1 00:00:01,201 --> 00:00:03,837 TIKTOK JUST ANNOUNCED THIS MORNING THAT EVERY USER UNDER 2 00:00:03,837 --> 00:00:06,639 THE AGE OF 18 WILL SOON HAVE THEIR ACCOUNTS DEFAULT TO 3 00:00:06,639 --> 00:00:09,209 A DAILY LIMIT OF ONE HOUR OF SCREEN TIME. 4 00:00:09,209 --> 00:00:11,811 THIS SOUNDS GOOD, BUT IT LOOKS LIKE IT'S PRETTY EASY FOR PEOPLE 5 00:00:11,811 --> 00:00:15,949 TO GET AROUND IT. AT TIKTOK, IN AN ATTEMPT 6 00:00:15,949 --> 00:00:17,984 TO ACT AS IF WE CARE, WE'RE ENACTING PROTOCOLS TO HELP LIMIT 7 00:00:17,984 --> 00:00:22,756 TEENS' SCREEN TIME, LIKE A ONE-HOUR DAILY LIMIT. 8 00:00:22,756 --> 00:00:26,326 BUT IF THAT DOESN'T WORK, AND IT WON'T, WE HAVE A BACKUP PLAN. 9 00:00:26,326 --> 00:00:29,729 FILLING THEIR FEED WITH FOOTAGE OF THEIR PARENTS GIVING ADVICE. 10 00:00:29,729 --> 00:00:32,098 I KNOW YOU'RE THINKING ABOUT ART SCHOOL, BUT THERE'S A REAL 11 00:00:32,098 --> 00:00:35,502 ART TO INSTALLING VINYL SIDING. AND IT'S ALWAYS GOOD TO HAVE 12 00:00:35,502 --> 00:00:38,671 A FALLBACK PLAN. NOTHING WILL CAUSE YOUR TEENS 13 00:00:38,671 --> 00:00:41,775 TO GET OFF THEIR DEVICE QUICKER. I KNOW YOU LIKE DOING THOSE 14 00:00:41,775 --> 00:00:44,210 LITTLE TIKTOK DANCES. YA EVER TRY ZUMBA? 15 00:00:44,210 --> 00:00:46,312 FRANK, YOU'RE HOLDING THE PHONE TOO CLOSE. 16 00:00:46,312 --> 00:00:48,148 OH, LIKE YOU KNOW EVERYTHING ABOUT TECHNOLOGY. 17 00:00:48,148 --> 00:00:50,016 AT LEAST I KNOW HOW TO ORDER ON AMAZON. 18 00:00:50,016 --> 00:00:52,685 SCREW YOU, HELEN. TIKTOK. 19 00:00:52,685 --> 00:00:55,388 EH, WHO ARE WE KIDDING? THEY'LL WATCH THIS TOO. 20 00:00:55,388 --> 00:01:00,727 Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT." 21 00:01:00,727 --> 00:01:08,635 TONIGHT... UNBE-LEAK-ABLE. 22 00:01:08,635 --> 00:01:10,770 FIRST, STEPHEN WELCOMES... MICHELLE YEOH 23 00:01:10,770 --> 00:01:14,641 AND RILEY KEOUGH. FEATURING LOUIS CATO 24 00:01:14,641 --> 00:01:20,814 AND "THE LATE SHOW" BAND. AND NOW, LIVE ON TAPE 25 00:01:20,814 --> 00:01:23,716 FROM THE ED SULLIVAN THEATER IN NEW YORK CITY, 26 00:01:23,716 --> 00:01:39,399 IT'S STEPHEN COLBERT. Stephen: GOOD TO SEE YOU. 27 00:01:39,399 --> 00:01:46,806 ♪ ♪ [CHEERS AND APPLAUSE] 28 00:01:46,806 --> 00:01:50,743 ALWAYS NICE TO SEE YOU. 29 00:01:50,743 --> 00:01:53,580 HAPPY WEDNESDAY. HAPPY HUMP DAY. 30 00:01:53,580 --> 00:01:56,850 GOOD FOR YOU. HELLO. 31 00:01:56,850 --> 00:01:59,352 THANKS, EVERYBODY. PLEASE, HAVE A SEAT, WON'T YOU 32 00:01:59,352 --> 00:02:02,789 PLEASE? LADIES AND GENTLEMEN, WELCOME 33 00:02:02,789 --> 00:02:07,861 WELCOME, ONE AND ALL, TO "THE LATE SHOW." 34 00:02:07,861 --> 00:02:12,165 I'M STEPHEN COLBERT. TONIGHT, THE BIG STORY 35 00:02:12,165 --> 00:02:13,800 IS THAT CHICAGO MAYOR LORI LIGHTFOOT FAILED IN HER BID 36 00:02:13,800 --> 00:02:20,473 ION TWO WIN REELECTION. AND FOR MORE ON 37 00:02:20,473 --> 00:02:28,615 THAT, WATCH SOMETHING ELSE, BECAUSE I HAVE NO OPINION. 38 00:02:28,615 --> 00:02:30,550 ANOTHER THING I HAVE NO OPINION ABOUT? 39 00:02:30,550 --> 00:02:37,223 WHERE THE CORONAVIRUS CAME FROM! I WANNA KNOW WHERE IT IS NOW, 40 00:02:37,223 --> 00:02:42,695 SO I CAN NOT BE THERE. ON SUNDAY, WE LEARNED THAT THE 41 00:02:42,695 --> 00:02:45,064 DEPARTMENT OF ENERGY BELIEVES THAT THE COVID PANDEMIC 42 00:02:45,064 --> 00:02:50,236 WAS THE RESULT OF A LAB LEAK, A BELIEF THEY HOLD WITH 43 00:02:50,236 --> 00:02:52,605 "LOW CONFIDENCE." THAT'S NOT REASSURING. 44 00:02:52,605 --> 00:02:55,975 IT'S LIKE IF ARBY'S CHANGED THEIR SLOGAN TO "WE'RE PRETTY 45 00:02:55,975 --> 00:03:06,753 SURE WHAT WE HAVE IS MEATS." IF I HAD TO GUESS. 46 00:03:06,753 --> 00:03:08,721 GUN TO MY HEAD, I'D SAY MEATS. BACK IN 2021, IT WAS FIRST 47 00:03:08,721 --> 00:03:11,758 REPORTED THAT THE FBI HAD "MODERATE CONFIDENCE" THAT 48 00:03:11,758 --> 00:03:13,793 THE PANDEMIC WAS THE RESULT OF AN ACCIDENTAL LAB LEAK. 49 00:03:13,793 --> 00:03:16,696 BUT THE FBI NEVER PUBLICLY ACKNOWLEDGED IT, 50 00:03:16,696 --> 00:03:20,133 UNTIL YESTERDAY, WHEN WE HEARD FROM FBI DIRECTOR 51 00:03:20,133 --> 00:03:23,770 CHRISTOPHER WRAY, SEEN HERE ANNOUNCING THE ARRESTS MADE 52 00:03:23,770 --> 00:03:31,711 IN "OPERATION BAZOOMBAS." YEAH. 53 00:03:31,711 --> 00:03:36,015 MASSIVE FORCE. MASSIVE DISPLAY OF FORCE. 54 00:03:36,015 --> 00:03:37,717 HE SAT DOWN WITH FOX NEWS AND DROPPED THIS OPPOSITE 55 00:03:37,717 --> 00:03:40,053 OF A BOMBSHELL. THE FBI HAS FOR QUITE SOME 56 00:03:40,053 --> 00:03:44,190 TIME NOW ASSESSED THAT THE ORIGINS OF THE PANDEMIC 57 00:03:44,190 --> 00:03:48,428 ARE MOST LIKELY A POTENTIAL LAB INCIDENT IN WUHAN. 58 00:03:48,428 --> 00:03:52,498 Stephen: MOST LIKELY POTENTIAL. 59 00:03:52,498 --> 00:03:56,069 THAT IS DARN CLOSE TO HYPOTHETICALLY NEARLY 60 00:03:56,069 --> 00:03:59,272 CONCEIVABLY IMAGINABLE MAYBE. SOMEWHERE BETWEEN POSSIBLE 61 00:03:59,272 --> 00:04:03,476 AND PROBABLE, SO IT'S DEFINITELY 62 00:04:03,476 --> 00:04:15,221 "PROSSIBLE." WE LIVE IN A WORLD OF INFINITE 63 00:04:15,221 --> 00:04:17,357 PROSSIBILITY. STILL, EVERYBODY WANTS 64 00:04:17,357 --> 00:04:19,058 A DEFINITIVE ANSWER ON THIS. AND I'M SURE IF THE FBI DIRECTOR 65 00:04:19,058 --> 00:04:20,293 IS FINALLY GOING TO ANNOUNCE THIS ON TV, HE'S GOT A WHOLE LOT 66 00:04:20,293 --> 00:04:21,361 OF DETAILS TO SHARE. THERE ARE NOT A WHOLE LOT OF 67 00:04:21,361 --> 00:04:23,696 DETAILS I CAN SHARE THAT AREN'T CLASSIFIED. 