1 00:00:02,001 --> 00:00:04,938 EARLIER THIS AFTERNOON, DONALD TRUMP WAS ARRAIGNED 2 00:00:04,938 --> 00:00:06,740 ON A NEW YORK SUPREME COURT INDICTMENT RETURNED BY A 3 00:00:06,740 --> 00:00:11,945 MANHATTAN GRAND JURY ON 34 FELONY COUNTS. 4 00:00:11,945 --> 00:00:13,947 FORMER PRESIDENT TRUMP HAS OFFICIALLY BEEN ARRAIGNED IN 5 00:00:13,947 --> 00:00:15,448 NEW YORK CITY. 6 00:00:15,448 --> 00:00:19,986 [MELODY OF "ARTHUR'S THEME"] ♪ ♪ 7 00:01:05,999 --> 00:01:07,901 GO TO JAIL. 8 00:01:07,901 --> 00:01:09,169 Announcer: IT'S "THE LATE SHOW 9 00:01:09,169 --> 00:01:11,771 WITH STEPHEN COLBERT." 10 00:01:11,771 --> 00:01:13,940 TONIGHT... 11 00:01:13,940 --> 00:01:15,241 BAIL TO THE CHIEF. 12 00:01:15,241 --> 00:01:20,947 FIRST, STEPHEN WELCOMES LIN MANUEL-MIRANDA 13 00:01:20,947 --> 00:01:26,953 AND JOHN KANDER AND A PERFORMANCE FROM THE 14 00:01:26,953 --> 00:01:30,190 BROADWAY PRODUCTION OF "NEW YORK, NEW YORK," 15 00:01:30,190 --> 00:01:33,960 FEATURING LOUIS CATO AND "THE LATE SHOW" BAND. 16 00:01:33,960 --> 00:01:38,965 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER 17 00:01:38,965 --> 00:01:44,037 IN NEW YORK CITY, IT'S STEPHEN COLBERT. 18 00:01:52,111 --> 00:01:54,113 Stephen: HEY! 19 00:02:01,454 --> 00:02:02,222 BEAUTIFUL. 20 00:02:02,222 --> 00:02:05,925 [CHEERS AND APPLAUSE] OH, YES. 21 00:02:05,925 --> 00:02:09,195 TUESDAY, TUESDAY, TUESDAY, BABY. 22 00:02:09,195 --> 00:02:10,430 THANK YOU. 23 00:02:10,430 --> 00:02:12,098 SIT, SIT, SIT. 24 00:02:12,098 --> 00:02:13,933 WELL COMPARED ONE AT ALL TO "THE LATE SHOW." 25 00:02:13,933 --> 00:02:16,636 I'M YOUR HOST, STEPHEN COLBERT. 26 00:02:16,636 --> 00:02:19,939 IT WAS ABSOLUTELY BEAUTIFUL DAY HERE IN NEW YORK. 27 00:02:19,939 --> 00:02:20,840 70 DEGREES. 28 00:02:20,840 --> 00:02:26,946 [CHEERS AND APPLAUSE] 70 DEGREES AND SUNNY 29 00:02:26,946 --> 00:02:29,649 WITH A CHANCE OF JAIL. 30 00:02:29,649 --> 00:02:33,119 BECAUSE ABOUT FOUR MILES SOUTH OF HERE, THE FORMER PRESIDENT 31 00:02:33,119 --> 00:02:35,989 WAS ARRAIGNED ON 34 FELONY COUNTS. 32 00:02:35,989 --> 00:02:39,559 HE WAS SUPPOSED TO ARRIVE AT THE COURTHOUSE AROUND 11:00 A.M., 33 00:02:39,559 --> 00:02:45,965 BUT HE DIDN'T LEAVE HIS BUILDING UNTIL AFTER 1:00 P.M. 34 00:02:45,965 --> 00:02:48,968 WHICH IS PRETTY LATE, BUT IN HIS DEFENSE, 35 00:02:48,968 --> 00:02:51,971 THOSE SPONGEBOB EPISODES JUST KEEP AUTO-PLAYING. 36 00:02:51,971 --> 00:02:53,072 YOU'VE GOT TO SHUT IT. 37 00:02:53,072 --> 00:02:56,543 ONCE HE FINALLY ARRIVED, WE HEARD THESE IMMORTAL WORDS. 38 00:02:56,543 --> 00:02:59,913 THIS MOMENT AT 1:24 P.M. 39 00:02:59,913 --> 00:03:06,519 EASTERN TIME, DONALD J. TRUMP IS UNDER ARREST. 40 00:03:06,519 --> 00:03:11,858 [CHEERS AND APPLAUSE] Stephen: ALL RIGHT, I 41 00:03:11,858 --> 00:03:13,626 UNDERSTAND. 42 00:03:13,626 --> 00:03:16,930 I KNOW. 43 00:03:16,930 --> 00:03:20,099 IT FEELS GOOD. 44 00:03:20,099 --> 00:03:21,734 BUT REMEMBER, HE'S INNOCENT UNTIL PROVEN 45 00:03:21,734 --> 00:03:23,136 SO, SO GUILTY. 46 00:03:23,136 --> 00:03:27,407 AT THAT POINT, OF COURSE, HE WAS READ HIS MIRANDA RIGHTS. 47 00:03:27,407 --> 00:03:29,742 THEN HE CLAIMED MIRANDA WASN'T EVEN HIS TYPE, ASKED HER 48 00:03:29,742 --> 00:03:32,845 TO SIGN AN NDA, AND GOT INDICTED AGAIN. 49 00:03:32,845 --> 00:03:33,947 THE JUDGE RULED THAT VIDEO CAMERAS WERE NOT 50 00:03:33,947 --> 00:03:35,949 ALLOWED IN THE COURTROOM, BUT DID ALLOW SOME 51 00:03:35,949 --> 00:03:37,750 STILL PHOTOGRAPHY. 52 00:03:37,750 --> 00:03:42,288 HERE T IS. 53 00:03:42,288 --> 00:03:45,825 TO HIS LEFT IS HIS LAWYER, JOE TACOPINA, 54 00:03:45,825 --> 00:03:48,461 SEEN HERE SAYING, "HOW MANY TS IN ATTORNEY? 55 00:03:48,461 --> 00:03:49,996 HEY, WHEN YOU TRACE YOUR HAND IT KINDA LOOKS LIKE A TURKEY! 56 00:03:49,996 --> 00:03:56,336 BOSS, SHOULD WE GET SANDWICHES?" THEN, FOR A LONG TIME, 57 00:03:56,336 --> 00:03:59,472 ALL WE HAD WAS THESE STILL PHOTOS, SO CABLE NEWS DID THEIR 58 00:03:59,472 --> 00:04:00,473 BEST TO FILL TIME. 59 00:04:00,473 --> 00:04:01,841 THAT IS A PISSED OFF DONALD TRUMP. 60 00:04:01,841 --> 00:04:04,877 HE DOESN'T LOOK LIKE A HAPPY MAN IN THESE IMAGES. 61 00:04:04,877 --> 00:04:07,280 NO QUESTION THAT IS AN ANGRY DONALD TRUMP. 62 00:04:07,280 --> 00:04:12,919 IT'S NOT JUST ANGER, THERE'S A WEIGHT, 63 00:04:12,919 --> 00:04:14,921 THERE'S A SADNESS. 64 00:04:14,921 --> 00:04:17,190 HE LOOKS LIKE A DEFEATED MAN. 65 00:04:17,190 --> 00:04:18,291 ALMOST PENSIVE. 66 00:04:18,291 --> 00:04:20,693 Stephen: PENSIVE? 67 00:04:20,693 --> 00:04:26,599 YOU KNOW PENSIVE MEANS "THINKING," RIGHT? 68 00:04:26,599 --> 00:04:28,234 THIS IS WHAT HE ALWAYS LOOKS LIKE! 69 00:04:28,234 --> 00:04:29,302 THERE'S NO WAY OF KNOWING WHAT'S GOING ON 70 00:04:29,302 --> 00:04:30,236 IN HIS HEAD. 71 00:04:30,236 --> 00:04:31,270 ACTUALLY, THERE IS ONE WAY. 72 00:04:31,270 --> 00:04:38,244 JIM, CAN WE ZOOM IN? 73 00:04:38,244 --> 00:04:43,449 ♪ ♪ HOME 74 00:04:48,321 --> 00:04:50,189 THAT LOOKS TASTY. 75 00:04:50,189 --> 00:04:52,025 THEY ALSO RELEASED A COURT SKETCH. 76 00:04:52,025 --> 00:04:54,961 THERE IT IS. 77 00:04:54,961 --> 00:04:57,030 HERE'S THE FORMER PRESIDENT BEING INDICTED FOR STEALING ALL 78 00:04:57,030 --> 00:05:05,171 OF HOOVILLE'S CHRISTMAS PRES PRESENTS. 79 00:05:05,171 --> 00:05:06,539 SURE. 80 00:05:06,539 --> 00:05:08,574 YOU ARE A FOUL ONE. 81 00:05:08,574 --> 00:05:10,510 Stephen: THERE WAS ONE CAMERA IN THE HALLWAY OUTSIDE 82 00:05:10,510 --> 00:05:14,380 THE COURTROOM WHERE THE EX-PRESIDENT FOUND OUT THERE'S A 83 00:05:14,380 --> 00:05:17,784 LOT LESS POMP AND CIRCUMSTANCE AROUND YOU WHEN YOU'RE THE 84 00:05:17,784 --> 00:05:21,020 DEFENDANT THAN WHEN YOU ARE THE COMMANDER IN CHIEF. 85 00:05:21,020 --> 00:05:22,588 THERE'S A COURT OFFICER I BELIEVE WHO ENTERS BEFORE HIM 86 00:05:22,588 --> 00:05:24,323 DOESN'T HOLD THE DOOR OPEN FOR HIM. 87 00:05:24,323 --> 00:05:27,527 AND THE FORMER PRESIDENT ACTUALLY HAS TO PUSH THE DOOR 88 00:05:27,527 --> 00:05:28,928 OPEN FOR HIMSELF, WHICH IS PROBABLY THE FIRST TIME 89 00:05:28,928 --> 00:05:31,631 HE'S HAD TO THAT IN QUITE SOME TIME. 90 00:05:31,631 --> 00:05:32,198 Stephen: WOW. 91 00:05:32,198 --> 00:05:33,399 THAT'S KIND OF SPECIAL. 