1 00:00:01,292 --> 00:00:03,169 >> KEVIN MCCARTHY, THE HOUSE MINORITY LEADER, JUST ISSUING A 2 00:00:03,169 --> 00:00:05,171 STATEMENT A FEW MINUTES AGO WHERE HE ESSENTIALLY SAYS THE 3 00:00:05,171 --> 00:00:10,677 REPUBLICAN CONFERENCE IS GOING TO DO NOTHING TO HOLD 4 00:00:10,677 --> 00:00:14,347 REPRESENTATIVE MARJORIE TAYLOR GREENE ACCOUNTABLE FOR THE 5 00:00:14,347 --> 00:00:16,683 STATEMENTS THAT SHE MADE BEFORE SHE BECAME A MEMBER OF CONGRESS. 6 00:00:16,683 --> 00:00:18,184 >> SHE PUSHED QANON QUACKERY, THAT TRUMP WAS THE LEADER WHO 7 00:00:18,184 --> 00:00:20,645 WOULD TAKE OUT A SATANIC PEDOPHILE CULT IN GOVERNMENT AND 8 00:00:20,645 --> 00:00:22,647 HOLLYWOOD. 9 00:00:22,647 --> 00:00:25,191 SHE'S A 9/11 TRUTHER. 10 00:00:25,191 --> 00:00:26,317 SHE FALSELY CLAIMED FORMER PRESIDENT BARACK OBAMA IS A 11 00:00:26,317 --> 00:00:30,822 MUSLIM. 12 00:00:30,822 --> 00:00:41,416 ♪ ♪ ♪ ( SUNG TO "VALERIE" ) 13 00:00:41,416 --> 00:00:51,509 >> Marjorie Taylor Greene, I love Marjorie. 14 00:00:51,509 --> 00:01:01,561 >> Marjorie Taylor Greene, I love Marjorie. 15 00:01:01,561 --> 00:01:11,613 >> Marjorie Taylor Greene, I love Marjorie. 16 00:01:11,613 --> 00:01:21,706 >> Marjorie Taylor Greene, I love Marjorie. 17 00:01:21,706 --> 00:01:32,634 >> Marjorie Taylor Greene, I love Marjorie. 18 00:01:32,634 --> 00:01:33,468 >> Announcer: IT'S "A LATE SHOW Captioning sponsored by CBS 19 00:01:36,429 --> 00:01:37,388 WITH STEPHEN COLBERT." 20 00:01:37,388 --> 00:01:42,268 TONIGHT: THE SNUBS HEARD 'ROUND THE 21 00:01:42,268 --> 00:01:43,436 GLOBE. 22 00:01:43,436 --> 00:01:49,275 PLUS STEPHEN WELCOMES SALMA HAYEK 23 00:01:49,275 --> 00:01:50,235 AND MARK HARRIS FEATURING JON BATISTE AND STAY 24 00:01:50,235 --> 00:01:52,111 HUMAN. 25 00:01:53,279 --> 00:01:55,323 AND NOW, LIVE oN TAPE FROM THE ED SULLIVAN THEATER OFFICE 26 00:01:55,323 --> 00:01:58,243 BUILDING IN NEW YORK CITY, IT'S STEPHEN COLBERT! 27 00:01:58,243 --> 00:02:01,287 >> Stephen: HEY! 28 00:02:01,287 --> 00:02:06,251 WELCOME TO "A LATE SHOW." 29 00:02:06,251 --> 00:02:07,794 I AM YOUR HOST, STEPHEN COLBERT IN A ROLL-NECK SWEATER 30 00:02:07,794 --> 00:02:08,628 TONIGHT. 31 00:02:08,628 --> 00:02:12,006 I LOOK COMFORTABLE... TO SIT ON. 32 00:02:12,006 --> 00:02:14,133 YOU KNOW, IT'S ALWAYS GOOD TO GET SOME GOOD NEWS. 33 00:02:14,133 --> 00:02:15,593 IT MAKES YOU FEEL GOOD. 34 00:02:15,593 --> 00:02:20,139 THIS MORNING, THE GOLDEN GLOBE NOMINATIONS WERE ANNOUNCED, AND 35 00:02:20,139 --> 00:02:22,767 OUR FRIEND JON BATISTE WAS NOMINATED FOR A GOLDEN GLOBE, 36 00:02:22,767 --> 00:02:24,435 ALONG WITH TRENT REZNOR AND ATTICUS ROSS, FOR THE SCORE TO 37 00:02:24,435 --> 00:02:28,857 THE MOVIE "SOUL"! 38 00:02:28,857 --> 00:02:30,275 HELL, YES! 39 00:02:30,275 --> 00:02:36,823 IF YOU HAVEN'T-- IF YOU HAVEN'T HEARD IT, THAT SCORE IS TOW 40 00:02:36,823 --> 00:02:37,949 BEAUTIFUL. 41 00:02:37,949 --> 00:02:38,533 IT'S GOT SO MUCH...WHAT'S THE WORD I'M LOOKING FOR... 42 00:02:38,533 --> 00:02:39,826 HEART? 43 00:02:39,826 --> 00:02:40,368 MOXIE? 44 00:02:40,368 --> 00:02:41,870 IT WILL COME TO ME. 45 00:02:41,870 --> 00:02:48,334 ANYWAY, CONGRATULATIONS, JON, WELL DESERVED. 46 00:02:48,334 --> 00:02:53,006 FOR THE FIRST TIME IN GLOBES HISTORY MORE OF ITS BEST 47 00:02:53,006 --> 00:02:54,090 DIRECTOR NOMS WENT TO WOMEN THAN TO MEN. 48 00:02:54,090 --> 00:02:55,300 IT'S THE GREATEST SHOW OF SUPPORT THE ENTERTAINMENT 49 00:02:55,300 --> 00:03:03,433 INDUSTRY HAS GIVEN TO WOMEN SINCE MONDAY, WHEN SOMEONE TRIED 50 00:03:03,433 --> 00:03:08,021 TO CHANGE THE SIGN TO HOLLYBOOB. 51 00:03:08,021 --> 00:03:10,023 SOME GLARING SNUBS, INCLUDING A COMPLETE SHUTOUT IN THE BEST 52 00:03:10,023 --> 00:03:12,150 DRAMA CATEGORY FOR BLACK-LED FILMS LIKE SPIKE LEE'S 53 00:03:12,150 --> 00:03:13,026 "DA 5 BLOODS" AND GEORGE C. 54 00:03:13,026 --> 00:03:14,360 WOLFE'S "MA RAINEY'S BLACK BOTTOM." 55 00:03:14,360 --> 00:03:20,325 ONCE AGAIN, BLACK FILMMAKERS GET THE SHAFT, WHICH IS DOUBLY 56 00:03:20,325 --> 00:03:23,536 INSULTING, SINCE THERE'S ALREADY AT LEAST FIVE "SHAFTS"! 57 00:03:23,536 --> 00:03:28,333 MY CBS "LATE NIGHT" COLLEAGUE AND ONE OF THE STARS OF "THE 58 00:03:28,333 --> 00:03:30,376 PROM," JAMES CORDEN, ALSO EARNED A BEST ACTOR NOD. 59 00:03:30,376 --> 00:03:31,502 THOUGH IT SHOCKED SOME PEOPLE THAT HIS COSTAR, MERYL STREEP, 60 00:03:31,502 --> 00:03:35,506 WAS SNUBBED. 61 00:03:35,506 --> 00:03:40,053 THAT ONE I UNDERSTAND: MERYL WASN'T SNUBBED. 62 00:03:40,053 --> 00:03:41,638 SHE'S ACTUALLY PLAYING HER PART AND JAMES CORDEN IN "THE PROM." 63 00:03:41,638 --> 00:03:43,056 SHE'S THAT GOOD! 64 00:03:43,056 --> 00:03:44,390 REGARDLESS, CONGRATULATIONS, JAMES! 65 00:03:44,390 --> 00:03:51,522 BUT AS BIG A DEAL AS THE GOLDEN GLOBES ARE, I WOULD ALSO LIKE TO 66 00:03:51,522 --> 00:03:58,404 CONGRATULATE ALL OF MY WRITERS, BECAUSE TODAY, THEY RECEIVED TWO 67 00:03:58,404 --> 00:04:00,406 WRITERS GUILD NOMINATIONS-- ONE FOR THIS SHOW THAT WE DO EVERY 68 00:04:00,406 --> 00:04:08,414 NIGHT, AND ONE FOR OUR ELECTION SPECIAL.█ç 69 00:04:08,414 --> 00:04:09,123 WELL DESERVED. 70 00:04:09,123 --> 00:04:11,042 YOU GUYS ARE THE PROS FROM DOVER. 71 00:04:11,042 --> 00:04:12,210 AND THIS YEAR, I WILL BE ATTENDING THE AWARDS CEREMONY, 72 00:04:12,210 --> 00:04:14,295 AS I ALWAYS DO, FROM HOME. 73 00:04:14,295 --> 00:04:17,465 IN THE LESS-GLAMOROUS WORLD OF "THE WORLD," WASHINGTON IS IN 74 00:04:17,465 --> 00:04:20,385 THE GRIPS OF WHAT SOME ARE CALLING THE G.O.P. CIVIL WAR. 75 00:04:20,385 --> 00:04:24,389 IT'S LIKE THE FIRST CIVIL WAR, BUT THIS TIME, BOTH SIDES USE 76 00:04:24,389 --> 00:04:25,515 THE CONFEDERATE FLAG. 77 00:04:25,515 --> 00:04:28,393 NOW, IT'S A BATTLE THAT PITS TRADITIONAL REPUBLICANS LIKE 78 00:04:28,393 --> 00:04:32,397 SENATE MINORITY LEADER AND MAN CHEATING ON HIS DIET WITH HIS 79 00:04:32,397 --> 00:04:35,441 UPPER LIP, MITCH MCCONNELL, AGAINST THE QANON CONSPIRACY 80 00:04:35,441 --> 00:04:37,276 WING LED BY GEORGIA REPRESENTATIVE MARJORIE TAYLOR 81 00:04:37,276 --> 00:04:42,407 GREENE, SEEN HERE BEING PRO-LIFE. 82 00:04:42,407 --> 00:04:45,493 HOUSE DEMOCRATS ARE PREPARING TO VOTE TOMORROW ON WHETHER TO 83 00:04:45,493 --> 00:04:49,956 STRIP GREENE OF HER COMMITTEE ASSIGNMENTS BECAUSE SHE'S A 84 00:04:49,956 --> 00:04:55,294 FOLLOWER OF THE QANON CONSPIRACY AND HAS ALSO SAID THINGS LIKE 85 00:04:55,294 --> 00:04:55,962 MUSLIMS DON'T BELONG IN GOVERNMENT. 86 00:04:55,962 --> 00:04:57,213 9/11 WAS AN INSIDE JOB. 87 00:04:57,213 --> 00:05:01,384 THE SHOOTINGS AT PARKLAND, SANDY HOOK, AND HAS BLAMED WILDFIRES 88 00:05:01,384 --> 00:05:02,802 ON A SECRET JEWISH SPACE LASER. 89 00:05:02,802 --> 00:05:04,971 COME ON! 90 00:05:04,971 --> 00:05:06,139 THAT'S RIDICULOUS. 91 00:05:06,139 --> 00:05:10,310 IF THERE WERE A JEWISH SPACE LASER, WOULD MEL GIBSON STILL 92 00:05:10,310 --> 00:05:11,686 BE? 93 00:05:11,686 --> 00:05:15,023 THIS AFTER IT WAS ANNOUNCED NO ACTION WOULD BE TAKEN AGAINST 94 00:05:15,023 --> 00:05:21,988 GREENE BY HOUSE MINORITY LEADER MAN IN THE POST-TACO BELL BLAST 95 00:05:21,988 --> 00:05:23,072 ZONE, KEVIN MCCARTHY. 96 00:05:23,072 --> 00:05:24,282 BUT FOLLOWING MCCONNELL'S LEAD, SENATE REPUBLICANS ARE 97 00:05:24,282 --> 00:05:25,992 DISTANCING THEMSELVES FROM GREENE. 98 00:05:25,992 --> 00:05:31,789 INDIANA SENATOR TODD YOUNG CALLED HER "NUTTY" AND "AN 99 00:05:31,789 --> 00:05:32,999 EMBARRASSMENT." 100 00:05:32,999 --> 00:05:33,833 AND MITT ROMNEY SAID, "OUR BIG TENT IS NOT LARGE ENOUGH TO BOTH 101 00:05:33,833 --> 00:05:37,545 ACCOMMODATE CONSERVATIVES AND KOOKS." 102 00:05:37,545 --> 00:05:41,799 YES, ONLY ONE TENT CAN DO THAT: BARNUM & BAILEY'S "CONSERVATIVES 103 00:05:41,799 --> 00:05:45,553 AND KOOKS" FREAK SHOW, FEATURING THE TWO-HEADED REAGAN! 