1 00:00:04,338 --> 00:00:05,106 >> OH, MY GOD! 2 00:00:05,106 --> 00:00:05,806 >> [ LAUGHS ] 3 00:00:05,806 --> 00:00:06,307 >> STOP! 4 00:00:06,307 --> 00:00:07,141 >> WAIT A MINUTE. 5 00:00:07,141 --> 00:00:08,509 >> YOU'RE COMPLETELY BLOWING MY 6 00:00:08,509 --> 00:00:08,909 MIND. 7 00:00:08,909 --> 00:00:11,512 >> THIS IS 8 00:00:11,512 --> 00:00:13,981 "THE CARBONARO EFFECT." 9 00:00:14,014 --> 00:00:14,182 ** 10 00:00:24,092 --> 00:00:24,625 >> WE SHOULD SHOOT IN PLACES 11 00:00:25,259 --> 00:00:26,260 LIKE THIS ALL THE TIME. 12 00:00:26,260 --> 00:00:28,262 MODERN ART, CULTURE OURSELVES 13 00:00:28,262 --> 00:00:30,698 WHILE WE DO THIS. 14 00:00:30,698 --> 00:00:32,733 AWW. 15 00:00:32,733 --> 00:00:34,001 LITTLE KITTY CAT. 16 00:00:34,001 --> 00:00:34,602 CUTE. 17 00:00:34,602 --> 00:00:37,705 OH, MY GOSH! 18 00:00:37,705 --> 00:00:40,474 IT'S A FAMILY SHOW. 19 00:00:40,474 --> 00:00:41,942 WELL, I'M GLAD I'M NOT GONNA BE 20 00:00:41,942 --> 00:00:42,810 BY MYSELF TODAY. 21 00:00:42,810 --> 00:00:43,911 >> [ Chuckling ] YEAH. 22 00:00:43,911 --> 00:00:45,079 YEAH, HELP ALWAYS HELPS. 23 00:00:45,079 --> 00:00:45,613 >> YEAH. 24 00:00:45,613 --> 00:00:47,715 THEY DID ONE OF THOSE, YOU KNOW, 25 00:00:47,715 --> 00:00:48,516 SIP-AND-PAINT PARTIES... 26 00:00:48,516 --> 00:00:48,916 >> MM-HMM. 27 00:00:48,916 --> 00:00:49,817 >> ...WHERE THEY GET PEOPLE 28 00:00:49,817 --> 00:00:50,751 TOGETHER AND EVERYBODY GETS A 29 00:00:50,751 --> 00:00:51,619 CHANCE TO PAINT SOMETHING. 30 00:00:51,619 --> 00:00:52,620 >> YEAH, YEAH, YEAH, LIKE PAINT 31 00:00:52,620 --> 00:00:52,920 NIGHT? 32 00:00:52,920 --> 00:00:53,487 >> THAT'S RIGHT. 33 00:00:53,487 --> 00:00:54,155 >> WAS IT THAT ONE? 34 00:00:54,155 --> 00:00:54,522 >> YEAH. 35 00:00:54,522 --> 00:00:55,189 >> WHAT CAN I GRAB? 36 00:00:55,189 --> 00:00:56,690 >> OH, YOU KNOW WHAT WE'RE 37 00:00:56,690 --> 00:00:57,358 GONNA DO? 38 00:00:57,358 --> 00:00:59,093 WE'RE GONNA -- WE'RE GONNA HELP 39 00:00:59,093 --> 00:01:00,561 SET UP THE INSTALLATION. 40 00:01:00,561 --> 00:01:01,929 BUT BEFORE THAT, LET'S, UM -- 41 00:01:01,929 --> 00:01:02,863 HERE, HAVE A SEAT. 42 00:01:02,863 --> 00:01:04,132 I'LL GIVE YOU THE FUN JOB. 43 00:01:04,132 --> 00:01:04,665 >> OKAY. 44 00:01:04,665 --> 00:01:06,200 >> OKAY, YOU CAN DO THE FUN JOB? 45 00:01:06,200 --> 00:01:06,934 >> ALL RIGHT. 46 00:01:06,934 --> 00:01:07,968 >> THEY LIKE TO SAVE AS MUCH 47 00:01:07,968 --> 00:01:09,069 STUFF AS THEY CAN WHEN THEY DO 48 00:01:09,069 --> 00:01:09,670 THESE PARTIES. 49 00:01:09,670 --> 00:01:10,104 >> OKAY. 50 00:01:10,104 --> 00:01:11,272 >> SO JUST GET ALL THE PAINT OFF 51 00:01:11,272 --> 00:01:11,805 THE BRUSHES. 52 00:01:11,805 --> 00:01:12,873 >> OKAY. 53 00:01:12,906 --> 00:01:13,441 >> AND WHEN THE BRUSH HAS AS 54 00:01:13,907 --> 00:01:14,808 MUCH PAINT OFF OF IT AS 55 00:01:14,808 --> 00:01:15,843 POSSIBLE, JUST PUT IT RIGHT 56 00:01:15,843 --> 00:01:16,177 THERE. 57 00:01:16,177 --> 00:01:17,945 >> OKAY, SO, JUST GET THE PAINT 58 00:01:17,945 --> 00:01:18,379 OFF? 59 00:01:18,379 --> 00:01:20,080 >> OH, BEAUTIFUL. LOOK AT YOU. 60 00:01:20,080 --> 00:01:20,881 [ BOTH LAUGH ] 61 00:01:20,881 --> 00:01:22,216 YEAH, JUST -- ONCE THEY'RE 62 00:01:22,216 --> 00:01:23,684 PRETTY CLEAN, YOU CAN PUT THEM 63 00:01:23,684 --> 00:01:25,253 ON THE TOWEL, AND I'LL WASH THEM 64 00:01:25,253 --> 00:01:27,455 OFF IN THE SINK AFTERWARDS. 65 00:01:27,488 --> 00:01:28,055 YOU KNOW, IT'S FUN GETTING TO 66 00:01:28,989 --> 00:01:30,591 WORK AT THE MUSEUM, BECAUSE YOU 67 00:01:30,591 --> 00:01:31,792 SEE A LOT OF THESE NEW 68 00:01:31,792 --> 00:01:33,026 UP-AND-COMING ARTISTS. 69 00:01:33,026 --> 00:01:33,661 >> RIGHT. 70 00:01:33,661 --> 00:01:34,995 >> AND THEY'RE FANTASTIC. 71 00:01:34,995 --> 00:01:36,430 >> YEAH, MAN, I AGREE. 72 00:01:36,430 --> 00:01:38,098 >> BUT, FOR ME, I CAN NEVER 73 00:01:38,098 --> 00:01:39,700 QUITE WRAP MY HEAD AROUND WHY 74 00:01:39,700 --> 00:01:41,435 ONE PAINTING IS MORE MONEY THAN 75 00:01:41,435 --> 00:01:42,470 ANOTHER PAINTING. 76 00:01:42,470 --> 00:01:43,103 >> YEAH. 77 00:01:43,103 --> 00:01:44,805 >> SOMETIMES IT'S NOT EVEN WHAT 78 00:01:44,805 --> 00:01:46,874 THE PAINTING IS, IT'S JUST WHO 79 00:01:46,874 --> 00:01:49,076 THE ARTIST IS AND IF THEY HAVE A 80 00:01:49,076 --> 00:01:50,444 LOT OF POPULARITY. 81 00:01:50,444 --> 00:01:51,111 >> RIGHT. 82 00:01:51,111 --> 00:01:52,780 >> YOU KNOW, LIKE, THESE WORKS 83 00:01:52,780 --> 00:01:54,282 WERE DONE BY NATHAN FIELDS. 84 00:01:54,282 --> 00:01:54,915 >> MM-HMM. 85 00:01:54,915 --> 00:01:55,916 >> AND HE'S JUST AN 86 00:01:55,916 --> 00:01:57,285 UP-AND-COMING GUY RIGHT NOW. 87 00:01:57,285 --> 00:01:58,786 LIKE, EVERYBODY JUST GOES CRAZY 88 00:01:58,786 --> 00:01:59,387 OVER HIM. 89 00:01:59,387 --> 00:02:01,155 SOMETIMES THE SIMPLEST STUFF 90 00:02:01,155 --> 00:02:02,623 GETS THE MOST ATTENTION. 91 00:02:02,623 --> 00:02:04,558 YEAH, I'LL PROBABLY SAVE THESE 92 00:02:04,558 --> 00:02:05,259 MARKERS. 93 00:02:05,259 --> 00:02:07,661 PUSH THIS OUT OF THE WAY. 94 00:02:07,661 --> 00:02:08,929 ALL DONE WITH THAT? 95 00:02:08,929 --> 00:02:10,063 >> IN THINK I AM. 96 00:02:10,063 --> 00:02:11,165 JUST TOSS THIS AWAY. 97 00:02:11,165 --> 00:02:12,766 >> OH, ARE YOU GONNA TOSS THAT? 98 00:02:12,766 --> 00:02:13,534 >> [ LAUGHS ] 99 00:02:13,534 --> 00:02:14,568 SHOULD WE HANG IT? 100 00:02:14,568 --> 00:02:15,236 [ LAUGHS ] 101 00:02:15,236 --> 00:02:16,504 I'M JUST MESSING AROUND. 102 00:02:16,504 --> 00:02:17,438 >> THIS IS YOUR... 103 00:02:17,438 --> 00:02:18,772 >> MY FIRST PAINTING, RIGHT? 104 00:02:18,772 --> 00:02:19,807 >> IT'S LOVELY, YEAH. 105 00:02:19,807 --> 00:02:21,409 I THINK IT LOOKS GREAT. 106 00:02:21,409 --> 00:02:22,943 YOU SHOULD SIGN IT, THOUGH. 107 00:02:22,943 --> 00:02:24,044 >> [ LAUGHS ] 108 00:02:24,077 --> 00:02:24,578 >> YEAH, SIGN RIGHT THERE. 109 00:02:25,078 --> 00:02:26,847 >> COOL. 110 00:02:26,880 --> 00:02:27,448 >> OKAY, DO WE ASK THEM IF WE 111 00:02:28,048 --> 00:02:29,250 SHOULD HANG IT IN THE MUSEUM? 