1
00:00:16,511 --> 00:00:18,511
Synced and corrected by louvette
www.addic7ed.com

2
00:00:21,753 --> 00:00:24,900
It's an unwinding, the molto accelerando.

3
00:00:24,942 --> 00:00:26,986
It's like a tape going backwards.

4
00:00:27,679 --> 00:00:29,488
Like an unwinding.

5
00:00:29,530 --> 00:00:30,990
My God, this... That's an unwinding.

6
00:00:31,031 --> 00:00:32,825
- That...
- He's trying. Hey.

7
00:00:32,867 --> 00:00:35,258
I need someone who can
play the flower pots.

8
00:00:35,453 --> 00:00:36,996
- I can play the flower pots.
- No.

9
00:00:37,037 --> 00:00:38,831
You're already the boyfriend and the coach.

10
00:00:38,873 --> 00:00:41,292
Anyway, how's your, uh,
Requiem preparation going?

11
00:00:41,333 --> 00:00:43,335
It's kind of... it's-it's going.

12
00:00:44,027 --> 00:00:45,856
Oi.

13
00:00:46,088 --> 00:00:48,174
Hai Lai, you know, when I
first came to the orchestra,

14
00:00:48,215 --> 00:00:50,959
I wanted to fire, like,
25% of all the musicians.

15
00:00:50,990 --> 00:00:53,380
But then, I-I couldn't, because
I fell in love with them.

16
00:00:53,405 --> 00:00:54,680
Yeah, but we live with him.

17
00:00:54,722 --> 00:00:56,932
- But the scout doesn't know that.
- I don't know.

18
00:00:56,974 --> 00:00:58,684
I already need to find a new flautist

19
00:00:58,726 --> 00:01:01,228
because Morgan went on
tour with Drake, and...

20
00:01:02,889 --> 00:01:05,077
You only get to do this once, Hai Lai.

21
00:01:14,804 --> 00:01:16,923
I'm having a vision.

22
00:01:19,184 --> 00:01:21,182
You're conducting the Requiem.

23
00:01:21,692 --> 00:01:23,105
You throw off your mink cape,

24
00:01:23,130 --> 00:01:26,504
and your bare skin is
covered in Swarovski crystals.

25
00:01:26,545 --> 00:01:29,006
- Mm?
- And you know, for the Lacrimosa,

26
00:01:29,048 --> 00:01:32,051
I was thinking of bringing
the timpani to the front,

27
00:01:32,404 --> 00:01:34,220
because he was humming that when he died.

28
00:01:44,542 --> 00:01:48,517
Play the melody, not
the spiritual struggle.

29
00:01:49,126 --> 00:01:50,945
That's what people want.

30
00:01:55,718 --> 00:01:57,322
What did it feel like when you died?

31
00:01:59,389 --> 00:02:00,869
Fabulous.

32
00:02:01,432 --> 00:02:02,418
Mm.

33
00:02:06,819 --> 00:02:08,697
- Hey.
- Hey.

34
00:02:08,876 --> 00:02:09,952
Um...

35
00:02:12,103 --> 00:02:13,897
It's not working out with the Shaw.

36
00:02:13,940 --> 00:02:15,775
And I know that you can get it,

37
00:02:15,816 --> 00:02:17,318
just not in the time that we have.

38
00:02:17,360 --> 00:02:18,527
Are you, are you firing me?

39
00:02:18,569 --> 00:02:20,204
No. No, I'm not firing you.

40
00:02:20,229 --> 00:02:21,314
- Okay.
- Yeah.

41
00:02:21,339 --> 00:02:24,050
I'm-I'm just giving you the week off.

42
00:02:24,408 --> 00:02:25,576
Just for the performance.

43
00:02:25,618 --> 00:02:27,162
I think you're a great musician.

44
00:02:27,162 --> 00:02:29,984
Just not good enough for Hailey Rutledge.

45
00:02:30,109 --> 00:02:31,173
Uh...

46
00:02:31,174 --> 00:02:33,551
- I'm fired.
- No. Only temporarily.

47
00:02:33,600 --> 00:02:35,164
Really? You're just gonna ditch him?

48
00:02:35,164 --> 00:02:37,083
No, I'm just doing
what's best for the music.

49
00:02:37,125 --> 00:02:38,459
Well, then, I'm out, too.

50
00:02:38,705 --> 00:02:39,627
Wait, what?

51
00:02:40,082 --> 00:02:41,212
No, no, no, no, no.

52
00:02:41,254 --> 00:02:42,255
Fuck.

53
00:02:42,297 --> 00:02:43,339
What's the problem?

54
00:02:43,381 --> 00:02:46,217
Credit card declined.

55
00:02:46,259 --> 00:02:48,011
Perhaps you maxed it out on

56
00:02:48,052 --> 00:02:50,805
the five motorcycles you bought
for your mechanical orchestra.

57
00:02:50,961 --> 00:02:54,017
I'm
glad we're not married.

58
00:02:54,058 --> 00:02:55,351
- Maestro Hesby's here.
- Hesby!

59
00:02:55,393 --> 00:02:57,896
- Gloria, here.
- Dahlias.

60
00:02:57,937 --> 00:02:59,939
- How did you know these were my favorite?
- Well, I didn't.

61
00:02:59,981 --> 00:03:02,317
They were in the doorway
already, but you're welcome.

62
00:03:02,358 --> 00:03:03,818
- How are we, tell me?
- Hi, Hesby.

63
00:03:03,860 --> 00:03:05,445
Hi... oh.

64
00:03:05,486 --> 00:03:06,696
Uh, who are those from?

65
00:03:06,738 --> 00:03:08,197
Oh, no, mm. A donor.

66
00:03:08,239 --> 00:03:10,058
Well, I finished the symphony.

67
00:03:10,083 --> 00:03:11,326
- What?!
- What?

