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00:00:01,401 --> 00:00:05,038
>> ACCORDING TO A RECENT REPORT,
THE NEWS NETWORK CNN IS SERIOUS
2
00:00:05,105 --> 00:00:08,408
ABOUT GETTING INTO COMEDY, AND
IS EVEN CONSIDERING HIRING A
3
00:00:08,475 --> 00:00:13,246
COMEDIAN TO HOST ONE OF ITS
PRIME-TIME SHOWS.
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00:00:18,318 --> 00:00:23,957
( APPLAUSE )
>> JOSEPH R. BIDEN IS ALLEGEDLY
5
00:00:24,023 --> 00:00:26,593
HIDING DOCS IN HIS GARAGE, TOO.
WE'LL HAVE MORE ON THE STORY
6
00:00:26,659 --> 00:00:28,328
COMING UP SHORTLY WITH OUR VERY
OWN MANU RAJU.
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00:00:28,395 --> 00:00:30,430
OH!
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>> Announcer: IT'S "THE LATE
SHOW WITH STEPHEN COLBERT."
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00:00:37,404 --> 00:00:39,939
TONIGHT:
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00:00:41,307 --> 00:00:45,678
PLUS, STEPHEN WELCOMES:
HUGH JACKMAN
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00:00:45,745 --> 00:00:47,313
AND MUSICAL GUEST MIMI WEBB
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00:00:50,683 --> 00:00:54,587
FEATURING LOUIS CATO AND THE
LATE SHOW BAND.
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00:00:57,257 --> 00:01:00,693
AND NOW, LIVE ON TAPE FROM THE
ED SULLIVAN THEATER IN NEW YORK
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00:01:00,760 --> 00:01:04,697
CITY, IT'S STEPHEN COLBERT!
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00:01:07,534 --> 00:01:22,415
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
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00:01:22,482 --> 00:01:28,288
( CHEERS AND APPLAUSE )
( CHEERS AND APPLAUSE )
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00:01:28,354 --> 00:01:31,624
HAPPY.
HAPPY MONDAY.
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00:01:31,691 --> 00:01:36,396
HAPPY, HAPPY, HAPPY.
THANKS, EVERYBODY!
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THANK YOU VERY MUCH.
>> Audience: STEPHEN!
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00:01:41,234 --> 00:01:44,571
STEPHEN!
♪ ♪ ♪
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00:01:44,637 --> 00:01:47,841
>> Stephen: HAVE A SEAT, THANK
YOU SO MUCH.
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00:01:47,907 --> 00:01:49,509
WELCOME, WELCOME, ONE AND ALL TO
"THE LATE SHOW."
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00:01:49,576 --> 00:01:53,146
I AM YOUR HOST, STEPHEN COLBERT.
( CHEERS AND APPLAUSE )
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00:01:53,213 --> 00:02:03,756
LUTHER KING JR. DAY, EVERYBODY.
ALWAYS WORTH CELEBRATING.
25
00:02:03,823 --> 00:02:07,093
AND IN HONOR, I THOUGHT I'D KICK
OFF THE SHOW TONIGHT WITH A
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00:02:07,160 --> 00:02:09,562
LESSER KNOWN FUN FACT FROM THIS
GREAT MAN'S LIFE.
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00:02:09,629 --> 00:02:21,641
DP YOU KNOW THAT-- AND THIS IS
TRUE--OON ALTHOUGH WE NOW
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00:02:21,708 --> 00:02:23,643
REGARD M.L.K. AS ONE OF THE
GREATEST ORATORS OF OUR TIME, HE
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00:02:23,710 --> 00:02:25,278
ACTUALLY RECEIVED TWO "Cs" IN
PUBLIC SPEAKING.
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00:02:25,345 --> 00:02:27,514
THAT'S A REALLY TOUGH TEACHER:
"NO ONE WANTS TO HEAR THE
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00:02:27,580 --> 00:02:33,453
DETAILS OF A DREAM, MARTIN.
HAVE YOU ACTUALLY EVER CLIMBED A
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00:02:33,520 --> 00:02:35,421
MOUNTAIN?
WRITE WHAT YOU KNOW!"
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00:02:35,488 --> 00:02:37,657
YESTERDAY PRESIDENT BIDEN
CELEBRATED M.L.K.'S LEGACY FROM
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00:02:37,724 --> 00:02:39,926
DR. KING'S OWN PULPIT AT
EBENEZER BAPTIST CHURCH:
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00:02:39,993 --> 00:02:45,131
>> I SAY THIS WITH ALL
SINCERITY.
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00:02:45,198 --> 00:02:49,102
I STAND HERE HUMBLED, BEING THE
FIRST SITTING PRESIDENT OF THE
37
00:02:49,168 --> 00:02:51,538
UNITED STATES TO HAVE AN
OPPORTUNITY TO SPEAK AT
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00:02:51,604 --> 00:02:53,239
EBENEZER'S SUNDAY SERVICE.
YOU HAVE BEEN AROUND FOR 136
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00:02:53,306 --> 00:02:55,542
YEARS.
I KNOW I LOOK LIKE IT, BUT I
40
00:02:55,608 --> 00:03:04,117
HAVEN'T.
( LAUGHTER )
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00:03:04,183 --> 00:03:12,926
"LOOK AT THIS FACE!
I KNOW I LOOK LIKE IT.
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00:03:12,992 --> 00:03:14,894
LOOK AT THIS FACE!
IT'S LIKE AN OLD CATCHER'S
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00:03:14,961 --> 00:03:16,095
MITT.
WHITE DOES CRACK, JACK.
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00:03:16,162 --> 00:03:19,365
I LOOK LIKE SOMEONE JUST
UNWRAPPED A MUMMY.
45
00:03:19,432 --> 00:03:21,167
DON'T ASK WHAT I WAS WRAPPED IN.
IT WAS CLASSIFIED DOCUMENTS.
46
00:03:21,234 --> 00:03:21,901
OOPS, I'VE SAID TOO MUCH.
AMEN.
47
00:03:21,968 --> 00:03:27,807
PLAY BALL!"
( APPLAUSE )
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00:03:27,874 --> 00:03:31,678
REVEREND THIS MORNING AT A
PRAYER BREAKFAST, WHERE HE
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00:03:31,744 --> 00:03:34,013
LEARNED IT WAS THE BIRTHDAY OF
M.L.K.'s DAUGHTER-IN-LAW,
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00:03:34,080 --> 00:03:39,218
ARNDREA WATERS KING.
ALTHOUGH, IT SEEMS LIKE HE WAS
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00:03:39,285 --> 00:03:44,791
MISSING ONE
SMALL DETAIL.
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00:03:44,857 --> 00:03:46,559
>> WELL, LOOK, MY WIFE HAS A
RULE IN OUR FAMILY: WHEN IT'S
53
00:03:46,626 --> 00:03:47,660
SOMEBODY'S BIRTHDAY, YOU SING
HAPPY BIRTHDAY.
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00:03:47,727 --> 00:03:50,763
YOU READY?
♪ HAPPY BIRTHDAY TO YOU,
55
00:03:50,830 --> 00:03:55,301
HAPPY BIRTHDAY TO YOU
♪ HAPPY BIRTHDAY, DEAR
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00:03:55,368 --> 00:04:07,714
( INAUDIBLE )
>> Stephen: WOW, OKAY.
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00:04:07,780 --> 00:04:12,285
NOW, PEOPLE ARE ACCUSING HIM--
YES.
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00:04:12,352 --> 00:04:16,022
PEOPLE ARE ACCUSING HIM FOR
FORGETTING HER NAME.
59
00:04:16,089 --> 00:04:18,491
THAT'S NOT FAIR.
HE CLEARLY NEVER KNEW HER NAME.
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00:04:18,558 --> 00:04:20,159
OR MAYBE THEY'RE JUST SUCH GOOD
FRIENDS THAT HE'S CALLING HER BY
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00:04:20,226 --> 00:04:25,231
HER NICKNAME: "LAA-LURH."
( LAUGHTER )
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00:04:25,298 --> 00:04:37,610
THANK YOU UNFORTUNATELY FOR
PRESIDENT JOE, HIS CLASSIFIED
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00:04:37,677 --> 00:04:45,685
DOCUMENT SAGA CONTINUES.
ON SATURDAY, IT WAS REPORTED
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00:04:45,752 --> 00:04:47,353
THAT BIDEN'S AIDES FOUND
FIVE ADDITIONAL PAGES OF
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00:04:47,420 --> 00:04:49,255
CLASSIFIED MATERIAL AT HIS
PERSONAL RESIDENCE IN DELAWARE.
66
00:04:49,322 --> 00:04:50,923
OH, MY GOD!
THIS JUST WON'T END!
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00:04:50,990 --> 00:04:55,561
JOE'S MAKING ME DO SOMETHING I
SWORE I WOULD NEVER DO: CARE
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00:04:55,628 --> 00:04:59,632
ABOUT WHAT HAPPENS IN DELAWARE.
IT'S GETTING-- IT'S GETTING.
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00:04:59,699 --> 00:05:02,702
( APPLAUSE )
HOW IS IT GOING?
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00:05:02,769 --> 00:05:06,673
ANYWHERE FROM DELAWARE?
DELAWARE?
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00:05:06,739 --> 00:05:08,408
IT'S GETTING HARD TO KEEP ALL
THESE DOCUMENTS STRAIGHT, SO LET
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00:05:08,474 --> 00:05:10,176
ME LAY IT OUT.
THIS NEWLY DISCOVERED STACK OF
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00:05:10,243 --> 00:05:11,944
FIVE PAGES IS ACTUALLY PART OF
THE SAME STASH WE LEARNED ABOUT
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00:05:12,011 --> 00:05:16,416
LAST WEEK.
BUT, APPARENTLY, BIDEN'S LAWYERS
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00:05:16,482 --> 00:05:18,484
HAD STOPPED SEARCHING THE
PROPERTY BECAUSE THEY DIDN'T
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00:05:18,551 --> 00:05:22,021
HAVE SECURITY CLEARANCE.
SO A WHITE HOUSE LAWYER WHO DID
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00:05:22,088 --> 00:05:24,290
HAVE CLEARANCE ARRIVED THURSDAY
AND FOUND FIVE ADDITIONAL
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00:05:24,357 --> 00:05:27,326
DOCUMENTS WITH CLASSIFIED
MARKINGS.
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00:05:27,393 --> 00:05:29,529
OKAY, BIDEN TEAM, HOW 'BOUT
BEFORE YOU MAKE ANY
80
00:05:29,595 --> 00:05:35,668
ANNOUNCEMENTS, YOU WAIT UNTIL
THE WHOLE SEARCH IS FINISHED?