104 00:05:45,553 --> 00:05:52,060 THE WORLD'S STRONGEST NIXON,█ç AND, OF COURSE, MOST FREAKISH OF 105 00:05:52,060 --> 00:05:54,520 ALL, THE HALF-MAN, THE HALF-GAETZ. 106 00:05:54,520 --> 00:05:58,524 HE WALKS, HE TALKS, ME WALKS ON HIS BELLY LIKE A REPTILE. 107 00:05:58,524 --> 00:05:59,650 NO PHOTOGRAPHS. 108 00:05:59,650 --> 00:06:01,652 HE IS ALIVE. 109 00:06:01,652 --> 00:06:03,905 PLEASE, NO PREGNANT WOMEN. 110 00:06:03,905 --> 00:06:05,531 NO BREAST-FEEDING MOTHERS. 111 00:06:05,531 --> 00:06:09,869 YOUR MILK MAY CURDLE IN THE TEET. 112 00:06:09,869 --> 00:06:11,662 YOU DIDN'T KNOW I WAS A CARNEY FOR A WHILE? 113 00:06:11,662 --> 00:06:13,081 I WAS A CARNEY BARKER. 114 00:06:13,081 --> 00:06:14,373 EVERYONE HAS ONE OF THESE JOBS. 115 00:06:14,373 --> 00:06:19,045 YOU DON'T GET ONE OF THESE JOBS WITHOUT WORKING AS A CARNEY FOR 116 00:06:19,045 --> 00:06:20,505 A WHILE. 117 00:06:20,505 --> 00:06:21,214 WHERE ARE WE? 118 00:06:21,214 --> 00:06:24,342 OH, IN THE GRIPS OF A PANDEMIC. 119 00:06:24,342 --> 00:06:28,221 I'LL KEEP GOING. 120 00:06:28,221 --> 00:06:29,305 BUT ONE REPUBLICAN HAS FOUND A CREATIVE WAY TO DUCK THE 121 00:06:29,305 --> 00:06:32,558 CONTROVERSY-- ALABAMA SENATOR TOMMY TUBERVILLE, SEEN 122 00:06:32,558 --> 00:06:34,227 HERE ABOUT TO HIT ON YOUR MOM. 123 00:06:34,227 --> 00:06:37,605 YESTERDAY, TUBERVILLE WAS ASKED HIS OPINION ON GREENE'S INSANE 124 00:06:37,605 --> 00:06:41,609 AND HATEFUL VIEWS AND SAID THIS: >> I'D HAVE TO HLD BACK A 125 00:06:41,609 --> 00:06:44,362 STATEMENT ON THAT. 126 00:06:44,362 --> 00:06:45,613 TRAVEL IN THIS WEATHER, IT'S BEEN A LITTLE ROUGH LOOKING AT 127 00:06:45,613 --> 00:06:47,698 ANY NEWS, OR WHATEVER. 128 00:06:47,698 --> 00:06:53,412 >> Stephen: OKAY, SO, THE WEATHER KEEPS HIM FROM KNOWING 129 00:06:53,412 --> 00:06:57,375 THE NEWS? 130 00:06:57,375 --> 00:07:00,086 JIM, LET'S CHECK THE FIVE-DAY FORECAST. 131 00:07:00,086 --> 00:07:01,170 YEAH, TOO MUCH SNOW MAKE DUMB. 132 00:07:01,170 --> 00:07:03,422 YESTERDAY, WE GOT A PREVIEW OF THE FORMER PRESIDENT'S 133 00:07:03,422 --> 00:07:04,549 IMPEACHMENT DEFENSE PLANS. 134 00:07:04,549 --> 00:07:08,219 I'LL TELL YOU ALL ABOUT IT IN TONIGHT'S EDITION OF 135 00:07:08,219 --> 00:07:17,478 "DON AND THE GIANT IMPEACH 2: GO FAST, WE'RE FURIOUS." 136 00:07:17,478 --> 00:07:18,271 >> THEY FELL DOWN. 137 00:07:18,271 --> 00:07:18,563 CAN YOU BELIEVE IT? 138 00:07:18,563 --> 00:07:19,605 OW! 139 00:07:19,605 --> 00:07:21,983 I CAN'T FALL WITH THE FAKE NEWS WATCHING! 140 00:07:21,983 --> 00:07:27,280 >> Stephen: THE EX-PRESIDENT'S LAWYERS CLAIM THAT HE DID 141 00:07:27,280 --> 00:07:32,451 NOT INTEND TO INCITE HIS MOB OF RABID LOYALISTS, WRITING, 142 00:07:32,451 --> 00:07:35,121 "IT IS DENIED THAT THE PHRASE 'IF YOU DON'T FIGHT LIKE HELL, 143 00:07:35,121 --> 00:07:37,623 YOU'RE NOT GOING TO HAVE A COUNTRY ANYMORE,' HAD ANYTHING 144 00:07:37,623 --> 00:07:39,250 TO DO WITH THE ACTION AT THE CAPITOL AS IT WAS CLEARLY ABOUT 145 00:07:39,250 --> 00:07:45,673 THE NEED TO FIGHT FOR ELECTION SECURITY IN GENERAL." 146 00:07:45,673 --> 00:07:46,757 YEAH, HE WAS JUST TALKING ABOUT ELECTION SECURITY IN GENERAL. 147 00:07:46,757 --> 00:07:49,719 IT REMINDS ME OF THIS FAMOUS SCENE IN "STAR WARS": 148 00:07:49,719 --> 00:07:55,600 >> YOU MAY FIRE WHEN READY. 149 00:07:55,600 --> 00:08:01,606 WELL, I DIDN'T MEAN FOR THAT TO HAPPEN. 150 00:08:01,606 --> 00:08:03,816 >> Stephen: THE CRUX OF THEIR ARGUMENT IS THAT THE PRESIDENT 151 00:08:03,816 --> 00:08:07,653 WASN'T A GUY INCITING AN ANGRY MOB. 152 00:08:07,653 --> 00:08:12,450 HE WAS MERELY A GUY EXPRESSING FREE SPEECH NEAR A MOB HE 153 00:08:12,450 --> 00:08:14,660 HAPPENED TO MAKE ANGRY, SAYING THE FORMER PRESIDENT BELIEVED HE 154 00:08:14,660 --> 00:08:17,788 WON AND, THEREFORE, WAS WITHIN HIS RIGHTS TO "EXPRESS HIS 155 00:08:17,788 --> 00:08:21,792 BELIEF THAT THE ELECTION RESULTS WERE SUSPECT." 156 00:08:21,792 --> 00:08:25,796 AND THAT ARGUMENT IS BACKED UP BY CONSTITUTIONAL SCHOLAR GEORGE 157 00:08:25,796 --> 00:08:29,800 COSTANZA: >> JUST REMEMBER: IT'S NOT A 158 00:08:29,800 --> 00:08:31,510 LIE IF YOU BELIEVE IT. 159 00:08:31,510 --> 00:08:35,056 >> Stephen: HE COULD ALSO ARGUE THERE WERE "VERY FINE PEOPLE" ON 160 00:08:35,056 --> 00:08:37,725 "BOTH SIDES" OF THE SOUP COUNTER. 161 00:08:37,725 --> 00:08:41,729 THE FORMER PRESIDENT'S ATTORNEYS ADDED THAT HIS ELECTION FRAUD 162 00:08:41,729 --> 00:08:43,689 CLAIMS COULD NOT BE DISPROVED BECAUSE THERE WAS "INSUFFICIENT 163 00:08:43,689 --> 00:08:45,775 EVIDENCE." 164 00:08:45,775 --> 00:08:50,196 IN FACT, THE EVIDENCE WAS SO INSUFFICIENT THAT OVER 60 165 00:08:50,196 --> 00:08:54,033 THREW OUT THE CLAIMS, MANY WITH TRUMP JUDGES, THREW OUT THE 166 00:08:54,033 --> 00:08:56,661 CLAIMS. 167 00:08:56,661 --> 00:08:59,538 FOR INSTANCE, YOU CAN'T PROVE THE FORMER PRESIDENT ISN'T IN 168 00:08:59,538 --> 00:09:02,667 FACT A GIANT NOVELTY GUMMY BEAR THAT WAS CURSED WITH LIFE AFTER 169 00:09:02,667 --> 00:09:05,711 ROLLING IN A PILE OF MAGIC LINT. 170 00:09:05,711 --> 00:09:08,214 THE STRANGEST CLAIM THEY MAKE IS THAT THE EXPRESIDENT NEVER-- 171 00:09:08,214 --> 00:09:12,009 QUOTE-- "INTENDED TO INTERFERE WITH THE COUNTING OF ELECTORAL 172 00:09:12,009 --> 00:09:13,261 VOTES." 173 00:09:13,261 --> 00:09:17,265 OKay, THERE ARE SO MANY WAYS IN WHICH HE INTENDED TO INTERFERE. 174 00:09:17,265 --> 00:09:20,434 HE SAID MIKE PENCE COULD STOP IT! 175 00:09:20,434 --> 00:09:24,438 WHEN MIKE PENCE DIDN'T STOP IT, HE SAID MIKE PENCE WAS A 176 00:09:24,438 --> 00:09:25,690 COWARD! 177 00:09:25,690 --> 00:09:28,067 AND IMPORTANTLY, HE SCHEDULED THE RIOT FOR THE SAME DAY AS THE 178 00:09:28,067 --> 00:09:30,903 CERTIFICATION, IN THE SAME LOCATION. 179 00:09:30,903 --> 00:09:33,906 JENNIFER, I CAN'T BELIEVE YOU'RE GETTING MARRIED IN THE SAME HALL 180 00:09:33,906 --> 00:09:37,076 IN THE SAME DAY I'M PERFORMING MY ONE-MAN SHOW. 181 00:09:37,076 --> 00:09:38,786 "DON'T MARRY PAUL, JENNIFER. 182 00:09:38,786 --> 00:09:39,745 I STILL LOVE YOU. 183 00:09:39,745 --> 00:09:40,746 THE MUSICAL! 184 00:09:40,746 --> 00:09:42,832 STARRING: AN ANGRY MOB WHO KNOWS WHERE YOU LIVE." 185 00:09:42,832 --> 00:09:47,753 A BIG PART OF THE FORMER POTUS'S ELECTION FRAUD CENTERS AROUND 186 00:09:47,753 --> 00:09:53,092 DOMINION VOTING MACHINES, WHICH HIS SUPPORTERS CLAIM STOLE 187 00:09:53,092 --> 00:09:55,761 VOTES FROM HIM WITH SINISTER, HIGH-TECH MALFEASANCE. 188 00:09:55,761 --> 00:10:01,559 THOUGH HE MIGHT BE CONFUSING DOMINION WITH DA MINIONS. 189 00:10:01,559 --> 00:10:05,938 NOW, DOMINION VOTING SYSTEMS HAS, A., NOT TAKEN THESE 190 00:10:05,938 --> 00:10:13,446 REPEATED SLANDERS LIGHTLY, AND, B., HAS LAWYERS WHO HAVE 191 00:10:13,446 --> 00:10:17,450 THREATENED OR ISSUED LEGAL ACTION AGAINST ROUGHLY-- AND I'M 192 00:10:17,450 --> 00:10:19,493 ROUNDING DOWN HERE--EVERYONE, INCLUDING FOX NEWS, NEWSMAX, ONE 193 00:10:19,493 --> 00:10:21,120 AMERICA NEWS, SEAN HANNITY, MARIA BARTIROMO, CONSPIRACY 194 00:10:21,120 --> 00:10:24,498 LAWYER SIDNEY POWELL, AND RUSH LIMBAUGH. 195 00:10:24,498 --> 00:10:25,499 SWEET MOTHER OF MALFEASANCE! 196 00:10:25,499 --> 00:10:29,420 THERE HASN'T BEEN THIS MUCH LITIGATION SINCE MY 197 00:10:29,420 --> 00:10:32,965 POORLY-RECEIVED TV SPECIAL "MICKEY MOUSE HUMPS THE OLYMPIC 198 00:10:32,965 --> 00:10:37,136 RINGS ON THE COCA-COLA LOGO, WITH MUSIC BY THE BEATLES!" 199 00:10:37,136 --> 00:10:40,806 IT WAS A GOOD SHOW, THOUGH, DAMN FINE SHOW. 200 00:10:40,806 --> 00:10:43,809 IT JUST COST ME A PRETTY PENNY. 201 00:10:43,809 --> 00:10:48,981 AND DOMINION IS PLAYING FOR KEEPS. 