68
00:03:11,367 --> 00:03:13,244
- Ah! Hooray!
- Huzzah!

69
00:03:13,286 --> 00:03:15,663
Well, hey, you came...
Brought it in under a decade.

70
00:03:15,705 --> 00:03:17,879
Yes, eight years I've been blocked.

71
00:03:17,950 --> 00:03:19,959
And then, I was watching the news,

72
00:03:20,001 --> 00:03:22,712
and I kept hearing these words,

73
00:03:22,754 --> 00:03:25,173
"fraud" and "scrutiny"

74
00:03:25,214 --> 00:03:26,549
- and "obstruction."
- Ha, ha.

75
00:03:26,591 --> 00:03:28,051
I've been up for three days.

76
00:03:28,092 --> 00:03:30,345
I finished the last movement.

77
00:03:30,570 --> 00:03:33,347
It's on, uh, 15 paper towels

78
00:03:33,389 --> 00:03:36,684
and a, and a floral hand cloth.

79
00:03:36,726 --> 00:03:38,966
- Oh.
- I call it "Asyla,"

80
00:03:39,187 --> 00:03:40,480
which is plural for "Asylum,"

81
00:03:40,521 --> 00:03:42,231
which is the world we live in today.

82
00:03:42,273 --> 00:03:43,739
It's the best thing I've ever done.

83
00:03:43,739 --> 00:03:46,354
Let's premiere it in a month.

84
00:03:47,481 --> 00:03:48,911
Maybe it's terrible.

85
00:03:49,431 --> 00:03:50,614
M-Maybe I should tear it up.

86
00:03:50,614 --> 00:03:52,606
No.I'm sure it's amazing.

87
00:03:52,644 --> 00:03:56,040
And it couldn't be a better time.

88
00:03:56,149 --> 00:03:57,835
Yeah, she needs a fresh start

89
00:03:57,860 --> 00:03:59,611
because she almost killed the Pope.

90
00:03:59,653 --> 00:04:01,405
- On purpose?
- Could you make us some tea,

91
00:04:01,446 --> 00:04:03,532
- please, darling...
- Hmm? Oh.

92
00:04:03,574 --> 00:04:06,159
...while Hesby plays,
because this is for employees

93
00:04:06,749 --> 00:04:08,161
of the symphony only.

94
00:04:08,203 --> 00:04:09,621
- Oh. Well.
- Yeah.

95
00:04:09,920 --> 00:04:11,123
Milk and sugar?

96
00:04:11,340 --> 00:04:12,876
Yes. Thank you.

97
00:04:12,916 --> 00:04:14,710
- Thank you. All right.
- All right, so start here.

98
00:04:37,884 --> 00:04:39,067
Winslow.

99
00:04:41,291 --> 00:04:42,702
Darling...

100
00:04:43,849 --> 00:04:45,776
I can barely hear you.

101
00:04:46,323 --> 00:04:47,659
I've been at an ashram.

102
00:04:47,701 --> 00:04:49,799
I know you've been in a bloody ashram.

103
00:04:49,824 --> 00:04:51,497
Took us weeks to find you.

104
00:04:51,808 --> 00:04:53,332
But you're sending me to sleep.

105
00:04:53,373 --> 00:04:55,718
I wasn't happy with my playing.

106
00:04:56,209 --> 00:04:58,378
But three months of total silence

107
00:04:58,420 --> 00:05:00,923
have wakened my ears up.

108
00:05:00,964 --> 00:05:03,300
I can hear your shirt

109
00:05:03,342 --> 00:05:06,970
rustling against your
chest hairs right now.

110
00:05:11,456 --> 00:05:12,495
Wanker.

111
00:05:13,060 --> 00:05:15,938
And I can hear that, also, obviously.

112
00:05:19,849 --> 00:05:21,360
I've got something for you.

113
00:05:21,932 --> 00:05:24,454
Alan, we need some Tibetan singing bowls.

114
00:05:24,478 --> 00:05:25,489
Uh, take a break.

115
00:05:25,807 --> 00:05:28,117
- Some... singing what?
- Tibetan singing bowls.

116
00:05:29,061 --> 00:05:30,373
I'd be afraid.

117
00:05:30,994 --> 00:05:33,789
I don't feel fear anymore, Cynthia.

118
00:05:34,062 --> 00:05:35,686
Only love.

119
00:05:36,208 --> 00:05:38,003
And disgust.

120
00:05:39,336 --> 00:05:41,665
Your sound has changed

121
00:05:41,690 --> 00:05:43,674
from what it once was.

122
00:05:44,052 --> 00:05:45,662
It's become more aggressive.

123
00:05:46,385 --> 00:05:48,553
And more vulnerable.

124
00:05:48,690 --> 00:05:50,274
Why is that?

125
00:05:51,473 --> 00:05:54,080
I guess I know what it feels
like to not be able to play.

126
00:05:57,100 --> 00:05:59,190
So much better being on
the other side of the curtain.

127
00:05:59,231 --> 00:06:00,399
Yeah.

128
00:06:00,666 --> 00:06:02,192
Okay. Shall we?

129
00:06:02,234 --> 00:06:04,378
I have that nude circus coming in at 5:00.

130
00:06:05,072 --> 00:06:06,782
All right, number one,
are you ready, please?

131
00:06:11,605 --> 00:06:13,273
Technically very good, but I need someone

132
00:06:13,315 --> 00:06:15,275
a little bit more human. Next!

133
00:06:19,587 --> 00:06:21,422
Um, thank you, that was great.

134
00:06:21,464 --> 00:06:24,008
Nope. Sloppy détaché.

135
00:06:24,051 --> 00:06:25,469
Thank you. Next!

136
00:06:25,869 --> 00:06:28,221
Yeah. There is no "next."

137
00:06:28,984 --> 00:06:30,147
Did you find someone?

