1
00:00:01,392 --> 00:00:07,051
- synced and corrected by chamallow -
- www.addic7ed.com -

2
00:00:11,523 --> 00:00:14,308
♪ No, I am so blind ♪

3
00:00:14,339 --> 00:00:15,969
♪ I've got no eyes ♪

4
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♪ But I can finally see ♪

5
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♪ Oh ♪

6
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[thunder]

7
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All I ever knew was darkness.

8
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Then it came like a bright blade,

9
00:00:28,241 --> 00:00:33,367
without a single moon, a
slow and blinding black.

10
00:00:33,822 --> 00:00:38,165
I, Oedipus, saw everything.

11
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I saw...

12
00:00:41,955 --> 00:00:44,726
You. You. I see you.

13
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What are you, filming me with your phone?

14
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You know who I am?

15
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Who do you think you are?
There are copyright laws!

16
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You little fucking bitch.

17
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[audience members gasping]

18
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♪♪

19
00:01:28,138 --> 00:01:31,955
Hey, Lazlo, fortissimo, Lazlo.

20
00:01:46,147 --> 00:01:47,564
[music stops]

21
00:01:47,838 --> 00:01:51,248
Uh, we... we need a double espresso, eh?

22
00:01:51,261 --> 00:01:52,506
Not a... not a single one.

23
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I mean, I know that this is a rehearsal,

24
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and, I mean, you guys
are not used to give it

25
00:01:58,138 --> 00:02:00,901
everything you have
before the performance, but

26
00:02:00,918 --> 00:02:03,341
I can assure you that this is the only way

27
00:02:03,368 --> 00:02:05,368
that this music is going
to get into our bones.

28
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There's no you.

29
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No you.

30
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No me.

31
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We are different harmonic strains

32
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of the same vocal chord.

33
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Together,

34
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together, if we connect,

35
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together can can communicate with them,

36
00:02:37,854 --> 00:02:39,061
with the people over there.

37
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[whispering] Does he
want it faster or slower?

38
00:02:41,489 --> 00:02:43,063
Indulge me a little bit.

39
00:02:43,273 --> 00:02:45,598
Indulge me and put your instruments down.

40
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Put them down.

41
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Just put them down.

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The music...

43
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is not in the notes

44
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but in the silence between them.

45
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Maestro?

46
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Yes.

47
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Time for a ten-minute break.

48
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Okay.

49
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Take ten.

50
00:03:21,821 --> 00:03:23,263
So what are you doing this weekend?

51
00:03:23,279 --> 00:03:26,366
Hmm. Rich-bitch wedding
gig out in Sag Harbor.

52
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- At least they pay us, right?
- Open bar.

53
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Man: What's the score?

54
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Does anybody happen to
know the WiFi password?

55
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Pizzicato Freak... capital P, capital F.

56
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I'm just saying,

57
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don't empty your spit valve on me.

58
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You're doing it on purpose.

59
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A quarter ounce and a couple of Z-bars.

60
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Just ask and ye shall receive.

61
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You have to excuse me.

62
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I always prefer the
girls' bathroom. It's...

63
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it's just cleaner.

64
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Are you satisfied with us?

65
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No. No.

66
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No, but that's my
responsibility. It's okay.

67
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I like your bracelet.

68
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I noticed it when you were conducting.

69
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I like your tattoo.

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- My bass clef?
- I saw it when you were playing.

71
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I couldn't help it.

72
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You mean this one?

73
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- It's a souvenir.
- Ah, a souvenir.

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[humming]

75
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Another souvenir.

76
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When I leave, count to 10,

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and then go out, okay?

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Okay. Bye.

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There area few things in life

80
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that a woman should never see,

81
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and a view up Oedipus' toga

82
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is definitely at the top of that list.

83
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Yeah. So the show, it's done?

84
00:05:14,913 --> 00:05:16,367
It's, like, closed for good?

85
00:05:16,798 --> 00:05:19,365
Yep. Hailey Rutledge, good luck charm.

