1 00:00:04,003 --> 00:00:05,171 >> SENATOR SHELDON WHITEHOUSE IS DEFENDING HIS FAMILY'S TIES TO 2 00:00:05,238 --> 00:00:10,944 AN EXCLUSIVE BEACH CLUB AFTER FACING GROWING CRITICISM OVER 3 00:00:11,010 --> 00:00:12,145 ITS APPARENT LACK OF DIVERSITY. 4 00:00:12,212 --> 00:00:16,015 THE RHODE ISLAND DEMOCRAT SAYS THAT HE REACHED OUT TO BAILEY 5 00:00:16,082 --> 00:00:19,652 BEACH CLUB IN NEWPORT, WHICH DENIED BEING ALL WHITE, BUT THIS 6 00:00:19,719 --> 00:00:22,555 LATEST BACKLASH DID MAKE SENATOR WHITEHOUSE REEVALUATE HIS 7 00:00:22,622 --> 00:00:25,959 MEMBERSHIPS TO OTHER SIMILAR ESTABLISHMENTS, INCLUDING A 8 00:00:26,025 --> 00:00:27,026 SAILING CLUB. 9 00:00:58,525 --> 00:00:59,993 >> Announcer: IT'S THE "A LATE - "THE LATE SHOW" WITH STEPHEN 10 00:01:00,059 --> 00:01:01,227 COLBERT! 11 00:01:01,294 --> 00:01:07,934 TONIGHT A REAWAKENING SMM PLUS STEPHEN WELCOMES ROBERT DUVALL, 12 00:01:08,001 --> 00:01:09,969 FEATURING JON BATISTE AND "STAY HUMAN." 13 00:01:10,036 --> 00:01:14,974 AND NOW LIVE ON TAPE FROM THE ED SULLIVAN THEATER IN NEW YORK 14 00:01:15,041 --> 00:01:20,547 CITY, IT'S STEPHEN COLBERT! 15 00:01:20,613 --> 00:01:30,590 ( CHEERS AND APPLAUSE ) ♪♪ 16 00:01:30,657 --> 00:01:38,932 ( CHEERS AND APPLAUSE ) ♪♪ 17 00:01:38,998 --> 00:01:44,571 >> Stephen: CHRIS, CHRIS! 18 00:01:44,637 --> 00:01:46,072 YEAH. 19 00:01:46,139 --> 00:01:52,512 ( AUDIENCE CHANTING STEPHEN ) >> Stephen: HEY! 20 00:01:52,579 --> 00:01:54,247 PLEASE HAVE A SEAT, LADIES AND GENTLEMEN! 21 00:01:54,314 --> 00:01:57,917 WELCOME, WELCOME ONE AND ALL TO "THE LATE SHOW." 22 00:01:57,984 --> 00:02:01,287 I'M YOUR HOST STEPHEN COLBERT, AND I AM SO GLAD -- 23 00:02:01,354 --> 00:02:07,660 ( CHEERS AND APPLAUSE ) -- SO GLAD THAT QUARANTINE 24 00:02:07,727 --> 00:02:08,795 RESTRICTIONS HAVE BEEN LIFTED. 25 00:02:08,862 --> 00:02:11,131 IT'S THE ONLY REASON I CAN BE WITH YOU ALL TONIGHT, YOU 26 00:02:11,197 --> 00:02:12,098 WONDERFUL LIVE AUDIENCE. 27 00:02:12,165 --> 00:02:15,535 ( CHEERS AND APPLAUSE ) ( PIANO RIFF ) 28 00:02:15,602 --> 00:02:16,269 NOTHING LIKE A THURSDAY CROWD. 29 00:02:16,336 --> 00:02:18,705 >> Jon: THURSDAY CROWD! 30 00:02:18,771 --> 00:02:22,308 >> Stephen: BUT AS NICE AS IT IS TO BE 31 00:02:22,375 --> 00:02:24,043 EMERGING FROM LOCKDOWN, THERE ARE A FEW DOWNSIDES. 32 00:02:24,110 --> 00:02:28,548 HERE IN NEW YORK TO-GO COCKTAILS AND ALCOHOL 33 00:02:28,615 --> 00:02:30,083 DELIVERY ENDS TODAY. 34 00:02:30,149 --> 00:02:30,383 ( BOOING ) SEE, NEW YORK? 35 00:02:33,953 --> 00:02:40,560 THE PEOPLE WANT THEIR BOOOOOOZE! 36 00:02:40,627 --> 00:02:44,964 ( CHEERS AND APPLAUSE ) NOW, BACK AT THE HEIGHT OF THE 37 00:02:45,031 --> 00:02:47,433 PANDEMIC, THE STATE CHANGED THE RULES AND ALLOWED RESTAURANTS 38 00:02:47,500 --> 00:02:52,305 AND BARS TO START SELLING ALCOHOLIC BEVERAGES TO-GO. 39 00:02:52,372 --> 00:02:54,073 BUT RECENTLY, GOVERNOR CUOMO DECLARED THAT NEW YORK'S STATE 40 00:02:54,140 --> 00:02:57,176 OF EMERGENCY WILL END THURSDAY. 41 00:02:57,243 --> 00:02:59,646 KICKING OFF A NEW STATE OF EMERGENCY WHERE I CAN'T GET A 42 00:02:59,712 --> 00:03:03,683 BICYCLIST TO BRING ME A MARGARITA IN A WET PAPER BAG SO 43 00:03:03,750 --> 00:03:06,019 I CAN SIP IT OUT OF A PROMOTIONAL BLUE BLOODS COFFEE 44 00:03:06,085 --> 00:03:08,855 MUG IN MY BATHTUB. 45 00:03:08,922 --> 00:03:12,091 ( LAUGHTER ) OTHERWISE KNOWN AS THURSDAY. 46 00:03:12,158 --> 00:03:16,563 SPEAKING OF NEW YORKERS IN DESPERATE NEED OF ALCOHOL, 47 00:03:16,629 --> 00:03:27,740 THERE'S BAD NEWS FOR FORMER NEW YORK MAYOR AND - 48 00:03:27,807 --> 00:03:28,641 ( BOOING ) PAPARAZZI SHOT OF DORIAN GRAY, 49 00:03:28,708 --> 00:03:30,076 RUDY GIULANI. 50 00:03:30,143 --> 00:03:32,545 WAIT, JIM, I WANT TO GO BACK. 51 00:03:32,612 --> 00:03:33,546 GIVE ME ANOTHER. 52 00:03:33,613 --> 00:03:40,119 FORMER NEW YORK MAYOR AND BIG TOE WITH DENTURES 53 00:03:40,186 --> 00:03:44,557 GOBLIN WHO ATE YOUR TEETH, SQUIRREL WHO TRADED HIS NUTS FOR 54 00:03:44,624 --> 00:03:48,094 A SHOT OF VODKA RUDY GIULIANI. 55 00:03:48,161 --> 00:03:51,998 YOU MAY RECALL THAT EARLIER THIS YEAR, MR. GIULIANI, WHILE 56 00:03:52,065 --> 00:03:56,569 WORKING FOR A CERTAIN FORMER PRESIDENT, TRIED TO SCREW 57 00:03:56,636 --> 00:03:58,738 AMERICAN DEMOCRACY. 58 00:03:58,805 --> 00:04:01,841 THAT'S NOT A METAPHOR, HE DID IT NEXT TO A SEX SHOP. 59 00:04:01,908 --> 00:04:04,477 ( LAUGHTER ) WELL, NOW, LADIES AND GENTLEMEN, 60 00:04:04,544 --> 00:04:12,085 THE DILDOS HAVE COME HOME TO ROOST BECAUSE -- 61 00:04:12,151 --> 00:04:15,388 ( LAUGHTER ) EARLIER TODAY, A NEW YORK 62 00:04:15,455 --> 00:04:17,557 APPELLATE COURT SUSPENDED GIULIANI'S LAW LICENSE. 63 00:04:17,624 --> 00:04:20,560 ( CHEERS AND APPLAUSE ) >> Jon: WOW! 64 00:04:20,627 --> 00:04:24,097 WOW! 65 00:04:24,163 --> 00:04:29,636 ( CHEERS AND APPLAUSE ) >> Stephen: SURE, WHY NOT? 66 00:04:29,702 --> 00:04:34,340 THIS IS A DRAMATIC FALL FROM GRACE. 67 00:04:34,407 --> 00:04:36,109 IN THE CITY HE WAS MAYOR OF, RUDY GIULIANI CAN NO LONGER 68 00:04:36,175 --> 00:04:37,243 PRACTICE LAW. 69 00:04:37,310 --> 00:04:38,678 AND IF LAST YEAR HAS PROVEN ANYTHING, IT'S THAT WHEN IT 70 00:04:38,745 --> 00:04:42,115 COMES TO LAW, RUDY NEEDS A LOT OF PRACTICE. 71 00:04:42,181 --> 00:04:44,984 ( LAUGHTER ) GIULIANI WAS AMERICA'S MAYOR. 72 00:04:45,051 --> 00:04:49,422 BEFORE THAT, HE WAS THE CRUSADING FEDERAL PROSECUTOR WHO 73 00:04:49,489 --> 00:04:50,123 BUSTED UP LA COSA NOSTRA. 74 00:04:50,189 --> 00:04:52,225 NOW, HE'S LOST HIS CAREER. 75 00:04:52,291 --> 00:04:52,792 HOW'S HE GONNA EAT? 76 00:04:52,859 --> 00:04:56,763 AND MORE LIKELY, DRINK? 77 00:04:56,829 --> 00:04:58,064 ( LAUGHTER ) IF HE NEEDS CASH, HE COULD 78 00:04:58,131 --> 00:05:00,500 ALWAYS SELL THE FRACKING RIGHTS TO HIS SKULL. 79 00:05:00,566 --> 00:05:09,542 ( LAUGHTER ) ♪ UP FROM THE GROUND CAME A 80 00:05:09,609 --> 00:05:11,511 BUBBLING CRUDE ♪ ( LAUGHTER ) 81 00:05:11,577 --> 00:05:12,779 SHORTLY AFTER THE RULING, RUDY'S SON ANDREW TWEETED HIS DEFENSE 82 00:05:12,845 --> 00:05:16,382 OF HIS FATHER. 83 00:05:16,449 --> 00:05:18,117 >> I AM INFURIATED BY ALL OF THIS, AND ANY AMERICAN THAT 84 00:05:18,184 --> 00:05:19,919 BELIEVES IN AN INDEPENDENT JUSTICE SYSTEM, THIS IS GOING 85 00:05:19,986 --> 00:05:23,556 AFTER ONE OF PRESIDENT TRUMP'S CLOSEST ALLIES. 86 00:05:23,623 --> 00:05:36,569 >> Stephen: AND FURTHERMORE -- ( CHEERS AND APPLAUSE ) 87 00:05:36,636 --> 00:05:39,639 -- FURTHERMORE, THE JUSTICE SYSTEM FRAMED THIS CAMERA ANGLE 88 00:05:39,706 --> 00:05:44,544 TO MAKE ME LOOK LIKE AN ANGRY LEPRECHAUN-- NOW GIVE ME BACK ME 89 00:05:44,610 --> 00:05:45,645 LUCKY CHARMS! 90 00:05:45,712 --> 00:05:48,114 SORRY, RUDY-TOOTY, YOU WERE SAYING? 91 00:05:48,181 --> 00:05:49,348 >> I STAND BY MY FATHER. 92 00:05:49,415 --> 00:05:51,884 HE DID EVERYTHING ULTIMATELY BY THE BOOK. 93 00:05:51,951 --> 00:05:53,853 >> STEPHEN: IT'S NICE THAT HE STANDS BY HIS FATHER. 94 00:05:53,920 --> 00:05:59,058 BUT NEXT TIME, HE MIGHT WANT TO STAND ON THAT BOOK. 95 00:05:59,125 --> 00:06:00,393 RUDY'S LEGACY ISN'T THE ONLY THING CRUMBLING, SO ARE OUR 96 00:06:00,460 --> 00:06:03,930 ROADS AND BRIDGES. 97 00:06:03,996 --> 00:06:04,864 BUT THAT MIGHT BE CHANGING. 98 00:06:04,931 --> 00:06:08,568 I'LL TELL YOU ALL ABOUT IT IN MY NEW SEGMENT: 99 00:06:08,634 --> 00:06:13,873 "THE ROAD TO, SOMEDAY MAKING A ROAD OPEN." 100 00:06:13,940 --> 00:06:16,576 LAST NIGHT, A BIPARTISAN GROUP OF SENATORS ANNOUNCED THAT THEY 101 00:06:16,642 --> 00:06:20,546 HAD AGREED TO CLOSE TO $600 BILLION IN NEW SPENDING ON 102 00:06:20,613 --> 00:06:22,982 ROADS, BRIDGES AND OTHER TRADITIONAL INFRASTRUCTURE 103 00:06:23,049 --> 00:06:24,150 PROJECTS. 