1 00:00:04,400 --> 00:00:05,067 >> OH, MY GOD! 2 00:00:05,067 --> 00:00:05,767 >> [ LAUGHS ] 3 00:00:05,767 --> 00:00:06,400 >> [ GASPS ] 4 00:00:06,400 --> 00:00:07,167 >> THAT'S WEIRD. 5 00:00:07,167 --> 00:00:08,533 >> YOU'RE COMPLETELY BLOWING MY 6 00:00:08,533 --> 00:00:08,900 MIND. 7 00:00:08,900 --> 00:00:11,500 >> THIS IS 8 00:00:11,500 --> 00:00:13,467 "THE CARBONARO EFFECT." 9 00:00:23,033 --> 00:00:25,033 >> ALL RIGHT, I AM A DENTIST. 10 00:00:25,033 --> 00:00:26,833 I CAN DO IT. THIS IS GOOD. 11 00:00:26,833 --> 00:00:29,267 THIS IS A HIGHLY ADVANCED DENTAL 12 00:00:29,267 --> 00:00:29,800 OFFICE. 13 00:00:29,800 --> 00:00:30,700 THIS IS GOOD. 14 00:00:30,700 --> 00:00:32,200 THIS IS A VIRTUAL-REALITY 15 00:00:32,200 --> 00:00:32,867 DENTIST. 16 00:00:32,867 --> 00:00:35,133 [ IMITATES LASERS FIRING ] 17 00:00:35,133 --> 00:00:36,267 PROFESSIONAL. 18 00:00:36,267 --> 00:00:38,633 I CAN DO THIS. 19 00:00:38,633 --> 00:00:40,100 HAVE YOU HAD ANY DENTAL WORK 20 00:00:40,100 --> 00:00:41,233 DONE, FILLINGS OR -- 21 00:00:41,233 --> 00:00:41,767 >> YES. 22 00:00:41,767 --> 00:00:42,200 >> YEAH? 23 00:00:42,200 --> 00:00:43,367 HOW MANY FILLINGS DO YOU HAVE? 24 00:00:43,367 --> 00:00:44,300 >> I THINK LIKE EIGHT. 25 00:00:44,300 --> 00:00:45,300 >> EIGHT FILLINGS. OKAY. 26 00:00:45,300 --> 00:00:46,467 ALL RIGHT, LET'S JUST HAVE A 27 00:00:46,467 --> 00:00:47,367 LITTLE LOOK IN THERE. 28 00:00:47,367 --> 00:00:49,567 JUST LEAN YOUR HEAD BACK. GOOD. 29 00:00:49,567 --> 00:00:52,633 ALL RIGHT. GOOD. 30 00:00:52,633 --> 00:00:53,767 ALL RIGHT, GO AHEAD AND OPEN UP. 31 00:00:53,767 --> 00:00:54,900 GOOD. 32 00:00:54,900 --> 00:00:57,467 THIS WAY. OKAY. 33 00:00:57,467 --> 00:01:01,167 JUST LIKE THAT. 34 00:01:01,167 --> 00:01:03,600 [ STATIC CRACKLING ] 35 00:01:03,600 --> 00:01:04,867 THERE WAS SORT OF LIKE A LITTLE 36 00:01:04,867 --> 00:01:05,433 BIT OF A -- 37 00:01:05,433 --> 00:01:06,367 >> MAYBE LIKE STATIC OR 38 00:01:06,367 --> 00:01:06,833 SOMETHING? 39 00:01:06,833 --> 00:01:07,867 >> YEAH, A LITTLE BIT OF A 40 00:01:07,867 --> 00:01:08,467 STATIC SOUND? 41 00:01:08,467 --> 00:01:08,867 >> YEAH. 42 00:01:08,867 --> 00:01:09,700 >> YOU DO HEAR THAT? 43 00:01:09,700 --> 00:01:10,233 >> YEAH. 44 00:01:10,233 --> 00:01:10,800 >> OKAY. 45 00:01:10,800 --> 00:01:12,300 'CAUSE I HAD THAT -- WHEN I WAS 46 00:01:12,300 --> 00:01:13,767 A KID, I HAD BRACES, AND I WAS 47 00:01:13,767 --> 00:01:15,300 HEARING, YOU KNOW, SORT OF LIKE 48 00:01:15,300 --> 00:01:16,800 A LITTLE BIT OF A STATIC SOUND. 49 00:01:16,800 --> 00:01:18,967 AND MY DENTIST COULDN'T HEAR IT. 50 00:01:18,967 --> 00:01:19,433 >> REALLY? 51 00:01:19,433 --> 00:01:20,633 >> THAT'S WHY I ASKED YOU IF YOU 52 00:01:20,633 --> 00:01:21,067 HEAR IT. 53 00:01:21,067 --> 00:01:21,733 >> THAT'S CRAZY. 54 00:01:21,733 --> 00:01:22,600 >> BUT YOU DO HEAR IT? 55 00:01:22,600 --> 00:01:23,067 >> YEAH. 56 00:01:23,067 --> 00:01:23,567 >> OKAY. 57 00:01:23,567 --> 00:01:24,867 I'M GONNA PUT THIS TO YOUR 58 00:01:24,867 --> 00:01:26,233 FILLING, AND THEN I'M GONNA 59 00:01:26,233 --> 00:01:27,733 TOUCH THIS TO THE TOP OF IT TO 60 00:01:27,733 --> 00:01:29,133 JUST SEE IF I CAN AMPLIFY IT 61 00:01:29,133 --> 00:01:29,767 EVEN MORE. 62 00:01:29,767 --> 00:01:30,333 >> OKAY. 63 00:01:30,333 --> 00:01:31,900 >> SEE IF YOU CAN HEAR ANYTHING. 64 00:01:31,900 --> 00:01:33,633 ALL RIGHT, HERE WE GO. 65 00:01:33,633 --> 00:01:36,467 RIGHT -- RIGHT IN THERE. 66 00:01:36,467 --> 00:01:39,267 AND THEN WE HEARD IT HERE. 67 00:01:39,267 --> 00:01:40,333 [ STATIC CRACKLING ] 68 00:01:40,333 --> 00:01:41,500 A LITTLE BIT. 69 00:01:41,500 --> 00:01:42,567 [ RADIO CHATTER ] 70 00:01:42,567 --> 00:01:44,800 [ STATIC CRACKLING ] 71 00:01:44,800 --> 00:01:45,533 YEAH. 72 00:01:45,533 --> 00:01:48,333 [ RADIO CHATTER ] 73 00:01:48,333 --> 00:01:51,100 YEAH. 74 00:01:51,100 --> 00:01:52,833 >> I HEARD LIKE SOMEONE TALKING. 75 00:01:52,833 --> 00:01:53,633 [ CHUCKLES ] 76 00:01:53,633 --> 00:01:54,667 >> THAT I'M NOT HEARING. 77 00:01:54,667 --> 00:01:56,333 I'M HEARING A BUZZ. 78 00:01:56,333 --> 00:01:57,933 >> LIKE A WALKIE-TALKIE. 79 00:01:57,933 --> 00:01:59,367 THAT'S WHAT IT SOUNDED LIKE. 80 00:01:59,367 --> 00:02:00,533 >> REALLY? OKAY. 81 00:02:00,533 --> 00:02:01,267 >> YEAH. 82 00:02:01,267 --> 00:02:02,700 >> HOLD ON A MINUTE. 83 00:02:02,700 --> 00:02:04,067 TELL ME IF YOU CAN HEAR ANYTHING 84 00:02:04,067 --> 00:02:04,800 CLEARLY. 85 00:02:04,800 --> 00:02:05,700 HOLD ON A MINUTE. 86 00:02:05,700 --> 00:02:07,067 I'M GONNA PUT THIS AND TWO. 87 00:02:07,067 --> 00:02:08,167 >> GOOD LUCK. [ LAUGHS ] 88 00:02:08,167 --> 00:02:08,700 >> OKAY. 89 00:02:08,700 --> 00:02:10,067 ALL RIGHT, THIS IS -- THIS IS A 90 00:02:10,067 --> 00:02:12,400 LITTLE OUT OF PROCEDURE, BY THE 91 00:02:12,400 --> 00:02:13,800 WAY, I SHOULD JUST MENTION, BUT 92 00:02:13,800 --> 00:02:14,633 I'M VERY CURIOUS. 93 00:02:14,633 --> 00:02:15,333 >> I AM, TOO. 94 00:02:15,333 --> 00:02:17,067 >> OKAY. OKAY. ALL RIGHT. 95 00:02:17,067 --> 00:02:19,433 >> THAT HERE. REST THAT HERE. 96 00:02:19,433 --> 00:02:21,833 AND JUST TOUCH THESE TWO TO HERE 97 00:02:21,833 --> 00:02:23,500 LIKE THIS. 98 00:02:23,500 --> 00:02:24,867 [ STATIC CRACKLING ] 99 00:02:24,867 --> 00:02:26,367 [ RADIO CHATTER ] 100 00:02:26,367 --> 00:02:27,833 OKAY. 101 00:02:27,833 --> 00:02:29,267 YEAH, I FEEL, LIKE, A BUZZ. 102 00:02:29,267 --> 00:02:30,633 [ SOFT MUSIC PLAYING ] 103 00:02:30,633 --> 00:02:32,433 [ RADIO CHATTER ] 104 00:02:32,433 --> 00:02:36,467 [ MARIACHI MUSIC PLAYING ] 105 00:02:36,467 --> 00:02:37,467 DO YOU FEEL ANYTHING? 106 00:02:37,467 --> 00:02:39,200 >> [ LAUGHS ] 107 00:02:39,200 --> 00:02:40,867 >> ARE YOU FEELING THAT BUZZ? 108 00:02:40,867 --> 00:02:41,500 YOU OKAY? 109 00:02:41,500 --> 00:02:42,100 [ MUSIC STOPS ] 110 00:02:42,100 --> 00:02:43,767 >> [ LAUGHING ] 111 00:02:43,767 --> 00:02:45,300 OH, MY GOD. 112 00:02:45,300 --> 00:02:47,367 >> WHAT? WHAT? WHAT? WHAT? 113 00:02:47,367 --> 00:02:48,667 WHAT'S SO FUNNY? 