1 00:00:09,042 --> 00:00:11,611 >> Jimmy: HEY, GUYS. IT'S JIMMY FALLON. 2 00:00:11,611 --> 00:00:13,813 AND I'M HERE AT THE TOP OF THE ROCK OBSERVATION DECK, OVERLOOKING MY FAVORITE CITY, 3 00:00:13,813 --> 00:00:16,116 NEW YORK CITY. TONIGHT, WE HAVE A VERY SPECIAL SHOW, A VERY DIFFERENT KIND OF 4 00:00:16,116 --> 00:00:19,719 SHOW WE'VE PARTNERED WITH OUR FRIENDS OVER AT SAMSUNG TO TAKE 5 00:00:19,719 --> 00:00:23,790 "THE TONIGHT SHOW" OUTSIDE STUDIO 6B AND INTO NEW YORK CITY, ALL OF IT 6 00:00:23,790 --> 00:00:28,361 WE'RE GOING TO BE VISITING EACH OF THE CITY'S FIVE BOROUGHS -- MANHATTAN, QUEENS, BROOKLYN, 7 00:00:28,361 --> 00:00:32,298 STATEN ISLAND AND THE BRONX. AND WE'RE GOING TO BE CELEBRATING THE UNIQUE PEOPLE, 8 00:00:32,298 --> 00:00:34,601 AND NEIGHBORHOODS, AND SIGHTS AND SOUNDS, EVERYTHING THAT MAKES THE CITY SO SPECIAL. 9 00:00:34,601 --> 00:00:39,906 AND TO HELP US CAPTURE EVERYTHING ALONG THE WAY, I'LL BE BRINGING ALONG MY NEW 10 00:00:39,906 --> 00:00:42,909 SAMSUNG GALAXY Z FLIP THREE 5G PHONE. SO LET'S GO. 11 00:00:42,909 --> 00:00:50,216 * >> Steve: FROM THE FIVE BOROUGHS OF NEW YORK CITY, IT'S 12 00:00:50,216 --> 00:00:55,488 "THE TONIGHT SHOW STARRING JIMMY FALLON." * 13 00:00:55,488 --> 00:00:57,057 TONIGHT JOIN JIMMY AND HIS GUESTS MICHAEL STRAHAN, COLIN QUINN, 14 00:00:57,057 --> 00:00:58,758 MAGICIAN, JUSTIN WILLMAN, MUSICAL GUESTS, THE KILLERS, AND FEATURING THE LEGENDARY 15 00:00:58,758 --> 00:01:05,398 AND FEATURING THE LEGENDARY ROOTS CREW 16 00:01:11,471 --> 00:01:12,305 I'M HERE IN THE BRONX. 17 00:01:12,305 --> 00:01:15,275 BEHIND ME IS YANKEE STADIUM. TONIGHT, I'M DOING SOMETHING VERY COOL. 18 00:01:15,275 --> 00:01:18,745 I'M GETTING TO THROW OUT THE CEREMONIAL FIRST PITCH AT A YANKEES GAME 19 00:01:18,745 --> 00:01:24,617 IT'S A REAL HONOR TO DO THIS I'M NERVOUS ABOUT THIS AND TO MAKE SURE I'M READY, I 20 00:01:24,617 --> 00:01:28,254 ASKED A FRIEND TO HELP ME OUT WITH SOME PITCHING TIPS. AND NOT JUST ANY FRIEND. 21 00:01:28,254 --> 00:01:31,658 THIS GUY IS A HALL OF FAMER. ONE OF THE GREATEST YANKEES EVER 22 00:01:31,658 --> 00:01:37,464 ONE OF THE MOST FEARED PITCHERS OF ALL-TIME. AND THERE HE IS NOW. 23 00:01:37,464 --> 00:01:47,841 * * >> Jimmy: JUST THE JOG OVER 24 00:01:47,841 --> 00:01:50,010 MAKES ME -- MARIANO RIVERA, COME ON, THE GREATEST. >> THANK YOU, BUDDY. 25 00:01:50,010 --> 00:01:54,948 THANK YOU, JIMMY >> Jimmy: THANK YOU FOR BEING HERE, I APPRECIATE THIS. 26 00:01:54,948 --> 00:01:57,017 >> THANK YOU, BUDDY. THANK YOU. THANK YOU FOR HAVING ME. 27 00:01:57,017 --> 00:01:58,985 >> Jimmy: SO TONIGHT, I'M THROWING OUT THE FIRST PITCH AT THE YANKEES GAME 28 00:01:58,985 --> 00:02:01,821 I'M VERY NERVOUS, 'CAUSE I KNOW THE WAY THIS WORKS IF IT'S BAD, IT LIVES FOREVER. 29 00:02:01,821 --> 00:02:04,791 >> JIMMY, YOU SHOULD BE NERVOUS. >> Jimmy: OH, THANKS 30 00:02:04,791 --> 00:02:06,860 >> ALL RIGHT YOU SHOULD BE NERVOUS. THAT'S OKAY. 31 00:02:06,860 --> 00:02:10,363 BUT, THAT'S WHY I'M HERE >> Jimmy: OKAY, GOOD >> I'M GOING TO HELP YOU 32 00:02:10,363 --> 00:02:12,665 YOU KNOW, WE'RE GOING TO DO SOMETHING SPECIAL. SO, I MADE SURE MY JOB IS 33 00:02:12,665 --> 00:02:15,168 MAKING SURE -- >> Jimmy: YEAH >> -- THAT YOU DO A GOOD JOB 34 00:02:15,168 --> 00:02:18,138 >> Jimmy: WE'RE BACK HERE IN THE BRONX. THIS IS ACTUALLY THE SITE OF 35 00:02:18,138 --> 00:02:20,974 THE OLD YANKEE STADIUM THIS IS WHERE YOU STARTED. HOW DOES IT FEEL TO BE BACK? 36 00:02:20,974 --> 00:02:26,079 >> AMAZING I WILL NEVER FORGET THIS PLACE NEVER FORGET THIS FIELD. 37 00:02:26,079 --> 00:02:28,815 >> Jimmy: YEAH >> A LOT OF GREAT THINGS HAPPENED ON THIS FIELD 38 00:02:28,815 --> 00:02:31,551 >> Jimmy: HOW ABOUT YOUR WALK-OUT SONG, "ENTER SANDMAN" HOW DID THAT COME ABOUT? 39 00:02:31,551 --> 00:02:34,421 DID YOU PICK THAT? OR IS THAT RANDOM? >> JIMMY, I THINK -- I THINK 40 00:02:34,421 --> 00:02:37,424 THAT THE SONG PICKED ME. >> Jimmy: OH, WOW. >> BECAUSE, I MEAN, I HAVEN'T 41 00:02:37,424 --> 00:02:39,092 LISTENED TO THE TYPE OF MUSIC -- ALTHOUGH I MET THE GUYS, AND THOSE GUYS WERE 42 00:02:39,092 --> 00:02:42,162 PHENOMENAL, MAN. >> Jimmy: METALLICA. >> GREAT GUYS, OH MY GOD 43 00:02:42,162 --> 00:02:44,264 >> Jimmy: IT WAS THE PERFECT SONG AND EVERY TIME -- IT ALMOST 44 00:02:44,264 --> 00:02:48,101 TURNED INTO LIKE WWE LIKE, THE MUSIC WOULD COME ON AND EVERYBODY WOULD BE LIKE, 45 00:02:48,101 --> 00:02:51,805 "WHAT? LIKE, DUDE, WE'RE SO EXCITED." I MEAN, THAT'S GOTTA BE THE 46 00:02:51,805 --> 00:02:54,507 BEST FEELING >> GET IT DONE, JIMMY. IT IS A GREAT FEELING. 