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<font color="#ffff00"> Captioning sponsored by CBS</font>

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>> AS MORE PATIENTS ARE
RECOVERING FROM THIS
CORONAVIRUS, MEDICAL

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00:00:08,576 --> 00:00:09,208
RECOVERING FROM THIS
CORONAVIRUS, MEDICAL
PROFESSIONALS ARE LEARNING MORE

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00:00:09,210 --> 00:00:10,409
CORONAVIRUS, MEDICAL
PROFESSIONALS ARE LEARNING MORE
ABOUT THE LONG-TERM EFFECTS.

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00:00:10,411 --> 00:00:12,144
PROFESSIONALS ARE LEARNING MORE
ABOUT THE LONG-TERM EFFECTS.
>> FOR MEN WHO ARE WATCHING

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00:00:12,146 --> 00:00:13,846
ABOUT THE LONG-TERM EFFECTS.
>> FOR MEN WHO ARE WATCHING
THIS, THERE'S SOME REAL CONCERN

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>> FOR MEN WHO ARE WATCHING
THIS, THERE'S SOME REAL CONCERN
HERE MEN COULD HAVE REAL

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THIS, THERE'S SOME REAL CONCERN
HERE MEN COULD HAVE REAL
LONG-TERM ISSUES OF ERECTILE

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HERE MEN COULD HAVE REAL
LONG-TERM ISSUES OF ERECTILE
DYSFUNCTION FROM THIS VIRUS.

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LONG-TERM ISSUES OF ERECTILE
DYSFUNCTION FROM THIS VIRUS.
>> YOU'VE HEARD COVID 19 COULD

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DYSFUNCTION FROM THIS VIRUS.
>> YOU'VE HEARD COVID 19 COULD
AFFECT THE LUNGS, HEARTS AND

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>> YOU'VE HEARD COVID 19 COULD
AFFECT THE LUNGS, HEARTS AND
SINUSES.

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AFFECT THE LUNGS, HEARTS AND
SINUSES.
DID YOU KNOW INFECTED PATIENTS

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SINUSES.
DID YOU KNOW INFECTED PATIENTS
COULD SUFFER OTHER ISSUES?

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DID YOU KNOW INFECTED PATIENTS
COULD SUFFER OTHER ISSUES?
>> OH, IT WAS SO SOFT.

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COULD SUFFER OTHER ISSUES?
>> OH, IT WAS SO SOFT.
INTRODUCING PATOMOMASK.

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>> OH, IT WAS SO SOFT.
INTRODUCING PATOMOMASK.
MEN WHO DECIDED NOT TO USE

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INTRODUCING PATOMOMASK.
MEN WHO DECIDED NOT TO USE
PETONOMASK REPORTED MORE

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MEN WHO DECIDED NOT TO USE
PETONOMASK REPORTED MORE
FREQUENT COMPLICATIONS WITH

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00:00:48,749 --> 00:00:49,381
PETONOMASK REPORTED MORE
FREQUENT COMPLICATIONS WITH
THEIR --

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FREQUENT COMPLICATIONS WITH
THEIR --
>> PP.

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THEIR --
>> PP.
ASK IF IT'S RIGHT FOR YOU

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>> PP.
ASK IF IT'S RIGHT FOR YOU
INLESS YOU'RE BEN CARSON.

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ASK IF IT'S RIGHT FOR YOU
INLESS YOU'RE BEN CARSON.
>> I TRIED TO STAB SOMEONE.

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INLESS YOU'RE BEN CARSON.
>> I TRIED TO STAB SOMEONE.
PETONAMASK, IT'S NOT A

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>> I TRIED TO STAB SOMEONE.
PETONAMASK, IT'S NOT A
PROBLEM.

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PETONAMASK, IT'S NOT A
PROBLEM.
>> Announcer: IT'S "THE LATE

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PROBLEM.
>> Announcer: IT'S "THE LATE
SHOW" WITH STOAFN STEPHEN.

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>> Announcer: IT'S "THE LATE
SHOW" WITH STOAFN STEPHEN.
TONIGHT, COVID IS COMING TO

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SHOW" WITH STOAFN STEPHEN.
TONIGHT, COVID IS COMING TO
TOWN.

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TONIGHT, COVID IS COMING TO
TOWN.
PLUS STEPHEN WELCOMES MERYL

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TOWN.
PLUS STEPHEN WELCOMES MERYL
STREEP AND MUSICAL GUEST CHRIS

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PLUS STEPHEN WELCOMES MERYL
STREEP AND MUSICAL GUEST CHRIS
STAPLETON, PLUS JON BATISTE AND

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STREEP AND MUSICAL GUEST CHRIS
STAPLETON, PLUS JON BATISTE AND
"STAY HOMIN'."

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STAPLETON, PLUS JON BATISTE AND
"STAY HOMIN'."
LIVE ON TAPE FROM THE ED

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"STAY HOMIN'."
LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING

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LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN

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SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN
COLBERT!

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IN NEW YORK CITY, IT'S STEPHEN
COLBERT!
>> Stephen: HELLO AND WELCOME

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COLBERT!
>> Stephen: HELLO AND WELCOME
TO "A LATE SHOW."

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>> Stephen: HELLO AND WELCOME
TO "A LATE SHOW."
I'M YOUR SHOWS STEPHEN COLBERT.

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TO "A LATE SHOW."
I'M YOUR SHOWS STEPHEN COLBERT.
CHRISTMAS IS COMING, LADIES AND

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I'M YOUR SHOWS STEPHEN COLBERT.
CHRISTMAS IS COMING, LADIES AND
GENTLEMEN.

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CHRISTMAS IS COMING, LADIES AND
GENTLEMEN.
WE'RE ALL LOOKING FORWARD TO THE

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GENTLEMEN.
WE'RE ALL LOOKING FORWARD TO THE
MIRACLE OF SANTA GOING ALL

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WE'RE ALL LOOKING FORWARD TO THE
MIRACLE OF SANTA GOING ALL
AROUND THE WORLD IN A SINGLE

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MIRACLE OF SANTA GOING ALL
AROUND THE WORLD IN A SINGLE
NIGHT.

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AROUND THE WORLD IN A SINGLE
NIGHT.
YOU KNOW WHAT'S MOVING ALMOST AS

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NIGHT.
YOU KNOW WHAT'S MOVING ALMOST AS
FAST?

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YOU KNOW WHAT'S MOVING ALMOST AS
FAST?
CORONAVIRUS.

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FAST?
CORONAVIRUS.
AND I'LL TELL YOU ALL ABOUT IT

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CORONAVIRUS.
AND I'LL TELL YOU ALL ABOUT IT
IN MY ONGOING SEGMENT, "CATCH A

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AND I'LL TELL YOU ALL ABOUT IT
IN MY ONGOING SEGMENT, "CATCH A
THIRD WAVE: ENDLESS BUMMER."

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IN MY ONGOING SEGMENT, "CATCH A
THIRD WAVE: ENDLESS BUMMER."
>> HEY, EVERYONE, I'M STILL

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THIRD WAVE: ENDLESS BUMMER."
>> HEY, EVERYONE, I'M STILL
HERE!

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>> HEY, EVERYONE, I'M STILL
HERE!
AND-- AHH!

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HERE!
AND-- AHH!
NO!

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AND-- AHH!
NO!
ELECTRICAL HAZARD!"

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NO!
ELECTRICAL HAZARD!"
>> Stephen: I THINK I WAS A

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ELECTRICAL HAZARD!"
>> Stephen: I THINK I WAS A
LITTLE LATE.

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>> Stephen: I THINK I WAS A
LITTLE LATE.
OVER THE WEEKEND, U.S. COVID-19

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LITTLE LATE.
OVER THE WEEKEND, U.S. COVID-19
HOSPITALIZATIONS HIT ANOTHER

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OVER THE WEEKEND, U.S. COVID-19
HOSPITALIZATIONS HIT ANOTHER
RECORD HIGH, WHICH IS WHY WE ALL

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HOSPITALIZATIONS HIT ANOTHER
RECORD HIGH, WHICH IS WHY WE ALL
NEED TO PROTECT EACH OTHER BY

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RECORD HIGH, WHICH IS WHY WE ALL
NEED TO PROTECT EACH OTHER BY
STAYING HOME, WHERE YOU CAN SIT

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NEED TO PROTECT EACH OTHER BY
STAYING HOME, WHERE YOU CAN SIT
ALONE ON YOUR COUCH AND HIT A

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STAYING HOME, WHERE YOU CAN SIT
ALONE ON YOUR COUCH AND HIT A
RECORD HIGH.

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ALONE ON YOUR COUCH AND HIT A
RECORD HIGH.
EXPERTS ARE TRYING TO HELP

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RECORD HIGH.
EXPERTS ARE TRYING TO HELP
AMERICANS BRACE FOR HOW BAD

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EXPERTS ARE TRYING TO HELP
AMERICANS BRACE FOR HOW BAD
THINGS WILL GET.

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AMERICANS BRACE FOR HOW BAD
THINGS WILL GET.
TAKE CORONAVIRUS RESPONSE

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THINGS WILL GET.
TAKE CORONAVIRUS RESPONSE
COORDINATOR DR. DEBORAH BIRX,

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TAKE CORONAVIRUS RESPONSE
COORDINATOR DR. DEBORAH BIRX,
SEEN HERE EXPLAINING THE PLOT OF

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COORDINATOR DR. DEBORAH BIRX,
SEEN HERE EXPLAINING THE PLOT OF
"ALIEN V. PREDATOR."

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SEEN HERE EXPLAINING THE PLOT OF
"ALIEN V. PREDATOR."
BIRX APPEARED ON "MEET THE

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"ALIEN V. PREDATOR."
BIRX APPEARED ON "MEET THE
PRESS" YESTERDAY AND SAID THAT

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BIRX APPEARED ON "MEET THE
PRESS" YESTERDAY AND SAID THAT
THE WINTER SURGE WOULD BE  THE

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PRESS" YESTERDAY AND SAID THAT
THE WINTER SURGE WOULD BE  THE
WORST EVENT IN U.S. HISTORY.

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THE WINTER SURGE WOULD BE  THE
WORST EVENT IN U.S. HISTORY.
SO, SORRY, CELEBRITY "IMAGINE"

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WORST EVENT IN U.S. HISTORY.
SO, SORRY, CELEBRITY "IMAGINE"
VIDEO, YOUR TIME ATOP THE THRONE

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SO, SORRY, CELEBRITY "IMAGINE"
VIDEO, YOUR TIME ATOP THE THRONE
IS OVER.

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VIDEO, YOUR TIME ATOP THE THRONE
IS OVER.
OUT, OUT, BRIEF CANDLE.

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IS OVER.
OUT, OUT, BRIEF CANDLE.
ONE MAJOR DIFFERENCE IS, WITH

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OUT, OUT, BRIEF CANDLE.
ONE MAJOR DIFFERENCE IS, WITH
THE OTHER MOST TRAGIC EVENTS IN

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ONE MAJOR DIFFERENCE IS, WITH
THE OTHER MOST TRAGIC EVENTS IN
AMERICAN HISTORY, YOU DIDN'T

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THE OTHER MOST TRAGIC EVENTS IN
AMERICAN HISTORY, YOU DIDN'T
HAVE A BIG CHUNK OF THE

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AMERICAN HISTORY, YOU DIDN'T
HAVE A BIG CHUNK OF THE
POPULATION SAYING, "IT'S A

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HAVE A BIG CHUNK OF THE
POPULATION SAYING, "IT'S A
HOAX!"

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POPULATION SAYING, "IT'S A
HOAX!"
FOR PETE'S SAKE, TODAY'S THE

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HOAX!"
FOR PETE'S SAKE, TODAY'S THE
ANNIVERSARY OF PEARL HABOR, AND

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FOR PETE'S SAKE, TODAY'S THE
ANNIVERSARY OF PEARL HABOR, AND
F.D.R. NEVER SAID THIS:

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ANNIVERSARY OF PEARL HABOR, AND
F.D.R. NEVER SAID THIS:
>> DECEMBER 7TH, 1941-- A DATE

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F.D.R. NEVER SAID THIS:
>> DECEMBER 7TH, 1941-- A DATE
WHICH WILL LIVE IN INFAMY--

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>> DECEMBER 7TH, 1941-- A DATE
WHICH WILL LIVE IN INFAMY--
BECAUSE THE JAPANESE AIR FORCE

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WHICH WILL LIVE IN INFAMY--
BECAUSE THE JAPANESE AIR FORCE
IS A HOAX!

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BECAUSE THE JAPANESE AIR FORCE
IS A HOAX!
IT'S ALL A PLOT BY THE

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IS A HOAX!
IT'S ALL A PLOT BY THE
VANDERBILTS TO IMPLANT TELEGRAPH

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IT'S ALL A PLOT BY THE
VANDERBILTS TO IMPLANT TELEGRAPH
WIRES IN YOUR BRAIN!

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VANDERBILTS TO IMPLANT TELEGRAPH
WIRES IN YOUR BRAIN!
>> STEPHEN: ONE OF THE LATEST

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WIRES IN YOUR BRAIN!
>> STEPHEN: ONE OF THE LATEST
PEOPLE AFFECTED IS THE

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>> STEPHEN: ONE OF THE LATEST
PEOPLE AFFECTED IS THE
PRESIDENT'S LAWYER RUDY

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PEOPLE AFFECTED IS THE
PRESIDENT'S LAWYER RUDY
GIULIANI, SEEN HERE PINCHING OUT

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PRESIDENT'S LAWYER RUDY
GIULIANI, SEEN HERE PINCHING OUT
A CLOSING STATEMENT.

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GIULIANI, SEEN HERE PINCHING OUT
A CLOSING STATEMENT.
YESTERDAY, WE LEARNED THAT

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A CLOSING STATEMENT.
YESTERDAY, WE LEARNED THAT
GIULIANI TESTED POSITIVE FOR

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YESTERDAY, WE LEARNED THAT
GIULIANI TESTED POSITIVE FOR
CORONAVIRUS.

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GIULIANI TESTED POSITIVE FOR
CORONAVIRUS.
OKAY, FOR A MAN HIS AGE, IT'S A

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CORONAVIRUS.
OKAY, FOR A MAN HIS AGE, IT'S A
SCARY DIAGNOSIS, BUT I HAVE NO

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OKAY, FOR A MAN HIS AGE, IT'S A
SCARY DIAGNOSIS, BUT I HAVE NO
DOUBT HE'LL GET TOP-NOTCH

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SCARY DIAGNOSIS, BUT I HAVE NO
DOUBT HE'LL GET TOP-NOTCH
MEDICAL CARE.

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DOUBT HE'LL GET TOP-NOTCH
MEDICAL CARE.
PLUS, YOU KNOW HE'LL STAY

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MEDICAL CARE.
PLUS, YOU KNOW HE'LL STAY
HYDRATED.

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PLUS, YOU KNOW HE'LL STAY
HYDRATED.
HE DRINKS SO MANY FLUIDS, THEY

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HYDRATED.
HE DRINKS SO MANY FLUIDS, THEY
LEAK OUT HIS SKULL.

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HE DRINKS SO MANY FLUIDS, THEY
LEAK OUT HIS SKULL.
BUT IT'S NOT JUST RUDY WHO'S AT

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LEAK OUT HIS SKULL.
BUT IT'S NOT JUST RUDY WHO'S AT
RISK.

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BUT IT'S NOT JUST RUDY WHO'S AT
RISK.
GIULIANI HAS TRAVELED

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RISK.
GIULIANI HAS TRAVELED
EXTENSIVELY TO BATTLEGROUND

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GIULIANI HAS TRAVELED
EXTENSIVELY TO BATTLEGROUND
STATES IN RECENT DAYS AND MET

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EXTENSIVELY TO BATTLEGROUND
STATES IN RECENT DAYS AND MET
WITH OFFICIALS FOR HOURS AT A

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STATES IN RECENT DAYS AND MET
WITH OFFICIALS FOR HOURS AT A
TIME WITHOUT WEARING A MASK.

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WITH OFFICIALS FOR HOURS AT A
TIME WITHOUT WEARING A MASK.
THAT IS SO RECKLESS!

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TIME WITHOUT WEARING A MASK.
THAT IS SO RECKLESS!
THEY WILLINGLY SAT IN THE SAME

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THAT IS SO RECKLESS!
THEY WILLINGLY SAT IN THE SAME
ROOM WITH RUDY GIULIANI'S TEETH!

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THEY WILLINGLY SAT IN THE SAME
ROOM WITH RUDY GIULIANI'S TEETH!
NOT ONLY HAS GIULIANI GONE

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ROOM WITH RUDY GIULIANI'S TEETH!
NOT ONLY HAS GIULIANI GONE
MASKLESS, HE'S ALSO TRIED TO

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NOT ONLY HAS GIULIANI GONE
MASKLESS, HE'S ALSO TRIED TO
COAX HIS OWN WITNESSES TO TAKE

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00:04:05,079 --> 00:04:07,846
MASKLESS, HE'S ALSO TRIED TO
COAX HIS OWN WITNESSES TO TAKE
THEIRS OFF:

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COAX HIS OWN WITNESSES TO TAKE
THEIRS OFF:
>> MS. JACOB?

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THEIRS OFF:
>> MS. JACOB?
I DON'T WANT YOU TO DO THIS IF

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>> MS. JACOB?
I DON'T WANT YOU TO DO THIS IF
YOU FEEL UNCOMFORTABLE, BUT

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I DON'T WANT YOU TO DO THIS IF
YOU FEEL UNCOMFORTABLE, BUT
WOULD YOU BE COMFORTABLE TAKING

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YOU FEEL UNCOMFORTABLE, BUT
WOULD YOU BE COMFORTABLE TAKING
YOUR MASK OFF SO THAT THE PEOPLE

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WOULD YOU BE COMFORTABLE TAKING
YOUR MASK OFF SO THAT THE PEOPLE
COULD HEAR YOU MORE CLEARLY?

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00:04:16,757 --> 00:04:18,090
YOUR MASK OFF SO THAT THE PEOPLE
COULD HEAR YOU MORE CLEARLY?
>> CAN YOU HEAR ME NOW?

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00:04:18,092 --> 00:04:19,625
COULD HEAR YOU MORE CLEARLY?
>> CAN YOU HEAR ME NOW?
>> CAN EVERYONE HEAR HER

137
00:04:19,627 --> 00:04:19,858
>> CAN YOU HEAR ME NOW?
>> CAN EVERYONE HEAR HER
CLEARLY?

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>> CAN EVERYONE HEAR HER
CLEARLY?
>> WE CAN HEAR YOU.

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00:04:20,728 --> 00:04:23,228
CLEARLY?
>> WE CAN HEAR YOU.
>> OKAY!

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>> WE CAN HEAR YOU.
>> OKAY!
>> STEPHEN: (AS RUDY)

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>> OKAY!
>> STEPHEN: (AS RUDY)
"YOU SURE YOU DON'T WANNA TAKE

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>> STEPHEN: (AS RUDY)
"YOU SURE YOU DON'T WANNA TAKE
IT OFF?

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00:04:25,833 --> 00:04:27,432
"YOU SURE YOU DON'T WANNA TAKE
IT OFF?
IT JUST FEELS BETTER WITHOUT IT,

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00:04:27,434 --> 00:04:28,033
IT OFF?
IT JUST FEELS BETTER WITHOUT IT,
THE MASK KILLS ALL THE

145
00:04:28,035 --> 00:04:28,734
IT JUST FEELS BETTER WITHOUT IT,
THE MASK KILLS ALL THE
SENSATION.

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THE MASK KILLS ALL THE
SENSATION.
LOOK, I BOUGHT YOU DINNER, AT

147
00:04:31,872 --> 00:04:35,574
SENSATION.
LOOK, I BOUGHT YOU DINNER, AT
LEAST LET ME SEE YOUR NOSTRILS."

148
00:04:35,576 --> 00:04:35,874
LOOK, I BOUGHT YOU DINNER, AT
LEAST LET ME SEE YOUR NOSTRILS."
NO?

149
00:04:35,876 --> 00:04:36,275
LEAST LET ME SEE YOUR NOSTRILS."
NO?
NO?

150
00:04:36,277 --> 00:04:36,708
NO?
NO?
SHAKING YOUR HEAD.

151
00:04:36,710 --> 00:04:40,178
NO?
SHAKING YOUR HEAD.
I THINK IT'S A PERFECTLY FINE

152
00:04:40,180 --> 00:04:40,445
SHAKING YOUR HEAD.
I THINK IT'S A PERFECTLY FINE
METAPHOR.

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00:04:40,447 --> 00:04:42,147
I THINK IT'S A PERFECTLY FINE
METAPHOR.
TYPHOID RUDY IS SUCH A DISEASE

154
00:04:42,149 --> 00:04:43,148
METAPHOR.
TYPHOID RUDY IS SUCH A DISEASE
VECTOR THAT THE ARIZONA

155
00:04:43,150 --> 00:04:43,882
TYPHOID RUDY IS SUCH A DISEASE
VECTOR THAT THE ARIZONA
LEGISLATURE'S CLOSING FOR A WEEK

156
00:04:43,884 --> 00:04:48,153
VECTOR THAT THE ARIZONA
LEGISLATURE'S CLOSING FOR A WEEK
AFTER HE SPENT TWO DAYS WITH

157
00:04:48,155 --> 00:04:48,720
LEGISLATURE'S CLOSING FOR A WEEK
AFTER HE SPENT TWO DAYS WITH
MASKLESS G.O.P. LAWMAKERS.

158
00:04:48,722 --> 00:04:49,888
AFTER HE SPENT TWO DAYS WITH
MASKLESS G.O.P. LAWMAKERS.
SO, FOR JUST A PARTIAL LIST OF

159
00:04:49,890 --> 00:04:51,957
MASKLESS G.O.P. LAWMAKERS.
SO, FOR JUST A PARTIAL LIST OF
RUDY'S ACHIEVEMENTS, SINCE THE

160
00:04:51,959 --> 00:04:52,758
SO, FOR JUST A PARTIAL LIST OF
RUDY'S ACHIEVEMENTS, SINCE THE
ELECTION: HE'S LOST 48 LAWSUITS,

161
00:04:52,760 --> 00:04:55,894
RUDY'S ACHIEVEMENTS, SINCE THE
ELECTION: HE'S LOST 48 LAWSUITS,
HE MELTED ON CAMERA, HE FARTED

162
00:04:55,896 --> 00:04:59,197
ELECTION: HE'S LOST 48 LAWSUITS,
HE MELTED ON CAMERA, HE FARTED
IN COURT, HE GOT COVID, AND HE

163
00:04:59,199 --> 00:05:00,732
HE MELTED ON CAMERA, HE FARTED
IN COURT, HE GOT COVID, AND HE
SHUT DOWN A STATE LEGISLATURE.

164
00:05:00,734 --> 00:05:01,366
IN COURT, HE GOT COVID, AND HE
SHUT DOWN A STATE LEGISLATURE.
THE ONLY THING MORE EMBARRASSING

165
00:05:01,368 --> 00:05:01,967
SHUT DOWN A STATE LEGISLATURE.
THE ONLY THING MORE EMBARRASSING
WOULD BE IF HE MARRIED HIS OWN

166
00:05:01,969 --> 00:05:04,770
THE ONLY THING MORE EMBARRASSING
WOULD BE IF HE MARRIED HIS OWN
COUSIN.

167
00:05:04,772 --> 00:05:09,574
WOULD BE IF HE MARRIED HIS OWN
COUSIN.
HE WHAT?

168
00:05:09,576 --> 00:05:16,248
COUSIN.
HE WHAT?
OH, BUT THAT'S OKAY.

169
00:05:16,250 --> 00:05:17,082
HE WHAT?
OH, BUT THAT'S OKAY.
I'M GOING TO KEEP TALKING.

170
00:05:17,084 --> 00:05:19,851
OH, BUT THAT'S OKAY.
I'M GOING TO KEEP TALKING.
WE HAVE A SHORT TIME FRAME.

171
00:05:19,853 --> 00:05:20,619
I'M GOING TO KEEP TALKING.
WE HAVE A SHORT TIME FRAME.
DESPITE HIS LAWYER'S SERIOUS

172
00:05:20,621 --> 00:05:21,253
WE HAVE A SHORT TIME FRAME.
DESPITE HIS LAWYER'S SERIOUS
ILLNESS, THE PRESIDENT HAS VOWED

173
00:05:21,255 --> 00:05:21,853
DESPITE HIS LAWYER'S SERIOUS
ILLNESS, THE PRESIDENT HAS VOWED
TO CONTINUE THE FIGHT AGAINST

174
00:05:21,855 --> 00:05:22,521
ILLNESS, THE PRESIDENT HAS VOWED
TO CONTINUE THE FIGHT AGAINST
DEMOCRACY.

