1 00:00:10,410 --> 00:00:12,445 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:12,445 --> 00:00:19,119 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:19,119 --> 00:00:22,822 TONIGHT, JOIN JIMMY AND HIS GUESTS - MICHELLE PFEIFFER, 4 00:00:22,822 --> 00:00:27,961 LIL REL HOWERY CLIVE DAVIS, MUSICAL GUEST, GOOSE 5 00:00:27,961 --> 00:00:33,867 AND FEATURING THE LEGENDARY ROOTS CREW >> Questlove: 1761 6 00:00:33,867 --> 00:00:40,840 >> Questlove: 1761 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:42,542 --> 00:00:50,583 * 8 00:00:50,583 --> 00:01:02,395 * [ CHEERS AND APPLAUSE >> Jimmy: OH, MY GOODNESS. 9 00:01:02,395 --> 00:01:05,565 WELCOME. [ CHEERS AND APPLAUSE YES! 10 00:01:05,565 --> 00:01:11,071 THAT'S EXACTLY RIGHT OH, I LOVE IT. THANK YOU VERY MUCH, EVERYBODY 11 00:01:11,071 --> 00:01:13,206 HAVE A SEAT. ENJOY YOURSELF WELCOME, WELCOME, WELCOME, 12 00:01:13,206 --> 00:01:17,377 WELCOME TO "THE TONIGHT SHOW." YOU'RE HERE. YOU MADE IT. 13 00:01:17,377 --> 00:01:20,880 [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING AT HOME THANK YOU FOR BEING HERE AGAIN 14 00:01:20,880 --> 00:01:24,584 WELL, GUYS, WE'RE RIGHT IN THE MIDDLE OF THE HOLIDAY SEASON [ CHEERS AND APPLAUSE 15 00:01:24,584 --> 00:01:29,189 DO YOU FEEL THE VIBES? IF YOU'RE WAITING TO BUY A A CHRISTMAS TREE, YOU BETTER 16 00:01:29,189 --> 00:01:33,860 HURRY, BECAUSE DUE TO HIGH DEMAND AND LOW SUPPLY, PRICES ARE SOARING. 17 00:01:33,860 --> 00:01:36,930 YEAH I'M TRYING TO GET AHEAD OF THIS 18 00:01:36,930 --> 00:01:38,598 THAT'S WHY EVERY NIGHT ON THE WAY HOME, I CUT ONE BRANCH OFF THE ROCKEFELLER CENTER 19 00:01:38,598 --> 00:01:47,907 CHRISTMAS TREE [ LAUGHTER AND APPLAUSE YEAH, IT'S THE HOLIDAY SEASON, 20 00:01:47,907 --> 00:01:52,145 AND TODAY NEW YORK GOT AN EARLY CHRISTMAS GIFT AARON JUDGE IS COMING BACK TO 21 00:01:52,145 --> 00:01:59,352 THE YANKEES! [ CHEERS AND APPLAUSE YES! 22 00:01:59,352 --> 00:02:02,055 THAT'S RIGHT YANKEES SUPERSTAR, AARON JUDGE, HAS DECIDED TO STAY IN 23 00:02:02,055 --> 00:02:08,194 NEW YORK, AGREEING TO A NINE-YEAR, $360 MILLION CONTRACT 24 00:02:08,194 --> 00:02:12,365 [ CHEERS ] WHEN HE HEARD THAT, BABE RUTH SAID, "WHAT THE HELL 25 00:02:12,365 --> 00:02:16,169 I GOT PAID IN PEANUTS AND CRACKER JACKS. [ LAUGHTER ] 26 00:02:16,169 --> 00:02:19,205 $360 MILLION TODAY, JUDGE WALKED INTO THE OWNER'S OFFICE AND SAID, 27 00:02:19,205 --> 00:02:23,843 "YOU'RE IN MY SEAT." [ LAUGHTER ] WHAT A DEAL. 28 00:02:23,843 --> 00:02:26,112 AARON IS NOW THE ONLY PERSON WHO CAN AFFORD A BEER IN YANKEE STADIUM. 29 00:02:26,112 --> 00:02:34,854 [ LAUGHTER AND APPLAUSE IT'S TRUE. THE GOOD NEWS IS, JUDGE GOT 30 00:02:34,854 --> 00:02:37,824 $360 MILLION THE BAD NEWS IS, THE REST OF THE TEAM IS NOW GETTING PAID IN 31 00:02:37,824 --> 00:02:43,830 CRYPTO [ LAUGHTER ] DID YOU GUYS -- YOU GUYS HEAR 32 00:02:43,830 --> 00:02:45,732 ABOUT THIS APPARENTLY FORMER PRESIDENT TRUMP'S LAWYERS JUST TURNED 33 00:02:45,732 --> 00:02:47,434 OVER MORE CLASSIFIED ITEMS TO THE FBI AFTER FINDING THEM AT TRUMP'S STORAGE UNIT IN 34 00:02:47,434 --> 00:02:54,107 FLORIDA. [ LIGHT LAUGHTER ] YEAH, WE WERE JUST A WEEK AWAY 35 00:02:54,107 --> 00:02:57,377 FROM OUR MOST CLASSIFIED SECRETS ENDING UP ON AN EPISODE OF "STORAGE WARS." 36 00:02:57,377 --> 00:03:06,453 [ LAUGHTER AND APPLAUSE REALLY A STORAGE UNIT 37 00:03:06,453 --> 00:03:10,056 A STORAGE UNIT YOU KNOW THAT YOU'VE STOLEN TOO MANY TOP SECRET DOCUMENTS WHEN 38 00:03:10,056 --> 00:03:12,258 YOU CAN'T EVEN FIT THEM ALL IN YOUR HOUSE YOU KNOW WHAT I'M SAYING 39 00:03:12,258 --> 00:03:15,962 [ LAUGHTER ] MEANWHILE, LAST NIGHT, TRUMP HOSTED AN EVENT AT MAR-A-LAGO 40 00:03:15,962 --> 00:03:20,467 THAT FEATURED A PROMINENT QANON CONSPIRACY THEORIST. IT'S NOT GOOD WHEN YOU MINGLE 41 00:03:20,467 --> 00:03:24,170 WITH A CONSPIRACY THEORIST TO DISTRACT FROM YOUR DINNER WITH A WHITE SUPREMACIST. 42 00:03:24,170 --> 00:03:27,807 YOU KNOW WHAT I'M SAYING [ LAUGHTER ] SWITCHING GEARS, I SAW THAT 43 00:03:27,807 --> 00:03:33,446 TIKTOK JUST RELEASED THEIR TEN MOST POPULAR VIDEOS OF 2022. AND THERE'S SOME PRETTY COOL 44 00:03:33,446 --> 00:03:37,083 VIDEOS IN THERE. FOR EXAMPLE, THE TOP VIDEO WAS OF A CHOCOLATIER MAKING 45 00:03:37,083 --> 00:03:39,786 A LIFE-SIZED GIRAFFE TAKE A LOOK AT -- TAKE A LOOK AT THIS. 46 00:03:47,527 --> 00:03:51,598 >> Jimmy: YEAH I MEAN, THAT'S IMPRESSIVE. BUT UNFORTUNATELY, IT BUMPED 47 00:03:51,598 --> 00:03:52,132 I MEAN, THAT'S IMPRESSIVE. BUT UNFORTUNATELY, IT BUMPED THIS VIDEO OFF THE LIST. 48 00:03:53,166 --> 00:04:03,076 [ SINGING [ LAUGHTER AND APPLAUSE 49 00:04:03,076 --> 00:04:06,680 >> Jimmy: WHAT'S GOING ON? ANOTHER VIDEO IN THE TOP TEN WAS A REMIX OF THE CORN KID. 50 00:04:06,680 --> 00:04:08,615 WAS A REMIX OF THE CORN KID. >> Steve: OH >> Jimmy: CHECK THIS OUT 51 00:04:09,783 --> 00:04:10,517 >> I REALLY LIKE CORN. 52 00:04:10,517 --> 00:04:13,453 >> WHAT DO YOU LIKE ABOUT CORN * IT'S CORN * >> Jimmy: YEAH 53 00:04:13,453 --> 00:04:14,688 [ LAUGHTER ] IT'S GREAT IT'S CUTE. 54 00:04:14,688 --> 00:04:16,189 IT'S CUTE. BUT, ONCE AGAIN, THAT MEANS THAT THIS VIDEO GOT SNUBBED. 55 00:04:19,526 --> 00:04:20,794 [ LAUGHTER ] 56 00:04:20,794 --> 00:04:24,297 >> WOW >> Jimmy: WOW. [ APPLAUSE ] 57 00:04:24,297 --> 00:04:28,535 WOW. AND FINALLY, LIZZO CRACKED THE TOP TEN FOR HER VIDEO WHERE SHE 58 00:04:28,535 --> 00:04:33,239 SHOWS THE CHOREOGRAPHY TO "ABOUT DAMN TIME." HERE IT IS 59 00:04:34,641 --> 00:04:39,279 BALENCI-USSY'S >> Jimmy: THAT'S RIGHT. YEAH 60 00:04:39,279 --> 00:04:41,481 [ LAUGHTER ] BUT SADLY, THAT KNOCKED THIS FROM THE TOP TEN 61 00:04:42,082 --> 00:04:48,655 >> WHO PAINTED THE MONA LISA MONA LISA. DA VINKI 62 00:04:48,655 --> 00:04:53,493 [ LAUGHTER AND APPLAUSE [ CYMBAL CRASH ] >> Jimmy: BETTER LUCK NEXT 63 00:04:53,493 --> 00:04:57,097 YEAR "DA VINKI? >> Steve: "DA VINKI? 