86
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It's hard to believe
that I spent so many years

87
00:05:23,753 --> 00:05:26,306
learning how to blow air through a tube.

88
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I think you're probably
better off without it.

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00:05:28,859 --> 00:05:30,633
Your job being over, I mean, you know,

90
00:05:30,664 --> 00:05:33,469
it could really open you up
to some new... new energies.

91
00:05:33,635 --> 00:05:35,647
Yeah, well, I hope that these new energies

92
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come with some kind of salary

93
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because the only money I
have coming in right now

94
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is from my one student

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and then a tiny check
from the New York Symphony

96
00:05:43,866 --> 00:05:45,442
for dropping a fucking oboe.

97
00:05:45,458 --> 00:05:47,491
Oh, cue the violins.

98
00:05:48,211 --> 00:05:51,151
All I'm saying is it's beautiful out.

99
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You're day drinking with a sexy man.

100
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Oh, wow.

101
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And, you know, hey,

102
00:05:56,476 --> 00:05:58,882
if... if money's so
goddamn important to you,

103
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I... I can get us a paying job right now.

104
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It sounds, like, really, really suspicious.

105
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[knock on door]

106
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Uh, hang on a minute.

107
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Yes? May I help you?

108
00:06:19,982 --> 00:06:21,572
Yes, uh,

109
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I'm Bradford Sharpe. I'm
here for the profile piece.

110
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Oh. Yes, of course. Come on in.

111
00:06:26,368 --> 00:06:27,889
Come in, come in, come in. How are you?

112
00:06:27,913 --> 00:06:29,367
- Nice to see you.
- Nice to see you.

113
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- Wonderful.
- Yes, yes.

114
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Good, good, good.

115
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So here, this is what I thought.

116
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We could put the cameras here

117
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because I get such a...

118
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By the way, did you see the BBC
piece that I did for Panorama?

119
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- Of course. It was a beautiful piece.
- Yes, thank you. It was excellent.

120
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Anyway, put the camera here.

121
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Get a nice, soft light
from this big window here

122
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because it tends to feature my good side.

123
00:06:51,433 --> 00:06:54,248
So where are the cameras? Are they parking?

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There are no cameras. This is a podcast.

125
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I'm a one-man mobile interviewing machine.

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I got everything I need in my backpack.

127
00:07:03,825 --> 00:07:07,038
Really? Well, that's, uh, that's thrilling.

128
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Do come in. Let's maybe
sit over here, then.

129
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Great. Fantastic.

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♪♪

131
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She's pretty good, right?

132
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[no audible dialogue]

133
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Auntie Mary had a canary
up the leg of her drawers.

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Is that about the level you'll...

135
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♪ Freude ♪

136
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[singing "Ode to Joy" in German]

137
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Thank you. That's...

138
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This is... This is a treat.

139
00:08:24,627 --> 00:08:26,519
I'm looking behind you at this photo

140
00:08:26,539 --> 00:08:28,587
of you conducting Mahler's Fifth in Vienna.

141
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To me, historic.

142
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In fact, I don't think
it's ever been topped.

143
00:08:32,599 --> 00:08:35,561
Thank you. I appreciate that, I really do,

144
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because I feel that that

145
00:08:37,253 --> 00:08:40,072
was probably the greatest
performance that I've ever given,

146
00:08:40,091 --> 00:08:42,949
and, of course, the
critics tended to agree.

147
00:08:43,163 --> 00:08:45,760
Hold on. Let's... Let's start.
Let's... Should we begin?

148
00:08:45,776 --> 00:08:46,781
Oh, I thought we were.

149
00:08:46,852 --> 00:08:48,179
- No.
- I mean, good God.

150
00:08:48,253 --> 00:08:49,531
- Say that again.
- [chuckle] Okay.

151
00:08:49,753 --> 00:08:50,497
Thank you.

152
00:08:50,713 --> 00:08:51,732
Uh, let's see here.

153
00:08:51,803 --> 00:08:52,786
Okay.

154
00:08:55,778 --> 00:08:57,054
Welcome "Bach."