81
00:05:35,735 --> 00:05:38,604
"HEY, GREAT NEWS!
WE ONLY FOUND ONE RACCOON
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00:05:38,671 --> 00:05:40,339
LIVING INSIDE YOUR WALL.
SHE'S LACTATING UP A STORM, BUT
83
00:05:40,406 --> 00:05:43,109
I'M SURE THAT DOESN'T MEAN
ANYTHING."
84
00:05:43,176 --> 00:05:49,015
( LAUGHTER )
WHY HAS-- DISTURBING IMAGE.
85
00:05:49,082 --> 00:05:56,355
LACTATING RACCOON.
NOW, WHY HAS STUFF BEEN COMING
86
00:05:56,422 --> 00:05:58,257
OUT IN DRIBS AND DRABS?
WELL, AFTER THE FIRST DOCUMENTS
87
00:05:58,324 --> 00:06:00,159
WERE FOUND, THE BIDEN TEAM
VOLUNTEERED TO DO ADDITIONAL
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00:06:00,226 --> 00:06:08,134
SEARCHES, BUT MOVED MORE SLOWLY
THAN LAW ENFORCEMENT EXPECTED.
89
00:06:08,201 --> 00:06:11,137
HOW FAST DO YOU EXPECT AN
80-YEAR-OLD MAN TO MOVE?
90
00:06:11,204 --> 00:06:12,405
"OKAY, WHAT ARE WE LOOKIN' FOR?
THE DOCUMENTS?
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00:06:12,472 --> 00:06:14,540
I GOT SOME BOXES DOWN IN THE OLD
GUEST ROOM.
92
00:06:14,607 --> 00:06:19,412
COME ON, LET'S GO DOWN.
LET'S GET THEM.
93
00:06:19,479 --> 00:06:23,983
BOY, THAT PICTURE LOOKS KINDA
CROOKED.
94
00:06:24,050 --> 00:06:26,085
DOES THAT LOOK LEVEL TO YOU
GUYS?
95
00:06:26,152 --> 00:06:30,490
DOES THAT LOOK LEVEL?
I GOT A LEVEL IN THE GARAGE.
96
00:06:30,556 --> 00:06:34,026
LET ME GET THAT.
OH, RIGHT, THE BOXES, THE BOXES.
97
00:06:34,093 --> 00:06:37,530
HOLD ON HELP I GOT THE BOXES.
WHAT'S GOING ON WITH THIS?
98
00:06:37,597 --> 00:06:44,704
WHAT'S GOING ON?"
SCENE.
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00:06:44,771 --> 00:06:46,506
THIS MIGHT NOT EVEN BE THE END
BECAUSE SOURCES SAY THERE ARE
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00:06:46,572 --> 00:06:48,107
MULTIPLE ADDITIONAL SPOTS THAT
COULD BE SEARCHED, AND IT'S
101
00:06:48,174 --> 00:06:50,443
POSSIBLE ADDITIONAL DOCUMENTS
COULD STILL BE FOUND.
102
00:06:50,510 --> 00:06:52,678
WELL, IF THIS GOES ON UNTIL
SPRING, THEY CAN KILL TWO BIRDS
103
00:06:52,745 --> 00:06:56,115
AND COMBINE THE SEARCH WITH THE
WHITE HOUSE EASTER EGG HUNT.
104
00:06:56,182 --> 00:07:00,753
( LAUGHTER )
THIS DOCUMENT STORY-- HOW EARLY
105
00:07:00,820 --> 00:07:02,822
IS EASTER THIS YEAR?
IS IT EARLY OR LATE?
106
00:07:02,889 --> 00:07:06,592
NO WAY OF KNOWING.
THIS DOCUMENT STORY IS PLAYING
107
00:07:06,659 --> 00:07:07,727
RIGHT INTO THE REPUBLICANS'
HANDS.
108
00:07:07,794 --> 00:07:09,829
NOW THE HOUSE G.O.P. IS
DEMANDING TWO YEARS OF VISITOR
109
00:07:09,896 --> 00:07:12,965
LOGS FROM PRESIDENT BIDEN'S
DELAWARE HOME.
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00:07:13,032 --> 00:07:17,937
THEY'RE GOING TO LEARN ABOUT ALL
OF BIDEN'S REGULAR VISITORS:
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00:07:18,004 --> 00:07:23,409
BEN, JERRY, BASKIN, ROBBINS,
AMBASSADOR HAAGEN,
112
00:07:23,476 --> 00:07:29,849
ADMIRAL DAZS, AND MOST
SCANDALOUS OF ALL, A SOLO VISIT
113
00:07:29,916 --> 00:07:34,720
FROM MRS. SOFTEE!
YES, MRS.,s MRS. SOFTEE.
114
00:07:34,787 --> 00:07:37,924
YEAH.
THEY SPLIT UP.
115
00:07:37,990 --> 00:07:40,760
THEY SPLIT UP.
SHE LEFT MR. SOFTEE, FOR OBVIOUS
116
00:07:40,827 --> 00:07:43,429
REASONS.
( LAUGHTER )
117
00:07:43,496 --> 00:07:49,969
GOOD-BYE, CHILDHOOD.
OF
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00:07:50,036 --> 00:07:51,137
ONE LITTLE PROBLEM WITH THE
REPUBLICANS' REQUEST FOR WHO
119
00:07:51,204 --> 00:07:54,674
CAME AND WENT FROM THE
DELAWARE HOME: "THE WHITE HOUSE
120
00:07:54,740 --> 00:07:56,642
SAYS NO VISITOR LOGS EXIST FOR
PRESIDENT BIDEN'S PRIVATE
121
00:07:56,709 --> 00:08:00,313
RESIDENCE."
OH, THEY DON'T EXIST?
122
00:08:00,379 --> 00:08:04,817
OR DO THEY EXIST...
ON HUNTER BIDEN'S LAPTOP!
123
00:08:04,884 --> 00:08:16,095
( LAUGHTER )
MORE DRAMATIC.
124
00:08:16,162 --> 00:08:18,631
OF COURSE, PRESIDENT BIDEN
SHOULD NOT HAVE HAD THESE
125
00:08:18,698 --> 00:08:21,067
MATERIALS AT HOME, AND I'M SURE
HOUSE REPUBLICANS HAVE HONEST
126
00:08:21,133 --> 00:08:23,603
CONCERNS ABOUT OUR NATION'S
CLASSIFIED DOCUMENTS.
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00:08:23,669 --> 00:08:26,439
RIGHT, ONE OF THOSE REPUBLICANS?
>> AT THE END OF THE DAY, MY
128
00:08:26,505 --> 00:08:27,540
BIGGEST CONCERN ISN'T THE
CLASSIFIED DOCUMENTS, TO BE
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00:08:27,607 --> 00:08:32,178
HONEST WITH YOU.
MY CONCERN IS HOW THERE'S SUCH A
130
00:08:32,245 --> 00:08:34,580
DISCREPANCY IN HOW FORMER
PRESIDENT TRUMP WAS TREATED-- BY
131
00:08:34,647 --> 00:08:40,152
RAIDING MAR-A-LAGO, BY GETTING
THE SECURITY CAMERAS, BY TAKING
132
00:08:40,219 --> 00:08:41,787
PICTURES OF DOCUMENTS ON THE
FLOOR, BY GOING THROUGH
133
00:08:41,854 --> 00:08:45,191
MELANIA'S CLOSET-- VERSUS JOE
BIDEN.
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00:08:45,258 --> 00:08:47,860
>> Stephen: YES, THERE IS SUCH A
DISCREPANCY.
135
00:08:47,927 --> 00:08:52,965
JOE BIDEN'S OWN LAWYERS ARE THE
ONES WHO FOUND HIS DOCUMENTS,
136
00:08:53,032 --> 00:09:02,408
THEN IMMEDIATELY TURNED
THEM IN TO THE NATIONAL
137
00:09:02,475 --> 00:09:04,210
ARCHIVES.
THE OTHER GUY HID THE DOCUMENTS,
138
00:09:04,277 --> 00:09:06,245
THEN HIS LAWYERS LIED,
OBSTRUCTED-- OR IN RUDY'S CASE,
139
00:09:06,312 --> 00:09:07,647
FELL ASLEEP OUTSIDE THE M&M
STORE IN A KIDDIE POOL OF CARLO
140
00:09:07,713 --> 00:09:10,683
ROSSI.
I LIKE THAT GUY.
141
00:09:10,750 --> 00:09:14,287
DEPUTY DOG!
THERE'S MORE NEWS ABOUT
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00:09:14,353 --> 00:09:17,657
NEW YORK CONGRESSMAN AND THAT
ONE FIFTH--
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00:09:17,723 --> 00:09:21,627
( AUDIENCE BOOING )
NOT HIS CORE BASE.
144
00:09:21,694 --> 00:09:26,899
( LAUGHTER )
ONE FIFTH-GRADER WHO CARRIES A
145
00:09:26,966 --> 00:09:30,336
BRIEFCASE, GEORGE SANTOS.
SINCE HE WAS ELECTED, WE'VE
146
00:09:30,403 --> 00:09:33,572
LEARNED THAT SANTOS HAS NO
PROBLEM MISREPRESENTING
147
00:09:33,639 --> 00:09:40,446
EVERYTHING, INCLUDING HIS OWN
NAME.
148
00:09:40,513 --> 00:09:43,082
THERE ARE STORIES OUT THERE THAT
SANTOS CALLED HIMSELF BY A
149
00:09:43,149 --> 00:09:45,351
VARIETY OF NAMES, AND NOW WE
HAVE PROOF, IN THE FORM OF A
150
00:09:45,418 --> 00:09:51,924
RECENTLY-SURFACED VIDEO FROM AN
EVENT IN LOS ANGELES, CIRCA
151
00:09:51,991 --> 00:09:53,726
2019.
CHECK OUT WHAT NAME SANTOS USES:
152
00:09:53,793 --> 00:09:55,528
>> MY NAME'S ANTHONY DEVOLDER.
I RECENTLY FOUNDED A MOVEMENT
153
00:09:55,594 --> 00:09:57,196
CALLED "UNITED FOR TRUMP" ON
FACEBOOK.
154
00:09:57,263 --> 00:10:07,173
>> Stephen: (AS SANTOS)
"AND IF YOU HAVE ANY QUESTIONS
155
00:10:07,239 --> 00:10:10,042
ABOUT IT, YOU CAN D.M. ME AT
'THE REAL TAYLOR SWIFT.'"
