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<font color="#ffff00"> Captioning sponsored by CBS</font>

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>> NEW YORK CITY, THIS COULD BE
HISTORIC NEAR BLIZZARD
CONDITIONS THIS AFTERNOON.

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HISTORIC NEAR BLIZZARD
CONDITIONS THIS AFTERNOON.
>> WITHOUT A DOUBT, IT'S GOING

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CONDITIONS THIS AFTERNOON.
>> WITHOUT A DOUBT, IT'S GOING
TO BE OUR BIGGEST STORM IN THE

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>> WITHOUT A DOUBT, IT'S GOING
TO BE OUR BIGGEST STORM IN THE
LAST COUPLE OF YEARS.

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TO BE OUR BIGGEST STORM IN THE
LAST COUPLE OF YEARS.
♪♪♪

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LAST COUPLE OF YEARS.
♪♪♪
>> THE HISTORIC BLIZZARD

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♪♪♪
>> THE HISTORIC BLIZZARD
CONTINUES TO BLANKET NEW YORK

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>> THE HISTORIC BLIZZARD
CONTINUES TO BLANKET NEW YORK
CITY.

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CONTINUES TO BLANKET NEW YORK
CITY.
FOR MORE, WE TURN TO OUR ACTION

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CITY.
FOR MORE, WE TURN TO OUR ACTION
WEATHER TEAM CURRENTLY OUT AND

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FOR MORE, WE TURN TO OUR ACTION
WEATHER TEAM CURRENTLY OUT AND
ABOUT IN THE CITY.

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WEATHER TEAM CURRENTLY OUT AND
ABOUT IN THE CITY.
GARY, WHAT'S HAPPENING IN LOWER

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ABOUT IN THE CITY.
GARY, WHAT'S HAPPENING IN LOWER
MANHATTAN?

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GARY, WHAT'S HAPPENING IN LOWER
MANHATTAN?
>> IT IS A WINTER WONDERLAND OUT

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MANHATTAN?
>> IT IS A WINTER WONDERLAND OUT
HERE!

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>> IT IS A WINTER WONDERLAND OUT
HERE!
AS YOU CAN SEE, I HIRED A SHERPA

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HERE!
AS YOU CAN SEE, I HIRED A SHERPA
FROM YONKERS TO DRAG ME DOWN

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AS YOU CAN SEE, I HIRED A SHERPA
FROM YONKERS TO DRAG ME DOWN
BROAD STREET.

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FROM YONKERS TO DRAG ME DOWN
BROAD STREET.
ONLY IN NEW YORK!

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BROAD STREET.
ONLY IN NEW YORK!
>> LOOKS FUN, GARY.

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ONLY IN NEW YORK!
>> LOOKS FUN, GARY.
STAY ALIVE!

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>> LOOKS FUN, GARY.
STAY ALIVE!
FOR MORE ON THIS BLIZZARD, WE GO

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STAY ALIVE!
FOR MORE ON THIS BLIZZARD, WE GO
TO KEITH IN CENTRAL PARK.

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FOR MORE ON THIS BLIZZARD, WE GO
TO KEITH IN CENTRAL PARK.
>> THANKS, BILL!

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TO KEITH IN CENTRAL PARK.
>> THANKS, BILL!
CENTRAL PARK HAS NEVER SEEMED

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>> THANKS, BILL!
CENTRAL PARK HAS NEVER SEEMED
MORE PEACEFUL, EXCEPT FOR ALL

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CENTRAL PARK HAS NEVER SEEMED
MORE PEACEFUL, EXCEPT FOR ALL
THE WOLVES.

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MORE PEACEFUL, EXCEPT FOR ALL
THE WOLVES.
THIS REALLY IS THE CITY THAT

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THE WOLVES.
THIS REALLY IS THE CITY THAT
NEVER SLEEPS BECAUSE, IF YOU DO,

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THIS REALLY IS THE CITY THAT
NEVER SLEEPS BECAUSE, IF YOU DO,
THE WOLVES WILL MAKE A MOVE ON

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NEVER SLEEPS BECAUSE, IF YOU DO,
THE WOLVES WILL MAKE A MOVE ON
YOU!

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THE WOLVES WILL MAKE A MOVE ON
YOU!
>> SO TRUE.

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YOU!
>> SO TRUE.
OH, THIS JUST IN, MAYOR

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>> SO TRUE.
OH, THIS JUST IN, MAYOR
DE BLASIO ORDERED STREETS AND

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OH, THIS JUST IN, MAYOR
DE BLASIO ORDERED STREETS AND
SANITATION TO CLEAR THE STREETS

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DE BLASIO ORDERED STREETS AND
SANITATION TO CLEAR THE STREETS
OF SNOW.

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SANITATION TO CLEAR THE STREETS
OF SNOW.
THAT'S SOME EXPRESSIVE PLOWING.

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OF SNOW.
THAT'S SOME EXPRESSIVE PLOWING.
NOW LET'S GO TO TOM IN

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THAT'S SOME EXPRESSIVE PLOWING.
NOW LET'S GO TO TOM IN
WASHINGTON SQUARE.

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NOW LET'S GO TO TOM IN
WASHINGTON SQUARE.
>> I CUT OPEN THIS CARRIAGE

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WASHINGTON SQUARE.
>> I CUT OPEN THIS CARRIAGE
HORSE, AND I AM CLIMBING INSIDE

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>> I CUT OPEN THIS CARRIAGE
HORSE, AND I AM CLIMBING INSIDE
TO STAY WARM.

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HORSE, AND I AM CLIMBING INSIDE
TO STAY WARM.
>> SOUNDS TOASTY.

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TO STAY WARM.
>> SOUNDS TOASTY.
NOW LET'S GO TO MARY WITH A

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>> SOUNDS TOASTY.
NOW LET'S GO TO MARY WITH A
REPORT ON OUR CITY'S MASS

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NOW LET'S GO TO MARY WITH A
REPORT ON OUR CITY'S MASS
TRANSIT.

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REPORT ON OUR CITY'S MASS
TRANSIT.
>> WELL, BILL, EXPECT SOME

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TRANSIT.
>> WELL, BILL, EXPECT SOME
DELAYS.

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>> WELL, BILL, EXPECT SOME
DELAYS.
>> GET HOME SAFE, EVERYONE.

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DELAYS.
>> GET HOME SAFE, EVERYONE.
NOW LET'S CHECK IN ON JACK WITH

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>> GET HOME SAFE, EVERYONE.
NOW LET'S CHECK IN ON JACK WITH
SPORTS.

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NOW LET'S CHECK IN ON JACK WITH
SPORTS.
♪♪♪

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>> Announcer: IT'S "A LATE
SHOW" WITH STEPHEN COLBERT!
TONIGHT, THE SNOW MUST GO ON!

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SHOW" WITH STEPHEN COLBERT!
TONIGHT, THE SNOW MUST GO ON!
PLUS STEPHEN WELCOMES ETHAN

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TONIGHT, THE SNOW MUST GO ON!
PLUS STEPHEN WELCOMES ETHAN
HAWKE, AND MUSICAL GUEST MICKEY

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PLUS STEPHEN WELCOMES ETHAN
HAWKE, AND MUSICAL GUEST MICKEY
GUYTON, FEATURING JON BATISTE

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HAWKE, AND MUSICAL GUEST MICKEY
GUYTON, FEATURING JON BATISTE
AND "STAY HUMAN."

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GUYTON, FEATURING JON BATISTE
AND "STAY HUMAN."
AND NOW LIVE ON TAPE FROM THE ED

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AND "STAY HUMAN."
AND NOW LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING

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AND NOW LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN

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SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN
COLBERT!

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IN NEW YORK CITY, IT'S STEPHEN
COLBERT!
>> Stephen: HELLO, EVERYBODY!

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COLBERT!
>> Stephen: HELLO, EVERYBODY!
HELLO!

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>> Stephen: HELLO, EVERYBODY!
HELLO!
AND WELCOME TO "A LATE SHOW."

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HELLO!
AND WELCOME TO "A LATE SHOW."
I'M STEPHEN COLBRRRRR!

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AND WELCOME TO "A LATE SHOW."
I'M STEPHEN COLBRRRRR!
I'M A FREED COMEDIAN.

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I'M STEPHEN COLBRRRRR!
I'M A FREED COMEDIAN.
WE ARE BROADCASTING FROM ICE

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I'M A FREED COMEDIAN.
WE ARE BROADCASTING FROM ICE
STATION ZEBRA, HIGH ATOP THE ED

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WE ARE BROADCASTING FROM ICE
STATION ZEBRA, HIGH ATOP THE ED
SULLIVAN THEATER, WHERE I HAVE

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STATION ZEBRA, HIGH ATOP THE ED
SULLIVAN THEATER, WHERE I HAVE
BEEN HUNKERED DOWN FOR THE LAST

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SULLIVAN THEATER, WHERE I HAVE
BEEN HUNKERED DOWN FOR THE LAST
24 HOURS.

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BEEN HUNKERED DOWN FOR THE LAST
24 HOURS.
THIS IS TRUE: I ACTUALLY SPENT

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24 HOURS.
THIS IS TRUE: I ACTUALLY SPENT
THE NIGHT IN MY OFFICE BECAUSE

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THIS IS TRUE: I ACTUALLY SPENT
THE NIGHT IN MY OFFICE BECAUSE
ALL NON-ESSENTIAL VEHICLES WERE

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THE NIGHT IN MY OFFICE BECAUSE
ALL NON-ESSENTIAL VEHICLES WERE
FORBIDDEN TO TAKE TO THE STREETS

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ALL NON-ESSENTIAL VEHICLES WERE
FORBIDDEN TO TAKE TO THE STREETS
OF NEW YORK.

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FORBIDDEN TO TAKE TO THE STREETS
OF NEW YORK.
I HAVE NOT LEFT THE BUILDING

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OF NEW YORK.
I HAVE NOT LEFT THE BUILDING
THIS ENTIRE TIME, I DON'T KNOW

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I HAVE NOT LEFT THE BUILDING
THIS ENTIRE TIME, I DON'T KNOW
IF THERE'S ANYTHING LEFT ALIVE

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THIS ENTIRE TIME, I DON'T KNOW
IF THERE'S ANYTHING LEFT ALIVE
BESIDES ME.

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IF THERE'S ANYTHING LEFT ALIVE
BESIDES ME.
FOR ALL I KNOW THE ARCTIC TUNDRA

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BESIDES ME.
FOR ALL I KNOW THE ARCTIC TUNDRA
OUTSIDE THIS BUILDING IS BEING

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FOR ALL I KNOW THE ARCTIC TUNDRA
OUTSIDE THIS BUILDING IS BEING
RULED BY MARAUDING ICE TRIBES

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OUTSIDE THIS BUILDING IS BEING
RULED BY MARAUDING ICE TRIBES
WHOSE ECONOMY IS BASED ON

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RULED BY MARAUDING ICE TRIBES
WHOSE ECONOMY IS BASED ON
BARTERING HOT CHOCOLATE AND

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WHOSE ECONOMY IS BASED ON
BARTERING HOT CHOCOLATE AND
MARSHMALLOWS, RULED BY THEIR

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BARTERING HOT CHOCOLATE AND
MARSHMALLOWS, RULED BY THEIR
FEARSOME SWISS MISTRESS.

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MARSHMALLOWS, RULED BY THEIR
FEARSOME SWISS MISTRESS.
THE EAST COAST, FROM BOSTON TO

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FEARSOME SWISS MISTRESS.
THE EAST COAST, FROM BOSTON TO
WASHINGTON, D.C., IS PARALYZED.

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THE EAST COAST, FROM BOSTON TO
WASHINGTON, D.C., IS PARALYZED.
MILLIONS OF PEOPLE ARE TRAPPED

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WASHINGTON, D.C., IS PARALYZED.
MILLIONS OF PEOPLE ARE TRAPPED
IN THEIR HOUSES, BUT FOR A

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MILLIONS OF PEOPLE ARE TRAPPED
IN THEIR HOUSES, BUT FOR A
DIFFERENT REASON, NOW.

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IN THEIR HOUSES, BUT FOR A
DIFFERENT REASON, NOW.
MERE IN NEW YORK CITY, IT HAS

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DIFFERENT REASON, NOW.
MERE IN NEW YORK CITY, IT HAS
BEEN COMING DOWN FOR 24 HOURS,

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MERE IN NEW YORK CITY, IT HAS
BEEN COMING DOWN FOR 24 HOURS,
EXPECTED TO CONTINUE THROUGH

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BEEN COMING DOWN FOR 24 HOURS,
EXPECTED TO CONTINUE THROUGH
WEDNESDAY MORNING, BY THE TIME

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EXPECTED TO CONTINUE THROUGH
WEDNESDAY MORNING, BY THE TIME
IT'S OVER WE'RE LOOKING AT

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WEDNESDAY MORNING, BY THE TIME
IT'S OVER WE'RE LOOKING AT
NEARLY TWO FEET OF SNOW.

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IT'S OVER WE'RE LOOKING AT
NEARLY TWO FEET OF SNOW.
NEW YORKERS: IF YOU'RE CAUGHT

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NEARLY TWO FEET OF SNOW.
NEW YORKERS: IF YOU'RE CAUGHT
OUTSIDE, UNTIL YOU CAN GET TO

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NEW YORKERS: IF YOU'RE CAUGHT
OUTSIDE, UNTIL YOU CAN GET TO
SHELTER, REMEMBER: AS A LAST

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OUTSIDE, UNTIL YOU CAN GET TO
SHELTER, REMEMBER: AS A LAST
RESORT, YOU CAN ALWAYS STAY WARM

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SHELTER, REMEMBER: AS A LAST
RESORT, YOU CAN ALWAYS STAY WARM
BY SLICING OPEN MAYOR DE BLASIO

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RESORT, YOU CAN ALWAYS STAY WARM
BY SLICING OPEN MAYOR DE BLASIO
AND CRAWLING INSIDE.

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BY SLICING OPEN MAYOR DE BLASIO
AND CRAWLING INSIDE.
SOME FOLKS FOUND THE FUN IN THE

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AND CRAWLING INSIDE.
SOME FOLKS FOUND THE FUN IN THE
BLIZZARD.

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SOME FOLKS FOUND THE FUN IN THE
BLIZZARD.
THE STORM HIT CHICAGO FIRST,

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BLIZZARD.
THE STORM HIT CHICAGO FIRST,
WHERE ONE FELLA SNOWBOARDED

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THE STORM HIT CHICAGO FIRST,
WHERE ONE FELLA SNOWBOARDED
WHILE GETTING PULLED BY A CAR.

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WHERE ONE FELLA SNOWBOARDED
WHILE GETTING PULLED BY A CAR.
HERE IN NEW YORK, SOME PEOPLE

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WHILE GETTING PULLED BY A CAR.
HERE IN NEW YORK, SOME PEOPLE
TOOK TO THE STREETS IN THEIR

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HERE IN NEW YORK, SOME PEOPLE
TOOK TO THE STREETS IN THEIR
CROSS COUNTRY SKIS.

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TOOK TO THE STREETS IN THEIR
CROSS COUNTRY SKIS.
AND IN D.C., THERE WAS A

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CROSS COUNTRY SKIS.
AND IN D.C., THERE WAS A
SNOWBALL FIGHT ON THE NATIONAL

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AND IN D.C., THERE WAS A
SNOWBALL FIGHT ON THE NATIONAL
MALL, AND NOBODY BROUGHT ZIP

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SNOWBALL FIGHT ON THE NATIONAL
MALL, AND NOBODY BROUGHT ZIP
TIES.

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MALL, AND NOBODY BROUGHT ZIP
TIES.
IT'S THE SECOND TIME IN FOUR

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TIES.
IT'S THE SECOND TIME IN FOUR
WEEKS THAT THE CAPITOL'S BEEN

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IT'S THE SECOND TIME IN FOUR
WEEKS THAT THE CAPITOL'S BEEN
OVERWHELMED BY A STORM OF

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WEEKS THAT THE CAPITOL'S BEEN
OVERWHELMED BY A STORM OF
WHITENESS.

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OVERWHELMED BY A STORM OF
WHITENESS.
AND IT'S NOT JUST HUMANS, AS YOU

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WHITENESS.
AND IT'S NOT JUST HUMANS, AS YOU
CAN SEE IN THIS DELIGHTFUL

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AND IT'S NOT JUST HUMANS, AS YOU
CAN SEE IN THIS DELIGHTFUL
FOOTAGE OF GIANT PANDAS AT THE

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00:03:57,671 --> 00:04:00,472
CAN SEE IN THIS DELIGHTFUL
FOOTAGE OF GIANT PANDAS AT THE
NATIONAL ZOO.

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FOOTAGE OF GIANT PANDAS AT THE
NATIONAL ZOO.
LOOK AT THAT!

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00:04:01,675 --> 00:04:04,009
NATIONAL ZOO.
LOOK AT THAT!
THEY'RE JUST LIKE US: HAVING FUN

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00:04:04,011 --> 00:04:05,677
LOOK AT THAT!
THEY'RE JUST LIKE US: HAVING FUN
IN THE SNOW, STUCK IN CAPTIVITY

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00:04:05,679 --> 00:04:08,213
THEY'RE JUST LIKE US: HAVING FUN
IN THE SNOW, STUCK IN CAPTIVITY
NOT BREEDING.

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00:04:08,215 --> 00:04:09,681
IN THE SNOW, STUCK IN CAPTIVITY
NOT BREEDING.
OF COURSE, NO COVERAGE OF A

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00:04:09,683 --> 00:04:10,249
NOT BREEDING.
OF COURSE, NO COVERAGE OF A
BLIZZARD IS COMPLETE WITHOUT

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00:04:10,251 --> 00:04:12,517
OF COURSE, NO COVERAGE OF A
BLIZZARD IS COMPLETE WITHOUT
SOMEONE REPORTING FROM THE

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00:04:12,519 --> 00:04:13,685
BLIZZARD IS COMPLETE WITHOUT
SOMEONE REPORTING FROM THE
MIDDLE OF THE SNOWSTORM, SO

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00:04:13,687 --> 00:04:14,686
SOMEONE REPORTING FROM THE
MIDDLE OF THE SNOWSTORM, SO
LET'S CHECK IN WITH "THE LATE

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00:04:14,688 --> 00:04:15,721
MIDDLE OF THE SNOWSTORM, SO
LET'S CHECK IN WITH "THE LATE
SHOW'S" CHIEF METEOROLOGIST

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00:04:15,723 --> 00:04:16,421
LET'S CHECK IN WITH "THE LATE
SHOW'S" CHIEF METEOROLOGIST
LIVE ON THE ROOF OF THE ED

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00:04:16,423 --> 00:04:17,689
SHOW'S" CHIEF METEOROLOGIST
LIVE ON THE ROOF OF THE ED
SULLIVAN THEATER, STEPHEN

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00:04:17,691 --> 00:04:19,691
LIVE ON THE ROOF OF THE ED
SULLIVAN THEATER, STEPHEN
COLBERT.

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00:04:19,693 --> 00:04:21,126
SULLIVAN THEATER, STEPHEN
COLBERT.
STEPHEN, HOW ARE THINGS LOOKING

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00:04:21,128 --> 00:04:23,929
COLBERT.
STEPHEN, HOW ARE THINGS LOOKING
UP THERE, MY FRIEND?

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00:04:23,931 --> 00:04:24,463
STEPHEN, HOW ARE THINGS LOOKING
UP THERE, MY FRIEND?
WELL, STEVE, IT'S COLD AND

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00:04:24,465 --> 00:04:26,398
UP THERE, MY FRIEND?
WELL, STEVE, IT'S COLD AND
SNOWY.

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00:04:26,400 --> 00:04:27,032
WELL, STEVE, IT'S COLD AND
SNOWY.
HONESTLY, YOU DON'T NEED ANYONE

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00:04:27,034 --> 00:04:29,668
SNOWY.
HONESTLY, YOU DON'T NEED ANYONE
UP HERE TO TELL YOU THAT, YOU

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00:04:29,670 --> 00:04:33,338
HONESTLY, YOU DON'T NEED ANYONE
UP HERE TO TELL YOU THAT, YOU
COULD JUST LOOK OUT YOUR WINDOW.

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00:04:33,340 --> 00:04:33,972
UP HERE TO TELL YOU THAT, YOU
COULD JUST LOOK OUT YOUR WINDOW.
I WOULD, BUT THE WINDOWS ON SET

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00:04:33,974 --> 00:04:37,542
COULD JUST LOOK OUT YOUR WINDOW.
I WOULD, BUT THE WINDOWS ON SET
ARE JUST TV SCREENS.

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00:04:37,544 --> 00:04:38,176
I WOULD, BUT THE WINDOWS ON SET
ARE JUST TV SCREENS.
WELL, CHANGE THEM TO STATIC, AND

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00:04:38,178 --> 00:04:43,949
ARE JUST TV SCREENS.
WELL, CHANGE THEM TO STATIC, AND
YOU'LL GET THE IDEA.

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00:04:43,951 --> 00:04:45,484
WELL, CHANGE THEM TO STATIC, AND
YOU'LL GET THE IDEA.
OKAY, THERE YOU GO.

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00:04:45,486 --> 00:04:46,018
YOU'LL GET THE IDEA.
OKAY, THERE YOU GO.
WOW, THAT'S A LOT OF SNOW!

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00:04:46,020 --> 00:04:47,352
OKAY, THERE YOU GO.
WOW, THAT'S A LOT OF SNOW!
YEP.

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00:04:47,354 --> 00:04:49,187
WOW, THAT'S A LOT OF SNOW!
YEP.
CAN I COME DOWN FROM THE ROOF

154
00:04:49,189 --> 00:04:49,688
YEP.
CAN I COME DOWN FROM THE ROOF
NOW?

155
00:04:49,690 --> 00:04:53,525
CAN I COME DOWN FROM THE ROOF
NOW?
NO, YOU CAN'T.

156
00:04:53,527 --> 00:04:55,093
NOW?
NO, YOU CAN'T.
WELL, WHAT IF I MADE IT WORTH

157
00:04:55,095 --> 00:04:57,696
NO, YOU CAN'T.
WELL, WHAT IF I MADE IT WORTH
YOUR WHILE, INTRODUCED YOU TO MY

158
00:04:57,698 --> 00:04:59,131
WELL, WHAT IF I MADE IT WORTH
YOUR WHILE, INTRODUCED YOU TO MY
FRIEND BENJAMIN HERE?

159
00:04:59,133 --> 00:05:05,671
YOUR WHILE, INTRODUCED YOU TO MY
FRIEND BENJAMIN HERE?
CHECK INSIDE YOUR POCKETS,

160
00:05:05,673 --> 00:05:05,871
FRIEND BENJAMIN HERE?
CHECK INSIDE YOUR POCKETS,
STEVE.

161
00:05:05,873 --> 00:05:09,675
CHECK INSIDE YOUR POCKETS,
STEVE.
OH, I LIKE THE CUT OF YOUR JIB.

162
00:05:09,677 --> 00:05:10,242
STEVE.
OH, I LIKE THE CUT OF YOUR JIB.
C'MON DOWN, I'LL POUR YOU A

163
00:05:10,244 --> 00:05:11,243
OH, I LIKE THE CUT OF YOUR JIB.
C'MON DOWN, I'LL POUR YOU A
DRINK.

164
00:05:11,245 --> 00:05:13,612
C'MON DOWN, I'LL POUR YOU A
DRINK.
MAKE IT A DOUBLE!

165
00:05:13,614 --> 00:05:14,046
DRINK.
MAKE IT A DOUBLE!
THANK YOU, STEPHEN!

166
00:05:14,048 --> 00:05:16,415
MAKE IT A DOUBLE!
THANK YOU, STEPHEN!
NOW, DURING THE CAMPAIGN, JOE

167
00:05:16,417 --> 00:05:17,683
THANK YOU, STEPHEN!
NOW, DURING THE CAMPAIGN, JOE
BIDEN TALKED A LOT ABOUT

168
00:05:17,685 --> 00:05:19,051
NOW, DURING THE CAMPAIGN, JOE
BIDEN TALKED A LOT ABOUT
REACHING ACROSS THE AISLE.

169
00:05:19,053 --> 00:05:25,691
BIDEN TALKED A LOT ABOUT
REACHING ACROSS THE AISLE.
AND AS WE'RE TAPING THIS, HE IS

170
00:05:25,693 --> 00:05:28,193
REACHING ACROSS THE AISLE.
AND AS WE'RE TAPING THIS, HE IS
DISCUSSING A COMPROMISE PROPOSAL

171
00:05:28,195 --> 00:05:29,127
AND AS WE'RE TAPING THIS, HE IS
DISCUSSING A COMPROMISE PROPOSAL
WITH TEN REPUBLICAN SENATORS HE

172
00:05:29,129 --> 00:05:29,761
DISCUSSING A COMPROMISE PROPOSAL
WITH TEN REPUBLICAN SENATORS HE
INVITED TO THE WHITE HOUSE, LED

173
00:05:29,763 --> 00:05:31,863
WITH TEN REPUBLICAN SENATORS HE
INVITED TO THE WHITE HOUSE, LED
BY MAINE SENATOR SUSAN COLLINS,

174
00:05:31,865 --> 00:05:33,732
INVITED TO THE WHITE HOUSE, LED
BY MAINE SENATOR SUSAN COLLINS,
SEEN HERE HAVING THE TIME OF HER

175
00:05:33,734 --> 00:05:37,669
BY MAINE SENATOR SUSAN COLLINS,
SEEN HERE HAVING THE TIME OF HER
LIFE.

176
00:05:37,671 --> 00:05:40,205
SEEN HERE HAVING THE TIME OF HER
LIFE.
THE G.O.P.'S COMPROMISE OFFER TO

177
00:05:40,207 --> 00:05:43,909
LIFE.
THE G.O.P.'S COMPROMISE OFFER TO
THE BIDEN PLAN IS THE SAME WAY A

178
00:05:43,911 --> 00:05:45,410
THE G.O.P.'S COMPROMISE OFFER TO
THE BIDEN PLAN IS THE SAME WAY A
PACK OF WOLVES

179
00:05:45,412 --> 00:05:46,044
THE BIDEN PLAN IS THE SAME WAY A
PACK OF WOLVES
COMPROMISES WITH AN ABSENTMINDED

180
00:05:46,046 --> 00:05:47,212
PACK OF WOLVES
COMPROMISES WITH AN ABSENTMINDED
CARIBOU.