68 00:04:23,696 --> 00:04:30,770 Stephen: OKAY, IF YOU CAN'T SHARE IT, MAYBE TELL SOMEONE 69 00:04:30,770 --> 00:04:36,542 AT THAT CHINESE LAB, AND IF THEY LEAK IT, YOU'LL KNOW 70 00:04:36,542 --> 00:04:38,177 YOU WERE RIGHT. IF THE FBI ISN'T WILLING TO 71 00:04:38,177 --> 00:04:40,613 SHARE THE PROOF TO BACK UP THEIR STATEMENT, I AGREE WITH 72 00:04:40,613 --> 00:04:42,949 DR. FAUCI WHO SAYS THAT, WHEN IT COMES TO THE ORIGINS OF COVID, 73 00:04:42,949 --> 00:04:52,325 "WE MAY NEVER KNOW." IT'S A HARD TRUTH BUT A TRUTH WE 74 00:04:52,325 --> 00:04:55,028 ALL LEARNED FROM THE CLASSIC PS PSA. 75 00:04:55,028 --> 00:04:59,465 I DON'T KNOW. Stephen: SOME PEOPLE DON'T 76 00:04:59,465 --> 00:05:01,401 NEED TO KNOW ANYTHING ABOUT ANYTHING TO HAVE SOME PRETTY 77 00:05:01,401 --> 00:05:09,575 STRONG OPINIONS. TAKE GEORGIA REPRESENTATIVE 78 00:05:09,575 --> 00:05:14,580 AND... [BOOS] 79 00:05:14,580 --> 00:05:16,149 Stephen: AND ESCAPED DIORAMA OF A NEANDERTHAL FEMALE, 80 00:05:16,149 --> 00:05:18,718 MARJORIE TAYLOR GREENE. YESTERDAY, GREENE WAS AT 81 00:05:18,718 --> 00:05:24,457 A SUBCOMMITTEE HEARING ON COVID. SHE WAS AGAINST MOST OF THE 82 00:05:24,457 --> 00:05:28,895 PRECAUTIONS, LIKE MASKS, AND VACCINES, AND LOCKDOWNS. 83 00:05:28,895 --> 00:05:29,896 AND SHE MADE A PRETTY CONVINCING POINT ABOUT THE 84 00:05:29,896 --> 00:05:31,531 PRESENT STATE OF AMERICAN EDUCATION. 85 00:05:31,531 --> 00:05:36,636 THE RESPONSE TO COVID-19 WAS DEVASTATING TO OUR COUNTRY 86 00:05:36,636 --> 00:05:38,504 AND IT'S GOING TO BE YEARS BEFORE WE REALLY KNOW 87 00:05:38,504 --> 00:05:42,642 THE EFFECTS AND THE OUTCOME ON OUR SOCIETY AND ESPECIALLY 88 00:05:42,642 --> 00:05:45,712 ON OUR CHILDREN. WHAT IT DID TO OUR CHILDREN'S 89 00:05:45,712 --> 00:05:48,347 MATH AND READING LEVELS IS HORRIFIC. 90 00:05:48,347 --> 00:05:56,222 HERE'S WHAT IS SHOCKING TO ME. THERE ARE 1 MILLION 524-- 91 00:05:56,222 --> 00:05:59,058 524,480-- THIS IS OVER ONE MILLION, 92 00:05:59,058 --> 00:06:05,765 1.5 MILLION. Stephen: OKAY. 93 00:06:05,765 --> 00:06:13,206 RIGHT? [CHEERS AND APPLAUSE] 94 00:06:13,206 --> 00:06:17,710 I KNOW WATCHING THAT MADE MY MATH LEVEL DROP. 95 00:06:17,710 --> 00:06:25,151 I'M GONNA SAY BY AT LEAST 1 POINT TWELVITY-NINE-107.5 96 00:06:25,151 --> 00:06:29,489 BEST OF THE '80s, '90s, AND TODAY. 97 00:06:29,489 --> 00:06:35,795 ♪ 867-5309! ♪ 588 ♪ 98 00:06:35,795 --> 00:06:37,163 GREENE CLARIFIED WHERE SHE'S COMING FROM WITH ALL THIS COVID 99 00:06:37,163 --> 00:06:42,635 INFO. I'M NOT A DOCTOR. 100 00:06:42,635 --> 00:06:46,672 Stephen: THANK YOU. NO ONE THOUGHT YOU WERE 101 00:06:46,672 --> 00:06:47,974 A DOCTOR. THE VIBE I GET IS "NURSE WHO 102 00:06:47,974 --> 00:06:56,382 POCKETS THE CODEINE." SPEAKING... 103 00:06:56,382 --> 00:07:03,156 REALLY? ALL RIGHT. 104 00:07:03,156 --> 00:07:04,824 SPEAKING OF NURSES, YESTERDAY JOE BIDEN WAS IN VIRGINIA BEACH 105 00:07:04,824 --> 00:07:06,292 TO GIVE A SPEECH ABOUT THE COST OF HEALTHCARE AND HE CHEERED UP 106 00:07:06,292 --> 00:07:08,694 THE CROWD WITH A FEELGOOD STORY ABOUT BEING IN THE ICU. 107 00:07:08,694 --> 00:07:12,265 BY THE WAY, YOU DOCS ARE GOOD, BUT IF THERE ARE ANY 108 00:07:12,265 --> 00:07:14,167 ANGELS IN HEAVEN, THEY ARE ALL NURSES, MALE AND FEMALE. 109 00:07:14,167 --> 00:07:17,737 YOU KNOW WHY? YOU GUYS LET US-- 110 00:07:17,737 --> 00:07:20,373 YOU GUYS MAKE US-- ALLOW US TO LIVE, BUT NURSES 111 00:07:20,373 --> 00:07:22,475 MAKE YOU WANT TO LIVE. WHEN I WAS AT WALTER REED 112 00:07:22,475 --> 00:07:26,546 ALL THAT TIME AFTER A COUPLE CRANIOTOMIES, I WAS LYING THERE, 113 00:07:26,546 --> 00:07:28,815 AND I HAD A NURSE NAMED PEARL NELSON, MILITARY. 114 00:07:28,815 --> 00:07:31,150 SHE'D COME IN AND DO THINGS THAT I DON'T THINK YOU LEARNED 115 00:07:31,150 --> 00:07:43,062 IN MEDICAL SCHOOL-- IN NURSING SCHOOL. 116 00:07:43,062 --> 00:07:55,575 [LAUGHTER] Stephen: IS IT OVER YET? 117 00:07:55,575 --> 00:07:58,144 I CAN'T LOOK, BUT I ALSO CAN'T LOOK AWAY. 118 00:07:58,144 --> 00:07:59,879 I FEEL LIKE I'M WATCHING A CHAINSAW JUGGLER 119 00:07:59,879 --> 00:08:03,516 WITH A CASE OF THE SHAKES. OKAY, EVERYONE AGREES NURSES ARE 120 00:08:03,516 --> 00:08:07,453 HEROES, I UNDERSTAND, GO ON. SHE'D WHISPER IN MY EAR. 121 00:08:07,453 --> 00:08:09,922 I COULDN'T UNDERSTAND HER. Stephen: YES, WHEN YOU'RE 122 00:08:09,922 --> 00:08:12,124 IN A COMATOSE STATE, NOTHING IS MORE COMFORTING THAN 123 00:08:12,124 --> 00:08:13,693 SOMEONE GETTING RIGHT NEXT TO YOUR HEAD AND GOING 124 00:08:13,693 --> 00:08:18,397 [WHISPERING] ASSA-FASSA-WADDA-KASSA-FASSA-FA. 125 00:08:18,397 --> 00:08:23,469 MAYBE SOME ASMR. [CRINKLING] 126 00:08:23,469 --> 00:08:27,306 STAY ALIVE. [CRINKLING] 127 00:08:27,306 --> 00:08:32,144 [WHISPERING] SO MUCH TO LIVE FOR. 128 00:08:32,144 --> 00:08:35,348 MMM. MMM. 129 00:08:35,348 --> 00:08:39,085 FRITOS. HE WENT ON. 130 00:08:39,085 --> 00:08:41,587 SHE'D ACTUALLY BREATHE ON ME TO MAKE SURE THAT THERE WAS 131 00:08:41,587 --> 00:08:43,890 A CONNECTION, A HUMAN CONNECTION. 132 00:08:43,890 --> 00:08:47,493 SHE EVEN WENT HOME AND BROUGHT BACK HER PILLOW FROM HER OWN BED 133 00:08:47,493 --> 00:08:50,496 BECAUSE THE ONE I HAD WASN'T COMFORTABLE. 134 00:08:50,496 --> 00:08:53,766 Stephen: THAT SOUNDS LIKE A HORROR STORY. 135 00:08:53,766 --> 00:08:59,171 [WHISPERING] "I'VE BROUGHT MY OWN PILLOW. 136 00:08:59,171 --> 00:09:03,509 AHHHH. DON'T WORRY, IT'LL ALL BE 137 00:09:03,509 --> 00:09:08,314 OVER SOON. ASSA-WASSA-ASSA-WASSA. 138 00:09:08,314 --> 00:09:15,454 SHH." HOW LONG DID THAT TAKE? 139 00:09:15,454 --> 00:09:19,025 HOW LONG WAS THAT? THERE'S SOME TROUBLING NEWS FROM 140 00:09:19,025 --> 00:09:26,532 TENNESSEE, THANKS TO REPUBLICAN GOVERNOR AND DAD'S FRIEND SAYING 141 00:09:26,532 --> 00:09:28,301 "WOW, YOU REALLY GREW UP OVER THE SUMMER", BILL LEE. 142 00:09:28,301 --> 00:09:30,503 LEE ANNOUNCED HE WILL BE SIGNING TENNESSEE'S SWEEPING NEW 143 00:09:30,503 --> 00:09:33,005 ANTI-LGBTQ BILLS, WHICH, AMONG OTHER THINGS WILL BAN 144 00:09:33,005 --> 00:09:35,875 GENDER-AFFIRMING TREATMENT FOR TRANSGENDER YOUTH. 145 00:09:35,875 --> 00:09:48,387 COME ON. TRANSGENDER OR NOT, ALL TEENS 146 00:09:48,387 --> 00:09:50,389 STRUGGLE WITH FIGURING OUT RELATIONSHIP TO THEIR BODIES. 147 00:09:50,389 --> 00:09:52,258 YOU THINK UNILEVER HAD GROWN ADULTS IN MIND WHEN THEY MADE 148 00:09:52,258 --> 00:09:55,628 AXE BODY SPRAY IN GOLDEN MANGO? YOU KNOW THEIR MOTTO. 149 00:09:55,628 --> 00:09:57,797 "MOM, I DID SHOWER!" TENNESSEE ISN'T JUST COMING FOR 150 00:09:57,797 --> 00:10:00,333 THE YOUNG ONES. THE GOVERNOR HAS SAID HE'D 151 00:10:00,333 --> 00:10:02,034 SIGN A BILL THAT WOULD RESTRICT DRAG SHOWS. 