64 00:04:57,097 --> 00:04:58,865 >> Jimmy: HEY GUYS, GET THIS, AIRLINE PASSENGERS IN EUROPE WILL SOON BE ALLOWED TO USE 65 00:04:58,865 --> 00:05:04,838 5G SERVICE TO MAKE PHONE CALLS ON BOARD THE ONLY THING WORSE THAN YOUR 66 00:05:04,838 --> 00:05:07,674 SEAT MATE TRYING TO TALK TO YOU, IS YOUR SEAT MATE TRYING TO TALK TO SOMEONE ELSE. 67 00:05:07,674 --> 00:05:10,543 IT'S LIKE, "HEY, CAN YOU HEAR ME I'M ON A PLANE RIGHT NOW." 68 00:05:10,543 --> 00:05:16,316 [ LAUGHTER ] YEP, THIS MEANS NO MORE PUTTING YOUR PHONE ON AIRPLANE MODE. 69 00:05:16,316 --> 00:05:18,284 YEP, EVERYONE'S LIKE, "FINALLY, WE CAN STOP PRETENDING TO DO THAT." 70 00:05:18,284 --> 00:05:25,558 [ LAUGHTER ] SOME ENTERTAINMENT NEWS, "WEDNESDAY" IS ON TRACK TO 71 00:05:25,558 --> 00:05:29,229 BECOME NETFLIX'S MOST-WATCHED ENGLISH LANGUAGE TV SERIES EVER 72 00:05:29,229 --> 00:05:37,103 [ CHEERS AND APPLAUSE YOU KNOW THESE ARE CRAZY TIMES WHEN A SHOW ABOUT A DEPRESSED 73 00:05:37,103 --> 00:05:44,310 GOTH CHILD IS WHAT MAKES US ALL HAPPY. [ LAUGHTER AND APPLAUSE 74 00:05:44,310 --> 00:05:48,081 IT'S GOOD, IT'S GOOD EVERYONE'S TALKING ABOUT THE HOLIDAY ACTION MOVIE, "VIOLENT 75 00:05:48,081 --> 00:05:51,084 NIGHT," AS WELL. IT DID SURPRISINGLY WELL AT THE BOX OFFICE, SO THEY'RE 76 00:05:51,084 --> 00:05:56,122 REEDITING OLD HOLIDAY FAVORITES NOW TO CAPITALIZE ON THIS NEW TREND. 77 00:05:56,122 --> 00:05:58,925 >> Steve: REALLY >> Jimmy: LOOK AT THIS AD I SAW TODAY. 78 00:05:59,359 --> 00:06:02,896 >> THEY TRIED TO TAKE EVERYTHING HE HAD, BUT THIS CHRISTMAS, GEORGE BAILEY FIGHTS 79 00:06:02,896 --> 00:06:07,701 BACK HE'S SMOOTH TALKING, HARD DRINKING, AND HE'S GOT A 80 00:06:07,701 --> 00:06:10,870 A MESSAGE FOR ANYONE WHO CROSSES HIM. >> YOU'RE GOING TO DIE 81 00:06:10,870 --> 00:06:13,940 [ SCREAM ] >> "IT'S A WONDERFUL LIFE: DEADFORD FALLS." 82 00:06:13,940 --> 00:06:19,713 EVERY TIME A BELL RINGS, GEORGE KICKS SOME ASS COMING SOON. 83 00:06:19,713 --> 00:06:24,751 >> WHERE'S THAT MONEY, YOU STUPID OLD [ BLEEP ] [ CHEERS AND APPLAUSE 84 00:06:24,751 --> 00:06:32,525 >> Steve: WOW. "STUPID OLD BEEP." [ LAUGHTER ] 85 00:06:32,525 --> 00:06:34,527 >> Jimmy: "WHERE'S THAT MONEY AT?" RIGHT NOW, A LOT OF PEOPLE ARE 86 00:06:34,527 --> 00:06:36,262 PUTTING OUT HOLIDAY DECORATIONS. I SAW ONE HOMEOWNER IN 87 00:06:36,262 --> 00:06:40,133 WISCONSIN, THIS MADE ME LAUGH, WHO KEPT IT VERY SIMPLE. LOOK AT THIS VIDEO 88 00:06:50,410 --> 00:06:53,179 * >> Jimmy: THAT'S FANTASTIC THAT'S -- THAT'S THE MOST 89 00:06:53,179 --> 00:06:59,853 EFFORT SOMEONE'S EVER PUT INTO NO EFFORT. GUYS, FINALLY, WE HAVE EXACTLY 90 00:06:59,853 --> 00:07:01,621 EIGHT SHOWS LEFT BEFORE WE GO ON CHRISTMAS BREAK, WHICH MEANS IT'S TIME FOR THAT BELOVED 91 00:07:01,621 --> 00:07:04,624 "TONIGHT SHOW" TRADITION IT IS TIME FOR "12 DAYS OF CHRISTMAS SWEATERS." 92 00:07:05,825 --> 00:07:09,696 * * 12 DAYS O CHRISTMAS SWEATERS 93 00:07:09,696 --> 00:07:19,039 EIGHT DAYS LEFT * [ CHEERS AND APPLAUSE >> Jimmy: THAT'S RIGHT 94 00:07:19,039 --> 00:07:20,607 EVERY SHOW, BETWEEN NOW AND CHRISTMAS, WE'LL BE GIVING ONE LUCKY AUDIENCE MEMBER 95 00:07:20,607 --> 00:07:24,878 A HEAVENLY CHRISTMAS SWEATER FROM THE "COUNTDOWN TO CHRISTMAS" CABINET 96 00:07:24,878 --> 00:07:28,048 SINCE THERE ARE EIGHT SHOWS LEFT, LET'S OPEN DOOR NUMBER EIGHT, SHALL WE? 97 00:07:28,048 --> 00:07:32,752 [ CHEERS AND APPLAUSE HELLO. THIS IS IT RIGHT HERE. 98 00:07:32,752 --> 00:07:34,587 I'M VERY EXCITED ABOUT THIS ONE. >> IT'S A GOOD ONE 99 00:07:34,587 --> 00:07:36,122 >> Jimmy: THE LAST ONE WAS HARD TO TOP THE LAST ONE, WE HAD SOMEONE'S 100 00:07:36,122 --> 00:07:39,959 HEAD COMING THROUGH A CHIMNEY. >> EXACTLY >> Jimmy: YEAH 101 00:07:39,959 --> 00:07:42,362 HERE WE GO LET'S SEE WHAT WE GOT TONIGHT, YEAH 102 00:07:42,362 --> 00:07:51,204 * [ CHEERS AND APPLAUSE HEAVY. 103 00:07:51,204 --> 00:07:54,941 IT'S GOT SOME WEIGHT TO IT YEAH WOW. 104 00:07:54,941 --> 00:08:07,620 [ CHEERS AND APPLAUSE NOW LET'S SEE WHO'S GOING HOME WITH TONIGHT'S SWEATER 105 00:08:07,620 --> 00:08:10,790 THIS IS A HEAVY ONE. EVERYONE LOOK AT YOUR SEAT NUMBER 106 00:08:10,790 --> 00:08:13,860 IF I CALL YOUR NUMBER, COME ON DOWN QUEST, CAN I GET A DRUM ROLL, 107 00:08:13,860 --> 00:08:23,236 PLEASE [ DRUM ROLL 284! 108 00:08:23,236 --> 00:08:40,520 * * [ CHEERS AND APPLAUSE 109 00:08:40,520 --> 00:08:42,589 >> Jimmy: HEY. I'M JIMMY. NICE TO SEE YOU. 110 00:08:42,589 --> 00:08:46,192 CAN YOU STAND OVER THERE WELCOME TO THE SHOW. WHAT IS YOUR NAME? 111 00:08:46,192 --> 00:08:48,495 >> CATALINA. >> Jimmy: CATALINA, WHERE ARE YOU FROM 112 00:08:48,495 --> 00:08:50,463 >> PORTUGAL. >> Jimmy: HEY! COME ON! 113 00:08:50,463 --> 00:08:54,934 [ CHEERS AND APPLAUSE I'M SO HAPPY YOU'RE HERE >> I'M HAPPY TOO 114 00:08:54,934 --> 00:08:57,070 >> Jimmy: THIS IS YOUR COLOR, BASICALLY. >> YEAH. 115 00:08:57,070 --> 00:08:59,639 IT'S MY FAVORITE COLOR >> Jimmy: IT JUST HAPPENED THAT PINK IS YOUR FAVORITE COLOR? 116 00:08:59,639 --> 00:09:01,708 >> YEAH. >> Jimmy: DO YOU HAVE ANYTHING LIKE THIS IN PORTUGAL? 117 00:09:01,708 --> 00:09:03,576 >> NO. I'M SO HAPPY >> Jimmy: YES. 118 00:09:03,576 --> 00:09:08,014 [ LAUGHTER AND APPLAUSE WELL, YOU HAVEN'T TRIED IT ON YET. 119 00:09:08,014 --> 00:09:10,350 >> I'M SURE IT'S GOING TO BE FINE >> Jimmy: CAN YOU -- CAN YOU 120 00:09:10,350 --> 00:09:12,886 TRY IT ON? >> YEAH, OF COURSE >> Jimmy: YEAH 121 00:09:12,886 --> 00:09:15,722 HERE YOU GO. IT'S GOT A LOT OF -- * 122 00:09:15,722 --> 00:09:24,130 [ CHEERS AND APPLAUSE NO, OKAY I CAN HEAR YOU. CATALINA, OH 123 00:09:24,130 --> 00:09:28,301 WOW. GET YOUR -- OH -- YOU HAVE -- OH 124 00:09:28,301 --> 00:09:31,771 GET YOUR HAIR OUT. YOU LOOK GORGEOUS. THAT'S WHAT I'M TALKING -- LOOK 125 00:09:31,771 --> 00:09:34,074 AT THAT. THAT'S HOW YOU ROCK THE SWEATER. 126 00:09:34,074 --> 00:09:38,578 BEAUTIFUL! HERE'S ONE MORE ROUND OF APPLAUSE FOR OUR WINNER. 127 00:09:38,578 --> 00:09:41,081 CONGRATULATIONS. THANK YOU FOR BEING HERE [ CHEERS AND APPLAUSE 128 00:09:41,081 --> 00:09:43,683 STICK AROUND WE'LL BE RIGHT BACK WITH MICHELLE PFEIFFER, EVERYBODY 129 00:09:43,683 --> 00:09:53,426 COME ON BACK NOW [ CHEERS AND APPLAUSE * 130 00:09:53,426 --> 00:09:58,665 THREE, TWO, ONE, GOOD LUCK [ CHEERS AND APPLAUSE * 131 00:09:58,665 --> 00:10:00,934 * >> COCONUT [ DING ] 132 00:10:17,951 --> 00:10:22,355 EMMY AND THREE-TIME ACADEMY AWARD NOMINATED ACTOR. SHE'S ALSO THE FOUNDER OF THE 133 00:10:22,355 --> 00:10:27,761 FRAGRANCE LINE HENRY ROSE, WHICH IS AVAILABLE AT HENRYROSE.COM. 134 00:10:27,761 --> 00:10:30,263 HENRYROSE.COM. EVERYONE PLEASE WELCOME MICHELLE PFEIFFER. 