181
00:05:47,214 --> 00:05:47,813
COMPROMISES WITH AN ABSENTMINDED
CARIBOU.
YOU SEE, BIDEN'S COVID RESCUE

182
00:05:47,815 --> 00:05:48,447
CARIBOU.
YOU SEE, BIDEN'S COVID RESCUE
PLAN, WHICH COVERS BIGGER

183
00:05:48,449 --> 00:05:49,114
YOU SEE, BIDEN'S COVID RESCUE
PLAN, WHICH COVERS BIGGER
STIMULUS CHECKS, MORE AID FOR

184
00:05:49,116 --> 00:05:49,715
PLAN, WHICH COVERS BIGGER
STIMULUS CHECKS, MORE AID FOR
THE UNEMPLOYED, THE HUNGRY AND

185
00:05:49,717 --> 00:05:50,682
STIMULUS CHECKS, MORE AID FOR
THE UNEMPLOYED, THE HUNGRY AND
THOSE FACING EVICTION,

186
00:05:50,684 --> 00:05:51,883
THE UNEMPLOYED, THE HUNGRY AND
THOSE FACING EVICTION,
ADDITIONAL SUPPORT FOR SMALL

187
00:05:51,885 --> 00:05:53,352
THOSE FACING EVICTION,
ADDITIONAL SUPPORT FOR SMALL
BUSINESSES, STATES AND LOCAL

188
00:05:53,354 --> 00:05:53,952
ADDITIONAL SUPPORT FOR SMALL
BUSINESSES, STATES AND LOCAL
GOVERNMENTS, INCREASED FUNDING

189
00:05:53,954 --> 00:05:57,689
BUSINESSES, STATES AND LOCAL
GOVERNMENTS, INCREASED FUNDING
FOR VACCINATIONS AND TESTING, AT

190
00:05:57,691 --> 00:06:01,693
GOVERNMENTS, INCREASED FUNDING
FOR VACCINATIONS AND TESTING, AT
A PRICE TAG OF $1.9 TRILLION,

191
00:06:01,695 --> 00:06:03,829
FOR VACCINATIONS AND TESTING, AT
A PRICE TAG OF $1.9 TRILLION,
WHILE THE REPUBLICANS ONLY WANT

192
00:06:03,831 --> 00:06:05,097
A PRICE TAG OF $1.9 TRILLION,
WHILE THE REPUBLICANS ONLY WANT
TO COVER SOME OF THAT FOR $600

193
00:06:05,099 --> 00:06:05,697
WHILE THE REPUBLICANS ONLY WANT
TO COVER SOME OF THAT FOR $600
BILLION.

194
00:06:05,699 --> 00:06:07,632
TO COVER SOME OF THAT FOR $600
BILLION.
THAT'S NOT MEETIN' YA HALFWAY.

195
00:06:07,634 --> 00:06:09,701
BILLION.
THAT'S NOT MEETIN' YA HALFWAY.
THAT'S NOT EVEN MEETIN' YA

196
00:06:09,703 --> 00:06:11,403
THAT'S NOT MEETIN' YA HALFWAY.
THAT'S NOT EVEN MEETIN' YA
THIRDWAY.

197
00:06:11,405 --> 00:06:13,505
THAT'S NOT EVEN MEETIN' YA
THIRDWAY.
AMERICA IS DROWNING 100 FEET

198
00:06:13,507 --> 00:06:13,972
THIRDWAY.
AMERICA IS DROWNING 100 FEET
BELOW THE SURFACE, AND

199
00:06:13,974 --> 00:06:17,342
AMERICA IS DROWNING 100 FEET
BELOW THE SURFACE, AND
REPUBLICANS ARE SAYING, "OKAY.

200
00:06:17,344 --> 00:06:19,211
BELOW THE SURFACE, AND
REPUBLICANS ARE SAYING, "OKAY.
HERE'S OUR COMPROMISE.

201
00:06:19,213 --> 00:06:22,547
REPUBLICANS ARE SAYING, "OKAY.
HERE'S OUR COMPROMISE.
INSTEAD, WE DROWN 60 FEET

202
00:06:22,549 --> 00:06:22,981
HERE'S OUR COMPROMISE.
INSTEAD, WE DROWN 60 FEET
BELOW THE SURFACE.

203
00:06:22,983 --> 00:06:24,649
INSTEAD, WE DROWN 60 FEET
BELOW THE SURFACE.
AT LEAST THEY CAN SEE US

204
00:06:24,651 --> 00:06:25,550
BELOW THE SURFACE.
AT LEAST THEY CAN SEE US
WAVING!"

205
00:06:25,552 --> 00:06:26,151
AT LEAST THEY CAN SEE US
WAVING!"
IT'S A NICE GESTURE FOR JOE TO

206
00:06:26,153 --> 00:06:28,720
WAVING!"
IT'S A NICE GESTURE FOR JOE TO
MEET WITH THEM, BUT JOE'S

207
00:06:28,722 --> 00:06:29,688
IT'S A NICE GESTURE FOR JOE TO
MEET WITH THEM, BUT JOE'S
CLEARLY NOT PLAYING AROUND.

208
00:06:29,690 --> 00:06:31,790
MEET WITH THEM, BUT JOE'S
CLEARLY NOT PLAYING AROUND.
LOOK WHAT HE JUST DID TO WEST

209
00:06:31,792 --> 00:06:33,024
CLEARLY NOT PLAYING AROUND.
LOOK WHAT HE JUST DID TO WEST
VIRGINIA DEMOCRATIC SENATOR AND

210
00:06:33,026 --> 00:06:33,725
LOOK WHAT HE JUST DID TO WEST
VIRGINIA DEMOCRATIC SENATOR AND
FNNIEST GUY AT THE CAR

211
00:06:33,727 --> 00:06:36,661
VIRGINIA DEMOCRATIC SENATOR AND
FNNIEST GUY AT THE CAR
DEALERSHIP, JOE MANCHIN.

212
00:06:36,663 --> 00:06:37,295
FNNIEST GUY AT THE CAR
DEALERSHIP, JOE MANCHIN.
MANCHIN HAS BEEN DRAGGING HIS

213
00:06:37,297 --> 00:06:37,863
DEALERSHIP, JOE MANCHIN.
MANCHIN HAS BEEN DRAGGING HIS
FEET ON BIDEN'S COVID RELIEF

214
00:06:37,865 --> 00:06:41,700
MANCHIN HAS BEEN DRAGGING HIS
FEET ON BIDEN'S COVID RELIEF
DEAL.

215
00:06:41,702 --> 00:06:44,302
FEET ON BIDEN'S COVID RELIEF
DEAL.
SO, WITHOUT TELLING MANCHIN,

216
00:06:44,304 --> 00:06:45,670
DEAL.
SO, WITHOUT TELLING MANCHIN,
BIDEN SENT KAMALA HARRIS TO

217
00:06:45,672 --> 00:06:47,806
SO, WITHOUT TELLING MANCHIN,
BIDEN SENT KAMALA HARRIS TO
APPEAR ON LOCAL WEST VIRGINIA

218
00:06:47,808 --> 00:06:49,174
BIDEN SENT KAMALA HARRIS TO
APPEAR ON LOCAL WEST VIRGINIA
NEWS TO SAY "YOU'RE HARD

219
00:06:49,176 --> 00:06:49,808
APPEAR ON LOCAL WEST VIRGINIA
NEWS TO SAY "YOU'RE HARD
WORKING, YOU DESERVE THIS RELIEF

220
00:06:49,810 --> 00:06:51,943
NEWS TO SAY "YOU'RE HARD
WORKING, YOU DESERVE THIS RELIEF
PACKAGE, JOE MANCHIN DOESN'T

221
00:06:51,945 --> 00:06:53,078
WORKING, YOU DESERVE THIS RELIEF
PACKAGE, JOE MANCHIN DOESN'T
WANT TO GIVE IT TO YOU."

222
00:06:53,080 --> 00:06:53,678
PACKAGE, JOE MANCHIN DOESN'T
WANT TO GIVE IT TO YOU."
MANCHIN WASN'T HAPPY ABOUT THE

223
00:06:53,680 --> 00:06:55,981
WANT TO GIVE IT TO YOU."
MANCHIN WASN'T HAPPY ABOUT THE
EXECUTIVE BRANCH NUT-PUNCH.

224
00:06:55,983 --> 00:06:56,782
MANCHIN WASN'T HAPPY ABOUT THE
EXECUTIVE BRANCH NUT-PUNCH.
>> I SAW IT.

225
00:06:56,784 --> 00:06:57,682
EXECUTIVE BRANCH NUT-PUNCH.
>> I SAW IT.
I COULDN'T BELIEVE IT.

226
00:06:57,684 --> 00:06:59,451
>> I SAW IT.
I COULDN'T BELIEVE IT.
NO ONE CALLED ME.

227
00:06:59,453 --> 00:07:00,685
I COULDN'T BELIEVE IT.
NO ONE CALLED ME.
WE'RE GONNA TRY TO FIND A

228
00:07:00,687 --> 00:07:01,620
NO ONE CALLED ME.
WE'RE GONNA TRY TO FIND A
BIPARTISAN PATH FOR IT, I THINK

229
00:07:01,622 --> 00:07:02,254
WE'RE GONNA TRY TO FIND A
BIPARTISAN PATH FOR IT, I THINK
WE NEED TO, BUT WE NEED TO WORK

230
00:07:02,256 --> 00:07:04,990
BIPARTISAN PATH FOR IT, I THINK
WE NEED TO, BUT WE NEED TO WORK
TOGETHER.

231
00:07:04,992 --> 00:07:05,690
WE NEED TO, BUT WE NEED TO WORK
TOGETHER.
THAT'S NOT A WAY OF WORKING

232
00:07:05,692 --> 00:07:07,492
TOGETHER.
THAT'S NOT A WAY OF WORKING
TOGETHER, WHAT WAS DONE.

233
00:07:07,494 --> 00:07:08,260
THAT'S NOT A WAY OF WORKING
TOGETHER, WHAT WAS DONE.
>> STEPHEN: YES, HE WANTS

234
00:07:08,262 --> 00:07:09,661
TOGETHER, WHAT WAS DONE.
>> STEPHEN: YES, HE WANTS
EVERYONE TO WORK TOGETHER TO

235
00:07:09,663 --> 00:07:10,228
>> STEPHEN: YES, HE WANTS
EVERYONE TO WORK TOGETHER TO
MAKE SURE AMERICANS GET LESS

236
00:07:10,230 --> 00:07:13,698
EVERYONE TO WORK TOGETHER TO
MAKE SURE AMERICANS GET LESS
COVID RELIEF.

237
00:07:13,700 --> 00:07:15,567
MAKE SURE AMERICANS GET LESS
COVID RELIEF.
HE'S STANDING OUTSIDE CONGRESS

238
00:07:15,569 --> 00:07:17,202
COVID RELIEF.
HE'S STANDING OUTSIDE CONGRESS
WITH THAT SIGN: "WILL WORK FOR

239
00:07:17,204 --> 00:07:17,702
HE'S STANDING OUTSIDE CONGRESS
WITH THAT SIGN: "WILL WORK FOR
GETTING YOU LESS FOOD."

240
00:07:17,704 --> 00:07:21,673
WITH THAT SIGN: "WILL WORK FOR
GETTING YOU LESS FOOD."
ONE OF THE CHALLENGES FOR

241
00:07:21,675 --> 00:07:23,375
GETTING YOU LESS FOOD."
ONE OF THE CHALLENGES FOR
JAMMING SOME UNUM UP OUR E

242
00:07:23,377 --> 00:07:24,910
ONE OF THE CHALLENGES FOR
JAMMING SOME UNUM UP OUR E
PLURIBUS IS NEXT WEEK'S

243
00:07:24,912 --> 00:07:25,677
JAMMING SOME UNUM UP OUR E
PLURIBUS IS NEXT WEEK'S
IMPEACHMENT TRIAL.

244
00:07:25,679 --> 00:07:27,846
PLURIBUS IS NEXT WEEK'S
IMPEACHMENT TRIAL.
I'LL CATCH YOU UP ON THE

245
00:07:27,848 --> 00:07:29,281
IMPEACHMENT TRIAL.
I'LL CATCH YOU UP ON THE
LATEST IN TONIGHT'S EDITION OF

246
00:07:29,283 --> 00:07:29,915
I'LL CATCH YOU UP ON THE
LATEST IN TONIGHT'S EDITION OF
"DON AND THE GIANT IMPEACH 2: GO

247
00:07:29,917 --> 00:07:33,718
LATEST IN TONIGHT'S EDITION OF
"DON AND THE GIANT IMPEACH 2: GO
FAST, WE'RE FURIOUS."

248
00:07:33,720 --> 00:07:37,689
"DON AND THE GIANT IMPEACH 2: GO
FAST, WE'RE FURIOUS."
>> YOO HOOOO!

249
00:07:37,691 --> 00:07:41,693
FAST, WE'RE FURIOUS."
>> YOO HOOOO!
YOO HOOOO!

250
00:07:41,695 --> 00:07:45,030
>> YOO HOOOO!
YOO HOOOO!
(ROARING)

251
00:07:45,032 --> 00:07:45,697
YOO HOOOO!
(ROARING)
>> STEPHEN: THE SENATE TRIAL

252
00:07:45,699 --> 00:07:47,799
(ROARING)
>> STEPHEN: THE SENATE TRIAL
BEGINS A WEEK FROM TOMORROW, AND

253
00:07:47,801 --> 00:07:49,367
>> STEPHEN: THE SENATE TRIAL
BEGINS A WEEK FROM TOMORROW, AND
THE FORMER PRESIDENT IS A

254
00:07:49,369 --> 00:07:49,968
BEGINS A WEEK FROM TOMORROW, AND
THE FORMER PRESIDENT IS A
LITTLE BEHIND ON PREPARATION.

255
00:07:49,970 --> 00:07:52,237
THE FORMER PRESIDENT IS A
LITTLE BEHIND ON PREPARATION.
BECAUSE ON SATURDAY WE LEARNED

256
00:07:52,239 --> 00:07:53,672
LITTLE BEHIND ON PREPARATION.
BECAUSE ON SATURDAY WE LEARNED
ALL FIVE ATTORNEYS WORKING ON

257
00:07:53,674 --> 00:07:57,676
BECAUSE ON SATURDAY WE LEARNED
ALL FIVE ATTORNEYS WORKING ON
HIS DEFENSE LEFT THE TEAM.

258
00:07:57,678 --> 00:08:01,613
ALL FIVE ATTORNEYS WORKING ON
HIS DEFENSE LEFT THE TEAM.
ALL FIVE LAWYERS.

259
00:08:01,615 --> 00:08:01,847
HIS DEFENSE LEFT THE TEAM.
ALL FIVE LAWYERS.
LAWYERS.

260
00:08:01,849 --> 00:08:03,248
ALL FIVE LAWYERS.
LAWYERS.
THERE WAS SOMETHING LAWYERS

261
00:08:03,250 --> 00:08:03,715
LAWYERS.
THERE WAS SOMETHING LAWYERS
WOULDN'T DO FOR MONEY.

262
00:08:03,717 --> 00:08:05,684
THERE WAS SOMETHING LAWYERS
WOULDN'T DO FOR MONEY.
THAT IS RATS FLEEING A SINKING

263
00:08:05,686 --> 00:08:06,952
WOULDN'T DO FOR MONEY.
THAT IS RATS FLEEING A SINKING
RAT.

264
00:08:06,954 --> 00:08:07,786
THAT IS RATS FLEEING A SINKING
RAT.
A SOURCE CLOSE TO THE

265
00:08:07,788 --> 00:08:09,688
RAT.
A SOURCE CLOSE TO THE
E-PRESIDENT DESCRIBED IT AS A

266
00:08:09,690 --> 00:08:11,423
A SOURCE CLOSE TO THE
E-PRESIDENT DESCRIBED IT AS A
"MUTUAL DECISION."

267
00:08:11,425 --> 00:08:13,024
E-PRESIDENT DESCRIBED IT AS A
"MUTUAL DECISION."
YEAH, TOTALLY MUTUAL!

268
00:08:13,026 --> 00:08:13,692
"MUTUAL DECISION."
YEAH, TOTALLY MUTUAL!
"NO, CAROL DIDN'T DIVORCE ME.

269
00:08:13,694 --> 00:08:16,228
YEAH, TOTALLY MUTUAL!
"NO, CAROL DIDN'T DIVORCE ME.
WE DIVORCED ME!

270
00:08:16,230 --> 00:08:18,363
"NO, CAROL DIDN'T DIVORCE ME.
WE DIVORCED ME!
WE ALSO AGREED THAT THE LAWN WAS

271
00:08:18,365 --> 00:08:21,666
WE DIVORCED ME!
WE ALSO AGREED THAT THE LAWN WAS
THE BEST PLACE FOR ALL MY

272
00:08:21,668 --> 00:08:21,900
WE ALSO AGREED THAT THE LAWN WAS
THE BEST PLACE FOR ALL MY
SHIRTS."

273
00:08:21,902 --> 00:08:24,803
THE BEST PLACE FOR ALL MY
SHIRTS."
IT LOOKS LIKE THE BREAK-UP

274
00:08:24,805 --> 00:08:25,670
SHIRTS."
IT LOOKS LIKE THE BREAK-UP
HAPPENED AFTER THE EX-PRES. TOLD

275
00:08:25,672 --> 00:08:28,807
IT LOOKS LIKE THE BREAK-UP
HAPPENED AFTER THE EX-PRES. TOLD
THE LAWYERS NOT TO ARGUE THAT IT

276
00:08:28,809 --> 00:08:29,674
HAPPENED AFTER THE EX-PRES. TOLD
THE LAWYERS NOT TO ARGUE THAT IT
WAS UNCONSTITUTIONAL TO IMPEACH

277
00:08:29,676 --> 00:08:32,477
THE LAWYERS NOT TO ARGUE THAT IT
WAS UNCONSTITUTIONAL TO IMPEACH
HIM FOR INSURRECTION AFTER HE

278
00:08:32,479 --> 00:08:33,478
WAS UNCONSTITUTIONAL TO IMPEACH
HIM FOR INSURRECTION AFTER HE
LEFT OFFICE, BUT INSTEAD

279
00:08:33,480 --> 00:08:34,045
HIM FOR INSURRECTION AFTER HE
LEFT OFFICE, BUT INSTEAD
ARGUE THAT "THE ELECTION WAS

280
00:08:34,047 --> 00:08:37,682
LEFT OFFICE, BUT INSTEAD
ARGUE THAT "THE ELECTION WAS
STOLEN FROM HIM."

281
00:08:37,684 --> 00:08:38,316
ARGUE THAT "THE ELECTION WAS
STOLEN FROM HIM."
AH, THE BRILLIANT LEGAL STRATEGY

282
00:08:38,318 --> 00:08:40,285
STOLEN FROM HIM."
AH, THE BRILLIANT LEGAL STRATEGY
OF POINTING OUT TO THE JURY HOW

283
00:08:40,287 --> 00:08:41,686
AH, THE BRILLIANT LEGAL STRATEGY
OF POINTING OUT TO THE JURY HOW
MOTIVATED YOU WERE TO COMMIT THE

284
00:08:41,688 --> 00:08:43,421
OF POINTING OUT TO THE JURY HOW
MOTIVATED YOU WERE TO COMMIT THE
CRIME.

285
00:08:43,423 --> 00:08:44,389
MOTIVATED YOU WERE TO COMMIT THE
CRIME.
"LADIES AND GENTLEMEN OF THE

286
00:08:44,391 --> 00:08:45,690
CRIME.
"LADIES AND GENTLEMEN OF THE
JURY, I INTEND TO PROVE THAT MY

287
00:08:45,692 --> 00:08:49,494
"LADIES AND GENTLEMEN OF THE
JURY, I INTEND TO PROVE THAT MY
CLIENT CAN'T BE GUILTY OF

288
00:08:49,496 --> 00:08:50,128
JURY, I INTEND TO PROVE THAT MY
CLIENT CAN'T BE GUILTY OF
MURDER BY ESTABLISHING JUST HOW

289
00:08:50,130 --> 00:08:53,698
CLIENT CAN'T BE GUILTY OF
MURDER BY ESTABLISHING JUST HOW
STABBABLE HER HUSBAND WAS.

290
00:08:53,700 --> 00:08:55,901
MURDER BY ESTABLISHING JUST HOW
STABBABLE HER HUSBAND WAS.
LOOK AT THAT JUICY TORSO!"

291
00:08:55,903 --> 00:08:56,835
STABBABLE HER HUSBAND WAS.
LOOK AT THAT JUICY TORSO!"
I'M SORRY.

292
00:08:56,837 --> 00:08:57,102
LOOK AT THAT JUICY TORSO!"
I'M SORRY.
WHAT?

293
00:08:57,104 --> 00:09:01,673
I'M SORRY.
WHAT?
OH, HE'S DEAD.

294
00:09:01,675 --> 00:09:07,379
WHAT?
OH, HE'S DEAD.
I FORGOT.

295
00:09:07,381 --> 00:09:08,280
OH, HE'S DEAD.
I FORGOT.
SO, ON SUNDAY THE FORMER

296
00:09:08,282 --> 00:09:08,947
I FORGOT.
SO, ON SUNDAY THE FORMER
PRESIDENT CRUISED SOME DARK

297
00:09:08,949 --> 00:09:09,681
SO, ON SUNDAY THE FORMER
PRESIDENT CRUISED SOME DARK
ALLEYS OF THE LEGAL WORLD AND

298
00:09:09,683 --> 00:09:11,249
PRESIDENT CRUISED SOME DARK
ALLEYS OF THE LEGAL WORLD AND
SCRAPED UP TWO NEW LAWYERS:

299
00:09:11,251 --> 00:09:11,783
ALLEYS OF THE LEGAL WORLD AND
SCRAPED UP TWO NEW LAWYERS:
CRIMINAL LITIGATOR AND MAN

300
00:09:11,785 --> 00:09:12,617
SCRAPED UP TWO NEW LAWYERS:
CRIMINAL LITIGATOR AND MAN
ADDICTED TO S.P.F. 1,000, DAVID

301
00:09:12,619 --> 00:09:13,485
CRIMINAL LITIGATOR AND MAN
ADDICTED TO S.P.F. 1,000, DAVID
SCHOEN, AND FORMER DISTRICT

302
00:09:13,487 --> 00:09:14,085
ADDICTED TO S.P.F. 1,000, DAVID
SCHOEN, AND FORMER DISTRICT
ATTORNEY AND SCHOOL PRINCIPAL

303
00:09:14,087 --> 00:09:16,154
SCHOEN, AND FORMER DISTRICT
ATTORNEY AND SCHOOL PRINCIPAL
WAITING FOR KIDS TO STOP BOOING

304
00:09:16,156 --> 00:09:17,689
ATTORNEY AND SCHOOL PRINCIPAL
WAITING FOR KIDS TO STOP BOOING
BRUCE CASTOR.

305
00:09:17,691 --> 00:09:19,824
WAITING FOR KIDS TO STOP BOOING
BRUCE CASTOR.
THESE GUYS HAVE A LOT IN COMMON.

306
00:09:19,826 --> 00:09:21,693
BRUCE CASTOR.
THESE GUYS HAVE A LOT IN COMMON.
WHEN HE WAS A PENNSYLVANIA D.A.

307
00:09:21,695 --> 00:09:23,728
THESE GUYS HAVE A LOT IN COMMON.
WHEN HE WAS A PENNSYLVANIA D.A.
IN 2005, CASTOR DECLINED TO

308
00:09:23,730 --> 00:09:25,697
WHEN HE WAS A PENNSYLVANIA D.A.
IN 2005, CASTOR DECLINED TO
PROSECUTE BILL COSBY AS PART OF

309
00:09:25,699 --> 00:09:27,933
IN 2005, CASTOR DECLINED TO
PROSECUTE BILL COSBY AS PART OF
A "SECRET AGREEMENT."

310
00:09:27,935 --> 00:09:29,434
PROSECUTE BILL COSBY AS PART OF
A "SECRET AGREEMENT."
ALTHOUGH IT IS POSSIBLE CASTOR

311
00:09:29,436 --> 00:09:30,001
A "SECRET AGREEMENT."
ALTHOUGH IT IS POSSIBLE CASTOR
DIDN'T KNOW, AND COSBY JUST

312
00:09:30,003 --> 00:09:33,038
ALTHOUGH IT IS POSSIBLE CASTOR
DIDN'T KNOW, AND COSBY JUST
DROPPED THE AGREEMENT INTO

313
00:09:33,040 --> 00:09:33,305
DIDN'T KNOW, AND COSBY JUST
DROPPED THE AGREEMENT INTO
HIS DRINK.

314
00:09:33,307 --> 00:09:40,412
DROPPED THE AGREEMENT INTO
HIS DRINK.
MEANWHILE, DAYS BEFORE JEFFREY

315
00:09:40,414 --> 00:09:41,012
HIS DRINK.
MEANWHILE, DAYS BEFORE JEFFREY
EPSTEIN DIED, SCHOEN ACTUALLY

316
00:09:41,014 --> 00:09:41,646
MEANWHILE, DAYS BEFORE JEFFREY
EPSTEIN DIED, SCHOEN ACTUALLY
MET WITH THE ACCUSED CHILD SEX

317
00:09:41,648 --> 00:09:42,247
EPSTEIN DIED, SCHOEN ACTUALLY
MET WITH THE ACCUSED CHILD SEX
TRAFFICKER ABOUT "JOINING HIS

318
00:09:42,249 --> 00:09:43,982
MET WITH THE ACCUSED CHILD SEX
TRAFFICKER ABOUT "JOINING HIS
DEFENSE."

319
00:09:43,984 --> 00:09:45,684
TRAFFICKER ABOUT "JOINING HIS
DEFENSE."
MY GOD, WHO WOULD HIRE JEFFREY

320
00:09:45,686 --> 00:09:48,653
DEFENSE."
MY GOD, WHO WOULD HIRE JEFFREY
EPSTEIN'S DEFENSE LAWYER?

321
00:09:48,655 --> 00:09:49,688
MY GOD, WHO WOULD HIRE JEFFREY
EPSTEIN'S DEFENSE LAWYER?
OH, JEFFREY EPSTEIN'S WINGMAN?

322
00:09:49,690 --> 00:09:52,991
EPSTEIN'S DEFENSE LAWYER?
OH, JEFFREY EPSTEIN'S WINGMAN?
THAT MAKES SENSE.

323
00:09:52,993 --> 00:09:53,692
OH, JEFFREY EPSTEIN'S WINGMAN?
THAT MAKES SENSE.
IT'S NO SURPRISE THE OLD POTUS

324
00:09:53,694 --> 00:09:55,594
THAT MAKES SENSE.
IT'S NO SURPRISE THE OLD POTUS
WANTS TO KEEP PUSHING HIS

325
00:09:55,596 --> 00:09:56,361
IT'S NO SURPRISE THE OLD POTUS
WANTS TO KEEP PUSHING HIS
ELECTION FRAUD FRAUD.

326
00:09:56,363 --> 00:09:57,696
WANTS TO KEEP PUSHING HIS
ELECTION FRAUD FRAUD.
ACCORDING TO "THE NEW YORK

327
00:09:57,698 --> 00:10:01,666
ELECTION FRAUD FRAUD.
ACCORDING TO "THE NEW YORK
TIMES," THE FORMER

328
00:10:01,668 --> 00:10:02,267
ACCORDING TO "THE NEW YORK
TIMES," THE FORMER
ADMINISTRATION KNEW BIDEN WAS

329
00:10:02,269 --> 00:10:04,502
TIMES," THE FORMER
ADMINISTRATION KNEW BIDEN WAS
THE WINNER BY THURSDAY THE 12TH

330
00:10:04,504 --> 00:10:05,670
ADMINISTRATION KNEW BIDEN WAS
THE WINNER BY THURSDAY THE 12TH
OF NOVEMBER.

