>> OH, MY GOD!
>> [ LAUGHS ]
>> STOP!
>> WAIT A MINUTE.
>> YOU'RE COMPLETELY BLOWING MY
MIND.
>> THIS IS
"THE CARBONARO EFFECT."
**
>> WE SHOULD SHOOT IN PLACES
LIKE THIS ALL THE TIME.
MODERN ART, CULTURE OURSELVES
WHILE WE DO THIS.
AWW.
LITTLE KITTY CAT.
CUTE.
OH, MY GOSH!
IT'S A FAMILY SHOW.
WELL, I'M GLAD I'M NOT GONNA BE
BY MYSELF TODAY.
>> [ Chuckling ] YEAH.
YEAH, HELP ALWAYS HELPS.
>> YEAH.
THEY DID ONE OF THOSE, YOU KNOW,
SIP-AND-PAINT PARTIES...
>> MM-HMM.
>> ...WHERE THEY GET PEOPLE
TOGETHER AND EVERYBODY GETS A
CHANCE TO PAINT SOMETHING.
>> YEAH, YEAH, YEAH, LIKE PAINT
NIGHT?
>> THAT'S RIGHT.
>> WAS IT THAT ONE?
>> YEAH.
>> WHAT CAN I GRAB?
>> OH, YOU KNOW WHAT WE'RE
GONNA DO?
WE'RE GONNA -- WE'RE GONNA HELP
SET UP THE INSTALLATION.
BUT BEFORE THAT, LET'S, UM --
HERE, HAVE A SEAT.
I'LL GIVE YOU THE FUN JOB.
>> OKAY.
>> OKAY, YOU CAN DO THE FUN JOB?
>> ALL RIGHT.
>> THEY LIKE TO SAVE AS MUCH
STUFF AS THEY CAN WHEN THEY DO
THESE PARTIES.
>> OKAY.
>> SO JUST GET ALL THE PAINT OFF
THE BRUSHES.
>> OKAY.
>> AND WHEN THE BRUSH HAS AS
MUCH PAINT OFF OF IT AS
POSSIBLE, JUST PUT IT RIGHT
THERE.
>> OKAY, SO, JUST GET THE PAINT
OFF?
>> OH, BEAUTIFUL. LOOK AT YOU.
[ BOTH LAUGH ]
YEAH, JUST -- ONCE THEY'RE
PRETTY CLEAN, YOU CAN PUT THEM
ON THE TOWEL, AND I'LL WASH THEM
OFF IN THE SINK AFTERWARDS.
YOU KNOW, IT'S FUN GETTING TO
WORK AT THE MUSEUM, BECAUSE YOU
SEE A LOT OF THESE NEW
UP-AND-COMING ARTISTS.
>> RIGHT.
>> AND THEY'RE FANTASTIC.
>> YEAH, MAN, I AGREE.
>> BUT, FOR ME, I CAN NEVER
QUITE WRAP MY HEAD AROUND WHY
ONE PAINTING IS MORE MONEY THAN
ANOTHER PAINTING.
>> YEAH.
>> SOMETIMES IT'S NOT EVEN WHAT
THE PAINTING IS, IT'S JUST WHO
THE ARTIST IS AND IF THEY HAVE A
LOT OF POPULARITY.
>> RIGHT.
>> YOU KNOW, LIKE, THESE WORKS
WERE DONE BY NATHAN FIELDS.
>> MM-HMM.
>> AND HE'S JUST AN
UP-AND-COMING GUY RIGHT NOW.
LIKE, EVERYBODY JUST GOES CRAZY
OVER HIM.
SOMETIMES THE SIMPLEST STUFF
GETS THE MOST ATTENTION.
YEAH, I'LL PROBABLY SAVE THESE
MARKERS.
PUSH THIS OUT OF THE WAY.
ALL DONE WITH THAT?
>> IN THINK I AM.
JUST TOSS THIS AWAY.
>> OH, ARE YOU GONNA TOSS THAT?
>> [ LAUGHS ]
SHOULD WE HANG IT?
[ LAUGHS ]
I'M JUST MESSING AROUND.
>> THIS IS YOUR...
>> MY FIRST PAINTING, RIGHT?
>> IT'S LOVELY, YEAH.
I THINK IT LOOKS GREAT.
YOU SHOULD SIGN IT, THOUGH.