92 00:05:33,399 --> 00:05:39,605 IT'S NOT OFTEN YOU SEE A DOOR HITTING AN ASS ON THE WAY IN. 93 00:05:39,605 --> 00:05:41,808 NOW, BOOM! 94 00:05:41,808 --> 00:05:45,945 NO? 95 00:05:45,945 --> 00:05:47,947 WHILE IN COURT, THE FORMER PRESIDENT WAS OFFICIALLY CHARGED 96 00:05:47,947 --> 00:05:52,652 WITH 34 FELONY COUNTS OF FALSIFYING BUSINESS RECORDS, 97 00:05:52,652 --> 00:05:57,490 ALL OF WHICH WERE CLASSIFIED AS CLASS E FELONIES. 98 00:05:57,490 --> 00:06:00,960 WELL,LEAVE IT TO THE MAN WITH THE GOLDEN TOILET. 99 00:06:00,960 --> 00:06:04,864 EVEN HIS FELONIES ARE CLASS E. 100 00:06:04,864 --> 00:06:09,702 NOW, SOME HAVE POINTED OUT THAT CLASS E ARE THE LOWEST LEVEL 101 00:06:09,702 --> 00:06:13,406 OF FELONIES IN THE NEW YORK STATE PENAL CODE. 102 00:06:13,406 --> 00:06:14,207 SO, LITTLE CRIMES. 103 00:06:14,207 --> 00:06:15,742 NOTHING SERIOUS. 104 00:06:15,742 --> 00:06:17,944 KINDA CUTE. 105 00:06:17,944 --> 00:06:19,946 LIKE OTHER CLASS E FELONIES, ARSON IN THE FOURTH DEGREE, 106 00:06:19,946 --> 00:06:25,451 WELFARE FRAUD, OR ABANDONMENT OF A CHILD. 107 00:06:25,451 --> 00:06:26,152 "DON'T WORRY, DAD. 108 00:06:26,152 --> 00:06:28,454 I'LL NEVER TESTIFY AGAINST YOU. 109 00:06:28,454 --> 00:06:32,625 YOU CAN BUY MY SILENCE WITH A HUG. 110 00:06:32,625 --> 00:06:35,561 OR YOU COULD HAVE MICHAEL COHEN HUG ME AND THEN SECRETLY HUG HIM 111 00:06:35,561 --> 00:06:41,868 BACK OFF THE BOOKS." 112 00:06:41,868 --> 00:06:45,204 NOW, SOME JUST SOME. 113 00:06:45,204 --> 00:06:50,943 THANK YOU. 114 00:06:50,943 --> 00:06:57,383 A LOT OF ABUNDANCE WARNED THAT NEW YORK WOULD BE OVERWHELMED BY 115 00:06:57,383 --> 00:07:00,887 AN ANGRY MOB BUT THIS MORNING THERE WERE SO FEW PRO MAGA 116 00:07:00,887 --> 00:07:06,859 PROTESTERS THAT REPORTERS HAD TO LINE UP TO TALK TO THEM. 117 00:07:06,859 --> 00:07:13,900 IT'S NEVER A GOOD SIGN WHEN THERE ARE FEWER PEOPLE AT YOUR 118 00:07:13,900 --> 00:07:19,205 CURRENT RALLY THAN THERE ARE IN PRISON FOR YOUR LAST ONE. 119 00:07:19,205 --> 00:07:23,342 ONCE HE SAW THE WEAK TURNOUT, THE PRESIDENT WAS QUICK TO BLAME 120 00:07:23,342 --> 00:07:26,279 IT ON LOCATION, POSTING ON TRUTH SOCIAL: 121 00:07:26,279 --> 00:07:30,082 "VERY UNFAIR VENUE, WITH SOME AREAS THAT 122 00:07:30,082 --> 00:07:31,651 VOTED 1% REPUBLICAN. 123 00:07:31,651 --> 00:07:36,556 THIS CASE SHOULD BE MOVED TO NEARBY STATEN ISLAND." 124 00:07:36,556 --> 00:07:37,723 YES. 125 00:07:37,723 --> 00:07:39,492 MAKING IT THE FIRST TIME ANYONE HAS EVER SAID, 126 00:07:39,492 --> 00:07:47,366 "WE SHOULD GO TO STATEN ISLAND." 127 00:07:47,366 --> 00:07:49,202 THE FERRY IS SO FUN. 128 00:07:49,202 --> 00:07:51,037 IT'S FREE. 129 00:07:51,037 --> 00:07:53,005 ONE MAGA-LAGA DING-DONG WHO WAS THERE TODAY 130 00:07:53,005 --> 00:07:54,540 WAS MARJORIE TAYLOR GREENE. 131 00:07:54,540 --> 00:08:01,547 - ON HER WAY TO SPEAK OUTSIDE - - 132 00:08:01,547 --> 00:08:02,748 [BOOING] Stephen: ON HER WAY TO 133 00:08:02,748 --> 00:08:06,652 SPEAK OUTSIDE THE COURTHOUSE SHE GAVE AN INTERVIEW ABOUT HOW 134 00:08:06,652 --> 00:08:09,255 NOBLE THIS INDICTMENT REALLY IS. 135 00:08:09,255 --> 00:08:10,890 TRUMP IS JOINING SOME OF THE MOST INCREDIBLE PEOPLE IN 136 00:08:10,890 --> 00:08:12,758 HISTORY BEING ARRESTED TODAY. 137 00:08:12,758 --> 00:08:15,294 NELSON MANDELA WAS ARRESTED, SERVED TIME IN PRISON. 138 00:08:15,294 --> 00:08:16,128 JESUS! 139 00:08:16,128 --> 00:08:21,400 JESUS WAS ARRESTED." 140 00:08:21,400 --> 00:08:25,171 Stephen: IT'S TRUE. 141 00:08:25,171 --> 00:08:26,305 HE WAS ARRESTED. 142 00:08:26,305 --> 00:08:28,407 I KEEP FORGETTING THAT JESUS WAS PUT ON TRIAL FOR GETTING 143 00:08:28,407 --> 00:08:30,376 JUDAS TO PAY MARY MAGDELENE NOT TO TELL ANYONE SHE 144 00:08:30,376 --> 00:08:33,679 SPANKED HIM WITH A DEAD SEA SCROLL. 145 00:08:33,679 --> 00:08:36,249 WHICH, OF COURSE, LED TO HIS FAMOUS SERMON. 146 00:08:36,249 --> 00:08:42,955 "HEAVENLY FATHER, PLEASE REMIND THEM TO DONATE GENEROUSLY 147 00:08:42,955 --> 00:08:46,626 AT JesusHChrist.biz OKAY, HERE I GO, ASCENDING 148 00:08:46,626 --> 00:08:50,429 TO HEAVEN LIKE A DOG." 149 00:08:50,429 --> 00:08:54,467 I DON'T REMEMBER THAT PART OF THE... 150 00:08:54,467 --> 00:08:56,068 GREENE WASN'T THE ONLY WACKY CHARACTER TO 151 00:08:56,068 --> 00:08:57,803 VISIT THE COURTHOUSE TODAY. 152 00:08:57,803 --> 00:09:00,139 ONE MAGA PROTESTOR WAS THERE TO BRING THE LOUD. 153 00:09:00,139 --> 00:09:01,007 YOU'RE PRO TRUMP? 154 00:09:01,007 --> 00:09:02,108 YEAH. 155 00:09:02,108 --> 00:09:04,944 YOU'RE HANDING OUT WHISTLES TO-- 156 00:09:04,944 --> 00:09:05,645 YEAH, MAKE A NOISE. 157 00:09:05,645 --> 00:09:06,746 MAKE A NOISE. 158 00:09:06,746 --> 00:09:09,882 EVERYBODY MUST HEAR US. 159 00:09:09,882 --> 00:09:11,450 YOU DON'T WORRY THAT IT MIGHT BE DROWNING OUT 160 00:09:11,450 --> 00:09:13,185 MARJORIE TAYLOR GREENE OR WHATEVER OVER THERE? 161 00:09:13,185 --> 00:09:14,353 I LIKE TO MAKE A NOISE. 162 00:09:14,353 --> 00:09:23,229 I'M HERE TO MAKE A NOISE. 163 00:09:23,229 --> 00:09:23,896 [LAUGHTER] Stephen: I THINK HE MIGHT 164 00:09:23,896 --> 00:09:28,000 "I LIKE TO MAKE A NOISE." 165 00:09:28,000 --> 00:09:38,911 SO, WITH FEWER MAGA THAN PREDICTED AND A WHOLE LOT OF 166 00:09:38,911 --> 00:09:41,447 THE NOISE, IT'S NO SURPRISE THAT GREENE FLED HER OWN RALLY 167 00:09:41,447 --> 00:09:42,949 AFTER JUST 10 MINUTES. 168 00:09:42,949 --> 00:09:44,750 WELL, YOU KNOW WHAT THEY SAY ABOUT NEW YORK. 169 00:09:44,750 --> 00:09:46,485 IF YOU CAN MAKE IT HERE, YOU'RE NOT 170 00:09:46,485 --> 00:09:50,256 MARJORIE TAYLOR GREENE. 171 00:09:50,256 --> 00:09:51,857 AND WE WILL HAVE THE COMPOSER OF THAT SONG, JOHN KANDER, 172 00:09:51,857 --> 00:10:00,299 RIGHT OVER THERE IN JUST A FEW MINUTES. 173 00:10:00,299 --> 00:10:07,106 WITH LIN-MANUEL MIRANDA. 174 00:10:07,106 --> 00:10:09,909 CRAZY DAY. 175 00:10:09,909 --> 00:10:11,077 ALL THE CRAZIES WERE OUT. 176 00:10:11,077 --> 00:10:12,545 THERE WAS A GUY DRESSED AS FREDDY KRUGER, HOLDING A SIGN 177 00:10:12,545 --> 00:10:13,479 CALLING THE DISTRICT ATTORNEY A "NIGHTMARE." 