156
00:10:10,109 --> 00:10:13,913
ONE OF THE MOST--
( APPLAUSE )
157
00:10:13,980 --> 00:10:19,618
QUESTIONS FACING SANTOS IS THAT
HE LOANED $705,000 TO HIS OWN
158
00:10:19,685 --> 00:10:23,222
CAMPAIGN, EVEN THOUGH 2020
RECORDS INDICATE HE ONLY HAD
159
00:10:23,289 --> 00:10:25,157
$55,000.
AND A LOT OF PEOPLE ARE ASKING
160
00:10:25,224 --> 00:10:27,293
WHERE SANTOS GOT THE MONEY,
INCLUDING FLORIDA CONGRESSMAN
161
00:10:27,360 --> 00:10:31,497
MATT GAETZ.
YOU SEE, ON THURSDAY, GAETZ WAS
162
00:10:31,564 --> 00:10:34,700
THE GUEST HOST OF STEVE BANNON'S
WAR ROOM PODCAST, AND ASKED
163
00:10:34,767 --> 00:10:38,738
SANTOS THE ORIGINS OF THAT 700K.
>> WHERE DID IT COME FROM?
164
00:10:38,804 --> 00:10:40,473
>> WELL, I'LL TELL YOU WHERE IT
DIDN'T COME FROM.
165
00:10:40,539 --> 00:10:42,274
IT DIDN'T COME FROM CHINA,
UKRAINE, OR BURISMA.
166
00:10:42,341 --> 00:10:46,946
HOW ABOUT THAT?
>> WELL, THAT IS AN ANSWER.
167
00:10:47,013 --> 00:10:53,185
( LAUGHTER ).
ANSWER.
168
00:10:53,252 --> 00:10:58,557
NOT TO THE QUESTION YOU ASKED,
BUT IT'S AN ANSWER.
169
00:10:58,624 --> 00:10:59,992
THE JUDGES WOULD ALSO HAVE
ACCEPTED "MANIFEST DESTINY" AND
170
00:11:00,059 --> 00:11:02,128
"CHLOROPHYLL."
ALSO ANSWERS.
171
00:11:02,194 --> 00:11:05,097
THOSE WOULD ALSO BE ANSWERS OF
SOME FORM.
172
00:11:05,164 --> 00:11:07,733
GAETZ PERSISTED, SORT OF.
>> AND SO, YOU KNOW, WHEN YOU
173
00:11:07,800 --> 00:11:09,702
DONATED THAT MONEY TO YOUR
CAMPAIGN, IS THERE ANYTHING ELSE
174
00:11:09,769 --> 00:11:12,438
YOU CAN SAY ABOUT THE WORK YOU
DID THAT WAS THE ORIGIN OF
175
00:11:12,505 --> 00:11:17,243
THOSE RESOURCES?
>> LOOK, I'VE WORKED MY ENTIRE
176
00:11:17,309 --> 00:11:19,845
LIFE.
I'VE LIVED AN HONEST LIFE.
177
00:11:19,912 --> 00:11:24,750
I'VE NEVER BEEN ACCUSED OF--
ANY BAD DOINGS.
178
00:11:24,817 --> 00:11:27,386
REALLY?
>> Stephen: NO ONE'S ACCUSED
179
00:11:27,453 --> 00:11:34,960
YOU OF DOING ANYTHING BUT DOING
BAD DOINGS.
180
00:11:35,027 --> 00:11:36,896
YOU SHOULD WATCH THE NEWS!
SOMEBODY GET THIS GUY A TV.
181
00:11:36,962 --> 00:11:40,332
OR BETTER YET, JUST LEAVE YOUR
DOOR OPEN, AND HE'LL TAKE IT.
182
00:11:40,399 --> 00:11:42,368
SANTOS CONTINUED:
>> SO IT'S THE EQUITY OF MY
183
00:11:42,435 --> 00:11:44,003
HARD-WORKING SELF THAT I'VE
INVESTED INSIDE OF ME.
184
00:11:44,070 --> 00:11:47,039
>> Stephen: WELL, THERE IT IS!
HE KNOT THE MONEY FROM THE
185
00:11:47,106 --> 00:11:50,843
EQUITY OF HIS HARDWORKING SELF
THAT HE'S INVESTED INSIDE OF
186
00:11:50,910 --> 00:11:53,312
HIM.
DID I HAVE THAT RIGHT?
187
00:11:53,379 --> 00:11:57,483
( APPLAUSE )
>> Stephen: I GOTTA SAY.
188
00:11:57,550 --> 00:12:03,556
THE EQUITY OF HIS HARDED WORKING
SELF THAT HE'S INVESTED INSIDE
189
00:12:03,622 --> 00:12:06,992
OF HIM.
FOR A GUY WHO LIES THIS MUCH, HE
190
00:12:07,059 --> 00:12:08,727
SHOULD REALLY BE BETTER AT IT.
MALCOLM GLADWELL SAID YOU NEED
191
00:12:08,794 --> 00:12:10,529
TO DO SOMETHING FOR 10,000 HOURS
TO MASTER IT.
192
00:12:10,596 --> 00:12:13,466
OR AS GEORGE SANTOS SAID, "I AM
MALCOLM GLADWELL."
193
00:12:13,532 --> 00:12:22,541
( LAUGHTER )
NEWS, THIS WEEKEND WAS THE 71st
194
00:12:22,608 --> 00:12:26,512
ANNUAL MISS UNIVERSE COMPETITION
AND MISS U.S.A., R'BONNEY
195
00:12:26,579 --> 00:12:31,383
GABRIEL, WON IT ALL!
KEEP IN MIND, THIS ISN'T MISS
196
00:12:31,450 --> 00:12:36,755
EARTH.
THIS IS MISS UNIVERSE.
197
00:12:36,822 --> 00:12:39,091
WHICH IS WHY WE'RE BEAMING
TONIGHT'S SHOW OUT TO SPACE.
198
00:12:39,158 --> 00:12:40,826
ALPHA CENTAURI, IN 4.36 YEARS,
YOU'RE GOING TO LEARN THAT
199
00:12:40,893 --> 00:12:44,797
YOU'RE ALL UGGOS.
IT WAS A CLOSE CONTEST, BUT
200
00:12:44,864 --> 00:12:47,833
R'BONNEY SEALED THE DEAL DURING
THE COSTUME PORTION OF THE
201
00:12:47,900 --> 00:12:51,904
EVENING, WHEN SHE WORE THIS
OUTFIT, WHICH IS EITHER
202
00:12:51,971 --> 00:12:55,307
MOON-THEMED, OR WHAT IT LOOKS
LIKE WHEN A DISCO BALL PUKES.
203
00:12:55,374 --> 00:13:00,479
( LAUGHTER )
I KNOW-- I KNOW IT LOOKS LIKE--
204
00:13:00,546 --> 00:13:08,521
( APPLAUSE )
HARD TO WALK IN THAT LUNAR
205
00:13:08,587 --> 00:13:11,857
GET-UP, BUT YOU'D BE WRONG.
IT'S ACTUALLY EXTREMELY HARD TO
206
00:13:11,924 --> 00:13:16,795
WALK IN IT.
( LAUGHTER )
207
00:13:16,862 --> 00:13:22,301
WOMAN, BECAUSE ONE GIANT STEP
WOULD BLOW OUT HER MENISCUS."
208
00:13:22,368 --> 00:13:23,202
OTHER CONTESTANTS ALSO BROUGHT
WE'VE GOT A GREAT SHOW FOR YOU
209
00:13:23,269 --> 00:13:26,739
TONIGHT.
MY GUEST IS HUGH JACKMAN.
210
00:13:26,805 --> 00:13:29,808
BUT WHEN WE COME BACK, ANOTHER
INSTALLMENT OF MY TECH
211
00:13:29,875 --> 00:13:33,746
SEGMENT: "CYBORGASM."
STICK AROUND.
212
00:14:10,950 --> 00:14:12,751
GIVE IT UP FOR LOUIS CATO AND
"THE LATE SHOW" BAND RIGHT
213
00:14:12,818 --> 00:14:15,387
THERE.
LOUIS, HAPPY MONDAY.
214
00:14:15,454 --> 00:14:22,361
HAPPY MONDAY.
>> Louis: HAPPY MONDAY.
215
00:14:22,428 --> 00:14:26,732
>> Stephen: FOR THE PEOPLE OUT
THERE, THE NEWCOMERS TO "THE
216
00:14:26,799 --> 00:14:30,002
LATE SHOW"" WHO MAY NOT KNOW,
WHY DON'T YOU EXPLAIN TO THE
217
00:14:30,069 --> 00:14:33,706
PEOPLE OUT THERE, WE HAVE AN OLD
FRIEND JOINING THE BAND TONIGHT.
218
00:14:33,772 --> 00:14:35,507
TELL EVERYBODY WHO IS SITTING
WITH THE BAND TONIGHT, PLEASE.
219
00:14:35,574 --> 00:14:37,876
>> OH, MY GOD, FRIEND OF THE
SHOW, CORI WONG AND THE WONG
220
00:14:37,943 --> 00:14:38,677
NOTES.
CORI WONG.
221
00:14:38,744 --> 00:14:40,479
>> Stephen: GOOD TO SEE YOU
AGAIN.
222
00:14:40,546 --> 00:14:45,551
NICE TO SEE YOU, SIR.
OLD HOME WEEK.
223
00:14:45,618 --> 00:14:49,555
ALSO, YOU START WITH THE CORI
WONG, I COUNTER WITH A MR. HUGH
224
00:14:49,622 --> 00:14:52,358
JACKMAN WILL BE OUT HERE IN JUST
A LITTLE WHILE.
225
00:14:52,424 --> 00:14:55,494
>> Louis: HEY!
>> Stephen: STAR OF STAGE,
226
00:14:55,561 --> 00:14:59,798
SCREEN, OTHER THINGS, NO DOUBT.
OTHER FORMS OF MEDIUM.
227
00:14:59,865 --> 00:15:01,533
QUICK PODCASTING PLUG RIGHT
HERE.
228
00:15:01,600 --> 00:15:05,537
IF YOU GUYS ENJOY THIS SHOW ON
THE TV, AS YOU'RE WATCHING IS
229
00:15:05,604 --> 00:15:09,108
RIGHT NOW, KEEP IN MIND, YOU CAN
ALSO ENJOY THIS SHOW ON THE
230
00:15:09,174 --> 00:15:11,076
PODCAST.
THAT'S HOW EVIE LISTENS TO IT.
231
00:15:11,143 --> 00:15:13,145
>> Louis: OH, REALLY.
>> Stephen: SHE DOES THE
232
00:15:13,212 --> 00:15:15,114
PODCAST THE NEXT DAY.
SHE'S A BUSY WOMAN.
233
00:15:15,180 --> 00:15:18,717
SHE DOESN'T HAVE TIME FOR THIS,
FOR THIS NONSENSE.