114 00:02:48,667 --> 00:02:50,733 OH, MY GOSH, TELL ME. TELL ME. 115 00:02:50,733 --> 00:02:52,533 >> I HEARD LIKE MARIACHI MUSIC. 116 00:02:52,533 --> 00:02:53,300 [ LAUGHS ] 117 00:02:53,300 --> 00:02:54,067 >> SERIOUSLY? 118 00:02:54,067 --> 00:02:55,133 >> [ Laughing ] YEAH. 119 00:02:55,133 --> 00:02:55,867 >> SERIOUSLY? 120 00:02:55,867 --> 00:02:56,367 >> YES. 121 00:02:56,367 --> 00:02:57,467 >> YOU HEARD MUSIC? 122 00:02:57,467 --> 00:02:59,100 >> YEAH. [ LAUGHS ] 123 00:02:59,100 --> 00:03:00,667 >> WHAT? CLEARLY? 124 00:03:00,667 --> 00:03:01,933 >> I SWEAR TO GOD. 125 00:03:01,933 --> 00:03:02,633 >> LIKE, WHAT -- 126 00:03:02,633 --> 00:03:03,300 >> I DON'T KNOW. 127 00:03:03,300 --> 00:03:04,467 AT FIRST I THOUGHT IT WAS LIKE 128 00:03:04,467 --> 00:03:05,567 SOME KIND OF CLASSICAL MUSIC, 129 00:03:05,567 --> 00:03:06,667 BUT THEN IT TURNED INTO SOME 130 00:03:06,667 --> 00:03:07,567 KIND OF CRAZY MARIACHI. 131 00:03:07,567 --> 00:03:08,167 I DON'T KNOW. 132 00:03:08,167 --> 00:03:09,833 >> WHAT? ARE YOU BEING SERIOUS? 133 00:03:09,833 --> 00:03:10,967 >> I'M DEAD SERIOUS. 134 00:03:10,967 --> 00:03:11,900 I SWEAR TO GOD. 135 00:03:11,900 --> 00:03:13,233 >> LIKE, WHERE WAS THE MUSIC 136 00:03:13,233 --> 00:03:13,900 COMING FROM? 137 00:03:13,900 --> 00:03:15,100 >> I GUESS LIKE CLOSE TO MY 138 00:03:15,100 --> 00:03:16,067 MOUTH, IN MY MOUTH. 139 00:03:16,067 --> 00:03:16,700 I DON'T KNOW. 140 00:03:16,700 --> 00:03:17,767 >> COMING FROM YOUR MOUTH? 141 00:03:17,767 --> 00:03:20,100 >> SORT OF, I GUESS. 142 00:03:20,100 --> 00:03:21,200 YOU GOT TO PUT YOUR EAR REAL 143 00:03:21,200 --> 00:03:21,567 CLOSE. 144 00:03:21,567 --> 00:03:22,067 >> REALLY? 145 00:03:22,067 --> 00:03:22,767 >> I DON'T KNOW. 146 00:03:22,767 --> 00:03:23,567 >> OKAY. I'LL DO IT. 147 00:03:23,567 --> 00:03:24,133 >> [ LAUGHS ] 148 00:03:24,133 --> 00:03:24,600 >> CAN I? 149 00:03:24,600 --> 00:03:25,100 >> SURE. 150 00:03:25,100 --> 00:03:26,333 >> OKAY. OKAY. YOU GOT IT. 151 00:03:26,333 --> 00:03:28,067 MAYBE I'LL TRY MORE TOOLS, SEE 152 00:03:28,067 --> 00:03:29,733 IF WE CAN REALLY PICK UP -- THEY 153 00:03:29,733 --> 00:03:31,300 EACH HAVE A CHANCE TO GRAB A 154 00:03:31,300 --> 00:03:32,333 SEPARATE CHANNEL. 155 00:03:32,333 --> 00:03:32,667 OKAY? 156 00:03:32,667 --> 00:03:33,267 >> ALL RIGHT. 157 00:03:33,267 --> 00:03:34,167 >> I'M GONNA USE THIS. 158 00:03:34,167 --> 00:03:35,200 >> WE'RE GONNA HAVE LIKE FOUR 159 00:03:35,200 --> 00:03:36,233 DIFFERENT CHANNELS GOING ON IN 160 00:03:36,233 --> 00:03:36,633 MY HEAD. 161 00:03:36,633 --> 00:03:38,967 >> OKAY. OPEN UP. OKAY. 162 00:03:38,967 --> 00:03:40,267 TOUCH RIGHT TO THERE. 163 00:03:40,267 --> 00:03:41,233 YEAH, THAT'S WHERE I GOT THE 164 00:03:41,233 --> 00:03:41,533 BEST. 165 00:03:41,533 --> 00:03:42,500 THAT'S WHERE I FELT THE -- I 166 00:03:42,500 --> 00:03:43,433 SEE -- I CAN ALREADY FEEL A 167 00:03:43,433 --> 00:03:44,267 LITTLE BUZZ RIGHT THERE. 168 00:03:44,267 --> 00:03:47,467 AND THEN...HERE. 169 00:03:47,467 --> 00:03:48,200 [ STATIC CRACKLING ] 170 00:03:48,200 --> 00:03:52,533 [ ROCK MUSIC PLAYING ] 171 00:03:52,533 --> 00:03:53,767 I CAN KIND OF HEAR SOMETHING 172 00:03:53,767 --> 00:03:54,967 THERE. 173 00:03:54,967 --> 00:03:58,433 >> M.C. 103.7 F.M. -- ALL MUSIC, 174 00:03:58,433 --> 00:03:59,333 ALL DAY. 175 00:03:59,333 --> 00:04:00,567 >> SO, NOW I'M HEARING A VOICE. 176 00:04:00,567 --> 00:04:01,667 >> ...TO OUR 100th CALLER... 177 00:04:01,667 --> 00:04:02,467 >> I CAN HEAR THAT. 178 00:04:02,467 --> 00:04:03,633 >> ...TO WIN OUR ULTIMATE PRIZE 179 00:04:03,633 --> 00:04:03,967 PACK. 180 00:04:03,967 --> 00:04:04,600 >> OH, MY GOD. 181 00:04:04,600 --> 00:04:05,667 >> YOU'RE LIVE ON THE AIR. 182 00:04:05,667 --> 00:04:06,600 ONCE AGAIN, THE TRIVIA 183 00:04:06,600 --> 00:04:07,133 QUESTION... 184 00:04:07,133 --> 00:04:08,167 >> ARE YOU TRIVIA PERSON? 185 00:04:08,167 --> 00:04:09,367 >> ...IS "HOW MANY DIMPLES ARE 186 00:04:09,367 --> 00:04:10,067 ON A GOLF BALL?" 187 00:04:10,067 --> 00:04:11,400 >> I ACTUALLY KNOW THE ANSWER TO 188 00:04:11,400 --> 00:04:11,767 THAT. 189 00:04:11,767 --> 00:04:12,700 ARE YOU HEARING THAT? 190 00:04:12,700 --> 00:04:13,233 >> UH-HUH. 191 00:04:13,233 --> 00:04:14,367 >> I HOPE YOU ACTUALLY DO. 192 00:04:14,367 --> 00:04:16,667 WHAT'S THE ANSWER? 193 00:04:16,667 --> 00:04:17,900 >> ARE YOU TALKING TO ME? 194 00:04:17,900 --> 00:04:18,867 >> YES, I AM. 195 00:04:18,867 --> 00:04:20,433 YOU ARE LIVE ON THE AIR. 196 00:04:20,433 --> 00:04:22,333 HOW MANY DIMPLES ARE ON A GOLF 197 00:04:22,333 --> 00:04:23,567 BALL? 198 00:04:23,567 --> 00:04:24,733 >> 336. 199 00:04:24,733 --> 00:04:25,833 HE'S NOT REALLY TALKING -- 200 00:04:25,833 --> 00:04:26,267 >> 336. 201 00:04:26,267 --> 00:04:27,133 >> ARE YOU SERIOUS? 202 00:04:27,133 --> 00:04:28,467 >> WHAT'S YOUR NAME, CALLER 100? 203 00:04:28,467 --> 00:04:29,400 >> MICHAEL. 204 00:04:29,400 --> 00:04:31,467 >> MICHAEL, PACK YOUR BAGS FOR 205 00:04:31,467 --> 00:04:32,233 BERMUDA. 206 00:04:32,233 --> 00:04:34,333 YOU'VE JUST WON THE ULTIMATE... 207 00:04:34,333 --> 00:04:35,467 >> IS HE TALKING TO ME? 208 00:04:35,467 --> 00:04:36,067 COME ON. 209 00:04:36,067 --> 00:04:37,767 >> STAY ON THE LINE WITH US FOR 210 00:04:37,767 --> 00:04:38,167 MO-- 211 00:04:38,167 --> 00:04:39,633 >> WE -- HELLO? 212 00:04:39,633 --> 00:04:40,433 [ STATIC CRACKLES ] 213 00:04:40,433 --> 00:04:43,100 HELLO? HELLO? 214 00:04:43,100 --> 00:04:44,233 NO, THERE'S NO WAY HE WAS 215 00:04:44,233 --> 00:04:44,667 JUST -- 216 00:04:44,667 --> 00:04:45,933 >> HE SAID "MICHAEL"! 217 00:04:45,933 --> 00:04:47,767 [ LAUGHS ] 218 00:04:47,767 --> 00:04:48,567 >> OH, MY GOSH. 219 00:04:48,567 --> 00:04:49,900 >> YOU BETTER CALL THEM BACK. 220 00:04:49,900 --> 00:04:51,233 THEY JUST GAVE YOU A TRIP TO 221 00:04:51,233 --> 00:04:51,733 BERMUDA. 222 00:04:51,733 --> 00:04:52,367 >> SERIOUSLY. 