 00:32:49,467 HAS AUTHORITY TO PRESS THE BUTTON AND STOP THE PRESIDENT-- 684 00:32:49,534 --> 00:32:53,137 CUT OFF THE PRESIDENT'S SPEAKING ABILITY AND SOUND. 685 00:32:53,204 --> 00:32:54,305 WHO IS THAT PERSON? 686 00:32:54,372 --> 00:32:56,140 IT'S BEEN WIDELY REPORTED THAT SOMEBODY HAS THE ABILITY TO 687 00:32:56,207 --> 00:32:59,777 PUSHLET BITON AND CUT OFF HIS SOUND AND STOP HIM FROM 688 00:32:59,844 --> 00:33:00,278 SPEAKING? 689 00:33:00,345 --> 00:33:01,913 WHO IS THAT PERSON? 690 00:33:01,979 --> 00:33:04,716 >> SEE, REPUBLICAN RANKING MMBERS OF COMMITTEE SEEM COMP 691 00:33:04,782 --> 00:33:07,618 AT THE PRESENT TIME, BUT THEY'RE IDIOTS VULNERABLE TO CONSPIRACY 692 00:33:07,685 --> 00:33:08,920 THEORIES LIKE YOU AND ME. 693 00:33:08,986 --> 00:33:12,724 IT MAKES YOU WONDER IF ANYONE NOT DANGEROUSLY INEPT IS 694 00:33:12,790 --> 00:33:16,494 STEERING THE SHIP. 695 00:33:16,561 --> 00:33:17,628 THAT WAS SCARY, HUH? 696 00:33:17,695 --> 00:33:19,263 HEY, WHO WANTS TO VISIT A GIFT SHOP. 697 00:33:19,330 --> 00:33:19,997 >> HOORAY! 698 00:33:37,215 --> 00:33:39,183 ( CHEERS AND APPLAUSE ) >> Stephen: HEY, EVERYBODY! 699 00:33:39,250 --> 00:33:45,656 WELCOME BACK TO "THE LATE SHOW." 700 00:33:45,723 --> 00:33:50,228 LADIES AND GENTLEMEN, MY NEXT GUEST THIS EVENING IS THE 701 00:33:50,294 --> 00:33:51,562 GREATEST COMPOSER AND LYRICIST IN THE HISTORY OF AMERICAN 702 00:33:51,629 --> 00:33:52,630 THEATER. 703 00:33:52,697 --> 00:33:55,900 PLEASE WELCOME TO "THE LATE SHOW," STEPHEN SONDHEIM 704 00:33:55,967 --> 00:33:58,669 ( CHEERS AND APPLAUSE ) ♪ ♪ ♪ 705 00:33:58,736 --> 00:33:59,771 >> THANK YOU. 706 00:33:59,837 --> 00:34:01,639 THANK YOU. 707 00:34:01,706 --> 00:34:11,783 THANK YOU. 708 00:34:11,849 --> 00:34:16,621 >> Stephen: YOU'VE GOT-- IT'S NICE-- IT'S NICE TO SEE YOU 709 00:34:16,687 --> 00:34:17,221 AGAIN. 710 00:34:17,288 --> 00:34:17,722 THANK YOU FOR BEING HERE. 711 00:34:17,789 --> 00:34:18,923 >> GOOD TO SEE YOU. 712 00:34:18,990 --> 00:34:21,726 >> Stephen: I GOT A CHANCE TO INTERVIEW A COUPLE OF TIMES AT 713 00:34:21,793 --> 00:34:25,062 THE "COLBERT REPORT," AND ONE OF THE THINGS YOU SAID TO ME THEN 714 00:34:25,129 --> 00:34:30,902 WAS AS A YOUNG MAN, YOU WERE LUCKY ENOUGH TO BE MENTORED BY 715 00:34:30,968 --> 00:34:32,236 OSCAR HAMMERSTEIN II. 716 00:34:32,303 --> 00:34:35,606 I HAVE A PHOTO OF THE TWO OF YOU RIGHT HERE. 717 00:34:35,673 --> 00:34:36,674 >> OH. 718 00:34:36,741 --> 00:34:37,975 >> Stephen: THERE'S HAMMERSTEIN. 