104 00:06:24,217 --> 00:06:28,254 VERY IMPORTANT, FOR REPUBLICANS TO AGREE, THOSE ROADS AND 105 00:06:28,321 --> 00:06:29,355 BRIDGES HAD TO BE TRADITIONAL. 106 00:06:29,422 --> 00:06:34,927 I'M TALKING ABOUT ONE WAY STREETS, MALE ROADS, FEMALE 107 00:06:34,994 --> 00:06:36,429 BRIDGES AND TUNNELS, AS GOD INTENDED. 108 00:06:36,496 --> 00:06:42,101 DON'T TRY TO SNEAK IN ONE OF THOSE EUROPEAN ROUNDABOUTS. 109 00:06:42,168 --> 00:06:44,403 I'M NOT INTO THAT LIFESTYLE. 110 00:06:44,470 --> 00:06:51,310 THAT'S AN AUTOMOTIVE RE REACH-AROUND. 111 00:06:51,377 --> 00:06:52,678 YOU DON'T FOOL ME. 112 00:06:52,745 --> 00:06:54,113 ( LAUGHTER ) THIS MORNING, SENATORS WENT UP 113 00:06:54,180 --> 00:06:55,515 TO THE WHITE HOUSE TO MEET WITH BIDEN, AND AFTER GOING OVER THE 114 00:06:55,581 --> 00:06:56,549 DETAILS, THE PRESIDENT EMERGED WITH AN "HISTOR-ISH" 115 00:06:56,616 --> 00:06:58,184 ANNOUNCEMENT. 116 00:06:58,251 --> 00:07:00,052 >> WE HAD A REALLY GOOD MEETING AND TO ANSWER YOUR DIRECT 117 00:07:00,119 --> 00:07:03,189 QUESTION, WE HAVE A DEAL. 118 00:07:03,256 --> 00:07:06,926 >> Stephen: WOW, A DEAL! 119 00:07:06,993 --> 00:07:08,161 THAT PRESIDENT IS A REAL DEAL-MAKER HE SHOULD 120 00:07:08,227 --> 00:07:09,061 WRITE A BOOK ABOUT MAKIN' DEALS. 121 00:07:09,128 --> 00:07:11,531 CALL IT SOMETHING LIKE THE ART OF THE JOE. 122 00:07:11,597 --> 00:07:13,900 OR THE DEAL OF THE BIDEN. 123 00:07:13,966 --> 00:07:14,400 OR DEAL OR NO DEAL. 124 00:07:14,467 --> 00:07:16,435 SOMETHING. 125 00:07:16,502 --> 00:07:17,904 I DON'T KNOW. 126 00:07:17,970 --> 00:07:19,672 ( LAUGHTER ) ONE PERSON MAY HAVE BEEN FEELING 127 00:07:19,739 --> 00:07:22,141 A LITTLE LEFT OUT DURING THAT PHOTO OP, VICE PRESIDENT KAMALA 128 00:07:22,208 --> 00:07:25,678 HARRIS. 129 00:07:25,745 --> 00:07:27,947 ( LAUGHTER ) OW! 130 00:07:28,014 --> 00:07:28,214 OW! 131 00:07:28,281 --> 00:07:30,116 DAMN. 132 00:07:30,183 --> 00:07:30,917 THAT'S GOTTA HURT. 133 00:07:30,983 --> 00:07:35,755 OKAY, WE'RE ALL TAKING A GROUP PHOTO. 134 00:07:35,822 --> 00:07:36,455 KAMALA, LITTLE TO THE LEFT. 135 00:07:36,522 --> 00:07:37,590 LITTLE TO THE LEFT. 136 00:07:37,657 --> 00:07:38,858 KEEP GOING. 137 00:07:38,925 --> 00:07:44,997 OKAY, GET BEHIND THE PILLAR, AND PERFECT, THANK YOU, WE'RE DONE. 138 00:07:45,064 --> 00:07:46,199 ( LAUGHTER ) IN A SPEECH ABOUT THE DEAL THIS 139 00:07:46,265 --> 00:07:49,335 AFTERNOON, THE PRESIDENT TRIED OUT A NEW RHETORICAL FLOURISH. 140 00:07:49,402 --> 00:07:50,570 >> I DON'T IN ANY WAY TO DISMISS WHAT SENATOR MURPHY SAYS ABOUT 141 00:07:50,636 --> 00:07:51,771 THE ENVIRONMENT. 142 00:07:51,838 --> 00:07:52,538 I DON'T DISMISS IT AT ALL. 143 00:07:52,605 --> 00:07:54,140 JUST REMIND HIM (WHISPERING) 144 00:07:54,207 --> 00:07:55,208 THAT I WROTE THE BILL. 145 00:07:55,274 --> 00:07:57,210 (STAGE WHISPER) ON THE ENVIRONMENT. 146 00:07:57,276 --> 00:07:58,544 (NORMAL TALKING) GUESS WHAT, EMPLOYERS CAN'T FIND 147 00:07:58,611 --> 00:07:59,812 WORKERS. 148 00:07:59,879 --> 00:08:05,451 (STAGE WHISPER) YEAH, PAY THEM MORE. 149 00:08:05,518 --> 00:08:06,452 (NORMAL TALKING) YOU SAID PEOPLE ARE WAITING FOR 150 00:08:06,519 --> 00:08:07,053 RELIEF. 151 00:08:07,119 --> 00:08:10,122 (WHISPERING) I GOT THEM. 152 00:08:10,189 --> 00:08:13,893 1.9 TRILLION'S RELIEF SO FAR. 153 00:08:13,960 --> 00:08:16,529 >> Stephen: MR. PRESIDENT, YOU KNOW I'M A FAN, BUT THE WAY YOU 154 00:08:16,596 --> 00:08:23,002 LEAN FORWARD AND WHISPER -- GUESS WHAT? 155 00:08:23,069 --> 00:08:26,606 (WHISPERING) IT'S A LITTLE CREEPY. 156 00:08:26,672 --> 00:08:27,206 A LITTLE CREEPY. 157 00:08:27,273 --> 00:08:29,242 ( LAUGHTER ) NICE CATCH. 158 00:08:29,308 --> 00:08:32,778 THERE'S BIG NEWS FROM THE WORLD OF MUSICTAINMENT. 159 00:08:32,845 --> 00:08:38,985 TALKING ABOUT POP SUPERSTAR AND LUCKY CAT NEXT TO THE CASH 160 00:08:39,051 --> 00:08:40,519 REGISTER, BRITNEY SPEARS. 161 00:08:40,586 --> 00:08:41,787 TALKING ABOUT BRITNEY SPEARS. 162 00:08:41,854 --> 00:08:43,055 BRITNEY HAS BEEN UNDER SOMETHING CALLED A CONSERVATORSHIP, WHICH 163 00:08:43,122 --> 00:08:45,291 IS A LEGAL ARRANGEMENT IN WHICH A COURT GRANTS SOMEONE POWER TO 164 00:08:45,358 --> 00:08:49,195 MAKE FINANCIAL AND LIFE DECISIONS FOR ANOTHER PERSON. 165 00:08:49,262 --> 00:08:50,997 BRITNEY'S MAIN CONSERVATOR HAS BEEN HER FATHER, JAMIE SPEARS, 166 00:08:51,063 --> 00:08:52,798 WHO HAS USED HIS POSITION TO CONTROL EVERY ASPECT OF HIS 167 00:08:52,865 --> 00:08:55,001 DAUGHTER'S LIFE. 168 00:08:55,067 --> 00:08:58,537 HE RESTRICTED EVERYTHING FROM WHOM SHE DATED TO THE COLOR OF 169 00:08:58,604 --> 00:09:00,172 HER KITCHEN CABINETS. 170 00:09:00,239 --> 00:09:02,942 (AS DAD) YOUR HONOR, AVOCADO CABINETS 171 00:09:03,009 --> 00:09:04,477 WITH A TERRA COTTA BACKSPLASH? 172 00:09:04,543 --> 00:09:11,884 CLEARLY, SHE'S A DANGER TO HERSELF AND CUPBOARDS. 173 00:09:11,951 --> 00:09:13,786 A LOT OF PEOPLE HAVE SPOKEN OUT IN FAVOR OF BRITNEY, BUT THERE'S 174 00:09:13,853 --> 00:09:18,224 ONE PERSON WE HAVEN'T HEARD FROM PUBLICLY: BRITNEY... UNTIL 175 00:09:18,291 --> 00:09:27,233 YESTERDAY, WHEN SHE TESTIFIED IN COURT AND SHE SAID SHE'S BEEN 176 00:09:27,300 --> 00:09:28,668 INTIMIDATED AND PUNISHED BY HER FATHER, AND HER MANAGEMENT TEAM. 177 00:09:28,734 --> 00:09:29,302 AND THAT THEY SHOULD BE IN JAIL. 178 00:09:29,368 --> 00:09:30,069 THAT'S RIGHT. 179 00:09:30,136 --> 00:09:32,538 BRITNEY TOLD THE JUDGE: (SINGING) 180 00:09:32,605 --> 00:09:45,518 ♪ THEY'RE NOT THAT INNOCENT ♪ ( CHEERS AND APPLAUSE ) 181 00:09:45,584 --> 00:09:48,454 SPEARS SAID THE CONSERVATORSHIP HAS TOTAL CONTROL OVER MORE THAN 182 00:09:48,521 --> 00:09:49,588 JUST HER FINANCES, EXPLAINING I HAVE AN I.U.D. INSIDE OF 183 00:09:49,655 --> 00:09:51,924 MYSELF RIGHT NOW. 184 00:09:51,991 --> 00:09:53,793 I WANTED TO TAKE THE I.U.D. OUT SO I COULD START TRYING TO HAVE 185 00:09:53,859 --> 00:09:55,328 ANOTHER BABY. 186 00:09:55,394 --> 00:09:57,797 BUT THIS SO-CALLED TEAM WON'T LET ME GO TO THE DOCTOR TO TAKE 187 00:09:57,863 --> 00:09:59,732 IT OUT. 188 00:09:59,799 --> 00:10:01,801 THAT IS AWFUL, AND SEXIST AS HELL. 189 00:10:01,867 --> 00:10:05,137 I FIND IT HARD TO BELIEVE THAT JOEY FATONE WOULD NEED A COURT'S 190 00:10:05,204 --> 00:10:09,809 APPROVAL TO TAKE OFF HIS CHASTITY BELT. 191 00:10:09,875 --> 00:10:13,346 ( LAUGHTER ) HERE'S HOW MESSED UP THIS 192 00:10:13,412 --> 00:10:19,785 SITUATION IS -- BECAUSE SHE DOESN'T CONTROL HER 193 00:10:19,852 --> 00:10:21,520 OWN MONEY MS. SPEARS HAS TO PAY FOR 194 00:10:21,587 --> 00:10:23,356 LAWYERS ON BOTH SIDES, INCLUDING THOSE ARGUING AGAINST HER WISHES 195 00:10:23,422 --> 00:10:24,056 IN COURT. 196 00:10:24,123 --> 00:10:25,157 THAT'S INSANE. 197 00:10:25,224 --> 00:10:25,925 EVERYONE IN HER LIFE IS PROFITING FROM KEEPING HER IN 198 00:10:25,992 --> 00:10:29,562 THIS SITUATION. 199 00:10:29,628 --> 00:10:33,799 I THINK THIS LEGAL EXPERT SAID IT BEST IN 2007: 200 00:10:33,866 --> 00:10:40,473 >> LEAVE BRITNEY ALONE! 201 00:10:40,539 --> 00:10:45,745 ( CHEERS AND APPLAUSE ) >> Stephen: A PROPHET. 202 00:10:45,811 --> 00:10:46,979 BRITNEY HAD A CLEAR REQUEST FOR THE JUDGE: I JUST WANT MY LIFE 203 00:10:47,046 --> 00:10:47,546 BACK. 204 00:10:47,613 --> 00:10:48,647 AND IT'S BEEN 13 YEARS. 