112 00:02:29,250 --> 00:02:30,551 >> [ Laughing ] NO, NO. 113 00:02:30,551 --> 00:02:32,052 I APPRECIATE YOUR OPTIMISM. 114 00:02:32,052 --> 00:02:33,153 [ BOTH LAUGH ] 115 00:02:33,187 --> 00:02:33,754 >> ALL RIGHT, LET'S OPEN THIS 116 00:02:34,054 --> 00:02:34,388 ONE UP. 117 00:02:34,388 --> 00:02:35,289 WE'RE GONNA PUT THIS PAINTING 118 00:02:35,289 --> 00:02:35,723 RIGHT HERE. 119 00:02:35,723 --> 00:02:36,257 >> OKAY, GREAT. 120 00:02:36,257 --> 00:02:37,491 SO, WHAT'S THE METHOD? 121 00:02:37,491 --> 00:02:39,059 >> UM, WELL, YOU CAN... 122 00:02:39,059 --> 00:02:40,261 >> THERE'S A LITTLE SPACE HERE. 123 00:02:40,261 --> 00:02:41,462 >> CAN YOU KIND OF GET IN THERE? 124 00:02:41,462 --> 00:02:42,763 IT'S NAILED SHUT. 125 00:02:42,763 --> 00:02:44,031 THEY SHIPPED IT FROM CHICAGO., 126 00:02:44,031 --> 00:02:48,469 >> OKAY. 127 00:02:48,469 --> 00:02:49,637 OH, THAT'S NOT SO BAD. 128 00:02:49,637 --> 00:02:50,204 >> YEAH. 129 00:02:50,204 --> 00:02:51,705 IT WAS ON DISPLAY THERE FOR THE 130 00:02:51,705 --> 00:02:53,307 LAST FOUR MONTHS. 131 00:02:53,307 --> 00:02:54,242 >> HMM. 132 00:02:54,242 --> 00:02:57,411 >> AND -- OH, YOU GOT YOURS UP? 133 00:02:57,411 --> 00:02:58,212 >> MM-HMM. 134 00:02:58,212 --> 00:03:01,482 >> OKAY. ALL RIGHT. 135 00:03:01,482 --> 00:03:03,016 THERE WE GO. OKAY. 136 00:03:03,016 --> 00:03:05,052 WE SHOULD PROBABLY BE VERY 137 00:03:05,052 --> 00:03:07,187 CAREFUL WHILE WE DO THIS HERE. 138 00:03:07,187 --> 00:03:09,623 PUSH THAT AWAY. 139 00:03:09,623 --> 00:03:11,592 AND, UH... 140 00:03:11,592 --> 00:03:12,493 >> [ CHUCKLES ] 141 00:03:12,493 --> 00:03:13,461 ARE YOU KIDDING? 142 00:03:13,461 --> 00:03:14,262 LOOK AT THAT. 143 00:03:14,262 --> 00:03:15,529 >> IT'S BEAUTIFUL, ISN'T IT? 144 00:03:15,529 --> 00:03:17,030 >> BUT LOOK, LOOK. 145 00:03:17,030 --> 00:03:17,565 >> HMM? 146 00:03:17,565 --> 00:03:18,499 >> LOOK AT THIS. 147 00:03:18,499 --> 00:03:18,999 >> OH, NO. 148 00:03:18,999 --> 00:03:19,800 BELIEVE ME, I KNOW 149 00:03:19,800 --> 00:03:20,668 NATHAN FIELDS' WORK. 150 00:03:20,668 --> 00:03:21,635 IT'S... 151 00:03:21,635 --> 00:03:22,370 >> NO. I KNOW... 152 00:03:22,370 --> 00:03:23,103 >> [ BLOWING SHARPLY ] 153 00:03:23,103 --> 00:03:23,971 I GOT SOME OF THE HAY ON IT 154 00:03:23,971 --> 00:03:24,272 THERE. 155 00:03:24,272 --> 00:03:25,239 >> BUT LISTEN WHAT I'M SAYING. 156 00:03:25,239 --> 00:03:25,806 >> HMM. 157 00:03:25,806 --> 00:03:27,508 >> LOOK AT WHAT I DID, AND LOOK 158 00:03:27,508 --> 00:03:30,010 AT THAT. 159 00:03:30,010 --> 00:03:33,981 >> WHOA. 160 00:03:33,981 --> 00:03:35,949 WAIT A MINUTE. 161 00:03:35,949 --> 00:03:39,287 ** 162 00:03:39,320 --> 00:03:39,820 YOU'VE SEEN THIS PAINTING. 163 00:03:41,289 --> 00:03:42,790 >> I'VE NOT SEEN THE PAINTING, 164 00:03:42,790 --> 00:03:43,156 MAN. 165 00:03:43,156 --> 00:03:43,824 >> COME ON. 166 00:03:43,824 --> 00:03:44,692 >> PROMISE YOU. 167 00:03:44,692 --> 00:03:45,359 >> COME ON. 168 00:03:45,359 --> 00:03:46,760 >> RIGHT HAND TO GOD, IF I'M 169 00:03:46,760 --> 00:03:47,695 LYIN', I'M DYIN'. 170 00:03:47,695 --> 00:03:49,497 >> NO. 171 00:03:49,497 --> 00:03:50,831 >> I'M JUST DOING WHAT YOU TOLD 172 00:03:50,831 --> 00:03:51,332 ME TO DO. 173 00:03:51,332 --> 00:03:52,600 I'M DRYING THE BRUSHES OUT SO 174 00:03:52,600 --> 00:03:53,867 YOU COULD WASH THEM, AND THAT 175 00:03:53,867 --> 00:03:54,568 WAS THE PIECE. 176 00:03:54,568 --> 00:03:55,903 AND I THOUGHT I WAS GONNA THROW 177 00:03:55,903 --> 00:03:56,670 IT IN THE TRASH. 178 00:03:56,670 --> 00:03:58,306 >> 'CAUSE THIS IS A $500,000 179 00:03:58,306 --> 00:03:59,473 PAINTING. 180 00:03:59,507 --> 00:03:59,673 ** 181 00:04:05,613 --> 00:04:06,079 >> IT'S... [ LAUGHING ] 182 00:04:06,747 --> 00:04:07,681 >> THAT'S UNCANNY. 183 00:04:07,681 --> 00:04:09,517 >> THIS IS -- THIS IS -- I -- 184 00:04:09,517 --> 00:04:13,421 THIS IS SURREAL, IS WHAT IT IS. 185 00:04:13,421 --> 00:04:14,288 >> THIS IS GREAT. 186 00:04:14,288 --> 00:04:15,589 YEAH, WE'RE GONNA BE TURNING 187 00:04:15,589 --> 00:04:16,857 OVER THIS ENTIRE GALLERY... 188 00:04:16,857 --> 00:04:17,325 >> WOW. 189 00:04:17,325 --> 00:04:18,726 >> ...WITH NEW SCULPTURES, NEW 190 00:04:18,726 --> 00:04:20,060 PAINTINGS, ARE ALL COMING IN. 191 00:04:20,060 --> 00:04:21,128 >> WELL, JUST WHATEVER I CAN DO 192 00:04:21,128 --> 00:04:21,495 TO HELP. 193 00:04:21,495 --> 00:04:22,029 >> EXCELLENT. 194 00:04:22,029 --> 00:04:22,730 >> PUT ME TO WORK. 195 00:04:22,730 --> 00:04:23,364 I'M HERE TO HELP. 196 00:04:23,364 --> 00:04:24,365 >> HERE, YOU CAN STAND ON THE 197 00:04:24,365 --> 00:04:24,765 OUTSIDE. 198 00:04:24,765 --> 00:04:25,366 >> OKAY. 199 00:04:25,366 --> 00:04:26,567 >> I'LL BE OVER HERE. 200 00:04:26,567 --> 00:04:28,201 >> OKAY, UM, THIS IS ONE OF 201 00:04:28,201 --> 00:04:30,070 THOSE -- DID YOU HEAR ABOUT THE 202 00:04:30,070 --> 00:04:31,339 CATACOMB SCULPTURES? 203 00:04:31,339 --> 00:04:32,005 >> NO, I DIDN'T. 204 00:04:32,005 --> 00:04:33,173 >> OH, YEAH, THIS ARTIST -- LET 205 00:04:33,173 --> 00:04:34,241 ME SEE IF I CAN REMEMBER HIS 206 00:04:34,241 --> 00:04:35,643 NAME -- BAPTISTE TITU. 207 00:04:35,643 --> 00:04:36,410 [ CHUCKLES ] 208 00:04:36,410 --> 00:04:36,977 >> OKAY. 209 00:04:36,977 --> 00:04:38,245 >> HE MADE ALL OF THESE 210 00:04:38,245 --> 00:04:39,813 DIFFERENT SCULPTURES FROM CLAY 211 00:04:39,813 --> 00:04:41,415 THAT CAME FROM THE CATACOMBS IN 212 00:04:41,415 --> 00:04:41,915 PARIS. 213 00:04:41,915 --> 00:04:43,016 >> OKAY. 214 00:04:43,050 --> 00:04:43,617 >> SO THE CLAY IN THESE THINGS 215 00:04:45,619 --> 00:04:47,988 HAS THE DUST OF SOME OF THE 216 00:04:47,988 --> 00:04:49,857 SKELETONS AND STUFF. 217 00:04:49,857 --> 00:04:51,792 BUT ALL OF IT IS DESIGNED WITH, 218 00:04:51,792 --> 00:04:53,527 I GUESS, THIS CATACOMB CLAY. 219 00:04:53,527 --> 00:04:54,962 >> OH, THAT'S SO COOL. 220 00:04:54,962 --> 00:04:56,630 >> PARISIAN CATACOMB CLAY. 221 00:04:56,630 --> 00:04:57,965 IT'S VERY COLD, TOO. 222 00:04:57,965 --> 00:04:58,632 >> IT IS. 223 00:04:58,632 --> 00:05:00,133 >> YOU CAN TOUCH IT TO YOUR 224 00:05:00,133 --> 00:05:00,734 CHEEK. 