1 00:00:10,043 --> 00:00:11,611 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:11,611 --> 00:00:18,284 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:18,284 --> 00:00:21,788 TONIGHT, JOIN JIMMY AND HIS GUESTS - WILL SMITH 4 00:00:21,788 --> 00:00:24,090 JACK WHITEHALL MUSICAL GUEST, NATHANIEL RATELIFF AND THE 5 00:00:24,090 --> 00:00:29,896 NIGHT SWEATS AND FEATURING THE LEGENDARY ROOTS CREW 6 00:00:29,896 --> 00:00:39,873 >> Questlove: 1547 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:39,873 --> 00:00:39,906 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 8 00:00:40,640 --> 00:00:51,418 [ CHEERS AND APPLAUSE * 9 00:00:51,418 --> 00:01:04,197 * [ CHEERS AND APPLAUSE >> Jimmy: OH, WOW. 10 00:01:04,197 --> 00:01:07,367 THAT'S WHAT YOU WANT TO HEAR I LOVE YOU THANK YOU SO MUCH. 11 00:01:07,367 --> 00:01:11,438 PLEASE ENJOY YOURSELF. WELCOME, WELCOME, WELCOME TO "THE TONIGHT SHOW," EVERYBODY. 12 00:01:11,438 --> 00:01:14,507 WILL SMITH IS HERE [ CHEERS AND APPLAUSE JACK WHITEHALL, 13 00:01:14,507 --> 00:01:17,877 NATHANIEL RATELIFF AND THE NIGHT SWEATS WHAT A SHOW. 14 00:01:17,877 --> 00:01:21,247 LET'S GET TO SOME NEWS GUYS, SOME BIG ENTERTAINMENT NEWS ACTUALLY. 15 00:01:21,247 --> 00:01:24,317 THE CREATOR OF "SQUID GAME" ANNOUNCED THAT SEASON TWO IS NOW IN THE WORKS 16 00:01:24,317 --> 00:01:29,089 [ CHEERS ] THAT'S RIGHT, SEASON ONE LEFT SO MANY UNANSWERED QUESTIONS, 17 00:01:29,089 --> 00:01:32,392 LIKE, "I LOVED THIS SHOW, WHAT THE HELL IS WRONG WITH ME? [ LAUGHTER ] 18 00:01:32,392 --> 00:01:34,828 EVEN THE CREATOR OF THE "SAW" FRANCHISE IS LIKE, "I'M NOT SURE HOW MUCH MORE OF THIS WE 19 00:01:34,828 --> 00:01:38,298 CAN TAKE." [ LAUGHTER ] YEAH 20 00:01:38,298 --> 00:01:43,136 ALL YOUR FAVORITE CHARACTERS WILL BE BACK LIKE PLAYER 456 AND, WELL, THAT'S ABOUT IT 21 00:01:43,136 --> 00:01:48,541 EVERYONE ELSE -- [ LAUGHTER AND APPLAUSE YEP, "SQUID GAME" IS THE MOST 22 00:01:48,541 --> 00:01:52,512 DANGEROUS GAME YOU CAN PLAY. WELL, OTHER THAN FOOTBALL WITH AARON RODGERS, BUT --" 23 00:01:52,512 --> 00:01:56,016 [ LAUGHTER ] [ AUDIENCE OHS ] >> Steve: OH 24 00:01:56,016 --> 00:02:00,053 >> Jimmy: OH, FINE YOU HUDDLE WITH HIM, OKAY? [ LAUGHTER ] 25 00:02:00,053 --> 00:02:04,057 SOME MORE ENTERTAINMENT NEWS I READ THAT TO COMPETE WITH TIKTOK, NETFLIX IS ROLLING OUT 26 00:02:04,057 --> 00:02:05,625 A FEATURE CALLED "KIDS CLIPS," WHICH WILL SHOW SHORT VIDEOS FROM THEIR LIBRARY OF 27 00:02:05,625 --> 00:02:12,298 CHILDREN'S CONTENT YEAH IT'S NETFLIX'S VERSION OF 28 00:02:12,298 --> 00:02:14,300 TIKTOK THAT'S WHY EVERY THREE SECONDS, A MESSAGE POPS UP THAT SAYS, 29 00:02:14,300 --> 00:02:18,138 "ARE YOU STILL WATCHING? [ LAUGHTER ] WELL, THIS IS EXCITING, LAST 30 00:02:18,138 --> 00:02:19,973 NIGHT, AFTER 200 DAYS IN ORBIT, FOUR ASTRONAUTS SPLASHED DOWN IN THE GULF OF MEXICO ABOARD A 31 00:02:19,973 --> 00:02:28,381 A SPACEX CAPSULE YEP, 200 DAYS IN SPACE AFTER LANDING THEY SAID, "WE 32 00:02:28,381 --> 00:02:30,884 WERE GOING A LITTLE CRAZY UP THERE. AT ONE POINT, WE LOOKED OUT THE 33 00:02:30,884 --> 00:02:34,821 WINDOW, AND I SWEAR WE SAW WILLIAM SHATNER. [ LAUGHTER ] 34 00:02:34,821 --> 00:02:38,792 WILD OF COURSE, THIS SPACEX MISSION MADE HEADLINES 'CAUSE THE 35 00:02:38,792 --> 00:02:45,532 TOILET ON BOARD BROKE, AND THE ASTRONAUTS HAD TO WEAR DIAPERS SO WHEN THEY SPLASHED DOWN, 36 00:02:45,532 --> 00:02:48,935 THEY - [ AUDIENCE GROANS >> Steve: OH 37 00:02:48,935 --> 00:02:52,739 >> Jimmy: REALLY, REALLY - >> Steve: THEY REALLY SPLASHED DOWN 38 00:02:52,739 --> 00:02:54,708 >> Jimmy: THEY REALLY SPLASHED DOWN, YEAH MEANWHILE, VIRGIN GALACTIC JUST 39 00:02:54,708 --> 00:02:56,509 ANNOUNCED THAT IT NOW HAS ABOUT 700 PAYING CUSTOMERS WHO ARE WAITING TO GO TO SPACE ON ITS 40 00:02:56,509 --> 00:03:02,482 COMMERCIAL FLIGHTS OF COURSE, SINCE IT'S VIRGIN, THE FIRST TRIP WILL ONLY LAST 41 00:03:02,482 --> 00:03:10,890 TWO MINUTES. [ LAUGHTER ] THAT'S NORMAL FOR SPACE -- 42 00:03:10,890 --> 00:03:13,093 >> Steve: YEAH >> Jimmy: -- EXPLORATION >> Steve: YEAH, IT TAKES A 43 00:03:13,093 --> 00:03:16,863 A WHILE TO GET INTO SPACE. >> Jimmy: GET THIS CUSTOMERS WILL SOON BE ABLE TO 44 00:03:16,863 --> 00:03:22,936 EARN BITCOIN EVERY TIME THEY DINE AT BUBBA GUMP SHRIMP AND THE RAINFOREST CAFE. 45 00:03:22,936 --> 00:03:25,538 [ LAUGHTER ] RIGHT NOW, PARENTS ARE LIKE, "WHAT'S BITCOIN? 46 00:03:25,538 --> 00:03:29,709 WHILE KIDS ARE LIKE, "WHO'S BUBBA GUMP?" [ LAUGHTER ] 47 00:03:29,709 --> 00:03:32,746 HEY, I SAW THAT A MAN IN THE U.K. HAS FOUND A NEW WAY TO HELP PEOPLE GET AROUND AND MAKE 48 00:03:32,746 --> 00:03:34,881 A LITTLE EXTRA MONEY ON THE SIDE WATCH THIS 49 00:03:34,881 --> 00:03:34,914 SIDE WATCH THIS 50 00:03:38,084 --> 00:03:40,620 MERLIN BATCHELOR IS THE GUY BEHIND THE WHEEL 51 00:03:40,620 --> 00:03:44,557 HE BOUGHT THAT VEHICLE ONLINE AND NOW REQUESTS FOR RIDES IN IT ARE ROLLING IN. 52 00:03:44,557 --> 00:03:48,828 >> RIGHT NOW, MERLIN IS ONLY LICENSED TO CARRY PASSENGERS FOR WEDDINGS AND FUNERALS. 53 00:03:48,828 --> 00:03:56,269 [ LAUGHTER ] >> Jimmy: FUNERALS >> Tariq: OR EVEN A WEDDING? 54 00:03:56,269 --> 00:04:00,073 LIKE WHO'S - >> Jimmy: OR EVEN A WEDDING. [ LAUGHTER ] 55 00:04:00,073 --> 00:04:02,108 I LOVE THAT PEOPLE ARE ROLLING UP TO A FUNERAL IN A TANK LIKE, "IT'S WHAT GRANDPA WOULD HAVE 56 00:04:02,108 --> 00:04:06,880 WANTED." [ LAUGHTER ] HE WASN'T EVEN IN THE SERVICE. 57 00:04:06,880 --> 00:04:11,051 HE JUST LIKED "CALL OF DUTY. YEAH [ LAUGHTER ] 58 00:04:11,051 --> 00:04:12,786 FINALLY A CAR PARKED ON AN ITALIAN STREET HAS BECOME A TOURIST ATTRACTION BECAUSE 59 00:04:12,786 --> 00:04:19,225 IT'S BEEN IN THE SAME SPOT FOR 47 YEARS [ LAUGHTER ] 60 00:04:19,225 --> 00:04:22,095 MEANWHILE, THERE'S A A 95-YEAR-OLD GUY WANDERING THE NEIGHBORHOOD LIKE, "I KNOW I 61 00:04:22,095 --> 00:04:26,433 PARKED IT HERE SOMEWHERE." [ APPLAUSE ] WE HAVE A GREAT SHOW 62 00:04:26,433 --> 00:04:27,500 GIVE IT UP FOR THE ROOTS, LADIES AND GENTLEMEN 63 00:04:29,135 --> 00:04:45,552 * * [ CHEERS AND APPLAUSE 64 00:04:45,552 --> 00:04:49,723 >> Jimmy: WHAT A SHOW WE HAVE FOR YOU TONIGHT. THANK YOU FOR BEING HERE 65 00:04:49,723 --> 00:04:54,427 HE IS ONE OF THE BIGGEST STARS IN THE WORLD HIS NEW MEMOIR "WILL" IS OUT 66 00:04:54,427 --> 00:04:56,262 NOW. AND HIS LATEST FILM "KING RICHARD" IS IN THEATERS AND 67 00:04:56,262 --> 00:05:01,735 STREAMING ON HBO MAX NEXT FRIDAY WILL SMITH IS HERE TONIGHT 68 00:05:01,735 --> 00:05:11,811 [ CHEERS AND APPLAUSE WE LOVE WILL SMITH LOVE HIM 69 00:05:11,811 --> 00:05:14,647 PLUS, YOU CAN SEE HIM IN THE NEW MOVIE "CLIFFORD: THE BIG RED DOG" IN THEATERS AND ON 70 00:05:14,647 --> 00:05:22,288 PARAMOUNT PLUS TOMORROW. JACK WHITEHALL IS HERE [ CHEERS AND APPLAUSE 71 00:05:22,288 --> 00:05:28,728 AND WE GOT GREAT MUSIC TONIGHT NATHANIEL RATELIFF AND THE NIGHT SWEATS 72 00:05:28,728 --> 00:05:33,566 [ CHEERS AND APPLAUSE "THE FUTURE. LOOK AT THAT ALBUM 73 00:05:33,566 --> 00:05:35,969 THAT'S "THE FUTURE" RIGHT THERE. "THE FUTURE," RIGHT THERE. 