234
00:15:18,784 --> 00:15:22,888
IF YOU ENJOYED THE PRINCE HARRY
INTERVIEW LAST WEEK, AND MANY OF
235
00:15:22,955 --> 00:15:27,226
YOU DID, I CAN TELL--
( APPLAUSE )
236
00:15:27,293 --> 00:15:30,896
LATE.
THAT WAS A LITTLE LATE.
237
00:15:30,963 --> 00:15:34,333
BUT WE GOT A 40-MINUTE VERSION
OF THAT ON THE PODCAST.
238
00:15:34,400 --> 00:15:37,102
GO CHECK IT OUT.
AND THERE'S MORE HARRY OUT
239
00:15:37,169 --> 00:15:39,305
THERE.
WE HAVE ANOTHER 10 MINUTES OF
240
00:15:39,371 --> 00:15:42,841
HARRY,s RIGHT?
WE'RE GOING TO DROP THAT ONE OF
241
00:15:42,908 --> 00:15:48,414
THESE DAYS.
YOU'RE NOT GOING TO BELIEVE IT.
242
00:15:48,480 --> 00:15:50,616
FOLKS, YOU KNOW I LOVE TECH.
NOTHING GETS ME GOING IN THE
243
00:15:50,683 --> 00:15:52,384
MORNING LIKE THE SOUND OF MY
MODEM DIALING UP ALL THE HOTTEST
244
00:15:52,451 --> 00:15:55,220
NEWS FIT TO PRINT ON MY OKIDATA
DOT MATRIX.
245
00:15:55,287 --> 00:15:58,190
AMERICA TRULY IS ONLINE.
AND I LIKE TO BRING YOU ALL THE
246
00:15:58,257 --> 00:16:04,096
LATEST TECH NEWS IN MY TECH
SEGMENT: CYBORGASM.
247
00:16:12,237 --> 00:16:25,417
>> OH!
( CHEERS AND APPLAUSE )
248
00:16:25,484 --> 00:16:30,656
CREDIT IS SO LONG, I THOUGHT I'D
HAVE A SIP OF COFFEE, AND I
249
00:16:30,723 --> 00:16:40,099
SPILLED A ( BLEEP ) LOAD OF IT.
FIRST UP, THE ANNUAL CONSUMER
250
00:16:40,165 --> 00:16:41,834
ELECTRONICS SHOW JUST FINISHED,
AND ONE OF THE HOTTEST NEW
251
00:16:41,900 --> 00:16:43,369
INNOVATIONS IS A SNORE-SILENCING
PILLOW.
252
00:16:43,435 --> 00:16:47,005
FUN FACT: EVERY PILLOW IS A
SNORE-SILENCING PILLOW IF YOU'RE
253
00:16:47,072 --> 00:16:52,778
WILLING TO DO THE TIME.
KEEP THAT IN MIND.
254
00:16:52,845 --> 00:16:55,614
THE SMART PILLOW HAS A BUILT-IN
MICROPHONE THAT DETECTS SNORING,
255
00:16:55,681 --> 00:16:59,084
THEN TRIGGERS SOUNDLESS AIRBAGS
THAT CHANGE SIZE TO GENTLY TURN
256
00:16:59,151 --> 00:17:04,022
A SLEEPER'S HEAD.
GREAT FOR SNORING, LESS SO FOR
257
00:17:04,089 --> 00:17:09,695
ANY OTHER BED ACTIVITY.
"HEY, WANNA GO BACK TO MY PLACE?
258
00:17:09,762 --> 00:17:15,367
WE JUST HAVE TO KEEP IT DOWN.
THE PILLOW IS LISTENING."
259
00:17:15,434 --> 00:17:17,569
THE PILLOW ALSO SYNCS WITH A
SMARTPHONE APP AND COLLECTS
260
00:17:17,636 --> 00:17:20,472
DATA WHICH IS ANALYZED TO
IDENTIFY SNORING PATTERNS.
261
00:17:20,539 --> 00:17:24,243
UNTIL NOW, THI ADVANCED SNORE
TRACKING WAS ONLY POSSIBLE IF
262
00:17:24,309 --> 00:17:26,779
YOU HAD CUTTING EDGE
"SLEEP-DEPRIVED SPOUSE"
263
00:17:26,845 --> 00:17:30,516
TECHNOLOGY.
IF A MICROPHONE PILLOW DOESN'T
264
00:17:30,582 --> 00:17:33,452
SOUND QUITE INVASIVE ENOUGH,
THEN YOU'LL LOVE A NEW COMPUTER
265
00:17:33,519 --> 00:17:37,356
TO PUT IN YOUR TOILET.
IT'S "A DISK THAT HANGS INSIDE A
266
00:17:37,423 --> 00:17:40,426
TOILET BOWL" WHICH "LETS PEOPLE
ANALYZE THEIR URINE."
267
00:17:40,492 --> 00:17:43,595
AND BEFORE YOU JUDGE, THE DISK
IS INTO IT.
268
00:17:43,662 --> 00:17:48,300
( LAUGHTER )
THE DEVICE MEASURES NUTRITIONAL
269
00:17:48,367 --> 00:17:50,969
INDICATORS LIKE "VITAMIN C AND
KETONE LEVELS."
270
00:17:51,036 --> 00:17:55,274
THEN, BASED ON THAT INFORMATION,
"RECOMMENDS WORKOUTS, DIETARY
271
00:17:55,340 --> 00:18:00,412
SUGGESTIONS, AND RECIPES."
"HONEY, HONEY, WHAT SHOULD WE
272
00:18:00,479 --> 00:18:02,181
HAVE FOR DINNER?
I'M THINKIN' PIZZA, BUT THE
273
00:18:02,247 --> 00:18:06,852
TOILET THINKS WE SHOULD GET
SUSHI.
274
00:18:06,919 --> 00:18:11,690
ALSO, ALSO--
( APPLAUSE )
275
00:18:11,757 --> 00:18:18,297
BELL AGAIN IT'S GONNA HIRE THE
PILLOW TO KILL ME."
276
00:18:18,363 --> 00:18:27,005
( LAUGHTER )
( CHEERS )
277
00:18:27,072 --> 00:18:39,151
OF "BMW'S i VISION DEE CONCEPT
CAR THAT CAN CHANGE COLORS IN
278
00:18:39,218 --> 00:18:41,019
SECONDS," USING SOMETHING CALLED
"E INK TECHNOLOGY."
279
00:18:41,086 --> 00:18:42,921
AS YOU CAN SEE FROM THESE COLOR
CHOICES, IT'S THE PERFECT CAR
280
00:18:42,988 --> 00:18:44,723
FOR THE EASTER BUNNY'S MIDLIFE
CRISIS.
281
00:18:44,790 --> 00:18:47,259
BUT THAT'S NOT ALL.
WITH ITS NEW ABILITY TO ADAPT,
282
00:18:47,326 --> 00:18:51,063
THE CAR CAN EVEN MAKE FACIAL
EXPRESSIONS WITH ITS GRILLE AND
283
00:18:51,129 --> 00:18:53,232
HEADLAMPS.
AND I'M TOLD WE HAVE A VIDEO
284
00:18:53,298 --> 00:19:01,406
SIMULATION:
( APPLAUSE )
285
00:19:01,473 --> 00:19:08,213
( CHEERS AND APPLAUSE )
NOW THERE'S NO-- NO BUMP.
286
00:19:08,280 --> 00:19:11,517
ALSO DEBUTING AT C.E.S. THIS
YEAR, A NEW DEVICE TO KEEP YOUR
287
00:19:11,583 --> 00:19:14,520
CONVERSATIONS PRIVATE WHILE
GAMING.
288
00:19:14,586 --> 00:19:17,789
TAKE A LOOK:
>> AH, AH, AH!
289
00:19:17,856 --> 00:19:24,897
>> SHHH, BE QUIET.
290
00:19:35,340 --> 00:19:47,019
( LAUGHTER )
>> Stephen: THERE YOU GO.
291
00:19:47,085 --> 00:19:51,089
NOW, THAT'S A LOOK THAT SAYS
"YES, THIS IS TOTALLY A SEX
292
00:19:51,156 --> 00:19:52,357
THING."
THE DEVICE IS CALLED THE
293
00:19:52,424 --> 00:19:58,430
"MUTALK," BECAUSE THAT SOUNDS
SO MUCH BETTER THAN "GAME GIMP."
294
00:19:58,497 --> 00:20:02,901
( LAUGHTER )
ROBOTICS RESEARCH HAVE RESULTED
295
00:20:02,968 --> 00:20:06,805
IN "A ROBOT CALLED GOLFI BEING
THE FIRST TO BE ABLE TO
296
00:20:06,872 --> 00:20:09,408
AUTONOMOUSLY SPOT AND TRAVEL TO
A GOLF BALL ANYWHERE ON A GREEN
297
00:20:09,474 --> 00:20:11,143
AND SINK A PUTT."
LET'S TAKE A LOOK AT GOLFI IN
298
00:20:11,209 --> 00:20:17,816
ACTION:
ALL RIGHT, IT SEES THE BALL...
299
00:20:17,883 --> 00:20:22,955
STARTS THE APPROACH...
MAKES A SMALL ADJUSTMENT
300
00:20:23,021 --> 00:20:33,565
HERE...
MOVES WITH A QUICK TURN ...
301
00:20:33,632 --> 00:20:37,069
A LITTLE CLOSER...
FINAL APPROACH...
302
00:20:37,135 --> 00:20:40,772
ALMOST THERE...
ALL RIGHT, HERE IT COMES....
303
00:20:40,839 --> 00:20:44,042
BOOM.
FINALLY, A SOLUTION TO THE
304
00:20:44,109 --> 00:20:49,147
PROBLEM OF GOLF BEING TOO FAST.
( LAUGHTER )
305
00:20:49,214 --> 00:20:53,485
A ROBOT DELIVERY SERVICE IN
MIAMI.
306
00:20:53,552 --> 00:20:55,721
RESIDENTS CAN ORDER THEIR UBER
EATS TAKEOUT TO BE DELIVERED VIA
307
00:20:55,787 --> 00:20:57,422
AUTONOMOUS, SIDEWALK-TROTTING
ROBOTS.
308
00:20:57,489 --> 00:21:00,225
OR AS FLORIDA'S ALLIGATORS CALL
THEM "SEX PARTNERS."
309
00:21:00,292 --> 00:21:02,894
WE'LL BE RIGHT BACK WITH HUGH
JACKMAN.
310
00:21:21,647 --> 00:21:29,888
WELCOME BACK!
HEY, WELCOME BACK, EVERYBODY!
