1
00:00:12,513 --> 00:00:14,183
‐ Dad!
2
00:00:14,181 --> 00:00:15,971
You forgot to buy milk.
3
00:00:15,974 --> 00:00:17,394
I notice you didn't forget
to buy yourself
4
00:00:17,392 --> 00:00:20,062
two new bottles of vodka
and a giant bag of weed.
5
00:00:20,062 --> 00:00:22,022
I am talking to you.
Wake up.
6
00:00:22,022 --> 00:00:25,442
‐ [grunts]
7
00:00:25,442 --> 00:00:26,902
Oh.
8
00:00:26,902 --> 00:00:28,572
Hey, baby doll.
9
00:00:28,570 --> 00:00:29,860
‐ What the [...]?
What?
10
00:00:29,863 --> 00:00:32,243
‐ A simple "Hi, Mom"
would suffice.
11
00:00:32,241 --> 00:00:33,911
‐ Hi, Mom.
What the [...]?
12
00:00:33,909 --> 00:00:36,789
‐ Oh, God,
you never change.
13
00:00:36,787 --> 00:00:38,657
‐ All right, okay,
could you please
14
00:00:38,664 --> 00:00:40,714
just cover yourself up
a little bit?
15
00:00:40,707 --> 00:00:43,087
‐ Why? Were you sizing up
my titties?
16
00:00:43,085 --> 00:00:45,375
‐ No!
17
00:00:45,379 --> 00:00:47,049
Are you they real?
18
00:00:47,047 --> 00:00:48,967
‐ Of course they're real!
They're au naturel.
19
00:00:48,966 --> 00:00:50,716
I mean, I'm 46,
and they're still
20
00:00:50,717 --> 00:00:52,467
standing up straight
on their own.
21
00:00:52,469 --> 00:00:53,759
That's pretty
impressive, right?
22
00:00:53,762 --> 00:00:56,432
‐ [grunts]
Oh, shit.
23
00:00:56,431 --> 00:00:58,851
‐ What are you doing
on the floor?
24
00:00:58,850 --> 00:01:00,640
‐ Hey.
25
00:01:00,644 --> 00:01:02,524
I don't know.
26
00:01:02,521 --> 00:01:04,311
‐ I'll tell you what you're
doing on the floor, buddy.
27
00:01:04,314 --> 00:01:07,534
Last night I was riding you
harder than Seabiscuit
28
00:01:07,526 --> 00:01:08,896
running
into the final stretch,
29
00:01:08,902 --> 00:01:11,282
and I needed a place
to plant my feet.
30
00:01:11,280 --> 00:01:14,240
‐ That would explain
the carpet rash on my ass.
31
00:01:14,241 --> 00:01:16,121
‐ Oh, I think
I'm gonna throw up.
32
00:01:16,118 --> 00:01:18,788
‐ Hey, did you handcuff
my ankle to the bedpost?
33
00:01:18,787 --> 00:01:20,287
‐ Yes.
34
00:01:20,289 --> 00:01:22,169
You were being
a very naughty little horsey.
35
00:01:22,165 --> 00:01:24,125
‐ Okay, that's good for me.
I'm gonna go throw up now.
36
00:01:24,126 --> 00:01:26,416
‐ Okay, you do that.
Close the door on your way out.
37
00:01:26,420 --> 00:01:27,670
‐ Yep.
38
00:01:28,797 --> 00:01:30,047
‐ You have a key?
39
00:01:32,175 --> 00:01:35,045
‐ ♪ Sex and drugs
and rock and roll ♪
40
00:01:35,053 --> 00:01:36,313
♪ All right ♪
41
00:01:36,305 --> 00:01:37,345
♪ ♪
42
00:01:37,347 --> 00:01:38,807
♪ All right ♪
43
00:01:38,807 --> 00:01:41,057
♪ 'Cause I don't want to die ♪
44
00:01:41,059 --> 00:01:42,599
♪ Anonymous ♪
45
00:01:42,603 --> 00:01:44,313
♪ No, no ♪
46
00:01:44,313 --> 00:01:46,363
♪ No, no ♪
47
00:01:46,356 --> 00:01:47,976
♪ No, no ♪
48
00:01:47,983 --> 00:01:52,363
♪ ♪
49
00:01:52,362 --> 00:01:54,112
‐ How did this happen?
50
00:01:54,114 --> 00:01:56,124
‐ Like it always did
with your dad.
51
00:01:56,116 --> 00:01:58,536
You know, a bunch of weed,
lots of vodka,
52
00:01:58,535 --> 00:02:00,405
and shitloads of laughs.
53
00:02:00,412 --> 00:02:03,622
‐ No, I mean, how did you guys
get together in the first place?
54
00:02:03,623 --> 00:02:06,593
Did Dad post a profile
on FarmersOnly.com?
55
00:02:06,585 --> 00:02:08,665
‐ I called your mom
three days ago
56
00:02:08,670 --> 00:02:10,260
to talk about
your future.
57
00:02:10,255 --> 00:02:12,465
‐ Wait, um‐‐
You called her?
58
00:02:12,466 --> 00:02:14,336
‐ Yes, because
you were telling me,
59
00:02:14,343 --> 00:02:16,013
like, you know, I need to act
more like an adult,
60
00:02:16,011 --> 00:02:17,971
and I thought,
you know what?
61
00:02:17,971 --> 00:02:19,771
Who's the one person
on this planet
62
00:02:19,765 --> 00:02:21,425
who cares more about Gigi
than I do?
63
00:02:21,433 --> 00:02:23,603
It's not Ava,
and it certainly isn't Flash.
64
00:02:23,602 --> 00:02:24,852
‐ Ppppt!
No, it's me.
65
00:02:24,853 --> 00:02:27,023
‐ Mm‐hmm.
‐ And‐‐mmm.
66
00:02:27,022 --> 00:02:28,572
Ooh.
67
00:02:28,565 --> 00:02:31,735
And no one loves you
more than I do, baby doll.
68
00:02:31,735 --> 00:02:33,775
‐ It sounds so sweet
when you say it like that.
69
00:02:33,779 --> 00:02:36,699
‐ Your mother has always had
your best interests at heart.
70
00:02:36,698 --> 00:02:38,578
That's true.
Always.
71
00:02:38,575 --> 00:02:40,865
‐ And also I need to get laid
on a regular basis
72
00:02:40,869 --> 00:02:43,409
because my bitch UPS guy
went back to his wife
73
00:02:43,413 --> 00:02:44,833
eight months ago.