74 00:05:35,969 --> 00:05:38,371 >> Steve: THAT'S A BEAUTIFUL ALBUM COVER. >> Jimmy: THIS IS UNBELIEVABLE 75 00:05:38,371 --> 00:05:40,540 WANT TO SEE THE INSIDE >> Steve: LOVE IT. >> Jimmy: OOH. 76 00:05:40,540 --> 00:05:44,277 [ AUDIENCE OOHS THAT'S ALL YOU GET, MAN. THAT'S ALL YOU GET 77 00:05:44,277 --> 00:05:46,880 BECAUSE YOU GOTTA WAIT FOR THE BAND TO COME OUT >> Steve: YEAH 78 00:05:46,880 --> 00:05:49,416 >> Jimmy: BUT REMEMBER WE HAD THESE GUYS ON THE SHOW >> Steve: MANY TIMES, YEAH 79 00:05:49,416 --> 00:05:50,917 >> Jimmy: "TONIGHT SHOW," RIGHT? OR WAS IT -- 80 00:05:50,917 --> 00:05:52,585 >> Steve: YEAH >> Jimmy: "TONIGHT SHOW," I THINK, YEAH. 81 00:05:52,585 --> 00:05:57,090 AND THEY JUST CRUSHED. THEY CRUSHED IT, AND JUST, LIKE, OWNED THIS 82 00:05:57,090 --> 00:05:59,359 THAT'S WHAT THEY DO. SO GET READY TO HAVE YOUR PANTS BLOWN OFF. 83 00:05:59,359 --> 00:06:06,332 [ CHEERS AND APPLAUSE GUYS, IT IS TIME FOR "TONIGHT SHOW HASHTAGS. 84 00:06:06,332 --> 00:06:07,067 SHOW HASHTAGS. HERE WE GO 85 00:06:08,468 --> 00:06:09,069 * 86 00:06:09,069 --> 00:06:14,040 * HASHTAG HASHTAGS * * 87 00:06:14,040 --> 00:06:19,846 [ CHEERS AND APPLAUSE >> Jimmy: WELL, WE DO THIS THING EVERY WEEK WHERE I SEND 88 00:06:19,846 --> 00:06:25,685 OUT A HASHTAG AND I ASK YOU GUYS TO RESPOND TO THAT TOPIC. SO WITH THE INFRASTRUCTURE BILL 89 00:06:25,685 --> 00:06:30,557 RECENTLY PASSING, I SENT OUT THE HASHTAG, #THEYNEEDTOFIX. AND I ASKED YOU GUYS TO SHARE 90 00:06:30,557 --> 00:06:34,327 A WEIRD OR FUNNY PROBLEM THAT NEEDS A SOLUTION YEAH 91 00:06:34,327 --> 00:06:36,196 WITHIN MINUTES IT WAS A TRENDING TOPIC, SO THANK YOU FOR PLAYING ALONG. 92 00:06:36,196 --> 00:06:39,899 [ CHEERS AND APPLAUSE AND NOW I THOUGHT I'D SHARE SOME OF MY FAVORITE RESPONSES 93 00:06:39,899 --> 00:06:41,568 FROM YOU GUYS. HERE WE GO THIS FIRST ONE IS FROM 94 00:06:41,568 --> 00:06:44,938 @KANSASBRADBURY. HE SAYS, "THEY NEED TO FIX IT SO FOOD HAS THREE DIFFERENT 95 00:06:44,938 --> 00:06:49,743 EXPIRATION DATES ONE DATE THAT SAYS 'BEST BEFORE.' 96 00:06:49,743 --> 00:06:52,812 THEN ONE CALLED 'STILL PRETTY GOOD' AND FINALLY, 'ARE YOU FEELING LUCKY?'" 97 00:06:52,812 --> 00:06:57,283 [ LAUGHTER AND APPLAUSE I LIKE THAT. >> Steve: I LOVE THAT. 98 00:06:57,283 --> 00:06:59,786 >> Jimmy: BEATS THE -- BEATS THE SNIFF TEST >> Steve: YEAH 99 00:06:59,786 --> 00:07:05,158 >> Jimmy: YEAH THIS ONE'S FROM AHNAH96. >> Steve: AHNAH? 100 00:07:05,158 --> 00:07:08,328 >> Jimmy: AH, NAH. >> Steve: AH [ LAUGHTER ] 101 00:07:08,328 --> 00:07:12,432 >> Jimmy: COULD BE ANNA. >> Steve: WHAT DOES SHE SAY? >> Jimmy: SHE SAYS, "THEY NEED 102 00:07:12,432 --> 00:07:15,235 TO FIX HOW THEY PACKAGE SCISSORS TO REMOVE THE PACKAGING, YOU 103 00:07:15,235 --> 00:07:17,737 NEED SCISSORS. IF I HAD A PAIR OF SCISSORS IN THE FIRST PLACE, I WOULDN'T 104 00:07:17,737 --> 00:07:23,476 NEED TO BUY ANOTHER ONE. [ APPLAUSE ] "HONEY, GET ME THE 105 00:07:23,476 --> 00:07:29,416 SCISSOR-OPENING SCISSORS." THIS IS @FROM BAKEROSS1988 HE SAYS, "THEY NEED TO FIX 106 00:07:29,416 --> 00:07:32,585 SONGS THAT HAVE POLICE OR AMBULANCE SIRENS IN THEM." >> Steve: YEAH 107 00:07:32,585 --> 00:07:34,354 >> Jimmy: "SO WHEN YOU'RE LISTENING TO THEM IN A CAR, A VOICE SAYS, 'THIS IS NOT 108 00:07:34,354 --> 00:07:38,391 REAL DO NOT PULL OVER.' [ APPLAUSE ] 109 00:07:38,391 --> 00:07:41,795 YES! >> Steve: YES! >> Jimmy: I AGREE WITH THAT. 110 00:07:41,795 --> 00:07:45,165 I TOTALLY AGREE WITH THAT. THIS ONE IS FROM @DUNDERMIFFLIN84 111 00:07:45,165 --> 00:07:47,801 >> Steve: OH, WOW. >> Jimmy: HE SAYS, "THEY NEED TO FIX BEER PRICES AT SPORTS 112 00:07:47,801 --> 00:07:51,604 GAMES. $10 IS UNACCEPTABLE. UNLESS I'VE ALREADY HAD THREE 113 00:07:51,604 --> 00:07:57,844 BEERS, THEN $10 IS PERFECTLY ACCEPTABLE." [ LAUGHTER AND APPLAUSE 114 00:07:57,844 --> 00:08:04,517 I LOVE THAT. THIS IS FROM @BREESWEETACK SHE SAYS, "OUR PHONES ARE 115 00:08:04,517 --> 00:08:06,586 POWERFUL, TINY COMPUTERS THAT CAN FIT IN OUR POCKET, BUT VENDING MACHINES STILL CAN'T 116 00:08:06,586 --> 00:08:11,191 RECOGNIZE A DOLLAR BILL WITH A A CREASE IN IT?" [ LAUGHTER AND APPLAUSE 117 00:08:11,191 --> 00:08:19,032 FIX IT THIS ONE IS FROM @ONUFREYONBOARD. 118 00:08:19,032 --> 00:08:20,834 HE SAYS, "THEY NEED TO FIX RESTROOMS IN MOVIE THEATERS SO THAT THERE ARE RESTROOMS IN 119 00:08:20,834 --> 00:08:22,569 EACH THEATER WITH SCREENS SHOWING THE MOVIE, SO IF YOU NEED TO GO, YOU DON'T MISS 120 00:08:22,569 --> 00:08:29,042 ANYTHING." >> Steve: OOH. [ CHEERS AND APPLAUSE 121 00:08:29,042 --> 00:08:30,844 NICE * YEAH 122 00:08:30,844 --> 00:08:35,215 YEAH, YEAH >> Jimmy: REALLY >> Steve: YEAH 123 00:08:35,215 --> 00:08:38,284 >> Jimmy: OH, I THINK ABSOLUTELY NOT >> Steve: WHAT 124 00:08:38,284 --> 00:08:40,920 I ALWAYS GO TO THE BATHROOM AT THE PART THAT IS THE CRUX OF THE WHOLE MOVIE. 125 00:08:40,920 --> 00:08:43,857 >> Jimmy: I KNOW, BUT YOU NEVER LEAVE THE THEATER. >> Steve: WELL, NO, BUT I GO TO 126 00:08:43,857 --> 00:08:47,193 THE BATHROOM [ LAUGHTER ] >> Jimmy: YOU GOT THOSE 127 00:08:47,193 --> 00:08:49,062 ASTRONAUT -- >> Steve: I GOT THE ASTRONAUT DIAPERS. 128 00:08:49,062 --> 00:08:50,797 >> Jimmy: YEAH >> Steve: MADE A BIG SPLASHDOWN 129 00:08:50,797 --> 00:08:53,466 [ LAUGHTER ] >> Jimmy: THIS ONE IS FROM @CARLSOCHILL1. 130 00:08:53,466 --> 00:08:56,102 >> Steve: AH >> Jimmy: HE SAYS, "THEY NEED TO MAKE PIZZA BOXES THAT CAN 131 00:08:56,102 --> 00:08:58,505 ACTUALLY FIT INSIDE THE REFRIGERATOR TAKES UP THE ENTIRE SPACE JUST 132 00:08:58,505 --> 00:09:02,108 FOR ONE SLICE THAT I'M GOING TO EAT AT 2:00 A.M. THAT'S RIGHT 133 00:09:02,108 --> 00:09:07,514 [ APPLAUSE ] COME ON. THIS LAST ONE IS FROM 134 00:09:07,514 --> 00:09:10,016 @LOTSOFMILES HE SAYS, "THEY NEED TO FIX CEREAL BAGS. 135 00:09:10,016 --> 00:09:13,720 PLEASE TALK TO ZIPLOC." >> Steve: OH 136 00:09:13,720 --> 00:09:15,455 >> Jimmy: THERE YOU HAVE IT, EVERYBODY. THOSE ARE OUR "TONIGHT SHOW" 137 00:09:15,455 --> 00:09:17,190 HASHTAGS TO CHECK OUT MORE OF OUR FAVORITES, GO TO 138 00:09:17,190 --> 00:09:20,694 TONIGHTSHOW.COM/HASHTAGS STICK AROUND WHEN WE COME BACK, WE'RE 139 00:09:20,694 --> 00:09:23,663 PLAYING "NAME THAT SONG CHALLENGE" WITH WILL SMITH WILL 140 00:09:23,663 --> 00:09:45,418 [ CHEERS AND APPLAUSE * >> Jimmy: WELCOME BACK TO "THE 141 00:09:45,418 --> 00:09:48,154 TONIGHT SHOW." IT IS TIME FOR THE "NAME THAT SONG CHALLENGE." 