311
00:21:29,955 --> 00:21:38,530
LADIES AND GENTLEMEN...
( APPLAUSE )
312
00:21:38,597 --> 00:21:42,968
FOLKS, MY GUEST TONIGHT IS A
TONY, EMMY, AND GRAMMY
313
00:21:43,035 --> 00:21:46,171
AWARD-WINNING ACTOR YOU KNOW AS
WOLVERINE, JEAN VALJEAN, AND THE
314
00:21:46,238 --> 00:21:48,306
MUSIC MAN.
HE NOW STARS IN THE NEW MOVIE
315
00:21:48,373 --> 00:21:55,447
"THE SON."
PLEASE WELCOME BACK TO "THE LATE
316
00:21:55,514 --> 00:21:58,517
SHOW," ONE OF THE GREATEST
SHOWMEN, HUGH JACKMAN.
317
00:21:58,583 --> 00:22:03,355
♪ ♪ ♪
( APPLAUSE )
318
00:22:03,422 --> 00:22:17,669
>> WOW!
WOW!
319
00:22:17,736 --> 00:22:19,171
IS
( CHEERS AND APPLAUSE )
320
00:22:19,237 --> 00:22:24,710
>> I LOVE IT!
>> Stephen: SIR...
321
00:22:24,776 --> 00:22:33,151
( CHEERS AND APPLAUSE )
>> Stephen: NICE TO SEE YOU
322
00:22:33,218 --> 00:22:34,820
AGAIN.
>> IT'S GOOD TO SEE YOU, TOO.
323
00:22:34,886 --> 00:22:38,557
>> Stephen: SO IS THIS TRUE,
IS THIS TRUE-- FOR THOSE WHO AT
324
00:22:38,623 --> 00:22:41,693
ANY TIME GET A CHANCE TO SEE IT,
I'M SORRY THEY DIDN'T.
325
00:22:41,760 --> 00:22:47,399
AS I SAID ON THE SHOW LAST YEAR,
YOUR MUSIC MAN, YOU AND SUTTON
326
00:22:47,466 --> 00:22:51,737
FOSTER, ONE OF THE MOST JOYFUL
EVENINGS IN THE THEATER I HAVE
327
00:22:51,803 --> 00:22:53,572
EVER BEEN TO IN MY LIFE.
>> THANK YOU.
328
00:22:53,638 --> 00:22:55,674
>> Stephen: REALLY DID THE OLD
GIRL PROUD.
329
00:22:55,741 --> 00:22:57,409
>> THANK YOU.
>> Stephen: GAVE THAT SHOW
330
00:22:57,476 --> 00:22:59,344
ENORMOUS LIFE.
IT WAS SO FUN TO BE AT.
331
00:22:59,411 --> 00:23:02,547
HOW MANY PERFORMANCES ALL
TOGETHER?
332
00:23:02,614 --> 00:23:04,616
I TALKED TO YOU RIGHT BEFORE YOU
STARTED.
333
00:23:04,683 --> 00:23:07,052
>> 422.
422.
334
00:23:07,119 --> 00:23:09,988
>> Stephen: THAT'S A LOT, MAN.
>> IT WAS WEIRDLY A 40-YEAR
335
00:23:10,055 --> 00:23:13,158
JOURNEY FOR ME BECAUSE I WAS
SALESMAN NUMBER TWO IN 1983.
336
00:23:13,225 --> 00:23:14,559
AND THEN ABOUT --
>> Stephen: ON THE TRAIN?
337
00:23:14,626 --> 00:23:16,828
>> ON THE TRAIN.
>> Stephen: YEAH, YEAH.
338
00:23:16,895 --> 00:23:19,831
GOTTA KNOW THE TERRITORY.
>> IT WAS TERRIBLE.
339
00:23:19,898 --> 00:23:24,336
I'M NOT GOING TO REENACT IT.
IT WAS SO SURREAL YESTERDAY AND
340
00:23:24,402 --> 00:23:27,939
SO POIGNANT, AND IT MEANT A LOT.
THERE WERE A LOT OF TEARS.
341
00:23:28,006 --> 00:23:30,675
IT WAS A LONG JOURNEY BECAUSE OF
COVID.
342
00:23:30,742 --> 00:23:35,514
I THINK WE STARTED FOUR OR FIVE
YEARS AGO IN EARNEST AND HAD THE
343
00:23:35,580 --> 00:23:36,915
BREAK --
>> Stephen: COVID SHUT
344
00:23:36,982 --> 00:23:39,284
EVERYTHING DOWN A COUPLE OF
WEEKS BEFORE YOU WERE SUPPOSED
345
00:23:39,351 --> 00:23:40,919
TO OPEN?
>> WE WERE ABOUT TO START.
346
00:23:40,986 --> 00:23:45,157
AND THEN I SPENT COVID, THREE
DAYS A WEEK DANCING AND DANCING
347
00:23:45,223 --> 00:23:47,492
AND SINGING AND KEEPING THINGS
GOING.
348
00:23:47,559 --> 00:23:53,465
IT FELT NOT JUST LIKE 442
PERFORMANCES.
349
00:23:53,532 --> 00:23:55,500
IT FELT LIKE A JOURNEY SO
MASSIVE.
350
00:23:55,567 --> 00:23:59,104
AND BEING PART OF BROADWAY
COMING BACK, THE AUDIENCES I
351
00:23:59,171 --> 00:24:03,341
HAVE TO SAY-- AND I KNOW SOME OF
YOU WHO WERE THERE ARE HERE--
352
00:24:03,408 --> 00:24:05,277
WERE INCREDIBLE.
WE GOT TO THANK THEM YESTERDAY.
353
00:24:05,343 --> 00:24:08,914
A YEAR AGO, YOU REMEMBER, GOING
TO THE THEATER WAS A SCARY
354
00:24:08,980 --> 00:24:10,615
THING.
YET, THEY STILL CAME OUT, AND
355
00:24:10,682 --> 00:24:12,818
THEY STILL CAME OUT.
AND IT MEANS A LOT FOR ME.
356
00:24:12,884 --> 00:24:16,154
IT WAS A VERY POIGNANT DAY.
>> Stephen: I WOULD LIKE TO
357
00:24:16,221 --> 00:24:18,590
POST YOUR ACHIEVEMENT HERE.
>> OH, I LIKE THIS!
358
00:24:18,657 --> 00:24:22,761
>> Stephen: MY UNDERSTANDING
IS YOU ARE A FAN OF AN ESPRESSO
359
00:24:22,828 --> 00:24:24,162
MARTINI?
>> I AM.
360
00:24:24,229 --> 00:24:26,598
YOU'RE GOING TO MAKE THIS.
>> Stephen: I AM GOING TO TRY
361
00:24:26,665 --> 00:24:29,467
TO MAKE THIS RIGHT HERE.
>> THIS IS IMPRESSIVE.
362
00:24:29,534 --> 00:24:32,671
IS THIS PANDEMIC SKILLS OR IS IT
GOING WAY BACK.
363
00:24:32,737 --> 00:24:34,339
>> Stephen: WE DID THE SHOW
FROM HOME.
364
00:24:34,406 --> 00:24:36,408
>> RIGHT.
COMPLETELY DRUNK.
365
00:24:36,474 --> 00:24:40,312
>> Stephen: WELL, KIND OF.
BECAUSE WHO'S-- WHO'S GOING TO
366
00:24:40,378 --> 00:24:45,617
POLICE ME WHILE I DO IT.
MY FRIEND,INGS JON STUART,
367
00:24:45,684 --> 00:24:48,920
SHORTLY BEFORE COVID GAVE ME AN
ESPRESSO MACHINE, AND I FOUND
368
00:24:48,987 --> 00:24:53,658
THE JOURNEY FROM MY STUDIO--
WHICH WAS MY SPARE BEDROOM,s
369
00:24:53,725 --> 00:24:56,494
TO THE BAR-- WHICH WAS MY
KITCHEN-- WAS VERY SHORT.
370
00:24:56,561 --> 00:24:58,697
>> AND ALWAYS OPEN.
>> Stephen: AND ALWAYS OPEN.
371
00:24:58,763 --> 00:25:00,198
THERE YOU GO.
THERE YOU GO.
372
00:25:00,265 --> 00:25:04,202
>> I'M SEWER IMPRESSED.
>> Stephen: REGULAR OR DECAF?
373
00:25:04,269 --> 00:25:08,106
>> LET'S GO REGULAR, COME ON.
>> Stephen: STAY WEAK HERE.
374
00:25:08,173 --> 00:25:12,644
>> LAST NIGHT AFTER A YEAR I
WENT HOME TO DEB, AFTER NOT
375
00:25:12,711 --> 00:25:16,047
BEING HOME AT NIGHT, AND WE
FINISHED THE SHOW AT 6:30, AND
376
00:25:16,114 --> 00:25:21,152
AT 9:00 I WAS ASLEEP --
>> Stephen: I'M SHOOTING.
377
00:25:21,219 --> 00:25:23,955
>> THAT'S OKAY.
SHE WAS LIKE, REALLY, AFTER A
378
00:25:24,022 --> 00:25:26,958
YEAR, YOU GO TO BED AT 9:00.
THIS IS TERRIFIC.
379
00:25:27,025 --> 00:25:29,694
GIVE ME THE FULL BANGER.
>> Stephen: LET'S SEE WHAT
380
00:25:29,761 --> 00:25:31,796
HAPPENS HERE.
WHILE I'M SHAKING THIS UP--
381
00:25:31,863 --> 00:25:33,131
>> THAT'S OKAY.
ALL GOOD.
382
00:25:33,198 --> 00:25:35,233
>> Stephen: OH, NICE HANDS.
NICE HANDS.
383
00:25:35,300 --> 00:25:40,639
THERE WE GO.
HOW COLD DO YOU LIKE IT?
384
00:25:40,705 --> 00:25:43,174
>> COLD, EXTRA COLD.
COME ON!
385
00:25:43,241 --> 00:25:46,044
( CHEERS AND APPLAUSE )
>> Stephen: ALL RIGHT.
386
00:25:46,111 --> 00:25:48,313
>> WHOA!
>> Stephen: YOU GOT NOTHING ON
387
00:25:48,380 --> 00:25:49,948
ME, TOM CRUISE.
>> YES!
388
00:25:50,015 --> 00:25:52,684
>> Stephen: THERE YOU GO.
THERE YOU GO.
389
00:25:52,751 --> 00:25:55,553
>> THAT IS IMPRESSIVE.
I'LL TAKE IT.
390
00:25:55,620 --> 00:25:57,188
>> Stephen: THERE YOU GO.
>> THANK YOU SO MUCH.