152 00:10:02,034 --> 00:10:05,504 YES, HE WANTS TO SEVERELY LIMIT DRAG. 153 00:10:05,504 --> 00:10:07,873 OUR FOUNDING FATHERS DID NOT CREATE THIS COUNTRY SO MEN COULD 154 00:10:07,873 --> 00:10:19,618 WEAR FRILLY SHIRTS, SILK STOCKINGS, AND POWDERED WIGS! 155 00:10:19,618 --> 00:10:28,561 THAT'S GOOD. Stephen: SPECIFICALLY, 156 00:10:28,561 --> 00:10:29,695 THE BILL CRIMINALIZES "ADULT-ORIENTED" 157 00:10:29,695 --> 00:10:31,530 PERFORMANCES BY "MALE OR FEMALE IMPERSONATORS." 158 00:10:31,530 --> 00:10:32,732 WHICH MEANS THE CITIZENS OF TENNESSEE WILL FINALLY BE SAFE 159 00:10:32,732 --> 00:10:37,970 FROM REBA MCENTIRE! OH, YES. 160 00:10:37,970 --> 00:10:40,339 REBA IS EXPOSING OUR CHILDREN TO TEMPTING BUCKETS OF BREASTS 161 00:10:40,339 --> 00:10:43,542 AND THIGHS. TO DEFEND TARGETING THE LGBTQ 162 00:10:43,542 --> 00:10:46,612 COMMUNITY, GOVERNOR LEE CLAIMS THE BILL WOULD PROTECT CHILDREN 163 00:10:46,612 --> 00:10:51,283 FROM BEING "POTENTIALLY EXPOSED TO SEXUALIZED ENTERTAINMENT." 164 00:10:51,283 --> 00:10:54,086 OKAY, BUT "SEXUALIZED" IS IN THE EYE OF THE BEHOLDER. 165 00:10:54,086 --> 00:10:55,821 HOW ARE YOU GOING TO CONTROL THAT? 166 00:10:55,821 --> 00:10:57,957 "IT'S REALLY IMPORTANT THAT NONE OF THEIR ELEMENTARY SCHOOL 167 00:10:57,957 --> 00:11:04,363 TEACHERS WEAR OPEN-TOED SANDALS AND HAVE A REALLY LONG MIDDLE 168 00:11:04,363 --> 00:11:08,567 TOE, ALMOST LIKE A FINGER? REAL GRACEFUL. 169 00:11:08,567 --> 00:11:13,072 HIGH ARCH. THAT WOULD BE WRONG. 170 00:11:13,072 --> 00:11:14,640 I'LL SEND YOU SOME PHOTOS." PLUS, THIS WHOLE STUPID BILL 171 00:11:14,640 --> 00:11:16,108 IS REDUNDANT, BECAUSE TENNESSEE ALREADY BANS OBSCENITY IN FRONT 172 00:11:16,108 --> 00:11:19,045 OF MINORS. IT WAS LANDMARK LEGISLATION. 173 00:11:19,045 --> 00:11:20,479 IT'S WHY THE GREAT SMOKY MOUNTAINS HAD TO 174 00:11:20,479 --> 00:11:28,154 PUT ON A BRA. EVEN, OH, YEAH. 175 00:11:28,154 --> 00:11:29,955 EVEN TENNESSEE REPUBLICANS ARE CONFUSED BY THIS BILL. 176 00:11:29,955 --> 00:11:31,424 WHEN IT WAS BEING DISCUSSED IN THE STATE LEGISLATURE, 177 00:11:31,424 --> 00:11:35,895 ONE REPRESENTATIVE RAISED AN IMPORTANT QUESTION. 178 00:11:35,895 --> 00:11:38,664 IF WE'RE HAVING A PROFESSIONAL WRESTLING SHOW AT A 179 00:11:38,664 --> 00:11:44,003 COUNTY FAIR, AND SOME PROMOTION DECIDES TO HAVE A BRA 180 00:11:44,003 --> 00:11:47,940 AND PANTIES MATCH, IS THAT, YOU KNOW, 181 00:11:47,940 --> 00:12:00,319 POTENTIALLY A CRIME? Stephen: "AND WHILE WE'RE ON 182 00:12:00,319 --> 00:12:02,188 THE SUBJECT, WHAT ABOUT, SAY, IF SOME OF THE BLUE RIBBON 183 00:12:02,188 --> 00:12:04,557 COWS HAVE A WET T-SHIRT CONTEST? YOU KNOW, REAL TASTEFUL STUFF. 184 00:12:04,557 --> 00:12:07,760 CLEAVAGE BUT NO FULL TEAT. I MEAN, VIDEO TAPED 185 00:12:07,760 --> 00:12:08,794 FOR DISTRIBUTION. WOULD THAT BE A CRIME? 186 00:12:08,794 --> 00:12:14,500 OR COULD SOMEONE SELL THAT IN THE LOBBY TODAY 187 00:12:14,500 --> 00:12:16,035 FOR $24.99 ON DVD? 188 00:12:16,035 --> 00:12:17,536 YOU KNOW WHO ELSE CAN'T DEFINE WHAT DRAG IS? 189 00:12:17,536 --> 00:12:19,271 GOVERNOR BILL LEE. BECAUSE THE DAY BEFORE 190 00:12:19,271 --> 00:12:24,643 HE ANNOUNCED HE'D SIGN THE BILL, A PICTURE OF HIM EMERGED 191 00:12:24,643 --> 00:12:31,317 DRESSED IN DRAG IN HIGH SCHOOL. OKAY, OKAY. 192 00:12:31,317 --> 00:12:33,719 OKAY, ADMITTEDLY THOSE ARE SOME GREAT GAMS. 193 00:12:33,719 --> 00:12:38,224 BUT I'M SORRY, THOSE PEARLS? GOVERNOR, REMEMBER 194 00:12:38,224 --> 00:12:39,658 WHAT COCO CHANEL SAID ABOUT ACCESSORIES. 195 00:12:39,658 --> 00:12:42,928 BEFORE YOU LEAVE THE HOUSE, LOOK IN THE MIRROR, AND STOP 196 00:12:42,928 --> 00:12:45,631 TRYING TO SCORE POLITICAL POINTS WITH YOUR BASE AT THE 197 00:12:45,631 --> 00:12:51,103 EXPENSE OF REAL HUMAN BEINGS, YOU DICK. 198 00:12:51,103 --> 00:12:52,671 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 199 00:12:52,671 --> 00:12:57,943 MY GUESTS ARE MICHELLE YEOH AND STAR OF "DAISY JONES 200 00:12:57,943 --> 00:13:01,013 AND THE SIX," RILEY KEOUGH. BUT WHEN WE COME BACK, 201 00:13:01,013 --> 00:13:03,449 "MEANWHILE"! JOIN US, WON'T YOU? 202 00:13:24,270 --> 00:13:27,373 ♪ ♪ ♪ PLAYERS ONLY LOVELY WHEN 203 00:13:27,373 --> 00:13:35,247 THEY'RE PLAYING ♪ Stephen: HEY, EVERYBODY. 204 00:13:35,247 --> 00:13:55,501 THAT'S "THE LATE SHOW" BANDS. [CHEERS AND APPLAUSE] 205 00:13:55,501 --> 00:14:00,973 LOUIS, TONIGHT, TWO TREMENDOUS WOMEN ON THE SHOW. 206 00:14:00,973 --> 00:14:04,410 COMING UP IN A LITTLE BIT WE HAVE RILEY KEOUGH WHO IS IN THE 207 00:14:04,410 --> 00:14:12,785 SERIES "DAISY JONES & THE SIX." BEFORE THAT, WE HAVE TRULY A 208 00:14:12,785 --> 00:14:16,121 WORLD TREASURE, MICHELLE YEOH IS HERE FROM "EVERYTHING EVERYWHERE 209 00:14:16,121 --> 00:14:21,994 ALL AT ONCE." A LIFETIME OF ACHIEVEMENT. 210 00:14:21,994 --> 00:14:23,495 FOLKS, I SPEND MOST OF MY TIME IN THE OLD NEWS WORKSHOP, 211 00:14:23,495 --> 00:14:25,831 HAND-SHAPING THE FINEST STORY MAHOGANY INTO AN ELEGANT, 212 00:14:25,831 --> 00:14:28,167 CONTINUOUS CURVED FRAME WITH TAPERED LEGS, THEN ADDING 213 00:14:28,167 --> 00:14:30,369 THE MOST TOPICAL GOOSE DOWN CASED CUSHION SO THAT YOU MAY 214 00:14:30,369 --> 00:14:33,138 LOUNGE ON THE EXQUISITE 18TH CENTURY HEPPLEWHITE BOWBACK 215 00:14:33,138 --> 00:14:36,442 SETTEE THAT IS MY MONOLOGUE. BUT SOMETIMES, WHILE FLEEING 216 00:14:36,442 --> 00:14:38,877 THROUGH THE DOCKS AFTER PUNCHING A POLICE HORSE, I RIP A DIRTY 217 00:14:38,877 --> 00:14:41,213 TARP OFF AN ABANDONED BOAT AND JAM THE CORNERS INTO SOME 218 00:14:41,213 --> 00:14:43,616 LAMP POSTS WITH A RUSTY BUTTER KNIFE AND AN OLD RAIL SPIKE, 219 00:14:43,616 --> 00:14:48,187 THEN NOD OFF IN THE FILTHY DRIFTER'S HAMMOCK OF NEWS 220 00:14:48,187 --> 00:14:58,897 THAT IS MY SEGMENT, "MEANWHILE." 