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<font color="#ffff00"> Captioning sponsored by CBS</font>

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>> A SURPRISE FRONTRUNNER IN A
HYPOTHETICAL RACE FOR THE
GOVERNOR OF TEXAS, 45% WOULD

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HYPOTHETICAL RACE FOR THE
GOVERNOR OF TEXAS, 45% WOULD
SUPPORT MATTHEW McCONAUGHEY IF

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00:00:09,543 --> 00:00:11,543
GOVERNOR OF TEXAS, 45% WOULD
SUPPORT MATTHEW McCONAUGHEY IF
HE DECIDED THAT HE WANTED TO RUN

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SUPPORT MATTHEW McCONAUGHEY IF
HE DECIDED THAT HE WANTED TO RUN
FOR GOVERNOR.

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HE DECIDED THAT HE WANTED TO RUN
FOR GOVERNOR.
33% WOULD SUPPORT GREG ABBOTT,

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FOR GOVERNOR.
33% WOULD SUPPORT GREG ABBOTT,
HE'S THE CURRENT GOVERNOR.

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33% WOULD SUPPORT GREG ABBOTT,
HE'S THE CURRENT GOVERNOR.
>> WE'VE ALWAYS DEFINED

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HE'S THE CURRENT GOVERNOR.
>> WE'VE ALWAYS DEFINED
OURSELVES AS THE ABILITY TO

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>> WE'VE ALWAYS DEFINED
OURSELVES AS THE ABILITY TO
OVERCOME THE IMPOSSIBLE.

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OURSELVES AS THE ABILITY TO
OVERCOME THE IMPOSSIBLE.
>> MATTHEW McCONAUGHEY HAS A

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OVERCOME THE IMPOSSIBLE.
>> MATTHEW McCONAUGHEY HAS A
VISION FOR TEXAS.

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>> MATTHEW McCONAUGHEY HAS A
VISION FOR TEXAS.
>> YOU JUST GOT TO KEEP LIVIN',

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VISION FOR TEXAS.
>> YOU JUST GOT TO KEEP LIVIN',
MAN, L-I-V-I-N.

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>> YOU JUST GOT TO KEEP LIVIN',
MAN, L-I-V-I-N.
>> HE WANTS EVERYONE TO HAVE THE

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MAN, L-I-V-I-N.
>> HE WANTS EVERYONE TO HAVE THE
BASICS.

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>> HE WANTS EVERYONE TO HAVE THE
BASICS.
>> COCAINE AND HOOKERS, MY

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BASICS.
>> COCAINE AND HOOKERS, MY
FRIEND.

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>> COCAINE AND HOOKERS, MY
FRIEND.
>> HE IS A PROBLEM SOLVER.

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FRIEND.
>> HE IS A PROBLEM SOLVER.
ALL RIGHT, YOU KILLED A

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>> HE IS A PROBLEM SOLVER.
ALL RIGHT, YOU KILLED A
HOOKER.

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ALL RIGHT, YOU KILLED A
HOOKER.
HERE'S WHAT YOU'RE GOING TO DO,

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HOOKER.
HERE'S WHAT YOU'RE GOING TO DO,
GET YOUR HANDS ON SOME BLEACH,

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HERE'S WHAT YOU'RE GOING TO DO,
GET YOUR HANDS ON SOME BLEACH,
SOME HYDROGEN PEROXIDE AND A

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GET YOUR HANDS ON SOME BLEACH,
SOME HYDROGEN PEROXIDE AND A
(  BLEEP  ) LOAD OF LIME.

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SOME HYDROGEN PEROXIDE AND A
(  BLEEP  ) LOAD OF LIME.
>> THAT'S WHO THE LAW SAYS THAT

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(  BLEEP  ) LOAD OF LIME.
>> THAT'S WHO THE LAW SAYS THAT
YOU CANNOT TOUCH.

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>> THAT'S WHO THE LAW SAYS THAT
YOU CANNOT TOUCH.
>> HE'S A HARD WORKER.

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YOU CANNOT TOUCH.
>> HE'S A HARD WORKER.
I (  BLEEP  ) AT LEAST TWICE A

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>> HE'S A HARD WORKER.
I (  BLEEP  ) AT LEAST TWICE A
DAY.

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I (  BLEEP  ) AT LEAST TWICE A
DAY.
>> HE'S NOT SOME ASS CLOWN.

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DAY.
>> HE'S NOT SOME ASS CLOWN.
I'M NOT SOME ASS CLOWN.

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>> HE'S NOT SOME ASS CLOWN.
I'M NOT SOME ASS CLOWN.
HE'S A PATRIOT.

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I'M NOT SOME ASS CLOWN.
HE'S A PATRIOT.
I'M A SUFFERER, DUDE.

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HE'S A PATRIOT.
I'M A SUFFERER, DUDE.
CLOSE ENOUGH.

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I'M A SUFFERER, DUDE.
CLOSE ENOUGH.
AND WHY DOES MATTHEW

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CLOSE ENOUGH.
AND WHY DOES MATTHEW
McCONAUGHEY THINK HE WOULD

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AND WHY DOES MATTHEW
McCONAUGHEY THINK HE WOULD
MAKE A GOOD GOVERNOR?

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McCONAUGHEY THINK HE WOULD
MAKE A GOOD GOVERNOR?
>> I'M HIGH AS A KITE.

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MAKE A GOOD GOVERNOR?
>> I'M HIGH AS A KITE.
MATTHEW McCONAUGHEY FOR

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>> I'M HIGH AS A KITE.
MATTHEW McCONAUGHEY FOR
GOVERNOR OF TEXAS.

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MATTHEW McCONAUGHEY FOR
GOVERNOR OF TEXAS.
>> ALL RIGHT, ALL RIGHT, ALL

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GOVERNOR OF TEXAS.
>> ALL RIGHT, ALL RIGHT, ALL
RIGHT!

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>> Announcer: IT'S "A LATE
SHOW" WITH STEPHEN TEACH!
>> TONIGHT, NEEDLE MANIA!

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SHOW" WITH STEPHEN TEACH!
>> TONIGHT, NEEDLE MANIA!
PLUS STEPHEN WELCOMES ANTHONY

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>> TONIGHT, NEEDLE MANIA!
PLUS STEPHEN WELCOMES ANTHONY
HOPKINS AND FLORIAN ZELLER, AND

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PLUS STEPHEN WELCOMES ANTHONY
HOPKINS AND FLORIAN ZELLER, AND
SENATOR MAZIE HIRONO, FEATURING

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HOPKINS AND FLORIAN ZELLER, AND
SENATOR MAZIE HIRONO, FEATURING
JON BATISTE AND STAY HUMAN.

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SENATOR MAZIE HIRONO, FEATURING
JON BATISTE AND STAY HUMAN.
AND NOW LIVE ON TAPE FROM THE ED

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JON BATISTE AND STAY HUMAN.
AND NOW LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING

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AND NOW LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN

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SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN
COLBERT!

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IN NEW YORK CITY, IT'S STEPHEN
COLBERT!
>> Stephen: WELCOME!

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COLBERT!
>> Stephen: WELCOME!
TO "A LATE SHOW," EVERYBODY.

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>> Stephen: WELCOME!
TO "A LATE SHOW," EVERYBODY.
I'M YOUR HOST, STEPHEN COLBERT

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TO "A LATE SHOW," EVERYBODY.
I'M YOUR HOST, STEPHEN COLBERT
FOLKS, I AM INCREDIBLY EXCITED

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I'M YOUR HOST, STEPHEN COLBERT
FOLKS, I AM INCREDIBLY EXCITED
FOR TONIGHT'S SHOW.

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FOLKS, I AM INCREDIBLY EXCITED
FOR TONIGHT'S SHOW.
I GET TO TALK TO ANTHONY HOPKINS

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FOR TONIGHT'S SHOW.
I GET TO TALK TO ANTHONY HOPKINS
IN A LITTLE BIT.

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I GET TO TALK TO ANTHONY HOPKINS
IN A LITTLE BIT.
AND I'M GOING TO TALK A LOT

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IN A LITTLE BIT.
AND I'M GOING TO TALK A LOT
ABOUT CHRIS EVANS' PENIS-- NOT

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AND I'M GOING TO TALK A LOT
ABOUT CHRIS EVANS' PENIS-- NOT
WITH ANTHONY HOPKINS.

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ABOUT CHRIS EVANS' PENIS-- NOT
WITH ANTHONY HOPKINS.
BUT THE THING THAT'S GOT ME MOST

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WITH ANTHONY HOPKINS.
BUT THE THING THAT'S GOT ME MOST
EXCITED IS WHAT IS HAPPENING

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BUT THE THING THAT'S GOT ME MOST
EXCITED IS WHAT IS HAPPENING
179.98 MILLION MILES AWAY, ON

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EXCITED IS WHAT IS HAPPENING
179.98 MILLION MILES AWAY, ON
MARS.

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179.98 MILLION MILES AWAY, ON
MARS.
IT'S TIME FOR "SPACE NEWS:

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MARS.
IT'S TIME FOR "SPACE NEWS:
MARTIAN CHRONICLE!"

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IT'S TIME FOR "SPACE NEWS:
MARTIAN CHRONICLE!"
MARK YOUR CALENDAR, BECAUSE THIS

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MARTIAN CHRONICLE!"
MARK YOUR CALENDAR, BECAUSE THIS
MORNING, AT 3:34 EASTERN TIME

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MARK YOUR CALENDAR, BECAUSE THIS
MORNING, AT 3:34 EASTERN TIME
NASA'S INGENUITY MARS HELICOPTER

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MORNING, AT 3:34 EASTERN TIME
NASA'S INGENUITY MARS HELICOPTER
SUCCEEDED IN ITS HISTORIC FIRST

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NASA'S INGENUITY MARS HELICOPTER
SUCCEEDED IN ITS HISTORIC FIRST
FLIGHT, MAKING IT THE FIRST

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SUCCEEDED IN ITS HISTORIC FIRST
FLIGHT, MAKING IT THE FIRST
AIRCRAFT IN HISTORY TO MAKE A

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FLIGHT, MAKING IT THE FIRST
AIRCRAFT IN HISTORY TO MAKE A
POWERED, CONTROLLED FLIGHT ON

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AIRCRAFT IN HISTORY TO MAKE A
POWERED, CONTROLLED FLIGHT ON
ANOTHER PLANET.

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POWERED, CONTROLLED FLIGHT ON
ANOTHER PLANET.
117 YEARS AFTER KITTY HAWK, WE

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ANOTHER PLANET.
117 YEARS AFTER KITTY HAWK, WE
FLEW A HELICOPTER ON MARS!

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117 YEARS AFTER KITTY HAWK, WE
FLEW A HELICOPTER ON MARS!
AND AS A TRIBUTE TO THE WRIGHT

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FLEW A HELICOPTER ON MARS!
AND AS A TRIBUTE TO THE WRIGHT
BROTHERS, "INGENUITY" HAS A BIT

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AND AS A TRIBUTE TO THE WRIGHT
BROTHERS, "INGENUITY" HAS A BIT
OF FABRIC FROM THEIR AIRCRAFT.

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BROTHERS, "INGENUITY" HAS A BIT
OF FABRIC FROM THEIR AIRCRAFT.
AND FOR FUN, THEY STUCK ON

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OF FABRIC FROM THEIR AIRCRAFT.
AND FOR FUN, THEY STUCK ON
ORVILLE'S MUSTACHE.

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AND FOR FUN, THEY STUCK ON
ORVILLE'S MUSTACHE.
NOW THAT WE'VE GOT A HELICOPTER

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ORVILLE'S MUSTACHE.
NOW THAT WE'VE GOT A HELICOPTER
UP THERE,

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NOW THAT WE'VE GOT A HELICOPTER
UP THERE,
IT'S ONLY A MATTER OF TIME UNTIL

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UP THERE,
IT'S ONLY A MATTER OF TIME UNTIL
WE GET THE MARTIAN TRAFFIC

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IT'S ONLY A MATTER OF TIME UNTIL
WE GET THE MARTIAN TRAFFIC
REPORT.

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WE GET THE MARTIAN TRAFFIC
REPORT.
>> LOOKS LIKE THINGS ON THE RED

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REPORT.
>> LOOKS LIKE THINGS ON THE RED
PLANET ARE BUMPER TO BUMPER FROM

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>> LOOKS LIKE THINGS ON THE RED
PLANET ARE BUMPER TO BUMPER FROM
OLYMPUS MONS ALL THE WAY TO THE

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PLANET ARE BUMPER TO BUMPER FROM
OLYMPUS MONS ALL THE WAY TO THE
POLAR ICE CAPS.

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OLYMPUS MONS ALL THE WAY TO THE
POLAR ICE CAPS.
TRAFFIC ON THE 1'S IS BROUGHT

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POLAR ICE CAPS.
TRAFFIC ON THE 1'S IS BROUGHT
TO YOU BY IRON OXIDE.

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TRAFFIC ON THE 1'S IS BROUGHT
TO YOU BY IRON OXIDE.
IRON OXIDE: IT'S WHAT MAKES MARS

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TO YOU BY IRON OXIDE.
IRON OXIDE: IT'S WHAT MAKES MARS
RED!

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IRON OXIDE: IT'S WHAT MAKES MARS
RED!
>> STEPHEN: LET'S TAKE A LOOK AT

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RED!
>> STEPHEN: LET'S TAKE A LOOK AT
SOME OF THE AMAZING IMAGES.

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>> STEPHEN: LET'S TAKE A LOOK AT
SOME OF THE AMAZING IMAGES.
THERE IT IS TAKING OFF.

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SOME OF THE AMAZING IMAGES.
THERE IT IS TAKING OFF.
OKAY, HOVERING, A LITTLE LEFT

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THERE IT IS TAKING OFF.
OKAY, HOVERING, A LITTLE LEFT
AND RIGHT THERE, A LITTLE

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OKAY, HOVERING, A LITTLE LEFT
AND RIGHT THERE, A LITTLE
HOVERING, PRETTY NICE, AND BACK

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AND RIGHT THERE, A LITTLE
HOVERING, PRETTY NICE, AND BACK
DOWN.

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HOVERING, PRETTY NICE, AND BACK
DOWN.
BOOM.

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DOWN.
BOOM.
AMAZING STUFF.

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BOOM.
AMAZING STUFF.
AND THEY'VE GOT TWO MORE FLIGHTS

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AMAZING STUFF.
AND THEY'VE GOT TWO MORE FLIGHTS
BEFORE IT ENDS UP STUCK ON THE

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AND THEY'VE GOT TWO MORE FLIGHTS
BEFORE IT ENDS UP STUCK ON THE
NEIGHBOR'S ROOF.

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BEFORE IT ENDS UP STUCK ON THE
NEIGHBOR'S ROOF.
IT WASN'T A LONG FLIGHT, IT

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NEIGHBOR'S ROOF.
IT WASN'T A LONG FLIGHT, IT
LASTED JUST 30 SECONDS AND

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IT WASN'T A LONG FLIGHT, IT
LASTED JUST 30 SECONDS AND
REACHED AN ALTITUDE OF ABOUT TEN

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LASTED JUST 30 SECONDS AND
REACHED AN ALTITUDE OF ABOUT TEN
FEET.

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REACHED AN ALTITUDE OF ABOUT TEN
FEET.
IT MIGHT NOT SOUND LIKE A LOT,

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FEET.
IT MIGHT NOT SOUND LIKE A LOT,
BUT TEN FEET MEANS INGENUITY CAN

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IT MIGHT NOT SOUND LIKE A LOT,
BUT TEN FEET MEANS INGENUITY CAN
DUNK.

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BUT TEN FEET MEANS INGENUITY CAN
DUNK.
TODAY'S MISSION WAS THE FIRST OF

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DUNK.
TODAY'S MISSION WAS THE FIRST OF
SEVERAL, BECAUSE THE HELICOPTER

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TODAY'S MISSION WAS THE FIRST OF
SEVERAL, BECAUSE THE HELICOPTER
COULD MAKE AS MANY AS FIVE

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SEVERAL, BECAUSE THE HELICOPTER
COULD MAKE AS MANY AS FIVE
FLIGHTS IN COMING WEEKS.

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COULD MAKE AS MANY AS FIVE
FLIGHTS IN COMING WEEKS.
ALTHOUGH TO SAVE A COUPLE BUCKS,

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FLIGHTS IN COMING WEEKS.
ALTHOUGH TO SAVE A COUPLE BUCKS,
ONE OF THEM HAS A LAYOVER IN

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ALTHOUGH TO SAVE A COUPLE BUCKS,
ONE OF THEM HAS A LAYOVER IN
CHARLOTTE.

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ONE OF THEM HAS A LAYOVER IN
CHARLOTTE.
THERE'S A CHILI'S, TOO.

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00:03:50,965 --> 00:03:53,232
CHARLOTTE.
THERE'S A CHILI'S, TOO.
SOMEBODY SHOULD FLY A HELICOPTER

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THERE'S A CHILI'S, TOO.
SOMEBODY SHOULD FLY A HELICOPTER
THERE.

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SOMEBODY SHOULD FLY A HELICOPTER
THERE.
BUT FLYING HELICOPTERS ON MARS

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00:03:54,268 --> 00:03:55,033
THERE.
BUT FLYING HELICOPTERS ON MARS
ISN'T EVEN SCIENCE'S BIGGEST

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00:03:55,035 --> 00:03:55,734
BUT FLYING HELICOPTERS ON MARS
ISN'T EVEN SCIENCE'S BIGGEST
ACHIEVEMENT OF THE DAY, BECAUSE

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ISN'T EVEN SCIENCE'S BIGGEST
ACHIEVEMENT OF THE DAY, BECAUSE
THERE'S LIGHT AT THE END OF THE

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ACHIEVEMENT OF THE DAY, BECAUSE
THERE'S LIGHT AT THE END OF THE
PANDEMIC TUNNEL, AND I'LL TELL

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THERE'S LIGHT AT THE END OF THE
PANDEMIC TUNNEL, AND I'LL TELL
YOU ALL ABOUT IT IN TONIGHT'S

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00:04:01,408 --> 00:04:07,279
PANDEMIC TUNNEL, AND I'LL TELL
YOU ALL ABOUT IT IN TONIGHT'S
INSTALLMENT OF "THE VAX-SCENE."

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00:04:07,281 --> 00:04:08,180
YOU ALL ABOUT IT IN TONIGHT'S
INSTALLMENT OF "THE VAX-SCENE."
♪ I KNOCK YOULATION ♪

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00:04:08,182 --> 00:04:11,183
INSTALLMENT OF "THE VAX-SCENE."
♪ I KNOCK YOULATION ♪
♪ FOR THE WHOLE NATION ♪

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00:04:11,185 --> 00:04:15,153
♪ I KNOCK YOULATION ♪
♪ FOR THE WHOLE NATION ♪
♪ GET A SHOT IN YOUR ARM ♪

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♪ FOR THE WHOLE NATION ♪
♪ GET A SHOT IN YOUR ARM ♪
♪ INOCULATION ♪

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00:04:16,090 --> 00:04:18,156
♪ GET A SHOT IN YOUR ARM ♪
♪ INOCULATION ♪
♪ THE ONE VACATION ♪

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00:04:18,158 --> 00:04:21,126
♪ INOCULATION ♪
♪ THE ONE VACATION ♪
♪ BUT PLEASE WATCH OUT FOR ♪

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00:04:21,128 --> 00:04:22,494
♪ THE ONE VACATION ♪
♪ BUT PLEASE WATCH OUT FOR ♪
♪ THE NEXT MUTATION ♪

140
00:04:22,496 --> 00:04:23,495
♪ BUT PLEASE WATCH OUT FOR ♪
♪ THE NEXT MUTATION ♪
THERE'S GREAT PROGRESS ON THE

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♪ THE NEXT MUTATION ♪
THERE'S GREAT PROGRESS ON THE
VACCINE FRONT BECAUSE, AS OF

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00:04:24,398 --> 00:04:24,963
THERE'S GREAT PROGRESS ON THE
VACCINE FRONT BECAUSE, AS OF
TODAY, "HALF OF ALL AMERICAN

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VACCINE FRONT BECAUSE, AS OF
TODAY, "HALF OF ALL AMERICAN
ADULTS HAVE RECEIVED AT LEAST

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00:04:25,566 --> 00:04:28,767
TODAY, "HALF OF ALL AMERICAN
ADULTS HAVE RECEIVED AT LEAST
ONE SHOT."

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ADULTS HAVE RECEIVED AT LEAST
ONE SHOT."
HALF THE PEOPLE ARE HALFWAY

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00:04:29,336 --> 00:04:33,005
ONE SHOT."
HALF THE PEOPLE ARE HALFWAY
THERE.

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00:04:33,007 --> 00:04:33,605
HALF THE PEOPLE ARE HALFWAY
THERE.
AND TWO HALVES MAKE A WHOLE-LY

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00:04:33,607 --> 00:04:34,239
THERE.
AND TWO HALVES MAKE A WHOLE-LY
CRAP, WE MIGHT BE ABLE TO GO TO

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AND TWO HALVES MAKE A WHOLE-LY
CRAP, WE MIGHT BE ABLE TO GO TO
THE MOVIES AGAIN!

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00:04:37,244 --> 00:04:37,876
CRAP, WE MIGHT BE ABLE TO GO TO
THE MOVIES AGAIN!
TODAY IS ALSO THE FIRST DAY THAT

151
00:04:37,878 --> 00:04:39,044
THE MOVIES AGAIN!
TODAY IS ALSO THE FIRST DAY THAT
ALL U.S. RESIDENTS 16 AND OLDER

152
00:04:39,046 --> 00:04:39,645
TODAY IS ALSO THE FIRST DAY THAT
ALL U.S. RESIDENTS 16 AND OLDER
ARE ELIGIBLE FOR THE COVID-19

153
00:04:39,647 --> 00:04:42,514
ALL U.S. RESIDENTS 16 AND OLDER
ARE ELIGIBLE FOR THE COVID-19
VACCINE.

154
00:04:42,516 --> 00:04:43,548
ARE ELIGIBLE FOR THE COVID-19
VACCINE.
THIS IS A BIG ACHIEVEMENT FOR

155
00:04:43,550 --> 00:04:44,783
VACCINE.
THIS IS A BIG ACHIEVEMENT FOR
PRESIDENT BIDEN, BECAUSE IT

156
00:04:44,785 --> 00:04:45,317
THIS IS A BIG ACHIEVEMENT FOR
PRESIDENT BIDEN, BECAUSE IT
MEANS HE "MET THE APRIL 19

157
00:04:45,319 --> 00:04:47,386
PRESIDENT BIDEN, BECAUSE IT
MEANS HE "MET THE APRIL 19
DEADLINE THAT HE SET TWO

158
00:04:47,388 --> 00:04:49,187
MEANS HE "MET THE APRIL 19
DEADLINE THAT HE SET TWO
WEEKS AGO."

159
00:04:49,189 --> 00:04:49,621
DEADLINE THAT HE SET TWO
WEEKS AGO."
GETTING THINGS DONE.

160
00:04:49,623 --> 00:04:51,156
WEEKS AGO."
GETTING THINGS DONE.
IT'S A HUGE CONTRAST FROM HIS

161
00:04:51,158 --> 00:04:55,360
GETTING THINGS DONE.
IT'S A HUGE CONTRAST FROM HIS
PREDECESSOR, "VOLDEMORON."

162
00:04:55,362 --> 00:04:57,062
IT'S A HUGE CONTRAST FROM HIS
PREDECESSOR, "VOLDEMORON."
EVEN UNDER THAT GUY'S MOST

163
00:04:57,064 --> 00:04:57,696
PREDECESSOR, "VOLDEMORON."
EVEN UNDER THAT GUY'S MOST
OPTIMISTIC PROJECTIONS, AT THIS

164
00:04:57,698 --> 00:04:59,931
EVEN UNDER THAT GUY'S MOST
OPTIMISTIC PROJECTIONS, AT THIS
POINT, ONLY A THIRD OF U.S.

165
00:04:59,933 --> 00:05:01,400
OPTIMISTIC PROJECTIONS, AT THIS
POINT, ONLY A THIRD OF U.S.
ADULTS WOULD HAVE RECEIVED

166
00:05:01,402 --> 00:05:02,334
POINT, ONLY A THIRD OF U.S.
ADULTS WOULD HAVE RECEIVED
THEIR JUG OF GOVERNMENT BLEACH.

167
00:05:02,336 --> 00:05:04,670
ADULTS WOULD HAVE RECEIVED
THEIR JUG OF GOVERNMENT BLEACH.
TO PROMOTE THE VACCINE, LAST

168
00:05:04,672 --> 00:05:05,404
THEIR JUG OF GOVERNMENT BLEACH.
TO PROMOTE THE VACCINE, LAST
NIGHT, PRESIDENT BIDEN

169
00:05:05,406 --> 00:05:08,440
TO PROMOTE THE VACCINE, LAST
NIGHT, PRESIDENT BIDEN
PARTICIPATED IN A STAR-STUDDED

170
00:05:08,442 --> 00:05:09,174
NIGHT, PRESIDENT BIDEN
PARTICIPATED IN A STAR-STUDDED
EVENT CALLED "ROLL UP YOUR

171
00:05:09,176 --> 00:05:11,009
PARTICIPATED IN A STAR-STUDDED
EVENT CALLED "ROLL UP YOUR
SLEEVES, PRESENTED BY

172
00:05:11,011 --> 00:05:12,711
EVENT CALLED "ROLL UP YOUR
SLEEVES, PRESENTED BY
WALGREENS."

173
00:05:12,713 --> 00:05:13,412
SLEEVES, PRESENTED BY
WALGREENS."
IT'S A WONDERFUL PUBLIC-PRIVATE

174
00:05:13,414 --> 00:05:15,180
WALGREENS."
IT'S A WONDERFUL PUBLIC-PRIVATE
PARTNERSHIP IN THE VEIN OF

175
00:05:15,182 --> 00:05:17,816
IT'S A WONDERFUL PUBLIC-PRIVATE
PARTNERSHIP IN THE VEIN OF
F.D.R.'S FIRESIDE CHATS:

176
00:05:17,818 --> 00:05:21,153
PARTNERSHIP IN THE VEIN OF
F.D.R.'S FIRESIDE CHATS:
>> IT IS WHISPERED BY SOME THAT

177
00:05:21,155 --> 00:05:23,288
F.D.R.'S FIRESIDE CHATS:
>> IT IS WHISPERED BY SOME THAT
ONLY BY ABANDONING OUR FREEDOM,

178
00:05:23,290 --> 00:05:24,790
>> IT IS WHISPERED BY SOME THAT
ONLY BY ABANDONING OUR FREEDOM,
OUR IDEALS, OUR WAY OF LIFE, CAN

179
00:05:24,792 --> 00:05:25,424
ONLY BY ABANDONING OUR FREEDOM,
OUR IDEALS, OUR WAY OF LIFE, CAN
WE BUILD OUR DEFENSES

180
00:05:25,426 --> 00:05:29,194
OUR IDEALS, OUR WAY OF LIFE, CAN
WE BUILD OUR DEFENSES
ADEQUATELY.

181
00:05:29,196 --> 00:05:29,761
WE BUILD OUR DEFENSES
ADEQUATELY.
I DO NOT SHARE THESE FEARS.

182
00:05:29,763 --> 00:05:32,497
ADEQUATELY.
I DO NOT SHARE THESE FEARS.
AND NEITHER DO THE GOOD PEOPLE

183
00:05:32,499 --> 00:05:33,165
I DO NOT SHARE THESE FEARS.
AND NEITHER DO THE GOOD PEOPLE
OF PANCAKE JUG.

184
00:05:33,167 --> 00:05:33,999
AND NEITHER DO THE GOOD PEOPLE
OF PANCAKE JUG.
POUR ME, POUR ME, POUR ME A

185
00:05:34,001 --> 00:05:39,171
OF PANCAKE JUG.
POUR ME, POUR ME, POUR ME A
PANCAKE!