225 00:05:00,734 --> 00:05:01,702 IT FEELS LIKE... 226 00:05:01,702 --> 00:05:02,470 >> IT DOES. 227 00:05:02,470 --> 00:05:04,137 >> YEAH. THAT'S KIND OF SPOOKY, 228 00:05:04,137 --> 00:05:05,005 THOUGH, RIGHT? 229 00:05:05,005 --> 00:05:06,206 [ CHUCKLES ] 230 00:05:06,239 --> 00:05:06,674 >> I THINK IT'S COOL. 231 00:05:07,140 --> 00:05:07,675 [ LAUGHS ] 232 00:05:07,675 --> 00:05:08,442 >> YEAH, ME TOO. 233 00:05:08,442 --> 00:05:10,411 SO, THE LITTLE GUY GOES ON THE 234 00:05:10,411 --> 00:05:11,244 TOP STAND. 235 00:05:11,244 --> 00:05:11,945 >> OKAY. 236 00:05:11,945 --> 00:05:13,814 >> OKAY, CAN YOU SET THAT UP 237 00:05:13,814 --> 00:05:15,248 THERE VERY CAREFULLY? 238 00:05:15,248 --> 00:05:17,418 OKAY? 239 00:05:17,418 --> 00:05:19,453 OH, THAT'S EXCELLENT. 240 00:05:19,453 --> 00:05:20,454 >> OKAY. 241 00:05:20,454 --> 00:05:21,922 >> LOOKS GOOD. 242 00:05:21,922 --> 00:05:23,557 AND THERE'S -- OH, THERE'S A 243 00:05:23,557 --> 00:05:24,592 PAPER HERE, TOO. 244 00:05:24,592 --> 00:05:27,160 LET ME SEE WHAT IT SAYS. 245 00:05:27,160 --> 00:05:28,295 SOMETIMES THEY HAVE, LIKE, A 246 00:05:28,295 --> 00:05:29,497 SPECIAL THING THAT THEY SAY TO 247 00:05:29,497 --> 00:05:30,063 DO WITH IT. 248 00:05:30,063 --> 00:05:31,031 >> "HANDLE WITH EXTREME 249 00:05:31,031 --> 00:05:31,499 CAUTION." 250 00:05:31,499 --> 00:05:32,566 >> OKAY, WE CAN DO THAT. 251 00:05:32,566 --> 00:05:33,834 >> "SCULPTURE IS SENSITIVE TO 252 00:05:33,834 --> 00:05:35,002 DIRECT SUNLIGHT AND OILS." 253 00:05:35,002 --> 00:05:35,469 >> OKAY. 254 00:05:35,469 --> 00:05:36,870 >> UM, "DO NOT HANDLE WITH BARE 255 00:05:36,870 --> 00:05:37,337 HANDS." 256 00:05:37,337 --> 00:05:37,705 OOPS. 257 00:05:37,705 --> 00:05:38,138 >> OH! 258 00:05:38,138 --> 00:05:39,239 >> "DO NOT HANDLE WITH BARE 259 00:05:39,239 --> 00:05:39,607 HANDS. 260 00:05:39,607 --> 00:05:40,408 MUST WEAR GLOVES." 261 00:05:40,408 --> 00:05:40,974 >> OKAY. 262 00:05:40,974 --> 00:05:41,509 >> OOPS. 263 00:05:41,509 --> 00:05:42,376 >> [ CHUCKLES ] 264 00:05:42,376 --> 00:05:42,943 >> OKAY. 265 00:05:42,943 --> 00:05:44,311 >> OH, YEAH, I WAS FEELING 266 00:05:44,311 --> 00:05:44,778 DUSTY. 267 00:05:44,778 --> 00:05:45,979 I WAS, LIKE, FEELING, LIKE, 268 00:05:45,979 --> 00:05:46,647 A SORT OF... 269 00:05:46,647 --> 00:05:47,915 >> I CAN EVEN SEE THE HAND ON 270 00:05:47,915 --> 00:05:48,348 THERE. 271 00:05:48,348 --> 00:05:49,349 THAT'S SO -- 272 00:05:49,349 --> 00:05:50,117 >> WHOA! 273 00:05:50,117 --> 00:05:51,819 WAS THERE A HAND ON THERE? 274 00:05:51,819 --> 00:05:53,754 THAT'S NOT MY HAND, RIGHT? 275 00:05:53,754 --> 00:05:55,288 >> I THINK, 'CAUSE YOUR HAND 276 00:05:55,288 --> 00:05:56,356 TOUCHED IT, MAYBE. 277 00:05:56,356 --> 00:05:59,927 THERE HAD TO HAVE BEEN A HAND. 278 00:05:59,927 --> 00:06:02,396 >> OH, MY GOSH. 279 00:06:02,396 --> 00:06:04,297 >> THAT'S THE WEIRDEST THING 280 00:06:04,297 --> 00:06:06,299 EVER. 281 00:06:06,299 --> 00:06:07,635 >> OH, MINDY, I DON'T KNOW. 282 00:06:07,635 --> 00:06:08,469 THAT'S, LIKE... 283 00:06:08,469 --> 00:06:09,703 >> IT LOOKS LIKE MY CHIN. 284 00:06:09,703 --> 00:06:10,604 >> IT DOES LOOK LIKE YOU. 285 00:06:10,604 --> 00:06:11,672 I DIDN'T WANT TO SAY ANYTHING, 286 00:06:11,672 --> 00:06:14,408 BUT THAT... 287 00:06:14,408 --> 00:06:15,943 >> I JUST TOUCHED IT TO MY 288 00:06:15,943 --> 00:06:16,477 CHEEK. 289 00:06:16,477 --> 00:06:17,945 >> THAT BUGS ME OUT. 290 00:06:17,945 --> 00:06:19,246 >> YEAH, ME TOO. 291 00:06:19,246 --> 00:06:21,515 I'VE NEVER -- I DON'T KNOW WHAT 292 00:06:21,515 --> 00:06:22,249 TO SAY. 293 00:06:22,249 --> 00:06:23,851 >> HOW WOULD THAT -- LIKE, I'VE 294 00:06:23,851 --> 00:06:24,952 NEVER HEARD OF A... 295 00:06:24,952 --> 00:06:25,886 >> I DON'T KNOW. 296 00:06:25,886 --> 00:06:27,220 THAT IS THE WEIRDEST THING I'VE 297 00:06:27,220 --> 00:06:27,755 EVER SEEN. 298 00:06:27,755 --> 00:06:28,822 >> I MEAN, I DON'T WANT -- YOU 299 00:06:28,822 --> 00:06:29,890 DON'T WANT TO TOUCH IT AGAIN. 300 00:06:29,890 --> 00:06:31,425 LET ME GET YOU A PAIR OF GLOVES. 301 00:06:31,425 --> 00:06:31,959 >> OKAY. 302 00:06:31,959 --> 00:06:33,360 >> 'CAUSE WE SHOULD SET IT UP 303 00:06:33,360 --> 00:06:34,027 AND THEN... 304 00:06:34,027 --> 00:06:34,562 >> YEAH. 305 00:06:34,562 --> 00:06:35,829 >> YEAH, JUST AS IS. 306 00:06:35,829 --> 00:06:36,229 >> [ SIGHS ] 307 00:06:36,229 --> 00:06:37,030 >> ALL RIGHT, I'M GONNA GET A 308 00:06:37,030 --> 00:06:37,498 PAIR OF GLOVES. 309 00:06:37,498 --> 00:06:38,098 >> YEAH. 310 00:06:38,098 --> 00:06:39,366 >> WHERE DO WE KEEP... 311 00:06:39,366 --> 00:06:41,068 OH, BACK HERE, PROBABLY. 312 00:06:51,111 --> 00:06:51,679 ** 313 00:06:55,816 --> 00:06:56,216 >> DO I LOOK LEGIT? 314 00:06:57,384 --> 00:06:58,552 ALL RIGHT, I'M READY TO BE AN 315 00:06:58,552 --> 00:07:00,087 OFFICE...PERSON. 316 00:07:00,087 --> 00:07:01,522 I'M GONNA FIRE MYSELF. 317 00:07:01,522 --> 00:07:02,656 FIRED. 318 00:07:02,690 --> 00:07:02,856 ** 319 00:07:05,859 --> 00:07:06,293 [ Sighing ] OH, HELLO. 320 00:07:07,495 --> 00:07:08,729 >> HI. HOW YOU DOING? 321 00:07:08,729 --> 00:07:09,362 >> WHAT'S YOUR NAME? 322 00:07:09,362 --> 00:07:09,830 >> BRANDY. 323 00:07:09,830 --> 00:07:10,664 >> OH, BRANDY, I'M MICHAEL. 324 00:07:10,664 --> 00:07:11,098 HOW ARE YOU? 325 00:07:11,098 --> 00:07:11,999 >> YOU HERE FOR AN INTERVIEW? 326 00:07:11,999 --> 00:07:12,332 >> YES. 327 00:07:12,332 --> 00:07:12,966 >> NICE TO MEET YOU. 328 00:07:12,966 --> 00:07:13,501 YOU LOOK SHARP. 329 00:07:13,501 --> 00:07:14,067 >> OH, YEAH? 330 00:07:14,067 --> 00:07:14,535 >> YEAH. 331 00:07:14,535 --> 00:07:15,302 >> I'M SO NERVOUS. 332 00:07:15,302 --> 00:07:15,936 >> [ LAUGHS ] 333 00:07:15,936 --> 00:07:17,070 >> I'M GONNA SHOW OFF SOME OF 334 00:07:17,070 --> 00:07:18,205 THE DESIGNS TO THE BIG BOSS. 335 00:07:18,205 --> 00:07:19,206 >> OH, WOW, THAT IS NICE. 336 00:07:19,206 --> 00:07:20,240 WHAT TYPE OF ENGINEER ARE YOU? 337 00:07:20,240 --> 00:07:21,074 >> WELL, CAN I SHOW YOU, 338 00:07:21,074 --> 00:07:21,509 ACTUALLY? 