155
00:08:57,174 --> 00:08:59,800
That was Xenokis with "Analogique AB. "

156
00:08:59,800 --> 00:09:02,506
You're listening to another
edition of "B Sharpe, "

157
00:09:02,626 --> 00:09:06,367
a musical podcast where
classical music is our forte.

158
00:09:06,368 --> 00:09:08,394
I'm your host Bradford Sharpe,

159
00:09:08,411 --> 00:09:11,043
and speaking of sharp,
I'm sitting across from

160
00:09:11,163 --> 00:09:12,365
the sharpest of the sharp:

161
00:09:12,368 --> 00:09:14,649
Thomas Pembridge, international conductor,

162
00:09:14,665 --> 00:09:18,248
scholar, and famed interpreter
of the music of Chopin.

163
00:09:18,368 --> 00:09:20,928
In his new role as
musical director emeritus,

164
00:09:21,048 --> 00:09:22,703
he's a very, very busy man.

165
00:09:22,823 --> 00:09:24,778
Maestro, thank you for making the time.

166
00:09:24,823 --> 00:09:26,367
It is beyond an honor.

167
00:09:26,567 --> 00:09:28,367
First question, and...

168
00:09:29,010 --> 00:09:30,481
is classical music dead?

169
00:09:30,601 --> 00:09:35,051
That is sheer and utter nonsense.

170
00:09:36,069 --> 00:09:40,368
Classical music is as
vibrant now as it's ever been.

171
00:09:42,090 --> 00:09:45,311
Rodrigo has been described
as a shaman with a baton,

172
00:09:45,629 --> 00:09:47,709
a genius with a 20-inch waist.

173
00:09:47,735 --> 00:09:50,074
Well, he's definitely, um,

174
00:09:50,139 --> 00:09:53,127
I think a little more
than a 20-inch waist.

175
00:09:54,268 --> 00:09:56,367
You know what? It's a 28.

176
00:09:56,368 --> 00:09:58,056
It's just the top part was really little.

177
00:09:58,056 --> 00:09:59,775
Let me just say one thing.

178
00:09:59,895 --> 00:10:03,653
And this may not be common knowledge, but,

179
00:10:03,888 --> 00:10:05,367
you know...

180
00:10:05,487 --> 00:10:10,013
I actually judged a youth
conducting competition

181
00:10:10,133 --> 00:10:12,346
that he won when he was 12 years old.

182
00:10:12,368 --> 00:10:17,248
Now, listen, I'm not taking
total credit for what happened,

183
00:10:17,248 --> 00:10:19,368
but all I'll say is that, um,

184
00:10:19,368 --> 00:10:21,454
it was my decision to bring him here.

185
00:10:21,574 --> 00:10:24,061
Congratulations. Well, that said,

186
00:10:24,181 --> 00:10:26,800
what does it feel like, um, you know,

187
00:10:26,920 --> 00:10:29,579
to hear that he said, and I quote,

188
00:10:29,699 --> 00:10:34,472
"The New York Symphony is
a dead, irrelevant corpse"?

189
00:10:34,472 --> 00:10:36,868
[chuckle] The press, God bless them,

190
00:10:36,988 --> 00:10:39,367
are always taking things out of context.

191
00:10:39,368 --> 00:10:40,925
But, you see, that was the context.

192
00:10:40,925 --> 00:10:42,804
It was a single-sentence statement.

193
00:10:42,817 --> 00:10:44,003
There is no context.

194
00:10:44,123 --> 00:10:46,518
Oh, I don't think so. Next.

195
00:10:46,583 --> 00:10:47,419
Ahem.

196
00:10:48,326 --> 00:10:50,537
Okay. That's my Chopin list.

197
00:10:50,657 --> 00:10:54,120
Um, is it difficult to work with someone

198
00:10:54,153 --> 00:10:57,248
known for his controversial
political associations,

199
00:10:57,271 --> 00:11:01,367
his public endorsement of
hallucinogens and their benefits,

200
00:11:01,368 --> 00:11:03,654
not to mention his wildly
tempestuous relationship

201
00:11:03,693 --> 00:11:06,668
with the performance
artist musician Ana Maria?