>> [ LAUGHS ]
>> YEAH, SIGN RIGHT THERE.
>> COOL.
>> OKAY, DO WE ASK THEM IF WE
SHOULD HANG IT IN THE MUSEUM?
>> [ Laughing ] NO, NO.
I APPRECIATE YOUR OPTIMISM.
[ BOTH LAUGH ]
>> ALL RIGHT, LET'S OPEN THIS
ONE UP.
WE'RE GONNA PUT THIS PAINTING
RIGHT HERE.
>> OKAY, GREAT.
SO, WHAT'S THE METHOD?
>> UM, WELL, YOU CAN...
>> THERE'S A LITTLE SPACE HERE.
>> CAN YOU KIND OF GET IN THERE?
IT'S NAILED SHUT.
THEY SHIPPED IT FROM CHICAGO.,
>> OKAY.
OH, THAT'S NOT SO BAD.
>> YEAH.
IT WAS ON DISPLAY THERE FOR THE
LAST FOUR MONTHS.
>> HMM.
>> AND -- OH, YOU GOT YOURS UP?
>> MM-HMM.
>> OKAY. ALL RIGHT.
THERE WE GO. OKAY.
WE SHOULD PROBABLY BE VERY
CAREFUL WHILE WE DO THIS HERE.
PUSH THAT AWAY.
AND, UH...
>> [ CHUCKLES ]
ARE YOU KIDDING?
LOOK AT THAT.
>> IT'S BEAUTIFUL, ISN'T IT?
>> BUT LOOK, LOOK.
>> HMM?
>> LOOK AT THIS.
>> OH, NO.
BELIEVE ME, I KNOW
NATHAN FIELDS' WORK.
IT'S...
>> NO. I KNOW...
>> [ BLOWING SHARPLY ]
I GOT SOME OF THE HAY ON IT
THERE.
>> BUT LISTEN WHAT I'M SAYING.
>> HMM.
>> LOOK AT WHAT I DID, AND LOOK
AT THAT.
>> WHOA.
WAIT A MINUTE.
**
YOU'VE SEEN THIS PAINTING.
>> I'VE NOT SEEN THE PAINTING,
MAN.
>> COME ON.
>> PROMISE YOU.
>> COME ON.
>> RIGHT HAND TO GOD, IF I'M
LYIN', I'M DYIN'.
>> NO.
>> I'M JUST DOING WHAT YOU TOLD
ME TO DO.
I'M DRYING THE BRUSHES OUT SO
YOU COULD WASH THEM, AND THAT
WAS THE PIECE.
AND I THOUGHT I WAS GONNA THROW
IT IN THE TRASH.
>> 'CAUSE THIS IS A $500,000
PAINTING.
**
>> IT'S... [ LAUGHING ]
>> THAT'S UNCANNY.
>> THIS IS -- THIS IS -- I --
THIS IS SURREAL, IS WHAT IT IS.
>> THIS IS GREAT.
YEAH, WE'RE GONNA BE TURNING
OVER THIS ENTIRE GALLERY...
>> WOW.
>> ...WITH NEW SCULPTURES, NEW
PAINTINGS, ARE ALL COMING IN.
>> WELL, JUST WHATEVER I CAN DO
TO HELP.
>> EXCELLENT.
>> PUT ME TO WORK.
I'M HERE TO HELP.
>> HERE, YOU CAN STAND ON THE
OUTSIDE.
>> OKAY.
>> I'LL BE OVER HERE.
>> OKAY, UM, THIS IS ONE OF
THOSE -- DID YOU HEAR ABOUT THE
CATACOMB SCULPTURES?
>> NO, I DIDN'T.
>> OH, YEAH, THIS ARTIST -- LET
ME SEE IF I CAN REMEMBER HIS
NAME -- BAPTISTE TITU.
[ CHUCKLES ]
>> OKAY.
>> HE MADE ALL OF THESE
DIFFERENT SCULPTURES FROM CLAY
THAT CAME FROM THE CATACOMBS IN
PARIS.
>> OKAY.
>> SO THE CLAY IN THESE THINGS
HAS THE DUST OF SOME OF THE
SKELETONS AND STUFF.
BUT ALL OF IT IS DESIGNED WITH,
I GUESS, THIS CATACOMB CLAY.
>> OH, THAT'S SO COOL.
>> PARISIAN CATACOMB CLAY.
