1 00:00:01,301 --> 00:00:04,304 IN NEW YORK, CONGRESSMAN JIM JORDAN AND THE HOUSE 2 00:00:04,304 --> 00:00:07,974 JUDICIARY COMMITTEE ARE HERE. THE CHAIR HELD A SO-CALLED 3 00:00:07,974 --> 00:00:11,411 "FIELD HEARING" ON CRIME. IN BRAGG'S MANHATTAN, YOU CAN 4 00:00:11,411 --> 00:00:15,582 RESIST ARREST, DEAL DRUGS, AND EVEN CARRY A GUN TO GET AWAY 5 00:00:15,582 --> 00:00:17,283 WITH IT. CRIME IN NEW YORK CITY IS 6 00:00:17,283 --> 00:00:21,154 ACTUALLY DOWN. HOMICIDES ARE DOWN 9%. 7 00:00:21,154 --> 00:00:23,189 SHOOTINGS ARE DOWN 14%. ROBBERY DOWN 10%. 8 00:00:23,189 --> 00:00:29,662 BURGLARY DOWN 23%. TRANSIT CRIME DOWN 11.5%. 9 00:00:29,662 --> 00:00:34,033 [MELODY OF "NEW YORK, NEW YORK,"] 10 00:00:35,602 --> 00:00:47,280 ♪ ♪ 11 00:01:02,362 --> 00:01:11,204 ♪ ♪ 12 00:01:33,660 --> 00:01:35,728 Announcer: IT'S "THE LATE SHOW 13 00:01:35,728 --> 00:01:44,504 WITH STEPHEN COLBERT." TONIGHT... 14 00:01:44,504 --> 00:01:46,673 IRISH GOOD BIDEN. FIRST, STEPHEN WELCOMES 15 00:01:46,673 --> 00:01:57,016 JOSH GROBAN AND SHERYL LEE RALPH. 16 00:01:57,016 --> 00:02:00,053 WITH A SPECIAL APPEARANCE. FEATURING LOUIS CATO 17 00:02:00,053 --> 00:02:04,090 AND "THE LATE SHOW" BAND. AND NOW, LIVE ON TAPE 18 00:02:04,090 --> 00:02:06,292 FROM THE ED SULLIVAN THEATER IN NEW YORK CITY, 19 00:02:06,292 --> 00:02:15,835 IT'S STEPHEN COLBERT! 20 00:02:22,375 --> 00:02:24,477 ♪ ♪ Stephen: WELCOME ONE AND 21 00:02:24,477 --> 00:02:27,647 ALL TO "THE LATE SHOW." I AM YOUR HOST, STEPHEN COLBERT. 22 00:02:27,647 --> 00:02:32,519 I HOPE YOU ALL HAD A GREAT WEEKEND. 23 00:02:32,519 --> 00:02:34,621 BUT NO MATTER WHAT KIND YOU HAD, YOU DIDN'T HAVE AS MUCH FUN 24 00:02:34,621 --> 00:02:38,791 AS PRESIDENT BIDEN, WHO WRAPPED UP HIS TOUR OF IRELAND. 25 00:02:38,791 --> 00:02:42,095 IT WAS EVERYTHING HE DREAMED. HE MET WITH RELATIVES, TOURED 26 00:02:42,095 --> 00:02:45,298 SOME CASTLES, HE GOT TO VISIT THE MALARKEY FACTORY. 27 00:02:45,298 --> 00:02:48,268 THROUGHOUT THE TRIP, HE DELIVERED A BUNCH OF 28 00:02:48,268 --> 00:02:51,738 SPEECHES, INCLUDING THIS ONE IN DUBLIN, WHERE HE ENDED 29 00:02:51,738 --> 00:02:53,907 WITH THESE INSPIRING WORDS. THERE'S NOTHING OUR 30 00:02:53,907 --> 00:02:55,308 NATIONS CAN'T ACHIEVE IF WE DO IT TOGETHER. 31 00:02:55,308 --> 00:02:58,545 I REALLY MEAN IT. SO THANK YOU ALL, GOD 32 00:02:58,545 --> 00:03:03,650 BLESS YOU ALL AND LET'S GO... LET'S GO LICK THE WORLD, 33 00:03:03,650 --> 00:03:04,951 LET'S GET IT DONE. Stephen: YEAH, BABY! 34 00:03:04,951 --> 00:03:19,999 LICK THE WORLD! [AUDIENCE CHANTING] 35 00:03:19,999 --> 00:03:24,804 I HAVE NO IDEA WHAT THE HELL THAT MEANS THAT IF ANYBODY CAN 36 00:03:24,804 --> 00:03:27,974 DO IT, IT'S JOE BIDEN. THEN BIDEN WAS OFF TO HIS 37 00:03:27,974 --> 00:03:39,185 ANCESTRAL HOME OF COUNTY MAYO, WHERE THEY GAVE ONE HELL OF 38 00:03:39,185 --> 00:03:42,055 AN ENTRANCE. PLEASE WELCOME A SON OF 39 00:03:42,055 --> 00:03:49,395 BALLINA AND THE 46TH PRESIDENT OF THE UNITED STATES, JOE BIDEN! 40 00:03:53,199 --> 00:03:54,968 [DROPKICK MURPHY'S "SHIPPING OFF TO BOSTON" PLAYS] 41 00:03:54,968 --> 00:03:56,970 Stephen: WOW! IT'S JOE BIDEN'S FIRST EVER WWE 42 00:03:56,970 --> 00:03:59,839 ENTRANCE. "OH! 43 00:03:59,839 --> 00:04:02,275 YOU KNOW WHAT THAT MUSIC MEANS: IT'S THE SCRANTON SCRAMBLER 44 00:04:02,275 --> 00:04:06,813 COMIN' IN HOT ON THE ACELA PAIN TRAIN, AND HE'S GOT A TICKET& 45 00:04:06,813 --> 00:04:12,819 FOR THE RIOT CAR!" [MIMICS STEAM WHISTLE] 46 00:04:12,819 --> 00:04:18,891 NOW. [HUMMING TUNE] 47 00:04:18,891 --> 00:04:20,560 AFTER THAT INTRO, FOR SOME REASON, BIDEN STARTED HIS SPEECH 48 00:04:20,560 --> 00:04:28,701 LIKE THIS. HELLO! 49 00:04:28,701 --> 00:04:36,142 MARY, I SEE THE LIGHT! Stephen: NO! 50 00:04:36,142 --> 00:04:38,945 OH, NO, NO. THERE ARE THREE THINGS YOU NEVER 51 00:04:38,945 --> 00:04:44,517 SAY AT YOUR AGE! "I SEE THE LIGHT." 52 00:04:44,517 --> 00:04:47,987 "THAT CAN WAIT UNTIL TOMORROW." 53 00:04:47,987 --> 00:04:55,028 AND "I'LL DRIVE." BIDEN ALSO REMINISCED ABOUT HIS 54 00:04:55,028 --> 00:04:57,597 ANCESTORS WHO NEVER DREAMED THIS DAY WOULD COME. 55 00:04:57,597 --> 00:05:03,169 I DOUBT HE EVER IMAGINED THAT HIS GREAT-GREAT-GREAT GRANDSON 56 00:05:03,169 --> 00:05:04,470 WOULD RETURN 200 YEARS LATER AS PRESIDENT OF THE UNITED STATES 57 00:05:04,470 --> 00:05:08,641 OF AMERICA. Stephen: WOW, I'M SURE HE'D 58 00:05:08,641 --> 00:05:11,077 THINK THAT WAS COOL, BUT SOMEONE BORN 200 YEARS AGO MIGHT FIND 59 00:05:11,077 --> 00:05:15,748 OTHER THINGS MORE IMPRESSIVE. "SAINTS PRESERVE US! 60 00:05:15,748 --> 00:05:19,385 ME GREAT-GREAT-GREAT GRANDSON IS PRESIDENT! 61 00:05:19,385 --> 00:05:21,354 FINE. NOW TELL ME MORE ABOUT THIS 62 00:05:21,354 --> 00:05:26,426 TYPEWRITER IN YOUR POCKET THAT PLAYS PORNOGRAPHY!" 63 00:05:26,426 --> 00:05:28,027 BACK STATESIDE, WE'RE ALL EXCITED BECAUSE TODAY WAS 64 00:05:28,027 --> 00:05:29,228 SUPPOSED TO BE THE FIRST DAY OF DOMINION'S DEFAMATION TRIAL 65 00:05:29,228 --> 00:05:32,832 AGAINST FOX NEWS. BUT EARLY THIS MORNING, WHEN I 66 00:05:32,832 --> 00:05:35,601 WAS ALL SET WITH A BREAKFAST OF POPCORN AND CHAMPAGNE, 67 00:05:35,601 --> 00:05:39,105 I LEARNED THAT THE DOMINION VERSUS FOX TRIAL WAS DELAYED. 68 00:05:39,105 --> 00:05:44,977 NO! NO, NO, NO, NO. 69 00:05:44,977 --> 00:05:47,180 YOU CANNOT TAKE THIS AWAY FROM ME! 70 00:05:47,180 --> 00:05:51,184 THIS IS MY SUPER BOWL! I WANTED TO SEE THE COURTROOM 71 00:05:51,184 --> 00:05:55,154 SKETCH OF RUPERT MURDOCH! WE HAD TO MAKE OUR OWN! 72 00:05:55,154 --> 00:05:58,491 HERE'S A LITTLE BEHIND THE SCENES INFO: 73 00:05:58,491 --> 00:06:01,728 TO MAKE THAT SKETCH, WE JUST TRACED A SCROTUM 74 00:06:01,728 --> 00:06:15,975 AND DREW GLASSES ON IT. [CHEERS AND APPLAUSE] 75 00:06:15,975 --> 00:06:18,111 BUT IT LOOKS LIKE THE TRIAL MIGHT NOT JUST BE DELAYED. 