138
00:06:30,172 --> 00:06:31,154
Oh, my...

139
00:06:31,703 --> 00:06:33,853
Look, maybe you just have to
lower your standards a little.

140
00:06:33,894 --> 00:06:34,895
- No.
- No.

141
00:06:58,028 --> 00:06:59,879
You should've seen him
right before we went on.

142
00:06:59,920 --> 00:07:01,422
He almost cried.

143
00:07:01,463 --> 00:07:03,757
I haven't had an audition in 29 years.

144
00:07:03,906 --> 00:07:05,575
Are you guys sure you
want to play this music?

145
00:07:05,617 --> 00:07:06,868
I asked Dee Dee

146
00:07:06,909 --> 00:07:08,565
if he wanted to play the
flower pots and he said...

147
00:07:08,565 --> 00:07:09,858
I love to play the flower pots.

148
00:07:09,898 --> 00:07:11,567
We want to see him play the flower pots,

149
00:07:11,608 --> 00:07:13,569
and play for you.

150
00:07:14,295 --> 00:07:15,362
We're so proud of you.

151
00:07:15,404 --> 00:07:17,879
Hai Lai, I know this is a little
bit too much in the orbit...

152
00:07:17,879 --> 00:07:20,215
No. I want the best
musicians for the piece.

153
00:07:39,568 --> 00:07:41,987
Okay, and this is where
Karl comes in, right?

154
00:07:42,029 --> 00:07:44,406
- And does the, does the...
- No, there's no jetes.

155
00:07:44,448 --> 00:07:45,574
- There's no more...?
- There's no Karl.

156
00:07:45,615 --> 00:07:47,159
Why? What happened to Karl?

157
00:07:47,200 --> 00:07:48,827
Watching him be you, it
was a little artificial.

158
00:07:48,869 --> 00:07:51,580
- I think you should be you.
- Okay.

159
00:07:51,621 --> 00:07:54,207
But I... you know, to be
honest, I'm a little stuck.

160
00:07:54,249 --> 00:07:56,551
Guys, can we show him the sequence so far?

161
00:07:56,715 --> 00:07:59,288
- Okay.
- Five, six, seven, eight.

162
00:08:01,565 --> 00:08:03,186
Okay.

163
00:08:03,540 --> 00:08:06,555
And then there's a kind
of decomposition motif.

164
00:08:07,643 --> 00:08:08,665
Okay.

165
00:08:09,582 --> 00:08:10,965
I like this moment.

166
00:08:11,421 --> 00:08:12,776
Oh, no. Man.

167
00:08:12,776 --> 00:08:14,212
They're becoming like zombies, no?

168
00:08:14,212 --> 00:08:15,338
- Yeah, that's a good point.
- Aah!

169
00:08:15,379 --> 00:08:17,590
Mischa, a little bit
more life to Anna Maria.

170
00:08:17,632 --> 00:08:18,800
Up on the table.

171
00:08:19,633 --> 00:08:20,734
There you go.

172
00:08:20,734 --> 00:08:21,985
And you know what, Rodrigo?

173
00:08:22,026 --> 00:08:23,329
Why don't you bite her?

174
00:08:23,329 --> 00:08:24,622
Yes. Yes, yes.

175
00:08:24,665 --> 00:08:26,208
You have rabies.

176
00:08:26,250 --> 00:08:27,367
Yes.

177
00:08:28,322 --> 00:08:30,170
I like it. Yes.

178
00:08:30,507 --> 00:08:31,754
I'm not sure about the biting.

179
00:08:31,797 --> 00:08:33,840
Well, it's how we show how you infect them.

180
00:08:33,882 --> 00:08:37,101
Yeah, but biting,
infection, is a bit too...

181
00:08:37,928 --> 00:08:39,554
- No? Like...
- You know, you're right.

182
00:08:39,596 --> 00:08:41,139
You don't have to touch
them. You just, y-you...

183
00:08:41,181 --> 00:08:43,350
you drive them mad with your conducting.

184
00:08:43,558 --> 00:08:45,227
- Okay.
- Right? Like, like Alessandra.

185
00:08:45,269 --> 00:08:46,895
Okay, well, with that...
Suddenly, it doesn't make sense,

186
00:08:46,937 --> 00:08:49,356
because, yes, I did the...
she was already, you know?

187
00:08:49,398 --> 00:08:51,400
- Right.
- And I made a mistake there.

188
00:08:51,441 --> 00:08:53,485
But here with the orchestra,
I mean, they're not mad.

189
00:08:53,527 --> 00:08:55,153
I wish they were, but
they-they're just mad

190
00:08:55,195 --> 00:08:56,947
about the bathroom breaks, that's all.

191
00:08:56,989 --> 00:08:58,865
You're right again. What
if they're indifferent?

192
00:08:59,269 --> 00:09:01,664
They're adrift, they're floating.

193
00:09:01,994 --> 00:09:03,745
But where does that leave you?

194
00:09:03,923 --> 00:09:05,123
That's where I'm stuck.

195
00:09:05,123 --> 00:09:06,666
What if we go back to the Faust?

196
00:09:07,049 --> 00:09:08,592
- Like, we think Faust.
- I don't know, I think maybe

197
00:09:08,633 --> 00:09:10,469
the oboe player might be the key.

198
00:09:10,510 --> 00:09:11,645
Hmm?

199
00:09:15,474 --> 00:09:16,521
What...

200
00:09:17,459 --> 00:09:19,036
Hey. Hey.

201
00:09:19,811 --> 00:09:22,731
Egon, Egon, Egon, why-why
is she hurting me? I...

202
00:09:22,773 --> 00:09:24,274
I love Hai Lai, come on.

203
00:09:24,316 --> 00:09:25,662
Well, show me how you love her.

204
00:09:28,153 --> 00:09:30,093
- How would you love her?
- Okay.