205 00:10:48,714 --> 00:10:49,348 AND IT'S ENOUGH. 206 00:10:49,415 --> 00:10:50,516 YES, IT'S ENOUGH. 207 00:10:50,583 --> 00:10:53,786 AND I HAVE SOMETHING TO SAY TO THE COURT. 208 00:10:53,853 --> 00:11:00,059 YOUR HONOR, THIS CONSERVATORSHIP OVER BRITNEY SPEARS IS "TOXIC." 209 00:11:00,126 --> 00:11:01,293 ( CHEERS AND APPLAUSE ) THE FACT THAT THIS IS LEGAL IS 210 00:11:01,360 --> 00:11:05,564 "CRIMINAL." 211 00:11:05,631 --> 00:11:09,335 ( CHEERS AND APPLAUSE ) EVERY TIME I THINK OF THE 212 00:11:09,402 --> 00:11:13,372 "CIRCUS" AROUND HER, I "SCREAM AND SHOUT," BECAUSE THIS IS 213 00:11:13,439 --> 00:11:14,940 "CRAZY." 214 00:11:15,007 --> 00:11:16,175 BRITNEY IS SAYING "I WANNA GO" BECAUSE ALL THESE PEOPLE WANT A 215 00:11:16,242 --> 00:11:17,076 "PIECE OF ME." 216 00:11:17,143 --> 00:11:23,082 BUT THEIR RESPONSE IS JUST: "GIMME MORE." 217 00:11:23,149 --> 00:11:27,520 BRITNEY, "DON'T CRY." 218 00:11:27,586 --> 00:11:31,624 YOU ARE "STRONGER," THAN THESE "WOMANIZER"S, AND WE ARE "LUCKY" 219 00:11:31,690 --> 00:11:33,759 TO HAVE YOU. 220 00:11:33,826 --> 00:11:39,532 JAMIE SPEARS: YOUR DAUGHTER DESERVES TO BE IN CONTROL OF HER 221 00:11:39,598 --> 00:11:42,101 OWN "WORK, BITCH." 222 00:11:42,168 --> 00:11:43,536 ♪♪ AND ANYONE WHO DOESN'T THINK SO 223 00:11:43,602 --> 00:11:47,106 IS "CRAZY." 224 00:11:47,173 --> 00:11:51,510 I ALREADY USED THAT ONE? 225 00:11:51,577 --> 00:11:53,079 WELL, "OOPS I DID IT AGAIN." 226 00:11:53,145 --> 00:11:54,313 ( CHEERS AND APPLAUSE ) ♪♪ 227 00:11:54,380 --> 00:11:55,548 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT, MY GUEST IS ROBERT 228 00:11:55,614 --> 00:11:58,984 DUVALL. 229 00:11:59,051 --> 00:12:00,853 BUT WHEN WE COME BACK, WE BID ADIEU TO THE GENTLE GIANT OF 230 00:12:00,920 --> 00:12:04,457 LATE NIGHT, CONAN O'BRIEN. 231 00:12:34,019 --> 00:12:34,954 ♪♪ >> Stephen: JON BATISTE AND 232 00:12:35,020 --> 00:12:37,356 "STAY HUMAN," EVERYBODY! 233 00:12:37,423 --> 00:12:40,993 ( CHEERS AND APPLAUSE ) ♪♪ 234 00:12:41,060 --> 00:12:43,829 >> Stephen: THERE YOU GO! 235 00:12:43,896 --> 00:12:46,699 >> Jon: YEAH, YEAH, YEAH, HI! 236 00:12:46,765 --> 00:12:56,842 >> Stephen: JON, I LIKE THE WHOLE VIBE. 237 00:12:56,909 --> 00:12:59,712 I LIKE THE BAND IN THAT OUTFIT. 238 00:12:59,778 --> 00:13:04,984 IT LOOKS LIKE THE BAND WHEN YOU GO TO HEAVEN AND YOU'RE 239 00:13:05,050 --> 00:13:06,118 ST. PETER. 240 00:13:06,185 --> 00:13:08,287 SOMETHING ANGELIC ABOUT THIS >> Jon: WE'RE GOING TO PLAY 241 00:13:08,354 --> 00:13:10,923 THAT HEAVENLY FIEWKS MORE THEM >> Stephen: AS YOU DO EVERY 242 00:13:10,990 --> 00:13:13,459 LADIES AND GENTLEMEN, TODAY MARKS A 243 00:13:13,526 --> 00:13:17,930 BITTERSWEET MILESTONE IN THE LEGACY OF LATE NIGHT, BECAUSE 244 00:13:17,997 --> 00:13:22,001 AFTER 28 YEARS AND 4,368 EPISODES, CONAN O'BRIEN'S 245 00:13:22,067 --> 00:13:25,905 LATE-NIGHT RUN IS ENDING. 246 00:13:25,971 --> 00:13:29,108 CONAN'S HAD AN AMAZING TENURE-- IT STARTED WAY BACK IN 1993, 247 00:13:29,175 --> 00:13:32,945 WHEN HE BEGAN HOSTING "LATE NIGHT" AT THE TENDER AGE OF 248 00:13:33,012 --> 00:13:38,617 NINE. 249 00:13:38,684 --> 00:13:40,920 FOLLOWING PUBERTY, HE MOVED TO "THE TONIGHT SHOW," AND THEN 250 00:13:40,986 --> 00:13:43,522 SPENT 11 YEARS AT "CONAN" ON TBS. 251 00:13:43,589 --> 00:13:50,963 NOT TO MENTION HIS BRIEF SPINOFFS, "CONAN THE TANK 252 00:13:51,030 --> 00:13:52,498 ENGINE" AND CONARCOS." 253 00:13:52,565 --> 00:13:55,201 TONIGHT'S HIS LAST SHOW, BUT LIKE A KID WHO KEEPS SAYING HE'S 254 00:13:55,267 --> 00:14:01,207 RUNNING AWAY, HE'LL BE BACK BEFORE YOU KNOW IT WITH "CONAN," 255 00:14:01,273 --> 00:14:05,611 A NEW WEEKLY VARIETY SHOW FOR HBO MAX. 256 00:14:05,678 --> 00:14:06,946 CONAN AND HBO MAX, WHICH I ASSUME IS SHORT FOR HBO MAX 257 00:14:07,012 --> 00:14:08,013 WEINBERG. 258 00:14:08,080 --> 00:14:09,448 AND JUST TO GET AHEAD, I'D LIKE TO WISH CONAN A FOND 259 00:14:09,515 --> 00:14:14,954 PRE-FAREWELL FOR HIS UPCOMING TRIUMPHANT DECADE ON STREAMING, 260 00:14:15,020 --> 00:14:18,958 AND THE NEXT EIGHT YEARS ON GAS PUMP TV PLUS NETWORK AND HIS 261 00:14:19,024 --> 00:14:22,828 LATE 2040'S RUN ON "HTML" A MICROCHIP-INFUSED JELLY THAT'S 262 00:14:22,895 --> 00:14:25,598 INJECTED DIRECTLY INTO VIEWERS' AMYGDALA. 263 00:14:25,664 --> 00:14:26,966 IT REALLY FEELS LIKE THE BEAR IS MASTURBATING DIRECTLY INTO YOUR 264 00:14:27,032 --> 00:14:29,768 BRAIN. 265 00:14:29,835 --> 00:14:30,970 ( LAUGHTER ) CONAN'S A DEAR FRIEND AND A 266 00:14:31,036 --> 00:14:33,105 LOVELY FELLA. 267 00:14:33,172 --> 00:14:37,076 HE HAS BEEN NOTHING BUT A STRENGTH AND A GREAT SOURCE OF 268 00:14:37,142 --> 00:14:42,748 ADVICE FOR ME AS I TOOK OVER A LATE NIGHT SHOW, AND I WANT TO 269 00:14:42,815 --> 00:14:45,918 CONGRATULATE HIM ON 24 INCREDIBLE YEARS AND SEVERAL 270 00:14:45,985 --> 00:14:50,256 PERFECTLY FINE ONES AS WELL. 271 00:14:50,322 --> 00:14:51,323 ( LAUGHTER ) I HOPE HE MAKES THE MOST OF HIS 272 00:14:51,390 --> 00:14:54,660 SIX DAYS OF RETIREMENT BEFORE STARTING WORK AT HBO. 273 00:14:54,727 --> 00:14:56,762 I'VE ASKED ONE OF MY WRITERS, BRIAN STACK, WHO WORKED WITH 274 00:14:56,829 --> 00:14:58,597 CONAN FOR MANY YEARS, TO COME OUT HERE AND SHARE SOME MEMORIES 275 00:14:58,664 --> 00:15:01,834 OF WORKING FOR CONAN. 276 00:15:01,900 --> 00:15:03,936 BRIAN, COME ON OUT HERE. 277 00:15:04,003 --> 00:15:08,374 BRIAN STACK, EVERYBODY. 278 00:15:08,440 --> 00:15:09,541 THERE YOU GO. 279 00:15:09,608 --> 00:15:10,509 BRIAN. 280 00:15:10,576 --> 00:15:13,646 >> THANK YOU. 281 00:15:13,712 --> 00:15:14,913 >> Stephen: BRIAN, HOW LONG DID YOU WORK FOR CONAN? 282 00:15:14,980 --> 00:15:16,081 >> 18 YEARS. 283 00:15:16,148 --> 00:15:19,918 >> STEPHEN: SO YOU MUST KNOW THE TRUE CONAN THAT NO ONE IS 284 00:15:19,985 --> 00:15:21,053 ALLOWED TO SEE. 285 00:15:21,120 --> 00:15:23,088 ARE YOU READY TO DISH THE UGLY DIRT ABOUT YOUR OLD BOSS? 286 00:15:23,155 --> 00:15:27,826 >> SURE, IF THAT'S WHAT MY NEW BOSS WANTS. 287 00:15:27,893 --> 00:15:30,929 >> STEPHEN: YES, IT IS. 288 00:15:30,996 --> 00:15:31,697 LET 'ER RIP. 289 00:15:31,764 --> 00:15:32,831 HE CAN'T HURT YOU ANYMORE. 290 00:15:32,898 --> 00:15:35,267 >> OK. 291 00:15:35,334 --> 00:15:36,435 HERE GOES. 292 00:15:36,502 --> 00:15:39,672 THIS IS PROBABLY SOMETHING I DEFINITELY SHOULDN'T SAY: HE'S 293 00:15:39,738 --> 00:15:42,207 IRISH. 294 00:15:42,274 --> 00:15:43,676 ( LAUGHTER ) >> HE IS. 295 00:15:43,742 --> 00:15:47,279 >> STEPHEN: YEAH, WE ALL KNEW THAT, BRIAN. 296 00:15:47,346 --> 00:15:50,983 >> YOU DIDN'T LET ME FINISH. 297 00:15:51,050 --> 00:15:51,550 HE'S IRISH-'CATHOLIC'. 298 00:15:51,617 --> 00:15:52,151 THERE'S DIFFERENT TYPES. 299 00:15:52,217 --> 00:15:53,385 >> Stephen: I UNDERSTAND. 300 00:15:53,452 --> 00:15:58,657 I DID LET YOU FINISH, AND, COME ON, YOU WERE THERE BACKSTAGE, 301 00:15:58,724 --> 00:15:59,291 DARK SECRETS. 302 00:15:59,358 --> 00:15:59,758 CAMERAS OFF. 303 00:15:59,825 --> 00:16:00,492 NOBODY'S LOOKING. 304 00:16:00,559 --> 00:16:02,294 WHAT HAPPENED? 305 00:16:02,361 --> 00:16:03,662 >> OK, HERE'S ONE: CONAN IS REALLY TALL. 306 00:16:03,729 --> 00:16:08,267 SURPRISINGLY TALL >> STEPHEN: YEAH. 307 00:16:08,334 --> 00:16:08,901 THAT'S HIS WHOLE DEAL. 308 00:16:08,967 --> 00:16:10,736 HE'S SLENDERMAN RON WEASLY. 309 00:16:10,803 --> 00:16:12,471 COME ON, BRIAN. 310 00:16:12,538 --> 00:16:13,906 HE'S LEAVING LATE NIGHT. 