202
00:11:08,632 --> 00:11:12,367
Is this just going to be all about Rodrigo?

203
00:11:12,368 --> 00:11:14,336
Maestro, with all due respect, no, but,

204
00:11:14,569 --> 00:11:16,377
you know, we must admit that he

205
00:11:16,422 --> 00:11:18,347
has become the focal
point of the narrative.

206
00:11:18,368 --> 00:11:20,367
Oh. Listen. Excuse me.

207
00:11:20,368 --> 00:11:23,402
Would you just hang on for one second?

208
00:11:23,441 --> 00:11:25,366
I just have to make one
quick call. Thank you.

209
00:11:25,368 --> 00:11:26,610
- Absolutely. Yes.
- Thank you.

210
00:11:30,577 --> 00:11:31,685
Pardon.

211
00:11:31,698 --> 00:11:33,248
Excuse me. Excuse me!

212
00:11:33,856 --> 00:11:34,965
Prick.

213
00:11:37,369 --> 00:11:38,710
Hey, you. You.

214
00:11:38,830 --> 00:11:40,803
Are you an assistant of some kind?

215
00:11:40,848 --> 00:11:42,067
- Maestro?
- All right, listen.

216
00:11:42,106 --> 00:11:43,367
Listen, do me a favor.

217
00:11:43,368 --> 00:11:45,327
Knock on my door in ten minutes

218
00:11:45,368 --> 00:11:48,509
and tell me my next appointment
can't wait any longer.

219
00:11:48,554 --> 00:11:49,367
Understand?

220
00:11:49,368 --> 00:11:50,204
Ten minutes. Got it.

221
00:11:50,235 --> 00:11:52,039
Good. What's your name?

222
00:11:52,159 --> 00:11:54,580
Uh, Sidney Bickarose, Jr.

223
00:11:55,197 --> 00:11:56,073
Yes.

224
00:11:57,012 --> 00:11:58,248
Oh, uh,

225
00:11:58,368 --> 00:12:00,786
- five minutes.
- Five minutes, okay.

226
00:12:01,735 --> 00:12:03,124
Please turn on.

227
00:12:04,026 --> 00:12:06,883
Rodrigo: And now we
begin our silent symphony.

228
00:12:15,368 --> 00:12:17,368
[humming]

229
00:12:21,368 --> 00:12:25,368
♪♪

230
00:12:39,927 --> 00:12:42,327
Brass. Hit.

231
00:12:43,421 --> 00:12:45,368
Fortissimo!

232
00:12:47,368 --> 00:12:50,368
[speaking Spanish]

233
00:12:52,768 --> 00:12:54,631
[groans]

234
00:12:54,661 --> 00:12:57,598
Hey, Lazlo?

235
00:12:57,718 --> 00:13:01,367
A man of superior talent will go to pieces

236
00:13:01,368 --> 00:13:05,364
if he remains forever in the same place.

237
00:13:05,368 --> 00:13:07,349
- Look it up.
- Wolfgang Amadeus Mozart.

238
00:13:07,368 --> 00:13:09,835
- Oh.
- I've got a quote for you.

239
00:13:09,860 --> 00:13:11,893
"The heartbeat of New York
City's artistic culture

240
00:13:11,933 --> 00:13:15,037
relies on the new experiences
which immigrants bring."

241
00:13:15,932 --> 00:13:17,857
Please, I told you.

242
00:13:17,915 --> 00:13:22,180
I'm sick and tired of
these banal Rodrigoisms.

243
00:13:22,300 --> 00:13:23,710
No, no, maestro.

244
00:13:23,830 --> 00:13:27,106
I'm quoting you from an
interview you gave in 1988.

245
00:13:27,171 --> 00:13:28,367
[knock on door]

246
00:13:28,368 --> 00:13:30,191
Um, yes?

247
00:13:31,039 --> 00:13:32,355
Pardon me, maestro.