175
00:05:22,523 --> 00:05:24,756
TO CONTINUE THE FIGHT AGAINST
DEMOCRACY.
I'LL GIVE YOU THE LATEST IN MY

176
00:05:24,758 --> 00:05:27,092
DEMOCRACY.
I'LL GIVE YOU THE LATEST IN MY
UNFORTUNATELY ONGOING SEGMENT:

177
00:05:27,094 --> 00:05:27,626
I'LL GIVE YOU THE LATEST IN MY
UNFORTUNATELY ONGOING SEGMENT:
♪ ASS-CLOWN RACIST

178
00:05:27,628 --> 00:05:28,093
UNFORTUNATELY ONGOING SEGMENT:
♪ ASS-CLOWN RACIST
SING THIS SONG

179
00:05:28,095 --> 00:05:28,593
♪ ASS-CLOWN RACIST
SING THIS SONG
♪ COUP D'ETAT

180
00:05:28,595 --> 00:05:28,894
SING THIS SONG
♪ COUP D'ETAT
COUP D'ETAT

181
00:05:28,896 --> 00:05:30,896
♪ COUP D'ETAT
COUP D'ETAT
♪ ASS-CLOWN FASCIST

182
00:05:30,898 --> 00:05:31,863
COUP D'ETAT
♪ ASS-CLOWN FASCIST
LOVES KIM JONG

183
00:05:31,865 --> 00:05:36,735
♪ ASS-CLOWN FASCIST
LOVES KIM JONG
♪ I WILL NOT GO AWAY ♪

184
00:05:36,737 --> 00:05:40,405
LOVES KIM JONG
♪ I WILL NOT GO AWAY ♪
>> "ROAD FROM THE WHITE HOUSE"

185
00:05:40,407 --> 00:05:41,006
♪ I WILL NOT GO AWAY ♪
>> "ROAD FROM THE WHITE HOUSE"
>> STEPHEN: THERE HAS BEEN YET

186
00:05:41,008 --> 00:05:43,875
>> "ROAD FROM THE WHITE HOUSE"
>> STEPHEN: THERE HAS BEEN YET
ANOTHER HUGE BLOW TO THE

187
00:05:43,877 --> 00:05:44,710
>> STEPHEN: THERE HAS BEEN YET
ANOTHER HUGE BLOW TO THE
PRESIDENT'S COUP ATTEMPT

188
00:05:44,712 --> 00:05:48,113
ANOTHER HUGE BLOW TO THE
PRESIDENT'S COUP ATTEMPT
BECAUSE, JUST HOURS AGO, GEORGIA

189
00:05:48,115 --> 00:05:48,747
PRESIDENT'S COUP ATTEMPT
BECAUSE, JUST HOURS AGO, GEORGIA
RE-CERTIFIED ITS PRESIDENTIAL

190
00:05:48,749 --> 00:05:51,583
BECAUSE, JUST HOURS AGO, GEORGIA
RE-CERTIFIED ITS PRESIDENTIAL
ELECTION RESULTS, ONCE AGAIN

191
00:05:51,585 --> 00:05:52,217
RE-CERTIFIED ITS PRESIDENTIAL
ELECTION RESULTS, ONCE AGAIN
FINDING JOE BIDEN AS THE WINNER

192
00:05:52,219 --> 00:05:52,751
ELECTION RESULTS, ONCE AGAIN
FINDING JOE BIDEN AS THE WINNER
FOLLOWING THREE COUNTS OF

193
00:05:52,753 --> 00:05:55,887
FINDING JOE BIDEN AS THE WINNER
FOLLOWING THREE COUNTS OF
BALLOTS.

194
00:05:55,889 --> 00:05:56,722
FOLLOWING THREE COUNTS OF
BALLOTS.
LIKE THE SAYING GOES, "THIRD

195
00:05:56,724 --> 00:05:57,522
BALLOTS.
LIKE THE SAYING GOES, "THIRD
TIME'S THE... SAME AS THE FIRST

196
00:05:57,524 --> 00:05:59,424
LIKE THE SAYING GOES, "THIRD
TIME'S THE... SAME AS THE FIRST
AND SECOND TIME, ONLY MORE

197
00:05:59,426 --> 00:06:00,592
TIME'S THE... SAME AS THE FIRST
AND SECOND TIME, ONLY MORE
HUMILIATING."

198
00:06:00,594 --> 00:06:01,026
AND SECOND TIME, ONLY MORE
HUMILIATING."
DON'T FEEL LEFT OUT

199
00:06:01,028 --> 00:06:03,395
HUMILIATING."
DON'T FEEL LEFT OUT
MR. PRESIDENT.

200
00:06:03,397 --> 00:06:04,796
DON'T FEEL LEFT OUT
MR. PRESIDENT.
BIDEN MAY HAVE WON THE PEACH

201
00:06:04,798 --> 00:06:07,866
MR. PRESIDENT.
BIDEN MAY HAVE WON THE PEACH
STATE, BUT YOU GOT IMPEACHED,

202
00:06:07,868 --> 00:06:08,734
BIDEN MAY HAVE WON THE PEACH
STATE, BUT YOU GOT IMPEACHED,
AND THAT'LL NEVER GO AWAY.

203
00:06:08,736 --> 00:06:10,635
STATE, BUT YOU GOT IMPEACHED,
AND THAT'LL NEVER GO AWAY.
BUT IT'S A MOMENT THE PRESIDENT

204
00:06:10,637 --> 00:06:11,703
AND THAT'LL NEVER GO AWAY.
BUT IT'S A MOMENT THE PRESIDENT
HAS BEEN DREADING.

205
00:06:11,705 --> 00:06:12,738
BUT IT'S A MOMENT THE PRESIDENT
HAS BEEN DREADING.
TO TRY TO KEEP IT FROM

206
00:06:12,740 --> 00:06:13,872
HAS BEEN DREADING.
TO TRY TO KEEP IT FROM
HAPPENING, THIS WEEKEND, HE

207
00:06:13,874 --> 00:06:15,774
TO TRY TO KEEP IT FROM
HAPPENING, THIS WEEKEND, HE
CALLED, GEORGIA GOVERNOR AND

208
00:06:15,776 --> 00:06:16,742
HAPPENING, THIS WEEKEND, HE
CALLED, GEORGIA GOVERNOR AND
DENNIS QUAID WITH WATER DAMAGE,

209
00:06:16,744 --> 00:06:20,712
CALLED, GEORGIA GOVERNOR AND
DENNIS QUAID WITH WATER DAMAGE,
BRIAN KEMP.

210
00:06:20,714 --> 00:06:22,147
DENNIS QUAID WITH WATER DAMAGE,
BRIAN KEMP.
THE PRESIDENT PRESSED KEMP TO

211
00:06:22,149 --> 00:06:24,049
BRIAN KEMP.
THE PRESIDENT PRESSED KEMP TO
CALL A SPECIAL SESSION OF THE

212
00:06:24,051 --> 00:06:24,750
THE PRESIDENT PRESSED KEMP TO
CALL A SPECIAL SESSION OF THE
STATE LEGISLATURE FOR LAWMAKERS

213
00:06:24,752 --> 00:06:25,884
CALL A SPECIAL SESSION OF THE
STATE LEGISLATURE FOR LAWMAKERS
TO OVERRIDE THE RESULTS OF THE

214
00:06:25,886 --> 00:06:28,687
STATE LEGISLATURE FOR LAWMAKERS
TO OVERRIDE THE RESULTS OF THE
ELECTION AND INSTEAD APPOINT

215
00:06:28,689 --> 00:06:29,488
TO OVERRIDE THE RESULTS OF THE
ELECTION AND INSTEAD APPOINT
ELECTORS WHO WOULD THEN BACK THE

216
00:06:29,490 --> 00:06:31,223
ELECTION AND INSTEAD APPOINT
ELECTORS WHO WOULD THEN BACK THE
PRESIDENT AT THE ELECTORAL

217
00:06:31,225 --> 00:06:31,890
ELECTORS WHO WOULD THEN BACK THE
PRESIDENT AT THE ELECTORAL
COLLEGE.

218
00:06:31,892 --> 00:06:34,159
PRESIDENT AT THE ELECTORAL
COLLEGE.
I'M GOING TO SAY THIS IS A ROUGH

219
00:06:34,161 --> 00:06:34,860
COLLEGE.
I'M GOING TO SAY THIS IS A ROUGH
TIME FOR THOSE WHO'VE BEEN

220
00:06:34,862 --> 00:06:36,762
I'M GOING TO SAY THIS IS A ROUGH
TIME FOR THOSE WHO'VE BEEN
INSISTING THAT HE'S NOT REALLY

221
00:06:36,764 --> 00:06:37,863
TIME FOR THOSE WHO'VE BEEN
INSISTING THAT HE'S NOT REALLY
AN AUTOCRAT.

222
00:06:37,865 --> 00:06:39,431
INSISTING THAT HE'S NOT REALLY
AN AUTOCRAT.
BECAUSE LET'S BE CLEAR: IF YOU

223
00:06:39,433 --> 00:06:40,732
AN AUTOCRAT.
BECAUSE LET'S BE CLEAR: IF YOU
THROW OUT THE VOTES, THAT'S THE

224
00:06:40,734 --> 00:06:43,068
BECAUSE LET'S BE CLEAR: IF YOU
THROW OUT THE VOTES, THAT'S THE
END OF DEMOCRACY.

225
00:06:43,070 --> 00:06:43,869
THROW OUT THE VOTES, THAT'S THE
END OF DEMOCRACY.
IT'S A SHORT WALK FROM "DO US A

226
00:06:43,871 --> 00:06:44,736
END OF DEMOCRACY.
IT'S A SHORT WALK FROM "DO US A
FAVOR THOUGH" TO "MAKE ME

227
00:06:44,738 --> 00:06:48,740
IT'S A SHORT WALK FROM "DO US A
FAVOR THOUGH" TO "MAKE ME
MUSSOLINI, BRO."

228
00:06:48,742 --> 00:06:49,875
FAVOR THOUGH" TO "MAKE ME
MUSSOLINI, BRO."
THANKFULLY, KEMP DECLINED THE

229
00:06:49,877 --> 00:06:52,177
MUSSOLINI, BRO."
THANKFULLY, KEMP DECLINED THE
PRESIDENT'S REQUEST.

230
00:06:52,179 --> 00:06:52,778
THANKFULLY, KEMP DECLINED THE
PRESIDENT'S REQUEST.
IT'S UNDERSTANDABLE.

231
00:06:52,780 --> 00:06:55,213
PRESIDENT'S REQUEST.
IT'S UNDERSTANDABLE.
ATLANTA'S ALREADY BURNED ONCE.

232
00:06:55,215 --> 00:06:55,881
IT'S UNDERSTANDABLE.
ATLANTA'S ALREADY BURNED ONCE.
THEY'RE GOOD.

233
00:06:55,883 --> 00:06:56,748
ATLANTA'S ALREADY BURNED ONCE.
THEY'RE GOOD.
LATER THAT NIGHT, THE PRESIDENT

234
00:06:56,750 --> 00:06:57,282
THEY'RE GOOD.
LATER THAT NIGHT, THE PRESIDENT
WENT TO GEORGIA FOR A MAGA

235
00:06:57,284 --> 00:07:00,752
LATER THAT NIGHT, THE PRESIDENT
WENT TO GEORGIA FOR A MAGA
RALLY, AND WHILE HE COMPLAINED

236
00:07:00,754 --> 00:07:01,887
WENT TO GEORGIA FOR A MAGA
RALLY, AND WHILE HE COMPLAINED
ABOUT THE ELECTION, HE INSISTED

237
00:07:01,889 --> 00:07:04,456
RALLY, AND WHILE HE COMPLAINED
ABOUT THE ELECTION, HE INSISTED
THAT IT'S NOT JUST ABOUT HIM:

238
00:07:04,458 --> 00:07:04,923
ABOUT THE ELECTION, HE INSISTED
THAT IT'S NOT JUST ABOUT HIM:
>> WE'RE ALL VICTIMS.

239
00:07:04,925 --> 00:07:06,758
THAT IT'S NOT JUST ABOUT HIM:
>> WE'RE ALL VICTIMS.
EVERYBODY HERE, ALL THESE

240
00:07:06,760 --> 00:07:07,526
>> WE'RE ALL VICTIMS.
EVERYBODY HERE, ALL THESE
THOUSANDS OF PEOPLE HERE

241
00:07:07,528 --> 00:07:08,126
EVERYBODY HERE, ALL THESE
THOUSANDS OF PEOPLE HERE
TONIGHT, THEY'RE ALL VICTIMS,

242
00:07:08,128 --> 00:07:10,462
THOUSANDS OF PEOPLE HERE
TONIGHT, THEY'RE ALL VICTIMS,
EVERY ONE OF YOU.

243
00:07:10,464 --> 00:07:12,097
TONIGHT, THEY'RE ALL VICTIMS,
EVERY ONE OF YOU.
>> STEPHEN: AND THEY'RE PACKED

244
00:07:12,099 --> 00:07:12,731
EVERY ONE OF YOU.
>> STEPHEN: AND THEY'RE PACKED
TOGETHER IN A RALLY, NOT WEARING

245
00:07:12,733 --> 00:07:13,865
>> STEPHEN: AND THEY'RE PACKED
TOGETHER IN A RALLY, NOT WEARING
MASKS, SO IF ANY OF THEM AREN'T

246
00:07:13,867 --> 00:07:18,236
TOGETHER IN A RALLY, NOT WEARING
MASKS, SO IF ANY OF THEM AREN'T
VICTIMS NOW, JUST WAIT 3-5 DAYS.

247
00:07:18,238 --> 00:07:19,438
MASKS, SO IF ANY OF THEM AREN'T
VICTIMS NOW, JUST WAIT 3-5 DAYS.
THEN THE SORE LOSER TRIED TO

248
00:07:19,440 --> 00:07:20,071
VICTIMS NOW, JUST WAIT 3-5 DAYS.
THEN THE SORE LOSER TRIED TO
CONVINCE US THAT HE'S ONLY BEING

249
00:07:20,073 --> 00:07:20,739
THEN THE SORE LOSER TRIED TO
CONVINCE US THAT HE'S ONLY BEING
A SORE LOSER BECAUSE HE DIDN'T

250
00:07:20,741 --> 00:07:24,743
CONVINCE US THAT HE'S ONLY BEING
A SORE LOSER BECAUSE HE DIDN'T
LOSE:

251
00:07:24,745 --> 00:07:28,747
A SORE LOSER BECAUSE HE DIDN'T
LOSE:
>> AND I HAVE TO SAY, IF I LOST

252
00:07:28,749 --> 00:07:31,850
LOSE:
>> AND I HAVE TO SAY, IF I LOST
I'D BE A VERY GRACIOUS LOSER.

253
00:07:31,852 --> 00:07:34,453
>> AND I HAVE TO SAY, IF I LOST
I'D BE A VERY GRACIOUS LOSER.
IF I LOST, I WOULD SAY I LOST

254
00:07:34,455 --> 00:07:36,288
I'D BE A VERY GRACIOUS LOSER.
IF I LOST, I WOULD SAY I LOST
AND I'D GO TO FLORIDA AND I'D

255
00:07:36,290 --> 00:07:36,888
IF I LOST, I WOULD SAY I LOST
AND I'D GO TO FLORIDA AND I'D
TAKE IT EASY AND I'D GO AROUND

256
00:07:36,890 --> 00:07:39,624
AND I'D GO TO FLORIDA AND I'D
TAKE IT EASY AND I'D GO AROUND
AND I'D SAY I DID A GOOD JOB.

257
00:07:39,626 --> 00:07:40,592
TAKE IT EASY AND I'D GO AROUND
AND I'D SAY I DID A GOOD JOB.
>> STEPHEN: AS OPPOSED TO HOW HE

258
00:07:40,594 --> 00:07:41,193
AND I'D SAY I DID A GOOD JOB.
>> STEPHEN: AS OPPOSED TO HOW HE
SPENT HIS PRESIDENCY, GOING TO

259
00:07:41,195 --> 00:07:43,728
>> STEPHEN: AS OPPOSED TO HOW HE
SPENT HIS PRESIDENCY, GOING TO
FLORIDA, TAKING IT EASY, AND

260
00:07:43,730 --> 00:07:44,262
SPENT HIS PRESIDENCY, GOING TO
FLORIDA, TAKING IT EASY, AND
SAYING HE DID A GOOD JOB.

261
00:07:44,264 --> 00:07:46,631
FLORIDA, TAKING IT EASY, AND
SAYING HE DID A GOOD JOB.
BUT NO MAGA RALLY WOULD BE

262
00:07:46,633 --> 00:07:48,733
SAYING HE DID A GOOD JOB.
BUT NO MAGA RALLY WOULD BE
COMPLETE WITHOUT ONE TRULY

263
00:07:48,735 --> 00:07:49,634
BUT NO MAGA RALLY WOULD BE
COMPLETE WITHOUT ONE TRULY
STUPID RAMBLE.

264
00:07:49,636 --> 00:07:50,202
COMPLETE WITHOUT ONE TRULY
STUPID RAMBLE.
>> WHO DOES CUCUMBERS AROUND

265
00:07:50,204 --> 00:07:52,103
STUPID RAMBLE.
>> WHO DOES CUCUMBERS AROUND
HERE?

266
00:07:52,105 --> 00:07:52,737
>> WHO DOES CUCUMBERS AROUND
HERE?
BECAUSE I LIKE CUCUMBERS.

267
00:07:52,739 --> 00:07:54,806
HERE?
BECAUSE I LIKE CUCUMBERS.
CAN YOU-- I'M THE ONLY ONE.

268
00:07:54,808 --> 00:07:55,874
BECAUSE I LIKE CUCUMBERS.
CAN YOU-- I'M THE ONLY ONE.
I LIKE CUCUMBERS.

269
00:07:55,876 --> 00:07:58,410
CAN YOU-- I'M THE ONLY ONE.
I LIKE CUCUMBERS.
>> STEPHEN: AT THIS POINT, HE'S

270
00:07:58,412 --> 00:07:59,744
I LIKE CUCUMBERS.
>> STEPHEN: AT THIS POINT, HE'S
JUST TESTING WHAT THEY'LL

271
00:07:59,746 --> 00:08:00,745
>> STEPHEN: AT THIS POINT, HE'S
JUST TESTING WHAT THEY'LL
APPLAUD.

272
00:08:00,747 --> 00:08:04,749
JUST TESTING WHAT THEY'LL
APPLAUD.
BECAUSE THE ONLY THING DUMBER

273
00:08:04,751 --> 00:08:06,117
APPLAUD.
BECAUSE THE ONLY THING DUMBER
THAN HIM BRAGGING THAT HE'S THE

274
00:08:06,119 --> 00:08:06,785
BECAUSE THE ONLY THING DUMBER
THAN HIM BRAGGING THAT HE'S THE
ONLY ONE WHO LOVES CUCUMBERS IS

275
00:08:06,787 --> 00:08:07,886
THAN HIM BRAGGING THAT HE'S THE
ONLY ONE WHO LOVES CUCUMBERS IS
THE AUDIENCE CHEERING FOR

276
00:08:07,888 --> 00:08:08,753
ONLY ONE WHO LOVES CUCUMBERS IS
THE AUDIENCE CHEERING FOR
CUCUMBERS.

277
00:08:08,755 --> 00:08:10,355
THE AUDIENCE CHEERING FOR
CUCUMBERS.
"AWW, YEAH, CUCUMBERS!

278
00:08:10,357 --> 00:08:12,757
CUCUMBERS.
"AWW, YEAH, CUCUMBERS!
WOO!

279
00:08:12,759 --> 00:08:13,892
"AWW, YEAH, CUCUMBERS!
WOO!
THEY MAKE PICKLES!

280
00:08:13,894 --> 00:08:18,663
WOO!
THEY MAKE PICKLES!
CHOP THEM UP, CHOP THEM UP!"

281
00:08:18,665 --> 00:08:20,732
THEY MAKE PICKLES!
CHOP THEM UP, CHOP THEM UP!"
"I RELISH IT!"

282
00:08:20,734 --> 00:08:24,402
CHOP THEM UP, CHOP THEM UP!"
"I RELISH IT!"
I'M SWEATING RIGHT THROUGH THIS.

283
00:08:24,404 --> 00:08:26,004
"I RELISH IT!"
I'M SWEATING RIGHT THROUGH THIS.
LOOK AT THAT.

284
00:08:26,006 --> 00:08:27,372
I'M SWEATING RIGHT THROUGH THIS.
LOOK AT THAT.
THE PRESIDENT WAS SUPPOSEDLY IN

285
00:08:27,374 --> 00:08:28,106
LOOK AT THAT.
THE PRESIDENT WAS SUPPOSEDLY IN
GEORGIA TO HELP THE REPUBLICAN

286
00:08:28,108 --> 00:08:28,740
THE PRESIDENT WAS SUPPOSEDLY IN
GEORGIA TO HELP THE REPUBLICAN
SENATORIAL CANDIDATES IN THEIR

287
00:08:28,742 --> 00:08:29,774
GEORGIA TO HELP THE REPUBLICAN
SENATORIAL CANDIDATES IN THEIR
UPCOMING RUNOFF ELECTIONS--

288
00:08:29,776 --> 00:08:31,009
SENATORIAL CANDIDATES IN THEIR
UPCOMING RUNOFF ELECTIONS--
BUT HE DIDN'T SEEM THAT

289
00:08:31,011 --> 00:08:31,710
UPCOMING RUNOFF ELECTIONS--
BUT HE DIDN'T SEEM THAT
ENTHUSIASTIC:

290
00:08:31,712 --> 00:08:32,310
BUT HE DIDN'T SEEM THAT
ENTHUSIASTIC:
>> YOU KNOW, I DON'T DO THESE

291
00:08:32,312 --> 00:08:33,512
ENTHUSIASTIC:
>> YOU KNOW, I DON'T DO THESE
THINGS FOR OTHER PEOPLE.

292
00:08:33,514 --> 00:08:36,715
>> YOU KNOW, I DON'T DO THESE
THINGS FOR OTHER PEOPLE.
I DON'T LIKE DOING IT FOR OTHER

293
00:08:36,717 --> 00:08:37,816
THINGS FOR OTHER PEOPLE.
I DON'T LIKE DOING IT FOR OTHER
PEOPLE.

294
00:08:37,818 --> 00:08:38,483
I DON'T LIKE DOING IT FOR OTHER
PEOPLE.
I SAID-- DAVID AND KELLY CALL

295
00:08:38,485 --> 00:08:39,084
PEOPLE.
I SAID-- DAVID AND KELLY CALL
"WOULD YOU DO A RALLY?"

296
00:08:39,086 --> 00:08:40,752
I SAID-- DAVID AND KELLY CALL
"WOULD YOU DO A RALLY?"
I SAID, "NOT REALLY.

297
00:08:40,754 --> 00:08:42,821
"WOULD YOU DO A RALLY?"
I SAID, "NOT REALLY.
I DID 56 OF THEM."

298
00:08:42,823 --> 00:08:43,889
I SAID, "NOT REALLY.
I DID 56 OF THEM."
>> STEPHEN: KIND OF HARSH, AND

299
00:08:43,891 --> 00:08:44,756
I DID 56 OF THEM."
>> STEPHEN: KIND OF HARSH, AND
ALSO HIS ANSWER TO "DO YOU TAKE

300
00:08:44,758 --> 00:08:46,491
>> STEPHEN: KIND OF HARSH, AND
ALSO HIS ANSWER TO "DO YOU TAKE
THIS WOMAN TO BE YOUR

301
00:08:46,493 --> 00:08:47,359
ALSO HIS ANSWER TO "DO YOU TAKE
THIS WOMAN TO BE YOUR
LAWFULLY-WEDDED WIFE?"

302
00:08:47,361 --> 00:08:48,760
THIS WOMAN TO BE YOUR
LAWFULLY-WEDDED WIFE?"
>> NOT REALLY.

303
00:08:48,762 --> 00:08:51,663
LAWFULLY-WEDDED WIFE?"
>> NOT REALLY.
I DID 56 OF THEM.

304
00:08:51,665 --> 00:08:52,731
>> NOT REALLY.
I DID 56 OF THEM.
>> STEPHEN: THESE WERE

305
00:08:52,733 --> 00:08:54,866
I DID 56 OF THEM.
>> STEPHEN: THESE WERE
INCREDIBLY CLOSE RACES IN THE

306
00:08:54,868 --> 00:08:55,867
>> STEPHEN: THESE WERE
INCREDIBLY CLOSE RACES IN THE
GENERAL ELECTION, SO THE

307
00:08:55,869 --> 00:08:56,735
INCREDIBLY CLOSE RACES IN THE
GENERAL ELECTION, SO THE
JANUARY 5 RUNOFF IS GOING TO

308
00:08:56,737 --> 00:08:58,904
GENERAL ELECTION, SO THE
JANUARY 5 RUNOFF IS GOING TO
COME DOWN TO VOTER TURNOUT.

309
00:08:58,906 --> 00:08:59,638
JANUARY 5 RUNOFF IS GOING TO
COME DOWN TO VOTER TURNOUT.
AND THE PRESIDENT WANTED TO MAKE

310
00:08:59,640 --> 00:09:00,705
COME DOWN TO VOTER TURNOUT.
AND THE PRESIDENT WANTED TO MAKE
SURE THAT ALL HIS FOLLOWERS KNEW

311
00:09:00,707 --> 00:09:04,776
AND THE PRESIDENT WANTED TO MAKE
SURE THAT ALL HIS FOLLOWERS KNEW
WHAT DAY TO SHOW UP:

312
00:09:04,778 --> 00:09:06,044
SURE THAT ALL HIS FOLLOWERS KNEW
WHAT DAY TO SHOW UP:
>> EVERYTHING THAT WE'VE

313
00:09:06,046 --> 00:09:07,012
WHAT DAY TO SHOW UP:
>> EVERYTHING THAT WE'VE
ACHIEVED TOGETHER IS ON THE LINE

314
00:09:07,014 --> 00:09:07,879
>> EVERYTHING THAT WE'VE
ACHIEVED TOGETHER IS ON THE LINE
ON JUNE 5.

315
00:09:07,881 --> 00:09:08,413
ACHIEVED TOGETHER IS ON THE LINE
ON JUNE 5.
>> STEPHEN: THAT'S RIGHT.

316
00:09:08,415 --> 00:09:10,916
ON JUNE 5.
>> STEPHEN: THAT'S RIGHT.
LISTEN TO YOUR PRESIDENT.