202 00:10:48,981 --> 00:10:53,110 THEY'RE SUING, AMONG OTHERS RUDY GIULIANI, FOR $1.3 BILLION. 203 00:10:53,110 --> 00:10:54,111 THAT'S A LOT OF MONEY! 204 00:10:54,111 --> 00:10:56,989 RUDY'S NEVER HAD THAT KIND OF CASH. 205 00:10:56,989 --> 00:11:01,494 ALTHOUGH, HE MIGHT NOW THAT HE'S STRUCK OIL. 206 00:11:01,494 --> 00:11:08,542 ONE DOMINION CONSPIRACY NUT WHO'S NOT GOING TO BACK DOWN IS 207 00:11:08,542 --> 00:11:09,960 MYPILLOW C.E.O., MIKE LINDELL, SEEN HERE WITH HIS PROM DATE. 208 00:11:09,960 --> 00:11:13,506 YESTERDAY, LINDELL WENT ON RIGHT-WING NEWS-FREE NEWS 209 00:11:13,506 --> 00:11:17,510 CHANNEL NEWSMAX, WHICH USED TO BE ALL-IN ON THE DOMINION LIE. 210 00:11:17,510 --> 00:11:25,017 BUT SINCE RECEIVING A LETTER FROM DOMINION'S FLESH-EATING 211 00:11:25,017 --> 00:11:26,852 ATTORNEYS, HAS DISAVOWED THAT, BECAUSE ACCORDING TO THEIR 212 00:11:26,852 --> 00:11:29,355 STATEMENT: "WE HERE AT NEWSMAX ARE COMMITTED TO KEEPING SOME OF 213 00:11:29,355 --> 00:11:30,523 OUR MONEY." 214 00:11:30,523 --> 00:11:33,484 SO THE NEWSMAX ANCHORS TALKING TO LINDELL WANTED TO STICK TO 215 00:11:33,484 --> 00:11:36,654 TALKING ABOUT HOW LINDELL WAS REMOVED FROM TWITTER, BUT MIKE 216 00:11:36,654 --> 00:11:37,488 HAD OTHER IDEAS. 217 00:11:37,488 --> 00:11:41,033 AND, WOW: >> WHAT HAPPENED WITH YOUR 218 00:11:41,033 --> 00:11:44,745 TWITTER ACCOUNT AND THE COMPANY PAGE? 219 00:11:44,745 --> 00:11:47,039 >> WELL, FIRST, MINE WAS TAKEN DOWN BECAUSE WE HAVE ALL THE 220 00:11:47,039 --> 00:11:49,708 ELECTION FRAUD WITH THESE DOMINION MACHINES. 221 00:11:49,708 --> 00:11:50,376 WE HAVE 100% PROOF. 222 00:11:50,376 --> 00:11:53,504 AND THEN WHEN THEY TOOK IT DOWN. 223 00:11:53,504 --> 00:11:59,885 >> MIKE, MIKE, I-- >> I PUT IT BACK UP, MY 224 00:11:59,885 --> 00:12:02,888 PERSONAL-- >> MIKE, THANK YOU VERY MUCH. 225 00:12:02,888 --> 00:12:08,727 MIKE, MIKE, YOU'RE TALKING ABOUT MACHINES THAT WE AT NEWSMAX HAVE 226 00:12:08,727 --> 00:12:10,855 NOT BEEN ABLE TO VERIFY ANY OF THOSE KINDS OF ALLEGATIONS. 227 00:12:10,855 --> 00:12:13,566 WE JUST WANT TO LET PEOPLE KNOW THAT THERE'S NOTHING SUBSTANTIVE 228 00:12:13,566 --> 00:12:16,610 THAT WE'VE SEEN. 229 00:12:16,610 --> 00:12:18,070 AND LET ME READ YOU SOMETHING THERE: "WHILE THERE WERE SOME 230 00:12:18,070 --> 00:12:26,287 CLEAR EVIDENCE OF SOME CASES OF VOTE FRAUD AND ELECTION 231 00:12:26,287 --> 00:12:27,955 RESULTS IN EVERY STATE WERE CERTIFIED" 232 00:12:27,955 --> 00:12:29,582 >> Stephen: THERE YOU GO, BOTH SIDES OF THE ARGUMENT. 233 00:12:29,582 --> 00:12:31,876 ON THE ONE HAND, THE ALLEGATIONS WERE PROVEN FALSE, AND EVERY 234 00:12:31,876 --> 00:12:33,711 ELECTION WAS CERTIFIED. 235 00:12:33,711 --> 00:12:34,295 ON THE OTHER HAND: "HAWP!! HOP! 236 00:12:34,295 --> 00:12:37,548 HOP! HOPPITA-HOP! STOP! 237 00:12:37,548 --> 00:12:45,222 FIBERFILLED COMFORT! 238 00:12:45,222 --> 00:12:46,432 WHAT DID THEY EXPECT? 239 00:12:46,432 --> 00:12:49,560 THEY INVITED A PILLOW MAGNATE TO TALK ABOUT HOW TWITTER BANNED 240 00:12:49,560 --> 00:12:53,564 HIM FOR SPOUTING INSANE CONSPIRACY THEORIES, AND THEN 241 00:12:53,564 --> 00:12:56,984 THEY WERE SURPRISED WHEN HE STARTED SPOUTING CONSPIRACY 242 00:12:56,984 --> 00:12:58,611 THEORIES? 243 00:12:58,611 --> 00:13:00,112 A NEWS ANCHOR MIGHT AS WELL SAY: "FOR MORE ON THE DANGERS OF 244 00:13:00,112 --> 00:13:01,614 DEMON-POSSESSED MONSTER DOGS, WE TURN TO OUR FIRST GUEST, CUJO. 245 00:13:01,614 --> 00:13:13,626 CUJO, WHY DO YOU THINK--- AAAAGHHHH!" 246 00:13:13,626 --> 00:13:17,630 ( LAUGHTER ) AFTER THAT, LINDELL TONED IT 247 00:13:17,630 --> 00:13:21,592 DOWN, WITH MUCH MORE SCREAMING. 248 00:13:21,592 --> 00:13:23,969 >> SO WE WANTED TO TALK TO YOU ABOUT CANCELING CULTURE, IF YOU 249 00:13:23,969 --> 00:13:25,471 WILL. 250 00:13:25,471 --> 00:13:27,306 WE DON'T WANT TO RELITIGATE THE ALLEGATIONS-- 251 00:13:27,306 --> 00:13:29,642 >> WAIT, WAIT, WAIT. 252 00:13:29,642 --> 00:13:32,811 >> --THAT YOU'RE MAKING, MIKE, BECAUSE WE UNDERSTAND WHERE YOU 253 00:13:32,811 --> 00:13:34,271 ARE. 254 00:13:34,271 --> 00:13:37,316 SO LET ME ASK YOU THIS: DO YOU THINK THIS SHOULD BE TEMPORARY? 255 00:13:37,316 --> 00:13:38,484 BECAUSE IT APPEARS TO BE PERMANENT. 256 00:13:38,484 --> 00:13:41,612 COULD YOU MAKE AN ARGUMENT THAT IT IS TEMPORARY? 257 00:13:41,612 --> 00:13:45,157 >> WHAT? 258 00:13:45,157 --> 00:13:49,328 >> Stephen: I NEVER THOUGHT I WOULD AGREE WITH MIKE LINDELL, 259 00:13:49,328 --> 00:13:51,872 BUT WHAT? 260 00:13:51,872 --> 00:13:53,624 FINALLY, THE INTERVIEW ENDED THE ONLY WAY IT COULD: 261 00:13:53,624 --> 00:13:56,293 >> OKAY, OKAY, MIKE. 262 00:13:56,293 --> 00:13:58,337 CAN I ASK OUR PRODUCERS, CAN WE GET OUT OF HERE, PLEASE? 263 00:13:58,337 --> 00:14:01,173 I DON'T WANT TO HAVE TO KEEP GOING OVER THIS. 264 00:14:01,173 --> 00:14:03,801 NEWSMAX HAS NOT BEEN ABLE TO VERIFY ANY OF THE ALLEGATIONS 265 00:14:03,801 --> 00:14:05,636 YOU'RE-- >> MIKE, HOLD ON A SECOND. 266 00:14:05,636 --> 00:14:09,765 EVERYBODY, HOLD ON A SECOND. 267 00:14:09,765 --> 00:14:13,727 MIKE, MIKE, HOLD ON ONE SECOND. 268 00:14:13,727 --> 00:14:17,356 LET'S TALK A LITTLE BIT ABOUT JUST WHAT IS HAPPENING OVERALL. 269 00:14:17,356 --> 00:14:21,193 >> Stephen: AND JUST LIKE THAT, HE'S GONE. 270 00:14:21,193 --> 00:14:22,570 HE TOOK A PERSONAL DAY IN THE MIDDLE OF THE INTERVIEW! 271 00:14:22,570 --> 00:14:23,988 BUT I DON'T BLAME HIM. 272 00:14:23,988 --> 00:14:25,698 NOBODY WANTS TO BE SUCKED INTO MIKE LINDELL'S BILLION-DOLLAR 273 00:14:25,698 --> 00:14:28,367 LEGAL BLACK HOLE. 274 00:14:28,367 --> 00:14:33,205 AND THAT ANCHOR IS NOT THE ONLY ONE. 275 00:14:33,205 --> 00:14:35,374 >> EVERYBODY HOLD ON ONE SECOND. 276 00:14:35,374 --> 00:14:38,002 LET'S TALK A LITTLE BIT ABOUT WHAT IS HAPPENING OVERALL, IN 277 00:14:38,002 --> 00:14:41,547 TERMS OF CENSURESHIP. 278 00:14:41,547 --> 00:14:42,548 >> Stephen: WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 279 00:14:42,548 --> 00:14:45,718 MY GUESTS ARE SALMA HAYEK AND AUTHOR MARK HARRIS. 280 00:14:45,718 --> 00:14:50,222 BUT WHEN WE RETURN, I SHOW YOU THE MONEY, THE NEW MONEYY WITH 281 00:14:50,222 --> 00:14:54,768 HARRIET TUBMAN ON IT. 282 00:15:18,083 --> 00:15:26,300 ♪ ♪ ♪ ♪ ♪ ♪ 283 00:15:26,300 --> 00:15:28,594 >> Stephen: HEY, EVERYBODY, WELCOME BACK TO "A LATE SHOW." 284 00:15:28,594 --> 00:15:32,222 WE HAVE TO TALK IMMEDIATELY TO OUR FRIEND MR. JON BATISTE. 285 00:15:32,222 --> 00:15:36,602 JON, CONGRATULATIONS ON THE GOLDEN GLOBE NOMINATION! 286 00:15:36,602 --> 00:15:37,269 THAT'S INCREDIBLE! 287 00:15:37,269 --> 00:15:39,271 >> Jon: OH, THANK YOU SO MUCH. 288 00:15:39,271 --> 00:15:41,065 I'M-- I'M EXCITED AND I'M HONORED. 289 00:15:41,065 --> 00:15:45,277 I LOVED MAKING THE MUSIC FOR PIXAR "SOUL." 290 00:15:45,277 --> 00:15:48,072 AND I LOVE YOU FOR SUPPORTING ME THROUGH IT WHEN WE WERE DOING 291 00:15:48,072 --> 00:15:50,658 THE SHOW AND DOING THE SCORE AND WORKING ON THAT STUFF. 292 00:15:50,658 --> 00:15:53,577 AND IT'S JUST BEEN AN HONOR TO SEE HOW MANY PEOPLE WERE MOVED 293 00:15:53,577 --> 00:15:54,912 BY IT. 294 00:15:54,912 --> 00:15:57,831 >> Stephen: WELL, IT'S AN HONOR TO WORK WITH YOU. 295 00:15:57,831 --> 00:15:58,457 WELL DESERVED. 296 00:15:58,457 --> 00:15:59,625 I'LL BE PULLING FOR YOU. 297 00:15:59,625 --> 00:16:00,668 I DON'T GET TO VOTE. 298 00:16:00,668 --> 00:16:02,169 I DON'T GET TO VOTE. 299 00:16:02,169 --> 00:16:03,337 THAT DOESN'T SEEM FAIR. 300 00:16:03,337 --> 00:16:05,172 >> Jon: YOU'VE GOT SOME PULL, THOUGH. 301 00:16:05,172 --> 00:16:07,466 YOU'VE GOT SOME PULL IN A LOT OF ROOMS. 302 00:16:07,466 --> 00:16:08,467 >> Stephen: I'LL TALK ABOUT IT. 303 00:16:08,467 --> 00:16:09,677 I'LL TALK ABOUT IT. 304 00:16:09,677 --> 00:16:13,138 JON YOU GOT ANYTHING-- YOU GOT ANYTHING THAT YOUR NOMINATION 305 00:16:13,138 --> 00:16:15,474 INSPIRES YOU TO PLAY FOR US TONIGHT? 