223 00:04:52,367 --> 00:04:53,300 WHAT STATION WAS THAT? 224 00:04:53,300 --> 00:04:54,300 >> OH, GOD, I MISSED IT. 225 00:04:54,300 --> 00:04:54,933 >> OH, MY GOD. 226 00:04:54,933 --> 00:04:56,067 I KNEW THAT ANSWER TO THAT. 227 00:04:56,067 --> 00:04:56,967 >> THEY SAID IT IN THE 228 00:04:56,967 --> 00:04:57,500 BEGINNING. 229 00:04:57,500 --> 00:04:58,700 >> OKAY, LET ME TRY AND FIND OUT 230 00:04:58,700 --> 00:04:59,700 WHO WAS DOING A PRIZE PACK. 231 00:04:59,700 --> 00:05:00,933 HE SAID IT WAS GONNA BE A TRIP. 232 00:05:00,933 --> 00:05:01,467 >> YEAH. 233 00:05:01,467 --> 00:05:02,233 >> OKAY, OKAY. 234 00:05:02,233 --> 00:05:03,567 RINSE, AND WE'LL GET ANOTHER 235 00:05:03,567 --> 00:05:04,067 SIGNAL. 236 00:05:04,067 --> 00:05:05,400 I'LL BE -- OH, I'LL BE RIGHT 237 00:05:05,400 --> 00:05:05,800 BACK. 238 00:05:05,800 --> 00:05:08,800 OKAY. 239 00:05:08,800 --> 00:05:11,267 ** 240 00:05:26,867 --> 00:05:28,700 >> HOW LONG AGO WAS THAT FILLING 241 00:05:28,700 --> 00:05:30,567 FILLED OVER HERE, THE NUMBER 20? 242 00:05:30,567 --> 00:05:31,800 THE LEFT SIDE THERE. 243 00:05:31,800 --> 00:05:33,067 >> THE LEFT SIDE? 244 00:05:33,067 --> 00:05:33,867 >> YEAH. 245 00:05:33,867 --> 00:05:35,233 >> LIKE WHEN I WAS 12. 246 00:05:35,233 --> 00:05:36,267 >> REALLY? 247 00:05:36,267 --> 00:05:37,567 >> 11 OR 12, SOMETHING LIKE 248 00:05:37,567 --> 00:05:37,933 THAT. 249 00:05:37,933 --> 00:05:40,700 >> LET ME SEE THAT AGAIN. 250 00:05:40,700 --> 00:05:41,667 LOOKS ALMOST LIKE THERE'S A 251 00:05:41,667 --> 00:05:42,667 LITTLE BIT -- I DON'T KNOW IF 252 00:05:42,667 --> 00:05:43,467 IT'S CHIPPING OR WHAT. 253 00:05:43,467 --> 00:05:44,567 THERE'S A LITTLE BIT POPPING UP. 254 00:05:44,567 --> 00:05:45,500 DO YOU FEEL THAT WITH YOUR 255 00:05:45,500 --> 00:05:45,867 TONGUE? 256 00:05:45,867 --> 00:05:46,833 THERE'S SORT OF A LITTLE BIT 257 00:05:46,833 --> 00:05:47,467 PROTRUDING. 258 00:05:47,467 --> 00:05:48,767 IT ACTUALLY, HONESTLY, LOOKS 259 00:05:48,767 --> 00:05:50,267 LIKE A LITTLE BIT OF ORTHODONTIC 260 00:05:50,267 --> 00:05:51,600 WORK, LIKE A PIECE OF WIRE IS 261 00:05:51,600 --> 00:05:52,067 THERE. 262 00:05:52,067 --> 00:05:53,233 DID YOU HAVE BRACES OR -- 263 00:05:53,233 --> 00:05:53,867 >> MNH-MNH. 264 00:05:53,867 --> 00:05:54,467 >> REALLY? 265 00:05:54,467 --> 00:05:55,067 >> MM-HMM. 266 00:05:55,067 --> 00:05:56,267 >> OKAY, I'M JUST GONNA TAKE A 267 00:05:56,267 --> 00:05:58,867 LITTLE -- LET ME HAVE YOU SIT UP 268 00:05:58,867 --> 00:06:01,333 A LITTLE BIT HERE. 269 00:06:01,333 --> 00:06:02,867 HERE WE GO. AND OPEN UP AGAIN. 270 00:06:02,867 --> 00:06:04,133 YEAH. ALL RIGHT. 271 00:06:04,133 --> 00:06:05,067 SEE I GOT THIS RIGHT HERE? 272 00:06:05,067 --> 00:06:05,533 >> UH-HUH. 273 00:06:05,533 --> 00:06:06,667 >> I'M JUST GONNA USE THE TIP OF 274 00:06:06,667 --> 00:06:07,800 THESE, AND I'M JUST SEE IF I CAN 275 00:06:07,800 --> 00:06:08,467 KIND OF HIT THAT. 276 00:06:08,467 --> 00:06:09,767 IT'S A LITTLE PIECE OF WIRE. 277 00:06:09,767 --> 00:06:11,100 AND IT'S JUST A LITTLE BIT 278 00:06:11,100 --> 00:06:12,267 STRANGE. 279 00:06:12,267 --> 00:06:14,533 I'VE ACTUALLY NEVER SEEN... 280 00:06:14,533 --> 00:06:17,567 OH. 281 00:06:17,567 --> 00:06:20,267 I GOT IT. WHAT IS THIS? 282 00:06:20,267 --> 00:06:25,667 WHAT THE HECK IS THAT? 283 00:06:25,667 --> 00:06:28,100 >> I HAVE NO IDEA. 284 00:06:28,100 --> 00:06:29,300 >> DID YOU FEEL THAT IN THERE? 285 00:06:29,300 --> 00:06:29,867 >> UNH-UNH. 286 00:06:29,867 --> 00:06:30,900 >> THIS IS THE WIRE I WAS 287 00:06:30,900 --> 00:06:31,567 TALKING ABOUT. 288 00:06:31,567 --> 00:06:32,367 IT WAS PULLING UP. 289 00:06:32,367 --> 00:06:33,433 >> WHY IS IT BLINKING? 290 00:06:33,433 --> 00:06:34,600 >> WELL, THIS IS AN ORAL 291 00:06:34,600 --> 00:06:35,133 TRACKER. 292 00:06:35,133 --> 00:06:36,233 YEAH, THEY'RE MEANT TO BE 293 00:06:36,233 --> 00:06:37,433 HIDDEN, YOU KNOW, DEEP DOWN 294 00:06:37,433 --> 00:06:37,867 INSIDE. 295 00:06:37,867 --> 00:06:39,167 SOMETIMES IT'S USED AS LIKE -- 296 00:06:39,167 --> 00:06:40,333 >> WHAT IS IT FOR, THOUGH? 297 00:06:40,333 --> 00:06:40,833 LIKE... 298 00:06:40,833 --> 00:06:42,500 >> WELL, THEY CAN STORE THINGS 299 00:06:42,500 --> 00:06:44,200 INSIDE OF IT, LIKE INFORMATION 300 00:06:44,200 --> 00:06:45,967 OR PLANS OR SOMETHING LIKE THAT, 301 00:06:45,967 --> 00:06:47,433 OR, LIKE, GOVERNMENT STUFF 302 00:06:47,433 --> 00:06:49,133 THEY'VE USED IT, BUT IT HASN'T 303 00:06:49,133 --> 00:06:50,700 BEEN FOR A REALLY LONG TIME. 304 00:06:50,700 --> 00:06:52,067 THE OTHER ONE IS THAT PEOPLE IN 305 00:06:52,067 --> 00:06:53,200 RECENT YEARS -- BUT YOU SAID 306 00:06:53,200 --> 00:06:54,400 THIS WAS WHEN YOU WERE 12 -- 307 00:06:54,400 --> 00:06:55,467 THEY USED IT KIND OF AS A 308 00:06:55,467 --> 00:06:56,233 TRACKING DEVICE. 309 00:06:56,233 --> 00:06:57,733 DOES ANYONE IN YOUR FAMILY, 310 00:06:57,733 --> 00:06:59,333 LIKE, HAVE ANY TIES TO, LIKE, 311 00:06:59,333 --> 00:07:00,833 FBI OR ANYTHING LIKE THAT? 312 00:07:00,833 --> 00:07:02,267 >> MNH-MNH. 313 00:07:02,267 --> 00:07:03,633 I'VE NEVER BEEN IN THE MILITARY, 314 00:07:03,633 --> 00:07:04,533 ANYTHING LIKE THAT. 315 00:07:04,533 --> 00:07:05,800 I'VE NEVER DONE ANYTHING WITH 316 00:07:05,800 --> 00:07:06,167 THAT. 317 00:07:06,167 --> 00:07:06,667 >> YEAH. 318 00:07:06,667 --> 00:07:08,067 IF YOU HAVE, LIKE, SOMETHING TO 319 00:07:08,067 --> 00:07:09,400 SEE REALLY CLOSELY, YOU CAN -- 320 00:07:09,400 --> 00:07:10,767 THERE'S A LITTLE SERIAL NUMBER 321 00:07:10,767 --> 00:07:11,767 AT THE BOTTOM HERE... 322 00:07:11,767 --> 00:07:12,500 >> MM-HMM. 323 00:07:12,500 --> 00:07:14,200 >> ...RIGHT ON THE LINE THERE. 324 00:07:14,200 --> 00:07:15,600 I'M GONNA TOUCH THAT LIGHT, 325 00:07:15,600 --> 00:07:16,100 AND... 326 00:07:16,100 --> 00:07:16,667 >> OKAY. 327 00:07:16,667 --> 00:07:18,333 [ BEEPING ] 328 00:07:18,333 --> 00:07:19,567 WHOOPS. 329 00:07:19,567 --> 00:07:21,200 OH, SHOOT. 