‐ Asshole.
74
00:02:44,831 --> 00:02:46,171
‐ Okay, I don't want
to hear any more
75
00:02:46,166 --> 00:02:47,376
about your sex life today.
76
00:02:47,376 --> 00:02:48,746
‐ Oh, my God, sweetie,
77
00:02:48,752 --> 00:02:50,552
most kids would be
doing back flips
78
00:02:50,545 --> 00:02:53,045
if their estranged natural
parents got back together.
79
00:02:53,048 --> 00:02:54,508
‐ Okay, well, most kids
don't have to worry
80
00:02:54,508 --> 00:02:55,928
about what diabolical plan
their parents are making
81
00:02:55,926 --> 00:02:57,466
in bed together.
82
00:02:57,469 --> 00:02:59,259
‐ Okay, listen, the only plans
we have for you
83
00:02:59,262 --> 00:03:00,932
involve your career,
your future, okay?
84
00:03:00,931 --> 00:03:02,221
That's what we're planning.
85
00:03:02,224 --> 00:03:03,854
‐ That's bullshit.
86
00:03:03,850 --> 00:03:06,100
You guys are just trying
to make Ava and Flash jealous.
87
00:03:06,103 --> 00:03:08,063
‐ They're not even part
of the equation anymore.
88
00:03:08,063 --> 00:03:09,523
‐ No, they are not.
89
00:03:09,523 --> 00:03:13,443
Our only thoughts
are about you, us.
90
00:03:13,443 --> 00:03:15,153
We're the real family.
91
00:03:15,153 --> 00:03:16,573
‐ Mm‐hmm.
92
00:03:16,571 --> 00:03:18,621
‐ The Assassins band family
93
00:03:18,615 --> 00:03:20,155
is bullshit, okay?
94
00:03:20,158 --> 00:03:22,698
It's a toxic ball of egos
and insecurities,
95
00:03:22,703 --> 00:03:24,083
just like The Heathens were.
96
00:03:24,079 --> 00:03:25,959
‐ It's true.
I told your mom, I said,
97
00:03:25,956 --> 00:03:28,706
"Listen, why don't you put
your money where her mouth is?"
98
00:03:28,708 --> 00:03:30,708
Get this, she's gonna
bankroll a music video.
99
00:03:30,710 --> 00:03:32,340
A real music video.
100
00:03:32,337 --> 00:03:34,377
‐ Mm‐hmm, and I'm totally
gonna splurge.
101
00:03:34,381 --> 00:03:36,511
We're talking, like,
200 grand here.
102
00:03:36,508 --> 00:03:39,548
Real high‐end,
Lana Del Rey type shit.
103
00:03:39,553 --> 00:03:42,763
And I lined up this director
that worked with her, right?
104
00:03:42,764 --> 00:03:44,984
Played him some of your stuff,
and I am telling you
105
00:03:44,975 --> 00:03:46,345
he went bananas.
106
00:03:46,351 --> 00:03:47,441
‐ Nuts.
‐ He did?
107
00:03:47,436 --> 00:03:48,936
‐ Mm‐hmm.
‐ Yes, he did.
108
00:03:48,937 --> 00:03:50,397
This video works,
109
00:03:50,397 --> 00:03:52,817
which it will
with you as the star,
110
00:03:52,816 --> 00:03:55,436
we are gonna have
record companies lining up
111
00:03:55,444 --> 00:03:57,824
to offer you huge deals,
112
00:03:57,821 --> 00:04:00,781
only we will be holding
the cards.
113
00:04:00,782 --> 00:04:02,622
‐ And since I can't be
in the same room
114
00:04:02,617 --> 00:04:04,287
with Flash anymore
to write songs,
115
00:04:04,286 --> 00:04:05,616
your mom has
generously offered
116
00:04:05,620 --> 00:04:07,410
to write songs
with me for you.
117
00:04:07,414 --> 00:04:10,294
‐ You know, we wrote "Babylon"
and "No Valentine" together
118
00:04:10,292 --> 00:04:12,092
back in the day.
‐ Yes, we did.
119
00:04:12,085 --> 00:04:14,585
And I believe we wrote both
of those songs together in bed.
120
00:04:14,588 --> 00:04:16,508
‐ You believe right.
‐ Mm‐hmm.
121
00:04:16,506 --> 00:04:18,376
‐ Mmm. Mmm.
122
00:04:18,383 --> 00:04:21,013
‐ Mm‐hmm.
‐ Mm‐mm‐mmm.
123
00:04:21,011 --> 00:04:23,221
‐ Okay, so what is this?
124
00:04:23,221 --> 00:04:24,641
What's going on, you guys?
125
00:04:24,639 --> 00:04:26,559
Are you‐‐
you're in love again?
126
00:04:26,558 --> 00:04:27,638
‐ [chuckles]
‐ [scoffs]
127
00:04:27,642 --> 00:04:28,852
‐ A little bit.
‐ No.
128
00:04:28,852 --> 00:04:31,442
‐ Ooh.
129
00:04:31,438 --> 00:04:33,188
‐ We're in negotiations.
130
00:04:35,400 --> 00:04:37,740
‐ [moaning]
131
00:04:38,779 --> 00:04:40,859
[door opens]
132
00:04:40,864 --> 00:04:43,074
‐ Hey, man.
‐ What's up?
133
00:04:43,074 --> 00:04:45,374
‐ Do you want to go
to a concert?
134
00:04:45,368 --> 00:04:46,538
And before you give
a quick "yes,"
135
00:04:46,536 --> 00:04:48,366
it's kind of unusual.
136
00:04:48,371 --> 00:04:50,711
‐ That describes every single
thing you do around here, Bam.
137
00:04:50,707 --> 00:04:53,207
‐ No, it doesn't.
‐ You pee sitting down.
138
00:04:53,210 --> 00:04:55,050
I get yelled at
for leaving the seat up.
139
00:04:55,045 --> 00:04:56,795
It's like living
with a chick.
140
00:04:56,797 --> 00:04:59,417
‐ I'm a drummer, okay?
I do everything sitting down.
141
00:04:59,424 --> 00:05:02,014
When I pee, I like to be
in a state of repose.
142
00:05:02,010 --> 00:05:05,390
‐ Thank you for that visual.