331
00:10:05,672 --> 00:10:07,472
THE WINNER BY THURSDAY THE 12TH
OF NOVEMBER.
SO, FIVE DAYS LATER THAN

332
00:10:07,474 --> 00:10:09,674
OF NOVEMBER.
SO, FIVE DAYS LATER THAN
EVERYONE ELSE IN THE WORLD, BUT

333
00:10:09,676 --> 00:10:12,877
SO, FIVE DAYS LATER THAN
EVERYONE ELSE IN THE WORLD, BUT
STILL, HE KNEW IT WAS A LIE.

334
00:10:12,879 --> 00:10:13,445
EVERYONE ELSE IN THE WORLD, BUT
STILL, HE KNEW IT WAS A LIE.
HE KNEW WE KNEW IT WAS LIE.

335
00:10:13,447 --> 00:10:14,079
STILL, HE KNEW IT WAS A LIE.
HE KNEW WE KNEW IT WAS LIE.
HE KNEW WE KNEW HE KNEW IT WAS A

336
00:10:14,081 --> 00:10:16,114
HE KNEW WE KNEW IT WAS LIE.
HE KNEW WE KNEW HE KNEW IT WAS A
LIE.

337
00:10:16,116 --> 00:10:16,715
HE KNEW WE KNEW HE KNEW IT WAS A
LIE.
BUT HE KEPT IT UP ANYWAY.

338
00:10:16,717 --> 00:10:17,682
LIE.
BUT HE KEPT IT UP ANYWAY.
IT'S THE ELECTORAL EQUIVALENT OF

339
00:10:17,684 --> 00:10:21,286
BUT HE KEPT IT UP ANYWAY.
IT'S THE ELECTORAL EQUIVALENT OF
HIS BRONZER.

340
00:10:21,288 --> 00:10:21,753
IT'S THE ELECTORAL EQUIVALENT OF
HIS BRONZER.
WE CAN SEE YOUR EARS!

341
00:10:21,755 --> 00:10:25,690
HIS BRONZER.
WE CAN SEE YOUR EARS!
WE KNOW YOU'RE ACTUALLY THE

342
00:10:25,692 --> 00:10:28,493
WE CAN SEE YOUR EARS!
WE KNOW YOU'RE ACTUALLY THE
COLOR OF DYING E.T.

343
00:10:28,495 --> 00:10:29,694
WE KNOW YOU'RE ACTUALLY THE
COLOR OF DYING E.T.
THE LAST FEW WEEKS HAVE BEEN A

344
00:10:29,696 --> 00:10:32,998
COLOR OF DYING E.T.
THE LAST FEW WEEKS HAVE BEEN A
TOUGH TIME FOR THE MAGA CROWD,

345
00:10:33,000 --> 00:10:33,732
THE LAST FEW WEEKS HAVE BEEN A
TOUGH TIME FOR THE MAGA CROWD,
ESPECIALLY BELIEVERS OF QANON,

346
00:10:33,734 --> 00:10:35,800
TOUGH TIME FOR THE MAGA CROWD,
ESPECIALLY BELIEVERS OF QANON,
THE DERANGED INTERNET MOB

347
00:10:35,802 --> 00:10:36,935
ESPECIALLY BELIEVERS OF QANON,
THE DERANGED INTERNET MOB
PREACHING THAT ELITE DEMOCRATS,

348
00:10:36,937 --> 00:10:37,669
THE DERANGED INTERNET MOB
PREACHING THAT ELITE DEMOCRATS,
GOVERNMENT OFFICIALS, AND

349
00:10:37,671 --> 00:10:39,838
PREACHING THAT ELITE DEMOCRATS,
GOVERNMENT OFFICIALS, AND
CELEBRITIES ARE PART OF A

350
00:10:39,840 --> 00:10:41,573
GOVERNMENT OFFICIALS, AND
CELEBRITIES ARE PART OF A
CANNIBALISTIC, CHILD

351
00:10:41,575 --> 00:10:42,173
CELEBRITIES ARE PART OF A
CANNIBALISTIC, CHILD
SEX-TRAFFICKING CULT, AND THE

352
00:10:42,175 --> 00:10:43,642
CANNIBALISTIC, CHILD
SEX-TRAFFICKING CULT, AND THE
EX-PRESIDENT WAS THE HERO

353
00:10:43,644 --> 00:10:45,677
SEX-TRAFFICKING CULT, AND THE
EX-PRESIDENT WAS THE HERO
DESTINED TO STOP THEM.

354
00:10:45,679 --> 00:10:47,545
EX-PRESIDENT WAS THE HERO
DESTINED TO STOP THEM.
OH, WELL.

355
00:10:47,547 --> 00:10:48,480
DESTINED TO STOP THEM.
OH, WELL.
Q PEOPLE, IF YOU'RE STILL

356
00:10:48,482 --> 00:10:49,681
OH, WELL.
Q PEOPLE, IF YOU'RE STILL
LOOKING FOR A SAVIOR, CAN I

357
00:10:49,683 --> 00:10:52,050
Q PEOPLE, IF YOU'RE STILL
LOOKING FOR A SAVIOR, CAN I
INTEREST YOU IN A MUCH NICER

358
00:10:52,052 --> 00:10:53,418
LOOKING FOR A SAVIOR, CAN I
INTEREST YOU IN A MUCH NICER
MESSIAH WHO ALSO HUNG OUT WITH

359
00:10:53,420 --> 00:10:54,019
INTEREST YOU IN A MUCH NICER
MESSIAH WHO ALSO HUNG OUT WITH
PROSTITUTES BUT MIGHT ACTUALLY

360
00:10:54,021 --> 00:10:57,689
MESSIAH WHO ALSO HUNG OUT WITH
PROSTITUTES BUT MIGHT ACTUALLY
COME BACK ONE DAY?

361
00:10:57,691 --> 00:11:01,426
PROSTITUTES BUT MIGHT ACTUALLY
COME BACK ONE DAY?
EVER SINCE THE DICTATOR SLUNK

362
00:11:01,428 --> 00:11:01,993
COME BACK ONE DAY?
EVER SINCE THE DICTATOR SLUNK
OFF TO MAR-A-GULAG-O, Q FOLK

363
00:11:01,995 --> 00:11:03,962
EVER SINCE THE DICTATOR SLUNK
OFF TO MAR-A-GULAG-O, Q FOLK
HAVE BEEN STRUGGLING TO

364
00:11:03,964 --> 00:11:05,497
OFF TO MAR-A-GULAG-O, Q FOLK
HAVE BEEN STRUGGLING TO
UNDERSTAND BIDEN'S INAUGURATION,

365
00:11:05,499 --> 00:11:05,997
HAVE BEEN STRUGGLING TO
UNDERSTAND BIDEN'S INAUGURATION,
WHICH MANY BELIEVE WAS A

366
00:11:05,999 --> 00:11:07,832
UNDERSTAND BIDEN'S INAUGURATION,
WHICH MANY BELIEVE WAS A
DEEPFAKE.

367
00:11:07,834 --> 00:11:09,534
WHICH MANY BELIEVE WAS A
DEEPFAKE.
YES, IT WAS ALL STAGED ON A

368
00:11:09,536 --> 00:11:09,868
DEEPFAKE.
YES, IT WAS ALL STAGED ON A
GREEN SCREEN.

369
00:11:09,870 --> 00:11:13,705
YES, IT WAS ALL STAGED ON A
GREEN SCREEN.
AND, IN REALITY, BERNIE WAS JUST

370
00:11:13,707 --> 00:11:16,141
GREEN SCREEN.
AND, IN REALITY, BERNIE WAS JUST
A TENNIS BALL ON A STICK.

371
00:11:16,143 --> 00:11:17,676
AND, IN REALITY, BERNIE WAS JUST
A TENNIS BALL ON A STICK.
OVER THE WEEKEND, ANDERSON

372
00:11:17,678 --> 00:11:19,044
A TENNIS BALL ON A STICK.
OVER THE WEEKEND, ANDERSON
COOPER INTERVIEWED ONE FORMER

373
00:11:19,046 --> 00:11:21,680
OVER THE WEEKEND, ANDERSON
COOPER INTERVIEWED ONE FORMER
Q-SADER WHO MADE A TROUBLING

374
00:11:21,682 --> 00:11:24,349
COOPER INTERVIEWED ONE FORMER
Q-SADER WHO MADE A TROUBLING
CONFESSION:

375
00:11:24,351 --> 00:11:25,684
Q-SADER WHO MADE A TROUBLING
CONFESSION:
>> DID YOU AT THE TIME BELIEVE

376
00:11:25,686 --> 00:11:29,654
CONFESSION:
>> DID YOU AT THE TIME BELIEVE
THAT DEMOCRATS, HIGH LEVEL

377
00:11:29,656 --> 00:11:30,255
>> DID YOU AT THE TIME BELIEVE
THAT DEMOCRATS, HIGH LEVEL
DEMOCRATS AND CELEBRITIES WERE

378
00:11:30,257 --> 00:11:32,457
THAT DEMOCRATS, HIGH LEVEL
DEMOCRATS AND CELEBRITIES WERE
WORSHIPPING SATAN, DRINKING THE

379
00:11:32,459 --> 00:11:32,857
DEMOCRATS AND CELEBRITIES WERE
WORSHIPPING SATAN, DRINKING THE
BLOOD OF CHILDREN?

380
00:11:32,859 --> 00:11:33,725
WORSHIPPING SATAN, DRINKING THE
BLOOD OF CHILDREN?
>> ANDERSON, I THOUGHT YOU DID

381
00:11:33,727 --> 00:11:37,195
BLOOD OF CHILDREN?
>> ANDERSON, I THOUGHT YOU DID
THAT.

382
00:11:37,197 --> 00:11:37,796
>> ANDERSON, I THOUGHT YOU DID
THAT.
AND I WOULD LIKE TO APOLOGIZE

383
00:11:37,798 --> 00:11:39,030
THAT.
AND I WOULD LIKE TO APOLOGIZE
FOR THAT RIGHT NOW, SO I

384
00:11:39,032 --> 00:11:41,566
AND I WOULD LIKE TO APOLOGIZE
FOR THAT RIGHT NOW, SO I
APOLOGIZE FOR THINKING THAT YOU

385
00:11:41,568 --> 00:11:41,866
FOR THAT RIGHT NOW, SO I
APOLOGIZE FOR THINKING THAT YOU
ATE BABIES.

386
00:11:41,868 --> 00:11:45,670
APOLOGIZE FOR THINKING THAT YOU
ATE BABIES.
BUT, YEAH, 100%.

387
00:11:45,672 --> 00:11:47,405
ATE BABIES.
BUT, YEAH, 100%.
>> BUT YOU ACTUALLY-- YOU

388
00:11:47,407 --> 00:11:48,473
BUT, YEAH, 100%.
>> BUT YOU ACTUALLY-- YOU
ACTUALLY BELIEVE THAT I WAS

389
00:11:48,475 --> 00:11:49,674
>> BUT YOU ACTUALLY-- YOU
ACTUALLY BELIEVE THAT I WAS
DRINKING THE BLOOD OF CHILDREN?

390
00:11:49,676 --> 00:11:53,678
ACTUALLY BELIEVE THAT I WAS
DRINKING THE BLOOD OF CHILDREN?
>> YES, I DID.

391
00:11:53,680 --> 00:11:54,546
DRINKING THE BLOOD OF CHILDREN?
>> YES, I DID.
>> STEPHEN: NOW, WHAT ON EARTH

392
00:11:54,548 --> 00:11:57,682
>> YES, I DID.
>> STEPHEN: NOW, WHAT ON EARTH
MAKES ANYONE BELIEVE THAT

393
00:11:57,684 --> 00:12:00,952
>> STEPHEN: NOW, WHAT ON EARTH
MAKES ANYONE BELIEVE THAT
ANDERSON COOPER WAS DRINKING THE

394
00:12:00,954 --> 00:12:02,487
MAKES ANYONE BELIEVE THAT
ANDERSON COOPER WAS DRINKING THE
BLOOD OF CHILDREN

395
00:12:02,489 --> 00:12:02,987
ANDERSON COOPER WAS DRINKING THE
BLOOD OF CHILDREN
OTHER THAN THE FACT THAT

396
00:12:02,989 --> 00:12:03,722
BLOOD OF CHILDREN
OTHER THAN THE FACT THAT
ANDERSON COOPER HAS NEVER AGED?

397
00:12:03,724 --> 00:12:04,289
OTHER THAN THE FACT THAT
ANDERSON COOPER HAS NEVER AGED?
BUT THAT WASN'T ALL Q FOLKS

398
00:12:04,291 --> 00:12:04,923
ANDERSON COOPER HAS NEVER AGED?
BUT THAT WASN'T ALL Q FOLKS
BELIEVED ABOUT THE SILVER SURFER

399
00:12:04,925 --> 00:12:05,323
BUT THAT WASN'T ALL Q FOLKS
BELIEVED ABOUT THE SILVER SURFER
OF CABLE NEWS.

400
00:12:05,325 --> 00:12:05,890
BELIEVED ABOUT THE SILVER SURFER
OF CABLE NEWS.
>> WAS IT SOMETHING ABOUT ME

401
00:12:05,892 --> 00:12:08,293
OF CABLE NEWS.
>> WAS IT SOMETHING ABOUT ME
THAT MADE YOU THINK THAT?

402
00:12:08,295 --> 00:12:08,927
>> WAS IT SOMETHING ABOUT ME
THAT MADE YOU THINK THAT?
>> IT'S BECAUSE "Q" SPECIFICALLY

403
00:12:08,929 --> 00:12:09,694
THAT MADE YOU THINK THAT?
>> IT'S BECAUSE "Q" SPECIFICALLY
MENTIONED YOU AND HE MENTIONED

404
00:12:09,696 --> 00:12:13,698
>> IT'S BECAUSE "Q" SPECIFICALLY
MENTIONED YOU AND HE MENTIONED
YOU VERY EARLY ON.

405
00:12:13,700 --> 00:12:17,702
MENTIONED YOU AND HE MENTIONED
YOU VERY EARLY ON.
HE MENTIONED YOU BY NAME, AND

406
00:12:17,704 --> 00:12:18,837
YOU VERY EARLY ON.
HE MENTIONED YOU BY NAME, AND
FROM THERE HE ALSO TALKED ABOUT,

407
00:12:18,839 --> 00:12:21,673
HE MENTIONED YOU BY NAME, AND
FROM THERE HE ALSO TALKED ABOUT,
LIKE, FOR EXAMPLE, YOU KNOW,

408
00:12:21,675 --> 00:12:22,674
FROM THERE HE ALSO TALKED ABOUT,
LIKE, FOR EXAMPLE, YOU KNOW,
FAMILY.

409
00:12:22,676 --> 00:12:23,274
LIKE, FOR EXAMPLE, YOU KNOW,
FAMILY.
I'M GOING TO BE HONEST, LIKE,

410
00:12:23,276 --> 00:12:25,677
FAMILY.
I'M GOING TO BE HONEST, LIKE,
PEOPLE STILL TALK ABOUT THAT TO

411
00:12:25,679 --> 00:12:29,380
I'M GOING TO BE HONEST, LIKE,
PEOPLE STILL TALK ABOUT THAT TO
THIS DAY.

412
00:12:29,382 --> 00:12:30,014
PEOPLE STILL TALK ABOUT THAT TO
THIS DAY.
THERE WERE POSTS ABOUT THAT JUST

413
00:12:30,016 --> 00:12:31,950
THIS DAY.
THERE WERE POSTS ABOUT THAT JUST
FOUR DAYS AGO, SOME PEOPLE

414
00:12:31,952 --> 00:12:32,484
THERE WERE POSTS ABOUT THAT JUST
FOUR DAYS AGO, SOME PEOPLE
THOUGHT YOU WERE A ROBOT.

415
00:12:32,486 --> 00:12:33,051
FOUR DAYS AGO, SOME PEOPLE
THOUGHT YOU WERE A ROBOT.
>> STEPHEN: OKAY, THAT ONE'S

416
00:12:33,053 --> 00:12:37,489
THOUGHT YOU WERE A ROBOT.
>> STEPHEN: OKAY, THAT ONE'S
JUST INSANE.

417
00:12:37,491 --> 00:12:38,089
>> STEPHEN: OKAY, THAT ONE'S
JUST INSANE.
ANDERSON COOPER'S NOT A ROBOT.

418
00:12:38,091 --> 00:12:40,258
JUST INSANE.
ANDERSON COOPER'S NOT A ROBOT.
THAT'S CLEARLY THE BLITZ-BORG.

419
00:12:40,260 --> 00:12:41,526
ANDERSON COOPER'S NOT A ROBOT.
THAT'S CLEARLY THE BLITZ-BORG.
(AS WOLF BLITZER)

420
00:12:41,528 --> 00:12:41,826
THAT'S CLEARLY THE BLITZ-BORG.
(AS WOLF BLITZER)
"OTHERWISE.

421
00:12:41,828 --> 00:12:45,196
(AS WOLF BLITZER)
"OTHERWISE.
WHY ELSE.

422
00:12:45,198 --> 00:12:48,867
"OTHERWISE.
WHY ELSE.
WOULD HE BE SO.

423
00:12:48,869 --> 00:12:49,434
WHY ELSE.
WOULD HE BE SO.
BAD.

424
00:12:49,436 --> 00:12:49,701
WOULD HE BE SO.
BAD.
AT.

425
00:12:49,703 --> 00:12:50,769
BAD.
AT.
MIMICKING.

426
00:12:50,771 --> 00:12:51,436
AT.
MIMICKING.
HUMAN.

427
00:12:51,438 --> 00:12:52,403
MIMICKING.
HUMAN.
SPEECH?

428
00:12:52,405 --> 00:12:53,138
HUMAN.
SPEECH?
ANDERSON."

429
00:12:53,140 --> 00:12:53,772
SPEECH?
ANDERSON."
BUT NOT EVERY INTERNET CRAZY IS

430
00:12:53,774 --> 00:12:54,272
ANDERSON."
BUT NOT EVERY INTERNET CRAZY IS
GOING THROUGH AGONIZING

431
00:12:54,274 --> 00:12:56,207
BUT NOT EVERY INTERNET CRAZY IS
GOING THROUGH AGONIZING
REAPPRAISAL.

432
00:12:56,209 --> 00:12:57,208
GOING THROUGH AGONIZING
REAPPRAISAL.
CASE IN POINT, ON SATURDAY,

433
00:12:57,210 --> 00:12:57,842
REAPPRAISAL.
CASE IN POINT, ON SATURDAY,
ANTI-VAX PROTESTERS TEMPORARILY

434
00:12:57,844 --> 00:12:59,944
CASE IN POINT, ON SATURDAY,
ANTI-VAX PROTESTERS TEMPORARILY
SHUT DOWN THE COVID-19

435
00:12:59,946 --> 00:13:00,712
ANTI-VAX PROTESTERS TEMPORARILY
SHUT DOWN THE COVID-19
VACCINATION SITE AT L.A.'S

436
00:13:00,714 --> 00:13:01,212
SHUT DOWN THE COVID-19
VACCINATION SITE AT L.A.'S
DODGER STADIUM, DELAYING

437
00:13:01,214 --> 00:13:01,746
VACCINATION SITE AT L.A.'S
DODGER STADIUM, DELAYING
APPOINTMENTS BY NEARLY AN

438
00:13:01,748 --> 00:13:05,016
DODGER STADIUM, DELAYING
APPOINTMENTS BY NEARLY AN
HOUR.

439
00:13:05,018 --> 00:13:05,683
APPOINTMENTS BY NEARLY AN
HOUR.
NICE TRY, ANTI-VAXERS, BUT THESE

440
00:13:05,685 --> 00:13:07,485
HOUR.
NICE TRY, ANTI-VAXERS, BUT THESE
ARE ANGELENOS.

441
00:13:07,487 --> 00:13:08,219
NICE TRY, ANTI-VAXERS, BUT THESE
ARE ANGELENOS.
THEY'RE NOT GOING TO QUIT

442
00:13:08,221 --> 00:13:09,687
ARE ANGELENOS.
THEY'RE NOT GOING TO QUIT
BECAUSE YOU MADE 'EM WAIT 60

443
00:13:09,689 --> 00:13:13,358
THEY'RE NOT GOING TO QUIT
BECAUSE YOU MADE 'EM WAIT 60
MINUTES!

444
00:13:13,360 --> 00:13:13,892
BECAUSE YOU MADE 'EM WAIT 60
MINUTES!
IT TAKES TWO HOURS JUST TO

445
00:13:13,894 --> 00:13:18,229
MINUTES!
IT TAKES TWO HOURS JUST TO
CHANGE LANES ON THE 405.

446
00:13:18,231 --> 00:13:19,631
IT TAKES TWO HOURS JUST TO
CHANGE LANES ON THE 405.
THE PROTEST ORGANIZERS WANTED

447
00:13:19,633 --> 00:13:20,932
CHANGE LANES ON THE 405.
THE PROTEST ORGANIZERS WANTED
PEOPLE TO BE OPEN TO THEIR

448
00:13:20,934 --> 00:13:21,699
THE PROTEST ORGANIZERS WANTED
PEOPLE TO BE OPEN TO THEIR
MESSAGE, SO THEY URGED

449
00:13:21,701 --> 00:13:25,303
PEOPLE TO BE OPEN TO THEIR
MESSAGE, SO THEY URGED
ATTENDEES TO "REFRAIN FROM

450
00:13:25,305 --> 00:13:25,904
MESSAGE, SO THEY URGED
ATTENDEES TO "REFRAIN FROM
WEARING MAGA ATTIRE AS WE WANT

451
00:13:25,906 --> 00:13:28,373
ATTENDEES TO "REFRAIN FROM
WEARING MAGA ATTIRE AS WE WANT
OUR STATEMENT TO RESONATE WITH

452
00:13:28,375 --> 00:13:29,374
WEARING MAGA ATTIRE AS WE WANT
OUR STATEMENT TO RESONATE WITH
THE SHEEPLE."

453
00:13:29,376 --> 00:13:29,941
OUR STATEMENT TO RESONATE WITH
THE SHEEPLE."
"YEAH, THE ONES GETTING THE

454
00:13:29,943 --> 00:13:32,210
THE SHEEPLE."
"YEAH, THE ONES GETTING THE
VACCINE ARE SHEEPLE.

455
00:13:32,212 --> 00:13:33,244
"YEAH, THE ONES GETTING THE
VACCINE ARE SHEEPLE.
NOW EVERYONE HIDE THE MATCHING

456
00:13:33,246 --> 00:13:33,878
VACCINE ARE SHEEPLE.
NOW EVERYONE HIDE THE MATCHING
HATS WE BOUGHT FROM OUR BANKRUPT

457
00:13:33,880 --> 00:13:37,682
NOW EVERYONE HIDE THE MATCHING
HATS WE BOUGHT FROM OUR BANKRUPT
CASINO GOD-KING."

458
00:13:37,684 --> 00:13:40,752
HATS WE BOUGHT FROM OUR BANKRUPT
CASINO GOD-KING."
BUT DESPITE THE CALLS TO

459
00:13:40,754 --> 00:13:41,686
CASINO GOD-KING."
BUT DESPITE THE CALLS TO
"RESONATE WITH THE SHEEPLE," THE

460
00:13:41,688 --> 00:13:43,855
BUT DESPITE THE CALLS TO
"RESONATE WITH THE SHEEPLE," THE
ACTUAL TONE OF THE PROTEST WAS

461
00:13:43,857 --> 00:13:45,690
"RESONATE WITH THE SHEEPLE," THE
ACTUAL TONE OF THE PROTEST WAS
A BIT MORE AGGRESSIVE, WITH

462
00:13:45,692 --> 00:13:47,992
ACTUAL TONE OF THE PROTEST WAS
A BIT MORE AGGRESSIVE, WITH
ANTI-VAXXERS BLOCKING THE

463
00:13:47,994 --> 00:13:49,527
A BIT MORE AGGRESSIVE, WITH
ANTI-VAXXERS BLOCKING THE
STADIUM ENTRANCE AND HOLDING

464
00:13:49,529 --> 00:13:50,161
ANTI-VAXXERS BLOCKING THE
STADIUM ENTRANCE AND HOLDING
SIGNS, LIKE "TELL BILL GATES TO

465
00:13:50,163 --> 00:13:53,698
STADIUM ENTRANCE AND HOLDING
SIGNS, LIKE "TELL BILL GATES TO
GO VACCINATE HIMSELF" AND "SWAB

466
00:13:53,700 --> 00:13:57,202
SIGNS, LIKE "TELL BILL GATES TO
GO VACCINATE HIMSELF" AND "SWAB
MY BUTT HOLE, I DARE YOU."

467
00:13:57,204 --> 00:13:57,769
GO VACCINATE HIMSELF" AND "SWAB
MY BUTT HOLE, I DARE YOU."
OKAY, THAT'S NOT A PROTEST.

468
00:13:57,771 --> 00:14:00,338
MY BUTT HOLE, I DARE YOU."
OKAY, THAT'S NOT A PROTEST.
THAT'S A CRY FOR HELP.

469
00:14:00,340 --> 00:14:01,673
OKAY, THAT'S NOT A PROTEST.
THAT'S A CRY FOR HELP.
OR NBC IS RE-LAUNCHING "FEAR

470
00:14:01,675 --> 00:14:02,574
THAT'S A CRY FOR HELP.
OR NBC IS RE-LAUNCHING "FEAR
FACTOR."

471
00:14:02,576 --> 00:14:03,174
OR NBC IS RE-LAUNCHING "FEAR
FACTOR."
WE'VE GOT A GREAT SHOW FOR YOU

472
00:14:03,176 --> 00:14:05,677
FACTOR."
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.

473
00:14:05,679 --> 00:14:08,847
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
MY GUEST IS ETHAN HAWK.

474
00:14:08,849 --> 00:14:09,681
TONIGHT.
MY GUEST IS ETHAN HAWK.
ETHAN HAWKE!

475
00:14:09,683 --> 00:14:11,816
MY GUEST IS ETHAN HAWK.
ETHAN HAWKE!
THAT'S A GREAT GUEST!

476
00:14:11,818 --> 00:14:13,685
ETHAN HAWKE!
THAT'S A GREAT GUEST!
YEAH, HE IS.

477
00:14:13,687 --> 00:14:17,555
THAT'S A GREAT GUEST!
YEAH, HE IS.
MASK!

478
00:14:17,557 --> 00:14:18,456
YEAH, HE IS.
MASK!
OH, SORRY.

479
00:14:18,458 --> 00:14:19,524
MASK!
OH, SORRY.
WHEN WE RETURN, STAYING SAFE FOR

480
00:14:19,526 --> 00:14:21,693
OH, SORRY.
WHEN WE RETURN, STAYING SAFE FOR
YOUR SUPER BOWL PARTY!

481
00:14:21,695 --> 00:14:25,697
WHEN WE RETURN, STAYING SAFE FOR
YOUR SUPER BOWL PARTY!
STICK AROUND.