76 00:06:18,111 --> 00:06:19,412 THERE'S A CHANCE IT MAY NOT HAPPEN AT ALL. 77 00:06:19,412 --> 00:06:20,880 BECAUSE APPARENTLY, FOX NEWS IS LOOKING FOR 78 00:06:20,880 --> 00:06:22,048 A POSSIBLE WAY TO SETTLE THE CASE. 79 00:06:22,048 --> 00:06:27,787 SETTLE? DOMINION, JOIN ME OVER HERE 80 00:06:27,787 --> 00:06:38,097 AT THE "BRUNCH" CAM. "GIRL, DO NOT SETTLE! 81 00:06:38,097 --> 00:06:44,704 YOU ARE WORTH MORE. NO, NO, UH-UH, NO. 82 00:06:44,704 --> 00:06:48,908 I WON'T HEAR IT. YOU ARE WORTH MORE. 83 00:06:48,908 --> 00:06:52,011 APPROXIMATELY 1.5 BILLION IN DAMAGES. 84 00:06:52,011 --> 00:06:54,013 HE LIED, HE SAID YOU CHEATED BUT YOU NEVER DID, 85 00:06:54,013 --> 00:06:55,448 AND IF YOU DON'T MAKE HIM GROVEL, HE'S JUST GONNA PULL 86 00:06:55,448 --> 00:06:57,784 THIS WITH ANOTHER INNOCENT YOUNG VOTING COMPANY. 87 00:06:57,784 --> 00:07:12,665 CAN I TRY YOUR WAFFLE?" [CHEERS AND APPLAUSE] 88 00:07:12,665 --> 00:07:14,200 THAT'S A MIMOSA. THERE'S MORE TROUBLE 89 00:07:14,200 --> 00:07:16,202 FOR SUPREME COURT JUSTICE AND MAN BEING TOLD HE MIGHT FACE 90 00:07:16,202 --> 00:07:20,239 CONSEQUENCES, CLARENCE THOMAS. WE HAD ALREADY LEARNED THAT 91 00:07:20,239 --> 00:07:22,375 THOMAS ACCEPTED LAVISH GIFTS AND TRIPS ON THE YACHT 92 00:07:22,375 --> 00:07:28,247 AND PRIVATE JET OF BILLIONAIRE AND GORDON RAMSEY DREDGED 93 00:07:28,247 --> 00:07:30,683 FROM A LAKE, HARLAN CROW. CROW IS AN ARCH-CONSERVATIVE 94 00:07:30,683 --> 00:07:33,452 WHO'S KNOWN FOR HIS ASSORTED NAZI MEMORABILIA 95 00:07:33,452 --> 00:07:36,322 AND GARDEN FULL OF STATUES OF THE 20TH CENTURY'S 96 00:07:36,322 --> 00:07:39,959 WORST DESPOTS. IT'S SO IMPRESSIVE, THEY PUT HIM 97 00:07:39,959 --> 00:07:44,063 ON THE COVER OF "HITLER HOMES AND GOEBBELS." 98 00:07:44,063 --> 00:07:48,234 NOW, THOMAS CLAIMS THAT HE DID NOT HAVE TO REPORT ALL THESE 99 00:07:48,234 --> 00:07:50,303 GIFTS BECAUSE HE AND CROW ARE SUCH CLOSE BUDS. 100 00:07:50,303 --> 00:07:52,839 BUT THIS MUST BE ONE HELL OF A FRIENDSHIP BECAUSE ON THURSDAY 101 00:07:52,839 --> 00:07:56,342 WE LEARNED THAT, BACK 2014, HARLAN CROW BOUGHT PROPERTY FROM 102 00:07:56,342 --> 00:08:00,246 CLARENCE THOMAS, INCLUDING THE HOUSE WHERE THOMAS'S ELDERLY 103 00:08:00,246 --> 00:08:05,551 MOTHER WAS LIVING. THAT MIGHT GIVE HIM INFLUENCE. 104 00:08:05,551 --> 00:08:08,254 "NO, CLARENCE, YOU VOTE HOWEVER YOUR CONSCIENCE DICTATES, 105 00:08:08,254 --> 00:08:13,159 BUT REMEMBER, I AM YOUR MOTHER'S LANDLORD. 106 00:08:13,159 --> 00:08:18,664 OH, MOM'S POWER JUST WENT OUT. OH, NOW IT'S BACK ON. 107 00:08:18,664 --> 00:08:19,932 SERIOUSLY, VOTE HOWEVER YOU WANT. 108 00:08:19,932 --> 00:08:27,173 OH, MOMMY'S IN THE DARK AGAIN. HOPE SHE CAN FIND 109 00:08:27,173 --> 00:08:32,278 THE FRIDGE! ISN'T THAT WHERE 110 00:08:32,278 --> 00:08:37,049 SHE KEEPS HER INSULIN?" NOT ONLY DID CROW BUY THE HOUSE, 111 00:08:37,049 --> 00:08:39,652 BUT LET THOMAS'S MOTHER CONTINUE TO LIVE THERE, MADE RENOVATIONS, 112 00:08:39,652 --> 00:08:42,355 INCLUDING A CARPORT, A REPAIRED ROOF, AND A NEW FENCE 113 00:08:42,355 --> 00:08:44,357 AND GATES, AND SHE LIVES RENT FREE. 114 00:08:44,357 --> 00:08:45,958 SAY WHAT YOU WILL, CLARENCE THOMAS 115 00:08:45,958 --> 00:08:50,196 HAS WON MOTHER'S DAY. "OH, CHOCOLATE COVERED 116 00:08:50,196 --> 00:08:52,064 STRAWBERRIES AGAIN? THAT'S NICE. 117 00:08:52,064 --> 00:08:54,000 I HEAR MRS. THOMAS'S SON BETRAYED THE JUSTICE SYSTEM 118 00:08:54,000 --> 00:08:59,472 TO GET HER A CARPORT." NOW, CROW CLAIMS THERE'S NOTHING 119 00:08:59,472 --> 00:09:02,909 CORRUPT ABOUT THIS, SAYING, "MY INTENTION IS TO ONE DAY 120 00:09:02,909 --> 00:09:06,412 CREATE A PUBLIC MUSEUM AT THE THOMAS HOME. 121 00:09:06,412 --> 00:09:08,748 JUST A REMINDER, HARLAN CROW HAS HITLER'S NAPKINS AND A STATUE 122 00:09:08,748 --> 00:09:13,719 OF STALIN IN HIS GARDEN, SO BUILDING YOU A MUSEUM? 123 00:09:13,719 --> 00:09:20,559 NOT A HUGE COMPLIMENT. NOW, TECHNICALLY, THERE'S 124 00:09:20,559 --> 00:09:24,530 A FEDERAL LAW THAT REQUIRES JUSTICES TO DISCLOSE THE DETAILS 125 00:09:24,530 --> 00:09:28,067 OF REAL ESTATE SALES OVER $1,000, BUT THOMAS 126 00:09:28,067 --> 00:09:32,004 NEVER DISCLOSED THIS SALE. HOWEVER, NOW THAT EVERYONE KNOWS 127 00:09:32,004 --> 00:09:34,540 ABOUT IT, CLARENCE THOMAS SAYS HE WILL AMEND HIS FINANCIAL 128 00:09:34,540 --> 00:09:38,544 DISCLOSURE FORMS TO REFLECT THE SALE. 129 00:09:38,544 --> 00:09:41,314 WHAT? YOU DON'T GET TO JUST MAKE GOOD 130 00:09:41,314 --> 00:09:44,550 AFTER YOU'VE BEEN CAUGHT! "ALL RIGHT, YOU CAUGHT ME. 131 00:09:44,550 --> 00:09:47,253 I STABBED HIM. BUT WATCH AS I TAKE THE KNIFE 132 00:09:47,253 --> 00:09:52,591 OUT OF HIS CHEST AND PUT IT BACK IN THE DRAWER. 133 00:09:52,591 --> 00:09:57,430 NOW, GIVE ME THOSE STABBING DISCLOSURE FORMS. 134 00:09:57,430 --> 00:09:58,731 HOLD ON. STAB, 135 00:09:58,731 --> 00:10:11,544 STAB, STABBITY STAB." 136 00:10:11,544 --> 00:10:13,946 YESTERDAY, CROW DID AN INTERVIEW AND GAVE HIS SIDE OF THE STORY, 137 00:10:13,946 --> 00:10:16,615 TELLING THE REPORTER, "I HAVE TO SET THE RECORD 138 00:10:16,615 --> 00:10:17,783 STRAIGHT." ADDING, "BUT BEFORE I DO, 139 00:10:17,783 --> 00:10:24,690 I MUST TELL YOU, I ALSO BOUGHT YOUR MOTHER'S HOUSE!" 140 00:10:24,690 --> 00:10:27,426 CROW EXPLAINED HOW THE TWO PALS MET. 141 00:10:27,426 --> 00:10:33,899 CROW WAS IN D.C., WHERE HE GOT WORD FROM SOME EXECUTIVE PALS 142 00:10:33,899 --> 00:10:35,668 OF HIS THAT THOMAS NEEDED TO GO TO TEXAS FOR A SPEAKING 143 00:10:35,668 --> 00:10:37,036 ENGAGEMENT, SO HE OFFERED HIM A RIDE 144 00:10:37,036 --> 00:10:39,372 ON HIS PRIVATE JET, AND, AS CROW EXPLAINS, 145 00:10:39,372 --> 00:10:43,576 "DURING THAT FLIGHT, WE FOUND OUT WE WERE KIND OF SIMPATICO. 