221 00:14:58,897 --> 00:15:02,701 THAT'S THE ONLY HAMMOCK I NEED. MEANWHILE, IN ROYAL HAUNTINGS 222 00:15:02,701 --> 00:15:05,170 NEWS, AFTER THE QUEEN OF ENGLAND PASSED AWAY, THE DUCHESS 223 00:15:05,170 --> 00:15:09,241 OF YORK, SARAH FERGUSON, ADOPTED HER BELOVED DOGS. 224 00:15:09,241 --> 00:15:12,044 AND NOW, SHE SAYS THAT QUEEN ELIZABETH'S GHOST MAKES 225 00:15:12,044 --> 00:15:15,214 HER CORGIS BARK, CLAIMING, "WHEN THEY BARK AT NOTHING, 226 00:15:15,214 --> 00:15:18,651 AND THERE'S NO SQUIRRELS IN SIGHT, I BELIEVE IT'S BECAUSE 227 00:15:18,651 --> 00:15:23,255 THE QUEEN IS PASSING BY." POSSIBLY. 228 00:15:23,255 --> 00:15:30,296 OR, HEAR ME OUT. IT'S THE GHOST OF A SQUIRREL. 229 00:15:30,296 --> 00:15:34,767 EITHER ONE. MEANWHILE. 230 00:15:34,767 --> 00:15:37,936 MICHAEL B. JORDAN APOLOGIZED TO HIS MOM 231 00:15:37,936 --> 00:15:40,606 FOR HIS SEXY NEW CALVIN KLEIN UNDERWEAR ADS," SAYING 232 00:15:40,606 --> 00:15:42,841 "BEFORE THE STEAMY PHOTOS DROPPED, I WAS LIKE, MY MAMA'S 233 00:15:42,841 --> 00:15:44,343 GONNA HAVE TO SEE THIS. I'M SORRY. 234 00:15:44,343 --> 00:15:47,313 IT'S OUT HERE. I'VE GOT MY BUSINESS ALL OUT IN 235 00:15:47,313 --> 00:15:49,948 THE STREETS. LITERALLY." 236 00:15:49,948 --> 00:15:54,586 I CAN TOTALLY RELATE. I HAD TO APOLOGIZE TO MY 237 00:15:54,586 --> 00:15:56,689 ENTIRE FAMILY WHEN THEY RELEASED MY ADS FOR FOR "EUROSAUSAGE 238 00:15:56,689 --> 00:16:12,938 SWIM SLINGS." MEANWHILE, AFTER A ROBBERY IN 239 00:16:12,938 --> 00:16:16,875 PHILADELPHIA, A U-HAUL VAN TOOK PHILLY POLICE ON A CHASE THAT 240 00:16:16,875 --> 00:16:22,147 HIT SPEEDS AS HIGH AS 90 MILES PER HOUR. 241 00:16:22,147 --> 00:16:24,516 90. NOW WE KNOW WHAT "U" 242 00:16:24,516 --> 00:16:34,193 WAS HAULING: ASS. 243 00:16:34,193 --> 00:16:37,129 MEANWHILE, AN INTERNATIONAL ARCHEOLOGICAL MISSION HAS 244 00:16:37,129 --> 00:16:39,031 UNCOVERED THE REMNANTS OF WHAT IS BELIEVED TO BE 245 00:16:39,031 --> 00:16:42,701 A 5,000-YEAR-OLD RESTAURANT IN SOUTHERN IRAQ. 246 00:16:42,701 --> 00:16:45,471 RESEARCHERS IDENTIFIED IT AS AN ANCIENT RESTAURANT WHEN THEY 247 00:16:45,471 --> 00:16:52,811 FOUND THE REMAINS OF A BARTENDER DOING COKE BY THE DUMPSTER. 248 00:16:52,811 --> 00:16:58,584 SOMEBODY. I'VE WORKED IN A LOT OF 249 00:16:58,584 --> 00:17:02,755 RESTAURANTS. SOMEBODY IS DOING COKE BY THE 250 00:17:02,755 --> 00:17:04,590 DUMPSTER. MEANWHILE, AS I HAVE NOT 251 00:17:04,590 --> 00:17:06,458 PREVIOUSLY REPORTED, FLACO THE OWL ESCAPED FROM THE 252 00:17:06,458 --> 00:17:07,793 CENTRAL PARK ZOO LAST MONTH, WORRYING HIS KEEPERS, BUT 253 00:17:07,793 --> 00:17:09,161 THEY NOW SAY HE'S DOING WELL LIVING IN CENTRAL PARK AND 254 00:17:09,161 --> 00:17:13,198 "HUNTING THE CITY'S PLENTIFUL SUPPLY OF RATS." 255 00:17:13,198 --> 00:17:20,939 ALTHOUGH. THANK YOU FOR YOUR SERVICE. 256 00:17:20,939 --> 00:17:22,241 THESE ARE NEW YORK CITY RATS, SO FLACO HAS TO BRING 257 00:17:22,241 --> 00:17:29,448 THEM DOWN WITH A 50 CAL BUSHMASTER. 258 00:17:29,448 --> 00:17:33,085 MEANWHILE, A CHINESE TECH INVENTOR 259 00:17:33,085 --> 00:17:36,054 HAS ROLLED OUT A NEW KISSING DEVICE THAT ALLOWS MONOGAMOUS 260 00:17:36,054 --> 00:17:40,993 LOVERS SEPARATED BY LONG DISTANCE TO VIRTUALLY SMOOCH 261 00:17:40,993 --> 00:17:48,200 USING SILICON LIPS. THE DEVICE HAS ONLY JUST BEEN 262 00:17:48,200 --> 00:17:51,003 RELEASED, AND I'M BEING TOLD SOMEONE'S ALREADY GOTTEN THEIR 263 00:17:51,003 --> 00:17:54,406 PENIS STUCK IN IT. VERY UPSETTING. 264 00:17:54,406 --> 00:17:59,244 VERY UPSETTING IMAGE. 265 00:17:59,244 --> 00:18:00,412 THE DEVICE IS CALLED: "REMOTE KISS." 266 00:18:00,412 --> 00:18:04,683 BECAUSE IT'S NOT REMOTELY A KISS. 267 00:18:04,683 --> 00:18:07,352 MEANWHILE, A TODDLER RATTED OUT A FUGITIVE'S LOCATION TO 268 00:18:07,352 --> 00:18:09,421 KENTUCKY COPS. NOT A GREAT STORY 269 00:18:09,421 --> 00:18:13,058 FOR THE PRISON YARD. "HOW'D YA GET CAUGHT?" 270 00:18:13,058 --> 00:18:14,726 "METH DEAL WENT SOUTH AND MY CREW TURNED ON ME. 271 00:18:14,726 --> 00:18:20,399 YOU?" "BRAYDEN WAS MAD 'CAUSE I 272 00:18:20,399 --> 00:18:21,533 LIMITED HIS SCREEN TIME." HERE'S WHAT HAPPENED. 273 00:18:21,533 --> 00:18:23,435 POLICE WERE LOOKING FOR A WOMAN WITH MULTIPLE WARRANTS. 274 00:18:23,435 --> 00:18:26,138 THEY BROKE INTO A LIVING ROOM FULL OF GROWN UPS WHO REFUSED TO 275 00:18:26,138 --> 00:18:28,907 SAY ANYTHING, BUT SUDDENLY THE TODDLER STOOD UP AND SAID 276 00:18:28,907 --> 00:18:32,077 "SHE IS INSIDE THE ROOM NEXT TO THE BATHROOM!" 277 00:18:32,077 --> 00:18:40,586 AND "IT IS GOOD TO BE HONEST. WE SHOULDN'T LIE." 278 00:18:40,586 --> 00:18:47,392 [APPLAUSE] CLEARLY SOMEONE HASN'T READ 279 00:18:47,392 --> 00:18:49,461 THE CLASSIC CHILDREN'S BOOK "WHERE THE SNITCHES 280 00:18:49,461 --> 00:19:00,772 GET STITCHES." MEANWHILE, FRESHLY TWICE-RETIRED 281 00:19:00,772 --> 00:19:04,009 QUARTERBACK TOM BRADY IS RUMORED TO BE CONSIDERING "A NEW CAREER 282 00:19:04,009 --> 00:19:06,712 IN STAND-UP COMEDY," WITH ONE INSIDER CLAIMING BRADY 283 00:19:06,712 --> 00:19:08,881 "DOES A GREAT IMPERSONATION OF FORMER TEAMMATE 284 00:19:08,881 --> 00:19:12,150 ROB GRONKOWSKI." THOUGH, TO BE FAIR, SO DOES 285 00:19:12,150 --> 00:19:14,887 A CINDERBLOCK. WE'LL BE RIGHT BACK WITH 286 00:19:14,887 --> 00:19:16,054 MICHELLE YEOH. 287 00:19:33,238 --> 00:19:34,373 ♪ ♪ Stephen: THAT IS "THE 288 00:19:34,373 --> 00:19:39,278 LATE SHOW" BAND RIGHT THERE. I WISH ALL OF YOU WERE HERE TO 289 00:19:39,278 --> 00:19:42,447 HEAR THEM TONIGHT. IT'S ELEVATED. 290 00:19:42,447 --> 00:19:48,453 IT'S UP THERE SOMEHOW. IT'S A VIBE. 291 00:19:48,453 --> 00:19:52,157 WELCOME BACK, EVERYBODY. MY FIRST GUEST IS AN ACTOR 292 00:19:52,157 --> 00:19:53,225 YOU KNOW FROM "CROUCHING TIGER, HIDDEN DRAGON," 293 00:19:53,225 --> 00:19:54,860 "TOMORROW NEVER DIES," AND "CRAZY RICH ASIANS." 