330 00:07:21,200 --> 00:07:22,467 OKAY, THAT I'VE NEVER SEEN 331 00:07:22,467 --> 00:07:23,100 BEFORE. 332 00:07:23,100 --> 00:07:24,667 >> OKAY. [ LAUGHS ] 333 00:07:24,667 --> 00:07:26,200 THAT'S REALLY STRANGE. 334 00:07:26,200 --> 00:07:26,967 >> YEAH, THAT'S WEIRD. 335 00:07:26,967 --> 00:07:27,367 HOLD ON. 336 00:07:27,367 --> 00:07:28,300 LET ME JUST STOP THAT AGAIN. 337 00:07:28,300 --> 00:07:29,333 [ BEEPING INTENSIFIES ] 338 00:07:29,333 --> 00:07:30,500 I'M JUST NERVOUS THAT IT'S 339 00:07:30,500 --> 00:07:30,967 BEEPING. 340 00:07:30,967 --> 00:07:32,067 CAN I GET IT AWAY FROM US? 341 00:07:32,067 --> 00:07:33,633 >> YEAH, PROBABLY A GOOD IDEA. 342 00:07:33,633 --> 00:07:39,067 >> OKAY. 343 00:07:39,067 --> 00:07:40,367 WHAT THE HELL WAS THAT? 344 00:07:40,367 --> 00:07:42,433 >> OKAY, ARE YOU TELLING ME THE 345 00:07:42,433 --> 00:07:43,067 TRUTH? 346 00:07:43,067 --> 00:07:44,333 >> [ LAUGHS ] I'M DEAD SERIOUS. 347 00:07:44,333 --> 00:07:45,467 I HAVE NO IDEA WHAT THE HELL 348 00:07:45,467 --> 00:07:48,067 THAT WAS. 349 00:07:48,067 --> 00:07:49,067 LIKE, I'M FREAKING OUT RIGHT 350 00:07:49,067 --> 00:07:49,333 NOW. 351 00:07:49,333 --> 00:07:50,400 >> NOW, IF YOU KNOW SOMETHING, 352 00:07:50,400 --> 00:07:51,367 I'D APPRECIATE IF YOU WOULD 353 00:07:51,367 --> 00:07:51,767 TELL ME. 354 00:07:51,767 --> 00:07:52,700 >> I'M BEING DEAD SERIOUS. 355 00:07:52,700 --> 00:07:53,267 I'M HONEST. 356 00:07:53,267 --> 00:07:53,733 >> OKAY. 357 00:07:53,733 --> 00:07:54,733 >> I'M HONEST WITH YOU. 358 00:07:54,733 --> 00:07:56,067 I WOULD NOT -- I'M NOT GONNA LIE 359 00:07:56,067 --> 00:07:57,133 ABOUT SOMETHING LIKE THAT. 360 00:07:57,133 --> 00:07:57,533 >> OKAY. 361 00:07:57,533 --> 00:07:58,500 YEAH, I'LL SHOW YOU HERE. 362 00:07:58,500 --> 00:07:59,567 >> AND WHAT ARE THEY CALLED? 363 00:07:59,567 --> 00:08:00,200 >> HERE. 364 00:08:00,200 --> 00:08:01,733 IT'S CALLED A BITE IMPLEMENTED 365 00:08:01,733 --> 00:08:03,267 ORAL TRACKING DEVICE, AND WHAT 366 00:08:03,267 --> 00:08:04,900 HAPPENS IS THAT YOU BITE, AND IT 367 00:08:04,900 --> 00:08:06,300 WOULD WEDGE IN BETWEEN YOUR 368 00:08:06,300 --> 00:08:06,800 TEETH. 369 00:08:06,800 --> 00:08:07,967 >> THAT'S REALLY WEIRD. 370 00:08:07,967 --> 00:08:09,300 >> YEAH, THIS WOULD BE YOUR 371 00:08:09,300 --> 00:08:10,767 FIRST, YOU KNOW, NON-TRACK DAY 372 00:08:10,767 --> 00:08:12,067 SINCE YOU WERE 12, REALLY. 373 00:08:12,067 --> 00:08:13,300 >> YEAH, THAT'S -- IT'S REALLY 374 00:08:13,300 --> 00:08:13,700 WEIRD. 375 00:08:13,700 --> 00:08:14,167 >> YEAH. 376 00:08:14,167 --> 00:08:15,733 I DO NEED TO MAKE A QUICK LITTLE 377 00:08:15,733 --> 00:08:17,100 REPORT TO MY SUPERIOR ABOUT 378 00:08:17,100 --> 00:08:17,500 THIS. 379 00:08:17,500 --> 00:08:19,067 NOTHING TO BE CONCERNED ABOUT. 380 00:08:19,067 --> 00:08:21,467 I WILL BE BACK, AND, UH -- 381 00:08:21,467 --> 00:08:22,300 NOT A PROBLEM. 382 00:08:22,300 --> 00:08:26,767 I WILL BE RIGHT BACK, OKAY? 383 00:08:26,767 --> 00:08:28,967 >> OKAY. I'M FREAKING OUT NOW. 384 00:08:32,833 --> 00:08:34,567 >> OKAY, SO, WE'RE APPRAISING 385 00:08:34,567 --> 00:08:35,067 ART? 386 00:08:35,067 --> 00:08:36,233 IS THAT WHAT IT IS? 387 00:08:36,233 --> 00:08:37,533 I HAVE MY -- THIS SAYS 388 00:08:37,533 --> 00:08:38,800 "APPRAISAL WORKSHEET." 389 00:08:38,800 --> 00:08:40,167 THAT'S LEGIT. 390 00:08:40,167 --> 00:08:42,567 AND MY PAINTBRUSHES AND CHISELS 391 00:08:42,567 --> 00:08:44,067 AND BATH TOWEL. 392 00:08:44,067 --> 00:08:44,533 I'M READY. 393 00:08:44,533 --> 00:08:45,700 I LOOK LIKE AN OFFICIAL 394 00:08:45,700 --> 00:08:47,633 APPRAISER. 395 00:08:47,633 --> 00:08:51,300 BRING ME YOUR ART. 396 00:08:51,300 --> 00:08:51,767 HELLO. 397 00:08:51,767 --> 00:08:52,900 >> HEY. HOW'S IT GOING? 398 00:08:52,900 --> 00:08:54,067 >> HOW YOU DOING, MAN? 399 00:08:54,067 --> 00:08:54,800 >> ALL RIGHT. 400 00:08:54,800 --> 00:08:55,800 >> YOU DOING AN APPRAISAL? 401 00:08:55,800 --> 00:08:56,200 >> YES. 402 00:08:56,200 --> 00:08:56,800 >> OH, GREAT. 403 00:08:56,800 --> 00:08:59,133 HERE. COME ON OVER HERE. 404 00:08:59,133 --> 00:09:01,667 ALL RIGHT. GOOD TO SEE YOU. 405 00:09:01,667 --> 00:09:02,600 MICHAEL. 406 00:09:02,600 --> 00:09:03,067 >> MILTON. 407 00:09:03,067 --> 00:09:04,067 >> MILTON, NICE TO MEET YOU. 408 00:09:04,067 --> 00:09:04,933 >> NICE TO MEET YOU, TOO. 409 00:09:04,933 --> 00:09:05,933 >> ALL RIGHT, I'LL PUT ON MY 410 00:09:05,933 --> 00:09:07,367 GLOVES HERE, AND WE'LL TAKE A 411 00:09:07,367 --> 00:09:08,400 LOOK AT WHAT WE GOT. 412 00:09:08,400 --> 00:09:09,433 YOU HAVING A GOOD DAY? 413 00:09:09,433 --> 00:09:10,533 >> OH, YEAH, OF COURSE. 414 00:09:10,533 --> 00:09:11,667 EVERY DAY IS A GOOD DAY. 415 00:09:11,667 --> 00:09:13,200 >> OH, GOOD. THAT'S RIGHT. 416 00:09:13,200 --> 00:09:14,533 WOW. 417 00:09:14,533 --> 00:09:16,367 AND HOW LONG HAVE YOU HAD IT? 418 00:09:16,367 --> 00:09:18,533 >> IT'S BEEN ABOUT A YEAR. 419 00:09:18,533 --> 00:09:20,433 >> ABOUT A YEAR? OKAY? 420 00:09:20,433 --> 00:09:21,067 HERE WE GO. 421 00:09:21,067 --> 00:09:22,300 I'M GONNA LIFT THIS UP, PUT IT 422 00:09:22,300 --> 00:09:22,833 DOWN HERE. 423 00:09:22,833 --> 00:09:24,200 WILL YOU MOVE THE BOX OUT OF THE 424 00:09:24,200 --> 00:09:24,533 WAY? 425 00:09:24,533 --> 00:09:26,067 >> SURE. SURE. YEAH. 426 00:09:26,067 --> 00:09:27,167 IT'S A LITTLE... 427 00:09:27,167 --> 00:09:28,433 >> OH, THAT'S OKAY. 428 00:09:28,433 --> 00:09:29,133 >> OKAY. 429 00:09:29,133 --> 00:09:30,067 >> ALL RIGHT. 430 00:09:30,067 --> 00:09:31,333 COME RIGHT IN FRONT SO YOU CAN 431 00:09:31,333 --> 00:09:32,300 SEE THE PROFILE HERE. 432 00:09:32,300 --> 00:09:33,667 THIS LOOKS LIKE -- I WOULD SAY 433 00:09:33,667 --> 00:09:34,733 THIS CAME FROM ARIZONA. 