47 00:02:54,507 --> 00:02:57,477 I MEAN, IT'S A STAGE, YOU KNOW, IT'S MY HOME AND THAT'S WHY WE'RE GOING TO 48 00:02:57,477 --> 00:02:59,579 DO WORK, JIMMY WE'RE GOING TO WORK AND MAKE YOU FEEL LIKE YOU'RE IN YOUR 49 00:02:59,579 --> 00:03:02,549 STAGE. NOW YOU'RE GOING TO THROW STRIKE, AND YOU'RE GOING TO BE 50 00:03:02,549 --> 00:03:06,753 IN YOUR STAGE, RIGHT THERE YOU HAVE IT, YOU'RE ALREADY DONE 51 00:03:06,753 --> 00:03:09,422 >> Jimmy: BEFORE WE GET GOING, I WANT TO TALK ABOUT THE MARIANO RIVERA FOUNDATION THAT 52 00:03:09,422 --> 00:03:13,960 YOU STARTED WITH YOUR WIFE IN 1998. >> YES, SIR. 53 00:03:13,960 --> 00:03:17,464 >> Jimmy: IT'S STILL GOING >> YOU KNOW, AT THAT TIME, I WASN'T MAKING A LOT OF MONEY 54 00:03:17,464 --> 00:03:20,867 IT WAS A LOT OF MONEY FOR ME, YES. BUT I SAID, WITH THIS MONEY, WE 55 00:03:20,867 --> 00:03:27,107 CAN HELP OTHERS, YOU KNOW. AND WE STARTED A FOUNDATION, MY WIFE AND I 56 00:03:27,107 --> 00:03:32,245 AND SENDING KIDS TO SCHOOL, BECAUSE I BELIEVE IN EDUCATION YOU KNOW, SPORTS IS GREAT. 57 00:03:32,245 --> 00:03:38,885 BUT EDUCATION IS FOR EVERYBODY AND NOW, WE ARE IN THE PROCESS TO BUILD A LEARNING CENTER 58 00:03:38,885 --> 00:03:40,420 IT'S GRATIFYING, KNOWING THAT YOU'RE DOING SOMETHING GOOD FOR OTHERS 59 00:03:40,420 --> 00:03:43,923 AND THAT'S WHAT I LOVE, JIMMY. >> Jimmy: THAT'S WHAT WE LOVE ABOUT YOU, MAN 60 00:03:43,923 --> 00:03:45,992 >> THAT'S IT >> Jimmy: NOW, I AM A LATE NIGHT HOST 61 00:03:45,992 --> 00:03:48,728 I'M NOT AN ATHLETE SO I'M WORRIED ABOUT THE FIRST PITCH. 62 00:03:48,728 --> 00:03:51,698 'CAUSE IF IT'S TOO HIGH, IT'S NO GOOD. IF IT HITS THE DIRT, DEFINITELY 63 00:03:51,698 --> 00:03:55,935 CAN'T HIT THE DIRT >> CAN'T DO THAT, JIMMY. >> Jimmy: NO 64 00:03:55,935 --> 00:04:00,640 CAN I JUST SHOW YOU -- >> YEAH, YEAH, DEFINITELY. >> Jimmy: THIS IS QUESTLOVE 65 00:04:00,640 --> 00:04:03,376 THROWING OUT THE FIRST PITCH - >> AND THE PITCH >> Jimmy: -- AT THE PHILLIES 66 00:04:03,376 --> 00:04:05,578 GAME >> OH, BOY [ CROWD OHS 67 00:04:05,578 --> 00:04:08,181 NO, NO, WE CANNOT DO THAT. >> Jimmy: NO, NO THE MASCOT - 68 00:04:08,181 --> 00:04:11,184 >> WE DEFINITELY NO, NO, NO, WE CANNOT DO THAT. IT LIVES WITH YOU FOR THE REST 69 00:04:11,184 --> 00:04:12,686 OF YOUR LIFE I WANT YOU TO UNDERSTAND THAT, OKAY 70 00:04:12,686 --> 00:04:16,623 JUST -- JUST MAKING SURE THAT THAT'S OKAY. BUT IT'S OKAY, IT'S OKAY 71 00:04:16,623 --> 00:04:18,591 >> Jimmy: ALL RIGHT. >> IT'S OKAY >> Jimmy: LET'S LOOK -- I'LL 72 00:04:18,591 --> 00:04:20,460 SHOW YOU MY ARM. WE'LL SEE WHAT WE CAN DO >> LET'S GO, LET'S GO, LET'S 73 00:04:20,460 --> 00:04:37,477 GO * >> Jimmy: HEY, BUD 74 00:04:37,477 --> 00:04:40,780 >> JIMMY, WHAT ARE YOU WEARING >> Jimmy: THE WEIRDEST-LOOKING FACE MASK SOMEBODY LEFT IT IN 75 00:04:40,780 --> 00:04:43,516 MY LOCKER. >> THAT'S A JOCK STRAP, MAN. COME ON. 76 00:04:43,516 --> 00:04:47,554 JEEZ, INCREDIBLE >> Jimmy: I'M SORRY. I'M SORRY. 77 00:04:47,554 --> 00:04:51,358 >> HERE, BUDDY, JUST USE THAT. >> Jimmy: I'LL BE RIGHT BACK >> ALL RIGHT 78 00:04:51,358 --> 00:04:53,226 TAKE CARE. >> Jimmy: ALL RIGHT, NOW, DO I PUT MY FOOT ON THE - 79 00:04:53,226 --> 00:04:55,195 >> RIGHT THERE, ON THE -- ON THE SIDE LITTLE BIT ON THE SIDE 80 00:04:55,195 --> 00:04:58,365 RIGHT THERE. >> Jimmy: RIGHT THERE? >> RIGHT THERE 81 00:04:58,365 --> 00:05:00,233 YOU'RE PERFECT THERE >> Jimmy: DO I START HERE, LIKE, MAKING A DECISION? 82 00:05:00,233 --> 00:05:03,403 >> YEAH, OF COURSE, I MEAN - >> Jimmy: AND THEN UP HERE JUST TO SAY WHAT'S UP 83 00:05:03,403 --> 00:05:05,238 >> YOU'RE IN CONTROL >> Jimmy: I LOOK LIKE THAT, I GO "NO" -- 84 00:05:05,238 --> 00:05:07,540 >> YOU LOOK -- >> Jimmy: YEAH >> YES 85 00:05:07,540 --> 00:05:10,276 >> Jimmy: SERIOUS FACE >> SERIOUS, SERIOUS, SERIOUS NO SMILING 86 00:05:10,276 --> 00:05:12,912 >> Jimmy: YEAH, OKAY SERIOUS FACE >> SERIOUS FACE. 87 00:05:12,912 --> 00:05:19,886 THERE YOU GO THERE YOU GO YOU HAVE A GOOD TARGET, OKAY 88 00:05:19,886 --> 00:05:22,322 >> Jimmy: YEAH, MAYBE IT WAS THE CATCHER'S FAULT. >> CATCHER'S FAULT 89 00:05:22,322 --> 00:05:25,258 >> Jimmy: CATCHER'S FAULT. >> PICK UP YOUR LEG A LITTLE BIT HIGHER 90 00:05:25,258 --> 00:05:27,894 >> Jimmy: OKAY, KICK IT HIGHER >> A LITTLE BIT HIGHER YOU GOT THIS 91 00:05:27,894 --> 00:05:32,799 THAT'S IT. >> Jimmy: HOW'S MY FORM? >> YOU SURE YOU'RE NOT A LEFTY 92 00:05:32,799 --> 00:05:37,604 >> Jimmy: DO YOU HAVE ANOTHER GLOVE? >> THERE YOU GO. 93 00:05:37,604 --> 00:05:40,573 >> Jimmy: THIS IS FUN. LET'S UP THE STAKES A LITTLE BIT. 94 00:05:40,573 --> 00:05:43,510 >> COME ON >> Jimmy: LET'S GO >> LET'S GO. 95 00:05:43,510 --> 00:05:47,113 >> Jimmy: ALL RIGHT, THIS IS TARGET PRACTICE. WE HAVE FIVE PLATES HERE, EACH 96 00:05:47,113 --> 00:05:48,982 REPRESENT A DIFFERENT TRAIN THAT CAN TAKE YOU TO THE BRONX WHOEVER CAN BREAK THE MOST 97 00:05:48,982 --> 00:05:57,090 PLATES WINS. LET'S SEE. GOING TO BE TOUGH, MAN 98 00:05:57,090 --> 00:06:04,931 >> NO, IT'S NOT TOUGH. >> Jimmy: YEAH, THAT'S HOW YOU DO IT RIGHT THERE, COME ON NOW 99 00:06:04,931 --> 00:06:12,272 >> OH! >> Jimmy: OH, MY GOD [ LAUGHTER ] 100 00:06:12,272 --> 00:06:16,409 OH, LOOK AT THAT, THAT WAS THE BEST ONE YET >> COME ON, JIMMY, ANOTHER, GO, 101 00:06:16,409 --> 00:06:21,214 GO RIGHT THERE, RIGHT THERE, RIGHT THERE. 102 00:06:21,214 --> 00:06:24,084 YEAH >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. 103 00:06:24,084 --> 00:06:28,121 >> THAT'S IT >> Jimmy: ALL RIGHT. JUST ABOUT DONE. 104 00:06:28,121 --> 00:06:29,756 BUT I CAN'T LEAVE WITHOUT TAKING A COUPLE OF SWINGS AGAINST THE GREATEST OF ALL 105 00:06:29,756 --> 00:06:33,259 TIME >> COME ON, MAN. >> Jimmy: YEAH 106 00:06:33,259 --> 00:06:36,963 >> LET'S GO. YOU READY FOR THAT >> Jimmy: DON'T BE EASY ON ME. 107 00:06:36,963 --> 00:06:43,837 >> I WILL NOT BE EASY. >> Jimmy: ALL RIGHT, GOOD. >> I WILL NOT. 108 00:06:43,837 --> 00:06:45,538 >> Jimmy: THANK YOU. HERE WE GO >> ALL RIGHT, LET'S GO 109 00:06:45,538 --> 00:06:47,240 >> Jimmy: ALL RIGHT -- DON'T HOLD OFF, NOW, I MEAN -- >> YOU BETTER BE GOOD. 110 00:06:47,240 --> 00:06:53,246 >> Jimmy: USUALLY, I'M USED TO BIGGER >> TAKE YOUR BASE. 111 00:06:53,246 --> 00:06:55,648 >> Jimmy: I KNOW IT'S JUST A A WIFFLEBALL, DIDN'T REALLY HURT 112 00:06:55,648 --> 00:07:00,353 >> OH! >> Jimmy: OH, MY GOSH! I JUST GOT A HIT ON 113 00:07:00,353 --> 00:07:06,493 MARIANO RIVERA YANKEE STADIUM HERE I COME! 114 00:07:06,493 --> 00:07:09,029 THANK YOU SO MUCH FOR TRAINING ME DO YOU THINK I'M READY FOR MY 115 00:07:09,029 --> 00:07:12,165 FIRST PITCH? >> I THINK YOU'RE READY, JIMMY >> Jimmy: ALL RIGHT. 116 00:07:12,165 --> 00:07:18,071 WELL, I'M GOING TO HEAD OUT THERE, SO WISH ME LUCK >> GOOD LUCK, MY FRIEND. 117 00:07:18,071 --> 00:07:36,056 THIS IS GOING TO BE BAD. >> Jimmy: I'M HERE AT YANKEE STADIUM, I'M ABOUT TO THROW OUT 118 00:07:36,056 --> 00:07:43,329 THE FIRST PITCH OF THE GAME, I'M SO EXCITED I'M SO NERVOUS 119 00:07:43,329 --> 00:07:45,265 >> Announcer: HERE TO THROW OUT THE CEREMONIAL FIRST PITCH, PLEASE WELCOME THE HOST OF "THE 120 00:07:45,265 --> 00:07:58,978 TONIGHT SHOW" -- JIMMY FALLON! AND LADIES AND GENTLEMEN, PLEASE WELCOME HIS PITCHING 121 00:07:58,978 --> 00:08:00,513 COACH, YANKEES LEGEND AND BASEBALL'S ALL-TIME SAVES LEADER, HALL OF FAMER 122 00:08:00,513 --> 00:08:15,462 NUMBER 32, MARIANO RIVERA! >> COME ON, MAN. >> Jimmy: YOU CAN. 123 00:08:15,462 --> 00:08:19,733 >> I CAN, BRO. >> Jimmy: YOU CAN. >> YES 124 00:08:19,733 --> 00:08:26,606 NO, NO, NO, THAT'S YOU, BROTHER. >> NO, NO, FROM HERE 125 00:08:26,606 --> 00:08:29,442 >> YES, LET'S GO YOU GOT THIS, THOUGH COME ON. 126 00:08:29,442 --> 00:08:52,565 YOU GOT THIS YOU GOT IT * 127 00:08:52,565 --> 00:08:52,599 YOU GOT IT * 128 00:08:56,803 --> 00:09:01,241 YOU GOT IT >> Jimmy: YOU HELPED ME. 129 00:09:01,241 --> 00:09:05,845 YOU HELPED ME, BUDDY YOU SAVED IT, MAN. THANK YOU, I APPRECIATE IT 130 00:09:05,845 --> 00:09:07,814 >> GREAT JOB GREAT JOB. >> Jimmy: I APPRECIATE IT, 131 00:09:07,814 --> 00:09:20,393 THANK YOU. * >> OH, MY GOD. 132 00:09:20,393 --> 00:09:25,632 OH >> Jimmy: THANK YOU, BUDDY [ CHEERS AND APPLAUSE 133 00:09:25,632 --> 00:09:47,487 * >> Jimmy: HEY, GUYS. WELCOME BACK TO THE SHOW 134 00:09:47,487 --> 00:09:50,190 TONIGHT WE'RE VISITING ALL FIVE BOROUGHS IN NEW YORK CITY. RIGHT NOW HERE IN MANHATTAN AT 135 00:09:50,190 --> 00:09:56,229 THE WORLD-FAMOUS MADAME TUSSAUDS WAX MUSEUM IN TIMES SQUARE 136 00:09:56,229 --> 00:09:58,631 MILLIONS OF PEOPLE VISIT HERE EVERY YEAR TO SEE WAX FIGURES OF THEIR FAVORITE CELEBRITIES 137 00:09:58,631 --> 00:10:02,769 AND I WANT TO HAVE A LITTLE FUN WITH THEM. AND SO DOES MY FIRST GUEST 138 00:10:02,769 --> 00:10:04,504 YOU CAN SEE NEW EPISODES