482
00:14:25,699 --> 00:14:29,667
YOUR SUPER BOWL PARTY!
STICK AROUND.
♪♪♪

483
00:14:43,315 --> 00:14:54,425
♪♪♪
>> Stephen: HEY, EVERYBODY!
WELCOME BACK TO "A LATE SHOW."

484
00:14:54,427 --> 00:14:56,261
>> Stephen: HEY, EVERYBODY!
WELCOME BACK TO "A LATE SHOW."
LET'S SAY HELLO TO JON BATISTE.

485
00:14:56,263 --> 00:14:57,795
WELCOME BACK TO "A LATE SHOW."
LET'S SAY HELLO TO JON BATISTE.
JON, ARE YOU STAYING WARM?

486
00:14:57,797 --> 00:14:59,530
LET'S SAY HELLO TO JON BATISTE.
JON, ARE YOU STAYING WARM?
>> Jon: OH, I'M TRYING MY

487
00:14:59,532 --> 00:14:59,731
JON, ARE YOU STAYING WARM?
>> Jon: OH, I'M TRYING MY
BEST.

488
00:14:59,733 --> 00:15:00,531
>> Jon: OH, I'M TRYING MY
BEST.
I CAN'T GO OUTSIDE.

489
00:15:00,533 --> 00:15:02,066
BEST.
I CAN'T GO OUTSIDE.
BUT THE SNOW, WE DIDN'T HAVE

490
00:15:02,068 --> 00:15:03,301
I CAN'T GO OUTSIDE.
BUT THE SNOW, WE DIDN'T HAVE
THAT GROWING UP IN NEW ORLEANS.

491
00:15:03,303 --> 00:15:05,470
BUT THE SNOW, WE DIDN'T HAVE
THAT GROWING UP IN NEW ORLEANS.
I'M STILL GETTING USED TO THIS

492
00:15:05,472 --> 00:15:05,904
THAT GROWING UP IN NEW ORLEANS.
I'M STILL GETTING USED TO THIS
LEVEL OF SNOW.

493
00:15:05,906 --> 00:15:08,339
I'M STILL GETTING USED TO THIS
LEVEL OF SNOW.
>> Stephen: DID IT EVER FOR

494
00:15:08,341 --> 00:15:09,307
LEVEL OF SNOW.
>> Stephen: DID IT EVER FOR
ANY REASON SNOW BACK IN

495
00:15:09,309 --> 00:15:10,375
>> Stephen: DID IT EVER FOR
ANY REASON SNOW BACK IN
NEW ORLEANS, EVEN ON THE

496
00:15:10,377 --> 00:15:10,909
ANY REASON SNOW BACK IN
NEW ORLEANS, EVEN ON THE
STRANGEST DAY?

497
00:15:10,911 --> 00:15:12,010
NEW ORLEANS, EVEN ON THE
STRANGEST DAY?
>> Jon: NO.

498
00:15:12,012 --> 00:15:14,412
STRANGEST DAY?
>> Jon: NO.
THE ENTIRE TIME I LIVED THERE,

499
00:15:14,414 --> 00:15:15,747
>> Jon: NO.
THE ENTIRE TIME I LIVED THERE,
ALL 17 YEARS BEFORE I MOVED TO

500
00:15:15,749 --> 00:15:17,048
THE ENTIRE TIME I LIVED THERE,
ALL 17 YEARS BEFORE I MOVED TO
NEW YORK, NOT ONE DAY OF SNOW.

501
00:15:17,050 --> 00:15:18,716
ALL 17 YEARS BEFORE I MOVED TO
NEW YORK, NOT ONE DAY OF SNOW.
WE NEVER HAD A SNOW DAY AT

502
00:15:18,718 --> 00:15:18,950
NEW YORK, NOT ONE DAY OF SNOW.
WE NEVER HAD A SNOW DAY AT
SCHOOL.

503
00:15:18,952 --> 00:15:20,885
WE NEVER HAD A SNOW DAY AT
SCHOOL.
I DIDN'T EVEN SEE SNOW UNTIL I

504
00:15:20,887 --> 00:15:21,886
SCHOOL.
I DIDN'T EVEN SEE SNOW UNTIL I
MOVED AWAY.

505
00:15:21,888 --> 00:15:22,186
I DIDN'T EVEN SEE SNOW UNTIL I
MOVED AWAY.
IT'S CRAZY.

506
00:15:22,188 --> 00:15:23,087
MOVED AWAY.
IT'S CRAZY.
>> Stephen: WHAT WAS YOUR

507
00:15:23,089 --> 00:15:24,555
IT'S CRAZY.
>> Stephen: WHAT WAS YOUR
FIRST SNOW LIKE?

508
00:15:24,557 --> 00:15:27,258
>> Stephen: WHAT WAS YOUR
FIRST SNOW LIKE?
>> Jon: I DIDN'T HAVE A WINTER

509
00:15:27,260 --> 00:15:28,259
FIRST SNOW LIKE?
>> Jon: I DIDN'T HAVE A WINTER
COAT, I REMEMBER THAT.

510
00:15:28,261 --> 00:15:30,261
>> Jon: I DIDN'T HAVE A WINTER
COAT, I REMEMBER THAT.
AND I REMEMBER HOW THAT FELT.

511
00:15:30,263 --> 00:15:32,797
COAT, I REMEMBER THAT.
AND I REMEMBER HOW THAT FELT.
AND I WALKED AROUND, AND I

512
00:15:32,799 --> 00:15:35,133
AND I REMEMBER HOW THAT FELT.
AND I WALKED AROUND, AND I
REMEMBER MY HANDS STARTED TO

513
00:15:35,135 --> 00:15:36,200
AND I WALKED AROUND, AND I
REMEMBER MY HANDS STARTED TO
TURN BLUE.

514
00:15:36,202 --> 00:15:39,704
REMEMBER MY HANDS STARTED TO
TURN BLUE.
THIS PART STARTED TURNING BLUE

515
00:15:39,706 --> 00:15:40,772
TURN BLUE.
THIS PART STARTED TURNING BLUE
AND THAT'S WHEN I WAS, LIKE,

516
00:15:40,774 --> 00:15:42,206
THIS PART STARTED TURNING BLUE
AND THAT'S WHEN I WAS, LIKE,
OKAY, I'VE GOT TO DO SOMETHING

517
00:15:42,208 --> 00:15:42,774
AND THAT'S WHEN I WAS, LIKE,
OKAY, I'VE GOT TO DO SOMETHING
BETTER ABOUT THIS.

518
00:15:42,776 --> 00:15:43,942
OKAY, I'VE GOT TO DO SOMETHING
BETTER ABOUT THIS.
>> Stephen: ALL RIGHT, JON.

519
00:15:43,944 --> 00:15:46,511
BETTER ABOUT THIS.
>> Stephen: ALL RIGHT, JON.
DO YOU HAVE ANY MUSIC TO WARM UP

520
00:15:46,513 --> 00:15:47,245
>> Stephen: ALL RIGHT, JON.
DO YOU HAVE ANY MUSIC TO WARM UP
THE NORTHEAST CORRIDOR?

521
00:15:47,247 --> 00:15:51,249
DO YOU HAVE ANY MUSIC TO WARM UP
THE NORTHEAST CORRIDOR?
>> Jon: MMM, MMM --

522
00:15:51,251 --> 00:15:52,383
THE NORTHEAST CORRIDOR?
>> Jon: MMM, MMM --
♪♪♪

523
00:15:52,385 --> 00:15:55,153
>> Jon: MMM, MMM --
♪♪♪
YOU KNOW THAT?

524
00:15:55,155 --> 00:15:55,453
♪♪♪
YOU KNOW THAT?
♪♪♪

525
00:15:55,455 --> 00:16:05,430
YOU KNOW THAT?
♪♪♪
>> Stephen: NOT YET.

526
00:16:05,432 --> 00:16:06,731
♪♪♪
>> Stephen: NOT YET.
I'LL HAVE TO FIND OUT LATER.

527
00:16:06,733 --> 00:16:07,899
>> Stephen: NOT YET.
I'LL HAVE TO FIND OUT LATER.
JON BATISTE, EVERYBODY.

528
00:16:07,901 --> 00:16:10,101
I'LL HAVE TO FIND OUT LATER.
JON BATISTE, EVERYBODY.
THANK YOU, JON.

529
00:16:10,103 --> 00:16:12,136
JON BATISTE, EVERYBODY.
THANK YOU, JON.
>> Jon: LATER ON.

530
00:16:12,138 --> 00:16:12,603
THANK YOU, JON.
>> Jon: LATER ON.
>> Stephen: LADIES AND

531
00:16:12,605 --> 00:16:15,139
>> Jon: LATER ON.
>> Stephen: LADIES AND
GENTLEMEN, WE ARE LESS THAN A

532
00:16:15,141 --> 00:16:16,841
>> Stephen: LADIES AND
GENTLEMEN, WE ARE LESS THAN A
WEEK AWAY

533
00:16:16,843 --> 00:16:17,442
GENTLEMEN, WE ARE LESS THAN A
WEEK AWAY
FROM THE BIGGEST GAME IN MEN'S

534
00:16:17,444 --> 00:16:19,243
WEEK AWAY
FROM THE BIGGEST GAME IN MEN'S
FOOTBALL: THE SUPER BOWL, RIGHT

535
00:16:19,245 --> 00:16:23,247
FROM THE BIGGEST GAME IN MEN'S
FOOTBALL: THE SUPER BOWL, RIGHT
HERE ON CBS!

536
00:16:23,249 --> 00:16:27,251
FOOTBALL: THE SUPER BOWL, RIGHT
HERE ON CBS!
SUPER BOWL, WHAT IS THAT?

537
00:16:27,253 --> 00:16:31,222
HERE ON CBS!
SUPER BOWL, WHAT IS THAT?
50 WHAT?

538
00:16:31,224 --> 00:16:33,958
SUPER BOWL, WHAT IS THAT?
50 WHAT?
LV RIGHT HERE ON CBS.

539
00:16:33,960 --> 00:16:34,759
50 WHAT?
LV RIGHT HERE ON CBS.
IT'S A BLOCKBUSTER MATCH UP

540
00:16:34,761 --> 00:16:35,360
LV RIGHT HERE ON CBS.
IT'S A BLOCKBUSTER MATCH UP
BETWEEN PATRICK MAHOMES OF THE

541
00:16:35,362 --> 00:16:36,728
IT'S A BLOCKBUSTER MATCH UP
BETWEEN PATRICK MAHOMES OF THE
KANSAS CITY CHIEFS AND TOM BRADY

542
00:16:36,730 --> 00:16:37,362
BETWEEN PATRICK MAHOMES OF THE
KANSAS CITY CHIEFS AND TOM BRADY
OF NOT THE PATRIOTS, BUT I'M

543
00:16:37,364 --> 00:16:39,230
KANSAS CITY CHIEFS AND TOM BRADY
OF NOT THE PATRIOTS, BUT I'M
SURE TAMPA BAY LOVES OUR COUNTRY

544
00:16:39,232 --> 00:16:41,933
OF NOT THE PATRIOTS, BUT I'M
SURE TAMPA BAY LOVES OUR COUNTRY
JUST THE SAME.

545
00:16:41,935 --> 00:16:43,234
SURE TAMPA BAY LOVES OUR COUNTRY
JUST THE SAME.
BUT THE SUNDAY SPORTS FUN WON'T

546
00:16:43,236 --> 00:16:46,471
JUST THE SAME.
BUT THE SUNDAY SPORTS FUN WON'T
STOP AT THE FOOTBALL BUZZER.

547
00:16:46,473 --> 00:16:47,238
BUT THE SUNDAY SPORTS FUN WON'T
STOP AT THE FOOTBALL BUZZER.
STAY TUNED AFTER THE GAME FOR A

548
00:16:47,240 --> 00:16:47,872
STOP AT THE FOOTBALL BUZZER.
STAY TUNED AFTER THE GAME FOR A
VERY SPECIAL "A LATE SHOW: SUPER

549
00:16:47,874 --> 00:16:51,075
STAY TUNED AFTER THE GAME FOR A
VERY SPECIAL "A LATE SHOW: SUPER
BOWL EDITION!"

550
00:16:51,077 --> 00:16:51,709
VERY SPECIAL "A LATE SHOW: SUPER
BOWL EDITION!"
I'LL ROCKET OUT OF THE GATE LIKE

551
00:16:51,711 --> 00:16:54,145
BOWL EDITION!"
I'LL ROCKET OUT OF THE GATE LIKE
TYREEK HILL ON A GO ROUTE

552
00:16:54,147 --> 00:16:55,246
I'LL ROCKET OUT OF THE GATE LIKE
TYREEK HILL ON A GO ROUTE
THROUGH A TAMPA BAY COVER TWO

553
00:16:55,248 --> 00:16:56,681
TYREEK HILL ON A GO ROUTE
THROUGH A TAMPA BAY COVER TWO
DEFENSE, AND BY THE TIME WE AIR,

554
00:16:56,683 --> 00:16:59,250
THROUGH A TAMPA BAY COVER TWO
DEFENSE, AND BY THE TIME WE AIR,
I'LL HAVE HAD SOMEONE EXPLAIN TO

555
00:16:59,252 --> 00:17:01,352
DEFENSE, AND BY THE TIME WE AIR,
I'LL HAVE HAD SOMEONE EXPLAIN TO
ME WHAT I JUST SAID.

556
00:17:01,354 --> 00:17:02,587
I'LL HAVE HAD SOMEONE EXPLAIN TO
ME WHAT I JUST SAID.
EVERYONE KNOWS THE BEST PART OF

557
00:17:02,589 --> 00:17:03,254
ME WHAT I JUST SAID.
EVERYONE KNOWS THE BEST PART OF
SUPER BOWL SUNDAY IS THE PARTY:

558
00:17:03,256 --> 00:17:06,824
EVERYONE KNOWS THE BEST PART OF
SUPER BOWL SUNDAY IS THE PARTY:
GETTING TOGETHER WITH FRIENDS

559
00:17:06,826 --> 00:17:07,392
SUPER BOWL SUNDAY IS THE PARTY:
GETTING TOGETHER WITH FRIENDS
FOR CHIPS, DIPS, EATING COLD

560
00:17:07,394 --> 00:17:11,229
GETTING TOGETHER WITH FRIENDS
FOR CHIPS, DIPS, EATING COLD
CUTS WITH YOUR HANDS, CHUGGING A

561
00:17:11,231 --> 00:17:13,364
FOR CHIPS, DIPS, EATING COLD
CUTS WITH YOUR HANDS, CHUGGING A
BEER, AND OTHER THINGS THAT

562
00:17:13,366 --> 00:17:13,898
CUTS WITH YOUR HANDS, CHUGGING A
BEER, AND OTHER THINGS THAT
CAUSE BRAIN DAMAGE.

563
00:17:13,900 --> 00:17:14,832
BEER, AND OTHER THINGS THAT
CAUSE BRAIN DAMAGE.
AND STAYING IN THE KITCHEN MOST

564
00:17:14,834 --> 00:17:15,400
CAUSE BRAIN DAMAGE.
AND STAYING IN THE KITCHEN MOST
OF THE TIME BECAUSE YOU HAVE

565
00:17:15,402 --> 00:17:16,300
AND STAYING IN THE KITCHEN MOST
OF THE TIME BECAUSE YOU HAVE
P.T.S.D. FROM THE SEARING ABUSE

566
00:17:16,302 --> 00:17:17,201
OF THE TIME BECAUSE YOU HAVE
P.T.S.D. FROM THE SEARING ABUSE
YOU SUFFERED AT THE HANDS OF

567
00:17:17,203 --> 00:17:18,036
P.T.S.D. FROM THE SEARING ABUSE
YOU SUFFERED AT THE HANDS OF
YOUR HIGH SCHOOL'S JOCKS.

568
00:17:18,038 --> 00:17:18,669
YOU SUFFERED AT THE HANDS OF
YOUR HIGH SCHOOL'S JOCKS.
OF COURSE, LIKE EVERYTHING ELSE

569
00:17:18,671 --> 00:17:19,270
YOUR HIGH SCHOOL'S JOCKS.
OF COURSE, LIKE EVERYTHING ELSE
HUMANS ENJOY, THE PANDEMIC HAS

570
00:17:19,272 --> 00:17:22,440
OF COURSE, LIKE EVERYTHING ELSE
HUMANS ENJOY, THE PANDEMIC HAS
CANCELLED ALL THAT.

571
00:17:22,442 --> 00:17:23,074
HUMANS ENJOY, THE PANDEMIC HAS
CANCELLED ALL THAT.
AND THE C.D.C. HAS RELEASED NEW

572
00:17:23,076 --> 00:17:23,708
CANCELLED ALL THAT.
AND THE C.D.C. HAS RELEASED NEW
GUIDANCE ON HOW TO SAFELY ENJOY

573
00:17:23,710 --> 00:17:26,377
AND THE C.D.C. HAS RELEASED NEW
GUIDANCE ON HOW TO SAFELY ENJOY
THE BIG GAME.

574
00:17:26,379 --> 00:17:27,245
GUIDANCE ON HOW TO SAFELY ENJOY
THE BIG GAME.
INCLUDING, "THE SAFEST WAY TO

575
00:17:27,247 --> 00:17:29,247
THE BIG GAME.
INCLUDING, "THE SAFEST WAY TO
WATCH THE SUPER BOWL THIS YEAR

576
00:17:29,249 --> 00:17:31,282
INCLUDING, "THE SAFEST WAY TO
WATCH THE SUPER BOWL THIS YEAR
IS AT HOME WITH PEOPLE YOU LIVE

577
00:17:31,284 --> 00:17:33,684
WATCH THE SUPER BOWL THIS YEAR
IS AT HOME WITH PEOPLE YOU LIVE
WITH."

578
00:17:33,686 --> 00:17:34,986
IS AT HOME WITH PEOPLE YOU LIVE
WITH."
ALSO KNOWN AS THE PEOPLE YOU NOW

579
00:17:34,988 --> 00:17:35,586
WITH."
ALSO KNOWN AS THE PEOPLE YOU NOW
WORK WITH, THE PEOPLE YOU NOW

580
00:17:35,588 --> 00:17:38,089
ALSO KNOWN AS THE PEOPLE YOU NOW
WORK WITH, THE PEOPLE YOU NOW
EDUCATE, THE PEOPLE WHO HIDE THE

581
00:17:38,091 --> 00:17:39,223
WORK WITH, THE PEOPLE YOU NOW
EDUCATE, THE PEOPLE WHO HIDE THE
LAST PIECE OF THE JIGSAW PUZZLE

582
00:17:39,225 --> 00:17:39,824
EDUCATE, THE PEOPLE WHO HIDE THE
LAST PIECE OF THE JIGSAW PUZZLE
IN THEIR POCKET SO THEY CAN BE

583
00:17:39,826 --> 00:17:41,325
LAST PIECE OF THE JIGSAW PUZZLE
IN THEIR POCKET SO THEY CAN BE
THE HERO WHO FINISHES IT.

584
00:17:41,327 --> 00:17:43,227
IN THEIR POCKET SO THEY CAN BE
THE HERO WHO FINISHES IT.
WHERE IS THE LAST WATER LILY,

585
00:17:43,229 --> 00:17:52,603
THE HERO WHO FINISHES IT.
WHERE IS THE LAST WATER LILY,
EVIE?!

586
00:17:52,605 --> 00:17:53,271
WHERE IS THE LAST WATER LILY,
EVIE?!
IF YOU DO ENJOY THE GAME WITH

587
00:17:53,273 --> 00:17:54,138
EVIE?!
IF YOU DO ENJOY THE GAME WITH
FRIENDS OUTSIDE YOUR HOUSEHOLD,

588
00:17:54,140 --> 00:17:54,705
IF YOU DO ENJOY THE GAME WITH
FRIENDS OUTSIDE YOUR HOUSEHOLD,
THE C.D.C. SUGGESTS

589
00:17:54,707 --> 00:17:55,273
FRIENDS OUTSIDE YOUR HOUSEHOLD,
THE C.D.C. SUGGESTS
HOSTING A VIRTUAL SUPER BOWL

590
00:17:55,275 --> 00:17:56,240
THE C.D.C. SUGGESTS
HOSTING A VIRTUAL SUPER BOWL
PARTY.

591
00:17:56,242 --> 00:17:57,308
HOSTING A VIRTUAL SUPER BOWL
PARTY.
WHICH IS GOING TO MAKE FOR SOME

592
00:17:57,310 --> 00:17:57,742
PARTY.
WHICH IS GOING TO MAKE FOR SOME
AWKWARDNESS ON ZOOM.

593
00:17:57,744 --> 00:17:58,643
WHICH IS GOING TO MAKE FOR SOME
AWKWARDNESS ON ZOOM.
"I'M SORRY, I WAS ABOUT TO

594
00:17:58,645 --> 00:17:59,243
AWKWARDNESS ON ZOOM.
"I'M SORRY, I WAS ABOUT TO
CHEER.

595
00:17:59,245 --> 00:18:03,247
"I'M SORRY, I WAS ABOUT TO
CHEER.
WERE YOU ABOUT TO CHEER?

596
00:18:03,249 --> 00:18:05,750
CHEER.
WERE YOU ABOUT TO CHEER?
YOU GO FIRST."

597
00:18:05,752 --> 00:18:06,851
WERE YOU ABOUT TO CHEER?
YOU GO FIRST."
TO LIVEN THINGS UP, THE C.D.C.

598
00:18:06,853 --> 00:18:07,418
YOU GO FIRST."
TO LIVEN THINGS UP, THE C.D.C.
SUGGESTS WEARING CLOTHING OR

599
00:18:07,420 --> 00:18:11,255
TO LIVEN THINGS UP, THE C.D.C.
SUGGESTS WEARING CLOTHING OR
DECORATING YOUR HOME WITH YOUR

600
00:18:11,257 --> 00:18:15,026
SUGGESTS WEARING CLOTHING OR
DECORATING YOUR HOME WITH YOUR
FAVORITE TEAM'S LOGO OR COLORS.

601
00:18:15,028 --> 00:18:15,927
DECORATING YOUR HOME WITH YOUR
FAVORITE TEAM'S LOGO OR COLORS.
OH, MY GOD.

602
00:18:15,929 --> 00:18:16,761
FAVORITE TEAM'S LOGO OR COLORS.
OH, MY GOD.
CLEARLY THE C.D.C. HAS NEVER

603
00:18:16,763 --> 00:18:19,230
OH, MY GOD.
CLEARLY THE C.D.C. HAS NEVER
BEEN TO A PARTY.

604
00:18:19,232 --> 00:18:19,831
CLEARLY THE C.D.C. HAS NEVER
BEEN TO A PARTY.
"I'D LIKE TO ISSUE SOME

605
00:18:19,833 --> 00:18:20,698
BEEN TO A PARTY.
"I'D LIKE TO ISSUE SOME
GUIDELINES FOR MY BIRTHDAY

606
00:18:20,700 --> 00:18:21,399
"I'D LIKE TO ISSUE SOME
GUIDELINES FOR MY BIRTHDAY
FESTIVITIES.

607
00:18:21,401 --> 00:18:22,500
GUIDELINES FOR MY BIRTHDAY
FESTIVITIES.
WE COULD ADORN THE LIVING ROOM

608
00:18:22,502 --> 00:18:23,234
FESTIVITIES.
WE COULD ADORN THE LIVING ROOM
WITH COLORED RIBBONS OR PERHAPS

609
00:18:23,236 --> 00:18:25,203
WE COULD ADORN THE LIVING ROOM
WITH COLORED RIBBONS OR PERHAPS
POUCHES OF LATEX INFLATED WITH

610
00:18:25,205 --> 00:18:26,671
WITH COLORED RIBBONS OR PERHAPS
POUCHES OF LATEX INFLATED WITH
SOME LIGHTER-THAN-AIR ELEMENTAL

611
00:18:26,673 --> 00:18:27,238
POUCHES OF LATEX INFLATED WITH
SOME LIGHTER-THAN-AIR ELEMENTAL
GAS, TETHERED, OF COURSE, SO

612
00:18:27,240 --> 00:18:29,707
SOME LIGHTER-THAN-AIR ELEMENTAL
GAS, TETHERED, OF COURSE, SO
THEY DO NOT ASCEND TO AN

613
00:18:29,709 --> 00:18:30,708
GAS, TETHERED, OF COURSE, SO
THEY DO NOT ASCEND TO AN
ATMOSPHERIC LEVEL WHERE THEY

614
00:18:30,710 --> 00:18:31,275
THEY DO NOT ASCEND TO AN
ATMOSPHERIC LEVEL WHERE THEY
ATTAIN A NEUTRAL BUOYANCY.

615
00:18:31,277 --> 00:18:34,178
ATMOSPHERIC LEVEL WHERE THEY
ATTAIN A NEUTRAL BUOYANCY.
TOWARD THE END OF THE

616
00:18:34,180 --> 00:18:35,246
ATTAIN A NEUTRAL BUOYANCY.
TOWARD THE END OF THE
EVENING, I WOULD ENJOY A SWEET

617
00:18:35,248 --> 00:18:36,647
TOWARD THE END OF THE
EVENING, I WOULD ENJOY A SWEET
CONFECTION FEATURING MY NAME AND

618
00:18:36,649 --> 00:18:38,683
EVENING, I WOULD ENJOY A SWEET
CONFECTION FEATURING MY NAME AND
SOME SORT OF WAX-BASED

619
00:18:38,685 --> 00:18:39,317
CONFECTION FEATURING MY NAME AND
SOME SORT OF WAX-BASED
INCENDIARY DEVICES THAT I COULD

620
00:18:39,319 --> 00:18:42,453
SOME SORT OF WAX-BASED
INCENDIARY DEVICES THAT I COULD
EXTINGUISH AFTER IMAGINING SOME

621
00:18:42,455 --> 00:18:43,254
INCENDIARY DEVICES THAT I COULD
EXTINGUISH AFTER IMAGINING SOME
GOOD FORTUNE THAT I HOPE TO

622
00:18:43,256 --> 00:18:47,258
EXTINGUISH AFTER IMAGINING SOME
GOOD FORTUNE THAT I HOPE TO
BEFALL ME, IF I SUCCESSFULLY

623
00:18:47,260 --> 00:18:49,727
GOOD FORTUNE THAT I HOPE TO
BEFALL ME, IF I SUCCESSFULLY
EXTINGUISH ALL OF THEM WITH ONE

624
00:18:49,729 --> 00:18:51,095
BEFALL ME, IF I SUCCESSFULLY
EXTINGUISH ALL OF THEM WITH ONE
LUNGFUL OF CARBON DIOXIDE."