317
00:09:10,918 --> 00:09:12,751
>> STEPHEN: THAT'S RIGHT.
LISTEN TO YOUR PRESIDENT.
HE'S NEVER WRONG!

318
00:09:12,753 --> 00:09:15,820
LISTEN TO YOUR PRESIDENT.
HE'S NEVER WRONG!
YOU MUST VOTE ON JUNE 5.

319
00:09:15,822 --> 00:09:16,755
HE'S NEVER WRONG!
YOU MUST VOTE ON JUNE 5.
FOR THE REST OF YOU, YOU MIGHT

320
00:09:16,757 --> 00:09:18,590
YOU MUST VOTE ON JUNE 5.
FOR THE REST OF YOU, YOU MIGHT
WANT TO FIND OUT THE ACTUAL

321
00:09:18,592 --> 00:09:19,891
FOR THE REST OF YOU, YOU MIGHT
WANT TO FIND OUT THE ACTUAL
ELECTION DATE AT

322
00:09:19,893 --> 00:09:22,928
WANT TO FIND OUT THE ACTUAL
ELECTION DATE AT
BETTERKNOWABALLOT.COM/GA.

323
00:09:22,930 --> 00:09:24,362
ELECTION DATE AT
BETTERKNOWABALLOT.COM/GA.
THE CANDIDATES IN BOTH RUNOFF

324
00:09:24,364 --> 00:09:24,963
BETTERKNOWABALLOT.COM/GA.
THE CANDIDATES IN BOTH RUNOFF
ELECTIONS DEBATED LAST NIGHT.

325
00:09:24,965 --> 00:09:25,864
THE CANDIDATES IN BOTH RUNOFF
ELECTIONS DEBATED LAST NIGHT.
THE MORE NOTEWORTHY OF THE TWO

326
00:09:25,866 --> 00:09:28,533
ELECTIONS DEBATED LAST NIGHT.
THE MORE NOTEWORTHY OF THE TWO
WAS BETWEEN INCUMBENT GEORGIA

327
00:09:28,535 --> 00:09:29,134
THE MORE NOTEWORTHY OF THE TWO
WAS BETWEEN INCUMBENT GEORGIA
REPUBLICAN AND ACTOR WHO WANTS

328
00:09:29,136 --> 00:09:31,870
WAS BETWEEN INCUMBENT GEORGIA
REPUBLICAN AND ACTOR WHO WANTS
YOU TO ASK YOUR DOCTOR ABOUT

329
00:09:31,872 --> 00:09:32,704
REPUBLICAN AND ACTOR WHO WANTS
YOU TO ASK YOUR DOCTOR ABOUT
IRRITABLE BOWEL SYNDROME,

330
00:09:32,706 --> 00:09:35,106
YOU TO ASK YOUR DOCTOR ABOUT
IRRITABLE BOWEL SYNDROME,
SENATOR DAVID PERDUE, AGAINST

331
00:09:35,108 --> 00:09:36,708
IRRITABLE BOWEL SYNDROME,
SENATOR DAVID PERDUE, AGAINST
DEMOCRATIC CHALLENGER AND BAR

332
00:09:36,710 --> 00:09:37,876
SENATOR DAVID PERDUE, AGAINST
DEMOCRATIC CHALLENGER AND BAR
MITZVAH BOY GENUINELY MOVED BY

333
00:09:37,878 --> 00:09:41,546
DEMOCRATIC CHALLENGER AND BAR
MITZVAH BOY GENUINELY MOVED BY
HIS BUBBE'S TOAST, JON OSSOFF.

334
00:09:41,548 --> 00:09:43,648
MITZVAH BOY GENUINELY MOVED BY
HIS BUBBE'S TOAST, JON OSSOFF.
THE LAST TIME THESE TWO MEN

335
00:09:43,650 --> 00:09:44,149
HIS BUBBE'S TOAST, JON OSSOFF.
THE LAST TIME THESE TWO MEN
DEBATED, THIS HAPPENED:

336
00:09:44,151 --> 00:09:46,618
THE LAST TIME THESE TWO MEN
DEBATED, THIS HAPPENED:
>> WELL, PERHAPS SENATOR PERDUE

337
00:09:46,620 --> 00:09:48,753
DEBATED, THIS HAPPENED:
>> WELL, PERHAPS SENATOR PERDUE
WOULD HAVE BEEN ABLE TO RESPOND

338
00:09:48,755 --> 00:09:49,888
>> WELL, PERHAPS SENATOR PERDUE
WOULD HAVE BEEN ABLE TO RESPOND
PROPERLY TO THE COVID-19

339
00:09:49,890 --> 00:09:55,093
WOULD HAVE BEEN ABLE TO RESPOND
PROPERLY TO THE COVID-19
PANDEMIC IF YOU HADN'T BEEN

340
00:09:55,095 --> 00:09:55,794
PROPERLY TO THE COVID-19
PANDEMIC IF YOU HADN'T BEEN
FENDING OFF MULTIPLE

341
00:09:55,796 --> 00:09:56,728
PANDEMIC IF YOU HADN'T BEEN
FENDING OFF MULTIPLE
INVESTIGATIONS FOR INSIDER

342
00:09:56,730 --> 00:09:59,664
FENDING OFF MULTIPLE
INVESTIGATIONS FOR INSIDER
TRADING.

343
00:09:59,666 --> 00:10:00,732
INVESTIGATIONS FOR INSIDER
TRADING.
IT'S NOT JUST THAT YOU'RE A

344
00:10:00,734 --> 00:10:01,866
TRADING.
IT'S NOT JUST THAT YOU'RE A
CROOK SENATOR, IT'S THAT YOU'RE

345
00:10:01,868 --> 00:10:04,769
IT'S NOT JUST THAT YOU'RE A
CROOK SENATOR, IT'S THAT YOU'RE
ATTACKING THE HEALTH OF THE

346
00:10:04,771 --> 00:10:07,672
CROOK SENATOR, IT'S THAT YOU'RE
ATTACKING THE HEALTH OF THE
PEOPLE THAT YOU REPRESENT.

347
00:10:07,674 --> 00:10:08,306
ATTACKING THE HEALTH OF THE
PEOPLE THAT YOU REPRESENT.
CAN YOU LOOK DOWN THE CAMERA AND

348
00:10:08,308 --> 00:10:12,744
PEOPLE THAT YOU REPRESENT.
CAN YOU LOOK DOWN THE CAMERA AND
TELL THE PEOPLE OF THIS STATE

349
00:10:12,746 --> 00:10:13,878
CAN YOU LOOK DOWN THE CAMERA AND
TELL THE PEOPLE OF THIS STATE
WHY YOU VOTED FOUR TIMES TO

350
00:10:13,880 --> 00:10:16,748
TELL THE PEOPLE OF THIS STATE
WHY YOU VOTED FOUR TIMES TO
ALLOW INSURANCE COMPANIES TO

351
00:10:16,750 --> 00:10:19,884
WHY YOU VOTED FOUR TIMES TO
ALLOW INSURANCE COMPANIES TO
DENY US HEALTH COVERAGE BECAUSE

352
00:10:19,886 --> 00:10:20,919
ALLOW INSURANCE COMPANIES TO
DENY US HEALTH COVERAGE BECAUSE
WE MAY SUFFER FROM DIABETES, OR

353
00:10:20,921 --> 00:10:23,088
DENY US HEALTH COVERAGE BECAUSE
WE MAY SUFFER FROM DIABETES, OR
HEART DISEASE, OR ASTHMA, OR

354
00:10:23,090 --> 00:10:24,756
WE MAY SUFFER FROM DIABETES, OR
HEART DISEASE, OR ASTHMA, OR
HAVE CANCER IN REMISSION?

355
00:10:24,758 --> 00:10:25,890
HEART DISEASE, OR ASTHMA, OR
HAVE CANCER IN REMISSION?
WHY, SENATOR?

356
00:10:25,892 --> 00:10:27,359
HAVE CANCER IN REMISSION?
WHY, SENATOR?
>> STEPHEN: DAMN.

357
00:10:27,361 --> 00:10:28,760
WHY, SENATOR?
>> STEPHEN: DAMN.
JON OSSOFF JUST TORE HIM A NEW

358
00:10:28,762 --> 00:10:32,731
>> STEPHEN: DAMN.
JON OSSOFF JUST TORE HIM A NEW
OSS-HOLE!

359
00:10:32,733 --> 00:10:33,898
JON OSSOFF JUST TORE HIM A NEW
OSS-HOLE!
SO, ALL EYES WERE ON LAST

360
00:10:33,900 --> 00:10:34,733
OSS-HOLE!
SO, ALL EYES WERE ON LAST
NIGHT'S DEBATE TO SEE HOW PERDUE

361
00:10:34,735 --> 00:10:36,735
SO, ALL EYES WERE ON LAST
NIGHT'S DEBATE TO SEE HOW PERDUE
WAS GOING TO FARE IN THE

362
00:10:36,737 --> 00:10:37,869
NIGHT'S DEBATE TO SEE HOW PERDUE
WAS GOING TO FARE IN THE
REMATCH.

363
00:10:37,871 --> 00:10:40,739
WAS GOING TO FARE IN THE
REMATCH.
>> THE CANDIDATES ARE DEMOCRAT

364
00:10:40,741 --> 00:10:42,474
REMATCH.
>> THE CANDIDATES ARE DEMOCRAT
JON OSSOFF.

365
00:10:42,476 --> 00:10:43,475
>> THE CANDIDATES ARE DEMOCRAT
JON OSSOFF.
HE IS C.E.O. OF INSIGHT T.W.I.,

366
00:10:43,477 --> 00:10:44,042
JON OSSOFF.
HE IS C.E.O. OF INSIGHT T.W.I.,
A MEDIA PRODUCTION COMPANY.

367
00:10:44,044 --> 00:10:44,743
HE IS C.E.O. OF INSIGHT T.W.I.,
A MEDIA PRODUCTION COMPANY.
REPUBLICAN DAVID PERDUE HAS

368
00:10:44,745 --> 00:10:47,545
A MEDIA PRODUCTION COMPANY.
REPUBLICAN DAVID PERDUE HAS
SERVED IN HE U.S. SENATE

369
00:10:47,547 --> 00:10:48,747
REPUBLICAN DAVID PERDUE HAS
SERVED IN HE U.S. SENATE
SINCE 2015.

370
00:10:48,749 --> 00:10:49,881
SERVED IN HE U.S. SENATE
SINCE 2015.
SENATOR PERDUE DECLINED TO

371
00:10:49,883 --> 00:10:51,082
SINCE 2015.
SENATOR PERDUE DECLINED TO
PARTICIPATE IN THIS DEBATE AND

372
00:10:51,084 --> 00:10:52,751
SENATOR PERDUE DECLINED TO
PARTICIPATE IN THIS DEBATE AND
IS REPRESENTED BY AN EMPTY

373
00:10:52,753 --> 00:10:55,887
PARTICIPATE IN THIS DEBATE AND
IS REPRESENTED BY AN EMPTY
PODIUM.

374
00:10:55,889 --> 00:10:56,521
IS REPRESENTED BY AN EMPTY
PODIUM.
>> STEPHEN: WOW, HE DIDN'T SHOW!

375
00:10:56,523 --> 00:10:58,023
PODIUM.
>> STEPHEN: WOW, HE DIDN'T SHOW!
ALTHOUGH, THAT PODIUM DOES HAVE

376
00:10:58,025 --> 00:11:00,091
>> STEPHEN: WOW, HE DIDN'T SHOW!
ALTHOUGH, THAT PODIUM DOES HAVE
MORE PERSONALITY THAN DAVID

377
00:11:00,093 --> 00:11:00,759
ALTHOUGH, THAT PODIUM DOES HAVE
MORE PERSONALITY THAN DAVID
PURDUE.

378
00:11:00,761 --> 00:11:01,359
MORE PERSONALITY THAN DAVID
PURDUE.
OF COURSE, THIS KIND OF DEBATE

379
00:11:01,361 --> 00:11:03,461
PURDUE.
OF COURSE, THIS KIND OF DEBATE
IS NOT UNPRECEDENTED IN AMERICAN

380
00:11:03,463 --> 00:11:04,396
OF COURSE, THIS KIND OF DEBATE
IS NOT UNPRECEDENTED IN AMERICAN
HISTORY.

381
00:11:04,398 --> 00:11:04,929
IS NOT UNPRECEDENTED IN AMERICAN
HISTORY.
WHO CAN FORGET THE CLASSIC

382
00:11:04,931 --> 00:11:06,798
HISTORY.
WHO CAN FORGET THE CLASSIC
EXCHANGE IN THE LINCOLN DOUGLAS

383
00:11:06,800 --> 00:11:07,899
WHO CAN FORGET THE CLASSIC
EXCHANGE IN THE LINCOLN DOUGLAS
DEBATES WHEN LINCOLN SAID, "A

384
00:11:07,901 --> 00:11:08,733
EXCHANGE IN THE LINCOLN DOUGLAS
DEBATES WHEN LINCOLN SAID, "A
HOUSE DIVIDED AGAINST ITSELF

385
00:11:08,735 --> 00:11:11,403
DEBATES WHEN LINCOLN SAID, "A
HOUSE DIVIDED AGAINST ITSELF
CANNOT STAND."

386
00:11:11,405 --> 00:11:12,704
HOUSE DIVIDED AGAINST ITSELF
CANNOT STAND."
TO WHICH DOUGLAS REPLIED, "I AM

387
00:11:12,706 --> 00:11:16,741
CANNOT STAND."
TO WHICH DOUGLAS REPLIED, "I AM
A CHAIR."

388
00:11:16,743 --> 00:11:19,644
TO WHICH DOUGLAS REPLIED, "I AM
A CHAIR."
IN THE MIDST OF AN UNPRECEDENTED

389
00:11:19,646 --> 00:11:20,245
A CHAIR."
IN THE MIDST OF AN UNPRECEDENTED
PANDEMIC, AND A CLEAR ELECTION

390
00:11:20,247 --> 00:11:23,281
IN THE MIDST OF AN UNPRECEDENTED
PANDEMIC, AND A CLEAR ELECTION
IN WHICH THE DEFEATED INCUMBENT

391
00:11:23,283 --> 00:11:24,749
PANDEMIC, AND A CLEAR ELECTION
IN WHICH THE DEFEATED INCUMBENT
STILL HASN'T RECOGNIZED REALITY

392
00:11:24,751 --> 00:11:25,884
IN WHICH THE DEFEATED INCUMBENT
STILL HASN'T RECOGNIZED REALITY
THE WHITE HOUSE DECIDED THAT NOW

393
00:11:25,886 --> 00:11:28,753
STILL HASN'T RECOGNIZED REALITY
THE WHITE HOUSE DECIDED THAT NOW
WAS THE PERFECT TIME FOR THE

394
00:11:28,755 --> 00:11:29,754
THE WHITE HOUSE DECIDED THAT NOW
WAS THE PERFECT TIME FOR THE
FIRST LADY TO ANNOUNCE THE

395
00:11:29,756 --> 00:11:31,756
WAS THE PERFECT TIME FOR THE
FIRST LADY TO ANNOUNCE THE
COMPLETION OF THE NEW WHITE

396
00:11:31,758 --> 00:11:32,223
FIRST LADY TO ANNOUNCE THE
COMPLETION OF THE NEW WHITE
HOUSE TENNIS PAVILION.

397
00:11:32,225 --> 00:11:33,591
COMPLETION OF THE NEW WHITE
HOUSE TENNIS PAVILION.
IT'S THE ONLY PLACE ERIC OR DON

398
00:11:33,593 --> 00:11:36,728
HOUSE TENNIS PAVILION.
IT'S THE ONLY PLACE ERIC OR DON
JUNIOR WILL EVER HEAR THE WORD

399
00:11:36,730 --> 00:11:37,028
IT'S THE ONLY PLACE ERIC OR DON
JUNIOR WILL EVER HEAR THE WORD
"LOVE."

400
00:11:37,030 --> 00:11:38,697
JUNIOR WILL EVER HEAR THE WORD
"LOVE."
NOW, IT MIGHT BE TOUGH FOR THIS

401
00:11:38,699 --> 00:11:40,331
"LOVE."
NOW, IT MIGHT BE TOUGH FOR THIS
ADMINISTRATION TO FIND ANYBODY

402
00:11:40,333 --> 00:11:40,732
NOW, IT MIGHT BE TOUGH FOR THIS
ADMINISTRATION TO FIND ANYBODY
TO PLAY WITH.

403
00:11:40,734 --> 00:11:42,467
ADMINISTRATION TO FIND ANYBODY
TO PLAY WITH.
BASED ON HOW THEY'VE BEHAVED

404
00:11:42,469 --> 00:11:43,868
TO PLAY WITH.
BASED ON HOW THEY'VE BEHAVED
SINCE THE ELECTION, REPUBLICANS

405
00:11:43,870 --> 00:11:48,339
BASED ON HOW THEY'VE BEHAVED
SINCE THE ELECTION, REPUBLICANS
DON'T HAVE ANY BALLS.

406
00:11:48,341 --> 00:11:48,940
SINCE THE ELECTION, REPUBLICANS
DON'T HAVE ANY BALLS.
IN A STATEMENT, THE FIRST LADY

407
00:11:48,942 --> 00:11:51,342
DON'T HAVE ANY BALLS.
IN A STATEMENT, THE FIRST LADY
STATEMENTED, "IT IS MY HOPE THAT

408
00:11:51,344 --> 00:11:52,744
IN A STATEMENT, THE FIRST LADY
STATEMENTED, "IT IS MY HOPE THAT
THIS PRIVATE SPACE WILL

409
00:11:52,746 --> 00:11:54,345
STATEMENTED, "IT IS MY HOPE THAT
THIS PRIVATE SPACE WILL
FUNCTION AS BOTH A PLACE OF

410
00:11:54,347 --> 00:11:55,714
THIS PRIVATE SPACE WILL
FUNCTION AS BOTH A PLACE OF
LEISURE AND GATHERING FOR FUTURE

411
00:11:55,716 --> 00:11:56,081
FUNCTION AS BOTH A PLACE OF
LEISURE AND GATHERING FOR FUTURE
FIRST FAMILIES."

412
00:11:56,083 --> 00:11:59,317
LEISURE AND GATHERING FOR FUTURE
FIRST FAMILIES."
THAT'S THE CLOSEST WE'RE GOING

413
00:11:59,319 --> 00:12:00,752
FIRST FAMILIES."
THAT'S THE CLOSEST WE'RE GOING
TO GET TO A CONCESSION!

414
00:12:00,754 --> 00:12:01,886
THAT'S THE CLOSEST WE'RE GOING
TO GET TO A CONCESSION!
SHE'S ADMITTING THAT THERE WILL

415
00:12:01,888 --> 00:12:04,456
TO GET TO A CONCESSION!
SHE'S ADMITTING THAT THERE WILL
BE FUTURE FIRST FAMILIES.

416
00:12:04,458 --> 00:12:04,823
SHE'S ADMITTING THAT THERE WILL
BE FUTURE FIRST FAMILIES.
AND GATHERINGS!

417
00:12:04,825 --> 00:12:06,524
BE FUTURE FIRST FAMILIES.
AND GATHERINGS!
ACCORDING TO THE WHITE HOUSE,

418
00:12:06,526 --> 00:12:07,292
AND GATHERINGS!
ACCORDING TO THE WHITE HOUSE,
THE CONSTRUCTION OF THE NEW

419
00:12:07,294 --> 00:12:07,892
ACCORDING TO THE WHITE HOUSE,
THE CONSTRUCTION OF THE NEW
TENNIS BUILDING WAS FUNDED BY

420
00:12:07,894 --> 00:12:10,195
THE CONSTRUCTION OF THE NEW
TENNIS BUILDING WAS FUNDED BY
PRIVATE DONATIONS.

421
00:12:10,197 --> 00:12:11,229
TENNIS BUILDING WAS FUNDED BY
PRIVATE DONATIONS.
SO, WHEN THE CAMPAIGN SENT OUT

422
00:12:11,231 --> 00:12:11,996
PRIVATE DONATIONS.
SO, WHEN THE CAMPAIGN SENT OUT
EMAILS BEGGING FOR "COURT

423
00:12:11,998 --> 00:12:12,731
SO, WHEN THE CAMPAIGN SENT OUT
EMAILS BEGGING FOR "COURT
MONEY," TECHNICALLY, THEY

424
00:12:12,733 --> 00:12:16,735
EMAILS BEGGING FOR "COURT
MONEY," TECHNICALLY, THEY
WEREN'T LYING.

425
00:12:16,737 --> 00:12:19,871
MONEY," TECHNICALLY, THEY
WEREN'T LYING.
NOW, I CRITICIZE THIS WHITE

426
00:12:19,873 --> 00:12:20,739
WEREN'T LYING.
NOW, I CRITICIZE THIS WHITE
HOUSE OCCASIONALLY, BUT I'M

427
00:12:20,741 --> 00:12:23,241
NOW, I CRITICIZE THIS WHITE
HOUSE OCCASIONALLY, BUT I'M
HONESTLY EXCITED FOR THIS TENNIS

428
00:12:23,243 --> 00:12:24,109
HOUSE OCCASIONALLY, BUT I'M
HONESTLY EXCITED FOR THIS TENNIS
THING.

429
00:12:24,111 --> 00:12:24,743
HONESTLY EXCITED FOR THIS TENNIS
THING.
BECAUSE IT GIVES ME YET ANOTHER

430
00:12:24,745 --> 00:12:27,712
THING.
BECAUSE IT GIVES ME YET ANOTHER
REASON TO SHOW THIS PHOTO.

431
00:12:27,714 --> 00:12:28,780
BECAUSE IT GIVES ME YET ANOTHER
REASON TO SHOW THIS PHOTO.
I ALSO GET TO SHOW THAT PHOTO

432
00:12:28,782 --> 00:12:30,715
REASON TO SHOW THIS PHOTO.
I ALSO GET TO SHOW THAT PHOTO
WHEN WE TALK ABOUT SPORTS,

433
00:12:30,717 --> 00:12:31,883
I ALSO GET TO SHOW THAT PHOTO
WHEN WE TALK ABOUT SPORTS,
ATHLEISURE WEAR, AND HONEYGLAZED

434
00:12:31,885 --> 00:12:34,052
WHEN WE TALK ABOUT SPORTS,
ATHLEISURE WEAR, AND HONEYGLAZED
HAMS.

435
00:12:34,054 --> 00:12:35,553
ATHLEISURE WEAR, AND HONEYGLAZED
HAMS.
WE'VE GOT A GREAT SHOW FOR YOU

436
00:12:35,555 --> 00:12:36,254
HAMS.
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.

437
00:12:36,256 --> 00:12:36,755
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
MERYL STREEP IS HERE.

438
00:12:36,757 --> 00:12:40,759
TONIGHT.
MERYL STREEP IS HERE.
STICK AROUND.

439
00:12:40,761 --> 00:12:43,862
MERYL STREEP IS HERE.
STICK AROUND.
IT'S MERYL STREEP, FOR PETE'S

440
00:12:43,864 --> 00:12:44,729
STICK AROUND.
IT'S MERYL STREEP, FOR PETE'S
SAKE!

441
00:12:44,731 --> 00:12:45,697
IT'S MERYL STREEP, FOR PETE'S
SAKE!
♪

442
00:12:45,699 --> 00:12:46,030
SAKE!
♪
♪

443
00:12:46,032 --> 00:12:46,564
♪
♪
♪

444
00:12:46,566 --> 00:12:48,733
♪
♪
>> Announcer: "A LATE SHOW"

445
00:12:48,735 --> 00:12:56,908
♪
>> Announcer: "A LATE SHOW"
WITH STEPHEN COLBERT, SPO

446
00:12:56,910 --> 00:12:58,042
>> Announcer: "A LATE SHOW"
WITH STEPHEN COLBERT, SPO
♪

447
00:12:58,044 --> 00:13:00,945
WITH STEPHEN COLBERT, SPO
♪
♪

448
00:13:00,947 --> 00:13:03,982
♪
♪
♪

449
00:13:04,950 --> 00:13:12,891
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."
LET'S SAY HELLO TO JON BATISTE.

450
00:13:12,893 --> 00:13:14,392
WELCOME BACK TO "A LATE SHOW."
LET'S SAY HELLO TO JON BATISTE.
HELLO, JON BATISTE.

451
00:13:14,394 --> 00:13:15,260
LET'S SAY HELLO TO JON BATISTE.
HELLO, JON BATISTE.
OOOH, I LIKE THAT COAT.

452
00:13:15,262 --> 00:13:17,362
HELLO, JON BATISTE.
OOOH, I LIKE THAT COAT.
>> Jon: IT'S GETTING COLD.

453
00:13:17,364 --> 00:13:17,962
OOOH, I LIKE THAT COAT.
>> Jon: IT'S GETTING COLD.
THE WINTER IS COMING.

454
00:13:17,964 --> 00:13:20,899
>> Jon: IT'S GETTING COLD.
THE WINTER IS COMING.
THE HAWK IS COMING.

455
00:13:20,901 --> 00:13:21,199
THE WINTER IS COMING.
THE HAWK IS COMING.
IT'S FLYING.

456
00:13:21,201 --> 00:13:26,871
THE HAWK IS COMING.
IT'S FLYING.
>> Stephen: YOU LOOK LIKE A

457
00:13:26,873 --> 00:13:28,106
IT'S FLYING.
>> Stephen: YOU LOOK LIKE A
PACKAGE OF LIFE SAVERS.