339 00:07:21,509 --> 00:07:22,576 >> YEAH. YOU CAN PRACTICE ON ME. 340 00:07:22,576 --> 00:07:23,577 >> OKAY, GOOD, BECAUSE I FEEL 341 00:07:23,577 --> 00:07:24,612 LIKE, ON ONE HAND, I FEEL LIKE 342 00:07:24,612 --> 00:07:26,213 I'M PRESENTABLE AND I KNOW WHAT 343 00:07:26,213 --> 00:07:27,748 I'M TALKING ABOUT, BUT I DON'T 344 00:07:27,748 --> 00:07:29,249 WANT TO COME ACROSS LIKE SOME 345 00:07:29,249 --> 00:07:30,350 DING-DONG WHO HAS -- 346 00:07:30,350 --> 00:07:31,318 >> NO, YOU LOOK PRETTY SHARP. 347 00:07:31,318 --> 00:07:32,352 YOU LOOK LIKE YOU GOT YOUR STUFF 348 00:07:32,352 --> 00:07:32,753 TOGETHER. 349 00:07:32,753 --> 00:07:34,121 >> ALL OF THE DESIGNS ARE MY 350 00:07:34,121 --> 00:07:34,488 OWN. 351 00:07:34,488 --> 00:07:35,155 >> OH, WOW. 352 00:07:35,155 --> 00:07:35,723 >> OKAY? 353 00:07:35,723 --> 00:07:36,389 THAT I DID. 354 00:07:36,389 --> 00:07:37,891 AND I'LL SHOW YOU THE FIRST ONE 355 00:07:37,891 --> 00:07:38,291 HERE. 356 00:07:38,291 --> 00:07:39,793 I KNOW BOTH -- THIS IS SORT OF 357 00:07:39,793 --> 00:07:41,128 LIKE A DREAM HOUSE OF MINE. 358 00:07:41,128 --> 00:07:42,062 >> AND MINE, TOO. 359 00:07:42,062 --> 00:07:43,597 >> YEAH, BUT ALSO YOU SEE I DID 360 00:07:43,597 --> 00:07:45,165 THE INTERIOR HERE, BECAUSE A LOT 361 00:07:45,165 --> 00:07:46,567 OF TIMES, THEY SAY IT'S MUCH 362 00:07:46,567 --> 00:07:48,401 BETTER IF THEY KNOW THAT YOU'RE 363 00:07:48,401 --> 00:07:50,103 NOT JUST SLACKING -- YOU KNOW 364 00:07:50,103 --> 00:07:51,672 WHAT I MEAN? -- BY JUST... 365 00:07:51,672 --> 00:07:52,239 >> YEAH. 366 00:07:52,239 --> 00:07:53,707 >> YOU KNOW, YOU HAVE TO BE, 367 00:07:53,707 --> 00:07:54,808 LIKE, REALLY SECURE. 368 00:07:54,808 --> 00:07:56,176 >> HOW DID YOU CHANGE YOUR 369 00:07:56,176 --> 00:07:57,244 GLASSES THAT QUICK? 370 00:07:57,244 --> 00:07:58,746 >> WHAT DO YOU MEAN? 371 00:07:58,746 --> 00:07:59,880 >> YOU JUST HAD YOUR GLASSES... 372 00:07:59,880 --> 00:08:00,948 >> SHOULD I NOT WEAR THESE 373 00:08:00,948 --> 00:08:01,348 GLASSES? 374 00:08:01,348 --> 00:08:02,516 >> NO, I LIKE THEM, BUT, I MEAN, 375 00:08:02,516 --> 00:08:03,717 DID YOU JUST HAVE SOME DIFFERENT 376 00:08:03,717 --> 00:08:04,117 ONES ON? 377 00:08:04,117 --> 00:08:05,352 >> NO, THIS IS WHAT I CAME IN -- 378 00:08:05,352 --> 00:08:06,520 YOU'RE MAKING ME NERVOUS NOW. 379 00:08:06,520 --> 00:08:07,454 SHOULD I NOT WEAR THEM? 380 00:08:07,454 --> 00:08:08,856 >> NO, THEY'RE NICE, BUT I 381 00:08:08,856 --> 00:08:10,558 SWEAR, THEY JUST CHANGED COLORS. 382 00:08:10,558 --> 00:08:11,592 >> OH, NO, THEY'RE TRANSITION 383 00:08:11,592 --> 00:08:11,959 LENSES. 384 00:08:11,959 --> 00:08:12,860 I JUST CAME FROM OUTSIDE. 385 00:08:12,860 --> 00:08:13,794 >> OH, THAT'S PRETTY COOL. 386 00:08:13,794 --> 00:08:14,828 >> YEAH, THEY DO KIND OF THEIR 387 00:08:14,828 --> 00:08:15,295 OWN THING. 388 00:08:15,295 --> 00:08:16,564 THIS IS A LITTLE WEIRD, 'CAUSE I 389 00:08:16,564 --> 00:08:17,430 PUT -- SEE THAT "X." 390 00:08:17,430 --> 00:08:18,632 I MADE A MISTAKE ON IT, BUT I 391 00:08:18,632 --> 00:08:19,667 WANTED TO SHOW IT ANYWAY. 392 00:08:19,667 --> 00:08:21,168 IS THAT WEIRD IF I COME IN AND 393 00:08:21,168 --> 00:08:22,636 SHOW A DESIGN WITH A MISTAKE? 394 00:08:22,636 --> 00:08:23,103 >> NO. 395 00:08:23,103 --> 00:08:24,672 >> BECAUSE THE THING IS, I HAVE 396 00:08:24,672 --> 00:08:26,206 THE MISTAKE ON THE BOTTOM, TOO. 397 00:08:26,206 --> 00:08:27,107 >> WOW. OH, MY... 398 00:08:27,107 --> 00:08:28,008 >> AND IT'S HERE. 399 00:08:28,008 --> 00:08:29,076 YOU KNOW WHAT I MEAN? 400 00:08:29,076 --> 00:08:30,010 >> WHOA. WAIT A -- 401 00:08:30,010 --> 00:08:31,044 >> SO THEY KNOW THAT I'M 402 00:08:31,044 --> 00:08:32,279 TOTALLY, LIKE, ON TOP OF WHAT 403 00:08:32,279 --> 00:08:32,813 I'M DOING. 404 00:08:32,813 --> 00:08:37,217 AND THEN THE OTHER ONE, UM... 405 00:08:37,217 --> 00:08:38,652 >> WAIT A MINUTE. 406 00:08:38,652 --> 00:08:40,053 >> I HAVE A STAIN HERE, WHICH -- 407 00:08:40,053 --> 00:08:40,954 THE COFFEE SHOP... 408 00:08:40,954 --> 00:08:42,255 >> OH, MY GOD. WAIT A MINUTE. 409 00:08:42,255 --> 00:08:43,624 >> DO YOU KNOW WHAT I'M SAYING? 410 00:08:43,624 --> 00:08:44,057 >> WAIT. 411 00:08:44,057 --> 00:08:45,158 YOU JUST CHANGED YOUR CLOTHES. 412 00:08:45,158 --> 00:08:46,326 >> AND THEN -- SHOULD I CHANGE? 413 00:08:46,326 --> 00:08:47,260 IS THAT WHAT YOU'RE SAYING? 414 00:08:47,260 --> 00:08:48,195 SHOULD I CHANGE MY CLOTHES? 415 00:08:48,195 --> 00:08:48,562 >> WAIT. 416 00:08:48,562 --> 00:08:49,529 >> YOU'RE MAKING ME NERVOUS. 417 00:08:49,529 --> 00:08:50,297 >> AM I GOING CRAZY? 418 00:08:50,297 --> 00:08:51,431 I JUST THOUGHT I SEEN -- DIDN'T 419 00:08:51,431 --> 00:08:52,165 YOU HAVE A SUIT ON? 420 00:08:52,165 --> 00:08:53,333 >> WELL, I THOUGHT THIS WAS, 421 00:08:53,333 --> 00:08:54,534 LIKE, KIND OF LIKE LOW-KEY TO 422 00:08:54,534 --> 00:08:55,769 SHOW THAT I'M, LIKE, ARTISTIC. 423 00:08:55,769 --> 00:08:56,704 >> WAIT A MINUTE. 424 00:08:56,704 --> 00:08:57,938 >> YOU KNOW WHAT I MEAN? 425 00:08:57,938 --> 00:08:59,239 >> I KNOW I WOKE UP WITH A 426 00:08:59,239 --> 00:09:00,841 HEADACHE, BUT AM I GOING CRAZY? 427 00:09:00,841 --> 00:09:02,042 I SWEAR, YOU JUST HAD A SUIT ON. 428 00:09:02,042 --> 00:09:03,310 >> WELL, I THOUGHT THAT I WOULD 429 00:09:03,310 --> 00:09:04,244 WEAR SOMETHING THAT -- 430 00:09:04,244 --> 00:09:05,378 >> I THINK I'M GOING CRAZY. 431 00:09:05,378 --> 00:09:06,747 >> REALLY? MAYBE IT'S JUST THE 432 00:09:06,747 --> 00:09:07,648 WAY I WAS TALKING. 433 00:09:07,648 --> 00:09:09,116 DID I SOUND MORE SURE OF MYSELF? 434 00:09:09,116 --> 00:09:10,117 >> YEAH. WELL, NO. 435 00:09:10,117 --> 00:09:11,919 YEAH. YEAH, BUT I JUST -- I 436 00:09:11,919 --> 00:09:13,520 REMEMBER YOU WALKING IN. 437 00:09:13,520 --> 00:09:14,221 >> RIGHT. 