306 00:16:15,474 --> 00:16:20,604 >> Jon: OH, YEAH THIS KIND OF... 307 00:16:20,604 --> 00:16:30,447 ♪ ♪ ♪ >> Stephen: THAT'S THE SPARK 308 00:16:30,447 --> 00:16:31,281 RIGHT THERE. 309 00:16:31,281 --> 00:16:32,199 >> Jon: YES! 310 00:16:32,199 --> 00:16:34,243 >> Stephen: JON BATISTE, EVERYBODY. 311 00:16:34,243 --> 00:16:35,494 THANKS, JON. 312 00:16:35,494 --> 00:16:39,498 FOLKS, FEBRUARY IS BLACK HISTORY MONTH, AND A FEW THINGS ABOUT 313 00:16:39,498 --> 00:16:44,294 THIS ONE FEEL DIFFERENT THAN THE LAST FOUR FEBRUARYS. 314 00:16:44,294 --> 00:16:46,046 THIS ONE FOLLOWS MONTHS OF PROTESTS AGAINST POLICE 315 00:16:46,046 --> 00:16:49,007 BRUTALITY LAST YEAR, UNEMPLOYMENT DURING THE PANDEMIC 316 00:16:49,007 --> 00:16:51,343 IS PARTICULARLY BAD FOR BLACK PEOPLE IN AMERICA, 317 00:16:51,343 --> 00:16:56,515 AND THAT SAME PANDEMIC HAS DISPROPORTIONATELY HURT PEOPLE 318 00:16:56,515 --> 00:16:58,517 OF COLOR. 319 00:16:58,517 --> 00:17:01,270 A MUCH SMALLER POTATOES-- BUT "BRIDGERTON" GETS SNUBBED BY THE 320 00:17:01,270 --> 00:17:04,148 GOLDEN GLOBES, BUT "EMILY IN PARIS" GETS A NOD FOR BEST 321 00:17:04,148 --> 00:17:05,858 COMEDY? 322 00:17:05,858 --> 00:17:07,192 IT'S A SHONDA! 323 00:17:07,192 --> 00:17:10,195 LITERALLY! 324 00:17:10,195 --> 00:17:12,656 BLACK AMERICANS ARE LONG OVERDUE FOR SOME RECOGNITION FROM THE 325 00:17:12,656 --> 00:17:14,199 COUNTRY THEY HAVE HELPED SHAPE. 326 00:17:14,199 --> 00:17:17,244 AND THAT MAY BE FINALL HAPPENING IN ONE WAY BECAUSE "THE BIDEN 327 00:17:17,244 --> 00:17:21,206 ADMINISTRATION HAS REVIVED THE EFFORT TO PUT HARRIET TUBMAN ON 328 00:17:21,206 --> 00:17:23,083 THE $20 BILL." 329 00:17:23,083 --> 00:17:25,669 SINCE SHE IS THE HERO OF THE UNDERGROUND RAILROAD, IT MAKES 330 00:17:25,669 --> 00:17:29,214 SENSE THAT BIDEN WOULD BE ALL ABOUT A TUBMAN 20. 331 00:17:29,214 --> 00:17:31,675 ( AVIATORS ) "I'M A BIG FAN OF RAILROADS, 332 00:17:31,675 --> 00:17:32,718 WHEREVER THEY ARE! 333 00:17:32,718 --> 00:17:34,052 UNDERGROUND RAILROAD'S THE BLACK ACELA! 334 00:17:34,052 --> 00:17:34,428 CHOO CHOO! 335 00:17:34,428 --> 00:17:35,095 ALL ABOARD! 336 00:17:35,095 --> 00:17:36,680 NEXT STOP: EQUALITY JUNCTION! 337 00:17:36,680 --> 00:17:38,348 COME ON! 338 00:17:38,348 --> 00:17:46,106 JUMP ON THE TRACK, JACK!" THIS IS LONG OVERDUE, ON BEING 339 00:17:46,106 --> 00:17:50,360 LONG OVERDUE, BECAUSE THE OBAMA ADMINISTRATION HAD ANNOUNCED 340 00:17:50,360 --> 00:17:55,741 PLANS TO PUT TUBMAN ON THE BILL BACK IN 2016, AND EVERYTHING WAS 341 00:17:55,741 --> 00:17:57,201 GOING ACCORDING TO PLAN, UNTIL IT WAS HALTED BY TREASURY 342 00:17:57,201 --> 00:17:59,119 SECRETARY, AND THE LAST MAN I THOUGHT I'D BE MENTIONING IN A 343 00:17:59,119 --> 00:18:02,289 BLACK HISTORY MONTH SEGMENT, STEVE MNUCHIN. 344 00:18:02,289 --> 00:18:07,920 MNUCHIN GAVE SOME WEAK TECHNICAL EXCUSE FOR WHY HE PUT A STOP TO 345 00:18:07,920 --> 00:18:09,254 IT. 346 00:18:09,254 --> 00:18:11,799 BUT AT LEAST HE HAD THE COURTESY TO SAY HE ALSO DIDN'T CARE. 347 00:18:11,799 --> 00:18:13,300 "RIGHT NOW, WE'VE GOT A LOT MORE IMPORTANT ISSUES TO FOCUS ON. 348 00:18:13,300 --> 00:18:20,599 PEOPLE HAVE BEEN ON THE BILLS FOR A LONG PERIOD OF TIME." 349 00:18:20,599 --> 00:18:23,268 AND IF SOMETHING HAS BEEN HAPPENING FOR A LONG TIME, IT 350 00:18:23,268 --> 00:18:25,270 SHOULD, OBVIOUSLY, STAY THAT WAY. 351 00:18:25,270 --> 00:18:28,607 IT'S WHY I INSTRUCT MY BARBER TO ONLY USE THE FINEST LEECHES TO 352 00:18:28,607 --> 00:18:32,611 BALANCE MY HUMORS WHILE I SNACK ON LEAD PAINT CHIPS WITH MY 353 00:18:32,611 --> 00:18:35,989 COCAINE-FLAVORED COLA. 354 00:18:35,989 --> 00:18:39,618 MNUCH ALSO DELAYED REDESIGNING THE $20 BILL IN ORDER TO 355 00:18:39,618 --> 00:18:43,330 REDESIGN THE $10 AND $50 BILLS FIRST. 356 00:18:43,330 --> 00:18:46,125 SO ONCE AGAIN, THEY MADE A BLACK WOMAN WAIT IN LINE BEHIND TWO 357 00:18:46,125 --> 00:18:48,335 OLD WHITE GUYS. 358 00:18:48,335 --> 00:18:50,921 THAT WOULD BE LIKE NETFLIX DELAYING BEYONCE'S HOMECOMING IN 359 00:18:50,921 --> 00:18:53,257 ORDER TO RELEASE ANOTHER SEASON OF "FRASIER." 360 00:18:53,257 --> 00:18:56,593 OR THE "HOLLYWOOD FOREIGN PRESS" SNUBBING "BRIDGERTON." 361 00:18:56,593 --> 00:18:57,344 COME ON! 362 00:18:57,344 --> 00:18:58,136 HAVE YOU WATCHED IT! 363 00:18:58,136 --> 00:19:03,684 THOSE ARE SOME HIGH, TIGHT MAN BUTTS! 364 00:19:03,684 --> 00:19:06,478 THOSE ARE THE TRUE GOLDEN GLOBES! 365 00:19:06,478 --> 00:19:15,946 SO, HOPEFULLY, WE ARE NOW SOLIDLY ON THE ROAD TO A TUBMAN 366 00:19:15,946 --> 00:19:17,322 20. 367 00:19:17,322 --> 00:19:19,241 HERE WITH HIS THOUGHTS IS ONE OF MY WRITERS, JOHN THIBODEAUX. 368 00:19:19,241 --> 00:19:20,826 >> HI, STEPHEN. 369 00:19:20,826 --> 00:19:22,703 >> Stephen: HI, JOHN. 370 00:19:22,703 --> 00:19:25,330 ALWAYS GOOD TO SEE YOU. 371 00:19:25,330 --> 00:19:26,665 SO IT LOOKS LIKE TUBMAN IS ON HER WAY TO THE 20. 372 00:19:26,665 --> 00:19:27,916 THAT'S PRETTY GREAT, RIGHT? 373 00:19:27,916 --> 00:19:32,045 >> IT'S NICE TO BE ON THE MONEY, BUT WE WANT TO HAVE THE MONEY. 374 00:19:32,045 --> 00:19:33,130 RECOGNITION IS NICE. 375 00:19:33,130 --> 00:19:34,131 REPARATIONS ARE BETTER. 376 00:19:34,131 --> 00:19:37,092 PLUS, SHE WON'T EXACTLY BE IN THE BEST COMPANY. 377 00:19:37,092 --> 00:19:40,345 YOU KNOW WHO ELSE IS ON THOSE BILLS? 378 00:19:40,345 --> 00:19:41,471 >> Stephen: YEAH. 379 00:19:41,471 --> 00:19:42,139 I MEAN, I'VE HANDLED MONEY IN THE PAST. 380 00:19:42,139 --> 00:19:43,390 YOU'VE GOT GEORGE WASHINGTON. 381 00:19:43,390 --> 00:19:44,892 >> SLAVE OWNER. 382 00:19:44,892 --> 00:19:45,392 >> Stephen: TRUE. 383 00:19:45,392 --> 00:19:47,311 ALEXANDER HAMILTON. 384 00:19:47,311 --> 00:19:47,978 >> SLAVE-BUYER. 385 00:19:47,978 --> 00:19:48,979 >> Stephen: THOMAS JEFFERSON. 386 00:19:48,979 --> 00:19:51,732 >> BIG-TIME SLAVE OWNER. 387 00:19:51,732 --> 00:19:53,525 HALL OF FAME. 388 00:19:53,525 --> 00:19:55,736 THE BABE RUTH OF SLAVE OWNERS, IF BABE RUTH HAD SEX WITH HIS 389 00:19:55,736 --> 00:19:56,570 HOME RUNS. 390 00:19:56,570 --> 00:20:00,657 >> Stephen: OKAY, THAT DOES SOUND BAD. 391 00:20:00,657 --> 00:20:04,036 >> HARRIET TUBMAN WAS A BLACK WOMAN ABOLITIONIST, AT A TIME 392 00:20:04,036 --> 00:20:06,371 WHEN IT WAS LIFE-THREATENING TO BE ANY OF THOSE THINGS, LET 393 00:20:06,371 --> 00:20:07,539 ALONE ALL OF THEM. 394 00:20:07,539 --> 00:20:08,707 SHE REPEATEDLY RISKED HER LIFE FOR OTHER PEOPLE'S FREEDOM. 395 00:20:08,707 --> 00:20:11,501 AND NOW WE'RE ASKING HER TO HANG OUT WITH THOSE DOUCHE 396 00:20:11,501 --> 00:20:12,211 NOZZLES? 397 00:20:12,211 --> 00:20:15,881 SHE NEEDS A SQUAD! 398 00:20:15,881 --> 00:20:16,506 I'M TALKING FREDERICK DOUGLASS ON THE 1. 399 00:20:16,506 --> 00:20:17,716 ROSA PARKS ON THE 5. 400 00:20:17,716 --> 00:20:19,509 W.E.B DUBOIS ON THE HUNDO, AND PRINCE ON THE... 401 00:20:19,509 --> 00:20:20,552 THIS. 402 00:20:20,552 --> 00:20:21,553 >> Stephen: HOW MUCH IS THAT ONE WORTH? 403 00:20:21,553 --> 00:20:25,432 >> WHY DO YOU HAVE TO PUT THE VALUE OF PRINCE'S 404 00:20:25,432 --> 00:20:27,726 CURRENCY IN A BOX, STEPHEN? 405 00:20:27,726 --> 00:20:29,436 LET'S JUST SAY IT CAN BUY A RASPBERRY BERET OR A LITTLE RED 406 00:20:29,436 --> 00:20:34,066 CORVETTE. 407 00:20:34,066 --> 00:20:36,068 >> Stephen: THAT'S VERSATILE. 408 00:20:36,068 --> 00:20:37,486 >> AND ONCE THESE ARE PRINTED, EVERY SINGLE BLACK PERSON IN 409 00:20:37,486 --> 00:20:43,200 AMERICA SHOULD GET A COLLECTOR'S EDITION, FIRST PRINTING, WITH 410 00:20:43,200 --> 00:20:44,326 THE BONUS SET OF BEYONCE COINS. 