What is the gig?
143
00:05:05,388 --> 00:05:07,678
‐ Adele is playing
the Garden.
144
00:05:07,682 --> 00:05:09,642
‐ I love Adele.
‐ I know.
145
00:05:09,643 --> 00:05:11,313
She is amazing.
146
00:05:11,311 --> 00:05:13,651
All right,
I got this thing.
147
00:05:13,647 --> 00:05:17,187
I'm calling it
the Alpha Adele Arena Night.
148
00:05:17,192 --> 00:05:18,822
The Triple‐A Club.
149
00:05:18,819 --> 00:05:20,949
That's where I get
a bunch of guys
150
00:05:20,946 --> 00:05:23,406
who love Adele, right,
as much as me,
151
00:05:23,406 --> 00:05:25,776
and we go to the show
as a group.
152
00:05:25,784 --> 00:05:27,914
Maybe get some tapas
beforehand.
153
00:05:27,911 --> 00:05:30,581
After the show,
we go downtown, East Village,
154
00:05:30,580 --> 00:05:34,960
where this DJ plays nothing
but Adele all night long.
155
00:05:34,960 --> 00:05:37,590
We sing, we dance together.
156
00:05:39,881 --> 00:05:41,881
What?
157
00:05:48,723 --> 00:05:50,603
What's this?
158
00:05:50,600 --> 00:05:52,640
‐ That's my new "Feast"
contract.
159
00:05:52,644 --> 00:05:55,274
People I invited to the show
work for Michael Flatley.
160
00:05:55,272 --> 00:05:56,772
‐ The Riverdance guy?
161
00:05:56,773 --> 00:05:58,533
‐ Yeah, he wants to come
out of retirement
162
00:05:58,525 --> 00:06:02,355
and take his own turn
at Irish potato famine,
163
00:06:02,362 --> 00:06:06,202
hip‐hop "Hamilton" rip‐off.
164
00:06:06,199 --> 00:06:07,909
‐ Who's gonna play Taryn?
165
00:06:07,909 --> 00:06:09,829
‐ Flatley.
166
00:06:09,828 --> 00:06:11,498
Only now they're
gonna call him "Sean,"
167
00:06:11,496 --> 00:06:14,576
and he's gonna be, like,
a happy, tap dancey pirate
168
00:06:14,583 --> 00:06:19,753
with a lot of cool shirts
and a bunch of sexy dancers.
169
00:06:19,754 --> 00:06:21,804
‐ What is Campbell
saying about this?
170
00:06:21,798 --> 00:06:23,378
‐ He took the buyout
in a second
171
00:06:23,383 --> 00:06:25,223
so that he could do
his own passion project.
172
00:06:25,218 --> 00:06:26,508
‐ What?
173
00:06:26,511 --> 00:06:29,061
‐ "My Left Foot: The Musical."
174
00:06:29,055 --> 00:06:30,885
‐ [scoffs]
175
00:06:30,891 --> 00:06:33,101
Wait a minute.
176
00:06:33,101 --> 00:06:34,981
If‐‐if‐‐
177
00:06:34,978 --> 00:06:38,438
If Campbell's "Feast"
never actually opened,
178
00:06:38,440 --> 00:06:42,530
that means my show credit
basically never existed.
179
00:06:42,527 --> 00:06:44,527
Right?
180
00:06:46,740 --> 00:06:48,780
How could you do this
to me, man?
181
00:06:50,493 --> 00:06:52,543
‐ Bro, he's making me
a producer.
182
00:06:52,537 --> 00:06:54,537
He's giving me 10%
of the box office.
183
00:06:54,539 --> 00:06:55,869
I get to shoot pictures.
184
00:06:55,874 --> 00:06:57,424
We're gonna do
a coffee table book.
185
00:06:57,417 --> 00:06:59,877
I'm the composer and
the creator again, man.
186
00:06:59,878 --> 00:07:03,878
This show is going to debut
on Broadway next March.
187
00:07:03,882 --> 00:07:07,012
Bam, I'm gonna be rich.
188
00:07:09,220 --> 00:07:11,060
‐ Well, perfect.
189
00:07:11,056 --> 00:07:12,846
Because now you can afford
to buy yourself
190
00:07:12,849 --> 00:07:14,849
a new best friend.
191
00:07:20,440 --> 00:07:21,860
You know what?
192
00:07:21,858 --> 00:07:24,688
You don't get these either.
These are mine.
193
00:07:24,694 --> 00:07:26,704
I'm taking
the mayonnaise too.
194
00:07:32,159 --> 00:07:33,659
[rock music]
195
00:07:33,661 --> 00:07:35,581
‐ ♪ Take those bedroom eyes ♪
196
00:07:35,579 --> 00:07:39,879
♪ And look the other way ♪
197
00:07:39,875 --> 00:07:42,835
♪ I'm not listening
to all the ♪
198
00:07:42,837 --> 00:07:46,417
♪ Funny little things
you say ♪
199
00:07:46,423 --> 00:07:49,643
♪ I'm already in love ♪
200
00:07:49,635 --> 00:07:52,465
♪ This doesn't happen to me ♪
201
00:07:52,471 --> 00:07:54,971
♪ You can't
just swagger on up ♪
202
00:07:54,974 --> 00:07:59,024
♪ And turn my head
so suddenly ♪
203
00:07:59,019 --> 00:08:05,779
♪ I got my own situation
going on ♪
204
00:08:05,776 --> 00:08:07,526
♪ I don't need another... ♪
205
00:08:07,528 --> 00:08:09,198
‐ Just talked to a guy
from Bowery Presents.
206
00:08:09,196 --> 00:08:11,196
He says this is the best
he's ever seen the band‐‐
207
00:08:11,198 --> 00:08:12,778
wants to know if they're
gonna be together long enough
208
00:08:12,783 --> 00:08:14,163
to do any more gigs though.
209
00:08:14,159 --> 00:08:16,039
‐ You bet your ass,
they are.
210
00:08:16,036 --> 00:08:17,996
Hey, listen, we've gotta start
writing new stuff for her
211
00:08:17,997 --> 00:08:20,367
and harness this energy
and spin it into gold...
212
00:08:20,374 --> 00:08:22,884
‐ Yep. Yep.
‐ Before they kill each other.