205
00:09:30,697 --> 00:09:31,766
Um...

206
00:09:39,066 --> 00:09:40,543
I don't believe that you love her.

207
00:09:41,442 --> 00:09:45,340
What if you don't love her,
but you need her to love you

208
00:09:45,365 --> 00:09:46,707
or you'll drown?

209
00:09:47,090 --> 00:09:48,049
Nice.

210
00:09:48,074 --> 00:09:49,175
I like it.

211
00:09:50,214 --> 00:09:51,177
I...

212
00:09:52,324 --> 00:09:53,617
I don't know.

213
00:09:54,425 --> 00:09:56,496
Thank you. Thank you, Natalie, but, uh,

214
00:09:56,521 --> 00:09:58,576
- I don't like this anymore.
- We'll try something else.

215
00:09:58,592 --> 00:10:00,218
No, no, no. No, I don't
want to try something.

216
00:10:00,260 --> 00:10:01,887
I'm-I'm done, Egon.

217
00:10:02,554 --> 00:10:03,689
I'm done.

218
00:10:05,200 --> 00:10:06,474
- You're done?
- Yes.

219
00:10:06,899 --> 00:10:08,601
- What do you mean?
- I don't want to do this anymore.

220
00:10:08,643 --> 00:10:10,228
Okay, so you're not up for the work.

221
00:10:10,270 --> 00:10:11,938
I'm always up for the
work. That's the problem.

222
00:10:11,980 --> 00:10:13,690
Everyone, a little round of applause.

223
00:10:13,732 --> 00:10:16,526
Thank you. Thank you so
much for your precious time.

224
00:10:16,568 --> 00:10:17,944
I really appreciate it.

225
00:10:17,986 --> 00:10:19,404
Everyone, let's watch how he exits.

226
00:10:19,446 --> 00:10:20,780
I think I left my fucking keys.

227
00:10:20,822 --> 00:10:22,073
- Where are they?
- We can use this.

228
00:10:22,115 --> 00:10:23,575
We can still do the piece.

229
00:10:23,617 --> 00:10:25,327
- Where's my keys? I left them...
- Where's my keys?

230
00:10:25,368 --> 00:10:26,870
- I know, they're-they're right...
- Where's my keys?

231
00:10:26,912 --> 00:10:28,580
- They're here in my pocket.
- Where's my life?

232
00:10:28,622 --> 00:10:29,915
Hey, yeah, stop, guys.

233
00:10:29,956 --> 00:10:31,762
- Stop.
- Stop. Stop, guys.

234
00:10:32,286 --> 00:10:33,841
- Stop!
- Stop.

235
00:10:34,434 --> 00:10:35,420
Ya basta.

236
00:10:35,462 --> 00:10:36,973
- Enough!
- Ciao.

237
00:10:37,214 --> 00:10:38,590
- Ya basta.
- You'll be back!

238
00:10:49,638 --> 00:10:51,223
Warren.

239
00:10:51,248 --> 00:10:53,438
Do you see the, uh, "X" marked on

240
00:10:53,480 --> 00:10:55,357
- bars two and three?
- Yeah, I was wondering what that was.

241
00:10:55,398 --> 00:10:57,067
Try playing that like a scratchy stop.

242
00:10:57,108 --> 00:10:58,568
- "Scratchy stop"?
- Yes.

243
00:10:58,610 --> 00:11:01,008
Think of it as like a punctuated hit

244
00:11:01,166 --> 00:11:02,709
that launches us into the next piece.

245
00:11:02,735 --> 00:11:03,890
Try it, please.

246
00:11:06,345 --> 00:11:09,913
Um, what I'm looking
for more of is like a...

247
00:11:09,955 --> 00:11:11,414
sudden angled pop.

248
00:11:11,825 --> 00:11:13,201
I'm not sure...

249
00:11:13,226 --> 00:11:14,530
Okay. Um...

250
00:11:15,238 --> 00:11:17,990
Warren, you know the
feeling when you're standing

251
00:11:18,032 --> 00:11:20,368
on top of, like, a very tall building

252
00:11:20,409 --> 00:11:22,161
and you kind of want to
jump, but then you don't,

253
00:11:22,203 --> 00:11:23,592
but it's just the idea
that's kind of thrilling?

254
00:11:23,592 --> 00:11:25,635
Or like when you're on a
really high-speed train...

255
00:11:25,677 --> 00:11:26,970
...and it takes a sudden turn,

256
00:11:27,012 --> 00:11:28,430
and then your stomach goes into your ears.

257
00:11:28,472 --> 00:11:30,307
And so I was just talking
and I couldn't stop myself

258
00:11:30,349 --> 00:11:31,600
from talking, even though I was kind of

259
00:11:31,641 --> 00:11:33,185
just, like, watching myself talk.

260
00:11:33,226 --> 00:11:34,936
And Warren is just sitting
there, looking at me

261
00:11:34,978 --> 00:11:37,486
like he's literally
asleep with his eyes open.

262
00:11:39,243 --> 00:11:40,733
I love you, Hai Lai.

263
00:11:41,490 --> 00:11:42,861
I don't need you to love me.

264
00:11:43,642 --> 00:11:44,654
We're saying that now?

265
00:11:44,696 --> 00:11:46,573
- Yeah, we say that all the time.
- No, we don't.

266
00:11:46,615 --> 00:11:47,991
For many years, yeah, yeah, yeah.

267
00:11:48,033 --> 00:11:49,065
We've been saying that.

268
00:11:49,414 --> 00:11:51,953
I love you and I don't need you to love me.

269
00:11:52,897 --> 00:11:54,875
Well, I do... love you.

270
00:11:56,385 --> 00:11:57,618
Warren Boyd.

271
00:11:58,034 --> 00:11:59,503
He's a very sleepy character.