311 00:16:13,972 --> 00:16:14,973 HE HAS NO POWER OVER YOU. 312 00:16:15,040 --> 00:16:16,909 HE NO LONGER CONTROLS YOUR CAREER LIKE A PUPPET ON A 313 00:16:16,975 --> 00:16:20,379 STRING. 314 00:16:20,446 --> 00:16:20,779 TALK! 315 00:16:20,846 --> 00:16:21,747 >> WELL, OKAY. 316 00:16:21,814 --> 00:16:23,982 THIS ONE IS DEFINITELY GOING GET ME IN TROUBLE. 317 00:16:24,049 --> 00:16:29,922 HIS MIDDLE NAME IS, GET THIS, CHRISTOPHER. 318 00:16:29,988 --> 00:16:31,390 DID CONAN MAKE YOU SIGN AN N.D.A.? 319 00:16:31,457 --> 00:16:32,791 >> YOU MEAN LIKE SOMETHING WHERE I'M NOT ALLOWED TO REVEAL 320 00:16:32,858 --> 00:16:37,196 DETAILS SUCH AS WHETHER I'VE BEEN ASKED TO SIGN AN N.D.A.? 321 00:16:37,262 --> 00:16:38,797 >> STEPHEN: YES. 322 00:16:38,864 --> 00:16:44,203 >> YEAH, I SIGNED ONE OF THOSE. 323 00:16:44,269 --> 00:16:47,139 ( LAUGHTER ) ACTUALLY, ON SECOND THOUGHT, IT 324 00:16:47,206 --> 00:16:47,940 MAY NOT HAVE BEEN AN N.D.A.. 325 00:16:48,006 --> 00:16:48,874 IT MIGHT HAVE BEEN A GET WELL CARD. 326 00:16:48,941 --> 00:16:51,643 >> STEPHEN: OKAY, CLEARLY YOU'VE GOT NOTHING. 327 00:16:51,710 --> 00:16:53,212 LADIES AND GENTLEMEN -- >> WE GOT HIM A CARD BECAUSE HE 328 00:16:53,278 --> 00:16:56,782 GOT A PRETTY NASTY CONTUSION WHEN HE TRIPPED AFTER WE ROBBED 329 00:16:56,849 --> 00:16:58,417 THAT HOSPITAL? 330 00:16:58,484 --> 00:16:59,585 YEAH, YEAH, THAT'S RIGHT. 331 00:16:59,651 --> 00:17:01,387 WE NEEDED THE MONEY TO BUY COCAINE FOR OUR ORGIES AT BETTY 332 00:17:01,453 --> 00:17:04,523 WHITE'S UNDERGROUND SEX DUNGEON? 333 00:17:04,590 --> 00:17:06,825 ( LAUGHTER ) AND CONAN LIKES HIS SNOW REALLY 334 00:17:06,892 --> 00:17:08,360 PURE. 335 00:17:08,427 --> 00:17:10,896 HE'D ALWAYS SAY, C'MON, BRIAN. 336 00:17:10,963 --> 00:17:14,733 YOU'RE ON TEAM COCO. 337 00:17:14,800 --> 00:17:15,401 THAT STANDS FOR CONAN'S COCAINE. 338 00:17:15,467 --> 00:17:17,469 ( LAUGHTER ) >> STEPHEN: WOW. 339 00:17:17,536 --> 00:17:19,104 YIKES. 340 00:17:19,171 --> 00:17:20,906 THAT'S PROBABLY ENOUGH DARK SECRETS. 341 00:17:20,973 --> 00:17:23,909 >> AND THEN PAT SAJAK MADE US ALL DRINK ENDANGERED LEOPARD 342 00:17:23,976 --> 00:17:24,543 MILK OUT OF LINCOLN'S SKULL. 343 00:17:24,610 --> 00:17:25,911 CRAZY. 344 00:17:25,978 --> 00:17:26,812 ( LAUGHTER ) AND YOU KNOW THAT THING IS NOT 345 00:17:26,879 --> 00:17:28,914 WATER-TIGHT. 346 00:17:28,981 --> 00:17:29,448 MILK EVERYWHERE. 347 00:17:29,515 --> 00:17:32,184 >> STEPHEN: OK, BRIAN. 348 00:17:32,251 --> 00:17:34,720 >> I REMEMBER IT WELL, CUZ IT WAS RIGHT BEFORE CONAN STARTED 349 00:17:34,787 --> 00:17:35,821 SELLING COUNTERFEIT PENICILLIN TO CLINICS ALL OVER THE 350 00:17:35,888 --> 00:17:39,591 DEVELOPING WORLD. 351 00:17:39,658 --> 00:17:41,026 ( LAUGHTER ) HE KNEW INTERPOL WAS CLOSING IN, 352 00:17:41,093 --> 00:17:43,562 SO HE HAD TO GO INTO HIDING WITH THE UKRAINIAN ARMS SMUGGLERS HE 353 00:17:43,629 --> 00:17:46,799 KNEW FROM WHEN HE USED TO RUN AKS TO THE MUJAHIDEEN IN THE 354 00:17:46,865 --> 00:17:51,437 LATE 80S, BACK WHEN HE WAS WRITING FOR S.N.L.. 355 00:17:51,503 --> 00:17:53,038 THEY HAD SUMMERS OFF. 356 00:17:53,105 --> 00:17:57,075 I'LL NEVER FORGET WHAT HE TOLD ME BEFORE HE FILED OFF HIS 357 00:17:57,142 --> 00:17:59,211 FINGERPRINTS AND HAD HIS FACE RECONSTRUCTED USING CADAVER 358 00:17:59,278 --> 00:18:03,348 FLESH SOURCED FROM A CHINESE POLITICAL PRISON. 359 00:18:03,415 --> 00:18:07,419 HE LOOKED ME IN THE EYE AND SAID, BRIAN, IF I CAN GIVE YOU 360 00:18:07,486 --> 00:18:11,023 ONE PIECE OF ADVICE, IT'S NEVER TELL ANYONE I'M GOING TO MURDER 361 00:18:11,089 --> 00:18:13,859 JEFFREY EPSTEIN. 362 00:18:13,926 --> 00:18:16,895 ( LAUGHTER ) SO WISE. 363 00:18:16,962 --> 00:18:18,897 ( APPLAUSE ) >> Stephen: HE WILL BE MISSED. 364 00:18:18,964 --> 00:18:23,902 BRIAN STACK, EVERYBODY CONGRATULATIONS, CONAN, SEE YOU 365 00:18:23,969 --> 00:18:25,037 IN BETTY WHITE'S SEX DUNGEON. 366 00:18:25,103 --> 00:18:29,908 WHEN WE COME BACK, I SIT DOWN WITH ROBERT DUVALL AT HIS 367 00:18:29,975 --> 00:18:30,976 VIRGINIA RANCH. 368 00:18:45,991 --> 00:18:47,693 >> Stephen: HEY, EVERYBODY! 369 00:18:47,759 --> 00:18:49,328 WELCOME BACK! 370 00:18:49,394 --> 00:18:52,865 FOLKS, LAST WEEK, I HAD THE EXTRAORDINARY OPPORTUNITY TO SIT 371 00:18:52,931 --> 00:18:58,337 DOWN WITH LEGENDARY ACTOR ROBERT DUVALL. 372 00:18:58,403 --> 00:19:00,873 DUVALL, NOW 90, HAS APPEARED IN SOME OF THE MOST ICONIC MOVIES 373 00:19:00,939 --> 00:19:03,709 OF ALL TIME -SUCH AS "THE GODFATHER" 1 & 2, "APOCALYPSE 374 00:19:03,775 --> 00:19:07,346 NOW," "NETWORK," "M.A.S.H.," AND "TENDER MERCIES," FOR WHICH HE 375 00:19:07,412 --> 00:19:08,847 WON ACADEMY AWARD. 376 00:19:08,914 --> 00:19:11,717 BOB AND HIS WIFE, LUCIANA, WERE GRACIOUS ENOUGH TO INVITE ME 377 00:19:11,783 --> 00:19:15,721 DOWN TO THEIR BEAUTIFUL RANCH IN VIRGINIA FOR A CONVERSATION 378 00:19:15,787 --> 00:19:19,324 ABOUT ACTING, MARLON BRANDO, AND HIS NEW FILM, "12 MIGHTY 379 00:19:19,391 --> 00:19:22,461 ORPHANS." 380 00:19:22,528 --> 00:19:25,364 ROBERT DUVALL, THANK YOU SO MUCH FOR SITTING TOWN WITH ME TODAY. 381 00:19:25,430 --> 00:19:27,499 IT'S AN ABSOLUTE HONOR TO TALK TO YOU. 382 00:19:27,566 --> 00:19:29,935 >> THANK YOU FOR COMING ALL THE WAY DOWN HERE TO VIRGINIA TO 383 00:19:30,002 --> 00:19:31,003 TALK TO ME. 384 00:19:31,069 --> 00:19:32,771 >> Stephen: IT IS ABSOLUTELY NO TRIAL TO COME TO YOUR 385 00:19:32,838 --> 00:19:34,239 BEAUTIFUL FARM AND YOUR BEAUTIFUL HOUSE. 386 00:19:34,306 --> 00:19:35,374 >> THANK YOU. 387 00:19:35,440 --> 00:19:37,175 >> Stephen: HOW MANY ACRES DO YOU HAVE HERE AND HOW MANY 388 00:19:37,242 --> 00:19:38,443 HORSES? 389 00:19:38,510 --> 00:19:42,014 >> OH, WE HAVE ONE HORSE THAT'S ABOUT 32 YEARS OLD BUT HE LOOKS 390 00:19:42,080 --> 00:19:43,015 LIKE 15. 391 00:19:43,081 --> 00:19:44,149 WE HAVE 360 ACRES. 392 00:19:44,216 --> 00:19:46,618 >> Stephen: IS IT IMPORTANT FOR YOU TO NOT LIVE IN 393 00:19:46,685 --> 00:19:49,354 HOLLYWOOD, TO NOT BE IN LOS ANGELES OR NEW YORK? 394 00:19:49,421 --> 00:19:52,124 >> OH, WELL, I LIVED IN NEW YORK, AND THEN I WOULD GO TO 395 00:19:52,190 --> 00:19:55,360 CALIFORNIA AND COME BACK, BUT I DON'T CARE TO GO TO EITHER PLACE 396 00:19:55,427 --> 00:19:55,861 NOW. 397 00:19:55,928 --> 00:19:57,062 I LIKE IT OUT HERE. 398 00:19:57,129 --> 00:19:59,398 >> Stephen: IT'S PRETTY QUIET. 399 00:19:59,464 --> 00:20:01,366 DO YOU LIKE PEOPLE? 400 00:20:01,433 --> 00:20:02,568 >> YEAH, I DO. 401 00:20:02,634 --> 00:20:03,669 I LIKE CHARACTERS. 402 00:20:03,735 --> 00:20:07,406 I WANT TO HOLD A DEFINITIVE CHARACTER PARTY SOME DAY. 403 00:20:07,472 --> 00:20:10,342 YOU'RE INVITED. 404 00:20:10,409 --> 00:20:11,176 ( LAUGHTER ) YOU'RE A CHARACTER. 405 00:20:11,243 --> 00:20:13,412 >> Stephen: I'M HONORED. 406 00:20:13,478 --> 00:20:14,479 YEAH. 407 00:20:14,546 --> 00:20:17,316 >> Stephen: YOU SAY YOU ENJOY -- I'VE READ YOU ENJOY 408 00:20:17,382 --> 00:20:19,017 BEING A CHARACTER ACTOR. 409 00:20:19,084 --> 00:20:22,187 YOU THINK THAT'S BET THAT AREN BEING A LEADER MAN? 410 00:20:22,254 --> 00:20:23,422 WHY? 411 00:20:23,488 --> 00:20:27,726 IT SEEMS LIKE MORE WORK BECAUSE A LEADING MAN JUST GETS A SHOW 412 00:20:27,793 --> 00:20:28,994 AND CAN BE HIMSELF. 413 00:20:29,061 --> 00:20:33,765 A CHARACTER ACTOR HAS TO BE A CHARACTER. 414 00:20:33,832 --> 00:20:34,399 >> I'VE DONE BOTH. 415 00:20:34,466 --> 00:20:36,368 I LIKE TO DO CHARACTERS. 416 00:20:36,435 --> 00:20:38,904 >> Stephen: IS IT THE CHARACTER'S INTENTION, WHAT HE 417 00:20:38,971 --> 00:20:40,238 WANTS OUT OF THE SCENE? 