186
00:05:39,173 --> 00:05:39,805
POUR ME, POUR ME, POUR ME A
PANCAKE!
>> STEPHEN: THE STARS TURNED OUT

187
00:05:39,807 --> 00:05:41,306
PANCAKE!
>> STEPHEN: THE STARS TURNED OUT
IN FORCE TO PROMOTE THE VACCINE,

188
00:05:41,308 --> 00:05:43,909
>> STEPHEN: THE STARS TURNED OUT
IN FORCE TO PROMOTE THE VACCINE,
FROM KUMAIL NANJIANI AND ELLEN

189
00:05:43,911 --> 00:05:45,177
IN FORCE TO PROMOTE THE VACCINE,
FROM KUMAIL NANJIANI AND ELLEN
POMPEO, TO AMANDA SEYFRIED AND

190
00:05:45,179 --> 00:05:47,446
FROM KUMAIL NANJIANI AND ELLEN
POMPEO, TO AMANDA SEYFRIED AND
JANE SEYMOUR.

191
00:05:47,448 --> 00:05:49,381
POMPEO, TO AMANDA SEYFRIED AND
JANE SEYMOUR.
AND YOU CAN TRUST JANE SEYMOUR,

192
00:05:49,383 --> 00:05:53,418
JANE SEYMOUR.
AND YOU CAN TRUST JANE SEYMOUR,
BECAUSE SHE'S A MEDICINE WOMAN.

193
00:05:53,420 --> 00:05:54,720
AND YOU CAN TRUST JANE SEYMOUR,
BECAUSE SHE'S A MEDICINE WOMAN.
♪♪♪

194
00:05:54,722 --> 00:05:55,320
BECAUSE SHE'S A MEDICINE WOMAN.
♪♪♪
>> TO ENJOY THIS JOKE, STREAM

195
00:05:55,322 --> 00:05:57,155
♪♪♪
>> TO ENJOY THIS JOKE, STREAM
CBS' "DR. QUINN, MEDICINE WOMAN"

196
00:05:57,157 --> 00:05:59,391
>> TO ENJOY THIS JOKE, STREAM
CBS' "DR. QUINN, MEDICINE WOMAN"
ON PARAMOUNT+.

197
00:05:59,393 --> 00:05:59,925
CBS' "DR. QUINN, MEDICINE WOMAN"
ON PARAMOUNT+.
PARAMOUNT+: A MOUNTAIN OF

198
00:05:59,927 --> 00:06:07,766
ON PARAMOUNT+.
PARAMOUNT+: A MOUNTAIN OF
ENTERTAINMENT.

199
00:06:07,768 --> 00:06:09,167
PARAMOUNT+: A MOUNTAIN OF
ENTERTAINMENT.
>> STEPHEN: THE HEADLINER WAS

200
00:06:09,169 --> 00:06:12,137
ENTERTAINMENT.
>> STEPHEN: THE HEADLINER WAS
FORMER PRESIDENT BARACK OBAMA.

201
00:06:12,139 --> 00:06:12,771
>> STEPHEN: THE HEADLINER WAS
FORMER PRESIDENT BARACK OBAMA.
>> I WANT TO MAKE SURE THAT OUR

202
00:06:12,773 --> 00:06:15,173
FORMER PRESIDENT BARACK OBAMA.
>> I WANT TO MAKE SURE THAT OUR
COMMUNITIES, PARTICULARLY ONES,

203
00:06:15,175 --> 00:06:17,409
>> I WANT TO MAKE SURE THAT OUR
COMMUNITIES, PARTICULARLY ONES,
AFRICAN-AMERICAN, LATINO, AS

204
00:06:17,411 --> 00:06:21,146
COMMUNITIES, PARTICULARLY ONES,
AFRICAN-AMERICAN, LATINO, AS
WELL AS YOUNG PEOPLE UNDERSTAND

205
00:06:21,148 --> 00:06:21,747
AFRICAN-AMERICAN, LATINO, AS
WELL AS YOUNG PEOPLE UNDERSTAND
THAT THIS WILL SAVE LIVES AND

206
00:06:21,749 --> 00:06:23,882
WELL AS YOUNG PEOPLE UNDERSTAND
THAT THIS WILL SAVE LIVES AND
ALLOW PEOPLE TO GET THEIR LIVES

207
00:06:23,884 --> 00:06:25,417
THAT THIS WILL SAVE LIVES AND
ALLOW PEOPLE TO GET THEIR LIVES
BACK TO NORMAL, AND THE SOONER

208
00:06:25,419 --> 00:06:26,518
ALLOW PEOPLE TO GET THEIR LIVES
BACK TO NORMAL, AND THE SOONER
WE GET MORE PEOPLE VACCINATED,

209
00:06:26,520 --> 00:06:27,152
BACK TO NORMAL, AND THE SOONER
WE GET MORE PEOPLE VACCINATED,
THE BETTER OFF WE'RE GOING TO

210
00:06:27,154 --> 00:06:29,421
WE GET MORE PEOPLE VACCINATED,
THE BETTER OFF WE'RE GOING TO
BE.

211
00:06:29,423 --> 00:06:29,955
THE BETTER OFF WE'RE GOING TO
BE.
>> MR. PRESIDENT, I GET MY

212
00:06:29,957 --> 00:06:33,158
BE.
>> MR. PRESIDENT, I GET MY
SECOND VACCINE SHOT TOMORROW.

213
00:06:33,160 --> 00:06:35,861
>> MR. PRESIDENT, I GET MY
SECOND VACCINE SHOT TOMORROW.
I CANNOT WAIT.

214
00:06:35,863 --> 00:06:37,429
SECOND VACCINE SHOT TOMORROW.
I CANNOT WAIT.
I THINK IT'S IMPORTANT FOR US TO

215
00:06:37,431 --> 00:06:38,764
I CANNOT WAIT.
I THINK IT'S IMPORTANT FOR US TO
KEEP TALKING ABOUT THE VACCINE.

216
00:06:38,766 --> 00:06:39,398
I THINK IT'S IMPORTANT FOR US TO
KEEP TALKING ABOUT THE VACCINE.
SO, I'M TELLING ALL MY FRIENDS,

217
00:06:39,400 --> 00:06:41,433
KEEP TALKING ABOUT THE VACCINE.
SO, I'M TELLING ALL MY FRIENDS,
YO, MAN, FORGET WHAT HAPPENED

218
00:06:41,435 --> 00:06:43,435
SO, I'M TELLING ALL MY FRIENDS,
YO, MAN, FORGET WHAT HAPPENED
BACK IN THE DAY.

219
00:06:43,437 --> 00:06:44,936
YO, MAN, FORGET WHAT HAPPENED
BACK IN THE DAY.
EVERY BLACK PERSON, PLEASE GO

220
00:06:44,938 --> 00:06:45,437
BACK IN THE DAY.
EVERY BLACK PERSON, PLEASE GO
OUT AND GET VACCINATED.

221
00:06:45,439 --> 00:06:48,407
EVERY BLACK PERSON, PLEASE GO
OUT AND GET VACCINATED.
>> I AM VACCINATED.

222
00:06:48,409 --> 00:06:48,974
OUT AND GET VACCINATED.
>> I AM VACCINATED.
>> STEPHEN: YOU KNOW YOU CAN

223
00:06:48,976 --> 00:06:49,875
>> I AM VACCINATED.
>> STEPHEN: YOU KNOW YOU CAN
BELIEVE IT IF SHAQ PROMOTES IT.

224
00:06:49,877 --> 00:06:51,176
>> STEPHEN: YOU KNOW YOU CAN
BELIEVE IT IF SHAQ PROMOTES IT.
HE WON'T LEND HIS NAME TO JUST

225
00:06:51,178 --> 00:06:54,546
BELIEVE IT IF SHAQ PROMOTES IT.
HE WON'T LEND HIS NAME TO JUST
ANYTHING.

226
00:06:54,548 --> 00:06:56,515
HE WON'T LEND HIS NAME TO JUST
ANYTHING.
ANOTHER HIGHLIGHT CAME WHEN DR.

227
00:06:56,517 --> 00:06:57,149
ANYTHING.
ANOTHER HIGHLIGHT CAME WHEN DR.
ANTHONY FAUCI WAS INTERVIEWED BY

228
00:06:57,151 --> 00:07:01,253
ANOTHER HIGHLIGHT CAME WHEN DR.
ANTHONY FAUCI WAS INTERVIEWED BY
ACTOR MATTHEW MVCONAUGHEY.

229
00:07:01,255 --> 00:07:01,853
ANTHONY FAUCI WAS INTERVIEWED BY
ACTOR MATTHEW MVCONAUGHEY.
WOW, THE SEXIEST MAN ALIVE WAS

230
00:07:01,855 --> 00:07:03,155
ACTOR MATTHEW MVCONAUGHEY.
WOW, THE SEXIEST MAN ALIVE WAS
INTERVIEWED BY MATTHEW

231
00:07:03,157 --> 00:07:05,524
WOW, THE SEXIEST MAN ALIVE WAS
INTERVIEWED BY MATTHEW
MCCONAUGHEY!

232
00:07:05,526 --> 00:07:07,959
INTERVIEWED BY MATTHEW
MCCONAUGHEY!
MCCONAUGHEY MAY HAVE A LOT MORE

233
00:07:07,961 --> 00:07:08,627
MCCONAUGHEY!
MCCONAUGHEY MAY HAVE A LOT MORE
PUBLIC POLICY APPEARANCES

234
00:07:08,629 --> 00:07:09,227
MCCONAUGHEY MAY HAVE A LOT MORE
PUBLIC POLICY APPEARANCES
COMING, BECAUSE ACCORDING TO A

235
00:07:09,229 --> 00:07:11,596
PUBLIC POLICY APPEARANCES
COMING, BECAUSE ACCORDING TO A
NEW POLL, MATTHEW MCCONAUGHEY

236
00:07:11,598 --> 00:07:13,398
COMING, BECAUSE ACCORDING TO A
NEW POLL, MATTHEW MCCONAUGHEY
COMMANDS MORE SUPPORT TO BE

237
00:07:13,400 --> 00:07:15,167
NEW POLL, MATTHEW MCCONAUGHEY
COMMANDS MORE SUPPORT TO BE
TEXAS' NEXT GOVERNOR THAN

238
00:07:15,169 --> 00:07:17,402
COMMANDS MORE SUPPORT TO BE
TEXAS' NEXT GOVERNOR THAN
INCUMBENT GREG ABBOTT: 45%,

239
00:07:17,404 --> 00:07:19,337
TEXAS' NEXT GOVERNOR THAN
INCUMBENT GREG ABBOTT: 45%,
COMPARED TO 33%

240
00:07:19,339 --> 00:07:21,173
INCUMBENT GREG ABBOTT: 45%,
COMPARED TO 33%
THAT'S A HUGE LEAD FOR SOMEONE

241
00:07:21,175 --> 00:07:23,208
COMPARED TO 33%
THAT'S A HUGE LEAD FOR SOMEONE
WHO'S NOT A POLITICIAN.

242
00:07:23,210 --> 00:07:24,509
THAT'S A HUGE LEAD FOR SOMEONE
WHO'S NOT A POLITICIAN.
ALTHOUGH IF HE DOES OFFICIALLY

243
00:07:24,511 --> 00:07:25,410
WHO'S NOT A POLITICIAN.
ALTHOUGH IF HE DOES OFFICIALLY
ENTER THE RACE, YOU CAN BE SURE

244
00:07:25,412 --> 00:07:27,179
ALTHOUGH IF HE DOES OFFICIALLY
ENTER THE RACE, YOU CAN BE SURE
THEY'LL LOOK FOR SKELETONS IN

245
00:07:27,181 --> 00:07:28,580
ENTER THE RACE, YOU CAN BE SURE
THEY'LL LOOK FOR SKELETONS IN
HIS CLOSET, OR IN MCCONAUGHEY'S

246
00:07:28,582 --> 00:07:29,414
THEY'LL LOOK FOR SKELETONS IN
HIS CLOSET, OR IN MCCONAUGHEY'S
CASE, "GHOSTS OF GIRLFRIENDS

247
00:07:29,416 --> 00:07:33,051
HIS CLOSET, OR IN MCCONAUGHEY'S
CASE, "GHOSTS OF GIRLFRIENDS
PAST."

248
00:07:33,053 --> 00:07:33,652
CASE, "GHOSTS OF GIRLFRIENDS
PAST."
FOR THOSE WONDERING, I CAN SAY

249
00:07:33,654 --> 00:07:35,086
PAST."
FOR THOSE WONDERING, I CAN SAY
CATEGORICALLY THAT MATTHEW

250
00:07:35,088 --> 00:07:37,422
FOR THOSE WONDERING, I CAN SAY
CATEGORICALLY THAT MATTHEW
MCCONAUGHEY IS NOT GOING TO

251
00:07:37,424 --> 00:07:39,157
CATEGORICALLY THAT MATTHEW
MCCONAUGHEY IS NOT GOING TO
RUN FOR GOVERNOR.

252
00:07:39,159 --> 00:07:40,625
MCCONAUGHEY IS NOT GOING TO
RUN FOR GOVERNOR.
HE'S GOING TO DRIVE-- A LINCOLN

253
00:07:40,627 --> 00:07:41,426
RUN FOR GOVERNOR.
HE'S GOING TO DRIVE-- A LINCOLN
TALKING TO HIMSELF THE ENTIRE

254
00:07:41,428 --> 00:07:43,962
HE'S GOING TO DRIVE-- A LINCOLN
TALKING TO HIMSELF THE ENTIRE
TIME.

255
00:07:43,964 --> 00:07:45,163
TALKING TO HIMSELF THE ENTIRE
TIME.
ANYWAY, BACK ON THE VACCINE

256
00:07:45,165 --> 00:07:47,265
TIME.
ANYWAY, BACK ON THE VACCINE
SPECIAL, IT MIGHT NOT BE

257
00:07:47,267 --> 00:07:48,467
ANYWAY, BACK ON THE VACCINE
SPECIAL, IT MIGHT NOT BE
REACHING THE RIGHT GROUPS,

258
00:07:48,469 --> 00:07:49,401
SPECIAL, IT MIGHT NOT BE
REACHING THE RIGHT GROUPS,
BECAUSE IN A RECENT POLL OF

259
00:07:49,403 --> 00:07:51,169
REACHING THE RIGHT GROUPS,
BECAUSE IN A RECENT POLL OF
REPUBLICANS AND WHITE

260
00:07:51,171 --> 00:07:53,405
BECAUSE IN A RECENT POLL OF
REPUBLICANS AND WHITE
EVANGELICAL CHRISTIANS, "ALMOST

261
00:07:53,407 --> 00:07:56,575
REPUBLICANS AND WHITE
EVANGELICAL CHRISTIANS, "ALMOST
30% OF EACH GROUP SAYS THEY WILL

262
00:07:56,577 --> 00:07:57,175
EVANGELICAL CHRISTIANS, "ALMOST
30% OF EACH GROUP SAYS THEY WILL
'DEFINITELY NOT' GET A SHOT."

263
00:07:57,177 --> 00:07:59,578
30% OF EACH GROUP SAYS THEY WILL
'DEFINITELY NOT' GET A SHOT."
APPARENTLY, THE MESSAGE "THE

264
00:07:59,580 --> 00:08:01,413
'DEFINITELY NOT' GET A SHOT."
APPARENTLY, THE MESSAGE "THE
VACCINE IS SAFE AND EFFECTIVE"

265
00:08:01,415 --> 00:08:03,148
APPARENTLY, THE MESSAGE "THE
VACCINE IS SAFE AND EFFECTIVE"
ISN'T AS BELIEVABLE AS "HUGO

266
00:08:03,150 --> 00:08:05,183
VACCINE IS SAFE AND EFFECTIVE"
ISN'T AS BELIEVABLE AS "HUGO
CHAVEZ AND A CABAL OF CELEBRITY

267
00:08:05,185 --> 00:08:05,750
ISN'T AS BELIEVABLE AS "HUGO
CHAVEZ AND A CABAL OF CELEBRITY
PEDOPHILES STOLE AN ELECTION

268
00:08:05,752 --> 00:08:07,919
CHAVEZ AND A CABAL OF CELEBRITY
PEDOPHILES STOLE AN ELECTION
FROM THE LEAST POPULAR PRESIDENT

269
00:08:07,921 --> 00:08:09,154
PEDOPHILES STOLE AN ELECTION
FROM THE LEAST POPULAR PRESIDENT
IN HISTORY IN A PLOT THAT CAN

270
00:08:09,156 --> 00:08:12,991
FROM THE LEAST POPULAR PRESIDENT
IN HISTORY IN A PLOT THAT CAN
ONLY BE UNDERSTOOD BY A MAN

271
00:08:12,993 --> 00:08:13,525
IN HISTORY IN A PLOT THAT CAN
ONLY BE UNDERSTOOD BY A MAN
CLUTCHING HIS OWN PILLOW."

272
00:08:13,527 --> 00:08:14,125
ONLY BE UNDERSTOOD BY A MAN
CLUTCHING HIS OWN PILLOW."
STAR-STUDDED, CELEBRITY EVENTS

273
00:08:14,127 --> 00:08:15,160
CLUTCHING HIS OWN PILLOW."
STAR-STUDDED, CELEBRITY EVENTS
ARE NOT GOING TO CONVINCE THE

274
00:08:15,162 --> 00:08:17,429
STAR-STUDDED, CELEBRITY EVENTS
ARE NOT GOING TO CONVINCE THE
MAGA-HEADS.

275
00:08:17,431 --> 00:08:18,196
ARE NOT GOING TO CONVINCE THE
MAGA-HEADS.
THAT'S WHY THE WHITE HOUSE HAS

276
00:08:18,198 --> 00:08:20,632
MAGA-HEADS.
THAT'S WHY THE WHITE HOUSE HAS
STARTED RUNNING VACCINE P.S.A.'S

277
00:08:20,634 --> 00:08:22,901
THAT'S WHY THE WHITE HOUSE HAS
STARTED RUNNING VACCINE P.S.A.'S
DURING NASCAR, ON COUNTRY MUSIC

278
00:08:22,903 --> 00:08:24,636
STARTED RUNNING VACCINE P.S.A.'S
DURING NASCAR, ON COUNTRY MUSIC
TELEVISION, AND THE SHOW

279
00:08:24,638 --> 00:08:25,103
DURING NASCAR, ON COUNTRY MUSIC
TELEVISION, AND THE SHOW
"DEADLIEST CATCH."

280
00:08:25,105 --> 00:08:25,637
TELEVISION, AND THE SHOW
"DEADLIEST CATCH."
AND IF THAT DOESN'T WORK,

281
00:08:25,639 --> 00:08:27,172
"DEADLIEST CATCH."
AND IF THAT DOESN'T WORK,
THEY'RE GOING TO MAKE THE

282
00:08:27,174 --> 00:08:28,940
AND IF THAT DOESN'T WORK,
THEY'RE GOING TO MAKE THE
SYRINGE MORE APPEALING WITH SOME

283
00:08:28,942 --> 00:08:29,407
THEY'RE GOING TO MAKE THE
SYRINGE MORE APPEALING WITH SOME
TRUCK NUTZ.

284
00:08:29,409 --> 00:08:31,142
SYRINGE MORE APPEALING WITH SOME
TRUCK NUTZ.
SPEAKING OF THE EXTREME RIGHT,

285
00:08:31,144 --> 00:08:31,776
TRUCK NUTZ.
SPEAKING OF THE EXTREME RIGHT,
IT WAS A BIG WEEKEND FOR GEORGIA

286
00:08:31,778 --> 00:08:32,978
SPEAKING OF THE EXTREME RIGHT,
IT WAS A BIG WEEKEND FOR GEORGIA
REPRESENTATIVE AND WOMAN SAYING

287
00:08:32,980 --> 00:08:35,480
IT WAS A BIG WEEKEND FOR GEORGIA
REPRESENTATIVE AND WOMAN SAYING
"SERIOUSLY, GET YOUR FRISBEE OFF

288
00:08:35,482 --> 00:08:37,415
REPRESENTATIVE AND WOMAN SAYING
"SERIOUSLY, GET YOUR FRISBEE OFF
MY LAWN," MARJORIE TAYLOR

289
00:08:37,417 --> 00:08:39,150
"SERIOUSLY, GET YOUR FRISBEE OFF
MY LAWN," MARJORIE TAYLOR
GREENE.

290
00:08:39,152 --> 00:08:40,752
MY LAWN," MARJORIE TAYLOR
GREENE.
ON FRIDAY, WE LEARNED THAT

291
00:08:40,754 --> 00:08:41,419
GREENE.
ON FRIDAY, WE LEARNED THAT
GREENE WAS ORGANIZING A NEW

292
00:08:41,421 --> 00:08:45,156
ON FRIDAY, WE LEARNED THAT
GREENE WAS ORGANIZING A NEW
"AMERICA FIRST CAUCUS" THAT

293
00:08:45,158 --> 00:08:46,191
GREENE WAS ORGANIZING A NEW
"AMERICA FIRST CAUCUS" THAT
WOULD CHAMPION "ANGLO-SAXON

294
00:08:46,193 --> 00:08:47,893
"AMERICA FIRST CAUCUS" THAT
WOULD CHAMPION "ANGLO-SAXON
POLITICAL TRADITIONS."

295
00:08:47,895 --> 00:08:49,427
WOULD CHAMPION "ANGLO-SAXON
POLITICAL TRADITIONS."
YES!

296
00:08:49,429 --> 00:08:51,162
POLITICAL TRADITIONS."
YES!
ANGLO-SAXON.

297
00:08:51,164 --> 00:08:53,398
YES!
ANGLO-SAXON.
AMERICANS ARE LOSING OUR OUR

298
00:08:53,400 --> 00:08:56,568
ANGLO-SAXON.
AMERICANS ARE LOSING OUR OUR
PRE-NORMAN CONQUEST CULTURE.

299
00:08:56,570 --> 00:08:57,168
AMERICANS ARE LOSING OUR OUR
PRE-NORMAN CONQUEST CULTURE.
WHEN WAS THE LAST TIME YOU

300
00:08:57,170 --> 00:08:59,804
PRE-NORMAN CONQUEST CULTURE.
WHEN WAS THE LAST TIME YOU
BURIED AN AELDORMAN IN HIS

301
00:08:59,806 --> 00:09:00,805
WHEN WAS THE LAST TIME YOU
BURIED AN AELDORMAN IN HIS
LONGBOAT AND PRAYED TO SAINT

302
00:09:00,807 --> 00:09:01,406
BURIED AN AELDORMAN IN HIS
LONGBOAT AND PRAYED TO SAINT
BEDE?

303
00:09:01,408 --> 00:09:02,674
LONGBOAT AND PRAYED TO SAINT
BEDE?
WE NEED TO GO BACK TO A SIMPLER

304
00:09:02,676 --> 00:09:03,275
BEDE?
WE NEED TO GO BACK TO A SIMPLER
TIME, WHEN KING ALFRED DIVIDED

305
00:09:03,277 --> 00:09:04,809
WE NEED TO GO BACK TO A SIMPLER
TIME, WHEN KING ALFRED DIVIDED
THE WORLD INTO PRAYING MEN

306
00:09:04,811 --> 00:09:05,410
TIME, WHEN KING ALFRED DIVIDED
THE WORLD INTO PRAYING MEN
FIGHTING MEN, AND WORKING MEN.

307
00:09:05,412 --> 00:09:08,246
THE WORLD INTO PRAYING MEN
FIGHTING MEN, AND WORKING MEN.
WHY, WHEN I WAS A KID, YOU COULD

308
00:09:08,248 --> 00:09:09,147
FIGHTING MEN, AND WORKING MEN.
WHY, WHEN I WAS A KID, YOU COULD
BORROW AN OXEN FROM YOUR LEIGE

309
00:09:09,149 --> 00:09:12,150
WHY, WHEN I WAS A KID, YOU COULD
BORROW AN OXEN FROM YOUR LEIGE
LORD AND ALL YOU HAD TO DO IS

310
00:09:12,152 --> 00:09:13,418
BORROW AN OXEN FROM YOUR LEIGE
LORD AND ALL YOU HAD TO DO IS
SOME BOON WORK IN HIS FIELDS!

311
00:09:13,420 --> 00:09:15,153
LORD AND ALL YOU HAD TO DO IS
SOME BOON WORK IN HIS FIELDS!
BUT KIDS TODAY WANT TO HAVE

312
00:09:15,155 --> 00:09:17,155
SOME BOON WORK IN HIS FIELDS!
BUT KIDS TODAY WANT TO HAVE
THEIR OWN BLUETOOTH OXEN!

313
00:09:17,157 --> 00:09:17,756
BUT KIDS TODAY WANT TO HAVE
THEIR OWN BLUETOOTH OXEN!
IT'S LIKE THEY NEVER EVEN READ

314
00:09:17,758 --> 00:09:21,159
THEIR OWN BLUETOOTH OXEN!
IT'S LIKE THEY NEVER EVEN READ
THE VILLAGE ROLLS OR THE

315
00:09:21,161 --> 00:09:27,165
IT'S LIKE THEY NEVER EVEN READ
THE VILLAGE ROLLS OR THE
DOOMSDAY BOOK!

316
00:09:27,167 --> 00:09:29,401
THE VILLAGE ROLLS OR THE
DOOMSDAY BOOK!
THE DOCUMENT ALSO BACKS

317
00:09:29,403 --> 00:09:30,569
DOOMSDAY BOOK!
THE DOCUMENT ALSO BACKS
INFRASTRUCTURE PROJECTS, SO LONG

318
00:09:30,571 --> 00:09:33,171
THE DOCUMENT ALSO BACKS
INFRASTRUCTURE PROJECTS, SO LONG
AS THEY ARE IN KEEPING WITH THE

319
00:09:33,173 --> 00:09:36,474
INFRASTRUCTURE PROJECTS, SO LONG
AS THEY ARE IN KEEPING WITH THE
PROGENY OF EUROPEAN

320
00:09:36,476 --> 00:09:37,409
AS THEY ARE IN KEEPING WITH THE
PROGENY OF EUROPEAN
ARCHITECTURE, WHEREBY PUBLIC

321
00:09:37,411 --> 00:09:39,177
PROGENY OF EUROPEAN
ARCHITECTURE, WHEREBY PUBLIC
INFRASTRUCTURE MUST BE

322
00:09:39,179 --> 00:09:40,078
ARCHITECTURE, WHEREBY PUBLIC
INFRASTRUCTURE MUST BE
UTILITARIAN AS WELL AS

323
00:09:40,080 --> 00:09:41,413
INFRASTRUCTURE MUST BE
UTILITARIAN AS WELL AS
STUNNINGLY, CLASSICALLY

324
00:09:41,415 --> 00:09:43,148
UTILITARIAN AS WELL AS
STUNNINGLY, CLASSICALLY
BEAUTIFUL.

325
00:09:43,150 --> 00:09:44,249
STUNNINGLY, CLASSICALLY
BEAUTIFUL.
SURE, IF YOU WANT EVIDENCE OF

326
00:09:44,251 --> 00:09:45,150
BEAUTIFUL.
SURE, IF YOU WANT EVIDENCE OF
THE CLASSIC EUROPEAN ROOTS OF

327
00:09:45,152 --> 00:09:45,750
SURE, IF YOU WANT EVIDENCE OF
THE CLASSIC EUROPEAN ROOTS OF
AMERICAN ARCHITECTURE, LOOK NO

328
00:09:45,752 --> 00:09:48,954
THE CLASSIC EUROPEAN ROOTS OF
AMERICAN ARCHITECTURE, LOOK NO
FURTHER THAN THE MAJESTIC

329
00:09:48,956 --> 00:09:49,454
AMERICAN ARCHITECTURE, LOOK NO
FURTHER THAN THE MAJESTIC
COMBINATION K.F.C.-TACO

330
00:09:49,456 --> 00:09:51,156
FURTHER THAN THE MAJESTIC
COMBINATION K.F.C.-TACO
BELL-PIZZA HUT AT THE REST STOP

331
00:09:51,158 --> 00:09:53,425
COMBINATION K.F.C.-TACO
BELL-PIZZA HUT AT THE REST STOP
ON THE TURNPIKE.