411 00:20:44,326 --> 00:20:45,535 >> Stephen: SO THAT'S THE 1, THE 5, THE 20, AND THE 100. 412 00:20:45,535 --> 00:20:45,953 WHO'S ON THE 10? 413 00:20:45,953 --> 00:20:49,456 >> THAT'S EASY. 414 00:20:49,456 --> 00:20:50,082 ME, JOHN THIBODEAUX! 415 00:20:50,082 --> 00:20:53,418 I'M CALLING IT THE THIBO-10. 416 00:20:53,418 --> 00:20:55,545 IT'S CATCHING ON, STEPHEN. 417 00:20:55,545 --> 00:20:58,715 >> Stephen: I'M NOT EXACTLY SURE IT IS CATCHING ON. 418 00:20:58,715 --> 00:21:01,468 DO YOU HAVE ANY HISTORIC ACHIEVEMENTS THAT WE DON'T KNOW 419 00:21:01,468 --> 00:21:02,469 ABOUT? 420 00:21:02,469 --> 00:21:03,470 >> I PUT ON PANTS TODAY > 421 00:21:03,470 --> 00:21:05,889 NO ELASTIC-- BELT AND EVERYTHING. 422 00:21:05,889 --> 00:21:10,269 IT'S EITHER THE 10 DOLLAR BILL OR THE NOBEL PRIZE IN PANTS. 423 00:21:10,269 --> 00:21:15,482 >> Stephen: OKAY, BUT ON THE SLIM CHANCE THAT IT'S NOT 424 00:21:15,482 --> 00:21:16,566 YOU, JOHN, WHO WOULD BE ON THE 10? 425 00:21:16,566 --> 00:21:19,111 >> SHONDA RHIMES, STEPHEN! 426 00:21:19,111 --> 00:21:20,278 SHE WAS ROBBED! 427 00:21:20,278 --> 00:21:23,115 >> Stephen: THAT'S WHAT I'M TALKING ABOUT! 428 00:21:23,115 --> 00:21:24,116 JOHN THIBODEAUX, EVERYBODY! 429 00:21:24,116 --> 00:21:25,325 WE'LL BE RIGHT BACK WITH SALMA HAYEK. 430 00:21:25,325 --> 00:21:27,619 HAVE YOU SEEN THOSE BUTTS? 431 00:21:27,619 --> 00:21:31,581 >> SO JUICY! 432 00:21:41,174 --> 00:21:42,467 ♪ ♪ ♪ ♪ ♪ ♪ 433 00:21:42,467 --> 00:21:46,471 >> Stephen: HEY, EVERYBODY, WELCOME BACK TO "A LATE SHOW." 434 00:21:46,471 --> 00:21:50,475 JOINING ME NOW IS AN ACADEMY AWARD-NOMINATED ACTRESS YOU KNOW 435 00:21:50,475 --> 00:21:52,352 FROM " FRIDA," "PUSS IN BOOTS," AND "LIKE A BOSS." 436 00:21:52,352 --> 00:21:55,981 HER LATEST FILM IS "BLISS." 437 00:21:55,981 --> 00:21:57,441 PLEASE WELCOME SALMA HAYEK! 438 00:21:57,441 --> 00:21:59,317 SALMA, GOOD TO SEE YOU AGAIN. 439 00:21:59,317 --> 00:22:01,319 >> SO LOVELY TO SEE YOU. 440 00:22:01,319 --> 00:22:03,864 >> Stephen: I KNOW YOU'RE NOT ON THE EAST COAST OF THE UNITED 441 00:22:03,864 --> 00:22:04,823 STATES RIGHT NOW. 442 00:22:04,823 --> 00:22:05,991 YOU'RE IN LONDON. 443 00:22:05,991 --> 00:22:06,700 IS THAT TRUE? 444 00:22:06,700 --> 00:22:08,201 >> THAT'S RIGHT, YES. 445 00:22:08,201 --> 00:22:11,163 >> Stephen: BUT YOU HAVEN'T MISSED OUT ON THE BIG SNOW. 446 00:22:11,163 --> 00:22:15,167 LONDON DOESN'T GET A LOT OF SNOW, USUALLY, BUT YOU GOT A 447 00:22:15,167 --> 00:22:15,500 PRETTY BIG SNOWFALL RECENTLY. 448 00:22:15,500 --> 00:22:17,627 >> YES. 449 00:22:17,627 --> 00:22:18,837 >> Stephen: AND THIS IS YOU OUT THERE WITH YOUR PETS. 450 00:22:18,837 --> 00:22:22,424 I DID NOT REALIZE THAT BERNIE SANDERS WAS ONE OF YOUR PETS. 451 00:22:22,424 --> 00:22:25,010 >> OH, MY GOSH. 452 00:22:25,010 --> 00:22:27,387 YOU KNOW, HE'S EVERYWHERE. 453 00:22:27,387 --> 00:22:33,602 THE MINUTE YOU LEAST EXPECT IT, HE APPEARS. 454 00:22:33,602 --> 00:22:35,145 >> Stephen: HOW MANY-- HOW MANY PETS DO YOU HAVE? 455 00:22:35,145 --> 00:22:36,688 I KNOW YOU LOVE ANIMALS. 456 00:22:36,688 --> 00:22:37,856 >> I LOVE ANIMALS. 457 00:22:37,856 --> 00:22:39,566 I HAVE A LOT OF THEM. 458 00:22:39,566 --> 00:22:42,527 IN LONDON, I HAVE THREE, TWO DOGS AND ONE OWL. 459 00:22:42,527 --> 00:22:45,197 THE OWL IS THERE WITH THE DOGS. 460 00:22:45,197 --> 00:22:46,907 >> Stephen: THE OWL-- WHERE IS THE OWL? 461 00:22:46,907 --> 00:22:47,866 OH, MY GOD! 462 00:22:47,866 --> 00:22:49,076 GO BACK TO THAT. 463 00:22:49,076 --> 00:22:50,911 I'M SORRY, I DIDN'T EVEN SEE IT. 464 00:22:50,911 --> 00:22:52,079 THAT, RIGHT THERE. 465 00:22:52,079 --> 00:22:54,164 I DON'T KNOW IF YOU CAN GO IN ANY CLOSER. 466 00:22:54,164 --> 00:22:56,541 BUT THAT RIGHT THERE. 467 00:22:56,541 --> 00:22:57,667 IS AN OWL. 468 00:22:57,667 --> 00:23:00,545 DO YOU-- ARE YOU A STUDENT AT HOGWATERS? 469 00:23:00,545 --> 00:23:04,674 I ONLY-- I ONLY PEOPLE I KNOW WHO HAVE OWLS ARE USING THEM TO 470 00:23:04,674 --> 00:23:06,676 DELIVER MAIL. 471 00:23:06,676 --> 00:23:08,720 WHAT'S THE OWL'S NAME? 472 00:23:08,720 --> 00:23:09,596 >> KERRING. 473 00:23:09,596 --> 00:23:10,639 >> Stephen: KERRING. 474 00:23:10,639 --> 00:23:11,723 >> KERRING. 475 00:23:11,723 --> 00:23:13,266 >> Stephen: KERRING. 476 00:23:13,266 --> 00:23:15,560 IS THIS-- I THINK I'VE BEEN TOLD-- IS THIS WHAT THIS IS? 477 00:23:15,560 --> 00:23:16,103 AND... 478 00:23:16,103 --> 00:23:18,188 I'VE HELD AN OWL BEFORE. 479 00:23:18,188 --> 00:23:19,439 WHAT PEOPLE DON'T UNDERSTAND, WHICH YOU DO, IS THAT THERE'S 480 00:23:19,439 --> 00:23:21,650 NOT A LOT OF BIRD THERE. 481 00:23:21,650 --> 00:23:23,610 THEY'RE ACTUALLY MOSTLY FLUFFY. 482 00:23:23,610 --> 00:23:26,446 THEY'RE ACTUALLY A VERY THIN LITTLE BIRD. 483 00:23:26,446 --> 00:23:28,073 >> YYES. 484 00:23:28,073 --> 00:23:31,743 >> Stephen: NOW, WHY DO YOU HAVE AN OWL, I SALMA HAYEK? 485 00:23:31,743 --> 00:23:35,872 >> I DON'T KNOW, I BECAME OBSESSED WITH THE OWLS AND 486 00:23:35,872 --> 00:23:36,957 DREAMING ABOUT IT. 487 00:23:36,957 --> 00:23:37,958 I DIDN'T UNDERSTAND THEY WERE EVERYWHERE. 488 00:23:37,958 --> 00:23:41,128 AND I SAID CAN YOU EVEN-- CAN PEOPLE HAVE OWLS? 489 00:23:41,128 --> 00:23:42,546 AND IT TURNS OUT YOU CAN IN LONDON. 490 00:23:42,546 --> 00:23:44,714 IT'S LEGAL. 491 00:23:44,714 --> 00:23:46,967 AND I SAID ARE THERE ANY OWLS THAT NEED SOME RESCUE? 492 00:23:46,967 --> 00:23:48,635 CAN YOU RESCUE AN OWL? 493 00:23:48,635 --> 00:23:50,720 AND I STARTED DOING SOME RESEARCH. 494 00:23:50,720 --> 00:23:51,930 AND, YEAH, SURE ENOUGH. 495 00:23:51,930 --> 00:23:54,099 >> Stephen: WHAT'S HAPPENING IN THIS PHOTO, PLEASE. 496 00:23:54,099 --> 00:23:55,433 >> IT'S DISGUSTING. 497 00:23:55,433 --> 00:23:58,436 HE NEVER-- IT'S THE ONLY TIME HE'S EVER DONE THAT. 498 00:23:58,436 --> 00:24:01,273 I MEAN, SHE'S AMAZING, BECAUSE IT'S A FEMALE. 499 00:24:01,273 --> 00:24:04,943 BUT, YOU KNOW, SOMETIMES THEY BRING YOU GIFTS THAT YOU DON'T 500 00:24:04,943 --> 00:24:05,777 NECESSARILY WHAN TO DO WITH. 501 00:24:05,777 --> 00:24:07,112 >> Stephen: WHAT IS THAT? 502 00:24:07,112 --> 00:24:09,656 >> IT'S A MOUSE. 503 00:24:09,656 --> 00:24:10,782 THAT'S WHAT THEY EAT. 504 00:24:10,782 --> 00:24:13,118 >> Stephen: AND SHE ATE IT ON YOUR HEAD? 505 00:24:13,118 --> 00:24:15,453 >> YEAH, SHE LANDED ON MY HEAD WITH IT. 506 00:24:15,453 --> 00:24:19,791 AND I-- I GOT HER OFF, BECAUSE THAT-- THAT'S WHERE I DRAW THE 507 00:24:19,791 --> 00:24:20,584 LINE. 508 00:24:20,584 --> 00:24:23,962 SHE DOES LEAVE IN MY ROOM SOMETIMES. 509 00:24:23,962 --> 00:24:26,965 >> Stephen: HOW DO YOU-- WAIT, HOW DO YOU SLEEP? 510 00:24:26,965 --> 00:24:28,341 OWLS ARE WEAK AT NIGHT. 511 00:24:28,341 --> 00:24:29,676 >> EXACTLY. 512 00:24:29,676 --> 00:24:31,303 >> Stephen: ARE YOU JUST UP ALL NIGHT WITH THEM, OR IS THE 513 00:24:31,303 --> 00:24:33,180 HOOOO, SOOTHING? 514 00:24:33,180 --> 00:24:35,682 >> I DON'T SLEEP MUCH. 515 00:24:35,682 --> 00:24:37,392 BUT SOMETIMES WHEN I SLEEP SHE FLIES AROUND. 516 00:24:37,392 --> 00:24:39,811 I FEEL THE WIND WHEN SHE PASSES. 517 00:24:39,811 --> 00:24:40,979 SOMETIMES SHE LANDS ON MY LEG, ON MY HEAD. 518 00:24:40,979 --> 00:24:43,607 IN THE BEGINNING, IT WAS SCARY, BUT NOW I'M USED TO IT. 519 00:24:43,607 --> 00:24:48,153 AND HE JUST, LIKE, KIND OF StAWj WITH ME SOMETIMES FOR A LITTLE 520 00:24:48,153 --> 00:24:49,654 BIT AND THEN SHE FLIES AGAIN. 521 00:24:49,654 --> 00:24:51,781 SO SHE'S FREE IN THE ROOM. 522 00:24:51,781 --> 00:24:54,492 >> Stephen: OBVIOUSLY, THIS OWL, SHE CAN FEED HERSELF. 