178 00:10:13,479 --> 00:10:14,613 HE WASN'T THE ONLY HORROR MOVIE VILLAIN. 179 00:10:14,613 --> 00:10:18,050 THERE WAS ALSO A GUY THERE DRESSED AS LEATHERFACE. 180 00:10:18,050 --> 00:10:21,020 NOW, AS FASCINATING AS TODAY WAS, IT ALSO GIVES ME 181 00:10:21,020 --> 00:10:22,121 THIS UNEASY FEELING. 182 00:10:22,121 --> 00:10:24,523 'CAUSE NO MATTER HOW YOU FEEL ABOUT THE EX-PRESIDENT, 183 00:10:24,523 --> 00:10:28,094 AND I'M ON THE RECORD AS TO HOW I FEEL ABOUT HIM-- 184 00:10:28,094 --> 00:10:29,895 NOW STREAMING ON PARAMOUNT+ A MOUNTAIN OF 185 00:10:29,895 --> 00:10:33,666 "[BLEEP] THAT GUY." 186 00:10:33,666 --> 00:10:37,169 THE MAN WHO WAS ARRESTED TODAY IS LIKELY TO BE THE REPUBLICAN 187 00:10:37,169 --> 00:10:39,605 NOMINEE FOR PRESIDENT, EVEN IF HE HAS TO ACCEPT THE 188 00:10:39,605 --> 00:10:45,911 NOMINATION ON THE PHONE THROUGH PLEXIGLASS. 189 00:10:45,911 --> 00:10:48,848 SO ALL OF THIS WAS WEIRD AND TOTALLY UNPRECEDENTED, 190 00:10:48,848 --> 00:10:50,716 YET IT STILL FEELS LIKE THE RIGHT THING TO DO. 191 00:10:50,716 --> 00:10:52,618 THE SAME WAY IT WOULD BE WEIRD AND UNPRECEDENTED TO SHOOT 192 00:10:52,618 --> 00:10:54,954 A TRANQ DART INSIDE THE SUPREME COURT, BUT IT WOULD 193 00:10:54,954 --> 00:10:56,956 BE THE RIGHT THING TO DO IF THE SENATE CONFIRMED CHIEF 194 00:10:56,956 --> 00:11:00,292 JUSTICE COCAINE BEAR. 195 00:11:00,292 --> 00:11:03,429 SO, ALL IN ALL, THIS IS A PRETTY BIG DEAL. 196 00:11:03,429 --> 00:11:05,431 AND THESE AREN'T EVEN THE BIGGEST CHARGES. 197 00:11:05,431 --> 00:11:08,000 THE BIG ONES ARE BEING INVESTIGATED BY 198 00:11:08,000 --> 00:11:10,903 SPECIAL COUNSEL JACK SMITH, SEEN HERE OFFICIATING 199 00:11:10,903 --> 00:11:15,708 A WEDDING ON ZARGON-5. 200 00:11:15,708 --> 00:11:19,245 AMONG OTHER CRIME-INGS, SMITH IS INVESTIGATING 201 00:11:19,245 --> 00:11:20,646 THE CLASSIFIED DOCUMENTS DOWN IN MAR-A-LAGO, 202 00:11:20,646 --> 00:11:23,883 AND YESTERDAY, WE GOT A SPICY UPDATE. 203 00:11:23,883 --> 00:11:26,218 THE FBI HAS FRESH EVIDENCE POINTING TO POSSIBLE 204 00:11:26,218 --> 00:11:27,887 OBSTRUCTION. 205 00:11:27,887 --> 00:11:30,089 I ASSUME THEY MEAN "OF JUSTICE." 206 00:11:30,089 --> 00:11:33,492 THOUGH IT COULD BE "OF COLON." 207 00:11:33,492 --> 00:11:36,829 SPECIFICALLY, INVESTIGATORS HAVE NEW AND SIGNIFICANT EVIDENCE 208 00:11:36,829 --> 00:11:40,499 THAT AFTER THE SUBPOENA WAS DELIVERED, THE EX PRESIDENT 209 00:11:40,499 --> 00:11:43,469 LOOKED THROUGH THE CONTENTS OF SOME OF THE BOXES OF DOCUMENTS, 210 00:11:43,469 --> 00:11:45,137 APPARENTLY OUT OF A DESIRE TO KEEP CERTAIN 211 00:11:45,137 --> 00:11:48,474 THINGS IN HIS POSSESSION. 212 00:11:48,474 --> 00:11:50,409 AND WE KNOW THIS BECAUSE THEY'VE GOT SECURITY CAMERA FOOTAGE! 213 00:11:50,409 --> 00:11:53,946 HE WAS BUSTED BY HIS OWN SECURITY CAMERAS! 214 00:11:53,946 --> 00:11:55,848 HOW COULD HE MAKE THAT MISTAKE? 215 00:11:55,848 --> 00:12:04,290 TWO OF THE FIVE WORDS HE KNOWS ARE "CAMERA" AND "TV." 216 00:12:04,290 --> 00:12:12,264 IN ADDITION-- [CHEERS AND APPLAUSE] 217 00:12:12,264 --> 00:12:15,935 [HUMMING "YMCA"] WE'VE GOT A GREAT SHOW FOR YOU 218 00:12:15,935 --> 00:12:18,938 MY GUESTS ARE BROADWAY LEGENDS JOHN KANDER 219 00:12:18,938 --> 00:12:20,005 AND LIN-MANUEL MIRANDA. 220 00:12:20,005 --> 00:12:25,044 BUT WHEN WE COME BACK, MY TECH SEGMENT, "CYBORGASM." 221 00:12:38,524 --> 00:12:41,861 ♪ ♪ Announcer: "THE LATE SHOW 222 00:12:41,861 --> 00:12:48,601 WITH STEPHEN COLBERT," SPONSORED BY SUBARU. 223 00:12:48,601 --> 00:12:49,502 LOVE. 224 00:12:49,502 --> 00:12:50,069 IT'S WHAT MAKES SUBARU SUBARU. 225 00:13:09,989 --> 00:13:10,723 Stephen: HEY! 226 00:13:10,723 --> 00:13:11,924 GIVE IT UP FOR THE BAND. 227 00:13:11,924 --> 00:13:15,728 LOUIS CATO AND "THE LATE SHOW" BAND RIGHT THERE. 228 00:13:15,728 --> 00:13:22,635 [CHEERS AND APPLAUSE] YOU KNOW WHAT I'M EXCITED ABOUT? 229 00:13:22,635 --> 00:13:28,240 JUST A MINUTE, YOU KNOW, I AM A HUGE FAN OF CABARET IN CHICAGO 230 00:13:28,240 --> 00:13:31,310 AND HAMILTON OF COURSE AND "IN THE HEIGHTS." 231 00:13:31,310 --> 00:13:40,452 LYLIN-MANUEL MIRANDA AND JOHN KANDER IN JUST A MOMENT. 232 00:13:40,452 --> 00:13:44,723 96 YEARS OLD, STILL BRINGING IT, HE'S GOT A NEW MUSICAL COMING TO 233 00:13:44,723 --> 00:13:46,725 BROADWAY, NEW YORK, NEW YORK, WHICH WILL HAVE A PERFORMANCE 234 00:13:46,725 --> 00:13:48,093 FROM AT THE END OF TONIGHT'S SHOW. 235 00:13:48,093 --> 00:13:50,229 STICK AROUND. 236 00:13:50,229 --> 00:13:56,001 TOMORROW NIGHT THE FOUR NEW ARTEMIS ASTRONAUTS WILL BE ON 237 00:13:56,001 --> 00:13:57,203 THE SHOW. 238 00:13:57,203 --> 00:14:00,906 WEISE IS THE CREW THAT'S GOING TO BE GOING UP AND AROUND THE 239 00:14:00,906 --> 00:14:01,473 MOON. 240 00:14:01,473 --> 00:14:02,541 WE ARE GOING BACK, BABY. 241 00:14:02,541 --> 00:14:04,143 IT'S BEEN 50 YEARS. 242 00:14:04,143 --> 00:14:05,277 WE ARE GOING BACK. 243 00:14:05,277 --> 00:14:09,415 AMERICA IS BACK, BABY. 244 00:14:09,415 --> 00:14:11,917 OH. 245 00:14:11,917 --> 00:14:12,751 FOLKS. 246 00:14:12,751 --> 00:14:14,220 I LOVE TECHNOLOGY FOR SO MANY REASONS. 247 00:14:14,220 --> 00:14:15,454 FOR INSTANCE, THANKS TO TECHNOLOGY, IT NOW 248 00:14:15,454 --> 00:14:18,157 MAKES SENSE THAT I'M SCREAMING AT MY WRISTWATCH TO MAKE 249 00:14:18,157 --> 00:14:19,158 A DENTIST APPOINTMENT. 250 00:14:19,158 --> 00:14:25,931 AND I LIKE TO BRING YOU ALL THE LATEST TECH NEWS 251 00:14:25,931 --> 00:14:28,000 IN MY TECH SEGMENT: CYBORGASM. 252 00:14:49,521 --> 00:14:54,627 FIRST UP, LATELY WE'VE ALL SEEN A LOT OF A.I.-GENERATED IMAGES. 253 00:14:54,627 --> 00:14:56,262 WELL, NOW, A VIDEO HAS GONE VIRAL FROM A NEW A.I. MODEL 254 00:14:56,262 --> 00:14:59,098 CALLED "TEXT TO VIDEO" THAT GENERATES VIDEOS BASED ONLY 255 00:14:59,098 --> 00:15:02,668 ON A TEXT PROMPT. 256 00:15:02,668 --> 00:15:04,270 SOMEONE DECIDED TO INPUT THE WORDS "WILL SMITH 257 00:15:04,270 --> 00:15:06,305 EATING SPAGHETTI." 