142 00:09:48,154 --> 00:09:49,089 SONG CHALLENGE." HERE WE GO 143 00:09:50,490 --> 00:09:52,425 * THAT SONG 144 00:09:52,425 --> 00:09:58,965 NAME THAT SONG THANKS * >> Jimmy: MY OPPONENT TONIGHT 145 00:09:58,965 --> 00:10:01,234 STARS IN THE NEW MOVIE, "KING RICHARD," OUT NOVEMBER 19th. AND HIS MEMOIR, "WILL," DROPPED 146 00:10:01,234 --> 00:10:09,609 TODAY. GIVE IT UP FOR THE ONE, THE ONLY, WILL SMITH 147 00:10:09,609 --> 00:10:09,642 GIVE IT UP FOR THE ONE, THE ONLY, WILL SMITH 148 00:10:10,810 --> 00:10:21,721 * >> HOW YOU DOING, MAN? 149 00:10:21,721 --> 00:10:24,657 >> Jimmy: WOW, I LOVE YOU. ALL RIGHT, COME ON LOOK AT THAT 150 00:10:24,657 --> 00:10:28,595 >> HEY >> Jimmy: DUDE, YOU GOT TO FEEL THE LOVE RIGHT THERE 151 00:10:28,595 --> 00:10:30,663 COME ON. >> YES THANK YOU. 152 00:10:30,663 --> 00:10:36,036 YES. >> Jimmy: I GOTTA FEEL THE LOVE 153 00:10:36,036 --> 00:10:39,072 >> I COULD FEELING THE LOVE, MAN. THANK YOU, MAN 154 00:10:39,072 --> 00:10:42,242 >> Jimmy: WILL SMITH, COME ON! [ CHEERS AND APPLAUSE WE LOVE YOU, DUDE. 155 00:10:42,242 --> 00:10:44,778 >> THAT IS FANTASTIC >> Jimmy: WE LOVE YOU, DUDE. ALL RIGHT -- 156 00:10:44,778 --> 00:10:47,714 >> OH, THAT'S FANTASTIC. >> Jimmy: HERE'S HOW IT WORKS. THE ROOTS ARE GOING TO START 157 00:10:47,714 --> 00:10:49,783 PLAYING A SONG ONE INSTRUMENT AT A TIME. >> OOH 158 00:10:49,783 --> 00:10:51,751 >> Jimmy: AND WILL AND I CAN BUZZ IN AND GUESS AS SOON AS YOU KNOW THE SONG. 159 00:10:51,751 --> 00:10:54,721 IF YOU GUESS WRONG, THE OTHER PERSON GETS A CHANCE TO STEAL. >> TO STEAL? 160 00:10:54,721 --> 00:10:57,223 >> Jimmy: YEAH, YOU CAN PLAY ALONG AT HOME. ROOTS, LET'S HEAR THE FIRST -- 161 00:10:57,223 --> 00:11:00,193 AM I GOING TO GET THESE, QUEST >> Questlove: OKAY I DON'T KNOW 162 00:11:00,193 --> 00:11:01,828 [ LAUGHTER ] ARE YOU GOING TO GET THESE >> Jimmy: ALL RIGHT. 163 00:11:01,828 --> 00:11:03,563 >> Questlove: WE'RE GOING TO SEE. >> Jimmy: LET'S HEAR THE FIRST 164 00:11:03,563 --> 00:11:05,532 SONG ALL RIGHT, WHENEVER -- WHENEVER YOU ARE READY. 165 00:11:05,532 --> 00:11:13,840 >> Questlove: TWO, THREE - [ LAUGHTER ] * 166 00:11:13,840 --> 00:11:16,142 * >> DO YOU KNOW THAT? >> Jimmy: YEP. 167 00:11:16,142 --> 00:11:19,212 [ BUZZER ] SOMETIMES I GO WONDER HOW I KEEP FROM GOING UNDER. 168 00:11:19,212 --> 00:11:24,084 WHATEVER THAT SONG IS. [ LAUGHTER ] >> UM, IT DIDN'T 169 00:11:24,084 --> 00:11:27,520 "THE MESSAGE?" [ RINGING * 170 00:11:27,520 --> 00:11:33,626 [ CHEERS AND APPLAUSE >> Jimmy: YOU DID THAT ON PURPOSE. 171 00:11:33,626 --> 00:11:38,098 >> NO, I KNOW YOU DID IT ON PURPOSE. >> Jimmy: NOBODY DIDN'T KNOW 172 00:11:38,098 --> 00:11:40,533 YOU'LL EVENTUALLY TALK * [ MUMBLING ] 173 00:11:40,533 --> 00:11:45,338 >> Jimmy: NO, THAT'S NOT HOW I RAP. [ LAUGHTER ] 174 00:11:45,338 --> 00:11:46,773 * DOWN TO MAKE MONEY * [ LAUGHTER ] >> OKAY. 175 00:11:46,773 --> 00:11:50,143 [ BUZZER ] WILL FOR THE STEAL >> Jimmy: OH, PLEASE 176 00:11:50,143 --> 00:11:53,646 [ LAUGHTER ] I KNEW -- OH, I -- GOSH. I'M B THE SWEAT. 177 00:11:53,646 --> 00:11:57,450 OKAY AL LRIGHT, HERE WE GO. NOW LET'S GO 178 00:11:57,450 --> 00:12:01,821 NEXT SONG. >> ALL RIGHT ALL RIGHT. 179 00:12:01,821 --> 00:12:20,140 >> Questlove: THREE, FOUR -- * * 180 00:12:20,140 --> 00:12:20,173 * * 181 00:12:24,511 --> 00:12:26,646 >> Jimmy: "SAFETY DANCE. * 182 00:12:26,646 --> 00:12:32,786 [ RINGING [ CHEERS AND APPLAUSE HOLD ON. 183 00:12:32,786 --> 00:12:36,089 WAIT, IS THAT -- WAS THAT A WHITE -- WAS THAT A WHITE, WHITE PEOPLE CHECK 184 00:12:36,089 --> 00:12:40,527 [ LAUGHTER ] >> THAT'S MY JAM TOO >> Jimmy: ALL RIGHT. 185 00:12:40,527 --> 00:12:42,395 >> YEAH, YEAH. NO >> HE'S TRYING TO MIX IT UP. 186 00:12:42,395 --> 00:12:44,698 HE'S TRYING TO KEEP IT RACIALLY BALANCED >> Jimmy: YEAH, KEEP IT -- 187 00:12:44,698 --> 00:12:46,633 YEAH >> YEAH. >> Jimmy: DON'T KNOW, YEAH 188 00:12:46,633 --> 00:12:48,501 [ LAUGHTER ] YEAH "SAFETY DANCE. 189 00:12:48,501 --> 00:12:50,537 >> Questlove: SEE? BECAUSE AS ALL BLACK, WE KNOW THAT DANCE IS, "YOU CAN DANCE 190 00:12:50,537 --> 00:12:52,872 IF YOU WANT TO." >> YEAH, YEAH. >> Questlove: NONE OF THE 191 00:12:52,872 --> 00:12:55,108 WHEELS - >> YEAH, I WOULD HAVE DONE IT. * 192 00:12:55,108 --> 00:12:56,876 [ LAUGHTER ] >> Jimmy: ALL RIGHT, SO -- >> IT WOULD'VE BEEN MY TURN FOR 193 00:12:56,876 --> 00:12:58,678 THAT >> Jimmy: IT'S LIKE, "I WANT TO GET IT PERFECT." 194 00:12:58,678 --> 00:13:00,680 YEAH >> OKAY. >> Jimmy: IT'S LIKE A JUNGLE 195 00:13:00,680 --> 00:13:02,615 SOMETIME >> SO WE'RE TAUGHT -- SO WE'RE -- IT COUNTS AS A TIE? 196 00:13:02,615 --> 00:13:05,352 >> Jimmy: NO, WE'RE TIED RIGHT NOW. >> WE'RE TIED RIGHT NOW. 197 00:13:05,352 --> 00:13:07,420 >> Jimmy: HERE WE GO COME ON, ROOTS [ DEEP BREATHING ] 198 00:13:07,420 --> 00:13:09,723 >> OKAY, LET'S GO. >> Jimmy: I'M PSYCHED. >> Questlove: TWO, ONE - 199 00:13:09,723 --> 00:13:19,332 * * [ BUZZER ] 200 00:13:19,332 --> 00:13:21,201 [ CHEERS ] >> OH, IT'S THE -- >> Jimmy: YES. 201 00:13:21,201 --> 00:13:22,736 >> NO. HOLD ON. HOLD ON. 202 00:13:22,736 --> 00:13:24,904 HOLD ON. >> Jimmy: YES. >> THAT WAS -- 203 00:13:24,904 --> 00:13:28,174 * I AGAIN LOOK AT MY -- LOOK AT LAUREN HILL * >> Jimmy: YES. 204 00:13:28,174 --> 00:13:30,810 YEAH, YEAH, YEAH, YEAH >> YES, IT'S LAUREN HILL WHAT'S - 205 00:13:30,810 --> 00:13:32,779 >> Jimmy: YEAH YEAH, YEAH, YEAH, YEAH * 206 00:13:32,779 --> 00:13:34,647 NO, NO, NO, NO >> NO, I DON'T >> Jimmy: WE HEARD HIM 207 00:13:34,647 --> 00:13:37,083 WE HEARD HIM * [ BUZZER ] 208 00:13:37,083 --> 00:13:39,886 NO, WE HEARD ENOUGH. >> OH, I'M BLANKING ON THIS TITLE OF THE SONG. 209 00:13:39,886 --> 00:13:43,923 >> Jimmy: WELL, I'M NOT. [ LAUGHTER ] [ DRUM ] 210 00:13:43,923 --> 00:13:49,095 [ CHEERS ] * MOM DIDN'T SA NEVER SAW ME * 211 00:13:49,095 --> 00:13:53,433 * YOU AND M IN THE BOOTH * >> Jimmy: CRASH. 212 00:13:53,433 --> 00:13:55,835 [ BUZZER ] * WE LOVE M LOVE ME * 213 00:13:55,835 --> 00:13:58,905 [ RINGING * [ CHEERS AND APPLAUSE 214 00:13:58,905 --> 00:14:00,640 >> OH. I CAN'T BELIEVE I LOST THE TITLE. 215 00:14:00,640 --> 00:14:05,912 WHAT [ BUZZER ] [ LAUGHTER ] 216 00:14:05,912 --> 00:14:08,314 >> Jimmy: WE -- NO, NO WE DIDN'T START PLAYING YET. >> OH, SORRY 217 00:14:08,314 --> 00:14:10,283 >> Jimmy: YEAH, YEAH HERE WE GO >> SORRY 218 00:14:10,283 --> 00:14:11,518 [ LIGHT LAUGHTER ] >> Jimmy: ALL RIGHT, HERE WE GO 219 00:14:11,518 --> 00:14:13,453 I'M LEADING BY ONE >> OKAY. * 220 00:14:13,453 --> 00:14:28,735 [ BUZZER ] * >> Jimmy: "MANEATER" 221 00:14:28,735 --> 00:14:33,440 [ RINGING >> MELL. OH, YEAH 222 00:14:33,440 --> 00:14:35,308 * [ CHEERS AND APPLAUSE I GOT OVER THERE 223 00:14:35,308 --> 00:14:37,944 I WASN'T THERE UNTIL THE CHORUS CAME IN. * HOLDING OUT A LIE * 224 00:14:37,944 --> 00:14:40,213 YEAH, YEAH, YEAH, YEAH THAT WAS GOOD. THAT WAS GOOD. 225 00:14:40,213 --> 00:14:42,615 THAT WAS GREAT THAT WAS GREAT I SHOULD HAVE GOT THAT ONE 226 00:14:42,615 --> 00:14:47,087 [ LAUGHTER ] I SHOULD HAVE GOT THAT ONE >> Jimmy: HEY, THIS IS THE LAST 227 00:14:47,087 --> 00:14:49,189 ONE. >> THIS IS THE LAST ONE. YOU'RE KILLING ME RIGHT NOW. 228 00:14:49,189 --> 00:14:53,226 YOU'RE LIKE -- YOU'RE REALLY -- YOU'RE BEATING ME BADLY. YOU'RE BEATING ME BADLY. 