OF HIS DOCUSERIES "MORE THAN AN ATHLETE" THURSDAYS ON ESPN 139 00:10:04,504 --> 00:10:13,146 PLUS HERE HE IS, MICHAEL STRAHAN. >> HEY, BUDDY, HOW YOU DOING 140 00:10:13,146 --> 00:10:17,984 [ LAUGHTER ] HEY, EVERYBODY >> Jimmy: MICHAEL, YOU AND I 141 00:10:17,984 --> 00:10:21,421 HAVE A LOT IN COMMON BESIDES OUR PHYSIQUES. >> YEAH, I'M WEARING YOUR SUIT 142 00:10:21,421 --> 00:10:24,190 RIGHT NOW. >> Jimmy: WE BOTH HAVE WAX FIGURES OF OURSELVES ON DISPLAY 143 00:10:24,190 --> 00:10:27,961 HERE AT MADAME TUSSAUDS. AND SO I THOUGHT IT WOULD BE FUN TO PRETEND TO BE OUR WAX 144 00:10:27,961 --> 00:10:30,964 FIGURES AND THEN SURPRISE PEOPLE >> THAT'S FUN. 145 00:10:30,964 --> 00:10:36,770 >> Jimmy: READY TO DO THIS >> LET'S DO IT * 146 00:10:36,770 --> 00:10:41,241 >> Jimmy: OKAY >> HEY, JIMMY, HOW ARE YOU >> Jimmy: I'VE NEVER SEEN THE 147 00:10:41,241 --> 00:10:44,978 BACK OF MY EAR >> NOW YOU'RE MAKING ME LOOK AT THE BACK OF MY EAR, I'VE NEVER 148 00:10:44,978 --> 00:10:51,518 SEEN IT EITHER OH MY GOD, THEY EVEN GOT THE CROOKED FINGER 149 00:10:51,518 --> 00:10:53,486 >> Jimmy: WOW. >> LOOK AT THAT. >> Jimmy: THAT'S WILD. 150 00:10:53,486 --> 00:10:57,424 >> HEY, YOU EVER HELD YOUR OWN HAND WITH THE SAME HAND? [ LAUGHTER ] 151 00:10:57,424 --> 00:11:00,160 >> OKAY, FOLKS THIS IS TIM. HE'S YOUR PHOTOGRAPHER TODAY 152 00:11:00,160 --> 00:11:02,362 >> NICE TO MEET YOU. YOU GUYS BIG "TONIGHT SHOW" FANS 153 00:11:02,362 --> 00:11:09,769 >> YEAH! >> ALL RIGHT, COOL ALL RIGHT, SO HERE WE GO 154 00:11:09,769 --> 00:11:13,373 AND THREE, TWO, ONE -- BIG SMILES - [ CLICK 155 00:11:13,373 --> 00:11:19,179 * >> THAT WAS GREAT. >> OH MY GOD 156 00:11:19,179 --> 00:11:21,214 >> Jimmy: THAT WAS REALLY GOOD >> MY MOM'S GOING TO KILL ME, MEETING YOU WITHOUT TELLING 157 00:11:21,214 --> 00:11:24,651 HER! >> MICHAEL - >> IT'S SO NICE TO MEET YOU, OH 158 00:11:24,651 --> 00:11:28,088 MY GOSH. >> THIS IS JIMMY >> Jimmy: YOU DON'T THINK 159 00:11:28,088 --> 00:11:34,094 THEY'RE JUST GONNA IMMEDIATELY KNOW IT'S US >> FOR SOME REASON, I THINK 160 00:11:34,094 --> 00:11:35,762 THAT WE CAN GET AWAY WITH IT >> HERE COMES THE NEXT CONTESTANT 161 00:11:35,762 --> 00:11:44,437 TAKE A SEAT. TAKE A SEAT AT THE BENCH THIS LOOKS GREAT 162 00:11:44,437 --> 00:11:46,106 YOU CAN SET DOWN YOUR BAGS, YEAH [ SCREAMS 163 00:11:46,106 --> 00:11:51,878 [ CLICK * >> Jimmy: I COULDN'T HOLD MY 164 00:11:51,878 --> 00:11:55,815 FACE STILL ANY LONGER. I'M LIKE, OH MY GOD, THEY'RE ON TO US. 165 00:11:55,815 --> 00:12:01,821 >> ALL RIGHT AND THREE, TWO, ONE -- [ CLICK 166 00:12:01,821 --> 00:12:08,261 * [ LAUGHTER ] >> Jimmy: DID YOU KNOW IT? 167 00:12:08,261 --> 00:12:13,833 >> LET'S HAVE YOU SIT DOWN ON THE BENCH RIGHT HERE BEAUTIFUL. 168 00:12:13,833 --> 00:12:17,570 COOL ALL RIGHT. AND THREE, TWO, ONE -- 169 00:12:17,570 --> 00:12:26,746 >> CATCH >> OH MY GOSH! >> OH! 170 00:12:26,746 --> 00:12:29,149 >> OH MY GOD I WAS LIKE, THEY LOOK SO REAL. >> Jimmy: HOW ARE YOU? 171 00:12:29,149 --> 00:12:30,784 >> HE SAID IT LOOKED SO REAL WE ARE REAL, WE'RE HERE, MAN >> HERE WE GO. 172 00:12:30,784 --> 00:12:37,357 THREE, TWO, ONE -- >> HEY >> Jimmy: THIS IS GREAT. 173 00:12:37,357 --> 00:12:43,563 LET'S GET A REAL PICTURE, COME ON ONE, TWO, THREE -- HEY 174 00:12:43,563 --> 00:12:49,469 * >> Jimmy: THAT WAS FUN >> THAT WAS FUN. 175 00:12:49,469 --> 00:12:53,840 >> Jimmy: YOU'RE LIKE THIS, PERIPHERAL VISION I COULD SEE YOU GOING LIKE - 176 00:12:53,840 --> 00:12:59,279 >> HALF THE TIME I LOOK YOUR BODY'S DOING THIS. >> Jimmy: I LOST IT EVERY TIME, 177 00:12:59,279 --> 00:13:02,382 MAN. THAT WAS GREAT DOING THAT. WE'RE IN THE OPENING NIGHT ROOM 178 00:13:02,382 --> 00:13:07,954 HERE AT MADAME TUSSAUDS. HOW DID YOU FEEL WHEN YOU FIRST GOT A WAX FIGURE OF YOURSELF 179 00:13:07,954 --> 00:13:12,659 >> I WAS HONORED I MEAN, A WAX FIGURE YOU THINK OF THE QUEEN AS A WAX 180 00:13:12,659 --> 00:13:16,896 FIGURE I WAS HONORED BY IT. I WAS SURPRISED BY IT. 181 00:13:16,896 --> 00:13:18,565 THEN WHEN I SAW IT, I WAS A LITTLE CREEPED OUT >> Jimmy: YEAH 182 00:13:18,565 --> 00:13:20,400 >> AND - >> Jimmy: THEY REALLY PUT THE WORK INTO IT 183 00:13:20,400 --> 00:13:22,202 >> THEY PUT A LOT OF WORK INTO IT >> Jimmy: WE TALKED ABOUT THIS 184 00:13:22,202 --> 00:13:27,140 BEFORE WHEN YOU FIRST CAME TO NEW YORK CITY, YOU TOLD ME THAT YOU WERE 185 00:13:27,140 --> 00:13:29,476 SCARED TO LEAVE YOUR HOTEL ROOM >> I WAS 186 00:13:29,476 --> 00:13:32,445 I STAYED RIGHT HERE IN TIMES SQUARE, MARRIOTT MARQUISE HOTEL. 