272
00:11:59,544 --> 00:12:01,505
All musicians are. They're
very bad with words.

273
00:12:01,546 --> 00:12:03,738
They-they don't listen
that well with words.

274
00:12:03,763 --> 00:12:05,342
Did you just put your coaching hat back on?

275
00:12:05,384 --> 00:12:06,551
- Yeah, yeah, yeah.
- Okay.

276
00:12:06,593 --> 00:12:08,178
The-the hat,
the-the slippers,

277
00:12:08,220 --> 00:12:09,638
- the-the heavy thing, yes.
- Yes.

278
00:12:09,679 --> 00:12:11,181
What you're saying is very good,

279
00:12:11,223 --> 00:12:13,225
but in Japan you'll only have time for,

280
00:12:13,266 --> 00:12:14,935
like, 20 minutes to
work with the orchestra.

281
00:12:14,976 --> 00:12:16,478
Well, I haven't even gotten in yet.

282
00:12:16,520 --> 00:12:18,188
Well, just, you know,

283
00:12:18,230 --> 00:12:20,565
learn to give them what you want, you know?

284
00:12:20,607 --> 00:12:22,651
- Okay.
- With-with no sermon.

285
00:12:23,337 --> 00:12:24,694
- No sermon.
- No.

286
00:12:28,990 --> 00:12:30,826
You'll be behind the podium, Hai Lai,

287
00:12:30,867 --> 00:12:33,578
so the instruments can be
with their musicians, you know.

288
00:12:33,620 --> 00:12:35,414
Just make yourself huge.

289
00:12:35,455 --> 00:12:36,957
- Bigger, like a vision, like a vision.
- Ooh!

290
00:12:36,998 --> 00:12:38,750
- You know?
- I feel kind of silly right now, though.

291
00:12:38,792 --> 00:12:41,002
Yeah, well, it's very silly,
yes, because everything we do

292
00:12:41,044 --> 00:12:42,435
is-is kind of ridiculous.

293
00:12:42,575 --> 00:12:44,740
This is very different
than my lessons with Thomas.

294
00:12:44,782 --> 00:12:46,127
Yeah? Which way?

295
00:12:55,952 --> 00:12:56,984
All right, okay.

296
00:12:56,984 --> 00:12:58,635
We really need to focus now. Get up.

297
00:12:58,901 --> 00:13:01,201
- Mm? Focus, okay. Yes, yes, focus.
- Yes.

298
00:13:01,201 --> 00:13:03,162
Okay, so I'm the mirror, okay?

299
00:13:03,730 --> 00:13:05,789
And you do the conducting, okay?

300
00:13:10,091 --> 00:13:11,760
Okay, wait, Hai Lai, Hai Lai, the...

301
00:13:11,802 --> 00:13:14,244
What? It's a bit too much, no?

302
00:13:14,244 --> 00:13:16,121
Oh, that's, uh, so that they know

303
00:13:16,163 --> 00:13:17,879
that I'm referencing the opening.

304
00:13:18,258 --> 00:13:20,385
Okay. Okay, well, they
don't need to know, you know.

305
00:13:20,427 --> 00:13:22,948
- They just need to play.
- I feel like they do need to know

306
00:13:22,973 --> 00:13:24,097
so that they can play.

307
00:13:24,139 --> 00:13:26,933
- Okay, but try it without words.
- No words?

308
00:13:26,975 --> 00:13:28,184
No.

309
00:13:32,942 --> 00:13:34,106
I don't understand.

310
00:13:35,099 --> 00:13:37,090
How can you play something that just...

311
00:13:38,551 --> 00:13:41,114
disappears? I've never
experienced that. I don't know.

312
00:13:41,722 --> 00:13:43,700
But what's to understand?

313
00:13:43,975 --> 00:13:47,424
Just play the
music and cash the checks.

314
00:13:47,449 --> 00:13:49,709
This is the reason why Mozart left me.

315
00:13:50,498 --> 00:13:52,667
I have nothing to give to this piece.

316
00:13:53,323 --> 00:13:55,756
I'm gonna have to stop you right there.

317
00:13:55,985 --> 00:13:57,934
You're sad, and I'm sorry...

318
00:13:59,194 --> 00:14:01,300
but I don't do sadness.

319
00:14:01,530 --> 00:14:03,246
Best of luck to you.

320
00:14:39,183 --> 00:14:41,110
You've got 88 keys.

321
00:14:41,171 --> 00:14:42,110
Use them!

322
00:14:42,135 --> 00:14:43,195
All right!

323
00:14:47,502 --> 00:14:49,935
"Thomas Pembridge's Queens Phil

324
00:14:49,960 --> 00:14:53,209
has emerged like a
phoenix on a motorcycle."

325
00:14:53,250 --> 00:14:55,961
- Well, that's wonderful.
- Listen to this.

326
00:14:56,003 --> 00:14:58,214
"We're finally awake
after being lulled to sleep

327
00:14:58,255 --> 00:15:00,049
"by the New York Symphony,

328
00:15:00,091 --> 00:15:02,426
"whose crumbling ceiling might have proved

329
00:15:02,468 --> 00:15:04,934
to be too apt a metaphor."

330
00:15:04,959 --> 00:15:06,542
Oh, what?!

331
00:15:06,567 --> 00:15:08,223
That fickle asshole.

332
00:15:09,598 --> 00:15:11,643
We're announcing Hesby's "Asyla" next week.

333
00:15:11,685 --> 00:15:15,189
We'll see what they're writing then!

334
00:15:15,485 --> 00:15:16,819
Oh, you... wait.

335
00:15:16,861 --> 00:15:19,781
- You mean my old friend, Hesby?
- Yeah.

336
00:15:19,821 --> 00:15:22,741
Ah, yes, the-the Hesby
who I introduced you to,

337
00:15:22,783 --> 00:15:24,400
who would never have taken that commission

338
00:15:24,447 --> 00:15:25,824
if I hadn't told him to.