458
00:13:28,108 --> 00:13:32,010
>> Stephen: YOU LOOK LIKE A
PACKAGE OF LIFE SAVERS.
>> Jon: IT'S LIKE A BLANKET

459
00:13:32,012 --> 00:13:32,610
PACKAGE OF LIFE SAVERS.
>> Jon: IT'S LIKE A BLANKET
AND COAT ALL IN ONE.

460
00:13:32,612 --> 00:13:33,444
>> Jon: IT'S LIKE A BLANKET
AND COAT ALL IN ONE.
>> Stephen: I LIKE IT.

461
00:13:33,446 --> 00:13:35,313
AND COAT ALL IN ONE.
>> Stephen: I LIKE IT.
>> Jon: IT'S A LIFE SAVER.

462
00:13:35,315 --> 00:13:36,614
>> Stephen: I LIKE IT.
>> Jon: IT'S A LIFE SAVER.
>> Stephen: IF YOU'RE LOOKING

463
00:13:36,616 --> 00:13:38,216
>> Jon: IT'S A LIFE SAVER.
>> Stephen: IF YOU'RE LOOKING
TO GET ME SOMETHING FOR

464
00:13:38,218 --> 00:13:38,483
>> Stephen: IF YOU'RE LOOKING
TO GET ME SOMETHING FOR
CHRISTMAS.

465
00:13:38,485 --> 00:13:42,453
TO GET ME SOMETHING FOR
CHRISTMAS.
>> Jon: WHAT ARE YOU LOOKING

466
00:13:42,455 --> 00:13:42,987
CHRISTMAS.
>> Jon: WHAT ARE YOU LOOKING
TO GET?

467
00:13:42,989 --> 00:13:44,222
>> Jon: WHAT ARE YOU LOOKING
TO GET?
>> Stephen: I DON'T THINK I

468
00:13:44,224 --> 00:13:45,523
TO GET?
>> Stephen: I DON'T THINK I
COULD PULL OFF THAT COAT.

469
00:13:45,525 --> 00:13:46,191
>> Stephen: I DON'T THINK I
COULD PULL OFF THAT COAT.
I DON'T THINK IT WOULD LOOK THE

470
00:13:46,193 --> 00:13:46,758
COULD PULL OFF THAT COAT.
I DON'T THINK IT WOULD LOOK THE
SAME ON ME.

471
00:13:46,760 --> 00:13:47,892
I DON'T THINK IT WOULD LOOK THE
SAME ON ME.
>> Jon: I THINK YOU'RE RIGHT

472
00:13:47,894 --> 00:13:50,495
SAME ON ME.
>> Jon: I THINK YOU'RE RIGHT
ABOUT THAT.

473
00:13:50,497 --> 00:13:50,795
>> Jon: I THINK YOU'RE RIGHT
ABOUT THAT.
( LAUGHTER )

474
00:13:50,797 --> 00:13:52,030
ABOUT THAT.
( LAUGHTER )
>> Stephen: I THINK I WOULD

475
00:13:52,032 --> 00:13:55,033
( LAUGHTER )
>> Stephen: I THINK I WOULD
LOOK LIKE AN EXTRA PUPPET.

476
00:13:55,035 --> 00:13:57,402
>> Stephen: I THINK I WOULD
LOOK LIKE AN EXTRA PUPPET.
>> Jon: YOU EVER WATCH

477
00:13:57,404 --> 00:13:59,571
LOOK LIKE AN EXTRA PUPPET.
>> Jon: YOU EVER WATCH
THESE -- IT'S KIND OF LIKE THE

478
00:13:59,573 --> 00:14:01,306
>> Jon: YOU EVER WATCH
THESE -- IT'S KIND OF LIKE THE
FABRIC THAT THE MUPPETS ARE MADE

479
00:14:01,308 --> 00:14:01,840
THESE -- IT'S KIND OF LIKE THE
FABRIC THAT THE MUPPETS ARE MADE
OUT OF.

480
00:14:01,842 --> 00:14:03,374
FABRIC THAT THE MUPPETS ARE MADE
OUT OF.
>> Stephen: THAT'S WHAT I WAS

481
00:14:03,376 --> 00:14:03,641
OUT OF.
>> Stephen: THAT'S WHAT I WAS
THINKING.

482
00:14:03,643 --> 00:14:05,844
>> Stephen: THAT'S WHAT I WAS
THINKING.
I WOULD LOOK LIKE A BACKGROUND

483
00:14:05,846 --> 00:14:10,048
THINKING.
I WOULD LOOK LIKE A BACKGROUND
EXTRA IN AVENUE Q.

484
00:14:10,050 --> 00:14:11,249
I WOULD LOOK LIKE A BACKGROUND
EXTRA IN AVENUE Q.
( LAUGHTER )

485
00:14:11,251 --> 00:14:13,384
EXTRA IN AVENUE Q.
( LAUGHTER )
DO YOU HAVE ANYTHING TO PLAY FOR

486
00:14:13,386 --> 00:14:16,054
( LAUGHTER )
DO YOU HAVE ANYTHING TO PLAY FOR
TRANSITIONING TO MERYL STREEP?

487
00:14:16,056 --> 00:14:22,260
DO YOU HAVE ANYTHING TO PLAY FOR
TRANSITIONING TO MERYL STREEP?
>> Jon: OH, MARLE, LET'S

488
00:14:22,262 --> 00:14:22,460
TRANSITIONING TO MERYL STREEP?
>> Jon: OH, MARLE, LET'S
SEE --

489
00:14:22,462 --> 00:14:22,627
>> Jon: OH, MARLE, LET'S
SEE --
♪

490
00:14:22,629 --> 00:14:22,794
SEE --
♪
♪

491
00:14:22,796 --> 00:14:24,195
♪
♪
♪

492
00:14:24,197 --> 00:14:27,365
♪
♪
>> Stephen: JON BATISTE,

493
00:14:27,367 --> 00:14:27,632
♪
>> Stephen: JON BATISTE,
EVERYBODY.

494
00:14:27,634 --> 00:14:28,032
>> Stephen: JON BATISTE,
EVERYBODY.
THANK YOU, JON.

495
00:14:28,034 --> 00:14:29,400
EVERYBODY.
THANK YOU, JON.
>> Jon: YES, INDEED.

496
00:14:29,402 --> 00:14:30,735
THANK YOU, JON.
>> Jon: YES, INDEED.
>> Stephen: MY GUEST TONIGHT

497
00:14:30,737 --> 00:14:34,038
>> Jon: YES, INDEED.
>> Stephen: MY GUEST TONIGHT
IS AN ACTOR WHOSE CAREER IS

498
00:14:34,040 --> 00:14:35,306
>> Stephen: MY GUEST TONIGHT
IS AN ACTOR WHOSE CAREER IS
SYNONYMOUS WITH EXCELLENCE,

499
00:14:35,308 --> 00:14:37,408
IS AN ACTOR WHOSE CAREER IS
SYNONYMOUS WITH EXCELLENCE,
PLEASE WELCOME TO "A LATE SHOW"

500
00:14:37,410 --> 00:14:42,881
SYNONYMOUS WITH EXCELLENCE,
PLEASE WELCOME TO "A LATE SHOW"
MERYL STREEP.

501
00:14:42,883 --> 00:14:44,015
PLEASE WELCOME TO "A LATE SHOW"
MERYL STREEP.
HELLO, MERYL.

502
00:14:44,017 --> 00:14:44,883
MERYL STREEP.
HELLO, MERYL.
>> HI, STEPHEN.

503
00:14:44,885 --> 00:14:45,550
HELLO, MERYL.
>> HI, STEPHEN.
THANKS FOR HAVING ME.

504
00:14:45,552 --> 00:14:47,485
>> HI, STEPHEN.
THANKS FOR HAVING ME.
>> Stephen: LOVELY TO SEE YOU.

505
00:14:47,487 --> 00:14:47,919
THANKS FOR HAVING ME.
>> Stephen: LOVELY TO SEE YOU.
GREAT TO SEE YOU.

506
00:14:47,921 --> 00:14:49,320
>> Stephen: LOVELY TO SEE YOU.
GREAT TO SEE YOU.
>> Stephen: I LIKE TO ASK ALL

507
00:14:49,322 --> 00:14:51,656
GREAT TO SEE YOU.
>> Stephen: I LIKE TO ASK ALL
MY GUESTS GIVEN WHERE WE ARE

508
00:14:51,658 --> 00:14:53,424
>> Stephen: I LIKE TO ASK ALL
MY GUESTS GIVEN WHERE WE ARE
GIVEN THE COVID AND THE

509
00:14:53,426 --> 00:14:54,926
MY GUESTS GIVEN WHERE WE ARE
GIVEN THE COVID AND THE
LOCKDOWNS, WHERE IN THE WORLD

510
00:14:54,928 --> 00:14:55,994
GIVEN THE COVID AND THE
LOCKDOWNS, WHERE IN THE WORLD
ARE WE FINDING YOU?

511
00:14:55,996 --> 00:14:58,029
LOCKDOWNS, WHERE IN THE WORLD
ARE WE FINDING YOU?
ARE YOU HOME RIGHT NOW?

512
00:14:58,031 --> 00:15:02,200
ARE WE FINDING YOU?
ARE YOU HOME RIGHT NOW?
>> I'M AT HOME AND YOU CAN HEAR

513
00:15:02,202 --> 00:15:04,002
ARE YOU HOME RIGHT NOW?
>> I'M AT HOME AND YOU CAN HEAR
THE HEAT COMING ON.

514
00:15:04,004 --> 00:15:05,336
>> I'M AT HOME AND YOU CAN HEAR
THE HEAT COMING ON.
IN THE BERKSHIRES.

515
00:15:05,338 --> 00:15:07,372
THE HEAT COMING ON.
IN THE BERKSHIRES.
I'M FILMING IN BOSTON, SO I'M

516
00:15:07,374 --> 00:15:07,839
IN THE BERKSHIRES.
I'M FILMING IN BOSTON, SO I'M
COMMUTING.

517
00:15:07,841 --> 00:15:08,306
I'M FILMING IN BOSTON, SO I'M
COMMUTING.
BACK AND FORTH.

518
00:15:08,308 --> 00:15:09,741
COMMUTING.
BACK AND FORTH.
>> Stephen: AM I ALLOWED TO

519
00:15:09,743 --> 00:15:12,710
BACK AND FORTH.
>> Stephen: AM I ALLOWED TO
KNOW WHAT YOU'RE DOING IN THIS

520
00:15:12,712 --> 00:15:12,911
>> Stephen: AM I ALLOWED TO
KNOW WHAT YOU'RE DOING IN THIS
FILM?

521
00:15:12,913 --> 00:15:14,746
KNOW WHAT YOU'RE DOING IN THIS
FILM?
>> IT'S CALMED "DON'T LOOK UP"

522
00:15:14,748 --> 00:15:16,714
FILM?
>> IT'S CALMED "DON'T LOOK UP"
AND IT'S ABOUT A GLOBAL

523
00:15:16,716 --> 00:15:19,517
>> IT'S CALMED "DON'T LOOK UP"
AND IT'S ABOUT A GLOBAL
CATASTROPHE, BUT IT'S SORT OF

524
00:15:19,519 --> 00:15:23,321
AND IT'S ABOUT A GLOBAL
CATASTROPHE, BUT IT'S SORT OF
FUNNY, LIKE DR. STRANGE LOVE FOR

525
00:15:23,323 --> 00:15:26,758
CATASTROPHE, BUT IT'S SORT OF
FUNNY, LIKE DR. STRANGE LOVE FOR
2020, A GLOBAL WARMING METAPHOR

526
00:15:26,760 --> 00:15:27,525
FUNNY, LIKE DR. STRANGE LOVE FOR
2020, A GLOBAL WARMING METAPHOR
FOR THAT.

527
00:15:27,527 --> 00:15:28,893
2020, A GLOBAL WARMING METAPHOR
FOR THAT.
IT'S A BIG STARRY CAST AND LOTS

528
00:15:28,895 --> 00:15:29,694
FOR THAT.
IT'S A BIG STARRY CAST AND LOTS
OF FUN PEOPLE.

529
00:15:29,696 --> 00:15:33,064
IT'S A BIG STARRY CAST AND LOTS
OF FUN PEOPLE.
>> Stephen: AND WHO DO YOU

530
00:15:33,066 --> 00:15:33,698
OF FUN PEOPLE.
>> Stephen: AND WHO DO YOU
PLAY?

531
00:15:33,700 --> 00:15:35,800
>> Stephen: AND WHO DO YOU
PLAY?
>> WELL, I PLAY PRESIDENT OF THE

532
00:15:35,802 --> 00:15:36,134
PLAY?
>> WELL, I PLAY PRESIDENT OF THE
UNITED STATES.

533
00:15:36,136 --> 00:15:38,136
>> WELL, I PLAY PRESIDENT OF THE
UNITED STATES.
>> Stephen: OH, PERFECT.

534
00:15:38,138 --> 00:15:38,369
UNITED STATES.
>> Stephen: OH, PERFECT.
PERFECT.

535
00:15:38,371 --> 00:15:40,371
>> Stephen: OH, PERFECT.
PERFECT.
SO IN THE STRANGE LOVE MODEL,

536
00:15:40,373 --> 00:15:48,046
PERFECT.
SO IN THE STRANGE LOVE MODEL,
YOU ARE PRESIDENT MERCK MUFFLIN.

537
00:15:48,048 --> 00:15:49,247
SO IN THE STRANGE LOVE MODEL,
YOU ARE PRESIDENT MERCK MUFFLIN.
>> YES, INDEED (LAUGHING) EXCEPT

538
00:15:49,249 --> 00:15:52,050
YOU ARE PRESIDENT MERCK MUFFLIN.
>> YES, INDEED (LAUGHING) EXCEPT
I HAVE A CHIEF OF STAFF, WHO IS

539
00:15:52,052 --> 00:15:57,422
>> YES, INDEED (LAUGHING) EXCEPT
I HAVE A CHIEF OF STAFF, WHO IS
MY SON, AND THAT'S JONA JONAH HE

540
00:15:57,424 --> 00:15:59,090
I HAVE A CHIEF OF STAFF, WHO IS
MY SON, AND THAT'S JONA JONAH HE
HAD OUR FIRST SCENE ON FRIDAY

541
00:15:59,092 --> 00:16:00,892
MY SON, AND THAT'S JONA JONAH HE
HAD OUR FIRST SCENE ON FRIDAY
AND I WAS SO BAD.

542
00:16:00,894 --> 00:16:03,361
HAD OUR FIRST SCENE ON FRIDAY
AND I WAS SO BAD.
>> Stephen: WHAT?

543
00:16:03,363 --> 00:16:05,163
AND I WAS SO BAD.
>> Stephen: WHAT?
WELL, I'VE BEEN IN THIS, YOU

544
00:16:05,165 --> 00:16:06,297
>> Stephen: WHAT?
WELL, I'VE BEEN IN THIS, YOU
KNOW, QUARANTINE BECAUSE THEY

545
00:16:06,299 --> 00:16:08,900
WELL, I'VE BEEN IN THIS, YOU
KNOW, QUARANTINE BECAUSE THEY
HAVE TO BE VERY CAREFUL, AND I'M

546
00:16:08,902 --> 00:16:12,704
KNOW, QUARANTINE BECAUSE THEY
HAVE TO BE VERY CAREFUL, AND I'M
TOTALLY ALONE, AND MY FIRST

547
00:16:12,706 --> 00:16:13,838
HAVE TO BE VERY CAREFUL, AND I'M
TOTALLY ALONE, AND MY FIRST
SCENE WAS ENTERING A STADIUM

548
00:16:13,840 --> 00:16:17,275
TOTALLY ALONE, AND MY FIRST
SCENE WAS ENTERING A STADIUM
FULL OF 20,000 PEOPLE AS THE

549
00:16:17,277 --> 00:16:19,210
SCENE WAS ENTERING A STADIUM
FULL OF 20,000 PEOPLE AS THE
PRESIDENT, MY BIG FACE ON THE

550
00:16:19,212 --> 00:16:20,912
FULL OF 20,000 PEOPLE AS THE
PRESIDENT, MY BIG FACE ON THE
JumboTron IN FRONT OF ME,

551
00:16:20,914 --> 00:16:23,081
PRESIDENT, MY BIG FACE ON THE
JumboTron IN FRONT OF ME,
AND I JUST, LIKE, COMPLETELY

552
00:16:23,083 --> 00:16:24,916
JumboTron IN FRONT OF ME,
AND I JUST, LIKE, COMPLETELY
LOST IT, I COULDN'T REMEMBER

553
00:16:24,918 --> 00:16:25,383
AND I JUST, LIKE, COMPLETELY
LOST IT, I COULDN'T REMEMBER
ANYTHING.

554
00:16:25,385 --> 00:16:27,452
LOST IT, I COULDN'T REMEMBER
ANYTHING.
UH BUT I'M SURE IT WILL BE FINE

555
00:16:27,454 --> 00:16:28,019
ANYTHING.
UH BUT I'M SURE IT WILL BE FINE
IN THE EDIT.

556
00:16:28,021 --> 00:16:30,755
UH BUT I'M SURE IT WILL BE FINE
IN THE EDIT.
>> Stephen: WELL, IT'S SO

557
00:16:30,757 --> 00:16:31,289
IN THE EDIT.
>> Stephen: WELL, IT'S SO
AMAZING.

558
00:16:31,291 --> 00:16:33,658
>> Stephen: WELL, IT'S SO
AMAZING.
THAT'S WHERE THE REAL

559
00:16:33,660 --> 00:16:35,793
AMAZING.
THAT'S WHERE THE REAL
MOVIEMAKING HAPPENS AND THE REAL

560
00:16:35,795 --> 00:16:37,962
THAT'S WHERE THE REAL
MOVIEMAKING HAPPENS AND THE REAL
ACTING TAKES PLACE IS IN THE

561
00:16:37,964 --> 00:16:38,162
MOVIEMAKING HAPPENS AND THE REAL
ACTING TAKES PLACE IS IN THE
EDIT.

562
00:16:38,164 --> 00:16:40,164
ACTING TAKES PLACE IS IN THE
EDIT.
THEY SURE MADE ME LOOK BERT OVER

563
00:16:40,166 --> 00:16:42,100
EDIT.
THEY SURE MADE ME LOOK BERT OVER
THE YEARS.

564
00:16:42,102 --> 00:16:45,970
THEY SURE MADE ME LOOK BERT OVER
THE YEARS.
WHAT DOES IT FEEL LIKE TO MAKE A

565
00:16:45,972 --> 00:16:46,170
THE YEARS.
WHAT DOES IT FEEL LIKE TO MAKE A
MOVIE.

566
00:16:46,172 --> 00:16:46,571
WHAT DOES IT FEEL LIKE TO MAKE A
MOVIE.
SHOULD BE NORMAL.

567
00:16:46,573 --> 00:16:48,906
MOVIE.
SHOULD BE NORMAL.
DOES IT FEEL NORMAL TO DO?

568
00:16:48,908 --> 00:16:50,375
SHOULD BE NORMAL.
DOES IT FEEL NORMAL TO DO?
>> NO, NOT AT ALL.

569
00:16:50,377 --> 00:16:51,309
DOES IT FEEL NORMAL TO DO?
>> NO, NOT AT ALL.
THERE WEREN'T 20,000 PEOPLE.

570
00:16:51,311 --> 00:16:53,845
>> NO, NOT AT ALL.
THERE WEREN'T 20,000 PEOPLE.
I DON'T KNOW HOW MANY, BUT

571
00:16:53,847 --> 00:16:55,313
THERE WEREN'T 20,000 PEOPLE.
I DON'T KNOW HOW MANY, BUT
THEY'LL DUPLICATE THEM.

572
00:16:55,315 --> 00:16:58,049
I DON'T KNOW HOW MANY, BUT
THEY'LL DUPLICATE THEM.
THERE WERE EXTRAS ALL AROUND THE

573
00:16:58,051 --> 00:16:59,851
THEY'LL DUPLICATE THEM.
THERE WERE EXTRAS ALL AROUND THE
STADIUM, LONELY PEOPLE SEPARATED

574
00:16:59,853 --> 00:17:02,620
THERE WERE EXTRAS ALL AROUND THE
STADIUM, LONELY PEOPLE SEPARATED
BY 20 FEET OF AIR WEARING MASKS

575
00:17:02,622 --> 00:17:06,357
STADIUM, LONELY PEOPLE SEPARATED
BY 20 FEET OF AIR WEARING MASKS
AND VISORS THAT ARE CLEAR.

576
00:17:06,359 --> 00:17:08,359
BY 20 FEET OF AIR WEARING MASKS
AND VISORS THAT ARE CLEAR.
SO THEY'RE MEANT TO MAKE A BIG

577
00:17:08,361 --> 00:17:12,797
AND VISORS THAT ARE CLEAR.
SO THEY'RE MEANT TO MAKE A BIG
NOISE, BUT IT SOUNDS LIKE --

578
00:17:12,799 --> 00:17:13,097
SO THEY'RE MEANT TO MAKE A BIG
NOISE, BUT IT SOUNDS LIKE --
( MUFFLED )

579
00:17:13,099 --> 00:17:15,900
NOISE, BUT IT SOUNDS LIKE --
( MUFFLED )
-- AND THE WHOLE THING IS SO

580
00:17:15,902 --> 00:17:19,203
( MUFFLED )
-- AND THE WHOLE THING IS SO
EERIE AND ODD AND DISCONCERTING,

581
00:17:19,205 --> 00:17:22,240
-- AND THE WHOLE THING IS SO
EERIE AND ODD AND DISCONCERTING,
AND WE ALL HAVE, OF COURSE,

582
00:17:22,242 --> 00:17:22,440
EERIE AND ODD AND DISCONCERTING,
AND WE ALL HAVE, OF COURSE,
MASKS.

583
00:17:22,442 --> 00:17:24,275
AND WE ALL HAVE, OF COURSE,
MASKS.
AT THE LAST MINUTE, YOU TAKE

584
00:17:24,277 --> 00:17:27,111
MASKS.
AT THE LAST MINUTE, YOU TAKE
EVERYTHING OFF, AND THE LI LIPSK

585
00:17:27,113 --> 00:17:27,845
AT THE LAST MINUTE, YOU TAKE
EVERYTHING OFF, AND THE LI LIPSK
IS ALL UP HERE.

586
00:17:27,847 --> 00:17:30,014
EVERYTHING OFF, AND THE LI LIPSK
IS ALL UP HERE.
>> Stephen: AND YOU HAVE THE

587
00:17:30,016 --> 00:17:32,150
IS ALL UP HERE.
>> Stephen: AND YOU HAVE THE
NICE RING AND I SWEAT.

588
00:17:32,152 --> 00:17:34,352
>> Stephen: AND YOU HAVE THE
NICE RING AND I SWEAT.
>> YOU HAVE THE NICE RING.

589
00:17:34,354 --> 00:17:37,321
NICE RING AND I SWEAT.
>> YOU HAVE THE NICE RING.
THE ILLUSION IS SO EASY TO

590
00:17:37,323 --> 00:17:38,356
>> YOU HAVE THE NICE RING.
THE ILLUSION IS SO EASY TO
MAINTAIN.

591
00:17:38,358 --> 00:17:39,290
THE ILLUSION IS SO EASY TO
MAINTAIN.
IT'S HILARIOUS.

592
00:17:39,292 --> 00:17:40,491
MAINTAIN.
IT'S HILARIOUS.
THEY WERE ALL GREAT.

593
00:17:40,493 --> 00:17:41,726
IT'S HILARIOUS.
THEY WERE ALL GREAT.
GOD, I HAVE TO PULL MYSELF

594
00:17:41,728 --> 00:17:42,593
THEY WERE ALL GREAT.
GOD, I HAVE TO PULL MYSELF
TOGETHER FOR MONDAY.

595
00:17:42,595 --> 00:17:45,530
GOD, I HAVE TO PULL MYSELF
TOGETHER FOR MONDAY.
>> Stephen: BUT THIS HOLIDAY

596
00:17:45,532 --> 00:17:46,364
TOGETHER FOR MONDAY.
>> Stephen: BUT THIS HOLIDAY
SEASON, UIVED KIND ENOUGH TO

597
00:17:46,366 --> 00:17:49,634
>> Stephen: BUT THIS HOLIDAY
SEASON, UIVED KIND ENOUGH TO
GIFT YOUR FANS WITH TWO MOVIES

598
00:17:49,636 --> 00:17:51,369
SEASON, UIVED KIND ENOUGH TO
GIFT YOUR FANS WITH TWO MOVIES
SHOT BEFORE COVID, SO WE WERE

599
00:17:51,371 --> 00:17:53,805
GIFT YOUR FANS WITH TWO MOVIES
SHOT BEFORE COVID, SO WE WERE
ABLE TO SHOOT THIS WITHOUT ANY

600
00:17:53,807 --> 00:17:54,005
SHOT BEFORE COVID, SO WE WERE
ABLE TO SHOOT THIS WITHOUT ANY
MASKS.

601
00:17:54,007 --> 00:17:55,273
ABLE TO SHOOT THIS WITHOUT ANY
MASKS.
I WANT TO TALK ABOUT THEM.

602
00:17:55,275 --> 00:17:56,908
MASKS.
I WANT TO TALK ABOUT THEM.
BUT THE FIRST IS LET THEM ALL

603
00:17:56,910 --> 00:17:58,309
I WANT TO TALK ABOUT THEM.
BUT THE FIRST IS LET THEM ALL
TALK, WHICH I WATCHED THIS

604
00:17:58,311 --> 00:18:00,945
BUT THE FIRST IS LET THEM ALL
TALK, WHICH I WATCHED THIS
WEEKEND AND I REALLY ENJOYED.