229 00:14:53,226 --> 00:14:55,428 >> Jimmy: NO, NO WILL, HERE'S THE THING >> YEAH. 230 00:14:55,428 --> 00:14:57,097 >> Jimmy: THIS LAST ONE HERE IS WORTH 10,000 POINTS, SO IT'S ANYONE'S GAME. 231 00:14:57,097 --> 00:14:59,699 >> OH, OKAY. LET'S GO >> Jimmy: ALL RIGHT, THIS IS 232 00:14:59,699 --> 00:15:01,434 THE LAST ONE WELL, HERE -- WELL, HERE -- WAIT, LET ME JUST SAY 233 00:15:01,434 --> 00:15:03,670 SOMETHING. >> YES >> Jimmy: BECAUSE I'VE PLAYED 234 00:15:03,670 --> 00:15:05,872 THIS BEFORE ON THE SHOW. I DON'T -- I NEVER CHEAT, BUT USUALLY -- 235 00:15:05,872 --> 00:15:08,775 ROOTS, YOU PLAY A SONG THAT'S SOMEHOW CONNECTED TO THE PERSON I'M PLAYING WITH 236 00:15:08,775 --> 00:15:13,046 SO I'M ASSUMING THIS IS ONE OF YOUR SONGS, SO I'M ALREADY GOING TO, MAYBE, JUST BUZZ IN 237 00:15:13,046 --> 00:15:16,416 AND GUESS. >> OH, THAT'S STRONG [ BUZZER ] 238 00:15:16,416 --> 00:15:19,786 WHOO [ LAUGHTER ] WOW. 239 00:15:19,786 --> 00:15:21,888 >> Questlove: YOU READY? >> Jimmy: MI -- MIAMI IS TOO OBVIOUS. 240 00:15:21,888 --> 00:15:24,824 >> RIGHT * [ BUZZER ] 241 00:15:24,824 --> 00:15:27,560 THAT'S "GETTING JIGGY WITH IT. >> Jimmy: NO, I'M NOT DOING THAT 242 00:15:27,560 --> 00:15:29,729 >> OKAY. [ LAUGHTER AND APPLAUSE >> Jimmy: I JUST DID THAT. 243 00:15:29,729 --> 00:15:31,598 I'M JUST GOING TO HANG OVER THESE. HE'S PLAYING WITH IT 244 00:15:31,598 --> 00:15:33,900 >> I KNOW WHERE THEY DRUMS ARE NO -- I KNOW THOSE * 245 00:15:33,900 --> 00:15:35,535 YEAH, YEAH, YEAH OKAY ALL RIGHT, ALL RIGHT, ALL 246 00:15:35,535 --> 00:15:37,837 RIGHT. >> Jimmy: HE'S PLAYING WITH US SORRY, HE'S PLAYING WITH US. 247 00:15:37,837 --> 00:15:41,107 >> NOW HE'S PLAYING WITH US. >> Jimmy: HE'S PLAYING WITH US ALL RIGHT, NOW I'M BACK. 248 00:15:41,107 --> 00:15:46,913 HE'S PLAYING WITH US HERE WE GO * 249 00:15:46,913 --> 00:15:51,351 * [ BUZZER ] IS THAT WILLOW SMITH, "MEET ME 250 00:15:51,351 --> 00:15:55,321 AT OUR SPOT" * [ RINGING 251 00:15:55,321 --> 00:16:02,028 [ CHEERS AND APPLAUSE >> Jimmy: OH, MY GOSH. >> YEAH, YEAH. 252 00:16:02,028 --> 00:16:04,831 >> Jimmy: WOAH WELL, THAT'S MY MAN RIGHT THERE. 253 00:16:04,831 --> 00:16:07,801 [ LAUGHTER ] WILL SMITH, EVERYBODY! >> YES 254 00:16:07,801 --> 00:16:09,536 >> Jimmy: THAT'S HOW YOU DO IT [ CHEERS AND APPLAUSE >> YES 255 00:16:09,536 --> 00:16:12,172 >> Jimmy: WE'LL BE TALKING TO WILL AFTER THE BREAK STICK AROUND, EVERYBODY. 256 00:16:12,172 --> 00:16:31,825 [ CHEERS AND APPLAUSE * >> Jimmy: MY FIRST GUEST IS ONE 257 00:16:31,825 --> 00:16:35,829 OF THE MOST TALENTED PEOPLE ON THE PLANET HIS NEW MEMOIR "WILL" IS 258 00:16:35,829 --> 00:16:37,630 AVAILABLE NOW, AND HIS LATEST FILM "KING RICHARD" IS IN THEATERS AND STREAMING ON HBO 259 00:16:37,630 --> 00:16:46,606 MAX STARTING NEXT FRIDAY LADIES AND GENTLEMEN, PLEASE WELCOME WILL SMITH 260 00:16:46,606 --> 00:16:46,639 LADIES AND GENTLEMEN, PLEASE WELCOME WILL SMITH 261 00:16:47,173 --> 00:16:57,617 [ CHEERS AND APPLAUSE * 262 00:16:57,617 --> 00:17:12,365 * >> YES YES! 263 00:17:12,365 --> 00:17:14,668 SEXUAL CHOCOLATE GIVE IT UP >> Jimmy: SEXUAL CHOCOLATE 264 00:17:14,668 --> 00:17:16,736 >> SEXUAL CHOCOLATE! GIVE IT UP >> Jimmy: I WANT TO TALK TO YOU 265 00:17:16,736 --> 00:17:20,373 ABOUT SO MANY THINGS I WANT TO TALK TO YOU ABOUT "KING RICHARD. 266 00:17:20,373 --> 00:17:23,309 I WANT TO TALK TO YOU ABOUT THIS MEMOIR. >> YES 267 00:17:23,309 --> 00:17:25,512 >> Jimmy: "WILL. IT IS NAMED "WILL" BECAUSE OBVIOUSLY, YOUR NAME IS WILL, 268 00:17:25,512 --> 00:17:27,447 BUT ALSO, IT SHOWS THAT EVERY HIGH, EVERY LOW AND THE SHEER WILL THAT IT TOOK YOU TO BECOME 269 00:17:27,447 --> 00:17:29,315 WHO YOU ARE. >> YES, SIR. >> Jimmy: I LOVE THE NAME. 270 00:17:29,315 --> 00:17:34,688 AND I LOVE THE BOOK. >> THANK YOU, MAN. >> Jimmy: THIS IS -- DID YOU 271 00:17:34,688 --> 00:17:36,256 KNOW YOU WERE GOING TO -- YOU WERE WRITING THIS WHEN YOU STARTED WRITING THIS 272 00:17:36,256 --> 00:17:37,957 >> YOU KNOW, IT WAS -- YOU NEVER KNOW WHAT IT'S GOING TO BE 273 00:17:37,957 --> 00:17:40,060 THIS IS MY FIRST TIME OF NEVER, YOU KNOW, WRITTEN ANY -- I HAVE WRITTEN MUSIC, BUT I HAVE NEVER 274 00:17:40,060 --> 00:17:57,210 WRITTEN A BOOK BEFORE. SO THIS IS THE FIRST TIME. SO IT'S TERRIFYING 275 00:17:57,210 --> 00:17:58,878 AND, YOU KNOW, I WORKED WITH MARK MANSON, AND HE DID A REALLY GREAT JOB OF GUIDING 276 00:17:58,878 --> 00:18:04,317 ME THROUGH THIS PROCESS. >> Jimmy: IT'S FANTASTIC IT IS SO GOOD. 277 00:18:04,317 --> 00:18:10,523 >> I BLED ON THAT THING RIGHT THERE, MAN >> Jimmy: YOU REALLY DID, BUT I 278 00:18:10,523 --> 00:18:13,226 MEAN, YOU TOLD EVERY STORY >> IN PHILLY, WE CALLED THAT "PUTTING YOUR BUSINESS IN THE 279 00:18:13,226 --> 00:18:16,629 STREET." [ LAUGHTER ] >> Jimmy: YOU DEFINITELY DID, I 280 00:18:16,629 --> 00:18:20,467 MEAN, YOU TALK ABOUT EVERYTHING YOU TALK ABOUT RELATIONSHIPS 281 00:18:20,467 --> 00:18:25,038 AND THE CAREER IN HOLLYWOOD. AND THEN, YOU TALK A LOT ABOUT YOUR DAD 282 00:18:25,038 --> 00:18:28,141 >> YEAH, YEAH. >> Jimmy: WHICH I DIDN'T KNOW. IS IT -- DOES IT FEEL ODD TO 283 00:18:28,141 --> 00:18:32,145 TALK ABOUT IT NOW? >> YOU KNOW, THAT WAS A BIG PART OF GETTING THE FREEDOM TO 284 00:18:32,145 --> 00:18:40,053 TALK ABOUT IT. MY FATHER PASSED IN 2016 >> Jimmy: WOW. 285 00:18:40,053 --> 00:18:44,157 >> YOU KNOW, AND SOMEHOW, AFTER HE PASSED, I GOT FREE. YOU KNOW, THERE WERE THINGS I 286 00:18:44,157 --> 00:18:49,129 JUST NEVER WOULD HAVE TALKED ABOUT FROM MY CHILDHOOD, YOU KNOW, WHILE HE WAS ALIVE 287 00:18:49,129 --> 00:18:52,932 MY FATHER WAS, YOU KNOW, THE GREATEST MAN I HAVE EVER KNOWN, YOU KNOW 288 00:18:52,932 --> 00:18:58,405 BUT HE ALSO HAD SOME ISSUES. IT WAS REALLY A DOUBLE EDGED SWORD. 289 00:18:58,405 --> 00:19:00,040 AND, YOU KNOW, JUST THOSE EXPERIENCES DIDN'T FIT INTO THE -- THE NARRATIVE OF 290 00:19:00,040 --> 00:19:09,783 WILL SMITH YOU KNOW SO IT WAS, YOU KNOW, AFTER HE 291 00:19:09,783 --> 00:19:11,618 PASSED AND, YOU KNOW, I GUESS I FELT LIKE I HAD SUFFERED ENOUGH IN MY LIFE THAT I COULD GIVE 292 00:19:11,618 --> 00:19:18,425 ADVICE YOU KNOW IT FEELS LIKE YOU CAN'T, YOU 293 00:19:18,425 --> 00:19:23,897 KNOW, YOU CAN'T GIVE ADVICE UNTIL YOU HAVE EARNED IT >> Jimmy: YEAH 294 00:19:23,897 --> 00:19:27,033 >> YOU KNOW? >> Jimmy: YEAH >> I JUST FELT LIKE I WAS IN A 295 00:19:27,033 --> 00:19:30,236 A PLACE IN MY LIFE WHERE I HAD REFLECTED ENOUGH AND I HAD HEALED ENOUGH THINGS 296 00:19:30,236 --> 00:19:32,038 I HAD EXPERIENCED ENOUGH THINGS THAT I FELT THAT IT WOULD HAVE SOME VALUE OF WHAT I WAS 297 00:19:32,038 --> 00:19:37,877 SAYING >> Jimmy: YOU COULDN'T HAVE WRITTEN THIS TEN YEARS AGO 298 00:19:37,877 --> 00:19:45,185 >> NO, NOT AT ALL. NOT AT ALL JUST THE AMOUNT OF, YOU KNOW, 299 00:19:45,185 --> 00:19:46,686 REFLECTION ON MY LIFE AND EVEN IN THE PROCESS OF READING, YOU KNOW 300 00:19:46,686 --> 00:19:50,123 I MEAN, IN THE PROCESS OF WRITING. IT IS REALLY GREAT TO ACTUALLY 301 00:19:50,123 --> 00:19:55,562 HAVE TO GO BACK THROUGH AND LOOK AT YOUR LIFE AND THERE IS SO MANY THINGS THAT WE ALL HAVE 302 00:19:55,562 --> 00:20:02,902 THAT WE REFUSE TO LOOK AT. WE REFUSE TO TALK ABOUT. OUR FAMILY ACTS LIKE IT NEVER 303 00:20:02,902 --> 00:20:05,405 HAPPENED YOU KNOW >> Jimmy: TRUST ME, I'M IRISH. 304 00:20:05,405 --> 00:20:08,475 >> YEAH, YEAH. >> Jimmy: THANKSGIVING, LIKE, "HEY, WE'RE COOL, RIGHT? 