258 00:15:06,305 --> 00:15:08,107 AND THIS IS WHAT IT DID. 259 00:15:08,107 --> 00:15:11,143 GOOD LORD! 260 00:15:11,143 --> 00:15:14,179 HE IS GETTING JIGGY WITH THE SPA-GIGGY. 261 00:15:14,179 --> 00:15:16,448 IS HE TRYING TO WIN A CONTEST? 262 00:15:16,448 --> 00:15:17,616 SLOW DOWN, WILL! 263 00:15:17,616 --> 00:15:20,352 YOU'LL NEVER KEEP THAT PHYSIQUE POUNDING ALL THOSE CARBS. 264 00:15:20,352 --> 00:15:21,520 THEN SOMEONE ELSE GAVE THE A.I. 265 00:15:21,520 --> 00:15:26,892 THE SAME PROMPT, THIS TIME ADDING THE WORD "AND MEATBALLS," 266 00:15:26,892 --> 00:15:35,134 WHICH RESULTED IN THIS NIGHTMARE FUEL. 267 00:15:35,134 --> 00:15:36,001 IT'S LIKE AN IMAGE FROM THE RING OF HELL YOU GET SENT TO IF YOU 268 00:15:36,001 --> 00:15:38,737 SKIP OUT ON YOUR CHECK AT OLIVE GARDEN. 269 00:15:38,737 --> 00:15:39,972 NEXT UP, GM IS CUTTING OFF ACCESS TO APPLE CARPLAY 270 00:15:39,972 --> 00:15:43,942 FOR ITS FUTURE ELECTRIC VEHICLES. 271 00:15:43,942 --> 00:15:46,645 OH, NO, NOW I WON'T BE ABLE TO FAIL TO PAIR MY PHONE 272 00:15:46,645 --> 00:15:49,548 WITH THE RENTAL CAR NIE TIMES BEFORE IT DISPLAYS ALL THE 273 00:15:49,548 --> 00:15:53,118 PREVIOUS RENTER'S EMAILS. 274 00:15:53,118 --> 00:15:55,988 SPEAKING OF FUTURE CARS, THE FORD MOTOR COMPANY 275 00:15:55,988 --> 00:15:58,824 HAS A HOT NEW INVENTION: "SELF-REPOSSESSING CARS 276 00:15:58,824 --> 00:16:02,728 THAT CAN DRIVE THEMSELVES AWAY" IF YOU "MISS A PAYMENT." 277 00:16:02,728 --> 00:16:05,564 OR JUST BECAUSE IT'S PISSED OFF THAT YOU LET ITS CUP HOLDERS 278 00:16:05,564 --> 00:16:07,966 FILL UP WITH DOG HAIR AND PENNIES. 279 00:16:07,966 --> 00:16:10,836 WHAT'S MORE, IF IT COSTS THE BANK MORE TO REPOSESS THE CAR 280 00:16:10,836 --> 00:16:15,007 THAN IT'S WORTH, THE CAR WILL SIMPLY DRIVE ITSELF 281 00:16:15,007 --> 00:16:16,241 TO A JUNKYARD. 282 00:16:16,241 --> 00:16:18,577 THEN I ASSUME THE CAR WILL BE PROGRAMMED TO TELL THE 283 00:16:18,577 --> 00:16:24,283 JUNKYARD GUY THAT ITS OWNER IS POOR SO IT WANTS TO DIE. 284 00:16:24,283 --> 00:16:26,352 THE SYSTEM WILL GIVE WARNINGS FIRST, BUT IF THOSE ARE IGNORED, 285 00:16:26,352 --> 00:16:29,488 THE CAR WILL START DISABLING CRUISE CONTROL, 286 00:16:29,488 --> 00:16:31,657 WINDOW CONTROLS, SEAT CONTROLS. 287 00:16:31,657 --> 00:16:36,829 THEN THE AIR CONDITIONING, REMOTE KEY FOB, AND DOOR LOCKS. 288 00:16:36,829 --> 00:16:39,565 THEN, AN INCESSANT AND UNPLEASANT SOUND MAY BE 289 00:16:39,565 --> 00:16:43,902 TURNED ON "EVERY TIME THE OWNER IS PRESENT IN THE VEHICLE." 290 00:16:43,902 --> 00:16:45,838 WELL, I SAY IF YOU CAN PUT UP WITH ALL THAT, NOT ONLY SHOULD 291 00:16:45,838 --> 00:16:47,206 YOU GET TO KEEP YOUR CAR, BUT I WANNA SEE YOU PULL UP IN IT FOR 292 00:16:47,206 --> 00:16:49,108 A DATE. 293 00:16:49,108 --> 00:16:52,444 "HI, I'M RICK. 294 00:16:52,444 --> 00:16:53,712 MY DOORS, A.C. 295 00:16:53,712 --> 00:16:55,013 DON'T WORK AND THERE'S AN ALARM BLARING AT ALL TIMES BUT THAT'S 296 00:16:55,013 --> 00:17:02,454 ONLY BECAUSE EVERYTHING IN IS GOING GREAT IN MY LIFE. 297 00:17:02,454 --> 00:17:03,489 SMASH THE WINDOW AND CRAWL IN. 298 00:17:03,489 --> 00:17:06,792 THE DOORS DON'T WORK." 299 00:17:06,792 --> 00:17:07,793 JUST SMASH IT. 300 00:17:07,793 --> 00:17:10,095 NEXT UP, RESEARCHERS AT CAMBRIDGE HAVE INVENTED 301 00:17:10,095 --> 00:17:13,432 THIS ADDITIONAL THUMB THAT CAN BE STRAPPED TO THE HAND. 302 00:17:13,432 --> 00:17:15,801 THE INVENTORS TOOK THEIR CREATION OUT TO LET THE PUBLIC 303 00:17:15,801 --> 00:17:20,339 TRY IT, AND THEY ALL SEEMED PRETTY DELIGHTED, ESPECIALLY 304 00:17:20,339 --> 00:17:22,307 THIS GUY, WHO IS POSSIBLY NOT THINKING ABOUT ALL THE SEX STUFF 305 00:17:22,307 --> 00:17:25,878 HE'S GONNA DO WITH IT. 306 00:17:25,878 --> 00:17:27,746 AND THEY ALSO SHOWED OFF HOW MUCH HAVING AN EXTRA THUMB 307 00:17:27,746 --> 00:17:32,785 CAN ADD TO YOUR LIFE. 308 00:17:32,785 --> 00:17:36,789 ♪ ♪ AMAZING. 309 00:17:36,789 --> 00:17:39,391 THIS REPRESENTS A MASSIVE BREAKTHROUGH IN "HOLDING ONE 310 00:17:39,391 --> 00:17:45,264 ADDITIONAL THING." 311 00:17:45,264 --> 00:17:47,499 NEXT UP, SOME IN THE PORN COMMUNITY ARE WARNING THAT 312 00:17:47,499 --> 00:17:50,569 ARTIFICIAL INTELLIGENCE COULD RENDER X-RATED ENTERTAINERS 313 00:17:50,569 --> 00:17:52,237 OBSOLETE IN THE NEAR FUTURE. 314 00:17:52,237 --> 00:17:53,505 MAKES SENSE. 315 00:17:53,505 --> 00:17:56,909 SCIENCE FICTION HAS LONG CAUTIONED US ABOUT THE DANGERS 316 00:17:56,909 --> 00:17:58,510 OF SEXUALIZED A.I. 317 00:17:58,510 --> 00:18:00,612 OPEN THE POD-BAY DOORS, HAL. 318 00:18:00,612 --> 00:18:02,514 WHY? 319 00:18:02,514 --> 00:18:08,320 SO YOU CAN SEE UP MY POD-BAY, YOU DIRTY LITTLE SPACE SLUT? 320 00:18:08,320 --> 00:18:10,789 Stephen: BECAUSE OF THE SPEED AT WHICH A.I. IS MOVING, 321 00:18:10,789 --> 00:18:13,959 THERE IS NOW CONCERN THAT PORN VIEWERS WILL SOON PREFER 322 00:18:13,959 --> 00:18:18,363 THE RAUNCHY ROBOTS MORE THAN ACTUAL REAL-LIFE PERFORMERS, 323 00:18:18,363 --> 00:18:21,333 PROGRAMMED TO BE "PERFECT". 324 00:18:21,333 --> 00:18:22,935 WELL, THAT'S A LEGITIMATE CONCERN. 325 00:18:22,935 --> 00:18:25,838 HOW CAN ANY REAL HUMAN PORN PERFORMER EVER MEASURE UP 326 00:18:25,838 --> 00:18:28,540 TO THE SMOKING HOT VIDEO FOOTAGE LIKE THIS. 327 00:18:28,540 --> 00:18:30,742 WE'LL BE RIGHT BACK WITH BROADWAY LEGENDS JOHN KANDER 328 00:18:30,742 --> 00:18:32,811 AND LIN-MANUEL MIRANDA. 329 00:18:53,999 --> 00:18:56,935 ♪ ♪ Stephen: HEY, EVERYBODY. 330 00:18:56,935 --> 00:19:02,474 WELCOME BACK TO "THE LATE SHOW." 331 00:19:02,474 --> 00:19:05,878 MY GUESTS TONIGHT ARE BROADWAY LEGENDS, WITH OVER 20 MUSICALS 332 00:19:05,878 --> 00:19:06,912 UNDER THEIR BELTS. 333 00:19:06,912 --> 00:19:08,480 ONE OF THEM WROTE THE SCORES FOR "CABARET" 334 00:19:08,480 --> 00:19:09,681 AND "CHICAGO." 335 00:19:09,681 --> 00:19:11,383 THE OTHER ONE CREATED "IN THE HEIGHTS" AND "HAMILTON." 336 00:19:11,383 --> 00:19:13,619 PLEASE WELCOME TO "THE LATE SHOW," 337 00:19:13,619 --> 00:19:22,794 LIN-MANUEL MIRANDA AND JOHN KANDER! 338 00:19:22,794 --> 00:19:25,998 JOHN, THANK YOU FOR BEING HERE. 339 00:19:25,998 --> 00:19:28,834 LIN, ALWAYS A PLEASURE. 