213
00:08:22,877 --> 00:08:25,497
♪ ♪
214
00:08:25,504 --> 00:08:30,344
‐ ♪ I'm already in love ♪
215
00:08:30,342 --> 00:08:36,522
♪ ♪
216
00:08:36,515 --> 00:08:38,805
♪ Ohh ♪
217
00:08:38,809 --> 00:08:42,609
♪ I'm already in love ♪
218
00:08:42,605 --> 00:08:45,145
♪ ♪
219
00:08:45,149 --> 00:08:46,439
‐ Come on!
220
00:08:46,442 --> 00:08:51,952
‐ ♪ I'm already in love ♪
221
00:08:51,947 --> 00:08:57,157
♪ I'm already in love ♪
222
00:08:57,161 --> 00:09:00,001
[vocalizing]
223
00:08:59,997 --> 00:09:01,827
‐ Come on now.
224
00:09:01,832 --> 00:09:04,212
♪ ♪
225
00:09:04,210 --> 00:09:07,210
[cheers and applause]
226
00:09:09,715 --> 00:09:11,875
Gigi: Thank you, guys.
227
00:09:11,884 --> 00:09:13,554
‐ Dude, you slowed down
the tempo.
228
00:09:13,552 --> 00:09:15,512
‐ No, no, asshole,
you sped up.
229
00:09:15,512 --> 00:09:17,512
‐ That was not me.
That was you.
230
00:09:17,514 --> 00:09:19,024
‐ Maybe someday you'll learn
how to play that thing.
231
00:09:19,016 --> 00:09:20,596
How's that?
Or try doing a gig
232
00:09:20,601 --> 00:09:22,521
without chemical assistance.
‐ Oh, really?
233
00:09:22,519 --> 00:09:24,439
Maybe someday you'll learn
how to piss standing up,
234
00:09:24,438 --> 00:09:25,978
find your dick
under all that fat, Adele.
235
00:09:25,981 --> 00:09:27,401
‐ Really?
Here's my dick.
236
00:09:27,399 --> 00:09:28,479
Take that.
‐ Are you freaking kidding me?
237
00:09:28,484 --> 00:09:29,904
‐ Hey!
‐ Cool it!
238
00:09:29,902 --> 00:09:31,572
‐ Call me fat again!
‐ Come on, Adele!
239
00:09:31,570 --> 00:09:33,200
‐ Cool it.
‐ I'll throw whatever I want.
240
00:09:33,197 --> 00:09:35,117
‐ He just said "cool it."
What are you, The Fonz?
241
00:09:35,115 --> 00:09:36,405
[laughter]
242
00:09:36,408 --> 00:09:37,738
‐ Count us off, asshole.
243
00:09:37,743 --> 00:09:39,043
‐ I'm the asshole?
Take that.
244
00:09:39,036 --> 00:09:40,366
You're an asshole.
‐ You prick!
245
00:09:40,371 --> 00:09:41,621
‐ Hey, hey, hey,
come on, come on, no.
246
00:09:41,622 --> 00:09:43,002
‐ Come on, let's go, Flash.
247
00:09:42,998 --> 00:09:45,918
‐ [laughs]
‐ Oh, Jesus, boo, come on.
248
00:09:45,918 --> 00:09:47,838
‐ Maybe if we calmed down.
‐ "Boo"? Oh, my God.
249
00:09:47,836 --> 00:09:50,376
Okay, yeah, count it off.
‐ One, two, three.
250
00:09:50,381 --> 00:09:53,431
[rock music]
251
00:09:53,425 --> 00:09:56,385
‐ One, two, three, four.
One, two, three.
252
00:09:56,387 --> 00:09:59,267
‐ [vocalizing]
253
00:09:59,265 --> 00:10:02,055
[vocalizing]
254
00:10:02,059 --> 00:10:06,269
‐ ♪ I'm not the one
who said the word "forever" ♪
255
00:10:06,272 --> 00:10:08,022
♪ ♪
256
00:10:08,023 --> 00:10:09,863
♪ Forever is
a long, long time ♪
257
00:10:09,858 --> 00:10:12,148
‐ Wow, she's got
your swagger.
258
00:10:12,152 --> 00:10:14,152
‐ Yeah, well,
she's got your pipes
259
00:10:14,154 --> 00:10:16,994
and your...aura.
260
00:10:16,991 --> 00:10:18,621
‐ Oh, yeah,
is that what the kids
261
00:10:18,617 --> 00:10:19,907
are calling them
these days?
262
00:10:19,910 --> 00:10:21,120
‐ Yep.
‐ Yeah.
263
00:10:21,120 --> 00:10:22,410
‐ I'll tell you what.
264
00:10:22,413 --> 00:10:24,423
We make a pretty good
goddamn team.
265
00:10:24,415 --> 00:10:26,375
‐ Mm‐hmm.
266
00:10:26,375 --> 00:10:29,375
But it's mostly you.
267
00:10:29,378 --> 00:10:30,708
‐ What do you mean?
268
00:10:30,713 --> 00:10:32,303
‐ I spent two decades
269
00:10:32,298 --> 00:10:34,468
trying to deny
what that kid was.
270
00:10:34,466 --> 00:10:38,796
I mean, I wanted her to be
some innocent Ohio school girl,
271
00:10:38,804 --> 00:10:40,144
maybe get married...
272
00:10:40,139 --> 00:10:41,849
‐ Yeah.
‐ And settle down.
273
00:10:41,849 --> 00:10:43,679
‐ And then she comes
to New York,
274
00:10:43,684 --> 00:10:47,564
and in less than a year
you've made her into this star.
275
00:10:47,563 --> 00:10:51,533
‐ ♪ I ain't the type
to bother helping rumors ♪
276
00:10:51,525 --> 00:10:53,185
‐ All I did was
put her onstage, okay?
277
00:10:53,193 --> 00:10:54,703
Everything else about it
comes from you.
278
00:10:54,695 --> 00:10:56,605
So you just‐‐you raised
a wonderful kid.
279
00:10:56,613 --> 00:10:58,033
You should take
credit for it.
280
00:10:58,032 --> 00:10:59,242
[clears throat]
281
00:10:59,241 --> 00:11:01,201
‐ Hey.
282
00:11:01,201 --> 00:11:04,541
Do you want to go to
the ladies room and [...]?
283
00:11:04,538 --> 00:11:06,368
‐ Thought you'd never ask.
284
00:11:11,170 --> 00:11:15,050
‐ ♪ Yeah ♪
I like it.