719 00:34:38,042 --> 00:34:38,409 THERE'S YOU. 720 00:34:38,476 --> 00:34:39,343 >> 16 YEARS OLD. 721 00:34:39,410 --> 00:34:41,345 >> Stephen: YOU HAVEN'T CHANGED AT ALL, KID. 722 00:34:41,412 --> 00:34:42,547 YOU LOOK FANTASTIC. 723 00:34:42,613 --> 00:34:46,651 FOR THE-- YOU KNOW, FOR THE PEOPLE OUT THERE, THE BURGEONING 724 00:34:46,717 --> 00:34:50,655 SONDHEIMS OUT THERE, WHAT IS IT THAT HE TAUGHT YOU THAT STILL 725 00:34:50,721 --> 00:34:55,226 STICKS WITH YOU TODAY AS A COMPOSER AND AS A LYRICIST? 726 00:34:55,293 --> 00:34:58,062 >> MAJORLY, HE TAUGHT ME TO WRITE FOR MYSELF. 727 00:34:58,129 --> 00:34:59,997 BECAUSE I WROTE SONGS THAT IMITATED HIM. 728 00:35:00,064 --> 00:35:05,470 HE SAID, "NO, WRITE WHAT YOU FEEL." 729 00:35:05,536 --> 00:35:09,340 HE SAID, "THIS IS WHAT I FEEL ABOUT, YOU KNOW, LOVE AND 730 00:35:09,407 --> 00:35:11,476 HUMANITY. 731 00:35:11,542 --> 00:35:12,777 YOU WRITE WHAT YOU FEEL." 732 00:35:12,844 --> 00:35:16,481 AND THAT WAS IMPORTANT BECAUSE YOU THINK THAT WOULD BE NATURAL, 733 00:35:16,547 --> 00:35:17,181 BUT IT'S NOT. 734 00:35:17,248 --> 00:35:18,916 IT'S NOT. 735 00:35:18,983 --> 00:35:22,153 PARTICULARLY, IF YOU THINK HIGHLY OF THE PERSON THAT YOU'RE 736 00:35:22,220 --> 00:35:23,354 IMITATING, WHICH I DID. 737 00:35:23,421 --> 00:35:26,090 >> Stephen: HOW LONG DID IT TAKE YOU TO-- IT'S NOT A SWITCH 738 00:35:26,157 --> 00:35:26,691 YOU CAN FLIP. 739 00:35:26,757 --> 00:35:27,758 HOW LONG DID IT TAKE YOU? 740 00:35:27,825 --> 00:35:29,093 >> NO, NO. 741 00:35:29,160 --> 00:35:32,997 IT TOOK ME-- WELL, I WAS WRITING A SCORE, I WAS WRITING A MUSICAL 742 00:35:33,064 --> 00:35:35,833 RIGHT AFTER I GOT OUT OF COLLEGE, AND IT TOOK ME THE TIME 743 00:35:35,900 --> 00:35:37,635 IT TOOK TO WRITE THAT MUSICAL. 744 00:35:37,702 --> 00:35:41,906 THE MUSICAM ENDED UP NOT VERY GOOD, BUT I HAD LEARNED MY 745 00:35:41,973 --> 00:35:43,074 LESSON. 746 00:35:43,140 --> 00:35:45,643 AND IT SOUNDED LIKE ME, WHICH WASN'T NECESSARILY THE BEST 747 00:35:45,710 --> 00:35:46,177 THING. 748 00:35:46,244 --> 00:35:47,245 ( LAUGHTER ). 