IT'S VERY COLD, TOO.
>> IT IS.
>> YOU CAN TOUCH IT TO YOUR
CHEEK.
IT FEELS LIKE...
>> IT DOES.
>> YEAH. THAT'S KIND OF SPOOKY,
THOUGH, RIGHT?
[ CHUCKLES ]
>> I THINK IT'S COOL.
[ LAUGHS ]
>> YEAH, ME TOO.
SO, THE LITTLE GUY GOES ON THE
TOP STAND.
>> OKAY.
>> OKAY, CAN YOU SET THAT UP
THERE VERY CAREFULLY?
OKAY?
OH, THAT'S EXCELLENT.
>> OKAY.
>> LOOKS GOOD.
AND THERE'S -- OH, THERE'S A
PAPER HERE, TOO.
LET ME SEE WHAT IT SAYS.
SOMETIMES THEY HAVE, LIKE, A
SPECIAL THING THAT THEY SAY TO
DO WITH IT.
>> "HANDLE WITH EXTREME
CAUTION."
>> OKAY, WE CAN DO THAT.
>> "SCULPTURE IS SENSITIVE TO
DIRECT SUNLIGHT AND OILS."
>> OKAY.
>> UM, "DO NOT HANDLE WITH BARE
HANDS."
OOPS.
>> OH!
>> "DO NOT HANDLE WITH BARE
HANDS.
MUST WEAR GLOVES."
>> OKAY.
>> OOPS.
>> [ CHUCKLES ]
>> OKAY.
>> OH, YEAH, I WAS FEELING
DUSTY.
I WAS, LIKE, FEELING, LIKE,
A SORT OF...
>> I CAN EVEN SEE THE HAND ON
THERE.
THAT'S SO --
>> WHOA!
WAS THERE A HAND ON THERE?
THAT'S NOT MY HAND, RIGHT?
>> I THINK, 'CAUSE YOUR HAND
TOUCHED IT, MAYBE.
THERE HAD TO HAVE BEEN A HAND.
>> OH, MY GOSH.
>> THAT'S THE WEIRDEST THING
EVER.
>> OH, MINDY, I DON'T KNOW.
THAT'S, LIKE...
>> IT LOOKS LIKE MY CHIN.
>> IT DOES LOOK LIKE YOU.
I DIDN'T WANT TO SAY ANYTHING,
BUT THAT...
>> I JUST TOUCHED IT TO MY
CHEEK.
>> THAT BUGS ME OUT.
>> YEAH, ME TOO.
I'VE NEVER -- I DON'T KNOW WHAT
TO SAY.
>> HOW WOULD THAT -- LIKE, I'VE
NEVER HEARD OF A...
>> I DON'T KNOW.
THAT IS THE WEIRDEST THING I'VE
EVER SEEN.
>> I MEAN, I DON'T WANT -- YOU
DON'T WANT TO TOUCH IT AGAIN.
LET ME GET YOU A PAIR OF GLOVES.
>> OKAY.
>> 'CAUSE WE SHOULD SET IT UP
AND THEN...
>> YEAH.
>> YEAH, JUST AS IS.
>> [ SIGHS ]
>> ALL RIGHT, I'M GONNA GET A
PAIR OF GLOVES.
>> YEAH.
>> WHERE DO WE KEEP...
OH, BACK HERE, PROBABLY.
**
>> DO I LOOK LEGIT?
ALL RIGHT, I'M READY TO BE AN
OFFICE...PERSON.
I'M GONNA FIRE MYSELF.
FIRED.
**
[ Sighing ] OH, HELLO.
>> HI. HOW YOU DOING?
>> WHAT'S YOUR NAME?
>> BRANDY.
>> OH, BRANDY, I'M MICHAEL.
HOW ARE YOU?
>> YOU HERE FOR AN INTERVIEW?
>> YES.
>> NICE TO MEET YOU.
YOU LOOK SHARP.
>> OH, YEAH?
>> YEAH.
>> I'M SO NERVOUS.
>> [ LAUGHS ]
>> I'M GONNA SHOW OFF SOME OF
THE DESIGNS TO THE BIG BOSS.
>> OH, WOW, THAT IS NICE.
WHAT TYPE OF ENGINEER ARE YOU?
>> WELL, CAN I SHOW YOU,
ACTUALLY?
>> YEAH. YOU CAN PRACTICE ON ME.