285
00:11:15,049 --> 00:11:17,679
Wow. Okay.
‐ Oh, I really dig that verse.
286
00:11:17,676 --> 00:11:19,466
That's great.
‐ You know what?
287
00:11:19,470 --> 00:11:22,060
You can't have a good verse
without a great melody, so‐‐
288
00:11:22,056 --> 00:11:24,136
which was basically
all your idea.
289
00:11:24,141 --> 00:11:26,521
But I don't have‐‐
I don't have an inkling
290
00:11:26,518 --> 00:11:28,518
on the bridge, you know?
291
00:11:28,520 --> 00:11:31,190
‐ Oh, I think I might
have a bridge.
292
00:11:31,190 --> 00:11:32,520
‐ Really?
‐ Mm‐hmm.
293
00:11:32,524 --> 00:11:33,734
‐ Play it.
294
00:11:33,734 --> 00:11:35,034
‐ Mm.
295
00:11:35,027 --> 00:11:38,817
Um, it goes a little
something like...this.
296
00:11:38,822 --> 00:11:42,622
‐ Hey.
I like it. Mmm.
297
00:11:42,618 --> 00:11:43,738
Mm‐hmm.
298
00:11:43,744 --> 00:11:47,414
‐ Mm‐hmm.
[chuckles]
299
00:11:47,414 --> 00:11:51,004
So how'd you like
that blowjob last night?
300
00:11:51,001 --> 00:11:52,501
‐ It was unbelievable.
301
00:11:52,503 --> 00:11:53,963
You know,
you were always the best,
302
00:11:53,962 --> 00:11:56,922
but you even somehow
got better over time.
303
00:11:56,924 --> 00:11:58,884
‐ Yeah, so you like
my skills?
304
00:11:58,884 --> 00:12:00,594
‐ Yeah.
Love your skills.
305
00:12:00,594 --> 00:12:02,184
‐ You like my tits?
306
00:12:02,179 --> 00:12:04,099
‐ Love your tits.
307
00:12:04,098 --> 00:12:05,428
‐ What about my ass?
308
00:12:05,432 --> 00:12:07,432
‐ You know
I love your ass.
309
00:12:07,434 --> 00:12:09,444
Mmm.
Mm‐hmm.
310
00:12:12,356 --> 00:12:15,066
‐ What about me?
311
00:12:15,067 --> 00:12:17,277
‐ Okay.
312
00:12:17,277 --> 00:12:19,277
Trick question.
313
00:12:21,073 --> 00:12:23,083
Oh, my God.
314
00:12:23,075 --> 00:12:25,075
[moaning]
315
00:12:27,871 --> 00:12:30,831
Mm‐hmm.
316
00:12:30,833 --> 00:12:32,083
Mm, whoa.
317
00:12:32,084 --> 00:12:33,884
Okay.
318
00:12:33,877 --> 00:12:35,247
Ah.
319
00:12:35,254 --> 00:12:37,384
‐ [chuckles]
320
00:12:37,381 --> 00:12:39,761
‐ Oh, wow.
321
00:12:39,758 --> 00:12:41,678
Shit.
322
00:12:41,677 --> 00:12:43,387
[door opens]
Gigi: Hey.
323
00:12:43,387 --> 00:12:44,807
‐ Hey.
324
00:12:44,805 --> 00:12:46,675
What's, uh, going on?
325
00:12:46,682 --> 00:12:48,682
‐ Nothing.
Where's Mom?
326
00:12:48,684 --> 00:12:51,404
‐ She's, um...
327
00:12:51,395 --> 00:12:53,145
‐ I'm just‐‐
I'm right here.
328
00:12:53,147 --> 00:12:55,067
I dropped‐‐
I dropped my earring.
329
00:12:55,065 --> 00:12:56,525
‐ Yeah, she dropped
an earring.
330
00:12:56,525 --> 00:12:58,435
There it is, honey. There‐‐yup.
‐ Oh, yes.
331
00:12:58,444 --> 00:13:00,454
‐ Found it.
‐ Thank you so much.
332
00:13:00,446 --> 00:13:01,696
[thud]
Ooh, ow.
333
00:13:01,697 --> 00:13:02,947
‐ You okay?
‐ Yes, no, nothing.
334
00:13:02,948 --> 00:13:05,028
Didn't even feel that
at all.
335
00:13:05,033 --> 00:13:07,293
‐ Yep.
336
00:13:07,286 --> 00:13:09,116
[clears throat]
‐ [clears throat]
337
00:13:09,121 --> 00:13:10,661
We were, uh‐‐
338
00:13:10,664 --> 00:13:13,714
‐ Working on a new tune
for you.
339
00:13:13,709 --> 00:13:16,169
‐ Yes, we were.
‐ A tune about blowjobs?
340
00:13:16,170 --> 00:13:18,420
‐ [chuckles]
‐ No.
341
00:13:18,422 --> 00:13:19,762
[chuckles]
342
00:13:19,756 --> 00:13:21,966
‐ Oh.
‐ It's a ballad, actually.
343
00:13:21,967 --> 00:13:24,047
You play, I sing.
344
00:13:24,052 --> 00:13:25,932
‐ Yes.