340 00:19:28,834 --> 00:19:31,703 YOU DON'T GET THAT EVERY NIGHT. 341 00:19:31,703 --> 00:19:38,043 [CHEERS AND APPLAUSE] JOHN KANDER, LIN-MANUEL MIRANDA, 342 00:19:38,043 --> 00:19:39,244 LOVELY TO SEE BOTH OF YOU. 343 00:19:39,244 --> 00:19:42,814 YOU ARE BOTH GIANTS OF THE MUSICAL THEATER WORLD. 344 00:19:42,814 --> 00:19:45,851 JOHN, YOU HAVE BEEN AT IT A LITTLE BIT LONGER. 345 00:19:45,851 --> 00:19:48,921 HOW OLD ARE YOU NOW, SIR? 346 00:19:48,921 --> 00:19:50,455 John: 96. 347 00:19:50,455 --> 00:19:51,323 Stephen: 96. 348 00:19:51,323 --> 00:19:54,493 BORN IN 1927 THEN? 349 00:19:54,493 --> 00:19:55,394 John: YES. 350 00:19:55,394 --> 00:19:58,030 Stephen: THIS THEATER WAS BUILT IN 1927. 351 00:19:58,030 --> 00:20:01,500 YOU GUYS ARE TWINS. 352 00:20:01,500 --> 00:20:02,434 John: I FEEL SO MUCH BETTER NOW. 353 00:20:02,434 --> 00:20:04,136 Stephen: WHEN DID LIN COME ON YOUR RADAR? 354 00:20:04,136 --> 00:20:07,673 John: I CAN REMEMBER THAT EXACTLY. 355 00:20:07,673 --> 00:20:12,344 I WENT TO SEE AN OFF-BROADWAY PRODUCTION OF "IN THE HEIGHTS" 356 00:20:12,344 --> 00:20:14,413 BECAUSE A FRIEND OF MINE WAS IN IT. 357 00:20:14,413 --> 00:20:18,350 I DIDN'T KNOW ANYTHING ABOUT HI HIM. 358 00:20:18,350 --> 00:20:23,088 AND I SAW THIS MIRACLE ON THE STAGE. 359 00:20:23,088 --> 00:20:30,762 AND I STAY BEHIND TO-- I'M NOT A VERY AGGRESSIVE 360 00:20:30,762 --> 00:20:35,133 PERSON, BUT I DID STAY BEHIND BECAUSE I WANTED TO MEET HIM. 361 00:20:35,133 --> 00:20:40,973 AND FIND OUT WHO WAS RESPONSIBLE FOR THIS. 362 00:20:40,973 --> 00:20:48,747 [LAUGHTER] [APPLAUSE] 363 00:20:48,747 --> 00:20:49,948 WELL, THAT'S REALLY TRUE. 364 00:20:49,948 --> 00:20:51,183 Lin-Manuel: THAT'S REALLY TRUE AND HE INVITED ME TO LUNCH 365 00:20:51,183 --> 00:20:53,151 AND I WAS SO SCARED. 366 00:20:53,151 --> 00:20:57,422 HERE I AM EATING LUNCH WITH THE GUY WHO WROTE SOME OF MY 367 00:20:57,422 --> 00:21:00,225 FAVORITE MUSICALS, AND WE SAT DOWN AROUND THE CORNER FROM YOUR 368 00:21:00,225 --> 00:21:03,362 HOUSE THROUGH THE FIRST THING HE SAID TO ME WAS "DO YOU EVER FEEL 369 00:21:03,362 --> 00:21:06,365 WHEN YOU'RE WRITING A SONG LIKE YOU HAVE NO IDEA WHAT YOU'RE 370 00:21:06,365 --> 00:21:10,302 DOING?" AND THAT IMMEDIATELY LEVELED THE 371 00:21:10,302 --> 00:21:13,538 PLAYING FIELD AND THEN WE JUST STARTED TALKING ABOUT 372 00:21:13,538 --> 00:21:14,473 SONGWRITING. 373 00:21:14,473 --> 00:21:17,275 WE ARE STILL TALKING ABOUT IT 15 YEARS LATER. 374 00:21:17,275 --> 00:21:20,412 John: AND IT'S FUNNY, OUR SERIES OF LUNCHEONS WERE 375 00:21:20,412 --> 00:21:23,782 SOMETHING THAT JUST SORT OF EVOLVED. 376 00:21:23,782 --> 00:21:25,884 I LEARNED A LOT FROM HIM. 377 00:21:25,884 --> 00:21:29,755 AND STILL AM. 378 00:21:29,755 --> 00:21:32,591 AND WE BECAME FAST FRIENDS. 379 00:21:32,591 --> 00:21:34,126 AND SO HERE WE ARE. 380 00:21:34,126 --> 00:21:37,162 Lin-Manuel: HERE WE ARE, INSIDE THE TV. 381 00:21:37,162 --> 00:21:37,863 Stephen: THERE IT IS. 382 00:21:37,863 --> 00:21:41,333 THERE YOU GO. 383 00:21:41,333 --> 00:21:43,335 WELL, SEE YOU GUYS STARTED WORKING TOGETHER AFTER THOSE 384 00:21:43,335 --> 00:21:47,139 LUNCHES AND NOW YOU'RE WORKING ON "NEW YORK, NEW YORK." 385 00:21:47,139 --> 00:21:49,908 WHAT IS THAT ABOUT? 386 00:21:49,908 --> 00:21:55,247 Lin-Manuel: "NEW YORK, NEW YORK" TAKES ITS NAME IN THE 387 00:21:55,247 --> 00:21:59,384 BAREST SLIVERS OF PLOT FROM THE ORIGINAL SCORSESE FILM. 388 00:21:59,384 --> 00:22:02,821 BUT IT REALLY IS A LOVE LETTER TO NEW YORK CITY, IT TAKES PLACE 389 00:22:02,821 --> 00:22:08,193 JUST AFTER WORLD WAR II AND IT'S ABOUT MUSICIANS COMING TO THE 390 00:22:08,193 --> 00:22:11,730 CITY, CITIZENS COMING FROM ALL OVER THE WORLD TO BECOME 391 00:22:11,730 --> 00:22:12,764 THEMSELVES IN NEW YORK. 392 00:22:12,764 --> 00:22:15,534 THE SONG THAT JOHNSON BRILLIANTLY WRITES, THEY ARE 393 00:22:15,534 --> 00:22:18,537 LOOKING FOR THEIR MAJOR CHORD WHICH IS MUSIC, MONEY, LOVE. 394 00:22:18,537 --> 00:22:21,173 NOT NECESSARILY THAT ORDER. 395 00:22:21,173 --> 00:22:24,810 Stephen: LET'S TALK ABOUT THE TITLE SONG. 396 00:22:24,810 --> 00:22:27,412 JOHN, WHAT DO YOU REMEMBER ABOUT WRITING "NEW YORK, NEW YORK"? 397 00:22:27,412 --> 00:22:30,449 I KNOW THAT THE FORM OF THE SONG THAT WE ALL KNOW AND LOVE NOW IS 398 00:22:30,449 --> 00:22:32,584 NOT THE ORIGINAL FORM OF THE SONG. 399 00:22:32,584 --> 00:22:33,985 John: THANK GOD. 400 00:22:33,985 --> 00:22:35,053 [LAUGHTER] Stephen: I WOULD AGREE. 401 00:22:35,053 --> 00:22:37,189 I HAVE HEARD THE ORIGINAL. 402 00:22:37,189 --> 00:22:38,623 John: YOU HAVE? 403 00:22:38,623 --> 00:22:39,424 Stephen: I HAVE. 404 00:22:39,424 --> 00:22:40,592 I HEARD THAT TERRY GROSS INTERVIEW. 405 00:22:40,592 --> 00:22:44,229 I THINK YOU DID A GOOD JOB ON THAT REWRITE OF THAT SONG. 406 00:22:44,229 --> 00:22:45,430 HOW DID IT COME ABOUT? 407 00:22:45,430 --> 00:22:51,670 John: WELL, FRED AND I-- Stephen: YOUR WRITING 408 00:22:51,670 --> 00:22:54,473 PARTNER FOR SO MANY YEARS. 409 00:22:54,473 --> 00:22:59,444 John: WE WERE ASSIGNED TO WRITE A SCORE FOR WHAT WE CALLED 410 00:22:59,444 --> 00:23:00,512 "NEW YORK, NEW YORK." 411 00:23:00,512 --> 00:23:03,381 MARTIN SCORSESE WAS DIRECTING IT AND LIZA MALLEY AND 412 00:23:03,381 --> 00:23:05,650 ROBERT DE NIRO WERE IN IT. 413 00:23:05,650 --> 00:23:12,424 AND WE WENT DOWN TO MURTY'S OFFICE AND WE PLAYED OUR SCORE. 414 00:23:12,424 --> 00:23:17,696 I THINK THERE WERE SEVEN, EIGHT SONG, SOMETHING LIKE THAT. 415 00:23:17,696 --> 00:23:21,399 HE AND LIZA WERE VERY COMPLIMENTARY. 416 00:23:21,399 --> 00:23:25,137 AND WE STARTED TO GO HOME. 417 00:23:25,137 --> 00:23:30,509 OVER ON THE COUCH WITH SOMEBODY WE HADN'T MET, AND THAT WAS 418 00:23:30,509 --> 00:23:32,377 ROBERT DE NIRO. 419 00:23:32,377 --> 00:23:36,782 ALL WE SAW OF HIM WAS AN ARM THAT WENT UP. 420 00:23:36,782 --> 00:23:43,355 SCORSESE SAID EXCUSE ME JUST A MINUTE. 