305 00:20:08,475 --> 00:20:10,343 >> "HEY, JIMMY, WHAT'S THAT UNDER THE RUG? >> "NOTHING. 306 00:20:10,343 --> 00:20:13,713 NOTHING. [ LIGHT LAUGHTER ] JUST LEAVE THAT THERE. 307 00:20:13,713 --> 00:20:17,884 PUT YOUR DRINK ON IT." [ LAUGHTER ] >> Jimmy: EXACTLY. 308 00:20:17,884 --> 00:20:23,123 BUT, YEAH, ONCE YOU -- I GUESS ONCE YOU DO IT - >> BUT IT IS SO LIBERATING 309 00:20:23,123 --> 00:20:31,431 IT IS SO LIBERATING TO BE ABLE TO JUST, YOU KNOW, PUT DOWN THE -- 310 00:20:31,431 --> 00:20:33,266 THE CHARACTER AND TO BE ABLE TO GO OUT INTO THE WORLD AND JUST LIVE AUTHENTICALLY AS YOU ARE, 311 00:20:33,266 --> 00:20:41,174 YOU KNOW >> Jimmy: IT MAKES YOU, TOO, IT MAKES YOU ENJOY WHAT YOU DID 312 00:20:41,174 --> 00:20:45,979 EVEN MORE TO KNOW WHAT STRUGGLES YOU HAVE BEEN THROUGH. 313 00:20:45,979 --> 00:20:50,016 EVERYONE HAS A STORY >> YEAH, ABSOLUTELY. >> Jimmy: EVERYBODY DOES 314 00:20:50,016 --> 00:20:51,618 AND SO, YOU GO, "OH, MAN, YOU MUST HAVE A BLAST IF YOU ARE DOING THAT." 315 00:20:51,618 --> 00:20:55,321 AND YOU GO, "YEAH, I DID I HAD FUN. OBVIOUSLY, YOU TALK ABOUT THE 316 00:20:55,321 --> 00:20:58,992 FIRST TIME YOU HEARD YOUR SONG ON THE RADIO >> YES, EXACTLY. 317 00:20:58,992 --> 00:21:02,595 >> Jimmy: THOSE MOMENTS, YOU'RE LIKE -- I'VE NEVER -- WE'VE NEVER EXPERIENCED THEM 318 00:21:02,595 --> 00:21:05,532 WELL, THE ROOTS HAVE BUT I HAVE NOT EXPERIENCED MY SONG ON THE RADIO. 319 00:21:05,532 --> 00:21:10,670 WHAT DOES THAT FEEL LIKE >> YOU KNOW, THE THING, YOU HEAR YOUR SONG ON THE RADIO FOR 320 00:21:10,670 --> 00:21:13,473 THE FIRST TIME BECAUSE YOU HAVE HEARD IT YOURSELF, YOU KNOW, A THOUSAND 321 00:21:13,473 --> 00:21:15,075 TIMES. >> Jimmy: YEAH >> AND THEN, I REMEMBER I WAS 322 00:21:15,075 --> 00:21:16,843 IN MY FATHER'S SHOP. AND IT WAS A RECORD CALLED "GIRLS AIN'T NOTHING BUT 323 00:21:16,843 --> 00:21:20,347 TROUBLE. IT WAS OUR FIRST RECORD. AND I REMEMBER SEEING A GUY GO 324 00:21:20,347 --> 00:21:26,953 PASSED IN HIS CAR LISTENING TO THE RECORD I HEARD IT ON THE RADIO BECAUSE 325 00:21:26,953 --> 00:21:33,093 IT WAS ON MY STATION INSIDE AND IT WAS LIKE IT'S IN THE WORLD. >> YEAH. 326 00:21:33,093 --> 00:21:35,762 >> YOU KNOW? IT'S IN THE WORLD NOW. AND IT'S LIKE, IT IS SUCH A -- 327 00:21:35,762 --> 00:21:37,464 A BEAUTIFUL FEELING. BUT, YOU KNOW, I TALKED ABOUT IN THE BOOK WHAT HAPPENED IS I 328 00:21:37,464 --> 00:21:39,299 HAD TOLD MY MOTHER -- MY MOTHER GRADUATED FROM CARNEGIE MELLON AND SHE WAS DEAD SERIOUS ABOUT 329 00:21:39,299 --> 00:21:50,243 EDUCATION. AND IN HER MIND, IF YOU DIDN'T HAVE AN EDUCATION, YOU WERE 330 00:21:50,243 --> 00:21:56,816 DEAD >> Jimmy: YOU DID IT WRONG >> YOU CAN'T SURVIVE IN THIS 331 00:21:56,816 --> 00:22:00,620 WORLD WITHOUT AN EDUCATION YOU KNOW, SO WHEN I TOLD MY MOTHER THAT I WASN'T GOING TO 332 00:22:00,620 --> 00:22:05,325 COLLEGE, IT WAS LIKE THE WORST THING THAT I EVER -- BECAUSE I WAS GOING TO DO 333 00:22:05,325 --> 00:22:11,564 HIPPITY HOP, YOU KNOW. [ LIGHT LAUGHTER ] I WAS GOING TO DO HIPPITY HOP. 334 00:22:11,564 --> 00:22:13,533 MY MOTHER, SHE WORKED FOR THE SCHOOL BOARD OF PHILADELPHIA, AND WE COULDN'T SAY "AIN'T" IN 335 00:22:13,533 --> 00:22:15,101 OUR HOUSE, YOU KNOW. I REMEMBER ONE TIME I WAS RUNNING OUT AND I SCREAMED TO 336 00:22:15,101 --> 00:22:23,910 MY FRIENDS, "YO, WHERE Y'ALL GOING TO BE AT?" AND MY MOTHER SAID, "UH-UH 337 00:22:23,910 --> 00:22:28,515 HOPEFULLY THEY'RE GOING TO BE BEHIND THAT PREPOSITION. YOU KNOW 338 00:22:28,515 --> 00:22:34,287 [ LAUGHTER ] [ APPLAUSE ] >> Jimmy: THAT'S EXACTLY RIGHT 339 00:22:34,287 --> 00:22:36,856 >> YOU KNOW, WHEN I TOLD HER I WASN'T GOING TO COLLEGE BECAUSE I WANTED TO RAP, YOU KNOW, IT 340 00:22:36,856 --> 00:22:40,527 WAS REAL - >> Jimmy: SHE DOESN'T KNOW YOU'RE GOING TO BE WILL SMITH. 341 00:22:40,527 --> 00:22:42,829 >> YEAH, YEAH. SHE HAD NO IDEA. SO MY FATHER LET ME HAVE A 342 00:22:42,829 --> 00:22:50,270 A YEAR SO I HAD A YEAR THAT I COULD GO TRY TO DO RAP MUSIC, AND THEN, 343 00:22:50,270 --> 00:22:52,572 AFTER THAT, I WAS GOING TO HAVE TO GO TO COLLEGE AND WITHIN THAT YEAR, WE WON 344 00:22:52,572 --> 00:22:58,011 THE FIRST GRAMMY EVER GIVEN TO A RAP ARTIST, YOU KNOW [ CHEERS AND APPLAUSE 345 00:22:58,011 --> 00:23:00,213 >> Jimmy: THAT'S HOW YOU DO IT, MAN. I LOVE IT. 346 00:23:00,213 --> 00:23:02,082 >> YEAH. >> Jimmy: IT'S HONESTLY AWESOME. 347 00:23:02,082 --> 00:23:05,585 AWESOME. >> TAKE THAT, MOM. >> Jimmy: NO, NO, NO, THAT'S 348 00:23:05,585 --> 00:23:08,188 NOT THE POINT. >> I THOUGHT THAT'S WHAT YOU WERE SAYING. 349 00:23:08,188 --> 00:23:11,458 >> Jimmy: THAT'S NOT THE POINT BUT I WANT TO -- I SAW A CLIP OF YOU TALKING WITH OPRAH, AND 350 00:23:11,458 --> 00:23:19,332 SHE SAID, "THIS IS THE BEST MEMOIR OR THE GREATEST MEMOIR SHE'S EVER READ. 351 00:23:19,332 --> 00:23:23,370 >> YES SHE SAID IN HER LIFE, TOO. >> Jimmy: YEAH 352 00:23:23,370 --> 00:23:25,905 [ LAUGHTER AND APPLAUSE >> YOU MISSED THAT >> Jimmy: THANK YOU, MAN 353 00:23:25,905 --> 00:23:28,341 DON'T BE HUMBLE. >> NO, NO, NO. YOU KNOW, I'M JUST SAYING, IF 354 00:23:28,341 --> 00:23:31,911 YOU'RE GOING TO QUOTE MISS OPRAH, QUOTE HER CORRECTLY [ LAUGHTER ] 355 00:23:31,911 --> 00:23:35,181 [ APPLAUSE ] >> Jimmy: THAT'S A BIG DEAL, MAN. 356 00:23:35,181 --> 00:23:39,252 THAT'S A BIG DEAL WILL TO HAVE OPRAH WINFREY SAY THAT >> NO, WHEN -- OPRAH IS LIKE 357 00:23:39,252 --> 00:23:46,993 THE BOOK LADY OF THE WORLD, SO WHEN OPRAH LIKES YOUR BOOK, PEOPLE LISTEN. 358 00:23:46,993 --> 00:23:49,095 >> Jimmy: AND SHE DOESN'T MAKE IT UP EITHER SHE WOULDN'T SAY THAT. 359 00:23:49,095 --> 00:23:52,465 >> SHE WOULD NEVER SAY THAT, YOU KNOW SHE HAD ME CRYING. 360 00:23:52,465 --> 00:23:54,968 YOU KNOW SHE MADE ME CRY. >> Jimmy: SHE'S GOOD LIKE THAT 361 00:23:54,968 --> 00:23:58,471 SHE'S A PRO. >> AND I SAW MY BOOK AND SHE HAD IT MARKED UP 362 00:23:58,471 --> 00:24:02,175 SHE LITERALLY HAD -- >> Jimmy: I SAW THE POST-IT NOTES. 363 00:24:02,175 --> 00:24:05,345 >> ALL THE POST-IT NOTES INSIDE THE BOOK AND IT WAS -- YOU KNOW 364 00:24:05,345 --> 00:24:08,748 >> Jimmy: IT'S A LITTLE DIFFERENT THAN MY BOOK >> YEAH. 365 00:24:08,748 --> 00:24:11,384 [ LAUGHTER ] >> Jimmy: I TOOK ALL THE POST-IT NOTES OUT. 366 00:24:11,384 --> 00:24:13,086 >> BECAUSE YOU DIDN'T LIKE HOW IT WOULD LOOK ON CAMERA, TO SEE ALL THE POST-IT NOTES. 