135 00:10:32,966 --> 00:10:34,100 [ CHEERS AND APPLAUSE 136 00:10:34,100 --> 00:10:56,423 * >> Jimmy: COME ON. YEAH, THEY LOVE YOU. 137 00:10:56,423 --> 00:11:01,061 COME ON, WE LOVE YOU WELCOME BACK IT'S ALWAYS GREAT TO SEE YOU 138 00:11:01,061 --> 00:11:03,730 MICHELLE, CONGRATULATIONS, BY THE WAY. YESTERDAY YOU JUST GOT 139 00:11:03,730 --> 00:11:06,066 NOMINATED FOR A CRITIC'S CHOICE AWARD. >> I KNOW. 140 00:11:06,066 --> 00:11:10,070 >> Jimmy: THAT'S A BIG DEAL. [ CHEERS AND APPLAUSE * 141 00:11:10,070 --> 00:11:14,574 >> I KNOW, IT'S SUCH AN ILLUSTRIOUS GROUP OF ACTRESSES IT'S SUCH AN HONOR 142 00:11:14,574 --> 00:11:18,812 >> Jimmy: YOU CRUSHED AS BETTY FORD IN "THE FIRST LADY. YEAH, SHE WAS AMAZING. 143 00:11:18,812 --> 00:11:24,284 [ CHEERS AND APPLAUSE I WAS READING UP A LITTLE ABOUT YOU, AND I SAW SOMETHING I 144 00:11:24,284 --> 00:11:28,655 THOUGHT WAS INTERESTING. THAT WHEN YOU GET A ROLE, OR A A JOB, YOU EITHER TRY TO GET 145 00:11:28,655 --> 00:11:31,391 OUT OF IT OR TRY TO GET FIRED FROM IT. >> YEAH. 146 00:11:31,391 --> 00:11:34,461 [ LIGHT LAUGHTER ] I MEAN, SOMETIMES THE ONLY WAY TO GET OUT IS TO GET FIRED 147 00:11:34,461 --> 00:11:37,097 >> Jimmy: YEAH BUT THAT'S TRUE? >> IT'S JUST -- IT'S JUST -- MY 148 00:11:37,097 --> 00:11:42,335 HANDS ARE SWEATING AS WE'RE EVEN DISCUSSING THIS I GET PERFORMANCE ANXIETY. 149 00:11:42,335 --> 00:11:45,005 >> Jimmy: YOU DO >> YEAH, I DO. AND I GET, YOU KNOW -- PEOPLE 150 00:11:45,005 --> 00:11:50,410 ARE ALWAYS SO SURPRISED THAT AN ACTOR WOULD HAVE PERFORMANCE ANXIETY, BUT - 151 00:11:50,410 --> 00:11:52,212 >> Jimmy: BUT YOU DO >> YEAH. AND I GUESS THE SAY -- THEY DO 152 00:11:52,212 --> 00:11:56,850 SAY THAT WHEN THAT STOPS, YOU SHOULD REALLY HANG IT UP >> Jimmy: WOW. 153 00:11:56,850 --> 00:12:00,253 >> THAT IT'S SORT OF PART OF THE JUICE THAT KIND OF GETS US GOING. 154 00:12:00,253 --> 00:12:02,889 >> Jimmy: OH, YEAH >> YEAH. >> Jimmy: EVERY NIGHT I FEEL 155 00:12:02,889 --> 00:12:05,392 LIKE, YEAH >> YEAH? >> Jimmy: I'M NOT COMING OUT 156 00:12:05,392 --> 00:12:07,794 [ LAUGHTER ] AND THEN I JUST KEEP COMING OUT. 157 00:12:07,794 --> 00:12:10,764 >> YOU KEEP COMING OUT >> Jimmy: I KEEP COMING OUT. BUT EVERY MOVIE, "SCARFACE," 158 00:12:10,764 --> 00:12:13,366 EVERYTHING "BATMAN RETURNS? >> YES 159 00:12:13,366 --> 00:12:16,336 NO NO, I DIDN'T, BECAUSE I WAS OBSESSED WITH CATWOMAN SINCE I 160 00:12:16,336 --> 00:12:23,109 WAS A LITTLE GIRL. >> Jimmy: YES. [ CHEERS AND APPLAUSE 161 00:12:23,109 --> 00:12:24,644 >> AND -- AND ACTUALLY, SOMEONE WAS CAST BEFORE ME, ANNETTE BENING, WHO'S 162 00:12:24,644 --> 00:12:31,851 WONDERFUL. >> Jimmy: WOW. >> AND THEN SHE GOT PREGNANT 163 00:12:31,851 --> 00:12:34,454 AWESOME. >> Jimmy: YEAH [ LIGHT LAUGHTER ] 164 00:12:34,454 --> 00:12:36,556 >> AND THEN I GOT THE PART I GOT THE PART [ CHEERS AND APPLAUSE 165 00:12:36,556 --> 00:12:39,392 >> Jimmy: WOW. YOU NAILED IT. AND, YOU KNOW, CONGRATS ON "THE 166 00:12:39,392 --> 00:12:44,531 ANT-MAN" MOVIES AS WELL. WE -- DO YOU LIKE DOING SUPERHERO MOVIES 167 00:12:44,531 --> 00:12:46,166 I THINK YOU'RE PRETTY GOOD >> YEAH, I MEAN, THEY'RE KIND -- LOOK, THEY'RE A MIXED 168 00:12:46,166 --> 00:12:52,172 BAG. YOU KNOW, THE OUTFITS ARE ALWAYS SUPER UNCOMFORTABLE 169 00:12:52,172 --> 00:12:56,976 AND YOU FORGET IT'S LIKE CHILDBIRTH A LITTLE BIT. [ LIGHT LAUGHTER ] 170 00:12:56,976 --> 00:13:04,050 BUT IT'S, YOU KNOW, "ANT-MAN" IS SUCH A FUN ONE TO WORK ON IT'S SUCH A GREAT GROUP OF 171 00:13:04,050 --> 00:13:07,387 PEOPLE >> Jimmy: GREAT CAST >> AND FUNNY AND SMART 172 00:13:07,387 --> 00:13:10,223 AND IT WAS REALLY FUN, THIS LAST ONE THE FIRST ONE, I WASN'T REALLY 173 00:13:10,223 --> 00:13:12,525 IN IT THAT MUCH. I SORT OF SHOWED UP FOR A COUPLE OF WEEKS, AND DID MY 174 00:13:12,525 --> 00:13:19,165 BIT AND THEN LEFT. AND I DIDN'T REALLY HONESTLY GET TO KNOW THEM 175 00:13:19,165 --> 00:13:22,068 BUT THIS TIME I WAS THERE FOR THE LONG RUN >> Jimmy: YEAH 176 00:13:22,068 --> 00:13:25,405 >> AND - >> Jimmy: PAUL RUDD SAID THAT EVERYONE FREAKED OUT "THE 177 00:13:25,405 --> 00:13:29,075 AVENGERS: ENDGAME" THE FINAL SCENE WHEN YOU WALKED ON SET AND THEY WERE ALL SITTING 178 00:13:29,075 --> 00:13:32,612 THERE, AND THEY'RE LIKE, "OH, MY GOD, MICHELLE PFEIFFER. >> I DON'T THINK THAT'S TRUE 179 00:13:32,612 --> 00:13:35,081 >> Jimmy: YEAH, THAT IS DEFINITELY TRUE. HE TOLD ME, HE SAID THAT 180 00:13:35,081 --> 00:13:37,217 >> WELL, I WASN'T AWARE OF THAT I WAS -- I WAS FREAKING OUT. 181 00:13:37,217 --> 00:13:39,386 >> Jimmy: THEY WERE PLAYING -- YOU WERE TRYING TO GET OUT OF IT 182 00:13:39,386 --> 00:13:42,255 YOU WERE TRYING TO GET FIRED [ LAUGHTER ] TRYING TO GET FIRED FROM 183 00:13:42,255 --> 00:13:45,525 "AVENGERS: ENDGAME," LIKE, YEAH [ LIGHT LAUGHTER ] 184 00:13:45,525 --> 00:13:49,095 DO YOU EVER GET EXCITED ABOUT MEETING ANYONE >> I DO. 185 00:13:49,095 --> 00:13:53,667 ACTUALLY, I WAS REALLY EXCITED TO WORK WITH JONATHAN MAJORS HE'S IN "ANT-MAN," AND WE HAVE 186 00:13:53,667 --> 00:13:59,539 A LOT OF OUR SCENES ARE TOGETHER AND, YOU KNOW, IT'S AN 187 00:13:59,539 --> 00:14:02,342 INTERESTING, THIS ONE IS -- I DON'T KNOW WHAT I'M ALLOWED TO SAY. 188 00:14:02,342 --> 00:14:05,045 WHAT AM I ALLOWED TO SAY >> Jimmy: YEAH, I KNOW, YOU'RE REALLY NOT ALLOWED TO SAY MUCH 189 00:14:05,045 --> 00:14:06,713 >> THEY GIVE YOU A WHOLE LIST OF WHAT YOU CAN'T SAY, BUT NOT ANYTHING WHAT YOU CAN SAY, 190 00:14:06,713 --> 00:14:09,683 SO - [ LIGHT LAUGHTER ] >> Jimmy: NEXT TIME YOU COME 191 00:14:09,683 --> 00:14:11,851 ON, I WANT YOU TO BRING THAT LIST 'CUASE I WANNA READ WHAT YOU 192 00:14:11,851 --> 00:14:15,355 CAN SAY. >> AND I'LL JUST READ IT >> Jimmy: YEAHM, YOU'LL GO, 193 00:14:15,355 --> 00:14:17,424 "HERE'S EXACTLY WHAT I CAN'T SAY ABOUT THE MOVIE. >> YEAH. 194 00:14:17,424 --> 00:14:19,726 [ LAUGHTER ] ALSO, YOUR GIANT MOVIE CAREER, YOU ALSO HAVE THIS AMAZING 195 00:14:19,726 --> 00:14:24,097 FRAGRANCE LINE, HENRY ROSE >> I DO. >> Jimmy: CONGRATULATIONS ON 196 00:14:24,097 --> 00:14:25,632 THIS >> OH, AND YOU HAPPEN TO HAVE IT BACK THERE. 197 00:14:25,632 --> 00:14:28,435 >> Jimmy: OH, YES, I DO. [ CHEERS AND APPLAUSE AND I WANT TO TALK ABOUT THIS, 198 00:14:28,435 --> 00:14:32,639 'CAUSE I DO LIKE THE PACKAGING AS WELL. THE PACKAGING IS VERY COOL 199 00:14:32,639 --> 00:14:34,941 CAN YOU SEE -- YOU CAN SEE "HENRY ROSE" THROUGH THE BOTTLE 200 00:14:34,941 --> 00:14:38,545 >> YEAH. >> Jimmy: AND HOW DID -- HOW DID THIS COME ABOUT? 