332
00:09:53,427 --> 00:09:54,693
BELL-PIZZA HUT AT THE REST STOP
ON THE TURNPIKE.
IN ADDITION TO PROMOTING ANGLO

333
00:09:54,695 --> 00:09:57,162
ON THE TURNPIKE.
IN ADDITION TO PROMOTING ANGLO
SAXON CULTURE, THE DOCUMENT ALSO

334
00:09:57,164 --> 00:09:57,996
IN ADDITION TO PROMOTING ANGLO
SAXON CULTURE, THE DOCUMENT ALSO
CLAIMS THAT "SOCIETAL TRUST AND

335
00:09:57,998 --> 00:10:00,465
SAXON CULTURE, THE DOCUMENT ALSO
CLAIMS THAT "SOCIETAL TRUST AND
POLITICAL UNITY ARE THREATENED

336
00:10:00,467 --> 00:10:01,399
CLAIMS THAT "SOCIETAL TRUST AND
POLITICAL UNITY ARE THREATENED
WHEN FOREIGN CITIZENS ARE

337
00:10:01,401 --> 00:10:01,900
POLITICAL UNITY ARE THREATENED
WHEN FOREIGN CITIZENS ARE
IMPORTED EN-MASSE INTO A

338
00:10:01,902 --> 00:10:03,168
WHEN FOREIGN CITIZENS ARE
IMPORTED EN-MASSE INTO A
COUNTRY."

339
00:10:03,170 --> 00:10:05,337
IMPORTED EN-MASSE INTO A
COUNTRY."
YES, AMERICA CANNOT BOW TO THE

340
00:10:05,339 --> 00:10:05,770
COUNTRY."
YES, AMERICA CANNOT BOW TO THE
PRESSURE OF FOREIGN

341
00:10:05,772 --> 00:10:09,174
YES, AMERICA CANNOT BOW TO THE
PRESSURE OF FOREIGN
BORDER-CROSSERS.

342
00:10:09,176 --> 00:10:13,411
PRESSURE OF FOREIGN
BORDER-CROSSERS.
OUR ANGLO-SAXON CULTURE DEMANDS

343
00:10:13,413 --> 00:10:15,146
BORDER-CROSSERS.
OUR ANGLO-SAXON CULTURE DEMANDS
WE GO BACK TO THE TRADITIONS

344
00:10:15,148 --> 00:10:17,182
OUR ANGLO-SAXON CULTURE DEMANDS
WE GO BACK TO THE TRADITIONS
ESTABLISHED BY... A TRIBE OF

345
00:10:17,184 --> 00:10:17,782
WE GO BACK TO THE TRADITIONS
ESTABLISHED BY... A TRIBE OF
GERMANIC INVADERS WHO SETTLED

346
00:10:17,784 --> 00:10:19,017
ESTABLISHED BY... A TRIBE OF
GERMANIC INVADERS WHO SETTLED
WITH THE BRITONS IN AN ATTEMPT

347
00:10:19,019 --> 00:10:21,152
GERMANIC INVADERS WHO SETTLED
WITH THE BRITONS IN AN ATTEMPT
TO FLEE THE NORSE!

348
00:10:21,154 --> 00:10:24,889
WITH THE BRITONS IN AN ATTEMPT
TO FLEE THE NORSE!
BY ODIN'S BEARD!

349
00:10:24,891 --> 00:10:25,390
TO FLEE THE NORSE!
BY ODIN'S BEARD!
BUT GREENE'S CAUCUS WAS

350
00:10:25,392 --> 00:10:29,260
BY ODIN'S BEARD!
BUT GREENE'S CAUCUS WAS
SHORT-LIVED BECAUSE SHE GOT A

351
00:10:29,262 --> 00:10:29,894
BUT GREENE'S CAUCUS WAS
SHORT-LIVED BECAUSE SHE GOT A
HAYWAIN OF CRITICISM, SO GREENE

352
00:10:29,896 --> 00:10:30,695
SHORT-LIVED BECAUSE SHE GOT A
HAYWAIN OF CRITICISM, SO GREENE
CALLED OFF THE AMERICA FIRST

353
00:10:30,697 --> 00:10:30,895
HAYWAIN OF CRITICISM, SO GREENE
CALLED OFF THE AMERICA FIRST
CAUCUS

354
00:10:30,897 --> 00:10:33,164
CALLED OFF THE AMERICA FIRST
CAUCUS
FOLLOWING THE BACKLASH, WITH

355
00:10:33,166 --> 00:10:34,966
CAUCUS
FOLLOWING THE BACKLASH, WITH
GREENE'S SPOKESPERSON GOING

356
00:10:34,968 --> 00:10:36,935
FOLLOWING THE BACKLASH, WITH
GREENE'S SPOKESPERSON GOING
AFTER THE PEOPLE WHO LEAKED THE

357
00:10:36,937 --> 00:10:37,469
GREENE'S SPOKESPERSON GOING
AFTER THE PEOPLE WHO LEAKED THE
PLAN, CALLING THEM "DIRTY

358
00:10:37,471 --> 00:10:39,170
AFTER THE PEOPLE WHO LEAKED THE
PLAN, CALLING THEM "DIRTY
BACKSTABBING SWAMP CREATURES."

359
00:10:39,172 --> 00:10:41,172
PLAN, CALLING THEM "DIRTY
BACKSTABBING SWAMP CREATURES."
OKAY, IT'S HARD TO BELIEVE SHE

360
00:10:41,174 --> 00:10:41,706
BACKSTABBING SWAMP CREATURES."
OKAY, IT'S HARD TO BELIEVE SHE
DIDN'T AUTHOR THIS ODE TO

361
00:10:41,708 --> 00:10:44,376
OKAY, IT'S HARD TO BELIEVE SHE
DIDN'T AUTHOR THIS ODE TO
ANGLO-SAXONS, WHEN "DIRTY

362
00:10:44,378 --> 00:10:45,176
DIDN'T AUTHOR THIS ODE TO
ANGLO-SAXONS, WHEN "DIRTY
BACKSTABBING SWAMP CREATURES" IS

363
00:10:45,178 --> 00:10:49,414
ANGLO-SAXONS, WHEN "DIRTY
BACKSTABBING SWAMP CREATURES" IS
LITERALLY

364
00:10:49,416 --> 00:10:53,018
BACKSTABBING SWAMP CREATURES" IS
LITERALLY
THE PLOT OF "BEOWULF."

365
00:10:53,020 --> 00:10:53,218
LITERALLY
THE PLOT OF "BEOWULF."
WHAT?

366
00:10:53,220 --> 00:10:55,754
THE PLOT OF "BEOWULF."
WHAT?
SPEAKING OF DIRTY DEEDS, WE HAVE

367
00:10:55,756 --> 00:10:56,721
WHAT?
SPEAKING OF DIRTY DEEDS, WE HAVE
A NEW UPDATE ON AN OLD SCAM.

368
00:10:56,723 --> 00:10:57,322
SPEAKING OF DIRTY DEEDS, WE HAVE
A NEW UPDATE ON AN OLD SCAM.
FOR YEARS, G.O.P. GROUPS HAVE

369
00:10:57,324 --> 00:11:00,125
A NEW UPDATE ON AN OLD SCAM.
FOR YEARS, G.O.P. GROUPS HAVE
BEEN MASS-PURCHASING BOOKS

370
00:11:00,127 --> 00:11:00,759
FOR YEARS, G.O.P. GROUPS HAVE
BEEN MASS-PURCHASING BOOKS
WRITTEN BY REPUBLICANS TO BOOST

371
00:11:00,761 --> 00:11:01,426
BEEN MASS-PURCHASING BOOKS
WRITTEN BY REPUBLICANS TO BOOST
SALES AND GET THEM ON BESTSELLER

372
00:11:01,428 --> 00:11:03,161
WRITTEN BY REPUBLICANS TO BOOST
SALES AND GET THEM ON BESTSELLER
LISTS.

373
00:11:03,163 --> 00:11:04,929
SALES AND GET THEM ON BESTSELLER
LISTS.
THAT'S SO EMBARRASSING.

374
00:11:04,931 --> 00:11:05,530
LISTS.
THAT'S SO EMBARRASSING.
IT'S LIKE WHEN YOUR DAD HAS TO

375
00:11:05,532 --> 00:11:07,265
THAT'S SO EMBARRASSING.
IT'S LIKE WHEN YOUR DAD HAS TO
BUY ALL YOUR GIRL SCOUT COOKIES

376
00:11:07,267 --> 00:11:08,733
IT'S LIKE WHEN YOUR DAD HAS TO
BUY ALL YOUR GIRL SCOUT COOKIES
BECAUSE YOUR COOKIES ARE

377
00:11:08,735 --> 00:11:09,267
BUY ALL YOUR GIRL SCOUT COOKIES
BECAUSE YOUR COOKIES ARE
PAINFULLY BORING AND BLAME

378
00:11:09,269 --> 00:11:12,470
BECAUSE YOUR COOKIES ARE
PAINFULLY BORING AND BLAME
EVERYTHING ON IMMIGRANTS.

379
00:11:12,472 --> 00:11:13,405
PAINFULLY BORING AND BLAME
EVERYTHING ON IMMIGRANTS.
THIS HAS ALWAYS BEEN A SHADY

380
00:11:13,407 --> 00:11:15,173
EVERYTHING ON IMMIGRANTS.
THIS HAS ALWAYS BEEN A SHADY
STRATEGY, BUT ONE REPUBLICAN'S

381
00:11:15,175 --> 00:11:16,675
THIS HAS ALWAYS BEEN A SHADY
STRATEGY, BUT ONE REPUBLICAN'S
BOOK PURCHASES MAY HAVE ACTUALLY

382
00:11:16,677 --> 00:11:17,409
STRATEGY, BUT ONE REPUBLICAN'S
BOOK PURCHASES MAY HAVE ACTUALLY
BROKEN THE LAW.

383
00:11:17,411 --> 00:11:21,146
BOOK PURCHASES MAY HAVE ACTUALLY
BROKEN THE LAW.
I'M TALKIN' ABOUT TEXAS SENATOR,

384
00:11:21,148 --> 00:11:24,115
BROKEN THE LAW.
I'M TALKIN' ABOUT TEXAS SENATOR,
AND TRAGIC VICTIM OF PUBE

385
00:11:24,117 --> 00:11:25,417
I'M TALKIN' ABOUT TEXAS SENATOR,
AND TRAGIC VICTIM OF PUBE
DISPLACEMENT DISORDER, TED CRUZ.

386
00:11:25,419 --> 00:11:26,751
AND TRAGIC VICTIM OF PUBE
DISPLACEMENT DISORDER, TED CRUZ.
NORMALLY, REPUBLICANS WRITE A

387
00:11:26,753 --> 00:11:27,385
DISPLACEMENT DISORDER, TED CRUZ.
NORMALLY, REPUBLICANS WRITE A
BOOK, THEN HAVE A GROUP LIKE THE

388
00:11:27,387 --> 00:11:33,158
NORMALLY, REPUBLICANS WRITE A
BOOK, THEN HAVE A GROUP LIKE THE
R.N.C. BUY A BUNCH OF THEM ON

389
00:11:33,160 --> 00:11:36,895
BOOK, THEN HAVE A GROUP LIKE THE
R.N.C. BUY A BUNCH OF THEM ON
THE D.L., BUT TED CRUZ IS

390
00:11:36,897 --> 00:11:37,495
R.N.C. BUY A BUNCH OF THEM ON
THE D.L., BUT TED CRUZ IS
ACCUSED OF BULK-PURCHASING HIS

391
00:11:37,497 --> 00:11:38,396
THE D.L., BUT TED CRUZ IS
ACCUSED OF BULK-PURCHASING HIS
NEW BOOK USING CAMPAIGN MONEY,

392
00:11:38,398 --> 00:11:39,164
ACCUSED OF BULK-PURCHASING HIS
NEW BOOK USING CAMPAIGN MONEY,
WHICH IS LIKELY ILLEGAL.

393
00:11:39,166 --> 00:11:41,132
NEW BOOK USING CAMPAIGN MONEY,
WHICH IS LIKELY ILLEGAL.
AND IT WASN'T JUST A FEW BOOKS.

394
00:11:41,134 --> 00:11:41,766
WHICH IS LIKELY ILLEGAL.
AND IT WASN'T JUST A FEW BOOKS.
CRUZ'S CAMPAIGN REPORTEDLY SPENT

395
00:11:41,768 --> 00:11:44,436
AND IT WASN'T JUST A FEW BOOKS.
CRUZ'S CAMPAIGN REPORTEDLY SPENT
$154,000 OF HIS SUPPORTERS'

396
00:11:44,438 --> 00:11:45,170
CRUZ'S CAMPAIGN REPORTEDLY SPENT
$154,000 OF HIS SUPPORTERS'
FUNDS ON COPIES OF HIS BOOK.

397
00:11:45,172 --> 00:11:47,372
$154,000 OF HIS SUPPORTERS'
FUNDS ON COPIES OF HIS BOOK.
SO A WARNING TO ANYONE VISITING

398
00:11:47,374 --> 00:11:49,407
FUNDS ON COPIES OF HIS BOOK.
SO A WARNING TO ANYONE VISITING
TED CRUZ'S HOUSE: YOU'RE GOING

399
00:11:49,409 --> 00:11:50,975
SO A WARNING TO ANYONE VISITING
TED CRUZ'S HOUSE: YOU'RE GOING
TO LEAVE WITH A BOOK.

400
00:11:50,977 --> 00:11:51,476
TED CRUZ'S HOUSE: YOU'RE GOING
TO LEAVE WITH A BOOK.
ALSO A WARNING TO ANYONE

401
00:11:51,478 --> 00:11:53,411
TO LEAVE WITH A BOOK.
ALSO A WARNING TO ANYONE
VISITING TED CRUZ'S HOUSE: TED

402
00:11:53,413 --> 00:11:55,447
ALSO A WARNING TO ANYONE
VISITING TED CRUZ'S HOUSE: TED
CRUZ IS GOING TO BE THERE!

403
00:11:55,449 --> 00:11:57,148
VISITING TED CRUZ'S HOUSE: TED
CRUZ IS GOING TO BE THERE!
WE'VE GOT A GREAT SHOW FOR YOU

404
00:11:57,150 --> 00:11:57,782
CRUZ IS GOING TO BE THERE!
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.

405
00:11:57,784 --> 00:12:01,086
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
MY GUESTS ARE ANTHONY HOPKINS,

406
00:12:01,088 --> 00:12:01,720
TONIGHT.
MY GUESTS ARE ANTHONY HOPKINS,
WRITER/DIRECTOR FLORIAN ZELLER,

407
00:12:01,722 --> 00:12:04,989
MY GUESTS ARE ANTHONY HOPKINS,
WRITER/DIRECTOR FLORIAN ZELLER,
AND SENATOR MAZIE HIRONO.

408
00:12:04,991 --> 00:12:05,623
WRITER/DIRECTOR FLORIAN ZELLER,
AND SENATOR MAZIE HIRONO.
BUT WHEN WE COME BACK, I DELIVER

409
00:12:05,625 --> 00:12:09,160
AND SENATOR MAZIE HIRONO.
BUT WHEN WE COME BACK, I DELIVER
ON A PENIS PROMISE.

410
00:12:09,162 --> 00:12:11,296
BUT WHEN WE COME BACK, I DELIVER
ON A PENIS PROMISE.
STICK AROUND.

411
00:12:11,298 --> 00:12:13,398
ON A PENIS PROMISE.
STICK AROUND.
STICK AROUND!

412
00:12:13,400 --> 00:12:15,133
STICK AROUND.
STICK AROUND!
♪♪♪

413
00:12:30,349 --> 00:12:36,888
♪♪♪
>> Stephen: HEY, EVERYBODY!
WELCOME BACK!

414
00:12:36,890 --> 00:12:38,490
>> Stephen: HEY, EVERYBODY!
WELCOME BACK!
LET'S SAY HELLO TO OUR FRIEND

415
00:12:38,492 --> 00:12:40,125
WELCOME BACK!
LET'S SAY HELLO TO OUR FRIEND
JON BATISTE ALL THE WAY ACROSS

416
00:12:40,127 --> 00:12:41,626
LET'S SAY HELLO TO OUR FRIEND
JON BATISTE ALL THE WAY ACROSS
THE CONTINENT.

417
00:12:41,628 --> 00:12:42,293
JON BATISTE ALL THE WAY ACROSS
THE CONTINENT.
HELLO, JON.

418
00:12:42,295 --> 00:12:43,261
THE CONTINENT.
HELLO, JON.
HOW'S L.A.?

419
00:12:43,263 --> 00:12:46,364
HELLO, JON.
HOW'S L.A.?
>> Jon: OH, IT'S NICE AND

420
00:12:46,366 --> 00:12:46,564
HOW'S L.A.?
>> Jon: OH, IT'S NICE AND
SUNNY.

421
00:12:46,566 --> 00:12:48,266
>> Jon: OH, IT'S NICE AND
SUNNY.
I WAS SITTING BY THE POOL ALL

422
00:12:48,268 --> 00:12:48,833
SUNNY.
I WAS SITTING BY THE POOL ALL
DAY.

423
00:12:48,835 --> 00:12:53,371
I WAS SITTING BY THE POOL ALL
DAY.
I'VE FORGOTTEN WHAT THAT'S LIKE!

424
00:12:53,373 --> 00:12:53,571
DAY.
I'VE FORGOTTEN WHAT THAT'S LIKE!
HELLO!

425
00:12:53,573 --> 00:12:54,172
I'VE FORGOTTEN WHAT THAT'S LIKE!
HELLO!
>> Stephen: I, TOO.

426
00:12:54,174 --> 00:12:56,007
HELLO!
>> Stephen: I, TOO.
WITHOUT THIS MAKEUP ON, I'M THE

427
00:12:56,009 --> 00:12:58,977
>> Stephen: I, TOO.
WITHOUT THIS MAKEUP ON, I'M THE
COLOR OF UNCOOKED CALAMARI.

428
00:12:58,979 --> 00:13:00,845
WITHOUT THIS MAKEUP ON, I'M THE
COLOR OF UNCOOKED CALAMARI.
>> Jon: OH, NO, IT'S GOOD FOR

429
00:13:00,847 --> 00:13:01,045
COLOR OF UNCOOKED CALAMARI.
>> Jon: OH, NO, IT'S GOOD FOR
YOU.

430
00:13:01,047 --> 00:13:01,579
>> Jon: OH, NO, IT'S GOOD FOR
YOU.
I LOVE THAT SUN.

431
00:13:01,581 --> 00:13:03,248
YOU.
I LOVE THAT SUN.
>> Stephen: I DO, TOO.

432
00:13:03,250 --> 00:13:04,916
I LOVE THAT SUN.
>> Stephen: I DO, TOO.
I LOVE YOU'RE OUT THERE.

433
00:13:04,918 --> 00:13:06,518
>> Stephen: I DO, TOO.
I LOVE YOU'RE OUT THERE.
AFTER I TALKED TO YOU THE LAST

434
00:13:06,520 --> 00:13:10,555
I LOVE YOU'RE OUT THERE.
AFTER I TALKED TO YOU THE LAST
SHOW LAST WEEK, I TALKED TO OUR

435
00:13:10,557 --> 00:13:15,660
AFTER I TALKED TO YOU THE LAST
SHOW LAST WEEK, I TALKED TO OUR
FRIEND AMANDA SY FRED.

436
00:13:15,662 --> 00:13:17,061
SHOW LAST WEEK, I TALKED TO OUR
FRIEND AMANDA SY FRED.
SAY COLBERT SAYS HI.

437
00:13:17,063 --> 00:13:17,695
FRIEND AMANDA SY FRED.
SAY COLBERT SAYS HI.
>> Jon: I WILL.

438
00:13:17,697 --> 00:13:19,430
SAY COLBERT SAYS HI.
>> Jon: I WILL.
>> Stephen: ANTHONY HOPKINS IS

439
00:13:19,432 --> 00:13:19,697
>> Jon: I WILL.
>> Stephen: ANTHONY HOPKINS IS
NOMINATED.

440
00:13:19,699 --> 00:13:20,832
>> Stephen: ANTHONY HOPKINS IS
NOMINATED.
>> Jon: THAT'S A LEGEND RIGHT

441
00:13:20,834 --> 00:13:21,032
NOMINATED.
>> Jon: THAT'S A LEGEND RIGHT
THERE.

442
00:13:21,034 --> 00:13:23,468
>> Jon: THAT'S A LEGEND RIGHT
THERE.
>> Stephen: YOU SAY HI TO TONY

443
00:13:23,470 --> 00:13:25,870
THERE.
>> Stephen: YOU SAY HI TO TONY
HOPKINS FOR ME, TOO.

444
00:13:25,872 --> 00:13:27,672
>> Stephen: YOU SAY HI TO TONY
HOPKINS FOR ME, TOO.
JUST SAY, HEY, TONEY.

445
00:13:27,674 --> 00:13:29,140
HOPKINS FOR ME, TOO.
JUST SAY, HEY, TONEY.
>> Jon: WITH THAT ACCENT, I'M

446
00:13:29,142 --> 00:13:30,542
JUST SAY, HEY, TONEY.
>> Jon: WITH THAT ACCENT, I'M
GOING TO TRY TO GET IT.

447
00:13:30,544 --> 00:13:31,776
>> Jon: WITH THAT ACCENT, I'M
GOING TO TRY TO GET IT.
( LAUGHTER )

448
00:13:31,778 --> 00:13:32,811
GOING TO TRY TO GET IT.
( LAUGHTER )
>> Stephen: HAS LOS ANGELES

449
00:13:32,813 --> 00:13:36,114
( LAUGHTER )
>> Stephen: HAS LOS ANGELES
INSPIRED YOU, HAS CHANGED YOUR

450
00:13:36,116 --> 00:13:36,648
>> Stephen: HAS LOS ANGELES
INSPIRED YOU, HAS CHANGED YOUR
MUSIC POINT OF VIEW?

451
00:13:36,650 --> 00:13:40,985
INSPIRED YOU, HAS CHANGED YOUR
MUSIC POINT OF VIEW?
WHAT WANTS TO COME OUT OF YOUR

452
00:13:40,987 --> 00:13:42,187
MUSIC POINT OF VIEW?
WHAT WANTS TO COME OUT OF YOUR
FINGERS IN LOS ANGELES, JON?

453
00:13:42,189 --> 00:13:43,121
WHAT WANTS TO COME OUT OF YOUR
FINGERS IN LOS ANGELES, JON?
>> Jon: OH, MY GOD.

454
00:13:43,123 --> 00:13:46,558
FINGERS IN LOS ANGELES, JON?
>> Jon: OH, MY GOD.
LET'S SEE...

455
00:13:46,560 --> 00:13:50,495
>> Jon: OH, MY GOD.
LET'S SEE...
♪♪♪

456
00:13:52,097 --> 00:13:55,133
>> Stephen: JON BATISTE,
EVERYBODY.
THANK YOU, JON.

457
00:13:55,135 --> 00:13:55,500
EVERYBODY.
THANK YOU, JON.
STAY SAFE.

458
00:13:55,502 --> 00:13:57,802
THANK YOU, JON.
STAY SAFE.
>> Jon: OH, YEAH.

459
00:13:57,804 --> 00:13:58,403
STAY SAFE.
>> Jon: OH, YEAH.
>> Stephen: FOLKS, THERE ARE A

460
00:13:58,405 --> 00:13:59,737
>> Jon: OH, YEAH.
>> Stephen: FOLKS, THERE ARE A
LOT OF VERY IMPORTANT THINGS

461
00:13:59,739 --> 00:14:00,338
>> Stephen: FOLKS, THERE ARE A
LOT OF VERY IMPORTANT THINGS
HAPPENING IN THE WORLD RIGHT

462
00:14:00,340 --> 00:14:04,275
LOT OF VERY IMPORTANT THINGS
HAPPENING IN THE WORLD RIGHT
NOW, SO I'D LIKE TO TAKE A

463
00:14:04,277 --> 00:14:07,145
HAPPENING IN THE WORLD RIGHT
NOW, SO I'D LIKE TO TAKE A
MNUTE TO TALK ABOUT NONE OF

464
00:14:07,147 --> 00:14:07,345
NOW, SO I'D LIKE TO TAKE A
MNUTE TO TALK ABOUT NONE OF
THEM.

465
00:14:07,347 --> 00:14:08,313
MNUTE TO TALK ABOUT NONE OF
THEM.
INSTEAD, I'D LIKE TO TALK ABOUT

466
00:14:08,315 --> 00:14:08,813
THEM.
INSTEAD, I'D LIKE TO TALK ABOUT
HOW THIS WEEKEND, LIZZO

467
00:14:08,815 --> 00:14:09,948
INSTEAD, I'D LIKE TO TALK ABOUT
HOW THIS WEEKEND, LIZZO
DRUNKENLY SLID INTO CHRIS EVANS'

468
00:14:09,950 --> 00:14:10,548
HOW THIS WEEKEND, LIZZO
DRUNKENLY SLID INTO CHRIS EVANS'
D.M.'S.

469
00:14:10,550 --> 00:14:14,552
DRUNKENLY SLID INTO CHRIS EVANS'
D.M.'S.
APPARENTLY, LIZZO GOT HAMMERED

470
00:14:14,554 --> 00:14:17,956
D.M.'S.
APPARENTLY, LIZZO GOT HAMMERED
AND SENT CAPTAIN AMERICA THE

471
00:14:17,958 --> 00:14:18,556
APPARENTLY, LIZZO GOT HAMMERED
AND SENT CAPTAIN AMERICA THE
MESSAGE, "WIND EMOJI, DUNKING

472
00:14:18,558 --> 00:14:20,892
AND SENT CAPTAIN AMERICA THE
MESSAGE, "WIND EMOJI, DUNKING
EMOJI, AND BASKETBALL EMOJI."

473
00:14:20,894 --> 00:14:22,527
MESSAGE, "WIND EMOJI, DUNKING
EMOJI, AND BASKETBALL EMOJI."
WHICH, I HAVE BEEN INFORMED, IN

474
00:14:22,529 --> 00:14:23,761
EMOJI, AND BASKETBALL EMOJI."
WHICH, I HAVE BEEN INFORMED, IN
YOUNG PEOPLE HIEROGLYPHICS

475
00:14:23,763 --> 00:14:26,798
WHICH, I HAVE BEEN INFORMED, IN
YOUNG PEOPLE HIEROGLYPHICS
MEANS, "I'M TAKING A CHANCE" OR

476
00:14:26,800 --> 00:14:28,867
YOUNG PEOPLE HIEROGLYPHICS
MEANS, "I'M TAKING A CHANCE" OR
"SHOOTING MY SHOT," AND NOT, AS

477
00:14:28,869 --> 00:14:30,268
MEANS, "I'M TAKING A CHANCE" OR
"SHOOTING MY SHOT," AND NOT, AS
I INITIALLY THOUGHT, "I REFER TO

478
00:14:30,270 --> 00:14:33,671
"SHOOTING MY SHOT," AND NOT, AS
I INITIALLY THOUGHT, "I REFER TO
MY FARTS AS AIR JORDAN."

479
00:14:33,673 --> 00:14:34,539
I INITIALLY THOUGHT, "I REFER TO
MY FARTS AS AIR JORDAN."
I GOTTA GIVE CREDIT TO LIZZO FOR

480
00:14:34,541 --> 00:14:38,543
MY FARTS AS AIR JORDAN."
I GOTTA GIVE CREDIT TO LIZZO FOR
CONFESSING THIS DRUNK D.M. TO

481
00:14:38,545 --> 00:14:39,377
I GOTTA GIVE CREDIT TO LIZZO FOR
CONFESSING THIS DRUNK D.M. TO
HER 14.6 MILLION TIK TOK

482
00:14:39,379 --> 00:14:42,280
CONFESSING THIS DRUNK D.M. TO
HER 14.6 MILLION TIK TOK
FOLLOWERS, BUT EXTRA CREDIT FOR

483
00:14:42,282 --> 00:14:46,551
HER 14.6 MILLION TIK TOK
FOLLOWERS, BUT EXTRA CREDIT FOR
SENDING THIS DRUNKEN D.M. AT

484
00:14:46,553 --> 00:14:46,818
FOLLOWERS, BUT EXTRA CREDIT FOR
SENDING THIS DRUNKEN D.M. AT
5:22 P.M.

485
00:14:46,820 --> 00:14:48,286
SENDING THIS DRUNKEN D.M. AT
5:22 P.M.
NOW THAT IS HOW I LIKE TO PARTY.

486
00:14:48,288 --> 00:14:50,555
5:22 P.M.
NOW THAT IS HOW I LIKE TO PARTY.
SLOPPY DRUNK, BUT HOME IN TIME

487
00:14:50,557 --> 00:14:54,025
NOW THAT IS HOW I LIKE TO PARTY.
SLOPPY DRUNK, BUT HOME IN TIME
FOR "JEOPARDY!"