187 00:13:32,445 --> 00:13:36,416 AND I WOULD LOOK OUT THE WINDOW EARLY IN THE MORNING, LIKE TWO OR THREE, AND THIS IS 188 00:13:36,416 --> 00:13:39,986 1993, PEOPLE ON THE STREETS, LIKE ANTS. AND I WAS LIKE, HM 189 00:13:39,986 --> 00:13:42,589 >> Jimmy: WHAT WAS YOUR MOST EPIC NIGHT IN NEW YORK CITY? WE'VE HAD SOME 190 00:13:42,589 --> 00:13:47,861 >> WE'VE HAD SOME. NOT GOING TO DISCUSS THOSE BUT WE'VE HAD SOME EPIC NIGHTS 191 00:13:47,861 --> 00:13:50,797 MY MOST EPIC NIGHT, ONE THAT JUST BLEW MY MIND WAS, I WENT TO SEE MY FRIEND SHELBY J. 192 00:13:50,797 --> 00:13:52,565 WHO'S THE BACKGROUND SINGER AT THIS CLUB CALLED -- DOWN IN LOWER EAST SIDE -- TO WATCH 193 00:13:52,565 --> 00:14:02,175 A BAND CALLED LEONARD. THEY HAD A COVER BAND AND SHE WAS GOING TO SING WITH THE 194 00:14:02,175 --> 00:14:09,482 BAND I GET THERE, MICHAEL, YOUR TABLE THAT YOU USUALLY GET, 195 00:14:09,482 --> 00:14:13,053 SOMEBODY'S THERE BUT WE DON'T THINK YOU'LL MIND. SO I GET -- SIT AT MY TABLE. 196 00:14:13,053 --> 00:14:19,959 AND I SIT NEXT TO PRINCE >> Jimmy: OF COURSE. >> AND SHELBY J. WAS THE BACKUP 197 00:14:19,959 --> 00:14:23,496 SINGER FOR PRINCE, AND HE CAME TO SUPPORT HER YOU KNOW, WHOLE TIME SITTING 198 00:14:23,496 --> 00:14:26,866 WITH PRINCE, I'M THINKING, OH, THAT'S PRINCE, MAN >> Jimmy: YEAH, EXACTLY. 199 00:14:26,866 --> 00:14:29,636 LIKE A WAX FIGURE. LOOKING AT HIM GOING LIKE, MY GOD, IS HE REAL? 200 00:14:29,636 --> 00:14:33,306 >> OH, YEAH. LOOKING AT HIM GOING - * PURPLE RAIN 201 00:14:33,306 --> 00:14:37,243 PURPLE RAIN * >> Jimmy: THAT'S CRAZY >> IT WAS CRAZY. 202 00:14:37,243 --> 00:14:39,779 AND THAT IS JUST LIKE NEW YORK, THOUGH BECAUSE YOU NEVER KNOW WHAT'S 203 00:14:39,779 --> 00:14:43,283 GOING TO HAPPEN. YOU NEVER KNOW WHO YOU'RE GOING TO RUN INTO. 204 00:14:43,283 --> 00:14:46,753 IT'S AN EPIC PLACE TO LIVE, SO EPIC STUFF HAPPENS >> Jimmy: SPEAKING OF EPIC 205 00:14:46,753 --> 00:14:50,156 STUFF, NOVEMBER 28th, IS THAT RIGHT? >> YEAH, YEAH. 206 00:14:50,156 --> 00:14:52,092 >> Jimmy: THEY'RE RETIRING YOUR JERSEY >> YEAH. 207 00:14:52,092 --> 00:14:55,729 >> Jimmy: 92 NEW YORK GIANTS ARE RETIRING - WHAT'S THAT GOING TO FEEL LIKE 208 00:14:55,729 --> 00:14:58,365 WHAT'S THAT DAY GOING TO BE LIKE >> IT'S GOING TO BE EPIC 209 00:14:58,365 --> 00:15:02,302 IT'S GOING TO BE A GREAT MOMENT 15 YEARS, JIMMY. 210 00:15:02,302 --> 00:15:07,040 I -- RUNNING AROUND, GETTING BANGED UP. THEN THE COLD AND THE HEAT 211 00:15:07,040 --> 00:15:10,910 WINNING THE SUPER BOWL AND I CAN'T BE HAPPIER BUT IT'S NOT BECAUSE OF ME 212 00:15:10,910 --> 00:15:14,214 I HAD SO MANY TEAMMATES, THOUGH, WHO MADE ME A BETTER FOOTBALL PLAYER SO THAT THIS 213 00:15:14,214 --> 00:15:19,052 COULD EVER HAPPEN. >> Jimmy: WAS IT ALWAYS 92 WAS THAT ALWAYS YOUR NUMBER? 214 00:15:19,052 --> 00:15:21,421 >> NO, I WAS 67. I WAS 67 AND I LOOKED AT A A NEWSPAPER, THE FIRST TIME I 215 00:15:21,421 --> 00:15:23,590 WAS IN A NEWSPAPER HERE IN NEW YORK, AND I SAW IT AND I SAID, OH MY GOD. 216 00:15:23,590 --> 00:15:28,428 I LOOK UGLY. 67 LOOKED AWFUL ON ME. >> Jimmy: YEAH, I DON'T LIKE 217 00:15:28,428 --> 00:15:34,968 THAT >> THAT'S THE NUMBER THEY GIVE A DUDE THEY'RE GOING TO CUT. 218 00:15:34,968 --> 00:15:36,603 YOU DON'T LAST ON A TEAM WITH NUMBER 67 AS A DEFENSIVE END, YOU JUST DON'T 219 00:15:36,603 --> 00:15:38,371 I WENT TO THE EQUIPMENT ROOM, WHAT NUMBERS DO YOU HAVE THE SAID, WELL, 92 220 00:15:38,371 --> 00:15:40,907 GIVE TO IT ME. AND I TOOK IT. THAT'S HOW I ENDED UP 221 00:15:40,907 --> 00:15:44,944 WITH 92 BECAUSE I LOOKED AWFUL IN 67. >> Jimmy: YOU DO HAVE AN EYE 222 00:15:44,944 --> 00:15:48,214 FOR STYLE. BECAUSE THE MICHAEL STRAHAN APPAREL LINE, BY THE WAY, IS 223 00:15:48,214 --> 00:15:55,422 CRUSHING AT MEN'S WEARHOUSE. TALK ABOUT WHAT YOU DID FOR DEION SANDERS RECENTLY 224 00:15:55,422 --> 00:15:58,425 >> OH, YEAH. THIS WAS AN HONOR TOO. BECAUSE DEION, WHO I LOVE AND 225 00:15:58,425 --> 00:16:03,596 RESPECT, TOOK OVER THE HEAD COACHING JOB AT JACKSON STATE UNIVERSITY 226 00:16:03,596 --> 00:16:06,366 I WENT TO HBCU, TEXAS SOUTHERN TO SEE HIM GO TO JACKSON STATE IN THE SAME CONFERENCE, AND 227 00:16:06,366 --> 00:16:08,101 REALLY TRY TO BRING BETTER UNDERSTANDING OF HOW LIFE WORKS, AND JUST TO MAKE THESE 228 00:16:08,101 --> 00:16:14,874 GUYS MORE THAN JUST FOOTBALL PLAYERS, WAS SPECIAL SO HE REACHED