201 00:14:38,545 --> 00:14:43,550 AND WHEN DID THIS START TAKING OFF? >> WELL, IT STARTED -- REALLY, 202 00:14:43,550 --> 00:14:50,457 THE GENESIS OF IT WAS REALLY AROUND 25 YEARS AGO WHEN I BECAME A NEW MOM 203 00:14:50,457 --> 00:14:55,795 AND I STARTED LOOKING AT THE WORLD THROUGH MY CHILDREN'S EYES, LIKE A LOT OF PEOPLE DO. 204 00:14:55,795 --> 00:14:57,564 AND I STARTED PAYING CLOSER ATTENTION TO WHAT I WAS EXPOSING THEM TO, AND LOOKING 205 00:14:57,564 --> 00:15:04,237 AT THE INGREDIENTS, AND THE THINGS WE WERE PUTTING ON OUR BODIES 206 00:15:04,237 --> 00:15:09,142 AND -- AND, YOU KNOW, WHAT I DISCOVERED IS THAT FRAGRANCE WAS COMPLETELY NON-TRANSPARENT 207 00:15:09,142 --> 00:15:14,047 IT WAS REALLY THE LAST BLACK BOX OF TRANSPARENCY. AND SO I STOPPED WEARING 208 00:15:14,047 --> 00:15:19,419 FRAGRANCE FOR TEN YEARS. AND I LOVE, OBVIOUSLY, YOU KNOW, I LOVE FRAGRANCE 209 00:15:19,419 --> 00:15:26,326 AND, SO -- >> Jimmy: WAS IT DIFFICULT TO GET OFF THE GROUND, OR WERE YOU 210 00:15:26,326 --> 00:15:30,897 LIKE, "I'M MICHELLE PFEIFFER, SO LET'S JUST DO THIS? [ LAUGHTER ] 211 00:15:30,897 --> 00:15:32,499 >> NO, NO. IT WAS -- SO, ABOUT 15 YEARS AGO, I -- AND AFTER TRYING ALL 212 00:15:32,499 --> 00:15:40,740 KINDS OF CONCOCTIONS ON THE MARKET, I REALLY MISSED THAT SORT OF FINE FRAGRANCE 213 00:15:40,740 --> 00:15:46,513 AND I DECIDED, "OKAY, WELL, I'M GOING TO SEE IF I CAN DO THIS. THERE MUST BE OTHER PEOPLE 214 00:15:46,513 --> 00:15:49,482 LOOKING FOR THIS PRODUCT." AND NOBODY REALLY UNDERSTOOD IT 215 00:15:49,482 --> 00:15:52,752 AND I THINK I WAS JUST A LITTLE TOO AHEAD OF THE CURVE AND SO, I'D -- IT'S A GOOD 216 00:15:52,752 --> 00:15:58,158 THING I'M GOOD WITH REJECTION. [ LIGHT LAUGHTER ] BECAUSE, YOU KNOW, I'D GO OUT 217 00:15:58,158 --> 00:16:04,564 THERE AND MAKE A GO OF IT, AND GET REJECTED AND I'D, YOU KNOW, GO WITH MY 218 00:16:04,564 --> 00:16:08,735 TAIL BETWEEN MY LEGS AND I'D SHELVE IT FOR A LITTLE WHILE AND BRING IT BACK. 219 00:16:08,735 --> 00:16:10,570 >> Jimmy: YOU KEPT BRINGING IT BACK >> AND TRY AGAIN 220 00:16:10,570 --> 00:16:13,039 >> Jimmy: THAT'S WHAT IT'S ALL ABOUT. >> AND THEN I'D SHELVE IT FOR 221 00:16:13,039 --> 00:16:17,477 A TWO YEARS. AND THEN, FINALLY, IN -- ABOUT FIVE YEARS AGO I THOUGHT - 222 00:16:17,477 --> 00:16:19,312 OKAY, IT'S NEW YEAR'S DAY, I REMEMBER I SAID, "OKAY, WHAT DO YOU WANT 223 00:16:19,312 --> 00:16:24,884 TO DO THIS YEAR? I'M GOING TO GIVE THAT FRAGRANCE THING ONE MORE TRY." 224 00:16:24,884 --> 00:16:34,194 >> Jimmy: YES. [ CHEERS AND APPLAUSE >> SO, ANYWAY, IN 2019 - 225 00:16:34,194 --> 00:16:40,734 SO, I FINALLY FOUND -- I FOUND -- I.F.F. WAS A GREAT PARTNER. 226 00:16:40,734 --> 00:16:43,703 I WENT DIRECTLY TO -- I BYPASSED THE COSMETIC INDUSTRY I WENT DIRECTLY TO THE PERFUME 227 00:16:43,703 --> 00:16:48,575 HOUSE, AND STARTED WORKING WITH PERFUMERS. AND IN 2019, WE LAUNCHED WITH 228 00:16:48,575 --> 00:16:54,180 FIVE TRANSFORMATIVE, 100% TRANSPARENT FRAGRANCES THAT REALLY, YOU KNOW, DISRUPTED THE 229 00:16:54,180 --> 00:17:06,559 FRAGRANCE MARKET AND WE REALLY CREATED A NEW CATEGORY 230 00:17:06,559 --> 00:17:14,034 AND SO, WE ARE THE VERY FIRST GENDERLESS LINE OF LUXURY FINE FRAGRANCES TO HAVE EARNED THE 231 00:17:14,034 --> 00:17:18,038 SAFETY STAMP OF APPROVAL [ CHEERS AND APPLAUSE >> Jimmy: THAT'S AMAZING THAT 232 00:17:18,038 --> 00:17:21,041 YOU DID THAT >> YEAH. WE'D LAUNCHED JUST DIRECT TO 233 00:17:21,041 --> 00:17:28,948 CONSUMER AND THIS YEAR WE'VE MOVED INTO RETAIL 234 00:17:28,948 --> 00:17:31,818 AND PEOPLE CAN GO ON THE WEBSITE, AND USE THE LOCATION FINDER TO FIND A STORE NEAR 235 00:17:31,818 --> 00:17:35,388 YOU. >> Jimmy: MICHELLE, THAT'S MASSIVE. 236 00:17:35,388 --> 00:17:37,490 THAT'S SO COOL >> I KNOW. IT'S VERY COOL 237 00:17:37,490 --> 00:17:40,694 [ CHEERS AND APPLAUSE >> Jimmy: YEAH, I LOVE THAT. DO YOU FIND NOW THAT YOU, NOW 238 00:17:40,694 --> 00:17:49,302 THAT YOU'RE DOING THIS NOW, DO YOU HAVE A HEIGHTENED SENSE OF SMELL? 239 00:17:49,302 --> 00:17:50,804 >> WELL -- [ LAUGHTER ] LITTLE FUN FACT. 240 00:17:50,804 --> 00:17:53,440 >> Jimmy: YEAH >> I WAS -- I WAS AT THE E.N.T., YOU KNOW - 241 00:17:53,440 --> 00:17:56,509 >> Jimmy: YEAH >> -- GETTING PROBED, WHICH IS A REALLY NICE EXPERIENCE 242 00:17:56,509 --> 00:17:59,479 >> Jimmy: EAR, NOSE, AND THROAT, YEAH >> YEAH, AND HE WENT -- HE'S 243 00:17:59,479 --> 00:18:03,717 LOOKING UP, YOU KNOW, LOOKING UP MY NOSTRIL, AND HE SAYS - >> Jimmy: THAT'S WHAT THEY DO. 244 00:18:03,717 --> 00:18:09,055 >> HE GOES, "OH, INTERESTING." [ LIGHT LAUGHTER ] AND I SAID, "WHAT? 245 00:18:09,055 --> 00:18:11,691 WHAT'S INTERESTING?" HE GOES, "OH, WELL, YOU HAVE AN ORGAN IN YOUR NOSE --" >> 246 00:18:11,691 --> 00:18:22,402 Jimmy: WHAT? >> " --THAT PEOPLE DON'T USUALLY HAVE." 247 00:18:22,402 --> 00:18:25,572 IT'S LIKE AN ORGAN, RIGHT? >> Jimmy: I DON'T KNOW, YEAH >> RIGHT 248 00:18:25,572 --> 00:18:28,041 SO - [ LAUGHTER ] >> Jimmy: I DON'T KNOW WHAT I 249 00:18:28,041 --> 00:18:33,780 WOULD DO >> HE SAID IT'S CALLED THE VOMERONASAL ORGAN. 250 00:18:33,780 --> 00:18:38,485 AND YOU FIND IT IN MAMMALS, IN ANIMALS. AND THEY REALLY USE IT TO 251 00:18:38,485 --> 00:18:51,931 DETECT PHEROMONES AND MATE >> Jimmy: WOW. [ CHEERS AND APPLAUSE 252 00:18:51,931 --> 00:18:54,334 WOW. COOL >> AND I HAVE THIS 253 00:18:54,334 --> 00:18:57,137 >> Jimmy: YOU HAVE IT? >> SO, I HAVE SORT OF HAVE AN ANIMALISTIC KIND OF SENSE OF 254 00:18:57,137 --> 00:19:03,410 SMELL, I GUESS [ LAUGHTER AND APPLAUSE >> Jimmy: THIS IS PERFECT THEN 255 00:19:03,410 --> 00:19:05,245 SEE? >> WHO KNEW? >> Jimmy: WHO KNEW 256 00:19:05,245 --> 00:19:07,213 >> WHO KNEW? >> Jimmy: WELL, I THOUGHT MAYBE WE'D PUT IT TO THE TEST AND 257 00:19:07,213 --> 00:19:09,516 PLAY A FUN GAME WHEN WE COME BACK ARE YOU DOWN WITH THAT 258 00:19:09,516 --> 00:19:13,119 >> YEAH, I'M DOWN WITH THAT. BUT YOU'VE PRACTICED THAT GAME A LOT AND I HAVEN'T. 259 00:19:13,119 --> 00:19:17,057 >> Jimmy: I DON'T PRACTICE ANYTHING [ LIGHT LAUGHTER ] 260 00:19:17,057 --> 00:19:18,925 I HAVE NO IDEA ARE YOU LOOKING FOR -- >> YEAH, BUT YOU LIVE HERE 261 00:19:18,925 --> 00:19:20,660 >> Jimmy: ARE YOU LOOKING FOR -- I DO LIVE HERE 262 00:19:20,660 --> 00:19:23,863 [ LAUGHTER ] I SLEEP UNDER THIS DESK. >> I'M LOOKING FOR A SCENT I 263 00:19:23,863 --> 00:19:25,598 WANT TO TRY ON - >> Jimmy: ARE YOU LOOKING FOR A SCENT FOR ME 264 00:19:25,598 --> 00:19:28,034 >> YEAH, I'M WANT TO TRY IT ON YOU. THIS ONE 265 00:19:28,034 --> 00:19:30,236 >> Jimmy: HOW DO I PUT IT ON CAN I ASK HOW I -- HOW DO I? >> YOU WANT TO DO THE DOLPHIN 266 00:19:30,236 --> 00:19:33,907 THING? >> Jimmy: YEAH >> ALL RIGHT 267 00:19:33,907 --> 00:19:36,209 >> Jimmy: I KIND OF DIVE INTO IT YOU SPRAY IT, AND I'LL DOLPHIN 268 00:19:36,209 --> 00:19:39,245 MY WAY THROUGH IT. >> ARE YOU READY >> Jimmy: YEAH 269 00:19:39,245 --> 00:19:44,617 >> OKAY. WAIT [ CHEERS AND APPLAUSE 270 00:19:44,617 --> 00:19:48,221 >> Jimmy: WOW! OOH, THAT'S FUN. YEAH 271 00:19:48,221 --> 00:19:51,391 OH, I'M FEELING IT NOW, I GOT IT OUT TOO. I LOVE IT. 272 00:19:51,391 --> 00:19:54,227 MICHELLE PFEIFFER AND I ARE PLAYING A NEW GAME AFTER THE BREAK. 