294 00:19:54,860 --> 00:19:57,262 SHE'S NOMINATED FOR AN ACADEMY AWARD FOR HER PERFORMANCE 295 00:19:57,262 --> 00:20:04,436 IN "EVERYTHING EVERYWHERE ALL AT ONCE." 296 00:20:04,436 --> 00:20:17,316 ♪ ♪ 297 00:20:34,533 --> 00:20:35,867 PLEASE WELCOME TO "THE LATE SHOW,"& 298 00:20:35,867 --> 00:20:53,051 MICHELLE YEOH! ♪ ♪ 299 00:20:53,051 --> 00:21:11,203 [APPLAUSE] 300 00:21:15,273 --> 00:21:17,409 PLEASE. Michelle: THANK YOU. 301 00:21:17,409 --> 00:21:18,443 WOW. Stephen: HOW LOVELY TO HAVE 302 00:21:18,443 --> 00:21:20,879 YOU HERE. THANK YOU FOR JOINING US. 303 00:21:20,879 --> 00:21:22,848 Michelle: THANK YOU FOR HAVING ME. 304 00:21:22,848 --> 00:21:25,484 Stephen: I WANT TO GET INTO "EVERYTHING EVERYWHERE ALL 305 00:21:25,484 --> 00:21:27,219 AT ONCE" RIGHT AWAY BECAUSE THERE IS TOO MUCH TO TALK ABOUT. 306 00:21:27,219 --> 00:21:31,556 THIS FILM IS "EVERYTHING EVERYWHERE ALL AT ONCE." 307 00:21:31,556 --> 00:21:34,993 THE PERFORMANCES, SUCH BEAUTIFUL PERFORMANCES, HEARTFELT, TENDER, 308 00:21:34,993 --> 00:21:38,163 EXCITING AT THE SAME TIME. ACTION, SCIENCE FICTION. 309 00:21:38,163 --> 00:21:44,569 IT'S A FAMILY DRAMA. IT'S PSYCHOLOGICAL INTRIGUE. 310 00:21:44,569 --> 00:21:49,641 DID YOU HAVE SOME SENSE WHEN YOU ARE MAKING THIS FILM HOW MUCH IT 311 00:21:49,641 --> 00:21:53,679 WAS GOING TO GRAB THE AUDIENCE BY THE RIB CAGE? 312 00:21:53,679 --> 00:21:59,584 Michelle: I SHOULD HAVE TAKEN YOU WITH ME EVERYWHERE. 313 00:21:59,584 --> 00:22:03,955 YOU DESCRIBED THE MOVIE SO WELL. Stephen: DID YOU HAVE A 314 00:22:03,955 --> 00:22:05,957 SENSE THAT YOU HAD SOMETHING SPECIAL? 315 00:22:05,957 --> 00:22:11,697 Michelle: FROM THE SCRIPT I KNEW I HAD REALLY A GEM, 316 00:22:11,697 --> 00:22:20,172 UNPOLISHED BY GEM. IT WAS WACKY, WEIRD, WONDERFUL. 317 00:22:20,172 --> 00:22:24,576 WHAT RESONATED WITH ME WAS THIS VERY ORDINARY AGING IMMIGRANT 318 00:22:24,576 --> 00:22:28,847 WOMAN WHO WAS TRYING TO, YOU KNOW, LIVE THE AMERICAN DREAM 319 00:22:28,847 --> 00:22:33,985 AND FAILING MISERABLY. BUT THEN THE DANIELS GAVE HER AN 320 00:22:33,985 --> 00:22:37,389 OPPORTUNITY TO BE EXTRAORDINARY, TO BE A SUPERHERO. 321 00:22:37,389 --> 00:22:46,531 THAT WOMAN IS LIKE OUR MOMS OR OUR AUNTIES. 322 00:22:46,531 --> 00:22:50,702 Stephen: SO FAR, YOU HAVE WON FOR YOUR PORTRAYAL A 323 00:22:50,702 --> 00:22:58,310 GOLDEN GLOBE, YOU HAVE WON THE SCREEN ACTORS GUILD AWARD. 324 00:22:58,310 --> 00:23:00,479 YOU NOW HAVE AN OSCAR, OSCAR NOMINATION. 325 00:23:00,479 --> 00:23:07,552 YOU HAVE CALLED THIS A ROLE YOU HAVE BEEN REHEARSING TO PLAY ALL 326 00:23:07,552 --> 00:23:09,187 YOUR LIFE. HOW SO? 327 00:23:09,187 --> 00:23:12,057 WHY IS THIS THE ROLE YOU BEEN POINTING TOWARD? 328 00:23:12,057 --> 00:23:16,528 Michelle: LIKE YOU HAVE DESCRIBED, THE MOVIE'S FIVE 329 00:23:16,528 --> 00:23:19,865 GENRES. SCIENCE FICTION, COMEDY, DRAMA, 330 00:23:19,865 --> 00:23:26,138 ROMANTIC, LOVE. I REALLY TRULY FELT THAT IT WAS 331 00:23:26,138 --> 00:23:29,407 BECAUSE I HAVE THE EXPERIENCE OVER THE YEARS. 332 00:23:29,407 --> 00:23:33,145 YOU KNOW, HOW YOU TAKE ON, GATHERING IT ALL. 333 00:23:33,145 --> 00:23:37,082 A YOUNGER PERSON WOULD NOT BE ABLE TO FULFILL ALL OF THIS. 334 00:23:37,082 --> 00:23:48,994 BUT AT MY AGE, 6-0. [CHEERS AND APPLAUSE] 335 00:23:48,994 --> 00:23:54,566 WELL, I GUESS 60 IS THE NEW PRIME, OKAY. 336 00:23:54,566 --> 00:23:58,236 WHAT CAN I SAY? [LAUGHTER] 337 00:23:58,236 --> 00:23:59,838 Stephen: I WANT TO SHOW A PICTURE OF SOME OF THE PREP THAT 338 00:23:59,838 --> 00:24:03,809 YOU DID. HERE'S YOUR COPY OF THE SCRIPT. 339 00:24:03,809 --> 00:24:08,547 THERE IS THE COVER OF YOUR COPY. THIS IS THE THING THAT I LOVE. 340 00:24:08,547 --> 00:24:12,918 TELL ME WHAT THESE TABS ALL MEAN IN THE SIDE RIGHT HERE. 341 00:24:12,918 --> 00:24:15,453 THIS IS EXTRAORDINARY. THE AMOUNT OF PREP. 342 00:24:15,453 --> 00:24:18,523 WHAT DO THE COLORS REPRESENT? Michelle: YOU HAVE TO 343 00:24:18,523 --> 00:24:22,561 UNDERSTAND YOUR SCRIPT. THIS IS ONE OF THE MOST INSANE 344 00:24:22,561 --> 00:24:25,030 SCRIPTS. IT DEALS WITH NOT JUST ONE 345 00:24:25,030 --> 00:24:28,500 UNIVERSE. GOING ACROSS EIGHT 346 00:24:28,500 --> 00:24:32,671 MULTIUNIVERSES AND THEN EVERY UNIVERSE HAS THEIR OWN STORY TO 347 00:24:32,671 --> 00:24:36,775 TELL. AND WHO IS EVELYN WONG? 348 00:24:36,775 --> 00:24:39,978 THAT IS THE KEY. YOU MUST HAVE A SOLID 349 00:24:39,978 --> 00:24:42,280 FOUNDATION. WHEN I RECEIVED THE SCRIPT I 350 00:24:42,280 --> 00:24:45,350 SAID TO THE DANIELS, YOU HAVE TO CHANGE HER NAME. 351 00:24:45,350 --> 00:24:48,286 SHE'S NOT GOING TO BE CALLED MICHELLE. 352 00:24:48,286 --> 00:24:56,228 I LOVE DANIEL QUAN. YOU KNOW, SO I SAID BECAUSE THIS 353 00:24:56,228 --> 00:25:00,799 WOMAN, SHE DESERVES A VOICE, SHE DESERVES TO BE SEEN. 354 00:25:00,799 --> 00:25:03,668 IF YOU CALL HER MICHELLE, YOU AS AN AUDIENCE WILL KEEP GOING, 355 00:25:03,668 --> 00:25:07,172 THAT IS MICHELLE TRYING TO PLAY THIS AGING IMMIGRANT WOMAN BUT 356 00:25:07,172 --> 00:25:11,142 WE STILL SEE MICHELLE. I HAVE TO ALLOW EVELYN TO HAVE 357 00:25:11,142 --> 00:25:14,946 HER OWN VOICE BECAUSE THERE'S SO MANY EVELYNS IN THE WORLD AND 358 00:25:14,946 --> 00:25:18,817 THEY SHOULD GET A CHANCE TO BE SEEN AND HEARD AND TO BE A 359 00:25:18,817 --> 00:25:28,260 SUPERHERO. Stephen: MY WIFE'S NAME IS 360 00:25:28,260 --> 00:25:31,396 EVELYN. UNRELATED TO THE FACT THAT SHE 361 00:25:31,396 --> 00:25:35,901 SHARES THE NAME, I'VE NEVER SEEN HER CRY SO OPEN HARDLY THEN SHE 362 00:25:35,901 --> 00:25:40,772 DID AT THE END OF THAT FILM. Stephen: DO YOU HAVE A 363 00:25:40,772 --> 00:25:42,107 DAUGHTER? Michelle: I HAVE A 364 00:25:42,107 --> 00:25:44,309 DAUGHTER. SHE WASN'T WITH US IN THAT 365 00:25:44,309 --> 00:25:45,577 MOMENT. BUT WE HAVE A DAUGHTER. 366 00:25:45,577 --> 00:25:48,280 I THINK THERE WERE A LOT OF MOMS AND DAUGHTERS WHO WERE CRYING 367 00:25:48,280 --> 00:25:52,284 THAT WAY, TO ME, AS MUCH AS I WAS ENJOYING THE FILM, I WAS 368 00:25:52,284 --> 00:25:59,057 COMPLETELY UNPREPARED FOR THE EMOTIONAL DEPTH OF THE ENDING. 369 00:25:59,057 --> 00:26:02,093 WERE YOU PREPARED FOR THE EMOTIONAL IMPACT OF THE ENDING? 370 00:26:02,093 --> 00:26:05,497 Michelle: IMPACT. YOU KNOW WHEN YOU'RE MAKING THE 371 00:26:05,497 --> 00:26:10,502 MOVIE, THIS WAS QUITE AN INCREDIBLE SHOOT. 