421 00:23:43,355 --> 00:23:45,557 ROBERT DE NIRO WANTS TO SPEAK WITH ME. 422 00:23:45,557 --> 00:23:51,396 HE WENT SAT ON THE COUCH AND THAT I SAW TWO ARMS DOING THAT. 423 00:23:51,396 --> 00:23:59,337 AND THEN SCORSESE CAME BACK AND IN THE MOST EMBARRASSED WAY SAID 424 00:23:59,337 --> 00:24:03,742 THAT DE NIRO FEELS THAT THE TITLE SONG, WHICH IS ASSOCIATED 425 00:24:03,742 --> 00:24:11,516 WITH HIM, IS NOT AS STRONG AS "THE WORLD GOES ROUND" WHICH IS 426 00:24:11,516 --> 00:24:14,719 ASSOCIATED WITH LIZA'S CHARA CHARACTER. 427 00:24:14,719 --> 00:24:17,789 HE REALLY COULD HARDLY GET THE WORDS OUT. 428 00:24:17,789 --> 00:24:23,228 HE SAID WOULD YOU GUYS MIND GOING BACK AND TAKING ANOTHER 429 00:24:23,228 --> 00:24:24,996 CRACK AT IT? 430 00:24:24,996 --> 00:24:27,199 Stephen: HOW DID YOU FEEL ABOUT THAT? 431 00:24:27,199 --> 00:24:31,903 John: FREDDY AND I AND OUR POLITEST STIFFNESS SAID 432 00:24:31,903 --> 00:24:35,173 OF COURSE. 433 00:24:35,173 --> 00:24:36,308 [LAUGHTER] Stephen: OF COURSE THEY 434 00:24:36,308 --> 00:24:38,577 LIED. 435 00:24:38,577 --> 00:24:40,245 [LAUGHTER] John: ANYWAY. 436 00:24:40,245 --> 00:24:47,352 WE LEFT WE WENT BACK TO FREDDY'S APARTMENT, AND WE WERE SO PISSED 437 00:24:47,352 --> 00:24:50,121 OFF. 438 00:24:50,121 --> 00:24:53,725 THAT SOME ACTOR WAS GOING TO TELL US. 439 00:24:53,725 --> 00:24:54,392 Stephen: SOME ATOR. 440 00:24:54,392 --> 00:24:56,561 BOBBY D SOMEBODY OR OTHER. 441 00:24:56,561 --> 00:25:00,098 John: ANYHOW, WENT INTO FREDDIE STUDY AND IN 45 MINUTES 442 00:25:00,098 --> 00:25:06,271 WROTE THIS OTHER SONG THAT WE NOW KNOW AS "NEW YORK, NEW YOR 443 00:25:06,271 --> 00:25:06,938 YORK." 444 00:25:06,938 --> 00:25:13,111 AND WE TOOK IT BACK. 445 00:25:13,111 --> 00:25:15,513 AND THEY CAN'T DO IT AND LIKE THE SONG. 446 00:25:15,513 --> 00:25:21,553 THE POINT OF IT ALL IS THAT DE NIRO WAS ABSOLUTELY RIGHT. 447 00:25:21,553 --> 00:25:27,292 THE ORIGINAL SONG WE WROTE WAS SO EMBARRASSING. 448 00:25:27,292 --> 00:25:33,698 ACTUALLY SAM DAVIS, OUR MUSIC COORDINATOR, SNEAKED INTO THE 449 00:25:33,698 --> 00:25:34,666 UNDERSCORING. 450 00:25:34,666 --> 00:25:37,035 Stephen: SO IT IS SOMEWHERE IN THIS MUSICAL? 451 00:25:37,035 --> 00:25:39,604 John: I AM NOT TELLING YOU WHERE. 452 00:25:39,604 --> 00:25:43,141 Lin-Manuel: BY THE WAY, I THINK THAT'S THE SECRET OF THE 453 00:25:43,141 --> 00:25:46,311 SONG'S SUCCESS AND WHY IT HAS BECOME A NEW YORK ANTHEM. 454 00:25:46,311 --> 00:25:53,251 BECAUSE THEY WROTE IT WHILE THEY WERE A LITTLE PISSED OFF AND I 455 00:25:53,251 --> 00:25:56,588 THINK EVERY NEW YORKER IS A LITTLE PISSED OFF. 456 00:25:56,588 --> 00:26:00,125 Stephen: WHO DO YOU THINK YOU ARE? 457 00:26:00,125 --> 00:26:02,327 Lin-Manuel: THAT HAS JUST A LITTLE [BLEEP] 458 00:26:02,327 --> 00:26:03,495 YOU IN IT. 459 00:26:03,495 --> 00:26:06,164 Stephen: THE LINE "IF YOU CAN MAKE IT THERE, IT'S ONE OF 460 00:26:06,164 --> 00:26:08,400 THE MOST FAMOUS LINES IN THE SONG AND ONE OF THE MOST FAMOUS 461 00:26:08,400 --> 00:26:11,469 THINGS ASSOCIATED WITH NEW YORK NOW. 462 00:26:11,469 --> 00:26:16,141 WHAT IS THE MOMENT YOU REALIZED YOU HAD MADE IT? 463 00:26:16,141 --> 00:26:17,676 LIN, LET'S START WITH YOU. 464 00:26:17,676 --> 00:26:21,780 Lin-Manuel: I ALWAYS SAY I'LL NEVER MAKE A BIGGER LEAP IN 465 00:26:21,780 --> 00:26:26,351 MY LIFE THEN GOING FROM SUBSTITUTE TEACHER AT MY OLD 466 00:26:26,351 --> 00:26:28,586 HIGH SCHOOL TO BROADWAY COMPOSER, WHICH WAS THE LEAP I 467 00:26:28,586 --> 00:26:33,191 MADE WHEN "IN THE HEIGHTS" MADE IT FROM OFF-BROADWAY TO 468 00:26:33,191 --> 00:26:33,692 BROADWAY. 469 00:26:33,692 --> 00:26:34,693 I WAS STILL SOBBING. 470 00:26:34,693 --> 00:26:36,194 Stephen: YOU WEREN'T EVEN A PERMANENT TEACHER. 471 00:26:36,194 --> 00:26:40,398 Lin-Manuel: I RELIED ON TEACHERS AT MY OLD HIGH SCHOOL 472 00:26:40,398 --> 00:26:45,170 TO GET SICK FIVE TIMES A MONTH AND THEN I COULD PAY MY RENT. 473 00:26:45,170 --> 00:26:48,139 SO THAT WAS THE BIGGEST LEAP I'LL EVER TAKE IN MY LIFE. 474 00:26:48,139 --> 00:26:55,146 BUT I THINK THE MOMENT WAS KIND OF, I THINK THE MOMENT YOU 475 00:26:55,146 --> 00:26:57,582 REALIZE YOUR NEW YORKER IS WHEN YOU CAN WALK INTO YOUR BODEGA 476 00:26:57,582 --> 00:26:59,985 AND THEY JUST START MAKING THE ORDER. 477 00:26:59,985 --> 00:27:02,420 BECAUSE YOU ARE THERE EVERY DAY. 478 00:27:02,420 --> 00:27:03,488 Stephen: THEY KNOW. 479 00:27:03,488 --> 00:27:07,092 JOHN, WHAT IS YOUR-- WHAT IS YOUR SENSE OF BEING A 480 00:27:07,092 --> 00:27:08,193 NEW YORKER, JOHN? 481 00:27:08,193 --> 00:27:11,096 DO YOU HAVE A THING YOU ASSOCIATE WITH REALLY BEING A 482 00:27:11,096 --> 00:27:11,496 NEW YORKER? 483 00:27:11,496 --> 00:27:14,566 John: YEAH. 484 00:27:14,566 --> 00:27:19,170 SOME OF IT I THINK IS, I WAS SITTING IN THE OTHER ROOM, 485 00:27:19,170 --> 00:27:22,073 SOMETHING I DIDN'T REALIZE UNTIL TODAY I THINK I HAVE ALWAYS BEEN 486 00:27:22,073 --> 00:27:28,446 A NEW YORKER, EVEN THOUGH WHEN I WAS GROWING UP IN KANSAS CITY. 487 00:27:28,446 --> 00:27:30,648 Stephen: WHAT IS THAT INEFFABLE THING? 488 00:27:30,648 --> 00:27:33,918 John: OKAY. 489 00:27:33,918 --> 00:27:37,722 THIS IS THE SUBSTANCE OF THE SHOW REALLY AND IT'S SOMETHING I 490 00:27:37,722 --> 00:27:40,625 BELIEVE TRULY DEEPLY. 491 00:27:40,625 --> 00:27:45,163 I THINK THAT NEW YORK CITY IS THE GREATEST SOCIAL EXPERIMENT 492 00:27:45,163 --> 00:27:48,066 THE WORLD HAS EVER SEEN. 493 00:27:48,066 --> 00:27:53,772 [APPLAUSE] Stephen: WHAT ARE THE 494 00:27:53,772 --> 00:27:56,274 ELEMENTS OF THE EXPERIMENT? 495 00:27:56,274 --> 00:28:02,213 John: I THINK EVERYBODY LIVES IN NEW YORK AND 496 00:28:02,213 --> 00:28:06,384 EVERYBODY'S NATURAL ENEMY LIVES IN NEW YORK. 497 00:28:06,384 --> 00:28:07,485 TRULY. 498 00:28:07,485 --> 00:28:11,022 AND THE FACT IS FOR THE MOST PART, THEY DON'T KILL EACH 499 00:28:11,022 --> 00:28:12,057 OTHER. 500 00:28:12,057 --> 00:28:15,427 AND IF YOU THINK OF OTHER BIG CITIES IN THE WORLD. 501 00:28:15,427 --> 00:28:19,898 YOU THINK OF LONDON AND ALL OF THE PEOPLE FROM ALL OVER THE 502 00:28:19,898 --> 00:28:24,803 WORLD WHO LIVED THERE AND THE ENGLISH. 503 00:28:24,803 --> 00:28:27,906 THINK OF ALL THE PEOPLE IN PARIS WHO LIVED THERE FROM ALL OVER 504 00:28:27,906 --> 00:28:29,007 THE WORLD AND THE FRENCH. 