418 00:20:40,305 --> 00:20:42,040 >> I JUST FOLLOW THE SCRIPT. 419 00:20:42,107 --> 00:20:45,477 YOU JUST, YOU KNOW -- >> Stephen: BUT HOW DO YOU 420 00:20:45,544 --> 00:20:51,249 OPEN UP THE SCRIPT AND HOW -- BECAUSE ANYONE COULD FOLLOW THE 421 00:20:51,316 --> 00:20:52,417 SCRIPT. 422 00:20:52,484 --> 00:20:55,420 HOW WERE YOU TAUGHT TO ACTUALLY APPROACH THE TRUTH OF THAT 423 00:20:55,487 --> 00:20:57,122 CHARACTER IN THE SCRIPT? 424 00:20:57,189 --> 00:21:01,793 >> I JUST FOLLOW THE SCRIPT, ONE SCENE TO THE NEXT SCENE TO THE 425 00:21:01,860 --> 00:21:03,662 NEXT SCENE AND JUST SEE WHERE THAT GOES, YOU KNOW. 426 00:21:03,729 --> 00:21:06,198 >> Stephen: I HAD A CONVERSATION RECENTLY WITH 427 00:21:06,264 --> 00:21:09,034 ANTHONY HOPKINS ABOUT HOW HE APPROACHES THE CHARACTER AND HE 428 00:21:09,101 --> 00:21:10,569 SAYS EXACTLY THE SAME THING. 429 00:21:10,636 --> 00:21:12,938 I'LL SAY TO YOU WHAT I SAID TO HIM, YOU MAKE IT SOUND VERY 430 00:21:13,005 --> 00:21:15,374 EASY, BUT CERTAINLY THERE HAS TO BE MORE THAN FOLLOWING THE 431 00:21:15,440 --> 00:21:17,943 SCRIPT. 432 00:21:18,010 --> 00:21:24,883 WHAT IS IT YOU ARE DOING AS AN ACTOR TO STAND THOSE WORDS UP 433 00:21:24,950 --> 00:21:25,651 OFF THE PAGE? 434 00:21:25,717 --> 00:21:27,185 >> WELL, I TALK, YOU LISTEN. 435 00:21:27,252 --> 00:21:28,720 YOU TALK, I LISTEN. 436 00:21:28,787 --> 00:21:30,589 JUST LIKE WE'RE DOING NOW. 437 00:21:30,656 --> 00:21:34,059 IT BOILS DOWN -- THAT'S THE BEGINNING AND THE END OF IT, 438 00:21:34,126 --> 00:21:35,327 LIKE RIGHT NOW. 439 00:21:35,394 --> 00:21:40,165 YOU TRY NOT TO PLAY THE RESULT, BUT YOU CAN PLAN CERTAIN THINGS, 440 00:21:40,232 --> 00:21:43,368 HOPEFULLY, AND IF IT DOESN'T WORK, YOU KNOW, AN EMOTIONAL 441 00:21:43,435 --> 00:21:46,038 THING, BUT IF IT DOESN'T WORK, THEN IT DOESN'T WORK. 442 00:21:46,104 --> 00:21:49,341 BUT IF IT WORKS, IT WORKS, YOU KNOW. 443 00:21:49,408 --> 00:21:52,177 BUT THERE ARE DIFFERENT WAYS YOU CAN GO ABOUT GETTING TO CERTAIN 444 00:21:52,244 --> 00:21:53,412 THINGS, YOU KNOW. 445 00:21:53,478 --> 00:22:01,753 >> Stephen: YOU'RE FIRST FILM FAMOUSLY IS AS BOO RADLEY IN "TO 446 00:22:01,820 --> 00:22:06,925 KILL A MOCKINGBIRD." 447 00:22:06,992 --> 00:22:10,929 BOO IS SIMPLY THE OFF-SCREEN SUBJECT OF SO MUCH OF THE FILM. 448 00:22:10,996 --> 00:22:14,933 IT ACTUALLY STARTS OFF, THIS IS THE SUMMER WE DECIDE TO GET BOO 449 00:22:15,000 --> 00:22:18,036 RADLEY TO COME OUT, AND YOU'RE NOT SEEN UNTIL THE VERY END OF 450 00:22:18,103 --> 00:22:19,604 THE FILM. 451 00:22:19,671 --> 00:22:20,439 >> RIGHT. 452 00:22:20,505 --> 00:22:22,074 >> Stephen: IT'S A DISTINCTIVE MOMENT. 453 00:22:22,140 --> 00:22:25,911 IT'S A VERY -- THE PER FORCE IS VERY HALTING, VERY TENDER AT THE 454 00:22:25,977 --> 00:22:26,878 SAME TIME. 455 00:22:26,945 --> 00:22:28,213 IT'S VERY INNOCENT FIGURE. 456 00:22:28,280 --> 00:22:30,949 BUT YOU DON'T SAY A SINGLE LINE. 457 00:22:31,016 --> 00:22:33,618 DID YOU EVER HAVE A LINE? 458 00:22:33,685 --> 00:22:37,656 >> AT THE END, WHEN THEY'RE LEADING ME HOME, WE'RE GOING TO 459 00:22:37,723 --> 00:22:42,127 TAKE YOU HOME, AND I SAY SOMETHING LIKE, WHERE ARE YOU 460 00:22:42,194 --> 00:22:42,928 TAKING ME? 461 00:22:42,994 --> 00:22:45,230 OR WHERE. 462 00:22:45,297 --> 00:22:46,098 THAT WAS ALL. 463 00:22:46,164 --> 00:22:47,165 BUT THEY CUT THE LINE. 464 00:22:47,232 --> 00:22:52,604 >> Stephen: YOU SAY GUS McCRAY, YOUR CHARACTER FROM 465 00:22:52,671 --> 00:22:59,311 LONESOME DOVE, IS YOUR FAVORITE PERSONAL CHARACTER. 466 00:22:59,377 --> 00:23:00,345 WHAT IS IT ABOUT HIM? 467 00:23:00,412 --> 00:23:01,379 >> I DON'T KNOW. 468 00:23:01,446 --> 00:23:06,752 JUST THE COMPLEX NATURE OF HIS CHARACTER, YOU KNOW. 469 00:23:06,818 --> 00:23:09,921 HE'S -- HE SAID HOW CAN WE KILL ALL THE GUYS THAT WERE GOOD GUYS 470 00:23:09,988 --> 00:23:11,389 TO BEGIN WITH? 471 00:23:11,456 --> 00:23:15,460 YOU KNOW, HE HAD A CERTAIN VISIONARY IN A CERTAIN WAY. 472 00:23:15,527 --> 00:23:23,201 WE WALKED INTO THE WARD ROAM ONE DAY OF LOANSOME DOVE AND SAID 473 00:23:23,268 --> 00:23:27,873 WE'RE MAKING THE GODFATHER OF WESTERNS. 474 00:23:27,939 --> 00:23:35,113 I WAS FORTUNATE TO BE IN GAT FATHER ONE AND TWO AND LONESOME 475 00:23:35,180 --> 00:23:36,314 DOVE. 476 00:23:36,381 --> 00:23:41,052 WHEN I TALKED TO MARLON BRANDO, HE'D NEVER HEARD OF LONESOME 477 00:23:41,119 --> 00:23:41,620 DOVE. 478 00:23:41,686 --> 00:23:42,721 THAT'S HARD TO BELIEVE. 479 00:23:42,788 --> 00:23:45,357 >> Stephen: WHEN YOU WERE DOING THE GODFATHER, DID YOU 480 00:23:45,423 --> 00:23:48,960 HAVE THE SENSE YOU WERE IN SOMETHING SPECIAL. 481 00:23:49,027 --> 00:23:50,495 >> GODFATHER ONE, DEFINITELY. 482 00:23:50,562 --> 00:23:52,230 >> Stephen: DO YOU REMEMBER WHEN? 483 00:23:52,297 --> 00:23:55,200 >> ABOUT A THIRD WAY THROUGH, I FIGURED THIS IS SOMETHING 484 00:23:55,267 --> 00:23:56,434 SPECIAL. 485 00:23:56,501 --> 00:24:01,006 >> Stephen: I KNOW IN THE NEW FILM, 12 MIGHTY ORPHANS, WHICH 486 00:24:01,072 --> 00:24:03,909 YOU PLAY MASON HAWK IS A FINANCE YEAR FOR THE CHILDREN'S FOOTBALL 487 00:24:03,975 --> 00:24:05,143 TEAM. 488 00:24:05,210 --> 00:24:08,914 >> MASONIC ORPHANAGE, YEAH. 489 00:24:08,980 --> 00:24:12,884 >> Stephen: THE SCENE THAT YOU PLAY IN IT IS WITH YOUR OLD 490 00:24:12,951 --> 00:24:14,286 FRIEND MARTIN SHEEN. 491 00:24:14,352 --> 00:24:15,453 >> YEAH. 492 00:24:15,520 --> 00:24:19,524 >> Stephen: WHO, OF COURSE, YOU STARRED IN APOCALYPSE NOW 493 00:24:19,591 --> 00:24:20,725 WITH IN 1979. 494 00:24:20,792 --> 00:24:22,394 THE SCENE WAS IMPROVISED. 495 00:24:22,460 --> 00:24:24,863 >> I DIDN'T HAVE MUCH TO DO. 496 00:24:24,930 --> 00:24:29,701 ROOSTER McConaughey is a good friend of mine, Matthew's older 497 00:24:29,768 --> 00:24:30,936 brother. 498 00:24:31,002 --> 00:24:35,774 I SAID GIVE ME YOUR DAUGHTER AND WE'LL COME IN AND WE SAT THERE 499 00:24:35,841 --> 00:24:36,541 AND IMPROVISE. 500 00:24:36,608 --> 00:24:38,343 >> GIVE ME A PROGRAM FOR THE GAME. 501 00:24:38,410 --> 00:24:40,712 >> I WILL, FOR SURE. 502 00:24:40,779 --> 00:24:45,250 MR. HAWK WE'RE DELIGHTED YOU'RE MAKING THE FIRST GAME. 503 00:24:45,317 --> 00:24:46,084 >> THANKS, SIR. 504 00:24:46,151 --> 00:24:47,686 WE HAVE A FOOTBALL TEAM THANKS TO YOU. 505 00:24:47,752 --> 00:24:49,554 >> THANKS FOR BRINGING IN THE COACH AND HIS WIFE. 506 00:24:49,621 --> 00:24:51,523 HOW IS HE DOING? 507 00:24:51,590 --> 00:24:52,190 >> REMARKABLE. 508 00:24:52,257 --> 00:24:53,325 YOU MET JUANITA. 509 00:24:53,391 --> 00:24:55,293 HE'S A GREAT TEACHER AND COACH. 510 00:24:55,360 --> 00:24:58,897 >> WE FINALLY GOT A TEAM. 511 00:24:58,964 --> 00:25:00,632 , THANKS TO YOU, SIR. 512 00:25:00,699 --> 00:25:02,234 >> THANKS TO YOU. 513 00:25:02,300 --> 00:25:03,435 OKAY. 514 00:25:03,501 --> 00:25:07,439 IT'S A TRUE STORY, A LOVELY STORY, TY ROBILITIES DIRECTED IT 515 00:25:07,505 --> 00:25:10,408 AND LUKE WILSON IS EXCELLENT AS THE COACH. 516 00:25:10,475 --> 00:25:13,879 MARTY, YOU HAVEN'T SEEN MARTY SHEEN IN A LONG TIME. 517 00:25:13,945 --> 00:25:18,583 AND IT'S JUST A LOVELY MOVIE BASED ON FACT, AND I DIDN'T 518 00:25:18,650 --> 00:25:22,053 REALIZE THAT ALL THE FOUNDING FATHERS WERE MASONS EXCEPT -- 519 00:25:22,120 --> 00:25:23,655 >> Stephen: JEFFERSON? 520 00:25:23,722 --> 00:25:24,322 JEFFERSON. 521 00:25:24,389 --> 00:25:25,190 HE DIDN'T BELIEVE IN SECRECY. 