>> OKAY, GOOD, BECAUSE I FEEL
LIKE, ON ONE HAND, I FEEL LIKE
I'M PRESENTABLE AND I KNOW WHAT
I'M TALKING ABOUT, BUT I DON'T
WANT TO COME ACROSS LIKE SOME
DING-DONG WHO HAS --
>> NO, YOU LOOK PRETTY SHARP.
YOU LOOK LIKE YOU GOT YOUR STUFF
TOGETHER.
>> ALL OF THE DESIGNS ARE MY
OWN.
>> OH, WOW.
>> OKAY?
THAT I DID.
AND I'LL SHOW YOU THE FIRST ONE
HERE.
I KNOW BOTH -- THIS IS SORT OF
LIKE A DREAM HOUSE OF MINE.
>> AND MINE, TOO.
>> YEAH, BUT ALSO YOU SEE I DID
THE INTERIOR HERE, BECAUSE A LOT
OF TIMES, THEY SAY IT'S MUCH
BETTER IF THEY KNOW THAT YOU'RE
NOT JUST SLACKING -- YOU KNOW
WHAT I MEAN? -- BY JUST...
>> YEAH.
>> YOU KNOW, YOU HAVE TO BE,
LIKE, REALLY SECURE.
>> HOW DID YOU CHANGE YOUR
GLASSES THAT QUICK?
>> WHAT DO YOU MEAN?
>> YOU JUST HAD YOUR GLASSES...
>> SHOULD I NOT WEAR THESE
GLASSES?
>> NO, I LIKE THEM, BUT, I MEAN,
DID YOU JUST HAVE SOME DIFFERENT
ONES ON?
>> NO, THIS IS WHAT I CAME IN --
YOU'RE MAKING ME NERVOUS NOW.
SHOULD I NOT WEAR THEM?
>> NO, THEY'RE NICE, BUT I
SWEAR, THEY JUST CHANGED COLORS.
>> OH, NO, THEY'RE TRANSITION
LENSES.
I JUST CAME FROM OUTSIDE.
>> OH, THAT'S PRETTY COOL.
>> YEAH, THEY DO KIND OF THEIR
OWN THING.
THIS IS A LITTLE WEIRD, 'CAUSE I
PUT -- SEE THAT "X."
I MADE A MISTAKE ON IT, BUT I
WANTED TO SHOW IT ANYWAY.
IS THAT WEIRD IF I COME IN AND
SHOW A DESIGN WITH A MISTAKE?
>> NO.
>> BECAUSE THE THING IS, I HAVE
THE MISTAKE ON THE BOTTOM, TOO.
>> WOW. OH, MY...
>> AND IT'S HERE.
YOU KNOW WHAT I MEAN?
>> WHOA. WAIT A --
>> SO THEY KNOW THAT I'M
TOTALLY, LIKE, ON TOP OF WHAT
I'M DOING.
AND THEN THE OTHER ONE, UM...
>> WAIT A MINUTE.
>> I HAVE A STAIN HERE, WHICH --
THE COFFEE SHOP...
>> OH, MY GOD. WAIT A MINUTE.
>> DO YOU KNOW WHAT I'M SAYING?
>> WAIT.
YOU JUST CHANGED YOUR CLOTHES.
>> AND THEN -- SHOULD I CHANGE?
IS THAT WHAT YOU'RE SAYING?
SHOULD I CHANGE MY CLOTHES?
>> WAIT.
>> YOU'RE MAKING ME NERVOUS.
>> AM I GOING CRAZY?
I JUST THOUGHT I SEEN -- DIDN'T
YOU HAVE A SUIT ON?
>> WELL, I THOUGHT THIS WAS,
LIKE, KIND OF LIKE LOW-KEY TO
SHOW THAT I'M, LIKE, ARTISTIC.
>> WAIT A MINUTE.
>> YOU KNOW WHAT I MEAN?
>> I KNOW I WOKE UP WITH A
HEADACHE, BUT AM I GOING CRAZY?
I SWEAR, YOU JUST HAD A SUIT ON.
>> WELL, I THOUGHT THAT I WOULD
WEAR SOMETHING THAT --
>> I THINK I'M GOING CRAZY.
>> REALLY? MAYBE IT'S JUST THE
WAY I WAS TALKING.
DID I SOUND MORE SURE OF MYSELF?
>> YEAH. WELL, NO.