523 00:24:54,492 --> 00:24:54,784 SHE CAN GET HER OWN MICE. 524 00:24:54,784 --> 00:24:56,995 >> YES. 525 00:24:56,995 --> 00:24:58,997 >> Stephen: ARE THERE ANY CHALLENGES FOR CARING FOR MICE? 526 00:24:58,997 --> 00:25:00,624 DO YOU HAVE TO PUT OUT FRESH WATER FOR THEM? 527 00:25:00,624 --> 00:25:03,293 >> YOU ACTUALLY ORDER THEM AND FREEZE THEM. 528 00:25:03,293 --> 00:25:07,172 >> Stephen: THE MICE? 529 00:25:07,172 --> 00:25:08,256 >> YEAH. 530 00:25:08,256 --> 00:25:10,884 AND YOU KNOW THEY DON'T-- THEY DON'T DRINK ANY WATER. 531 00:25:10,884 --> 00:25:14,721 THEY GET ALL THEIR FOOD AND THEIR LIQUIDS FROM THE OWL. 532 00:25:14,721 --> 00:25:17,849 THIS OWL IS STRANGE. 533 00:25:17,849 --> 00:25:19,392 USUALLY, THEY'RE NOT VERY SOCIAL. 534 00:25:19,392 --> 00:25:21,186 AND I ACTUALLY HAVE A RELATIONSHIP WITH THE OWL. 535 00:25:21,186 --> 00:25:26,399 ANOTHER THING THAT IS STRANGE IS THAT, LIKE I SAID, THEY DON'T 536 00:25:26,399 --> 00:25:27,859 DRINK LIQUIDS. 537 00:25:27,859 --> 00:25:31,488 BUT THERE IS ONE KIND OF WINE THAT WHEN WE TAKE IT OUT-- IT'S 538 00:25:31,488 --> 00:25:31,988 AN EXPENSIVE WINE, TOO. 539 00:25:31,988 --> 00:25:33,907 NOT THE OTHER WINE. 540 00:25:33,907 --> 00:25:37,452 WE HAVE TO COVER THE CUPS BECAUSE SHE'LL DIG IN IT. 541 00:25:37,452 --> 00:25:40,247 AND IT'S NOT THAT SHE THINKS IT'S BLOOD BECAUSE THE OTHER RED 542 00:25:40,247 --> 00:25:42,165 WINE SHE DOESN'T GO FOR. 543 00:25:42,165 --> 00:25:45,043 SHE HAS AN EXPENSIVE TASTE IN WINE. 544 00:25:45,043 --> 00:25:45,669 >> Stephen: WOW, WOW. 545 00:25:45,669 --> 00:25:47,420 DOES IT EVER GET TANKED? 546 00:25:47,420 --> 00:25:49,839 DOES THE OWL EVER HAVE A LITTLE BIT TOO MUCH WINE? 547 00:25:49,839 --> 00:25:52,842 >> NO, I DON'T LET HIM DRINK-- NO, WE PROTECT THE WINE. 548 00:25:52,842 --> 00:25:56,096 OR WE DON'T HAVE THE OWL IN THE ROOM BECAUSE SHE GOES FOR IT. 549 00:25:56,096 --> 00:25:59,057 >> Stephen: YOU HAVE A 13-YEAR-OLD DAUGHTER. 550 00:25:59,057 --> 00:26:01,893 DOES SHE-- DID SHE LIKE THE OWLS? 551 00:26:01,893 --> 00:26:05,272 IS ANYBODY AFRAID OF THE OWLS OR IS SHE OKAY WITH IT? 552 00:26:05,272 --> 00:26:06,731 >> SHE DOESN'T LIKE THE OWL. 553 00:26:06,731 --> 00:26:09,359 THERE ARE A LOT OF PEOPLE IN THE HOUSE WHO DON'T LIKE THE OWL. 554 00:26:09,359 --> 00:26:13,071 AND ALSO SHE'S VERY QUIET, AND YOU DON'T KNOW SHE'S THERE, AND 555 00:26:13,071 --> 00:26:15,198 SHE FLIES, AND EVERYBODY SCREAMS. 556 00:26:15,198 --> 00:26:16,866 I LOVE IT WHEN THEY SCREAM. 557 00:26:16,866 --> 00:26:19,452 ISN'T IT FANTASTIC TO SEE THE REACTION OF PEOPLE WHEN THEY ARE 558 00:26:19,452 --> 00:26:21,538 AFRAID OF SOMETHING THAT IS NOT GOING TO HARM THEM? 559 00:26:21,538 --> 00:26:23,248 >> Stephen: I'M A BIG FAN, BUT YOU SOUND LIKE A DIFFICULT 560 00:26:23,248 --> 00:26:24,124 ROOMMATE ( LAUGHS ) 561 00:26:24,124 --> 00:26:27,585 >> YOU SHOULD TALK TO MY HUSBAND. 562 00:26:27,585 --> 00:26:28,753 >> Stephen: WHAT ABOUT-- WHAT ABOUT RAISING A TEENAGER? 563 00:26:28,753 --> 00:26:31,881 LIKE, THAT'S A CHALLENGE. 564 00:26:31,881 --> 00:26:33,550 A 13-YEAR-OLD. 565 00:26:33,550 --> 00:26:34,426 DOES SHE TAKE AFTER YOU? 566 00:26:34,426 --> 00:26:36,636 WERE YOU A CHALLENGE AS A TEENAGER? 567 00:26:36,636 --> 00:26:43,601 >> UHM, NOT-- NOT-- NOT SO MUCH. 568 00:26:43,601 --> 00:26:47,439 SHE-- SHE-- SHE'S AMAZING, BUT SHE'S VERY OPINIONATED. 569 00:26:47,439 --> 00:26:50,442 YOU KNOW, TEENAGERS CHANGE ALL THE TIME. 570 00:26:50,442 --> 00:27:01,036 BUT TWO THINGS ARE CONSISTENT: STEVIE KN KNICKS AND FLEETWOOD M 571 00:27:01,036 --> 00:27:02,120 AND LANA DELRAY. 572 00:27:02,120 --> 00:27:03,913 AND NOW SHE'S INTO COSMETICS AND PERFUME AND MAKEUP. 573 00:27:03,913 --> 00:27:07,334 AND I WOULDN'T LIKE THAT WHEN I WAS 13. 574 00:27:07,334 --> 00:27:08,376 >> Stephen: YOU COULDN'T. 575 00:27:08,376 --> 00:27:11,129 I HAVE A PHOTO HERE PROVING YOU COULDN'T DO THAT. 576 00:27:11,129 --> 00:27:13,006 YOU, THEY SHIPPED YOU OFF TO A NUNNERY. 577 00:27:13,006 --> 00:27:16,509 YOU WENT TO A CONVENT SCHOOL, RIGHT? 578 00:27:16,509 --> 00:27:18,470 >> RIGHT, IN LOUISIANA. 579 00:27:18,470 --> 00:27:23,892 AND I WAS A PRANKSTER, BUT NOT TOO VERY BAD THINGS. 580 00:27:23,892 --> 00:27:28,104 JUST FUNNY THINGS, LIKE SCARING PEOPLE WITH AN OWL. 581 00:27:28,104 --> 00:27:32,359 LIKE, JUST-- YOU KNOW, ALL THE GIRLS WOULD REALLY ANNOY ME 582 00:27:32,359 --> 00:27:35,487 BECAUSE THEY WOULD WAKE UP TWO HOURS BEFORE, YOU KNOW, YOU HAVE 583 00:27:35,487 --> 00:27:41,451 TO GO TO SCHOOL TO DO THEIR ROLLERS AND THE MAKEUP, YOU 584 00:27:41,451 --> 00:27:42,118 KNOW. 585 00:27:42,118 --> 00:27:43,495 AND I WASN'T INTO THAT. 586 00:27:43,495 --> 00:27:45,663 LIKE, MY DAUGHTER, AT THAT TIME. 587 00:27:45,663 --> 00:27:49,167 AND THEY WOULD WAKE ME UP, AND I ONLY WANTED TO WAKE UP FIVE 588 00:27:49,167 --> 00:27:50,335 MINUTES BEFORE IT WAS TIME TO GO. 589 00:27:50,335 --> 00:27:55,507 SO ONE TIME, I PULLED ALL THE ALARM CLOCKS AT 4:00 IN THE 590 00:27:55,507 --> 00:27:56,716 MORNING. 591 00:27:56,716 --> 00:28:00,220 AND THERE THEY WERE, GETTING ALL-- YOU KNOW, PUTTING THE HOT 592 00:28:00,220 --> 00:28:01,137 ROLLERS, AT 13. 593 00:28:01,137 --> 00:28:01,721 IT'S-- IT'S ALL FOR GIRLS. 594 00:28:01,721 --> 00:28:03,390 WHO'S GOING TO SEE YOU? 595 00:28:03,390 --> 00:28:05,016 WHY ARE YOU DOING THAT? 596 00:28:05,016 --> 00:28:07,560 THERE ARE NO BOYS IN THERE. 597 00:28:07,560 --> 00:28:09,270 AND I WAS LAUGHING IN MY BED. 598 00:28:09,270 --> 00:28:12,357 >> Stephen: NOW, YOU LOOK LIKE YOU'RE A LITTLE BIT OF TROUBLE 599 00:28:12,357 --> 00:28:13,817 IN THIS TROUBLE. 600 00:28:13,817 --> 00:28:18,405 THAT-- THAT EXPRESSION LOOKS "I HAVE SOMETHING PLANNED." 601 00:28:18,405 --> 00:28:22,200 WERE YOU SHIPPED OFF TO A CONVENT SCHOOL FOR YOUR OWN 602 00:28:22,200 --> 00:28:24,869 GOOD, OR MERELY FOR THE RELIGIOUS EDUCATION? 603 00:28:24,869 --> 00:28:25,870 BECAUSE I WAS THREATENED WITH BOARDING SCHOOL AND MILITARY 604 00:28:25,870 --> 00:28:27,914 SCHOOL AND STUFF LIKE THAT. 605 00:28:27,914 --> 00:28:31,209 BECAUSE I WAS A REAL HAND FULL. 606 00:28:31,209 --> 00:28:31,876 WHY DID THEY SHIP YOU OFF? 607 00:28:31,876 --> 00:28:32,377 >> THEY DIDN'T SHIP ME OFF. 608 00:28:32,377 --> 00:28:33,878 I SHIPPED MYSELF OFF. 609 00:28:33,878 --> 00:28:38,716 I WAS LIVING IN A SMALL TOWN IN MEXICO, AND I WAS AS BORED AS 610 00:28:38,716 --> 00:28:39,384 YOU CAN GET. 611 00:28:39,384 --> 00:28:40,760 SO I WANTED TO GO SOMEWHERE. 612 00:28:40,760 --> 00:28:46,724 I WANTED TO HAVE THIS ADVENTURE IN ANOTHER COUNTRY, IN ANOTHER 613 00:28:46,724 --> 00:28:50,728 LANGUAGE, IN, YOU KNOW, THEY LET ME GO BECAUSE IT WAS A CATHOLIC 614 00:28:50,728 --> 00:28:51,396 SCHOOL. 615 00:28:51,396 --> 00:28:52,230 BUT I ACTUALLY CHOSE IT. 616 00:28:52,230 --> 00:28:54,566 >> Stephen: OH, WOW. 617 00:28:54,566 --> 00:28:55,775 THAT'S PRETTY ADVENTUROUS. 618 00:28:55,775 --> 00:28:57,235 >> YEAH. 619 00:28:57,235 --> 00:29:00,363 >> Stephen: SO, TELL ME ABOUT THE NEW MOVIE "BLISS." 620 00:29:00,363 --> 00:29:06,202 >> SO "BLISS" IS LIKE A SCI-FI MOVIE, AND I PLAY TWO 621 00:29:06,202 --> 00:29:07,412 CHARACTERS. 622 00:29:07,412 --> 00:29:09,706 IT'S THE SAME CHARACTER IN TWO PARALLEL LIVES. 623 00:29:09,706 --> 00:29:16,588 I AM A SCIENTIST THAT LIVES IN THE WORLD WHERE EVERYTHING IS 624 00:29:16,588 --> 00:29:17,797 BEAUTIFUL, BUT PEOPLE HAVE LOST APPRECIATION FOR EVERYTHING. 625 00:29:17,797 --> 00:29:23,219 SO I CREATE THESE BRAIN BOGS THAT CREATES A SIMULATION WHERE 626 00:29:23,219 --> 00:29:28,266 WE CAN GO TO AN UGLY WORLD WITH CHALLENGES SO THAT WE CAN COME 627 00:29:28,266 --> 00:29:29,934 BACK AND APPRECIATE WHAT WE HAVE. 628 00:29:29,934 --> 00:29:33,271 >> Stephen: ARE WE IN THE UGLY WORLD OR ARE WE IN THE BLISS 629 00:29:33,271 --> 00:29:33,771 WORLD? 