505 00:28:29,007 --> 00:28:32,544 IN NEW YORK, THERE IS ONLY OTHERS. 506 00:28:32,544 --> 00:28:33,912 [APPLAUSE] Stephen: WE HAVE TO TAKE A 507 00:28:33,912 --> 00:28:35,313 QUICK BREAK. 508 00:28:35,313 --> 00:28:37,816 WE'LL BE RIGHT BACK WITH MORE LIN MANUEL-MIRANDA AND JOHN 509 00:28:37,816 --> 00:28:38,917 KANDER, EVERYBODY. 510 00:28:38,917 --> 00:28:39,984 STICK AROUND. 511 00:28:48,993 --> 00:28:50,095 Stephen: HEY, EVERYBODY. 512 00:28:50,095 --> 00:28:55,733 WE ARE BACK WITH TWO OF THE BIGGEST NAMES ON BROADWAY, THE 513 00:28:55,733 --> 00:28:56,401 COMPOSERS OF THE NEW MUSICAL "NEW YORK, NEW YORK," JOHN 514 00:28:56,401 --> 00:28:57,569 KANDER AND LIN-MANUEL MIRANDA. 515 00:28:57,569 --> 00:29:02,874 YOU SAY THAT YOU'VE BEEN WRITING SINCE YOU ARE QUITE SMALL. 516 00:29:02,874 --> 00:29:05,944 I WANT TO GET TO WHAT YOUR FIRST SONG WASN'T JUST A MOMENT. 517 00:29:05,944 --> 00:29:08,847 LIN, DO YOU REMEMBER THE FIRST SONG HE WROTE? 518 00:29:08,847 --> 00:29:12,750 Lin-Manuel: I THINK IT WAS INTO MY FISHER-PRICE TAPE 519 00:29:12,750 --> 00:29:13,785 RECORDER. 520 00:29:13,785 --> 00:29:16,321 IT WAS CALLED "THE GARBAGE PAIL KIDS ARE IN TOWN." 521 00:29:16,321 --> 00:29:19,958 IT WAS ABOUT ALL THE DIFFERENT GARBAGE PAIL KIDS BECAUSE I 522 00:29:19,958 --> 00:29:23,895 COLLECTED GARBAGE PAIL KIDS CARDS AND THEY WERE COMING TO 523 00:29:23,895 --> 00:29:25,463 TOWN. 524 00:29:25,463 --> 00:29:28,266 Stephen: JOHN, WHAT WAS YOUR FIRST SONG? 525 00:29:28,266 --> 00:29:29,200 DO YOU REMEMBER? 526 00:29:29,200 --> 00:29:30,702 John: YEAH. 527 00:29:30,702 --> 00:29:35,306 A CHRISTMAS CAROL I WROTE IN SECOND GRADE. 528 00:29:35,306 --> 00:29:42,347 I DIDN'T FIND OUT UNTIL MANY YEARS LATER THAT MY SECOND GRADE 529 00:29:42,347 --> 00:29:48,119 TEACHER HAD CALLED MY FOLKS AND SAID "I JUST WANT TO TELL YOU 530 00:29:48,119 --> 00:29:51,122 THAT JOHN WROTE A CHRISTMAS CAROL. 531 00:29:51,122 --> 00:29:52,223 IS THAT ALL RIGHT? 532 00:29:52,223 --> 00:29:56,094 BECAUSE I KNOW YOU ARE JEWISH." 533 00:29:56,094 --> 00:29:57,862 [LAUGHTER] Stephen: WHAT DID YOUR 534 00:29:57,862 --> 00:29:58,396 FOLKS SAY? 535 00:29:58,396 --> 00:29:59,430 WAS THAT OKAY? 536 00:29:59,430 --> 00:30:01,699 John: IT WAS FINE WITH THEM. 537 00:30:01,699 --> 00:30:06,271 THEY TRIED TO EXPLAIN TO ME THAT THERE WAS MORE TO IT THAN THAT. 538 00:30:06,271 --> 00:30:07,906 [LAUGHTER] Stephen: YOU WROTE FOR SO 539 00:30:07,906 --> 00:30:09,440 MANY YEARS. 540 00:30:09,440 --> 00:30:12,744 YOU WROTE FOR OVER 40 YEARS WITH YOUR PARTNER, FRED. 541 00:30:12,744 --> 00:30:16,714 WHAT IS IT LIKE TO CONTINUE TO COMPOSE AND CREATE SONGS WITHOUT 542 00:30:16,714 --> 00:30:17,982 HIM? 543 00:30:17,982 --> 00:30:20,618 WHAT ARE THE CHALLENGES AND WHAT ARE SOME OF THE DISCOVERIES YOU 544 00:30:20,618 --> 00:30:21,819 MADE? 545 00:30:21,819 --> 00:30:28,626 John: WELL, AFTER FREDDIE DIED, 2004, THERE WAS SOME LEFT 546 00:30:28,626 --> 00:30:34,966 OVER PROJECTS WHICH I VOWED TO FINISH. 547 00:30:34,966 --> 00:30:45,410 AND I BEGAN TO WORK WITH OTHER PEOPLE, WITH MYSELF, AND I THINK 548 00:30:45,410 --> 00:30:50,582 I FOUND OUT THAT I COULDN'T NOT RIGHT. 549 00:30:50,582 --> 00:30:56,788 I COULDN'T NOT WRITE, AND THAT'S REALLY THE WHOLE SECRET. 550 00:30:56,788 --> 00:30:59,724 IT'S LIKE A HABIT THAT YOU JUST CAN'T GET RID OF AND I HAVE BEEN 551 00:30:59,724 --> 00:31:08,800 REALLY, REALLY LUCKY THAT I GET TO PLAY IN THE SANDBOX WITH 552 00:31:08,800 --> 00:31:09,634 PEOPLE LIKE HIM. 553 00:31:09,634 --> 00:31:15,039 [APPLAUSE] Stephen: LIN, I KNOW THAT 554 00:31:15,039 --> 00:31:20,945 YOU HAVE BEEN INSPIRED BY JOHN AND FRED EBB AND I UNDERSTAND 555 00:31:20,945 --> 00:31:25,350 YOU WROTE "THE ROOM WHERE IT HAPPENS," EXTRAORDINARY SONG 556 00:31:25,350 --> 00:31:27,318 FROM "HAMILTON" IS A LOVE LETTER TO THEM. 557 00:31:27,318 --> 00:31:32,590 Lin-Manuel: YEAH, THAT IS MY NOD TO THEM. 558 00:31:32,590 --> 00:31:36,527 IT'S A VERY DIFFERENT STYLE FROM THE REST OF IT BECAUSE, AND 559 00:31:36,527 --> 00:31:39,864 AGAIN HAD MANY CONVERSATIONS ABOUT HOW WE DON'T RECOGNIZE OUR 560 00:31:39,864 --> 00:31:41,032 OWN STYLES. 561 00:31:41,032 --> 00:31:43,801 I TOLD JOHN THIS AND HE SAID, WHAT ARE YOU TALKING ABOUT? 562 00:31:43,801 --> 00:31:49,741 THE ONLY REAL TELL IS AT THE END OF THAT SONG IF YOU LISTEN, IT 563 00:31:49,741 --> 00:31:59,150 GOES "I WANT TO BE IN THE ROOM" AND THEN HE GOES CLICK, BOOM, 564 00:31:59,150 --> 00:32:04,155 SHHH" AND THAT IS ALL THAT JAZZ. 565 00:32:04,155 --> 00:32:09,927 THAT IS A STRAIGHT UP STEAL. 566 00:32:09,927 --> 00:32:11,396 Stephen: STICK AROUND. 567 00:32:11,396 --> 00:32:12,463 MORE LIN-MANUEL MIRANDA AND JOHN KANDER TO COME. 568 00:32:27,011 --> 00:32:29,947 Stephen: HEY, EVERYBODY, WE ARE BACK WITH THE GREAT JOHN 569 00:32:29,947 --> 00:32:32,116 KANDER AND LIN-MANUEL MIRANDA. 570 00:32:32,116 --> 00:32:35,653 JOHN, WHO WERE SOME OF YOUR HEROES? 571 00:32:35,653 --> 00:32:37,388 YOU ARE A HERO OF LIN-MANUEL MIRANDA. 572 00:32:37,388 --> 00:32:40,158 WHO WERE SOME OF YOUR HEROES? 573 00:32:40,158 --> 00:32:44,595 John: GEORGE GERSHWIN, IRVING BERLIN. 574 00:32:44,595 --> 00:32:48,299 IT JEROME KERN. 575 00:32:48,299 --> 00:32:54,906 EVERY GENERATION HAS ITS OWN NOT JUST MUSICAL HEROES BUT 576 00:32:54,906 --> 00:33:04,782 INFLUENCES AND WHAT REALLY KIND OF DAZZLES ME, WHEN WE WORK 577 00:33:04,782 --> 00:33:08,152 TOGETHER, THAT WE ARE SEPARATED BY NOT JUST TWO GENERATIONS, BY 578 00:33:08,152 --> 00:33:12,223 THREE GENERATIONS. 579 00:33:12,223 --> 00:33:21,866 AND YET THE ACTUAL PROCESS OF WRITING AND WORKING IS ALMOST 580 00:33:21,866 --> 00:33:22,367 ABSURDLY EASY. 581 00:33:22,367 --> 00:33:24,936 Lin-Manuel: YEAH. 582 00:33:24,936 --> 00:33:26,371 Stephen: REALLY? 583 00:33:26,371 --> 00:33:29,307 EVEN THOUGH SOMETIMES WHEN YOU APPROACH THE START TO A SONG, 584 00:33:29,307 --> 00:33:32,143 YOU THINK "I DON'T KNOW WHAT I'M DOING?" 585 00:33:32,143 --> 00:33:33,378 John: BUT YOU NEVER KNOW WHAT YOU'RE DOING. 