625
00:18:51,097 --> 00:18:51,729
EXTINGUISH ALL OF THEM WITH ONE
LUNGFUL OF CARBON DIOXIDE."
BUT IF YOU'RE THE KIND OF PARTY

626
00:18:51,731 --> 00:18:54,232
LUNGFUL OF CARBON DIOXIDE."
BUT IF YOU'RE THE KIND OF PARTY
ANIMAL WHO LIKES FOOTBALL MORE

627
00:18:54,234 --> 00:18:55,233
BUT IF YOU'RE THE KIND OF PARTY
ANIMAL WHO LIKES FOOTBALL MORE
THAN KEEPING YOUR LOVED ONES OUT

628
00:18:55,235 --> 00:19:03,007
ANIMAL WHO LIKES FOOTBALL MORE
THAN KEEPING YOUR LOVED ONES OUT
OF THE HOSPITAL, THE C.D.C. SAYS

629
00:19:03,009 --> 00:19:03,641
THAN KEEPING YOUR LOVED ONES OUT
OF THE HOSPITAL, THE C.D.C. SAYS
INDOOR GATHERINGS ARE SAFEST IF

630
00:19:03,643 --> 00:19:06,077
OF THE HOSPITAL, THE C.D.C. SAYS
INDOOR GATHERINGS ARE SAFEST IF
YOU DO NOT CHANT OR CHEER, AND

631
00:19:06,079 --> 00:19:07,245
INDOOR GATHERINGS ARE SAFEST IF
YOU DO NOT CHANT OR CHEER, AND
INSTEAD STOMP.

632
00:19:07,247 --> 00:19:09,080
YOU DO NOT CHANT OR CHEER, AND
INSTEAD STOMP.
UNFORTUNATELY, THEY DON'T SAY

633
00:19:09,082 --> 00:19:10,581
INSTEAD STOMP.
UNFORTUNATELY, THEY DON'T SAY
WHAT TO DO IF YOUR NEIGHBORS

634
00:19:10,583 --> 00:19:11,249
UNFORTUNATELY, THEY DON'T SAY
WHAT TO DO IF YOUR NEIGHBORS
TAKE THAT ADVICE.

635
00:19:11,251 --> 00:19:13,417
WHAT TO DO IF YOUR NEIGHBORS
TAKE THAT ADVICE.
BECAUSE I AM UNAWARE OF A

636
00:19:13,419 --> 00:19:14,018
TAKE THAT ADVICE.
BECAUSE I AM UNAWARE OF A
SOCIALLY DISTANT WAY TO MURDER

637
00:19:14,020 --> 00:19:15,253
BECAUSE I AM UNAWARE OF A
SOCIALLY DISTANT WAY TO MURDER
THE GUYS IN THE APARTMENT ABOVE

638
00:19:15,255 --> 00:19:17,755
SOCIALLY DISTANT WAY TO MURDER
THE GUYS IN THE APARTMENT ABOVE
YOU.

639
00:19:17,757 --> 00:19:19,123
THE GUYS IN THE APARTMENT ABOVE
YOU.
ANOTHER WAY TO KEEP A SUPER BOWL

640
00:19:19,125 --> 00:19:19,724
YOU.
ANOTHER WAY TO KEEP A SUPER BOWL
GATHERING SAFE IS BY LIMITING

641
00:19:19,726 --> 00:19:22,793
ANOTHER WAY TO KEEP A SUPER BOWL
GATHERING SAFE IS BY LIMITING
ALCOHOL CONSUMPTION.

642
00:19:22,795 --> 00:19:23,327
GATHERING SAFE IS BY LIMITING
ALCOHOL CONSUMPTION.
THIS IS A GOOD SUGGESTION,

643
00:19:23,329 --> 00:19:25,963
ALCOHOL CONSUMPTION.
THIS IS A GOOD SUGGESTION,
BECAUSE IF YOU THINK IT'S A GOOD

644
00:19:25,965 --> 00:19:26,564
THIS IS A GOOD SUGGESTION,
BECAUSE IF YOU THINK IT'S A GOOD
IDEA TO ATTEND A PARTY DURING

645
00:19:26,566 --> 00:19:27,231
BECAUSE IF YOU THINK IT'S A GOOD
IDEA TO ATTEND A PARTY DURING
COVID, YOU'RE ALREADY PRETTY

646
00:19:27,233 --> 00:19:29,033
IDEA TO ATTEND A PARTY DURING
COVID, YOU'RE ALREADY PRETTY
HIGH.

647
00:19:29,035 --> 00:19:31,269
COVID, YOU'RE ALREADY PRETTY
HIGH.
WE'LL BE RIGHT BACK WITH ETHAN

648
00:19:31,271 --> 00:19:35,239
HIGH.
WE'LL BE RIGHT BACK WITH ETHAN
HAWKE.

649
00:19:35,241 --> 00:19:36,774
WE'LL BE RIGHT BACK WITH ETHAN
HAWKE.
♪♪♪

650
00:19:47,886 --> 00:19:50,688
♪♪♪
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."

651
00:19:50,690 --> 00:19:54,692
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."
MY GUEST TONIGHT IS AN ACTOR,

652
00:19:54,694 --> 00:19:55,493
WELCOME BACK TO "A LATE SHOW."
MY GUEST TONIGHT IS AN ACTOR,
WRITER, AND DIRECTOR YOU KNOW

653
00:19:55,495 --> 00:19:56,661
MY GUEST TONIGHT IS AN ACTOR,
WRITER, AND DIRECTOR YOU KNOW
FROM MOVIES LIKE "DEAD

654
00:19:56,663 --> 00:19:57,195
WRITER, AND DIRECTOR YOU KNOW
FROM MOVIES LIKE "DEAD
POETS SOCIETY," "BOYHOOD,"

655
00:19:57,197 --> 00:20:00,164
FROM MOVIES LIKE "DEAD
POETS SOCIETY," "BOYHOOD,"
"FIRST REFORMED," AND SO MANY

656
00:20:00,166 --> 00:20:00,698
POETS SOCIETY," "BOYHOOD,"
"FIRST REFORMED," AND SO MANY
MORE.

657
00:20:00,700 --> 00:20:03,968
"FIRST REFORMED," AND SO MANY
MORE.
PLEASE WELCOME BACK TO "A

658
00:20:03,970 --> 00:20:04,702
MORE.
PLEASE WELCOME BACK TO "A
LATE SHOW," ETHAN HAWKE!

659
00:20:04,704 --> 00:20:06,437
PLEASE WELCOME BACK TO "A
LATE SHOW," ETHAN HAWKE!
HI, ETHAN.

660
00:20:06,439 --> 00:20:06,671
LATE SHOW," ETHAN HAWKE!
HI, ETHAN.
>> HEY!

661
00:20:06,673 --> 00:20:07,838
HI, ETHAN.
>> HEY!
THANKS FOR HAVING ME.

662
00:20:07,840 --> 00:20:08,706
>> HEY!
THANKS FOR HAVING ME.
>> Stephen: HEY!

663
00:20:08,708 --> 00:20:10,274
THANKS FOR HAVING ME.
>> Stephen: HEY!
THERE YOU GO.

664
00:20:10,276 --> 00:20:10,775
>> Stephen: HEY!
THERE YOU GO.
MATCHY MATCHY!

665
00:20:10,777 --> 00:20:11,876
THERE YOU GO.
MATCHY MATCHY!
GOOD TO SEE YA.

666
00:20:11,878 --> 00:20:13,211
MATCHY MATCHY!
GOOD TO SEE YA.
GOOD TO SEE YA.

667
00:20:13,213 --> 00:20:15,479
GOOD TO SEE YA.
GOOD TO SEE YA.
LAST TIME YOU WERE HEAR, WE WERE

668
00:20:15,481 --> 00:20:17,348
GOOD TO SEE YA.
LAST TIME YOU WERE HEAR, WE WERE
TOSHING ABOUT YOUR SERIES GOOD

669
00:20:17,350 --> 00:20:18,149
LAST TIME YOU WERE HEAR, WE WERE
TOSHING ABOUT YOUR SERIES GOOD
LORD BIRD.

670
00:20:18,151 --> 00:20:18,382
TOSHING ABOUT YOUR SERIES GOOD
LORD BIRD.
>> YEAH.

671
00:20:18,384 --> 00:20:20,117
LORD BIRD.
>> YEAH.
>> Stephen: WHICH, YOU KNOW,

672
00:20:20,119 --> 00:20:22,386
>> YEAH.
>> Stephen: WHICH, YOU KNOW,
IT'S ALWAYS GOOD TO TALK TO YOU.

673
00:20:22,388 --> 00:20:24,455
>> Stephen: WHICH, YOU KNOW,
IT'S ALWAYS GOOD TO TALK TO YOU.
UNFORTUNATELY SO, SOMETIMES,

674
00:20:24,457 --> 00:20:26,324
IT'S ALWAYS GOOD TO TALK TO YOU.
UNFORTUNATELY SO, SOMETIMES,
EVEN WITH THINGS I DESPERATELY

675
00:20:26,326 --> 00:20:27,925
UNFORTUNATELY SO, SOMETIMES,
EVEN WITH THINGS I DESPERATELY
WANT TO SEE, I DON'T HAVE A

676
00:20:27,927 --> 00:20:30,127
EVEN WITH THINGS I DESPERATELY
WANT TO SEE, I DON'T HAVE A
CLANS TO WATCH IT UNTIL THE

677
00:20:30,129 --> 00:20:30,828
WANT TO SEE, I DON'T HAVE A
CLANS TO WATCH IT UNTIL THE
GUEST IS HERE.

678
00:20:30,830 --> 00:20:32,663
CLANS TO WATCH IT UNTIL THE
GUEST IS HERE.
I WATCHED IT AFTER YOU WERE

679
00:20:32,665 --> 00:20:32,863
GUEST IS HERE.
I WATCHED IT AFTER YOU WERE
HERE.

680
00:20:32,865 --> 00:20:35,366
I WATCHED IT AFTER YOU WERE
HERE.
GOOD LORD, IS GOOD LORD BIRD

681
00:20:35,368 --> 00:20:35,833
HERE.
GOOD LORD, IS GOOD LORD BIRD
GOOD.

682
00:20:35,835 --> 00:20:36,167
GOOD LORD, IS GOOD LORD BIRD
GOOD.
>> THANK YOU.

683
00:20:36,169 --> 00:20:37,435
GOOD.
>> THANK YOU.
>> Stephen: IT'S REALLY

684
00:20:37,437 --> 00:20:37,802
>> THANK YOU.
>> Stephen: IT'S REALLY
WONDERFUL.

685
00:20:37,804 --> 00:20:40,638
>> Stephen: IT'S REALLY
WONDERFUL.
IT'S FUNNY AND TRAGIC, AND WHAT

686
00:20:40,640 --> 00:20:43,641
WONDERFUL.
IT'S FUNNY AND TRAGIC, AND WHAT
A GREAT JOHN BROWN, BECAUSE A

687
00:20:43,643 --> 00:20:45,243
IT'S FUNNY AND TRAGIC, AND WHAT
A GREAT JOHN BROWN, BECAUSE A
CRAZY CHARACTER, I KNOW WE'RE

688
00:20:45,245 --> 00:20:48,512
A GREAT JOHN BROWN, BECAUSE A
CRAZY CHARACTER, I KNOW WE'RE
NOT HERE TO TALK ABOUT THAT, BUT

689
00:20:48,514 --> 00:20:50,915
CRAZY CHARACTER, I KNOW WE'RE
NOT HERE TO TALK ABOUT THAT, BUT
I WANTED TO LOB THAT AT YA.

690
00:20:50,917 --> 00:20:51,716
NOT HERE TO TALK ABOUT THAT, BUT
I WANTED TO LOB THAT AT YA.
>> I APPRECIATE IT.

691
00:20:51,718 --> 00:20:53,084
I WANTED TO LOB THAT AT YA.
>> I APPRECIATE IT.
IT WAS ONE OF THE GREAT

692
00:20:53,086 --> 00:20:55,419
>> I APPRECIATE IT.
IT WAS ONE OF THE GREAT
EXPERIENCES IN MY LIFE PLAYING

693
00:20:55,421 --> 00:20:56,287
IT WAS ONE OF THE GREAT
EXPERIENCES IN MY LIFE PLAYING
CRAZY JOHN BROWN.

694
00:20:56,289 --> 00:20:57,521
EXPERIENCES IN MY LIFE PLAYING
CRAZY JOHN BROWN.
>> Stephen: YOU LIVE IN

695
00:20:57,523 --> 00:20:57,788
CRAZY JOHN BROWN.
>> Stephen: YOU LIVE IN
NEW YORK.

696
00:20:57,790 --> 00:20:58,356
>> Stephen: YOU LIVE IN
NEW YORK.
ARE YOU IN NEW YORK NOW.

697
00:20:58,358 --> 00:21:00,658
NEW YORK.
ARE YOU IN NEW YORK NOW.
>> I AM, FREEZING MY BUTT OFF.

698
00:21:00,660 --> 00:21:01,859
ARE YOU IN NEW YORK NOW.
>> I AM, FREEZING MY BUTT OFF.
>> Stephen: YOU'VE GOT YOUNG

699
00:21:01,861 --> 00:21:04,428
>> I AM, FREEZING MY BUTT OFF.
>> Stephen: YOU'VE GOT YOUNG
KIDS, ARE THEY ENJOYING THE

700
00:21:04,430 --> 00:21:04,629
>> Stephen: YOU'VE GOT YOUNG
KIDS, ARE THEY ENJOYING THE
SNOW?

701
00:21:04,631 --> 00:21:07,798
KIDS, ARE THEY ENJOYING THE
SNOW?
ARE YOU PLAYING WITH THEM?

702
00:21:07,800 --> 00:21:14,572
SNOW?
ARE YOU PLAYING WITH THEM?
ARE THEY SLEDDING SOMEPLACE OR

703
00:21:14,574 --> 00:21:15,973
ARE YOU PLAYING WITH THEM?
ARE THEY SLEDDING SOMEPLACE OR
BURYING EACH OTHER?

704
00:21:15,975 --> 00:21:17,275
ARE THEY SLEDDING SOMEPLACE OR
BURYING EACH OTHER?
>> TODAY WAS THE FIRST DAY I

705
00:21:17,277 --> 00:21:19,076
BURYING EACH OTHER?
>> TODAY WAS THE FIRST DAY I
TOOK ADVANTAGE OF MY STATUS AS

706
00:21:19,078 --> 00:21:19,243
>> TODAY WAS THE FIRST DAY I
TOOK ADVANTAGE OF MY STATUS AS
DAD.

707
00:21:19,245 --> 00:21:20,611
TOOK ADVANTAGE OF MY STATUS AS
DAD.
FOR THE FIRST TIME FOR YEARS, I

708
00:21:20,613 --> 00:21:21,746
DAD.
FOR THE FIRST TIME FOR YEARS, I
HAVE BEEN SHOVELING THAT WALK.

709
00:21:21,748 --> 00:21:23,247
FOR THE FIRST TIME FOR YEARS, I
HAVE BEEN SHOVELING THAT WALK.
YOU KNOW WHAT I DID THIS

710
00:21:23,249 --> 00:21:23,614
HAVE BEEN SHOVELING THAT WALK.
YOU KNOW WHAT I DID THIS
MORNING?

711
00:21:23,616 --> 00:21:25,716
YOU KNOW WHAT I DID THIS
MORNING?
I SAID, GET OUT THERE AND SHOVEL

712
00:21:25,718 --> 00:21:26,584
MORNING?
I SAID, GET OUT THERE AND SHOVEL
THAT WALK!

713
00:21:26,586 --> 00:21:27,985
I SAID, GET OUT THERE AND SHOVEL
THAT WALK!
I'M SITTING HERE AND HAVING A

714
00:21:27,987 --> 00:21:31,222
THAT WALK!
I'M SITTING HERE AND HAVING A
COFFEE, AND I WATCHED FROM THE

715
00:21:31,224 --> 00:21:31,522
I'M SITTING HERE AND HAVING A
COFFEE, AND I WATCHED FROM THE
WINDOW.

716
00:21:31,524 --> 00:21:34,025
COFFEE, AND I WATCHED FROM THE
WINDOW.
I SAID, YOU KNOW, THROW THE ROCK

717
00:21:34,027 --> 00:21:34,692
WINDOW.
I SAID, YOU KNOW, THROW THE ROCK
SALT DOWN.

718
00:21:34,694 --> 00:21:36,193
I SAID, YOU KNOW, THROW THE ROCK
SALT DOWN.
THE GIRLS WORKED REALLY HARD AND

719
00:21:36,195 --> 00:21:37,628
SALT DOWN.
THE GIRLS WORKED REALLY HARD AND
THEY DID A GOOD JOB, I WAS PROUD

720
00:21:37,630 --> 00:21:38,062
THE GIRLS WORKED REALLY HARD AND
THEY DID A GOOD JOB, I WAS PROUD
OF THEM.

721
00:21:38,064 --> 00:21:40,698
THEY DID A GOOD JOB, I WAS PROUD
OF THEM.
>> Stephen: HOW OLD ARE THEY?

722
00:21:40,700 --> 00:21:43,501
OF THEM.
>> Stephen: HOW OLD ARE THEY?
ALL RIGHT, I HAVE 22-YEAR-OLD

723
00:21:43,503 --> 00:21:44,769
>> Stephen: HOW OLD ARE THEY?
ALL RIGHT, I HAVE 22-YEAR-OLD
AND A 19-YEAR-OLD, BUT THEY'RE

724
00:21:44,771 --> 00:21:46,270
ALL RIGHT, I HAVE 22-YEAR-OLD
AND A 19-YEAR-OLD, BUT THEY'RE
NOT AT HOME.

725
00:21:46,272 --> 00:21:46,904
AND A 19-YEAR-OLD, BUT THEY'RE
NOT AT HOME.
>> Stephen: OKAY.

726
00:21:46,906 --> 00:21:49,440
NOT AT HOME.
>> Stephen: OKAY.
AND THEN MY YOUNGER TWO ARE

727
00:21:49,442 --> 00:21:50,207
>> Stephen: OKAY.
AND THEN MY YOUNGER TWO ARE
12 AND 9.

728
00:21:50,209 --> 00:21:52,209
AND THEN MY YOUNGER TWO ARE
12 AND 9.
>> Stephen: OKAY, THAT'S OLD

729
00:21:52,211 --> 00:21:52,743
12 AND 9.
>> Stephen: OKAY, THAT'S OLD
ENOUGH TO SHOVEL.

730
00:21:52,745 --> 00:21:54,345
>> Stephen: OKAY, THAT'S OLD
ENOUGH TO SHOVEL.
>> YEAH, THAT'S WHAT I THOUGHT.

731
00:21:54,347 --> 00:21:56,113
ENOUGH TO SHOVEL.
>> YEAH, THAT'S WHAT I THOUGHT.
>> Stephen: PUT SOME DAMN HAIR

732
00:21:56,115 --> 00:21:57,181
>> YEAH, THAT'S WHAT I THOUGHT.
>> Stephen: PUT SOME DAMN HAIR
ON THEIR CHEST!

733
00:21:57,183 --> 00:21:58,749
>> Stephen: PUT SOME DAMN HAIR
ON THEIR CHEST!
>> THAT'S WHAT I THOUGHT.

734
00:21:58,751 --> 00:22:00,584
ON THEIR CHEST!
>> THAT'S WHAT I THOUGHT.
THE 12-YEAR-OLD IS WORKING HARD

735
00:22:00,586 --> 00:22:03,421
>> THAT'S WHAT I THOUGHT.
THE 12-YEAR-OLD IS WORKING HARD
AND THE 9-YEAR-OLD JUST HAWKS

736
00:22:03,423 --> 00:22:05,089
THE 12-YEAR-OLD IS WORKING HARD
AND THE 9-YEAR-OLD JUST HAWKS
SNOWBALLS AT HER SISTER THE

737
00:22:05,091 --> 00:22:05,723
AND THE 9-YEAR-OLD JUST HAWKS
SNOWBALLS AT HER SISTER THE
WHOLE TIME.

738
00:22:05,725 --> 00:22:07,058
SNOWBALLS AT HER SISTER THE
WHOLE TIME.
>> Stephen: THAT IS THE JOB OF

739
00:22:07,060 --> 00:22:10,561
WHOLE TIME.
>> Stephen: THAT IS THE JOB OF
THE YOUNGER SIBLING IS TO HUCK

740
00:22:10,563 --> 00:22:10,828
>> Stephen: THAT IS THE JOB OF
THE YOUNGER SIBLING IS TO HUCK
SNOWBALLS.

741
00:22:10,830 --> 00:22:11,329
THE YOUNGER SIBLING IS TO HUCK
SNOWBALLS.
>> DIDN'T HELP AT ALL.

742
00:22:11,331 --> 00:22:13,230
SNOWBALLS.
>> DIDN'T HELP AT ALL.
>> Stephen: YOU GREW UP IN

743
00:22:13,232 --> 00:22:13,531
>> DIDN'T HELP AT ALL.
>> Stephen: YOU GREW UP IN
NEW JERSEY.

744
00:22:13,533 --> 00:22:15,266
>> Stephen: YOU GREW UP IN
NEW JERSEY.
YOU HAD ALL KINDS OF SNOW.

745
00:22:15,268 --> 00:22:18,436
NEW JERSEY.
YOU HAD ALL KINDS OF SNOW.
>> ALL KINDS OF SNOW.

746
00:22:18,438 --> 00:22:21,605
YOU HAD ALL KINDS OF SNOW.
>> ALL KINDS OF SNOW.
I SHOVELED MORE THAN MY SHARE OF

747
00:22:21,607 --> 00:22:21,806
>> ALL KINDS OF SNOW.
I SHOVELED MORE THAN MY SHARE OF
WALKS.

748
00:22:21,808 --> 00:22:22,673
I SHOVELED MORE THAN MY SHARE OF
WALKS.
IVE DONE MY TIME.

749
00:22:22,675 --> 00:22:24,709
WALKS.
IVE DONE MY TIME.
>> Stephen: I ACTUALLY GREW UP

750
00:22:24,711 --> 00:22:25,476
IVE DONE MY TIME.
>> Stephen: I ACTUALLY GREW UP
IN SOUTH CAROLINA.

751
00:22:25,478 --> 00:22:27,144
>> Stephen: I ACTUALLY GREW UP
IN SOUTH CAROLINA.
NOT THAT YOU ASKED, BUT THANK

752
00:22:27,146 --> 00:22:27,378
IN SOUTH CAROLINA.
NOT THAT YOU ASKED, BUT THANK
YOU.

753
00:22:27,380 --> 00:22:28,579
NOT THAT YOU ASKED, BUT THANK
YOU.
I GREW UP IN SOUTH CAROLINA AND

754
00:22:28,581 --> 00:22:30,548
YOU.
I GREW UP IN SOUTH CAROLINA AND
WE WERE SO EXCITED FOR SNOW

755
00:22:30,550 --> 00:22:31,982
I GREW UP IN SOUTH CAROLINA AND
WE WERE SO EXCITED FOR SNOW
BECAUSE IF THERE WAS ONE FLAKE,

756
00:22:31,984 --> 00:22:34,585
WE WERE SO EXCITED FOR SNOW
BECAUSE IF THERE WAS ONE FLAKE,
THE CITY, EVERYTHING WOULD SHUT

757
00:22:34,587 --> 00:22:34,785
BECAUSE IF THERE WAS ONE FLAKE,
THE CITY, EVERYTHING WOULD SHUT
DOWN.

758
00:22:34,787 --> 00:22:36,454
THE CITY, EVERYTHING WOULD SHUT
DOWN.
YOU WOULDN'T GO TO SCHOOL FOR A

759
00:22:36,456 --> 00:22:36,721
DOWN.
YOU WOULDN'T GO TO SCHOOL FOR A
WEEK.

760
00:22:36,723 --> 00:22:38,222
YOU WOULDN'T GO TO SCHOOL FOR A
WEEK.
>> YEAH, I DIDN'T MOVE TO

761
00:22:38,224 --> 00:22:39,423
WEEK.
>> YEAH, I DIDN'T MOVE TO
NEW JERSEY TILL I WAS 12, SO,

762
00:22:39,425 --> 00:22:41,292
>> YEAH, I DIDN'T MOVE TO
NEW JERSEY TILL I WAS 12, SO,
YOU KNOW, I SPENT A LOT OF MY

763
00:22:41,294 --> 00:22:43,327
NEW JERSEY TILL I WAS 12, SO,
YOU KNOW, I SPENT A LOT OF MY
CHILDHOOD IN TEXAS AND IN

764
00:22:43,329 --> 00:22:43,728
YOU KNOW, I SPENT A LOT OF MY
CHILDHOOD IN TEXAS AND IN
ATLANTA, GEORGIA.

765
00:22:43,730 --> 00:22:44,695
CHILDHOOD IN TEXAS AND IN
ATLANTA, GEORGIA.
>> Stephen: OKAY.

766
00:22:44,697 --> 00:22:46,097
ATLANTA, GEORGIA.
>> Stephen: OKAY.
AND I REMEMBER THE FIRST TIME

767
00:22:46,099 --> 00:22:48,699
>> Stephen: OKAY.
AND I REMEMBER THE FIRST TIME
IT SNOWED IN ATLANTA, I JUST

768
00:22:48,701 --> 00:22:50,801
AND I REMEMBER THE FIRST TIME
IT SNOWED IN ATLANTA, I JUST
THOUGHT IT WAS, LIKE -- IT WAS

769
00:22:50,803 --> 00:22:51,969
IT SNOWED IN ATLANTA, I JUST
THOUGHT IT WAS, LIKE -- IT WAS
GOD SAVING ME FROM A TEST.

770
00:22:51,971 --> 00:22:53,971
THOUGHT IT WAS, LIKE -- IT WAS
GOD SAVING ME FROM A TEST.
YOU KNOW, WE HAD A SNOW DAY AND

771
00:22:53,973 --> 00:22:56,173
GOD SAVING ME FROM A TEST.
YOU KNOW, WE HAD A SNOW DAY AND
I DIDN'T HAVE TO GO TO THIS

772
00:22:56,175 --> 00:22:56,707
YOU KNOW, WE HAD A SNOW DAY AND
I DIDN'T HAVE TO GO TO THIS
HISTORY TEST.

773
00:22:56,709 --> 00:22:57,441
I DIDN'T HAVE TO GO TO THIS
HISTORY TEST.
IT WAS HEAVEN.

774
00:22:57,443 --> 00:22:58,442
HISTORY TEST.
IT WAS HEAVEN.
>> Stephen: THE THING IS THE

775
00:22:58,444 --> 00:23:00,578
IT WAS HEAVEN.
>> Stephen: THE THING IS THE
KIDS NOW, BECAUSE OF ALL THE

776
00:23:00,580 --> 00:23:01,946
>> Stephen: THE THING IS THE
KIDS NOW, BECAUSE OF ALL THE
ZOOM TEACHING THAT'S BEEN GOING

777
00:23:01,948 --> 00:23:04,715
KIDS NOW, BECAUSE OF ALL THE
ZOOM TEACHING THAT'S BEEN GOING
ON, MY FEAR IS THERE WON'T BE

778
00:23:04,717 --> 00:23:05,883
ZOOM TEACHING THAT'S BEEN GOING
ON, MY FEAR IS THERE WON'T BE
SNOW DAYS AFTER THIS.