OUT AND SAID, WE 229 00:16:14,874 --> 00:16:18,478 WANT TO LOOK GOOD -- HE SAID, YOU LOOK GOOD, YOU FEEL GOOD YOU FEEL GOOD, YOU PLAY GOOD 230 00:16:18,478 --> 00:16:22,649 YOU PLAY GOOD, THEY PAY GOOD [ LAUGHTER ] NOW THAT WAS HIS MOTTO 231 00:16:22,649 --> 00:16:26,152 >> Jimmy: THAT'S A GOOD LINE >> FOR HIM, THE PAY GOOD IN COLLEGE IS NOT NECESSARILY 232 00:16:26,152 --> 00:16:28,054 FINANCIALLY. IT'S LIKE, IN YOUR NEXT CAREER IN YOUR NEXT JOB, IF IT'S 233 00:16:28,054 --> 00:16:34,461 FOOTBALL OR SOMETHING ELSE SO HE WANTED TO MAKE SURE THESE GUYS GOT OR THEIR BUTTS WHEN 234 00:16:34,461 --> 00:16:37,864 THEY GO ON THESE TRIPS AND LOOKED RIGHT SO WE GAVE OVER 100 SUITS -- 235 00:16:37,864 --> 00:16:43,403 DONATED OVER 100 SUITS AND LET HIM DESIGN THEM FOR HIS TEAM BIG THRILL 236 00:16:43,403 --> 00:16:46,139 BRINGS A LOT OF -- HE BRINGS A A LOT OF EYEBALLS TO HBCUs WE HAVE SOME OTHER TEAMS WE'RE 237 00:16:46,139 --> 00:16:48,641 HELPING NOW. >> Jimmy: I CAN'T TELL YOU, WHEN PEOPLE ASK ME, HOW IS 238 00:16:48,641 --> 00:16:55,648 MICHAEL STRAHAN OFF CAMERA I GO, HE'S AS NICE AND COOL AS HE WHEN IS HE'S ON THE SHOW. 239 00:16:55,648 --> 00:16:59,652 YOU DO SO MUCH STUFF I FEEL LIKE PEOPLE ARE GOING TO LOVE THIS NEW DOCU ABOUT YOU ON 240 00:16:59,652 --> 00:17:04,024 ESPN PLUS, "MORE THAN AN ATHLETE. >> YEAH. 241 00:17:04,024 --> 00:17:07,560 >> Jimmy: I CAN'T WAIT TO SEE IT, BECAUSE I KNOW YOU, BUT I DON'T REALLY KNOW YOU. 242 00:17:07,560 --> 00:17:10,830 I MEAN, I DON'T KNOW WHERE YOU CAME -- WHERE YOU STARTED. EVERYONE'S GOT A STORY 243 00:17:10,830 --> 00:17:17,404 >> MOST PEOPLE DON'T MOST PEOPLE ARE SURPRISED I WENT TO AN HBCU, MOST PEOPLE 244 00:17:17,404 --> 00:17:20,340 THINK MY LIFE KIND OF HAPPENED AND I WAS BORN INTO THIS CAREER OF WHAT I'M DOING NOW, AND AS 245 00:17:20,340 --> 00:17:23,309 A FOOTBALL PLAYER. NONE OF THAT COULD BE FURTHER THAN THE TRUTH 246 00:17:23,309 --> 00:17:24,944 "MORE THAN AN ATHLETE," SEASON 2, ESPN PLUS, PRODUCED BY SPRINGHILL, WHICH IS 247 00:17:24,944 --> 00:17:26,446 LeBRON JAMES AND MAVERICK CARTER, AND MY COMPANY, SMAC, IT GOES INTO ALL 248 00:17:26,446 --> 00:17:36,456 THAT WHERE I CAME FROM, FROM BEING A KID, THROUGH HIGH SCHOOL WHEN 249 00:17:36,456 --> 00:17:38,058 I HAD TO COME BACK TO THE STATES AND PLAY FOOTBALL FOR FIVE MONTHS TO GET A 250 00:17:38,058 --> 00:17:44,297 A SCHOLARSHIP, TO THE PROS AND EVERYTHING IN BETWEEN, AND HOW I AM WHERE I AM TODAY. 251 00:17:44,297 --> 00:17:47,334 BUT I JUST WANT IT TO BE MORE OF A LESSON FOR PEOPLE THAT YOU DON'T GIVE UP. 252 00:17:47,334 --> 00:17:50,904 THINGS AREN'T ALWAYS GOING TO GO IN YOUR FAVOR YOU MAY END UP IN A PLACE YOU 253 00:17:50,904 --> 00:17:54,674 LEAST EXPECT IT. AND I NEVER WENT TO SCHOOL FOR ANY OF THIS STUFF I DID, BUT I 254 00:17:54,674 --> 00:18:00,347 AM WHERE I NEED TO BE, WHERE I WANT TO BE, WHERE I WAS -- I'M SUPPOSED TO BE 255 00:18:00,347 --> 00:18:02,248 AND THAT -- I THINK THE STORY WILL MAKE PEOPLE UNDERSTAND THAT, HEY, THINGS MAY NOT BE 256 00:18:02,248 --> 00:18:09,322 PERFECT, HOW YOU WANT THEM RIGHT NOW. BUT JUST PERSEVERE 257 00:18:09,322 --> 00:18:11,624 HAVE A GOAL. AND YOU CAN END UP WHEREVER YOU WANT TO END UP 258 00:18:11,624 --> 00:18:15,428 >> Jimmy: MICHAEL, WE LOVE YOU >> I WANTED TO END UP HERE WITH YOU AS A WAX FIGURE. 259 00:18:15,428 --> 00:18:18,932 WE DID IT! >> Jimmy: WE DID IT! >> MAMA, WE DID IT 260 00:18:18,932 --> 00:18:21,468 >> Jimmy: UNBELIEVABLE THE ONE ASK ONLY MICHAEL STRAHAN, EVERYBODY 261 00:18:21,468 --> 00:18:24,404 STICK AROUND FOR MORE "TONIGHT SHOW" AFTER THE BREAK. I LOVE YOU, DUDE 262 00:18:24,404 --> 00:18:40,253 CHEERS * >> Jimmy: HEY, EVERYBODY 263 00:18:40,253 --> 00:18:43,556 TARIQ AND I ARE HERE AT THE STORY IN QUEENS AT THE WELLING COURT MURAL PROJECT. 