630 00:29:33,771 --> 00:29:34,981 >> YES. 631 00:29:34,981 --> 00:29:38,276 THE UGLY WORLD LOOKS LIKE THE UGLY WORLD IN THE MOVIE. 632 00:29:38,276 --> 00:29:42,780 HOWEVER, ONCE THEY PUT US IN LOCKDOWN, I THINK WE START 633 00:29:42,780 --> 00:29:46,159 APPRECIATING ALL THE THINGS WE TOOK FOR GRANTED ABOUT THIS UGLY 634 00:29:46,159 --> 00:29:47,076 WORLD. 635 00:29:47,076 --> 00:29:47,660 >> Stephen: WE HAVE A CLIP HERE. 636 00:29:47,660 --> 00:29:48,411 IT'S YOU AND OWEN WILSON. 637 00:29:48,411 --> 00:29:49,787 >> THAT'S RIGHT. 638 00:29:49,787 --> 00:29:51,623 >> Stephen: WHAT DO WE NEED TO KNOW ABOUT THIS? 639 00:29:51,623 --> 00:29:59,506 >> WELL, IT TALKS A LITTLE BIT ABOUT WHY I DID THE BRAIN BOTS, 640 00:29:59,506 --> 00:30:02,467 WHY I DID THE MACHINES THAT WILL SEND US TO THE UGLY WORLD. 641 00:30:02,467 --> 00:30:03,843 >> Stephen: JIM. 642 00:30:03,843 --> 00:30:09,974 >> MOST PEOPLE SAY IGNORANCE IS BLISS, BUT I SAY YOU HAVE TO 643 00:30:09,974 --> 00:30:11,976 EXPERIENCE THE GOOD TO APPRECIATE THE BAD. 644 00:30:11,976 --> 00:30:15,980 >> NO, THE OTHER WAY AROUND. 645 00:30:15,980 --> 00:30:18,316 >> EXACTLY. 646 00:30:18,316 --> 00:30:27,992 >> SO THAT'S WHERE THE BRAIN BOX COMES FROM. 647 00:30:27,992 --> 00:30:30,161 IT WORKS. 648 00:30:30,161 --> 00:30:31,412 >> YOU REALLY THINK IT WORKS? 649 00:30:31,412 --> 00:30:34,624 >> LOOK AT ME! 650 00:30:34,624 --> 00:30:38,461 I'M SITTING HERE. 651 00:30:38,461 --> 00:30:47,595 I COULDN'T BE MORE... 652 00:30:47,595 --> 00:30:50,014 I COULDN'T BE MORE GRATEFUL. 653 00:30:50,014 --> 00:30:52,850 >> Stephen: SALMA, THANK YOU SO MUCH FOR BEING HERE. 654 00:30:52,850 --> 00:30:54,185 IT WAS LOVELY SEEING YOU AGAIN. 655 00:30:54,185 --> 00:30:55,270 >> THANK YOU. 656 00:30:55,270 --> 00:30:56,020 >> Stephen: "BLISS" IS AVAILABLE THIS FRIDAY ON AMAZON. 657 00:30:56,020 --> 00:30:59,983 SALMA HAYEK, EVERYBODY! 658 00:30:59,983 --> 00:31:03,736 WE'LL BE RIGHT BACK WITH JOURNALIST AND AUTHOR OF THE NEW 659 00:31:03,736 --> 00:31:06,864 BIOGRAPHY OLIVIA COLMAN. 660 00:31:06,864 --> 00:31:07,824 STICK AROUND. 661 00:31:22,338 --> 00:31:23,214 EVERYBODY. 662 00:31:23,214 --> 00:31:24,465 MY NEXT GUEST IS A JOURNALIST AND AUTHOR. 663 00:31:24,465 --> 00:31:30,054 HIS LATEST BOOK IS A BIOGRAPHY ENTITLED "MIKE NICHOLS: A LIFE." 664 00:31:30,054 --> 00:31:31,889 PLEASE WELCOME TO "A LATE SHOW," MARK HARRIS! 665 00:31:31,889 --> 00:31:33,933 MARK, THANKS SO MUCH FOR BEING HERE. 666 00:31:33,933 --> 00:31:35,560 >> THANKS SO MUCH FOR HAVING ME. 667 00:31:35,560 --> 00:31:42,191 >> Stephen: NICHOLS IS A MONUMENTAL CULTURAL FIGURE OF 668 00:31:42,191 --> 00:31:43,192 THE LAST 50 YEARS. 669 00:31:43,192 --> 00:31:45,903 I GOT TO MEET HIM ONCE. 670 00:31:45,903 --> 00:31:48,906 I WAS SAYING HELLO TO MERYL STREEP AT THE KENNEDY CENTER, 671 00:31:48,906 --> 00:31:50,074 AND SHE SAID, "OH, MIKE WANTS TO MEET YOU." 672 00:31:50,074 --> 00:31:53,077 WHEN I FOUND OUT MIKE WANTED TO MEET ME, I COULDN'T HEAR 673 00:31:53,077 --> 00:31:55,079 ANYTHING HE SAID TO ME. 674 00:31:55,079 --> 00:31:58,708 I WISH SOMEBODY COULD TRANSCRIBE WHAT HE SAID. 675 00:31:58,708 --> 00:32:02,754 I KEPT SAYING, "IT'S MIKE NICHOLS. 676 00:32:02,754 --> 00:32:03,379 IT'S MIKE NICHOLS. 677 00:32:03,379 --> 00:32:04,589 REMEMBER WHAT HE'S SAYING." 678 00:32:04,589 --> 00:32:07,967 FOR THOSE NOT FAMILIAR WITH WHAT AN ENORMOUS FIGURE HE WAS, HOW 679 00:32:07,967 --> 00:32:11,929 DO YOU ANSWER THE QUESTION, "WHO WAS MIKE NICHOLS?" 680 00:32:11,929 --> 00:32:17,226 >> I WOULD SAY YOU TAKE THE GUY WHO HAD A 50-YEAR CAREER AS A 681 00:32:17,226 --> 00:32:23,608 MOVIE DIRECTOR MAKING FILMS THAT RANGED FROM "THE GRADUATE," AND 682 00:32:23,608 --> 00:32:26,986 "WHO'S AFRAID OF VIRGINIA WOLF?," TO "SILKWOOD" AND 683 00:32:26,986 --> 00:32:29,989 IMAGINE HE HAD A PARALLEL 50-YEAR CAREER AS THIS 684 00:32:29,989 --> 00:32:32,784 GROUNDBREAKING STAGE DIRECTOR WHO WAS RESPONSIBLE FOR 685 00:32:32,784 --> 00:32:39,123 EVERYTHING FROM "THE ODD COUPLE" TO "SPAMMALOT," AND CONSIDER 686 00:32:39,123 --> 00:32:42,335 BOTH OF THOSE YEARS WERE PRECEDED BY A REALLY BIG-DEAL 687 00:32:42,335 --> 00:32:46,255 CAREER AS A PERFORMING ARTIST THAT KIND OF CHANGED THE NATURE 688 00:32:46,255 --> 00:32:47,757 OF IMPROV COMEDY. 689 00:32:47,757 --> 00:32:52,178 SO YOU ADD THAT UP AND YOU GET A REALLY UNIQUE FIGURE. 690 00:32:52,178 --> 00:32:55,473 >> Stephen: AND REALLY HELPED-- HE WAS ONE OF THE 691 00:32:55,473 --> 00:32:59,936 FIGURES THAT HELPED DEFINE WHAT IMPROV COMEDY WOULD BE AS, YOU 692 00:32:59,936 --> 00:33:04,148 KNOW, AS SOMEONE WHO WORKED WITH THE EARLY EDITIONS OF THE 693 00:33:04,148 --> 00:33:08,820 "SECOND CITY," THE COMPASS PLAYERS, IN THE EARLY "SECOND 694 00:33:08,820 --> 00:33:10,154 CITY," ALONG WITH ELAINE MAY. 695 00:33:10,154 --> 00:33:14,325 I HAVE ONE OF THEIR EARLY ALBUMS FROM THEIR BROADWAY SHOW. 696 00:33:14,325 --> 00:33:17,370 EXPLAIN TO THE PEOPLE HOW THIS CHANGED COMEDY. 697 00:33:17,370 --> 00:33:27,505 >> I THINK THAT THAT SHOW, WHICH WAS THE CULMINATION OF A SIX, OR 698 00:33:27,505 --> 00:33:32,009 SEVEN, OR EIGHT-YEAR PARTNERSHIP WAS KIND OF THE "HAMILTON" OF 699 00:33:32,009 --> 00:33:33,344 ITS MOMENT. 700 00:33:33,344 --> 00:33:35,179 IT WAS JUST THE TWO OF THEM ON STAGE EVERY NIGHT, REALLY 701 00:33:35,179 --> 00:33:41,185 DEFINING A NEW KIND OF OBSERVATIONAL, SHARP, PRECISE 702 00:33:41,185 --> 00:33:43,187 COMEDY THAT HADN'T REALLY BEEN SEEN BEFORE. 703 00:33:43,187 --> 00:33:46,524 AND THEY WOULD END EACH PERFORMANCE WITH AN 704 00:33:46,524 --> 00:33:49,360 IMPROVISATION, WHERE THEY WOULD INVITE THE AUDIENCE TO PROVIDE A 705 00:33:49,360 --> 00:33:54,073 FIRST LINE ASK A LAST LINE, AND A LITERARY STYLE THAT THEY 706 00:33:54,073 --> 00:33:56,200 WANTED THE SKETCH PERFORMED IN. 707 00:33:56,200 --> 00:34:01,539 IN THE COURSE OF THAT RUN ON BROADWAY, THEY DID I THINK 708 00:34:01,539 --> 00:34:04,584 SOMETHING LIKE 95 DIFFERENT LITERARY STYLES. 709 00:34:04,584 --> 00:34:05,877 SO THEY WERE REALLY UNIQUE. 710 00:34:05,877 --> 00:34:07,754 >> Stephen: I UNDERSTAND YOU KNEW MIKE NICHOLS. 711 00:34:07,754 --> 00:34:09,547 HOW DID YOU GUYS BECOME FRIENDS? 712 00:34:09,547 --> 00:34:14,761 >> WELL, I GOT TO KNOW HIM BECAUSE MY HUSBAND, TONY 713 00:34:14,761 --> 00:34:17,221 KUSHNER, WROTE "ANGELS IN AMERICA." 714 00:34:17,221 --> 00:34:21,559 AROUND 2001, MIKE AND TONY STARTED WORKING TOGETHER ON THE 715 00:34:21,559 --> 00:34:22,810 HBO MINISERIES VERSION OF IT. 716 00:34:22,810 --> 00:34:26,272 SO THE FIRST TIME I EVER GOT TO SEE MIKE WAS AT WORK ON THE SET. 717 00:34:26,272 --> 00:34:31,402 AND THEN AFTER THAT, MY FIRST BOOK WAS IN PART ABOUT THE 718 00:34:31,402 --> 00:34:34,238 MAKING OF "THE GRADUATE," SO THAT'S WHEN I GOT TO SIT DOWN 719 00:34:34,238 --> 00:34:37,200 AND INTERVIEW HIM AND TALK TO HIM ABOUT HIS CAREER FOR THE 720 00:34:37,200 --> 00:34:39,368 FIRST TIME, WHICH WAS JUST ENDLESSLY FASCINATING. 721 00:34:39,368 --> 00:34:43,247 >> Stephen: YOU MEAN, YOU DID 250 INTERVIEWS, OR SOMETHING 722 00:34:43,247 --> 00:34:47,794 ALONG THOSE LINES, FOR THIS BOOK, AGAIN, MIKE NICHOLS: A 723 00:34:47,794 --> 00:34:49,253 LIFE." 724 00:34:49,253 --> 00:34:53,257 BUT YOU ALSO HAVE TO INTERVIEW YOUR OWN HUSBAND ABOUT HIS PART 725 00:34:53,257 --> 00:34:54,133 IN MIKE NICHOLS: A LIFE." 726 00:34:54,133 --> 00:34:55,885 WHAT WAS THAT LIKE? 727 00:34:55,885 --> 00:34:58,638 BECAUSE THIS BOOK IS LIKE WARTS AND ALL. 728 00:34:58,638 --> 00:35:00,723 YOU'RE A JOURNALIST REPORTING ON SOMETHING. 729 00:35:00,723 --> 00:35:02,809 WHAT'S IT LIKE TO INCLUDE YOUR HUSBAND IN THE REPORTING? 