605
00:18:00,947 --> 00:18:03,014
TALK, WHICH I WATCHED THIS
WEEKEND AND I REALLY ENJOYED.
IT'S A STEVEN SODERBERGH MOVIE

606
00:18:03,016 --> 00:18:11,122
WEEKEND AND I REALLY ENJOYED.
IT'S A STEVEN SODERBERGH MOVIE
WITH A GREAT CAST DIANE

607
00:18:14,827 --> 00:18:21,532
GERMAN CHAN, CANDICE BERGEN,
LUCAS HEDGES.
THIS TAKES PLACE ON THE

608
00:18:21,534 --> 00:18:21,833
LUCAS HEDGES.
THIS TAKES PLACE ON THE
QUEEN MARY.

609
00:18:21,835 --> 00:18:22,066
THIS TAKES PLACE ON THE
QUEEN MARY.
>> YEAH.

610
00:18:22,068 --> 00:18:24,869
QUEEN MARY.
>> YEAH.
>> Stephen: IT MADE CRUISING

611
00:18:24,871 --> 00:18:26,270
>> YEAH.
>> Stephen: IT MADE CRUISING
LOOK ATTRACTIVE.

612
00:18:26,272 --> 00:18:27,538
>> Stephen: IT MADE CRUISING
LOOK ATTRACTIVE.
>> WELL, IT COULDN'T GET MUCH

613
00:18:27,540 --> 00:18:29,474
LOOK ATTRACTIVE.
>> WELL, IT COULDN'T GET MUCH
MORE ATTRACTIVE THAN ON THAT

614
00:18:29,476 --> 00:18:31,375
>> WELL, IT COULDN'T GET MUCH
MORE ATTRACTIVE THAN ON THAT
PARTICULAR SHIP.

615
00:18:31,377 --> 00:18:33,778
MORE ATTRACTIVE THAN ON THAT
PARTICULAR SHIP.
IT'S PRETTY SPECTACULAR.

616
00:18:33,780 --> 00:18:36,114
PARTICULAR SHIP.
IT'S PRETTY SPECTACULAR.
BUT, YEAH, WE WENT -- I GUESS IT

617
00:18:36,116 --> 00:18:38,216
IT'S PRETTY SPECTACULAR.
BUT, YEAH, WE WENT -- I GUESS IT
WAS LAST AUGUST.

618
00:18:38,218 --> 00:18:40,051
BUT, YEAH, WE WENT -- I GUESS IT
WAS LAST AUGUST.
I MEAN, BEFORE THE QUARANTINE,

619
00:18:40,053 --> 00:18:44,856
WAS LAST AUGUST.
I MEAN, BEFORE THE QUARANTINE,
BEFORE THE COVID THING, AND WE

620
00:18:44,858 --> 00:18:47,525
I MEAN, BEFORE THE QUARANTINE,
BEFORE THE COVID THING, AND WE
CROSSED FOR, I GUESS IT'S SEVEN

621
00:18:47,527 --> 00:18:49,460
BEFORE THE COVID THING, AND WE
CROSSED FOR, I GUESS IT'S SEVEN
OR EIGHT DAYS, AND MADE THE

622
00:18:49,462 --> 00:18:50,828
CROSSED FOR, I GUESS IT'S SEVEN
OR EIGHT DAYS, AND MADE THE
WHOLE MOVIE PRETTY MUCH THEN.

623
00:18:50,830 --> 00:18:53,498
OR EIGHT DAYS, AND MADE THE
WHOLE MOVIE PRETTY MUCH THEN.
THERE WERE TWO OR THREE SCENES

624
00:18:53,500 --> 00:18:55,633
WHOLE MOVIE PRETTY MUCH THEN.
THERE WERE TWO OR THREE SCENES
IN ENGLAND ONCE WE LANDED, BUT

625
00:18:55,635 --> 00:19:00,771
THERE WERE TWO OR THREE SCENES
IN ENGLAND ONCE WE LANDED, BUT
THE ADDED THING WAS THAT DEBRA

626
00:19:00,773 --> 00:19:04,041
IN ENGLAND ONCE WE LANDED, BUT
THE ADDED THING WAS THAT DEBRA
ISENBERG, THE GREAT NOVELIST,

627
00:19:04,043 --> 00:19:06,244
THE ADDED THING WAS THAT DEBRA
ISENBERG, THE GREAT NOVELIST,
AND STEPHEN HAD OUTLINED AN

628
00:19:06,246 --> 00:19:06,444
ISENBERG, THE GREAT NOVELIST,
AND STEPHEN HAD OUTLINED AN
IDEA.

629
00:19:06,446 --> 00:19:08,746
AND STEPHEN HAD OUTLINED AN
IDEA.
AND EACH SCENE EACH DAY HAD THE

630
00:19:08,748 --> 00:19:10,348
IDEA.
AND EACH SCENE EACH DAY HAD THE
OUTLINES OF AN IDEA BUT NO

631
00:19:10,350 --> 00:19:10,581
AND EACH SCENE EACH DAY HAD THE
OUTLINES OF AN IDEA BUT NO
SCRIPT.

632
00:19:10,583 --> 00:19:12,850
OUTLINES OF AN IDEA BUT NO
SCRIPT.
SO WE MADE IT UP AS WE WENT

633
00:19:12,852 --> 00:19:13,050
SCRIPT.
SO WE MADE IT UP AS WE WENT
ALONG.

634
00:19:13,052 --> 00:19:14,352
SO WE MADE IT UP AS WE WENT
ALONG.
>> Stephen: SO HOW WOULD THEY

635
00:19:14,354 --> 00:19:14,952
ALONG.
>> Stephen: SO HOW WOULD THEY
DO IT?

636
00:19:14,954 --> 00:19:16,888
>> Stephen: SO HOW WOULD THEY
DO IT?
WOULD THEY HAND YOU YOUR

637
00:19:16,890 --> 00:19:17,688
DO IT?
WOULD THEY HAND YOU YOUR
INTENTION OR SOMETHING?

638
00:19:17,690 --> 00:19:20,858
WOULD THEY HAND YOU YOUR
INTENTION OR SOMETHING?
HOW DO YOU KNOW WHERE YOU'RE

639
00:19:20,860 --> 00:19:22,059
INTENTION OR SOMETHING?
HOW DO YOU KNOW WHERE YOU'RE
GOING?

640
00:19:22,061 --> 00:19:23,427
HOW DO YOU KNOW WHERE YOU'RE
GOING?
>> WELL, YOU HAVE WHERE YOU'RE

641
00:19:23,429 --> 00:19:27,465
GOING?
>> WELL, YOU HAVE WHERE YOU'RE
SUPPOSED TO END UP, THE SORT OF

642
00:19:27,467 --> 00:19:28,900
>> WELL, YOU HAVE WHERE YOU'RE
SUPPOSED TO END UP, THE SORT OF
RESULT THAT NEEDS TO HAPPEN AT

643
00:19:28,902 --> 00:19:31,536
SUPPOSED TO END UP, THE SORT OF
RESULT THAT NEEDS TO HAPPEN AT
THE END OF THE SCENE.

644
00:19:31,538 --> 00:19:34,906
RESULT THAT NEEDS TO HAPPEN AT
THE END OF THE SCENE.
BUT HOW YOU GET THERE WAS JUST

645
00:19:34,908 --> 00:19:36,340
THE END OF THE SCENE.
BUT HOW YOU GET THERE WAS JUST
INDIVIDUALLY UP TO THE ACTORS

646
00:19:36,342 --> 00:19:39,177
BUT HOW YOU GET THERE WAS JUST
INDIVIDUALLY UP TO THE ACTORS
THAT WERE IN THE SCENE.

647
00:19:39,179 --> 00:19:43,648
INDIVIDUALLY UP TO THE ACTORS
THAT WERE IN THE SCENE.
SO IT WAS REALLY FUN AND REALLY

648
00:19:43,650 --> 00:19:47,885
THAT WERE IN THE SCENE.
SO IT WAS REALLY FUN AND REALLY
LIVELY, AND THEY'RE VERY BRIGHT,

649
00:19:47,887 --> 00:19:48,853
SO IT WAS REALLY FUN AND REALLY
LIVELY, AND THEY'RE VERY BRIGHT,
INTERESTING, IMAGINATIVE PEOPLE

650
00:19:48,855 --> 00:19:51,522
LIVELY, AND THEY'RE VERY BRIGHT,
INTERESTING, IMAGINATIVE PEOPLE
THATHAT I WAS WORKING WITH.

651
00:19:51,524 --> 00:19:53,724
INTERESTING, IMAGINATIVE PEOPLE
THATHAT I WAS WORKING WITH.
IT WAS A KICK, BUT IT WAS

652
00:19:53,726 --> 00:19:54,025
THATHAT I WAS WORKING WITH.
IT WAS A KICK, BUT IT WAS
TERRIFYING.

653
00:19:54,027 --> 00:19:54,959
IT WAS A KICK, BUT IT WAS
TERRIFYING.
>> Stephen: I WAS WONDERING

654
00:19:54,961 --> 00:19:57,762
TERRIFYING.
>> Stephen: I WAS WONDERING
BECAUSE, YOU KNOW, A LOT OF

655
00:19:57,764 --> 00:20:00,731
>> Stephen: I WAS WONDERING
BECAUSE, YOU KNOW, A LOT OF
DIRECTORS AND ACTORS USING

656
00:20:00,733 --> 00:20:01,933
BECAUSE, YOU KNOW, A LOT OF
DIRECTORS AND ACTORS USING
IMPROVISATION IN THE REHEARSAL

657
00:20:01,935 --> 00:20:03,568
DIRECTORS AND ACTORS USING
IMPROVISATION IN THE REHEARSAL
PROCESS TO FIND THE ROOTS OF

658
00:20:03,570 --> 00:20:05,303
IMPROVISATION IN THE REHEARSAL
PROCESS TO FIND THE ROOTS OF
INTENTION AND STUFF LIKE THAT.

659
00:20:05,305 --> 00:20:07,405
PROCESS TO FIND THE ROOTS OF
INTENTION AND STUFF LIKE THAT.
BUT HAD YOU DONE A WHOLE MOVIE

660
00:20:07,407 --> 00:20:10,007
INTENTION AND STUFF LIKE THAT.
BUT HAD YOU DONE A WHOLE MOVIE
THAT WAS ESSENTIALLY IMPROVISED

661
00:20:10,009 --> 00:20:12,443
BUT HAD YOU DONE A WHOLE MOVIE
THAT WAS ESSENTIALLY IMPROVISED
LIKE THAT BEFORE?

662
00:20:12,445 --> 00:20:13,211
THAT WAS ESSENTIALLY IMPROVISED
LIKE THAT BEFORE?
>> NO, WHO HAS?

663
00:20:13,213 --> 00:20:14,845
LIKE THAT BEFORE?
>> NO, WHO HAS?
I CERTAINLY NEVER MADE A MOVIE

664
00:20:14,847 --> 00:20:15,846
>> NO, WHO HAS?
I CERTAINLY NEVER MADE A MOVIE
IN EIGHT DAYS EITHER.

665
00:20:15,848 --> 00:20:18,716
I CERTAINLY NEVER MADE A MOVIE
IN EIGHT DAYS EITHER.
>> Stephen: AND CHRONOLOGICAL

666
00:20:18,718 --> 00:20:19,817
IN EIGHT DAYS EITHER.
>> Stephen: AND CHRONOLOGICAL
BECAUSE BASICALLY T WHAT'S

667
00:20:19,819 --> 00:20:21,485
>> Stephen: AND CHRONOLOGICAL
BECAUSE BASICALLY T WHAT'S
HAPPENING TO THE CHARACTERS IS

668
00:20:21,487 --> 00:20:22,787
BECAUSE BASICALLY T WHAT'S
HAPPENING TO THE CHARACTERS IS
BASICALLY IN THE ORDER IN WHICH

669
00:20:22,789 --> 00:20:24,021
HAPPENING TO THE CHARACTERS IS
BASICALLY IN THE ORDER IN WHICH
YOU SHOT IT?

670
00:20:24,023 --> 00:20:25,623
BASICALLY IN THE ORDER IN WHICH
YOU SHOT IT?
>> YEAH, AND IT WAS OUR OWN

671
00:20:25,625 --> 00:20:25,990
YOU SHOT IT?
>> YEAH, AND IT WAS OUR OWN
CLOTHES.

672
00:20:25,992 --> 00:20:27,191
>> YEAH, AND IT WAS OUR OWN
CLOTHES.
I WOULD GET UP IN THE MORNING,

673
00:20:27,193 --> 00:20:29,026
CLOTHES.
I WOULD GET UP IN THE MORNING,
PUT ON MY OWN CLOTHES, GO NEXT

674
00:20:29,028 --> 00:20:31,028
I WOULD GET UP IN THE MORNING,
PUT ON MY OWN CLOTHES, GO NEXT
DOOR AND HAVE THE BREAKFAST

675
00:20:31,030 --> 00:20:33,598
PUT ON MY OWN CLOTHES, GO NEXT
DOOR AND HAVE THE BREAKFAST
SCENE WITH LUCAS HEDGES, SORT OF

676
00:20:33,600 --> 00:20:34,999
DOOR AND HAVE THE BREAKFAST
SCENE WITH LUCAS HEDGES, SORT OF
MY PAJAMAS AND A ROBE THAT I

677
00:20:35,001 --> 00:20:38,536
SCENE WITH LUCAS HEDGES, SORT OF
MY PAJAMAS AND A ROBE THAT I
HAVE HERE AT HOME, AND WE'D HAVE

678
00:20:38,538 --> 00:20:40,671
MY PAJAMAS AND A ROBE THAT I
HAVE HERE AT HOME, AND WE'D HAVE
BREAKFAST AND WE WOULD JUST TALK

679
00:20:40,673 --> 00:20:42,373
HAVE HERE AT HOME, AND WE'D HAVE
BREAKFAST AND WE WOULD JUST TALK
ABOUT WHAT WE WERE SUPPOSED TO

680
00:20:42,375 --> 00:20:44,675
BREAKFAST AND WE WOULD JUST TALK
ABOUT WHAT WE WERE SUPPOSED TO
TALK ABOUT IN A WAY, BUT WEEKEND

681
00:20:44,677 --> 00:20:46,544
ABOUT WHAT WE WERE SUPPOSED TO
TALK ABOUT IN A WAY, BUT WEEKEND
VEER OFF, HE DIDN'T CARE.

682
00:20:46,546 --> 00:20:48,779
TALK ABOUT IN A WAY, BUT WEEKEND
VEER OFF, HE DIDN'T CARE.
THEN HE EDIT IT OVER LUNCH AND

683
00:20:48,781 --> 00:20:51,482
VEER OFF, HE DIDN'T CARE.
THEN HE EDIT IT OVER LUNCH AND
DINNER, AND WE WOULD BE

684
00:20:51,484 --> 00:20:52,550
THEN HE EDIT IT OVER LUNCH AND
DINNER, AND WE WOULD BE
EXHAUSTED AND QUICKLY READ WHAT

685
00:20:52,552 --> 00:20:54,285
DINNER, AND WE WOULD BE
EXHAUSTED AND QUICKLY READ WHAT
WE WERE SUPPOSED TO ACHIEVE THE

686
00:20:54,287 --> 00:20:57,088
EXHAUSTED AND QUICKLY READ WHAT
WE WERE SUPPOSED TO ACHIEVE THE
NEXT DAY, AND THEN GO TO BED

687
00:20:57,090 --> 00:20:58,789
WE WERE SUPPOSED TO ACHIEVE THE
NEXT DAY, AND THEN GO TO BED
RACKED WITH ANXIETY THAT WE

688
00:20:58,791 --> 00:21:01,225
NEXT DAY, AND THEN GO TO BED
RACKED WITH ANXIETY THAT WE
WOULDN'T COME UP WITH ANYTHING

689
00:21:01,227 --> 00:21:01,525
RACKED WITH ANXIETY THAT WE
WOULDN'T COME UP WITH ANYTHING
INTERESTING.

690
00:21:01,527 --> 00:21:03,160
WOULDN'T COME UP WITH ANYTHING
INTERESTING.
>> Stephen: DID HE EVER REJECT

691
00:21:03,162 --> 00:21:04,895
INTERESTING.
>> Stephen: DID HE EVER REJECT
WHAT YOU'D CREATED AND GO, NO,

692
00:21:04,897 --> 00:21:07,898
>> Stephen: DID HE EVER REJECT
WHAT YOU'D CREATED AND GO, NO,
NO, NO, NO, YOU'VE GOT TO DO

693
00:21:07,900 --> 00:21:09,200
WHAT YOU'D CREATED AND GO, NO,
NO, NO, NO, YOU'VE GOT TO DO
THAT DIFFERENTLY, THAT THE WHAT

694
00:21:09,202 --> 00:21:11,068
NO, NO, NO, YOU'VE GOT TO DO
THAT DIFFERENTLY, THAT THE WHAT
YOUR CHARACTER WOULD SAY?

695
00:21:11,070 --> 00:21:11,502
THAT DIFFERENTLY, THAT THE WHAT
YOUR CHARACTER WOULD SAY?
>> NO.

696
00:21:11,504 --> 00:21:13,904
YOUR CHARACTER WOULD SAY?
>> NO.
HE NEVER DID.

697
00:21:13,906 --> 00:21:15,006
>> NO.
HE NEVER DID.
>> Stephen: WOW.

698
00:21:15,008 --> 00:21:15,673
HE NEVER DID.
>> Stephen: WOW.
THAT'S GREAT.

699
00:21:15,675 --> 00:21:17,675
>> Stephen: WOW.
THAT'S GREAT.
>> IT'S ALL IN THE EDITING,

700
00:21:17,677 --> 00:21:18,042
THAT'S GREAT.
>> IT'S ALL IN THE EDITING,
BABE.

701
00:21:18,044 --> 00:21:20,111
>> IT'S ALL IN THE EDITING,
BABE.
HE KNEW HE WAS GOING TO CUT IT

702
00:21:20,113 --> 00:21:20,311
BABE.
HE KNEW HE WAS GOING TO CUT IT
OUT.

703
00:21:20,313 --> 00:21:22,046
HE KNEW HE WAS GOING TO CUT IT
OUT.
HE'S THINKING CLICK, CLICK,

704
00:21:22,048 --> 00:21:24,649
OUT.
HE'S THINKING CLICK, CLICK,
CLICK, YOU KNOW, I DON'T NEED

705
00:21:24,651 --> 00:21:24,849
HE'S THINKING CLICK, CLICK,
CLICK, YOU KNOW, I DON'T NEED
THAT.

706
00:21:24,851 --> 00:21:26,317
CLICK, YOU KNOW, I DON'T NEED
THAT.
>> Stephen: MERYL, WE HAVE TO

707
00:21:26,319 --> 00:21:28,019
THAT.
>> Stephen: MERYL, WE HAVE TO
TAKE A QUICK BREAK BUT STICK

708
00:21:28,021 --> 00:21:30,087
>> Stephen: MERYL, WE HAVE TO
TAKE A QUICK BREAK BUT STICK
AROUND, EVERYBODY.

709
00:21:30,089 --> 00:21:32,089
TAKE A QUICK BREAK BUT STICK
AROUND, EVERYBODY.
WE'LL BE RIGHT BACK WITH MORE

710
00:21:32,091 --> 00:21:32,490
AROUND, EVERYBODY.
WE'LL BE RIGHT BACK WITH MORE
MERYL STREEP.

711
00:21:39,398 --> 00:21:41,732
♪
♪
♪

712
00:21:41,734 --> 00:21:43,301
♪
♪
>> Stephen: HEY, EVERYBODY!

713
00:21:43,303 --> 00:21:44,802
♪
>> Stephen: HEY, EVERYBODY!
WE'RE BACK WITH MERYL STREEP.

714
00:21:44,804 --> 00:21:46,804
>> Stephen: HEY, EVERYBODY!
WE'RE BACK WITH MERYL STREEP.
DID YOU LIKE BEING OUT THERE IN

715
00:21:46,806 --> 00:21:47,972
WE'RE BACK WITH MERYL STREEP.
DID YOU LIKE BEING OUT THERE IN
THE MIDDLE OF THE OCEAN, BECAUSE

716
00:21:47,974 --> 00:21:50,975
DID YOU LIKE BEING OUT THERE IN
THE MIDDLE OF THE OCEAN, BECAUSE
THIS IS, WHAT IS IT -- ACTUALLY,

717
00:21:50,977 --> 00:21:52,510
THE MIDDLE OF THE OCEAN, BECAUSE
THIS IS, WHAT IS IT -- ACTUALLY,
YOUR CHARACTER TALKS ABOUT THIS,

718
00:21:52,512 --> 00:21:54,378
THIS IS, WHAT IS IT -- ACTUALLY,
YOUR CHARACTER TALKS ABOUT THIS,
IT'S NOT A CRUISE, IT'S A

719
00:21:54,380 --> 00:21:55,646
YOUR CHARACTER TALKS ABOUT THIS,
IT'S NOT A CRUISE, IT'S A
CROSSING.

720
00:21:55,648 --> 00:21:56,547
IT'S NOT A CRUISE, IT'S A
CROSSING.
>> IT'S A CROSSING.

721
00:21:56,549 --> 00:21:59,717
CROSSING.
>> IT'S A CROSSING.
>> Stephen: NEW YORK TO

722
00:21:59,719 --> 00:22:00,017
>> IT'S A CROSSING.
>> Stephen: NEW YORK TO
SOUTHAMPTON.

723
00:22:00,019 --> 00:22:01,852
>> Stephen: NEW YORK TO
SOUTHAMPTON.
IT ACTUALLY SOUNDS KIND OF

724
00:22:01,854 --> 00:22:02,153
SOUTHAMPTON.
IT ACTUALLY SOUNDS KIND OF
ATTRACTIVE.

725
00:22:02,155 --> 00:22:04,488
IT ACTUALLY SOUNDS KIND OF
ATTRACTIVE.
>> WELL, IT IS A CROSSING.

726
00:22:04,490 --> 00:22:06,524
ATTRACTIVE.
>> WELL, IT IS A CROSSING.
I MEAN, THAT'S A METAPHOR FOR

727
00:22:06,526 --> 00:22:08,092
>> WELL, IT IS A CROSSING.
I MEAN, THAT'S A METAPHOR FOR
THE WHOLE FILM AND WHAT IT'S

728
00:22:08,094 --> 00:22:09,927
I MEAN, THAT'S A METAPHOR FOR
THE WHOLE FILM AND WHAT IT'S
SORT OF ABOUT.

729
00:22:09,929 --> 00:22:11,429
THE WHOLE FILM AND WHAT IT'S
SORT OF ABOUT.
IT'S SORT OF -- YES, AIMING AT

730
00:22:11,431 --> 00:22:16,967
SORT OF ABOUT.
IT'S SORT OF -- YES, AIMING AT
ITS SEND.

731
00:22:16,969 --> 00:22:19,103
IT'S SORT OF -- YES, AIMING AT
ITS SEND.
SO, I HAD DONE IT WHEN I WAS

732
00:22:19,105 --> 00:22:19,837
ITS SEND.
SO, I HAD DONE IT WHEN I WAS
FIRST MARRIED.

733
00:22:19,839 --> 00:22:22,340
SO, I HAD DONE IT WHEN I WAS
FIRST MARRIED.
MAYBE THEY STILL DO THIS, THEY

734
00:22:22,342 --> 00:22:23,941
FIRST MARRIED.
MAYBE THEY STILL DO THIS, THEY
DO OFFER YOU, IF YOU HAVE A FILM

735
00:22:23,943 --> 00:22:25,776
MAYBE THEY STILL DO THIS, THEY
DO OFFER YOU, IF YOU HAVE A FILM
OR SOMETHING, IF YOU COME AND

736
00:22:25,778 --> 00:22:27,244
DO OFFER YOU, IF YOU HAVE A FILM
OR SOMETHING, IF YOU COME AND
SHOW IT AND TALK ABOUT IT,

737
00:22:27,246 --> 00:22:28,979
OR SOMETHING, IF YOU COME AND
SHOW IT AND TALK ABOUT IT,
THEY'LL GIVE YOU A LITTLE STATE

738
00:22:28,981 --> 00:22:30,214
SHOW IT AND TALK ABOUT IT,
THEY'LL GIVE YOU A LITTLE STATE
ROOM, AND, SO, WE DID THAT WHEN

739
00:22:30,216 --> 00:22:33,217
THEY'LL GIVE YOU A LITTLE STATE
ROOM, AND, SO, WE DID THAT WHEN
I WAS FIRST MARRIED, AND IT WAS

740
00:22:33,219 --> 00:22:34,051
ROOM, AND, SO, WE DID THAT WHEN
I WAS FIRST MARRIED, AND IT WAS
REALLY FUN.

741
00:22:34,053 --> 00:22:37,221
I WAS FIRST MARRIED, AND IT WAS
REALLY FUN.
BUT YOU -- BUT THIS ONE IS SO

742
00:22:37,223 --> 00:22:39,256
REALLY FUN.
BUT YOU -- BUT THIS ONE IS SO
HUGE THAT PEOPLE DIDN'T KNOW WE

743
00:22:39,258 --> 00:22:40,491
BUT YOU -- BUT THIS ONE IS SO
HUGE THAT PEOPLE DIDN'T KNOW WE
WERE MAKING A FILM.