146 00:10:43,576 --> 00:10:45,745 WE'RE THE SAME AGE. WE GREW UP IN THE SAME ERA. 147 00:10:45,745 --> 00:10:49,715 WE COME FROM ABSOLUTELY POLAR OPPOSITE LIFE STORIES, 148 00:10:49,715 --> 00:10:53,686 BUT WE HAD A LOT IN COMMON." IT'S A HEARTWARMING AMERICAN 149 00:10:53,686 --> 00:10:56,422 STORY. EVEN THOUGH TWO PEOPLE MIGHT 150 00:10:56,422 --> 00:11:00,059 HAVE TOTALLY OPPOSITE BACKGROUNDS, THEY CAN STILL COME 151 00:11:00,059 --> 00:11:02,762 TOGETHER IN THE SKY TO ENJOY HONEY ROAST PEANUTS ON 152 00:11:02,762 --> 00:11:07,233 HIMMLER'S SNACK TRAY. WHEN THE REPORTER ASKED, 153 00:11:07,233 --> 00:11:11,971 "DID HE EVER CONSIDER HIS FRIENDSHIP WITH THOMAS 154 00:11:11,971 --> 00:11:14,373 AS A TICKET TO QUID PRO QUO?" CROW SAID, 155 00:11:14,373 --> 00:11:17,143 "EVERY SINGLE RELATIONSHIP, A BABY'S RELATIONSHIP TO HIS 156 00:11:17,143 --> 00:11:25,017 MOM, HAS SOME KIND OF RECIPROCITY." 157 00:11:25,017 --> 00:11:28,354 NO, NO, NO. HE'S RIGHT. 158 00:11:28,354 --> 00:11:29,655 YEAH, IT'S JUST LIKE A BABY. CLARENCE THOMAS IS SUCKING ON 159 00:11:29,655 --> 00:11:34,126 HIS MONEY TEAT. THIS WEEKEND. 160 00:11:34,126 --> 00:11:40,733 [CHEERS AND APPLAUSE] THIS WEEKEND, THE NRA HOSTED 161 00:11:40,733 --> 00:11:42,068 THEIR ANNUAL CONVENTION IN INDIANAPOLIS. 162 00:11:42,068 --> 00:11:45,004 ONE OF THE SPEAKERS WAS SOUTH DAKOTA GOVERNOR AND 163 00:11:45,004 --> 00:11:49,408 "YELLOWSTONE" EXTRA DISTRACTED BY TWO HORSES HAVING SEX, 164 00:11:49,408 --> 00:11:52,011 KRISTI NOEM. NOEM WANTED TO ASSURE THE 165 00:11:52,011 --> 00:11:57,683 AUDIENCE THAT IT'S NEVER TOO EARLY TO GET YOUR KIDS 166 00:11:57,683 --> 00:11:58,784 EXCITED ABOUT PACKING HEAT. DID YOU KNOW THAT 167 00:11:58,784 --> 00:11:59,652 I'M ALSO A GRANDMOTHER? NOT JUST ONCE, 168 00:11:59,652 --> 00:12:01,420 BUT TWICE. HAVE TWO BEAUTIFUL 169 00:12:01,420 --> 00:12:04,223 GRANDCHILDREN. LITTLE MISS ADDIE, 170 00:12:04,223 --> 00:12:06,859 WHO IS ALMOST TWO, AND BRANCH, WHO IS JUST A FEW MONTHS OLD, 171 00:12:06,859 --> 00:12:09,995 THEY HAVE BROUGHT US SO MUCH JOY. 172 00:12:09,995 --> 00:12:13,199 NOW ADDIE, WHO, YOU KNOW, SOON WILL NEED THEM, I WANT TO 173 00:12:13,199 --> 00:12:16,802 REASSURE YOU, SHE ALREADY HAS A SHOTGUN, AND SHE ALREADY HAS 174 00:12:16,802 --> 00:12:19,805 A RIFLE. Stephen: A TODDLER 175 00:12:19,805 --> 00:12:24,844 WITH A SHOTGUN AND A RIFLE. THAT'S THE REALLY TERRIBLE TWOS. 176 00:12:24,844 --> 00:12:29,849 NOEM WANTED TO MAKE SURE EVERYBODY KNEW ABOUT ONE OF 177 00:12:29,849 --> 00:12:30,983 THE NRA'S GREATEST STRENGTHS: DIVERSITY. 178 00:12:30,983 --> 00:12:33,652 THE MEDIA WOULD HAVE US BELIEVE THAT THE NRA IS ONLY 179 00:12:33,652 --> 00:12:39,892 MADE UP OF OLD WHITE GUYS. AND ALL OF YOU OLD WHITE GUYS 180 00:12:39,892 --> 00:12:46,432 CAN BE PROUD AND RAISE YOUR HANDS. 181 00:12:46,432 --> 00:12:49,335 BUT THERE'S A LOT OF OTHER PEOPLE. 182 00:12:49,335 --> 00:12:57,610 A LOT OF DIVERSITY WITHIN THE NRA. 183 00:12:57,610 --> 00:12:59,745 Stephen: I CAN'T BEAT THAT. WE'VE GOT A GREAT SHOW 184 00:12:59,745 --> 00:13:03,916 FOR YOU TONIGHT. MY GUESTS ARE JOSH GROBAN 185 00:13:03,916 --> 00:13:05,718 AND EMMY AWARD-WINNING ACTOR SHERYL LEE RALPH. 186 00:13:05,718 --> 00:13:07,920 BUT WHEN WE COME BACK, MELANIA TRUMP! 187 00:13:07,920 --> 00:13:09,188 STICK AROUND. 188 00:13:44,190 --> 00:13:45,257 ♪ ♪ Stephen: PLEASE SAY HELLO 189 00:13:45,257 --> 00:13:54,266 TO "THE LATE SHOW" BAND. THIS VERY EVENING, MY FRIENDS, 190 00:13:54,266 --> 00:13:59,805 THIS VERY EVENING WE HAVE TWO GOLDEN THROATED PERFORMANCE 191 00:13:59,805 --> 00:14:02,841 VIRGO PERFORMERS OUT HERE. THE ONE, THE ONLY MR. JOSH 192 00:14:02,841 --> 00:14:08,747 GROBAN. HE IS ON BROADWAY IN "SWEENEY 193 00:14:08,747 --> 00:14:14,853 TODD." SHIRLEY RALPH IS OUT HERE FROM 194 00:14:14,853 --> 00:14:18,657 "ABBOTT ELEMENTARY." SHE SANGHA HER AND 195 00:14:21,860 --> 00:14:28,934 ME WE'VE HEARD VERY LITTLE FROM FORMER FIRST LADY MELANIA BUT 196 00:14:28,934 --> 00:14:32,271 LATELY HER NAME HAS BEEN BACK IN THE NEWS. 197 00:14:32,271 --> 00:14:34,306 THOUGH MOSTLY JUST HER NAME. BECAUSE SHE WAS NOTABLY ABSENT 198 00:14:34,306 --> 00:14:35,541 FROM BOTH HER HUSBAND'S ARRAIGNMENT IN NEW YORK 199 00:14:35,541 --> 00:14:37,142 AS WELL AS FROM HIS SPEECH THAT NIGHT AT MAR-A-LAGO. 200 00:14:37,142 --> 00:14:39,044 AND REPORTS SAY THAT MELANIA HAS BEEN SO RELUCTANT TO RE-ENTER 201 00:14:39,044 --> 00:14:41,046 PUBLIC LIFE THAT THE FORMER PRESIDENT HAD TO BEG HER 202 00:14:41,046 --> 00:14:53,859 TO BE SEEN IN PUBLIC WITH HIM. YOU KNOW IT'S SERIOUS. 203 00:14:53,859 --> 00:14:56,328 USUALLY HE ONLY BEGS FOR 11,000 MORE VOTES IN GEORGIA. 204 00:14:56,328 --> 00:14:58,430 BUT, ON EASTER SUNDAY, SHE DID FINALLY MAKE AN APPEARANCE 205 00:14:58,430 --> 00:14:59,465 WITH THE EX-PRESIDENT, HAVING A VERY PUBLIC BRUNCH 206 00:14:59,465 --> 00:15:02,401 WITH HIM AT MAR-A-LAGO. IT'S AN EASTER MIRACLE! 207 00:15:02,401 --> 00:15:06,105 THE MARRIAGE HAS RISEN, OR THE CHECK HAS CLEARED. 208 00:15:06,105 --> 00:15:11,243 AS YOU CAN SEE, THEIR TABLE WAS ROPED OFF. 209 00:15:11,243 --> 00:15:13,746 BUT IT'S UNCLEAR IF THAT WAS TO KEEP PEOPLE AWAY OR 210 00:15:13,746 --> 00:15:19,518 TO PREVENT HER FROM FLEEING. AND NOW THERE ARE CONFLICTING 211 00:15:19,518 --> 00:15:21,720 REPORTS OUT THERE ABOUT HOW SUPPORTIVE MELANIA INTENDS TO BE 212 00:15:21,720 --> 00:15:23,355 TOWARD HER HUSBAND DURING HIS LEGAL FIGHTS 213 00:15:23,355 --> 00:15:26,425 AND RE-ELECTION CAMPAIGN. ONE INSIDER CLAIMS, "MELANIA IS 214 00:15:26,425 --> 00:15:29,094 NOT NOW OR HASN'T RECENTLY TAKEN PART IN HER HUSBAND'S POLITICAL 215 00:15:29,094 --> 00:15:32,264 EVENTS. I'S NOT COMFORTABLE FOR HER." 216 00:15:32,264 --> 00:15:34,099 MEANWHILE, ANOTHER SOURCE SAYS "THEY HAD A MAJOR TALK 217 00:15:34,099 --> 00:15:38,771 AND SHE HAS AGREED TO BE ON BOARD." 