488
00:14:54,027 --> 00:14:58,529
SLOPPY DRUNK, BUT HOME IN TIME
FOR "JEOPARDY!"
BEST OF ALL, LIZZO ALSO REVEALED

489
00:14:58,531 --> 00:15:00,298
FOR "JEOPARDY!"
BEST OF ALL, LIZZO ALSO REVEALED
THAT CHRIS EVANS REPLIED.

490
00:15:00,300 --> 00:15:01,966
BEST OF ALL, LIZZO ALSO REVEALED
THAT CHRIS EVANS REPLIED.
"NO SHAME IN A DRUNK D.M.

491
00:15:01,968 --> 00:15:02,533
THAT CHRIS EVANS REPLIED.
"NO SHAME IN A DRUNK D.M.
KISS FACE EMOJI.

492
00:15:02,535 --> 00:15:04,769
"NO SHAME IN A DRUNK D.M.
KISS FACE EMOJI.
GOD KNOWS I'VE DONE WORSE ON

493
00:15:04,771 --> 00:15:06,271
KISS FACE EMOJI.
GOD KNOWS I'VE DONE WORSE ON
THIS APP, L.O.L.

494
00:15:06,273 --> 00:15:08,873
GOD KNOWS I'VE DONE WORSE ON
THIS APP, L.O.L.
FACE PALM EMOJI."

495
00:15:08,875 --> 00:15:10,541
THIS APP, L.O.L.
FACE PALM EMOJI."
WHAT EVANS IS REFERENCING WITH

496
00:15:10,543 --> 00:15:12,277
FACE PALM EMOJI."
WHAT EVANS IS REFERENCING WITH
THAT FACE PALM EMOJI IS LAST

497
00:15:12,279 --> 00:15:14,045
WHAT EVANS IS REFERENCING WITH
THAT FACE PALM EMOJI IS LAST
YEAR'S INCIDENT WHERE "HE

498
00:15:14,047 --> 00:15:14,679
THAT FACE PALM EMOJI IS LAST
YEAR'S INCIDENT WHERE "HE
ACCIDENTALLY SHARED A PENIS PIC

499
00:15:14,681 --> 00:15:17,048
YEAR'S INCIDENT WHERE "HE
ACCIDENTALLY SHARED A PENIS PIC
ON INSTAGRAM."

500
00:15:17,050 --> 00:15:17,649
ACCIDENTALLY SHARED A PENIS PIC
ON INSTAGRAM."
APPARENTLY, HE WAS CAUGHT

501
00:15:17,651 --> 00:15:18,283
ON INSTAGRAM."
APPARENTLY, HE WAS CAUGHT
SHAKING HANDS WITH HIS SUPER

502
00:15:18,285 --> 00:15:21,452
APPARENTLY, HE WAS CAUGHT
SHAKING HANDS WITH HIS SUPER
SOLDIER.

503
00:15:21,454 --> 00:15:22,553
SHAKING HANDS WITH HIS SUPER
SOLDIER.
BACK WHEN THAT STORY BROKE, WE

504
00:15:22,555 --> 00:15:24,289
SOLDIER.
BACK WHEN THAT STORY BROKE, WE
COVERED IT ON THIS SHOW.

505
00:15:24,291 --> 00:15:29,694
BACK WHEN THAT STORY BROKE, WE
COVERED IT ON THIS SHOW.
IF IT WEREN'T FOR THE DARKNESS

506
00:15:29,696 --> 00:15:30,295
COVERED IT ON THIS SHOW.
IF IT WEREN'T FOR THE DARKNESS
OF OUR PRESENT NEWS CYCLE, WE

507
00:15:30,297 --> 00:15:30,895
IF IT WEREN'T FOR THE DARKNESS
OF OUR PRESENT NEWS CYCLE, WE
COULD HAPPILY DO SO MANY CHRIS

508
00:15:30,897 --> 00:15:35,733
OF OUR PRESENT NEWS CYCLE, WE
COULD HAPPILY DO SO MANY CHRIS
EVANS JOKES RIGHT NOW.

509
00:15:35,735 --> 00:15:36,334
COULD HAPPILY DO SO MANY CHRIS
EVANS JOKES RIGHT NOW.
BUT HERE -- HERE IS MY SACRED

510
00:15:36,336 --> 00:15:37,235
EVANS JOKES RIGHT NOW.
BUT HERE -- HERE IS MY SACRED
VOW: IF

511
00:15:37,237 --> 00:15:37,902
BUT HERE -- HERE IS MY SACRED
VOW: IF
JOE BIDEN IS ELECTED ON

512
00:15:37,904 --> 00:15:38,536
VOW: IF
JOE BIDEN IS ELECTED ON
NOVEMBER 3, ON NOVEMBER 4, WE

513
00:15:38,538 --> 00:15:39,270
JOE BIDEN IS ELECTED ON
NOVEMBER 3, ON NOVEMBER 4, WE
WILL COVER CHRIS EVANS' PENIS.

514
00:15:39,272 --> 00:15:42,307
NOVEMBER 3, ON NOVEMBER 4, WE
WILL COVER CHRIS EVANS' PENIS.
SOMETHING CHRIS EVANS DID

515
00:15:42,309 --> 00:15:42,607
WILL COVER CHRIS EVANS' PENIS.
SOMETHING CHRIS EVANS DID
NOT DO.

516
00:15:42,609 --> 00:15:46,311
SOMETHING CHRIS EVANS DID
NOT DO.
IF YOU GO TO YOUR POLLING PLACE,

517
00:15:46,313 --> 00:15:46,878
NOT DO.
IF YOU GO TO YOUR POLLING PLACE,
I PROMISE YOU: WE WILL GO TO

518
00:15:46,880 --> 00:15:50,381
IF YOU GO TO YOUR POLLING PLACE,
I PROMISE YOU: WE WILL GO TO
HIS.

519
00:15:50,383 --> 00:15:53,318
I PROMISE YOU: WE WILL GO TO
HIS.
LADIES AND GENTLEMEN, I MADE A

520
00:15:53,320 --> 00:15:54,252
HIS.
LADIES AND GENTLEMEN, I MADE A
SOLEMN PROMISE TO

521
00:15:54,254 --> 00:15:54,819
LADIES AND GENTLEMEN, I MADE A
SOLEMN PROMISE TO
YOU, AMERICA, AND I AM LONG

522
00:15:54,821 --> 00:15:56,020
SOLEMN PROMISE TO
YOU, AMERICA, AND I AM LONG
OVERDUE IN FULFILLING IT.

523
00:15:56,022 --> 00:15:58,556
YOU, AMERICA, AND I AM LONG
OVERDUE IN FULFILLING IT.
WHICH IS WHY CHRIS EVANS' SACK

524
00:15:58,558 --> 00:16:05,330
OVERDUE IN FULFILLING IT.
WHICH IS WHY CHRIS EVANS' SACK
OF JOKES IS BACK!

525
00:16:05,332 --> 00:16:06,297
WHICH IS WHY CHRIS EVANS' SACK
OF JOKES IS BACK!
HERE NOW, ARE THE CHRIS EVANS'

526
00:16:06,299 --> 00:16:08,866
OF JOKES IS BACK!
HERE NOW, ARE THE CHRIS EVANS'
PENIS JOKES THAT WE COULD NOT

527
00:16:08,868 --> 00:16:09,500
HERE NOW, ARE THE CHRIS EVANS'
PENIS JOKES THAT WE COULD NOT
DO, BUT WHICH AMERICA DESERVES.

528
00:16:09,502 --> 00:16:10,134
PENIS JOKES THAT WE COULD NOT
DO, BUT WHICH AMERICA DESERVES.
ALL RIGHT, LET'S SEE WHAT WE'VE

529
00:16:10,136 --> 00:16:17,008
DO, BUT WHICH AMERICA DESERVES.
ALL RIGHT, LET'S SEE WHAT WE'VE
GOT.

530
00:16:17,010 --> 00:16:17,642
ALL RIGHT, LET'S SEE WHAT WE'VE
GOT.
IT SEEMS UNFAIR THAT BUCKY LOST

531
00:16:17,644 --> 00:16:18,309
GOT.
IT SEEMS UNFAIR THAT BUCKY LOST
AN ARM WHEN CAPTAIN AMERICA HAS

532
00:16:18,311 --> 00:16:24,282
IT SEEMS UNFAIR THAT BUCKY LOST
AN ARM WHEN CAPTAIN AMERICA HAS
THREE.

533
00:16:24,284 --> 00:16:26,551
AN ARM WHEN CAPTAIN AMERICA HAS
THREE.
WHAT'S THE DIFFERENCE BETWEEN

534
00:16:26,553 --> 00:16:30,555
THREE.
WHAT'S THE DIFFERENCE BETWEEN
J-LO AND CAPTAIN AMERICA?

535
00:16:30,557 --> 00:16:38,096
WHAT'S THE DIFFERENCE BETWEEN
J-LO AND CAPTAIN AMERICA?
CAPTAIN AMERICA STILL HAS A-ROD.

536
00:16:38,098 --> 00:16:38,663
J-LO AND CAPTAIN AMERICA?
CAPTAIN AMERICA STILL HAS A-ROD.
LOOKS LIKE KNIVES AREN'T THE

537
00:16:38,665 --> 00:16:48,039
CAPTAIN AMERICA STILL HAS A-ROD.
LOOKS LIKE KNIVES AREN'T THE
ONLY THING CHRIS EVANS HAS OUT.

538
00:16:48,041 --> 00:16:48,573
LOOKS LIKE KNIVES AREN'T THE
ONLY THING CHRIS EVANS HAS OUT.
HEY, CAP, WE CAN SEE YOUR

539
00:16:48,575 --> 00:16:57,515
ONLY THING CHRIS EVANS HAS OUT.
HEY, CAP, WE CAN SEE YOUR
INFINITY STONES.

540
00:16:57,517 --> 00:17:00,284
HEY, CAP, WE CAN SEE YOUR
INFINITY STONES.
IS HE PART OF "THE AVENGERS," OR

541
00:17:00,286 --> 00:17:03,354
INFINITY STONES.
IS HE PART OF "THE AVENGERS," OR
"THE FANTASTIC FORESKIN?"

542
00:17:03,356 --> 00:17:10,194
IS HE PART OF "THE AVENGERS," OR
"THE FANTASTIC FORESKIN?"
FINALLY, CHRIS EVANS, YOU SHOWED

543
00:17:10,196 --> 00:17:10,661
"THE FANTASTIC FORESKIN?"
FINALLY, CHRIS EVANS, YOU SHOWED
THE WORLD YOUR PENIS.

544
00:17:10,663 --> 00:17:11,229
FINALLY, CHRIS EVANS, YOU SHOWED
THE WORLD YOUR PENIS.
ARE YOU GOING TO STOP DOING

545
00:17:11,231 --> 00:17:14,532
THE WORLD YOUR PENIS.
ARE YOU GOING TO STOP DOING
THAT?

546
00:17:14,534 --> 00:17:18,302
ARE YOU GOING TO STOP DOING
THAT?
>> NO, NO I DON'T THINK I WILL.

547
00:17:18,304 --> 00:17:22,540
THAT?
>> NO, NO I DON'T THINK I WILL.
>> STEPHEN: NATION: HEALED.

548
00:17:22,542 --> 00:17:25,576
>> NO, NO I DON'T THINK I WILL.
>> STEPHEN: NATION: HEALED.
SO, THANK YOU, LIZZO, FOR

549
00:17:25,578 --> 00:17:26,177
>> STEPHEN: NATION: HEALED.
SO, THANK YOU, LIZZO, FOR
BRINGING CHRIS EVANS' SEXINESS

550
00:17:26,179 --> 00:17:26,577
SO, THANK YOU, LIZZO, FOR
BRINGING CHRIS EVANS' SEXINESS
BACK IN THE NEWS.

551
00:17:26,579 --> 00:17:27,645
BRINGING CHRIS EVANS' SEXINESS
BACK IN THE NEWS.
I SALUTE YOU.

552
00:17:27,647 --> 00:17:29,080
BACK IN THE NEWS.
I SALUTE YOU.
AND, IF YOU CATCH HIM FIRST

553
00:17:29,082 --> 00:17:29,614
I SALUTE YOU.
AND, IF YOU CATCH HIM FIRST
THING IN THE MORNING, I'M

554
00:17:29,616 --> 00:17:30,314
AND, IF YOU CATCH HIM FIRST
THING IN THE MORNING, I'M
GUESSING CHRIS EVANS DOES, TOO.

555
00:17:30,316 --> 00:17:30,948
THING IN THE MORNING, I'M
GUESSING CHRIS EVANS DOES, TOO.
WE'LL BE RIGHT BACK WITH ANTHONY

556
00:17:30,950 --> 00:17:34,552
GUESSING CHRIS EVANS DOES, TOO.
WE'LL BE RIGHT BACK WITH ANTHONY
HOPKINS AND FLORIAN ZELLER.

557
00:17:34,554 --> 00:17:38,489
WE'LL BE RIGHT BACK WITH ANTHONY
HOPKINS AND FLORIAN ZELLER.
♪♪♪

558
00:17:48,000 --> 00:17:50,001
♪♪♪

559
00:17:51,170 --> 00:17:55,673
>> Stephen: WELCOME BACK,
EVERYBODY.
MY FIRST GUESTS TONIGHT ARE A

560
00:17:55,675 --> 00:17:59,777
EVERYBODY.
MY FIRST GUESTS TONIGHT ARE A
WELSH ICON OF STAGE AND SCREEN

561
00:17:59,779 --> 00:18:00,311
MY FIRST GUESTS TONIGHT ARE A
WELSH ICON OF STAGE AND SCREEN
AND A CELEBRATED FRENCH

562
00:18:00,313 --> 00:18:00,678
WELSH ICON OF STAGE AND SCREEN
AND A CELEBRATED FRENCH
WRITER/DIRECTOR.

563
00:18:00,680 --> 00:18:01,212
AND A CELEBRATED FRENCH
WRITER/DIRECTOR.
THEIR FILM "THE FATHER" IS

564
00:18:01,214 --> 00:18:03,681
WRITER/DIRECTOR.
THEIR FILM "THE FATHER" IS
NOMINATED FOR SIX ACADEMY

565
00:18:03,683 --> 00:18:03,915
THEIR FILM "THE FATHER" IS
NOMINATED FOR SIX ACADEMY
AWARDS.

566
00:18:03,917 --> 00:18:05,383
NOMINATED FOR SIX ACADEMY
AWARDS.
>> WHAT DO YOU DO FOR A LIVING.

567
00:18:05,385 --> 00:18:06,818
AWARDS.
>> WHAT DO YOU DO FOR A LIVING.
OH, I WAS A DANCER.

568
00:18:06,820 --> 00:18:07,919
>> WHAT DO YOU DO FOR A LIVING.
OH, I WAS A DANCER.
WERE YOU?

569
00:18:07,921 --> 00:18:09,153
OH, I WAS A DANCER.
WERE YOU?
YES.

570
00:18:09,155 --> 00:18:09,387
WERE YOU?
YES.
DAD!

571
00:18:09,389 --> 00:18:09,654
YES.
DAD!
WHAT?

572
00:18:09,656 --> 00:18:12,557
DAD!
WHAT?
YOU WERE AN ENGINEER.

573
00:18:12,559 --> 00:18:13,458
WHAT?
YOU WERE AN ENGINEER.
WHAT DO YOU KNOW ABOUT IT?

574
00:18:13,460 --> 00:18:15,693
YOU WERE AN ENGINEER.
WHAT DO YOU KNOW ABOUT IT?
YES, TAP DANCING WAS MY

575
00:18:15,695 --> 00:18:15,960
WHAT DO YOU KNOW ABOUT IT?
YES, TAP DANCING WAS MY
SPECIALTY.

576
00:18:15,962 --> 00:18:16,294
YES, TAP DANCING WAS MY
SPECIALTY.
>> REALLY?

577
00:18:16,296 --> 00:18:18,162
SPECIALTY.
>> REALLY?
YOU SEEM SURPRISED.

578
00:18:18,164 --> 00:18:18,696
>> REALLY?
YOU SEEM SURPRISED.
A LITTLE BIT.

579
00:18:18,698 --> 00:18:19,931
YOU SEEM SURPRISED.
A LITTLE BIT.
DON'T YOU BELIEVE ME?

580
00:18:19,933 --> 00:18:22,700
A LITTLE BIT.
DON'T YOU BELIEVE ME?
OR YOU FIND THAT DIFFICULT TO

581
00:18:22,702 --> 00:18:22,934
DON'T YOU BELIEVE ME?
OR YOU FIND THAT DIFFICULT TO
IMAGINE?

582
00:18:22,936 --> 00:18:24,702
OR YOU FIND THAT DIFFICULT TO
IMAGINE?
>> OF COURSE.

583
00:18:24,704 --> 00:18:26,704
IMAGINE?
>> OF COURSE.
IT'S JUST I'VE ALWAYS LOVED TAP

584
00:18:26,706 --> 00:18:27,171
>> OF COURSE.
IT'S JUST I'VE ALWAYS LOVED TAP
DANCING.

585
00:18:27,173 --> 00:18:27,939
IT'S JUST I'VE ALWAYS LOVED TAP
DANCING.
>> YOU, REALLY?

586
00:18:27,941 --> 00:18:29,640
DANCING.
>> YOU, REALLY?
WOW, I'M STILL GREAT AT IT.

587
00:18:29,642 --> 00:18:31,943
>> YOU, REALLY?
WOW, I'M STILL GREAT AT IT.
I'LL SHOW YOU.

588
00:18:31,945 --> 00:18:34,846
WOW, I'M STILL GREAT AT IT.
I'LL SHOW YOU.
( LAUGHTER )

589
00:18:34,848 --> 00:18:35,179
I'LL SHOW YOU.
( LAUGHTER )
JOLLY GOOD!

590
00:18:35,181 --> 00:18:37,715
( LAUGHTER )
JOLLY GOOD!
WHY ARE YOU LAUGHING?

591
00:18:37,717 --> 00:18:38,616
JOLLY GOOD!
WHY ARE YOU LAUGHING?
>> I'M SORRY.

592
00:18:38,618 --> 00:18:38,816
WHY ARE YOU LAUGHING?
>> I'M SORRY.
SORRY.

593
00:18:38,818 --> 00:18:41,285
>> I'M SORRY.
SORRY.
>> I KNOW, I KNOW WHO SHE

594
00:18:41,287 --> 00:18:43,688
SORRY.
>> I KNOW, I KNOW WHO SHE
REMINDS ME OF?

595
00:18:43,690 --> 00:18:43,921
>> I KNOW, I KNOW WHO SHE
REMINDS ME OF?
>> WHO?

596
00:18:43,923 --> 00:18:44,122
REMINDS ME OF?
>> WHO?
LUCY.

597
00:18:44,124 --> 00:18:45,690
>> WHO?
LUCY.
IT WAS LUCY WHEN SHE WAS

598
00:18:45,692 --> 00:18:46,657
LUCY.
IT WAS LUCY WHEN SHE WAS
YOUNGER.

599
00:18:46,659 --> 00:18:46,891
IT WAS LUCY WHEN SHE WAS
YOUNGER.
>> LUCY?

600
00:18:46,893 --> 00:18:49,460
YOUNGER.
>> LUCY?
YES, MY OTHER DAUGHTER.

601
00:18:49,462 --> 00:18:51,329
>> LUCY?
YES, MY OTHER DAUGHTER.
THAT'S RIGHT.

602
00:18:51,331 --> 00:18:52,763
YES, MY OTHER DAUGHTER.
THAT'S RIGHT.
THERE'S A RESEMBLANCE, DON'T YOU

603
00:18:52,765 --> 00:18:53,164
THAT'S RIGHT.
THERE'S A RESEMBLANCE, DON'T YOU
THINK?

604
00:18:53,166 --> 00:18:53,431
THERE'S A RESEMBLANCE, DON'T YOU
THINK?
>> MAYBE.

605
00:18:53,433 --> 00:18:55,933
THINK?
>> MAYBE.
YES, YES, HER UNBEARABLE

606
00:18:55,935 --> 00:19:01,506
>> MAYBE.
YES, YES, HER UNBEARABLE
HABIT OF LAUGHING I HAD YOU

607
00:19:01,508 --> 00:19:05,076
YES, YES, HER UNBEARABLE
HABIT OF LAUGHING I HAD YOU
THERE, DIDN'T I?

608
00:19:05,078 --> 00:19:06,177
HABIT OF LAUGHING I HAD YOU
THERE, DIDN'T I?
>> STEPHEN: PLEASE WELCOME TO

609
00:19:06,179 --> 00:19:07,945
THERE, DIDN'T I?
>> STEPHEN: PLEASE WELCOME TO
"A LATE SHOW," SIR ANTHONY

610
00:19:07,947 --> 00:19:12,617
>> STEPHEN: PLEASE WELCOME TO
"A LATE SHOW," SIR ANTHONY
HOPKINS AND FLORIAN ZELLER.

611
00:19:12,619 --> 00:19:14,185
"A LATE SHOW," SIR ANTHONY
HOPKINS AND FLORIAN ZELLER.
GENTLEMEN, THANK YOU SO MUCH FOR

612
00:19:14,187 --> 00:19:14,852
HOPKINS AND FLORIAN ZELLER.
GENTLEMEN, THANK YOU SO MUCH FOR
BEING HERE.

613
00:19:14,854 --> 00:19:15,319
GENTLEMEN, THANK YOU SO MUCH FOR
BEING HERE.
>> THANK YOU SO MUCH.

614
00:19:15,321 --> 00:19:17,788
BEING HERE.
>> THANK YOU SO MUCH.
>> Stephen: THE FILM IS

615
00:19:17,790 --> 00:19:19,490
>> THANK YOU SO MUCH.
>> Stephen: THE FILM IS
NOMINATED FOR SIX ACADEMY

616
00:19:19,492 --> 00:19:19,924
>> Stephen: THE FILM IS
NOMINATED FOR SIX ACADEMY
AWARDS.

617
00:19:19,926 --> 00:19:23,127
NOMINATED FOR SIX ACADEMY
AWARDS.
TONY, THIS IS YOUR SIXTH ACADEMY

618
00:19:23,129 --> 00:19:25,963
AWARDS.
TONY, THIS IS YOUR SIXTH ACADEMY
AWARD FORM NATION, FLORIAN, THIS

619
00:19:25,965 --> 00:19:27,131
TONY, THIS IS YOUR SIXTH ACADEMY
AWARD FORM NATION, FLORIAN, THIS
IS YOUR FIRST.

620
00:19:27,133 --> 00:19:31,936
AWARD FORM NATION, FLORIAN, THIS
IS YOUR FIRST.
I UNDERSTAND YOU ADAPTED "THE

621
00:19:31,938 --> 00:19:36,807
IS YOUR FIRST.
I UNDERSTAND YOU ADAPTED "THE
FATHER" WITH TONY IN MIND.

622
00:19:36,809 --> 00:19:38,009
I UNDERSTAND YOU ADAPTED "THE
FATHER" WITH TONY IN MIND.
WHY TONY FOR THIS PARTICULAR

623
00:19:38,011 --> 00:19:40,044
FATHER" WITH TONY IN MIND.
WHY TONY FOR THIS PARTICULAR
PART AND PERHAPS YOU COULD TELL

624
00:19:40,046 --> 00:19:41,112
WHY TONY FOR THIS PARTICULAR
PART AND PERHAPS YOU COULD TELL
THE AUDIENCE SOMETHING ABOUT THE

625
00:19:41,114 --> 00:19:43,514
PART AND PERHAPS YOU COULD TELL
THE AUDIENCE SOMETHING ABOUT THE
ROLE OF "THE FATHER" "THE

626
00:19:43,516 --> 00:19:45,082
THE AUDIENCE SOMETHING ABOUT THE
ROLE OF "THE FATHER" "THE
FATHER" IS ABOUT A MAN LOSING

627
00:19:45,084 --> 00:19:46,884
ROLE OF "THE FATHER" "THE
FATHER" IS ABOUT A MAN LOSING
HIS BEARINGS, AND IT'S TRUE WHEN

628
00:19:46,886 --> 00:19:48,553
FATHER" IS ABOUT A MAN LOSING
HIS BEARINGS, AND IT'S TRUE WHEN
I START DREAMING ABOUT MAKING

629
00:19:48,555 --> 00:19:51,289
HIS BEARINGS, AND IT'S TRUE WHEN
I START DREAMING ABOUT MAKING
THAT FILM, BECAUSE EVERYTHING

630
00:19:51,291 --> 00:19:52,657
I START DREAMING ABOUT MAKING
THAT FILM, BECAUSE EVERYTHING
STARTED WAS A DREAM.

631
00:19:52,659 --> 00:19:55,927
THAT FILM, BECAUSE EVERYTHING
STARTED WAS A DREAM.
THE ONLY FACE THAT CAME TO MY

632
00:19:55,929 --> 00:19:56,928
STARTED WAS A DREAM.
THE ONLY FACE THAT CAME TO MY
MIND WAS ANTHONY'S.

633
00:19:56,930 --> 00:19:59,463
THE ONLY FACE THAT CAME TO MY
MIND WAS ANTHONY'S.
SO I WROTE THE SCRIPT WITH HIM

634
00:19:59,465 --> 00:20:00,932
MIND WAS ANTHONY'S.
SO I WROTE THE SCRIPT WITH HIM
IN MIND AND THE REASON IS I

635
00:20:00,934 --> 00:20:02,433
SO I WROTE THE SCRIPT WITH HIM
IN MIND AND THE REASON IS I
THINK HE IS THE GREATEST LIVING

636
00:20:02,435 --> 00:20:03,935
IN MIND AND THE REASON IS I
THINK HE IS THE GREATEST LIVING
ACTOR AND ALSO BECAUSE I HAVE

637
00:20:03,937 --> 00:20:05,736
THINK HE IS THE GREATEST LIVING
ACTOR AND ALSO BECAUSE I HAVE
THIS INTUITION THAT HE WOULD BE

638
00:20:05,738 --> 00:20:06,404
ACTOR AND ALSO BECAUSE I HAVE
THIS INTUITION THAT HE WOULD BE
REALLY POWERFUL IN THIS PART,

639
00:20:06,406 --> 00:20:08,940
THIS INTUITION THAT HE WOULD BE
REALLY POWERFUL IN THIS PART,
YOU KNOW, BECAUSE WE KNOW AN

640
00:20:08,942 --> 00:20:10,441
REALLY POWERFUL IN THIS PART,
YOU KNOW, BECAUSE WE KNOW AN
ACTOR THROUGH ALL HIS PARTS AND,

641
00:20:10,443 --> 00:20:13,177
YOU KNOW, BECAUSE WE KNOW AN
ACTOR THROUGH ALL HIS PARTS AND,
TO ME, AT LEAST, ANTHONY WAS

642
00:20:13,179 --> 00:20:14,812
ACTOR THROUGH ALL HIS PARTS AND,
TO ME, AT LEAST, ANTHONY WAS
THIS MAN, VERY INTELLIGENT,

643
00:20:14,814 --> 00:20:16,781
TO ME, AT LEAST, ANTHONY WAS
THIS MAN, VERY INTELLIGENT,
ALWAYS IN CONTROL, AND I THOUGHT

644
00:20:16,783 --> 00:20:18,082
THIS MAN, VERY INTELLIGENT,
ALWAYS IN CONTROL, AND I THOUGHT
HE WOULD BE EVEN MORE DISTURBING

645
00:20:18,084 --> 00:20:19,884
ALWAYS IN CONTROL, AND I THOUGHT
HE WOULD BE EVEN MORE DISTURBING
AND HEARTBREAKING TO SEE THAT

646
00:20:19,886 --> 00:20:21,719
HE WOULD BE EVEN MORE DISTURBING
AND HEARTBREAKING TO SEE THAT
MAN PRECISELY LOSING THE

647
00:20:21,721 --> 00:20:25,656
AND HEARTBREAKING TO SEE THAT
MAN PRECISELY LOSING THE
CONTROL, AND, SO -- IT WAS LIKE

648
00:20:25,658 --> 00:20:28,092
MAN PRECISELY LOSING THE
CONTROL, AND, SO -- IT WAS LIKE
A DREAM AT FIRST, BUT I WAS

649
00:20:28,094 --> 00:20:30,361
CONTROL, AND, SO -- IT WAS LIKE
A DREAM AT FIRST, BUT I WAS
AWARE THAT IT WAS NOT AN EASY

650
00:20:30,363 --> 00:20:32,463
A DREAM AT FIRST, BUT I WAS
AWARE THAT IT WAS NOT AN EASY
DREAM TO FULFILL BECAUSE IT'S MY

651
00:20:32,465 --> 00:20:35,433
AWARE THAT IT WAS NOT AN EASY
DREAM TO FULFILL BECAUSE IT'S MY
FIRST PICTURE PHILLIP AND HE'S

652
00:20:35,435 --> 00:20:36,400
DREAM TO FULFILL BECAUSE IT'S MY
FIRST PICTURE PHILLIP AND HE'S
SIR ANTHONY HOPKINS.