779
00:23:05,885 --> 00:23:07,551
ON, MY FEAR IS THERE WON'T BE
SNOW DAYS AFTER THIS.
AND WHAT GREATER THING IS THERE

780
00:23:07,553 --> 00:23:09,387
SNOW DAYS AFTER THIS.
AND WHAT GREATER THING IS THERE
FOR A PARENT TO TELL A CHILD, GO

781
00:23:09,389 --> 00:23:12,456
AND WHAT GREATER THING IS THERE
FOR A PARENT TO TELL A CHILD, GO
BACK TO BED, IT'S A SNOW DAY?

782
00:23:12,458 --> 00:23:14,759
FOR A PARENT TO TELL A CHILD, GO
BACK TO BED, IT'S A SNOW DAY?
>> I HAD THAT SAME THOUGHT.

783
00:23:14,761 --> 00:23:16,527
BACK TO BED, IT'S A SNOW DAY?
>> I HAD THAT SAME THOUGHT.
I'M EVEN CURIOUS ABOUT US -- YOU

784
00:23:16,529 --> 00:23:17,928
>> I HAD THAT SAME THOUGHT.
I'M EVEN CURIOUS ABOUT US -- YOU
KNOW, LAST TIME I WAS ON THE

785
00:23:17,930 --> 00:23:19,764
I'M EVEN CURIOUS ABOUT US -- YOU
KNOW, LAST TIME I WAS ON THE
SHOW FOR GOOD LORD BIRD, I NEVER

786
00:23:19,766 --> 00:23:22,099
KNOW, LAST TIME I WAS ON THE
SHOW FOR GOOD LORD BIRD, I NEVER
THOUGHT THE NEXT TIME I WOULD BE

787
00:23:22,101 --> 00:23:25,770
SHOW FOR GOOD LORD BIRD, I NEVER
THOUGHT THE NEXT TIME I WOULD BE
ON THE SHOW, WE WOULD STILL BE

788
00:23:25,772 --> 00:23:26,003
THOUGHT THE NEXT TIME I WOULD BE
ON THE SHOW, WE WOULD STILL BE
ZOOMING.

789
00:23:26,005 --> 00:23:26,804
ON THE SHOW, WE WOULD STILL BE
ZOOMING.
>> Stephen: THAT'S RIGHT.

790
00:23:26,806 --> 00:23:28,739
ZOOMING.
>> Stephen: THAT'S RIGHT.
YOU KNOW, I'M AN OPTIMIST,

791
00:23:28,741 --> 00:23:30,374
>> Stephen: THAT'S RIGHT.
YOU KNOW, I'M AN OPTIMIST,
I'M CONSTANTLY THINKING, YOU

792
00:23:30,376 --> 00:23:32,576
YOU KNOW, I'M AN OPTIMIST,
I'M CONSTANTLY THINKING, YOU
KNOW, THREE OR FOUR WEEKS, THIS

793
00:23:32,578 --> 00:23:33,244
I'M CONSTANTLY THINKING, YOU
KNOW, THREE OR FOUR WEEKS, THIS
IS GOING TO BE OVER.

794
00:23:33,246 --> 00:23:34,311
KNOW, THREE OR FOUR WEEKS, THIS
IS GOING TO BE OVER.
I DON'T KNOW WHAT ASPECTS OF

795
00:23:34,313 --> 00:23:36,180
IS GOING TO BE OVER.
I DON'T KNOW WHAT ASPECTS OF
THIS TIME OF OUR LIVES ARE GOING

796
00:23:36,182 --> 00:23:37,481
I DON'T KNOW WHAT ASPECTS OF
THIS TIME OF OUR LIVES ARE GOING
TO CATCH ON.

797
00:23:37,483 --> 00:23:39,583
THIS TIME OF OUR LIVES ARE GOING
TO CATCH ON.
WILL WE BE DOING ZOOM INTERVIEWS

798
00:23:39,585 --> 00:23:42,319
TO CATCH ON.
WILL WE BE DOING ZOOM INTERVIEWS
FOR THE REST OF THE TIME?

799
00:23:42,321 --> 00:23:42,853
WILL WE BE DOING ZOOM INTERVIEWS
FOR THE REST OF THE TIME?
WHAT'S GOING TO HAPPEN?

800
00:23:42,855 --> 00:23:43,220
FOR THE REST OF THE TIME?
WHAT'S GOING TO HAPPEN?
I DON'T KNOW.

801
00:23:43,222 --> 00:23:44,688
WHAT'S GOING TO HAPPEN?
I DON'T KNOW.
>> Stephen: I THINK HAIRSTYLES

802
00:23:44,690 --> 00:23:46,123
I DON'T KNOW.
>> Stephen: I THINK HAIRSTYLES
ARE GOING TO CHANGE.

803
00:23:46,125 --> 00:23:48,125
>> Stephen: I THINK HAIRSTYLES
ARE GOING TO CHANGE.
BECAUSE I'VE GOT -- I'VE GOT THE

804
00:23:48,127 --> 00:23:49,226
ARE GOING TO CHANGE.
BECAUSE I'VE GOT -- I'VE GOT THE
LONGER HAIR THAN I'VE HAD IN A

805
00:23:49,228 --> 00:23:51,495
BECAUSE I'VE GOT -- I'VE GOT THE
LONGER HAIR THAN I'VE HAD IN A
LONG TIME, AND YOU'VE STILL GOT

806
00:23:51,497 --> 00:23:52,596
LONGER HAIR THAN I'VE HAD IN A
LONG TIME, AND YOU'VE STILL GOT
YOUR JOHN BROWN BEARD.

807
00:23:52,598 --> 00:23:53,998
LONG TIME, AND YOU'VE STILL GOT
YOUR JOHN BROWN BEARD.
>> I SHAVED IT OFF.

808
00:23:54,000 --> 00:23:56,200
YOUR JOHN BROWN BEARD.
>> I SHAVED IT OFF.
I JUST LET IT GROW BACK.

809
00:23:56,202 --> 00:23:57,835
>> I SHAVED IT OFF.
I JUST LET IT GROW BACK.
THAT'S HOW LONG THIS DAMN

810
00:23:57,837 --> 00:23:58,469
I JUST LET IT GROW BACK.
THAT'S HOW LONG THIS DAMN
PANDEMIC'S BEEN IS THAT YOU

811
00:23:58,471 --> 00:24:00,571
THAT'S HOW LONG THIS DAMN
PANDEMIC'S BEEN IS THAT YOU
TRIED TO GET YOURSELF BACK TO

812
00:24:00,573 --> 00:24:02,907
PANDEMIC'S BEEN IS THAT YOU
TRIED TO GET YOURSELF BACK TO
NORMAL, AND IT DIDN'T WORK.

813
00:24:02,909 --> 00:24:03,974
TRIED TO GET YOURSELF BACK TO
NORMAL, AND IT DIDN'T WORK.
>> BUT WHO CARES?

814
00:24:03,976 --> 00:24:06,143
NORMAL, AND IT DIDN'T WORK.
>> BUT WHO CARES?
WHAT'S NORMAL ANYMORE?

815
00:24:06,145 --> 00:24:08,712
>> BUT WHO CARES?
WHAT'S NORMAL ANYMORE?
>> Stephen: YOU ARE MANY

816
00:24:08,714 --> 00:24:11,715
WHAT'S NORMAL ANYMORE?
>> Stephen: YOU ARE MANY
THINGS.

817
00:24:11,717 --> 00:24:17,988
>> Stephen: YOU ARE MANY
THINGS.
YOU ARE IN MOVIES, ACTOR,

818
00:24:17,990 --> 00:24:19,557
THINGS.
YOU ARE IN MOVIES, ACTOR,
DOCUMENTARIAN, AUTHOR, NOVEL,

819
00:24:19,559 --> 00:24:19,990
YOU ARE IN MOVIES, ACTOR,
DOCUMENTARIAN, AUTHOR, NOVEL,
MUSICIAN.

820
00:24:19,992 --> 00:24:22,359
DOCUMENTARIAN, AUTHOR, NOVEL,
MUSICIAN.
HOW DOES ETHAN HAWKE DESCRIBE

821
00:24:22,361 --> 00:24:24,295
MUSICIAN.
HOW DOES ETHAN HAWKE DESCRIBE
ETHAN HAWKE?

822
00:24:24,297 --> 00:24:27,331
HOW DOES ETHAN HAWKE DESCRIBE
ETHAN HAWKE?
PIGEON HOLE YOURSELF, ETHAN

823
00:24:27,333 --> 00:24:27,932
ETHAN HAWKE?
PIGEON HOLE YOURSELF, ETHAN
HAWKE.

824
00:24:27,934 --> 00:24:30,167
PIGEON HOLE YOURSELF, ETHAN
HAWKE.
>> FIRST OF ALL, I'M NOT ASKED

825
00:24:30,169 --> 00:24:32,203
HAWKE.
>> FIRST OF ALL, I'M NOT ASKED
TO DESCRIBE MYSELF VERY OFTEN.

826
00:24:32,205 --> 00:24:34,405
>> FIRST OF ALL, I'M NOT ASKED
TO DESCRIBE MYSELF VERY OFTEN.
MAKES IT SOUND LIKE I HAVE A

827
00:24:34,407 --> 00:24:36,006
TO DESCRIBE MYSELF VERY OFTEN.
MAKES IT SOUND LIKE I HAVE A
TINDER ACCOUNT OR SOMETHING.

828
00:24:36,008 --> 00:24:37,808
MAKES IT SOUND LIKE I HAVE A
TINDER ACCOUNT OR SOMETHING.
>> Stephen: DO YOU HAVE A

829
00:24:37,810 --> 00:24:38,442
TINDER ACCOUNT OR SOMETHING.
>> Stephen: DO YOU HAVE A
TINDER ACCOUNT?

830
00:24:38,444 --> 00:24:39,810
>> Stephen: DO YOU HAVE A
TINDER ACCOUNT?
>> I DON'T, MAN.

831
00:24:39,812 --> 00:24:41,479
TINDER ACCOUNT?
>> I DON'T, MAN.
I'M A HAPPY MARRIED MAN.

832
00:24:41,481 --> 00:24:44,482
>> I DON'T, MAN.
I'M A HAPPY MARRIED MAN.
HOW DO I DESCRIBE MYSELF?

833
00:24:44,484 --> 00:24:48,686
I'M A HAPPY MARRIED MAN.
HOW DO I DESCRIBE MYSELF?
I GUESS IF I HAD TO -- PEOPLE

834
00:24:48,688 --> 00:24:50,821
HOW DO I DESCRIBE MYSELF?
I GUESS IF I HAD TO -- PEOPLE
OFTEN SAY THAT THING TO ME,

835
00:24:50,823 --> 00:24:51,889
I GUESS IF I HAD TO -- PEOPLE
OFTEN SAY THAT THING TO ME,
WELL, YOU DO A LOT OF DIFFERENT

836
00:24:51,891 --> 00:24:53,958
OFTEN SAY THAT THING TO ME,
WELL, YOU DO A LOT OF DIFFERENT
THINGS, BUT, TO ME, IT REALLY

837
00:24:53,960 --> 00:24:55,392
WELL, YOU DO A LOT OF DIFFERENT
THINGS, BUT, TO ME, IT REALLY
DOESN'T FEEL LIKE THAT BECAUSE

838
00:24:55,394 --> 00:24:57,228
THINGS, BUT, TO ME, IT REALLY
DOESN'T FEEL LIKE THAT BECAUSE
I'VE NEVER DONE ANYTHING OUTSIDE

839
00:24:57,230 --> 00:24:59,430
DOESN'T FEEL LIKE THAT BECAUSE
I'VE NEVER DONE ANYTHING OUTSIDE
THE ARTS.

840
00:24:59,432 --> 00:25:01,365
I'VE NEVER DONE ANYTHING OUTSIDE
THE ARTS.
YOU KNOW, I REMEMBER WHEN MY DAD

841
00:25:01,367 --> 00:25:03,033
THE ARTS.
YOU KNOW, I REMEMBER WHEN MY DAD
TOOK ME TO VISIT THE UNIVERSITY

842
00:25:03,035 --> 00:25:06,203
YOU KNOW, I REMEMBER WHEN MY DAD
TOOK ME TO VISIT THE UNIVERSITY
OF TEXAS WHEN WE WERE LOOKING AT

843
00:25:06,205 --> 00:25:07,171
TOOK ME TO VISIT THE UNIVERSITY
OF TEXAS WHEN WE WERE LOOKING AT
COLLEGES AND, YOU KNOW, THERE'S

844
00:25:07,173 --> 00:25:08,606
OF TEXAS WHEN WE WERE LOOKING AT
COLLEGES AND, YOU KNOW, THERE'S
LIKE THE BUSINESS BUILDING AND

845
00:25:08,608 --> 00:25:10,774
COLLEGES AND, YOU KNOW, THERE'S
LIKE THE BUSINESS BUILDING AND
THERE'S THE ATHLETIC CENTER AND

846
00:25:10,776 --> 00:25:12,109
LIKE THE BUSINESS BUILDING AND
THERE'S THE ATHLETIC CENTER AND
THERE'S THE ARCHITECTURE

847
00:25:12,111 --> 00:25:13,844
THERE'S THE ATHLETIC CENTER AND
THERE'S THE ARCHITECTURE
BUILDING AND THEN THERE'S THE

848
00:25:13,846 --> 00:25:14,044
THERE'S THE ARCHITECTURE
BUILDING AND THEN THERE'S THE
ARTS.

849
00:25:14,046 --> 00:25:15,679
BUILDING AND THEN THERE'S THE
ARTS.
AND THAT'S THE BUILDING I'VE

850
00:25:15,681 --> 00:25:17,681
ARTS.
AND THAT'S THE BUILDING I'VE
SPENT MY WHOLE LIFE IN, AND

851
00:25:17,683 --> 00:25:20,718
AND THAT'S THE BUILDING I'VE
SPENT MY WHOLE LIFE IN, AND
THAT'S JUST HOW I DESCRIBE

852
00:25:20,720 --> 00:25:21,185
SPENT MY WHOLE LIFE IN, AND
THAT'S JUST HOW I DESCRIBE
MYSELF.

853
00:25:21,187 --> 00:25:22,653
THAT'S JUST HOW I DESCRIBE
MYSELF.
I'M IN THAT BUILDING.

854
00:25:22,655 --> 00:25:24,154
MYSELF.
I'M IN THAT BUILDING.
I'M HANGING OUT WITH THOSE KIDS.

855
00:25:24,156 --> 00:25:25,089
I'M IN THAT BUILDING.
I'M HANGING OUT WITH THOSE KIDS.
>> Stephen: IS THERE ANYTHING

856
00:25:25,091 --> 00:25:27,124
I'M HANGING OUT WITH THOSE KIDS.
>> Stephen: IS THERE ANYTHING
IN THE BACK OF YOUR MIND, LIKE,

857
00:25:27,126 --> 00:25:28,726
>> Stephen: IS THERE ANYTHING
IN THE BACK OF YOUR MIND, LIKE,
OOOH, I WANT TO TAKE A SHOT AT

858
00:25:28,728 --> 00:25:31,128
IN THE BACK OF YOUR MIND, LIKE,
OOOH, I WANT TO TAKE A SHOT AT
THAT BUT I HAVEN'T, I'VE NEVER

859
00:25:31,130 --> 00:25:32,029
OOOH, I WANT TO TAKE A SHOT AT
THAT BUT I HAVEN'T, I'VE NEVER
REALLY DONE IT.

860
00:25:32,031 --> 00:25:35,432
THAT BUT I HAVEN'T, I'VE NEVER
REALLY DONE IT.
LIKE, HAVE YOU WANTED TO DANCE,

861
00:25:35,434 --> 00:25:36,367
REALLY DONE IT.
LIKE, HAVE YOU WANTED TO DANCE,
OR HAVE YOU DANCED?

862
00:25:36,369 --> 00:25:36,834
LIKE, HAVE YOU WANTED TO DANCE,
OR HAVE YOU DANCED?
>> ARE YOU ASKING ME?

863
00:25:36,836 --> 00:25:37,935
OR HAVE YOU DANCED?
>> ARE YOU ASKING ME?
>> Stephen: WELL, I MEAN, IF

864
00:25:37,937 --> 00:25:42,406
>> ARE YOU ASKING ME?
>> Stephen: WELL, I MEAN, IF
YOU DON'T HAVE ANYBODY TO GO

865
00:25:42,408 --> 00:25:42,606
>> Stephen: WELL, I MEAN, IF
YOU DON'T HAVE ANYBODY TO GO
WITH.

866
00:25:42,608 --> 00:25:43,774
YOU DON'T HAVE ANYBODY TO GO
WITH.
>> THIS INTERVIEW BECAME

867
00:25:43,776 --> 00:25:44,608
WITH.
>> THIS INTERVIEW BECAME
EXTREMELY INTERESTING.

868
00:25:44,610 --> 00:25:44,842
>> THIS INTERVIEW BECAME
EXTREMELY INTERESTING.
>> SURE.

869
00:25:44,844 --> 00:25:47,211
EXTREMELY INTERESTING.
>> SURE.
NO, I'M A REALLY BAD DANCER.

870
00:25:47,213 --> 00:25:50,314
>> SURE.
NO, I'M A REALLY BAD DANCER.
I WISH THAT --

871
00:25:50,316 --> 00:25:52,716
NO, I'M A REALLY BAD DANCER.
I WISH THAT --
>> Stephen: OR POTTERY OR

872
00:25:52,718 --> 00:25:52,983
I WISH THAT --
>> Stephen: OR POTTERY OR
SCULPTURE.

873
00:25:52,985 --> 00:25:54,552
>> Stephen: OR POTTERY OR
SCULPTURE.
IS THERE SOME FENCE THAT YOU

874
00:25:54,554 --> 00:25:57,955
SCULPTURE.
IS THERE SOME FENCE THAT YOU
HAVEN'T SWUNG FOR BECAUSE YOU

875
00:25:57,957 --> 00:25:59,657
IS THERE SOME FENCE THAT YOU
HAVEN'T SWUNG FOR BECAUSE YOU
SEEM PRETTY FEARLESS.

876
00:25:59,659 --> 00:26:00,491
HAVEN'T SWUNG FOR BECAUSE YOU
SEEM PRETTY FEARLESS.
>> I STARTED PROFESSIONALLY

877
00:26:00,493 --> 00:26:07,464
SEEM PRETTY FEARLESS.
>> I STARTED PROFESSIONALLY
ACTING WHEN I WAS 13 YEARS OLD,

878
00:26:07,466 --> 00:26:09,066
>> I STARTED PROFESSIONALLY
ACTING WHEN I WAS 13 YEARS OLD,
AND I LOVE IT SO MUCH, BUT IF I

879
00:26:09,068 --> 00:26:11,402
ACTING WHEN I WAS 13 YEARS OLD,
AND I LOVE IT SO MUCH, BUT IF I
DON'T DO OTHER THINGS, I FEEL

880
00:26:11,404 --> 00:26:12,703
AND I LOVE IT SO MUCH, BUT IF I
DON'T DO OTHER THINGS, I FEEL
LIKE -- MOST PEOPLE AT 13 ARE

881
00:26:12,705 --> 00:26:15,973
DON'T DO OTHER THINGS, I FEEL
LIKE -- MOST PEOPLE AT 13 ARE
DOING THEIR PAPER ROUTE.

882
00:26:15,975 --> 00:26:17,841
LIKE -- MOST PEOPLE AT 13 ARE
DOING THEIR PAPER ROUTE.
IF I WAS STILL DOING MY PAPER

883
00:26:17,843 --> 00:26:19,476
DOING THEIR PAPER ROUTE.
IF I WAS STILL DOING MY PAPER
ROUTE YOU WOULD MAKE FUN OF ME.

884
00:26:19,478 --> 00:26:21,779
IF I WAS STILL DOING MY PAPER
ROUTE YOU WOULD MAKE FUN OF ME.
I NEED TO DO OTHER THINGS TO

885
00:26:21,781 --> 00:26:22,646
ROUTE YOU WOULD MAKE FUN OF ME.
I NEED TO DO OTHER THINGS TO
SHAKE UP MY PERSPECTIVE.

886
00:26:22,648 --> 00:26:24,582
I NEED TO DO OTHER THINGS TO
SHAKE UP MY PERSPECTIVE.
I DON'T KNOW WHY, BUT IT FEELS

887
00:26:24,584 --> 00:26:24,782
SHAKE UP MY PERSPECTIVE.
I DON'T KNOW WHY, BUT IT FEELS
GOOD.

888
00:26:24,784 --> 00:26:26,350
I DON'T KNOW WHY, BUT IT FEELS
GOOD.
THAT MAKES YOU LAUGH BECAUSE I

889
00:26:26,352 --> 00:26:27,685
GOOD.
THAT MAKES YOU LAUGH BECAUSE I
SUND LIKE AN IDIOT?

890
00:26:27,687 --> 00:26:30,120
THAT MAKES YOU LAUGH BECAUSE I
SUND LIKE AN IDIOT?
>> Stephen: NO, THE LOGIC

891
00:26:30,122 --> 00:26:31,155
SUND LIKE AN IDIOT?
>> Stephen: NO, THE LOGIC
MAKES PERFECT SENSE, EXCEPT THE

892
00:26:31,157 --> 00:26:32,489
>> Stephen: NO, THE LOGIC
MAKES PERFECT SENSE, EXCEPT THE
PART I WOULD BE MAKING FUN OF

893
00:26:32,491 --> 00:26:32,690
MAKES PERFECT SENSE, EXCEPT THE
PART I WOULD BE MAKING FUN OF
YOU.

894
00:26:32,692 --> 00:26:34,892
PART I WOULD BE MAKING FUN OF
YOU.
I WOULD JUST BE WORRIED ABOUT

895
00:26:34,894 --> 00:26:35,059
YOU.
I WOULD JUST BE WORRIED ABOUT
YOU.

896
00:26:35,061 --> 00:26:36,694
I WOULD JUST BE WORRIED ABOUT
YOU.
I DON'T THINK I WOULD LAUGH.

897
00:26:36,696 --> 00:26:39,597
YOU.
I DON'T THINK I WOULD LAUGH.
>> NO, I DON'T KNOW, YOU KNOW, I

898
00:26:39,599 --> 00:26:42,566
I DON'T THINK I WOULD LAUGH.
>> NO, I DON'T KNOW, YOU KNOW, I
FIND THERE'S A BUZZ YOU GET WHEN

899
00:26:42,568 --> 00:26:43,000
>> NO, I DON'T KNOW, YOU KNOW, I
FIND THERE'S A BUZZ YOU GET WHEN
YOU TAKE A DARE.

900
00:26:43,002 --> 00:26:44,635
FIND THERE'S A BUZZ YOU GET WHEN
YOU TAKE A DARE.
YOU KNOW, THERE'S SOMETHING

901
00:26:44,637 --> 00:26:45,869
YOU TAKE A DARE.
YOU KNOW, THERE'S SOMETHING
ABOUT IT THAT YOU FEEL LIKE A

902
00:26:45,871 --> 00:26:46,503
YOU KNOW, THERE'S SOMETHING
ABOUT IT THAT YOU FEEL LIKE A
HUMAN BEING.

903
00:26:46,505 --> 00:26:49,039
ABOUT IT THAT YOU FEEL LIKE A
HUMAN BEING.
YOU KNOW, THERE'S THIS THING --

904
00:26:49,041 --> 00:26:51,175
HUMAN BEING.
YOU KNOW, THERE'S THIS THING --
I'M AN ACTOR AND I GO ON THE

905
00:26:51,177 --> 00:26:53,043
YOU KNOW, THERE'S THIS THING --
I'M AN ACTOR AND I GO ON THE
COLBERT SHOW AND I TALK ABOUT MY

906
00:26:53,045 --> 00:26:54,778
I'M AN ACTOR AND I GO ON THE
COLBERT SHOW AND I TALK ABOUT MY
PERFORMANCES AND YOU GET THIS

907
00:26:54,780 --> 00:26:55,746
COLBERT SHOW AND I TALK ABOUT MY
PERFORMANCES AND YOU GET THIS
ATTITUDE OF A PROFESSIONAL, I'M

908
00:26:55,748 --> 00:26:58,983
PERFORMANCES AND YOU GET THIS
ATTITUDE OF A PROFESSIONAL, I'M
A PROFESSIONAL, AND IT MAKES

909
00:26:58,985 --> 00:27:00,351
ATTITUDE OF A PROFESSIONAL, I'M
A PROFESSIONAL, AND IT MAKES
YOU, I DON'T KNOW, FEEL LIKE A

910
00:27:00,353 --> 00:27:02,052
A PROFESSIONAL, AND IT MAKES
YOU, I DON'T KNOW, FEEL LIKE A
GROWNUP IN A BAD WAY, LIKE

911
00:27:02,054 --> 00:27:08,692
YOU, I DON'T KNOW, FEEL LIKE A
GROWNUP IN A BAD WAY, LIKE
YOU'RE STUCK IN A RUT OR THAT

912
00:27:08,694 --> 00:27:11,929
GROWNUP IN A BAD WAY, LIKE
YOU'RE STUCK IN A RUT OR THAT
YOU'RE ATROPHYING IN SOME WAY.

913
00:27:11,931 --> 00:27:12,630
YOU'RE STUCK IN A RUT OR THAT
YOU'RE ATROPHYING IN SOME WAY.
I'VE DONE A DOCUMENTARY, WORKED

914
00:27:12,632 --> 00:27:14,298
YOU'RE ATROPHYING IN SOME WAY.
I'VE DONE A DOCUMENTARY, WORKED
ON A GRAPHIC NOVEL, DONE PLAYS

915
00:27:14,300 --> 00:27:16,700
I'VE DONE A DOCUMENTARY, WORKED
ON A GRAPHIC NOVEL, DONE PLAYS
AND MOVIES, AND EVERY TIME I PUT

916
00:27:16,702 --> 00:27:18,235
ON A GRAPHIC NOVEL, DONE PLAYS
AND MOVIES, AND EVERY TIME I PUT
MYSELF SLIGHTLY OUT OF MY

917
00:27:18,237 --> 00:27:20,704
AND MOVIES, AND EVERY TIME I PUT
MYSELF SLIGHTLY OUT OF MY
COMFORT ZONE, I FEEL ALIVE

918
00:27:20,706 --> 00:27:28,245
MYSELF SLIGHTLY OUT OF MY
COMFORT ZONE, I FEEL ALIVE
AGAIN, IN A WAY THAT I LIKE.

919
00:27:28,247 --> 00:27:32,449
COMFORT ZONE, I FEEL ALIVE
AGAIN, IN A WAY THAT I LIKE.
>> Stephen: I LIKE ALLILLS

920
00:27:32,451 --> 00:27:33,951
AGAIN, IN A WAY THAT I LIKE.
>> Stephen: I LIKE ALLILLS
TEAR COOK'S DEFINITION OF A

921
00:27:33,953 --> 00:27:36,720
>> Stephen: I LIKE ALLILLS
TEAR COOK'S DEFINITION OF A
PROFESSIONAL, I'M AN ADULT IN A

922
00:27:36,722 --> 00:27:46,630
TEAR COOK'S DEFINITION OF A
PROFESSIONAL, I'M AN ADULT IN A
STILTED WAY IS, BUT ALLISTER

923
00:27:46,632 --> 00:27:48,632
PROFESSIONAL, I'M AN ADULT IN A
STILTED WAY IS, BUT ALLISTER
COOK SAID A PROFESSIONAL IS ONE

924
00:27:48,634 --> 00:27:50,567
STILTED WAY IS, BUT ALLISTER
COOK SAID A PROFESSIONAL IS ONE
WHO DOES ONE'S BEST WHEN THEY

925
00:27:50,569 --> 00:27:54,838
COOK SAID A PROFESSIONAL IS ONE
WHO DOES ONE'S BEST WHEN THEY
DON'T PARTICULARLY FEEL LIKE IT.