218 00:15:38,771 --> 00:15:41,273 IT SEEMS CONTRADICTORY, UNLESS THEY MEANT "ON BOARD" A PLANE 219 00:15:41,273 --> 00:15:48,447 BACK TO SLOVENIA. SO HERE'S THE THING, 220 00:15:48,447 --> 00:15:49,415 WILL MELANIA BE STANDING BY HER HUSBAND? 221 00:15:49,415 --> 00:15:50,649 AND WILL SHE START APPEARING IN PUBLIC AGAIN? 222 00:15:50,649 --> 00:16:00,392 HERE TO TELL US, IN PUBLIC-- LIVE FROM MAR-A-LAGO-- 223 00:16:00,392 --> 00:16:03,162 IS THE FORMER FIRST LADY! GREAT TO SEE YOU 224 00:16:03,162 --> 00:16:07,032 AGAIN, MADAM FIRST LADY. I HAVE NEVER "BE BEST" 225 00:16:07,032 --> 00:16:09,268 BETTER, STEPHEN. YOU CAN SEE HOW HAPPY I AM 226 00:16:09,268 --> 00:16:14,139 FROM THE SMILE ON MY FACE. Stephen: OKAY. 227 00:16:14,139 --> 00:16:17,276 SO YOU'VE BEEN ENJOYING LIFE OUTSIDE THE WHITE HOUSE? 228 00:16:17,276 --> 00:16:20,079 ABSOLUTELY, IT IS SO GOOD TO GET AWAY FROM WASHINGTON 229 00:16:20,079 --> 00:16:24,616 AND GET BACK TO NORMAL LIFE: SPENDING TIME WITH MY FAMILY, 230 00:16:24,616 --> 00:16:29,121 ENJOYING ROPED-OFF BRUNCHES AT MY LIVE-IN GOLF PRISON 231 00:16:29,121 --> 00:16:40,299 AND DISPOSING OF TOP SECRET DOCUMENTS. 232 00:16:40,299 --> 00:16:44,570 Stephen: THAT LOOKS... LOOKS FIBROUS. 233 00:16:44,570 --> 00:16:47,072 YOU CAN REALLY TASTE THE NATIONAL SECURITY. 234 00:16:47,072 --> 00:16:51,076 Stephen: NOW, MADAM FIRST LADY, I KNOW THE TOPIC 235 00:16:51,076 --> 00:16:52,511 MAY BE JUST A LITTLE SENSITIVE, BUT I HAVE TO ASK YOU 236 00:16:52,511 --> 00:16:53,912 ABOUT YOUR HUSBAND'S ARREST. OH, STEPHEN, I JUST HATE 237 00:16:53,912 --> 00:16:55,047 HEARING THAT WORD. Stephen: ARREST? 238 00:16:55,047 --> 00:16:59,051 NO. "HUSBAND." 239 00:16:59,051 --> 00:17:06,525 [GAGS] Stephen: OKAY, ALL RIGHT, 240 00:17:06,525 --> 00:17:14,867 [GAGS] Stephen: TO THAT POINT, 241 00:17:14,867 --> 00:17:16,435 SOME PEOPLE THINK THAT YOU NOT APPEARING IN NEW YORK 242 00:17:16,435 --> 00:17:17,503 DURING YOUR HUSBAND'S ARRAIGNMENT IS A SIGN THAT YOU 243 00:17:17,503 --> 00:17:22,608 DON'T SUPPORT HIM IN HIS LEGAL FIGHT. 244 00:17:22,608 --> 00:17:25,043 LIES, STEPHEN! WHY WOULD I WANT TO BE AROUND 245 00:17:25,043 --> 00:17:28,847 ALL THOSE GLAMOROUS NEW YORKERS WHEN I CAN BE DOWN HERE WATCHING 246 00:17:28,847 --> 00:17:33,018 RETIRED ORTHODONTISTS PLAY PICKLEBALL? 247 00:17:33,018 --> 00:17:36,355 Stephen: OKAY. BUT THEN WHY DIDN'T YOU ATTEND 248 00:17:36,355 --> 00:17:38,290 THE EVENT HE HAD RIGHT THERE AT MAR-A-LAGO? 249 00:17:38,290 --> 00:17:40,626 I WAS THERE, STEPHEN! BUT NOBODY SAW ME 250 00:17:40,626 --> 00:17:43,061 BECAUSE, DURING HIS SPEECH, I HAPPENED TO BE 251 00:17:43,061 --> 00:17:49,201 IN THE BATHROOM. Stephen: YOU WERE USING 252 00:17:49,201 --> 00:17:51,303 THE BATHROOM FOR THE ENTIRETY OF HIS THIRTY MINUTE SPEECH? 253 00:17:51,303 --> 00:17:53,038 WHAT? IF HE CAN SPEND HALF AN HOUR 254 00:17:53,038 --> 00:17:58,710 SPEWING CRAP, THEN SO CAN I. UP TOP! 255 00:17:58,710 --> 00:18:04,516 Stephen: WOW. MOVING ON. 256 00:18:04,516 --> 00:18:10,055 THIS CASE MUST BE DIFFICULT FOR YOU, MADAM FIRST LADY, 257 00:18:10,055 --> 00:18:11,790 SINCE IT INVOLVES YOUR HUSBAND'S AFFAIR 258 00:18:11,790 --> 00:18:13,025 WITH STORMY DANIELS. HOW DO YOU FEEL ABOUT HER? 259 00:18:13,025 --> 00:18:15,627 HONESTLY, I FEEL BAD FOR THAT WOMAN: 260 00:18:15,627 --> 00:18:22,167 STRUMMY DANUBE. I KNOW WHAT SHE'S BEEN THROUGH. 261 00:18:22,167 --> 00:18:31,043 WORST 90 SECONDS OF YOUR LIFE. Stephen: BUT STILL, HAVING 262 00:18:31,043 --> 00:18:32,878 YOUR HUSBAND GET ARRESTED MUST HAVE BEEN PRETTY STRESSFUL 263 00:18:32,878 --> 00:18:35,647 FOR YOU. SO STRESSFUL! 264 00:18:35,647 --> 00:18:37,950 TO STAY CALM, I HAVE HAD TO PRACTICE MINDFUL BREATHING 265 00:18:37,950 --> 00:18:41,920 EXERCISES. INHALE. 266 00:18:41,920 --> 00:18:52,698 EXHALE. [NOISEMAKER TRUMPETING] 267 00:18:57,169 --> 00:19:14,186 [CHEERS AND APPLAUSE] Stephen: MADAME FIRST LADY, 268 00:19:16,522 --> 00:19:19,291 READING BETWEEN READING BETWEEN THE LINES HERE, 269 00:19:19,291 --> 00:19:21,026 I GET THE IMPRESSION THAT YOU ARE NOT SUPPORTING YOUR HUSBAND 270 00:19:21,026 --> 00:19:22,828 THROUGH HIS LEGAL ISSUES AND RE-ELECTION CAMPAIGN. 271 00:19:22,828 --> 00:19:24,963 WHAAAT? NO. 272 00:19:24,963 --> 00:19:26,932 STEPHEN! NO. 273 00:19:26,932 --> 00:19:28,033 WHAAAT? AND FURTHERMORE, 274 00:19:28,033 --> 00:19:31,003 WHAAT? NO! 275 00:19:31,003 --> 00:19:33,672 Stephen: SO WE CAN EXPECT TO SEE YOU OUT CAMPAIGNING 276 00:19:33,672 --> 00:19:36,174 FOR HIM DURING THIS ELECTION CYCLE? 277 00:19:36,174 --> 00:19:39,177 OH, ABSOLUTELY! WE WILL BE GOING TO ALL THE 278 00:19:39,177 --> 00:19:41,013 BATTLEGROUND STATES. WHEN HE GOES TO IOWA, 279 00:19:41,013 --> 00:19:43,282 I GO TO NEW HAMPSHIRE. WHEN HE GOES TO NEW 280 00:19:43,282 --> 00:19:47,586 HAMPSHIRE, I GO TO PENNSYLVANIA. Stephen: AND IF HE GOES TO 281 00:19:47,586 --> 00:19:50,622 JAIL? I GO TO VEGAS, BABY! 282 00:19:50,622 --> 00:19:52,858 COME ON, MAMA NEEDS A NEW PAIR OF STILETTOS! 283 00:19:52,858 --> 00:19:55,527 [NOISEMAKER HONKS] Stephen: THE FORMER FIRST 284 00:19:55,527 --> 00:19:57,496 LADY, EVERYBODY! WE'LL BE RIGHT BACK 285 00:19:57,496 --> 00:19:58,764 WITH JOSH GROBAN. 286 00:20:17,416 --> 00:20:19,618 ♪ ♪ Stephen: HEY, EVERYBODY! 287 00:20:19,618 --> 00:20:28,560 WELCOME BACK. [CHEERS AND APPLAUSE] 288 00:20:28,560 --> 00:20:32,764 FOLKS, MY FRIENDS, MY FIRST GUEST IS A TONY AND 289 00:20:32,764 --> 00:20:34,600 GRAMMY-NOMINATED SINGER AND ACTOR WHO'S SOLD OVER 290 00:20:34,600 --> 00:20:38,103 30 MILLION RECORDS WORLDWIDE. NOW HE'S BACK ON BROADWAY 291 00:20:38,103 --> 00:20:40,973 AS THE DEMON BARBER OF FLEET STREET IN "SWEENEY TODD." 292 00:20:40,973 --> 00:20:49,915 PLEASE WELCOME BACK TO "THE LATE SHOW," JOSH GROBAN. 