438 00:09:14,221 --> 00:09:16,056 >> THAT'S CRAZY. THAT CAN'T BE. 439 00:09:16,056 --> 00:09:17,224 >> WELL, I HAVE -- THIS WAS 440 00:09:17,224 --> 00:09:18,325 PROBABLY CLOSED A LITTLE. 441 00:09:18,325 --> 00:09:19,627 >> BUT DON'T YOU THINK, LIKE, A 442 00:09:19,627 --> 00:09:20,961 SUIT MIGHT -- I SWEAR, YOU JUST 443 00:09:20,961 --> 00:09:21,662 HAD A SUIT ON. 444 00:09:21,662 --> 00:09:23,196 >> WELL, EVERYBODY DOWNSTAIRS IS 445 00:09:23,196 --> 00:09:24,598 REALLY CASUAL, SO I THOUGHT, 446 00:09:24,598 --> 00:09:25,999 LIKE, I WOULD BE TOTALLY, YOU 447 00:09:25,999 --> 00:09:27,367 KNOW, LIKE, I'D LOOK HIP AND 448 00:09:27,367 --> 00:09:28,802 KNOW WHAT I WAS DOING BUT NOT 449 00:09:28,802 --> 00:09:29,536 BE... 450 00:09:29,536 --> 00:09:30,704 I DON'T WANT TO JUST COME ACROSS 451 00:09:30,704 --> 00:09:31,204 TOO STUFFY. 452 00:09:31,204 --> 00:09:32,339 >> NO, YOU'RE NOT COMING ACROSS 453 00:09:32,339 --> 00:09:32,840 TOO STUFFY. 454 00:09:32,840 --> 00:09:33,907 >> I MEAN, LIKE, I WANT THEM TO 455 00:09:33,907 --> 00:09:34,942 KNOW THAT I'M, LIKE, COOL AND, 456 00:09:34,942 --> 00:09:36,009 LIKE, A GOOD PERSON TO HANG OUT 457 00:09:36,009 --> 00:09:36,309 WITH. 458 00:09:36,309 --> 00:09:36,677 >> BUT -- 459 00:09:36,677 --> 00:09:37,678 >> I DON'T WANT THEM TO THINK -- 460 00:09:37,678 --> 00:09:38,445 DO YOU KNOW WHAT I MEAN? 461 00:09:38,445 --> 00:09:39,379 >> YEAH, I KNOW WHAT YOU MEAN, 462 00:09:39,379 --> 00:09:40,213 BUT YOU LOOK -- I MEAN, YOU 463 00:09:40,213 --> 00:09:40,914 HAD -- WAIT A MINUTE. 464 00:09:40,914 --> 00:09:41,915 YOU JUST HAD A SUIT ON. 465 00:09:41,915 --> 00:09:43,183 >> NO, NO, JUST MY SHIRT WAS A 466 00:09:43,183 --> 00:09:44,451 LITTLE CLOSED, BUT, OTHER THAN 467 00:09:44,451 --> 00:09:45,585 THAT -- I WANT TO BE, LIKE, 468 00:09:45,585 --> 00:09:46,854 FRIENDLY AND COOL AND LET THEM 469 00:09:46,854 --> 00:09:47,454 KNOW THAT -- 470 00:09:47,454 --> 00:09:48,722 >> THAT CAN'T -- OH, MY GOD, I'M 471 00:09:48,722 --> 00:09:49,156 GOING... 472 00:09:49,156 --> 00:09:50,390 I WOKE UP WITH A HEADACHE TODAY. 473 00:09:50,390 --> 00:09:51,558 I DON'T KNOW WHAT'S GOING ON. 474 00:09:51,558 --> 00:09:52,893 >> YEAH. I'M GONNA -- I'M GONNA 475 00:09:52,893 --> 00:09:54,161 GO OUT AND, LIKE, LAZE OUT BY 476 00:09:54,161 --> 00:09:55,528 THE SUN FOR, LIKE, FIVE MINUTES, 477 00:09:55,528 --> 00:09:56,764 AND THEN I'LL COME BACK UP IN 478 00:09:56,764 --> 00:09:57,998 HERE ALL, LIKE, READY TO GO. 479 00:09:57,998 --> 00:09:58,732 >> YEAH, GOOD LUCK. 480 00:09:58,732 --> 00:09:59,466 >> ALL RIGHT, COOL. 481 00:09:59,466 --> 00:10:00,433 >> I THINK YOU'LL GET IT, 482 00:10:00,433 --> 00:10:00,801 THOUGH. 483 00:10:00,801 --> 00:10:01,568 >> ALL RIGHT, GOOD. 484 00:10:01,568 --> 00:10:02,102 >> OH, YEAH. 485 00:10:02,102 --> 00:10:02,936 >> ALL RIGHT, SEE YA. 486 00:10:02,936 --> 00:10:04,772 ALL RIGHT! 487 00:10:04,772 --> 00:10:07,140 >> OH, MY GOODNESS. 488 00:10:07,140 --> 00:10:08,475 >> OKEYDOKE. 489 00:10:08,475 --> 00:10:10,177 >> HE JUST HAD A SHIRT ON. 490 00:10:10,177 --> 00:10:12,345 I SWEAR. OH. 491 00:10:12,345 --> 00:10:13,580 [ CHUCKLES ] 492 00:10:13,580 --> 00:10:14,848 MAYBE I'M GOING CRAZY OR 493 00:10:14,848 --> 00:10:15,515 SOMETHING. 494 00:10:15,515 --> 00:10:18,351 I DON'T KNOW. 495 00:10:18,351 --> 00:10:20,087 >> NOW, I CALLED TO HAVE A 496 00:10:20,087 --> 00:10:23,156 COURIER DELIVER ME AN ENVELOPE. 497 00:10:23,156 --> 00:10:24,925 ARE THEY ARRIVING? 498 00:10:24,925 --> 00:10:26,259 OKAY. 499 00:10:26,259 --> 00:10:28,628 GREAT. 500 00:10:28,628 --> 00:10:29,763 [ LAUGHING EVILLY ] 501 00:10:29,763 --> 00:10:31,598 [ KNOCK ON DOOR ] 502 00:10:31,598 --> 00:10:33,701 COME ON IN! 503 00:10:33,701 --> 00:10:34,768 >> HOW YOU DOING TODAY? 504 00:10:34,768 --> 00:10:35,836 >> GOOD. HOW ARE YOU? 505 00:10:35,836 --> 00:10:36,603 >> ALL RIGHT. 506 00:10:36,603 --> 00:10:37,137 >> OH. 507 00:10:37,137 --> 00:10:38,071 >> [ SPEAKING INDISTINCTLY ] 508 00:10:38,071 --> 00:10:38,672 >> WHAT WAS THAT? 509 00:10:38,672 --> 00:10:39,406 >> A PACKAGE FOR YOU. 510 00:10:39,406 --> 00:10:40,473 >> OH, OKAY, COOL. 511 00:10:40,473 --> 00:10:41,274 >> ALL RIGHT. 512 00:10:41,274 --> 00:10:42,876 >> UH, ACTUALLY, WOULD YOU OPEN 513 00:10:42,876 --> 00:10:43,744 THAT UP FOR ME. 514 00:10:43,744 --> 00:10:45,212 THERE'S JUST A FORM INSIDE I 515 00:10:45,212 --> 00:10:46,179 HAVE TO FILL OUT. 516 00:10:46,179 --> 00:10:48,749 YEAH, COOL. 517 00:10:48,749 --> 00:10:50,718 GREAT. 518 00:10:50,718 --> 00:10:52,119 YEAH, SORRY TO MAKE YOU DO THAT. 519 00:10:52,119 --> 00:10:53,586 >> HERE YOU GO, SIR. 520 00:10:53,586 --> 00:10:54,487 >> GOOD. OKAY. 521 00:10:54,487 --> 00:10:55,522 YEAH, THIS IS THE FORM. 522 00:10:55,522 --> 00:10:57,457 AND WHAT ARE THESE? 523 00:10:57,457 --> 00:10:59,192 >> PICTURE. 524 00:10:59,192 --> 00:11:04,064 >> PICTURE? 525 00:11:04,064 --> 00:11:05,665 >> WHY ARE THERE PICTURES OF ME? 526 00:11:05,665 --> 00:11:07,167 >> THESE ARE PICTURES OF YOU? 527 00:11:07,167 --> 00:11:07,868 >> YEAH. 528 00:11:07,868 --> 00:11:10,603 >> I HAVE NO IDEA. 529 00:11:10,603 --> 00:11:11,705 WAIT A MINUTE. 530 00:11:11,705 --> 00:11:14,174 THESE ARE -- THESE ARE YOU? 531 00:11:14,174 --> 00:11:15,608 >> YES, SIR. 532 00:11:15,608 --> 00:11:16,844 >> OH, I KNOW. 533 00:11:16,844 --> 00:11:19,012 I HAD ACTUALLY ASKED FOR THIS 534 00:11:19,012 --> 00:11:21,014 LAST WEEK, AND THEY DIDN'T 535 00:11:21,014 --> 00:11:22,049 DELIVER IT. 536 00:11:22,049 --> 00:11:23,650 SO I ASKED TO SEND PROOF OF 537 00:11:23,650 --> 00:11:24,852 ATTEMPTED DELIVERY. 538 00:11:24,852 --> 00:11:26,619 SO THESE ARE PROBABLY PICTURES 539 00:11:26,619 --> 00:11:28,488 OF YOU TRYING TO DELIVER IT LAST 540 00:11:28,488 --> 00:11:28,989 WEEK. 541 00:11:28,989 --> 00:11:30,858 >> NO. 542 00:11:30,858 --> 00:11:31,959 >> WELL, WHEN ARE THESE PICTURES 543 00:11:31,959 --> 00:11:33,927 FROM? 544 00:11:33,927 --> 00:11:36,663 >> TODAY. 