YEAH. YEAH, BUT I JUST -- I
REMEMBER YOU WALKING IN.
>> RIGHT.
>> THAT'S CRAZY. THAT CAN'T BE.
>> WELL, I HAVE -- THIS WAS
PROBABLY CLOSED A LITTLE.
>> BUT DON'T YOU THINK, LIKE, A
SUIT MIGHT -- I SWEAR, YOU JUST
HAD A SUIT ON.
>> WELL, EVERYBODY DOWNSTAIRS IS
REALLY CASUAL, SO I THOUGHT,
LIKE, I WOULD BE TOTALLY, YOU
KNOW, LIKE, I'D LOOK HIP AND
KNOW WHAT I WAS DOING BUT NOT
BE...
I DON'T WANT TO JUST COME ACROSS
TOO STUFFY.
>> NO, YOU'RE NOT COMING ACROSS
TOO STUFFY.
>> I MEAN, LIKE, I WANT THEM TO
KNOW THAT I'M, LIKE, COOL AND,
LIKE, A GOOD PERSON TO HANG OUT
WITH.
>> BUT --
>> I DON'T WANT THEM TO THINK --
DO YOU KNOW WHAT I MEAN?
>> YEAH, I KNOW WHAT YOU MEAN,
BUT YOU LOOK -- I MEAN, YOU
HAD -- WAIT A MINUTE.
YOU JUST HAD A SUIT ON.
>> NO, NO, JUST MY SHIRT WAS A
LITTLE CLOSED, BUT, OTHER THAN
THAT -- I WANT TO BE, LIKE,
FRIENDLY AND COOL AND LET THEM
KNOW THAT --
>> THAT CAN'T -- OH, MY GOD, I'M
GOING...
I WOKE UP WITH A HEADACHE TODAY.
I DON'T KNOW WHAT'S GOING ON.
>> YEAH. I'M GONNA -- I'M GONNA
GO OUT AND, LIKE, LAZE OUT BY
THE SUN FOR, LIKE, FIVE MINUTES,
AND THEN I'LL COME BACK UP IN
HERE ALL, LIKE, READY TO GO.
>> YEAH, GOOD LUCK.
>> ALL RIGHT, COOL.
>> I THINK YOU'LL GET IT,
THOUGH.
>> ALL RIGHT, GOOD.
>> OH, YEAH.
>> ALL RIGHT, SEE YA.
ALL RIGHT!
>> OH, MY GOODNESS.
>> OKEYDOKE.
>> HE JUST HAD A SHIRT ON.
I SWEAR. OH.
[ CHUCKLES ]
MAYBE I'M GOING CRAZY OR
SOMETHING.
I DON'T KNOW.
>> NOW, I CALLED TO HAVE A
COURIER DELIVER ME AN ENVELOPE.
ARE THEY ARRIVING?
OKAY.
GREAT.
[ LAUGHING EVILLY ]
[ KNOCK ON DOOR ]
COME ON IN!
>> HOW YOU DOING TODAY?
>> GOOD. HOW ARE YOU?
>> ALL RIGHT.
>> OH.
>> [ SPEAKING INDISTINCTLY ]
>> WHAT WAS THAT?
>> A PACKAGE FOR YOU.
>> OH, OKAY, COOL.
>> ALL RIGHT.
>> UH, ACTUALLY, WOULD YOU OPEN
THAT UP FOR ME.
THERE'S JUST A FORM INSIDE I
HAVE TO FILL OUT.
YEAH, COOL.
GREAT.
YEAH, SORRY TO MAKE YOU DO THAT.
>> HERE YOU GO, SIR.
>> GOOD. OKAY.
YEAH, THIS IS THE FORM.
AND WHAT ARE THESE?
>> PICTURE.
>> PICTURE?
>> WHY ARE THERE PICTURES OF ME?
>> THESE ARE PICTURES OF YOU?
>> YEAH.
>> I HAVE NO IDEA.
WAIT A MINUTE.
THESE ARE -- THESE ARE YOU?
>> YES, SIR.
>> OH, I KNOW.
I HAD ACTUALLY ASKED FOR THIS
LAST WEEK, AND THEY DIDN'T
DELIVER IT.
SO I ASKED TO SEND PROOF OF
ATTEMPTED DELIVERY.
SO THESE ARE PROBABLY PICTURES
OF YOU TRYING TO DELIVER IT LAST
WEEK.