293 00:20:49,915 --> 00:21:05,631 [CHEERS AND APPLAUSE] HEY. 294 00:21:05,631 --> 00:21:06,832 Josh: HELLO. Stephen: ICU. 295 00:21:06,832 --> 00:21:11,403 Josh: GOOD TO SEE YOU. THANK YOU SO MUCH FOR HAVING ME. 296 00:21:11,403 --> 00:21:14,239 Stephen: HAVE-NOTS HAD TO TALK WITH YOU IN PERSON IN A 297 00:21:14,239 --> 00:21:18,810 MINUTE OR TWO AS I HAVEN'T HAD A CHANCE TO THANK YOU PUBLICLY. 298 00:21:18,810 --> 00:21:22,214 LAST YEAR YOU AND SARAH BARELA'S TO THE SONG IN CELEBRATION OF 299 00:21:22,214 --> 00:21:25,817 THE 50TH ANNIVERSARY OF MY BEN & JERRY'S CHERRY ICE CREAM. 300 00:21:25,817 --> 00:21:33,058 Josh: WHAT SONG. Stephen: AMAZING 301 00:21:33,058 --> 00:21:37,596 ARRANGEMENT BY LOUIS. LET'S SHOW A CLIP. 302 00:21:37,596 --> 00:21:45,170 ♪ ♪ ♪ ALL THOSE OTHER SECRET 303 00:21:45,170 --> 00:21:49,808 THINGS WHICH I CANNOT SAY ♪ 304 00:21:59,351 --> 00:22:05,190 Josh: OH, YEAH. StSTILL WHAT AN HONOR. 305 00:22:05,190 --> 00:22:09,127 I'VE JUST GOTTEN THAT MELODY OUT OF MY HEAD THREE DAYS AGO AND 306 00:22:09,127 --> 00:22:10,862 NOW BACK. Stephen: YOU'RE NEVER GOING 307 00:22:10,862 --> 00:22:13,632 TO GET THESE MELODIES OUT OF YOUR HEAD BECAUSE YOU ARE BACK 308 00:22:13,632 --> 00:22:22,841 ON BROADWAY. [CHEERS AND APPLAUSE] 309 00:22:22,841 --> 00:22:27,779 "SWEENEY TODD: THE DEMON BARBER OF FLEET STREET." 310 00:22:27,779 --> 00:22:32,284 2016, NATASHA PIERRE THE GREAT COMET OF 1812. 311 00:22:32,284 --> 00:22:35,220 HIS FEEDBACK ON BROADWAY LIKE RIDING A BIKE? 312 00:22:35,220 --> 00:22:36,688 Josh: YOU RELY ON MUSCLE MEMORY ALONG. 313 00:22:36,688 --> 00:22:42,327 IT'S AN AMAZING THING AFTER TOURING AND BEING IN VARIOUS 314 00:22:42,327 --> 00:22:44,696 VENUES. YOU ARE INVITING PEOPLE TO YOUR 315 00:22:44,696 --> 00:22:47,999 SPACE AND YOUR ENERGY EVERY NIGHT TO CONTINUE TO TELL A 316 00:22:47,999 --> 00:22:49,367 STORY. FOR ME I HAVE LOVED THE SHOW 317 00:22:49,367 --> 00:22:52,104 SINCE I WAS VERY, VERY LITTLE. TO HAVE THE OPPORTUNITY TO GIVE 318 00:22:52,104 --> 00:22:54,573 THIS SHOW TO PEOPLE WHO HAVE SEEN IT 50 TIMES. 319 00:22:54,573 --> 00:23:00,579 WE HAVE SUCH AN INCREDIBLE CAST. ANNALEIGH ASHFORD. 320 00:23:00,579 --> 00:23:03,715 LOTS OF YOUNG FANS FOR THEM IN THE AUDIENCE WHO HAVE NEVER SEEN 321 00:23:03,715 --> 00:23:08,553 TODD BEFORE AND YOU CAN HEAR THE VERBAL CLUTCHING OF PEARLS. 322 00:23:08,553 --> 00:23:12,491 THE TWISTS AND TURNS OF THE SH SHOW, I ASSUME EVERYBODY HAS 323 00:23:12,491 --> 00:23:17,662 SEEN T AND KNOW WHAT HAPPENS. BUT YOU HEAR THE "GASP." 324 00:23:17,662 --> 00:23:19,297 Stephen: A BIT OF A DARK TALE. 325 00:23:19,297 --> 00:23:22,467 I DON'T WANT TO GIVE AWAY TOO MUCH FOR THE PEOPLE WHO HAVEN'T 326 00:23:22,467 --> 00:23:25,003 SEEN IT YET WHO MIGHT WANT TO CLUTCH THEIR PEARLS WHEN THEY 327 00:23:25,003 --> 00:23:28,206 GET THERE. HAVE YOU LOST YOUR TASTE FOR 328 00:23:28,206 --> 00:23:32,077 MEAT PIES YET? Josh: WHAT'S FUNNY ABOUT 329 00:23:32,077 --> 00:23:36,982 OUR MEAT PIES IN THIS PARTICULAR PRODUCTION IS AND I AM A 330 00:23:36,982 --> 00:23:41,653 PESCATARIAN AND ANNALEIGH ASHFORD IS GLUTEN-FREE SO THEY 331 00:23:41,653 --> 00:23:45,557 BAKED US SPECIFIC, VERY L.A. MEAT PIES FOR US WITH VEGAN, 332 00:23:45,557 --> 00:23:53,165 GLUTEN-FREE FLOUR. THESE ARE, THESE PIES ARE 333 00:23:53,165 --> 00:23:54,599 DISGUSTING. Stephen: THAT SOUNDS DRIVE. 334 00:23:54,599 --> 00:23:57,068 I DON'T KNOW WHY THAT SOUNDS DRY TO ME. 335 00:23:57,068 --> 00:24:00,505 Josh: VERY DRY AND CRUMBLY. SHE GIVES ME A PIE IN ONE OF THE 336 00:24:00,505 --> 00:24:04,676 SCENES TO EAT IF SHE IS SAYING ABOUT HOW DISGUSTING THE PIE IS 337 00:24:04,676 --> 00:24:06,578 IN ITS METHOD. IT'S DISGUSTING. 338 00:24:06,578 --> 00:24:09,481 DOES A LOT OF THINGS, HARD THINGS I HAVE TO DO IN THE SHOW 339 00:24:09,481 --> 00:24:11,883 BUT I HAVE TO TAKE A BITE OF THIS DISGUSTING CRUMBLY FLAKY 340 00:24:11,883 --> 00:24:16,888 PIE AND I HAVE TO SOMEHOW GET IT DOWN AND THEN I HAVE TO SING A 341 00:24:16,888 --> 00:24:22,994 BALLAD CALLED "MY FRIENDS." A BEAUTIFUL, SOARING BALLAD WITH 342 00:24:22,994 --> 00:24:27,866 FLAKY CRUMBS ON MY VOCAL CORDS. Stephen: NOT A SPOT OF 343 00:24:27,866 --> 00:24:30,101 MOISTURE IN YOUR MOUTH. Josh: YOU SPENT SO MUCH 344 00:24:30,101 --> 00:24:40,078 TIME BACKSTAGE WARMING UP YOUR VOICE AND THEN IT ALL GOES TO 345 00:24:40,078 --> 00:24:42,414 HELL. Stephen: YOU RECENTLY, IT'S 346 00:24:42,414 --> 00:24:50,722 A GREAT PHOTOGRAPH, YOU GOT TOGETHER WITH OTHERS. 347 00:24:50,722 --> 00:24:53,291 SWEENEYS TO CELEBRATE STEPHEN SONDHEIM'S BIRTHDAY. 348 00:24:53,291 --> 00:24:54,993 Josh: HAD TO PUT OUR SCHEDULES AND IN THE DAY THAT IT 349 00:24:54,993 --> 00:25:01,800 LINED UP FOR US TO ALL BE AVAILABLE HAPPENED TO LAND ON 350 00:25:01,800 --> 00:25:06,404 SONDHEIM'S BIRTHDAY. MICHAEL AND NORM. 351 00:25:06,404 --> 00:25:13,478 Stephen: TALKING TO THESE FELLOWS, ESPECIALLY LEN, IS 352 00:25:13,478 --> 00:25:16,381 THERE ANYTHING THEY IMPARTED OUT THE DEMON BARBER THAT WAS USEFUL 353 00:25:16,381 --> 00:25:18,850 TO YOU? Josh: EACH ONE GAVE A 354 00:25:18,850 --> 00:25:21,419 UNIQUE AND INCREDIBLE TAKE ON THE ROLE OF THAT'S INCREDIBLE 355 00:25:21,419 --> 00:25:23,221 THING ABOUT CARRYING THE TORCH AND HOLDING ONTO IT AND KEEPING 356 00:25:23,221 --> 00:25:27,058 IT LEAKED UNTIL THE NEXT AMAZING PRODUCTION OF IT. 357 00:25:27,058 --> 00:25:30,896 MICHAEL GAVE ME SOME INCREDIBLE ADVICE, I HAVE A LOT OF BLOOD ON 358 00:25:30,896 --> 00:25:33,865 ME AT SOME POINT IN THE SHOW INSTANTLY BY THE END, I HAVE 359 00:25:33,865 --> 00:25:38,136 KILLED PEOPLE, EVEN PEOPLE. Stephen: SPOILER ALERT. 