273 00:19:54,227 --> 00:19:57,630 STICK AROUND WHAT IS THAT >> JAKE'S HOUSE. 274 00:19:57,630 --> 00:20:03,770 [ CHEERS AND APPLAUSE * >>> COMING TO THE MICROPHONE 275 00:20:03,770 --> 00:20:11,277 WAS THIS 19-YEAR-OLD, STUNNINGLY BEAUTIFUL SINGER. AND FROM THE BEGINNING OF THAT 276 00:20:11,277 --> 00:20:15,448 SONG, SHE WAS FINDING MORE MEANING IN THAT SONG THAN EVEN THE COMPOSERS MICHAEL MASSER 277 00:20:15,448 --> 00:20:34,734 AND LINDA CREED COULD'VE THOUGHT WERE IN THAT SONG. >> Jimmy: WELCOME BACK, 278 00:20:34,734 --> 00:20:36,936 EVERYBODY. I'M HERE WITH MICHELLE PFEIFFER. 279 00:20:36,936 --> 00:20:42,609 [ CHEERS AND APPLAUSE AND WE ARE ABOUT TO GO HEAD TO HEAD IN A NEW GAME CALLED 280 00:20:42,609 --> 00:20:44,444 AND WE ARE ABOUT TO GO HEAD TO HEAD IN A NEW GAME CALLED "SNIFF CUP, FLIP CUP." 281 00:20:45,612 --> 00:20:49,716 [ CHEERS AND APPLAUSE * SNIFF CUP FLIP CUP YEAH * 282 00:20:49,716 --> 00:20:51,351 >> Jimmy: NOW, THIS IS JUST LIKE THE DRINKING GAME FLIP CUP, BUT WITH AN EXTRA 283 00:20:51,351 --> 00:20:56,623 CHALLENGE. EACH OF THESE RED SOLO CUPS CONTAINS A DIFFERENT SCENT 284 00:20:56,623 --> 00:21:00,760 IT COULD BE ANY OF THE SCENTS ON THE SCREEN BEHIND US. FIRST YOU FLIP THE CUP, THEN 285 00:21:00,760 --> 00:21:04,364 YOU TRY TO GUESS THE SCENT IF YOU GUESS RIGHT, YOU KEEP GOING. 286 00:21:04,364 --> 00:21:06,666 IF YOU GUESS WRONG, YOU KEEP FLIPPING THE FIRST PERSON TO GET THROUGH 287 00:21:06,666 --> 00:21:10,303 ALL THEIR CUPS WINS. MICHELLE, ARE YOU READY FOR THIS 288 00:21:10,303 --> 00:21:13,139 >> IF YOU GUESS WRONG, YOU KEEP FLIPPING >> Jimmy: YES, THAT'S CORRECT. 289 00:21:13,139 --> 00:21:15,308 >> THEN WHAT HAPPENS >> Jimmy: THEN YOU'VE GOT TO KEEP FLIPPING. 290 00:21:15,308 --> 00:21:17,277 THEN ONCE YOU FLIP IT OVER, YOU GET TO SNIFF AGAIN AND TRY AGAIN. 291 00:21:17,277 --> 00:21:21,114 >> OKAY, ALL RIGHT >> Jimmy: HAVE YOU DONE THIS BEFORE 292 00:21:21,114 --> 00:21:23,183 >> I WAS PRACTICING A LITTLE >> Jimmy: YEAH, OKAY, HERE WE GO 293 00:21:23,183 --> 00:21:25,685 [ LAUGHTER ] I'VE NEVER PLAYED THIS [ LAUGHTER ] 294 00:21:25,685 --> 00:21:28,755 OKAY HERE WE GO 3, 2, 1, GOOD LUCK 295 00:21:28,755 --> 00:21:33,460 [ CHEERS AND APPLAUSE * >> COCONUT 296 00:21:33,460 --> 00:21:37,630 [ DING ] [ CHEERS AND APPLAUSE * 297 00:21:37,630 --> 00:21:43,837 >> Jimmy: COCONUT. * >> AH. 298 00:21:43,837 --> 00:21:48,641 AH AH [ CHEERS AND APPLAUSE 299 00:21:48,641 --> 00:21:55,315 * >> Jimmy: UH, VANILLA! NO 300 00:21:55,315 --> 00:21:57,951 >> YEAH. >> Jimmy: NO, ORANGE [ BUZZER ] 301 00:21:57,951 --> 00:22:00,053 YOU'VE GOT TO FLIP YOU GOT TO FLIP! >> NO. 302 00:22:00,053 --> 00:22:03,289 >> Jimmy: NO, WELL, YOU DIDN'T SAY ANYTHING YET OH, I GO AGAIN 303 00:22:03,289 --> 00:22:06,159 * COCONUT? NO, YOU SAID -- BUBBLE GUM, 304 00:22:06,159 --> 00:22:08,895 BUBBLE GUM [ DING ] [ CHEERS AND APPLAUSE 305 00:22:08,895 --> 00:22:10,964 >> IT DOESN'T SMELL. SO, WHAT DO I DO NOW >> Jimmy: JUST SAY, "BUBBLE 306 00:22:10,964 --> 00:22:12,932 GUM. >> BUBBLE GUM. >> Jimmy: THAT'S RIGHT, GO 307 00:22:12,932 --> 00:22:15,402 >> OKAY. >> Jimmy: GO TO THE THIRD ONE. >> IT DOESN'T SMELL LIKE BUBBLE 308 00:22:15,402 --> 00:22:20,674 GUM. >> Jimmy: IT DOESN'T REALLY. * 309 00:22:20,674 --> 00:22:28,348 AH [ CHEERS AND APPLAUSE * 310 00:22:28,348 --> 00:22:33,787 >> BACON [ DING ] [ CHEERS AND APPLAUSE 311 00:22:33,787 --> 00:22:40,360 OOH. >> Jimmy: AH * 312 00:22:40,360 --> 00:22:51,171 [ CHEERS AND APPLAUSE * IT'S A HARD ONE. 313 00:22:51,171 --> 00:22:56,643 * AH OH, MY GOSH. 314 00:22:56,643 --> 00:23:00,814 [ LAUGHTER ] ARE YOU WAITING FOR ME ARE YOU EMBARRASSING ME? 315 00:23:00,814 --> 00:23:02,882 WHAT ARE YOU DOING I WANT TO QUIT [ LAUGHTER ] 316 00:23:02,882 --> 00:23:05,318 >> I DON'T KNOW WHAT IT IS IS IT A HENRY ROSE FRAGRANCE >> Jimmy: OH, NO, YOU KNOW, 317 00:23:05,318 --> 00:23:08,121 IT'S SOMETHING OH, WAIT WAIT, WHAT IS IT 318 00:23:08,121 --> 00:23:12,492 SOMETHING -- COFFEE. [ DING ] [ CHEERS AND APPLAUSE 319 00:23:12,492 --> 00:23:23,870 * >> Jimmy: COME ON. >> AH! 320 00:23:23,870 --> 00:23:27,707 NO, NO, NO >> Jimmy: HENRY ROSE FRAGRANCE [ DING DING DING ] 321 00:23:27,707 --> 00:23:39,285 [ CHEERS AND APPLAUSE YES, YES, YES, YES, YES! * 322 00:23:39,285 --> 00:23:41,154 I'M A GOOD WINNER. >> I'VE GOT TO GIVE IT TO YOU -- 323 00:23:41,154 --> 00:23:44,858 YEAH, YEAH, YOU'RE REALLY -- >> Jimmy: I'M A GOOD WINNER. I'M NOT -- 324 00:23:44,858 --> 00:23:48,294 MICHELLE PFEIFFER, EVERYBODY [ CHEERS AND APPLAUSE HER FRAGRANCE LINE, HENRY ROSE 325 00:23:48,294 --> 00:23:52,832 IS AWESOME IT'S AVAILABLE AT HENRYROSE.COM. 326 00:23:52,832 --> 00:23:55,468 STICK AROUND WE'LL BE RIGHT BACK WITH LIL REL HOWERY, EVERYBODY. 327 00:23:55,468 --> 00:24:17,657 [ CHEERS AND APPLAUSE * >> Jimmy: OUR NEXT GUEST IS 328 00:24:17,657 --> 00:24:22,362 A FANTASTIC ACTOR AND COMEDIAN HIS STANDUP SPECIAL "LIL REL HOWERY: I SAID IT. 329 00:24:22,362 --> 00:24:27,667 Y'ALL THINKING IT" IS STREAMING NOW ON HBO MAX PLEASE WELCOME LIL REL HOWERY. 