434 00:09:34,733 --> 00:09:35,333 >> MM-HMM. 435 00:09:35,333 --> 00:09:36,333 >> DID YOU KNOW THAT? 436 00:09:36,333 --> 00:09:37,200 >> I DIDN'T KNOW. 437 00:09:37,200 --> 00:09:37,967 >> YES. 438 00:09:37,967 --> 00:09:39,867 I WOULD SAY THAT THIS IS 439 00:09:39,867 --> 00:09:42,067 PROBABLY ABOUT 150 YEARS OLD. 440 00:09:42,067 --> 00:09:44,233 AND IT'S CLAY, SO IT DOES ABSORB 441 00:09:44,233 --> 00:09:45,067 MOISTURE. 442 00:09:45,067 --> 00:09:45,500 >> MM-HMM. 443 00:09:45,500 --> 00:09:46,500 >> AND WE HAD SOME RAIN THIS 444 00:09:46,500 --> 00:09:46,900 WEEKEND. 445 00:09:46,900 --> 00:09:47,933 WHERE WERE YOU KEEPING IT THIS 446 00:09:47,933 --> 00:09:48,333 WEEKEND? 447 00:09:48,333 --> 00:09:50,067 >> IT WAS INSIDE THE HOME, LIKE 448 00:09:50,067 --> 00:09:51,567 IN -- YOU SAY, LIKE, IN MY 449 00:09:51,567 --> 00:09:53,267 LITTLE AREA, DINING ROOM AREA. 450 00:09:53,267 --> 00:09:53,833 >> OH, OKAY. 451 00:09:53,833 --> 00:09:54,967 AND THAT'S WHERE IT JUST WOULD 452 00:09:54,967 --> 00:09:55,633 GENERALLY STAY? 453 00:09:55,633 --> 00:09:56,067 >> MM-HMM. 454 00:09:56,067 --> 00:09:56,567 >> OH, OKAY. 455 00:09:56,567 --> 00:09:57,800 IT'S IN REMARKABLY GOOD 456 00:09:57,800 --> 00:09:58,467 CONDITION. 457 00:09:58,467 --> 00:10:00,033 THE THING IS, THEY'RE NOT WORTH 458 00:10:00,033 --> 00:10:01,533 A LOT OF MONEY, ODDLY ENOUGH, 459 00:10:01,533 --> 00:10:03,567 BECAUSE IT WASN'T SO MUCH ABOUT 460 00:10:03,567 --> 00:10:04,933 KEEPING ONE INTACT, BUT IT WAS 461 00:10:04,933 --> 00:10:06,233 WHAT THEY WOULD DO -- AND IT 462 00:10:06,233 --> 00:10:07,667 DEPENDS ON WHETHER OR NOT -- AND 463 00:10:07,667 --> 00:10:09,100 I'M JUST GONNA TAKE A LITTLE BIT 464 00:10:09,100 --> 00:10:09,967 OF A LISTEN HERE. 465 00:10:09,967 --> 00:10:10,833 [ LIGHT TAPPING ] 466 00:10:10,833 --> 00:10:12,367 YEAH, IT DOES SOUND KIND OF 467 00:10:12,367 --> 00:10:12,933 HOLLOW. 468 00:10:12,933 --> 00:10:14,467 [ LIGHT TAPPING ] 469 00:10:14,467 --> 00:10:15,700 YOU KNOW, THEY WOULD FILL THEM 470 00:10:15,700 --> 00:10:16,533 WITH VARIOUS GIFTS. 471 00:10:16,533 --> 00:10:17,067 >> MM-HMM. 472 00:10:17,067 --> 00:10:18,333 >> AND SOMETIMES THEY WOULD EVEN 473 00:10:18,333 --> 00:10:19,567 HIDE TREASURES INSIDE OF THEM. 474 00:10:19,567 --> 00:10:20,133 >> OKAY. 475 00:10:20,133 --> 00:10:21,700 >> SO, REALLY, WHEN IT COMES TO 476 00:10:21,700 --> 00:10:23,200 APPRAISING AND FINDING WHETHER 477 00:10:23,200 --> 00:10:24,433 OR NOT IT'S WORTH A LOT, IS 478 00:10:24,433 --> 00:10:26,667 TO -- TO FIND OUT WHAT'S INSIDE 479 00:10:26,667 --> 00:10:27,467 OF IT. 480 00:10:27,467 --> 00:10:28,933 SO [CHUCKLES] THAT WOULD BE UP 481 00:10:28,933 --> 00:10:29,433 TO YOU. 482 00:10:29,433 --> 00:10:30,233 >> OH, MY GOD. 483 00:10:30,233 --> 00:10:31,800 >> I MEAN, IT HAS A LITTLE -- IF 484 00:10:31,800 --> 00:10:33,233 I CAN JUST TAKE A LITTLE TAP 485 00:10:33,233 --> 00:10:34,267 HERE. 486 00:10:34,267 --> 00:10:34,900 OH. YEP. 487 00:10:34,900 --> 00:10:35,800 YOU KNOW WHAT? 488 00:10:35,800 --> 00:10:37,433 LOOK -- SEE HOW HOLLOW THAT WAS 489 00:10:37,433 --> 00:10:39,233 RIGHT THERE? 490 00:10:39,233 --> 00:10:40,267 OH. WHOOPS. 491 00:10:40,267 --> 00:10:41,900 OH, THERE WE GO. OKAY. 492 00:10:41,900 --> 00:10:42,667 YEAH. 493 00:10:42,667 --> 00:10:44,500 LET'S SEE WHAT'S INSIDE HERE. 494 00:10:44,500 --> 00:10:45,367 OH. 495 00:10:45,367 --> 00:10:50,033 [ BIRD CLUCKING ] 496 00:10:50,033 --> 00:10:50,900 WOW. 497 00:10:50,900 --> 00:10:51,667 >> WOW. 498 00:10:51,667 --> 00:10:54,033 >> WOW. 499 00:10:54,033 --> 00:10:55,167 I'M SCARED OF IT. 500 00:10:55,167 --> 00:10:56,267 >> NO, DON'T BE SCARED. 501 00:10:56,267 --> 00:10:57,367 I HAVE READ ABOUT THIS. 502 00:10:57,367 --> 00:10:58,733 THIS IS A SOUTHWESTERN HARVEST 503 00:10:58,733 --> 00:10:59,133 BIRD. 504 00:10:59,133 --> 00:11:01,500 [ BIRD CLUCKING ] 505 00:11:01,500 --> 00:11:03,100 WHAT THEY WOULD DO -- A LOT OF 506 00:11:03,100 --> 00:11:04,600 THEM, IF THEY DIDN'T FILL IT 507 00:11:04,600 --> 00:11:06,233 WITH JEWELS, THEY WOULD FILL IT 508 00:11:06,233 --> 00:11:07,567 WITH AN EGG. 509 00:11:07,567 --> 00:11:09,200 YOU KNOW, THEY'D PUT AN EGG ON 510 00:11:09,200 --> 00:11:10,500 THE INSIDE TO SYMBOLIZE 511 00:11:10,500 --> 00:11:11,233 PROSPERITY. 512 00:11:11,233 --> 00:11:13,333 LOOK AT THAT. 513 00:11:13,333 --> 00:11:15,233 THAT IS SOMETHING ELSE. 514 00:11:15,233 --> 00:11:16,733 I'VE NEVER SEEN... 515 00:11:16,733 --> 00:11:17,900 >> OH, MY GOD. IT'S A BEAUTY. 516 00:11:17,900 --> 00:11:18,700 >> IT IS A BEAUTY. 517 00:11:18,700 --> 00:11:19,900 >> BUT I DON'T WANT TOUCH IT. 518 00:11:19,900 --> 00:11:21,100 >> YOU DON'T WANT TO TOUCH IT? 519 00:11:21,100 --> 00:11:22,200 >> I'M LIKE -- I'M SCARED. 520 00:11:22,200 --> 00:11:23,167 >> OH, DON'T BE SCARED. 521 00:11:23,167 --> 00:11:24,067 OH, LOOK AT HIM. 522 00:11:24,067 --> 00:11:24,933 >> AWW. 523 00:11:24,933 --> 00:11:26,433 HE'S PROBABLY TI-- YOU KNOW, 524 00:11:26,433 --> 00:11:28,067 HE'S BEEN COOPED UP FOR A LONG 525 00:11:28,067 --> 00:11:29,333 TIME. 526 00:11:29,333 --> 00:11:30,333 >> WELL, THIS MUST BE A GIFT 527 00:11:30,333 --> 00:11:30,767 FROM GOD. 528 00:11:30,767 --> 00:11:31,733 [ CHUCKLES ] 529 00:11:31,867 --> 00:11:33,300 >> THESE ARE EXTINCT. 530 00:11:33,300 --> 00:11:34,200 >> WHAT?! 531 00:11:34,200 --> 00:11:35,433 >> YEAH. 532 00:11:35,567 --> 00:11:36,867 >> THIS IS -- THIS IS TOO MUCH 533 00:11:36,867 --> 00:11:37,700 FOR ME RIGHT NOW. 534 00:11:37,700 --> 00:11:38,833 >> OH, NO, THIS IS TRUE. 535 00:11:38,833 --> 00:11:39,767 I MEAN, THIS IS -- 536 00:11:39,767 --> 00:11:40,633 >> THAT'S -- WOW. 537 00:11:40,633 --> 00:11:41,133 >> YEAH. 538 00:11:41,133 --> 00:11:42,700 >> WHAT'S THE NAME OF IT? 539 00:11:42,700 --> 00:11:43,667 A BRAZILIAN -- 540 00:11:43,667 --> 00:11:45,067 >> NO, NOT BRAZILIAN. 541 00:11:45,067 --> 00:11:46,900 IT IS A, UM -- THIS IS A NAVAJO 542 00:11:46,900 --> 00:11:47,833 HARVEST BIRD. 543 00:11:47,833 --> 00:11:49,100 YOU'D PROBABLY BE BETTER OFF 544 00:11:49,100 --> 00:11:50,433 LOOKING IT UP UNDER THE ARTIST 545 00:11:50,433 --> 00:11:52,800 KATAYU HAYASUMPRERA. 