360 00:25:38,136 --> 00:25:42,407 Josh: HE IS A DEMON BARBER. IT'S FINE. 361 00:25:42,407 --> 00:25:46,244 WASH IT OFF BEFORE YOU GO HOME, IN ALL THE WAYS WASH IT OFF. 362 00:25:46,244 --> 00:25:49,681 IT'S A BIG ROLE, DARK ROLE, THERE'S A LOT THAT YOU ARE 363 00:25:49,681 --> 00:25:52,484 TAKING ON. METAPHORICALLY, WASH IT OFF. 364 00:25:52,484 --> 00:25:55,086 Stephen: DON'T GO HOME AND SLID PEOPLE'S THROATS. 365 00:25:55,086 --> 00:25:58,924 WE DO SOME ROLLS IT'S OKAY, I IMAGINE GOING HOME AFTER "THE 366 00:25:58,924 --> 00:26:00,692 MUSIC MAN" WAS A DELIGHT. Stephen: WE HAVE TO TAKE A 367 00:26:00,692 --> 00:26:03,762 QUICK BREAK BUT WE'LL BE RIGHT BACK WITH MORE JOSH GROBAN, 368 00:26:03,762 --> 00:26:04,763 EVERYBODY. STICK AROUND 369 00:26:11,770 --> 00:26:13,238 Stephen: HEY, EVERYBODY. LOOK AT THAT. 370 00:26:13,238 --> 00:26:17,309 IT IS THE STAR OF "SWEENEY TODD." 371 00:26:17,309 --> 00:26:21,813 ON BROADWAY AT THE LUNT-FONTANNE THEATRE. 372 00:26:21,813 --> 00:26:28,019 JOSH GROBAN. AFTER SPENDING SO MUCH TIME WITH 373 00:26:28,019 --> 00:26:32,624 SONDHEIM'S INCREDIBLE WORDS AND MUSIC, SADLY WE LOST 374 00:26:32,624 --> 00:26:37,896 STEPHEN SONDHEIM DURING COVID, ANYTHING YOU'D LIKE TO ASK HIM, 375 00:26:37,896 --> 00:26:41,366 ANY QUESTIONS ABOUT HIS WORK? Josh: SONDHEIM LOVED SEEING 376 00:26:41,366 --> 00:26:45,170 HIS WORK INTERPRETED AND DONE. HE ALWAYS HAD A LIGHT IN HIS EYE 377 00:26:45,170 --> 00:26:47,639 WHENEVER HE WOULD TALK ABOUT A PRODUCTION SOMEWHERE THAT WAS 378 00:26:47,639 --> 00:26:51,009 GOING TO DO ONE OF HIS WORKS. WE FELT VERY, VERY GRATEFUL THAT 379 00:26:51,009 --> 00:26:54,045 HE KNEW THIS WAS GOING TO HAPPEN AND HE WAS EXCITED THAT WE WERE 380 00:26:54,045 --> 00:26:58,049 DOING IT AND HE PASSED AWAY SADLY TWO DAYS BEFORE OUR FIRST 381 00:26:58,049 --> 00:26:59,851 MUSIC REHEARSAL, OVER A YEAR AGO NOW. 382 00:26:59,851 --> 00:27:03,321 Stephen: DID YOU EVER HAVE A CHANCE TO PERFORM HIS STUFF IN 383 00:27:03,321 --> 00:27:05,790 FRONT OF HIM? Josh: YES, I WAS VERY LUCKY 384 00:27:05,790 --> 00:27:13,465 TO HAVE HAD A FRIENDSHIP WITH HIM AND I GOT TO SING FOR HIM. 385 00:27:13,465 --> 00:27:16,668 I WAS VERY FORTUNATE TO RIDE ON THE COATTAILS OF THE LATE GREAT 386 00:27:16,668 --> 00:27:20,071 BARBARA COOK WHO INVITED ME. SHE KNEW I WAS A BIG FAN. 387 00:27:20,071 --> 00:27:23,808 INVITED ME TO SING WITH HER AT THE MET HERE IN NEW YORK AND WE 388 00:27:23,808 --> 00:27:26,911 SANG "MOVE ON." FROM SUNDAY IN THE PARK. 389 00:27:26,911 --> 00:27:29,314 STEPHEN WAS OUT THERE AND I DIDN'T KNOW AND SHE SAID 390 00:27:29,314 --> 00:27:34,619 SONDHEIM WAS OUT THERE AND HE SAID IT WAS REALLY, REALLY 391 00:27:34,619 --> 00:27:35,487 BEAUTIFUL. WHAT? 392 00:27:35,487 --> 00:27:38,189 HE DID? AND THEN I GOT INVITED TO SING 393 00:27:38,189 --> 00:27:42,794 AT A BIRTHDAY FOR HIM AT THE HOLLYWOOD BOWL. 394 00:27:42,794 --> 00:27:44,829 THAT'S WHEN I GOT THE HUG. AND CALL ME STEVE. 395 00:27:44,829 --> 00:27:47,432 THAT WAS A BIG MOMENT. GETTING TO MEET HIM WAS THE 396 00:27:47,432 --> 00:27:49,334 BEST. Stephen: I WANT TO ASK YOU 397 00:27:49,334 --> 00:27:58,243 ABOUT THIS RIGHT HERE. THIS IS A GREAT PHOTOGRAPH. 398 00:27:58,243 --> 00:28:00,478 PERFORMING "THE STAR-SPANGLED BANNER" 399 00:28:00,478 --> 00:28:02,313 OUTSIDE. IT'S VERY LARGE ASSEMBLY 400 00:28:02,313 --> 00:28:05,050 BUILDING. Josh: YES, THE LARGEST 401 00:28:05,050 --> 00:28:08,987 DOUBLE DOORS IN THE WORLD. Stephen: KENNEDY SPACE 402 00:28:08,987 --> 00:28:11,489 CENTER. WHAT ARE YOU DOING THERE? 403 00:28:11,489 --> 00:28:16,628 Josh: GETTING ALLERGIES. STANDING IN A FIELD. 404 00:28:16,628 --> 00:28:22,300 GOSH, WE TAPED IT WITH THE ARTEMIS 1 LAUNCH WAS THE ONE-- 405 00:28:22,300 --> 00:28:29,174 THE UNCREWED MISSION. I AM A SPACE NOT PAID WHEN THEY 406 00:28:29,174 --> 00:28:32,444 ASKED ME IF I WOULD FILM THE NATIONAL HINT THEM AND SEND IT 407 00:28:32,444 --> 00:28:42,253 FROM HOME, IF I GET A TICKET TO, THE COOLEST DAY OF MY LIFE. 408 00:28:42,253 --> 00:28:47,926 I WENT IN THE BUILDING. WE WENT IN AND THE ROCKET WAS IN 409 00:28:47,926 --> 00:28:52,797 THE BUILDING. I GET A WEIRD FEELING WHERE I 410 00:28:52,797 --> 00:28:55,266 SEE LARGE THINGS BUT THEY SHOULDN'T BE. 411 00:28:55,266 --> 00:28:58,136 WHEN I SEE A SHIPWRECK UNDERWATER, THE WEIRD FEELING, 412 00:28:58,136 --> 00:29:00,305 YOU GET TOO CLOSE TO THE STATUE OF LIBERTY. 413 00:29:00,305 --> 00:29:03,908 IT'S WEIRD. I'M THE ONLY ONE. 414 00:29:03,908 --> 00:29:07,112 IT'S OKAY. SEEING THAT ROCKET IN THE HANGAR 415 00:29:07,112 --> 00:29:09,481 WHICH IS ONE OF THE TALLEST FREESTANDING BUILDINGS IN THE 416 00:29:09,481 --> 00:29:14,285 WORLD, IT WAS REMARKABLE. WATCHING IT, THEY ASKED IF I 417 00:29:14,285 --> 00:29:18,022 WANTED TO LIVE ON THE DAY AND I'M GLAD THAT WE PRETAPED TO 418 00:29:18,022 --> 00:29:19,858 BECAUSE THEY DELAYED IT EIGHT TIMES. 419 00:29:19,858 --> 00:29:22,694 I WATCHED THE LAUNCH ON TV. Stephen: WOULDN'T YOU WANT 420 00:29:22,694 --> 00:29:25,430 TO BE THERE? Josh: THAT IS NEXT ON MY 421 00:29:25,430 --> 00:29:27,899 BUCKET LIST. Stephen: THE BIG ROCKETS, 422 00:29:27,899 --> 00:29:33,071 NOT THE LOW EARTH ORBIT STUFF. I HEAR THAT YOU FEEL IN YOUR 423 00:29:33,071 --> 00:29:34,339 CHEST. Josh: BEFORE THEY PUT THE 424 00:29:34,339 --> 00:29:38,276 ROCKET ON, I GOT TO TAKE IT TOUR OF THE FLAME TRENCH WHERE THE 425 00:29:38,276 --> 00:29:43,915 FIRE GOES. ISN'T THAT OMINOUS? 426 00:29:43,915 --> 00:29:47,886 Stephen: WOULD YOU LIKE TO SEE THE FLAME TRENCH? 427 00:29:47,886 --> 00:29:50,722 Josh: THE GUY WHO WAS GIVING THE TOUR SAID WE LOSE 428 00:29:50,722 --> 00:29:54,125 ABOUT A THOUSAND BIRDS EVERY TIME WE LAUNCH ONE OF THESE. 429 00:29:54,125 --> 00:29:58,863 NO! Stephen: NO! 430 00:29:58,863 --> 00:30:00,365 Josh: I THINK HE WAS KIDDING. 