367 00:24:13,086 --> 00:24:14,721 YOU THOUGHT IT WAS UNPROFESSIONAL FOR MISS OPRAH TO HAVE ALL THOSE POST-IT NOTES 368 00:24:14,721 --> 00:24:18,258 ON CAMERA. >> Jimmy: THAT'S WHY I TOOK IT OUT OF MY BOOK 369 00:24:18,258 --> 00:24:21,094 >> WHAT WAS YOUR FAVORITE PART OF THE BOOK, JIMMY [ LAUGHTER ] 370 00:24:21,094 --> 00:24:26,700 UH-HUH UH-HUH >> Jimmy: DOWNLOADING IT ON 371 00:24:26,700 --> 00:24:31,905 AUDIBLE. [ LAUGHTER ] IT'S THE BEST. 372 00:24:31,905 --> 00:24:34,774 IT'S SO GOOD OH, MY GOD WHEN WE COME BACK, I WANT TO 373 00:24:34,774 --> 00:24:36,409 TALK ABOUT YOUR NEW MOVIE "KING RICHARD. MORE WITH WILL SMITH, 374 00:24:36,409 --> 00:24:53,226 EVERYBODY. [ CHEERS AND APPLAUSE * 375 00:24:53,226 --> 00:24:55,195 >> Jimmy: WELCOME BACK, EVERYONE WE'RE HANGING OUT WITH 376 00:24:55,195 --> 00:25:00,266 WILL SMITH RIGHT HERE! [ CHEERS AND APPLAUSE I WANT TO TALK ABOUT "KING -- 377 00:25:00,266 --> 00:25:05,905 KING RICHARD." >> RICHARD, YEAH >> Jimmy: YOU'RE AMAZING IN 378 00:25:05,905 --> 00:25:08,208 THIS MOVIE, AND YOU'RE GETTING A LOT OF GOOD BUZZ ON THIS CONGRATS 379 00:25:08,208 --> 00:25:10,944 WELL DESERVED. >> THANK YOU >> Jimmy: BUT THIS IS -- THIS 380 00:25:10,944 --> 00:25:12,812 IS NOT THE FIRST TIME. YOU -- YOU ARE PLAYING A REAL PERSON 381 00:25:12,812 --> 00:25:14,647 >> YEAH. >> Jimmy: IS THAT EXTRA PRESSURE 382 00:25:14,647 --> 00:25:18,151 BECAUSE -- >> IT IS TERRIFYING WHEN YOU PLAY A REAL PERSON THAT IS 383 00:25:18,151 --> 00:25:23,390 STILL ALIVE AND YOU KNOW THAT THEY'RE GOING TO SEE IT. >> Jimmy: SEE IT 384 00:25:23,390 --> 00:25:26,126 >> YOU KNOW. >> Jimmy: YEAH >> AND IT WAS BEAUTIFUL. 385 00:25:26,126 --> 00:25:32,132 VENUS AND SERENA WERE -- WERE REALLY EXCITED ABOUT THE POSSIBILITY. 386 00:25:32,132 --> 00:25:38,171 AND THEY SAID, YOU KNOW, THEY WOULD POTENTIALLY BE EXECUTIVE PRODUCERS AND THEY WOULD WALK 387 00:25:38,171 --> 00:25:40,440 US THROUGH THE WHOLE PROCESS BUT THEY WERE GOING TO WITHHOLD WHETHER OR NOT THEY PUT THEIR 388 00:25:40,440 --> 00:25:42,642 NAMES ON THE FILM UNTIL THEY SAW IT [ LIGHT LAUGHTER ] 389 00:25:42,642 --> 00:25:44,811 SO THEN I GET THE CALL THAT VENUS AND SERENA ARE WALKING INTO THE THEATER TO SEE THE 390 00:25:44,811 --> 00:25:49,749 FILM AND IT'S LIKE -- IT'S THE WORST TWO HOURS EVER 391 00:25:49,749 --> 00:25:51,885 [ LAUGHTER ] THE WORST TWO HOURS. >> Jimmy: YOU'RE LIKE, "PLEASE 392 00:25:51,885 --> 00:25:54,454 LIKE IT. PLEASE THINK I DID A GOOD JOB. >> YOU KNOW? 393 00:25:54,454 --> 00:25:58,491 'CAUSE YOU SPENT SO MUCH TIME CREATING THESE THINGS AND THERE IS LITERALLY ONLY ONE AUDIENCE 394 00:25:58,491 --> 00:26:01,761 WHEN YOU DO IT I DID IT WITH -- YOU KNOW, WITH MUHAMMAD ALI 395 00:26:01,761 --> 00:26:04,397 >> Jimmy: YEAH >> AND THEN WITH "PURSUIT OF HAPPINESS" AND "CONCUSSION" 396 00:26:04,397 --> 00:26:07,901 WITH PEOPLE THAT WERE ALL ALIVE. >> Jimmy: YEAH 397 00:26:07,901 --> 00:26:13,907 >> AND IT'S JUST -- IT'S THE ONLY AUDIENCE. AND YOU JUST HOPE TO GOD THAT, 398 00:26:13,907 --> 00:26:17,077 YOU KNOW, YOU SPENT A YEAR TO TELL THIS STORY. >> Jimmy: DOING THE RIGHT 399 00:26:17,077 --> 00:26:19,045 THING. >> AND YOU HOPE THAT THEY -- THEY LIKE IT 400 00:26:19,045 --> 00:26:23,316 AND VENUS AND SERENA CRIED ALL THE WAY THROUGH AND THEY LOVED IT 401 00:26:23,316 --> 00:26:26,353 >> Jimmy: LOVED IT, YEAH ONE POINT THAT I -- I HEARD THAT THEY -- THEY THOUGHT, 402 00:26:26,353 --> 00:26:29,322 LIKE, IT LOOKED AND SOUNDED JUST LIKE THEIR DAD. >> THEIR DAD 403 00:26:29,322 --> 00:26:31,057 YEAH, YEAH >> Jimmy: THEY WERE LIKE, "THIS IS CREEPY. 404 00:26:31,057 --> 00:26:32,826 >> THIS IS LIKE, "THIS IS CREEPY." [ LAUGHTER ] 405 00:26:32,826 --> 00:26:35,061 >> Jimmy: THIS IS LIKE -- IT'S LIKE, REAL IT'S, LIKE, FREAKING ME OUT. 406 00:26:35,061 --> 00:26:36,963 LIKE, "THIS IS NOT REAL. IT'S A MOVIE." >> YEAH. 407 00:26:36,963 --> 00:26:40,900 WHAT WAS REALLY INTERESTING TO ME IS THAT, YOU KNOW, WE ALL FEEL LIKE WE HAVE A PICTURE OF 408 00:26:40,900 --> 00:26:46,806 RICHARD WILLIAMS AND IT'S THE CLASSIC OVERBEARING FATHER HAMMERING HIS CHILDREN 409 00:26:46,806 --> 00:26:52,145 >> Jimmy: YEAH, YEAH >> BUT IN SITTING WITH VENUS AND SERENA AND THEIR -- THEIR 410 00:26:52,145 --> 00:26:57,283 SISTERS AND THEIR -- THEIR MOTHER, IT WAS -- IT WAS COMPLETELY THE OPPOSITE. 411 00:26:57,283 --> 00:27:03,423 HE WAS A LOVING, CARING, DOTING FATHER VENUS REFERRED TO IT AS THE 412 00:27:03,423 --> 00:27:12,699 "JEDI MIND TRICK" THAT HE HAD SOMEHOW MADE IT SO THEY WOULD HAVE TO ASK HIM, "PLEASE, 413 00:27:12,699 --> 00:27:14,668 DADDY. CAN WE PLAY TENNIS?" THEIR -- THEIR PUNISHMENT WOULD 414 00:27:14,668 --> 00:27:18,171 BE THAT THEY COULDN'T PLAY TENNIS - >> Jimmy: YEAH 415 00:27:18,171 --> 00:27:20,473 >> WHEN THEY -- WHEN THEY GOT IN TROUBLE AND IT WAS -- YOU KNOW, HE 416 00:27:20,473 --> 00:27:27,480 ALIGNED WITH WHAT THEY WANTED FOR THEMSELVES MORE THAN DEMANDING WHAT HE WANTED FOR 417 00:27:27,480 --> 00:27:30,083 THEM >> Jimmy: YEAH >> AND IT WAS A REAL LESSON FOR 418 00:27:30,083 --> 00:27:35,355 ME AS A PARENT, YOU KNOW, RECOGNIZING -- >> Jimmy: WHAT YOU WANT. 419 00:27:35,355 --> 00:27:39,259 >> THAT YOU WANT TO BE IN ALIGNMENT WITH YOUR KIDS VERSUS FORCING AND PUSHING AND 420 00:27:39,259 --> 00:27:43,863 DEMANDING. >> Jimmy: TELLING THEM WHAT TO DO, YEAH 421 00:27:43,863 --> 00:27:46,366 >> AND TELLING THEM WHAT TO DO IT WAS A -- IT WAS A BEAUTIFUL FAMILY STORY 422 00:27:46,366 --> 00:27:50,203 IT WAS BEAUTIFUL >> Jimmy: I WANT TO SHOW EVERYONE A CLIP. 423 00:27:50,203 --> 00:27:52,305 HERE'S WILL SMITH IN "KING RICHARD. TAKE A LOOK AT THIS. 424 00:27:52,305 --> 00:27:52,339 RICHARD. TAKE A LOOK AT THIS. 425 00:27:52,872 --> 00:27:54,474 >> I'M VERY CONFIDENT. >> YOU SAY IT SO EASILY. 426 00:27:54,474 --> 00:28:00,914 WHY? >> BECAUSE I BELIEVE IT. >> BUT YOU HAVEN'T PLAYED 427 00:28:00,914 --> 00:28:04,517 A MATCH IN ALMOST THREE YEARS. >> ALL RIGHT, HOLD IT RIGHT THERE, IF YOU DON'T MIND 428 00:28:04,517 --> 00:28:08,254 LET ME TELL YOU WHY. >> RICHARD, WE'RE DOING AN INTERVIEW. 429 00:28:08,254 --> 00:28:10,323 >> WHAT -- WHAT SHE HAD SAID, SHE SAID IT WITH SO MUCH CONFIDENCE 430 00:28:10,323 --> 00:28:12,625 TO WASTE TIME, BUT YOU KEEP GOING ON AND ON. >> BUT YOU CAN'T JUST KEEP 431 00:28:12,625 --> 00:28:15,795 INTERRUPTING IF WE'RE -- >> WHAT YOU GOT TO UNDERSTAND IS YOU ARE DEALING WITH THE 432 00:28:15,795 --> 00:28:20,700 INMATE OF A 14-YEAR-OLD CHILD. AND THIS CHILD GOING TO BE PLAYING WHEN YOUR OLD ASS AND 433 00:28:20,700 --> 00:28:25,071 ME GOING TO BE IN THE GRAVE. WHEN SHE HAD SOMETHING, WE DONE TOLD YOU WAS HAPPENING 434 00:28:25,071 --> 00:28:28,908 YOU ARE DEALING WITH A LITTLE BLACK KID. LET HER BE A KID 435 00:28:28,908 --> 00:28:33,279 NOW SHE DONE ANSWERED IT WITH A LOT OF CONFIDENCE. LEAVE THAT ALONE 436 00:28:33,279 --> 00:28:40,387 [ CHEERS AND APPLAUSE >> WOAH. >> Jimmy: THAT'S HOW YOU DO IT 437 00:28:40,387 --> 00:28:42,055 >> YEAH. >> Jimmy: WILL SMITH, EVERYBODY! 