546 00:11:52,800 --> 00:11:53,867 >> THAT'S JAPANESE. 547 00:11:53,867 --> 00:11:55,133 I DON'T EVEN KNOW HOW -- 548 00:11:55,133 --> 00:11:56,567 >> AND I COULD WRITE THAT -- 549 00:11:56,567 --> 00:11:57,067 YEAH. 550 00:11:57,067 --> 00:11:58,467 NOW, WHENEVER I HAVE A LIVE 551 00:11:58,467 --> 00:12:00,200 ELEMENT INSIDE OF A SCULPTURE, I 552 00:12:00,200 --> 00:12:01,733 DO HAVE TO FILL OUT A SPECIAL 553 00:12:01,733 --> 00:12:02,200 FORM. 554 00:12:02,200 --> 00:12:02,767 >> OKAY. 555 00:12:02,767 --> 00:12:04,400 >> OKAY? CAN YOU HANG TIGHT FOR 556 00:12:04,400 --> 00:12:05,267 JUST A SECOND? 557 00:12:05,267 --> 00:12:05,867 >> SURE. 558 00:12:05,867 --> 00:12:06,967 >> UM, JUST HANG OUT RIGHT HERE 559 00:12:06,967 --> 00:12:08,067 AND I'M GONNA GO GET A SPECIAL 560 00:12:08,067 --> 00:12:09,067 FORM, AND I'LL BE RIGHT BACK. 561 00:12:09,067 --> 00:12:10,067 >> OKAY, DON'T BE TOO LONG. 562 00:12:10,067 --> 00:12:10,967 >> NO, I WON'T BE TOO LONG. 563 00:12:10,967 --> 00:12:12,100 OKAY, YOU JUST WATCH OVER HIM. 564 00:12:12,100 --> 00:12:13,900 HE'S PROBABLY HAPPY TO BE OUT 565 00:12:13,900 --> 00:12:15,067 AFTER 150 YEARS. 566 00:12:15,067 --> 00:12:16,633 137. 567 00:12:16,633 --> 00:12:18,067 >> 137 YEARS? 568 00:12:18,067 --> 00:12:18,900 >> YES. 569 00:12:18,900 --> 00:12:19,767 [ DOOR CLOSES ] 570 00:12:19,767 --> 00:12:23,133 >> O-M-G. 571 00:12:23,133 --> 00:12:26,933 [ BIRD CLUCKING ] 572 00:12:26,933 --> 00:12:27,633 >> HI, I'M ANNA. 573 00:12:27,633 --> 00:12:28,400 >> OH, HEY, ANNA. 574 00:12:28,400 --> 00:12:29,433 MICHAEL. NICE TO MEET YOU. 575 00:12:29,433 --> 00:12:30,300 >> NICE TO MEET YOU. 576 00:12:30,300 --> 00:12:30,800 >> OH, GREAT. 577 00:12:30,800 --> 00:12:31,700 YOU GONNA BE HELPING ME OUT? 578 00:12:31,700 --> 00:12:32,067 >> I AM. 579 00:12:32,067 --> 00:12:32,833 >> OH, WONDERFUL. GOOD. 580 00:12:32,833 --> 00:12:34,067 IT'S GONNA BE NICE TO HAVE AN 581 00:12:34,067 --> 00:12:35,233 EXTRA SET OF HANDS FOR THIS. 582 00:12:35,233 --> 00:12:35,900 >> OKAY. YEAH. 583 00:12:35,900 --> 00:12:37,233 >> I WAS JUST HANGING UP SOME OF 584 00:12:37,233 --> 00:12:38,333 THE ARTWORK FOR TOMORROW'S 585 00:12:38,333 --> 00:12:38,900 EXHIBITION. 586 00:12:38,900 --> 00:12:39,567 >> OH, COOL. 587 00:12:39,567 --> 00:12:40,467 [ HAMMER TAPPING ] 588 00:12:40,467 --> 00:12:41,867 >> ARE YOU AN ARTIST YOURSELF? 589 00:12:41,867 --> 00:12:42,800 >> I AM NOT, BUT I AM AN 590 00:12:42,800 --> 00:12:43,867 ARTS-MANAGEMENT MAJOR IN THE 591 00:12:43,867 --> 00:12:44,767 COLLEGE OF CHARLESTON. 592 00:12:44,767 --> 00:12:45,367 >> OH, REALLY? 593 00:12:45,367 --> 00:12:45,800 >> YEAH. 594 00:12:45,800 --> 00:12:46,867 >> OKAY, LET'S LIFT THIS UP. 595 00:12:46,867 --> 00:12:47,933 YOU WANT TO HELP ME OUT WITH 596 00:12:47,933 --> 00:12:48,233 THAT? 597 00:12:48,233 --> 00:12:48,667 >> YEAH. 598 00:12:48,667 --> 00:12:50,367 >> LET'S PUT IT DOWN ON THAT 599 00:12:50,367 --> 00:12:51,267 TABLE FIRST. 600 00:12:51,267 --> 00:12:52,867 YEAH, JUST TO MAKE SURE WE 601 00:12:52,867 --> 00:12:53,433 GOT... 602 00:12:53,433 --> 00:12:54,700 OKAY. 603 00:12:54,833 --> 00:12:56,400 LET'S SEE WHICH... 604 00:12:56,400 --> 00:12:58,100 TRYING TO REMEMBER WHICH WAY. 605 00:12:58,100 --> 00:12:59,867 I ALWAYS GET CONFUSED WHICH WAY 606 00:12:59,867 --> 00:13:01,667 TO HANG THEM, YOU KNOW, UNLESS 607 00:13:01,667 --> 00:13:02,567 THEY MARK IT. 608 00:13:02,567 --> 00:13:04,300 BUT I LOVE THIS GUY'S WORK. 609 00:13:04,300 --> 00:13:05,067 YOU KNOW? 610 00:13:05,067 --> 00:13:06,700 >> YEAH, I LOVE THIS KIND. 611 00:13:06,700 --> 00:13:08,433 >> YEAH, IT KIND OF CREATES 612 00:13:08,433 --> 00:13:10,067 ALMOST A SORT OF VERTIGO. 613 00:13:10,067 --> 00:13:11,900 >> AND IT REALLY ALLOWS YOU TO 614 00:13:11,900 --> 00:13:12,967 THINK ABOUT IT. 615 00:13:12,967 --> 00:13:14,600 >> YEAH. I PAINT THAT WAY. 616 00:13:14,600 --> 00:13:15,867 I TRY TO, AT LEAST. 617 00:13:15,867 --> 00:13:18,500 OH, HERE, I'M GONNA FLIP THIS UP 618 00:13:18,500 --> 00:13:19,500 THIS WAY. 619 00:13:19,500 --> 00:13:21,467 OH, IT SAYS "TOP" RIGHT THERE. 620 00:13:21,467 --> 00:13:22,800 AND THERE IS A WIRE ON IT 621 00:13:22,800 --> 00:13:24,467 ALREADY, SO THAT SHOULD BE GOOD. 622 00:13:24,467 --> 00:13:26,967 YES, PUT IT RIGHT HERE. 623 00:13:27,100 --> 00:13:27,867 AND YOU TELL ME IF IT'S 624 00:13:27,867 --> 00:13:32,133 STRAIGHT. 625 00:13:32,133 --> 00:13:33,300 YEAH, SOMETIMES STANDING BACK IS 626 00:13:33,300 --> 00:13:34,333 THE EASIER WAY TO SEE IF IT 627 00:13:34,333 --> 00:13:34,667 LOOKS. 628 00:13:34,667 --> 00:13:35,567 >> YES. OH, SORRY. 629 00:13:35,567 --> 00:13:36,500 >> LET'S SEE. 630 00:13:36,500 --> 00:13:37,300 >> THAT... 631 00:13:37,300 --> 00:13:42,833 >> YOU JUST LET ME KNOW. 632 00:13:42,833 --> 00:13:44,067 IT'S FUNNY, WHEN I STAND SO 633 00:13:44,067 --> 00:13:45,233 CLOSE TO IT, I GET, LIKE... 634 00:13:45,233 --> 00:13:45,800 >> [ LAUGHS ] 635 00:13:45,800 --> 00:13:46,900 >> I GET, LIKE, A DIZZY THING 636 00:13:46,900 --> 00:13:47,367 GOING ON. 637 00:13:47,367 --> 00:13:47,800 >> YEAH. 638 00:13:47,800 --> 00:13:48,333 >> YOU KNOW? 639 00:13:48,333 --> 00:13:49,467 >> WHEN YOU PUT IT UP, IT JUST 640 00:13:49,467 --> 00:13:50,567 SO COMPLETELY CHANGED, THAT I 641 00:13:50,567 --> 00:13:51,400 JUST -- I DON'T KNOW. 642 00:13:51,400 --> 00:13:52,667 >> I ALWAYS FEEL CHANGED, 643 00:13:52,667 --> 00:13:53,700 LOOKING AT THIS GUY. 644 00:13:53,700 --> 00:13:54,767 UM, AND LET ME SEE IF I HAVE 645 00:13:54,767 --> 00:13:55,567 ANOTHER WORK, OKAY? 646 00:13:55,567 --> 00:13:56,633 YOU WANT TO HANG RIGHT HERE? 647 00:13:56,633 --> 00:13:57,300 >> OH, PERFECT. 648 00:13:57,300 --> 00:13:58,967 >> OKAY, SO, I'LL BE -- IF THAT 649 00:13:58,967 --> 00:14:00,733 LOOKS GOOD TO YOU, I'LL BE RIGHT 650 00:14:00,733 --> 00:14:01,200 BACK. 651 00:14:01,200 --> 00:14:01,933 >> OKAY. 652 00:14:01,933 --> 00:14:03,900 >> OKAY, WONDERFUL. 653 00:14:04,067 --> 00:14:16,433 ** 654 00:14:16,433 --> 00:14:17,467 >> WHAT THE HELL? 655 00:14:20,433 --> 00:14:21,800 >> BREWERY. 