>> NO.
>> WELL, WHEN ARE THESE PICTURES
FROM?
>> TODAY.
LIKE, NOW.
LIKE, THIS IS WHEN I WENT AND
PICKED UP THE PACKAGE FROM THEM,
AND THIS IS WHEN I PULLED UP TO
YOU.
>> THIS IS THE PACKAGE THAT'S IN
YOUR HAND HERE?
>> YES, SIR.
THIS IS FROM WHEN I PICKED UP
THE PACKAGE AT 4:30 TODAY.
>> WAIT.
INSIDE THIS PACKAGE ARE PICTURES
OF YOU HOLDING THIS PACKAGE?
>> RIGHT.
>> SO, THESE PICTURES ARE IN
THERE RIGHT NOW, IN THAT
PICTURE?
>> [ SIGHS ]
THAT'S CRAZY.
I'M LOOKING AT IT, TOO, YEAH.
THIS IS ME IN YOUR PARKING LOT,
RIGHT THERE OUTSIDE.
THAT'S WEIRD. IT'S VERY WEIRD.
I PROMISE YOU, THIS IS NOT A
JOKE.
>> HAS ANYBODY TOUCHED THE
PACKAGE?
>> NOT SINCE I LEFT THE
WAREHOUSE.
>> THAT'S CRAZY.
>> YEAH.
>> LET ME JUST -- I'M JUST GONNA
ASK MY BOSS REALLY FAST.
CAN YOU GIVE ME A SECOND?
LET'S FIND OUT WHAT'S UP.
AND THEN I'LL SIGN THAT THING.
HOLD ON.
>> OKAY.
**
WHY ARE THERE PICTURES OF ME IN
THIS [BLEEP] PACKAGE?
>> EASY DAY, RIGHT?
>> YES. [ CHUCKLES ]
>> SO EASY.
I'M SO STARVING.
OOH! BAGELS?
OH, THANK YOU.
>> UM, I DON'T KNOW WHERE THE,
UH...
>> UH, UH, MAYBE JUST A NAPKIN.
>> YES.
>> >> OH, THAT'S GREAT.
>> ARE THEY SOFT OR HARD?
>> THEY'RE KIND OF SOFT.
I SHOULDN'T BE EATING SO MUCH
CARBS.
YOU KNOW WHAT I MEAN?
>> I EAT EVERYTHING.
>> YOU EAT EVERYTHING?
>> YEAH, BUT I'M GLAD THAT I
STAY IN MY SHAPE.
>> YEAH. MY WIFE'S GOT ME ON
THIS THING ABOUT, LIKE, LESS
CARBS.
>> HMM. HOW'S THAT WORKING OUT?
>> IT'S ALL RIGHT.
LIKE, I'LL EAT A BAGEL, BUT I'M
SUPPOSED TO SCOOP OUT THE HOLE
INSIDE OF IT?
>> REALLY?
>> YEAH, 'CAUSE BAGELS HAVE TONS
AND TONS AND TONS OF BREAD
INSIDE OF IT, SO IT'S, LIKE, WAY
TOO MUCH.
>> OKAY.
>> THEY'LL, LIKE, WEIGHT YOU
DOWN.
AND THAT'S THE PROBLEM WITH
BAGELS, IS, LIKE, THEY'RE SO
GOOD, BUT, LIKE, THERE'S SO MUCH
BREAD.
>> WOW, THAT'S A LOT THAT WAS IN
THERE.
>> YEAH, I GET DOWN TO THE
DOUGHY PARTS, YOU KNOW?
JUST GET IT ALL OUT, 'CAUSE IT
WEIGHTS ME DOWN.
>> IT'S A LOT.
>> BUT I'VE BEEN TRYING TO GO
ON, LIKE, A JUICE -- THAT'S A
BIG THING TO DO -- A JUICE
CLEANSE.
>> AND HOW DO YOU DO THAT?
>> YOU CAN JUICE -- YOU KNOW,
THEY'LL JUICE BEETS.
>> YES.
>> SO, LIKE, IF YOU EVER SEE THE
PURPLE JUICE OR, LIKE, CARROT
JUICE, IT'S REALLY GOOD.
>> NEVER TRIED IT.
>> IT LOOKS REALLY WEIRD.
IT'S, LIKE, DISGUSTING.