372 00:26:10,502 --> 00:26:14,339 WE DID THIS MOVIE IN 38 DAYS. Stephen: EXTRAORDINARY 373 00:26:14,339 --> 00:26:18,543 GIVEN HOW MUCH YOU ACHIEVED, AND RIGHT BEFORE COVID. 374 00:26:18,543 --> 00:26:22,314 Michelle: ON THE DAY OF COVID LOCKDOWN, THAT WAS OUR 375 00:26:22,314 --> 00:26:24,649 LAST NATIVE CHUTE. THEN WE ALL WERE SEPARATED. 376 00:26:24,649 --> 00:26:30,588 WE WERE BONDED. WE STARTED OFFICE CAST AND CREW 377 00:26:30,588 --> 00:26:33,091 BUT WAITED UP HIS FAMILY. WE HAD TO DO TOGETHER IN THE 378 00:26:33,091 --> 00:26:38,897 DANIELS HAD A LOVELY RITUAL. EVERYONE HAD COME OUT FROM 379 00:26:38,897 --> 00:26:40,732 WHATEVER CORNERS OF THE BUILDING. 380 00:26:40,732 --> 00:26:44,235 IT GROUNDED US BECAUSE IT GAVE US A BASE WHILE WE WERE 381 00:26:44,235 --> 00:26:46,104 WANDERING THROUGH ALL THESE UNIVERSES. 382 00:26:46,104 --> 00:26:50,275 THIS BASE WAS ROCK-SOLID. EVERYBODY WOULD GATHER. 383 00:26:50,275 --> 00:26:53,745 BEING AN INDIE FILM, EVERY MINUTE COSTS MONEY. 384 00:26:53,745 --> 00:26:56,715 WE TOOK THE TIME TO LOOK AT EACH OTHER IN THE EYES. 385 00:26:56,715 --> 00:26:59,351 WE LOOKED AT EACH OTHER. WE SAW EACH OTHER. 386 00:26:59,351 --> 00:27:02,053 EVERYONE KNEW THAT WE WERE THERE TOGETHER. 387 00:27:02,053 --> 00:27:04,923 WE WERE FAMILY. THERE WAS NO HIERARCHY. 388 00:27:04,923 --> 00:27:10,328 WE WERE ALL EQUALS BORING OUR LOVE INTO THIS LITTLE GEM AND 389 00:27:10,328 --> 00:27:13,732 POLISHING IT. FOR 15 MINUTES, WE WOULD DO 390 00:27:13,732 --> 00:27:17,969 WARM-UP EXERCISES. WE WOULD TAKE TURNS AND LEADING 391 00:27:17,969 --> 00:27:26,511 THE WARM UP, COURSE JAMIE LEE. I DID LIKE THE DRAGON DANCE. 392 00:27:26,511 --> 00:27:30,348 ALL THE CREW NORMALLY THAT YOU DON'T SEE BECAUSE THEY ARE BUSY, 393 00:27:30,348 --> 00:27:32,884 VERY BUSY DOING PROPS AND THINGS LIKE THAT, THEY WOULD COME OUT 394 00:27:32,884 --> 00:27:35,987 AND FOR 15 MINUTES WE LOOKED AT EACH OTHER'S EYES AND SAID COME 395 00:27:35,987 --> 00:27:37,422 ON. WE'RE IN THIS TOGETHER. 396 00:27:37,422 --> 00:27:40,358 WE ARE GOING TO GIVE IT OUR HEART AND SOUL BECAUSE WE 397 00:27:40,358 --> 00:27:45,797 BELIEVE IN IT AND WE LOVE IT. SO WE EMBRACED EACH OTHER, LIKE 398 00:27:45,797 --> 00:27:50,735 THE EVERYTHING BAGEL. Stephen: WE HAVE TO TAKE A 399 00:27:50,735 --> 00:27:51,970 QUICK BREAK. WE'LL BE RIGHT BACK WITH MORE 400 00:27:51,970 --> 00:27:53,471 MICHELLE YEOH, EVERYBODY. STICK AROUND. 401 00:27:59,711 --> 00:28:01,813 Stephen: LADIES AND GENTLEMEN, WELCOME BACK. 402 00:28:01,813 --> 00:28:06,251 WE ARE RIGHT HERE WITH THE STAR OF "EVERYTHING EVERYWHERE ALL 403 00:28:06,251 --> 00:28:12,857 AT ONCE," MICHELLE YEOH. THE GOLDEN GLOBES, THERE WAS A 404 00:28:12,857 --> 00:28:16,561 GREAT MOMENT IN YOUR SPEECH AT THE GOLDEN GLOBES THAT PEOPLE 405 00:28:16,561 --> 00:28:18,396 LOVED. LET'S PLAY THIS. 406 00:28:18,396 --> 00:28:22,467 ALONG CAME THE BEST GIFT. "EVERYTHING EVERYWHERE ALL 407 00:28:22,467 --> 00:28:27,172 AT ONCE." SHUT UP, PLEASE. 408 00:28:27,172 --> 00:28:32,744 I CAN BEAT YOU UP, OKAY. I THANK YOU. 409 00:28:32,744 --> 00:28:38,550 Stephen: THEY TRIED TO PLAY YOU OFF. 410 00:28:38,550 --> 00:28:41,619 THAT WAS INSTINCT. Michelle: YES. 411 00:28:41,619 --> 00:28:47,959 THE VERY FEISTY INSTINCT THAT SOMETIMES GETS A LITTLE OUT OF 412 00:28:47,959 --> 00:28:51,396 CONTROL. THAT WAS MY FIRST TIME BEING ON 413 00:28:51,396 --> 00:28:54,099 THAT STAGE. FIRST TIME NOMINATED FOR A 414 00:28:54,099 --> 00:28:55,366 GOLDEN GLOBE. FIRST TIME WINNING. 415 00:28:55,366 --> 00:28:59,003 IT WAS LIKE MY FIRST, OUR FIRST, AND YOU ARE NOT GETTING ME OFF 416 00:28:59,003 --> 00:29:04,008 THAT STAGE. BACK OFF. 417 00:29:04,008 --> 00:29:08,379 Stephen: NOT YOUR ONLY HONORS THIS YEAR. 418 00:29:08,379 --> 00:29:13,885 "TIME" ALSO NAMED YOU 2022 ICON OF THE YEAR. 419 00:29:13,885 --> 00:29:17,222 CERTAINLY, THAT'S A LOVELY OUTFIT. 420 00:29:17,222 --> 00:29:20,391 CERTAINLY A TRAILBLAZER. THE FIRST ASIAN WOMAN TO BE 421 00:29:20,391 --> 00:29:22,994 NOMINATED FOR BEST ACTRESS OSCAR. 422 00:29:22,994 --> 00:29:26,164 WERE YOU AWARE THAT YOU WERE THE FIRST WHEN YOU GOT THE 423 00:29:26,164 --> 00:29:28,032 NOMINATION? Michelle: ACTUALLY THERE 424 00:29:28,032 --> 00:29:33,471 WAS ANOTHER FIRST. Stephen: FROM THE 1930s? 425 00:29:33,471 --> 00:29:36,141 Michelle: SHE HAD TO HIDE HER IDENTITY. 426 00:29:36,141 --> 00:29:40,211 SHE WAS OF HALF ASIAN DESCENT. HER MOTHER WAS FROM INDIA I 427 00:29:40,211 --> 00:29:43,615 BELIEVE. SHE ALWAYS CAME OUT ACTING 428 00:29:43,615 --> 00:29:48,019 PURELY AS A BRITISH WOMAN. SO SHE HAD TO HIDE IT. 429 00:29:48,019 --> 00:29:52,957 DURING THE SAG AWARDS WHEN WE WON FOR THE ENSEMBLE, WE ASKED 430 00:29:52,957 --> 00:29:55,260 JAMES, PLEASE REPRESENT US AND SPEAK FOR US. 431 00:29:55,260 --> 00:30:01,065 HE SAID WHEN HE STARTED 60-SOMETHING, 70 YEARS AGO, HIS 432 00:30:01,065 --> 00:30:02,400 FIRST MOVIE WAS WITH CLARK GABLE. 433 00:30:02,400 --> 00:30:07,272 HE WAS VERY SAD BECAUSE THEN THE CAUCASIAN ACTORS GOT THE CHINESE 434 00:30:07,272 --> 00:30:11,643 ROLLS AND THEN THEY TAPED THEIR EYES TO PLAY BECAUSE THEY SAID 435 00:30:11,643 --> 00:30:14,746 THE CHINESE ACTORS WERE NOT GOOD ENOUGH OR THEY WERE NOT 436 00:30:14,746 --> 00:30:17,615 BOX OFFICE AND THIS IS WHAT JAMES HAD CARRIED ALL OF HIS 437 00:30:17,615 --> 00:30:20,985 ENTIRE LIFE AND THIS WAS THE FIRST TIME HE WON AN AWARD. 438 00:30:20,985 --> 00:30:22,854 Stephen: THE ACTOR WHO PLAYS YOUR FATHER. 439 00:30:22,854 --> 00:30:26,124 Michelle: YES, WHO PLAYS MY HORRIBLE FATHER BUT HE'S 440 00:30:26,124 --> 00:30:30,395 ACTUALLY QUITE A NICE GUY. THERE'S SO MANY OF THESE FIRSTS. 