522 00:25:25,257 --> 00:25:26,925 HE WAS THE ONLY ONE. 523 00:25:26,992 --> 00:25:29,394 >> Stephen: ARE YOU A MASON? 524 00:25:29,461 --> 00:25:30,795 NO, I DON'T KNOW MUCH ABOUT THEM. 525 00:25:30,862 --> 00:25:33,598 >> Stephen: DO YOU BELIEVE IN SECRECY? 526 00:25:33,665 --> 00:25:36,067 >> YEAH, MY OWN. 527 00:25:36,134 --> 00:25:37,669 ( LAUGHTER ) >> Stephen: I ASSUME YOU HAVE 528 00:25:37,736 --> 00:25:40,438 SOME SECRETS THAT YOU'RE NOT WILLING TO SHARE WITH US TODAY. 529 00:25:40,505 --> 00:25:44,376 >> I'M NOT GOING TO SHARE THEM WITH YOU AT ANYTIME. 530 00:25:44,442 --> 00:25:46,912 ( LAUGHTER ) >> Stephen: WHEN WE COME BACK, 531 00:25:46,978 --> 00:25:50,348 ROBERT DUVALL AND I WATCH MY FAVORITE SCENE OF HIS OF ALL 532 00:25:50,415 --> 00:25:52,517 TIME FROM THE MOVIE NETWORK. 533 00:25:52,584 --> 00:25:53,385 STICK AROUND. 534 00:26:11,970 --> 00:26:18,910 WELCOME BACK TO PART TWO OF MY RARE INTERVIEW WITH LEGENDARY 535 00:26:18,977 --> 00:26:19,711 ACTOR ROBERT DUVALL. 536 00:26:19,778 --> 00:26:22,347 WHAT WAS IT LIKE DOING THE GODFATHER? 537 00:26:22,414 --> 00:26:25,684 I ASSUME FOR MEN OF YOUR GENERATION, ACTORS OF YOUR 538 00:26:25,750 --> 00:26:28,820 GENERATION, BRANDO, WHO IS ONE GENERATION BEFORE Y'ALL -- 539 00:26:28,887 --> 00:26:32,223 >> HE WAS OUR GODFATHER. 540 00:26:32,290 --> 00:26:33,358 >> Stephen: REALLY? 541 00:26:33,425 --> 00:26:37,028 DUSTIN HOFFMAN, MYSELF AND GENE HACKMAN, WE GET IN ONCE A 542 00:26:37,095 --> 00:26:40,899 WEEK IN THAT DRUGSTORE UP THERE IN NEW YORK IN THE MIDTOWN, AND 543 00:26:40,966 --> 00:26:46,638 IF WE MENTIONED BRANDO ONCE WE MENTIONED HIM 25 TIMES IN A DAY. 544 00:26:46,705 --> 00:26:50,742 THE FIRST TIME GENE HACKMAN MET BRANDO WAS BY ACCIDENT AND HE 545 00:26:50,809 --> 00:26:51,977 ALMOST CRIED. 546 00:26:52,043 --> 00:26:54,813 >> Stephen: HE BUMPED INTO HIM AND DIDN'T KNOW WHAT TO DO WITH 547 00:26:54,879 --> 00:26:55,347 THE FEELINGS? 548 00:26:55,413 --> 00:26:56,114 >> YEAH, YEAH. 549 00:26:56,181 --> 00:26:56,881 GENE, YEAH. 550 00:26:56,948 --> 00:26:59,017 >> Stephen: WHAT WAS BRANDO LIKE? 551 00:26:59,084 --> 00:27:03,188 HE'S AN ENIGMATIC FIGURE TO THE PUBLIC LIKE ME. 552 00:27:03,254 --> 00:27:05,156 WHAT WAS THE WORKING RELATIONSHIP LIKE? 553 00:27:05,223 --> 00:27:08,460 >> THE FIRST TIME I WORKED WITH HIM WAS ON THE CHASE, AND WE 554 00:27:08,526 --> 00:27:11,963 TALKED ABOUT THE SCRIPT, AND HE SAID, HOW YOU DOING, THIS AND 555 00:27:12,030 --> 00:27:13,164 THAT, THIS AND THAT. 556 00:27:13,231 --> 00:27:16,701 I SAID, OH, WE'RE GOING TO BE BUDDIES. 557 00:27:16,768 --> 00:27:19,604 FOR THE NEXT SIX WEEKS, YOU NEVER EVEN SAID GOOD MORNING. 558 00:27:19,671 --> 00:27:21,139 SO THAT WAS HIS DEAL. 559 00:27:21,206 --> 00:27:23,775 YOU KNOW. 560 00:27:23,842 --> 00:27:28,780 BUT HE WAS -- I MET A GUY FROM ENGLAND, A VERY TOPNOTCH ENGLISH 561 00:27:28,847 --> 00:27:34,819 ACTOR AND HE SAID HE WENT TO SEE STREET CORNER DESIRE AND HE SAID 562 00:27:34,886 --> 00:27:39,924 HE WAS EMBARRASSED BECAUSE HE THOUGHT A STAGEHAND WANDERED ON 563 00:27:39,991 --> 00:27:41,659 THE STAGE ACCIDENTALLY AND IT WAS BRANDO. 564 00:27:41,726 --> 00:27:43,161 IT WAS SO NATURAL. 565 00:27:43,228 --> 00:27:45,497 HE SAID HE SAW IT SEVEN TIMES. 566 00:27:45,563 --> 00:27:50,902 >> Stephen: I WAS WONDERING, SOMEBODY WHO ADMIRED HIM AS YOU 567 00:27:50,969 --> 00:27:55,173 CAME INTO YOUR OWN DEVELOPMENT AS AN ARTIST, HE SAID SOMETHING 568 00:27:55,240 --> 00:27:58,343 ALONG THE LINES THAT ACTING ISN'T A PROPER PROFESSION FOR A 569 00:27:58,410 --> 00:28:01,880 MAN AND IT'S AN EMPTY AND MEANINGLESS -- 570 00:28:01,946 --> 00:28:03,048 >> HE'S SPEAKING FOR HIMSELF. 571 00:28:03,114 --> 00:28:07,485 >> Stephen: I UNDERSTAND THAT, BUT IF I -- LIKE MY COMEDIC 572 00:28:07,552 --> 00:28:11,089 HEROES, IF SOMEONE SAID TO ME BEING A COMEDIAN IS NOT A WORTHY 573 00:28:11,156 --> 00:28:15,960 THING TO DO, IT WOULD AFFECT ME EMOTIONALLY TO HEAR THAT. 574 00:28:16,027 --> 00:28:19,230 WHAT WAS THAT LIKE TO HEAR THAT FROM, IF YOU DID HEAR IT, FROM A 575 00:28:19,297 --> 00:28:20,865 HERO LIKE THAT? 576 00:28:20,932 --> 00:28:23,101 >> WELL, HE SAID A LOT OF THINGS THAT CAME OUT STRANGELY. 577 00:28:23,168 --> 00:28:24,602 HE HAD STRANGE ASPECTS TO HIM. 578 00:28:24,669 --> 00:28:30,375 I GOT A LETTER FROM HIM DOWN IN MY LIVING ROOM THAT I VALUE AS 579 00:28:30,442 --> 00:28:31,509 MUCH AS MY OSCAR. 580 00:28:31,576 --> 00:28:34,312 >> Stephen: WERE THERE ANY DIRECTORS YOU WORKED WITH SOME 581 00:28:34,379 --> 00:28:38,216 OF THE GREAT DIRECTORS IN THE 20th CENTURY AS WELL, WERE 582 00:28:38,283 --> 00:28:41,920 THERE DIRECTORS YOU WISH YOU COULD HAVE WORKED WITH LIKE JOHN 583 00:28:41,986 --> 00:28:43,421 HOUSTON OR STANLEY COOPER. 584 00:28:43,488 --> 00:28:46,825 >> I WAS GOING TO DO HIS LAST MOVIE, JOHN HOUSTON, AND HE 585 00:28:46,891 --> 00:28:47,959 DIED. 586 00:28:48,026 --> 00:28:51,863 BUT, NO, I TEND NOT TO GET ALONG WITH TOO MANY DIRECTORS. 587 00:28:51,930 --> 00:28:54,466 >> Stephen: YOU DON'T GET ALONG WITH THEM? 588 00:28:54,532 --> 00:28:55,200 >> YEAH. 589 00:28:55,266 --> 00:28:58,903 >> Stephen: WHAT DOES THAT MEAN? 590 00:28:58,970 --> 00:29:01,239 HOW DOES THAT PRACTICALLY PLAY OUT? 591 00:29:01,306 --> 00:29:02,440 >> GET OUT OF MY WAY. 592 00:29:02,507 --> 00:29:06,578 >> Stephen: BECAUSE THEY WOULD BE TELLING YOU HOW TO DO YOUR 593 00:29:06,644 --> 00:29:07,378 JOB? 594 00:29:07,445 --> 00:29:08,680 >> MAYBE OR IMPLYING THAT, YOU KNOW. 595 00:29:08,746 --> 00:29:10,482 >> Stephen: LINE READINGS. 596 00:29:10,548 --> 00:29:12,183 WELL, JUST HOVERING, HOVERING. 597 00:29:12,250 --> 00:29:14,886 >> Stephen: WHAT SHOULD A DIRECTOR DO? 598 00:29:14,953 --> 00:29:17,322 >> STAND BACK AND SEE. 599 00:29:17,388 --> 00:29:20,892 THAT'S WHAT COPELA DOES, TO SEE WHAT YOU DO AND BRING. 600 00:29:20,959 --> 00:29:23,761 WHAT YOU BRING, HE'LL USE IT. 601 00:29:23,828 --> 00:29:27,332 BUT COPELA WAS VERY GOOD THAT WAY, JUST, YOU KNOW, STANDING 602 00:29:27,398 --> 00:29:31,903 BACK AND SEE WHAT YOU DO. 603 00:29:31,970 --> 00:29:34,472 THAT'S WHY THEY HIRE YOU, TO SEE WHAT YOU DO. 604 00:29:34,539 --> 00:29:38,510 WHEN ACTORS GET TOGETHER, THEY SAY WHAT WAS THAT DIRECTOR LIKE? 605 00:29:38,576 --> 00:29:40,311 HE LEFT ME ALONE. 606 00:29:40,378 --> 00:29:41,412 OH, TERRIFIC. 607 00:29:41,479 --> 00:29:45,817 >> Stephen: YOU'VE DONE SO MANY INCREDIBLE FILMS, AS I 608 00:29:45,884 --> 00:29:53,591 SAID, THE GODFATHER, APOCALYPSE NOW, MASH, THE ORIGINAL FRANK 609 00:29:53,658 --> 00:29:54,726 BURNS. 610 00:29:54,792 --> 00:29:56,995 FOR ME, I WOULDN'T SAY IT WAS NECESSARILY YOUR GREATEST 611 00:29:57,061 --> 00:30:01,833 PERFORMANCE, I AGREE WITH THE ACADEMY TENDER MERCIES IS 612 00:30:01,900 --> 00:30:04,769 PERHAPS YOUR GREATEST PERFORMANCE, AN INCREDIBLY 613 00:30:04,836 --> 00:30:08,473 BEAUTIFUL FILM, BUT YOUR PERFORMANCE FRANK HACKETT IN 614 00:30:08,540 --> 00:30:11,743 NETWORK IS ONE THAT LEAPS OUT TO ME. 615 00:30:11,809 --> 00:30:13,978 >> I HAVEN'T SEEN THAT IN A LONG TIME. 616 00:30:14,045 --> 00:30:17,081 >> Stephen: CAN I SHOW YOU A CLIP FROM IT, MY FAVORITE SCENE 617 00:30:17,148 --> 00:30:18,283 THAT YOU EVER DID. 618 00:30:18,349 --> 00:30:20,318 CAN WE WATCH IT TOGETHER? 