926
00:27:54,840 --> 00:27:55,272
WHO DOES ONE'S BEST WHEN THEY
DON'T PARTICULARLY FEEL LIKE IT.
>> YES.

927
00:27:55,274 --> 00:27:56,473
DON'T PARTICULARLY FEEL LIKE IT.
>> YES.
I AM A PROFESSIONAL ACTOR.

928
00:27:56,475 --> 00:27:58,876
>> YES.
I AM A PROFESSIONAL ACTOR.
TO BE TOTALLY HONEST, WHEN I WAS

929
00:27:58,878 --> 00:28:04,748
I AM A PROFESSIONAL ACTOR.
TO BE TOTALLY HONEST, WHEN I WAS
A KID MY MOTHER HAD A SHAKER

930
00:28:04,750 --> 00:28:08,686
TO BE TOTALLY HONEST, WHEN I WAS
A KID MY MOTHER HAD A SHAKER
SAYING ABOVE THE TOIL IT AND

931
00:28:08,688 --> 00:28:11,588
A KID MY MOTHER HAD A SHAKER
SAYING ABOVE THE TOIL IT AND
SAID MASTER ONE TALENT AND GOD

932
00:28:11,590 --> 00:28:15,225
SAYING ABOVE THE TOIL IT AND
SAID MASTER ONE TALENT AND GOD
WILL GIVE YOU MORE.

933
00:28:15,227 --> 00:28:16,293
SAID MASTER ONE TALENT AND GOD
WILL GIVE YOU MORE.
MASTER CRAFT AND GET THREE.

934
00:28:16,295 --> 00:28:18,796
WILL GIVE YOU MORE.
MASTER CRAFT AND GET THREE.
I HAVE DEDICATED MY LIFE TO IT,

935
00:28:18,798 --> 00:28:21,031
MASTER CRAFT AND GET THREE.
I HAVE DEDICATED MY LIFE TO IT,
I HAVE FELT DIRECTING AND

936
00:28:21,033 --> 00:28:22,666
I HAVE DEDICATED MY LIFE TO IT,
I HAVE FELT DIRECTING AND
WRITING ARE ANCILLARY TO ACTING

937
00:28:22,668 --> 00:28:24,702
I HAVE FELT DIRECTING AND
WRITING ARE ANCILLARY TO ACTING
AND TO KIND OF APPRENTICE THOSE

938
00:28:24,704 --> 00:28:28,739
WRITING ARE ANCILLARY TO ACTING
AND TO KIND OF APPRENTICE THOSE
OTHER PROFESSIONS, I LEARN ABOUT

939
00:28:28,741 --> 00:28:30,741
AND TO KIND OF APPRENTICE THOSE
OTHER PROFESSIONS, I LEARN ABOUT
MY CHOSEN FIELD AND HELPS ME.

940
00:28:30,743 --> 00:28:32,710
OTHER PROFESSIONS, I LEARN ABOUT
MY CHOSEN FIELD AND HELPS ME.
TAKE GOOD LORD BIRD FOR EXAMPLE,

941
00:28:32,712 --> 00:28:39,083
MY CHOSEN FIELD AND HELPS ME.
TAKE GOOD LORD BIRD FOR EXAMPLE,
YOU KNOW, TO PLAY A PART LIKE

942
00:28:39,085 --> 00:28:40,684
TAKE GOOD LORD BIRD FOR EXAMPLE,
YOU KNOW, TO PLAY A PART LIKE
JOHN BROWN, IT REQUIRED

943
00:28:40,686 --> 00:28:42,553
YOU KNOW, TO PLAY A PART LIKE
JOHN BROWN, IT REQUIRED
EVERYTHING -- IT USED EVERY

944
00:28:42,555 --> 00:28:45,389
JOHN BROWN, IT REQUIRED
EVERYTHING -- IT USED EVERY
ASPECT OF ME, AND PART OF BEING

945
00:28:45,391 --> 00:28:48,358
EVERYTHING -- IT USED EVERY
ASPECT OF ME, AND PART OF BEING
A GOOD ACTOR MEANS BEING A FULL

946
00:28:48,360 --> 00:28:52,629
ASPECT OF ME, AND PART OF BEING
A GOOD ACTOR MEANS BEING A FULL
HUMAN BEING, AND DOING THESE

947
00:28:52,631 --> 00:28:54,131
A GOOD ACTOR MEANS BEING A FULL
HUMAN BEING, AND DOING THESE
EXPERIENCES, I DON'T MEAN

948
00:28:54,133 --> 00:28:55,099
HUMAN BEING, AND DOING THESE
EXPERIENCES, I DON'T MEAN
PROFESSIONAL -- I LIKE YOUR

949
00:28:55,101 --> 00:28:58,402
EXPERIENCES, I DON'T MEAN
PROFESSIONAL -- I LIKE YOUR
DEFINITION OF PROFESSIONAL.

950
00:28:58,404 --> 00:29:00,137
PROFESSIONAL -- I LIKE YOUR
DEFINITION OF PROFESSIONAL.
MINE -- I WAS MEANING IT -- I

951
00:29:00,139 --> 00:29:01,772
DEFINITION OF PROFESSIONAL.
MINE -- I WAS MEANING IT -- I
LIKE THE DEFINITION OF AMATEUR

952
00:29:01,774 --> 00:29:04,641
MINE -- I WAS MEANING IT -- I
LIKE THE DEFINITION OF AMATEUR
AS A DEFINITION OF SOMEBODY WHO

953
00:29:04,643 --> 00:29:05,509
LIKE THE DEFINITION OF AMATEUR
AS A DEFINITION OF SOMEBODY WHO
DOES SOMETHING FOR LOVE.

954
00:29:05,511 --> 00:29:06,477
AS A DEFINITION OF SOMEBODY WHO
DOES SOMETHING FOR LOVE.
>> Stephen: GOT IT.

955
00:29:06,479 --> 00:29:08,378
DOES SOMETHING FOR LOVE.
>> Stephen: GOT IT.
AND I TRY TO STAY IN TOUCH

956
00:29:08,380 --> 00:29:10,047
>> Stephen: GOT IT.
AND I TRY TO STAY IN TOUCH
WITH THAT AMATEUR LOVE ASPECT

957
00:29:10,049 --> 00:29:11,715
AND I TRY TO STAY IN TOUCH
WITH THAT AMATEUR LOVE ASPECT
WHILE MAINTAINING THE DISCIPLINE

958
00:29:11,717 --> 00:29:13,517
WITH THAT AMATEUR LOVE ASPECT
WHILE MAINTAINING THE DISCIPLINE
AND INTEGRITY AND RELIABLENESS

959
00:29:13,519 --> 00:29:15,385
WHILE MAINTAINING THE DISCIPLINE
AND INTEGRITY AND RELIABLENESS
OF A TRUE PROFESSIONAL.

960
00:29:15,387 --> 00:29:18,322
AND INTEGRITY AND RELIABLENESS
OF A TRUE PROFESSIONAL.
>> Stephen: LIKE THAT

961
00:29:18,324 --> 00:29:19,022
OF A TRUE PROFESSIONAL.
>> Stephen: LIKE THAT
ADDITIONAL APPRECIATION WE HAVE

962
00:29:19,024 --> 00:29:21,258
>> Stephen: LIKE THAT
ADDITIONAL APPRECIATION WE HAVE
FOR THE AMATEUR ATHLETE OR

963
00:29:21,260 --> 00:29:22,659
ADDITIONAL APPRECIATION WE HAVE
FOR THE AMATEUR ATHLETE OR
OLYMPIAN DOING IT AS AN

964
00:29:22,661 --> 00:29:24,328
FOR THE AMATEUR ATHLETE OR
OLYMPIAN DOING IT AS AN
EXPRESSION OF THE FULLNESS OF

965
00:29:24,330 --> 00:29:25,763
OLYMPIAN DOING IT AS AN
EXPRESSION OF THE FULLNESS OF
THE TALENTS THEY WERE GIVEN.

966
00:29:25,765 --> 00:29:27,364
EXPRESSION OF THE FULLNESS OF
THE TALENTS THEY WERE GIVEN.
>> OR WHEN YOU LISTEN TO YOUNG

967
00:29:27,366 --> 00:29:29,800
THE TALENTS THEY WERE GIVEN.
>> OR WHEN YOU LISTEN TO YOUNG
OR OLD PEOPLE PLAY MUSIC.

968
00:29:29,802 --> 00:29:32,402
>> OR WHEN YOU LISTEN TO YOUNG
OR OLD PEOPLE PLAY MUSIC.
IF YOU SIT AND LISTEN TO A BUNCH

969
00:29:32,404 --> 00:29:33,203
OR OLD PEOPLE PLAY MUSIC.
IF YOU SIT AND LISTEN TO A BUNCH
OF PEOPLE HANGING AROUND THE

970
00:29:33,205 --> 00:29:34,938
IF YOU SIT AND LISTEN TO A BUNCH
OF PEOPLE HANGING AROUND THE
HOUSE THAT AREN'T PROFESSIONAL

971
00:29:34,940 --> 00:29:36,406
OF PEOPLE HANGING AROUND THE
HOUSE THAT AREN'T PROFESSIONAL
SINGERS, SOMETIMES THE MOST

972
00:29:36,408 --> 00:29:37,775
HOUSE THAT AREN'T PROFESSIONAL
SINGERS, SOMETIMES THE MOST
HONEST STUFF COMES OUT OF THEIR

973
00:29:37,777 --> 00:29:38,142
SINGERS, SOMETIMES THE MOST
HONEST STUFF COMES OUT OF THEIR
VOICE, YOU KNOW.

974
00:29:38,144 --> 00:29:40,110
HONEST STUFF COMES OUT OF THEIR
VOICE, YOU KNOW.
>> Stephen: YOU'VE EXPRESSED

975
00:29:40,112 --> 00:29:42,246
VOICE, YOU KNOW.
>> Stephen: YOU'VE EXPRESSED
YOUR VOICE IN A NEW WAY THIS

976
00:29:42,248 --> 00:29:43,981
>> Stephen: YOU'VE EXPRESSED
YOUR VOICE IN A NEW WAY THIS
TIME, A NEW ART.

977
00:29:43,983 --> 00:29:48,719
YOUR VOICE IN A NEW WAY THIS
TIME, A NEW ART.
YOU'VE WRITTEN A NOVEL "A BRIGHT

978
00:29:48,721 --> 00:29:49,486
TIME, A NEW ART.
YOU'VE WRITTEN A NOVEL "A BRIGHT
RAY OF DARKNESS."

979
00:29:49,488 --> 00:29:51,822
YOU'VE WRITTEN A NOVEL "A BRIGHT
RAY OF DARKNESS."
I'LL PUT IT OVER THERE SO YOU

980
00:29:51,824 --> 00:29:54,091
RAY OF DARKNESS."
I'LL PUT IT OVER THERE SO YOU
CAN GET THE BIG PICTURE.

981
00:29:54,093 --> 00:29:58,595
I'LL PUT IT OVER THERE SO YOU
CAN GET THE BIG PICTURE.
IT'S ABOUT AN ACTOR PLAYING HOT

982
00:29:58,597 --> 00:30:00,430
CAN GET THE BIG PICTURE.
IT'S ABOUT AN ACTOR PLAYING HOT
SPUR IN HENRY FORD ON BROADWAY,

983
00:30:00,432 --> 00:30:03,300
IT'S ABOUT AN ACTOR PLAYING HOT
SPUR IN HENRY FORD ON BROADWAY,
A ROLE YOU PLAYED, I UNDERSTAND.

984
00:30:03,302 --> 00:30:04,568
SPUR IN HENRY FORD ON BROADWAY,
A ROLE YOU PLAYED, I UNDERSTAND.
WHY WAS THAT -- WHY DID YOU WANT

985
00:30:04,570 --> 00:30:07,437
A ROLE YOU PLAYED, I UNDERSTAND.
WHY WAS THAT -- WHY DID YOU WANT
TO MAKE THAT THE MAIN CHARACTER

986
00:30:07,439 --> 00:30:08,705
WHY WAS THAT -- WHY DID YOU WANT
TO MAKE THAT THE MAIN CHARACTER
OF YOUR BOOK?

987
00:30:08,707 --> 00:30:10,040
TO MAKE THAT THE MAIN CHARACTER
OF YOUR BOOK?
BECAUSE HE'S NOT THE MAIN

988
00:30:10,042 --> 00:30:13,410
OF YOUR BOOK?
BECAUSE HE'S NOT THE MAIN
CHARACTER OF THE PLAY.

989
00:30:13,412 --> 00:30:14,511
BECAUSE HE'S NOT THE MAIN
CHARACTER OF THE PLAY.
>> NO, AND I WANTED TO -- THE

990
00:30:14,513 --> 00:30:17,581
CHARACTER OF THE PLAY.
>> NO, AND I WANTED TO -- THE
LAST TIME I WROTE A NOVEL IT WAS

991
00:30:17,583 --> 00:30:20,717
>> NO, AND I WANTED TO -- THE
LAST TIME I WROTE A NOVEL IT WAS
CALLED "ASH WEDNESDAY," IT WAS

992
00:30:20,719 --> 00:30:21,218
LAST TIME I WROTE A NOVEL IT WAS
CALLED "ASH WEDNESDAY," IT WAS
ABOUT 20 YEARS AGO.

993
00:30:21,220 --> 00:30:22,753
CALLED "ASH WEDNESDAY," IT WAS
ABOUT 20 YEARS AGO.
WHEN I WAS ON THE BOOK TOUR, I

994
00:30:22,755 --> 00:30:24,588
ABOUT 20 YEARS AGO.
WHEN I WAS ON THE BOOK TOUR, I
HAD A VISION OF WRITING A NOVEL

995
00:30:24,590 --> 00:30:28,859
WHEN I WAS ON THE BOOK TOUR, I
HAD A VISION OF WRITING A NOVEL
ABOUT THE THEATER, AND I HAD

996
00:30:28,861 --> 00:30:32,696
HAD A VISION OF WRITING A NOVEL
ABOUT THE THEATER, AND I HAD
THIS -- I WANTED TO DO FOR THE

997
00:30:32,698 --> 00:30:35,032
ABOUT THE THEATER, AND I HAD
THIS -- I WANTED TO DO FOR THE
ACTOR WHAT MELVILLE DID FOR THE

998
00:30:35,034 --> 00:30:35,265
THIS -- I WANTED TO DO FOR THE
ACTOR WHAT MELVILLE DID FOR THE
WHALER.

999
00:30:35,267 --> 00:30:37,301
ACTOR WHAT MELVILLE DID FOR THE
WHALER.
I THOUGHT, WOULDN'T IT BE GREAT

1000
00:30:37,303 --> 00:30:39,169
WHALER.
I THOUGHT, WOULDN'T IT BE GREAT
IF YOU COULD TAKE PEOPLE'S

1001
00:30:39,171 --> 00:30:40,704
I THOUGHT, WOULDN'T IT BE GREAT
IF YOU COULD TAKE PEOPLE'S
SALACIOUS INTERESTS IN ACTING

1002
00:30:40,706 --> 00:30:42,406
IF YOU COULD TAKE PEOPLE'S
SALACIOUS INTERESTS IN ACTING
AND SHARE WITH THEM WHAT'S

1003
00:30:42,408 --> 00:30:43,307
SALACIOUS INTERESTS IN ACTING
AND SHARE WITH THEM WHAT'S
ACTUALLY TRUE AND BEAUTIFUL

1004
00:30:43,309 --> 00:30:45,375
AND SHARE WITH THEM WHAT'S
ACTUALLY TRUE AND BEAUTIFUL
ABOUT THE PROFESSION?

1005
00:30:45,377 --> 00:30:51,582
ACTUALLY TRUE AND BEAUTIFUL
ABOUT THE PROFESSION?
NOW, YES, I PLAYED HOTSPUR.

1006
00:30:51,584 --> 00:30:54,251
ABOUT THE PROFESSION?
NOW, YES, I PLAYED HOTSPUR.
THIS IS A FICTIONAL ACCOUNT.

1007
00:30:54,253 --> 00:30:55,986
NOW, YES, I PLAYED HOTSPUR.
THIS IS A FICTIONAL ACCOUNT.
I TOOK 30 YEARS OF THEATER

1008
00:30:55,988 --> 00:30:57,321
THIS IS A FICTIONAL ACCOUNT.
I TOOK 30 YEARS OF THEATER
EXPERIENCE AND TRIED TO WEAVE IT

1009
00:30:57,323 --> 00:30:59,923
I TOOK 30 YEARS OF THEATER
EXPERIENCE AND TRIED TO WEAVE IT
INTO ONE, YOU KNOW -- WELL, A

1010
00:30:59,925 --> 00:31:01,892
EXPERIENCE AND TRIED TO WEAVE IT
INTO ONE, YOU KNOW -- WELL, A
NOVEL ABOUT A WHOLE THEATER

1011
00:31:01,894 --> 00:31:03,327
INTO ONE, YOU KNOW -- WELL, A
NOVEL ABOUT A WHOLE THEATER
PRODUCTION, YOU KNOW, THE NOVEL

1012
00:31:03,329 --> 00:31:05,062
NOVEL ABOUT A WHOLE THEATER
PRODUCTION, YOU KNOW, THE NOVEL
STARTS IN THE FIRST DAY OF

1013
00:31:05,064 --> 00:31:07,231
PRODUCTION, YOU KNOW, THE NOVEL
STARTS IN THE FIRST DAY OF
REHEARSAL AND ENDS WHEN THEY

1014
00:31:07,233 --> 00:31:07,898
STARTS IN THE FIRST DAY OF
REHEARSAL AND ENDS WHEN THEY
STRIKE THE SET.

1015
00:31:07,900 --> 00:31:09,433
REHEARSAL AND ENDS WHEN THEY
STRIKE THE SET.
THAT WAS KIND OF THE

1016
00:31:09,435 --> 00:31:10,701
STRIKE THE SET.
THAT WAS KIND OF THE
ARCHITECTURE FOR THE NOVEL THAT

1017
00:31:10,703 --> 00:31:13,403
THAT WAS KIND OF THE
ARCHITECTURE FOR THE NOVEL THAT
I HAD 20 YEARS AGO, AND I'VE

1018
00:31:13,405 --> 00:31:16,139
ARCHITECTURE FOR THE NOVEL THAT
I HAD 20 YEARS AGO, AND I'VE
JUST BEEN WORKING AT IT EVER

1019
00:31:16,141 --> 00:31:16,340
I HAD 20 YEARS AGO, AND I'VE
JUST BEEN WORKING AT IT EVER
SINCE.

1020
00:31:16,342 --> 00:31:18,141
JUST BEEN WORKING AT IT EVER
SINCE.
I THINK I REALIZED IF I WAS EVER

1021
00:31:18,143 --> 00:31:19,543
SINCE.
I THINK I REALIZED IF I WAS EVER
GOING TO CONTRIBUTE AT WRITING,

1022
00:31:19,545 --> 00:31:22,079
I THINK I REALIZED IF I WAS EVER
GOING TO CONTRIBUTE AT WRITING,
I SHOULD PROBABLY DO THE FIRST

1023
00:31:22,081 --> 00:31:22,779
GOING TO CONTRIBUTE AT WRITING,
I SHOULD PROBABLY DO THE FIRST
THING WRITING TEACHERS TELL YOU

1024
00:31:22,781 --> 00:31:24,882
I SHOULD PROBABLY DO THE FIRST
THING WRITING TEACHERS TELL YOU
TO DO WHICH IS WRITE WHAT YOU

1025
00:31:24,884 --> 00:31:26,650
THING WRITING TEACHERS TELL YOU
TO DO WHICH IS WRITE WHAT YOU
KNOW, AND THAT'S WHAT I KNOW

1026
00:31:26,652 --> 00:31:28,185
TO DO WHICH IS WRITE WHAT YOU
KNOW, AND THAT'S WHAT I KNOW
SOMETHING ABOUT, IF I KNOW

1027
00:31:28,187 --> 00:31:28,452
KNOW, AND THAT'S WHAT I KNOW
SOMETHING ABOUT, IF I KNOW
ANYTHING.

1028
00:31:28,454 --> 00:31:29,853
SOMETHING ABOUT, IF I KNOW
ANYTHING.
>> Stephen: ETHAN, WE HAVE TO

1029
00:31:29,855 --> 00:31:32,089
ANYTHING.
>> Stephen: ETHAN, WE HAVE TO
TAKE A QUICK BREAK, BUT STICK

1030
00:31:32,091 --> 00:31:33,523
>> Stephen: ETHAN, WE HAVE TO
TAKE A QUICK BREAK, BUT STICK
AROUND, FOLKS, BECAUSE, WHEN WE

1031
00:31:33,525 --> 00:31:35,459
TAKE A QUICK BREAK, BUT STICK
AROUND, FOLKS, BECAUSE, WHEN WE
COME BACK, ETHAN'S GOING TO TELL

1032
00:31:35,461 --> 00:31:37,694
AROUND, FOLKS, BECAUSE, WHEN WE
COME BACK, ETHAN'S GOING TO TELL
US ABOUT ONE OF THE COOLEST AND

1033
00:31:37,696 --> 00:31:39,029
COME BACK, ETHAN'S GOING TO TELL
US ABOUT ONE OF THE COOLEST AND
FITTING THEATRICAL PRODUCTIONS I

1034
00:31:39,031 --> 00:31:40,697
US ABOUT ONE OF THE COOLEST AND
FITTING THEATRICAL PRODUCTIONS I
COULD IMAGINE RIGHT NOW.

1035
00:31:40,699 --> 00:31:42,065
FITTING THEATRICAL PRODUCTIONS I
COULD IMAGINE RIGHT NOW.
WE'LL BE RIGHT BACK.

1036
00:31:51,009 --> 00:31:54,077
♪♪♪

1037
00:31:54,212 --> 00:32:02,953
>> STEPHEN: WE'RE BACK WITH
ETHAN HAWKE.
THE AUTHOR OF "A BRIGHT RAY OF

1038
00:32:02,955 --> 00:32:03,720
ETHAN HAWKE.
THE AUTHOR OF "A BRIGHT RAY OF
DARKNESS."

1039
00:32:03,722 --> 00:32:04,922
THE AUTHOR OF "A BRIGHT RAY OF
DARKNESS."
BESIDES WRITING, DO YOU HAVE ANY

1040
00:32:04,924 --> 00:32:06,356
DARKNESS."
BESIDES WRITING, DO YOU HAVE ANY
OTHER CREATIVE OUTLETS DURING

1041
00:32:06,358 --> 00:32:07,891
BESIDES WRITING, DO YOU HAVE ANY
OTHER CREATIVE OUTLETS DURING
THE PANDEMIC?

1042
00:32:07,893 --> 00:32:10,060
OTHER CREATIVE OUTLETS DURING
THE PANDEMIC?
BECAUSE A LOT OF PEOPLE -- SOME

1043
00:32:10,062 --> 00:32:14,698
THE PANDEMIC?
BECAUSE A LOT OF PEOPLE -- SOME
PEOPLE FEEL SORT OF INNERVATED,

1044
00:32:14,700 --> 00:32:16,266
BECAUSE A LOT OF PEOPLE -- SOME
PEOPLE FEEL SORT OF INNERVATED,
LIKE GROUNDHOG'S DAY.

1045
00:32:16,268 --> 00:32:18,568
PEOPLE FEEL SORT OF INNERVATED,
LIKE GROUNDHOG'S DAY.
LIKE THEY CAN MAKE NO PERSONAL

1046
00:32:18,570 --> 00:32:18,835
LIKE GROUNDHOG'S DAY.
LIKE THEY CAN MAKE NO PERSONAL
PROGRESS.

1047
00:32:18,837 --> 00:32:22,506
LIKE THEY CAN MAKE NO PERSONAL
PROGRESS.
WHAT ARE YOU DOING TO STAY

1048
00:32:22,508 --> 00:32:22,973
PROGRESS.
WHAT ARE YOU DOING TO STAY
SHARP?

1049
00:32:22,975 --> 00:32:24,408
WHAT ARE YOU DOING TO STAY
SHARP?
>> HAVE I IN ANY WAY GIVEN YOU

1050
00:32:24,410 --> 00:32:26,944
SHARP?
>> HAVE I IN ANY WAY GIVEN YOU
IF IMPRESSION THAT I WAS STAYING

1051
00:32:26,946 --> 00:32:27,144
>> HAVE I IN ANY WAY GIVEN YOU
IF IMPRESSION THAT I WAS STAYING
SHARP?

1052
00:32:27,146 --> 00:32:28,245
IF IMPRESSION THAT I WAS STAYING
SHARP?
I DON'T THINK SO.

1053
00:32:28,247 --> 00:32:30,414
SHARP?
I DON'T THINK SO.
>> Stephen: ABSOLUTELY.

1054
00:32:30,416 --> 00:32:30,814
I DON'T THINK SO.
>> Stephen: ABSOLUTELY.
EXACTLY.

1055
00:32:30,816 --> 00:32:32,983
>> Stephen: ABSOLUTELY.
EXACTLY.
>> I PLAY THE GUITAR WITH MY

1056
00:32:32,985 --> 00:32:33,417
EXACTLY.
>> I PLAY THE GUITAR WITH MY
KIDS.

1057
00:32:33,419 --> 00:32:35,852
>> I PLAY THE GUITAR WITH MY
KIDS.
I LIKE TO DO WATER COLORS.

1058
00:32:35,854 --> 00:32:37,120
KIDS.
I LIKE TO DO WATER COLORS.
I TRIED TO EXERCISE.

1059
00:32:37,122 --> 00:32:39,790
I LIKE TO DO WATER COLORS.
I TRIED TO EXERCISE.
YOU KNOW, I HAD A GREAT BLESSING

1060
00:32:39,792 --> 00:32:42,559
I TRIED TO EXERCISE.
YOU KNOW, I HAD A GREAT BLESSING
DURING THIS WHOLE PANDEMIC OF

1061
00:32:42,561 --> 00:32:43,827
YOU KNOW, I HAD A GREAT BLESSING
DURING THIS WHOLE PANDEMIC OF
HAVING THIS -- THE GOOD LORD

1062
00:32:43,829 --> 00:32:46,964
DURING THIS WHOLE PANDEMIC OF
HAVING THIS -- THE GOOD LORD
BIRD TOOK A TON OF MY TIME

1063
00:32:46,966 --> 00:32:48,165
HAVING THIS -- THE GOOD LORD
BIRD TOOK A TON OF MY TIME
PROMOTING IT.