345
00:13:25,929 --> 00:13:29,269
‐ ♪ So many miles ♪
346
00:13:29,266 --> 00:13:32,936
♪ We have wandered ♪
347
00:13:32,936 --> 00:13:36,396
♪ So many tears ♪
348
00:13:36,398 --> 00:13:39,988
♪ To be cried ♪
349
00:13:39,985 --> 00:13:43,525
♪ Well, we were good together ♪
350
00:13:43,530 --> 00:13:46,410
♪ That's what
I will remember ♪
351
00:13:46,408 --> 00:13:49,408
♪ In time ♪
352
00:13:49,411 --> 00:13:50,581
♪ Yeah ♪
353
00:13:50,579 --> 00:13:51,999
[music rising]
354
00:13:51,997 --> 00:13:56,207
‐ ♪ So many hours ♪
355
00:13:56,210 --> 00:13:58,550
♪ Here laughing ♪
356
00:13:58,545 --> 00:14:01,335
♪ Down all these days ♪
357
00:14:01,340 --> 00:14:04,260
♪ We traveled so long ♪
358
00:14:04,259 --> 00:14:05,969
♪ ♪
359
00:14:05,969 --> 00:14:09,509
♪ If the sorrow
and the pain ♪
360
00:14:09,514 --> 00:14:11,934
♪ Are part of what remain ♪
361
00:14:11,934 --> 00:14:15,354
♪ That's all right ♪
362
00:14:15,354 --> 00:14:18,074
♪ Yeah, all right ♪
363
00:14:18,065 --> 00:14:20,565
♪ ♪
364
00:14:20,567 --> 00:14:24,737
♪ But when the sun
comes up tomorrow ♪
365
00:14:24,738 --> 00:14:28,158
♪ You will be walking ♪
366
00:14:28,158 --> 00:14:33,538
♪ Right beside me ♪
367
00:14:33,538 --> 00:14:37,628
♪ And when the stars
light up the sky ♪
368
00:14:37,626 --> 00:14:39,746
♪ You will be shining ♪
369
00:14:39,753 --> 00:14:43,923
‐ ♪ Shining ♪
370
00:14:43,924 --> 00:14:45,054
♪ Yeah‐ah ♪
371
00:14:45,050 --> 00:14:46,340
♪ Shining ♪
372
00:14:46,343 --> 00:14:50,263
‐ ♪ Shining ♪
373
00:14:50,264 --> 00:14:53,394
‐ ♪ So many times ♪
374
00:14:53,392 --> 00:14:57,152
♪ Fighting and falling ♪
375
00:14:57,145 --> 00:14:59,815
♪ So many nights ♪
376
00:14:59,815 --> 00:15:03,355
♪ Just calling you again ♪
377
00:15:03,360 --> 00:15:04,860
♪ ♪
378
00:15:04,861 --> 00:15:07,571
♪ Wrapped around each other ♪
379
00:15:07,572 --> 00:15:10,992
♪ Seeking temporary cover ♪
380
00:15:10,993 --> 00:15:15,333
♪ From this wide
and wicked world ♪
381
00:15:15,330 --> 00:15:17,120
♪ ♪
382
00:15:17,124 --> 00:15:22,844
♪ Oh, this wide
and wicked world ♪
383
00:15:22,838 --> 00:15:26,798
♪ So many nights ♪
384
00:15:26,800 --> 00:15:29,010
♪ Yeah ♪
385
00:15:29,011 --> 00:15:32,601
♪ So many lies ♪
386
00:15:32,597 --> 00:15:35,137
♪ ♪
387
00:15:35,142 --> 00:15:39,352
♪ Oh, so many lies ♪
388
00:15:39,354 --> 00:15:41,734
♪ ♪
389
00:15:41,732 --> 00:15:45,572
♪ Yeah, so many lies ♪
390
00:15:45,569 --> 00:15:52,489
♪ ♪
391
00:15:52,492 --> 00:15:54,702
‐ Great.
That was great.
392
00:15:54,703 --> 00:15:56,293
‐ Really good, guys.
Let's take a break.
393
00:15:56,288 --> 00:15:57,828
‐ Great.
‐ Yeah.
394
00:15:57,831 --> 00:15:59,791
‐ You guys are really
getting it now.
395
00:15:59,791 --> 00:16:01,421
‐ Yeah.
‐ Liking it.
396
00:16:01,418 --> 00:16:03,088
‐ Great breakup song.
‐ Yeah.
397
00:16:03,086 --> 00:16:04,916
Guess our relationship
wasn't a total bust, huh?
398
00:16:04,921 --> 00:16:06,881
‐ Well, it wasn't
really about us.
399
00:16:06,882 --> 00:16:09,182
‐ Nope, it's about Micki.
400
00:16:09,176 --> 00:16:10,586
‐ It is?
‐ Yeah.
401
00:16:10,594 --> 00:16:12,554
‐ But, I mean,
like any song,
402
00:16:12,554 --> 00:16:14,224
everyone interprets it
their own way.
403
00:16:14,222 --> 00:16:15,892
‐ But we wrote it about Micki.
‐ Yep.
404
00:16:15,891 --> 00:16:18,771
‐ Wow, that puts
a much deeper spin on it.
405
00:16:18,769 --> 00:16:21,939
‐ I agree. Gigi, just work
with me here for a sec.
406
00:16:21,938 --> 00:16:26,028
Hey, Ava, you should
sing that song,
407
00:16:26,026 --> 00:16:27,526
as Ava X.
408
00:16:27,527 --> 00:16:30,777
I mean, you were closer
to Micki than I was,
409
00:16:30,781 --> 00:16:33,451
and I know you can do
the song justice,
410
00:16:33,450 --> 00:16:36,120
especially given
what you know about it now.
411
00:16:36,119 --> 00:16:37,409
‐ I don't know what to say.
412
00:16:37,412 --> 00:16:39,582
‐ I do.
Why you being so generous?
413
00:16:39,581 --> 00:16:41,501
‐ Flash.
‐ Oh, here we go. [sighs]
414
00:16:41,500 --> 00:16:43,170
‐ No, man, I'm serious.
Why?
415
00:16:43,168 --> 00:16:46,588
‐ Wha‐‐consider it
my olive branch.
416
00:16:46,588 --> 00:16:48,758
‐ For which war, the one
we got going right now
417
00:16:48,757 --> 00:16:50,007
or a new one you're
getting ready to start?
418
00:16:50,008 --> 00:16:51,298
‐ This is the shit
I'm talking about.
419
00:16:51,301 --> 00:16:52,431
‐ Blow me.
‐ Hey, don't‐‐
420
00:16:52,427 --> 00:16:53,757
‐ How about a "thank you,"
asshole?
421
00:16:53,762 --> 00:16:54,812
How 'bout that?
‐ All right, all right.
422
00:16:54,805 --> 00:16:56,095
Calm down, stop!
‐ Goddamn!
423
00:16:56,098 --> 00:16:57,848
‐ Can we take a break?
424
00:16:57,849 --> 00:16:59,889
‐ Yeah, I'm gonna‐‐
I'm gonna go get some fresh air.
425
00:16:59,893 --> 00:17:01,853
‐ Ungrateful
son of a bitch.
426
00:17:01,853 --> 00:17:04,983
[scoffs]
What's the point, you know?
427
00:17:04,981 --> 00:17:06,531
‐ You gonna go
talk to Ava?
428
00:17:06,525 --> 00:17:08,985
‐ Yes, I am.
‐ Good idea.
429
00:17:08,985 --> 00:17:10,695
Relax.