264 00:18:43,556 --> 00:18:46,760 THIS IS ONE OF THE MOST AMAZING COLLECTIONS OF STREET ART IN THE WORLD MADE BY SOME OF THE 265 00:18:46,760 --> 00:18:50,530 MOST LEGENDARY STREET ARTISTS EVER LET'S GO TALK TO ONE OF THEM 266 00:18:50,530 --> 00:19:04,310 * * LADY PINK. 267 00:19:04,310 --> 00:19:11,751 >> HEY HOW YOU ARE >> Tariq: HOW YOU DOING? TARIQ, SUCH AN HONOR 268 00:19:11,751 --> 00:19:13,820 >> WHAT'S UP >> Jimmy: IT IS SUCH AN HONOR TO MEET YOU AND TALK TO YOU. 269 00:19:13,820 --> 00:19:15,689 DO YOU PREFER LADY PINK OR PINK >> YOU CAN JUST CALL ME PINK 270 00:19:15,689 --> 00:19:17,857 THAT'S ALL RIGHT >> Tariq: WELL, JUST OFF TOP, I'M SO HONORED AND IT'S SUCH A 271 00:19:17,857 --> 00:19:19,626 A PLEASURE TO FINALLY GET TO MEET YOU IN PERSON BECAUSE THE WILD STYLE OF FILM THAT YOU 272 00:19:19,626 --> 00:19:25,865 WERE IN -- HOW OLD WERE YOU WHEN YOU WERE IN THEM? 273 00:19:25,865 --> 00:19:32,572 >> I WAS 16, 17 YEARS OLD. >> Tariq: A TEENAGER A FILM THAT CAME OUT IN 274 00:19:32,572 --> 00:19:37,043 1982, REALLY IS WAS WHAT INSPIRED ME TO BECOME A MUSICIAN 275 00:19:37,043 --> 00:19:42,048 >> WELL THANK YOU FOR BEING INSPIRED BY OUR EARLY WORK >> Tariq: YEAH 276 00:19:42,048 --> 00:19:43,783 >> YOU KNOW, ALL THE ENTIRE WORLD IS NOW BEEN INSPIRED BY GRAFFITI AND STREET ART. 277 00:19:43,783 --> 00:19:46,386 >> Tariq: ABSOLUTELY >> Jimmy: WHAT WAS IT LIKE BACK THEN 278 00:19:46,386 --> 00:19:50,757 HOW DO YOU START AS A GRAFFITI ARTIST >> WELL, YOU START BY BEING 279 00:19:50,757 --> 00:19:56,129 A VANDAL, BY GOING UNDERGROUND YOU LEARN EVERYTHING OUT IN THE STREET 280 00:19:56,129 --> 00:20:00,500 WE TEACH MASTER TO APPRENTICE. YOU DON'T JUST WONDER OFF INTO DANGER BY YOURSELF 281 00:20:00,500 --> 00:20:06,306 SO YOU ARE TAUGHT AND SCHOOLED GRAFFITI STARTED IN NEW YORK WAY BACK MAYBE '69 AND ALL 282 00:20:06,306 --> 00:20:12,512 THROUGH THE 1970s AND 80s. THE SUBWAY TRAINS WERE PAINTED I STARTED IN '79 WHEN THERE WAS 283 00:20:12,512 --> 00:20:14,381 ALREADY A FULL BLOWN MOVEMENT AND THERE WAS HEROES AND MYTHS AND LEGENDS AND I HAD TO KEEP 284 00:20:14,381 --> 00:20:20,053 UP WITH THESE GUYS SO AS A YOUNG ONE WHEN EVERYTHING WENT ABOVE GROUND, 285 00:20:20,053 --> 00:20:26,292 THERE I WAS AT 16. >> Jimmy: REALLY TELL US ABOUT THE WELLING COURT 286 00:20:26,292 --> 00:20:30,997 MURAL PROJECT. THIS IS AMAZING. >> SO THIS IS IN ASTORIA, 287 00:20:30,997 --> 00:20:40,507 QUEENS NEW YORK, AND IT IS A A WONDERFUL FESTIVAL THAT HAS OVER A HUNDRED ARTISTS 288 00:20:40,507 --> 00:20:42,709 OVER HUNDRED FULL SPACES YOU CAN WALK FOR BLOCKS AND BLOCKS AND THERE'S BEAUTIFUL 289 00:20:42,709 --> 00:20:44,878 MURALS BY ARTISTS FROM ALL OVER THE WORLD. AND THIS IS MY MURAL HERE. 290 00:20:44,878 --> 00:20:47,180 IT'S A BLACK LIVES MATTER MURAL. >> Jimmy: I LOVE THAT YOU'RE 291 00:20:47,180 --> 00:20:49,349 NOW PART OF THE COMMUNITY. YOU'RE ABOVE GROUND AND YOU'RE TEACHING YOUNG KIDS AS WELL, AS 292 00:20:49,349 --> 00:20:52,652 ADULTS BUT EVERYONE, JUST LIKE, HEY, EXPRESS YOURSELF 293 00:20:52,652 --> 00:20:56,356 >> YEAH. ABSOLUTELY EVEN YOU GUYS CAN GIVE IT 294 00:20:56,356 --> 00:20:58,324 A TRY. >> Tariq: OH YEAH, I'M PRETTY SURE I CAN DO IT 295 00:20:58,324 --> 00:21:03,063 [ LIGHT LAUGHTER ] >> HAHA OKAY, ALL RIGHT. >> Jimmy: WHAT DO YOU THINK? 296 00:21:03,063 --> 00:21:05,765 WHAT DO YOU THINK? I'M A LITTLE OVERDRESSED, BUT I CAN FIGURE THIS OUT. 297 00:21:05,765 --> 00:21:09,269 >> I DON'T KNOW. GRAFFITI IS BOOT CAMP FOR ARTISTS. 298 00:21:09,269 --> 00:21:11,071 THIS ISN'T LIKE HERE, HONEY, THIS IS HOW IT'S DONE. THIS IS LIKE YOU GET UP THERE, 299 00:21:11,071 --> 00:21:16,176 YOU DO YOUR THING AND DON'T SHAME US ALL SO -- >> Tariq: HIS NAME IS 300 00:21:16,176 --> 00:21:18,211 SHAMELESS. [ LAUGHTER ] >> ALL RIGHT 301 00:21:18,211 --> 00:21:23,383 ALL RIGHT. >> Jimmy: SO WE'RE GOING TO GO WITH JIMMY -- WE'RE GONNA GO 302 00:21:23,383 --> 00:21:25,118 WITH AND TARIQ >> JIMMY AND TARIQ LET'S GET STARTED. 303 00:21:25,118 --> 00:21:26,753 * BACKGROUND FIRST AND THEN COLORS 304 00:21:26,753 --> 00:21:31,124 >> Jimmy: THIS IS MY FIRST TIME EVER GRAFFITIING >> THIS IS SO EASY TO DO, 305 00:21:31,124 --> 00:21:32,992 ANYONE CAN DO IT, MAN. >> Jimmy: I FEEL LIKE I'M GOING TO GET IN TROUBLE. 306 00:21:32,992 --> 00:21:37,163 >> YOU WANT US TO CALL THE COPS ON YOU TARIQ, IT LOOKS LIKE YOU'VE 307 00:21:37,163 --> 00:21:41,601 DONE THIS BEFORE [ LIGHT LAUGHTER ] >> Tariq: I MAY HAVE 308 00:21:41,601 --> 00:21:44,571 >> Jimmy: HOW ARE YOU DOING IT SO FAST? >> THINKING ABOUT THEM PO PO 309 00:21:44,571 --> 00:21:52,312 * >> Jimmy: I'M WORKING ON IT. YOU'LL LOVE IT AT THE END. 310 00:21:52,312 --> 00:21:54,848 DON'T HONK >> THAT YELLOW IS GOOD >> Jimmy: YELLOW IS GREAT. 311 00:21:54,848 --> 00:22:00,186 COPYING MY YELLOW? >> Tariq: THINK SO, MAN. >> WOW, NICE 312 00:22:00,186 --> 00:22:01,888 TARIQ DID A DOT FIRST, SO I DON'T KNOW >> Jimmy: HE'S LIKE TAKING ALL 313 00:22:01,888 --> 00:22:06,760 MY MOVES >> SO, WHEN ARTISTS PAINT TOGETHER, THEY GOT TO 314 00:22:06,760 --> 00:22:09,829 COMMUNICATE BECAUSE THEIR PIECES KIND OF GO TOGETHER - >> Tariq: WE'RE COMMUNICATING. 