391
00:25:57,255 --> 00:26:01,026
>> Stephen: AND DO YOU DO THIS
NONSENSE?
392
00:26:01,092 --> 00:26:03,962
>> WHAT IS THIS?
WHAT HAVE YOU GOT?
393
00:26:04,029 --> 00:26:06,097
FANCY.
FANCY.
394
00:26:06,164 --> 00:26:10,168
>> Stephen: I'LL POUR MINE
QUICKLY.
395
00:26:10,235 --> 00:26:13,171
SORRY.
( CHEERS AND APPLAUSE )
396
00:26:13,238 --> 00:26:14,906
>> CHEERS.
>> Stephen: HERE'S TO YOU.
397
00:26:14,973 --> 00:26:19,244
>> CHEERS, EVERYBODY!
( CHEERS AND APPLAUSE )
398
00:26:19,311 --> 00:26:25,717
MMM.
IS IT JUST ME, BECAUSE I SAW YOU
399
00:26:25,784 --> 00:26:29,120
AFTER YOU STOPPED DOING
"WOLVERINE" AND YOU GOT HUMAN
400
00:26:29,187 --> 00:26:32,624
SIZE AGAIN.
IS IT-- YOU LOOK A LITTLE BUMPED
401
00:26:32,691 --> 00:26:34,793
UP HERE?
ARE YOU COMING UP A LITTLE BIT?
402
00:26:34,859 --> 00:26:45,303
>> WHAT AREEYOU TALKING ABOUT?
( CHEERS AND APPLAUSE )
403
00:26:45,370 --> 00:26:52,277
ARE YOU, LIKE, EXCITED TO BE BIG
AGAIN, OR ARE YOU DREADING IT?
404
00:26:52,344 --> 00:26:56,414
EVEN YOUR LOVELY WIFE DEB SAID
IT'S RIDICULOUS HOW BIG HE GOT.
405
00:26:56,481 --> 00:26:58,516
ARE YOU GOING TO GET THAT BIG
AGAIN?
406
00:26:58,583 --> 00:27:00,318
>> OF COURSE.
COME ON, MAN.
407
00:27:00,385 --> 00:27:02,787
IT'S "WOLVERINE.
GLCHMENT WHAT DO YOU HAVE TO DO?
408
00:27:02,854 --> 00:27:05,857
HOW MUCH-- HOW MANY, LIKE,
CHICKEN CARCASSES ARE WE GOING
409
00:27:05,924 --> 00:27:07,926
TO FIND IN YOUR GREEN ROOM AFTER
THIS.
410
00:27:07,993 --> 00:27:12,263
>> IT'S 6,000 CALORIES.
IT'S ABOUT 6,000 CALORIES A DAY.
411
00:27:12,330 --> 00:27:15,066
>> Stephen: WHAT ARE YOU
SUPPOSED TO DO 2,000.
412
00:27:15,133 --> 00:27:21,840
>> I'M FOUR AND A HALF.
I WORE A HEARTRATE MONITOR, AND
413
00:27:21,906 --> 00:27:25,310
I SAID I NEED TO KNOW WHAT I'M
WORKING WITH HERE BECAUSE I HAVE
414
00:27:25,377 --> 00:27:31,349
TO BULK UP.
I BURNED 1,500 CALORIES IN THE
415
00:27:31,416 --> 00:27:33,818
SHOW.
I WAS EATING FOUR AND A HALF,000
416
00:27:33,885 --> 00:27:36,388
CALORIES A DAY.
AND I'M SORRY FOR THE AUDIENCES
417
00:27:36,454 --> 00:27:39,090
IN THE FRONT ROW.
I'M SORRY FOR MY CAST.
418
00:27:39,157 --> 00:27:42,660
I'M SORRY FOR MY WIFE.
BECAUSE IT'S NOT PRETTY.
419
00:27:42,727 --> 00:27:45,597
NOW I'M EATING AND TRAINING.
>> Stephen: WHAT DOES IT DO TO
420
00:27:45,663 --> 00:27:49,601
YOUR COSTUME DESIGNERS AS THE
MUSIC MAN, IF YOU'RE BULKING UP
421
00:27:49,667 --> 00:27:53,571
WHILE PLAYING THIS LEGGY DANCER?
>> I SPLIT MY PANTS THREE TIMES.
422
00:27:53,638 --> 00:27:57,675
>> Stephen: LET'S TALK ABOUT
PREPPING TO BE-- THIS IS FOR
423
00:27:57,742 --> 00:28:00,512
"DEAD POOL THREE."
( APPLAUSE )
424
00:28:00,578 --> 00:28:09,120
AND "WOLVERINE."
WERE THERE NINE OTHER
425
00:28:09,187 --> 00:28:11,523
"WOLVERINES?"
>> I BELIEVE I'VE BEEN IN NINE,
426
00:28:11,589 --> 00:28:13,992
INCLUDING CAMEOS, I'VE APPEARED
NINE TIMES.
427
00:28:14,059 --> 00:28:15,894
>> Stephen: AND LOGAN OF
COURSE BEING THE LAST AND THE
428
00:28:15,960 --> 00:28:17,462
GREATEST OF ALL OF THEM.
>> THANK YOU.
429
00:28:17,529 --> 00:28:20,065
>> Stephen: YEAH, SEVERAL
OTHER PEOPLE FEEL THE SAME WAY.
430
00:28:20,131 --> 00:28:22,167
( APPLAUSE ).
>> A LITTLE SLOW.
431
00:28:22,233 --> 00:28:23,935
>> Stephen: A HAND FULL OF
PEOPLE.
432
00:28:24,002 --> 00:28:27,806
YOU AND RYAN REYNOLDS HAVE GOT A
LITTLE ONGOING BEEF OVER THE
433
00:28:27,872 --> 00:28:31,776
YEARS.
YOU RECENTLY-- RECENTLY WARNED
434
00:28:31,843 --> 00:28:35,480
THE ACADEMY AGAINST SOMETHING
HAVING TO DO WITH A SONG.
435
00:28:35,547 --> 00:28:38,450
>> AT THE BEGINNING OF THE NEW
YEAR, I REALLY WANTED TO PUT OUT
436
00:28:38,516 --> 00:28:42,487
A POST THAT WAS POSITIVE BUT I
COULDN'T BECAUSE I FOUND OUT A
437
00:28:42,554 --> 00:28:47,459
SONG FROM "SPIRITED," WHICH IS A
GREAT MUSICAL, HE IS AND WILL
438
00:28:47,525 --> 00:28:53,898
ARE IN-- WILL FERIL, SORRY.
AND THEY WROTE THE SONG FOR "THE
439
00:28:53,965 --> 00:28:58,269
GREATEST SHOWMAN," WROTE THE
SONG "GOOD AFTERNOON," AND
440
00:28:58,336 --> 00:29:01,306
SINGING ON THE SONG WAS RYAN
REYNOLDS AND IT WAS SHORT LISTED
441
00:29:01,372 --> 00:29:05,043
FOR AN OSCAR, AND I WAS LIKE, I
HAVE TO BE ON A SET FOR MONTHS
442
00:29:05,110 --> 00:29:09,414
WITH THIS MAN.
AND IF HE GETS NOMINATED FOR
443
00:29:09,481 --> 00:29:15,086
BEST SONG-- IF HE GETS VALIDATED
IN ANY WAY AS A SINGER, I AM
444
00:29:15,153 --> 00:29:18,756
NEVER GOING TO ACTUALLY GET
THROUGH ONE DAY, LET ALONE THREE
445
00:29:18,823 --> 00:29:21,292
MONTHS.
SO FOR THE LOVE OF GOD, I KNOW
446
00:29:21,359 --> 00:29:30,335
THE NOSMINATIONS CLOSE TOMORROW,
PLEASE, PLEASE, I LOVE WILL
447
00:29:30,401 --> 00:29:33,171
FARRELL, PLEASE DON'T VALIDATE
HIM.
448
00:29:33,238 --> 00:29:34,305
THAT'S ALL I'M ASKING.
>> Stephen: WE HAVE TO TAKE A
449
00:29:34,372 --> 00:29:36,241
QUICK BREAK, BUT STICK AROUND
WITH MORE HUGH JACKMAN,
450
00:29:36,307 --> 00:29:36,875
EVERYBODY.
451
00:29:50,688 --> 00:29:57,862
WE'RE BACK WITH THE STAR OF "THE
SON," MR. HUGH JACKMAN.
452
00:29:57,929 --> 00:30:00,465
LET'S TALK ABOUT YOUR BEAUTIFUL
PERFORMANCE IN "THE SON."
453
00:30:00,532 --> 00:30:06,938
THIS IS A PREQUEL, IN A SENSE,
TO THE 2020 MOVIE "THE FATHER,"
454
00:30:07,005 --> 00:30:09,340
FLORIAN ZELLER WROTE AND
DIRECTED.
455
00:30:09,407 --> 00:30:11,709
BEAUTIFUL DIRECTOR.
I INTERVIEWED HIM FOR THAT, FOR
456
00:30:11,776 --> 00:30:14,779
"THE FATHER."
YOU GOT TO WORK WITH THE-- SIR
457
00:30:14,846 --> 00:30:17,982
ANTHONY HOPKINS IN THIS.
I HAVE SPOKEN TO THE MAN ONCE,
458
00:30:18,049 --> 00:30:20,818
AND IT CHANGED MY LIFE.
TELL ME WHAT IT WAS LIKE TO DO
459
00:30:20,885 --> 00:30:24,222
SCENES WITH HIM.
>> IT CHANGED MY LIFE AS AN
460
00:30:24,289 --> 00:30:27,892
ACTOR, AND WE GOT ON REALLY
WELL, AND HE STILL TEXTS ME, AND
461
00:30:27,959 --> 00:30:33,698
EVERY TIME HE TEXTS ME...
TEXTING HIM BACK.
462
00:30:33,765 --> 00:30:40,305
"YO, WHAT UP?
>> Stephen: HOW IS IT HANGING,
463
00:30:40,371 --> 00:30:44,342
TONY.
>> HE'S 83-- SORRY, TONY.
464
00:30:44,409 --> 00:30:47,879
HE'S 83 AND IS A GREAT LESSON
FOR ANY UPCOMING ACTOR.
465
00:30:47,946 --> 00:30:50,982
HE HAD ONE DAY ON SET AND THE
PRODUCERS APPARENTLY WERE
466
00:30:51,049 --> 00:30:54,185
FREAKING OUT AND HE SAID IT'S
GOING TO TAKE THREE DAYS.
467
00:30:54,252 --> 00:30:58,556
AND FLORIAN WAS LIKE, I KNOW,
ONE DAY IS ENOUGH.