656 00:14:21,800 --> 00:14:23,133 [ HICCUPS ] 657 00:14:23,133 --> 00:14:24,500 WE'VE BEEN RE-[HICCUPS]-HEARSING 658 00:14:24,500 --> 00:14:24,967 ALL DAY. 659 00:14:24,967 --> 00:14:26,833 [ BELCHES ] 660 00:14:26,833 --> 00:14:28,233 [ SIGHS ] 661 00:14:28,233 --> 00:14:29,367 YOU GET TO TASTE ANYTHING WHILE 662 00:14:29,367 --> 00:14:30,300 YOU'RE WORKING HERE YET? 663 00:14:30,300 --> 00:14:31,700 >> UH, YEAH, THEY'RE DELICIOUS. 664 00:14:31,700 --> 00:14:33,067 >> THEY'RE GOOD STUFF, RIGHT? 665 00:14:33,067 --> 00:14:33,567 YEAH. 666 00:14:33,567 --> 00:14:35,533 HAVE YOU TRIED THESE BEFORE -- 667 00:14:35,533 --> 00:14:36,400 THE QUASIS? 668 00:14:36,400 --> 00:14:37,067 >> NO. 669 00:14:37,067 --> 00:14:39,100 >> OH, YEAH, QUASI WAS THE FIRST 670 00:14:39,100 --> 00:14:41,067 I.P.A. THAT THIS -- THE TAVERN 671 00:14:41,067 --> 00:14:42,267 WAS BUILT OFF OF. 672 00:14:42,267 --> 00:14:42,900 >> OH, COOL. 673 00:14:42,900 --> 00:14:43,767 >> YEAH, QUASIMODO. 674 00:14:43,767 --> 00:14:44,867 AND IT'S, LIKE, A -- IT'S 675 00:14:44,867 --> 00:14:46,133 BELGIAN, AND IT DOESN'T HAVE, 676 00:14:46,133 --> 00:14:47,800 UM, A REGULAR ALCOHOL COUNT OR 677 00:14:47,800 --> 00:14:48,533 SOMETHING. 678 00:14:48,533 --> 00:14:50,200 IT DOESN'T SHOW UP, LIKE, ON A 679 00:14:50,200 --> 00:14:51,067 BREATHALYZER. 680 00:14:51,067 --> 00:14:52,167 >> [ GASPS ] WHAT? 681 00:14:52,167 --> 00:14:52,800 >> YEAH. 682 00:14:52,800 --> 00:14:53,867 >> THAT'S -- WOW. 683 00:14:53,867 --> 00:14:54,267 >> YEAH. 684 00:14:54,267 --> 00:14:55,167 WANT TO TASTE ONE OF THEM? 685 00:14:55,167 --> 00:14:56,067 >> ABSOLUTELY. 686 00:14:56,067 --> 00:14:56,900 >> OH, YEAH. 687 00:14:56,900 --> 00:14:58,167 THAT'S WHAT WE DO HERE. 688 00:14:58,167 --> 00:14:58,767 >> YEAH. 689 00:14:58,767 --> 00:15:00,267 >> YOU KNOW, WE TASTE THEM. 690 00:15:00,267 --> 00:15:01,067 >> THAT'S GOOD. 691 00:15:01,067 --> 00:15:02,233 >> YEAH. THIS ONE -- I GUESS 692 00:15:02,233 --> 00:15:03,600 THIS ONE COUNTS AS OKAY, 'CAUSE 693 00:15:03,600 --> 00:15:04,867 IT'S NOT TECHNICALLY ALCOHOL. 694 00:15:04,867 --> 00:15:06,100 >> UH-HUH. 695 00:15:06,100 --> 00:15:07,167 BUT THIS IS A FAIRLY NEW 696 00:15:07,167 --> 00:15:07,833 BREWERY, YES? 697 00:15:07,833 --> 00:15:08,567 >> THIS ONE IS. 698 00:15:08,567 --> 00:15:09,500 THIS ONE HERE, YEAH. 699 00:15:09,500 --> 00:15:09,967 >> OKAY. 700 00:15:09,967 --> 00:15:11,200 >> BUT THE ORIGINAL ONE WAS, 701 00:15:11,200 --> 00:15:12,667 LIKE, 1903 -- THE ORIGINAL 702 00:15:12,667 --> 00:15:13,567 THREE TAVERNS. 703 00:15:13,567 --> 00:15:15,067 >> MMM. 704 00:15:15,067 --> 00:15:17,200 >> WHAT DO YOU THINK? 705 00:15:17,200 --> 00:15:18,367 >> YEAH, IT'S ALMOST LIKE A 706 00:15:18,367 --> 00:15:18,767 CIDER. 707 00:15:18,767 --> 00:15:19,667 >> IT'S GOOD, RIGHT? 708 00:15:19,667 --> 00:15:20,200 >> MM-HMM. 709 00:15:20,200 --> 00:15:21,900 >> IT'S SUPPOSED TO BE LIKE THAT 710 00:15:21,900 --> 00:15:23,533 WORMWOOD THING INSIDE ABSINTHE. 711 00:15:23,533 --> 00:15:24,333 >> OH, REALLY? 712 00:15:24,333 --> 00:15:25,667 >> YEAH, IT HAS SOME AFFECT 713 00:15:25,667 --> 00:15:27,100 THAT'S -- I DON'T WANT TO SAY 714 00:15:27,100 --> 00:15:28,533 HALLUCINOGENIC, BUT, LIKE, A, 715 00:15:28,533 --> 00:15:30,067 UH -- IT'S NOT A -- IT'S NOT A 716 00:15:30,067 --> 00:15:30,667 DEPRESSANT. 717 00:15:30,667 --> 00:15:31,600 IT'S A STIMULANT. 718 00:15:31,600 --> 00:15:32,567 >> WOW. 719 00:15:32,567 --> 00:15:33,633 >> YEAH. 720 00:15:33,633 --> 00:15:35,133 >> "DANGEROUSLY DRINKABLE." 721 00:15:35,133 --> 00:15:35,933 >> SEE THAT? 722 00:15:35,933 --> 00:15:37,300 >> IT REALLY IS, THOUGH. 723 00:15:37,300 --> 00:15:38,700 >> YEAH, IT'S GOOD STUFF. 724 00:15:38,700 --> 00:15:39,700 [ SNIFFING ] 725 00:15:39,700 --> 00:15:41,067 YEAH. YOU WANT A WATER TO WASH 726 00:15:41,067 --> 00:15:41,667 THAT DOWN? 727 00:15:41,667 --> 00:15:42,333 >> I'M OKAY. 728 00:15:42,333 --> 00:15:43,100 >> YOU'RE OKAY? 729 00:15:43,100 --> 00:15:46,167 ALL RIGHT, I'LL GRAB WATER. 730 00:15:46,167 --> 00:15:46,800 ALL RIGHT. 731 00:15:46,800 --> 00:15:48,233 DON'T DRINK THE WHOLE THING. 732 00:15:48,233 --> 00:15:48,900 >> NO, SIR. 733 00:15:48,900 --> 00:15:51,467 [ BOTH LAUGH ] 734 00:15:51,467 --> 00:15:55,133 ** 735 00:15:55,133 --> 00:15:57,633 [ CLATTER ] 736 00:16:01,633 --> 00:16:03,967 What the [bleep]? 737 00:16:03,967 --> 00:16:06,433 [ TRAPDOOR CREAKS ] 738 00:16:21,700 --> 00:16:24,133 [ TRAPDOOR CLOSES ] 739 00:16:29,467 --> 00:16:31,433 HELLO. 740 00:16:34,100 --> 00:16:35,933 [ LAUGHS ] 741 00:16:35,933 --> 00:16:37,067 >> [ SIGHS ] 742 00:16:37,067 --> 00:16:39,200 >> HOW ARE YOU? 743 00:16:43,133 --> 00:16:45,100 [ LAUGHS ] 744 00:16:52,200 --> 00:16:55,867 >> ALL RIGHT. 745 00:16:55,867 --> 00:16:58,367 MMM. 746 00:16:58,367 --> 00:17:01,133 GLASS IS HERE. 747 00:17:01,133 --> 00:17:05,533 ** 748 00:17:05,533 --> 00:17:07,400 >> OH! 749 00:17:07,400 --> 00:17:09,333 FEEL LIKE I JUST SAW A GHOST. 750 00:17:09,333 --> 00:17:10,367 >> WHAT'S THAT? 751 00:17:10,367 --> 00:17:11,333 >> NO, IT'S JUST -- I WAS, 752 00:17:11,333 --> 00:17:12,467 LIKE -- I JUST TURNED AROUND AND 753 00:17:12,467 --> 00:17:13,533 IT WAS LIKE THAT GUY THAT JUST 754 00:17:13,533 --> 00:17:17,633 CAME FROM THE FLOOR. 755 00:17:17,633 --> 00:17:19,733 THE 00 THE DOOR RIGHT THERE. 756 00:17:19,733 --> 00:17:21,067 >> RIGHT? 757 00:17:21,067 --> 00:17:21,667 THAT DOOR? 758 00:17:21,667 --> 00:17:22,200 >> YEAH. 759 00:17:22,200 --> 00:17:23,533 >> SOME OLD MAN CAME OUT OF 760 00:17:23,533 --> 00:17:23,933 HERE? 761 00:17:23,933 --> 00:17:25,533 >> YES. 762 00:17:25,533 --> 00:17:28,733 >> THIS IS -- THIS ISN'T A DOOR. 763 00:17:28,733 --> 00:17:34,067 THIS IS FOR THE PHOTO SHOOT. 764 00:17:34,067 --> 00:17:35,367 THEY PUT THIS 'CAUSE THE 765 00:17:35,367 --> 00:17:36,933 ORIGINAL FACTORY HAD A -- HAD A 766 00:17:36,933 --> 00:17:37,833 BASEMENT IN IT. 767 00:17:40,933 --> 00:17:43,867 ** 768 00:17:43,867 --> 00:17:45,400 >> ARE YOU SERIOUS? 