749 00:35:47,311 --> 00:35:50,515 >> Stephen: WELL, ARE YOU STILL WRITING, BY THE WAY? 750 00:35:50,581 --> 00:35:51,516 >> YES, I AM. 751 00:35:51,582 --> 00:35:52,917 >> Stephen: YOU ARE? 752 00:35:52,984 --> 00:35:53,751 WELL, THAT'S GOOD. 753 00:35:53,818 --> 00:35:58,656 NOT EVERYBODY COMPOSES INTO THEIR 90s. 754 00:35:58,723 --> 00:36:00,525 ( APPLAUSE ) >> I'VE BEEN WORKING ON A SHOW 755 00:36:00,591 --> 00:36:05,830 FOR A COUPLE OF YEARS WITH A PLAYWRIGHT NAMED DAVID IVES. 756 00:36:05,897 --> 00:36:09,000 AND IT'S CALLED "SQUARE ONE." 757 00:36:09,066 --> 00:36:12,537 AND WE HAD A READING OF IT LAST WEEK, AND WE WERE ENCOURAGED. 758 00:36:12,603 --> 00:36:17,074 SO WE'RE GOING TO GO AHEAD WITH IT, AND WITH ANY LUCK, WE'LL GET 759 00:36:17,141 --> 00:36:18,476 IT ON NEXT SEASON. 760 00:36:18,543 --> 00:36:20,778 >> Stephen: YOU AND YOUR COLLABORATOR-- 761 00:36:20,845 --> 00:36:25,016 ( APPLAUSE ) YOU AND YOUR COLLABORATOR, JAMES 762 00:36:25,082 --> 00:36:27,184 LUPINE WROTE A BOOK "PUTTING IT TOGETHER" ABOUT OF TWO OF YOU 763 00:36:27,251 --> 00:36:30,354 CREATING "SUNDAY IN THE PARK WALL STREET REQUEST GEORGE. 764 00:36:30,421 --> 00:36:34,592 WHAT'S YOUR FAVORITE PART ABOUT WORKING WITH LUPINE? 765 00:36:34,659 --> 00:36:39,997 >> JAMES IS-- HE'S A GENERATION YOUNGER THAN I. 766 00:36:40,064 --> 00:36:43,167 AND HE WILL GO ANYWHERE. 767 00:36:43,234 --> 00:36:44,201 HE'LL TRY ANYTHING. 768 00:36:44,268 --> 00:36:47,972 I WAS BROUGHT UP MORE CONSERVATIVELY, WHICH-- THE 769 00:36:48,039 --> 00:36:51,142 NUMBER HAS GOT TO BE OR THE SCENE HAS GOT TO BE PERFECT 770 00:36:51,208 --> 00:36:54,145 BEFORE YOU GO INTO REHEARSAL. 771 00:36:54,211 --> 00:36:57,048 AND HE SAID, "NO, LET'S SEE WHERE WE GO. 772 00:36:57,114 --> 00:37:00,151 LET'S SEE HOW IT GOES." 773 00:37:00,217 --> 00:37:05,790 THE IMPROVISATORY OF HIS GENERATION, THAT WAS VERY GOOD 774 00:37:05,856 --> 00:37:09,393 FOR ME, LOOSEN MEADE UP, AND THAT WAS A GREAT DEAL OF FUN TO 775 00:37:09,460 --> 00:37:11,262 WRITE WITH HIM FOR JUST THAT REASON. 776 00:37:11,329 --> 00:37:16,801 >> Stephen: WELL I WAS-- I WAS NICELY ENOUGH, I GOT A NOTE FROM 777 00:37:16,867 --> 00:37:19,170 JAMES LAPINE ASKING ME IF I WOULD BLURB THE BOOK. 778 00:37:19,236 --> 00:37:21,072 >> OH, THANK YOU. 779 00:37:21,138 --> 00:37:22,239 THAT BLURB WAS GREAT. 780 00:37:22,306 --> 00:37:23,808 >> Stephen: AND I WANTED TO READ IT TO THESE PEOPLE. 781 00:37:23,874 --> 00:37:25,009 >> PLEASE. 