468
00:30:58,623 --> 00:31:00,558
HE HAS TO BE BACK IN THE HOTEL
AFTER 12 HOURS.
469
00:31:00,625 --> 00:31:03,828
HE WOKE UP THAT MORNING SO
EXCITED AT 3:00 IN THE MORNING
470
00:31:03,895 --> 00:31:06,598
HE GOT IN A CAB AND CAME OUT TO
THE SET WHICH WAS ON LONG
471
00:31:06,664 --> 00:31:08,833
ISLAND.
AND HE ARRIVED AT 4:45 IN THE
472
00:31:08,900 --> 00:31:11,903
MORNING ON SET.
THERE WAS ONE SECURITY GUY THERE
473
00:31:11,970 --> 00:31:14,806
JUST TO MAKE SURE NO ONE BROKE
INTO THE HOUSE IN THE FLIGHT.
474
00:31:14,872 --> 00:31:18,743
AND ANTHONY HOPKINS.
SO OFFICIALLY, HE STARTED THE
475
00:31:18,810 --> 00:31:23,281
CLOCK AT 4:45.
NOW, NO ONE TURNED UP UNTIL
476
00:31:23,348 --> 00:31:26,918
7:30.
HE'S THREE HOURS INTO HIS DAY,
477
00:31:26,985 --> 00:31:29,153
UNBEKNOWNST TO HIM.
AND OF COURSE EVERYONE WAS
478
00:31:29,220 --> 00:31:32,357
FREAKING OUT.
WE CAME IN TO DO THE SCENE.
479
00:31:32,423 --> 00:31:39,030
AND I'LL NEVER FORGET, THE FIRST
DAY THEY SAID, "WOULD YOU LIKE A
480
00:31:39,097 --> 00:31:42,800
REHEARSAL?"
AND HE SAID, "NO, THAT WON'T BE
481
00:31:42,867 --> 00:31:45,136
NECESSARY."
>> Stephen: WOULD YOU LIKE A
482
00:31:45,203 --> 00:31:46,771
REHEARSAL?
>> YES, I WANTED TO GO FOR NINE
483
00:31:46,838 --> 00:31:49,440
DAYS.
AND THE FIRST TAKE, I'M SITTING
484
00:31:49,507 --> 00:31:53,411
THERE NOT MUCH FURTHER FROM YOU,
JUST GOING THIS IS ONE OF THE
485
00:31:53,478 --> 00:31:56,047
GREATEST DAYS OF MY LIFE.
WE HAD FINISHED SHOOTING HIS
486
00:31:56,114 --> 00:31:59,617
SIDE BY 9:30 IN THE MORNING.
HE CAME IN AND EVERY TAKE HE DID
487
00:31:59,684 --> 00:32:02,553
WAS SO GOOD.
WE TURNED AROUND, THE CAMERA WAS
488
00:32:02,620 --> 00:32:07,158
ON ME, WE FINISHED ME IN AN
HOUR, AND THE SCENE WAS DONE.
489
00:32:07,225 --> 00:32:09,527
AND ANTHONY TURNED TO THE
DIRECTOR AND SAID, "CAN I HAVE
490
00:32:09,594 --> 00:32:12,263
ANOTHER GO?"
WE TURNED IT ALL THE CAMERAS
491
00:32:12,330 --> 00:32:15,466
AROUND AGAIN AND I SAID TO THE
DIRECTOR AGAIN, "IF IT WAS SO
492
00:32:15,533 --> 00:32:17,435
BRILLIANT, WHY DO YOU THINK HE
WANTED TO GO AGAIN?"
493
00:32:17,502 --> 00:32:22,106
HE SAID, I JUST THINK HE MISSED
ACTING.
494
00:32:22,173 --> 00:32:25,743
BECAUSE OF THE PANDEMIC HE
HADN'T ACTED IN 19 MONTHS.
495
00:32:25,810 --> 00:32:29,547
HE SAID, "I JUST THINK HE WANTED
ANOTHER GO."
496
00:32:29,614 --> 00:32:32,283
>> Stephen: WE HAVE TO TAKE
ANOTHER BREAK.
497
00:32:32,350 --> 00:32:34,652
STICK AROUND.
MORE HUGH JACKMAN IN JUST A
498
00:32:34,719 --> 00:32:36,120
MOMENT.
♪ ♪ ♪
499
00:32:47,799 --> 00:32:52,203
>> Stephen: I HAVE BIG PLANS
FOR MY RETIREMENT.
500
00:32:52,270 --> 00:32:54,706
HEY, EVERYBODY, LOOK AT THAT.
YOU KNOW WHO THAT IS.
501
00:32:54,772 --> 00:32:59,544
THAT'S HUGH JACKMAN, EVERYBODY.
THE STORY OF "THE SON" FOCUSES,
502
00:32:59,610 --> 00:33:05,950
IN MANY WAYS, ON MALE MENTAL HE,
AND YOU SAID-- AM I RIGHT--
503
00:33:06,017 --> 00:33:08,019
SOMETHING OF A HOT MESS MAKING
THIS MOVIE.
504
00:33:08,086 --> 00:33:10,455
I BELIEVE I'M QUOTING YOU
DIRECTLY.
505
00:33:10,521 --> 00:33:13,391
YOU SEEM LIKE A FAIRLY
WELL-ADJUSTED PERSON.
506
00:33:13,458 --> 00:33:15,760
WHY WERE YOU A HOT MESS DOING
THIS MOVIE?
507
00:33:15,827 --> 00:33:21,165
>> SO THE MOVIE, JUST TO GIVE
PEOPLE AN IDEA, IT CENTERS
508
00:33:21,232 --> 00:33:26,971
AROUND THE SON, PLAYED BY SAM
McGRAW, NICHOLAS, A
509
00:33:27,038 --> 00:33:29,207
17-YEAR-OLD GOING THROUGH A
MENTAL HEALTH CRISIS.
510
00:33:29,273 --> 00:33:32,210
I'VE LEFT HIS MOTHER.
I HAVE A NEW WIFE AND BABY.
511
00:33:32,276 --> 00:33:35,546
THERE ARE A NUMBER OF FACTORS
GOING ON, BUT IT'S UNCLEAR AS TO
512
00:33:35,613 --> 00:33:39,050
WHY HE'S GONE INTO THIS DIVE OF
DEPRESSION, AND HE'S REALLY,
513
00:33:39,117 --> 00:33:42,019
REALLY, REALLY STRUGGLING.
AND NO ONE KNOWS WHAT TO DO.
514
00:33:42,086 --> 00:33:45,523
AND EVERY SCENE IS THIS
TERRIFYING FEAR AS A PARENT
515
00:33:45,590 --> 00:33:48,860
WHERE YOU DON'T KNOW WHAT TO DO.
YOU DON'T KNOW HOW TO HELP.
516
00:33:48,926 --> 00:33:52,063
YOU'RE DOING YOUR BEST.
EVERYTHING SEEMS TO NOT WORK.
517
00:33:52,130 --> 00:33:56,100
AND I THINK DIVING INTO THE
MATERIAL AS A FATHER, AS AN
518
00:33:56,167 --> 00:33:58,770
ACTOR, AND ALSO I'M STILL A SON,
YOU KNOW.
519
00:33:58,836 --> 00:34:03,408
MY FATHER PASSED AWAY DURING
FILMING, AND I-- I THINK I WAS
520
00:34:03,474 --> 00:34:08,846
JUST CONFRONTING A LOT OF THINGS
AS A PARENT FEARS THAT YOU HAVE,
521
00:34:08,913 --> 00:34:11,449
AND I JUST WASN'T SLEEPING VERY
WELL.
522
00:34:11,516 --> 00:34:14,719
I FOUND MYSELF GETTING REALLY--
THINKING A LOT, AND A LOT OF
523
00:34:14,786 --> 00:34:17,021
EMOTIONAL TURMOIL.
AND I THINK IT WAS JUST PART OF
524
00:34:17,088 --> 00:34:20,224
GIVING OVER TO THE PART AND PART
OF I THINK GIVING OVER TO THE
525
00:34:20,291 --> 00:34:22,527
STORY.
AND I JUST SORT OF WENT WITH IT.
526
00:34:22,593 --> 00:34:26,564
BUT THANKFULLY, THANK GOD, MY
WIFE WAS WITH ME.
527
00:34:26,631 --> 00:34:28,366
MY KIDS WERE WITH ME.
IT WAS COVID.
528
00:34:28,433 --> 00:34:31,969
WE WERE IN A BUBBLE, WHICH WAS
AMAZING TO ME AND THEY REALLY
529
00:34:32,036 --> 00:34:34,505
HELPED GET ME THROUGH IT.
>> Stephen: I'M SOR SORRY TO
530
00:34:34,572 --> 00:34:37,141
HEAR ABOUT YOUR FATHER.
I DID NOT KNOW THAT HE PASSED.
531
00:34:37,208 --> 00:34:41,712
WE HAVE A CLIP FROM THE MOVIE.
IT'S YOU AND YOUR SON, IS THERE
532
00:34:41,779 --> 00:34:43,948
ANYTHING WE NEED TO KNOW?
>> IT'S NOT LONG AFTER I FOUND
533
00:34:44,015 --> 00:34:45,917
OUT HE HASN'T BEEN GOING TO
SCHOOL.
534
00:34:45,983 --> 00:34:48,653
HE'S BEEN LYING TO ME ABOUT IT.
I'VE REALLY BEEN TRYING TO HELP
535
00:34:48,719 --> 00:34:52,590
HIM AND FEELING WE'D BEEN MAKING
PROGRESS AND ALL OF A SUDDEN I
536
00:34:52,657 --> 00:34:54,992
REALIZE THERE'S BEEN A LOT OF
LIES, A LOT OF DECEPTION, AND
537
00:34:55,059 --> 00:35:00,932
I'M AT MY WIT'S END, BASICALLY.
>> TAKE BACK WHAT YOU JUST SAID,
538
00:35:00,998 --> 00:35:01,933
NICHOLAS.
DO YOU HEAR ME.
539
00:35:01,999 --> 00:35:03,901
TAKE BACK WHAT YOU JUST SAID
NOW.
540
00:35:03,968 --> 00:35:06,337
>> ASK ( BLEEP ) ME.
ASK ( BLEEP ) ME.
541
00:35:06,404 --> 00:35:08,739
HAVEN'T I ALWAYS DONE EVERYTHING
FOR YOU.
542
00:35:08,806 --> 00:35:11,142
I STAYED WITH YOUR MOTHER FOR
YEARS FOR YOUR SAKE.
543
00:35:11,209 --> 00:35:13,244
SO WHY ARE YOU SAYING THIS?
WHY?