330 00:24:29,102 --> 00:24:49,255 [ CHEERS AND APPLAUSE * >> Jimmy: LIL REL HOWERY 331 00:24:49,255 --> 00:24:52,525 COME ON NOW. WELCOME BACK TO THE SHOW THEY GOT A SONG THEY PLAY FOR 332 00:24:52,525 --> 00:24:54,928 YOU. >> BONE-IN SLOW SONG >> Jimmy: YEAH 333 00:24:54,928 --> 00:24:58,431 >> THANK YOU >> Jimmy: IT'S GOOD TO SEE YOU, BUD. 334 00:24:58,431 --> 00:25:01,167 YOU LOOK GOOD. >> I LOVE THE ROOTS, MAN >> Jimmy: YEAH, YOU DO 335 00:25:01,167 --> 00:25:03,670 I DO -- I LOVE THE ROOTS, TOO. [ APPLAUSE ] THEY'RE THE GREATEST 336 00:25:03,670 --> 00:25:07,607 COME ON. I HAVE A LOT OF THINGS I WANT TO ASK YOU 337 00:25:07,607 --> 00:25:09,676 FIRST OF ALL, THANKS FOR BEING HERE YOU LOOK GREAT 338 00:25:09,676 --> 00:25:11,745 >> THANKS. >> Jimmy: LAST TIME YOU WERE HERE, YOU WERE TALKING TO ME, 339 00:25:11,745 --> 00:25:15,248 YOU SAID, "JIMMY --" YOU GOT INVITED TO THE CELEBRITY NBA ALL-STAR GAME, 340 00:25:15,248 --> 00:25:18,318 AND YOU SAID, "I'M TAKING IT SERIOUSLY. I'M TAKING THIS SERIOUSLY -- 341 00:25:18,318 --> 00:25:21,254 >> YOU WANT TO BRING THAT -- YOU WANT TO BRING THAT - WHY YOU WANNA -- 342 00:25:21,254 --> 00:25:22,922 [ LIGHT LAUGHTER ] >> Jimmy: 'CAUSE I KIND OF KNOW THE ENDING 343 00:25:22,922 --> 00:25:25,525 [ LAUGHTER ] YOU SAID YOU WANT TO BE MVP THIS YEAR. 344 00:25:25,525 --> 00:25:29,362 YOU WANTED -- WELL, TELL ME EXACTLY WHAT YOU DID AGAIN LAST TIME 345 00:25:29,362 --> 00:25:33,299 >> SO, AT THE TIME -- WHEN I -- BEFORE, OKAY, SO I GOT SELECTED TO PLAY IN THE NBA CELEBRITY 346 00:25:33,299 --> 00:25:39,539 ALL-STAR GAME. AND, YOU KNOW, ME AND MY GOOD FRIEND, HANNIBAL BURESS, ALSO. 347 00:25:39,539 --> 00:25:42,809 >> Jimmy: THAT'S RIGHT >> WE HIRED A BASKETBALL TRAINER TO GET US READY FOR THE 348 00:25:42,809 --> 00:25:47,180 GAME, RIGHT? >> Jimmy: YEAH >> SO, I'M LIKE, "YO, I'M ABOUT 349 00:25:47,180 --> 00:25:51,084 TO GET 15-5-5. RIGHT? THAT WAS THE GOAL. 350 00:25:51,084 --> 00:25:52,852 [ LIGHT LAUGHTER ] WHAT HAPPENED WAS, WHEN I GOT TO THE GAME -- THIS IS A TRUE 351 00:25:52,852 --> 00:25:59,626 STORY. I GOT THE LAYUP LINE AND LOOK, I'M IN MY 40s, MAN 352 00:25:59,626 --> 00:26:02,262 YOU KNOW WHAT I MEAN >> Jimmy: WAIT, THE LAYUP LINE >> LET ME TELL YOU WHAT 353 00:26:02,262 --> 00:26:04,898 HAPPENED [ LIGHT LAUGHTER ] I WAS AT THE LAYUP LINE. 354 00:26:04,898 --> 00:26:09,035 AND I FELT A LITTLE TWINGE IN MY KNEE. [ LIGHT LAUGHTER ] 355 00:26:09,035 --> 00:26:11,104 AND IN THAT MOMENT, I MADE A A DECISION I SAID, "LOOK, YOU WANT TO 356 00:26:11,104 --> 00:26:15,809 STILL BE MAKING MOVIES OR BE IN CRUTCHES? WHAT DO YOU WANT TO DO?" 357 00:26:15,809 --> 00:26:18,878 [ LIGHT LAUGHTER ] >> Jimmy: OH, MY GOD >> AND SO, THIS IS THE TRUTH 358 00:26:18,878 --> 00:26:21,948 I WENT TO THE LOCKER ROOM. I CHANGED SHOES. I DON'T KNOW WHY I - 359 00:26:21,948 --> 00:26:23,717 LET ME TELL YOU SOMETHING, ANYBODY PLAYS BASKETBALL, YOU KNOW YOU NEED TO BREAK SOME 360 00:26:23,717 --> 00:26:28,154 SHOES IN I PUT ON SOME FRESH SHOES. >> Jimmy: MY GOSH, THIS SOUNDS 361 00:26:28,154 --> 00:26:33,526 LIKE A NIGHTMARE >> OKAY, AND THEN SOMETHING CRAZY HAPPENED - 362 00:26:33,526 --> 00:26:37,230 >> Jimmy: LOOK, NO BIG DEAL. IT'S JUST WE HAVE A CLIP >> NO, YOU DON'T 363 00:26:37,230 --> 00:26:43,670 [ LAUGHTER ] >> Jimmy: HERE'S LIL REL HOWERY AT THE CELEBRITY ALL-STAR GAME 364 00:26:45,839 --> 00:26:49,909 DRIVING INTO TRAFFIC YEAH, TAIL -- OH, NO I TOLD YOU, I TOLD YOU 365 00:26:49,909 --> 00:26:52,645 LIL LAUGHING ABOUT IT. HE'S STILL DEAD SERIOUS. LET'S GET THE REPLAY OF WHAT 366 00:26:52,645 --> 00:26:56,583 HAPPENED HERE'S LIL REL GO -- OH, NO, NO, NO, NO, NO 367 00:26:56,583 --> 00:27:00,320 [ SAD TUBA ] [ LAUGHTER AND APPLAUSE >> Jimmy: NO ONE AROUND YOU. 368 00:27:00,320 --> 00:27:05,025 THERE WAS NO ONE AROUND YOU. REL, THERE WAS NO ONE TOUCHING YOU. 369 00:27:05,025 --> 00:27:08,161 >> PEOPLE DON'T REALIZE HOW GRIPPY THE NBA FLOORS ARE. YOU KNOW WHAT I MEAN 370 00:27:08,161 --> 00:27:10,597 [ LAUGHTER ] >> Jimmy: GRIPPY THE FLOORS ARE GRIPPY? 371 00:27:10,597 --> 00:27:12,866 >> THEY DON'T HAVE PICKUP GAME GRIP IT'S LIKE NBA GRIP IS TOTALLY 372 00:27:12,866 --> 00:27:16,803 DIFFERENT GRIP [ LAUGHTER ] >> Jimmy: SO, IT'S EXTRA 373 00:27:16,803 --> 00:27:18,438 GRIPPY >> IT'S EXTRA GRIPPY >> Jimmy: SO, WHEN YOU'RE 374 00:27:18,438 --> 00:27:20,440 WALKING AROUND -- SO YOU'RE JUST GRIPPED TO THE FLOOR? >> [ BLEEP ] IT WAS SO MUCH 375 00:27:20,440 --> 00:27:22,509 GRIP [ LAUGHTER ] >> Jimmy: YOU JUST FELL DOWN 376 00:27:22,509 --> 00:27:24,678 WHAT HAPPENED? >> I'LL TELL -- LET ME SAY THIS, I DID TAKE IT WAY TOO 377 00:27:24,678 --> 00:27:28,615 SERIOUS. I SHOULD HAVE HAD MORE FUN LIKE, I WAS WAY TOO FOCUSED. 378 00:27:28,615 --> 00:27:31,685 LIKE, EVEN WHEN THEY DID THE INTROS, I WAS LIKE - YOU KNOW, ALL THESE WANT TO 379 00:27:31,685 --> 00:27:34,421 SHAKE YOUR HAND. AND I'M LIKE, "NO, I'M GOOD. [ LAUGHTER ] 380 00:27:34,421 --> 00:27:36,389 YOU KNOW, I'M CHEWING MY GUM ALL HARD SO -- >> Jimmy: OH, MY GOD 381 00:27:36,389 --> 00:27:38,892 BUT YOU'RE SUCH A FUNNY GUY. BUT DON'T YOU WANT TO JUST BE - 382 00:27:38,892 --> 00:27:40,527 >> I DON'T KNOW, MAN I ALWAYS WANTED TO PLAY THE NBA. 383 00:27:40,527 --> 00:27:46,666 [ LAUGHTER ] >> Jimmy: DID ANYONE GIVE YOU ANY ADVICE 384 00:27:46,666 --> 00:27:51,805 [ APPLAUSE ] STEPHEN A. SMITH WAS YOUR COACH, RIGHT 385 00:27:51,805 --> 00:27:54,841 >> LET ME TELL YOU, STEPHEN A. SMITH IS MEAN YOU KNOW WHAT I MEAN 386 00:27:54,841 --> 00:27:58,078 LOOK, THIS IS A CELEBRITY GAME YOU'RE SUPPOSED TO GIVE EVERYBODY PLAYING TIME 387 00:27:58,078 --> 00:28:01,181 BUT AFTER THE TRIP, HE DIDN'T NECESSARILY WANT TO PUT ME BACK IN 388 00:28:01,181 --> 00:28:05,251 [ LAUGHTER ] SO, I'M ON THE BENCH THE WHOLE TIME JUST LOOKING AT THEM. 389 00:28:05,251 --> 00:28:07,420 I'M TRYING TO BE EXTRA TO EVERYBODY ELSE "Y'ALL GOT THIS. 390 00:28:07,420 --> 00:28:09,923 [ LAUGHTER ] >> Jimmy: YOU'RE LIKE, "PUT ME IN, COACH. 391 00:28:09,923 --> 00:28:12,792 >> "PLEASE PUT ME IN." I'M JUST LOOKING AT THEM LIKE A LITTLE KID 392 00:28:12,792 --> 00:28:15,829 I WISH MY DAD WAS THERE. "COULD YOU TALK TO HIM?" [ LAUGHTER ] 393 00:28:15,829 --> 00:28:18,131 >> Jimmy: I WANT TO TALK ABOUT YOUR SPECIAL CONGRATS ON THIS 394 00:28:18,131 --> 00:28:20,433 >> THANK YOU SO MUCH [ CHEERS AND APPLAUSE >> Jimmy: "LIL REL HOWERY: I 395 00:28:20,433 --> 00:28:26,106 SAID IT. Y'ALL THINKING IT." GREAT LINE WHERE DID THE LINE COME FROM 396 00:28:26,106 --> 00:28:30,043 >> IT REALLY CAME FROM -- I DID THE ESPYs EARLIER THIS YEAR, AND I MADE A JOKE ABOUT 397 00:28:30,043 --> 00:28:34,414 TRISTAN THOMPSON AND THE CROWD WAS LIKE "OOH, OH." 398 00:28:34,414 --> 00:28:37,250 AND I WAS LIKE, "I SAID IT Y'ALL THINKING IT. [ LIGHT LAUGHTER ] 399 00:28:37,250 --> 00:28:39,219 AND I WAS LIKE, "WAIT A MINUTE, THAT'S A GREAT NAME FOR A TITLE. 