619 00:30:20,385 --> 00:30:20,785 >> OKAY. 620 00:30:20,852 --> 00:30:21,986 >> Stephen: OKAY. 621 00:30:22,053 --> 00:30:26,791 SO THIS IS THE SCENE, JUST TO REMIND THE AUDIENCE HERE, THIS 622 00:30:26,858 --> 00:30:33,231 IS THE SCENE AFTER PETER FINCH'S CHARACTER, HOWARD BEHL, AFTER 623 00:30:33,298 --> 00:30:37,101 HOWARD BEHL HAS BECOME A HIT AND HE'S CLEARLY NOT WELL AND HE'S 624 00:30:37,168 --> 00:30:41,673 LIVING WITH MACK SCHUMACHER WHO IS BILL HOLDEN'S CHARACTER, AND 625 00:30:41,739 --> 00:30:44,542 HE'S RUN AWAY SOMEPLACE AND THEY DON'T KNOW WHERE. 626 00:30:44,609 --> 00:30:49,914 AND YOU WANT HIM TO FIND HOWARD BEHL BECAUSE YOU'VE GOT A HIT 627 00:30:49,981 --> 00:30:53,518 YOUR HONOR HANDS, AND YOU'VE JUST BEEN MADE HEAD OF THE 628 00:30:53,585 --> 00:30:53,851 NETWORK. 629 00:30:53,918 --> 00:30:55,053 >> RIGHT. 630 00:30:55,119 --> 00:30:57,689 >> Stephen: AND WHAT I LOVE ABOUT THE SCENE IS THAT YOU HAVE 631 00:30:57,755 --> 00:30:58,756 AN INCREDIBLE INTENSITY. 632 00:30:58,823 --> 00:31:02,560 THERE ARE ENORMOUS CHOICES BEING MADE IN THIS MOVIE. 633 00:31:02,627 --> 00:31:03,428 >> RIGHT. 634 00:31:03,494 --> 00:31:05,063 >> Stephen: IT'S A SATIRE ON MANY LEVELS. 635 00:31:05,129 --> 00:31:06,297 >> RIGHT. 636 00:31:06,364 --> 00:31:07,832 >> Stephen: BUT THERE ARE BIG PERFORMANCE CHOICES BEING MADE, 637 00:31:07,899 --> 00:31:12,570 AND I JUST LOVE TO WATCH IT WITH YOU AND ASK YOU -- 638 00:31:12,637 --> 00:31:13,471 >> WHO WROTE IT. 639 00:31:13,538 --> 00:31:15,907 >> Stephen: PATTY -- GOOD GUY. 640 00:31:15,974 --> 00:31:18,376 >> Stephen: LET'S A WATCH. 641 00:31:18,443 --> 00:31:20,678 LET'S SAY ( BLEEP ) YOU HACKETT. 642 00:31:20,745 --> 00:31:23,314 YOU WANT ME OUT OF HERE, YOU'RE GOING TO HAVE TO DRAG ME OUT 643 00:31:23,381 --> 00:31:27,318 KICKING AND SCREAMING AND THE WHOLE NEWS DIVISION KICKING AND 644 00:31:27,385 --> 00:31:28,453 SCREAMING WITH ME. 645 00:31:28,519 --> 00:31:32,223 >> YOU THINK THEY'LL QUIT YOUR JOBS FOR YOU, NOT IN THIS 646 00:31:32,290 --> 00:31:32,790 RECESSION. 647 00:31:32,857 --> 00:31:34,959 >> HE'LL HAVE YOUR ASS. 648 00:31:35,026 --> 00:31:36,160 I GOT A HIT. 649 00:31:36,227 --> 00:31:40,665 HE WAS HOPING I'D FALL ON MY SHOW WITH THIS BEHL SHOW IT'S A 650 00:31:40,732 --> 00:31:43,668 BIG FAT PIT AND I WON'T RUN WITH HIM. 651 00:31:43,735 --> 00:31:47,405 IF HE WANTS TO TAKE IT UP WITH THE BOARD LET HIM. 652 00:31:47,472 --> 00:31:50,575 DO YOU THINK HE'S STUPID ENOUGH TO GO TO THE BOARD AND SAY I'M 653 00:31:50,642 --> 00:31:53,778 TAKING THE ONE HIT SHOW OFF THE AIR? 654 00:31:53,845 --> 00:31:58,683 NOVEMBER 14, I WILL BE STANDING UP A AN YEW YOU WILL MEETING AND 655 00:31:58,750 --> 00:32:02,587 ANNOUNCE THE PROJECTED EARNINGS FOR THE NETWORK FOR THE FIRST 656 00:32:02,654 --> 00:32:05,223 TIME IN TEN YEARS AND MR. JENNINGS WILL ROCK BACK AND 657 00:32:05,290 --> 00:32:10,461 FORTH AND SAY, THAT'S VERY GOOD FRANK, KEEP IT UP. 658 00:32:10,528 --> 00:32:13,931 >> SO I DON'T HAVE ANY ILLUSIONS ABOUT WHO'S RUNNING THE NETWORK, 659 00:32:13,998 --> 00:32:15,066 YOU'RE FIRED. 660 00:32:15,133 --> 00:32:20,271 I WANT YOU OUT BEFORE NOON OR I'LL HAVE YOU THROWN OUT. 661 00:32:20,338 --> 00:32:21,873 >> Stephen: THAT'S THE SCENE. 662 00:32:21,939 --> 00:32:23,908 YOU REMEMBER SHOOTING THAT. 663 00:32:23,975 --> 00:32:24,575 >> YEAH. 664 00:32:24,642 --> 00:32:26,010 JUST SO -- I THINK I DID OKAY. 665 00:32:26,077 --> 00:32:28,579 YOU'VE GOT TO KEEP IT WITHIN YOUR TEMPERAMENT. 666 00:32:28,646 --> 00:32:32,617 >> Stephen: WHAT DO YOU MEAN? 667 00:32:32,684 --> 00:32:35,987 YOU, YOUR TEMPERAMENT, YOU KNOW, YOUR SENSE OF WHATEVER, 668 00:32:36,054 --> 00:32:42,927 YOU KNOW, ANGER, YOUR VULNERABILITY OR WHATEVER, IT'S 669 00:32:42,994 --> 00:32:46,230 GOT TO BE YOUR TEMPERAMENT WITHOUT STEPPING OUT OF THAT, 670 00:32:46,297 --> 00:32:50,201 AND THEN IT BECOMES MORE LIKE ACTING, BUT YOU TRY TO KEEP IT 671 00:32:50,268 --> 00:32:53,671 WITH, YOU KNOW, FROM YOU, FROM YOUR TEMPERAMENT. 672 00:32:53,738 --> 00:32:57,542 YOU KNOW, INTERPRET IT A CERTAIN WAY. 673 00:32:57,608 --> 00:33:00,478 >> Stephen: I ASSUME THAT WILL BE PARTICULARLY HELPFUL IN A 674 00:33:00,545 --> 00:33:03,648 FILM WHERE THERE ARE BIG ACTING CHOICES MADE. 675 00:33:03,715 --> 00:33:07,018 BUZZ BILL HOLDEN AND FAYE DUNAWAY ARE MAKING HUGE CHOICES 676 00:33:07,085 --> 00:33:08,286 IN THAT SCENE, TOO. 677 00:33:08,353 --> 00:33:09,220 >> RIGHT. 678 00:33:09,287 --> 00:33:10,488 >> Stephen: YET ALL OF IT SEEMS BELIEVABLE. 679 00:33:10,555 --> 00:33:13,257 IS THAT WHAT YOU MEAN BY KEEPING WITHIN THE TEMPERAMENT? 680 00:33:13,324 --> 00:33:16,394 >> YEAH, KEEPING WITHIN THE -- YOU KNOW, IT CAN BE LIKE WOULD 681 00:33:16,461 --> 00:33:18,830 YOU COME OVER HERE, PLEASE? 682 00:33:18,896 --> 00:33:23,401 YOU KNOW, IT'S STILL YOU DOING IT WITHIN YOUR SET OF EMOTIONS 683 00:33:23,468 --> 00:33:29,941 OR YOUR TEMPERAMENT OR YOUR PSYCHE OR WHATEVER YOU WANT TO 684 00:33:30,007 --> 00:33:33,344 CALL IT, WITHOUT OVERACTING, YOU KNOW, IT'S GOT TO BE IN TOUCH 685 00:33:33,411 --> 00:33:34,545 WITH YOUR TEMPERAMENT. 686 00:33:34,612 --> 00:33:37,215 >> Stephen: ONE OF THE THINGS I LOVE ABOUT THAT SCENE, I'VE 687 00:33:37,281 --> 00:33:41,052 ALWAYS LOVED THAT MOMENT WHEN YOU SAY, YOU'RE FIRED, I WANT 688 00:33:41,119 --> 00:33:43,988 YOU OUT OF HERE BEFORE NOON OR I'LL HAVE YOU THROWN OUT. 689 00:33:44,055 --> 00:33:47,658 THE GESTURE YOU MAKE RIGHT THERE FEELS LIKE YOU'RE PICKING UP 690 00:33:47,725 --> 00:33:52,864 WILLIAM HOLDEN AND THROWING HIM OUT OF THE ROOM, AND THAT IS A 691 00:33:52,930 --> 00:33:55,867 PURE UNDERSTANDABLE VISCERAL INTENTION I'M FEELING FROM THAT 692 00:33:55,933 --> 00:33:57,135 CHARACTER. 693 00:33:57,201 --> 00:33:59,637 >> I REMEMBER THE PRODUCER CAME INTO MY DRESSING ROOM AND TO SAY 694 00:33:59,704 --> 00:34:01,239 SOMETHING AND I DIDN'T LIKE THE GUY. 695 00:34:01,305 --> 00:34:05,176 I SAID, WILL YOU TURN AROUND AND WALK THE ( BLEEP ) OUT OF THIS 696 00:34:05,243 --> 00:34:10,214 ROOM, THAT'S WHAT I SAID TO THE GUY. 697 00:34:10,281 --> 00:34:10,515 RIGHT. 698 00:34:10,581 --> 00:34:11,749 YEAH. 699 00:34:11,816 --> 00:34:15,686 >> Stephen: WHEN WE COME BACK, ROBERT DUVALL GIVES ME AN ACTING 700 00:34:15,753 --> 00:34:16,254 LESSON. 701 00:34:16,320 --> 00:34:16,721 ( CHEERS AND APPLAUSE ) 702 00:34:41,012 --> 00:34:43,581 >> YOU DON'T HAVE TO READ, YOU DON'T HAVE TO KNOW ANYTHING TO 703 00:34:43,648 --> 00:34:47,084 SEE THE TRUTH THAT'S HAPPENING EVERY SINGLE DAY AT THE SOUTHERN 704 00:34:47,151 --> 00:34:47,518 BORDER. 705 00:34:47,585 --> 00:34:48,286 >> THAT'S RIGHT. 706 00:34:48,352 --> 00:34:50,121 YOU DON'T NEED TO LEARN ANYTHING. 707 00:34:50,188 --> 00:34:51,255 JUST USE YOUR IMAGINATION. 708 00:34:51,322 --> 00:34:54,926 I IMAGINE THE SOUTHERN BORDER HAS MILLIONS OF IMMIGRANTS 709 00:34:54,992 --> 00:34:58,763 POURING OVER IT IN A BIG FROTHY WAVE AND THEY'RE ALL WEARING 710 00:34:58,830 --> 00:35:00,431 HAPPY LITTLE SUICIDE VESTS. 711 00:35:00,498 --> 00:35:03,501 >> STAY TUNED FOR MORE, THE JOY OF HAVING NO IDEA WHAT THE 712 00:35:03,568 --> 00:35:04,068 ( BLEEP ) YOU'RE TALKING ABOUT 713 00:35:21,986 --> 00:35:25,122 >> Stephen: WELCOME BACK, EVERYBODY. 714 00:35:25,189 --> 00:35:29,894 AND NOW THE DRAMATIC CONCLUSION TO ROBERT DUVALL: THE INTERVIEW. 715 00:35:29,961 --> 00:35:32,063 WHAT DID YOU THINK YOUR CAREER WAS GOING TO BE? 716 00:35:32,129 --> 00:35:35,299 YOU'VE GOT THIS STORIED CAREER. 717 00:35:35,366 --> 00:35:41,072 IN MY LIFETIME, ALWAYS LISTED WITH THE GREAT ACTORS OF HIS 718 00:35:41,138 --> 00:35:44,141 GENERATION, WHAT DID YOU IMAGINE SUPPOSE? 