744
00:22:40,493 --> 00:22:42,560
HUGE THAT PEOPLE DIDN'T KNOW WE
WERE MAKING A FILM.
I MEAN, THERE WERE LITTLE SIGNS

745
00:22:42,562 --> 00:22:47,031
WERE MAKING A FILM.
I MEAN, THERE WERE LITTLE SIGNS
SAYING A FILM IS BEING MADE, BUT

746
00:22:47,033 --> 00:22:48,032
I MEAN, THERE WERE LITTLE SIGNS
SAYING A FILM IS BEING MADE, BUT
IT'S JUST SODERBERGH WITH THIS

747
00:22:48,034 --> 00:22:49,266
SAYING A FILM IS BEING MADE, BUT
IT'S JUST SODERBERGH WITH THIS
LITTLE BITTY CAMERA.

748
00:22:49,268 --> 00:22:49,734
IT'S JUST SODERBERGH WITH THIS
LITTLE BITTY CAMERA.
>> Stephen: OF COURSE.

749
00:22:49,736 --> 00:22:52,536
LITTLE BITTY CAMERA.
>> Stephen: OF COURSE.
I WAS THINKING IN MY MIND THIS

750
00:22:52,538 --> 00:22:55,072
>> Stephen: OF COURSE.
I WAS THINKING IN MY MIND THIS
IS YOUR SET, BUT IT'S NOT, THEY

751
00:22:55,074 --> 00:22:59,710
I WAS THINKING IN MY MIND THIS
IS YOUR SET, BUT IT'S NOT, THEY
ACTUALLY HAVE REGULAR PAYING

752
00:22:59,712 --> 00:22:59,977
IS YOUR SET, BUT IT'S NOT, THEY
ACTUALLY HAVE REGULAR PAYING
CUSTOMERS.

753
00:22:59,979 --> 00:23:03,547
ACTUALLY HAVE REGULAR PAYING
CUSTOMERS.
DID ANYBODY SNAP THEIR HEAD

754
00:23:03,549 --> 00:23:04,482
CUSTOMERS.
DID ANYBODY SNAP THEIR HEAD
AROUND?

755
00:23:04,484 --> 00:23:05,249
DID ANYBODY SNAP THEIR HEAD
AROUND?
>> NO, I DON'T THINK SO.

756
00:23:05,251 --> 00:23:08,085
AROUND?
>> NO, I DON'T THINK SO.
>> Stephen: YOU'RE NOT AS

757
00:23:08,087 --> 00:23:09,620
>> NO, I DON'T THINK SO.
>> Stephen: YOU'RE NOT AS
ATTRACTIVE AS A MIDNIGHT SHRIMP

758
00:23:09,622 --> 00:23:10,821
>> Stephen: YOU'RE NOT AS
ATTRACTIVE AS A MIDNIGHT SHRIMP
BUFFET BECAUSE I KNOW PEOPLE

759
00:23:10,823 --> 00:23:13,257
ATTRACTIVE AS A MIDNIGHT SHRIMP
BUFFET BECAUSE I KNOW PEOPLE
JUST EAT FROM HELL TO BREAKFAST

760
00:23:13,259 --> 00:23:14,859
BUFFET BECAUSE I KNOW PEOPLE
JUST EAT FROM HELL TO BREAKFAST
ON THESE BOATS, RIGHT?

761
00:23:14,861 --> 00:23:15,926
JUST EAT FROM HELL TO BREAKFAST
ON THESE BOATS, RIGHT?
>> WELL, THEY EAT AND THEY

762
00:23:15,928 --> 00:23:20,131
ON THESE BOATS, RIGHT?
>> WELL, THEY EAT AND THEY
GAMBLE AND THEY DANCE AND IT'S

763
00:23:20,133 --> 00:23:21,899
>> WELL, THEY EAT AND THEY
GAMBLE AND THEY DANCE AND IT'S
PRETTY -- THE GREATEST THING IS

764
00:23:21,901 --> 00:23:23,701
GAMBLE AND THEY DANCE AND IT'S
PRETTY -- THE GREATEST THING IS
REALLY THAT MOMENT IN THE MIDDLE

765
00:23:23,703 --> 00:23:25,302
PRETTY -- THE GREATEST THING IS
REALLY THAT MOMENT IN THE MIDDLE
OF THE OCEAN, IN THE MIDDLE OF

766
00:23:25,304 --> 00:23:28,305
REALLY THAT MOMENT IN THE MIDDLE
OF THE OCEAN, IN THE MIDDLE OF
THE NIGHT, YOU GO OUT ON THE

767
00:23:28,307 --> 00:23:31,409
OF THE OCEAN, IN THE MIDDLE OF
THE NIGHT, YOU GO OUT ON THE
DECK, AND YOU'RE SO FAR FROM

768
00:23:31,411 --> 00:23:31,709
THE NIGHT, YOU GO OUT ON THE
DECK, AND YOU'RE SO FAR FROM
EVERYTHING.

769
00:23:31,711 --> 00:23:33,210
DECK, AND YOU'RE SO FAR FROM
EVERYTHING.
IN FACT, THEY TELL YOU WHEN YOU

770
00:23:33,212 --> 00:23:34,945
EVERYTHING.
IN FACT, THEY TELL YOU WHEN YOU
FIRST GET ON, THERE'S A POINT

771
00:23:34,947 --> 00:23:37,715
IN FACT, THEY TELL YOU WHEN YOU
FIRST GET ON, THERE'S A POINT
WHERE, IF ANYTHING TERRIBLE

772
00:23:37,717 --> 00:23:40,317
FIRST GET ON, THERE'S A POINT
WHERE, IF ANYTHING TERRIBLE
HAPPENS, NOBODY COULD REALLY GET

773
00:23:40,319 --> 00:23:41,485
WHERE, IF ANYTHING TERRIBLE
HAPPENS, NOBODY COULD REALLY GET
THERE IN TIME, YOU KNOW, THERE'S

774
00:23:41,487 --> 00:23:46,023
HAPPENS, NOBODY COULD REALLY GET
THERE IN TIME, YOU KNOW, THERE'S
NO WAY TO LAND OR ANYTHING,

775
00:23:46,025 --> 00:23:46,223
THERE IN TIME, YOU KNOW, THERE'S
NO WAY TO LAND OR ANYTHING,
SO --

776
00:23:46,225 --> 00:23:46,724
NO WAY TO LAND OR ANYTHING,
SO --
>> Stephen: WOW.

777
00:23:46,726 --> 00:23:47,691
SO --
>> Stephen: WOW.
AND YOU HAVE THAT FEELING,

778
00:23:47,693 --> 00:23:52,296
>> Stephen: WOW.
AND YOU HAVE THAT FEELING,
YOU KNOW, OF PEOPLE NAVIGATING

779
00:23:52,298 --> 00:23:54,265
AND YOU HAVE THAT FEELING,
YOU KNOW, OF PEOPLE NAVIGATING
BY CELESTIAL NAVIGATION.

780
00:23:54,267 --> 00:23:56,300
YOU KNOW, OF PEOPLE NAVIGATING
BY CELESTIAL NAVIGATION.
I WAS THINKING ABOUT PEOPLE

781
00:23:56,302 --> 00:23:58,135
BY CELESTIAL NAVIGATION.
I WAS THINKING ABOUT PEOPLE
MAKING THAT CROSSING UNDER THE

782
00:23:58,137 --> 00:23:58,736
I WAS THINKING ABOUT PEOPLE
MAKING THAT CROSSING UNDER THE
MOST HORRIBLE CIRCUMSTANCES,

783
00:23:58,738 --> 00:24:02,473
MAKING THAT CROSSING UNDER THE
MOST HORRIBLE CIRCUMSTANCES,
EVERYONE, THE SLAVE SHIPS AND

784
00:24:02,475 --> 00:24:04,141
MOST HORRIBLE CIRCUMSTANCES,
EVERYONE, THE SLAVE SHIPS AND
BENJAMIN FRANKLIN GOING BACK AND

785
00:24:04,143 --> 00:24:09,113
EVERYONE, THE SLAVE SHIPS AND
BENJAMIN FRANKLIN GOING BACK AND
FORTH TO THE COURT OF LOUIE

786
00:24:09,115 --> 00:24:11,782
BENJAMIN FRANKLIN GOING BACK AND
FORTH TO THE COURT OF LOUIE
WHATEVER, AND I JUST THOUGHT,

787
00:24:11,784 --> 00:24:11,982
FORTH TO THE COURT OF LOUIE
WHATEVER, AND I JUST THOUGHT,
WOW...

788
00:24:11,984 --> 00:24:18,956
WHATEVER, AND I JUST THOUGHT,
WOW...
IT REALLY IS AWE-INSPIRING TO

789
00:24:18,958 --> 00:24:21,225
WOW...
IT REALLY IS AWE-INSPIRING TO
SEE THE NIGHT SKY WITH

790
00:24:21,227 --> 00:24:22,259
IT REALLY IS AWE-INSPIRING TO
SEE THE NIGHT SKY WITH
ABSOLUTELY NO AMBIENT LIGHT.

791
00:24:22,261 --> 00:24:23,928
SEE THE NIGHT SKY WITH
ABSOLUTELY NO AMBIENT LIGHT.
>> Stephen: CAN YOU SET THE

792
00:24:23,930 --> 00:24:25,963
ABSOLUTELY NO AMBIENT LIGHT.
>> Stephen: CAN YOU SET THE
CLIP UP FOR OUR AUDIENCE?

793
00:24:25,965 --> 00:24:27,331
>> Stephen: CAN YOU SET THE
CLIP UP FOR OUR AUDIENCE?
>> THIS IS THE VERY FIRST --

794
00:24:27,333 --> 00:24:29,233
CLIP UP FOR OUR AUDIENCE?
>> THIS IS THE VERY FIRST --
THIS IS THE VERY FIRST NIGHT ON

795
00:24:29,235 --> 00:24:31,168
>> THIS IS THE VERY FIRST --
THIS IS THE VERY FIRST NIGHT ON
THE SHIP, WHERE WE'RE JUST

796
00:24:31,170 --> 00:24:33,537
THIS IS THE VERY FIRST NIGHT ON
THE SHIP, WHERE WE'RE JUST
GETTING TOGETHER AND SETTING UP

797
00:24:33,539 --> 00:24:35,706
THE SHIP, WHERE WE'RE JUST
GETTING TOGETHER AND SETTING UP
WHAT EVERYBODY CAN EXPECT, AND

798
00:24:35,708 --> 00:24:37,408
GETTING TOGETHER AND SETTING UP
WHAT EVERYBODY CAN EXPECT, AND
THEY'VE ALL AGREED TO COME.

799
00:24:37,410 --> 00:24:41,011
WHAT EVERYBODY CAN EXPECT, AND
THEY'VE ALL AGREED TO COME.
THESE ARE MY COLLEGE ROOMMATES.

800
00:24:41,013 --> 00:24:43,481
THEY'VE ALL AGREED TO COME.
THESE ARE MY COLLEGE ROOMMATES.
THEY'VE AGREED TO COME FOR

801
00:24:43,483 --> 00:24:44,548
THESE ARE MY COLLEGE ROOMMATES.
THEY'VE AGREED TO COME FOR
DIFFERENT REASONS, AND THAT SORT

802
00:24:44,550 --> 00:24:47,218
THEY'VE AGREED TO COME FOR
DIFFERENT REASONS, AND THAT SORT
OF BECOMES APPARENT.

803
00:24:47,220 --> 00:24:49,553
DIFFERENT REASONS, AND THAT SORT
OF BECOMES APPARENT.
>> Stephen: JIM?

804
00:24:49,555 --> 00:24:51,188
OF BECOMES APPARENT.
>> Stephen: JIM?
HERE'S TO PICKING UP THE

805
00:24:51,190 --> 00:24:53,224
>> Stephen: JIM?
HERE'S TO PICKING UP THE
CONVERSATION THAT WE LEFT OFF,

806
00:24:53,226 --> 00:24:58,963
HERE'S TO PICKING UP THE
CONVERSATION THAT WE LEFT OFF,
YOU KNOW, AND HERE'S TO MAYBE

807
00:24:58,965 --> 00:25:01,765
CONVERSATION THAT WE LEFT OFF,
YOU KNOW, AND HERE'S TO MAYBE
RECONNECTING THE GANG OF THREE

808
00:25:01,767 --> 00:25:04,535
YOU KNOW, AND HERE'S TO MAYBE
RECONNECTING THE GANG OF THREE
WE USED TO BE.

809
00:25:04,537 --> 00:25:06,770
RECONNECTING THE GANG OF THREE
WE USED TO BE.
>> CHEERS.

810
00:25:06,772 --> 00:25:07,238
WE USED TO BE.
>> CHEERS.
YEAH, THANK YOU.

811
00:25:07,240 --> 00:25:07,671
>> CHEERS.
YEAH, THANK YOU.
THANK YOU.

812
00:25:07,673 --> 00:25:09,106
YEAH, THANK YOU.
THANK YOU.
HAVE A GOOD ONE.

813
00:25:09,108 --> 00:25:09,473
THANK YOU.
HAVE A GOOD ONE.
GOOD NIGHT.

814
00:25:09,475 --> 00:25:11,709
HAVE A GOOD ONE.
GOOD NIGHT.
THANK YOU.

815
00:25:11,711 --> 00:25:13,544
GOOD NIGHT.
THANK YOU.
>> GOOD NIGHT.

816
00:25:13,546 --> 00:25:15,613
THANK YOU.
>> GOOD NIGHT.
HEY, BERT, YOU WANT TO GO

817
00:25:15,615 --> 00:25:17,515
>> GOOD NIGHT.
HEY, BERT, YOU WANT TO GO
HAVE A DRINK LATER?

818
00:25:17,517 --> 00:25:23,687
HEY, BERT, YOU WANT TO GO
HAVE A DRINK LATER?
>> NO, I CAN'T.

819
00:25:24,589 --> 00:25:31,695
>> Stephen: YOU ALSO HAVE
ANOTHER FILM OUT RIGHT NOW
CALLED "THE PROM" ADAPTED FROM

820
00:25:31,697 --> 00:25:33,464
ANOTHER FILM OUT RIGHT NOW
CALLED "THE PROM" ADAPTED FROM
THE 2018 BROADWAY MUSICAL.

821
00:25:33,466 --> 00:25:36,901
CALLED "THE PROM" ADAPTED FROM
THE 2018 BROADWAY MUSICAL.
YOU PLAY A WOMAN NAMED

822
00:25:36,903 --> 00:25:39,503
THE 2018 BROADWAY MUSICAL.
YOU PLAY A WOMAN NAMED
DEDeALLEN AND YOU DESCRIBE

823
00:25:39,505 --> 00:25:42,573
YOU PLAY A WOMAN NAMED
DEDeALLEN AND YOU DESCRIBE
HER, FOR CBS I'LL SAY A BIG

824
00:25:42,575 --> 00:25:44,508
DEDeALLEN AND YOU DESCRIBE
HER, FOR CBS I'LL SAY A BIG
A-HOLE, AND YOU TRIED VERY HARD

825
00:25:44,510 --> 00:25:46,377
HER, FOR CBS I'LL SAY A BIG
A-HOLE, AND YOU TRIED VERY HARD
TO BRING THAT PART OF ME

826
00:25:46,379 --> 00:25:46,610
A-HOLE, AND YOU TRIED VERY HARD
TO BRING THAT PART OF ME
FORWARD.

827
00:25:46,612 --> 00:25:47,711
TO BRING THAT PART OF ME
FORWARD.
HOW FAR DID YOU HAVE TO REACH

828
00:25:47,713 --> 00:25:49,914
FORWARD.
HOW FAR DID YOU HAVE TO REACH
FOR THAT PART OF YOU?

829
00:25:49,916 --> 00:25:51,782
HOW FAR DID YOU HAVE TO REACH
FOR THAT PART OF YOU?
I'M AFRAID IF I DID THAT I'D GET

830
00:25:51,784 --> 00:25:53,984
FOR THAT PART OF YOU?
I'M AFRAID IF I DID THAT I'D GET
OUT THE SPADE AND GO, ALL RIGHT,

831
00:25:53,986 --> 00:25:55,152
I'M AFRAID IF I DID THAT I'D GET
OUT THE SPADE AND GO, ALL RIGHT,
I'M ALREADY THERE.

832
00:25:55,154 --> 00:25:56,787
OUT THE SPADE AND GO, ALL RIGHT,
I'M ALREADY THERE.
IT'S A LITTLE FRIGHTENING TO

833
00:25:56,789 --> 00:25:58,756
I'M ALREADY THERE.
IT'S A LITTLE FRIGHTENING TO
REACH FOR THAT IN CASE IT'S TOO

834
00:25:58,758 --> 00:25:58,956
IT'S A LITTLE FRIGHTENING TO
REACH FOR THAT IN CASE IT'S TOO
EASY.

835
00:25:58,958 --> 00:26:00,991
REACH FOR THAT IN CASE IT'S TOO
EASY.
WHAT DO YOU MEAN SHE'S A BIG --

836
00:26:00,993 --> 00:26:05,129
EASY.
WHAT DO YOU MEAN SHE'S A BIG --
>> WELL, SHE SAYS -- SHE'S

837
00:26:05,131 --> 00:26:07,831
WHAT DO YOU MEAN SHE'S A BIG --
>> WELL, SHE SAYS -- SHE'S
SOMEONE -- OH, SHE'S VERY DEAR,

838
00:26:07,833 --> 00:26:10,734
>> WELL, SHE SAYS -- SHE'S
SOMEONE -- OH, SHE'S VERY DEAR,
YOU KNOW, SHE'S A DIVA.

839
00:26:10,736 --> 00:26:12,603
SOMEONE -- OH, SHE'S VERY DEAR,
YOU KNOW, SHE'S A DIVA.
>> Stephen: SHE'S A HUGE STAGE

840
00:26:12,605 --> 00:26:13,671
YOU KNOW, SHE'S A DIVA.
>> Stephen: SHE'S A HUGE STAGE
PRESENCE, FOR THE PEOPLE WHO

841
00:26:13,673 --> 00:26:15,306
>> Stephen: SHE'S A HUGE STAGE
PRESENCE, FOR THE PEOPLE WHO
DON'T KNOW.

842
00:26:15,308 --> 00:26:17,308
PRESENCE, FOR THE PEOPLE WHO
DON'T KNOW.
>> SHE'S A HUGE PRESENCE, A BIG

843
00:26:17,310 --> 00:26:18,842
DON'T KNOW.
>> SHE'S A HUGE PRESENCE, A BIG
BROADWAY STAR, AND PROBABLY PAST

844
00:26:18,844 --> 00:26:22,079
>> SHE'S A HUGE PRESENCE, A BIG
BROADWAY STAR, AND PROBABLY PAST
HER SELL-BY DATE, AND KIND OF

845
00:26:22,081 --> 00:26:24,281
BROADWAY STAR, AND PROBABLY PAST
HER SELL-BY DATE, AND KIND OF
SUSPECTS THAT THAT'S TRUE, AND

846
00:26:24,283 --> 00:26:25,382
HER SELL-BY DATE, AND KIND OF
SUSPECTS THAT THAT'S TRUE, AND
SHE'S PULLED UP EVERYTHING THAT

847
00:26:25,384 --> 00:26:27,885
SUSPECTS THAT THAT'S TRUE, AND
SHE'S PULLED UP EVERYTHING THAT
YOU CAN PULL UP AND SHE'S, YOU

848
00:26:27,887 --> 00:26:30,554
SHE'S PULLED UP EVERYTHING THAT
YOU CAN PULL UP AND SHE'S, YOU
KNOW, HAD THE BUNIONS CUT OFF

849
00:26:30,556 --> 00:26:33,324
YOU CAN PULL UP AND SHE'S, YOU
KNOW, HAD THE BUNIONS CUT OFF
AND SHE'S REALLY TRIED, AND

850
00:26:33,326 --> 00:26:39,396
KNOW, HAD THE BUNIONS CUT OFF
AND SHE'S REALLY TRIED, AND
EVERYTHING'S GOING, AND, ANYWAY,

851
00:26:39,398 --> 00:26:41,332
AND SHE'S REALLY TRIED, AND
EVERYTHING'S GOING, AND, ANYWAY,
IN A LAST-DITCH EFFORT TO REVIVE

852
00:26:41,334 --> 00:26:44,368
EVERYTHING'S GOING, AND, ANYWAY,
IN A LAST-DITCH EFFORT TO REVIVE
HER FLAGGING CREEK, SHE AND HER

853
00:26:44,370 --> 00:26:46,837
IN A LAST-DITCH EFFORT TO REVIVE
HER FLAGGING CREEK, SHE AND HER
FRIENDS CONTRIVE THIS SCHEME TO

854
00:26:46,839 --> 00:26:50,407
HER FLAGGING CREEK, SHE AND HER
FRIENDS CONTRIVE THIS SCHEME TO
HELP, IN SOME WAY, MAKE A BIG

855
00:26:50,409 --> 00:26:54,078
FRIENDS CONTRIVE THIS SCHEME TO
HELP, IN SOME WAY, MAKE A BIG
SOCIAL STATEMENT AND GET SOME

856
00:26:54,080 --> 00:26:56,981
HELP, IN SOME WAY, MAKE A BIG
SOCIAL STATEMENT AND GET SOME
GOOD PUBLICITY FOR ONCE BECAUSE,

857
00:26:56,983 --> 00:26:58,282
SOCIAL STATEMENT AND GET SOME
GOOD PUBLICITY FOR ONCE BECAUSE,
REALLY, THEIR CAREERS ARE

858
00:26:58,284 --> 00:26:58,549
GOOD PUBLICITY FOR ONCE BECAUSE,
REALLY, THEIR CAREERS ARE
FLAGGING.

859
00:26:58,551 --> 00:26:59,283
REALLY, THEIR CAREERS ARE
FLAGGING.
>> Stephen: IT'S SORT OF BASED

860
00:26:59,285 --> 00:27:00,150
FLAGGING.
>> Stephen: IT'S SORT OF BASED
AROUND A HIGH SCHOOL PROM.

861
00:27:00,152 --> 00:27:02,152
>> Stephen: IT'S SORT OF BASED
AROUND A HIGH SCHOOL PROM.
DID YOU GO TO PROM?

862
00:27:02,154 --> 00:27:04,521
AROUND A HIGH SCHOOL PROM.
DID YOU GO TO PROM?
DO YOU REMEMBER YOUR PROM?

863
00:27:04,523 --> 00:27:05,289
DID YOU GO TO PROM?
DO YOU REMEMBER YOUR PROM?
>> SURE.

864
00:27:05,291 --> 00:27:07,758
DO YOU REMEMBER YOUR PROM?
>> SURE.
I WENT TO SIX PROMISE, I THINK.

865
00:27:07,760 --> 00:27:09,193
>> SURE.
I WENT TO SIX PROMISE, I THINK.
>> Stephen: SIX?

866
00:27:09,195 --> 00:27:10,761
I WENT TO SIX PROMISE, I THINK.
>> Stephen: SIX?
WAIT A SECOND, SIX PROMISE?

867
00:27:10,763 --> 00:27:14,298
>> Stephen: SIX?
WAIT A SECOND, SIX PROMISE?
HOW LONG WERE YOU IN HIGH SCHO

868
00:27:14,300 --> 00:27:14,531
WAIT A SECOND, SIX PROMISE?
HOW LONG WERE YOU IN HIGH SCHO
SCHOOL?

869
00:27:14,533 --> 00:27:18,102
HOW LONG WERE YOU IN HIGH SCHO
SCHOOL?
>> IS THAT -- TWO EACH YEAR

870
00:27:18,104 --> 00:27:18,302
SCHOOL?
>> IS THAT -- TWO EACH YEAR
FOR --

871
00:27:18,304 --> 00:27:19,536
>> IS THAT -- TWO EACH YEAR
FOR --
>> Stephen: OH, OKAY.

872
00:27:19,538 --> 00:27:21,805
FOR --
>> Stephen: OH, OKAY.
FOR A FEW YEARS.

873
00:27:21,807 --> 00:27:23,440
>> Stephen: OH, OKAY.
FOR A FEW YEARS.
ANYWAY -- BECAUSE THEY HAVE THE

874
00:27:23,442 --> 00:27:24,808
FOR A FEW YEARS.
ANYWAY -- BECAUSE THEY HAVE THE
JUNIOR PROM, THE SENIOR PROM,

875
00:27:24,810 --> 00:27:26,577
ANYWAY -- BECAUSE THEY HAVE THE
JUNIOR PROM, THE SENIOR PROM,
EVERYBODY HAS TO GO TO

876
00:27:26,579 --> 00:27:28,045
JUNIOR PROM, THE SENIOR PROM,
EVERYBODY HAS TO GO TO
EVERYTHING.

877
00:27:28,047 --> 00:27:31,215
EVERYBODY HAS TO GO TO
EVERYTHING.
>> Stephen: MM-HMM.

878
00:27:31,217 --> 00:27:33,817
EVERYTHING.
>> Stephen: MM-HMM.
I WENT TO PROM, MY FIRST PROM

879
00:27:33,819 --> 00:27:37,154
>> Stephen: MM-HMM.
I WENT TO PROM, MY FIRST PROM
WHEN I WAS 14, AND I WENT WITH A

880
00:27:37,156 --> 00:27:38,722
I WENT TO PROM, MY FIRST PROM
WHEN I WAS 14, AND I WENT WITH A
SENIOR TO THE SENIOR PROM.

881
00:27:38,724 --> 00:27:40,758
WHEN I WAS 14, AND I WENT WITH A
SENIOR TO THE SENIOR PROM.
I CAN'T BELIEVE MY FATHER LET ME

882
00:27:40,760 --> 00:27:41,458
SENIOR TO THE SENIOR PROM.
I CAN'T BELIEVE MY FATHER LET ME
DO THIS.

883
00:27:41,460 --> 00:27:42,026
I CAN'T BELIEVE MY FATHER LET ME
DO THIS.
>> Stephen: I CAN'T BELIEVE

884
00:27:42,028 --> 00:27:42,860
DO THIS.
>> Stephen: I CAN'T BELIEVE
THAT EITHER.