544
00:35:13,311 --> 00:35:15,646
TELL ME WHY!
IS IT BECAUSE I FELL IN LOVE
545
00:35:15,713 --> 00:35:18,382
WITH ANOTHER WOMAN?
IS THAT MY CRIME!
546
00:35:18,449 --> 00:35:20,084
HOW IS THAT ANY OF YOUR
BUSINESS?
547
00:35:20,151 --> 00:35:23,154
I HAVE THE RIGHT TO REINVENT MY
LIFE.
548
00:35:23,221 --> 00:35:30,361
IT IS MY LIFE, YOU HEAR ME!
IT IS MY LIFE!
549
00:35:30,428 --> 00:35:42,974
I'M SORRY NICHOLAS.
I DON'T KNOW WHAT JUST HAPPENED.
550
00:35:43,040 --> 00:35:48,279
( APPLAUSE )
HARD TO WATCH THAT.
551
00:35:48,346 --> 00:35:50,882
AS A DAD, IT'S HARD TO WATCH
THAT.
552
00:35:50,948 --> 00:35:53,584
>> I DID HUG MY KIDS ESPECIALLY
TIGHT THAT NIGHT.
553
00:35:53,651 --> 00:35:55,820
>> Stephen: I WAS WONDERING.
I CAN IMAGINE PLAYING THIS ROLE
554
00:35:55,887 --> 00:35:59,090
AND SORT OF BEING IN THE-- THE
MIDDLE MAN, AS SON AND FATHER AT
555
00:35:59,156 --> 00:36:02,260
THE SAME TIME.
I'M-- I'M-- ESPECIALLY AFTER THE
556
00:36:02,326 --> 00:36:05,897
PASSING OF YOUR FATHER.
DID IT MAKE YOU THINK
557
00:36:05,963 --> 00:36:08,699
DIFFERENTLY ABOUT YOUR JOB, YOUR
ROLE AS A FATHER, AND YOUR
558
00:36:08,766 --> 00:36:10,134
RELATIONSHIP TO YOUR FAMILY?
>> SURE.
559
00:36:10,201 --> 00:36:12,637
I THINK I'M A DIFFERENT PARENT
NOW BECAUSE OF IT.
560
00:36:12,703 --> 00:36:16,374
I THINK I'M MORE OPEN TO BEING
VULNERABLE WITH THEM, SAYING
561
00:36:16,440 --> 00:36:21,679
THINGS LIKE, "I'M NOT SURE."
OR, YOU KNOW, REALIZING--
562
00:36:21,746 --> 00:36:26,450
REALIZING THAT SOMETIMES I MAY
BE PREOCCUPIED BY SOMETHING
563
00:36:26,517 --> 00:36:30,821
GOING ON WITH ME.
LIKE I'M PREOCCUPIED ABOUT THE
564
00:36:30,888 --> 00:36:34,292
OPENING OF "THE MUSIC MAN" FOR
EXAMPLE, AND REALIZING THEY MAY
565
00:36:34,358 --> 00:36:36,594
THINK THEY'VE DONE SOMETHING,
AND ME NOT COMMUNICATING.
566
00:36:36,661 --> 00:36:39,530
I'M THINKING I DON'T WANT TO
BURDEN THEM WITH THAT.
567
00:36:39,597 --> 00:36:43,000
IT DOESN'T HELP.
NOW I FIND MYSELF SAYING, "SORRY
568
00:36:43,067 --> 00:36:45,770
IF I FEEL DISTANT, I'M REALLY
NERVOUS ABOUT THIS THING.
569
00:36:45,836 --> 00:36:49,206
IF I'VE GONE IN MY HEAD, IT'S
NOTHING TO DO WITH YOU."
570
00:36:49,273 --> 00:36:50,708
THEY SEEM TO APPRECIATE OF
APPRECIATE IT.
571
00:36:50,775 --> 00:36:56,380
I HAVE A 17- AND 22-YEAR-OLD,
AND I THINK COMMUNICATING MORE,
572
00:36:56,447 --> 00:36:59,317
JUST BECAUSE YOU'RE THE FATHER,
YOU DON'T KNOW HAVE TO KNOW WHAT
573
00:36:59,383 --> 00:37:01,252
TO DO AND WHAT THE BEST THING
IS, AND IT'S OKAY TO SAY THAT.
574
00:37:01,319 --> 00:37:04,088
AND OF COURSE THEY USE THAT AND
WRAP YOU AROUND THEIR LITTLE
575
00:37:04,155 --> 00:37:05,723
FINGER.
>> Stephen: AS WELL THEY
576
00:37:05,790 --> 00:37:06,824
SHISHED.
LOVELY TO SEE YOU.
577
00:37:06,891 --> 00:37:12,463
>> THANKS FOR THE DRING.
>> Stephen: YOU'RE WELCOME.
578
00:37:12,530 --> 00:37:13,864
"THE SON" OPENS IN THEATERS THIS
FRIDAY.
579
00:37:13,931 --> 00:37:16,534
HUGH JACKMAN, EVERYBODY!
WE'LL BE RIGHT BACK WITH A
580
00:37:16,601 --> 00:37:18,636
PERFORMANCE BY MIMI WEBB.
581
00:37:39,090 --> 00:37:42,360
SHE IS NOMINATED FOR BEST NEW
ARTIST AT THE 2023 BRIT AWARDS.
582
00:37:42,426 --> 00:37:45,863
PERFORMING "RED FLAGS" FROM HER
FORTHCOMING ALBUM, "AMELIA,"
583
00:37:45,930 --> 00:37:52,870
MIMI WEBB.
( APPLAUSE )
584
00:37:52,937 --> 00:37:58,009
♪ WELL, THE FIRST TIME WE
WENT OUT
585
00:37:58,075 --> 00:38:00,811
♪ YOU SAID YOU'D NEVER SETTLE
DOWN
586
00:38:00,878 --> 00:38:05,249
WITHOUT A DOUBT
♪ YOU SAID YOUR EX STILL COMES
587
00:38:05,316 --> 00:38:07,151
AROUND
♪ I FOUND HER THINGS AROUND YOUR
588
00:38:07,218 --> 00:38:10,955
HOUSE
WHAT'S THAT ABOUT?
589
00:38:11,022 --> 00:38:14,091
♪ DON'T TAKE A GENIUS,
YEAH, I SEE IT
590
00:38:14,158 --> 00:38:15,993
♪ EVEN MY FRIENDS HATE THAT I'M
WITH YOU
591
00:38:16,060 --> 00:38:20,831
HATE THAT I'M WITH YOU
SHOULD BE LEAVING
592
00:38:20,898 --> 00:38:24,201
♪ I NEED MORE HANDS
TO COUNT ALL THE ISSUES
593
00:38:24,268 --> 00:38:27,304
♪ BUT I KEEP ON RUNNIN' THROUGH
THESE RED FLAGS
594
00:38:27,371 --> 00:38:32,043
♪ I BLAME MYSELF
'CAUSE I KNOW IT'S BAD
595
00:38:32,109 --> 00:38:35,212
♪ BUT I KEEP ON RUNNIN' THROUGH
THESE RED FLAGS
596
00:38:35,279 --> 00:38:38,416
♪ I SEE THE SIGNS
BUT I STILL COME BACK
597
00:38:38,482 --> 00:38:42,186
♪ I KEEP ON RUNNIN'
THROUGH THEM
598
00:38:42,253 --> 00:38:45,523
♪ WHEN YOU'RE TOUCHING MY BODY,
I'M LISTENING TO NOBODY
599
00:38:45,589 --> 00:38:47,191
AND NOBODY CAN STOP ME
♪ I KEEP ON RUNNIN' THROUGH
600
00:38:47,258 --> 00:38:53,497
THESE RED FLAGS
♪ I SEE THE SIGNS, BUT I STILL
601
00:38:53,564 --> 00:38:55,800
COME BACK
SO I KEEP ON RUNNIN'
602
00:38:55,866 --> 00:38:59,136
♪ LIVING AT YOUR PARENTS' PLACE
YOU SAID YOU'D NEVER MOVE AWAY ♪
603
00:38:59,203 --> 00:39:03,207
GUESS THAT'S OKAY
OKAY
604
00:39:03,274 --> 00:39:07,745
'CAUSE WITH YOU I LIKE THE TASTE
♪ JUST KEEP THE CHANGE
605
00:39:07,812 --> 00:39:12,283
CHANGE
YEAH, I SEE IT
606
00:39:12,349 --> 00:39:14,985
♪ EVEN MY FRIENDS HATE THAT I'M
WITH YOU
607
00:39:15,052 --> 00:39:19,924
HATE THAT I'M WITH YOU
SHOULD BE LEAVING
608
00:39:19,990 --> 00:39:23,194
♪ I NEED MORE HANDS TO COUNT ALL
THE ISSUES
609
00:39:23,260 --> 00:39:26,964
♪ BUT I KEEP ON RUNNIN' THROUGH
THESE RED FLAGS
610
00:39:27,031 --> 00:39:30,634
♪ I BLAME MYSELF 'CAUSE I KNOW
IT'S BAD
611
00:39:30,701 --> 00:39:34,171
♪ BUT I KEEP ON RUNNIN' THROUGH
THESE RED FLAGS
612
00:39:34,238 --> 00:39:37,475
♪ I SEE THE SIGNS
BUT I STILL COME BACK
613
00:39:37,541 --> 00:39:41,912
I KEEP ON RUNNIN' THROUGH THEM
♪ WHEN YOU'RE TOUCHING MY BODY,
614
00:39:41,979 --> 00:39:45,549
I'M LISTENING TO NOBODY
AND NOBODY CAN STOP ME
615
00:39:45,616 --> 00:39:49,854
♪ I KEEP ON RUNNIN' THROUGH
THESE RED FLAGS
616
00:39:49,920 --> 00:39:52,189
♪ I SEE THE SIGNS
BUT I STILL COME BACK
617
00:39:52,256 --> 00:40:01,065
SO I KEEP ON RUNNIN'
♪ OOH-OOH, OOH-OOH
618
00:40:01,132 --> 00:40:03,868
RED FLAGS
♪ SO I KEEP ON RUNNIN' THROUGH
619
00:40:03,934 --> 00:40:06,604
THESE RED FLAGS
♪ OOH-OOH, OOH-OOH
620
00:40:06,670 --> 00:40:11,575
RED FLAGS
SO I KEEP ON RUNNIN'
621
00:40:11,642 --> 00:40:22,286
( CHEERS AND APPLAUSE )
MIMI WEBB EVERYBODY.
622
00:40:22,353 --> 00:40:24,822
THAT'S IT FOR "THE LATE SHOW."
GOOD NIGHT!