653
00:20:36,402 --> 00:20:38,703
FIRST PICTURE PHILLIP AND HE'S
SIR ANTHONY HOPKINS.
BUT I WAS, LIKE, IF SOMEONE

654
00:20:38,705 --> 00:20:41,239
SIR ANTHONY HOPKINS.
BUT I WAS, LIKE, IF SOMEONE
COMES AND PROVES YOU IT IS NOT

655
00:20:41,241 --> 00:20:42,306
BUT I WAS, LIKE, IF SOMEONE
COMES AND PROVES YOU IT IS NOT
POSSIBLE, IT MEANS THAT

656
00:20:42,308 --> 00:20:42,773
COMES AND PROVES YOU IT IS NOT
POSSIBLE, IT MEANS THAT
POTENTIALLY IT IS.

657
00:20:42,775 --> 00:20:44,909
POSSIBLE, IT MEANS THAT
POTENTIALLY IT IS.
>> Stephen: FLORIAN POINTS OUT

658
00:20:44,911 --> 00:20:48,045
POTENTIALLY IT IS.
>> Stephen: FLORIAN POINTS OUT
THAT YOU'RE WELL KNOWN FOR BEINO

659
00:20:48,047 --> 00:20:50,147
>> Stephen: FLORIAN POINTS OUT
THAT YOU'RE WELL KNOWN FOR BEINO
ARE EITHER THE PERSON IN CONTROL

660
00:20:50,149 --> 00:20:54,318
THAT YOU'RE WELL KNOWN FOR BEINO
ARE EITHER THE PERSON IN CONTROL
OR HAVE GREAT CONTROL OVER

661
00:20:54,320 --> 00:20:57,288
ARE EITHER THE PERSON IN CONTROL
OR HAVE GREAT CONTROL OVER
THEMSELVES, YOU KNOW, WHETHER

662
00:20:57,290 --> 00:20:59,156
OR HAVE GREAT CONTROL OVER
THEMSELVES, YOU KNOW, WHETHER
YOU'RE ODEN IN THE MARVEL

663
00:20:59,158 --> 00:21:00,458
THEMSELVES, YOU KNOW, WHETHER
YOU'RE ODEN IN THE MARVEL
MOVIES, OR WHETHER YOU'RE THE

664
00:21:00,460 --> 00:21:02,093
YOU'RE ODEN IN THE MARVEL
MOVIES, OR WHETHER YOU'RE THE
CHARACTER WHOSE NAME ESCAPES ME

665
00:21:02,095 --> 00:21:03,761
MOVIES, OR WHETHER YOU'RE THE
CHARACTER WHOSE NAME ESCAPES ME
AT THE MOMENT FROM "REMAINS TO

666
00:21:03,763 --> 00:21:06,163
CHARACTER WHOSE NAME ESCAPES ME
AT THE MOMENT FROM "REMAINS TO
HAVE THE DAY" WHO'S SOMEONE

667
00:21:06,165 --> 00:21:07,231
AT THE MOMENT FROM "REMAINS TO
HAVE THE DAY" WHO'S SOMEONE
WHO'S IN CONTROL AND VERY MUCH

668
00:21:07,233 --> 00:21:09,767
HAVE THE DAY" WHO'S SOMEONE
WHO'S IN CONTROL AND VERY MUCH
IN CONTROL OF THEMSELVES.

669
00:21:09,769 --> 00:21:15,940
WHO'S IN CONTROL AND VERY MUCH
IN CONTROL OF THEMSELVES.
THIS STORY ABOUT A MAN WHO HAS A

670
00:21:15,942 --> 00:21:18,042
IN CONTROL OF THEMSELVES.
THIS STORY ABOUT A MAN WHO HAS A
PROFOUND DEMENTIA THE AUDIENCE

671
00:21:18,044 --> 00:21:19,944
THIS STORY ABOUT A MAN WHO HAS A
PROFOUND DEMENTIA THE AUDIENCE
GETS TO EXPERIENCE THROUGH HIS

672
00:21:19,946 --> 00:21:21,279
PROFOUND DEMENTIA THE AUDIENCE
GETS TO EXPERIENCE THROUGH HIS
EXPERIENCE IS QUITE THE

673
00:21:21,281 --> 00:21:21,545
GETS TO EXPERIENCE THROUGH HIS
EXPERIENCE IS QUITE THE
OPPOSITE.

674
00:21:21,547 --> 00:21:23,714
EXPERIENCE IS QUITE THE
OPPOSITE.
WHAT IS IT LIKE FOR YOU AS A

675
00:21:23,716 --> 00:21:24,749
OPPOSITE.
WHAT IS IT LIKE FOR YOU AS A
PERFORMER TO PLAY SOMEONE WHO

676
00:21:24,751 --> 00:21:25,950
WHAT IS IT LIKE FOR YOU AS A
PERFORMER TO PLAY SOMEONE WHO
HAS A SENSE OF STATUS AND

677
00:21:25,952 --> 00:21:27,918
PERFORMER TO PLAY SOMEONE WHO
HAS A SENSE OF STATUS AND
CONTROL AND DIGNITY AND, YET,

678
00:21:27,920 --> 00:21:30,187
HAS A SENSE OF STATUS AND
CONTROL AND DIGNITY AND, YET,
IT'S CONSTANTLY BEING UNDERMINED

679
00:21:30,189 --> 00:21:32,423
CONTROL AND DIGNITY AND, YET,
IT'S CONSTANTLY BEING UNDERMINED
BY THE CIRCUMSTANCES OF HIS OWN

680
00:21:32,425 --> 00:21:32,723
IT'S CONSTANTLY BEING UNDERMINED
BY THE CIRCUMSTANCES OF HIS OWN
PERCEPTION?

681
00:21:32,725 --> 00:21:33,758
BY THE CIRCUMSTANCES OF HIS OWN
PERCEPTION?
>> WELL, IT'S QUITE EASY.

682
00:21:33,760 --> 00:21:35,326
PERCEPTION?
>> WELL, IT'S QUITE EASY.
YOU KNOW, I HAVE BEEN DOING THIS

683
00:21:35,328 --> 00:21:43,367
>> WELL, IT'S QUITE EASY.
YOU KNOW, I HAVE BEEN DOING THIS
FOR A LONG TIME NOW OFF

684
00:21:43,369 --> 00:21:43,668
YOU KNOW, I HAVE BEEN DOING THIS
FOR A LONG TIME NOW OFF
( LAUGHTER )

685
00:21:43,670 --> 00:21:44,835
FOR A LONG TIME NOW OFF
( LAUGHTER )
>> Stephen: SO EVERY PART JUST

686
00:21:44,837 --> 00:21:46,804
( LAUGHTER )
>> Stephen: SO EVERY PART JUST
ROLLS OFF YOUR TONGUE IS WHAT

687
00:21:46,806 --> 00:21:47,738
>> Stephen: SO EVERY PART JUST
ROLLS OFF YOUR TONGUE IS WHAT
YOU'RE SAYING?

688
00:21:47,740 --> 00:21:48,839
ROLLS OFF YOUR TONGUE IS WHAT
YOU'RE SAYING?
>> IT TAKES A LOT OF

689
00:21:48,841 --> 00:21:49,140
YOU'RE SAYING?
>> IT TAKES A LOT OF
PREPARATION.

690
00:21:49,142 --> 00:21:50,841
>> IT TAKES A LOT OF
PREPARATION.
I'M NOT A METHOD ACTOR AS SUCH,

691
00:21:50,843 --> 00:21:53,077
PREPARATION.
I'M NOT A METHOD ACTOR AS SUCH,
I DON'T HAVE TO SIT IN A CORNER

692
00:21:53,079 --> 00:21:54,145
I'M NOT A METHOD ACTOR AS SUCH,
I DON'T HAVE TO SIT IN A CORNER
THINKING ABOUT IT.

693
00:21:54,147 --> 00:21:55,913
I DON'T HAVE TO SIT IN A CORNER
THINKING ABOUT IT.
BUT I DO STUDY THE SCRIPT

694
00:21:55,915 --> 00:21:56,781
THINKING ABOUT IT.
BUT I DO STUDY THE SCRIPT
CAREFULLY AND I GO THROUGH IT

695
00:21:56,783 --> 00:21:58,883
BUT I DO STUDY THE SCRIPT
CAREFULLY AND I GO THROUGH IT
AND I FEED MY BRAIN WITH IT, I

696
00:21:58,885 --> 00:21:59,950
CAREFULLY AND I GO THROUGH IT
AND I FEED MY BRAIN WITH IT, I
LEARN THE LINES.

697
00:21:59,952 --> 00:22:00,651
AND I FEED MY BRAIN WITH IT, I
LEARN THE LINES.
THAT IS CONTROL.

698
00:22:00,653 --> 00:22:01,819
LEARN THE LINES.
THAT IS CONTROL.
BECAUSE IT'S LIKE GETTING IN THE

699
00:22:01,821 --> 00:22:03,220
THAT IS CONTROL.
BECAUSE IT'S LIKE GETTING IN THE
CAR AND DRIVING WHEN YOU DON'T

700
00:22:03,222 --> 00:22:05,756
BECAUSE IT'S LIKE GETTING IN THE
CAR AND DRIVING WHEN YOU DON'T
KNOW HOW TO DRIVE.

701
00:22:05,758 --> 00:22:07,458
CAR AND DRIVING WHEN YOU DON'T
KNOW HOW TO DRIVE.
YOU'RE ALL THE WAY OVER THE

702
00:22:07,460 --> 00:22:07,992
KNOW HOW TO DRIVE.
YOU'RE ALL THE WAY OVER THE
FREEWAY, YOU KILL PEOPLE.

703
00:22:07,994 --> 00:22:10,695
YOU'RE ALL THE WAY OVER THE
FREEWAY, YOU KILL PEOPLE.
SO WHAT I DO IS I CONTROL MY END

704
00:22:10,697 --> 00:22:12,797
FREEWAY, YOU KILL PEOPLE.
SO WHAT I DO IS I CONTROL MY END
OF IT, FEED MY BRAIN WITH THE

705
00:22:12,799 --> 00:22:15,900
SO WHAT I DO IS I CONTROL MY END
OF IT, FEED MY BRAIN WITH THE
STORY LINE, AND CHRISTOPHER

706
00:22:15,902 --> 00:22:19,937
OF IT, FEED MY BRAIN WITH THE
STORY LINE, AND CHRISTOPHER
HAMPTON'S SCRIPT, AND, YOU KNOW,

707
00:22:19,939 --> 00:22:22,306
STORY LINE, AND CHRISTOPHER
HAMPTON'S SCRIPT, AND, YOU KNOW,
FLORIAN'S ORIGINAL PLAY IS LIKE

708
00:22:22,308 --> 00:22:24,508
HAMPTON'S SCRIPT, AND, YOU KNOW,
FLORIAN'S ORIGINAL PLAY IS LIKE
A ROAD MAP, SO I FOLLOW THE

709
00:22:24,510 --> 00:22:25,943
FLORIAN'S ORIGINAL PLAY IS LIKE
A ROAD MAP, SO I FOLLOW THE
DIRECTIONS TO HAVE THE ROAD MAP.

710
00:22:25,945 --> 00:22:27,812
A ROAD MAP, SO I FOLLOW THE
DIRECTIONS TO HAVE THE ROAD MAP.
IT MAKES IT REALLY EASY.

711
00:22:27,814 --> 00:22:29,013
DIRECTIONS TO HAVE THE ROAD MAP.
IT MAKES IT REALLY EASY.
MAY NOT SEEM LIKE IT.

712
00:22:29,015 --> 00:22:31,916
IT MAKES IT REALLY EASY.
MAY NOT SEEM LIKE IT.
MAY SEEM I'M BEING FALSELY

713
00:22:31,918 --> 00:22:34,318
MAY NOT SEEM LIKE IT.
MAY SEEM I'M BEING FALSELY
MODEST, BUT IT ISN'T ONCE YOU

714
00:22:34,320 --> 00:22:35,920
MAY SEEM I'M BEING FALSELY
MODEST, BUT IT ISN'T ONCE YOU
KNOW THE TECHNIQUE.

715
00:22:35,922 --> 00:22:38,622
MODEST, BUT IT ISN'T ONCE YOU
KNOW THE TECHNIQUE.
THE TECHNIQUE IS MISTRUSTED IN

716
00:22:38,624 --> 00:22:41,892
KNOW THE TECHNIQUE.
THE TECHNIQUE IS MISTRUSTED IN
AMERICA, ESPECIALLY THE ACTOR'S

717
00:22:41,894 --> 00:22:43,527
THE TECHNIQUE IS MISTRUSTED IN
AMERICA, ESPECIALLY THE ACTOR'S
STUDIO, THOUGH GREAT RESPECT TO

718
00:22:43,529 --> 00:22:43,728
AMERICA, ESPECIALLY THE ACTOR'S
STUDIO, THOUGH GREAT RESPECT TO
THEM.

719
00:22:43,730 --> 00:22:45,730
STUDIO, THOUGH GREAT RESPECT TO
THEM.
BUT I DO BELIEVE YOU HAVE TO BE

720
00:22:45,732 --> 00:22:47,465
THEM.
BUT I DO BELIEVE YOU HAVE TO BE
IN CHARGE ALL THE TIME, AND THEN

721
00:22:47,467 --> 00:22:49,033
BUT I DO BELIEVE YOU HAVE TO BE
IN CHARGE ALL THE TIME, AND THEN
THE INFORMATION I'VE GOT IN MY

722
00:22:49,035 --> 00:22:49,767
IN CHARGE ALL THE TIME, AND THEN
THE INFORMATION I'VE GOT IN MY
BRAIN TAKES OVER.

723
00:22:49,769 --> 00:22:50,935
THE INFORMATION I'VE GOT IN MY
BRAIN TAKES OVER.
>> Stephen: ONE TO HAVE THE

724
00:22:50,937 --> 00:22:52,203
BRAIN TAKES OVER.
>> Stephen: ONE TO HAVE THE
THINGS THAT'S MOST BEAUTIFUL

725
00:22:52,205 --> 00:22:55,139
>> Stephen: ONE TO HAVE THE
THINGS THAT'S MOST BEAUTIFUL
ABOUT THE FILM TO ME, AND MY

726
00:22:55,141 --> 00:22:56,073
THINGS THAT'S MOST BEAUTIFUL
ABOUT THE FILM TO ME, AND MY
CARDS ON THE TABLE, I THINK --

727
00:22:56,075 --> 00:22:57,775
ABOUT THE FILM TO ME, AND MY
CARDS ON THE TABLE, I THINK --
AND YOU CAN TAKE THIS AS YOU

728
00:22:57,777 --> 00:22:59,577
CARDS ON THE TABLE, I THINK --
AND YOU CAN TAKE THIS AS YOU
WILL -- I THINK THAT THIS IS THE

729
00:22:59,579 --> 00:23:00,344
AND YOU CAN TAKE THIS AS YOU
WILL -- I THINK THAT THIS IS THE
GREATEST PERFORMANCE OF YOUR

730
00:23:00,346 --> 00:23:02,613
WILL -- I THINK THAT THIS IS THE
GREATEST PERFORMANCE OF YOUR
CAREER, AND IT MIGHT BE THE

731
00:23:02,615 --> 00:23:04,315
GREATEST PERFORMANCE OF YOUR
CAREER, AND IT MIGHT BE THE
GREATEST PERFORMANCE I'VE EVER

732
00:23:04,317 --> 00:23:05,783
CAREER, AND IT MIGHT BE THE
GREATEST PERFORMANCE I'VE EVER
SEEN AN ACTOR COMMIT TO FILM.

733
00:23:05,785 --> 00:23:07,518
GREATEST PERFORMANCE I'VE EVER
SEEN AN ACTOR COMMIT TO FILM.
THAT IS MY IMMEDIATE REACTION

734
00:23:07,520 --> 00:23:09,787
SEEN AN ACTOR COMMIT TO FILM.
THAT IS MY IMMEDIATE REACTION
AFTER I SAW THE FILM.

735
00:23:09,789 --> 00:23:11,389
THAT IS MY IMMEDIATE REACTION
AFTER I SAW THE FILM.
IT'S ABSOLUTELY HEARTBREAKING,

736
00:23:11,391 --> 00:23:13,624
AFTER I SAW THE FILM.
IT'S ABSOLUTELY HEARTBREAKING,
BUT SO BEAUTIFULLY RENDERED, NOT

737
00:23:13,626 --> 00:23:14,859
IT'S ABSOLUTELY HEARTBREAKING,
BUT SO BEAUTIFULLY RENDERED, NOT
ONLY THROUGH YOUR PERFORMANCE

738
00:23:14,861 --> 00:23:17,027
BUT SO BEAUTIFULLY RENDERED, NOT
ONLY THROUGH YOUR PERFORMANCE
BUT THROUGH THE WRITING AND THE

739
00:23:17,029 --> 00:23:19,663
ONLY THROUGH YOUR PERFORMANCE
BUT THROUGH THE WRITING AND THE
DIRECTING, FLORIAN, THAT I'M

740
00:23:19,665 --> 00:23:21,799
BUT THROUGH THE WRITING AND THE
DIRECTING, FLORIAN, THAT I'M
REMINDED VITALLY OF, YOU KNOW,

741
00:23:21,801 --> 00:23:24,502
DIRECTING, FLORIAN, THAT I'M
REMINDED VITALLY OF, YOU KNOW,
THE OLD -- OF SAYING BY

742
00:23:24,504 --> 00:23:26,437
REMINDED VITALLY OF, YOU KNOW,
THE OLD -- OF SAYING BY
TERRENCE, WHICH IS I AM HUMAN,

743
00:23:26,439 --> 00:23:27,772
THE OLD -- OF SAYING BY
TERRENCE, WHICH IS I AM HUMAN,
NOTHING HUMAN IS FOREIGN TO ME,

744
00:23:27,774 --> 00:23:35,112
TERRENCE, WHICH IS I AM HUMAN,
NOTHING HUMAN IS FOREIGN TO ME,
AND YOU EXPERIENCE THIS DEMENTIA

745
00:23:35,114 --> 00:23:36,547
NOTHING HUMAN IS FOREIGN TO ME,
AND YOU EXPERIENCE THIS DEMENTIA
THROUGH THE PERSON OF TONY,

746
00:23:36,549 --> 00:23:41,919
AND YOU EXPERIENCE THIS DEMENTIA
THROUGH THE PERSON OF TONY,
WHICH IS ALSO THE CHARACTER'S

747
00:23:41,921 --> 00:23:44,855
THROUGH THE PERSON OF TONY,
WHICH IS ALSO THE CHARACTER'S
NAME, AND IT'S A STRANGELY

748
00:23:44,857 --> 00:23:45,689
WHICH IS ALSO THE CHARACTER'S
NAME, AND IT'S A STRANGELY
ENTERTAINING FILM AS WELL AS

749
00:23:45,691 --> 00:23:47,925
NAME, AND IT'S A STRANGELY
ENTERTAINING FILM AS WELL AS
BEING A HEARTBREAKING ONE.

750
00:23:47,927 --> 00:23:50,661
ENTERTAINING FILM AS WELL AS
BEING A HEARTBREAKING ONE.
YOU WANT TO KNOW HIS PERCEPTION

751
00:23:50,663 --> 00:23:51,829
BEING A HEARTBREAKING ONE.
YOU WANT TO KNOW HIS PERCEPTION
AND HOW IT TURNS OUT.

752
00:23:51,831 --> 00:23:53,964
YOU WANT TO KNOW HIS PERCEPTION
AND HOW IT TURNS OUT.
WHAT WAS YOUR INTENTION IN

753
00:23:53,966 --> 00:23:55,599
AND HOW IT TURNS OUT.
WHAT WAS YOUR INTENTION IN
TELLING THIS STORY?

754
00:23:55,601 --> 00:23:57,034
WHAT WAS YOUR INTENTION IN
TELLING THIS STORY?
BECAUSE I'M LEFT GRATEFUL FOR

755
00:23:57,036 --> 00:24:00,838
TELLING THIS STORY?
BECAUSE I'M LEFT GRATEFUL FOR
THE FILM, EVEN THOUGH I'M HEART

756
00:24:00,840 --> 00:24:01,105
BECAUSE I'M LEFT GRATEFUL FOR
THE FILM, EVEN THOUGH I'M HEART
BROKEN.

757
00:24:01,107 --> 00:24:03,107
THE FILM, EVEN THOUGH I'M HEART
BROKEN.
>> THANK YOU SO MUCH FOR SAYING

758
00:24:03,109 --> 00:24:03,307
BROKEN.
>> THANK YOU SO MUCH FOR SAYING
THIS.

759
00:24:03,309 --> 00:24:05,943
>> THANK YOU SO MUCH FOR SAYING
THIS.
THE FIRST IDEA WAS TO PUT THE

760
00:24:05,945 --> 00:24:07,378
THIS.
THE FIRST IDEA WAS TO PUT THE
AUDIENCE IN THIS UNIQUE

761
00:24:07,380 --> 00:24:08,646
THE FIRST IDEA WAS TO PUT THE
AUDIENCE IN THIS UNIQUE
POSITION, AS YOU SAID, TO GO

762
00:24:08,648 --> 00:24:10,514
AUDIENCE IN THIS UNIQUE
POSITION, AS YOU SAID, TO GO
THROUGH A LABYRINTH AS IF YOU

763
00:24:10,516 --> 00:24:12,149
POSITION, AS YOU SAID, TO GO
THROUGH A LABYRINTH AS IF YOU
WERE IN ANTHONY'S MIND, YOU

764
00:24:12,151 --> 00:24:13,484
THROUGH A LABYRINTH AS IF YOU
WERE IN ANTHONY'S MIND, YOU
KNOW, AND TO QUESTION EVERYTHING

765
00:24:13,486 --> 00:24:15,786
WERE IN ANTHONY'S MIND, YOU
KNOW, AND TO QUESTION EVERYTHING
YOU ARE SEEING AND IN ORDER TO,

766
00:24:15,788 --> 00:24:18,289
KNOW, AND TO QUESTION EVERYTHING
YOU ARE SEEING AND IN ORDER TO,
YOU KNOW, I WANTED "THE FATHER"

767
00:24:18,291 --> 00:24:21,459
YOU ARE SEEING AND IN ORDER TO,
YOU KNOW, I WANTED "THE FATHER"
TO NOT ONLY BE A STORY BUT AN

768
00:24:21,461 --> 00:24:23,327
YOU KNOW, I WANTED "THE FATHER"
TO NOT ONLY BE A STORY BUT AN
EXPERIENCE OR THE EXPERIENCE OF

769
00:24:23,329 --> 00:24:24,895
TO NOT ONLY BE A STORY BUT AN
EXPERIENCE OR THE EXPERIENCE OF
WHAT IT COULD MEAN TO LOSE

770
00:24:24,897 --> 00:24:26,063
EXPERIENCE OR THE EXPERIENCE OF
WHAT IT COULD MEAN TO LOSE
EVERYTHING INCLUDING YOUR OWN

771
00:24:26,065 --> 00:24:27,298
WHAT IT COULD MEAN TO LOSE
EVERYTHING INCLUDING YOUR OWN
BEARINGS, AS A VIEWER.

772
00:24:27,300 --> 00:24:29,133
EVERYTHING INCLUDING YOUR OWN
BEARINGS, AS A VIEWER.
THE FILM IS LIKE A PUZZLE AND

773
00:24:29,135 --> 00:24:31,035
BEARINGS, AS A VIEWER.
THE FILM IS LIKE A PUZZLE AND
YOU HAVE TO PLAY WITH ALL THE

774
00:24:31,037 --> 00:24:31,936
THE FILM IS LIKE A PUZZLE AND
YOU HAVE TO PLAY WITH ALL THE
PIECES TO HAVE THE PUZZLE TO TRY

775
00:24:31,938 --> 00:24:33,804
YOU HAVE TO PLAY WITH ALL THE
PIECES TO HAVE THE PUZZLE TO TRY
TO MAKE IT MEANINGFUL TO

776
00:24:33,806 --> 00:24:35,072
PIECES TO HAVE THE PUZZLE TO TRY
TO MAKE IT MEANINGFUL TO
UNDERSTAND WHAT IS GOING ON AND

777
00:24:35,074 --> 00:24:38,008
TO MAKE IT MEANINGFUL TO
UNDERSTAND WHAT IS GOING ON AND
WHAT IS REAL AND NOT REAL, AND

778
00:24:38,010 --> 00:24:41,312
UNDERSTAND WHAT IS GOING ON AND
WHAT IS REAL AND NOT REAL, AND
TO ME IT'S TO PUT YOURSELF IN AN

779
00:24:41,314 --> 00:24:42,646
WHAT IS REAL AND NOT REAL, AND
TO ME IT'S TO PUT YOURSELF IN AN
ACTING POSITION, NOT TO WATCH A

780
00:24:42,648 --> 00:24:43,714
TO ME IT'S TO PUT YOURSELF IN AN
ACTING POSITION, NOT TO WATCH A
STORY BEING TOLD BUT REALLY TO

781
00:24:43,716 --> 00:24:45,382
ACTING POSITION, NOT TO WATCH A
STORY BEING TOLD BUT REALLY TO
BE PART OF THE NARRATIVE.

782
00:24:45,384 --> 00:24:47,785
STORY BEING TOLD BUT REALLY TO
BE PART OF THE NARRATIVE.
>> Stephen: TONY, IN WHAT WAYS

783
00:24:47,787 --> 00:24:51,222
BE PART OF THE NARRATIVE.
>> Stephen: TONY, IN WHAT WAYS
IS THIS ROLE MEANINGFUL TO YOU

784
00:24:51,224 --> 00:24:54,291
>> Stephen: TONY, IN WHAT WAYS
IS THIS ROLE MEANINGFUL TO YOU
AS SOMEONE WHO YOU HAVE YOUR OWN

785
00:24:54,293 --> 00:24:57,795
IS THIS ROLE MEANINGFUL TO YOU
AS SOMEONE WHO YOU HAVE YOUR OWN
FACULTIES, YOUR ARTIST AND

786
00:24:57,797 --> 00:24:59,763
AS SOMEONE WHO YOU HAVE YOUR OWN
FACULTIES, YOUR ARTIST AND
TECHNIQUE YOU'RE STILL A MASTER

787
00:24:59,765 --> 00:25:01,398
FACULTIES, YOUR ARTIST AND
TECHNIQUE YOU'RE STILL A MASTER
AND COMMAND OF, BUT TO CONSIDER

788
00:25:01,400 --> 00:25:03,801
TECHNIQUE YOU'RE STILL A MASTER
AND COMMAND OF, BUT TO CONSIDER
THE THOUGHT OF LOSING THAT

789
00:25:03,803 --> 00:25:05,436
AND COMMAND OF, BUT TO CONSIDER
THE THOUGHT OF LOSING THAT
CONTROL?

790
00:25:05,438 --> 00:25:06,804
THE THOUGHT OF LOSING THAT
CONTROL?
>> WELL, IT'S SOMETHING THAT'S

791
00:25:06,806 --> 00:25:08,105
CONTROL?
>> WELL, IT'S SOMETHING THAT'S
BEYOND OUR CONTROL IN A LIMITED

792
00:25:08,107 --> 00:25:10,007
>> WELL, IT'S SOMETHING THAT'S
BEYOND OUR CONTROL IN A LIMITED
WAY, BUT, YOU KNOW, WE HAVE NO

793
00:25:10,009 --> 00:25:11,909
BEYOND OUR CONTROL IN A LIMITED
WAY, BUT, YOU KNOW, WE HAVE NO
CONTROL AT ALL IN THE BIGGER

794
00:25:11,911 --> 00:25:12,109
WAY, BUT, YOU KNOW, WE HAVE NO
CONTROL AT ALL IN THE BIGGER
SENSE.