441 00:30:30,395 --> 00:30:34,232 SOMETIMES I FEEL LIKE, I DON'T KNOW WHETHER PING-PONG OR YO-YO 442 00:30:34,232 --> 00:30:38,169 BECAUSE YOU FLUCTUATE BETWEEN FEELING VERY SHOCKED AND VERY 443 00:30:38,169 --> 00:30:42,140 OVERWHELMED WITH JOY BUT THINKING, HOW CAN I BE THE 444 00:30:42,140 --> 00:30:44,542 FIRST? I KNOW OF SO MANY AMAZING 445 00:30:44,542 --> 00:30:48,413 ACTRESSES AND ACTORS WHERE, YOU KNOW, WE HAVE STOOD ON THEIR 446 00:30:48,413 --> 00:30:50,582 SHOULDERS. SO MANY BESIDE ME AND MORE AHEAD 447 00:30:50,582 --> 00:30:55,053 OF ME. SO I WOULD LOVE TO SEE THAT 448 00:30:55,053 --> 00:30:58,189 WOULD BE SUCH A THING OF THE PAST WHERE THIS IS THE NORM THAT 449 00:30:58,189 --> 00:31:02,560 YOU SEE FACES LIKE OURS THAT THEY ARE BEING NOMINATED. 450 00:31:02,560 --> 00:31:06,531 BEING GIVEN EQUAL OPPORTUNITY TO PLAY THOSE ROLES SO THAT WE CAN 451 00:31:06,531 --> 00:31:16,674 HAVE A SEAT AT THE TABLE. Stephen: WELL, ONE, ONE OF 452 00:31:16,674 --> 00:31:20,144 THE UPCOMING ROLES THAT I AM LOOKING FORWARD TO IF YOU ARE 453 00:31:20,144 --> 00:31:23,815 CURRENTLY FILMING "WICKED," A MOVIE ADAPTATION OF THE BROADWAY 454 00:31:23,815 --> 00:31:31,556 MUSICAL WHICH RELATES-- REUNITES YOU WITH THE 455 00:31:31,556 --> 00:31:33,891 "CRAZY RICH ASIANS" DIRECTOR. THE FIRST TIME YOU ARE SINGING 456 00:31:33,891 --> 00:31:36,027 ON CAMERA. HAVE YOU DONE IT? 457 00:31:36,027 --> 00:31:39,897 Stephen: I AM-- YOU ARE PREPARING? 458 00:31:39,897 --> 00:31:42,100 Michelle: I AM PREPARING, WORKING ON IT. 459 00:31:42,100 --> 00:31:45,837 Stephen: DOES THIS MAKE YOU NERVOUS? 460 00:31:45,837 --> 00:31:47,272 Michelle: HELL YEAH. Stephen: THANK YOU FOR 461 00:31:47,272 --> 00:31:50,942 BEING HERE AND THANK YOU FOR YOUR FILM. 462 00:31:50,942 --> 00:31:53,745 "EVERYTHING EVERYWHERE ALL AT ONCE" IS IN THEATERS AND 463 00:31:53,745 --> 00:31:56,681 STREAMING NOW ON SHOWTIME. MICHELLE YEOH, EVERYBODY. 464 00:31:56,681 --> 00:31:59,217 WE'LL BE RIGHT BACK WITH THE STAR OF "DAISY JONES 465 00:31:59,217 --> 00:32:01,352 AND THE SIX," RILEY KEOUGH. 466 00:32:14,832 --> 00:32:15,566 ♪ ♪ Stephen: HEY, EVERYBODY. 467 00:32:15,566 --> 00:32:19,404 WELCOME BACK. LADIES AND GENTLEMEN, 468 00:32:19,404 --> 00:32:20,705 YOU KNOW MY NEXT GUEST FROM "MAD MAX: FURY ROAD," 469 00:32:20,705 --> 00:32:21,873 "THE GIRLFRIEND EXPERIENCE," AND "ZOLA." 470 00:32:21,873 --> 00:32:24,342 SHE NOW STARS AS DAISY JONES IN THE NEW MINISERIES 471 00:32:24,342 --> 00:32:40,792 "DAISY JONES AND THE SIX." WHAT ELSE DO YOU WANT TO 472 00:32:40,792 --> 00:32:48,433 KNOW? WHY DID YOU WANT TO JOIN THE 473 00:32:48,433 --> 00:32:53,805 BAND IN THE FIRST PLACE? YOU. 474 00:32:53,805 --> 00:32:57,208 WHAT ABOUT ME? I FEEL LIKE I KNOW YOU. 475 00:32:57,208 --> 00:33:00,244 OR LIKE WE'VE KNOWN EACH OTHER FOR A LONG TIME. 476 00:33:00,244 --> 00:33:05,850 I DON'T KNOW HOW TO EXPLAIN IT. YOU FEEL FAMILIAR TO ME. 477 00:33:05,850 --> 00:33:11,222 DOES NOT HAPPEN TO YOU OFTEN? NO. 478 00:33:11,222 --> 00:33:28,272 Stephen: PLEASE WELCOME TO "THE LATE SHOW," RILEY KEOUGH. 479 00:33:28,272 --> 00:33:33,111 [CHEERS AND APPLAUSE] HELLO. 480 00:33:33,111 --> 00:33:34,278 HI. HOW ARE YOU? 481 00:33:34,278 --> 00:33:37,315 Stephen: I'M FINE. HOW ARE YOU? 482 00:33:37,315 --> 00:33:40,885 I'M GOOD. Stephen: USED ARE THE NEW 483 00:33:40,885 --> 00:33:44,589 SERIES, "DAISY JONES & THE SIX." WHO IS DAISY JONES? 484 00:33:44,589 --> 00:33:48,059 WHO ARE THE SIX? WHAT'S HAPPENING? 485 00:33:48,059 --> 00:33:51,562 DAISY JONES IS ABOUT A YOUNG WOMAN WHO IS AN ASPIRING 486 00:33:51,562 --> 00:33:54,665 SONGWRITER WHO ENDS UP JOINING A BAND. 487 00:33:54,665 --> 00:33:59,203 SHE IS THE SIXTH. THERE SHE IS. 488 00:33:59,203 --> 00:34:03,975 IT'S BASED ON A BEST-SELLING BOOK BY TAYLOR JENKINS READ. 489 00:34:03,975 --> 00:34:10,948 THE RISE AND FALL OF THE MOST FAMOUS BAND IN THE '70s OF 490 00:34:10,948 --> 00:34:13,050 FAKE BANDS. Stephen: HAD YOU READ THE 491 00:34:13,050 --> 00:34:15,119 NOVEL BEFORE YOU READ THE SCRIPT? 492 00:34:15,119 --> 00:34:19,223 Riley: I DID. I GOT A CALL FROM MY AGENT AND 493 00:34:19,223 --> 00:34:22,627 SHE SAID HELLO SUNSHINE IS DOING A PROJECT CALLED "DAISY 494 00:34:22,627 --> 00:34:24,228 JONES & THE SIX" THAT THAT POINT I HADN'T READ THE BOOK OR DIDN'T 495 00:34:24,228 --> 00:34:28,866 KNOW IT WAS BUT I HAD THIS WEIRD PREMONITION THAT I WAS GOING TO 496 00:34:28,866 --> 00:34:33,237 PLAY DAISY IN THIS SHOW. Stephen: IN WHAT FORM DID 497 00:34:33,237 --> 00:34:35,373 THIS PREMONITION TAKE? Riley: I DON'T KNOW. 498 00:34:35,373 --> 00:34:37,809 I HAVE THESE KINDS OF THINGS SOMETIMES. 499 00:34:37,809 --> 00:34:42,046 IT WAS, IT SOUNDS A LITTLE SPOOKY, BUT I DO. 500 00:34:42,046 --> 00:34:43,314 Stephen: DO THEY OFTEN COME TRUE? 501 00:34:43,314 --> 00:34:46,217 Riley: YEAH. I DON'T KNOW. 502 00:34:46,217 --> 00:34:48,252 I JUST KNEW THAT IT WAS GOING TO HAPPEN. 503 00:34:48,252 --> 00:34:51,022 Stephen: DOES IT FEEL LIKE DEJA VU WEN IT HAPPENS AND YOU 504 00:34:51,022 --> 00:34:53,257 REALIZE YOU HAVE A PREMONITION ABOUT IT OR YOU WAKE UP IN THE 505 00:34:53,257 --> 00:34:55,793 MIDDLE THE NIGHT AND THINK I WILL GET A TICKET TOMORROW. 506 00:34:55,793 --> 00:34:58,830 Riley: IT'S KIND OF LIKE I KNOW SOMETHING. 507 00:34:58,830 --> 00:35:01,833 I DON'T SEE THE FUTURE BUT I KNOW CERTAIN THINGS ARE GOING TO 508 00:35:01,833 --> 00:35:06,504 HAPPEN. WHEN I MET MY HUSBAND, HE CAME 509 00:35:06,504 --> 00:35:08,439 OUT OF THE GAS STATION ON OUR SECOND DATE AND I THOUGHT, I'M 510 00:35:08,439 --> 00:35:10,842 GOING TO MARRY HIM AND HAVE KIDS WITH HIM. 511 00:35:10,842 --> 00:35:14,645 I JUST KNEW. WE DIDN'T SAY "I LOVE YOU" YET. 512 00:35:14,645 --> 00:35:17,215 Stephen: AT WHAT POINT DID YOU TELL HIM THAT? 513 00:35:17,215 --> 00:35:19,817 Riley: IT CERTAINLY WASN'T THAT THAT POINT. 