545 00:11:36,663 --> 00:11:37,330 LIKE, NOW. 546 00:11:37,330 --> 00:11:38,799 LIKE, THIS IS WHEN I WENT AND 547 00:11:38,799 --> 00:11:40,400 PICKED UP THE PACKAGE FROM THEM, 548 00:11:40,400 --> 00:11:41,969 AND THIS IS WHEN I PULLED UP TO 549 00:11:41,969 --> 00:11:43,871 YOU. 550 00:11:43,871 --> 00:11:45,338 >> THIS IS THE PACKAGE THAT'S IN 551 00:11:45,338 --> 00:11:46,139 YOUR HAND HERE? 552 00:11:46,139 --> 00:11:47,941 >> YES, SIR. 553 00:11:47,941 --> 00:11:49,442 THIS IS FROM WHEN I PICKED UP 554 00:11:49,442 --> 00:11:50,811 THE PACKAGE AT 4:30 TODAY. 555 00:11:50,811 --> 00:11:52,479 >> WAIT. 556 00:11:52,479 --> 00:11:54,948 INSIDE THIS PACKAGE ARE PICTURES 557 00:11:54,948 --> 00:11:57,417 OF YOU HOLDING THIS PACKAGE? 558 00:11:57,417 --> 00:11:58,685 >> RIGHT. 559 00:11:58,685 --> 00:11:59,920 >> SO, THESE PICTURES ARE IN 560 00:11:59,920 --> 00:12:01,088 THERE RIGHT NOW, IN THAT 561 00:12:01,088 --> 00:12:01,588 PICTURE? 562 00:12:01,588 --> 00:12:03,256 >> [ SIGHS ] 563 00:12:03,256 --> 00:12:04,157 THAT'S CRAZY. 564 00:12:04,157 --> 00:12:05,859 I'M LOOKING AT IT, TOO, YEAH. 565 00:12:05,859 --> 00:12:07,494 THIS IS ME IN YOUR PARKING LOT, 566 00:12:07,494 --> 00:12:09,797 RIGHT THERE OUTSIDE. 567 00:12:09,797 --> 00:12:11,698 THAT'S WEIRD. IT'S VERY WEIRD. 568 00:12:11,698 --> 00:12:13,466 I PROMISE YOU, THIS IS NOT A 569 00:12:13,466 --> 00:12:14,001 JOKE. 570 00:12:14,001 --> 00:12:15,068 >> HAS ANYBODY TOUCHED THE 571 00:12:15,068 --> 00:12:15,535 PACKAGE? 572 00:12:15,535 --> 00:12:17,204 >> NOT SINCE I LEFT THE 573 00:12:17,204 --> 00:12:18,738 WAREHOUSE. 574 00:12:18,738 --> 00:12:20,173 >> THAT'S CRAZY. 575 00:12:20,173 --> 00:12:21,975 >> YEAH. 576 00:12:21,975 --> 00:12:23,176 >> LET ME JUST -- I'M JUST GONNA 577 00:12:23,176 --> 00:12:24,111 ASK MY BOSS REALLY FAST. 578 00:12:24,111 --> 00:12:25,112 CAN YOU GIVE ME A SECOND? 579 00:12:25,112 --> 00:12:26,079 LET'S FIND OUT WHAT'S UP. 580 00:12:26,079 --> 00:12:27,214 AND THEN I'LL SIGN THAT THING. 581 00:12:27,214 --> 00:12:27,614 HOLD ON. 582 00:12:27,614 --> 00:12:29,817 >> OKAY. 583 00:12:29,850 --> 00:12:30,017 ** 584 00:12:37,757 --> 00:12:38,391 WHY ARE THERE PICTURES OF ME IN 585 00:12:39,359 --> 00:12:42,495 THIS [BLEEP] PACKAGE? 586 00:12:42,495 --> 00:12:43,797 >> EASY DAY, RIGHT? 587 00:12:43,797 --> 00:12:45,098 >> YES. [ CHUCKLES ] 588 00:12:45,098 --> 00:12:45,933 >> SO EASY. 589 00:12:45,933 --> 00:12:47,167 I'M SO STARVING. 590 00:12:47,167 --> 00:12:49,837 OOH! BAGELS? 591 00:12:49,837 --> 00:12:50,770 OH, THANK YOU. 592 00:12:50,770 --> 00:12:51,972 >> UM, I DON'T KNOW WHERE THE, 593 00:12:51,972 --> 00:12:54,407 UH... 594 00:12:54,407 --> 00:12:57,110 >> UH, UH, MAYBE JUST A NAPKIN. 595 00:12:57,110 --> 00:12:58,645 >> YES. 596 00:12:58,645 --> 00:12:59,813 >> >> OH, THAT'S GREAT. 597 00:12:59,813 --> 00:13:01,581 >> ARE THEY SOFT OR HARD? 598 00:13:01,581 --> 00:13:02,582 >> THEY'RE KIND OF SOFT. 599 00:13:02,582 --> 00:13:03,917 I SHOULDN'T BE EATING SO MUCH 600 00:13:03,917 --> 00:13:04,351 CARBS. 601 00:13:04,351 --> 00:13:05,385 YOU KNOW WHAT I MEAN? 602 00:13:05,385 --> 00:13:06,386 >> I EAT EVERYTHING. 603 00:13:06,386 --> 00:13:07,687 >> YOU EAT EVERYTHING? 604 00:13:07,687 --> 00:13:09,289 >> YEAH, BUT I'M GLAD THAT I 605 00:13:09,289 --> 00:13:11,091 STAY IN MY SHAPE. 606 00:13:11,124 --> 00:13:11,658 >> YEAH. MY WIFE'S GOT ME ON 607 00:13:12,325 --> 00:13:13,927 THIS THING ABOUT, LIKE, LESS 608 00:13:13,927 --> 00:13:14,461 CARBS. 609 00:13:14,461 --> 00:13:16,529 >> HMM. HOW'S THAT WORKING OUT? 610 00:13:16,563 --> 00:13:16,930 >> IT'S ALL RIGHT. 611 00:13:17,164 --> 00:13:18,131 LIKE, I'LL EAT A BAGEL, BUT I'M 612 00:13:18,131 --> 00:13:19,099 SUPPOSED TO SCOOP OUT THE HOLE 613 00:13:19,099 --> 00:13:19,599 INSIDE OF IT? 614 00:13:19,599 --> 00:13:20,000 >> REALLY? 615 00:13:20,000 --> 00:13:21,268 >> YEAH, 'CAUSE BAGELS HAVE TONS 616 00:13:21,268 --> 00:13:22,335 AND TONS AND TONS OF BREAD 617 00:13:22,335 --> 00:13:23,603 INSIDE OF IT, SO IT'S, LIKE, WAY 618 00:13:23,603 --> 00:13:24,071 TOO MUCH. 619 00:13:24,071 --> 00:13:25,138 >> OKAY. 620 00:13:25,172 --> 00:13:25,705 >> THEY'LL, LIKE, WEIGHT YOU 621 00:13:26,106 --> 00:13:26,406 DOWN. 622 00:13:26,406 --> 00:13:27,707 AND THAT'S THE PROBLEM WITH 623 00:13:27,707 --> 00:13:29,009 BAGELS, IS, LIKE, THEY'RE SO 624 00:13:29,009 --> 00:13:30,510 GOOD, BUT, LIKE, THERE'S SO MUCH 625 00:13:30,510 --> 00:13:30,944 BREAD. 626 00:13:30,944 --> 00:13:32,445 >> WOW, THAT'S A LOT THAT WAS IN 627 00:13:32,445 --> 00:13:32,880 THERE. 628 00:13:32,880 --> 00:13:34,114 >> YEAH, I GET DOWN TO THE 629 00:13:34,114 --> 00:13:35,215 DOUGHY PARTS, YOU KNOW? 630 00:13:35,215 --> 00:13:36,984 JUST GET IT ALL OUT, 'CAUSE IT 631 00:13:36,984 --> 00:13:38,551 WEIGHTS ME DOWN. 632 00:13:38,585 --> 00:13:38,886 >> IT'S A LOT. 633 00:13:39,319 --> 00:13:40,687 >> BUT I'VE BEEN TRYING TO GO 634 00:13:40,687 --> 00:13:42,055 ON, LIKE, A JUICE -- THAT'S A 635 00:13:42,055 --> 00:13:43,290 BIG THING TO DO -- A JUICE 636 00:13:43,290 --> 00:13:43,823 CLEANSE. 637 00:13:43,823 --> 00:13:45,792 >> AND HOW DO YOU DO THAT? 638 00:13:45,792 --> 00:13:47,460 >> YOU CAN JUICE -- YOU KNOW, 639 00:13:47,460 --> 00:13:48,695 THEY'LL JUICE BEETS. 640 00:13:48,695 --> 00:13:49,262 >> YES. 641 00:13:49,262 --> 00:13:50,964 >> SO, LIKE, IF YOU EVER SEE THE 642 00:13:50,964 --> 00:13:52,532 PURPLE JUICE OR, LIKE, CARROT 643 00:13:52,532 --> 00:13:53,867 JUICE, IT'S REALLY GOOD. 644 00:13:53,867 --> 00:13:55,135 >> NEVER TRIED IT. 645 00:13:55,135 --> 00:13:56,769 >> IT LOOKS REALLY WEIRD. 646 00:13:56,769 --> 00:13:58,305 IT'S, LIKE, DISGUSTING. 647 00:13:58,305 --> 00:14:00,073 LIKE, I WOULD NOT EAT THAT. 648 00:14:00,073 --> 00:14:00,773 YOU KNOW? 649 00:14:00,773 --> 00:14:01,875 >> LOOK AT THIS. 650 00:14:01,875 --> 00:14:02,242 >> YEAH. 651 00:14:02,242 --> 00:14:03,310 >> WOW. THERE'S A LOT IN THERE. 652 00:14:03,310 --> 00:14:05,879 >> YEAH. I JUST -- I FIND -- 653 00:14:05,879 --> 00:14:07,314 >> I WOULD HAVE NEVER KNOWN... 