438 00:28:42,055 --> 00:28:45,725 "KING RICHARD" IS IN THEATERS AND STREAMING ON HBO MAX STARTING NEXT FRIDAY 439 00:28:45,725 --> 00:28:48,461 AND HIS BOOK, "WILL," IS AVAILABLE NOW. WE'LL BE RIGHT BACK WITH 440 00:28:48,461 --> 00:29:07,180 JACK WHITEHALL [ CHEERS AND APPLAUSE * 441 00:29:07,180 --> 00:29:10,350 >> Jimmy: MY NEXT GUEST IS A A VERY FUNNY COMEDIAN WHO YOU CAN SEE IN THE NEW MOVIE 442 00:29:10,350 --> 00:29:15,255 "CLIFFORD THE BIG RED DOG," WHICH IS IN THEATERS AND STREAMING ON PARAMOUNT PLUS 443 00:29:15,255 --> 00:29:18,792 TOMORROW EVERYONE, PLEASE WELCOME JACK WHITEHALL 444 00:29:18,792 --> 00:29:18,825 EVERYONE, PLEASE WELCOME JACK WHITEHALL 445 00:29:19,359 --> 00:29:37,243 [ CHEERS AND APPLAUSE * 446 00:29:37,243 --> 00:29:38,645 * [ CHEERS AND APPLAUSE >> Jimmy: OH 447 00:29:38,645 --> 00:29:41,514 JACK WHITEHALL >> HI! >> Jimmy: IT IS GREAT TO SEE 448 00:29:41,514 --> 00:29:44,050 YOU AND BACK IN THE STUDIO >> BACK IN THE STUDIO, BACK IN NEW YORK 449 00:29:44,050 --> 00:29:46,052 THIS IS AMAZING. >> Jimmy: THANK YOU SO MUCH FOR BEING HERE 450 00:29:46,052 --> 00:29:48,288 I APPRECIATE IT BUD. I WANT TO FIRST OF ALL CONGRATULATE YOU ON "JUNGLE 451 00:29:48,288 --> 00:29:50,056 CRUISE." IT WAS THE BIGGEST HIT OF THE SUMMER 452 00:29:50,056 --> 00:29:53,526 SO CONGRATULATIONS >> OH, THANK YOU VERY MUCH >> Jimmy: I HEARD THEY'RE 453 00:29:53,526 --> 00:29:56,062 MAKING A SEQUEL. >> YES I THINK THE SEQUEL IS IN 454 00:29:56,062 --> 00:29:59,632 DEVELOPMENT NOW. I ABSOLUTELY LOVED MAKING THAT MOVIE. 455 00:29:59,632 --> 00:30:05,105 IT WAS SO MUCH FUN DUANE AND EMILY BLUNT ARE INCREDIBLE 456 00:30:05,105 --> 00:30:07,307 >> Jimmy: DID YOU EVER WORK OUT WITH THE ROCK? >> I DID ONCE, YES 457 00:30:07,307 --> 00:30:09,609 CAN YOU TELL >> Jimmy: YES. [ LAUGHTER ] 458 00:30:09,609 --> 00:30:12,645 THAT'S WHY I WAS ASKING. THAT'S WHY I WAS ASKING! >> PHYSICAL TRANSFORMATION 459 00:30:12,645 --> 00:30:14,848 A LOT OF PEOPLE ASK ME THAT WHEN THEY SEE ME LIKE, THIS GUY MUST SPOT THE 460 00:30:14,848 --> 00:30:16,816 ROCK HE'S - >> Jimmy: YEAH 461 00:30:16,816 --> 00:30:20,520 >> BUILT BUT AS HE HAD OBVIOUSLY SEEN ME AND REALIZED THAT -- DUANE AND 462 00:30:20,520 --> 00:30:25,458 I HAVE SLIGHTLY DIFFERENT PHYSIQUES. YOU KNOW, HE IS OBVIOUSLY QUITE 463 00:30:25,458 --> 00:30:29,596 GENEROUSLY PROPORTIONED. AND I HAVE A BODY THAT LOOKS LIKE IT'S BEEN DRAWN BY 464 00:30:29,596 --> 00:30:34,968 A CHILD. [ LAUGHTER ] SO BEFORE I ARRIVED AT THE GYM, 465 00:30:34,968 --> 00:30:39,973 HE HAD GONE ROUND TO ALL OF THE MACHINES AND HE HAD TAKEN ALL OF THE WEIGHTS OFF THE MACHINES 466 00:30:39,973 --> 00:30:44,244 SO IT WAS JUST THE BARS. [ LIGHT LAUGHTER ] BUT AS YOU KNOW, LIKE, EVEN 467 00:30:44,244 --> 00:30:48,715 THOSE BARS ARE PRETTY HEAVY. [ LAUGHTER ] >> Jimmy: OH, COME ON. 468 00:30:48,715 --> 00:30:53,086 >> NO, 'CAUSE THAT'S MY WORST NIGHTMARE, BEING IN THERE, LIKE, TRAPPED UNDERNEATH A BAR 469 00:30:53,086 --> 00:30:55,288 IN FRONT OF ONE OF YOUR HEROES SO I WAS LIKE, DO YOU KNOW WHAT, I THINK I'M JUST GOING TO 470 00:30:55,288 --> 00:30:57,590 TAKE THE EXERCISE BIKE IN THE CORNER >> Jimmy: YEAH 471 00:30:57,590 --> 00:31:01,528 >> THAT ONE'S GOOD FOR ME. SO IT WAS SO SURREAL LIKE, HE'S DOWN ONE END OF THE 472 00:31:01,528 --> 00:31:06,332 GYM, LIKE, EATING DUMBBELLS FOR BREAKFAST. CHAIN ROUND HIS NECK LISTENING 473 00:31:06,332 --> 00:31:09,602 TO GANGSTER RAP. AND THEN, I WAS IN THE OTHER CORNER JUST TRUNDLING ALONG ON 474 00:31:09,602 --> 00:31:15,608 AN EXERCISE BIKE LISTENING TO AN AUDIOBOOK [ LAUGHTER ] 475 00:31:15,608 --> 00:31:18,478 JANE AUSTEN "PRIDE AND PREJUDICE. [ LAUGHTER ] 476 00:31:18,478 --> 00:31:22,182 NO JANES, NO GAINS [ LAUGHTER ] >> Jimmy: YOU WORK OUT TO 477 00:31:22,182 --> 00:31:24,584 JANE AUSTEN. >> YEAH! >> Jimmy: I WANT TO ASK YOU 478 00:31:24,584 --> 00:31:29,723 ABOUT THIS BECAUSE NOW YOU HAVE "JUNGLE CRUISE," NOW YOU HAVE "CLIFFORD THE BIG RED DOG. 479 00:31:29,723 --> 00:31:32,892 YOU'RE BECOMING LIKE A FAMILY SUPERSTAR, PEOPLE LIKE FAMILY MOVIES FOR JACK WHITE. 480 00:31:32,892 --> 00:31:37,163 BUT DO YOU GET EXCITED WHEN YOU SEE A POSTER OR A TRAILER ABOUT -- FOR YOUR NEW MOVIES 481 00:31:37,163 --> 00:31:39,332 >> OH, MY GOD. AMAZING. YEAH, I STILL HAVE IMPOSTER 482 00:31:39,332 --> 00:31:45,238 SYNDROME AND FEEL LIKE SO LUCKY TO BE ABLE TO BE DOING WHAT I'M DOING. 483 00:31:45,238 --> 00:31:50,610 AND I THINK WHAT'S GOOD IS THAT MY FANS, ESPECIALLY IN ENGLAND, ARE VERY GOOD AT SORT OF 484 00:31:50,610 --> 00:31:56,282 KEEPING ME IN MY PLACE AND THEY DEFINITELY DID WITH THE "CLIFFORD" MOVIE BECAUSE, 485 00:31:56,282 --> 00:31:59,352 BASICALLY FOR YEARS WHEN I WAS A STAND-UP, I DID LOTS OF JOKES ABOUT HOW I WAS AT SCHOOL WITH 486 00:31:59,352 --> 00:32:02,956 ROBERT PATTINSON WHICH IS TRUE. WE WENT TO THE SAME SCHOOL, AND 487 00:32:02,956 --> 00:32:07,060 I WAS VERY JEALOUS OF HIM FOR SOME TIME, BECAUSE OUR CAREERS SORT OF HAPPENED IN PARALLEL 488 00:32:07,060 --> 00:32:11,064 AND WHEN HE WAS STARRING IN THE "TWILIGHT" MOVIES, I WAS AN OPEN MIC COMEDIAN IN PUBS 489 00:32:11,064 --> 00:32:14,100 TELLING [ BLEEP ] JOKES TO 30 PEOPLE. [ LAUGHTER ] 490 00:32:14,100 --> 00:32:17,070 AND MY MOM ALWAYS USED TO COMPARE THE TWO OF US. AND SO I BASICALLY JUST LIKE, 491 00:32:17,070 --> 00:32:19,572 TRASH TALKED HIM FOR FIVE YEARS. >> Jimmy: YEAH 492 00:32:19,572 --> 00:32:23,510 >> AND I WAS LIKE, YOU KNOW WHAT, I JUST NEED TO LIKE, LET THAT BE AND JUST NOT OBS -- NOT 493 00:32:23,510 --> 00:32:26,446 LET ROBERT PATTINSON LIVE IN MY HEAD RENT FREE >> Jimmy: YEAH, DON'T WORRY 494 00:32:26,446 --> 00:32:28,848 ABOUT ROBERT PATTINSON >> NO! NO, WHO CARES ABOUT 495 00:32:28,848 --> 00:32:30,950 ROBERT PATTINSON I KNOW RIGHT NOW, IT SEEMS LIKE I CARE 496 00:32:30,950 --> 00:32:32,352 >> Jimmy: WE ALL -- WE DO, YEAH [ LAUGHTER ] 497 00:32:32,352 --> 00:32:35,188 WE ACTUALLY ALL REALLY DO, YEAH BUT YES, GOOD FOR YOU. 498 00:32:35,188 --> 00:32:39,559 >> BUT I STOPPED IT. AND I STOPPED TALKING ABOUT HIM. 499 00:32:39,559 --> 00:32:43,930 AND THEN, I THINK HE HAD THE LAST LAUGH BECAUSE A COUPLE OF MONTHS AGO, MY TWITTER JUST 500 00:32:43,930 --> 00:32:48,768 EXPLODED WITH PEOPLE POINTING OUT THAT ON THE DAY THAT THEY RELEASED THE TRAILER FOR 501 00:32:48,768 --> 00:32:54,007 ROBERT PATTINSON'S "BATMAN," PARAMOUNT PICTURES RELEASED A TRAILER THAT FEATURED ME 502 00:32:54,007 --> 00:32:58,812 BEING URINATED ON BY A TEN-FOOT CGI RED DOG. [ LAUGHTER AND APPLAUSE 503 00:32:58,812 --> 00:33:00,680 >> Jimmy: SEE, THE WORLD WINS. THE WORLD WINS EVENTUALLY, YEAH 504 00:33:00,680 --> 00:33:06,252 >> WE'RE BOTH KILLING IT BATMAN AND THE DOGMAN JUST DOING THEIR THING IN HOLLYWOOD 505 00:33:06,252 --> 00:33:09,055 >> Jimmy: BATMAN AND THE DOGMAN YOU WERE VERY NICE ENOUGH TO 506 00:33:09,055 --> 00:33:13,893 BRING US PHOTOS OF YOU FILMING THIS FILM. AND, SO, IT IS A GIANT, BIG, 507 00:33:13,893 --> 00:33:18,064 RED DOG. >> YES >> Jimmy: SO THIS IS - 508 00:33:18,064 --> 00:33:21,534 >> YEAH, THAT IS WHAT WE ACTED OPPOSITE I KNOW, IT'S TERRIFYING. 