782 00:37:25,076 --> 00:37:26,510 >> Stephen: IT'S A TRUE STORY AND I WANTED TO SAY IT TO YOU. 783 00:37:26,577 --> 00:37:27,745 YOU MAY KNOW THIS. 784 00:37:27,812 --> 00:37:31,449 WHEN I WAS 19 I READ THE LYRICS OF "PUTTING IT TOGETHER" TO MY 785 00:37:31,515 --> 00:37:33,618 MOTHER SAYING THIS IS WHAT I WANTED TO DO WITH MY LIFE. 786 00:37:33,684 --> 00:37:37,555 EVEN THOUGH I HAD NO IDEA OF WHAT "THIS" MIGHT BE. 787 00:37:37,622 --> 00:37:40,124 I COULDN'T STING LIKE MANDY PATINKIN. 788 00:37:40,191 --> 00:37:46,430 I COULDN'T COMPOSE LIKE SONDHEIM BUT THAT PLAY WAS A WINDOW FROM 789 00:37:46,497 --> 00:37:50,635 THIS WORLD TO THAT AND I WILL ALWAYS BE GRATEFUL TO YOU FOR 790 00:37:50,701 --> 00:37:55,906 LAYING OUT THE DESIRE AND THE BEAUTY OF THE ACT OF CREATION 791 00:37:55,973 --> 00:37:57,642 ITSELF, REGARDLESS OF WHERE THAT MAY TAKE YOU. 792 00:37:57,708 --> 00:38:00,177 >> WHEN I READ THAT, I WAS TOUCHED. 793 00:38:00,244 --> 00:38:04,749 AND I'M TOUCHED AGAIN. 794 00:38:04,815 --> 00:38:05,883 THANK YOU ( APPLAUSE ). 795 00:38:05,950 --> 00:38:13,290 >> Stephen: THANK YOU. 796 00:38:13,357 --> 00:38:15,059 NOW, BROADWAY FULLY OPENED THIS WEEK. 797 00:38:15,126 --> 00:38:16,661 >> YEAH, ISN'T THAT GREAT. 798 00:38:16,727 --> 00:38:18,162 >> Stephen: WHICH IS FANTASTIC. 799 00:38:18,229 --> 00:38:23,167 AND SOON "COMPANY," YOUR MUSICAL "COMPANY" IS COMING BACK IN 800 00:38:23,234 --> 00:38:27,004 NOVEMBER, THIS TIME SWAPPING THE GENDER OF MALE-FEMALE OF BOBBIE 801 00:38:27,071 --> 00:38:27,972 AND OTHER MEMBERS OF THE CAST. 802 00:38:28,039 --> 00:38:28,673 HAVE YOU SEEN IT YET? 803 00:38:28,739 --> 00:38:30,741 >> OH, YEAH, I SAW IT IN LONDON. 804 00:38:30,808 --> 00:38:34,245 AND ALSO, WE HAD A WEEK OF PREVIEWS HERE BEFORE THE 805 00:38:34,311 --> 00:38:37,515 PANDEMIC CLOSED EVERYTHING DOWN. 806 00:38:37,581 --> 00:38:39,417 SO-- IT'S A WONDERFUL PRODUCTION. 807 00:38:39,483 --> 00:38:41,652 HIGHLY RECOMMENDED. 808 00:38:41,719 --> 00:38:45,656 AND I DON'T USUALLY TOUT MY OWN STUFF, BUT I URGE EVERYBODY HERE 809 00:38:45,723 --> 00:38:46,490 TO SEE IT. 810 00:38:46,557 --> 00:38:47,491 ( LAUGHTER ) ( APPLAUSE ) 811 00:38:47,558 --> 00:38:51,162 ( CHEERING ) >> Stephen: I HAVE A DATE WITH 812 00:38:51,228 --> 00:38:52,630 CHRISTINE BURANSKY. 813 00:38:52,697 --> 00:38:53,264 SHE'S TAKING ME. 814 00:38:53,330 --> 00:38:55,099 SHE ASKED ME TO GO WITH HER. 815 00:38:55,166 --> 00:38:58,402 >> YOU'RE GOING TO HAVE SUCH A GOOD TIME. 816 00:38:58,469 --> 00:39:01,372 IT'S ONE OF THE MOST ENTERTAINING EVENINGS I HAD IN 817 00:39:01,439 --> 00:39:02,573 THE THEATER. 