248
00:13:32,368 --> 00:13:33,690
Uh, yes, Junior?

249
00:13:33,810 --> 00:13:36,178
Something urgent has come up.

250
00:13:36,217 --> 00:13:36,969
Mm,

251
00:13:37,021 --> 00:13:41,305
don't you mean my next
appointment can't wait any longer?

252
00:13:41,331 --> 00:13:43,736
No, maestro, this is an emergency.

253
00:13:44,358 --> 00:13:48,065
Oh, uh, all right. Make The
New York Times a pot of tea.

254
00:13:48,097 --> 00:13:49,556
This will have to be our last question.

255
00:13:49,621 --> 00:13:50,593
I'll be right there.

256
00:13:50,713 --> 00:13:53,354
Maestro, there's been an accident.

257
00:13:54,916 --> 00:13:58,124
Come on. You'll be back in no time.

258
00:13:58,244 --> 00:14:02,026
The "Hungarian March" would
kill a 20-year-old trombonist.

259
00:14:02,311 --> 00:14:04,041
We started out on this together.

260
00:14:04,061 --> 00:14:07,696
It's only fitting that we play
our diminuendo side-by-side.

261
00:14:07,816 --> 00:14:09,248
You're not going anywhere.

262
00:14:10,114 --> 00:14:11,598
- Neither am I.
- Oh, no.

263
00:14:11,935 --> 00:14:15,111
I'm tired of wearing
this frayed old tuxedo.

264
00:14:15,992 --> 00:14:17,891
Sweetheart, mind if I ask you a question?

265
00:14:18,011 --> 00:14:20,840
- Anything.
- Would you take my place as

266
00:14:21,254 --> 00:14:23,134
chair of the orchestra committee?

267
00:14:24,378 --> 00:14:26,860
I'd be terrible
negotiating with management.

268
00:14:28,967 --> 00:14:32,248
My dear, are you aware
that this raspberry Jell-O

269
00:14:32,272 --> 00:14:34,456
is not even on our current health plan?

270
00:14:35,150 --> 00:14:36,517
I'm serious.

271
00:14:36,637 --> 00:14:38,040
Meals are excluded.

272
00:14:38,623 --> 00:14:40,607
We really need your help.

273
00:14:42,103 --> 00:14:43,536
Well, then I'm honored.

274
00:14:44,657 --> 00:14:45,804
Well...

275
00:14:46,913 --> 00:14:49,052
speedy recovery, old friend.

276
00:14:49,492 --> 00:14:50,367
Hmm.

277
00:14:51,282 --> 00:14:52,714
Forgive me

278
00:14:53,019 --> 00:14:54,496
for my passion.

279
00:14:56,368 --> 00:14:57,691
Maestro,

280
00:14:58,061 --> 00:15:00,032
have you ever wanted something so badly

281
00:15:00,044 --> 00:15:01,866
that you just lose perspective of it?

282
00:15:05,368 --> 00:15:07,647
There may be casualties along the way.

283
00:15:09,242 --> 00:15:10,506
Stay the course.

284
00:15:11,640 --> 00:15:14,031
No life without death, maestro.

285
00:15:15,878 --> 00:15:16,941
I am honored

286
00:15:17,123 --> 00:15:18,651
to say that you are my mentor,

287
00:15:18,969 --> 00:15:21,367
and hopefully one day I can
say that you are my friend

288
00:15:21,368 --> 00:15:23,371
if I may be so deserving.

289
00:15:25,368 --> 00:15:26,368
Thank you.

290
00:15:32,029 --> 00:15:34,162
I was surprised by what you said in there.

291
00:15:34,914 --> 00:15:37,694
For a moment, I almost
believed you were sincere.

292
00:15:38,161 --> 00:15:40,368
I meant it when I said it.

293
00:15:42,491 --> 00:15:43,818
Thomas.

294
00:15:55,572 --> 00:15:57,367
Are you wearing eyeliner?

295
00:15:57,368 --> 00:15:58,732
Ohh...