885
00:27:42,862 --> 00:27:44,528
>> Stephen: I CAN'T BELIEVE
THAT EITHER.
>> WITH A BIG FOOTBALL PLAYER.

886
00:27:44,530 --> 00:27:46,730
THAT EITHER.
>> WITH A BIG FOOTBALL PLAYER.
SO, ANYWAY, I WENT, I HAD A

887
00:27:46,732 --> 00:27:48,232
>> WITH A BIG FOOTBALL PLAYER.
SO, ANYWAY, I WENT, I HAD A
LITTLE DRESS THAT MY MOTHER HAD

888
00:27:48,234 --> 00:27:50,734
SO, ANYWAY, I WENT, I HAD A
LITTLE DRESS THAT MY MOTHER HAD
MADE, AND IT HAD LITTLE

889
00:27:50,736 --> 00:27:51,869
LITTLE DRESS THAT MY MOTHER HAD
MADE, AND IT HAD LITTLE
SPAGHETTI STRAPS -- PEOPLE DON'T

890
00:27:51,871 --> 00:27:55,205
MADE, AND IT HAD LITTLE
SPAGHETTI STRAPS -- PEOPLE DON'T
EVEN KNOW WHAT THOSE ARE

891
00:27:55,207 --> 00:27:57,241
SPAGHETTI STRAPS -- PEOPLE DON'T
EVEN KNOW WHAT THOSE ARE
ANYMORE, BUT THEY ARE STRAPS AS

892
00:27:57,243 --> 00:28:00,144
EVEN KNOW WHAT THOSE ARE
ANYMORE, BUT THEY ARE STRAPS AS
THIN AS SPA GETY.

893
00:28:00,146 --> 00:28:02,446
ANYMORE, BUT THEY ARE STRAPS AS
THIN AS SPA GETY.
I TOOK THE PICTURES WITH MY

894
00:28:02,448 --> 00:28:04,114
THIN AS SPA GETY.
I TOOK THE PICTURES WITH MY
PARENTS AND WALKED OUT TO THE

895
00:28:04,116 --> 00:28:05,816
I TOOK THE PICTURES WITH MY
PARENTS AND WALKED OUT TO THE
CAR AND SAT DOWN IN THE CAR AND

896
00:28:05,818 --> 00:28:07,651
PARENTS AND WALKED OUT TO THE
CAR AND SAT DOWN IN THE CAR AND
BOTH OF THEM POPPED OFF.

897
00:28:07,653 --> 00:28:10,187
CAR AND SAT DOWN IN THE CAR AND
BOTH OF THEM POPPED OFF.
AND I REALLY DIDN'T HAVE

898
00:28:10,189 --> 00:28:11,822
BOTH OF THEM POPPED OFF.
AND I REALLY DIDN'T HAVE
ANYTHING TO HOLD THIS DRESS UP

899
00:28:11,824 --> 00:28:15,125
AND I REALLY DIDN'T HAVE
ANYTHING TO HOLD THIS DRESS UP
WITH WITHOUT THE SPAGHETTI, SO I

900
00:28:15,127 --> 00:28:20,531
ANYTHING TO HOLD THIS DRESS UP
WITH WITHOUT THE SPAGHETTI, SO I
SPENT THE WHOLE PROM LIKE, YOU

901
00:28:20,533 --> 00:28:22,633
WITH WITHOUT THE SPAGHETTI, SO I
SPENT THE WHOLE PROM LIKE, YOU
KNOW, DANCING, HOLDING THE THING

902
00:28:22,635 --> 00:28:25,402
SPENT THE WHOLE PROM LIKE, YOU
KNOW, DANCING, HOLDING THE THING
UP WITH MY -- BUT, YOU KNOW, IT

903
00:28:25,404 --> 00:28:29,006
KNOW, DANCING, HOLDING THE THING
UP WITH MY -- BUT, YOU KNOW, IT
WAS THE FIRST OF MANY WARDROBE

904
00:28:29,008 --> 00:28:29,540
UP WITH MY -- BUT, YOU KNOW, IT
WAS THE FIRST OF MANY WARDROBE
MALFUNCTIONS IN MY LIFE.

905
00:28:29,542 --> 00:28:31,375
WAS THE FIRST OF MANY WARDROBE
MALFUNCTIONS IN MY LIFE.
>> Stephen: I HAVE TO TAKE A

906
00:28:31,377 --> 00:28:32,443
MALFUNCTIONS IN MY LIFE.
>> Stephen: I HAVE TO TAKE A
QUICK BREAK.

907
00:28:32,445 --> 00:28:34,078
>> Stephen: I HAVE TO TAKE A
QUICK BREAK.
WHEN WE COME BACK, I'LL ASK

908
00:28:34,080 --> 00:28:35,713
QUICK BREAK.
WHEN WE COME BACK, I'LL ASK
MERYL ABOUT HER APPEARANCE IN

909
00:28:35,715 --> 00:28:36,513
WHEN WE COME BACK, I'LL ASK
MERYL ABOUT HER APPEARANCE IN
OBAMA'S NEW BOOK.

910
00:28:36,515 --> 00:28:38,415
MERYL ABOUT HER APPEARANCE IN
OBAMA'S NEW BOOK.
I'M NOT SURE IF SHE KNOWS.

911
00:28:38,417 --> 00:28:40,484
OBAMA'S NEW BOOK.
I'M NOT SURE IF SHE KNOWS.
STICK AROUND.

912
00:28:48,059 --> 00:28:50,594
♪
♪
♪

913
00:28:50,596 --> 00:28:51,361
♪
♪
>> Stephen: HEY, EVERYBODY,

914
00:28:51,363 --> 00:28:57,901
♪
>> Stephen: HEY, EVERYBODY,
WE'RE BACK WITH MERYL STREEP.

915
00:28:57,903 --> 00:28:59,670
>> Stephen: HEY, EVERYBODY,
WE'RE BACK WITH MERYL STREEP.
HAVE YOU READ THE PRESIDENT'S

916
00:28:59,672 --> 00:29:00,270
WE'RE BACK WITH MERYL STREEP.
HAVE YOU READ THE PRESIDENT'S
NEW BOOK?

917
00:29:00,272 --> 00:29:01,105
HAVE YOU READ THE PRESIDENT'S
NEW BOOK?
>> I HAVE NOT.

918
00:29:01,107 --> 00:29:01,839
NEW BOOK?
>> I HAVE NOT.
NOT YET.

919
00:29:01,841 --> 00:29:02,706
>> I HAVE NOT.
NOT YET.
I WOULD LOVE TO.

920
00:29:02,708 --> 00:29:04,374
NOT YET.
I WOULD LOVE TO.
>> Stephen: IT'S VERY GOOD,

921
00:29:04,376 --> 00:29:04,641
I WOULD LOVE TO.
>> Stephen: IT'S VERY GOOD,
ACTUALLY.

922
00:29:04,643 --> 00:29:06,610
>> Stephen: IT'S VERY GOOD,
ACTUALLY.
THE GUY KNOWS HOW TO WRITE.

923
00:29:06,612 --> 00:29:06,844
ACTUALLY.
THE GUY KNOWS HOW TO WRITE.
>> YEAH.

924
00:29:06,846 --> 00:29:08,078
THE GUY KNOWS HOW TO WRITE.
>> YEAH.
>> Stephen: AND I HAD AN

925
00:29:08,080 --> 00:29:09,847
>> YEAH.
>> Stephen: AND I HAD AN
OPPORTUNITY TO READ IT IN THE

926
00:29:09,849 --> 00:29:11,582
>> Stephen: AND I HAD AN
OPPORTUNITY TO READ IT IN THE
LAST COUPLE OF WEEKS BECAUSE I

927
00:29:11,584 --> 00:29:12,583
OPPORTUNITY TO READ IT IN THE
LAST COUPLE OF WEEKS BECAUSE I
INTERVIEWED HIM FOR THE SHOW,

928
00:29:12,585 --> 00:29:14,651
LAST COUPLE OF WEEKS BECAUSE I
INTERVIEWED HIM FOR THE SHOW,
AND I JUST WANT TO MAKE YOU

929
00:29:14,653 --> 00:29:17,721
INTERVIEWED HIM FOR THE SHOW,
AND I JUST WANT TO MAKE YOU
AWARE OF SOMETHING THAT

930
00:29:17,723 --> 00:29:19,089
AND I JUST WANT TO MAKE YOU
AWARE OF SOMETHING THAT
HAPPENS -- YOU'RE IN THIS.

931
00:29:19,091 --> 00:29:21,158
AWARE OF SOMETHING THAT
HAPPENS -- YOU'RE IN THIS.
YOU'RE ON PAGE 541.

932
00:29:21,160 --> 00:29:22,960
HAPPENS -- YOU'RE IN THIS.
YOU'RE ON PAGE 541.
I'M NOT IN THIS BOOK, AND I DID

933
00:29:22,962 --> 00:29:24,027
YOU'RE ON PAGE 541.
I'M NOT IN THIS BOOK, AND I DID
A LOT WITH THE PRESIDENT.

934
00:29:24,029 --> 00:29:26,663
I'M NOT IN THIS BOOK, AND I DID
A LOT WITH THE PRESIDENT.
I'M NOT IN THE DANIEL BOOK, BUT

935
00:29:26,665 --> 00:29:27,898
A LOT WITH THE PRESIDENT.
I'M NOT IN THE DANIEL BOOK, BUT
YOU'RE IN THE BOOK.

936
00:29:27,900 --> 00:29:28,132
I'M NOT IN THE DANIEL BOOK, BUT
YOU'RE IN THE BOOK.
>> WOW.

937
00:29:28,134 --> 00:29:30,601
YOU'RE IN THE BOOK.
>> WOW.
>> Stephen: ON PAGE 542 HE'S

938
00:29:30,603 --> 00:29:32,603
>> WOW.
>> Stephen: ON PAGE 542 HE'S
TALKING ABOUT SORT OF ARTISTS

939
00:29:32,605 --> 00:29:34,538
>> Stephen: ON PAGE 542 HE'S
TALKING ABOUT SORT OF ARTISTS
AND ENTERTAINERS AND THE

940
00:29:34,540 --> 00:29:35,139
TALKING ABOUT SORT OF ARTISTS
AND ENTERTAINERS AND THE
CULTURAL HUB THAT THEY WANTED

941
00:29:35,141 --> 00:29:36,273
AND ENTERTAINERS AND THE
CULTURAL HUB THAT THEY WANTED
THE WHITE HOUSE TO BE AND ONE OF

942
00:29:36,275 --> 00:29:38,308
CULTURAL HUB THAT THEY WANTED
THE WHITE HOUSE TO BE AND ONE OF
THE THING HE MENTIONED IS MERYL

943
00:29:38,310 --> 00:29:41,345
THE WHITE HOUSE TO BE AND ONE OF
THE THING HE MENTIONED IS MERYL
STREEP LEANING OVER TO SOFTLY

944
00:29:41,347 --> 00:29:42,646
THE THING HE MENTIONED IS MERYL
STREEP LEANING OVER TO SOFTLY
RECITE IN MANDARIN THE LYRICS TO

945
00:29:42,648 --> 00:29:45,282
STREEP LEANING OVER TO SOFTLY
RECITE IN MANDARIN THE LYRICS TO
A SONG ABOUT CLOUDS THAT SHE HAD

946
00:29:45,284 --> 00:29:47,117
RECITE IN MANDARIN THE LYRICS TO
A SONG ABOUT CLOUDS THAT SHE HAD
LEARNED FOR A PART YEARS AGO.

947
00:29:47,119 --> 00:29:49,820
A SONG ABOUT CLOUDS THAT SHE HAD
LEARNED FOR A PART YEARS AGO.
DO YOU REMEMBER THAT MOMENT?

948
00:29:49,822 --> 00:29:52,389
LEARNED FOR A PART YEARS AGO.
DO YOU REMEMBER THAT MOMENT?
>> I -- I DO REMEMBER THAT

949
00:29:52,391 --> 00:29:52,723
DO YOU REMEMBER THAT MOMENT?
>> I -- I DO REMEMBER THAT
MOMENT, YES.

950
00:29:52,725 --> 00:29:54,992
>> I -- I DO REMEMBER THAT
MOMENT, YES.
HE GOT THE STORY A LITTLE BIT

951
00:29:54,994 --> 00:29:55,192
MOMENT, YES.
HE GOT THE STORY A LITTLE BIT
WRONG.

952
00:29:55,194 --> 00:29:57,594
HE GOT THE STORY A LITTLE BIT
WRONG.
HE'S A VERY GOOD WRITER BUT HIS

953
00:29:57,596 --> 00:29:58,028
WRONG.
HE'S A VERY GOOD WRITER BUT HIS
MEMORY IS --

954
00:29:58,030 --> 00:29:59,730
HE'S A VERY GOOD WRITER BUT HIS
MEMORY IS --
>> Stephen: LET'S FACT CHECK

955
00:29:59,732 --> 00:30:00,164
MEMORY IS --
>> Stephen: LET'S FACT CHECK
THE PRESIDENT HERE.

956
00:30:00,166 --> 00:30:02,132
>> Stephen: LET'S FACT CHECK
THE PRESIDENT HERE.
WHAT WAS THE REALITY?

957
00:30:02,134 --> 00:30:05,269
THE PRESIDENT HERE.
WHAT WAS THE REALITY?
IT WASN'T FOR A PART?

958
00:30:05,271 --> 00:30:06,670
WHAT WAS THE REALITY?
IT WASN'T FOR A PART?
WASN'T MANDARIN?

959
00:30:06,672 --> 00:30:10,607
IT WASN'T FOR A PART?
WASN'T MANDARIN?
>> YEAH, IT WAS A POEM -- I HAD

960
00:30:10,609 --> 00:30:12,342
WASN'T MANDARIN?
>> YEAH, IT WAS A POEM -- I HAD
JUST GOTTEN BACK, ACTUALLY, FROM

961
00:30:12,344 --> 00:30:14,645
>> YEAH, IT WAS A POEM -- I HAD
JUST GOTTEN BACK, ACTUALLY, FROM
THIS TRIP TO BEIJING WITH A

962
00:30:14,647 --> 00:30:15,979
JUST GOTTEN BACK, ACTUALLY, FROM
THIS TRIP TO BEIJING WITH A
CULTURAL -- IT WAS A CULTURAL

963
00:30:15,981 --> 00:30:18,649
THIS TRIP TO BEIJING WITH A
CULTURAL -- IT WAS A CULTURAL
KIND OF EXCHANGE THING AND I

964
00:30:18,651 --> 00:30:24,488
CULTURAL -- IT WAS A CULTURAL
KIND OF EXCHANGE THING AND I
WENT WITH YO-YO MAN, A BUNCH OF

965
00:30:24,490 --> 00:30:26,123
KIND OF EXCHANGE THING AND I
WENT WITH YO-YO MAN, A BUNCH OF
PERFORMERS AND WE WERE TO BE IN

966
00:30:26,125 --> 00:30:28,258
WENT WITH YO-YO MAN, A BUNCH OF
PERFORMERS AND WE WERE TO BE IN
THE BIG NEST STADIUM WITH 7,000

967
00:30:28,260 --> 00:30:30,327
PERFORMERS AND WE WERE TO BE IN
THE BIG NEST STADIUM WITH 7,000
PEOPLE, AND WE WERE GOING TO GO

968
00:30:30,329 --> 00:30:32,863
THE BIG NEST STADIUM WITH 7,000
PEOPLE, AND WE WERE GOING TO GO
A CONCERT, AND YO-YO AND I WERE

969
00:30:32,865 --> 00:30:36,433
PEOPLE, AND WE WERE GOING TO GO
A CONCERT, AND YO-YO AND I WERE
GOING TO DO A VERY FAMOUS, LIKE,

970
00:30:36,435 --> 00:30:39,303
A CONCERT, AND YO-YO AND I WERE
GOING TO DO A VERY FAMOUS, LIKE,
FOURTH CENTURY CHINESE POEM THAT

971
00:30:39,305 --> 00:30:40,470
GOING TO DO A VERY FAMOUS, LIKE,
FOURTH CENTURY CHINESE POEM THAT
EVERYONE KNOWS, AND I WAS GOING

972
00:30:40,472 --> 00:30:42,639
FOURTH CENTURY CHINESE POEM THAT
EVERYONE KNOWS, AND I WAS GOING
TO DO IT FIRST IN ENGLISH AND

973
00:30:42,641 --> 00:30:46,210
EVERYONE KNOWS, AND I WAS GOING
TO DO IT FIRST IN ENGLISH AND
THEN IN CHINESE.

974
00:30:46,212 --> 00:30:47,878
TO DO IT FIRST IN ENGLISH AND
THEN IN CHINESE.
AND AT THE LAST MOMENT, WE HEARD

975
00:30:47,880 --> 00:30:52,482
THEN IN CHINESE.
AND AT THE LAST MOMENT, WE HEARD
THAT THE CULTURAL MINISTER WAS

976
00:30:52,484 --> 00:30:54,218
AND AT THE LAST MOMENT, WE HEARD
THAT THE CULTURAL MINISTER WAS
COMING, WHO WAS AN EXTREMELY

977
00:30:54,220 --> 00:30:56,253
THAT THE CULTURAL MINISTER WAS
COMING, WHO WAS AN EXTREMELY
IMPORTANT PERSON, AND THEY THREW

978
00:30:56,255 --> 00:31:00,891
COMING, WHO WAS AN EXTREMELY
IMPORTANT PERSON, AND THEY THREW
US ALL AGAINST THE WALLS AND

979
00:31:00,893 --> 00:31:01,692
IMPORTANT PERSON, AND THEY THREW
US ALL AGAINST THE WALLS AND
SPRITZED US, YOU KNOW, BECAUSE

980
00:31:01,694 --> 00:31:03,160
US ALL AGAINST THE WALLS AND
SPRITZED US, YOU KNOW, BECAUSE
THIS WAS SUCH AN IMPORTANT

981
00:31:03,162 --> 00:31:06,663
SPRITZED US, YOU KNOW, BECAUSE
THIS WAS SUCH AN IMPORTANT
PERSON WITH HER 40-PERSON

982
00:31:06,665 --> 00:31:08,599
THIS WAS SUCH AN IMPORTANT
PERSON WITH HER 40-PERSON
ENTOURAGE AND SHE TOOK THE FIRST

983
00:31:08,601 --> 00:31:10,033
PERSON WITH HER 40-PERSON
ENTOURAGE AND SHE TOOK THE FIRST
TIER AND SAT LIKE THIS, AND WE

984
00:31:10,035 --> 00:31:11,068
ENTOURAGE AND SHE TOOK THE FIRST
TIER AND SAT LIKE THIS, AND WE
WERE ALL TERRIFIED.

985
00:31:11,070 --> 00:31:13,837
TIER AND SAT LIKE THIS, AND WE
WERE ALL TERRIFIED.
AND I HAD LEARNED THE POEM IN

986
00:31:13,839 --> 00:31:16,306
WERE ALL TERRIFIED.
AND I HAD LEARNED THE POEM IN
MANDARIN, AND I HAD LEARNED IT,

987
00:31:16,308 --> 00:31:18,275
AND I HAD LEARNED THE POEM IN
MANDARIN, AND I HAD LEARNED IT,
OBVIOUSLY, IN ENGLISH, AND YO-YO

988
00:31:18,277 --> 00:31:20,010
MANDARIN, AND I HAD LEARNED IT,
OBVIOUSLY, IN ENGLISH, AND YO-YO
WOULD WEAVE IN HIS MUSIC IN

989
00:31:20,012 --> 00:31:22,679
OBVIOUSLY, IN ENGLISH, AND YO-YO
WOULD WEAVE IN HIS MUSIC IN
BETWEEN, WE HAD PRACTICED THIS.

990
00:31:22,681 --> 00:31:26,550
WOULD WEAVE IN HIS MUSIC IN
BETWEEN, WE HAD PRACTICED THIS.
BUT IN CHINESE, THE SAME WORD

991
00:31:26,552 --> 00:31:29,319
BETWEEN, WE HAD PRACTICED THIS.
BUT IN CHINESE, THE SAME WORD
CAN BE TRANSLATED AS A

992
00:31:29,321 --> 00:31:30,954
BUT IN CHINESE, THE SAME WORD
CAN BE TRANSLATED AS A
COMPLETELY DIFFERENT THING.

993
00:31:30,956 --> 00:31:33,156
CAN BE TRANSLATED AS A
COMPLETELY DIFFERENT THING.
FAMOUSLY, THERE'S A STORY

994
00:31:33,158 --> 00:31:34,324
COMPLETELY DIFFERENT THING.
FAMOUSLY, THERE'S A STORY
THAT -- AND I'M PROBABLY GOING

995
00:31:34,326 --> 00:31:41,031
FAMOUSLY, THERE'S A STORY
THAT -- AND I'M PROBABLY GOING
TO GET IT WRONG -- BUT MA MEANS

996
00:31:41,033 --> 00:31:42,633
THAT -- AND I'M PROBABLY GOING
TO GET IT WRONG -- BUT MA MEANS
MOMMA, MA.

997
00:31:42,635 --> 00:31:49,172
TO GET IT WRONG -- BUT MA MEANS
MOMMA, MA.
BUT MA MEANS FORC HORSE AND MA S

998
00:31:49,174 --> 00:31:49,840
MOMMA, MA.
BUT MA MEANS FORC HORSE AND MA S
HOOKER

999
00:31:49,842 --> 00:31:50,908
BUT MA MEANS FORC HORSE AND MA S
HOOKER
( DIFFERENT PRONUNCIATIONS )

1000
00:31:50,910 --> 00:31:52,376
HOOKER
( DIFFERENT PRONUNCIATIONS )
>> Stephen: YOU WANT TO GET

1001
00:31:52,378 --> 00:31:53,777
( DIFFERENT PRONUNCIATIONS )
>> Stephen: YOU WANT TO GET
THE THREE RIGHT BEFORE YOU

1002
00:31:53,779 --> 00:31:54,645
>> Stephen: YOU WANT TO GET
THE THREE RIGHT BEFORE YOU
SADDLE UP.

1003
00:31:54,647 --> 00:31:55,812
THE THREE RIGHT BEFORE YOU
SADDLE UP.
>> BEFORE YOU SADDLE UP.

1004
00:31:55,814 --> 00:31:57,848
SADDLE UP.
>> BEFORE YOU SADDLE UP.
AND, SO, I THOUGHT, OH, MY GOD

1005
00:31:57,850 --> 00:32:02,286
>> BEFORE YOU SADDLE UP.
AND, SO, I THOUGHT, OH, MY GOD
AM I GOING TO BE SAYING, YOU

1006
00:32:02,288 --> 00:32:05,188
AND, SO, I THOUGHT, OH, MY GOD
AM I GOING TO BE SAYING, YOU
KNOW, YOUR MOTHER EATS ROCKS

1007
00:32:05,190 --> 00:32:06,657
AM I GOING TO BE SAYING, YOU
KNOW, YOUR MOTHER EATS ROCKS
POOLSIDE, YOU KNOW, OR

1008
00:32:06,659 --> 00:32:09,226
KNOW, YOUR MOTHER EATS ROCKS
POOLSIDE, YOU KNOW, OR
SOMETHING, INSTEAD OF WHAT THE

1009
00:32:09,228 --> 00:32:12,429
POOLSIDE, YOU KNOW, OR
SOMETHING, INSTEAD OF WHAT THE
POEM WAS, AND I SO WAS TERRIFIED

1010
00:32:12,431 --> 00:32:14,865
SOMETHING, INSTEAD OF WHAT THE
POEM WAS, AND I SO WAS TERRIFIED
THAT I CHICKENED OUT, AND I SAID

1011
00:32:14,867 --> 00:32:17,901
POEM WAS, AND I SO WAS TERRIFIED
THAT I CHICKENED OUT, AND I SAID
THE POEM IN ENGLISH, AND YO-YO

1012
00:32:17,903 --> 00:32:19,403
THAT I CHICKENED OUT, AND I SAID
THE POEM IN ENGLISH, AND YO-YO
PLAYED THE MUSIC, AND THEN I

1013
00:32:19,405 --> 00:32:22,139
THE POEM IN ENGLISH, AND YO-YO
PLAYED THE MUSIC, AND THEN I
MEANT TO START UP INTO MAN TRINE

1014
00:32:22,141 --> 00:32:24,574
PLAYED THE MUSIC, AND THEN I
MEANT TO START UP INTO MAN TRINE
AND I JUST -- MANDARIN AND I

1015
00:32:24,576 --> 00:32:28,245
MEANT TO START UP INTO MAN TRINE
AND I JUST -- MANDARIN AND I
JUST LOOKED AT HIM AND SMILED,

1016
00:32:28,247 --> 00:32:31,949
AND I JUST -- MANDARIN AND I
JUST LOOKED AT HIM AND SMILED,
AND HE WENT CROSS-EYED AND KIND

1017
00:32:31,951 --> 00:32:38,622
JUST LOOKED AT HIM AND SMILED,
AND HE WENT CROSS-EYED AND KIND
OF FINISHED UP, AND THEN WE BOTH

1018
00:32:38,624 --> 00:32:38,822
AND HE WENT CROSS-EYED AND KIND
OF FINISHED UP, AND THEN WE BOTH
BOWED.