‐ I'm relaxed.
430
00:17:10,695 --> 00:17:13,485
‐ Dad.
‐ I'm relaxed.
431
00:17:22,332 --> 00:17:23,632
‐ Thanks.
432
00:17:23,625 --> 00:17:27,545
‐ You're welcome.
433
00:17:27,546 --> 00:17:29,506
I'm sorry about Micki.
434
00:17:31,174 --> 00:17:35,394
‐ I was gonna contact you,
but you know.
435
00:17:39,099 --> 00:17:43,439
And I'm also sorry
about the Johnny thing,
436
00:17:43,437 --> 00:17:46,687
but he called me.
437
00:17:46,690 --> 00:17:47,860
‐ He did?
438
00:17:47,858 --> 00:17:49,228
‐ Mm.
439
00:17:49,234 --> 00:17:50,694
He wanted help
with Gigi's career,
440
00:17:50,694 --> 00:17:54,074
and his new solo project.
441
00:17:54,072 --> 00:17:55,622
‐ He's getting back onstage?
442
00:17:55,615 --> 00:17:59,405
‐ Yeah, we are writing him
some new tunes now.
443
00:17:59,411 --> 00:18:01,541
‐ New tunes for Gigi
and Johnny,
444
00:18:01,538 --> 00:18:04,208
that's‐‐
that's a lot of work.
445
00:18:04,207 --> 00:18:05,537
‐ Nah.
446
00:18:05,542 --> 00:18:07,502
We can handle it.
447
00:18:07,502 --> 00:18:11,472
I mean, we've always had this
very deep creative connection.
448
00:18:11,465 --> 00:18:16,005
I was actually really surprised
how electric it still was.
449
00:18:16,011 --> 00:18:18,011
We wrote "So Many Miles"
in one sitting.
450
00:18:18,013 --> 00:18:20,643
It was like "poof."
451
00:18:22,726 --> 00:18:24,096
What?
452
00:18:24,102 --> 00:18:25,482
‐ Oh.
453
00:18:25,479 --> 00:18:26,479
Nothing.
454
00:18:26,480 --> 00:18:28,690
Um, listen.
455
00:18:28,690 --> 00:18:31,230
Y'all got something good
going on, I'm happy for you.
456
00:18:31,234 --> 00:18:33,904
‐ [chuckles] Really?
'Cause you just smoked
457
00:18:33,904 --> 00:18:35,494
that cigarette
in like three drags.
458
00:18:35,489 --> 00:18:38,199
‐ Yeah, I'm a little
out of practice.
459
00:18:39,326 --> 00:18:41,286
‐ Hey, Ava.
460
00:18:41,286 --> 00:18:43,456
Johnny and I
just happened,
461
00:18:43,455 --> 00:18:45,205
same as you and Flash.
462
00:18:45,207 --> 00:18:47,997
‐ Flash and I,
463
00:18:48,001 --> 00:18:49,711
we have a connection
464
00:18:49,711 --> 00:18:51,051
and a future.
465
00:18:51,046 --> 00:18:53,376
We're not, um‐‐
we're not a fling.
466
00:18:55,634 --> 00:18:58,354
‐ This is not just a fling.
467
00:18:58,345 --> 00:19:02,465
Johnny and I are
attached forever
468
00:19:02,474 --> 00:19:06,774
as Gigi's parents
and her new songwriters.
469
00:19:09,314 --> 00:19:11,324
‐ Yeah, you're right.
470
00:19:11,316 --> 00:19:13,276
It doesn't sound
like a fling.
471
00:19:13,276 --> 00:19:16,196
Sounds like a business deal.
472
00:19:20,033 --> 00:19:22,163
‐ Hey, Johnny, would you mind
giving Gigi and me
473
00:19:22,160 --> 00:19:23,750
a moment alone together,
please?
474
00:19:23,745 --> 00:19:25,035
‐ Anything you want
to say to me,
475
00:19:25,038 --> 00:19:26,038
you can say in the presence
of my father.
476
00:19:26,039 --> 00:19:27,419
‐ Yep.
477
00:19:27,415 --> 00:19:29,955
Anything professional,
478
00:19:29,960 --> 00:19:32,340
anything personal.
479
00:19:32,337 --> 00:19:34,167
‐ That's how it's gotta be.
480
00:19:34,172 --> 00:19:35,632
‐ Yep.
481
00:19:35,632 --> 00:19:37,932
That's how it's gonna be
from now on.
482
00:19:39,553 --> 00:19:41,263
‐ Johnny and Cat are
up to no good.
483
00:19:41,263 --> 00:19:43,063
‐ [sighs]
‐ You.
484
00:19:43,056 --> 00:19:46,346
‐ Listen, he's out for money.
She's out for blood.
485
00:19:46,351 --> 00:19:48,191
‐ You don't know what the hell
you're talking about.
486
00:19:48,186 --> 00:19:49,896
‐ Okay, Cat shows up,
487
00:19:49,896 --> 00:19:51,976
starts spending all this time
with the band,
488
00:19:51,982 --> 00:19:55,532
writing songs with you,
donating songs to Ava X,
489
00:19:55,527 --> 00:19:58,197
like she gives a shit
about that project.
490
00:19:58,196 --> 00:20:01,526
You mark my words,
he's after her cash.
491
00:20:01,533 --> 00:20:06,083
She's out to break up
The Assassins and Ava X.
492
00:20:06,079 --> 00:20:08,919
And shame on you,
pimping out your daughter,
493
00:20:08,915 --> 00:20:11,415
you greedy son of a bitch.
494
00:20:11,418 --> 00:20:12,918
‐ No, no, no, no, no!
495
00:20:12,919 --> 00:20:15,299
No, God, stop!
No, no, no, no, no!
496
00:20:15,297 --> 00:20:16,797
You could break your hand
on his face.
497
00:20:16,798 --> 00:20:18,258
How you gonna play guitar
with a broken hand?
498
00:20:18,258 --> 00:20:20,468
‐ What about my face?
‐ No, uh‐uh, uh‐uh.
499
00:20:20,468 --> 00:20:21,928
No! No!
‐ Ow! Ow!
500
00:20:21,928 --> 00:20:23,638
‐ Stop it, stop it!
Stop, stop!
501
00:20:23,638 --> 00:20:25,348
‐ No, no, no.
‐ Yeah, yeah, yeah.