818 00:39:02,640 --> 00:39:04,475 THIS LADY, MARIANNE ELLIOTT, WHO DIRECTED IT, IS REMARKABLE. 819 00:39:04,542 --> 00:39:08,946 >> Stephen: IN DECEMBER, WE'LL GET TO SEE STEPHEN SPIELBERG'S 820 00:39:09,013 --> 00:39:12,650 VERSION OF "WEST SIDE STORY," AND YOU VISITED THE SET. 821 00:39:12,717 --> 00:39:13,751 HERE WE GO. 822 00:39:13,818 --> 00:39:14,752 THERE'S ANOTHER. 823 00:39:14,819 --> 00:39:17,421 THERE YOU ARE WITH STEPHEN SPIELBERG ON THE SET. 824 00:39:17,488 --> 00:39:19,423 YOU VISITED WHILE THEY WERE SHOOTING. 825 00:39:19,490 --> 00:39:20,191 >> YEAH. 826 00:39:20,257 --> 00:39:21,125 >> Stephen: WHAT CAN YOU TELL US? 827 00:39:21,192 --> 00:39:21,659 WHAT DO YOU KNOW? 828 00:39:21,726 --> 00:39:23,160 >> OH, IT'S TERRIFIC. 829 00:39:23,227 --> 00:39:24,595 AGAIN, TOUTING MY OWN WORK. 830 00:39:24,662 --> 00:39:26,464 NO, IT'S REALLY TERRIFIC. 831 00:39:26,530 --> 00:39:27,164 EVERYBODY, GO. 832 00:39:27,231 --> 00:39:28,399 YOU'LL REALLY HAVE A GOOD TIME. 833 00:39:28,466 --> 00:39:31,202 AND FOR THOSE OF YOU WHO KNOW THE SHOW, THERE ARE GOING TO BE 834 00:39:31,268 --> 00:39:37,942 SOME REAL SURPRISES IN IT BECAUSE TONY KUSHNER, WHO WROTE 835 00:39:38,008 --> 00:39:39,176 THE SCREEN PLAY, HAS DONE SOME REALLY IMAGINATIVE AND 836 00:39:39,243 --> 00:39:43,414 SURPRISING THINGS WITH THE WAY THE SONGS ARE USED IN THE STORY. 837 00:39:43,481 --> 00:39:50,020 AND THE WHOLE THING IS-- HAS REAL SPARKLE TO IT AND REAL 838 00:39:50,087 --> 00:39:50,521 ENERGY. 839 00:39:50,588 --> 00:39:52,389 AND IT FEELS FRESH. 840 00:39:52,456 --> 00:39:55,359 IT'S JUST-- IT'S REALLY FIRST RATE. 841 00:39:55,426 --> 00:40:01,065 AND MOVIE MUSICALS ARE HARD TO DO, AND THIS ONE, SPIELBERG AND 842 00:40:01,132 --> 00:40:02,032 KUSHNER REALLY NAILED IT. 843 00:40:02,099 --> 00:40:04,435 >> Stephen: IT'S LOVELY TO SEE YOU AGAIN. 844 00:40:04,502 --> 00:40:06,604 THANK YOU FOR COMING ON. 845 00:40:06,670 --> 00:40:07,538 >> MY PLEASURE. 846 00:40:07,605 --> 00:40:09,473 >> Stephen: I LOOK FORWARD TO "SQUARE ONE." 847 00:40:09,540 --> 00:40:15,846 >> "SQUARE ONE QINDEED. 848 00:40:15,913 --> 00:40:16,914 >> Stephen: PREVIEWS FOR "COMPANY" ON BROADWAY START 849 00:40:16,981 --> 00:40:18,082 NOVEMBER 15. 850 00:40:18,149 --> 00:40:20,251 STEPHEN SONDHEIM, EVERYBODY THAT'S IT FOR "THE LATE SHOW." 851 00:40:20,317 --> 00:40:23,687 TUNE IN TOMORROW WHEN MY GUEST WILL BE MELISSA McCARTHY.