514 00:35:19,817 --> 00:35:22,620 Stephen: TOUGH TO GET A THIRD DATE. 515 00:35:22,620 --> 00:35:26,123 Riley: I THOUGHT IF I TELL HIM NOW, HE WILL LEAVE ME HERE 516 00:35:26,123 --> 00:35:31,262 IN AUSTRALIA AT THE GAS STATION. Stephen: PEOPLE DON'T KNOW, 517 00:35:31,262 --> 00:35:33,898 YOUR ELVIS PRESLEY'S GRANDDAUGHTER, THIS IS A STAGE 518 00:35:33,898 --> 00:35:37,401 THAT HE FAMOUSLY PERFORMED ON. DID PLAYING A ROCK STAR COME 519 00:35:37,401 --> 00:35:41,038 NATURALLY TO YOU? IS IT IN THE GENES IS WHAT I'M 520 00:35:41,038 --> 00:35:44,141 SAYING? Riley: I THINK THAT I AM 521 00:35:44,141 --> 00:35:45,142 MUSICAL. I HAVE AN EAR. 522 00:35:45,142 --> 00:35:49,947 I CAN CARRY A TUNE. BUT MUSIC WASN'T SORT OF MY 523 00:35:49,947 --> 00:35:52,216 THING. I WAS ALWAYS MORE INTERESTED IN 524 00:35:52,216 --> 00:35:56,187 FILM AND ACTING AND WRITIN AND FILMMAKING. 525 00:35:56,187 --> 00:35:59,357 I HAD TO WORK REALLY HARD AT IT ACTUALLY AND IT WAS A CHALLENGE. 526 00:35:59,357 --> 00:36:04,629 Stephen: WELL, THE FILM, THE SHOW IS BEING RELEASED THIS 527 00:36:04,629 --> 00:36:07,632 FRIDAY. BUT IT'S NOT JUST A SHOW. 528 00:36:07,632 --> 00:36:12,370 THERE'S A WHOLE COMPANION ALBUM WITH SONGWRITING BY MARCUS 529 00:36:12,370 --> 00:36:20,144 MUMFORD, BEBE BRIGDERS, AND JACKSON BROWNE. 530 00:36:20,144 --> 00:36:21,746 DID YOU KNOW THIS WAS GOING TO HAPPEN? 531 00:36:21,746 --> 00:36:24,615 Riley: ONE OF THE QUESTIONS THEY ASKED ME WHEN I SIGNED ON 532 00:36:24,615 --> 00:36:29,787 WAS WOULD YOU GO ON TOUR AND I WAS LIKE YEAH, SURE, WHATEVER. 533 00:36:29,787 --> 00:36:34,258 YOU KIND OF LIE TO GET JOBS. Stephen: NOW YOU HAVE TO GO 534 00:36:34,258 --> 00:36:36,761 ON TOUR. Riley: NOW I AM HERE ON 535 00:36:36,761 --> 00:36:37,728 TOUR. NO. 536 00:36:37,728 --> 00:36:40,064 I NEVER IMAGINED THAT I WOULD HAVE AN ALBUM. 537 00:36:40,064 --> 00:36:42,433 I NEVER THOUGHT I WOULD DO MUSIC. 538 00:36:42,433 --> 00:36:45,836 IT'S SO INCREDIBLE. WE HAVE A WHOLE RECORD COMING 539 00:36:45,836 --> 00:36:49,240 OUT, INCREDIBLE SONGWRITERS ON THE RECORD. 540 00:36:49,240 --> 00:36:52,577 Stephen: YOUR CHARACTER, DAISY, PERFORMS IN A STADIUM 541 00:36:52,577 --> 00:36:55,580 FULL OF PEOPLE. HOW DOES THAT FEEL? 542 00:36:55,580 --> 00:37:01,519 Riley: IT FELT, WE HAD REHEARSED FOR ABOUT A YEAR AND A 543 00:37:01,519 --> 00:37:05,189 HALF BECAUSE SAM AND I, THE OTHER LEAD SINGER, HAD NEVER 544 00:37:05,189 --> 00:37:08,559 SAYING BEFORE. IT WAS LIKE A YEAR OF BAND 545 00:37:08,559 --> 00:37:14,699 REHEARSAL FOR US. AND YEAH, WE ENDED UP BEING A 546 00:37:14,699 --> 00:37:17,501 PRETTY CONFIDENT BAND AND BY THE TIME WE WERE PLAYING STADIUM 547 00:37:17,501 --> 00:37:21,439 SHOWS, WE WERE ALL EXCITED TO BE THERE. 548 00:37:21,439 --> 00:37:24,108 AND WE GOT REAL AUDIENCES WHICH IS SUPER EXCITING. 549 00:37:24,108 --> 00:37:27,411 THEY WERE PAID. THEY LOVED US. 550 00:37:27,411 --> 00:37:33,284 Stephen: THAT HELPS. THESE PEOPLE ARE FREE. 551 00:37:33,284 --> 00:37:37,822 WHEN YOU'RE NOT IN FRONT OF THE CAMERA, YOU ARE BEHIND IT. 552 00:37:37,822 --> 00:37:44,495 YOU ACTUALLY, LAST YEAR YOU RELEASED YOUR DIRECTORIAL DEBUT, 553 00:37:44,495 --> 00:37:54,071 IT MADE A SPLASH. HE WON THE PRESTIGIOUS CAMERA 554 00:37:54,071 --> 00:37:58,843 D'OR AT CANNES. CONGRATULATIONS ON THAT. 555 00:37:58,843 --> 00:38:02,413 I UNDERSTAND IT TOOK SEVEN YEARS TO MAKE THIS FILM. 556 00:38:02,413 --> 00:38:05,383 Riley: I DON'T LIKE SAYING THAT BECAUSE THEN PEOPLE HAVE 557 00:38:05,383 --> 00:38:07,952 REALLY HIGH EXPECTATIONS BUT IT WASN'T SEVEN YEARS TO MAKE THE 558 00:38:07,952 --> 00:38:11,088 FILM. IT WAS RELATIONSHIP MY 559 00:38:11,088 --> 00:38:14,959 CODIRECTOR AND I AND THE WRITERS OF THE FILM KIND OF HAD FOR 560 00:38:14,959 --> 00:38:17,928 SEVEN YEARS. THE SCRIPT ONLY TOOK US ABOUT 561 00:38:17,928 --> 00:38:20,231 NINE ONTHS ONCE WE FIGURE THIS STORY OUT. 562 00:38:20,231 --> 00:38:26,470 Stephen: I UNDERSTAND THAT YOU WEREN'T ACTUALLY AT CANNES 563 00:38:26,470 --> 00:38:29,640 WHEN THE AWARDS WERE GIVEN OUT. IT WAS SHOWN AND GOT A NICE 564 00:38:29,640 --> 00:38:31,676 RESPONSE AND YOU LEFT. YOU DIDN'T WANT TO BE THERE OR 565 00:38:31,676 --> 00:38:35,413 YOU HAD TO GO TO WORK? Riley: I DIDN'T WANT TO BE 566 00:38:35,413 --> 00:38:36,781 THERE. NO, I REALLY WANTED TO BE THERE. 567 00:38:36,781 --> 00:38:42,053 I WAS SHOOTING "DAISY JONES." I WAS IN GREECE. 568 00:38:42,053 --> 00:38:46,490 I THOUGHT IT WAS GOING TO BE A QUICK POP OVER FROM GREECE TO 569 00:38:46,490 --> 00:38:49,326 CANNES BUT I HAD TO GO ON TO BOATS AND THREE AIRPLANES. 570 00:38:49,326 --> 00:38:52,963 I HAD TO GO FOR A DAY AND THEN I HAD TO GO BACK TO SHOOT IN MY 571 00:38:52,963 --> 00:38:57,368 CODIRECTOR LANDED IN GREECE AND WE GOT A PHONE CALL THAT WAS 572 00:38:57,368 --> 00:39:00,838 LIKE, CAN YOU COME BACK TO CANNES? 573 00:39:00,838 --> 00:39:02,907 WE RELY, THIS MEANS-- I THINK THIS MEANS WE ARE 574 00:39:02,907 --> 00:39:05,810 WINNING SOMETHING WHICH WAS REALLY CRAZY BECAUSE WE WERE 575 00:39:05,810 --> 00:39:09,480 TOTALLY SHOCKED THAT WE EVEN GOT INTO CANNES TO BEGIN WITH. 576 00:39:09,480 --> 00:39:14,852 AND THEN THERE WERE COUPLE AWARDS AND I WAS ON SET ON THE 577 00:39:14,852 --> 00:39:20,191 BEACH AND IT WAS MY BIRTHDAY. I WAS WATCHING THE LIVE STREAM 578 00:39:20,191 --> 00:39:27,098 OF THE AWARDS AT CANNES. THEY CALLED THE RUNNER-UP, AND 579 00:39:27,098 --> 00:39:32,536 IT WASN'T US. SO I WAS LIKE, WHOA, THIS IS 580 00:39:32,536 --> 00:39:33,471 CRAZY. AND THEN CALLED. 581 00:39:33,471 --> 00:39:37,274 MAYBE THERE IS ANOTHER AWARD I'M MISSING. 582 00:39:37,274 --> 00:39:44,181 WE CERTAINLY COULDN'T WIN THE CAMERA D'OR AND WE WON. 583 00:39:44,181 --> 00:39:46,083 Stephen: ON YOUR BIRTHDAY IN GREECE. 584 00:39:46,083 --> 00:39:47,985 Riley: YEAH. Stephen: LOVELY TO HAVE YOU 585 00:39:47,985 --> 00:39:50,087 HERE. "DAISY JONES & THE SIX" 586 00:39:50,087 --> 00:39:53,390 PREMIERES FRIDAY ON PRIME VIDEO. RILEY KEOUGH, EVERYBODY. 587 00:39:53,390 --> 00:39:54,258 WE'LL BE RIGHT BACK. 588 00:40:14,044 --> 00:40:15,146 Stephen: THAT'S IT FOR "THE LATE SHOW." 589 00:40:15,146 --> 00:40:18,249 TUNE IN TOMORROW WHEN MY GUESTS WILL BE STEVEN SPIELBERG 590 00:40:18,249 --> 00:40:21,585 AND COMPOSER JOHN WILLIAMS. STICK AROUND FOR JAMES. 591 00:40:21,585 --> 00:40:22,920 GOOD NIGHT! ♪ ♪