502
00:20:25,348 --> 00:20:27,268
Ow! Ow!
He's biting me! He's biting!
503
00:20:27,267 --> 00:20:28,597
‐ Bite his arm,
not his hand!
504
00:20:28,602 --> 00:20:29,812
‐ What is going on?
505
00:20:29,811 --> 00:20:30,901
‐ Can you do something?
‐ Stop it!
506
00:20:30,896 --> 00:20:32,646
Why are you fighting
like that?
507
00:20:32,647 --> 00:20:34,437
Stop what you're doing
right now!
508
00:20:36,192 --> 00:20:38,572
What are you guys doing?
Stop it, break it up!
509
00:20:38,570 --> 00:20:40,030
‐ Dude.
‐ Come on, what are you doing?
510
00:20:40,030 --> 00:20:41,820
‐ Dudes, dudes!
‐ You gotta be kidding me.
511
00:20:41,823 --> 00:20:43,493
‐ No‐‐
‐ Are you serious?
512
00:20:43,491 --> 00:20:44,911
‐ Are you kidding me?
‐ No, I'm not kidding you!
513
00:20:44,910 --> 00:20:46,410
‐ Do not touch my‐‐
you big meatball.
514
00:20:46,411 --> 00:20:48,621
‐ Wahhh!
‐ What the hell?
515
00:20:48,622 --> 00:20:49,872
Dude, stop it.
516
00:20:49,873 --> 00:20:50,923
‐ Come on,
you want some of this?
517
00:20:50,916 --> 00:20:53,166
‐ Mother‐‐
‐ You want this?
518
00:20:53,168 --> 00:20:55,628
[overlapping shouting]
519
00:20:55,629 --> 00:20:58,339
‐ Hey, guys, come on!
Just stop it.
520
00:20:58,340 --> 00:21:00,510
Let go‐‐
‐ Get off him!
521
00:21:00,508 --> 00:21:03,218
‐ No, no, not her hair!
Not her hair or her face!
522
00:21:03,219 --> 00:21:05,219
[overlapping shouting]
523
00:21:08,516 --> 00:21:10,806
‐ My balls!
‐ [screaming]
524
00:21:10,810 --> 00:21:13,980
Get off me!
‐ Stop!
525
00:21:13,980 --> 00:21:15,320
Stop!
526
00:21:15,315 --> 00:21:16,775
Just stop!
527
00:21:16,775 --> 00:21:18,775
‐ Dude, look what you did
to my camera!
528
00:21:18,777 --> 00:21:21,027
Oh, my God,
it broke off the body.
529
00:21:21,029 --> 00:21:22,949
‐ That's what you get.
530
00:21:22,948 --> 00:21:23,988
‐ Stupid.
531
00:21:23,990 --> 00:21:26,620
‐ Everybody just chill!
532
00:21:26,618 --> 00:21:28,618
Okay, just chill
for a second.
533
00:21:28,620 --> 00:21:31,580
This is crazy, right?
534
00:21:31,581 --> 00:21:33,751
Here's what I think
we should do, okay?
535
00:21:33,750 --> 00:21:36,250
I think that we should
just take a second,
536
00:21:36,252 --> 00:21:38,092
take a deep breath,
537
00:21:38,088 --> 00:21:40,588
and I think that we should
take a couple days off, right?
538
00:21:40,590 --> 00:21:42,090
Get away a little bit,
539
00:21:42,092 --> 00:21:43,842
and maybe some of this anger
540
00:21:43,843 --> 00:21:46,553
and bitterness
and resentment
541
00:21:46,554 --> 00:21:50,934
can just kind of fade
to the background for a minute.
542
00:21:50,934 --> 00:21:52,024
Okay?
543
00:21:52,018 --> 00:21:53,558
Right?
What do you guys think?
544
00:21:53,561 --> 00:21:56,901
‐ Oh, my God, stop being
such a little bitch, Noah!
545
00:21:56,898 --> 00:22:01,818
Listen, what we should do is
get some studio time, right?
546
00:22:01,820 --> 00:22:04,990
We gotta take
all this crazy bullshit
547
00:22:04,990 --> 00:22:07,120
and turn it
into a couple of new songs.
548
00:22:07,117 --> 00:22:10,197
So I am gonna call
my friend Phil.
549
00:22:10,203 --> 00:22:12,503
I'm gonna see if there's
a couple days at his studio.
550
00:22:12,497 --> 00:22:15,287
And what do you think
about that, yea or nay?
551
00:22:18,545 --> 00:22:19,875
‐ Yeah.
‐ Yeah, that's a good idea.
552
00:22:19,879 --> 00:22:21,589
‐ Whatever, I'm always
up to play, yeah.
553
00:22:21,589 --> 00:22:22,969
‐ I'll do it.
‐ I'll do it.
554
00:22:22,966 --> 00:22:25,676
‐ Why not?
‐ Who cares? Why not?
555
00:22:25,677 --> 00:22:27,007
‐ Pick up your camera.
556
00:22:27,012 --> 00:22:28,512
‐ You're gonna have to pay
for this, kid.
557
00:22:28,513 --> 00:22:29,513
‐ I'm not paying for nothing.
‐ Asshole.
558
00:22:29,514 --> 00:22:30,934
‐ Yeah?
559
00:22:30,932 --> 00:22:32,102
‐ Yeah, you almost ripped
my new jacket.
560
00:22:32,100 --> 00:22:33,640
‐ Your jacket?
Look at my new blouse.
561
00:22:33,643 --> 00:22:35,023
My tits are out now.
‐ You're a jackass.
562
00:22:35,020 --> 00:22:37,980
‐ ♪ Something old ♪
563
00:22:37,981 --> 00:22:39,821
♪ Something new ♪
564
00:22:39,816 --> 00:22:41,816
♪ Something sad ♪
565
00:22:41,818 --> 00:22:43,858
♪ Something blue ♪
566
00:22:43,862 --> 00:22:45,412
♪ Something lost ♪
567
00:22:45,405 --> 00:22:47,735
♪ Oh, something found ♪
568
00:22:47,741 --> 00:22:52,161
♪ Since my old love
put my down ♪
569
00:22:52,162 --> 00:22:56,042
♪ Something way down ♪
570
00:22:56,041 --> 00:22:57,921
♪ In my heart ♪
571
00:22:57,917 --> 00:23:02,757
♪ Told me you're the girl
of my dreams ♪