400 00:28:39,219 --> 00:28:42,088 >> Jimmy: YEAH, YEAH "THAT'S THE TITLE OF MY SPECIAL," YEAH 401 00:28:42,088 --> 00:28:44,591 AND YOU WENT TO YOUR HOMETOWN, CHICAGO. >> WENT TO CHICAGO 402 00:28:44,591 --> 00:28:48,862 SHOT IT AT THE CHICAGO THEATER [ APPLAUSE ] BOTH SHOWS, LINE AROUND THE 403 00:28:48,862 --> 00:28:51,598 CORNER >> Jimmy: BUT THEN, YOU ALSO DID A COOL THING ON TOP OF 404 00:28:51,598 --> 00:28:53,667 THAT YOU PAID FOR THE ENTIRE AUDIENCE'S TICKET. 405 00:28:53,667 --> 00:28:55,669 >> YEAH, I -- YOU KNOW WHAT'S INTERESTING? [ CHEERS AND APPLAUSE 406 00:28:55,669 --> 00:28:59,572 YEAH, Y'ALL, THEY WERE FREE. >> Jimmy: THAT'S GOTTA FEEL GOOD, RIGHT? 407 00:28:59,572 --> 00:29:02,008 >> I MEAN, ONE OF THE REASONS I DID IT IS -- FIRST OF ALL, I WANTED TO BE A 408 00:29:02,008 --> 00:29:05,045 A GIFT TO CHICAGO. BECAUSE THEY -- WHERE I'M AT NOW IS BECAUSE OF CHICAGO. 409 00:29:05,045 --> 00:29:08,648 ALL THOSE, LIKE, SHOWS AND HOLE IN THE WALL SPOTS I DID. THOSE PEOPLE CAME OUT AND MADE 410 00:29:08,648 --> 00:29:12,252 SURE, THEY CAME TO LAUGH, SUPPORT ME AND THEY BUILT MY CONFIDENCE 411 00:29:12,252 --> 00:29:15,422 AND MY COMEDY UP AND ALSO, TOO, I'M LIKE, PEOPLE FEEL HAPPIER WHEN THEY DON'T 412 00:29:15,422 --> 00:29:18,925 PAY. Y'ALL HAPPY? [ CHEERS AND APPLAUSE 413 00:29:18,925 --> 00:29:23,063 THEY ARE HAPPY >> Jimmy: THEY'RE HAPPY WHEN THEY DON'T PAY 414 00:29:23,063 --> 00:29:26,332 >> IF IT'S FREE, PEOPLE ARE HAPPY. [ LIGHT LAUGHTER ] 415 00:29:26,332 --> 00:29:29,869 >> Jimmy: I WANT TO SHOW A A CLIP, AND THIS IS THE MOST FRIENDLY -- TV FRIENDLY CLIP 416 00:29:29,869 --> 00:29:33,673 THAT WE COULD SHOW >> I MEAN, LOOK, I DID A LOT OF CUSSING. 417 00:29:33,673 --> 00:29:36,176 THAT'S JUST WHAT IT IS [ LIGHT LAUGHTER ] >> Jimmy: CONGRATS, BY THE WAY, 418 00:29:36,176 --> 00:29:38,478 ON THE GREAT REVIEWS YOU'RE ON, LIKE, THE TOP TEN LIST OF EVERY STANDUP SPECIAL 419 00:29:38,478 --> 00:29:41,448 OUT THERE RIGHT NOW. SO, THIS IS YOU, BUDDY >> THANK YOU SO MUCH 420 00:29:41,448 --> 00:29:43,516 [ CHEERS AND APPLAUSE I APPRECIATE THAT. >> Jimmy: THAT'S WHAT I'M 421 00:29:43,516 --> 00:29:45,051 TALKING ABOUT, BUDDY HERE'S A LITTLE PEEK AT "LIL REL HOWERY: I SAID IT. 422 00:29:45,051 --> 00:29:46,853 "LIL REL HOWERY: I SAID IT. Y'ALL THINKING IT. TAKE A LOOK AT THIS. 423 00:29:49,689 --> 00:29:50,623 LIKE, "OH, I AIN'T GONNA HAVE 424 00:29:50,623 --> 00:29:53,660 NO ROACHES, 'CAUSE I'M GOOD NOW. MM-MM, SOME NEW [ BLEEP ]. 425 00:29:53,660 --> 00:29:57,931 ANTS [ LAUGHTER ] THEY ARE WORSE THAN [ BLEEP ] 426 00:29:57,931 --> 00:30:01,101 ROACHES. THEY WORK TOGETHER [ BLEEP ] [ LAUGHTER ] 427 00:30:01,101 --> 00:30:03,069 YOU KNOW, ANTS BE MARCHING TOGETHER THEY BE MARCHING LIKE A QUIET 428 00:30:03,069 --> 00:30:06,673 [ BLEEP ]. ALL THROUGH YOUR BATHROOM [ BLEEP ]. 429 00:30:06,673 --> 00:30:09,743 [ LAUGHTER ] YOU DON'T KNOW WHERE THAT PATHWAY STARTED. 430 00:30:09,743 --> 00:30:12,145 I'M LIKE, "WHERE THE [ BLEEP ] YOU ALL GOING? [ LAUGHTER ] 431 00:30:12,145 --> 00:30:14,647 THEY GOT 15 FRIES. I'M LIKE, "WHERE THE [ BLEEP ] YOU FIND THOSE FRIES AT? 432 00:30:14,647 --> 00:30:18,818 [ LAUGHTER ] * WE'RE MARCHIN WE'RE MARCHING U 433 00:30:18,818 --> 00:30:23,189 IN YOUR BATHROOM * * THAT BEAUTIFU SINK I'VE GOT * 434 00:30:23,189 --> 00:30:26,259 [ LAUGHTER ] [ CHEERS AND APPLAUSE >> Jimmy: LIL REL HOWERY, 435 00:30:26,259 --> 00:30:29,863 EVERYBODY. HIS NEW SPECIAL "LIL REL HOWERY: I SAID IT. 436 00:30:29,863 --> 00:30:33,800 Y'ALL THINKING IT" IS STREAMING NOW ON HBO MAX WE'LL BE RIGHT BACK WITH 437 00:30:33,800 --> 00:30:37,303 CLIVE DAVIS. STICK AROUND [ CHEERS AND APPLAUSE 438 00:30:37,303 --> 00:30:58,792 * >> Jimmy: OUR NEXT GUEST IS A LEGENDARY MUSIC PRODUCER, 439 00:30:58,792 --> 00:31:00,393 ROCK AND ROLL HALL OF FAME INDUCTEE, FIVE-TIME GRAMMY WINNER, AND AN EXECUTIVE 440 00:31:00,393 --> 00:31:02,062 PRODUCER ON THE NEW FILM, "I WANNA DANCE WITH SOMEBODY," WHICH IS IN THEATERS 441 00:31:02,062 --> 00:31:12,072 WHICH IS IN THEATERS DECEMBER 23rd. PLEASE WELCOME, CLIVE DAVIS. 442 00:31:12,739 --> 00:31:13,673 [ CHEERS AND APPLAUSE 443 00:31:13,673 --> 00:31:16,710 * THANK YOU. CLIVE. 444 00:31:16,710 --> 00:31:19,346 THANK YOU VERY MUCH. >> THANK YOU >> Jimmy: THANK YOU FOR BEING 445 00:31:19,346 --> 00:31:21,214 HERE LEGEND CAN WE TALK ABOUT THIS, BY THE 446 00:31:21,214 --> 00:31:24,084 WAY? YOU JUST GOT HONORED BY THE NATIONAL PORTRAIT GALLERY. 447 00:31:24,084 --> 00:31:30,156 LOOK AT THIS [ CHEERS AND APPLAUSE THAT'S DAVID -- DAVID HOCKNEY. 448 00:31:30,156 --> 00:31:34,094 >> DAVID HOCKNEY DID THE PORTRAIT, YES. ONE OF THE BIGGER THRILLS OF MY 449 00:31:34,094 --> 00:31:36,396 LIFE >> Jimmy: I MEAN, I LOVE DAVID HOCKNEY. 450 00:31:36,396 --> 00:31:40,667 HOW DID YOU END UP WORKING WITH DAVID HOCKNEY? >> WELL, WHEN I GOT WORD THAT I 451 00:31:40,667 --> 00:31:46,473 WAS GOING TO BE INDUCTED, WHICH IS A THRILL UNTO ITSELF -- >> Jimmy: YEAH 452 00:31:46,473 --> 00:31:49,409 >> -- IN THE NATIONAL PORTRAIT GALLERY. I KNOW DAVID FOR YEARS 453 00:31:49,409 --> 00:31:53,113 HE'S A FRIEND. I'VE BEEN TO HIS STUDIO. HE COMES TO MY GRAMMY PARTY 454 00:31:53,113 --> 00:31:56,850 THAT I THROW THE NIGHT BEFORE THE GRAMMYS EVERY YEAR >> Jimmy: BIGGEST PARTY OF THE 455 00:31:56,850 --> 00:32:01,121 YEAR >> AND I JUST CALLED HIM, AND I SAID, "DAVID, I'M GETTING ONE 456 00:32:01,121 --> 00:32:06,259 OF THE BIGGEST LIFETIME ACHIEVEMENTS I COULD POSSIBLY GET. 457 00:32:06,259 --> 00:32:10,930 I'M GOING TO BE INDUCTED INTO THE NATIONAL PORTRAIT GALLERY. WOULD YOU DO MY PORTRAIT?" 458 00:32:10,930 --> 00:32:14,567 I FIGURED, YOU KNOW, I'VE GOT TO TAKE THAT SHOT. >> Jimmy: WOW. 459 00:32:14,567 --> 00:32:20,907 >> AND HE SAID, "YOU KNOW, I DON'T DO PORTRAITS FROM PHOTOS AND I'M IN NORMANDY, FRANCE. 460 00:32:20,907 --> 00:32:26,146 SO, I SAID, "I'LL BE THERE." HE SAID, "YOU'LL COME FOR THREE, FOUR DAYS." 461 00:32:26,146 --> 00:32:30,283 I SAID, "DAVID, I'LL COME FOR THREE OR FOUR DAYS." AND I DID. 462 00:32:30,283 --> 00:32:34,087 IT WAS A WONDERFUL, WONDERFUL HONOR. >> Jimmy: YOU'RE AN EXECUTIVE 463 00:32:34,087 --> 00:32:37,724 PRODUCER ON THE NEW FILM, "I WANNA DANCE WITH SOMEBODY. WHEN YOU DO THIS -- NUMBER ONE, 464 00:32:37,724 --> 00:32:44,497 IS IT HARD TO DO, WHEN YOU THINK ABOUT SHE'S NOT WITH US ANYMORE? 