296
00:15:58,852 --> 00:16:00,473
I have missed you.

297
00:16:00,808 --> 00:16:02,367
I've missed seeing you...

298
00:16:02,368 --> 00:16:03,448
- Thomas.
- ... in rehearsal.

299
00:16:03,473 --> 00:16:04,933
Not here.

300
00:16:05,581 --> 00:16:06,764
Where, then?

301
00:16:07,136 --> 00:16:08,367
Your place.

302
00:16:08,368 --> 00:16:09,367
Oh, sure.

303
00:16:09,368 --> 00:16:12,038
Claire would just love that, wouldn't she?

304
00:16:12,596 --> 00:16:13,529
What do you want me to do,

305
00:16:13,555 --> 00:16:14,888
tickle your ass with a feather?

306
00:16:14,914 --> 00:16:15,925
You're acting like a child.

307
00:16:15,971 --> 00:16:17,091
No, I'm not!

308
00:16:18,061 --> 00:16:19,886
God. Please.

309
00:16:20,824 --> 00:16:22,162
Hmm. What's this?

310
00:16:22,368 --> 00:16:23,162
It's a bracelet.

311
00:16:23,282 --> 00:16:25,248
Hmm. Nice. Where did you get it?

312
00:16:26,189 --> 00:16:28,368
♪♪ [violin]

313
00:16:33,368 --> 00:16:36,368
♪♪

314
00:17:17,368 --> 00:17:20,919
[plinks counterpointing monitor beeps]

315
00:17:27,368 --> 00:17:28,916
Get well, guapo.

316
00:17:30,368 --> 00:17:32,368
Oh, I'm dreading this.

317
00:17:32,368 --> 00:17:34,572
No, no, no. You'll be
great. You'll be great.

318
00:17:34,588 --> 00:17:36,367
You just got to go in there and say

319
00:17:36,970 --> 00:17:38,355
"I'm here for my money,

320
00:17:38,368 --> 00:17:40,551
and I don't give a shit what
anyone else thinks about it. "

321
00:17:40,569 --> 00:17:42,430
Yeah, but the thing is I kind of do.

322
00:17:42,471 --> 00:17:44,488
Well, all right. Therein lies the rub.

323
00:17:44,513 --> 00:17:46,068
Hey, hey, hey.

324
00:17:47,048 --> 00:17:48,806
Listen, you'll be great.

325
00:17:55,109 --> 00:17:56,746
Oh, hey, wait. Wait, wait, wait.

326
00:17:56,794 --> 00:17:57,687
Wait, wait.

327
00:17:57,807 --> 00:17:58,471
Okay.

328
00:17:58,591 --> 00:18:00,367
Here. Your cut.

329
00:18:00,886 --> 00:18:02,367
- Thank you.
- Good luck.

330
00:18:02,368 --> 00:18:03,368
- Okay.
- Bye.

331
00:18:12,738 --> 00:18:14,528
He's married. That's what's going on.

332
00:18:14,536 --> 00:18:17,006
- [knocking]
- Ok, you know what? There's someone at my door.

333
00:18:17,026 --> 00:18:18,135
I'm gonna call you back on this issue.

334
00:18:18,187 --> 00:18:19,697
You wanted to see me, Kathy?

335
00:18:19,716 --> 00:18:20,649
Yes. Come in.

336
00:18:21,537 --> 00:18:22,814
Please sit down.

337
00:18:32,425 --> 00:18:33,604
D. D. , I want to be frank.

338
00:18:33,724 --> 00:18:37,324
Okay, but only if I get to be Sally.

339
00:18:37,622 --> 00:18:40,182
That's funny, but this is serious.

340
00:18:40,302 --> 00:18:42,367
I've been hearing some rumors,

341
00:18:42,368 --> 00:18:44,887
and I need to ask you point blank.

342
00:18:45,834 --> 00:18:48,789
Are you dealing drugs to
members of the orchestra?

343
00:18:48,909 --> 00:18:50,559
Mm-mm. Not true.

344
00:18:51,239 --> 00:18:52,367
D. D.