795
00:25:12,111 --> 00:25:13,644
CONTROL AT ALL IN THE BIGGER
SENSE.
WE CAN NEVER PREDICT WHAT'S

796
00:25:13,646 --> 00:25:14,478
SENSE.
WE CAN NEVER PREDICT WHAT'S
GOING TO HAPPEN.

797
00:25:14,480 --> 00:25:16,580
WE CAN NEVER PREDICT WHAT'S
GOING TO HAPPEN.
AND FOR ME, AGAIN, GOING BACK TO

798
00:25:16,582 --> 00:25:18,749
GOING TO HAPPEN.
AND FOR ME, AGAIN, GOING BACK TO
THE SCRIPT THAT'S SO EASY TO

799
00:25:18,751 --> 00:25:21,752
AND FOR ME, AGAIN, GOING BACK TO
THE SCRIPT THAT'S SO EASY TO
PLAY, BUT THE CONTROL, FROM AN

800
00:25:21,754 --> 00:25:23,921
THE SCRIPT THAT'S SO EASY TO
PLAY, BUT THE CONTROL, FROM AN
ACTOR'S POINT OF VIEW, IS

801
00:25:23,923 --> 00:25:28,225
PLAY, BUT THE CONTROL, FROM AN
ACTOR'S POINT OF VIEW, IS
ABSOLUTELY NECESSARY, AND, YOU

802
00:25:28,227 --> 00:25:38,168
ACTOR'S POINT OF VIEW, IS
ABSOLUTELY NECESSARY, AND, YOU
KNOW, SUBS STANISLAVSKI INTESTEN

803
00:25:38,170 --> 00:25:39,803
ABSOLUTELY NECESSARY, AND, YOU
KNOW, SUBS STANISLAVSKI INTESTEN
THE TECHNIQUES AND KNOWLEDGE ALL

804
00:25:39,805 --> 00:25:40,738
KNOW, SUBS STANISLAVSKI INTESTEN
THE TECHNIQUES AND KNOWLEDGE ALL
THE TIME.

805
00:25:40,740 --> 00:25:42,606
THE TECHNIQUES AND KNOWLEDGE ALL
THE TIME.
I'VE KNOWN HIM SINCE ABOUT THREE

806
00:25:42,608 --> 00:25:43,941
THE TIME.
I'VE KNOWN HIM SINCE ABOUT THREE
YEARS OF AGE.

807
00:25:43,943 --> 00:25:46,210
I'VE KNOWN HIM SINCE ABOUT THREE
YEARS OF AGE.
SO I'VE LEARNED ENOUGH TO KNOW

808
00:25:46,212 --> 00:25:48,979
YEARS OF AGE.
SO I'VE LEARNED ENOUGH TO KNOW
THINGS ARE FRAGILE, AND I CAN'T

809
00:25:48,981 --> 00:25:50,948
SO I'VE LEARNED ENOUGH TO KNOW
THINGS ARE FRAGILE, AND I CAN'T
MOVE AS FAST AS I USED TO, BUT I

810
00:25:50,950 --> 00:25:54,351
THINGS ARE FRAGILE, AND I CAN'T
MOVE AS FAST AS I USED TO, BUT I
KEEP MY MIND ACTIVE BY LEARNING

811
00:25:54,353 --> 00:25:56,554
MOVE AS FAST AS I USED TO, BUT I
KEEP MY MIND ACTIVE BY LEARNING
THE LINES, PLAYING THE PIANO,

812
00:25:56,556 --> 00:25:58,389
KEEP MY MIND ACTIVE BY LEARNING
THE LINES, PLAYING THE PIANO,
KEEPING ACTIVE ALL THE TIME AND

813
00:25:58,391 --> 00:26:00,891
THE LINES, PLAYING THE PIANO,
KEEPING ACTIVE ALL THE TIME AND
ENJOYING EVERY DAY OF MY LIFE.

814
00:26:00,893 --> 00:26:03,661
KEEPING ACTIVE ALL THE TIME AND
ENJOYING EVERY DAY OF MY LIFE.
TO ANSWER THE QUESTION, MY

815
00:26:03,663 --> 00:26:06,096
ENJOYING EVERY DAY OF MY LIFE.
TO ANSWER THE QUESTION, MY
PARENTS DIDN'T DIE OF DEMENTIA,

816
00:26:06,098 --> 00:26:07,798
TO ANSWER THE QUESTION, MY
PARENTS DIDN'T DIE OF DEMENTIA,
BUT I REMEMBER MY FATHER

817
00:26:07,800 --> 00:26:08,599
PARENTS DIDN'T DIE OF DEMENTIA,
BUT I REMEMBER MY FATHER
SUFFERING TOWARD THE END.

818
00:26:08,601 --> 00:26:10,434
BUT I REMEMBER MY FATHER
SUFFERING TOWARD THE END.
HE DIED SLOWLY OVER A PERIOD OF

819
00:26:10,436 --> 00:26:11,936
SUFFERING TOWARD THE END.
HE DIED SLOWLY OVER A PERIOD OF
NINE MONTHS FROM HEART DISEASE,

820
00:26:11,938 --> 00:26:15,940
HE DIED SLOWLY OVER A PERIOD OF
NINE MONTHS FROM HEART DISEASE,
AND I KNOW HE WOULD BECOME

821
00:26:15,942 --> 00:26:18,642
NINE MONTHS FROM HEART DISEASE,
AND I KNOW HE WOULD BECOME
IRASCIBLE AND OF COURSE HE WAS

822
00:26:18,644 --> 00:26:18,943
AND I KNOW HE WOULD BECOME
IRASCIBLE AND OF COURSE HE WAS
FRIGHTENED.

823
00:26:18,945 --> 00:26:20,711
IRASCIBLE AND OF COURSE HE WAS
FRIGHTENED.
HE WENT INTO A COMA SLIGHTLY FOR

824
00:26:20,713 --> 00:26:23,047
FRIGHTENED.
HE WENT INTO A COMA SLIGHTLY FOR
ABOUT A DAY, AND THEN HE DIED.

825
00:26:23,049 --> 00:26:26,984
HE WENT INTO A COMA SLIGHTLY FOR
ABOUT A DAY, AND THEN HE DIED.
IT WAS A LONG TIME AGO, 40,

826
00:26:26,986 --> 00:26:28,218
ABOUT A DAY, AND THEN HE DIED.
IT WAS A LONG TIME AGO, 40,
ALMOST 50, LONG, LONG TIME AGO.

827
00:26:28,220 --> 00:26:30,487
IT WAS A LONG TIME AGO, 40,
ALMOST 50, LONG, LONG TIME AGO.
AND I REMEMBER THAT MOMENT.

828
00:26:30,489 --> 00:26:32,222
ALMOST 50, LONG, LONG TIME AGO.
AND I REMEMBER THAT MOMENT.
AND WHEN HE WAS DEAD, I THOUGHT,

829
00:26:32,224 --> 00:26:33,023
AND I REMEMBER THAT MOMENT.
AND WHEN HE WAS DEAD, I THOUGHT,
THAT'S IT.

830
00:26:33,025 --> 00:26:35,292
AND WHEN HE WAS DEAD, I THOUGHT,
THAT'S IT.
I LOOKED AT MYSELF AND I

831
00:26:35,294 --> 00:26:36,527
THAT'S IT.
I LOOKED AT MYSELF AND I
THOUGHT, YOU'RE NOT SO HOT

832
00:26:36,529 --> 00:26:37,695
I LOOKED AT MYSELF AND I
THOUGHT, YOU'RE NOT SO HOT
EITHER BECAUSE WE'RE ALL GOING

833
00:26:37,697 --> 00:26:38,295
THOUGHT, YOU'RE NOT SO HOT
EITHER BECAUSE WE'RE ALL GOING
TO GO.

834
00:26:38,297 --> 00:26:39,663
EITHER BECAUSE WE'RE ALL GOING
TO GO.
AND I THINK WHAT APPEALS TO ME

835
00:26:39,665 --> 00:26:42,032
TO GO.
AND I THINK WHAT APPEALS TO ME
NOW AT THIS TIME IN MY LIFE IS

836
00:26:42,034 --> 00:26:43,934
AND I THINK WHAT APPEALS TO ME
NOW AT THIS TIME IN MY LIFE IS
THAT WE COME SCREAMING INTO THIS

837
00:26:43,936 --> 00:26:45,369
NOW AT THIS TIME IN MY LIFE IS
THAT WE COME SCREAMING INTO THIS
WORLD FROM DARKNESS.

838
00:26:45,371 --> 00:26:47,871
THAT WE COME SCREAMING INTO THIS
WORLD FROM DARKNESS.
WE GO THROUGH LIFE AND WE THINK

839
00:26:47,873 --> 00:26:49,440
WORLD FROM DARKNESS.
WE GO THROUGH LIFE AND WE THINK
WHAT IS IT ALL ABOUT, IS THERE

840
00:26:49,442 --> 00:26:49,940
WE GO THROUGH LIFE AND WE THINK
WHAT IS IT ALL ABOUT, IS THERE
ANY PURPOSE?

841
00:26:49,942 --> 00:26:58,983
WHAT IS IT ALL ABOUT, IS THERE
ANY PURPOSE?
WHAT IS THE MEANING OF IT?

842
00:26:58,985 --> 00:27:01,352
ANY PURPOSE?
WHAT IS THE MEANING OF IT?
WE KNOW AS WE'RE COMING TO AN

843
00:27:01,354 --> 00:27:02,786
WHAT IS THE MEANING OF IT?
WE KNOW AS WE'RE COMING TO AN
END THAT WE GO SCREAMING BACK

844
00:27:02,788 --> 00:27:04,755
WE KNOW AS WE'RE COMING TO AN
END THAT WE GO SCREAMING BACK
INTO THE DARKNESS FROM WHICH WE

845
00:27:04,757 --> 00:27:06,824
END THAT WE GO SCREAMING BACK
INTO THE DARKNESS FROM WHICH WE
CAME AND NO MATTER HOW MUCH WE

846
00:27:06,826 --> 00:27:08,492
INTO THE DARKNESS FROM WHICH WE
CAME AND NO MATTER HOW MUCH WE
DENY IT IT'S THERE ALL THE TIME.

847
00:27:08,494 --> 00:27:10,728
CAME AND NO MATTER HOW MUCH WE
DENY IT IT'S THERE ALL THE TIME.
SO THAT ENRICHES ME AS AN ACTOR,

848
00:27:10,730 --> 00:27:11,929
DENY IT IT'S THERE ALL THE TIME.
SO THAT ENRICHES ME AS AN ACTOR,
KNOWING THAT.

849
00:27:11,931 --> 00:27:14,999
SO THAT ENRICHES ME AS AN ACTOR,
KNOWING THAT.
SO THE EMOTIONS ARE PRETTY RAW

850
00:27:15,001 --> 00:27:16,767
KNOWING THAT.
SO THE EMOTIONS ARE PRETTY RAW
NOW, I TEND TO WEEP AT THE

851
00:27:16,769 --> 00:27:18,502
SO THE EMOTIONS ARE PRETTY RAW
NOW, I TEND TO WEEP AT THE
SMALLEST THING, BUT I ENJOYED

852
00:27:18,504 --> 00:27:19,937
NOW, I TEND TO WEEP AT THE
SMALLEST THING, BUT I ENJOYED
THIS SO MUCH BECAUSE IT'S AN

853
00:27:19,939 --> 00:27:21,805
SMALLEST THING, BUT I ENJOYED
THIS SO MUCH BECAUSE IT'S AN
EXPLORATION OF MYSTERY OF LIFE,

854
00:27:21,807 --> 00:27:26,076
THIS SO MUCH BECAUSE IT'S AN
EXPLORATION OF MYSTERY OF LIFE,
THE SHEER MYSTERY, THE GREAT

855
00:27:26,078 --> 00:27:27,811
EXPLORATION OF MYSTERY OF LIFE,
THE SHEER MYSTERY, THE GREAT
TERRIBLE BEAUTY OF LIFE AND HOW

856
00:27:27,813 --> 00:27:30,114
THE SHEER MYSTERY, THE GREAT
TERRIBLE BEAUTY OF LIFE AND HOW
IT JUST GRADUALLY SLIPS AWAY

857
00:27:30,116 --> 00:27:32,583
TERRIBLE BEAUTY OF LIFE AND HOW
IT JUST GRADUALLY SLIPS AWAY
AND, YOU KNOW, AND IT'S AWESOME,

858
00:27:32,585 --> 00:27:37,321
IT JUST GRADUALLY SLIPS AWAY
AND, YOU KNOW, AND IT'S AWESOME,
AND I'M IN AWE OF THIS, TO BEGIN

859
00:27:37,323 --> 00:27:38,422
AND, YOU KNOW, AND IT'S AWESOME,
AND I'M IN AWE OF THIS, TO BEGIN
AN OPPORTUNITY TO PLAY A MAN

860
00:27:38,424 --> 00:27:43,527
AND I'M IN AWE OF THIS, TO BEGIN
AN OPPORTUNITY TO PLAY A MAN
LIKE THIS WHO'S LOSING ALL HIS

861
00:27:43,529 --> 00:27:43,794
AN OPPORTUNITY TO PLAY A MAN
LIKE THIS WHO'S LOSING ALL HIS
MARBLES.

862
00:27:43,796 --> 00:27:45,829
LIKE THIS WHO'S LOSING ALL HIS
MARBLES.
ONE THING THAT CAME OUT OF MY

863
00:27:45,831 --> 00:27:47,164
MARBLES.
ONE THING THAT CAME OUT OF MY
CHILDHOOD, I WAS ALWAYS OBSESSED

864
00:27:47,166 --> 00:27:50,367
ONE THING THAT CAME OUT OF MY
CHILDHOOD, I WAS ALWAYS OBSESSED
WITH THE WIND AND RAIN AND THE

865
00:27:50,369 --> 00:27:50,834
CHILDHOOD, I WAS ALWAYS OBSESSED
WITH THE WIND AND RAIN AND THE
LEAVES IN THE TREES.

866
00:27:50,836 --> 00:27:52,469
WITH THE WIND AND RAIN AND THE
LEAVES IN THE TREES.
THERE WAS ONE LINE, THE WIND AND

867
00:27:52,471 --> 00:27:58,575
LEAVES IN THE TREES.
THERE WAS ONE LINE, THE WIND AND
THE RAIN, BUT THAT HAUNTS ME.

868
00:27:58,577 --> 00:28:01,612
THERE WAS ONE LINE, THE WIND AND
THE RAIN, BUT THAT HAUNTS ME.
THE WIND AND THE RAIN, BECAUSE

869
00:28:01,614 --> 00:28:03,380
THE RAIN, BUT THAT HAUNTS ME.
THE WIND AND THE RAIN, BECAUSE
IT RAINS EVERY DAY.

870
00:28:03,382 --> 00:28:07,518
THE WIND AND THE RAIN, BECAUSE
IT RAINS EVERY DAY.
THERE'S SOMETHING SO FRAGRANT

871
00:28:07,520 --> 00:28:09,687
IT RAINS EVERY DAY.
THERE'S SOMETHING SO FRAGRANT
ABOUT MORTALITY, IT WILL COME.

872
00:28:09,689 --> 00:28:11,622
THERE'S SOMETHING SO FRAGRANT
ABOUT MORTALITY, IT WILL COME.
AND THAT IS HAUNTING FOR ME.

873
00:28:11,624 --> 00:28:13,424
ABOUT MORTALITY, IT WILL COME.
AND THAT IS HAUNTING FOR ME.
IT'S BEAUTIFUL IN A WAY BECAUSE,

874
00:28:13,426 --> 00:28:14,825
AND THAT IS HAUNTING FOR ME.
IT'S BEAUTIFUL IN A WAY BECAUSE,
FINALLY, YOU THINK, WELL, THIS

875
00:28:14,827 --> 00:28:18,562
IT'S BEAUTIFUL IN A WAY BECAUSE,
FINALLY, YOU THINK, WELL, THIS
MAY BE A DREAM.

876
00:28:18,564 --> 00:28:19,363
FINALLY, YOU THINK, WELL, THIS
MAY BE A DREAM.
WHAT IS THIS ALL ABOUT?

877
00:28:19,365 --> 00:28:22,866
MAY BE A DREAM.
WHAT IS THIS ALL ABOUT?
IT'S A WONDERFUL SENSE OF AWE.

878
00:28:22,868 --> 00:28:25,569
WHAT IS THIS ALL ABOUT?
IT'S A WONDERFUL SENSE OF AWE.
>> Stephen: WELL, SPEAKING OF

879
00:28:25,571 --> 00:28:26,770
IT'S A WONDERFUL SENSE OF AWE.
>> Stephen: WELL, SPEAKING OF
SHAKESPEARE, WHEN THE FILM WAS

880
00:28:26,772 --> 00:28:33,243
>> Stephen: WELL, SPEAKING OF
SHAKESPEARE, WHEN THE FILM WAS
OVER, I WAS REMINDED OF SONS

881
00:28:33,245 --> 00:28:34,244
SHAKESPEARE, WHEN THE FILM WAS
OVER, I WAS REMINDED OF SONS
HAIR, SONS TEETH, SONS

882
00:28:34,246 --> 00:28:35,646
OVER, I WAS REMINDED OF SONS
HAIR, SONS TEETH, SONS
EVERYTHING AND AT THE END OF

883
00:28:35,648 --> 00:28:37,281
HAIR, SONS TEETH, SONS
EVERYTHING AND AT THE END OF
THIS FILM, YOU ARE STILL LEFT

884
00:28:37,283 --> 00:28:38,916
EVERYTHING AND AT THE END OF
THIS FILM, YOU ARE STILL LEFT
WITH THE LOVE THAT THE DAUGHTER

885
00:28:38,918 --> 00:28:41,452
THIS FILM, YOU ARE STILL LEFT
WITH THE LOVE THAT THE DAUGHTER
HAS FOR THE FATHER AND THE NEED

886
00:28:41,454 --> 00:28:43,921
WITH THE LOVE THAT THE DAUGHTER
HAS FOR THE FATHER AND THE NEED
FOR LOVE THAT THE FATHER HAS,

887
00:28:43,923 --> 00:28:45,823
HAS FOR THE FATHER AND THE NEED
FOR LOVE THAT THE FATHER HAS,
ESPECIALLY AT THE END.

888
00:28:45,825 --> 00:28:48,125
FOR LOVE THAT THE FATHER HAS,
ESPECIALLY AT THE END.
THAT KEEN NEED FOR LOVE AT ALL

889
00:28:48,127 --> 00:28:49,193
ESPECIALLY AT THE END.
THAT KEEN NEED FOR LOVE AT ALL
TIMES.

890
00:28:49,195 --> 00:28:50,761
THAT KEEN NEED FOR LOVE AT ALL
TIMES.
SO WHEN EVERYTHING ELSE IS GONE,

891
00:28:50,763 --> 00:28:52,529
TIMES.
SO WHEN EVERYTHING ELSE IS GONE,
ALL IS LEFT IS THE LOVE AND THE

892
00:28:52,531 --> 00:28:53,831
SO WHEN EVERYTHING ELSE IS GONE,
ALL IS LEFT IS THE LOVE AND THE
NEED FOR LOVE.

893
00:28:53,833 --> 00:28:54,364
ALL IS LEFT IS THE LOVE AND THE
NEED FOR LOVE.
>> THAT'S IT.

894
00:28:54,366 --> 00:28:55,466
NEED FOR LOVE.
>> THAT'S IT.
>> Stephen: THIS IS YOUR

895
00:28:55,468 --> 00:28:57,568
>> THAT'S IT.
>> Stephen: THIS IS YOUR
LATEST FILM, BUT YOUR FIRST FILM

896
00:28:57,570 --> 00:28:59,069
>> Stephen: THIS IS YOUR
LATEST FILM, BUT YOUR FIRST FILM
WAS THE LION IN WINTER.

897
00:28:59,071 --> 00:28:59,303
LATEST FILM, BUT YOUR FIRST FILM
WAS THE LION IN WINTER.
>> YES.

898
00:28:59,305 --> 00:29:00,404
WAS THE LION IN WINTER.
>> YES.
>> Stephen: HOW DID YOU GET

899
00:29:00,406 --> 00:29:02,639
>> YES.
>> Stephen: HOW DID YOU GET
THAT JOB?

900
00:29:02,641 --> 00:29:04,875
>> Stephen: HOW DID YOU GET
THAT JOB?
I UNDERSTAND THAT PETER O'TOOLE

901
00:29:04,877 --> 00:29:06,610
THAT JOB?
I UNDERSTAND THAT PETER O'TOOLE
KIND OF MADE YOU TAKE THE JOB.

902
00:29:06,612 --> 00:29:08,312
I UNDERSTAND THAT PETER O'TOOLE
KIND OF MADE YOU TAKE THE JOB.
>> HE CAME TO THE DRESSING ROOM

903
00:29:08,314 --> 00:29:09,346
KIND OF MADE YOU TAKE THE JOB.
>> HE CAME TO THE DRESSING ROOM
OF THE THEATER.

904
00:29:09,348 --> 00:29:11,315
>> HE CAME TO THE DRESSING ROOM
OF THE THEATER.
I WAS PLAYING IN THE PRODUCTION

905
00:29:11,317 --> 00:29:13,650
OF THE THEATER.
I WAS PLAYING IN THE PRODUCTION
OF THE THREE SISTERS.

906
00:29:13,652 --> 00:29:15,319
I WAS PLAYING IN THE PRODUCTION
OF THE THREE SISTERS.
HE CAME TO THE DOOR AND PETER

907
00:29:15,321 --> 00:29:17,454
OF THE THREE SISTERS.
HE CAME TO THE DOOR AND PETER
WAS THERE WITH HIS IRISH GREEN

908
00:29:17,456 --> 00:29:19,456
HE CAME TO THE DOOR AND PETER
WAS THERE WITH HIS IRISH GREEN
CAP AND HAD HAD A FEW TO DRINK

909
00:29:19,458 --> 00:29:21,125
WAS THERE WITH HIS IRISH GREEN
CAP AND HAD HAD A FEW TO DRINK
AND SAID WOULD YOU LIKE TO BE IN

910
00:29:21,127 --> 00:29:23,627
CAP AND HAD HAD A FEW TO DRINK
AND SAID WOULD YOU LIKE TO BE IN
A FILM WITH ME WITH KATE IN IT?

911
00:29:23,629 --> 00:29:25,062
AND SAID WOULD YOU LIKE TO BE IN
A FILM WITH ME WITH KATE IN IT?
I SAID YES.

912
00:29:25,064 --> 00:29:27,598
A FILM WITH ME WITH KATE IN IT?
I SAID YES.
HE SAID MEET ME TOMORROW.

913
00:29:27,600 --> 00:29:30,834
I SAID YES.
HE SAID MEET ME TOMORROW.
I MET HIM AND WE DID A SCREEN

914
00:29:30,836 --> 00:29:31,168
HE SAID MEET ME TOMORROW.
I MET HIM AND WE DID A SCREEN
TEST.

915
00:29:31,170 --> 00:29:34,938
I MET HIM AND WE DID A SCREEN
TEST.
SO HE WAS THERE OFF CAMERA

916
00:29:34,940 --> 00:29:37,307
TEST.
SO HE WAS THERE OFF CAMERA
READING KATHARINE HEPBURN'S

917
00:29:37,309 --> 00:29:38,976
SO HE WAS THERE OFF CAMERA
READING KATHARINE HEPBURN'S
LINES, IN CHELSEA PARK GARDENS

918
00:29:38,978 --> 00:29:41,378
READING KATHARINE HEPBURN'S
LINES, IN CHELSEA PARK GARDENS
OF ALL PLACES, AND HE SAID, YOU

919
00:29:41,380 --> 00:29:42,212
LINES, IN CHELSEA PARK GARDENS
OF ALL PLACES, AND HE SAID, YOU
GOT THE PART.

920
00:29:42,214 --> 00:29:47,050
OF ALL PLACES, AND HE SAID, YOU
GOT THE PART.
SO HE STARTED, 1967, ALMOST 53

921
00:29:47,052 --> 00:29:47,317
GOT THE PART.
SO HE STARTED, 1967, ALMOST 53
YEARS AGO.

922
00:29:47,319 --> 00:29:49,052
SO HE STARTED, 1967, ALMOST 53
YEARS AGO.
SO I STARTED WITH THIS

923
00:29:49,054 --> 00:29:50,120
YEARS AGO.
SO I STARTED WITH THIS
EXTRAORDINARY ACTOR, PETER

924
00:29:50,122 --> 00:29:50,454
SO I STARTED WITH THIS
EXTRAORDINARY ACTOR, PETER
O'TOOLE.

925
00:29:50,456 --> 00:29:55,492
EXTRAORDINARY ACTOR, PETER
O'TOOLE.
I HAD SEEN HIM ETEN YEARS BEFORE

926
00:29:55,494 --> 00:29:57,995
O'TOOLE.
I HAD SEEN HIM ETEN YEARS BEFORE
AND LOOKED BACK AND HE WAS

927
00:29:57,997 --> 00:29:58,862
I HAD SEEN HIM ETEN YEARS BEFORE
AND LOOKED BACK AND HE WAS
ELECTRIFYING, GREAT ACTOR.

928
00:29:58,864 --> 00:30:01,498
AND LOOKED BACK AND HE WAS
ELECTRIFYING, GREAT ACTOR.
AND TO MEET HER, SHE WAS

929
00:30:01,500 --> 00:30:01,965
ELECTRIFYING, GREAT ACTOR.
AND TO MEET HER, SHE WAS
STARTING OUT.

930
00:30:01,967 --> 00:30:03,834
AND TO MEET HER, SHE WAS
STARTING OUT.
SHE WAS TOUGH AND WONDERFUL, A

931
00:30:03,836 --> 00:30:07,805
STARTING OUT.
SHE WAS TOUGH AND WONDERFUL, A
WONDERFUL WOMAN.

932
00:30:07,807 --> 00:30:10,440
SHE WAS TOUGH AND WONDERFUL, A
WONDERFUL WOMAN.
I WAS YOUNG, I WAS 29, AND I HAD

933
00:30:10,442 --> 00:30:11,708
WONDERFUL WOMAN.
I WAS YOUNG, I WAS 29, AND I HAD
CONFIDENCE, I WAS BULLISH AND

934
00:30:11,710 --> 00:30:11,909
I WAS YOUNG, I WAS 29, AND I HAD
CONFIDENCE, I WAS BULLISH AND
TOUGH.

935
00:30:11,911 --> 00:30:15,445
CONFIDENCE, I WAS BULLISH AND
TOUGH.
WE DID ONE SCENE AND I HAD THAT

936
00:30:15,447 --> 00:30:18,282
TOUGH.
WE DID ONE SCENE AND I HAD THAT
KIND OF CONFIDENCE, AND, SO, WE

937
00:30:18,284 --> 00:30:20,450
WE DID ONE SCENE AND I HAD THAT
KIND OF CONFIDENCE, AND, SO, WE
DID THE SCENE IN REHEARSAL AND

938
00:30:20,452 --> 00:30:22,920
KIND OF CONFIDENCE, AND, SO, WE
DID THE SCENE IN REHEARSAL AND
AT THE END OF IT, SHE'D SAID,

939
00:30:22,922 --> 00:30:24,354
DID THE SCENE IN REHEARSAL AND
AT THE END OF IT, SHE'D SAID,
LET ME TELL YOU SOMETHING, YOU

940
00:30:24,356 --> 00:30:26,223
AT THE END OF IT, SHE'D SAID,
LET ME TELL YOU SOMETHING, YOU
DON'T HAVE TO ACT BECAUSE YOU'VE

941
00:30:26,225 --> 00:30:30,894
LET ME TELL YOU SOMETHING, YOU
DON'T HAVE TO ACT BECAUSE YOU'VE
GOT A GOOD HEAD AND A GOOD

942
00:30:30,896 --> 00:30:32,329
DON'T HAVE TO ACT BECAUSE YOU'VE
GOT A GOOD HEAD AND A GOOD
SHOULDERS AND GOOD VOICE, JUST

943
00:30:32,331 --> 00:30:34,631
GOT A GOOD HEAD AND A GOOD
SHOULDERS AND GOOD VOICE, JUST
SPEAK THE LINES, AND WATCH

944
00:30:34,633 --> 00:30:36,600
SHOULDERS AND GOOD VOICE, JUST
SPEAK THE LINES, AND WATCH
SPENCER TRACY IN BOGART AND

945
00:30:36,602 --> 00:30:37,801
SPEAK THE LINES, AND WATCH
SPENCER TRACY IN BOGART AND
LEARN HOW TO DO IT.