431 00:30:00,365 --> 00:30:01,799 Stephen: LET'S SAY HE WAS KIDDING. 432 00:30:01,799 --> 00:30:06,838 Josh: NOBODY SURVIVES THE FLAME TRENCH. 433 00:30:06,838 --> 00:30:10,808 Stephen: WE THROW CORN IN THERE BEFOREHAND. 434 00:30:10,808 --> 00:30:14,212 SO WHAT SAY WHEN THEY LAUNCH ARTEMIS 2, WE GO DOWN THERE? 435 00:30:14,212 --> 00:30:17,115 Josh: I WOULD LOVE TO. I WILL GIVE YOU A TOUR OF THE 436 00:30:17,115 --> 00:30:18,783 FLAME TRENCH. Stephen: I WOULD BE 437 00:30:18,783 --> 00:30:20,718 HONORED. THANK YOU, JOSH. 438 00:30:20,718 --> 00:30:21,553 GOOD "SWEENEY TODD" IS ON BROADWAY 439 00:30:21,553 --> 00:30:24,989 TO SEE YOU. NOW AT THE LUNT-FONTANNE 440 00:30:24,989 --> 00:30:27,559 THEATRE. IT'S JOSH GROBAN. 441 00:30:27,559 --> 00:30:29,727 EVERYBODY. WE'LL BE RIGHT BACK WITH STAR OF 442 00:30:29,727 --> 00:30:33,131 "ABBOTT ELEMENTARY," SHERYL LEE RALPH. 443 00:30:54,085 --> 00:30:58,423 Stephen: SWITCH 'EM UP. WELCOME BACK, EVERYBODY. 444 00:30:58,423 --> 00:31:01,125 MY NEXT GUEST IS A TONY AWARD-NOMINATED 445 00:31:01,125 --> 00:31:03,962 AND EMMY AWARD-WINNING ACTRESS YOU KNOW FROM THE ORIGINAL 446 00:31:03,962 --> 00:31:05,363 BROADWAY CAST OF "DREAMGIRLS" AND TV SHOWS LIKE "MOESHA" 447 00:31:05,363 --> 00:31:16,074 AND "ABBOTT ELEMENTARY." OH, EXCUSE ME. 448 00:31:16,074 --> 00:31:20,011 ARE THERE ANY PRIVATE QUARTERS? SPEAK WE'VE GOT KIDS BY THE 449 00:31:20,011 --> 00:31:22,880 TRAIN AND THE MAP ROOM. THE ONE PLACE THIS EMPTIES THE 450 00:31:22,880 --> 00:31:26,084 GALAXY ROOM ALTHOUGH I CAN FEEL KIND OF CREEPY AND THERE AT 451 00:31:26,084 --> 00:31:27,218 NIGHT. THAT'S PERFECT. 452 00:31:27,218 --> 00:31:31,189 DON'T LISTEN TO THIS CLOWN. SHE IS NOT FROM PHILLY. 453 00:31:31,189 --> 00:31:35,093 DOESN'T PRECLUDE ME FROM KNOWING THE LAYOUT OF THE 454 00:31:35,093 --> 00:31:36,261 MUSEUM? PROBABLY. 455 00:31:36,261 --> 00:31:38,896 WHAT'S THE MATTER? YOU DON'T WANT TO SLEEP IN HERE 456 00:31:38,896 --> 00:31:41,599 WITH US? I DO BUT I NEED SPACE TO CALL 457 00:31:41,599 --> 00:31:48,673 MY KIDS DOWN. MY KIDS AND HALF THE SCHOOL IS 458 00:31:48,673 --> 00:31:50,375 TRAUMATIZED. Stephen: PLEASE WELCOME 459 00:31:50,375 --> 00:31:52,477 TO "THE LATE SHOW," SHERYL LEE RALPH. 460 00:31:52,477 --> 00:32:28,746 [CHEERS AND APPLAUSE] ♪ ♪ 461 00:32:28,746 --> 00:32:30,815 Sheryl Lee: ! THANK YOU. 462 00:32:30,815 --> 00:32:32,517 OH, MY GOD, HI. THANK YOU. 463 00:32:32,517 --> 00:32:36,788 Stephen: YOU ARE LOVELY DANCER AND YOU LOOK BEAUTIFUL. 464 00:32:36,788 --> 00:32:44,529 Sheryl Lee: HAVE A SEAT. Sheryl Lee: THINK YOU. 465 00:32:44,529 --> 00:32:47,365 Stephen: SO NICE TO MEET YOU. 466 00:32:47,365 --> 00:32:52,103 I AND EVERYBODY AT THE SHOW WHO WAS AT THE EMMYs LOVED YOUR 467 00:32:52,103 --> 00:32:54,505 SPEECH. HERE YOU ARE WINNING THE EMMY 468 00:32:54,505 --> 00:33:01,145 FOR YOUR ROLE ON "ABBOTT ELEMENTARY." 469 00:33:01,145 --> 00:33:04,549 FUN, BIG NIGHT, PARTIES, MORE FUN TO GO TO THE PARTIES NEW 470 00:33:04,549 --> 00:33:07,085 HAVE AN EMMY IN YOUR HAND BUT I UNDERSTAND YOU HAVE TO GET UP 471 00:33:07,085 --> 00:33:11,089 REALLY EARLY THE NEXT MORNING AND GO TO WORK ON "ABBOTT 472 00:33:11,089 --> 00:33:12,657 ELEMENTARY" AGAIN. Sheryl Lee: WE HAD TO BE 473 00:33:12,657 --> 00:33:15,793 ABOUT 5:00 AND WORK AT 7:00 AND THAT WAS LATE. 474 00:33:15,793 --> 00:33:21,299 I WAS LIKE, COME ON, YOU ALL. REALLY? 475 00:33:21,299 --> 00:33:24,569 MOTHER IS TIRED. BUT OH, MY GOSH, WHAT A NIGHT 476 00:33:24,569 --> 00:33:27,438 THAT WAS. I WAS IN HEAVEN THE WHOLE TIME. 477 00:33:27,438 --> 00:33:30,908 Stephen: DID YOU KNOW THAT YOU WERE GOING TO BURST INTO 478 00:33:30,908 --> 00:33:36,514 SONG WHEN YOU WENT UP THERE? Sheryl Lee: I WAS SO IN 479 00:33:36,514 --> 00:33:38,383 SHOCK. I WAS SO NERVOUS. 480 00:33:38,383 --> 00:33:44,756 I WAS LITERALLY SHAKING. I COULDN'T BELIEVE THAT WHEN 481 00:33:44,756 --> 00:33:46,691 AMY POEHLER SAID SHERYL LEE RALPH. 482 00:33:46,691 --> 00:33:47,792 I WAS LIKE OH! OH! 483 00:33:47,792 --> 00:33:50,628 AND I LOST IT. I LOST IT. 484 00:33:50,628 --> 00:33:54,332 Stephen: IT WAS AN EARLY MORNING BUT YOU HAD A LOVELY, 485 00:33:54,332 --> 00:34:02,373 JUST A MODEST BOUQUET OF FLOWERS SENT OVER BY OPRAH FOR YOU. 486 00:34:02,373 --> 00:34:05,743 WHAT TO DO WITH THAT? SPEAK TO YOU ALL, I HAVE TO TELL 487 00:34:05,743 --> 00:34:08,513 YOU SOMETHING. YOU SEE THAT? 488 00:34:08,513 --> 00:34:12,150 IT TOOK A FLATBED TO BRING THE FLOWERS ON. 489 00:34:12,150 --> 00:34:18,556 IT TOOK FOUR MEN AND A TRUCK TO GET THE FLOWERS TO MY HOUSE. 490 00:34:18,556 --> 00:34:23,361 IF I DIDN'T HAVE WIDE DOORS AT MY HOUSE, THEY WOULD BE SITTING 491 00:34:23,361 --> 00:34:27,064 OUT ON THE FRONT CURB. SO IT WAS JUST AN AMAZING 492 00:34:27,064 --> 00:34:28,966 MOMENT. THERE WAS NO WAY TO LIFT IT. 493 00:34:28,966 --> 00:34:32,036 IT MUST HAVE WEIGHED AT LEAST 100 POUNDS. 494 00:34:32,036 --> 00:34:35,339 AT 100 POUNDS OF FLOWERS. IT WAS CRAZY. 495 00:34:35,339 --> 00:34:37,742 THANK YOU, OPRAH. Stephen: I'VE GOT TO ASK 496 00:34:37,742 --> 00:34:43,981 YOU SOMETHING, ASK YOU SOMETHING ABOUT THE ROLE, WC FIELDS, THE 497 00:34:43,981 --> 00:34:48,252 GREAT SAID FAMOUSLY, NEVER WORK WITH ANIMALS OR CHILDREN. 498 00:34:48,252 --> 00:34:51,689 HOW DO YOU FEEL ABOUT THAT AS SOMEONE WHO WORKS WITH CHILDREN 499 00:34:51,689 --> 00:34:53,925 ON A DAILY BASIS? Sheryl Lee: I HAVE TO SAY 500 00:34:53,925 --> 00:34:56,727 HE IS WRONG. WHEN YOU WORK WITH CHILDREN, YOU 501 00:34:56,727 --> 00:35:01,732 ALWAYS GO HOME AT A DECENT HOUR. Stephen: OH, THAT'S RIGHT, 502 00:35:01,732 --> 00:35:04,068 THAT'S RIGHT, YOU MAKE THE BREAK. 503 00:35:04,068 --> 00:35:06,604 Sheryl Lee: THAT'S EXACTLY RIGHT. 