LIKE, I WOULD NOT EAT THAT.
YOU KNOW?
>> LOOK AT THIS.
>> YEAH.
>> WOW. THERE'S A LOT IN THERE.
>> YEAH. I JUST -- I FIND --
>> I WOULD HAVE NEVER KNOWN...
>> KNOWN WHAT?
>> ...THAT ALL THAT WAS IN
THERE.
LET ME SEE, NOW.
>> WOW.
>> YEAH, YOU GOT TO DIG.
IF YOU GET UNDERNEATH IT, YOU
CAN GET THE WHOLE...
SEE?
>> OH, MY GOSH!
>> YEAH.
THAT'S PRETTY GROSS.
'CAUSE A BAGEL IS BOILED, SO,
LIKE, ALL THAT DOUGH IS JUST...
>> Oh, my God.
>> AND THAT'S WHAT MY WIFE IS
SAYING, YOU KNOW?
>> GET OUT OF HERE.
>> I KNOW.
AND IF I GET DOWN TO THE VERY
EDGE, YOU CAN GET DOWN...
YEAH, SEE, THE CENTER IS GOOEY.
OH, SEE.
THAT'S -- DO YOU HAVE, LIKE --
HERE.
THANK YOU.
YEAH, THAT'S...
>> OKAY, WELL, WE NEED MORE.
>> YEAH.
>> IS THERE -- YEAH.
THAT'S -- YOU'RE NOT GONNA EAT
THAT, ARE YOU?
>> WELL, I JUST WANT TO GET THE
DOUGHY PART.
IT'S DOUGHIER THAN USUAL.
AND THEN I TAKE THE SESAME SEEDS
OFF OF THE EDGES, SO IT'S
REALLY...
'CAUSE THEY'RE BAD FOR YOU, TOO.
>> THE SESAME, RIGHT?
>> YEAH.
>> OH, MY GOD, HOW MANY?
>> YEAH.
LOOK, YOU CAN SQUEEZE THEM OUT.
YEAH.
>> [ CHUCKLES ]
>> THERE WE GO.
THAT'S PRETTY GOOD.
**
>> I AM NEVER EATING A BAGEL
AGAIN.
**
[ INDISTINCT CONVERSATIONS ]
[ CHILDREN LAUGHING ]
>> DARREN FOR POOL SECURITY.
>> YES?
>> SO, THE POOL AREA HERE IS
JUST FOR GUESTS, SO JUST MAKE
SURE EVERYONE YOU SEE IS WEARING
A YELLOW WRISTBAND, 'CAUSE WE'VE
HAD A COUPLE OF EMPLOYEES THAT
LIKE TO SNEAK THEIR FRIENDS IN.
[ BEEP ]
>> OKAY.
[ CHILDREN LAUGHING ]
**
[ INDISTINCT CONVERSATIONS ]
>> [ CLEARS THROAT ]
>> HERE YOU GO. COME ON OUT.
HERE YOU ARE. OKAY.
HOW ARE YOU?
>> MMM.
MMM.
YOU'RE GOOD?
I'M JUST TRYING TO BLOCK IT.
OKAY?
THAT'S GOOD.
YOU CAN SIT RIGHT OVER HERE.
LET ME SHOW YOU SOMETHING.
>> UM, WHAT THE HECK?
>> YEAH, I LOVE YOU IN THAT.
>> DID SHE JUST COME OUT OF A
BAG?
[ INDISTINCT CONVERSATIONS ]
[ CHILDREN LAUGHING ]
**
>> [ SPEAKING INDISTINCTLY ]
[ BEEP ]
>> DARREN?
>> GO FOR DARREN.
>> UM, THIS LADY RIGHT HERE IN
THE RED SWIMSUIT -- SHE JUST
CAME OUT OF A SUITCASE.
>> CAN YOU REPEAT THAT?
YOU SAID SHE CAME OUT OF A
SUITCASE?
>> YES, BUT SHE DOESN'T HAVE ON
A YELLOW BAND ON HER ARM.
>> ALL RIGHT, YOU KNOW WHAT?
THAT'S A SAFETY ISSUE.
JUST KEEP YOUR EYE ON THEM.
I'M BE DOWN THERE IN A COUPLE OF
MINUTES.
[ BEEP ]
>> OKAY.
>> STEP UP. GET OVER THERE.
THIS IS NOT HOW I WANT US TO BE.