946
00:30:37,803 --> 00:30:38,769
SPENCER TRACY IN BOGART AND
LEARN HOW TO DO IT.
JUST SPEAK THE LINES.

947
00:30:38,771 --> 00:30:40,103
LEARN HOW TO DO IT.
JUST SPEAK THE LINES.
AND THAT WAS THE BEST ADD

948
00:30:40,105 --> 00:30:40,370
JUST SPEAK THE LINES.
AND THAT WAS THE BEST ADD
VIOLENCE.

949
00:30:40,372 --> 00:30:41,271
AND THAT WAS THE BEST ADD
VIOLENCE.
>> Stephen: DIDN'T SHE SAY

950
00:30:41,273 --> 00:30:43,574
VIOLENCE.
>> Stephen: DIDN'T SHE SAY
NEVER TURN YOUR BACK TO THE

951
00:30:43,576 --> 00:30:43,807
>> Stephen: DIDN'T SHE SAY
NEVER TURN YOUR BACK TO THE
CAMERA.

952
00:30:43,809 --> 00:30:45,809
NEVER TURN YOUR BACK TO THE
CAMERA.
>> YEAH, DON'T TURN THE BACK OF

953
00:30:45,811 --> 00:30:47,544
CAMERA.
>> YEAH, DON'T TURN THE BACK OF
YOUR HEAD TO THE CAMERA BECAUSE

954
00:30:47,546 --> 00:30:49,379
>> YEAH, DON'T TURN THE BACK OF
YOUR HEAD TO THE CAMERA BECAUSE
I'LL STEAL THE SCENE FROM YOU,

955
00:30:49,381 --> 00:30:51,815
YOUR HEAD TO THE CAMERA BECAUSE
I'LL STEAL THE SCENE FROM YOU,
I'LL PROBABLY DO THAT ANYWAY,

956
00:30:51,817 --> 00:30:54,318
I'LL STEAL THE SCENE FROM YOU,
I'LL PROBABLY DO THAT ANYWAY,
BUT, DARLING, GIVE YOURSELF A

957
00:30:54,320 --> 00:30:54,518
I'LL PROBABLY DO THAT ANYWAY,
BUT, DARLING, GIVE YOURSELF A
BREAK.

958
00:30:54,520 --> 00:30:54,818
BUT, DARLING, GIVE YOURSELF A
BREAK.
( LAUGHTER )

959
00:30:54,820 --> 00:30:55,485
BREAK.
( LAUGHTER )
>> Stephen: I REALLY HOPE THAT

960
00:30:55,487 --> 00:30:57,621
( LAUGHTER )
>> Stephen: I REALLY HOPE THAT
I CAN TALK TO BOTH OF YOU

961
00:30:57,623 --> 00:30:58,055
>> Stephen: I REALLY HOPE THAT
I CAN TALK TO BOTH OF YOU
GENTLEMEN AGAIN.

962
00:30:58,057 --> 00:30:59,823
I CAN TALK TO BOTH OF YOU
GENTLEMEN AGAIN.
THANK YOU SO MUCH FOR BEING

963
00:30:59,825 --> 00:31:01,959
GENTLEMEN AGAIN.
THANK YOU SO MUCH FOR BEING
HERE, BEST OF LUCK.

964
00:31:01,961 --> 00:31:03,660
THANK YOU SO MUCH FOR BEING
HERE, BEST OF LUCK.
ENJOY YOURSELF HOPEFULLY THIS

965
00:31:03,662 --> 00:31:04,628
HERE, BEST OF LUCK.
ENJOY YOURSELF HOPEFULLY THIS
WEEKEND AT THE OSCARS, AND THANK

966
00:31:04,630 --> 00:31:05,829
ENJOY YOURSELF HOPEFULLY THIS
WEEKEND AT THE OSCARS, AND THANK
YOU AGAIN FOR YOUR BEAUTIFUL

967
00:31:05,831 --> 00:31:09,633
WEEKEND AT THE OSCARS, AND THANK
YOU AGAIN FOR YOUR BEAUTIFUL
FILM AND YOUR EXPLORATION OF OUR

968
00:31:09,635 --> 00:31:09,900
YOU AGAIN FOR YOUR BEAUTIFUL
FILM AND YOUR EXPLORATION OF OUR
HUMANITY.

969
00:31:09,902 --> 00:31:11,935
FILM AND YOUR EXPLORATION OF OUR
HUMANITY.
"THE FATHER" IS IN THEATERS AND

970
00:31:11,937 --> 00:31:12,836
HUMANITY.
"THE FATHER" IS IN THEATERS AND
ON DEMAND NOW.

971
00:31:12,838 --> 00:31:14,171
"THE FATHER" IS IN THEATERS AND
ON DEMAND NOW.
SIR ANTHONY HOPKINS AND FLORIAN

972
00:31:14,173 --> 00:31:15,205
ON DEMAND NOW.
SIR ANTHONY HOPKINS AND FLORIAN
ZELLER, EVERYBODY.

973
00:31:15,207 --> 00:31:17,875
SIR ANTHONY HOPKINS AND FLORIAN
ZELLER, EVERYBODY.
WE'LL BE RIGHT BACK WITH SENATOR

974
00:31:17,877 --> 00:31:19,443
ZELLER, EVERYBODY.
WE'LL BE RIGHT BACK WITH SENATOR
MAZIE HIRONO.

975
00:31:19,445 --> 00:31:19,910
WE'LL BE RIGHT BACK WITH SENATOR
MAZIE HIRONO.
♪♪♪

976
00:31:30,355 --> 00:31:35,826
♪♪♪
>> Stephen: WELCOME BACK,
EVERYBODY.

977
00:31:35,828 --> 00:31:36,593
>> Stephen: WELCOME BACK,
EVERYBODY.
JOINING ME NOW IS A LIFE-LONG

978
00:31:36,595 --> 00:31:37,494
EVERYBODY.
JOINING ME NOW IS A LIFE-LONG
PUBLIC SERVANT FROM HAWAII WHO

979
00:31:37,496 --> 00:31:38,128
JOINING ME NOW IS A LIFE-LONG
PUBLIC SERVANT FROM HAWAII WHO
IS THE ONLY IMMIGRANT CURRENTLY

980
00:31:38,130 --> 00:31:39,763
PUBLIC SERVANT FROM HAWAII WHO
IS THE ONLY IMMIGRANT CURRENTLY
SERVING IN THE U.S. SENATE.

981
00:31:39,765 --> 00:31:40,397
IS THE ONLY IMMIGRANT CURRENTLY
SERVING IN THE U.S. SENATE.
HER NEW MEMOIR, "HEART OF FIRE,"

982
00:31:40,399 --> 00:31:42,599
SERVING IN THE U.S. SENATE.
HER NEW MEMOIR, "HEART OF FIRE,"
COMES OUT TOMORROW.

983
00:31:42,601 --> 00:31:46,403
HER NEW MEMOIR, "HEART OF FIRE,"
COMES OUT TOMORROW.
PLEASE WELCOME TO "A LATE SHOW,"

984
00:31:46,405 --> 00:31:49,106
COMES OUT TOMORROW.
PLEASE WELCOME TO "A LATE SHOW,"
SENATOR MAZIE HIRONO.

985
00:31:49,108 --> 00:31:50,340
PLEASE WELCOME TO "A LATE SHOW,"
SENATOR MAZIE HIRONO.
SENATOR HIRONO H THANK YOU FOR

986
00:31:50,342 --> 00:31:51,575
SENATOR MAZIE HIRONO.
SENATOR HIRONO H THANK YOU FOR
BEING HERE.

987
00:31:51,577 --> 00:31:52,576
SENATOR HIRONO H THANK YOU FOR
BEING HERE.
>> ALOHA, STEPHEN.

988
00:31:52,578 --> 00:31:53,677
BEING HERE.
>> ALOHA, STEPHEN.
GREAT TO BE WITH YOU.

989
00:31:53,679 --> 00:31:56,613
>> ALOHA, STEPHEN.
GREAT TO BE WITH YOU.
>> Stephen: ALOHA TO YOU, TOO.

990
00:31:56,615 --> 00:31:57,381
GREAT TO BE WITH YOU.
>> Stephen: ALOHA TO YOU, TOO.
NOW, YOU HAVE BEEN SERVING THE

991
00:31:57,383 --> 00:32:00,050
>> Stephen: ALOHA TO YOU, TOO.
NOW, YOU HAVE BEEN SERVING THE
PEOPLE OF HAWAII 40 YEARS, STATE

992
00:32:00,052 --> 00:32:01,485
NOW, YOU HAVE BEEN SERVING THE
PEOPLE OF HAWAII 40 YEARS, STATE
REP, LIEUTENANT GOVERNOR,

993
00:32:01,487 --> 00:32:02,386
PEOPLE OF HAWAII 40 YEARS, STATE
REP, LIEUTENANT GOVERNOR,
CONGRESSWOMAN, SENATOR.

994
00:32:02,388 --> 00:32:04,554
REP, LIEUTENANT GOVERNOR,
CONGRESSWOMAN, SENATOR.
AS I SAID, YOU'RE CURRENTLY THE

995
00:32:04,556 --> 00:32:05,522
CONGRESSWOMAN, SENATOR.
AS I SAID, YOU'RE CURRENTLY THE
ONLY IMMIGRANT SENATOR.

996
00:32:05,524 --> 00:32:06,456
AS I SAID, YOU'RE CURRENTLY THE
ONLY IMMIGRANT SENATOR.
I HAVE A PICTURE OF YOU.

997
00:32:06,458 --> 00:32:10,193
ONLY IMMIGRANT SENATOR.
I HAVE A PICTURE OF YOU.
THIS IS YOU AND YOUR MOM CIRCA

998
00:32:10,195 --> 00:32:10,394
I HAVE A PICTURE OF YOU.
THIS IS YOU AND YOUR MOM CIRCA
1955.

999
00:32:10,396 --> 00:32:12,195
THIS IS YOU AND YOUR MOM CIRCA
1955.
YOU WERE 7 WHEN YOU MOVED TO THE

1000
00:32:12,197 --> 00:32:13,931
1955.
YOU WERE 7 WHEN YOU MOVED TO THE
U.S. FROM JAPAN.

1001
00:32:13,933 --> 00:32:16,566
YOU WERE 7 WHEN YOU MOVED TO THE
U.S. FROM JAPAN.
HOUSE OF YOUR IMMIGRATION STORY

1002
00:32:16,568 --> 00:32:18,268
U.S. FROM JAPAN.
HOUSE OF YOUR IMMIGRATION STORY
AFFECTED HOW YOU DO YOUR JOB AS

1003
00:32:18,270 --> 00:32:20,637
HOUSE OF YOUR IMMIGRATION STORY
AFFECTED HOW YOU DO YOUR JOB AS
U.S. SENATOR?

1004
00:32:20,639 --> 00:32:21,271
AFFECTED HOW YOU DO YOUR JOB AS
U.S. SENATOR?
>> COUPLE OF WAYS.

1005
00:32:21,273 --> 00:32:23,640
U.S. SENATOR?
>> COUPLE OF WAYS.
FIRST OF ALL, THE I DID NOT HAVE

1006
00:32:23,642 --> 00:32:25,242
>> COUPLE OF WAYS.
FIRST OF ALL, THE I DID NOT HAVE
AN UNUSUAL BACKGROUND AS AN

1007
00:32:25,244 --> 00:32:28,979
FIRST OF ALL, THE I DID NOT HAVE
AN UNUSUAL BACKGROUND AS AN
IMMIGRANT, WAS A SINGLE MOTHER

1008
00:32:28,981 --> 00:32:34,151
AN UNUSUAL BACKGROUND AS AN
IMMIGRANT, WAS A SINGLE MOTHER
WHO BUSTED HER AS WE SAY IN

1009
00:32:34,153 --> 00:32:37,020
IMMIGRANT, WAS A SINGLE MOTHER
WHO BUSTED HER AS WE SAY IN
HAWAII AKOLAY TO TAKE CARE OF

1010
00:32:37,022 --> 00:32:39,690
WHO BUSTED HER AS WE SAY IN
HAWAII AKOLAY TO TAKE CARE OF
US, I PROBABLY WOULDN'T HAVE

1011
00:32:39,692 --> 00:32:41,558
HAWAII AKOLAY TO TAKE CARE OF
US, I PROBABLY WOULDN'T HAVE
GIVEN BACK TO A COUNTRY THAT

1012
00:32:41,560 --> 00:32:44,161
US, I PROBABLY WOULDN'T HAVE
GIVEN BACK TO A COUNTRY THAT
GAVE US SO MUCH.

1013
00:32:44,163 --> 00:32:46,830
GIVEN BACK TO A COUNTRY THAT
GAVE US SO MUCH.
MY BACKGROUND AS AN IMMIGRANT

1014
00:32:46,832 --> 00:32:48,131
GAVE US SO MUCH.
MY BACKGROUND AS AN IMMIGRANT
FRAMES MY UNDERSTANDING OF WHAT

1015
00:32:48,133 --> 00:32:49,566
MY BACKGROUND AS AN IMMIGRANT
FRAMES MY UNDERSTANDING OF WHAT
WE STRUGGLE TO DO AND WHY THIS

1016
00:32:49,568 --> 00:32:52,002
FRAMES MY UNDERSTANDING OF WHAT
WE STRUGGLE TO DO AND WHY THIS
COUNTRY CALLS TO US AS TRULY A

1017
00:32:52,004 --> 00:32:52,736
WE STRUGGLE TO DO AND WHY THIS
COUNTRY CALLS TO US AS TRULY A
PLACE OF HOPE.

1018
00:32:52,738 --> 00:32:53,770
COUNTRY CALLS TO US AS TRULY A
PLACE OF HOPE.
IT'S NOT JUST WORDS TO ME.

1019
00:32:53,772 --> 00:32:54,938
PLACE OF HOPE.
IT'S NOT JUST WORDS TO ME.
>> Stephen: IT'S NOT JUST

1020
00:32:54,940 --> 00:32:56,173
IT'S NOT JUST WORDS TO ME.
>> Stephen: IT'S NOT JUST
WORDS TO THE PEOPLE WHO STILL

1021
00:32:56,175 --> 00:32:58,375
>> Stephen: IT'S NOT JUST
WORDS TO THE PEOPLE WHO STILL
WANT TO COME HERE IN LARGE

1022
00:32:58,377 --> 00:32:58,608
WORDS TO THE PEOPLE WHO STILL
WANT TO COME HERE IN LARGE
NUMBERS.

1023
00:32:58,610 --> 00:32:58,842
WANT TO COME HERE IN LARGE
NUMBERS.
>> YES.

1024
00:32:58,844 --> 00:32:59,843
NUMBERS.
>> YES.
>> Stephen: WHAT DID YOU MAKE

1025
00:32:59,845 --> 00:33:02,379
>> YES.
>> Stephen: WHAT DID YOU MAKE
OF PRESIDENT BIDEN'S DECISION TO

1026
00:33:02,381 --> 00:33:04,948
>> Stephen: WHAT DID YOU MAKE
OF PRESIDENT BIDEN'S DECISION TO
KEEP THE TRUMP CAP ON THE NUMBER

1027
00:33:04,950 --> 00:33:06,283
OF PRESIDENT BIDEN'S DECISION TO
KEEP THE TRUMP CAP ON THE NUMBER
OF REFUGEES WHO COULD COME HERE,

1028
00:33:06,285 --> 00:33:08,518
KEEP THE TRUMP CAP ON THE NUMBER
OF REFUGEES WHO COULD COME HERE,
AND THEN THE REVERSAL ON THAT A

1029
00:33:08,520 --> 00:33:10,921
OF REFUGEES WHO COULD COME HERE,
AND THEN THE REVERSAL ON THAT A
DAY LATER?

1030
00:33:10,923 --> 00:33:11,989
AND THEN THE REVERSAL ON THAT A
DAY LATER?
>> I DIDN'T SUPPORT HIM GOING

1031
00:33:11,991 --> 00:33:13,523
DAY LATER?
>> I DIDN'T SUPPORT HIM GOING
ALONG WITH THAT CAP BECAUSE

1032
00:33:13,525 --> 00:33:15,058
>> I DIDN'T SUPPORT HIM GOING
ALONG WITH THAT CAP BECAUSE
REFUGEES ARE NOT LIKE PEOPLE WHO

1033
00:33:15,060 --> 00:33:18,095
ALONG WITH THAT CAP BECAUSE
REFUGEES ARE NOT LIKE PEOPLE WHO
ARE SEEKING ASYLUM.

1034
00:33:18,097 --> 00:33:19,863
REFUGEES ARE NOT LIKE PEOPLE WHO
ARE SEEKING ASYLUM.
REFUGEES HAVE ALREADY BEEN

1035
00:33:19,865 --> 00:33:21,498
ARE SEEKING ASYLUM.
REFUGEES HAVE ALREADY BEEN
VETTED, AND, SO, I WAS MORE THAN

1036
00:33:21,500 --> 00:33:22,899
REFUGEES HAVE ALREADY BEEN
VETTED, AND, SO, I WAS MORE THAN
DISAPPOINTED, AND HE HEARD FROM

1037
00:33:22,901 --> 00:33:24,668
VETTED, AND, SO, I WAS MORE THAN
DISAPPOINTED, AND HE HEARD FROM
A LOT OF US, AND I'M GLAD THAT

1038
00:33:24,670 --> 00:33:26,003
DISAPPOINTED, AND HE HEARD FROM
A LOT OF US, AND I'M GLAD THAT
HE CHANGED HIS MIND, WHICH IS

1039
00:33:26,005 --> 00:33:28,338
A LOT OF US, AND I'M GLAD THAT
HE CHANGED HIS MIND, WHICH IS
WHAT HE SAID HE WAS GOING TO DO,

1040
00:33:28,340 --> 00:33:29,272
HE CHANGED HIS MIND, WHICH IS
WHAT HE SAID HE WAS GOING TO DO,
WHEN HE WAS RUNNING FOR OFFICE.

1041
00:33:29,274 --> 00:33:31,041
WHAT HE SAID HE WAS GOING TO DO,
WHEN HE WAS RUNNING FOR OFFICE.
SO WE NEED A PRESIDENT WHO'S

1042
00:33:31,043 --> 00:33:34,378
WHEN HE WAS RUNNING FOR OFFICE.
SO WE NEED A PRESIDENT WHO'S
GOING TO KEEP HIS WORD, AND

1043
00:33:34,380 --> 00:33:36,113
SO WE NEED A PRESIDENT WHO'S
GOING TO KEEP HIS WORD, AND
THAT'S WHAT I THINK JOE BIDEN

1044
00:33:36,115 --> 00:33:36,513
GOING TO KEEP HIS WORD, AND
THAT'S WHAT I THINK JOE BIDEN
WANTS TO DO.

1045
00:33:36,515 --> 00:33:38,348
THAT'S WHAT I THINK JOE BIDEN
WANTS TO DO.
>> Stephen: AFTER DECADES OF

1046
00:33:38,350 --> 00:33:41,385
WANTS TO DO.
>> Stephen: AFTER DECADES OF
PUBLIC SERVICE, YOU'VE WRITTEN A

1047
00:33:41,387 --> 00:33:43,353
>> Stephen: AFTER DECADES OF
PUBLIC SERVICE, YOU'VE WRITTEN A
NEW BOOK CALLED "HEART OF FIRE."

1048
00:33:43,355 --> 00:33:45,589
PUBLIC SERVICE, YOU'VE WRITTEN A
NEW BOOK CALLED "HEART OF FIRE."
WHAT DOES THAT TITLE MEAN?

1049
00:33:45,591 --> 00:33:49,059
NEW BOOK CALLED "HEART OF FIRE."
WHAT DOES THAT TITLE MEAN?
>> IT DESCRIBES MY MOTHER

1050
00:33:49,061 --> 00:33:52,362
WHAT DOES THAT TITLE MEAN?
>> IT DESCRIBES MY MOTHER
BECAUSE SHE HAD TREMENDOUS

1051
00:33:52,364 --> 00:33:54,264
>> IT DESCRIBES MY MOTHER
BECAUSE SHE HAD TREMENDOUS
COURGE AND RISK TAKING TO

1052
00:33:54,266 --> 00:33:57,000
BECAUSE SHE HAD TREMENDOUS
COURGE AND RISK TAKING TO
CHANGE MY LIFE BY BRINGING ME TO

1053
00:33:57,002 --> 00:33:58,402
COURGE AND RISK TAKING TO
CHANGE MY LIFE BY BRINGING ME TO
A COUNTRIES OR A STATE I KNEW

1054
00:33:58,404 --> 00:34:00,270
CHANGE MY LIFE BY BRINGING ME TO
A COUNTRIES OR A STATE I KNEW
NOTHING ABOUT TO GET AWAY FROM

1055
00:34:00,272 --> 00:34:02,072
A COUNTRIES OR A STATE I KNEW
NOTHING ABOUT TO GET AWAY FROM
AN ABUSIVE MARRIAGE TO MY

1056
00:34:02,074 --> 00:34:03,473
NOTHING ABOUT TO GET AWAY FROM
AN ABUSIVE MARRIAGE TO MY
FATHER, WHO I NEVER GOT TO KNOW.

1057
00:34:03,475 --> 00:34:05,609
AN ABUSIVE MARRIAGE TO MY
FATHER, WHO I NEVER GOT TO KNOW.
AND, SO, SHE HAD A "HEART OF

1058
00:34:05,611 --> 00:34:06,410
FATHER, WHO I NEVER GOT TO KNOW.
AND, SO, SHE HAD A "HEART OF
FIRE" IN ORDER TO BELIEVE IN

1059
00:34:06,412 --> 00:34:09,179
AND, SO, SHE HAD A "HEART OF
FIRE" IN ORDER TO BELIEVE IN
HERSELF AND TO DO WHAT SHE DID,

1060
00:34:09,181 --> 00:34:09,613
FIRE" IN ORDER TO BELIEVE IN
HERSELF AND TO DO WHAT SHE DID,
TREMENDOUS COURAGE.

1061
00:34:09,615 --> 00:34:12,849
HERSELF AND TO DO WHAT SHE DID,
TREMENDOUS COURAGE.
>> Stephen: AND YOU CAME HERE

1062
00:34:12,851 --> 00:34:13,283
TREMENDOUS COURAGE.
>> Stephen: AND YOU CAME HERE
IN 1955.

1063
00:34:13,285 --> 00:34:16,720
>> Stephen: AND YOU CAME HERE
IN 1955.
THAT WAS RIGHT BEFORE HAWAII

1064
00:34:16,722 --> 00:34:18,288
IN 1955.
THAT WAS RIGHT BEFORE HAWAII
BECAME THE 50th STATE.

1065
00:34:18,290 --> 00:34:19,790
THAT WAS RIGHT BEFORE HAWAII
BECAME THE 50th STATE.
WERE THERE CEREMONIES?

1066
00:34:19,792 --> 00:34:22,392
BECAME THE 50th STATE.
WERE THERE CEREMONIES?
WHAT ACTUALLY HAPPENED IN

1067
00:34:22,394 --> 00:34:23,860
WERE THERE CEREMONIES?
WHAT ACTUALLY HAPPENED IN
HAWAII?

1068
00:34:23,862 --> 00:34:25,996
WHAT ACTUALLY HAPPENED IN
HAWAII?
>> THE BIGGEST CEREMONY I

1069
00:34:25,998 --> 00:34:27,864
HAWAII?
>> THE BIGGEST CEREMONY I
REMEMBER, I'M IN SIXTH GRADE,

1070
00:34:27,866 --> 00:34:29,733
>> THE BIGGEST CEREMONY I
REMEMBER, I'M IN SIXTH GRADE,
WAS ONE WHERE WE HAD A SCHOOL

1071
00:34:29,735 --> 00:34:32,469
REMEMBER, I'M IN SIXTH GRADE,
WAS ONE WHERE WE HAD A SCHOOL
ASSEMBLY AND I GOT SELECTED TO

1072
00:34:32,471 --> 00:34:34,337
WAS ONE WHERE WE HAD A SCHOOL
ASSEMBLY AND I GOT SELECTED TO
PIN THE 50th STATE STAR ON OUR

1073
00:34:34,339 --> 00:34:35,705
ASSEMBLY AND I GOT SELECTED TO
PIN THE 50th STATE STAR ON OUR
SCHOOL FLAG.

1074
00:34:35,707 --> 00:34:37,974
PIN THE 50th STATE STAR ON OUR
SCHOOL FLAG.
THAT, I REMEMBER.

1075
00:34:37,976 --> 00:34:41,778
SCHOOL FLAG.
THAT, I REMEMBER.
AND MAKING A LITTLE -- A LITTLE

1076
00:34:41,780 --> 00:34:44,681
THAT, I REMEMBER.
AND MAKING A LITTLE -- A LITTLE
PAPER STAR AND PINNING IT.

1077
00:34:44,683 --> 00:34:46,383
AND MAKING A LITTLE -- A LITTLE
PAPER STAR AND PINNING IT.
I JUST WISHED SOMEBODY HAD A

1078
00:34:46,385 --> 00:34:47,918
PAPER STAR AND PINNING IT.
I JUST WISHED SOMEBODY HAD A
CAMERA, FOR GOSH SAKES, SOMEBODY

1079
00:34:47,920 --> 00:34:50,053
I JUST WISHED SOMEBODY HAD A
CAMERA, FOR GOSH SAKES, SOMEBODY
HAD A CAMERA BACK IN THOSE DAYS.

1080
00:34:50,055 --> 00:34:51,121
CAMERA, FOR GOSH SAKES, SOMEBODY
HAD A CAMERA BACK IN THOSE DAYS.
>> Stephen: WHAT DO YOU THINK

1081
00:34:51,123 --> 00:34:52,923
HAD A CAMERA BACK IN THOSE DAYS.
>> Stephen: WHAT DO YOU THINK
ABOUT THE CHANCES OF ADDING

1082
00:34:52,925 --> 00:34:55,358
>> Stephen: WHAT DO YOU THINK
ABOUT THE CHANCES OF ADDING
ANOTHER STAR TO THE FLAG?

1083
00:34:55,360 --> 00:34:57,661
ABOUT THE CHANCES OF ADDING
ANOTHER STAR TO THE FLAG?
IT SEEMS RIDICULOUS THAT D.C. IS

1084
00:34:57,663 --> 00:34:59,996
ANOTHER STAR TO THE FLAG?
IT SEEMS RIDICULOUS THAT D.C. IS
NOT A STATE AND PUERTO RICO.

1085
00:34:59,998 --> 00:35:00,831
IT SEEMS RIDICULOUS THAT D.C. IS
NOT A STATE AND PUERTO RICO.
THEY'RE MORE POPULOUS THAN SOME

1086
00:35:00,833 --> 00:35:02,933
NOT A STATE AND PUERTO RICO.
THEY'RE MORE POPULOUS THAN SOME
OF THE STATES THAT ARE ACTUALLY

1087
00:35:02,935 --> 00:35:03,733
THEY'RE MORE POPULOUS THAN SOME
OF THE STATES THAT ARE ACTUALLY
PART OF THE UNION NOW.