465 00:32:44,497 --> 00:32:49,536 AND NUMBER TWO, WHY IS IT IMPORTANT THAT YOU'RE INVOLVED WITH THIS? 466 00:32:49,536 --> 00:32:54,874 >> WELL, THERE HAD BEEN A DOCUMENTARY AND THERE HAD BEEN A TELEVISION MOVIE. 467 00:32:54,874 --> 00:33:00,246 BOTH WERE WANTING. BOTH DID NOT CAPTURE HER SOUL, HER DIGNITY. 468 00:33:00,246 --> 00:33:03,616 THEY DIDN'T CAPTURE EVERYTHING EVERYBODY WANTS TO KNOW ABOUT HER. 469 00:33:03,616 --> 00:33:08,755 AND MOST IMPORTANTLY, THEY DIDN'T CAPTURE THE MUSIC THEY DIDN'T CAPTURE THOSE GREAT 470 00:33:08,755 --> 00:33:15,862 SONGS. THEY DIDN'T CAPTURE THAT VOICE THAT DEFINED A GENERATION. 471 00:33:15,862 --> 00:33:19,699 THAT WAS INDEED -- SHE'S THE GREATEST CONTEMPORARY -- [ CHEERS AND APPLAUSE 472 00:33:19,699 --> 00:33:24,137 >> Jimmy: ABSOLUTELY YOU -- >> AND SO, THIS MOVIE DOES ALL 473 00:33:24,137 --> 00:33:30,343 THAT AUTHENTICALLY, HONESTLY, AND THE MUSIC SOARS. >> Jimmy: DO YOU REMEMBER WHEN 474 00:33:30,343 --> 00:33:33,513 YOU FIRST WENT INTO -- IT WAS HERE IN NEW YORK CITY WHERE YOU SAW WHITNEY, DISCOVERED 475 00:33:33,513 --> 00:33:39,486 WHITNEY. DO YOU REMEMBER WHERE IT WAS, OR WHAT SHE WAS SINGING? 476 00:33:39,486 --> 00:33:46,092 >> I REMEMBER IT VIVIDLY IT WAS AT A CLUB CALLED SWEETWATER'S ON THE WEST SIDE. 477 00:33:46,092 --> 00:33:51,097 SHE WAS BACKGROUND SINGING FOR HER MOTHER SHE STEPPED TO THE MICROPHONE. 478 00:33:51,097 --> 00:33:57,737 SHE DID TWO SONGS. ONE WAS "HOME" FROM "THE WIZ." AND THEN, STARTLINGLY TO ME, 479 00:33:57,737 --> 00:34:02,542 SHE DID "THE GREATEST LOVE OF ALL. THAT, JIMMY, WAS THE SONG I HAD 480 00:34:02,542 --> 00:34:06,713 PERSONALLY COMMISSIONED EIGHT YEARS EARLIER FOR THE MOVIE ON THE LIFE OF MUHAMMAD ALI, "THE 481 00:34:06,713 --> 00:34:13,253 GREATEST." >> Jimmy: YEAH >> AND GEORGE BENSON HAD 482 00:34:13,253 --> 00:34:17,424 RECORDED IT. IT WAS A TOP TEN R&B RECORD. BUT COMING TO THE MICROPHONE 483 00:34:17,424 --> 00:34:22,395 WAS THIS 19-YEAR-OLD, STUNNINGLY BEAUTIFUL SINGER. AND FROM THE BEGINNING OF THAT 484 00:34:22,395 --> 00:34:24,264 SONG, SHE WAS FINDING MORE MEANING IN THAT SONG THAN EVEN THE COMPOSERS, MICHAEL MASSER 485 00:34:24,264 --> 00:34:37,644 AND LINDA CREED, COULD HAVE THOUGHT WERE IN THAT SONG. [ APPLAUSE ] 486 00:34:37,644 --> 00:34:40,714 >> Jimmy: I WANT TO SHOW EVERYONE A CLIP. HERE'S A SCENE FROM "I WANNA 487 00:34:40,714 --> 00:34:42,415 HERE'S A SCENE FROM "I WANNA DANCE WITH SOMEBODY. TAKE A LOOK AT THIS. 488 00:34:43,249 --> 00:34:45,418 * FIND YOUR STRENGT 489 00:34:45,418 --> 00:35:04,404 * FIND YOUR STRENGT IN LOVE * [ CHEERS AND APPLAUSE 490 00:35:05,238 --> 00:35:06,072 >> WOW, THAT WAS INCREDIBLE. 491 00:35:06,072 --> 00:35:08,141 >> OKAY. >> JUST OKAY >> I THINK I MIGHT HAVE JUST 492 00:35:08,141 --> 00:35:12,846 HEARD THE GREATEST VOICE OF HER GENERATION [ CHEERS AND APPLAUSE 493 00:35:12,846 --> 00:35:14,681 >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. HE DID A GOOD JOB. 494 00:35:14,681 --> 00:35:18,551 THAT'S CLIVE DAVIS, EVERYBODY. "I WANNA DANCE WITH SOMEBODY" IS IN THEATERS EVERYWHERE 495 00:35:18,551 --> 00:35:23,123 DECEMBER 23rd. WE'LL BE RIGHT BACK WITH A A PERFORMANCE FROM GOOSE 496 00:35:23,123 --> 00:35:54,954 STICK AROUND, EVERYBODY. [ CHEERS AND APPLAUSE * 497 00:35:54,954 --> 00:35:58,892 >> Jimmy: OUR NEXT GUESTS JUST ANNOUNCED A U.S. TOUR KICKING OFF NEXT SPRING. 498 00:35:58,892 --> 00:36:02,829 PERFORMING THE TITLE TRACK TO THEIR ALBUM, "DRIPFIELD," PLEASE WELCOME, GOOSE! 499 00:36:02,829 --> 00:36:04,030 THEIR ALBUM, "DRIPFIELD," PLEASE WELCOME, GOOSE! [ CHEERS AND APPLAUSE 500 00:36:06,933 --> 00:36:26,353 * * HOW DID HE LET DOWN 501 00:36:26,353 --> 00:36:32,559 HOW DID HE GET DOWN IN I HOW DID HE SHOW THEM HOW DID HE HOLD THEM IN IT * 502 00:36:32,559 --> 00:36:37,263 * HOW DID HE COME T HOW DID HE RUN TRUE THROUGH I 503 00:36:37,263 --> 00:36:45,905 HOW WAS IT IN FULL * * BOUNDLESS AND SIMPL LOVE 504 00:36:45,905 --> 00:36:56,716 LONELY ROA ONERATED SOUL * * OH THE RAIN IT CALL 505 00:36:56,716 --> 00:37:10,930 HOWLING UP SEASON COM OH THE REEDS YOU RUN * 506 00:37:10,930 --> 00:37:25,378 * SUCH A HEEDLESS ONE CLIMBING OUT THERE I HEAR HIM STEPPIN 507 00:37:25,378 --> 00:37:32,485 OVERHEAD IN HEAVEN * * OCEANS STILL I'M TREADING TURNED OUT TO THE RETTIN 508 00:37:32,485 --> 00:37:38,925 CAUGHT UNDER THE CRESCEN UNDERTOW I FELL IN * * WATER I KEEP PRESSING 509 00:37:38,925 --> 00:37:49,302 WATER I KEEP PRESSIN DOWN HOLY ONE * 510 00:37:49,302 --> 00:38:03,083 * CONSTELLATED SU SEPARATED FROM ALL ABOV 511 00:38:03,083 --> 00:38:15,662 LOVE LIT HUE * * WHAT'S A NAKED VIEW IF I'M ADJACENT YO 512 00:38:15,662 --> 00:38:30,076 ALWAYS * [ CHEERS AND APPLAUSE * 513 00:38:30,076 --> 00:38:37,851 * STILL CAN'T SEE WHAT I' KEEPING ON MY BACK MMMM 514 00:38:37,851 --> 00:38:44,090 HOWLING OUT THE PRISM * * CALLING FOR THE RHYTH TIME'S MY ONLY PRISO 515 00:38:44,090 --> 00:38:48,128 DRIPFIELD WHER YOU SITTING * * RISING LIKE THE WEATHER 516 00:38:48,128 --> 00:38:52,399 BLOOD GETS PUMPING REDDE I KNOW THAT LIFE COMES BETTER * 517 00:38:52,399 --> 00:38:59,372 * I KNOW THAT LIF COMES BETTER IN LOV 518 00:38:59,372 --> 00:39:11,718 HOLY ONE * * CONSTELLATED SU SEPARATED FROM 519 00:39:11,718 --> 00:39:24,531 ALL ABOV HULL UNDONE * * SATURATED TONGU 520 00:39:24,531 --> 00:39:37,410 OH THE RAIN IT COMES HOWLING OU LOVE LIT HUE * 521 00:39:37,410 --> 00:39:51,091 * WHAT'S A NAKED VIEW IF I'M ADJACENT YO ALWAYS 522 00:39:51,091 --> 00:40:02,902 SEASON WIDE * * EVERLASTING TID IT'S COMING BACK JUST LIKE 523 00:40:02,902 --> 00:40:12,278 ALWAYS * * [ CHEERS AND APPLAUSE 524 00:40:12,278 --> 00:40:16,883 >> Jimmy: WHOA COME ON, NOW THANK YOU, BUDDY 525 00:40:16,883 --> 00:40:22,222 THANK YOU SO MUCH. GOOSE! [ CHEERS AND APPLAUSE 526 00:40:22,222 --> 00:40:26,259 GOOSE! "DRIPFIELD" IS OUT NOW MY THANKS TO MICHELLE PFEIFFER, 527 00:40:26,259 --> 00:40:33,933 LIL REL HOWERY, CLIVE DAVIS, GOOSE, ONCE AGAIN! [ CHEERS AND APPLAUSE 528 00:40:33,933 --> 00:40:37,103 AND GIVE IT UP FOR THE ROOTS FROM PHILADELPHIA, PENNSYLVANIA 529 00:40:37,103 --> 00:40:39,606 THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. 530 00:40:39,606 --> 00:40:42,242 GOODNIGHT, EVERYBODY BYE-BYE! [ CHEERS AND APPLAUSE