1019
00:32:38,824 --> 00:32:40,290
OF FINISHED UP, AND THEN WE BOTH
BOWED.
IT WAS REALLY, BECAUSE OF HIS

1020
00:32:40,292 --> 00:32:43,827
BOWED.
IT WAS REALLY, BECAUSE OF HIS
ART INDUSTRY, IT WAS A --

1021
00:32:43,829 --> 00:32:46,763
IT WAS REALLY, BECAUSE OF HIS
ART INDUSTRY, IT WAS A --
ARTSRY, IT WAS A WONDERFUL

1022
00:32:46,765 --> 00:32:46,997
ART INDUSTRY, IT WAS A --
ARTSRY, IT WAS A WONDERFUL
MOMENT.

1023
00:32:46,999 --> 00:32:47,864
ARTSRY, IT WAS A WONDERFUL
MOMENT.
PEOPLE LOVED IT.

1024
00:32:47,866 --> 00:32:48,865
MOMENT.
PEOPLE LOVED IT.
BUT I STILL REMEMBER THE POEM.

1025
00:32:48,867 --> 00:32:50,300
PEOPLE LOVED IT.
BUT I STILL REMEMBER THE POEM.
>> Stephen: DO YOU STILL

1026
00:32:50,302 --> 00:32:51,401
BUT I STILL REMEMBER THE POEM.
>> Stephen: DO YOU STILL
REMEMBER IT?

1027
00:32:51,403 --> 00:32:54,271
>> Stephen: DO YOU STILL
REMEMBER IT?
CAN YOU GIVE US A LITTLE TASTE.

1028
00:32:54,273 --> 00:32:54,504
REMEMBER IT?
CAN YOU GIVE US A LITTLE TASTE.
>> NOW?

1029
00:32:54,506 --> 00:32:55,205
CAN YOU GIVE US A LITTLE TASTE.
>> NOW?
>> Stephen: IS IT POSSIBLE?

1030
00:32:55,207 --> 00:32:58,241
>> NOW?
>> Stephen: IS IT POSSIBLE?
I DON'T WANT TO PUT YOU ON THE

1031
00:32:58,243 --> 00:33:00,243
>> Stephen: IS IT POSSIBLE?
I DON'T WANT TO PUT YOU ON THE
SPOT OTHER THAN THE FACT THAT I

1032
00:33:00,245 --> 00:33:01,044
I DON'T WANT TO PUT YOU ON THE
SPOT OTHER THAN THE FACT THAT I
DO.

1033
00:33:01,046 --> 00:33:01,411
SPOT OTHER THAN THE FACT THAT I
DO.
>> YES.

1034
00:33:01,413 --> 00:33:01,845
DO.
>> YES.
OKAY.

1035
00:33:01,847 --> 00:33:04,381
>> YES.
OKAY.
IT'S ACTUALLY -- IT'S ACTUALLY

1036
00:33:04,383 --> 00:33:10,654
OKAY.
IT'S ACTUALLY -- IT'S ACTUALLY
KIND OF A GREAT POEM FOR THE

1037
00:33:10,656 --> 00:33:13,824
IT'S ACTUALLY -- IT'S ACTUALLY
KIND OF A GREAT POEM FOR THE
QUARANTINE BECAUSE IT'S -- IT'S,

1038
00:33:13,826 --> 00:33:18,128
KIND OF A GREAT POEM FOR THE
QUARANTINE BECAUSE IT'S -- IT'S,
ON THE MISTY MOUNTAIN, ALONE ON

1039
00:33:18,130 --> 00:33:24,301
QUARANTINE BECAUSE IT'S -- IT'S,
ON THE MISTY MOUNTAIN, ALONE ON
A MISTY MOUNTAIN I COME TO A

1040
00:33:24,303 --> 00:33:24,801
ON THE MISTY MOUNTAIN, ALONE ON
A MISTY MOUNTAIN I COME TO A
CLEARING.

1041
00:33:24,803 --> 00:33:26,269
A MISTY MOUNTAIN I COME TO A
CLEARING.
SUNLIGHT ON GREEN MOSS.

1042
00:33:26,271 --> 00:33:28,238
CLEARING.
SUNLIGHT ON GREEN MOSS.
I AM NOT ALONE.

1043
00:33:28,240 --> 00:33:31,875
SUNLIGHT ON GREEN MOSS.
I AM NOT ALONE.
SO THAT'S THE POEM.

1044
00:33:31,877 --> 00:33:34,644
I AM NOT ALONE.
SO THAT'S THE POEM.
AND IT'S --

1045
00:33:34,646 --> 00:33:47,858
SO THAT'S THE POEM.
AND IT'S --
( REPEATING POEM IN MANDARI MAN)

1046
00:33:48,059 --> 00:33:53,997
THAT'S IT.
>> Stephen: THANK YOU.
EWE RARELY GET MANDARIN POETRY

1047
00:33:53,999 --> 00:33:57,868
>> Stephen: THANK YOU.
EWE RARELY GET MANDARIN POETRY
IN LATE NIGHT THESE DAYS.

1048
00:33:57,870 --> 00:34:00,370
EWE RARELY GET MANDARIN POETRY
IN LATE NIGHT THESE DAYS.
>> YES, BUT, SINCE ONE IN FIVE

1049
00:34:00,372 --> 00:34:02,672
IN LATE NIGHT THESE DAYS.
>> YES, BUT, SINCE ONE IN FIVE
PEOPLE ON THE FACE OF THE EARTH

1050
00:34:02,674 --> 00:34:04,341
>> YES, BUT, SINCE ONE IN FIVE
PEOPLE ON THE FACE OF THE EARTH
IS CHINESE, THEY WILL KNOW NOW

1051
00:34:04,343 --> 00:34:06,643
PEOPLE ON THE FACE OF THE EARTH
IS CHINESE, THEY WILL KNOW NOW
THAT I HAVE JUST SAID SOMETHING

1052
00:34:06,645 --> 00:34:07,210
IS CHINESE, THEY WILL KNOW NOW
THAT I HAVE JUST SAID SOMETHING
HORRIBLE, PROBABLY.

1053
00:34:07,212 --> 00:34:08,812
THAT I HAVE JUST SAID SOMETHING
HORRIBLE, PROBABLY.
>> Stephen: BUT MY RATINGS ARE

1054
00:34:08,814 --> 00:34:13,517
HORRIBLE, PROBABLY.
>> Stephen: BUT MY RATINGS ARE
GOING TO BE HUGE IN BEIJING!

1055
00:34:13,519 --> 00:34:16,520
>> Stephen: BUT MY RATINGS ARE
GOING TO BE HUGE IN BEIJING!
>> INTERNATIONAL INCIDENT

1056
00:34:16,522 --> 00:34:16,820
GOING TO BE HUGE IN BEIJING!
>> INTERNATIONAL INCIDENT
(LAUGHING).

1057
00:34:16,822 --> 00:34:17,954
>> INTERNATIONAL INCIDENT
(LAUGHING).
>> Stephen: MERYL, THANK YOU

1058
00:34:17,956 --> 00:34:19,523
(LAUGHING).
>> Stephen: MERYL, THANK YOU
SO MUCH FOR BEING HERE.

1059
00:34:19,525 --> 00:34:20,957
>> Stephen: MERYL, THANK YOU
SO MUCH FOR BEING HERE.
THANKS FOR HAVING ME.

1060
00:34:20,959 --> 00:34:22,292
SO MUCH FOR BEING HERE.
THANKS FOR HAVING ME.
>> Stephen: "LET THEM ALL

1061
00:34:22,294 --> 00:34:26,663
THANKS FOR HAVING ME.
>> Stephen: "LET THEM ALL
TALK" PREMIERES THURSDAY ON HBO

1062
00:34:26,665 --> 00:34:26,863
>> Stephen: "LET THEM ALL
TALK" PREMIERES THURSDAY ON HBO
MAX

1063
00:34:26,865 --> 00:34:27,798
TALK" PREMIERES THURSDAY ON HBO
MAX
AND "THE PROM" IS IN SELECT

1064
00:34:27,800 --> 00:34:28,465
MAX
AND "THE PROM" IS IN SELECT
THEATERS AND AVAILABLE TO STREAM

1065
00:34:28,467 --> 00:34:28,965
AND "THE PROM" IS IN SELECT
THEATERS AND AVAILABLE TO STREAM
ON NETFLIX THIS FRIDAY.

1066
00:34:28,967 --> 00:34:30,634
THEATERS AND AVAILABLE TO STREAM
ON NETFLIX THIS FRIDAY.
MERYL STREEP, EVERYBODY!

1067
00:34:30,636 --> 00:34:34,037
ON NETFLIX THIS FRIDAY.
MERYL STREEP, EVERYBODY!
WHEN WE COME BACK, I'LL "SPILL

1068
00:34:34,039 --> 00:34:34,805
MERYL STREEP, EVERYBODY!
WHEN WE COME BACK, I'LL "SPILL
DANGER WITH A PERFORMANC

1069
00:34:40,812 --> 00:34:45,682
♪
♪
♪

1070
00:34:58,563 --> 00:35:01,431
>> HE'S MASKLESS, TAKING
PICTURES OF PEOPLE, HUGGING
SUPPORTERS WHO ARE ALSO

1071
00:35:01,433 --> 00:35:01,698
PICTURES OF PEOPLE, HUGGING
SUPPORTERS WHO ARE ALSO
MASKLESS.

1072
00:35:01,700 --> 00:35:03,633
SUPPORTERS WHO ARE ALSO
MASKLESS.
IF HE TESTED POSITIVE THIS

1073
00:35:03,635 --> 00:35:05,902
MASKLESS.
IF HE TESTED POSITIVE THIS
WEEKEND, I THINK HE WAS THURSDAY

1074
00:35:05,904 --> 00:35:07,104
IF HE TESTED POSITIVE THIS
WEEKEND, I THINK HE WAS THURSDAY
DURING THIS SCENE.

1075
00:35:07,106 --> 00:35:07,337
WEEKEND, I THINK HE WAS THURSDAY
DURING THIS SCENE.
>> YEAH.

1076
00:35:07,339 --> 00:35:09,172
DURING THIS SCENE.
>> YEAH.
FINALLY, I GOT OFF THE

1077
00:35:09,174 --> 00:35:09,406
>> YEAH.
FINALLY, I GOT OFF THE
ISLAND!

1078
00:35:09,408 --> 00:35:12,142
FINALLY, I GOT OFF THE
ISLAND!
>> SO CONCERNING TO ME.

1079
00:35:12,144 --> 00:35:12,309
ISLAND!
>> SO CONCERNING TO ME.
OH!

1080
00:35:12,311 --> 00:35:12,476
>> SO CONCERNING TO ME.
OH!
♪

1081
00:35:12,478 --> 00:35:12,843
OH!
♪
♪

1082
00:35:12,845 --> 00:35:13,343
♪
♪
♪

1083
00:35:19,684 --> 00:35:28,425
♪ ♪ ♪
>> Stephen: WELCOME BACK.
PERFORMING "DEVIL ALWAYS MADE ME

1084
00:35:28,427 --> 00:35:30,994
>> Stephen: WELCOME BACK.
PERFORMING "DEVIL ALWAYS MADE ME
THINK TWICE," FROM HIS ALBUM,

1085
00:35:30,996 --> 00:35:31,561
PERFORMING "DEVIL ALWAYS MADE ME
THINK TWICE," FROM HIS ALBUM,
"STARTING OVER," CHRIS

1086
00:35:31,563 --> 00:35:36,266
THINK TWICE," FROM HIS ALBUM,
"STARTING OVER," CHRIS
STAPLETON.

1087
00:35:36,268 --> 00:35:43,607
"STARTING OVER," CHRIS
STAPLETON.
♪ ♪ ♪

1088
00:35:43,609 --> 00:35:48,345
STAPLETON.
♪ ♪ ♪
♪ ♪ ♪

1089
00:35:48,347 --> 00:35:50,180
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1090
00:35:50,182 --> 00:35:51,348
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1091
00:35:51,350 --> 00:35:52,315
♪ ♪ ♪
♪ ♪ ♪
♪ I TAKE A LITTLE SMOKE

1092
00:35:52,317 --> 00:35:54,951
♪ ♪ ♪
♪ I TAKE A LITTLE SMOKE
IN THE EVENIN'

1093
00:35:54,953 --> 00:35:55,619
♪ I TAKE A LITTLE SMOKE
IN THE EVENIN'
♪ I TAKE A LITTLE WHISKEY

1094
00:35:55,621 --> 00:35:59,322
IN THE EVENIN'
♪ I TAKE A LITTLE WHISKEY
ON ICE

1095
00:35:59,324 --> 00:36:00,323
♪ I TAKE A LITTLE WHISKEY
ON ICE
♪ I NEVER GET BEHIND

1096
00:36:00,325 --> 00:36:02,959
ON ICE
♪ I NEVER GET BEHIND
ON KILLIN' MY MIND

1097
00:36:02,961 --> 00:36:04,327
♪ I NEVER GET BEHIND
ON KILLIN' MY MIND
♪ IT'S JUST THE KIND OF THINGS

1098
00:36:04,329 --> 00:36:07,063
ON KILLIN' MY MIND
♪ IT'S JUST THE KIND OF THINGS
I LIKE

1099
00:36:07,065 --> 00:36:07,597
♪ IT'S JUST THE KIND OF THINGS
I LIKE
♪ JUST THE KIND OF THINGS

1100
00:36:07,599 --> 00:36:12,035
I LIKE
♪ JUST THE KIND OF THINGS
I LIKE

1101
00:36:12,037 --> 00:36:12,302
♪ JUST THE KIND OF THINGS
I LIKE
♪ ♪ ♪

1102
00:36:12,304 --> 00:36:20,410
I LIKE
♪ ♪ ♪
♪ ♪ ♪

1103
00:36:25,683 --> 00:36:31,588
♪ THE MINUTE THAT I SAW YOU
WALKIN' OVER
♪ I FIGURED I WAS DIGGIN'

1104
00:36:31,590 --> 00:36:34,925
WALKIN' OVER
♪ I FIGURED I WAS DIGGIN'
MY GRAVE

1105
00:36:34,927 --> 00:36:36,326
♪ I FIGURED I WAS DIGGIN'
MY GRAVE
♪ AND YOU HAD THE SHOVEL

1106
00:36:36,328 --> 00:36:37,594
MY GRAVE
♪ AND YOU HAD THE SHOVEL
I KNEW YOU WERE TROUBLE

1107
00:36:37,596 --> 00:36:40,363
♪ AND YOU HAD THE SHOVEL
I KNEW YOU WERE TROUBLE
♪ BUT YOU'RE JUST THE KIND OF

1108
00:36:40,365 --> 00:36:42,299
I KNEW YOU WERE TROUBLE
♪ BUT YOU'RE JUST THE KIND OF
TROUBLE I CRAVE

1109
00:36:42,301 --> 00:36:43,600
♪ BUT YOU'RE JUST THE KIND OF
TROUBLE I CRAVE
♪ JUST THE KIND OF TROUBLE

1110
00:36:43,602 --> 00:36:48,038
TROUBLE I CRAVE
♪ JUST THE KIND OF TROUBLE
I CRAVE

1111
00:36:48,040 --> 00:36:48,505
♪ JUST THE KIND OF TROUBLE
I CRAVE
♪ AND MAMA ALWAYS SET

1112
00:36:48,507 --> 00:36:52,142
I CRAVE
♪ AND MAMA ALWAYS SET
A GOOD EXAMPLE

1113
00:36:52,144 --> 00:36:52,642
♪ AND MAMA ALWAYS SET
A GOOD EXAMPLE
♪ DADDY ALWAYS GAVE ME

1114
00:36:52,644 --> 00:36:55,612
A GOOD EXAMPLE
♪ DADDY ALWAYS GAVE ME
GOOD ADVICE

1115
00:36:55,614 --> 00:36:58,381
♪ DADDY ALWAYS GAVE ME
GOOD ADVICE
♪ JESUS TRIED TO STEER ME

1116
00:36:58,383 --> 00:36:59,983
GOOD ADVICE
♪ JESUS TRIED TO STEER ME
IN THE RIGHT DIRECTION

1117
00:36:59,985 --> 00:37:00,650
♪ JESUS TRIED TO STEER ME
IN THE RIGHT DIRECTION
♪ BUT THE DEVIL ALWAYS MADE ME

1118
00:37:00,652 --> 00:37:04,321
IN THE RIGHT DIRECTION
♪ BUT THE DEVIL ALWAYS MADE ME
THINK TWICE

1119
00:37:04,323 --> 00:37:07,624
♪ BUT THE DEVIL ALWAYS MADE ME
THINK TWICE
♪ DEVIL ALWAYS MADE ME THINK

1120
00:37:07,626 --> 00:37:12,295
THINK TWICE
♪ DEVIL ALWAYS MADE ME THINK
♪ ♪ ♪

1121
00:37:12,297 --> 00:37:13,597
♪ DEVIL ALWAYS MADE ME THINK
♪ ♪ ♪
♪ ♪ ♪

1122
00:37:13,599 --> 00:37:19,569
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1123
00:37:19,571 --> 00:37:20,303
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1124
00:37:20,305 --> 00:37:24,307
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1125
00:37:24,309 --> 00:37:28,311
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1126
00:37:28,313 --> 00:37:31,615
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1127
00:37:31,617 --> 00:37:32,315
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1128
00:37:32,317 --> 00:37:36,319
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1129
00:37:36,321 --> 00:37:40,357
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1130
00:37:40,359 --> 00:37:43,593
♪ ♪ ♪
♪ ♪ ♪
♪ SOMEDAY I'M GOIN'

1131
00:37:43,595 --> 00:37:44,327
♪ ♪ ♪
♪ SOMEDAY I'M GOIN'
SIX FEET UNDER

1132
00:37:44,329 --> 00:37:47,664
♪ SOMEDAY I'M GOIN'
SIX FEET UNDER
♪ AND WHEN THEY GOT ME STANDIN'

1133
00:37:47,666 --> 00:37:48,331
SIX FEET UNDER
♪ AND WHEN THEY GOT ME STANDIN'
AT THE GATE

1134
00:37:48,333 --> 00:37:49,599
♪ AND WHEN THEY GOT ME STANDIN'
AT THE GATE
♪ THEY'LL TALLY UP MY SINS

1135
00:37:49,601 --> 00:37:52,302
AT THE GATE
♪ THEY'LL TALLY UP MY SINS
AND WON'T LET ME IN

1136
00:37:52,304 --> 00:37:55,338
♪ THEY'LL TALLY UP MY SINS
AND WON'T LET ME IN
♪ SAY "SON, YOU'RE JUST

1137
00:37:55,340 --> 00:37:55,739
AND WON'T LET ME IN
♪ SAY "SON, YOU'RE JUST
A LITTLE TOO LATE

1138
00:37:55,741 --> 00:38:00,310
♪ SAY "SON, YOU'RE JUST
A LITTLE TOO LATE
♪ SON, YOU'RE JUST

1139
00:38:00,312 --> 00:38:01,244
A LITTLE TOO LATE
♪ SON, YOU'RE JUST
A LITTLE TOO LATE"

1140
00:38:01,246 --> 00:38:04,314
♪ SON, YOU'RE JUST
A LITTLE TOO LATE"
♪ AND MAMA ALWAYS SET

1141
00:38:04,316 --> 00:38:06,683
A LITTLE TOO LATE"
♪ AND MAMA ALWAYS SET
A GOOD EXAMPLE

1142
00:38:06,685 --> 00:38:07,617
♪ AND MAMA ALWAYS SET
A GOOD EXAMPLE
♪ DADDY ALWAYS GAVE ME

1143
00:38:07,619 --> 00:38:10,987
A GOOD EXAMPLE
♪ DADDY ALWAYS GAVE ME
GOOD ADVICE

1144
00:38:10,989 --> 00:38:12,289
♪ DADDY ALWAYS GAVE ME
GOOD ADVICE
♪ JESUS TRIED TO STEER ME

1145
00:38:12,291 --> 00:38:13,623
GOOD ADVICE
♪ JESUS TRIED TO STEER ME
IN THE RIGHT DIRECTION

1146
00:38:13,625 --> 00:38:16,326
♪ JESUS TRIED TO STEER ME
IN THE RIGHT DIRECTION
♪ BUT THE DEVIL ALWAYS MADE ME

1147
00:38:16,328 --> 00:38:18,461
IN THE RIGHT DIRECTION
♪ BUT THE DEVIL ALWAYS MADE ME
THINK TWICE

1148
00:38:18,463 --> 00:38:19,596
♪ BUT THE DEVIL ALWAYS MADE ME
THINK TWICE
♪ DEVIL ALWAYS MADE ME

1149
00:38:19,598 --> 00:38:22,432
THINK TWICE
♪ DEVIL ALWAYS MADE ME
THINK TWICE

1150
00:38:22,434 --> 00:38:24,334
♪ DEVIL ALWAYS MADE ME
THINK TWICE
♪ DEVIL ALWAYS MADE ME

1151
00:38:24,336 --> 00:38:25,602
THINK TWICE
♪ DEVIL ALWAYS MADE ME
THINK TWICE

1152
00:38:25,604 --> 00:38:28,305
♪ DEVIL ALWAYS MADE ME
THINK TWICE
♪ DEVIL ALWAYS MADE ME

1153
00:38:28,307 --> 00:38:30,907
THINK TWICE
♪ DEVIL ALWAYS MADE ME
THINK TWICE

1154
00:38:30,909 --> 00:38:31,408
♪ DEVIL ALWAYS MADE ME
THINK TWICE
♪ DEVIL ALWAYS MADE ME

1155
00:38:31,410 --> 00:38:34,444
THINK TWICE
♪ DEVIL ALWAYS MADE ME
DEVIL ALWAYS MADE ME

1156
00:38:34,446 --> 00:38:36,313
♪ DEVIL ALWAYS MADE ME
DEVIL ALWAYS MADE ME
♪ DEVIL ALWAYS MADE ME

1157
00:38:36,315 --> 00:38:37,614
DEVIL ALWAYS MADE ME
♪ DEVIL ALWAYS MADE ME
THINK TWICE

1158
00:38:37,616 --> 00:38:40,317
♪ DEVIL ALWAYS MADE ME
THINK TWICE
♪ DEVIL ALWAYS MADE ME

1159
00:38:40,319 --> 00:38:43,019
THINK TWICE
♪ DEVIL ALWAYS MADE ME
DEVIL ALWAYS MADE ME

1160
00:38:43,021 --> 00:38:43,620
♪ DEVIL ALWAYS MADE ME
DEVIL ALWAYS MADE ME
♪ DEVIL ALWAYS MADE ME

1161
00:38:43,622 --> 00:38:48,291
DEVIL ALWAYS MADE ME
♪ DEVIL ALWAYS MADE ME
THINK TWICE ♪

1162
00:38:48,293 --> 00:38:54,931
♪ DEVIL ALWAYS MADE ME
THINK TWICE ♪
♪ ♪ ♪

1163
00:38:54,933 --> 00:38:55,732
THINK TWICE ♪
♪ ♪ ♪
♪ ♪ ♪

1164
00:38:55,734 --> 00:39:00,303
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1165
00:39:00,305 --> 00:39:01,571
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1166
00:39:01,573 --> 00:39:04,307
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1167
00:39:04,309 --> 00:39:07,610
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1168
00:39:07,612 --> 00:39:12,315
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1169
00:39:12,317 --> 00:39:20,423
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1170
00:39:23,194 --> 00:39:27,831
>> Stephen: CHRIS STAPLETON,
EVERYBODY.
WE'LL BE RIGHT BACK.

1171
00:39:32,603 --> 00:39:35,772
>> Stephen: THAT'S IT FOR "A
LATE SHOW," EVERYBODY.
TUNE IN TOMORROW WHEN MY GUESTS

1172
00:39:35,774 --> 00:39:36,439
LATE SHOW," EVERYBODY.
TUNE IN TOMORROW WHEN MY GUESTS
WILL BE THE HOSTS OF FROM "SLATE

1173
00:39:36,441 --> 00:39:38,241
TUNE IN TOMORROW WHEN MY GUESTS
WILL BE THE HOSTS OF FROM "SLATE
POLITICAL GABFEST," JOHN

1174
00:39:38,243 --> 00:39:40,577
WILL BE THE HOSTS OF FROM "SLATE
POLITICAL GABFEST," JOHN
DICKERSON, EMILY BAZELON, AND

1175
00:39:40,579 --> 00:39:40,877
POLITICAL GABFEST," JOHN
DICKERSON, EMILY BAZELON, AND
DAVID PLOTZ

1176
00:39:40,879 --> 00:39:42,045
DICKERSON, EMILY BAZELON, AND
DAVID PLOTZ
PLUS MUSICAL GUEST, GRETA VAN

1177
00:39:42,047 --> 00:39:44,781
DAVID PLOTZ
PLUS MUSICAL GUEST, GRETA VAN
FLEET.

1178
00:39:44,783 --> 00:39:46,716
PLUS MUSICAL GUEST, GRETA VAN
FLEET.
JAMES CORDEN IS NEXT.

1179
00:39:46,718 --> 00:39:47,417
FLEET.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1180
00:39:48,119 --> 00:39:49,853
<font color="#ffff00"> Captioning sponsored by CBS</font>

1181
00:39:50,855 --> 00:39:56,726
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org

1182
00:40:00,131 --> 00:40:08,805
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1183
00:40:08,807 --> 00:40:12,075
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♪ ♪ ♪

1184
00:40:12,077 --> 00:40:14,611
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♪ ♪ ♪

1185
00:40:14,613 --> 00:40:16,780
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♪ ♪ ♪

1186
00:40:16,782 --> 00:40:20,750
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♪ ♪ ♪

1187
00:40:20,752 --> 00:40:23,520
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1188
00:40:23,522 --> 00:40:24,053
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1189
00:40:24,055 --> 00:40:26,256
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