1088
00:35:03,735 --> 00:35:05,802
OF THE STATES THAT ARE ACTUALLY
PART OF THE UNION NOW.
>> I AGREE WITH YOU, DEFINITELY

1089
00:35:05,804 --> 00:35:08,371
PART OF THE UNION NOW.
>> I AGREE WITH YOU, DEFINITELY
D.C. SHOULD BECOME A STATE, AND

1090
00:35:08,373 --> 00:35:10,107
>> I AGREE WITH YOU, DEFINITELY
D.C. SHOULD BECOME A STATE, AND
PUERTO RICO, I HOPE THAT THE

1091
00:35:10,109 --> 00:35:11,842
D.C. SHOULD BECOME A STATE, AND
PUERTO RICO, I HOPE THAT THE
PEOPLE OF PUERTO RICO HAVE

1092
00:35:11,844 --> 00:35:12,809
PUERTO RICO, I HOPE THAT THE
PEOPLE OF PUERTO RICO HAVE
DECIDED THAT THEY WANT TO BECOME

1093
00:35:12,811 --> 00:35:13,710
PEOPLE OF PUERTO RICO HAVE
DECIDED THAT THEY WANT TO BECOME
A STATE.

1094
00:35:13,712 --> 00:35:15,145
DECIDED THAT THEY WANT TO BECOME
A STATE.
I DON'T KNOW THAT THEY HAVE

1095
00:35:15,147 --> 00:35:16,980
A STATE.
I DON'T KNOW THAT THEY HAVE
WEIGHED IN TO THAT EXTENT, BUT

1096
00:35:16,982 --> 00:35:18,782
I DON'T KNOW THAT THEY HAVE
WEIGHED IN TO THAT EXTENT, BUT
DEFINITELY THE PEOPLE OF D.C.

1097
00:35:18,784 --> 00:35:21,651
WEIGHED IN TO THAT EXTENT, BUT
DEFINITELY THE PEOPLE OF D.C.
WANT TO BECOME A STATE.

1098
00:35:21,653 --> 00:35:23,987
DEFINITELY THE PEOPLE OF D.C.
WANT TO BECOME A STATE.
SO TALK ABOUT, YOU KNOW, NO

1099
00:35:23,989 --> 00:35:24,354
WANT TO BECOME A STATE.
SO TALK ABOUT, YOU KNOW, NO
REPRESENTATION.

1100
00:35:24,356 --> 00:35:27,757
SO TALK ABOUT, YOU KNOW, NO
REPRESENTATION.
D.C. PEOPLE PAY A LOT OF TAXES,

1101
00:35:27,759 --> 00:35:27,991
REPRESENTATION.
D.C. PEOPLE PAY A LOT OF TAXES,
ALREADY.

1102
00:35:27,993 --> 00:35:29,359
D.C. PEOPLE PAY A LOT OF TAXES,
ALREADY.
>> Stephen: WE HAVE TO TAKE A

1103
00:35:29,361 --> 00:35:31,862
ALREADY.
>> Stephen: WE HAVE TO TAKE A
QUICK BREAK, WE'LL BE BACK MORE

1104
00:35:31,864 --> 00:35:34,397
>> Stephen: WE HAVE TO TAKE A
QUICK BREAK, WE'LL BE BACK MORE
WITH SENATOR MAZIE HIRONO.

1105
00:35:34,399 --> 00:35:36,233
QUICK BREAK, WE'LL BE BACK MORE
WITH SENATOR MAZIE HIRONO.
♪♪♪

1106
00:35:44,642 --> 00:35:51,815
♪♪♪

1107
00:35:59,023 --> 00:36:02,559
>> WHAT ARE YOUR THOUGHTS ON
WHAT MAJOR LEAGUE BASEBALL AND
SOME OF THESE COMPANIES HAVE

1108
00:36:02,561 --> 00:36:03,293
WHAT MAJOR LEAGUE BASEBALL AND
SOME OF THESE COMPANIES HAVE
DONE.

1109
00:36:03,295 --> 00:36:04,661
SOME OF THESE COMPANIES HAVE
DONE.
>> IF YOU'RE GOING TO STICK YOUR

1110
00:36:04,663 --> 00:36:06,396
DONE.
>> IF YOU'RE GOING TO STICK YOUR
BEAK INTO ISSUES THAT DON'T

1111
00:36:06,398 --> 00:36:08,165
>> IF YOU'RE GOING TO STICK YOUR
BEAK INTO ISSUES THAT DON'T
DIRECTLY CONCERN YOU, THEN I

1112
00:36:08,167 --> 00:36:09,366
BEAK INTO ISSUES THAT DON'T
DIRECTLY CONCERN YOU, THEN I
THINK ELECTED OFFICIALS ARE

1113
00:36:09,368 --> 00:36:10,867
DIRECTLY CONCERN YOU, THEN I
THINK ELECTED OFFICIALS ARE
GOING TO STICK THEIR BEAK INTO

1114
00:36:10,869 --> 00:36:13,737
THINK ELECTED OFFICIALS ARE
GOING TO STICK THEIR BEAK INTO
ISSUES THAT MIGHT NOT CONCERN

1115
00:36:13,739 --> 00:36:13,937
GOING TO STICK THEIR BEAK INTO
ISSUES THAT MIGHT NOT CONCERN
THEM.

1116
00:36:13,939 --> 00:36:15,739
ISSUES THAT MIGHT NOT CONCERN
THEM.
>> LOOKS LIKE YOU MIGHT HAVE AN

1117
00:36:15,741 --> 00:36:16,673
THEM.
>> LOOKS LIKE YOU MIGHT HAVE AN
OFF NIGHT.

1118
00:36:16,675 --> 00:36:18,074
>> LOOKS LIKE YOU MIGHT HAVE AN
OFF NIGHT.
SPEAKING OF ISSUES THAT MAY NOT

1119
00:36:18,076 --> 00:36:19,943
OFF NIGHT.
SPEAKING OF ISSUES THAT MAY NOT
CONCERN YOU.

1120
00:36:19,945 --> 00:36:21,878
SPEAKING OF ISSUES THAT MAY NOT
CONCERN YOU.
BASEBALL IS A PRIVATE COMPANY

1121
00:36:21,880 --> 00:36:22,812
CONCERN YOU.
BASEBALL IS A PRIVATE COMPANY
HEADED IN NEW YORK.

1122
00:36:22,814 --> 00:36:23,914
BASEBALL IS A PRIVATE COMPANY
HEADED IN NEW YORK.
CORPORATIONS ARE PRETTY MUCH THE

1123
00:36:23,916 --> 00:36:25,615
HEADED IN NEW YORK.
CORPORATIONS ARE PRETTY MUCH THE
GOVERNMENT AT THIS POINT.

1124
00:36:25,617 --> 00:36:27,217
CORPORATIONS ARE PRETTY MUCH THE
GOVERNMENT AT THIS POINT.
THANKS PENNSYLVANIA HERE'S A

1125
00:36:27,219 --> 00:36:27,984
GOVERNMENT AT THIS POINT.
THANKS PENNSYLVANIA HERE'S A
CHILLY DOG.

1126
00:36:27,986 --> 00:36:30,720
THANKS PENNSYLVANIA HERE'S A
CHILLY DOG.
REMEMBER IT'S A FOOD SO DON'T

1127
00:36:30,722 --> 00:36:32,522
CHILLY DOG.
REMEMBER IT'S A FOOD SO DON'T
TRY TO START YOUR CAR WITH IT.

1128
00:36:38,529 --> 00:36:40,197
♪♪♪

1129
00:36:40,431 --> 00:36:46,403
>> Stephen: WE'RE BACK WITH
THE AUTHOR OF "HEART OF FIRE,"
SENATOR MAZIE HIRONO.

1130
00:36:46,405 --> 00:36:48,171
THE AUTHOR OF "HEART OF FIRE,"
SENATOR MAZIE HIRONO.
LATELY, YOU AND SENATOR

1131
00:36:48,173 --> 00:36:49,906
SENATOR MAZIE HIRONO.
LATELY, YOU AND SENATOR
DUCKWORTH, WHO WAS RECENTLY MY

1132
00:36:49,908 --> 00:36:52,209
LATELY, YOU AND SENATOR
DUCKWORTH, WHO WAS RECENTLY MY
GUEST, HAVE MADE SOME HEADLINES

1133
00:36:52,211 --> 00:36:59,516
DUCKWORTH, WHO WAS RECENTLY MY
GUEST, HAVE MADE SOME HEADLINES
FOR ADVOCATING FOR THE

1134
00:36:59,518 --> 00:37:04,120
GUEST, HAVE MADE SOME HEADLINES
FOR ADVOCATING FOR THE
ASIAN-AMERICAN STATE.

1135
00:37:04,122 --> 00:37:06,923
FOR ADVOCATING FOR THE
ASIAN-AMERICAN STATE.
LAST WEEK YOU INTRODUCE A BILL

1136
00:37:06,925 --> 00:37:08,525
ASIAN-AMERICAN STATE.
LAST WEEK YOU INTRODUCE A BILL
TO PROTECT ASIAN-AMERICAN

1137
00:37:08,527 --> 00:37:09,326
LAST WEEK YOU INTRODUCE A BILL
TO PROTECT ASIAN-AMERICAN
AGAINST HATE CRIMES.

1138
00:37:09,328 --> 00:37:11,461
TO PROTECT ASIAN-AMERICAN
AGAINST HATE CRIMES.
HOW WILL THE BILL DO THAT?

1139
00:37:11,463 --> 00:37:12,662
AGAINST HATE CRIMES.
HOW WILL THE BILL DO THAT?
>> IT'S NOT SO MUCH TO PROTECT

1140
00:37:12,664 --> 00:37:14,231
HOW WILL THE BILL DO THAT?
>> IT'S NOT SO MUCH TO PROTECT
THEM IS WE NEED MORE DATA.

1141
00:37:14,233 --> 00:37:16,199
>> IT'S NOT SO MUCH TO PROTECT
THEM IS WE NEED MORE DATA.
WE NEED THESE CRIMES AND

1142
00:37:16,201 --> 00:37:17,400
THEM IS WE NEED MORE DATA.
WE NEED THESE CRIMES AND
INCIDENTS TO BE REPORTED BECAUSE

1143
00:37:17,402 --> 00:37:18,935
WE NEED THESE CRIMES AND
INCIDENTS TO BE REPORTED BECAUSE
THEY ARE VERY UNDERREPORTED.

1144
00:37:18,937 --> 00:37:20,937
INCIDENTS TO BE REPORTED BECAUSE
THEY ARE VERY UNDERREPORTED.
WHAT THIS BILL DOES, FIRST, IT'S

1145
00:37:20,939 --> 00:37:21,638
THEY ARE VERY UNDERREPORTED.
WHAT THIS BILL DOES, FIRST, IT'S
IMPORTANT TORE THE SENATE AND

1146
00:37:21,640 --> 00:37:23,740
WHAT THIS BILL DOES, FIRST, IT'S
IMPORTANT TORE THE SENATE AND
THE HOUSE TO TAKE A STAND, YOU

1147
00:37:23,742 --> 00:37:26,643
IMPORTANT TORE THE SENATE AND
THE HOUSE TO TAKE A STAND, YOU
KNOW, TO SAY THAT WE TOTALLY

1148
00:37:26,645 --> 00:37:28,845
THE HOUSE TO TAKE A STAND, YOU
KNOW, TO SAY THAT WE TOTALLY
CONDEMN THIS KIND OF

1149
00:37:28,847 --> 00:37:29,946
KNOW, TO SAY THAT WE TOTALLY
CONDEMN THIS KIND OF
DISCRIMINATORY ACTION AGAINST A

1150
00:37:29,948 --> 00:37:31,281
CONDEMN THIS KIND OF
DISCRIMINATORY ACTION AGAINST A
MINORITY GROUP, THAT'S

1151
00:37:31,283 --> 00:37:31,581
DISCRIMINATORY ACTION AGAINST A
MINORITY GROUP, THAT'S
IMPORTANT.

1152
00:37:31,583 --> 00:37:34,150
MINORITY GROUP, THAT'S
IMPORTANT.
SECOND THING IS TO COLLECT DATA,

1153
00:37:34,152 --> 00:37:35,485
IMPORTANT.
SECOND THING IS TO COLLECT DATA,
T GET THE DEPARTMENT OF JUSTICE

1154
00:37:35,487 --> 00:37:39,189
SECOND THING IS TO COLLECT DATA,
T GET THE DEPARTMENT OF JUSTICE
TO APPOINT A PERSON TO

1155
00:37:39,191 --> 00:37:40,457
T GET THE DEPARTMENT OF JUSTICE
TO APPOINT A PERSON TO
EXPEDITIOUSLY REVIEW THESE KINDS

1156
00:37:40,459 --> 00:37:41,958
TO APPOINT A PERSON TO
EXPEDITIOUSLY REVIEW THESE KINDS
OF CRIMES, TO WORK WITH THE

1157
00:37:41,960 --> 00:37:43,893
EXPEDITIOUSLY REVIEW THESE KINDS
OF CRIMES, TO WORK WITH THE
STATE AND LOCAL LAW ENFORCEMENT

1158
00:37:43,895 --> 00:37:45,695
OF CRIMES, TO WORK WITH THE
STATE AND LOCAL LAW ENFORCEMENT
AND ADVOCACY AGENTS TO GET THE

1159
00:37:45,697 --> 00:37:47,731
STATE AND LOCAL LAW ENFORCEMENT
AND ADVOCACY AGENTS TO GET THE
WORD OUT THAT THESE CRIMES AND

1160
00:37:47,733 --> 00:37:48,765
AND ADVOCACY AGENTS TO GET THE
WORD OUT THAT THESE CRIMES AND
INCIDENTS OUGHT TO BE REPORTED

1161
00:37:48,767 --> 00:37:51,501
WORD OUT THAT THESE CRIMES AND
INCIDENTS OUGHT TO BE REPORTED
SO WE HAVE A DATA BASE IN WHICH

1162
00:37:51,503 --> 00:37:53,603
INCIDENTS OUGHT TO BE REPORTED
SO WE HAVE A DATA BASE IN WHICH
TO MAKE DECISIONS AS TO WHAT

1163
00:37:53,605 --> 00:37:55,171
SO WE HAVE A DATA BASE IN WHICH
TO MAKE DECISIONS AS TO WHAT
ELSE WE SHOULD BE DOING.

1164
00:37:55,173 --> 00:37:56,206
TO MAKE DECISIONS AS TO WHAT
ELSE WE SHOULD BE DOING.
>> Stephen: YOU SERVE ON A

1165
00:37:56,208 --> 00:37:59,009
ELSE WE SHOULD BE DOING.
>> Stephen: YOU SERVE ON A
NUMBER OF COMMITTEES INCLUDING

1166
00:37:59,011 --> 00:37:59,276
>> Stephen: YOU SERVE ON A
NUMBER OF COMMITTEES INCLUDING
JUDICIARY.

1167
00:37:59,278 --> 00:38:00,710
NUMBER OF COMMITTEES INCLUDING
JUDICIARY.
THE PRESIDENT'S FORMING A

1168
00:38:00,712 --> 00:38:03,446
JUDICIARY.
THE PRESIDENT'S FORMING A
COMMISSION RIGHT NOW TO STUDY

1169
00:38:03,448 --> 00:38:03,813
THE PRESIDENT'S FORMING A
COMMISSION RIGHT NOW TO STUDY
COURT REFORM.

1170
00:38:03,815 --> 00:38:05,782
COMMISSION RIGHT NOW TO STUDY
COURT REFORM.
WHAT WOULD YOU THINK ABOUT

1171
00:38:05,784 --> 00:38:08,151
COURT REFORM.
WHAT WOULD YOU THINK ABOUT
ADDING A FEW MORE SEATS TO THE

1172
00:38:08,153 --> 00:38:09,019
WHAT WOULD YOU THINK ABOUT
ADDING A FEW MORE SEATS TO THE
SUPREME COURT?

1173
00:38:09,021 --> 00:38:10,754
ADDING A FEW MORE SEATS TO THE
SUPREME COURT?
I MEAN, WE'VE ALL PACKED ON A

1174
00:38:10,756 --> 00:38:12,322
SUPREME COURT?
I MEAN, WE'VE ALL PACKED ON A
LITTLE BIT DURING COVID, WHY

1175
00:38:12,324 --> 00:38:13,890
I MEAN, WE'VE ALL PACKED ON A
LITTLE BIT DURING COVID, WHY
SHOULD THE SUPREME COURT BE ANY

1176
00:38:13,892 --> 00:38:15,825
LITTLE BIT DURING COVID, WHY
SHOULD THE SUPREME COURT BE ANY
DIFFERENT?

1177
00:38:15,827 --> 00:38:19,229
SHOULD THE SUPREME COURT BE ANY
DIFFERENT?
>> I KNOW FOR A FACT THAT THE

1178
00:38:19,231 --> 00:38:21,164
DIFFERENT?
>> I KNOW FOR A FACT THAT THE
RIGHT WING GROUPS LIKE THE

1179
00:38:21,166 --> 00:38:22,132
>> I KNOW FOR A FACT THAT THE
RIGHT WING GROUPS LIKE THE
FEDERAL SOCIETY HAS SPENT

1180
00:38:22,134 --> 00:38:24,234
RIGHT WING GROUPS LIKE THE
FEDERAL SOCIETY HAS SPENT
MILLIONS AND MILLIONS OF

1181
00:38:24,236 --> 00:38:27,170
FEDERAL SOCIETY HAS SPENT
MILLIONS AND MILLIONS OF
DOLLARS, IN THAT CASE, PLACING

1182
00:38:27,172 --> 00:38:29,072
MILLIONS AND MILLIONS OF
DOLLARS, IN THAT CASE, PLACING
ALL THEIR CONSERVATIVE

1183
00:38:29,074 --> 00:38:30,040
DOLLARS, IN THAT CASE, PLACING
ALL THEIR CONSERVATIVE
IDEOLOGICALLY DRIVEN PEOPLE ON

1184
00:38:30,042 --> 00:38:31,808
ALL THEIR CONSERVATIVE
IDEOLOGICALLY DRIVEN PEOPLE ON
TO THE COURTS FOR LIFE, AND, SO,

1185
00:38:31,810 --> 00:38:33,209
IDEOLOGICALLY DRIVEN PEOPLE ON
TO THE COURTS FOR LIFE, AND, SO,
THAT'S HAPPENED TO THE SUPREME

1186
00:38:33,211 --> 00:38:34,177
TO THE COURTS FOR LIFE, AND, SO,
THAT'S HAPPENED TO THE SUPREME
COURT.

1187
00:38:34,179 --> 00:38:35,845
THAT'S HAPPENED TO THE SUPREME
COURT.
I HAVE BEEN ADVOCATING FOR COURT

1188
00:38:35,847 --> 00:38:37,280
COURT.
I HAVE BEEN ADVOCATING FOR COURT
REFORM FOR QUITE A WHILE NOW,

1189
00:38:37,282 --> 00:38:38,515
I HAVE BEEN ADVOCATING FOR COURT
REFORM FOR QUITE A WHILE NOW,
AND SOME OF THAT COULD BE

1190
00:38:38,517 --> 00:38:40,016
REFORM FOR QUITE A WHILE NOW,
AND SOME OF THAT COULD BE
INCREASING THE NUMBER OF

1191
00:38:40,018 --> 00:38:41,451
AND SOME OF THAT COULD BE
INCREASING THE NUMBER OF
JUSTICES ON THE COURT, THAT'S

1192
00:38:41,453 --> 00:38:43,353
INCREASING THE NUMBER OF
JUSTICES ON THE COURT, THAT'S
NOT WRITTEN IN CONCRETE, IT'S

1193
00:38:43,355 --> 00:38:44,421
JUSTICES ON THE COURT, THAT'S
NOT WRITTEN IN CONCRETE, IT'S
NOT IN THE CONSTITUTION.

1194
00:38:44,423 --> 00:38:47,991
NOT WRITTEN IN CONCRETE, IT'S
NOT IN THE CONSTITUTION.
AND, REMEMBER, MCCONNELL MADE

1195
00:38:47,993 --> 00:38:49,693
NOT IN THE CONSTITUTION.
AND, REMEMBER, MCCONNELL MADE
THE SUPREME COURT AN

1196
00:38:49,695 --> 00:38:51,061
AND, REMEMBER, MCCONNELL MADE
THE SUPREME COURT AN
EIGHT-PERSON COURT

1197
00:38:51,063 --> 00:38:52,195
THE SUPREME COURT AN
EIGHT-PERSON COURT
SINGLE-HANDEDLY WHEN HE CHOSE

1198
00:38:52,197 --> 00:38:54,397
EIGHT-PERSON COURT
SINGLE-HANDEDLY WHEN HE CHOSE
NOT TO DO ANYTHING REGARDING

1199
00:38:54,399 --> 00:38:54,864
SINGLE-HANDEDLY WHEN HE CHOSE
NOT TO DO ANYTHING REGARDING
MERRICK GARLAND.

1200
00:38:54,866 --> 00:38:56,132
NOT TO DO ANYTHING REGARDING
MERRICK GARLAND.
SO YOU CAN INCREASE THE NUMBERS

1201
00:38:56,134 --> 00:38:57,834
MERRICK GARLAND.
SO YOU CAN INCREASE THE NUMBERS
ON THE COURT, YOU CAN CYCLE

1202
00:38:57,836 --> 00:38:59,002
SO YOU CAN INCREASE THE NUMBERS
ON THE COURT, YOU CAN CYCLE
CIRCUIT COURT JUDGES THROUGH THE

1203
00:38:59,004 --> 00:39:00,637
ON THE COURT, YOU CAN CYCLE
CIRCUIT COURT JUDGES THROUGH THE
COURT, BUT WHAT WE'RE GOING

1204
00:39:00,639 --> 00:39:02,939
CIRCUIT COURT JUDGES THROUGH THE
COURT, BUT WHAT WE'RE GOING
TO -- WHAT WE SHOULD AVOID IS

1205
00:39:02,941 --> 00:39:05,542
COURT, BUT WHAT WE'RE GOING
TO -- WHAT WE SHOULD AVOID IS
PROBABLY ALL THE 6-3 DECISIONS

1206
00:39:05,544 --> 00:39:07,143
TO -- WHAT WE SHOULD AVOID IS
PROBABLY ALL THE 6-3 DECISIONS
COMING OUT TO HAVE THE SUPREME

1207
00:39:07,145 --> 00:39:09,045
PROBABLY ALL THE 6-3 DECISIONS
COMING OUT TO HAVE THE SUPREME
COURT, AND THAT'S NOT GOOD FOR

1208
00:39:09,047 --> 00:39:11,047
COMING OUT TO HAVE THE SUPREME
COURT, AND THAT'S NOT GOOD FOR
OUR COUNTRY, AND IT'S ALSO ONE

1209
00:39:11,049 --> 00:39:12,582
COURT, AND THAT'S NOT GOOD FOR
OUR COUNTRY, AND IT'S ALSO ONE
OF THE REASONS ALL THESE VERY

1210
00:39:12,584 --> 00:39:15,552
OUR COUNTRY, AND IT'S ALSO ONE
OF THE REASONS ALL THESE VERY
CONSERVATIVE FORCES ARE TRYING

1211
00:39:15,554 --> 00:39:17,620
OF THE REASONS ALL THESE VERY
CONSERVATIVE FORCES ARE TRYING
TO FAST TRACK THEIR CASES TO THE

1212
00:39:17,622 --> 00:39:19,055
CONSERVATIVE FORCES ARE TRYING
TO FAST TRACK THEIR CASES TO THE
SUPREME COURT BECAUSE THEY THINK

1213
00:39:19,057 --> 00:39:21,758
TO FAST TRACK THEIR CASES TO THE
SUPREME COURT BECAUSE THEY THINK
THEY HAVE A CONSERVATIVE

1214
00:39:21,760 --> 00:39:24,227
SUPREME COURT BECAUSE THEY THINK
THEY HAVE A CONSERVATIVE
MAJORITY ON EVERYTHING FROM

1215
00:39:24,229 --> 00:39:25,462
THEY HAVE A CONSERVATIVE
MAJORITY ON EVERYTHING FROM
LGBTQ RIGHTS TO UNION RIGHTS TO

1216
00:39:25,464 --> 00:39:27,397
MAJORITY ON EVERYTHING FROM
LGBTQ RIGHTS TO UNION RIGHTS TO
A WOMAN'S RIGHT TO CHOOSE,

1217
00:39:27,399 --> 00:39:29,799
LGBTQ RIGHTS TO UNION RIGHTS TO
A WOMAN'S RIGHT TO CHOOSE,
VOTING RIGHTS, YOU NAME IT,

1218
00:39:29,801 --> 00:39:31,601
A WOMAN'S RIGHT TO CHOOSE,
VOTING RIGHTS, YOU NAME IT,
THEY'RE TRYING TO FAST TRACK ALL

1219
00:39:31,603 --> 00:39:34,637
VOTING RIGHTS, YOU NAME IT,
THEY'RE TRYING TO FAST TRACK ALL
THIS TO THE SUPREME COURT, WHICH

1220
00:39:34,639 --> 00:39:36,706
THEY'RE TRYING TO FAST TRACK ALL
THIS TO THE SUPREME COURT, WHICH
IS WHY WE SHOULD BE TALKING

1221
00:39:36,708 --> 00:39:37,874
THIS TO THE SUPREME COURT, WHICH
IS WHY WE SHOULD BE TALKING
ABOUT COURT REFORM SO THAT WE

1222
00:39:37,876 --> 00:39:39,776
IS WHY WE SHOULD BE TALKING
ABOUT COURT REFORM SO THAT WE
HAVE A COURT THAT IS GOING TO

1223
00:39:39,778 --> 00:39:41,745
ABOUT COURT REFORM SO THAT WE
HAVE A COURT THAT IS GOING TO
MAKE DECISIONS BASED ON

1224
00:39:41,747 --> 00:39:43,246
HAVE A COURT THAT IS GOING TO
MAKE DECISIONS BASED ON
OBJECTIVE FACTS AS OPPOSED TO

1225
00:39:43,248 --> 00:39:45,181
MAKE DECISIONS BASED ON
OBJECTIVE FACTS AS OPPOSED TO
SOME KIND OF IDEOLOGICAL AGENDA.

1226
00:39:45,183 --> 00:39:47,317
OBJECTIVE FACTS AS OPPOSED TO
SOME KIND OF IDEOLOGICAL AGENDA.
>> Stephen: WELL, THE BOOK IS

1227
00:39:47,319 --> 00:39:49,552
SOME KIND OF IDEOLOGICAL AGENDA.
>> Stephen: WELL, THE BOOK IS
CALLED "HEART OF FIRE."

1228
00:39:49,554 --> 00:39:51,654
>> Stephen: WELL, THE BOOK IS
CALLED "HEART OF FIRE."
IT'S AVAILABLE TOMORROW.

1229
00:39:51,656 --> 00:39:52,355
CALLED "HEART OF FIRE."
IT'S AVAILABLE TOMORROW.
SENATOR MAZIE HIRONO, EVERYBODY.

1230
00:39:52,357 --> 00:39:56,226
IT'S AVAILABLE TOMORROW.
SENATOR MAZIE HIRONO, EVERYBODY.
THANK YOU, SENATOR.

1231
00:39:56,228 --> 00:39:56,426
SENATOR MAZIE HIRONO, EVERYBODY.
THANK YOU, SENATOR.
BACK.

1232
00:39:56,428 --> 00:39:56,726
THANK YOU, SENATOR.
BACK.
>> ALOHA.

1233
00:39:56,728 --> 00:39:59,362
BACK.
>> ALOHA.
>> Stephen: ALOHA.

1234
00:40:02,400 --> 00:40:05,869
>> Stephen: THAT'S IT FOR "A
LATE SHOW."
TUNE IN TOMORROW WHEN MY GUESTS

1235
00:40:05,871 --> 00:40:07,637
LATE SHOW."
TUNE IN TOMORROW WHEN MY GUESTS
WILL BE CHER AND BRADLEY

1236
00:40:07,639 --> 00:40:08,938
TUNE IN TOMORROW WHEN MY GUESTS
WILL BE CHER AND BRADLEY
WHITFORD.

1237
00:40:08,940 --> 00:40:10,306
WILL BE CHER AND BRADLEY
WHITFORD.
JAMES CORDEN IS NEXT.

1238
00:40:10,308 --> 00:40:12,275
WHITFORD.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1239
00:40:12,877 --> 00:40:15,211
<font color="#ffff00"> Captioning sponsored by CBS</font>

1240
00:40:15,346 --> 00:40:20,417
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org

1241
00:40:24,722 --> 00:40:32,361
♪ ♪ ♪
♪ ♪ ♪