[ GRUNTING ]
I'LL TELL YOU WHAT.
HERE, WHY DON'T YOU GET INTO THE
BAG.
THIS IS JUST NOT HOW I WANT TO
DO THIS.
PEOPLE ARE JUST GONNA BE
STARING.
SO WHAT'S THE POINT?
**
>> Does nobody see that?
>> GET YOUR HEAD DOWN.
OKAY, WAIT. WAIT.
THERE WE GO.
[ SPEAKING INDISTINCTLY ]
**
[ GRUNTS ]
THAT'S THE WAY IT SHOULD BE.
LET ME GET YOU UP.
>> HOW DID THIS LADY GET IN THIS
BAG?
>> [ SPEAKING INDISTINCTLY ]
[ SIGHS ]
OKAY.
LET'S JUST WHEEL ON OUT OF HERE.
OH, SHOOT, SHE'S COMING OVER
HERE.
HOLD ON.
I'M JUST GONNA PUT YOU DOWN OVER
HERE.
SIT HERE.
JUST PRETEND LIKE YOU DIDN'T
HEAR THAT.
>> UM, IS THERE A REASON THAT
SHE'S IN THE SUITCASE?
>> WELL...YOU TELL ME.
[ CHUCKLES ]
>> SHE'S NOT ALLOWED TO BE
INSIDE OF THE BAG.
IT'S A SAFETY ISSUE.
>> DO YOU THINK PEOPLE ARE GONNA
BE STARING AT ME?
THAT'S THE ONLY THING THAT I'M
WORRIED ABOUT.
>> NO.
>> REALLY?
>> NO.
WHY WOULD THEY STARE AT YOU?
>> YOU KNOW, SOME PEOPLE CAN BE
SO -- CAN BE SO JUDGMENTAL.
>> OH, NO, THAT'S FINE.
>> [ GRUNTS ]SO, IT'S OKAY IF, E
WE WERE JUST WORRIED.
LET ME GET HER HERE.
COME ON OUT. OKAY.
YEAH, SO, THIS IS COOL WITH YOU?
>> YEAH, THAT'S FINE.
>> A LOT OF PEOPLE HAVE SUCH A
HARD TIME WITH IT.
AND SHE'S DEFLATED A BIT NOW,
SO SHE LOOKS...
>> OKAY, WAIT, HOLD ON.
>> I'M GONNA NEED A PUMP.
>> [ GIGGLES ]
>> MAYBE I SHOULD JUST GET HER A
CHAIR.
IF I PULL A CHAIR UP NEXT TO
ME...
SO, IS IT OKAY IF I KEEP HER IN
THE BAG?
>> YES, YOU CAN -- YOU CAN PUT
HER BACK IN THE BAG.
>> BUT I THOUGHT YOU SAID SHE
HAD TO BE OUT OF THE BAG FOR A
SAFETY ISSUE.
>> UM, YES, BUT I THOUGHT SHE
WAS A HUMAN.
>> THAT'S -- THAT'S HOW I FEEL
ABOUT HER.
>> OKAY.
>> YEAH.
>> OKAY.
>> THERE'S A LOT OF US LIKE
THIS, YOU KNOW?
WE BLOW THEM UP, AND WE -- IT'S
JUST LIKE HAVING A COMPANION.
>> YES, I UNDERSTAND. IT'S FINE.
>> THEY CALL THAT THE
CARBONARO EFFECT.
>> OKAY.
>> HAVE YOU HEARD OF THAT
BEFORE?
>> NO, I HAVEN'T.
>> YEAH, IT'S ALSO THE NAME OF A
HIDDEN-CAMERA MAGIC TV SHOW...
>> [ LAUGHS ]
>> ...LIKE THE ONE YOU'RE ON
RIGHT NOW.
>> [ Laughing ] I THOUGHT I WAS
GOING CRAZY.
>> [ LAUGHS ]
WHAT WERE -- WHAT WERE YOU
THINKING?
>> OH, MY GOD.
THOUGHT I WAS GOING CRAZY.
>> YEAH?
[ CHUCKLES ]
>> SO...HOW DID YOU DO THAT?
>> [ LAUGHS ]
WE'RE NEVER GONNA TELL HER,
ARE WE?
>> THIS IS CRAZY.
>> [ LAUGHS ]
>> [ Laughing ] OH, MY GOD.
**