339
00:15:25,849 --> 00:15:29,561
The symphony commissioned
him, and you quit the symphony

340
00:15:29,604 --> 00:15:31,272
to go play with your scooter bikes.

341
00:15:31,297 --> 00:15:32,618
Who sent this?

342
00:15:32,634 --> 00:15:34,428
- Oh.
- Ooh, it's got... oh, lovely chocolate.

343
00:15:34,470 --> 00:15:36,305
Just a donor.

344
00:15:36,346 --> 00:15:38,056
Mm, lovely.

345
00:15:38,098 --> 00:15:40,225
They keep coming, don't
they? These little packages.

346
00:15:40,267 --> 00:15:41,351
Let go.

347
00:15:41,393 --> 00:15:42,936
Who keeps sending you these gifts?

348
00:15:42,978 --> 00:15:44,271
- Let me have it.
- Mm, no, no.

349
00:15:48,233 --> 00:15:49,577
All right, I'm here.

350
00:15:49,577 --> 00:15:51,686
- Go. Get your lesson.
- You sure you can take waiting?

351
00:15:51,724 --> 00:15:52,881
It's harder than you think.

352
00:15:52,881 --> 00:15:54,508
Oh, I'm sorry. I need to
be a mouthy 13-year-old

353
00:15:54,549 --> 00:15:56,136
to do a good job?

354
00:15:59,276 --> 00:16:01,276
_

355
00:16:01,431 --> 00:16:02,974
You know what? Never mind.

356
00:16:02,998 --> 00:16:04,350
_

357
00:16:04,696 --> 00:16:05,977
Hey, I meant like in money.

358
00:16:06,284 --> 00:16:08,328
You think you're the first
teenager to act like a punk?

359
00:16:08,370 --> 00:16:09,794
I wrote the fucking book.

360
00:16:09,794 --> 00:16:11,589
Now I'm supposed to be
a one-handed waitress

361
00:16:11,656 --> 00:16:13,940
for an ungrateful little prick?

362
00:16:17,839 --> 00:16:18,924
Fuck.

363
00:16:26,015 --> 00:16:27,166
What's wrong?

364
00:16:27,433 --> 00:16:28,892
I was really stupid.

365
00:16:29,624 --> 00:16:31,376
I fucked up my wrist again.

366
00:16:31,419 --> 00:16:33,921
It's fucking stupid. I'm
stupid about a lot of things.

367
00:16:33,962 --> 00:16:35,630
I'm supposed to call a
doctor, but, you know,

368
00:16:35,672 --> 00:16:37,466
he's gonna say take another year's rest.

369
00:16:37,507 --> 00:16:38,460
Fuck.

370
00:16:41,678 --> 00:16:43,259
Oh, shit.

371
00:16:50,241 --> 00:16:52,230
You know, you have to really want this.

372
00:16:53,687 --> 00:16:55,113
- What?
- Music.

373
00:16:55,238 --> 00:16:56,406
The drums.

374
00:16:56,764 --> 00:16:57,783
You want it?

375
00:16:58,748 --> 00:17:00,202
It's the only thing I like doing.

376
00:17:01,382 --> 00:17:02,700
Then ask me.

377
00:17:04,467 --> 00:17:07,336
Ask me to help you... with respect.

378
00:17:10,556 --> 00:17:13,990
Can you please take over my
shift so I can go practice?

379
00:17:16,754 --> 00:17:18,025
Yeah.

380
00:17:18,503 --> 00:17:21,013
But if I ever hear you
talk about a girl or a woman

381
00:17:21,038 --> 00:17:22,832
the way you talked to me, we're done.

382
00:17:23,091 --> 00:17:24,300
Okay.

383
00:17:27,428 --> 00:17:30,451
Hailey, I'm still not sure
about that notation. I...

384
00:17:45,989 --> 00:17:47,438
Hailey, what's up?

385
00:17:48,234 --> 00:17:49,778
Uh, throat?

386
00:17:51,001 --> 00:17:52,508
You have no throat.

387
00:17:52,508 --> 00:17:53,467
Laryngitis.

388
00:17:53,509 --> 00:17:54,981
Is it contagious?

389
00:17:54,981 --> 00:17:57,220
- It's a laryngitis of the mind.
- Interesting.

390
00:17:58,453 --> 00:17:59,368
Oh.

391
00:18:03,333 --> 00:18:04,611
Got it. Cool.

392
00:18:05,153 --> 00:18:06,223
How...

393
00:18:12,939 --> 00:18:13,982
Not like that?

394
00:18:16,109 --> 00:18:18,196
Oh, you want me to go ponticello.

395
00:18:34,489 --> 00:18:35,618
Oh, you...

396
00:18:36,129 --> 00:18:39,382
You want me to
dance around like a little girl?

397
00:18:41,444 --> 00:18:42,864
I'm sorry, Maestra.

398
00:18:58,735 --> 00:19:01,565
They're my first and best critics,

399
00:19:02,403 --> 00:19:03,990
because they don't lie.

400
00:19:04,032 --> 00:19:06,605
Here, Thomas, look in Swoozie's eyes.

401
00:19:06,785 --> 00:19:09,538
There's a simple, gentle truth there.

402
00:19:09,579 --> 00:19:11,581
- See what she thinks of.
- Yes, beautiful, beautiful.

403
00:19:11,943 --> 00:19:13,403
I want to show you something.

404
00:19:16,174 --> 00:19:18,992
What do you think, now? What do you think?

405
00:19:18,992 --> 00:19:20,603
Hey, Winslow!

406
00:19:20,906 --> 00:19:22,333
What are you...? Come here.

407
00:19:22,741 --> 00:19:24,993
Look. Max's Kansas City. Huh?