654 00:14:07,314 --> 00:14:08,115 >> KNOWN WHAT? 655 00:14:08,115 --> 00:14:09,382 >> ...THAT ALL THAT WAS IN 656 00:14:09,382 --> 00:14:09,849 THERE. 657 00:14:09,849 --> 00:14:12,953 LET ME SEE, NOW. 658 00:14:12,953 --> 00:14:13,486 >> WOW. 659 00:14:13,486 --> 00:14:14,721 >> YEAH, YOU GOT TO DIG. 660 00:14:14,721 --> 00:14:16,189 IF YOU GET UNDERNEATH IT, YOU 661 00:14:16,189 --> 00:14:17,557 CAN GET THE WHOLE... 662 00:14:17,557 --> 00:14:18,658 SEE? 663 00:14:18,658 --> 00:14:20,193 >> OH, MY GOSH! 664 00:14:20,193 --> 00:14:21,161 >> YEAH. 665 00:14:21,161 --> 00:14:23,063 THAT'S PRETTY GROSS. 666 00:14:23,063 --> 00:14:24,764 'CAUSE A BAGEL IS BOILED, SO, 667 00:14:24,764 --> 00:14:26,566 LIKE, ALL THAT DOUGH IS JUST... 668 00:14:26,566 --> 00:14:27,767 >> Oh, my God. 669 00:14:27,767 --> 00:14:29,036 >> AND THAT'S WHAT MY WIFE IS 670 00:14:29,036 --> 00:14:29,836 SAYING, YOU KNOW? 671 00:14:29,836 --> 00:14:32,405 >> GET OUT OF HERE. 672 00:14:32,405 --> 00:14:33,173 >> I KNOW. 673 00:14:33,173 --> 00:14:34,942 AND IF I GET DOWN TO THE VERY 674 00:14:34,942 --> 00:14:36,509 EDGE, YOU CAN GET DOWN... 675 00:14:36,509 --> 00:14:40,080 YEAH, SEE, THE CENTER IS GOOEY. 676 00:14:40,080 --> 00:14:41,348 OH, SEE. 677 00:14:41,348 --> 00:14:42,715 THAT'S -- DO YOU HAVE, LIKE -- 678 00:14:42,715 --> 00:14:43,816 HERE. 679 00:14:43,816 --> 00:14:45,218 THANK YOU. 680 00:14:45,218 --> 00:14:46,019 YEAH, THAT'S... 681 00:14:46,019 --> 00:14:47,320 >> OKAY, WELL, WE NEED MORE. 682 00:14:47,320 --> 00:14:47,887 >> YEAH. 683 00:14:47,887 --> 00:14:49,022 >> IS THERE -- YEAH. 684 00:14:49,022 --> 00:14:50,223 THAT'S -- YOU'RE NOT GONNA EAT 685 00:14:50,223 --> 00:14:50,857 THAT, ARE YOU? 686 00:14:50,857 --> 00:14:52,926 >> WELL, I JUST WANT TO GET THE 687 00:14:52,926 --> 00:14:53,927 DOUGHY PART. 688 00:14:53,927 --> 00:14:55,762 IT'S DOUGHIER THAN USUAL. 689 00:14:55,762 --> 00:14:57,564 AND THEN I TAKE THE SESAME SEEDS 690 00:14:57,564 --> 00:14:59,399 OFF OF THE EDGES, SO IT'S 691 00:14:59,399 --> 00:15:00,233 REALLY... 692 00:15:00,233 --> 00:15:02,269 'CAUSE THEY'RE BAD FOR YOU, TOO. 693 00:15:02,269 --> 00:15:03,436 >> THE SESAME, RIGHT? 694 00:15:03,436 --> 00:15:04,004 >> YEAH. 695 00:15:04,004 --> 00:15:05,305 >> OH, MY GOD, HOW MANY? 696 00:15:05,338 --> 00:15:05,538 >> YEAH. 697 00:15:05,772 --> 00:15:08,741 LOOK, YOU CAN SQUEEZE THEM OUT. 698 00:15:08,741 --> 00:15:10,377 YEAH. 699 00:15:10,377 --> 00:15:11,778 >> [ CHUCKLES ] 700 00:15:11,778 --> 00:15:13,180 >> THERE WE GO. 701 00:15:13,180 --> 00:15:16,083 THAT'S PRETTY GOOD. 702 00:15:16,083 --> 00:15:19,219 ** 703 00:15:19,219 --> 00:15:21,888 >> I AM NEVER EATING A BAGEL 704 00:15:21,888 --> 00:15:22,722 AGAIN. 705 00:15:22,722 --> 00:15:23,690 ** 706 00:15:23,690 --> 00:15:26,159 [ INDISTINCT CONVERSATIONS ] 707 00:15:26,159 --> 00:15:29,496 [ CHILDREN LAUGHING ] 708 00:15:29,496 --> 00:15:30,964 >> DARREN FOR POOL SECURITY. 709 00:15:30,964 --> 00:15:32,765 >> YES? 710 00:15:32,765 --> 00:15:34,334 >> SO, THE POOL AREA HERE IS 711 00:15:34,334 --> 00:15:35,902 JUST FOR GUESTS, SO JUST MAKE 712 00:15:35,902 --> 00:15:37,670 SURE EVERYONE YOU SEE IS WEARING 713 00:15:37,670 --> 00:15:39,406 A YELLOW WRISTBAND, 'CAUSE WE'VE 714 00:15:39,406 --> 00:15:41,041 HAD A COUPLE OF EMPLOYEES THAT 715 00:15:41,041 --> 00:15:42,742 LIKE TO SNEAK THEIR FRIENDS IN. 716 00:15:42,742 --> 00:15:43,910 [ BEEP ] 717 00:15:43,910 --> 00:15:45,812 >> OKAY. 718 00:15:45,812 --> 00:15:47,947 [ CHILDREN LAUGHING ] 719 00:15:47,947 --> 00:15:51,018 ** 720 00:15:51,051 --> 00:15:51,584 [ INDISTINCT CONVERSATIONS ] 721 00:15:59,559 --> 00:16:03,596 >> [ CLEARS THROAT ] 722 00:16:03,596 --> 00:16:05,665 >> HERE YOU GO. COME ON OUT. 723 00:16:05,665 --> 00:16:07,867 HERE YOU ARE. OKAY. 724 00:16:07,867 --> 00:16:09,402 HOW ARE YOU? 725 00:16:09,402 --> 00:16:13,173 >> MMM. 726 00:16:13,173 --> 00:16:15,908 MMM. 727 00:16:15,908 --> 00:16:16,476 YOU'RE GOOD? 728 00:16:16,476 --> 00:16:17,577 I'M JUST TRYING TO BLOCK IT. 729 00:16:17,577 --> 00:16:19,112 OKAY? 730 00:16:19,112 --> 00:16:20,680 THAT'S GOOD. 731 00:16:20,680 --> 00:16:22,649 YOU CAN SIT RIGHT OVER HERE. 732 00:16:22,649 --> 00:16:23,516 LET ME SHOW YOU SOMETHING. 733 00:16:23,516 --> 00:16:28,921 >> UM, WHAT THE HECK? 734 00:16:28,921 --> 00:16:32,359 >> YEAH, I LOVE YOU IN THAT. 735 00:16:32,359 --> 00:16:34,394 >> DID SHE JUST COME OUT OF A 736 00:16:34,394 --> 00:16:34,927 BAG? 737 00:16:34,927 --> 00:16:37,930 [ INDISTINCT CONVERSATIONS ] 738 00:16:37,930 --> 00:16:40,633 [ CHILDREN LAUGHING ] 739 00:16:40,667 --> 00:16:40,833 ** 740 00:16:47,540 --> 00:16:50,577 >> [ SPEAKING INDISTINCTLY ] 741 00:16:50,577 --> 00:16:52,145 [ BEEP ] 742 00:16:52,145 --> 00:16:53,513 >> DARREN? 743 00:16:53,513 --> 00:16:54,547 >> GO FOR DARREN. 744 00:16:54,547 --> 00:16:56,516 >> UM, THIS LADY RIGHT HERE IN 745 00:16:56,516 --> 00:16:58,385 THE RED SWIMSUIT -- SHE JUST 746 00:16:58,385 --> 00:16:59,952 CAME OUT OF A SUITCASE. 747 00:16:59,952 --> 00:17:01,921 >> CAN YOU REPEAT THAT? 748 00:17:01,921 --> 00:17:02,922 YOU SAID SHE CAME OUT OF A 749 00:17:02,922 --> 00:17:03,390 SUITCASE? 750 00:17:03,390 --> 00:17:05,125 >> YES, BUT SHE DOESN'T HAVE ON 751 00:17:05,125 --> 00:17:07,327 A YELLOW BAND ON HER ARM. 752 00:17:07,360 --> 00:17:07,894 >> ALL RIGHT, YOU KNOW WHAT? 753 00:17:08,461 --> 00:17:09,362 THAT'S A SAFETY ISSUE. 754 00:17:09,362 --> 00:17:10,463 JUST KEEP YOUR EYE ON THEM. 755 00:17:10,463 --> 00:17:11,731 I'M BE DOWN THERE IN A COUPLE OF 756 00:17:11,731 --> 00:17:12,165 MINUTES. 757 00:17:12,165 --> 00:17:13,166 [ BEEP ] 758 00:17:13,166 --> 00:17:14,201 >> OKAY. 759 00:17:14,201 --> 00:17:16,269 >> STEP UP. GET OVER THERE. 760 00:17:16,269 --> 00:17:19,038 THIS IS NOT HOW I WANT US TO BE. 761 00:17:19,038 --> 00:17:22,942 [ GRUNTING ] 762 00:17:22,942 --> 00:17:25,378 I'LL TELL YOU WHAT. 763 00:17:25,378 --> 00:17:27,347 HERE, WHY DON'T YOU GET INTO THE 764 00:17:27,347 --> 00:17:27,814 BAG. 765 00:17:27,814 --> 00:17:30,117 THIS IS JUST NOT HOW I WANT TO 766 00:17:30,117 --> 00:17:30,983 DO THIS. 767 00:17:30,983 --> 00:17:33,686 PEOPLE ARE JUST GONNA BE 768 00:17:33,686 --> 00:17:34,887 STARING. 