509 00:33:21,534 --> 00:33:23,937 >> Jimmy: THAT'S NOT THE DOG, BY THE WAY IT'S NOT THE FINAL CGI 510 00:33:23,937 --> 00:33:27,774 [ LAUGHTER ] BUT THIS IS, WHAT? THESE ARE -- ARE THESE 511 00:33:27,774 --> 00:33:29,843 PUPPETEERS >> YEAH. THERE WAS TWO PUPPETEERS WHO 512 00:33:29,843 --> 00:33:32,812 OPERATED THIS. THEY SWITCHED AROUND AS WELL, SO NO ONE HAD TO BE CLIFFORD'S 513 00:33:32,812 --> 00:33:36,616 ASS FOR THE WHOLE FILM [ LAUGHTER ] SO YOU NEVER KNEW WHO WAS GOING 514 00:33:36,616 --> 00:33:38,918 TO BE IN THE FRONT OR WHO WAS GOING TO BE IN THE BACK EACH DAY. 515 00:33:38,918 --> 00:33:43,189 AND, YEAH, THEY WERE AMAZING BECAUSE WE DIDN'T JUST HAVE THIS, AS WELL. 516 00:33:43,189 --> 00:33:45,592 WE HAD OTHER, LIKE, CLIFFORD BODY PARTS FOR SOME OF THE CLOSE UPS. 517 00:33:45,592 --> 00:33:49,195 THAT WAS THE WEIRD THING SO THERE WAS, LIKE, SOME GUYS THAT OPERATED CLIFFORD'S TAIL. 518 00:33:49,195 --> 00:33:52,932 CLIFFORD'S TONGUE, WHICH WAS LIKE SOMEONE'S ARM, AND LIKE THIS BIG RUBBER PROP THAT 519 00:33:52,932 --> 00:33:56,202 LICKED PEOPLE, WHICH IS VERY DISCONCERTING. >> Jimmy: YEAH 520 00:33:56,202 --> 00:34:00,774 >> THE WEIRDEST ONE WAS THE HEAD, THOUGH, BECAUSE THEY HAD A HEAD AS WELL, WHICH THEY USED 521 00:34:00,774 --> 00:34:03,410 FOR SOME OF THE SHOTS. AND YOU HAD TO DO, LIKE -- THE LITTLE GIRL WHO PLAYED 522 00:34:03,410 --> 00:34:07,247 EMILY ELIZABETH HAD THIS REALLY EMOTIONAL SCENE WHERE SHE'S SAYING GOODBYE TO CLIFFORD THE 523 00:34:07,247 --> 00:34:12,052 BIG RED DOG, AND SHE'S ACTING OPPOSITE THIS GUY FROM THE PROPS DEPARTMENT WITH HIS ASS 524 00:34:12,052 --> 00:34:15,555 HANGING OUT LIKE BENT OVER HOLDING CLIFFORD'S SEVERED HEAD ON A PIKE. 525 00:34:15,555 --> 00:34:18,291 >> Jimmy: OH, MY GOD [ LAUGHTER ] >> IT IS TERRIFYING. 526 00:34:18,291 --> 00:34:23,963 IT'S LIKE SOMETHING OUT OF "GAME OF THRONES." >> Jimmy: IT'S A FUN, FUN, FUN 527 00:34:23,963 --> 00:34:26,166 FAMILY MOVIE >> I'VE REALLY NOT MADE IT SOUND PRETTY FUN 528 00:34:26,166 --> 00:34:29,769 [ LAUGHTER ] [ TALKING OVER EACH OTHER >> Jimmy: IT IS. 529 00:34:29,769 --> 00:34:32,605 AND SHE IS JUST -- >> SHE'S AMAZING WHEN YOU WATCH THE FINISHED 530 00:34:32,605 --> 00:34:36,643 VERSION OF THAT SCENE, I WAS GOING -- I WAS GOING >> Jimmy: YEAH, IT'S EMOTIONAL 531 00:34:36,643 --> 00:34:38,511 >> DID YOU -- DID YOU -- >> Jimmy: YEAH, OF COURSE I DID. 532 00:34:38,511 --> 00:34:40,680 >> OF COURSE YOU DID >> Jimmy: YEAH, I'M AN EMOTIONAL GUY. 533 00:34:40,680 --> 00:34:43,083 >> YOU'RE AN EMOTIONAL GUY WE'RE EMOTIONAL GUYS >> Jimmy: WE ARE 534 00:34:43,083 --> 00:34:45,085 >> WE ARE. >> Jimmy: AND I DON'T CARE ABOUT ROBERT PATTINSON 535 00:34:45,085 --> 00:34:47,354 >> NO. [ LAUGHTER ] NEITHER DO I 536 00:34:47,354 --> 00:34:50,957 >> Jimmy: DO YOU THINK -- DOES HE KNOW I EXIST? >> OH, GOD, WHEN HE WINS AN 537 00:34:50,957 --> 00:34:54,694 OSCAR, I'M JUST GOING TO JUST HIDE IN A HOLE FOR THE REST OF MY LIFE. 538 00:34:54,694 --> 00:34:57,197 [ LAUGHTER ] HE IS, HE'S GOING TO WIN AN OSCAR, ISN'T HE? 539 00:34:57,197 --> 00:34:59,265 >> Jimmy: HE'S GOING TO WIN AN OSCAR. YEAH, OF COURSE HE IS. 540 00:34:59,265 --> 00:35:01,668 >> MAYBE I'LL WIN AN OSCAR FOR "CLIFFORD. >> Jimmy: THAT'S WHAT I'M -- 541 00:35:01,668 --> 00:35:03,303 YOU THINK SO [ CHEERS AND APPLAUSE >> THEY LIKE IT! 542 00:35:03,303 --> 00:35:06,039 >> Jimmy: HERE'S THE OSCAR CLIP EVERYONE, TAKE A LOOK. 543 00:35:06,039 --> 00:35:08,274 JACK WHITEHALL IN "CLIFFORD THE BIG RED DOG. TAKE A LOOK AT THIS. 544 00:35:08,274 --> 00:35:08,308 BIG RED DOG. TAKE A LOOK AT THIS. 545 00:35:09,476 --> 00:35:11,177 THERE. >> YEAH, BUT THE WATER CUTOFF 546 00:35:11,177 --> 00:35:14,781 IS IN THE BEDROOM CLOSET >> DON'T COME IN HERE. >> WHY NOT 547 00:35:14,781 --> 00:35:21,254 >> IT'S PRIVATE. >> IT'S HAUNTED. >> I CAN DO IT, THOUGH 548 00:35:21,254 --> 00:35:22,889 >> YEAH, YEAH. THANKS >> GET IN THERE AND GIVE IT 549 00:35:22,889 --> 00:35:29,062 A LITTLE - >> SO THE DISHWASHER SO IT MAKES, LIKE, THIS WEIRD 550 00:35:29,062 --> 00:35:36,436 CRACKLING NOISE. * >> STOP! 551 00:35:36,436 --> 00:35:40,807 [ DOG WHINING UGH! EVERYTHING IS UNDER CONTROL. 552 00:35:40,807 --> 00:35:47,814 JUST SHUTTING OFF THE VALVE. >> Jimmy: THERE YOU GO [ CHEERS AND APPLAUSE 553 00:35:47,814 --> 00:35:50,316 REMEMBER ME AT THE OSCARS. >> I'LL THANK YOU IN MY SPEECH >> Jimmy: THANK YOU. 554 00:35:50,316 --> 00:35:54,154 JACK WHITEHALL, EVERYBODY. "CLIFFORD THE BIG RED DOG" IS IN THEATERS AND STREAMING ON 555 00:35:54,154 --> 00:35:57,223 PARAMOUNT PLUS TOMORROW. NATHANIEL RATELIFF AND THE NIGHT SWEATS ARE PERFORMING 556 00:35:57,223 --> 00:36:00,260 WHEN WE COME BACK. STICK AROUND [ CHEERS AND APPLAUSE 557 00:36:00,260 --> 00:36:20,180 * >> Jimmy: PERFORMING "SURVIVOR" FROM THEIR NEW ALBUM "THE 558 00:36:20,180 --> 00:36:25,352 FUTURE," GIVE IT UP FOR NATHANIEL RATELIFF AND THE NIGHT SWEATS 559 00:36:25,352 --> 00:36:25,385 NATHANIEL RATELIFF AND THE NIGHT SWEATS 560 00:36:26,886 --> 00:36:31,458 * * WELL YOU JUST 561 00:36:31,458 --> 00:36:43,903 THINK THAT I'M SOME GREAT SURVIVO AND YOU JUST BUILD UPON * 562 00:36:43,903 --> 00:36:51,778 * THE LIES THAT CARRY YOU WELL I DON'T EVEN TALK THAT WAY 563 00:36:51,778 --> 00:36:58,084 SEE I WANTED YOU TO STAY * * AND SHOW YOU THE WORLD' A BETTER PLACE 564 00:36:58,084 --> 00:37:02,022 AND AS WE CRAW TO FIND OUR WAY * * WE EVEN TAKE THE SHAP 565 00:37:02,022 --> 00:37:15,835 OF SOMETHING ELSE * * YOU THINK THAT I'M JUST SOME GREAT SURVIVO 566 00:37:15,835 --> 00:37:28,415 YOU THINK THAT I'M JUS SOME GREAT SURVIVOR * * I'M AFRAID THAT THE WEIGH 567 00:37:28,415 --> 00:37:37,257 OF THE WORLD I CATCHING UP WITH YOU * * I'M AFRAID TO ADMIT 568 00:37:37,257 --> 00:37:44,564 THAT IT'S CATCHING U TO ME TOO * * WELL YOU JUST 569 00:37:44,564 --> 00:37:58,678 THINK THAT I'M SOME GREAT SURVIVO AND YOU JUST FEED UPON * 570 00:37:58,678 --> 00:38:07,754 * FEAR YOU CREATE SOME PEOPLE OUGHT TO SEE SOME PEOPLE OUGHT TO HEA 571 00:38:07,754 --> 00:38:16,930 HEAR * * SOME PEOPLE OUGHT TO SE SOME PEOPLE OUGHT TO HEA 572 00:38:16,930 --> 00:38:23,837 HEAR * * WELL IF IT' GONNA BE THAT WA 573 00:38:23,837 --> 00:38:33,546 THEN THE CROWD THAT CALL YOUR NAME CAN CAST ME OUT * * YOU THINK THAT I'M JUST 574 00:38:33,546 --> 00:38:48,061 SOME GREAT SURVIVO YOU THINK THAT I'M JUS SOME GREAT SURVIVOR * 575 00:38:48,061 --> 00:38:57,504 * I'M AFRAID THAT THE WEIGH OF THE WORLD I CATCHING UP WITH YOU * 576 00:38:57,504 --> 00:39:06,346 * I'M AFRAID TO ADMIT THAT IT'S CATCHING U TO ME TOO * 577 00:39:06,346 --> 00:39:13,653 * DOES THE WEIGHT CONTINU TO GROW UNTI IT BURIES YOU * 578 00:39:13,653 --> 00:39:37,077 * * * YOU THINK THAT I'M JUST 579 00:39:37,077 --> 00:39:51,825 SOME GREAT SURVIVO YOU THINK THAT I'M JUS SOME GREAT SURVIVOR * 580 00:39:51,825 --> 00:40:05,138 * YOU THINK THAT I'M JUST SOME GREAT SURVIVO YOU THINK THAT I'M JUS 581 00:40:05,138 --> 00:40:12,145 SOME GREAT SURVIVOR * * [ CHEERS AND APPLAUSE 582 00:40:12,145 --> 00:40:17,617 >> Jimmy: OH THAT'S HOW YOU DO IT THAT IS HOW YOU DO IT RIGHT 583 00:40:17,617 --> 00:40:22,088 THERE. NATHANIEL RATELIFF AND THE NIGHT SWEATS 584 00:40:22,088 --> 00:40:25,158 [ CHEERS AND APPLAUSE "THE FUTURE" IS OUT NOW. THANKS TO WILL SMITH, 585 00:40:25,158 --> 00:40:27,027 JACK WHITEHALL, NATHANIEL RATELIFF AND THE NIGHT SWEATS ONCE AGAIN. 586 00:40:27,027 --> 00:40:33,867 [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH 587 00:40:33,867 --> 00:40:36,970 SETH MEYERS. GIVE IT UP FOR THE ROOTS, EVERYBODY, BY THE WAY.