408
00:19:25,035 --> 00:19:27,371
- Ah.
- That was Bowie...

409
00:19:27,412 --> 00:19:29,706
- That elbow there.
- You remember?

410
00:19:29,748 --> 00:19:32,084
We bombed around this town
together, the three of us.

411
00:19:32,125 --> 00:19:33,877
God, I feel like I'm back there now.

412
00:19:33,919 --> 00:19:35,671
You have to fight to keep from calcifying.

413
00:19:35,712 --> 00:19:37,089
You do realize, don't you,

414
00:19:37,130 --> 00:19:40,217
that by letting Gloria debut your piece,

415
00:19:40,258 --> 00:19:41,969
I mean, that's exactly what you're doing?

416
00:19:42,010 --> 00:19:44,388
What about the three of
us doing the premiere?

417
00:19:44,429 --> 00:19:45,916
- Yes.
- I mean, we could do that.

418
00:19:45,916 --> 00:19:48,043
- It'd be a sort of a reunion, huh?
- Maybe we could.

419
00:19:48,085 --> 00:19:49,208
Yeah?

420
00:19:49,964 --> 00:19:51,674
No. No. No, no, no, no, we can't.

421
00:19:51,716 --> 00:19:53,384
- We can!
- No, no, no, no, no, no.

422
00:19:53,600 --> 00:19:55,970
Don't you remember we used to say,

423
00:19:56,286 --> 00:19:59,372
if we are truly collaborative,
we will experience...

424
00:19:59,397 --> 00:20:00,434
...unity!

425
00:20:00,475 --> 00:20:03,420
- We were on LSD!
- But we meant it.

426
00:20:03,537 --> 00:20:06,469
And don't you still believe those things?

427
00:20:06,693 --> 00:20:10,651
I mean, it wasn't until I got
back together with Thomas again

428
00:20:10,959 --> 00:20:14,731
that I truly felt set on fire!

429
00:20:15,113 --> 00:20:16,174
Literally.

430
00:20:16,215 --> 00:20:18,176
She's commissioned the piece. It's hers.

431
00:20:18,217 --> 00:20:21,471
Come on, let's fuck things
up and let's just go have

432
00:20:21,512 --> 00:20:23,806
some goddamn fun! What do you say?!

433
00:20:23,848 --> 00:20:25,801
- Come on, let's do it.
- Exactly.

434
00:20:25,801 --> 00:20:27,595
Gloria, I want you.

435
00:20:28,217 --> 00:20:29,552
I need you.

436
00:20:29,594 --> 00:20:31,804
I shouldn't even be here.

437
00:20:31,846 --> 00:20:34,057
- Have you enjoyed my gifts?
- I have.

438
00:20:34,098 --> 00:20:35,642
But you're wasting your money.

439
00:20:35,683 --> 00:20:37,977
I'm already taken.

440
00:20:38,019 --> 00:20:39,938
The Guggenheim Museum wants you

441
00:20:40,178 --> 00:20:42,358
to be our next executive director.

442
00:20:42,398 --> 00:20:45,526
Hilla von Rebay envisioned this place

443
00:20:45,867 --> 00:20:47,695
as a temple to the spirit.

444
00:20:47,737 --> 00:20:51,491
Come, shepherd that spirit into a new age.

445
00:20:51,744 --> 00:20:53,117
Come join the big leagues.

446
00:20:53,159 --> 00:20:55,954
The New York Symphony is the big leagues.

447
00:20:55,995 --> 00:20:58,041
Yes, but our donors are not

448
00:20:58,096 --> 00:21:00,626
just the crème de la crème of New York.

449
00:21:00,667 --> 00:21:02,752
They come from all over the world.

450
00:21:04,003 --> 00:21:05,148
Oh.

451
00:21:06,030 --> 00:21:08,091
- That is tempting.
- And the best part:

452
00:21:08,132 --> 00:21:11,541
unlike your moody
musicians or conductors...

453
00:21:12,053 --> 00:21:15,181
the art doesn't talk back
and won't go on strike.

454
00:21:15,223 --> 00:21:17,475
Any rats at the Guggenheim?

455
00:21:17,517 --> 00:21:19,477
No rats, Gloria.

456
00:21:19,519 --> 00:21:22,063
Just look me in the eye
right now and tell me

457
00:21:22,105 --> 00:21:24,899
that you're 100% satisfied
with the symphony,

458
00:21:24,941 --> 00:21:27,860
that you want to stay
and that I should drop it.

459
00:21:28,275 --> 00:21:29,537
And I will.

460
00:21:33,520 --> 00:21:35,322
Let's have some more wine.

461
00:21:36,357 --> 00:21:38,132
Is that him?

462
00:21:38,692 --> 00:21:40,235
Mm, no. Which one?

463
00:21:40,277 --> 00:21:41,570
- The guy with the mustache?
- Oh, no.

464
00:21:41,612 --> 00:21:42,697
That's Antonio from the nude circus.

465
00:21:42,722 --> 00:21:43,906
No, the guy behind him.

466
00:21:43,947 --> 00:21:46,300
Uh, no, no, no, no, no,
no. That's not him. No.

467
00:21:46,325 --> 00:21:48,285
- I'm so glad that you're here.
- Is everything okay?

468
00:21:48,327 --> 00:21:49,828
- Yeah, I was just under the weather.
- Okay.

469
00:21:49,870 --> 00:21:51,163
I wasn't gonna miss this for anything.

470
00:21:51,205 --> 00:21:53,332
Thank you so much.
Okay, um, get settled in.

471
00:21:53,374 --> 00:21:55,417
Sasha is gonna fill you
in on the few changes,

472
00:21:55,459 --> 00:21:57,628
- and, uh, I'll see you soon.
- Okay. Enjoy.

473
00:21:57,669 --> 00:21:58,945
Holy shit! Holy shit!