719 00:35:44,208 --> 00:35:46,644 >> WHEN I STARTED OUT? 720 00:35:46,711 --> 00:35:47,311 >> Stephen: YEAH. 721 00:35:47,378 --> 00:35:48,212 I DIDN'T KNOW. 722 00:35:48,279 --> 00:35:51,015 I JUST WANTED TO WORK, I GUESS, YOU KNOW. 723 00:35:51,082 --> 00:35:59,490 I WENT TO THAT SUMMER THEATER, AND ULA, GENE HACKMAN. 724 00:35:59,557 --> 00:36:03,194 BUT I DID START OUT ON THE STAGE AND IF I HAD TO GO BACK, I 725 00:36:03,261 --> 00:36:05,296 PROBABLY COULD DO IT IN A LIMITED WAY, I GUESS. 726 00:36:05,363 --> 00:36:09,467 >> Stephen: YOU LIVED WITH HACKMAN FOR A WHILE, DIDN'T YOU? 727 00:36:09,534 --> 00:36:09,934 >> NO. 728 00:36:10,001 --> 00:36:10,401 HE LIVED DOWNTOWN. 729 00:36:10,468 --> 00:36:11,302 >> Stephen: OKAY. 730 00:36:11,369 --> 00:36:12,670 DUSTIN HOFFMAN. 731 00:36:12,737 --> 00:36:21,812 WE LIVED UPTOWN WITH MARIE STERN WHO WAS A CANTER, AND BOTH MY 732 00:36:21,879 --> 00:36:22,580 BROTHERS WERE SINGERS. 733 00:36:22,647 --> 00:36:24,715 WE HAD A PLACE UPDOWN WITH DUSTIN. 734 00:36:24,782 --> 00:36:27,618 >> Stephen: WHAT WAS HE LIKE AS A ROOMMATE, MESSY? 735 00:36:27,685 --> 00:36:28,719 >> VERY, BUT FUNNY. 736 00:36:28,786 --> 00:36:30,788 >> Stephen: WHAT DO YOU REMEMBER MOST FONDLY OF THOSE 737 00:36:30,855 --> 00:36:34,458 DAYS OF HANGING AROUND WITH GENE HACKMAN AND DUSTIN HOFFMAN. 738 00:36:34,525 --> 00:36:35,326 >> LOT OF LAUGHS. 739 00:36:35,393 --> 00:36:37,495 >> Stephen: YEAH? 740 00:36:37,562 --> 00:36:38,296 LOT OF LAUGHS. 741 00:36:38,362 --> 00:36:40,097 >> Stephen: YOU GUYS WOULD HANG OUT? 742 00:36:40,164 --> 00:36:40,565 >> YEAH. 743 00:36:40,631 --> 00:36:42,133 I KNEW GENE FIRST. 744 00:36:42,199 --> 00:36:44,602 HE LIVED DOWNTOWN WITH HIS FIRST WIFE. 745 00:36:44,669 --> 00:36:50,975 HE SAID THIS GUY'S COMING BACK, DUSTIN, SO HE CAME BACK. 746 00:36:51,042 --> 00:36:56,247 WE WOULD TRITO PICK UP GIRLS AND DUSTY STILL LAUGHS ABOUT THE 747 00:36:56,314 --> 00:36:57,515 STUPIDEST LINE I EVER SAW. 748 00:36:57,582 --> 00:37:03,888 WE JUST PUT DOWN NEW LINOLEUM IN OUR APARTMENT AND I SAID TO THE 749 00:37:03,955 --> 00:37:09,393 GIRL, COME UP TO THE APARTMENT AND SEE THE NEW LINOLEUM. 750 00:37:09,460 --> 00:37:11,228 AND DUSTY STILL LAUGHS ABOUT THAT. 751 00:37:11,295 --> 00:37:12,496 >> Stephen: THAT IS A FAIRLY AWKWARD PICKUP LINE. 752 00:37:12,563 --> 00:37:13,898 >> Stephen: CL CLINT EASTWOOD IS ONLY A YEAR OLDER THAN YOU ARE. 753 00:37:13,965 --> 00:37:15,099 DID YOU WORK WITH CLINT? 754 00:37:15,166 --> 00:37:17,868 >> I WORKED WITH HIM ON ONE MOVIE. 755 00:37:17,935 --> 00:37:19,637 HE'S DONE SOME GOOD STUFF. 756 00:37:19,704 --> 00:37:23,608 >> Stephen: BOTH YOU AND CLINT EASTWOOD REPRESENT A SOLID 757 00:37:23,674 --> 00:37:26,544 20th CENTURY AMERICAN MAN. 758 00:37:26,611 --> 00:37:34,852 THERE'S A SOLID TITO YOUR PERFORMANCES. 759 00:37:34,919 --> 00:37:36,020 >> COULD BE. 760 00:37:36,087 --> 00:37:39,657 >> Stephen: DO YOU THINK YOU COULD TAKE CLINT EASTWOOD IN A 761 00:37:39,724 --> 00:37:40,024 FIGHT? 762 00:37:40,091 --> 00:37:40,958 >> I MIGHT. 763 00:37:41,025 --> 00:37:41,926 >> Stehen: YOU KNOW I'M GOING TO ASK CLINT. 764 00:37:41,993 --> 00:37:44,729 >> I HAVE A FRIEND FROM SCOTLAND. 765 00:37:44,795 --> 00:37:46,464 HE'S 65 NOW. 766 00:37:46,530 --> 00:37:53,337 HE HAS BLACK BELT IN JUDO, SO I COULD GO TO HIM BEFORE. 767 00:37:53,404 --> 00:37:56,607 >> Stephen: CLINT, SOUNDS LIKE DUVAL IS PREPARING FOR THIS. 768 00:37:56,674 --> 00:37:58,876 I JUST HEARD HIM SAY HE COULD TAKE YOU. 769 00:37:58,943 --> 00:38:00,244 SO I WOULDN'T LET THAT STAND. 770 00:38:00,311 --> 00:38:02,613 >> IT WOULD BE A GOOD MATCH, MAYBE. 771 00:38:02,680 --> 00:38:06,017 >> Stephen: WHAT ROLE DID YOUR TRAINING PLAY IN YOUR OWN 772 00:38:06,083 --> 00:38:06,884 PARTICULAR STYLE? 773 00:38:06,951 --> 00:38:11,756 I KNOW YOU STUDIED WITH SANFORD MIZENER. 774 00:38:11,822 --> 00:38:14,892 >> YEAH. 775 00:38:14,959 --> 00:38:17,161 >> Stephen: THROUGH YOUR CAREER, DID YOU KEEP UP WITH THE 776 00:38:17,228 --> 00:38:19,664 EXERCISES AND THE TOOLS THAT HE GAVE YOU? 777 00:38:19,730 --> 00:38:20,665 >> NOT SO MUCH. 778 00:38:20,731 --> 00:38:21,666 >> Stephen: NO? 779 00:38:21,732 --> 00:38:24,568 THERE'S ONE TOOL HE USED AFTER I LEFT, THE REPEAT 780 00:38:24,635 --> 00:38:25,302 EXERCISE. 781 00:38:25,369 --> 00:38:26,671 >> Stephen: THE REPEAT EXERCISE? 782 00:38:26,737 --> 00:38:28,406 >> YEAH, WHEN I WAS THERE, WE NEVER DID THAT. 783 00:38:28,472 --> 00:38:32,910 SO WHEN I DIRECTED, I USED THAT SOMETIMES. 784 00:38:32,977 --> 00:38:35,913 >> Stephen: I STUDIED THE MIZENER TECHNIQUE AND I DID 785 00:38:35,980 --> 00:38:39,850 THOSE, WHEN I WAS A YOUNG ACTOR I DID THE REPEATING EXERCISES. 786 00:38:39,917 --> 00:38:41,385 WHAT DO YOU THINK THE INTENT OF IT IS? 787 00:38:41,452 --> 00:38:43,320 I HAD TROUBLE GETTING ANYTHING FROM IT. 788 00:38:43,387 --> 00:38:47,825 >> WELL, TO TAKE YOU OFF OF YOURSELF AND PUT YOU ON TO THE 789 00:38:47,892 --> 00:38:48,926 OTHER GUY. 790 00:38:48,993 --> 00:38:55,800 TO GET FROM THE OTHER GUY WHAT YOU WANT TO GET WITHOUT 791 00:38:55,866 --> 00:38:58,202 PRECONCEIVING OR SETTING A RESULT. 792 00:38:58,269 --> 00:39:01,739 >> Stephen: SO IT'S HONEST REACTION TO WHAT YOU'RE 793 00:39:01,806 --> 00:39:04,408 PERCEIVING IN THE OTHER PERSON IN THAT MOMENT? 794 00:39:04,475 --> 00:39:05,576 >> RIGHT, YEAH. 795 00:39:05,643 --> 00:39:10,881 I DID THAT IN A COUPLE OF MOVIES JUST, YOU KNOW, WITH KIDS, 796 00:39:10,948 --> 00:39:13,884 ESPECIALLY WITH YOUNG PEOPLE. 797 00:39:13,951 --> 00:39:16,454 >> Stephen: WOULD YOU DO ONE WITH ME RIGHT NOW? 798 00:39:16,520 --> 00:39:18,756 >> YEAH, WHAT ARE YOU LOOKING AT? 799 00:39:18,823 --> 00:39:20,224 >> Stephen: WHAT ARE YOU LOOKING AT? 800 00:39:20,291 --> 00:39:20,991 >> I'M LOOKING AT YOU. 801 00:39:21,058 --> 00:39:23,661 >> Stephen: YOU'RE LOOKING AT ME? 802 00:39:23,728 --> 00:39:24,261 >> YEAH. 803 00:39:24,328 --> 00:39:25,196 WHY ARE YOU LOOKING AT ME. 804 00:39:25,262 --> 00:39:27,498 >> Stephen: WHY ARE YOU LOOKING AT ME? 805 00:39:27,565 --> 00:39:29,600 >> WELL, WHY ARE YOU LOOKING AT ME? 806 00:39:29,667 --> 00:39:31,102 >> Stephen: WHY ARE YOU LOOKING AT ME. 807 00:39:31,168 --> 00:39:33,404 >> NO, WHY ARE YOU LOOKING AT ME? 808 00:39:33,471 --> 00:39:36,073 >> Stephen: HI ARE YOU LOOKING AT ME? 809 00:39:36,140 --> 00:39:40,444 >> BECAUSE I ( BLEEP ) WANT TO >> Stephen: I THINK YOU GOT 810 00:39:40,511 --> 00:39:42,747 IT. 811 00:39:42,813 --> 00:39:45,916 ( APPLAUSE ) THANK YOU, ROBERT DUVALL! 812 00:39:45,983 --> 00:39:48,919 "12 MIGHTY ORPHANS" IS IN THEATERS NOW. 813 00:39:48,986 --> 00:39:49,987 WE'LL BE RIGHT BACK. 814 00:39:57,995 --> 00:39:58,729 ♪♪ >> STEPHEN: THAT'S IT FOR THE 815 00:39:58,796 --> 00:39:59,430 LATE SHOW. 816 00:39:59,497 --> 00:40:00,064 JAMES CORDEN IS NEXT, GOODNIGHT. 817 00:40:07,004 --> 00:40:10,775 >> Stephen: THIS LITTLE LONELY GUY NEEDS TO GO OVER HERE. 818 00:40:10,841 --> 00:40:12,843 NEEDS TO GO ON THE OTHER SIDE. 819 00:40:12,910 --> 00:40:13,611 I'M DONE. 820 00:40:13,677 --> 00:40:16,480 HE WASN'T SO LONELY 15 MONTHS AGO. 821 00:40:16,547 --> 00:40:20,885 NOW HE'S ALL LONELY OVER HERE. 822 00:40:20,951 --> 00:40:28,559 THAT IS SAD, THAT GUY. 823 00:40:28,626 --> 00:40:28,959 SERIOUSLY. 824 00:40:29,026 --> 00:40:29,593 MAKE FRIENDS. 825 00:40:29,660 --> 00:40:34,064 MAKE NEW FRIENDS OVER HERE. 826 00:40:34,131 --> 00:40:35,132 >> (INDISCERNIBLE).