586 00:33:33,378 --> 00:33:36,581 Lin-Manuel: BUT WE GO THERE TOGETHER. 587 00:33:36,581 --> 00:33:39,751 Stephen: WHAT IS THAT FEELING LIKE WHEN YOU REALIZE 588 00:33:39,751 --> 00:33:43,354 YOU'VE GONE FROM NOT KNOWING TO KNOWING SOMETHING? 589 00:33:43,354 --> 00:33:44,789 HOW DOES THAT HAPPEN? 590 00:33:44,789 --> 00:33:47,925 WHAT IS THAT MYSTERIOUS MOMENT WHEN THE BLANK PAGE TURNS INTO 591 00:33:47,925 --> 00:33:49,761 NOT AN ACCUSATION BUT A POSSIBILITY. 592 00:33:49,761 --> 00:33:52,530 Lin-Manuel: WE TALK ABOUT THAT ALL THE TIME ACTUALLY. 593 00:33:52,530 --> 00:33:56,934 John: IN THE FIRST PLACE, YOU NEVER KNOW MUCH. 594 00:33:56,934 --> 00:33:58,069 YOU REALLY DON'T. 595 00:33:58,069 --> 00:34:03,741 BUT SOMETHING BEGINS TO HAPPEN AND IF YOU'RE WORKING WITH 596 00:34:03,741 --> 00:34:09,414 ANOTHER PERSON, YOU BEGIN TO PILE IDEA ON IDEA. 597 00:34:09,414 --> 00:34:12,850 AND IT'S AN ADVENTURE. 598 00:34:12,850 --> 00:34:17,588 AND IF YOU DON'T PUT SOME GOD UP THERE TELLING YOU THAT'S NO 599 00:34:17,588 --> 00:34:22,927 GOOD, YOU CAN GO AHEAD AND JUST DO IT. 600 00:34:22,927 --> 00:34:23,594 Lin-Manuel: YEAH. 601 00:34:23,594 --> 00:34:26,664 AND HIS HANDS ARE REALLY FAST. 602 00:34:26,664 --> 00:34:32,570 A LOT OF WHAT WRITING IS TO US IS JUST EATING BAGELS AND 603 00:34:32,570 --> 00:34:34,372 TALKING ABOUT WHAT'S ON TV AND THEN AT A CERTAIN POINT WE WILL 604 00:34:34,372 --> 00:34:37,375 TURN TO THE PIANO AND TALK ABOUT THE IDEA WE HAVE. 605 00:34:37,375 --> 00:34:40,745 HIS HANDS WILL START GOING I WILL JUST START TRYING TO WRITE 606 00:34:40,745 --> 00:34:43,448 WORDS TO KEEP UP WITH WHAT'S COMING OUT OF HIS HANDS ON THE 607 00:34:43,448 --> 00:34:46,617 FIRST SONG WE WERE TOGETHER, THE OPENING NUMBER OF "NEW YORK, NEW 608 00:34:46,617 --> 00:34:50,388 YORK," WE ROTATE ABOUT AN HOUR AND 15 MINUTES. 609 00:34:50,388 --> 00:34:52,657 I FILMED US SINGING THROUGH IT FOR THE FIRST TIME AND THERE'S A 610 00:34:52,657 --> 00:34:58,963 MOMENT WHERE WE ARE LOOKING AT EACH OTHER. 611 00:34:58,963 --> 00:35:03,901 [BLEEP] THAT IT EXISTS NOW. 612 00:35:03,901 --> 00:35:07,672 [APPLAUSE] John: HE JUST SAID 613 00:35:07,672 --> 00:35:11,976 SOMETHING REALLY IMPORTANT I THINK A LOT OF PEOPLE DON'T 614 00:35:11,976 --> 00:35:16,514 UNDERSTAND WITH PEOPLE WHO MAKE ART, IF YOU WILL. 615 00:35:16,514 --> 00:35:25,556 ONE OF THE GREAT, ONE OF THE GREAT THINGS ABOUT MAKING STUFF 616 00:35:25,556 --> 00:35:29,193 IS SOMETHING IS THERE THAT WAS NOT THERE BEFORE. 617 00:35:29,193 --> 00:35:33,931 I CAN'T TELL YOU WHAT AN EGO TRIP THAT IS. 618 00:35:33,931 --> 00:35:36,234 Stephen: JOHN, THANK YOU SO MUCH FOR BEING HERE. 619 00:35:36,234 --> 00:35:37,768 LOVELY TO TALK TO YOU. 620 00:35:37,768 --> 00:35:39,837 LIN, AS ALWAYS. 621 00:35:39,837 --> 00:35:42,840 THANK YOU. 622 00:35:42,840 --> 00:35:48,312 "NEW YORK, NEW YORK" IS ON BROADWAY 623 00:35:48,312 --> 00:35:50,314 AT THE ST. JAMES THEATRE. 624 00:35:50,314 --> 00:35:51,616 LIN-MANUEL MIRANDA AND JOHN KANDER, EVERYBODY! 625 00:35:51,616 --> 00:35:52,550 WE'LL BE RIGHT BACK WITH A PERFORMANCE FROM 626 00:35:52,550 --> 00:35:53,951 "NEW YORK, NEW YORK." 627 00:35:53,951 --> 00:35:55,019 STICK AROUND. 628 00:36:19,510 --> 00:36:21,812 AND NOW PERFORMING "BUT THE WORLD GOES 'ROUND", 629 00:36:21,812 --> 00:36:24,916 ANNA UZELE AND THE ORCHESTRA FROM THE BROADWAY MUSICAL 630 00:36:24,916 --> 00:36:26,984 "NEW YORK, NEW YORK." 631 00:36:41,999 --> 00:36:43,167 ♪ ♪ ♪ SOMETIMES YOU'RE HAPPY ♪ 632 00:36:43,167 --> 00:36:51,609 ♪ AND SOMETIMES YOU'RE SAD ♪ ♪ BUT THE WORLD GOES 'ROUND ♪ 633 00:36:51,609 --> 00:36:57,915 ♪ SOMETIMES YOU LOSE ♪ ♪ EVERY NICKEL YOU HAD ♪ 634 00:36:57,915 --> 00:37:08,726 ♪ BUT THE WORLD GOES 'ROUND ♪ ♪ SOMETIMES YOUR DREAMS ♪ 635 00:37:08,726 --> 00:37:17,134 ♪ GET BROKEN IN PIECES ♪ ♪ BUT THAT 636 00:37:17,134 --> 00:37:19,670 DOESN'T ALTER A THING ♪ ♪ TAKE IT FROM ME ♪ 637 00:37:19,670 --> 00:37:25,109 ♪ THERE'S STILL GOING TO BE ♪ ♪ A SUMMER, A WINTER ♪ 638 00:37:25,109 --> 00:37:28,012 ♪ A FALL ♪ ♪ AND A SPRING ♪ 639 00:37:28,012 --> 00:37:31,315 ♪ AND SOMETIMES ♪ ♪ A FRIEND STARTS ♪ 640 00:37:31,315 --> 00:37:38,990 ♪ TREATING YOU BAD ♪ ♪ BUT THE WORLD GOES 'ROUND ♪ 641 00:37:38,990 --> 00:37:44,495 ♪ AND SOMETIMES ♪ ♪ YOUR HEART BREAKS ♪ 642 00:37:44,495 --> 00:37:53,938 ♪ WITH A DEAFENING SOUND ♪ ♪ SOMEBODY LOSES ♪ 643 00:37:53,938 --> 00:38:00,111 ♪ AND SOMEBODY WINS ♪ ♪ AND ONE DAY IT'S KICKS ♪ 644 00:38:00,111 --> 00:38:05,883 ♪ THEN IT'S KICKS IN THE SHINS ♪ ♪ BUT THE PLANET SPINS ♪ 645 00:38:05,883 --> 00:38:15,059 ♪ AND THE WORLD GOES ♪ ♪ 'ROUND AND 'ROUND ♪ 646 00:38:16,494 --> 00:38:28,806 ♪ ♪ THE WORLD GOES ♪ 647 00:38:28,806 --> 00:38:39,917 ♪ 'ROUND ♪ ♪ SOMETIMES YOUR DREAMS ♪ 648 00:38:39,917 --> 00:38:47,158 ♪ GET BROKEN IN PIECES ♪ ♪ BUT THAT DOESN'T 649 00:38:47,158 --> 00:38:50,661 MATTER AT ALL ♪ ♪ TAKE IT FROM ME ♪ 650 00:38:50,661 --> 00:38:52,296 ♪ THERE'S STILL GOING TO BE ♪ ♪ A SUMMER, A WINTER ♪ 651 00:38:52,296 --> 00:39:00,137 ♪ A SPRING ♪ ♪ AND A FALL ♪ 652 00:39:00,137 --> 00:39:03,174 ♪ AND SOMETIMES ♪ ♪ A FRIEND STARTS ♪ 653 00:39:03,174 --> 00:39:10,314 ♪ TREATING YOU BAD ♪ ♪ BUT THE WORLD GOES 'ROUND ♪ 654 00:39:10,314 --> 00:39:15,186 ♪ AND SOMETIMES ♪ ♪ YOUR HEART BREAKS ♪ 655 00:39:15,186 --> 00:39:25,830 ♪ WITH A DEAFENING SOUND ♪ ♪ SOMEBODY LOSES ♪ 656 00:39:25,830 --> 00:39:30,134 ♪ AND SOMEBODY WINS ♪ ♪ AND ONE DAY IT'S KICKS ♪ 657 00:39:30,134 --> 00:39:36,273 ♪ THEN IT'S KICKS IN THE SHINS ♪ ♪ BUT THE PLANET SPINS ♪ 658 00:39:36,273 --> 00:39:43,214 ♪ AND THE WORLD GOES 'ROUND ♪ ♪ AND AROUND AND 'ROUND ♪ 659 00:39:43,214 --> 00:39:45,750 ♪ AND AROUND ♪ ♪ AND 'ROUND ♪ 660 00:39:45,750 --> 00:39:56,627 ♪ THE WORLD GOES 'ROUND ♪ AROUND AND 'ROUND ♪ 661 00:39:56,627 --> 00:40:02,700 ♪ AND 'ROUND ♪ 662 00:40:14,545 --> 00:40:20,050 [CHEERS AND APPLAUSE] ANNA UZELE 663 00:40:20,050 --> 00:40:22,953 FROM "NEW YORK, NEW YORK," EVERYBODY. 664 00:40:22,953 --> 00:40:23,954 ST JAMES THEATRE. 665 00:40:23,954 --> 00:40:24,655 THAT'S IT FOR "THE LATE SHOW." 666 00:40:24,655 --> 00:40:25,723 GOOD NIGHT.