474
00:21:58,969 --> 00:22:00,039
What?

475
00:22:00,130 --> 00:22:01,882
Puta madre. Hai Lai, they called in

476
00:22:01,924 --> 00:22:03,592
Arnar Valgirsson to be the scout.

477
00:22:03,634 --> 00:22:05,844
- Who is that?
- He's a top critic of music in Iceland.

478
00:22:05,886 --> 00:22:07,262
They call him the Stinking
Shark of Reykjavík.

479
00:22:07,304 --> 00:22:08,806
He once gave me a really bad review.

480
00:22:08,847 --> 00:22:10,448
A horrendous review. Don't worry about him.

481
00:22:10,448 --> 00:22:12,325
Don't worry, don't worry.
He said that I was a...

482
00:22:12,366 --> 00:22:14,327
a tropical bird with no
wings. How fucked up is that?

483
00:22:14,368 --> 00:22:15,661
- That's really fucked up.
- No?

484
00:22:15,703 --> 00:22:17,080
Hey, Hai Lai, I was thinking...

485
00:22:17,121 --> 00:22:19,123
You know the last ten bars of the piece?

486
00:22:19,165 --> 00:22:20,792
You could do without them, don't you think?

487
00:22:20,833 --> 00:22:22,001
You can just cut them.

488
00:22:22,043 --> 00:22:23,669
You know, I don't think
the music needs them.

489
00:22:24,178 --> 00:22:25,755
I think Caroline Shaw
meant for them to be there,

490
00:22:25,797 --> 00:22:27,340
so I'm gonna keep them.

491
00:22:27,381 --> 00:22:29,342
Okay, okay. Well, okay, but, you know,

492
00:22:29,383 --> 00:22:31,594
it's not about Caroline Shaw
right now, it's about you.

493
00:22:31,636 --> 00:22:33,262
It's about you and the
music, about the freedom.

494
00:22:33,304 --> 00:22:34,388
- There's no donors, there's nothing.
- Yes.

495
00:22:34,430 --> 00:22:35,515
Just really try things, you know?

496
00:22:35,556 --> 00:22:36,766
Just do what's good for the music.

497
00:22:36,808 --> 00:22:38,059
That's exactly what I'm gonna do.

498
00:22:38,101 --> 00:22:40,394
Okay, great. And the viola section...

499
00:22:40,436 --> 00:22:42,105
- Did you find someone?
- I'm gonna try something new.

500
00:22:42,146 --> 00:22:43,356
- Don't worry about it.
- Ah, a surprise.

501
00:22:43,397 --> 00:22:45,526
- Okay, surprise. Okay.
- Okay.

502
00:22:46,025 --> 00:22:48,155
Mierda, Hai Lai, mierda, mierda!

503
00:22:53,273 --> 00:22:54,809
Why is my dad here?

504
00:22:55,698 --> 00:22:57,120
I told him to come.

505
00:22:57,161 --> 00:22:58,412
Are you out of your fucking mind?!

506
00:22:58,454 --> 00:23:00,331
- Why would you do that?
- Because I think it's something

507
00:23:00,373 --> 00:23:02,634
that you have to go through, Hai
Lai. You have to confront him.

508
00:23:03,459 --> 00:23:05,002
I need you to tell him to leave.

509
00:23:05,291 --> 00:23:06,918
Otherwise I'm not gonna be able to do this.

510
00:23:06,959 --> 00:23:08,169
Okay, I can tell him to leave.

511
00:23:08,211 --> 00:23:09,796
- Okay.
- Or, or...

512
00:23:09,837 --> 00:23:11,756
you can go onstage and kill yourself.

513
00:23:11,798 --> 00:23:14,258
- What?!
- Yes, yes. Do a sacrifice, Hai Lai.

514
00:23:14,300 --> 00:23:16,344
Yes. Grab that little
girl that thinks stuff like

515
00:23:16,386 --> 00:23:18,805
"you're the best or you fucking
suck"... you know, those voices

516
00:23:18,846 --> 00:23:20,264
that your father has in your head...

517
00:23:20,306 --> 00:23:21,724
And just throw them out of the window.

518
00:23:21,766 --> 00:23:23,101
Throw them, like they're a boomerang.

519
00:23:23,142 --> 00:23:24,394
Boomerangs come back, though.

520
00:23:24,435 --> 00:23:26,435
But... but it depends how you throw them.

521
00:23:26,687 --> 00:23:29,065
Okay, you can't run and make music

522
00:23:29,107 --> 00:23:31,234
at the same time, you know;
you have to take a breath.

523
00:23:31,275 --> 00:23:33,262
You have to confront this. All right?

524
00:23:34,862 --> 00:23:37,169
I swear, because afterwards
the whole Japan thing,

525
00:23:37,407 --> 00:23:39,367
really, is just gonna be like a quark.

526
00:23:39,409 --> 00:23:40,519
A quark?

527
00:23:40,618 --> 00:23:42,537
Just a little thing of an atom.

528
00:23:48,709 --> 00:23:50,002
You can't watch.

529
00:23:50,700 --> 00:23:51,629
Eso.

530
00:23:58,735 --> 00:23:59,980
Good evening.

531
00:24:00,005 --> 00:24:01,506
We're the Hailey Rutledge Ensemble.

532
00:24:01,881 --> 00:24:03,260
Tonight we have the privilege

533
00:24:03,260 --> 00:24:05,558
of debuting a new piece by Caroline Shaw.

534
00:24:06,136 --> 00:24:09,071
I also have my father
here, from North Carolina.

535
00:24:09,096 --> 00:24:11,476
And I wouldn't be here without him.

536
00:24:11,517 --> 00:24:13,519
So, thanks for coming.

537
00:26:06,459 --> 00:26:08,921
Synced and corrected by louvette
www.addic7ed.com