1064
00:32:48,167 --> 00:32:50,400
BIRD TOOK A TON OF MY TIME
PROMOTING IT.
I FELT KIND OF LIKE AN HONOR.

1065
00:32:50,402 --> 00:32:53,036
PROMOTING IT.
I FELT KIND OF LIKE AN HONOR.
IT WAS SOMETHING I REALLY

1066
00:32:53,038 --> 00:32:54,471
I FELT KIND OF LIKE AN HONOR.
IT WAS SOMETHING I REALLY
ENJOYED DOING.

1067
00:32:54,473 --> 00:32:56,606
IT WAS SOMETHING I REALLY
ENJOYED DOING.
THAT STORY, I THINK, SPEAKS TO A

1068
00:32:56,608 --> 00:32:58,275
ENJOYED DOING.
THAT STORY, I THINK, SPEAKS TO A
LOT OF THE CENTRAL ISSUES THAT

1069
00:32:58,277 --> 00:32:59,776
THAT STORY, I THINK, SPEAKS TO A
LOT OF THE CENTRAL ISSUES THAT
AMERICA IS THINKING ABOUT RIGHT

1070
00:32:59,778 --> 00:32:59,943
LOT OF THE CENTRAL ISSUES THAT
AMERICA IS THINKING ABOUT RIGHT
NOW.

1071
00:32:59,945 --> 00:33:02,946
AMERICA IS THINKING ABOUT RIGHT
NOW.
AND, SO, IN A LOT OF WAYS, THIS

1072
00:33:02,948 --> 00:33:05,215
NOW.
AND, SO, IN A LOT OF WAYS, THIS
WHOLE ZOOMING ALLOWED ME TO DO

1073
00:33:05,217 --> 00:33:06,783
AND, SO, IN A LOT OF WAYS, THIS
WHOLE ZOOMING ALLOWED ME TO DO
MORE INTERVIEWS THAN I WOULD BE

1074
00:33:06,785 --> 00:33:08,885
WHOLE ZOOMING ALLOWED ME TO DO
MORE INTERVIEWS THAN I WOULD BE
ABLE TO DO BECAUSE I COULD ZOOM

1075
00:33:08,887 --> 00:33:10,420
MORE INTERVIEWS THAN I WOULD BE
ABLE TO DO BECAUSE I COULD ZOOM
WITH SOME JOURNALIST IN ATLANTA

1076
00:33:10,422 --> 00:33:11,822
ABLE TO DO BECAUSE I COULD ZOOM
WITH SOME JOURNALIST IN ATLANTA
AND SOMEBODY IN PARIS.

1077
00:33:11,824 --> 00:33:13,023
WITH SOME JOURNALIST IN ATLANTA
AND SOMEBODY IN PARIS.
SO I HAVE BEEN TALKING ABOUT

1078
00:33:13,025 --> 00:33:15,225
AND SOMEBODY IN PARIS.
SO I HAVE BEEN TALKING ABOUT
JOHN BROWN FOR, LIKE, SIX

1079
00:33:15,227 --> 00:33:15,459
SO I HAVE BEEN TALKING ABOUT
JOHN BROWN FOR, LIKE, SIX
MONTHS.

1080
00:33:15,461 --> 00:33:16,493
JOHN BROWN FOR, LIKE, SIX
MONTHS.
AND WHILE THAT MIGHT NOT SOUND

1081
00:33:16,495 --> 00:33:18,962
MONTHS.
AND WHILE THAT MIGHT NOT SOUND
THAT INTERESTING TO SOME, IT'S

1082
00:33:18,964 --> 00:33:20,297
AND WHILE THAT MIGHT NOT SOUND
THAT INTERESTING TO SOME, IT'S
PROVED ABSOLUTELY FASCINATING.

1083
00:33:20,299 --> 00:33:21,465
THAT INTERESTING TO SOME, IT'S
PROVED ABSOLUTELY FASCINATING.
>> Stephen: HAVE YOU BEEN ABLE

1084
00:33:21,467 --> 00:33:22,199
PROVED ABSOLUTELY FASCINATING.
>> Stephen: HAVE YOU BEEN ABLE
TO PERFORM?

1085
00:33:22,201 --> 00:33:24,134
>> Stephen: HAVE YOU BEEN ABLE
TO PERFORM?
HAVE YOU FOUND ANY OTHER

1086
00:33:24,136 --> 00:33:24,401
TO PERFORM?
HAVE YOU FOUND ANY OTHER
OUTLETS?

1087
00:33:24,403 --> 00:33:26,269
HAVE YOU FOUND ANY OTHER
OUTLETS?
YOU CAN'T DO THEATER.

1088
00:33:26,271 --> 00:33:28,005
OUTLETS?
YOU CAN'T DO THEATER.
>> WELL, YOU KNOW, THERE'S ONE

1089
00:33:28,007 --> 00:33:28,672
YOU CAN'T DO THEATER.
>> WELL, YOU KNOW, THERE'S ONE
THING I AM DOING.

1090
00:33:28,674 --> 00:33:33,143
>> WELL, YOU KNOW, THERE'S ONE
THING I AM DOING.
I'M DOING A ZOOM PRODUCTION OF

1091
00:33:33,145 --> 00:33:37,280
THING I AM DOING.
I'M DOING A ZOOM PRODUCTION OF
WAITING FOR GOODEAU.

1092
00:33:37,282 --> 00:33:39,649
I'M DOING A ZOOM PRODUCTION OF
WAITING FOR GOODEAU.
WE'RE TRYING TO RAISE MONEY FOR

1093
00:33:39,651 --> 00:33:43,553
WAITING FOR GOODEAU.
WE'RE TRYING TO RAISE MONEY FOR
THE THEATER.

1094
00:33:43,555 --> 00:33:45,288
WE'RE TRYING TO RAISE MONEY FOR
THE THEATER.
TAREQ FROM THE ROOTS AND WALLY

1095
00:33:45,290 --> 00:33:47,124
THE THEATER.
TAREQ FROM THE ROOTS AND WALLY
AND I MEET A COUPLE OF TIMES ON

1096
00:33:47,126 --> 00:33:50,961
TAREQ FROM THE ROOTS AND WALLY
AND I MEET A COUPLE OF TIMES ON
ZOOM AND WE WORK ON SAMUEL BECK

1097
00:33:50,963 --> 00:33:54,998
AND I MEET A COUPLE OF TIMES ON
ZOOM AND WE WORK ON SAMUEL BECK
E.L.T.'S WAITING FOR GOODELL.

1098
00:33:55,000 --> 00:34:00,437
ZOOM AND WE WORK ON SAMUEL BECK
E.L.T.'S WAITING FOR GOODELL.
>> Stephen: VLADIMIR OR

1099
00:34:00,439 --> 00:34:00,704
E.L.T.'S WAITING FOR GOODELL.
>> Stephen: VLADIMIR OR
ESTRAGON.

1100
00:34:00,706 --> 00:34:01,004
>> Stephen: VLADIMIR OR
ESTRAGON.
>> VLADIMIR.

1101
00:34:01,006 --> 00:34:01,838
ESTRAGON.
>> VLADIMIR.
>> Stephen: AND TAREQ AND

1102
00:34:01,840 --> 00:34:05,142
>> VLADIMIR.
>> Stephen: AND TAREQ AND
KALLIE SCHON, WHO'S LUCKY, WHO'S

1103
00:34:05,144 --> 00:34:06,076
>> Stephen: AND TAREQ AND
KALLIE SCHON, WHO'S LUCKY, WHO'S
POZO.

1104
00:34:06,078 --> 00:34:08,145
KALLIE SCHON, WHO'S LUCKY, WHO'S
POZO.
>> TAREQ IS POZO AND WALLY IS

1105
00:34:08,147 --> 00:34:08,812
POZO.
>> TAREQ IS POZO AND WALLY IS
LUCKY.

1106
00:34:08,814 --> 00:34:10,680
>> TAREQ IS POZO AND WALLY IS
LUCKY.
AND I GOTTA TELL YOU, YOU KNOW,

1107
00:34:10,682 --> 00:34:12,416
LUCKY.
AND I GOTTA TELL YOU, YOU KNOW,
I'M NOT SELLING OUT HERE, BUT

1108
00:34:12,418 --> 00:34:13,683
AND I GOTTA TELL YOU, YOU KNOW,
I'M NOT SELLING OUT HERE, BUT
IT'S PROVED TO BE ONE OF THE

1109
00:34:13,685 --> 00:34:14,951
I'M NOT SELLING OUT HERE, BUT
IT'S PROVED TO BE ONE OF THE
MOST INTERESTING THINGS I EVER

1110
00:34:14,953 --> 00:34:17,454
IT'S PROVED TO BE ONE OF THE
MOST INTERESTING THINGS I EVER
DID IN MY LIFE BECAUSE THERE'S

1111
00:34:17,456 --> 00:34:18,355
MOST INTERESTING THINGS I EVER
DID IN MY LIFE BECAUSE THERE'S
SOMETHING SO ALIENATING ABOUT

1112
00:34:18,357 --> 00:34:20,023
DID IN MY LIFE BECAUSE THERE'S
SOMETHING SO ALIENATING ABOUT
THIS EXPERIENCE AND, YOU KNOW,

1113
00:34:20,025 --> 00:34:21,258
SOMETHING SO ALIENATING ABOUT
THIS EXPERIENCE AND, YOU KNOW,
THE CHARACTERS CAN'T REMEMBER

1114
00:34:21,260 --> 00:34:22,592
THIS EXPERIENCE AND, YOU KNOW,
THE CHARACTERS CAN'T REMEMBER
WHETHER IT'S SATURDAY OR TUESDAY

1115
00:34:22,594 --> 00:34:24,461
THE CHARACTERS CAN'T REMEMBER
WHETHER IT'S SATURDAY OR TUESDAY
OR WEDNESDAY AND THEY DON'T

1116
00:34:24,463 --> 00:34:26,096
WHETHER IT'S SATURDAY OR TUESDAY
OR WEDNESDAY AND THEY DON'T
REMEMBER WHAT THEY'RE WAITING

1117
00:34:26,098 --> 00:34:26,763
OR WEDNESDAY AND THEY DON'T
REMEMBER WHAT THEY'RE WAITING
FOR AND --

1118
00:34:26,765 --> 00:34:27,497
REMEMBER WHAT THEY'RE WAITING
FOR AND --
>> Stephen: YEAH.

1119
00:34:27,499 --> 00:34:28,799
FOR AND --
>> Stephen: YEAH.
HEARING THE PLAY IS ENTIRELY

1120
00:34:28,801 --> 00:34:30,801
>> Stephen: YEAH.
HEARING THE PLAY IS ENTIRELY
NEW, AND MY HOPE IS YOU CAN --

1121
00:34:30,803 --> 00:34:33,170
HEARING THE PLAY IS ENTIRELY
NEW, AND MY HOPE IS YOU CAN --
IT WILL BE AVAILABLE, YOU KNOW,

1122
00:34:33,172 --> 00:34:35,939
NEW, AND MY HOPE IS YOU CAN --
IT WILL BE AVAILABLE, YOU KNOW,
ON THE WEB OR SOMETHING FOR A

1123
00:34:35,941 --> 00:34:38,375
IT WILL BE AVAILABLE, YOU KNOW,
ON THE WEB OR SOMETHING FOR A
FEW WEEKS, YOU CAN WATCH IT.

1124
00:34:38,377 --> 00:34:39,309
ON THE WEB OR SOMETHING FOR A
FEW WEEKS, YOU CAN WATCH IT.
WE'RE GOING TO RECORD IT LIVE.

1125
00:34:39,311 --> 00:34:41,812
FEW WEEKS, YOU CAN WATCH IT.
WE'RE GOING TO RECORD IT LIVE.
SO IT'S NOT LIKE A READING.

1126
00:34:41,814 --> 00:34:43,647
WE'RE GOING TO RECORD IT LIVE.
SO IT'S NOT LIKE A READING.
WE'RE TRYING TO PERFORM IT AND

1127
00:34:43,649 --> 00:34:44,581
SO IT'S NOT LIKE A READING.
WE'RE TRYING TO PERFORM IT AND
EXPLORE THE MATERIAL.

1128
00:34:44,583 --> 00:34:46,650
WE'RE TRYING TO PERFORM IT AND
EXPLORE THE MATERIAL.
>> Stephen: WHERE ARE WE GOING

1129
00:34:46,652 --> 00:34:47,517
EXPLORE THE MATERIAL.
>> Stephen: WHERE ARE WE GOING
TO BE ABLE TO SEE IT.

1130
00:34:47,519 --> 00:34:49,619
>> Stephen: WHERE ARE WE GOING
TO BE ABLE TO SEE IT.
>> IT'S FOR A THEATER COMPANY

1131
00:34:49,621 --> 00:34:50,954
TO BE ABLE TO SEE IT.
>> IT'S FOR A THEATER COMPANY
CALLED THE NEW GROUP, AND IT

1132
00:34:50,956 --> 00:34:51,888
>> IT'S FOR A THEATER COMPANY
CALLED THE NEW GROUP, AND IT
WILL BE AVAILABLE -- I THINK

1133
00:34:51,890 --> 00:34:52,889
CALLED THE NEW GROUP, AND IT
WILL BE AVAILABLE -- I THINK
IT'S MARCH AND APRIL.

1134
00:34:52,891 --> 00:34:55,292
WILL BE AVAILABLE -- I THINK
IT'S MARCH AND APRIL.
BUT IF YOU GO TO THE NEW GROUP

1135
00:34:55,294 --> 00:34:56,493
IT'S MARCH AND APRIL.
BUT IF YOU GO TO THE NEW GROUP
WEB SITE, YOU CAN SEE WHENNETH

1136
00:34:56,495 --> 00:34:57,494
BUT IF YOU GO TO THE NEW GROUP
WEB SITE, YOU CAN SEE WHENNETH
GOING TO BE AVAILABLE.

1137
00:34:57,496 --> 00:35:00,897
WEB SITE, YOU CAN SEE WHENNETH
GOING TO BE AVAILABLE.
>> Stephen: THEY DO NOT MOVE.

1138
00:35:00,899 --> 00:35:01,965
GOING TO BE AVAILABLE.
>> Stephen: THEY DO NOT MOVE.
HIS NOVEL "A BRIGHT RAY OF

1139
00:35:01,967 --> 00:35:04,301
>> Stephen: THEY DO NOT MOVE.
HIS NOVEL "A BRIGHT RAY OF
DARKNESS," RIGHT HERE, IS

1140
00:35:04,303 --> 00:35:04,734
HIS NOVEL "A BRIGHT RAY OF
DARKNESS," RIGHT HERE, IS
AVAILABLE TOMORROW.

1141
00:35:04,736 --> 00:35:06,670
DARKNESS," RIGHT HERE, IS
AVAILABLE TOMORROW.
ETHAN HAWKE, EVERYBODY.

1142
00:35:06,672 --> 00:35:08,038
AVAILABLE TOMORROW.
ETHAN HAWKE, EVERYBODY.
WE'LL BE RIGHT BACK WITH A

1143
00:35:08,040 --> 00:35:13,410
ETHAN HAWKE, EVERYBODY.
WE'LL BE RIGHT BACK WITH A
PERFORMANCE BY MICKEY GUYTON.

1144
00:35:13,412 --> 00:35:14,911
WE'LL BE RIGHT BACK WITH A
PERFORMANCE BY MICKEY GUYTON.
♪♪♪

1145
00:35:21,619 --> 00:35:29,493
♪♪♪

1146
00:35:37,135 --> 00:35:39,803
>> Stephen: WELCOME BACK,
EVERYBODY.
SHE IS THE FIRST BLACK FEMALE

1147
00:35:39,805 --> 00:35:40,470
EVERYBODY.
SHE IS THE FIRST BLACK FEMALE
SOLO ARTIST TO EARN A GRAMMY

1148
00:35:40,472 --> 00:35:41,404
SHE IS THE FIRST BLACK FEMALE
SOLO ARTIST TO EARN A GRAMMY
NOMINATION IN A COUNTRY

1149
00:35:41,406 --> 00:35:42,873
SOLO ARTIST TO EARN A GRAMMY
NOMINATION IN A COUNTRY
MUSIC CATEGORY.

1150
00:35:42,875 --> 00:35:45,375
NOMINATION IN A COUNTRY
MUSIC CATEGORY.
PERFORMING "BLACK LIKE ME" FROM

1151
00:35:45,377 --> 00:35:49,379
MUSIC CATEGORY.
PERFORMING "BLACK LIKE ME" FROM
HER E.P., "BRIDGES," MICKEY

1152
00:35:49,381 --> 00:35:53,383
PERFORMING "BLACK LIKE ME" FROM
HER E.P., "BRIDGES," MICKEY
GUYTON.

1153
00:35:53,385 --> 00:35:57,387
HER E.P., "BRIDGES," MICKEY
GUYTON.
♪ ♪ ♪

1154
00:35:57,389 --> 00:36:01,391
GUYTON.
♪ ♪ ♪
♪ ♪ ♪

1155
00:36:01,393 --> 00:36:05,395
♪ ♪ ♪
♪ ♪ ♪
♪ LITTLE KID IN A SMALL TOWN

1156
00:36:05,397 --> 00:36:11,334
♪ ♪ ♪
♪ LITTLE KID IN A SMALL TOWN
I DID MY BEST JUST TO FI IN

1157
00:36:11,336 --> 00:36:13,436
♪ LITTLE KID IN A SMALL TOWN
I DID MY BEST JUST TO FI IN
♪ BROKE MY HEART

1158
00:36:13,438 --> 00:36:17,407
I DID MY BEST JUST TO FI IN
♪ BROKE MY HEART
ON THE PLAYGROUND, MM

1159
00:36:17,409 --> 00:36:21,378
♪ BROKE MY HEART
ON THE PLAYGROUND, MM
♪ WHEN THEY SAID I WAS DIFFERENT

1160
00:36:21,380 --> 00:36:24,581
ON THE PLAYGROUND, MM
♪ WHEN THEY SAID I WAS DIFFERENT
OH, NOW, NOW

1161
00:36:24,583 --> 00:36:25,382
♪ WHEN THEY SAID I WAS DIFFERENT
OH, NOW, NOW
♪ I'M ALL GROWN UP

1162
00:36:25,384 --> 00:36:28,418
OH, NOW, NOW
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED

1163
00:36:28,420 --> 00:36:33,390
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED
♪ YEAH, IT'S STILL THE SAME

1164
00:36:33,392 --> 00:36:37,394
AND NOTHING HAS CHANGED
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET

1165
00:36:37,396 --> 00:36:41,398
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET

1166
00:36:41,400 --> 00:36:44,834
IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1167
00:36:44,836 --> 00:36:45,402
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE
♪ IF YOU THINK WE LIVE IN

1168
00:36:45,404 --> 00:36:49,406
FENCES FAR AS YOU CAN SEE
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1169
00:36:49,408 --> 00:36:53,376
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE
♪ YOU SHOULD TRY TO BE

1170
00:36:53,378 --> 00:36:57,380
THE LAND OF THE FREE
♪ YOU SHOULD TRY TO BE
BLACK LIKE ME

1171
00:36:57,382 --> 00:37:00,884
♪ YOU SHOULD TRY TO BE
BLACK LIKE ME
♪ MY DADDY WORKED DAY AND NIGHT

1172
00:37:00,886 --> 00:37:01,384
BLACK LIKE ME
♪ MY DADDY WORKED DAY AND NIGHT
FOR AN OLD HOUSE

1173
00:37:01,386 --> 00:37:05,388
♪ MY DADDY WORKED DAY AND NIGHT
FOR AN OLD HOUSE
♪ AND A USED CAR, HM

1174
00:37:05,390 --> 00:37:13,430
FOR AN OLD HOUSE
♪ AND A USED CAR, HM
JUST TO LIVE THAT GOOD LIFE, MM

1175
00:37:13,432 --> 00:37:17,400
♪ AND A USED CAR, HM
JUST TO LIVE THAT GOOD LIFE, MM
♪ IT SHOULDN'T BE TWICE AS HARD

1176
00:37:17,402 --> 00:37:19,336
JUST TO LIVE THAT GOOD LIFE, MM
♪ IT SHOULDN'T BE TWICE AS HARD
OH, NOW, NOW

1177
00:37:19,338 --> 00:37:21,371
♪ IT SHOULDN'T BE TWICE AS HARD
OH, NOW, NOW
♪ I'M ALL GROWN UP

1178
00:37:21,373 --> 00:37:25,375
OH, NOW, NOW
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED

1179
00:37:25,377 --> 00:37:29,379
♪ I'M ALL GROWN UP
AND NOTHING HAS CHANGED
♪ YEAH, IT'S STILL THE SAME

1180
00:37:29,381 --> 00:37:33,316
AND NOTHING HAS CHANGED
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET

1181
00:37:33,318 --> 00:37:33,883
♪ YEAH, IT'S STILL THE SAME
IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET

1182
00:37:33,885 --> 00:37:37,387
IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1183
00:37:37,389 --> 00:37:41,391
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE
♪ IF YOU THINK WE LIVE IN

1184
00:37:41,393 --> 00:37:45,395
FENCES FAR AS YOU CAN SEE
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1185
00:37:45,397 --> 00:37:48,198
♪ IF YOU THINK WE LIVE IN
THE LAND OF THE FREE
♪ YOU SHOULD TRY TO BE

1186
00:37:48,200 --> 00:37:49,399
THE LAND OF THE FREE
♪ YOU SHOULD TRY TO BE
OH, BLACK LIKE ME

1187
00:37:49,401 --> 00:37:53,403
♪ YOU SHOULD TRY TO BE
OH, BLACK LIKE ME
♪ OH, OH

1188
00:37:53,405 --> 00:37:56,706
OH, BLACK LIKE ME
♪ OH, OH
OH, OH

1189
00:37:56,708 --> 00:37:57,407
♪ OH, OH
OH, OH
♪ OH, OH, OH

1190
00:37:57,409 --> 00:38:00,110
OH, OH
♪ OH, OH, OH
OH, OH, OH, OH

1191
00:38:00,112 --> 00:38:01,378
♪ OH, OH, OH
OH, OH, OH, OH
♪ OH, OH, OH

1192
00:38:01,380 --> 00:38:05,382
OH, OH, OH, OH
♪ OH, OH, OH
OH, I KNOW I'M NOT THE

1193
00:38:05,384 --> 00:38:13,423
♪ OH, OH, OH
OH, I KNOW I'M NOT THE
♪ ONLY ONE, OH, YEAH

1194
00:38:13,425 --> 00:38:17,394
OH, I KNOW I'M NOT THE
♪ ONLY ONE, OH, YEAH
WHO FEELS LIKE I

1195
00:38:17,396 --> 00:38:23,933
♪ ONLY ONE, OH, YEAH
WHO FEELS LIKE I
♪ I DON'T BELONG

1196
00:38:23,935 --> 00:38:29,406
WHO FEELS LIKE I
♪ I DON'T BELONG
IT'S A HARD LIFE ON EASY STREET

1197
00:38:29,408 --> 00:38:33,376
♪ I DON'T BELONG
IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET

1198
00:38:33,378 --> 00:38:37,380
IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE

1199
00:38:37,382 --> 00:38:41,084
♪ JUST WHITE PAINTED PICKET
FENCES FAR AS YOU CAN SEE
♪ AND IF YOU THINK WE LIVE IN

1200
00:38:41,086 --> 00:38:41,518
FENCES FAR AS YOU CAN SEE
♪ AND IF YOU THINK WE LIVE IN
THE LAND OF THE FREE

1201
00:38:41,520 --> 00:38:45,388
♪ AND IF YOU THINK WE LIVE IN
THE LAND OF THE FREE
♪ THEN YOU SHOULD TRY TO BE

1202
00:38:45,390 --> 00:38:49,025
THE LAND OF THE FREE
♪ THEN YOU SHOULD TRY TO BE
OH, BLACK LIKE ME

1203
00:38:49,027 --> 00:38:49,426
♪ THEN YOU SHOULD TRY TO BE
OH, BLACK LIKE ME
♪ OH, AND SOMEDAY

1204
00:38:49,428 --> 00:38:53,396
OH, BLACK LIKE ME
♪ OH, AND SOMEDAY
WE'LL ALL BE FREE

1205
00:38:53,398 --> 00:38:57,200
♪ OH, AND SOMEDAY
WE'LL ALL BE FREE
♪ AND I'M PROUD TO BE

1206
00:38:57,202 --> 00:38:57,600
WE'LL ALL BE FREE
♪ AND I'M PROUD TO BE
OH, BLACK LIKE ME

1207
00:38:57,602 --> 00:39:01,404
♪ AND I'M PROUD TO BE
OH, BLACK LIKE ME
♪ AND I'M PROUD TO BE

1208
00:39:01,406 --> 00:39:05,375
OH, BLACK LIKE ME
♪ AND I'M PROUD TO BE
BLACK LIKE ME

1209
00:39:05,377 --> 00:39:09,379
♪ AND I'M PROUD TO BE
BLACK LIKE ME
♪ PROUD TO BE

1210
00:39:09,381 --> 00:39:13,416
BLACK LIKE ME
♪ PROUD TO BE
BLACK LIKE ME

1211
00:39:13,418 --> 00:39:16,920
♪ PROUD TO BE
BLACK LIKE ME
♪ BLACK LIKE ME ♪

1212
00:39:16,922 --> 00:39:17,454
BLACK LIKE ME
♪ BLACK LIKE ME ♪
>> Stephen: MICKEY GUYTON,

1213
00:39:17,456 --> 00:39:20,590
♪ BLACK LIKE ME ♪
>> Stephen: MICKEY GUYTON,
EVERYBODY.

1214
00:39:20,592 --> 00:39:21,391
>> Stephen: MICKEY GUYTON,
EVERYBODY.
WE'LL BE RIGHT BACK.

1215
00:39:21,393 --> 00:39:21,891
EVERYBODY.
WE'LL BE RIGHT BACK.
♪ ♪ ♪

1216
00:39:28,199 --> 00:39:35,739
>> STEPHEN: THAT'S IT FOR "A
LATE SHOW," EVERYBODY.
TUNE IN TOMORROW WHEN MY GUESTS

1217
00:39:35,741 --> 00:39:36,706
LATE SHOW," EVERYBODY.
TUNE IN TOMORROW WHEN MY GUESTS
WILL BE ZENDAYA AND FATHER JAMES

1218
00:39:36,708 --> 00:39:37,374
TUNE IN TOMORROW WHEN MY GUESTS
WILL BE ZENDAYA AND FATHER JAMES
MARTIN.

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WILL BE ZENDAYA AND FATHER JAMES
MARTIN.
JAMES CORDEN IS NEXT.

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MARTIN.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1221
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>> Stephen: I KEEP MISSING.
THAT'S IT.
SORRY, DONTE.

1222
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THAT'S IT.
SORRY, DONTE.
( LAUGHTER )

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1224
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<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org
♪ ♪ ♪

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access.wgbh.org
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♪ ♪ ♪