769 00:17:45,400 --> 00:17:46,567 >> YEAH, THEY WERE -- THE -- 770 00:17:46,567 --> 00:17:47,733 >> NO, BUT HE, LIKE, CAME UP 771 00:17:47,733 --> 00:17:51,067 FROM THE... 772 00:17:51,067 --> 00:17:53,100 I SWEAR TO GOD. 773 00:17:53,100 --> 00:17:54,233 >> WHAT DO YOU... 774 00:17:54,233 --> 00:17:54,733 >> THAT... 775 00:17:54,733 --> 00:17:55,800 >> OH, YOU DRANK THIS WHOLE 776 00:17:55,800 --> 00:17:56,200 THING. 777 00:17:56,200 --> 00:17:57,433 >> NO, I -- NO, I REALLY DIDN'T. 778 00:17:57,433 --> 00:17:59,300 HE CAME UP HERE AND HE... 779 00:17:59,300 --> 00:18:01,067 HE PUT IT ALL IN THE GLASS AND 780 00:18:01,067 --> 00:18:02,667 THEN WALKED AW-- 'CAUSE I ASKED 781 00:18:02,667 --> 00:18:03,833 HIM HOW HE WAS DO... 782 00:18:03,833 --> 00:18:05,700 >> WHAT ARE YOU TALKING ABOUT? 783 00:18:05,700 --> 00:18:07,133 WHAT ARE YOU SAYING, SERIOUSLY? 784 00:18:07,133 --> 00:18:08,633 >> NO, I SWEAR TO GOD, THAT DOOR 785 00:18:08,633 --> 00:18:10,100 CAME UP AND AN OLD MAN CAME OUT. 786 00:18:10,100 --> 00:18:11,467 >> [ Chuckling ] COME ON. 787 00:18:11,467 --> 00:18:12,467 >> I'M NOT LYING. 788 00:18:12,467 --> 00:18:14,200 THE OLD MAN, I SWEAR TO GOD, 789 00:18:14,200 --> 00:18:15,500 JUST PASSED BY HERE. 790 00:18:15,500 --> 00:18:18,233 HE LOOKED JUST LIKE THAT. 791 00:18:18,233 --> 00:18:19,833 >> THAT DUDE HAS BEEN DEAD 792 00:18:19,833 --> 00:18:20,500 SINCE... 793 00:18:20,500 --> 00:18:22,100 >> I'M NOT MAKING THIS UP! 794 00:18:22,100 --> 00:18:23,433 WHAT THE [BLEEP] JUST HAPPENED 795 00:18:23,433 --> 00:18:23,800 HERE? 796 00:18:23,800 --> 00:18:24,967 >> HOLD ON. WAIT A MINUTE. 797 00:18:24,967 --> 00:18:25,900 WERE YOU, LIKE, REALLY LOOKING 798 00:18:25,900 --> 00:18:26,267 AT HIM... 799 00:18:26,267 --> 00:18:26,600 >> YES! 800 00:18:26,600 --> 00:18:27,567 >> ...OR WERE YOU, LIKE, WORKING 801 00:18:27,567 --> 00:18:28,533 AND YOU JUST THOUGHT YOU SAW -- 802 00:18:28,533 --> 00:18:30,667 >> NO. WHAT -- I SAW HIM. 803 00:18:30,667 --> 00:18:31,933 HE CAME UP... 804 00:18:31,933 --> 00:18:34,167 [ Sighing ] WOW. 805 00:18:37,300 --> 00:18:38,400 I'M NOT -- SERIOUSLY, I DON'T 806 00:18:38,400 --> 00:18:39,567 KNOW HOW ELSE TO EXPLAIN THIS TO 807 00:18:39,567 --> 00:18:39,867 YOU. 808 00:18:39,867 --> 00:18:40,367 >> THAT'S JUST -- 809 00:18:40,367 --> 00:18:41,067 >> AND I DON'T BELIEVE IN 810 00:18:41,067 --> 00:18:41,600 GHOSTS, AND I'M -- 811 00:18:41,600 --> 00:18:42,367 >> I DON'T EITHER, AND THAT'S 812 00:18:42,367 --> 00:18:43,067 WHY I'M NOT BELIEVING YOU, 813 00:18:43,067 --> 00:18:43,900 BECAUSE WHAT'S SO FUNNY IS THAT 814 00:18:43,900 --> 00:18:46,533 THEY HAVEN'T MADE THIS SINCE THE 815 00:18:46,533 --> 00:18:48,267 ORIGINAL FOUNDER MADE THIS 816 00:18:48,267 --> 00:18:49,833 STUFF -- EUGENE BERGER. 817 00:18:49,833 --> 00:18:51,200 AND AS SOON AS THEY STARTED 818 00:18:51,200 --> 00:18:52,667 PUTTING THAT IN HERE, WHEN WE 819 00:18:52,667 --> 00:18:54,100 GOT THESE CASES FOR THE FIRST 820 00:18:54,100 --> 00:18:55,600 TIME, SOMEONE WAS LIKE, "I SAW 821 00:18:55,600 --> 00:18:56,200 THE GUY." 822 00:18:56,200 --> 00:18:57,100 I'M LIKE, "STOP IT." 823 00:18:57,100 --> 00:18:58,300 >> I JUST TRIED IT, AND I SAW 824 00:18:58,300 --> 00:18:58,633 HIM. 825 00:18:58,633 --> 00:19:01,400 LIKE, THAT IS SO BIZARRE. 826 00:19:01,400 --> 00:19:03,200 >> OH, MY GOD. 827 00:19:03,200 --> 00:19:04,500 >> I SWEAR TO GOD, I SAW HIM. 828 00:19:04,500 --> 00:19:05,300 LIKE, I'M NOT -- I DON'T -- 829 00:19:05,300 --> 00:19:06,133 LIKE, WHY WOULD I -- I DON'T 830 00:19:06,133 --> 00:19:07,067 EVEN KNOW HOW I'D EVEN THINK TO 831 00:19:07,067 --> 00:19:07,533 LIE ABOUT THAT. 832 00:19:07,533 --> 00:19:08,333 >> I DON'T WANT TO SEE HIM. 833 00:19:08,333 --> 00:19:08,900 WHOA. 834 00:19:08,900 --> 00:19:10,467 >> ISN'T THAT BIZARRE?! 835 00:19:10,467 --> 00:19:11,833 >> YEAH, THAT IS -- THAT'S 836 00:19:11,833 --> 00:19:12,900 LIKE -- THAT'S LIKE 837 00:19:12,900 --> 00:19:14,133 "THE CARBONARO EFFECT." 838 00:19:14,133 --> 00:19:15,700 >> WHAT IS THAT, AGAIN? 839 00:19:15,700 --> 00:19:16,433 >> HAVE YOU EVER HEARD OF 840 00:19:16,433 --> 00:19:17,333 THAT -- "THE CARBONARO EFFECT"? 841 00:19:17,333 --> 00:19:18,067 >> NO. 842 00:19:18,067 --> 00:19:18,833 >> NO? 843 00:19:18,833 --> 00:19:19,767 >> CARBONARO? 844 00:19:19,767 --> 00:19:21,367 >> "THE CARBONARO EFFECT." 845 00:19:21,367 --> 00:19:23,300 IT'S THE NAME OF A HIDDEN-CAMERA 846 00:19:23,300 --> 00:19:24,400 MAGIC TV SHOW... 847 00:19:24,400 --> 00:19:26,100 >> [ GASPS ] 848 00:19:26,100 --> 00:19:27,333 >> ...LIKE THE ONE YOU'RE ON 849 00:19:27,333 --> 00:19:28,967 RIGHT NOW. 850 00:19:28,967 --> 00:19:30,067 >> YOU GUYS ARE ASSES. 851 00:19:30,067 --> 00:19:31,867 [ BOTH LAUGH ] 852 00:19:31,867 --> 00:19:33,600 >> YEAH, I KNEW YOU WERE [BLEEP] 853 00:19:33,600 --> 00:19:34,200 WITH ME! 854 00:19:34,200 --> 00:19:35,767 >> COME ON, YOU DIDN'T KNOW. 855 00:19:35,767 --> 00:19:37,100 >> I HAD NO IDEA! 856 00:19:37,100 --> 00:19:38,433 [BLEEP]! DAMN IT! 857 00:19:38,433 --> 00:19:39,333 >> [ LAUGHING ] 858 00:19:39,333 --> 00:19:40,433 >> ARE YOU SERIOUS?! 859 00:19:40,433 --> 00:19:41,333 >> I'M SERIOUS. 860 00:19:41,333 --> 00:19:42,800 >> MY NAME IS MICHAEL CARBONARO. 861 00:19:42,800 --> 00:19:44,367 I'M A MAGICIAN. 862 00:19:44,367 --> 00:19:45,567 [ LAUGHS ] 863 00:19:45,700 --> 00:19:47,100 YOU'RE ON MY SHOW RIGHT NOW -- 864 00:19:47,100 --> 00:19:48,233 "THE CARBONARO EFFECT." 865 00:19:48,233 --> 00:19:49,067 >> OH, MY GOD! 866 00:19:49,067 --> 00:19:50,400 OH [ LAUGHS ] 867 00:19:50,400 --> 00:19:51,833 I'M SITTING HERE LIKE, "I CAN 868 00:19:51,833 --> 00:19:53,167 FINALLY BELIEVE IN GHOSTS"! 869 00:19:53,167 --> 00:19:55,300 [ BOTH LAUGH ] 870 00:19:55,300 --> 00:19:57,067 OH, YOU -- WHERE'S THAT OLD MAN? 871 00:19:57,067 --> 00:19:58,200 [ BOTH LAUGH ] 872 00:19:58,200 --> 00:20:01,200 **