504 00:35:06,604 --> 00:35:10,475 WHEN IT COMES TO ANIMALS, I LOVE ANIMALS VERY MUCH. 505 00:35:10,475 --> 00:35:13,010 BUT YOU HAVE TO TRAIN ANIMALS. CHILDREN ARE SOMETIMES LIKE 506 00:35:13,010 --> 00:35:16,514 LITTLE PUPPIES. IF YOU DO NOT TRAIN THEM, THEY 507 00:35:16,514 --> 00:35:20,651 WILL MESS UP ON THE CARPET. Stephen: WANTS HER 508 00:35:20,651 --> 00:35:24,455 RELATIONSHIP WITH THESE KIDS? YOU'VE GOT THE SAME KIDS OVER 509 00:35:24,455 --> 00:35:25,723 AND OVER AGAIN? Sheryl Lee: THESE KIDS ARE 510 00:35:25,723 --> 00:35:31,028 SO SWEET, SO BRIGHT, SO SMART. WHEN I ENTER MY CLASSROOM I KNOW 511 00:35:31,028 --> 00:35:34,065 THAT I'M LOOKING AT THE NEXT GENERATIONS OF SHOW BUSINESS. 512 00:35:34,065 --> 00:35:37,401 THEY ARE THAT SMART. THEY ASK THE RIGHT QUESTIONS. 513 00:35:37,401 --> 00:35:42,306 BUT THEY REALLY BELIEVE I'M THEIR TEACHER. 514 00:35:42,306 --> 00:35:58,155 YEAH, AND THEY ARE LIKE KIDS AND THEY WANT TO KNOW, OKAY, WHAT'S 515 00:35:58,155 --> 00:35:59,323 IN CLASS TODAY? WHEN I GIVE THEM THEIR 516 00:35:59,323 --> 00:36:00,591 ASSIGNMENTS TO KEEP THEM BUSY WHILE I'M DOING MY JOB, THEY 517 00:36:00,591 --> 00:36:01,492 WANT TO FILL IT ALL IN AND THEN THEY ARE LIKE, MRS. HOWARD, HERE 518 00:36:01,492 --> 00:36:02,727 IS MY PAPER. IT'S LIKE, I WANT TO SAY THEY 519 00:36:02,727 --> 00:36:07,098 BECOME OF THIS IS MS. RALPH. I AM TRYING TO DO MY JOB, SO SH 520 00:36:07,098 --> 00:36:09,267 SHH. BUT I HAVE THE BEST CLASS. 521 00:36:09,267 --> 00:36:11,102 EVERYBODY SAYS YOUR CLASSES SO WELL BEHAVED. 522 00:36:11,102 --> 00:36:16,140 I SAY HONEY, IT'S MY CLASS. Stephen: IN ADDITION TO THE 523 00:36:16,140 --> 00:36:19,577 EMMY, THIS IS A GREAT PHOTOGRAPH, YOU RECEIVED THE 524 00:36:19,577 --> 00:36:22,079 ORDER OF JAMAICA. Sheryl Lee: YES. 525 00:36:22,079 --> 00:36:25,149 Stephen: I DIDN'T KNOW THAT YOU HAD JAMAICAN ROOTS. 526 00:36:25,149 --> 00:36:29,620 Sheryl Lee: YES. MY MOM WAS FROM JAMAICA. 527 00:36:29,620 --> 00:36:31,856 SHE LOVED HER COUNTRY, OR ISLAND. 528 00:36:31,856 --> 00:36:34,692 SHE CAME HERE TO FIND HER AMERICAN DREAM. 529 00:36:34,692 --> 00:36:40,464 SHE MET MY DAD, AND HERE I AM. Stephen: AND THERE YOU ARE. 530 00:36:40,464 --> 00:36:45,836 Sheryl Lee: AND MY NAME CHANGES, SOME PEOPLE HAVE H.R. 531 00:36:45,836 --> 00:36:51,909 AGE, HER ROYAL HIGHNESS, I AM NOW THE HONORABLE TH 532 00:36:51,909 --> 00:36:56,847 SHERYL LEE RALPH O.J. ORDER OF JAMAICA, SORT OF LIKE BEING DAME 533 00:36:56,847 --> 00:37:08,859 DJUDI DENCH.THANK YOU. Stephen: YOUR BOOK, AN 534 00:37:08,859 --> 00:37:11,963 UPDATED PUBLISHED MEMOIR. DEVO 2.0. 535 00:37:11,963 --> 00:37:17,101 IN THE INTRO, YOU CALL YOURSELF THE ULTIMATE DIVA. 536 00:37:17,101 --> 00:37:20,705 WHAT DOES THAT MEAN? Sheryl Lee: DIVINELY 537 00:37:20,705 --> 00:37:25,142 INSPIRED VICTORIOUSLY ALIVE, OR WHERE, AWESOME, AUDACIOUS, AND 538 00:37:25,142 --> 00:37:30,414 IT WAS SUNDAY, WE WOULD BE ANOINTED! 539 00:37:30,414 --> 00:37:38,155 YES! [CHEERS AND APPLAUSE] 540 00:37:38,155 --> 00:37:40,191 YES! Stephen: IT SAYS 12 LIFE 541 00:37:40,191 --> 00:37:44,528 LESSONS FROM ME TO YOU. CAN YOU SHARE ONE? 542 00:37:44,528 --> 00:37:45,830 ANOINT US. Sheryl Lee: I ALWAYS HAVE 543 00:37:45,830 --> 00:37:48,466 TO SAY TO PEOPLE COMING OF THE BEST LESSON, THE BEST 544 00:37:48,466 --> 00:37:50,901 RELATIONSHIP YOU WILL EVER HAVE IN LIFE IS THE ONE THAT YOU HAVE 545 00:37:50,901 --> 00:37:56,107 WITH YOURSELF. YES, IT'S THE TRUTH. 546 00:37:56,107 --> 00:38:00,444 YOU GET UP IN THE MORNING, LOOK IN THE MIRROR, AND START 547 00:38:00,444 --> 00:38:03,814 PRACTICING LOVING WHAT YOU SEE. BECAUSE YOU ARE WONDERFUL. 548 00:38:03,814 --> 00:38:11,122 [CHEERS AND APPLAUSE] Stephen: I LIKE THAT. 549 00:38:11,122 --> 00:38:17,528 WHO IS THE MOST DIVA DIVA YOU EVER KNEW? 550 00:38:17,528 --> 00:38:19,830 Sheryl Lee: I'VE MET SO MANY. 551 00:38:19,830 --> 00:38:21,632 I HAVE. Stephen: NOT IN THE MIRROR, 552 00:38:21,632 --> 00:38:25,836 SOMEONE NOT IN THE MIRROR. Sheryl Lee: OKAY. 553 00:38:25,836 --> 00:38:31,642 IF I WERE TO THINK BACK, I WENT TO CANNES FOR A FILM FESTIVAL 554 00:38:31,642 --> 00:38:36,047 AND THERE WAS A PARTY FOR GREGORY PECK AND I MET GREGORY 555 00:38:36,047 --> 00:38:40,451 PECK WHO WAS SO TALL AND HANDSOME, JUST WONDERFUL. 556 00:38:40,451 --> 00:38:48,993 HE WAS NOT A DIVA BUT IN THE ROOM WAS NINA SIMONE, AND I 557 00:38:48,993 --> 00:38:51,796 REMEMBER BEING STUNNED THAT I WAS IN THE SAME ROOM WITH THIS 558 00:38:51,796 --> 00:38:55,900 AMAZING WOMAN. I WENT UP TO HER AND I SAID 559 00:38:55,900 --> 00:39:00,638 "YOU'RE NINA SIMONE. "SHE TURNED AND SHE SAID "WHY 560 00:39:00,638 --> 00:39:06,110 YES, I AM." I WAS LIKE OH, DIVA, YES. 561 00:39:06,110 --> 00:39:09,780 SHE KNEW WHO I WAS. SHE KNEW ABOUT "DREAMGIRLS." 562 00:39:09,780 --> 00:39:13,551 WE TALKED. I WILL NEVER FORGET THAT MOMENT. 563 00:39:13,551 --> 00:39:18,589 I WAS IN THE COMPANY OF NOT JUST GREGORY PECK BUT NINA SIMONE 564 00:39:18,589 --> 00:39:19,824 TOO. IT WAS GREAT. 565 00:39:19,824 --> 00:39:22,893 Stephen: WE ARE ALL FANS AND WE WERE ALL PARTICULAR FANS 566 00:39:22,893 --> 00:39:25,663 OF YOUR BEAUTIFUL SPEECH AT THE EMMYS. 567 00:39:25,663 --> 00:39:29,266 WE ARE NOT OPRAH BUT WE WANTED TO GIVE YOU OUR OWN 568 00:39:29,266 --> 00:39:32,770 CONGRATULATORY BOUQUET. CONGRATULATIONS, DIVA. 569 00:39:32,770 --> 00:39:38,375 "A "ABBOTT ELEMENTARY'S" 570 00:39:38,375 --> 00:39:39,376 SEASON 2 FINALE AIRS WEDNESDAY ON ABC. 571 00:39:39,376 --> 00:39:41,879 SHERYL LEE RALPH, EVERYBODY. WE'LL BE RIGHT BACK. 572 00:40:02,466 --> 00:40:03,534 Stephen: THAT'S IT FOR "THE LATE SHOW." 573 00:40:03,534 --> 00:40:06,637 TUNE IN TOMORROW WHEN MY GUESTS WILL BE WOODY HARRELSON 574 00:40:06,637 --> 00:40:10,541 AND JUSTIN THEROUX. AND MR. MIXAPLIX. 575 00:40:10,541 --> 00:40:12,576 STICK AROUND FOR JAMES. GOOD NIGHT!