730 00:35:02,809 --> 00:35:06,229 >> WELL, I WOULD SAY HE WAS NOT ACTUALLY THE EASIEST PERSON TO 731 00:35:06,229 --> 00:35:07,897 NAIL DOWN. 732 00:35:07,897 --> 00:35:10,983 IF I HADN'T HAD THE ADVANTAGE OF BEING ABLE TO SORT OF LOCK HIM 733 00:35:10,983 --> 00:35:14,320 IN THE APARTMENT, I'M NOT SURE I WOULD HAVE NECESSARILY GOTTEN 734 00:35:14,320 --> 00:35:15,279 THE INTERVIEW. 735 00:35:15,279 --> 00:35:17,907 BUT ONCE WE SAT DOWN, IT WAS GREAT. 736 00:35:17,907 --> 00:35:21,118 IT WAS A LITTLE STRANGE INTERVIEWING MY OWN HUSBAND 737 00:35:21,118 --> 00:35:22,995 ABOUT SOMETHING THAT I HAD EXPERIENCED. 738 00:35:22,995 --> 00:35:26,165 BUT I KIND OF FALL INTO THAT JOURNALISTIC RHYTHM, AND HE 739 00:35:26,165 --> 00:35:29,502 BECOMES JUST ONE MORE PERSON TO GET INTERESTING INFORMATION OUT 740 00:35:29,502 --> 00:35:31,003 OF. 741 00:35:31,003 --> 00:35:37,134 >> Stephen: WAS THERE A SUBJECT FOR THIS THAT WAS MOST 742 00:35:37,134 --> 00:35:38,719 INTIMIDATING TO TALK ABOUT? 743 00:35:38,719 --> 00:35:43,182 >> I WAS VERY, VERY INTIMIDATED BY ELAINE MAY, PARTLY BECAUSE I 744 00:35:43,182 --> 00:35:46,310 KNEW WHAT AN IMPORTANT INTERVIEW THAT WAS. 745 00:35:46,310 --> 00:35:50,314 THERE WAS NO ONE WHO KNEW MIKE BETTER PROFESSIONALLY AND 746 00:35:50,314 --> 00:35:53,317 PERSONALLY DURING THAT CRUCIAL PERIOD OF HIS LIFE. 747 00:35:53,317 --> 00:35:57,655 AND PARTLY BECAUSE SHE'S ELAINE MAY, SHE'S A COMPLETE GENIUS IN 748 00:35:57,655 --> 00:35:58,948 HER OWN RIGHT. 749 00:35:58,948 --> 00:36:01,659 SHE STARTED THE INTERVIEW-- THE FIRST THING SHE SAID TO ME WAS, 750 00:36:01,659 --> 00:36:04,829 "I WANT TO TELL YOU RIGHT UP FRONT THE ONLY THINGS I CAN 751 00:36:04,829 --> 00:36:08,332 REMEMBER IS THE THINGS I'M NOT GOING TO TELL YOU." 752 00:36:08,332 --> 00:36:10,376 SO THAT TERRIFIED ME. 753 00:36:10,376 --> 00:36:12,170 IT WASN'T REALLY TRUE. 754 00:36:12,170 --> 00:36:13,296 SHE TOLD ME A GREAT DEAL AND SHE WAS FANTASTIC TO TALK TO. 755 00:36:13,296 --> 00:36:14,297 >> Stephen: WE HAVE TO TAKE A QUICK BREAK. 756 00:36:14,297 --> 00:36:19,051 WE'LL BE BACK WITH MORE WITH MARK HARRIS. 757 00:36:45,328 --> 00:36:50,458 ♪ ♪ ♪ ♪ ♪ ♪ 758 00:36:50,458 --> 00:36:53,377 >> Stephen: HEY, EVERYBODY. 759 00:36:53,377 --> 00:36:57,381 WE'RE BACK WITH THE AUTHOR OF "MIKE NICHOLS: A LIFE," MARK 760 00:36:57,381 --> 00:37:00,176 HARRIS. 761 00:37:00,176 --> 00:37:04,889 TO TRY TO DRIVE HOME WHAT A WUNDTER KIND HE WAS, HE WAS A 762 00:37:04,889 --> 00:37:09,852 CHILD IN GERMANY BEFORE THE WAR, THIS IS HIS FIRST MOVIE IS 763 00:37:09,852 --> 00:37:13,773 "WHO'S AFRAID OF VIRGINIA WOLF?" THAT'S W WHAT HE COMES OUT OF TH 764 00:37:13,773 --> 00:37:17,860 GATE WITH, AND HE FOLLOWS IT UP WITH A LITTLE THING CALLED "THE 765 00:37:17,860 --> 00:37:18,277 GRADUATE." 766 00:37:18,277 --> 00:37:19,904 WHAT DROVE HIM? 767 00:37:19,904 --> 00:37:24,784 DO YOU HAVE SOME THEORY AS TO WHY HE WAS SO PROLIFIC OR WHY HE 768 00:37:24,784 --> 00:37:26,243 WAS ALWAYS CREATING? 769 00:37:26,243 --> 00:37:29,246 >> I THINK ONE REALLY INTERESTING THING ABOUT MIKE IS 770 00:37:29,246 --> 00:37:31,540 THAT DIRECTING WASN'T HIS FIRST CHOICE FOR A CAREER. 771 00:37:31,540 --> 00:37:35,461 THROUGH HIS 20s, HE WAS A PERFORMER, AND THEN HIS 772 00:37:35,461 --> 00:37:38,255 PARTNERSHIP WITH ELAINE MAY ENDED, AND HE REALLY DIDN'T KNOW 773 00:37:38,255 --> 00:37:39,924 WHAT HE WAS GOING TO DO WITH HIS LIFE. 774 00:37:39,924 --> 00:37:44,095 AND HE ALWAYS SAID THAT THE MINUTE HE STEPPED INTO THE 775 00:37:44,095 --> 00:37:46,263 REHEARSAL ROOM FOR HIS FIRST PLAY AND THE MINUTE HE STEPPED 776 00:37:46,263 --> 00:37:50,309 ON TO THE SET OF A MOVIE FOR THE FIRST TIME, HE KNEW THAT 777 00:37:50,309 --> 00:37:51,852 DIRECTING WAS WHAT HE WANTED TO DO. 778 00:37:51,852 --> 00:37:56,273 AND SO, IN SOME WAYS, HE DIDN'T FEEL LIKE HE HAD A MINUTE TO 779 00:37:56,273 --> 00:37:57,608 LOSE AFTER MAKING THAT DISCOVERY. 780 00:37:57,608 --> 00:38:01,612 >> Stephen: THERE ARE SO MANY THINGS TO CHOOSE FROM, BUT FOR 781 00:38:01,612 --> 00:38:03,322 PEOPLE OUT THERE WHO MIGHT NOT BE FAMILIAR WITH HIS WORK, 782 00:38:03,322 --> 00:38:07,576 WHAT'S YOUR INTRODUCTION-- WHAT WOULD YOU RECOMMEND AS AN 783 00:38:07,576 --> 00:38:10,079 INTRODUCTION TO MIKE NICHOLS? 784 00:38:10,079 --> 00:38:13,457 >> WELL, I'D SAY IF YOU'VE NEVER SEEN A MIKE NICHOLS MOVIE, START 785 00:38:13,457 --> 00:38:14,917 WITH "THE GRADUATE." 786 00:38:14,917 --> 00:38:20,464 I MEAN, THAT'S A FANTASTIC, FUNNY, FASCINATING, MOVING 787 00:38:20,464 --> 00:38:22,591 MOVIE, NO MATTER WHAT PERIOD OF YOUR LIFE YOU'RE IN, WHETHER 788 00:38:22,591 --> 00:38:28,764 YOU'RE THE SAME AGE AS THE YOUNG PROTAGONIST OR MRS. ROBINSON. 789 00:38:28,764 --> 00:38:32,309 IF YOU HAVE SEEN "THE GRADUATE," I THINK THERE ARE ALL OTHER 790 00:38:32,309 --> 00:38:36,480 KINDS OF DOORS FROM "SILKWOOD," TO "ANGELS IN AMERICA," I'LL 791 00:38:36,480 --> 00:38:40,151 GIVE A PLUG FOR THE HOME TEAM. 792 00:38:40,151 --> 00:38:42,486 TO "WHO'S AFRAID OF VIRGINIA WOLF?" 793 00:38:42,486 --> 00:38:45,656 AND ALSO THAT ALBUM THAT YOU SHOWED. 794 00:38:45,656 --> 00:38:49,827 I MEAN, "AN EVENING WITH MIKE NICHOLS AND ELAINE MAY," YOU GET 795 00:38:49,827 --> 00:38:53,664 A FANTASTIC SENSE OF WHAT THEY WERE LIKE AS A COMEDY DUO, AND 796 00:38:53,664 --> 00:38:55,666 IT'S STILL REALLY FUNNY. 797 00:38:55,666 --> 00:39:01,338 >> Stephen: MIKE NICHOLS MADE A JOKE THAT HIS BIOGRAPHY, IF HE 798 00:39:01,338 --> 00:39:04,508 COULD NAME IT, IT SHOULD BE CALLED "THE WRONG YOU." 799 00:39:04,508 --> 00:39:07,678 CAN YOU EXPLAIN WHAT THAT MEANS? 800 00:39:07,678 --> 00:39:11,682 >> MIKE, LATE IN HIS LIFE, WAS ORIGINALLY CAST IN WHAT TURNED 801 00:39:11,682 --> 00:39:15,686 OUT TO BE A CRUCIAL EPISODE OF "THE SOPRANOS." 802 00:39:15,686 --> 00:39:21,609 HE WAS GOING TO PLAY THE PSYCHIATRIST WHO CARMELA GOES 803 00:39:21,609 --> 00:39:24,820 TO, TO COMPLAIN ABOUT TONY AND HER MARRIAGE, AND THE 804 00:39:24,820 --> 00:39:30,659 PSYCHIATRIST IS KIND OF THIS OLD-STYLE TALMUDIC, OLD 805 00:39:30,659 --> 00:39:34,163 TESTAMENT GUY WHO SAYS, "YOUR HUSBAND IS A CRIMINAL, AND IF 806 00:39:34,163 --> 00:39:36,373 YOU STAY WITH HIM, YOU'RE COMPLICEIT, LEAVE HIM. 807 00:39:36,373 --> 00:39:37,541 AND TAKE THE KIDS." 808 00:39:37,541 --> 00:39:41,462 AND MIKE DID ABOUT A DAY OF WORK ON IT, AND THEN TOLD DAVID 809 00:39:41,462 --> 00:39:45,382 CHASE, "YOU'VE GOT THE WRONG JEW. 810 00:39:45,382 --> 00:39:48,594 I'M NOT THE RIGHT KIND OF JEW FOR THIS PART. 811 00:39:48,594 --> 00:39:51,597 AND SOMEONE ELSE PLAYED IT. 812 00:39:51,597 --> 00:39:53,682 >> Stephen: "MIKE NICHOLS: A LIFE" IS AVAILABLE NOW. 813 00:39:53,682 --> 00:39:55,226 MARK HARRIS, EVERYBODY. 814 00:39:55,226 --> 00:39:56,852 THANKS, MARK. 815 00:39:56,852 --> 00:39:57,728 WE'LL BE RIGHT BACK. 816 00:39:57,728 --> 00:39:57,770 ♪ ♪ ♪ 817 00:40:06,695 --> 00:40:09,031 LATE SHOW." 818 00:40:09,031 --> 00:40:10,699 TUNE IN TOMORROW WHEN MY GUEST WILL BE TIFFANY HADDISH AND 819 00:40:10,699 --> 00:40:12,243 MUSICAL GUEST, HER. 820 00:40:12,243 --> 00:40:15,746 JAMES CORDEN IS NEXT. 821 00:40:15,746 --> 00:40:21,752 CONGRATULATIONS, AGAIN, Captioning sponsored by CBS 822 00:40:21,752 --> 00:40:22,670 CONGRATULATIONS, AGAIN, Captioning sponsored by CBS 823 00:40:22,670 --> 00:40:23,254 Captioned by Media Access Group at WGBH 824 00:40:23,254 --> 00:40:24,171 access.wgbh.org GOTTEN. 825 00:40:24,171 --> 00:40:26,924 IT'S NOT A BRICK WALL OR SOMEONE'S WINDOW. 826 00:40:26,924 --> 00:40:27,716 THAT'S LOVELY. 827 00:40:27,716 --> 00:40:30,928 >> WELCOME, MI CASA, SU CASA. 828 00:40:30,928 --> 00:40:31,387 >> Stephen: I WILL TAKE YOU UP ON THAT. 829 00:40:31,387 --> 00:40:32,555 WRITE THAT DOWN.