345
00:18:53,358 --> 00:18:54,823
Okay, look, my...

346
00:18:54,874 --> 00:18:57,824
my brother's a doctor, and sometimes
at the hospital he gets me...

347
00:18:57,869 --> 00:18:59,248
I need some Percocet.

348
00:18:59,619 --> 00:19:00,961
Yes.

349
00:19:02,141 --> 00:19:03,748
How many would you like?

350
00:19:08,758 --> 00:19:10,586
I don't see you coming up in our system.

351
00:19:10,787 --> 00:19:12,148
How long was your employment?

352
00:19:12,193 --> 00:19:15,110
Uh, three or four hours.

353
00:19:15,882 --> 00:19:16,899
Oh.

354
00:19:17,172 --> 00:19:18,176
Wow.

355
00:19:19,401 --> 00:19:21,093
Let me try this.

356
00:19:24,021 --> 00:19:27,110
Ah. Here you are,

357
00:19:27,230 --> 00:19:30,523
coded under Rodrigo's
discretionary account.

358
00:19:30,643 --> 00:19:32,042
I can't access that.

359
00:19:32,255 --> 00:19:33,986
I'll need to bring this
up with his assistant.

360
00:19:34,009 --> 00:19:35,557
I'll be right back.

361
00:19:43,368 --> 00:19:45,368
[murmuring]

362
00:19:52,368 --> 00:19:53,368
[laughing]

363
00:20:02,368 --> 00:20:04,587
Hailey, Rutledge, here you go.

364
00:20:04,618 --> 00:20:06,491
$89. 35.

365
00:20:06,515 --> 00:20:09,528
Just sign here.

366
00:20:12,137 --> 00:20:14,867
And you still need to sign the
back of the check to get the money.

367
00:20:15,134 --> 00:20:16,155
Thank you.

368
00:20:16,204 --> 00:20:20,084
Thanks. Can I get Rodrigo's check advance?

369
00:20:32,366 --> 00:20:33,314
Hey.

370
00:20:33,743 --> 00:20:35,258
I saw you laughing at me.

371
00:20:35,298 --> 00:20:36,392
Ha ha ha.

372
00:20:36,400 --> 00:20:38,028
I'm already embarrassed enough as it is.

373
00:20:38,069 --> 00:20:39,681
You don't need to rub it in my face.

374
00:20:40,029 --> 00:20:42,025
You know, I've... I've worked really hard

375
00:20:42,071 --> 00:20:43,911
to even have half a percent chance

376
00:20:43,928 --> 00:20:45,869
of playing on that stage, and I did it,

377
00:20:46,134 --> 00:20:47,687
even if it was just for one second.

378
00:20:48,434 --> 00:20:50,293
And I wish... I wish
I could take this check

379
00:20:50,306 --> 00:20:51,367
and I could frame it

380
00:20:51,368 --> 00:20:52,865
and I could hang it on my wall,

381
00:20:52,940 --> 00:20:55,815
but I can't because I need that $89.

382
00:20:56,934 --> 00:20:58,805
Do you know how many hours I've spent

383
00:20:58,846 --> 00:21:00,248
practicing the oboe?

384
00:21:00,659 --> 00:21:04,031
I'm 26. I have practiced five hours a day

385
00:21:04,221 --> 00:21:06,714
seven days a week since I can remember.

386
00:21:06,760 --> 00:21:08,486
Why don't you tap that into your computer

387
00:21:08,548 --> 00:21:09,631
and figure that shit out?

388
00:21:09,685 --> 00:21:12,041
Making reeds, having no social life.

389
00:21:12,476 --> 00:21:14,480
I didn't know how to swim or ride a bike

390
00:21:14,529 --> 00:21:16,069
until well into middle school.

391
00:21:16,297 --> 00:21:18,248
How long have you been sitting at that desk

392
00:21:18,251 --> 00:21:19,565
practicing how to be a bitch

393
00:21:19,570 --> 00:21:21,367
and being fucking rude to people?