769 00:17:34,887 --> 00:17:37,190 SO WHAT'S THE POINT? 770 00:17:37,224 --> 00:17:37,390 ** 771 00:17:40,260 --> 00:17:40,727 >> Does nobody see that? 772 00:17:42,995 --> 00:17:44,764 >> GET YOUR HEAD DOWN. 773 00:17:44,764 --> 00:17:46,433 OKAY, WAIT. WAIT. 774 00:17:46,433 --> 00:17:47,900 THERE WE GO. 775 00:17:47,900 --> 00:17:50,002 [ SPEAKING INDISTINCTLY ] 776 00:17:50,036 --> 00:17:50,203 ** 777 00:17:59,078 --> 00:17:59,312 [ GRUNTS ] 778 00:18:00,513 --> 00:18:02,782 THAT'S THE WAY IT SHOULD BE. 779 00:18:02,782 --> 00:18:04,284 LET ME GET YOU UP. 780 00:18:04,284 --> 00:18:07,019 >> HOW DID THIS LADY GET IN THIS 781 00:18:07,019 --> 00:18:07,687 BAG? 782 00:18:07,687 --> 00:18:12,492 >> [ SPEAKING INDISTINCTLY ] 783 00:18:12,492 --> 00:18:13,726 [ SIGHS ] 784 00:18:13,726 --> 00:18:16,028 OKAY. 785 00:18:16,028 --> 00:18:18,064 OKAY. 786 00:18:18,064 --> 00:18:22,469 LET'S JUST WHEEL ON OUT OF HERE. 787 00:18:22,502 --> 00:18:23,035 OH, SHOOT, SHE'S COMING OVER 788 00:18:23,703 --> 00:18:24,070 HERE. 789 00:18:24,070 --> 00:18:24,571 HOLD ON. 790 00:18:24,571 --> 00:18:25,938 I'M JUST GONNA PUT YOU DOWN OVER 791 00:18:25,938 --> 00:18:26,306 HERE. 792 00:18:26,306 --> 00:18:27,774 SIT HERE. 793 00:18:27,774 --> 00:18:29,008 JUST PRETEND LIKE YOU DIDN'T 794 00:18:29,008 --> 00:18:32,078 HEAR THAT. 795 00:18:32,111 --> 00:18:32,679 >> UM, IS THERE A REASON THAT 796 00:18:33,780 --> 00:18:35,615 SHE'S IN THE SUITCASE? 797 00:18:35,615 --> 00:18:38,485 >> WELL...YOU TELL ME. 798 00:18:38,485 --> 00:18:39,652 [ CHUCKLES ] 799 00:18:39,652 --> 00:18:40,787 >> SHE'S NOT ALLOWED TO BE 800 00:18:40,787 --> 00:18:41,621 INSIDE OF THE BAG. 801 00:18:41,621 --> 00:18:42,522 IT'S A SAFETY ISSUE. 802 00:18:42,522 --> 00:18:43,790 >> DO YOU THINK PEOPLE ARE GONNA 803 00:18:43,790 --> 00:18:44,557 BE STARING AT ME? 804 00:18:44,557 --> 00:18:45,758 THAT'S THE ONLY THING THAT I'M 805 00:18:45,758 --> 00:18:46,393 WORRIED ABOUT. 806 00:18:46,393 --> 00:18:46,793 >> NO. 807 00:18:46,793 --> 00:18:47,294 >> REALLY? 808 00:18:47,294 --> 00:18:47,794 >> NO. 809 00:18:47,794 --> 00:18:49,429 WHY WOULD THEY STARE AT YOU? 810 00:18:49,462 --> 00:18:50,096 >> YOU KNOW, SOME PEOPLE CAN BE 811 00:18:51,063 --> 00:18:52,499 SO -- CAN BE SO JUDGMENTAL. 812 00:18:52,499 --> 00:18:53,600 >> OH, NO, THAT'S FINE. 813 00:18:53,600 --> 00:18:55,635 >> [ GRUNTS ]SO, IT'S OKAY IF, E 814 00:18:55,635 --> 00:18:56,969 WE WERE JUST WORRIED. 815 00:18:56,969 --> 00:18:58,205 LET ME GET HER HERE. 816 00:18:58,205 --> 00:18:59,339 COME ON OUT. OKAY. 817 00:18:59,339 --> 00:19:01,274 YEAH, SO, THIS IS COOL WITH YOU? 818 00:19:01,274 --> 00:19:02,542 >> YEAH, THAT'S FINE. 819 00:19:02,542 --> 00:19:04,311 >> A LOT OF PEOPLE HAVE SUCH A 820 00:19:04,311 --> 00:19:05,812 HARD TIME WITH IT. 821 00:19:05,812 --> 00:19:08,080 AND SHE'S DEFLATED A BIT NOW, 822 00:19:08,080 --> 00:19:08,948 SO SHE LOOKS... 823 00:19:08,948 --> 00:19:10,149 >> OKAY, WAIT, HOLD ON. 824 00:19:10,149 --> 00:19:11,451 >> I'M GONNA NEED A PUMP. 825 00:19:11,451 --> 00:19:12,752 >> [ GIGGLES ] 826 00:19:12,785 --> 00:19:13,386 >> MAYBE I SHOULD JUST GET HER A 827 00:19:13,886 --> 00:19:14,221 CHAIR. 828 00:19:14,221 --> 00:19:15,222 IF I PULL A CHAIR UP NEXT TO 829 00:19:15,222 --> 00:19:17,056 ME... 830 00:19:17,056 --> 00:19:18,625 SO, IS IT OKAY IF I KEEP HER IN 831 00:19:18,625 --> 00:19:19,192 THE BAG? 832 00:19:19,192 --> 00:19:20,693 >> YES, YOU CAN -- YOU CAN PUT 833 00:19:20,693 --> 00:19:21,794 HER BACK IN THE BAG. 834 00:19:21,794 --> 00:19:23,029 >> BUT I THOUGHT YOU SAID SHE 835 00:19:23,029 --> 00:19:24,297 HAD TO BE OUT OF THE BAG FOR A 836 00:19:24,297 --> 00:19:24,931 SAFETY ISSUE. 837 00:19:24,931 --> 00:19:27,634 >> UM, YES, BUT I THOUGHT SHE 838 00:19:27,634 --> 00:19:31,037 WAS A HUMAN. 839 00:19:31,037 --> 00:19:32,739 >> THAT'S -- THAT'S HOW I FEEL 840 00:19:32,739 --> 00:19:34,241 ABOUT HER. 841 00:19:34,241 --> 00:19:35,408 >> OKAY. 842 00:19:35,408 --> 00:19:38,311 >> YEAH. 843 00:19:38,311 --> 00:19:39,479 >> OKAY. 844 00:19:39,479 --> 00:19:40,647 >> THERE'S A LOT OF US LIKE 845 00:19:40,647 --> 00:19:41,414 THIS, YOU KNOW? 846 00:19:41,414 --> 00:19:42,715 WE BLOW THEM UP, AND WE -- IT'S 847 00:19:42,715 --> 00:19:43,983 JUST LIKE HAVING A COMPANION. 848 00:19:43,983 --> 00:19:45,585 >> YES, I UNDERSTAND. IT'S FINE. 849 00:19:45,585 --> 00:19:46,719 >> THEY CALL THAT THE 850 00:19:46,719 --> 00:19:47,687 CARBONARO EFFECT. 851 00:19:47,687 --> 00:19:48,154 >> OKAY. 852 00:19:48,154 --> 00:19:49,222 >> HAVE YOU HEARD OF THAT 853 00:19:49,222 --> 00:19:49,622 BEFORE? 854 00:19:49,622 --> 00:19:50,423 >> NO, I HAVEN'T. 855 00:19:50,423 --> 00:19:51,724 >> YEAH, IT'S ALSO THE NAME OF A 856 00:19:51,724 --> 00:19:57,497 HIDDEN-CAMERA MAGIC TV SHOW... 857 00:19:57,497 --> 00:19:58,898 >> [ LAUGHS ] 858 00:19:58,898 --> 00:20:00,433 >> ...LIKE THE ONE YOU'RE ON 859 00:20:00,433 --> 00:20:01,133 RIGHT NOW. 860 00:20:01,133 --> 00:20:02,669 >> [ Laughing ] I THOUGHT I WAS 861 00:20:02,669 --> 00:20:03,370 GOING CRAZY. 862 00:20:03,370 --> 00:20:05,137 >> [ LAUGHS ] 863 00:20:05,137 --> 00:20:06,038 WHAT WERE -- WHAT WERE YOU 864 00:20:06,038 --> 00:20:06,439 THINKING? 865 00:20:06,439 --> 00:20:07,574 >> OH, MY GOD. 866 00:20:07,607 --> 00:20:08,107 THOUGHT I WAS GOING CRAZY. 867 00:20:09,376 --> 00:20:10,310 >> YEAH? 868 00:20:10,310 --> 00:20:11,043 [ CHUCKLES ] 869 00:20:11,043 --> 00:20:13,746 >> SO...HOW DID YOU DO THAT? 870 00:20:13,746 --> 00:20:14,847 >> [ LAUGHS ] 871 00:20:14,847 --> 00:20:15,915 WE'RE NEVER GONNA TELL HER, 872 00:20:15,915 --> 00:20:16,316 ARE WE? 873 00:20:16,316 --> 00:20:17,049 >> THIS IS CRAZY. 874 00:20:17,049 --> 00:20:17,817 >> [ LAUGHS ] 875 00:20:17,817 --> 00:20:20,253 >> [ Laughing ] OH, MY GOD. 876 00:20:20,253 --> 00:20:21,187 **