394
00:21:21,368 --> 00:21:23,248
Maybe you're just a natural at it.

395
00:21:23,672 --> 00:21:25,208
Can you hear the hair?

396
00:21:25,383 --> 00:21:26,854
Because I can't hear shit.

397
00:21:26,974 --> 00:21:29,997
All I can hear is an egomaniac
with a fucking parrot.

398
00:21:33,277 --> 00:21:34,541
Oh, God.

399
00:21:51,582 --> 00:21:53,345
Maestro, will you ever forgive me?

400
00:21:54,725 --> 00:21:57,661
Do not do something so bold
and then back away from it.

401
00:21:58,005 --> 00:22:00,533
Okay? Never ever ever.

402
00:22:01,375 --> 00:22:04,367
You know, all that crazy
anger that you just expressed,

403
00:22:05,063 --> 00:22:06,368
it should have come to me.

404
00:22:08,084 --> 00:22:10,449
As a man that people
feel obligated to flatter,

405
00:22:10,456 --> 00:22:12,924
it's always nice when people,
like, say the truth, you know?

406
00:22:13,044 --> 00:22:15,753
So thank you for that.
Thank you. I appreciate it.

407
00:22:18,000 --> 00:22:19,368
But talking about the truth...

408
00:22:22,102 --> 00:22:23,368
Come.

409
00:22:26,716 --> 00:22:28,368
I saw you.

410
00:22:29,535 --> 00:22:30,708
You have talent.

411
00:22:31,168 --> 00:22:32,471
You play with blood.

412
00:22:34,461 --> 00:22:35,932
I put you on that stage,

413
00:22:37,001 --> 00:22:38,248
and you are not ready.

414
00:22:39,386 --> 00:22:40,676
You know that, right?

415
00:22:42,290 --> 00:22:43,456
You have talent.

416
00:22:43,657 --> 00:22:44,824
You have it.

417
00:22:45,640 --> 00:22:46,697
And who knows, you know?

418
00:22:46,723 --> 00:22:49,082
Maybe in the future, something.

419
00:22:50,534 --> 00:22:52,051
But in the meantime,

420
00:22:52,744 --> 00:22:55,525
if you remain as truthful as
you are with me right now...

421
00:22:56,886 --> 00:22:58,367
I think I can offer you a job.

422
00:22:58,928 --> 00:23:00,483
It's a very small salary.

423
00:23:00,865 --> 00:23:02,453
You can be close to the orchestra.

424
00:23:02,573 --> 00:23:05,367
You know, you can learn whatever
there is to learn from me.

425
00:23:05,368 --> 00:23:06,632
You can practice your music.

426
00:23:06,752 --> 00:23:09,625
You can help me annotate
the scores, you know,

427
00:23:09,632 --> 00:23:12,036
and the mate, for example,
you can help me make it.

428
00:23:12,075 --> 00:23:13,669
I mean, it's quite easy. It's...

429
00:23:14,097 --> 00:23:17,967
You first pour it in... in a 45 angle.

430
00:23:17,993 --> 00:23:20,470
I mean, it's very... I'll
explain to you later, okay?

431
00:23:20,483 --> 00:23:22,317
It's like, uh, it's very easy.

432
00:23:23,328 --> 00:23:24,578
What do you say?

433
00:23:26,089 --> 00:23:27,367
Yes, maestro.

434
00:23:28,079 --> 00:23:29,810
- Truth?
- Yes, maestro.

435
00:23:29,930 --> 00:23:31,475
Yes. Okay.

436
00:23:31,760 --> 00:23:32,680
Okay.

437
00:23:32,875 --> 00:23:34,368
One more thing, okay?

438
00:23:37,962 --> 00:23:39,239
Okay.

439
00:23:40,522 --> 00:23:41,368
Grab it.

440
00:23:45,369 --> 00:23:46,756
Okay.

441
00:23:47,813 --> 00:23:49,167
Cut the hair.

442
00:23:55,480 --> 00:23:56,912
With passion, Hailey.

443
00:24:08,136 --> 00:24:13,023
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