315 00:22:09,829 --> 00:22:14,634 IT'S UNSPOKEN, OUR RELATIONSHIP >> TAKE THAT YELLOW THAT YOU 316 00:22:14,634 --> 00:22:18,571 HAVE GOING ON -- THOSE LINES STRAIGHT UP. LINES, LINES, LINES. 317 00:22:18,571 --> 00:22:26,079 >> Tariq: OH, YEAH LIKE A LITTLE BLEED. >> YOU GOT IT TARIQ. 318 00:22:26,079 --> 00:22:29,716 OH, YOU LOOK LIKE A PRO NOW. LOOK AT YOU OUTLINING. >> Jimmy: THAT'S NOT BAD, 319 00:22:29,716 --> 00:22:31,885 RIGHT? THAT WAS GOOD. ARE WE ROLLING ON THAT 320 00:22:31,885 --> 00:22:33,319 >> WHEN WE PAINTED ON THE SUBWAY TRAIN, THERE WAS NO LADDERS. 321 00:22:33,319 --> 00:22:38,692 YOU HAD TO HANG OUT THE WINDOW, HANG UPSIDE-DOWN >> Jimmy: I USED TO SEE 322 00:22:38,692 --> 00:22:41,861 GRAFFITI THAT WOULD MAKE THINGS MOVE LIKE SHAPES MOVE UP AND DOWN WHEN THE TRAIN WOULD MOVE 323 00:22:41,861 --> 00:22:45,465 >> IT WAS MAGIC. WHAT DID YOU WRITE DOWN THERE. BLACK THOUGHT? 324 00:22:45,465 --> 00:22:49,169 >> Tariq: BLACK THOUGHT, YEAH. * >> JIMMY 325 00:22:49,169 --> 00:22:54,641 >> Tariq: I THINK I'M DONE >> YOU'RE FAST >> Tariq: IN AND OUT 326 00:22:54,641 --> 00:22:58,144 >> YOU GUYS DID AN AWESOME JOB I'M SO PROUD >> Jimmy: I LOVE IT. 327 00:22:58,144 --> 00:23:00,313 >> Tariq: MIGHT HAVE A FUTURE. [ LIGHT LAUGHTER ] >> Jimmy: LADY, WOULD YOU DO ME 328 00:23:00,313 --> 00:23:02,182 THE HONOR? CAN YOU JUST - >> SURE. 329 00:23:02,182 --> 00:23:07,053 * >> Jimmy: I LOVE THIS. COME ON. 330 00:23:07,053 --> 00:23:09,923 TARIQ, YOU WANT TO GET IN? THAT'S IT RIGHT THERE. I LOVE IT. 331 00:23:09,923 --> 00:23:12,559 >> Tariq: I SEE -- >> Jimmy: THAT'S IT! >> Jimmy: QUEENS, THAT'S A 332 00:23:12,559 --> 00:23:28,375 A WRAP * >> Jimmy: HEY, I'M OUTSIDE JOE 333 00:23:28,375 --> 00:23:31,745 AND PAT'S PIZZERIA AND RESTAURANT IN STATEN ISLAND. I'M MEETING UP WITH A GOOD PAL 334 00:23:31,745 --> 00:23:35,749 OF MINE TO TRY WHAT SOME SAY IS THE BEST SLICE IN NEW YORK CITY, LET'S CHECK IT 335 00:23:35,749 --> 00:23:49,095 OUT. * >> Jimmy: THAT'S WHAT I'M 336 00:23:49,095 --> 00:23:54,167 TALKING ABOUT, GOOD TO SEE YOU, BUDDY. >> YEAH. 337 00:23:54,167 --> 00:23:56,469 >> Jimmy: WOW, HERE WE ARE >> THE REAL KING OF STATEN ISLAND. 338 00:23:56,469 --> 00:23:58,972 >> Jimmy: NO, NO, THIS - >> THAT'S ME >> Jimmy: THAT'S NOT TRUE. 339 00:23:58,972 --> 00:24:00,607 I WANTED YOU TO BE IN THE NEW YORK SHOW. >> YEAH. 340 00:24:00,607 --> 00:24:02,676 >> Jimmy: BECAUSE YOU'RE VERY NEW YORK TO ME >> I LIVED IN STATEN ISLAND, 341 00:24:02,676 --> 00:24:04,544 YOU KNOW >> Jimmy: REALLY >> NINE DAYS 342 00:24:04,544 --> 00:24:06,613 SOUTH BEACH. SWEAR TO GOD >> Jimmy: NINE DAYS. 343 00:24:06,613 --> 00:24:08,715 >> IN THE '80s SOUTH BEACH, STATEN ISLAND YOU KNOW, IT WAS - 344 00:24:08,715 --> 00:24:10,784 >> Jimmy: HI >> HOW'S IT GOING? >> Jimmy: JIMMY. 345 00:24:10,784 --> 00:24:12,752 >> CASEY >> COLIN >> HOW YOU DOING, CASEY? 346 00:24:12,752 --> 00:24:14,888 >> WVERY NICE TO MEET YOU, CASEY. >> Jimmy: CASEY, HOW LONG HAVE 347 00:24:14,888 --> 00:24:20,727 YOU WORKED HERE? >> I'M ACTUALLY AN OWNER NOW BUT I'VE WORKED MY WHOLE LIFE. 348 00:24:20,727 --> 00:24:25,098 >> WHY DID YOU INSULT HIM? SAYING HE'S THE OWNER. >> WHAT AM I SUPPOSED TO DO, 349 00:24:25,098 --> 00:24:27,400 SAY HE'S THE OWNER >> Jimmy: HAVE YOU EVER BEEN IN HERE, COLIN? 350 00:24:27,400 --> 00:24:30,670 >> NO. >> Jimmy: THIS IS JOE AND PAT'S, THIS IS LEGENDARY 351 00:24:30,670 --> 00:24:32,739 >> I'VE HEARD OF IT. >> JOE AND PAT ARE ACTUALLY MY UNCLES 352 00:24:32,739 --> 00:24:36,676 >> REALLY? >> Jimmy: WHAT'S THE GO-TO SLICE HERE 353 00:24:36,676 --> 00:24:39,646 >> NEVER BEEN HERE BEFORE, RIGHT? >> Jimmy: NO 354 00:24:39,646 --> 00:24:41,481 >> I WOULD GO WITH THE ORIGINAL, IT'S MY GO-TO. I ACTUALLY HAD A FEW SLICES FOR 355 00:24:41,481 --> 00:24:46,953 BREAKFAST. >> I WOULD AGREE TO. >> Jimmy: THE ORIGINAL 356 00:24:46,953 --> 00:24:49,155 LOOK AT THIS >> WHOA, NICE. >> THIS IS WHAT I'M TALKING 357 00:24:49,155 --> 00:24:51,091 ABOUT. >> LET ME ASK YOU SOMETHING. IF I WANT SALT ON THIS, YOU'D 358 00:24:51,091 --> 00:24:55,495 PROBABLY FORGIVE ME BECAUSE I'M IRISH. PROBABLY WHEN IRISH PEOPLE COME 359 00:24:55,495 --> 00:24:57,797 IN HERE, THEY DON'T EVEN REMARK NO MATTER WHAT THEY DO, GOD, THEY'RE IRISH, THEY DON'T KNOW 360 00:24:57,797 --> 00:25:00,066 >> Jimmy: IRISH DON'T REALLY HAVE A CUISINE >> YEAH. 361 00:25:00,066 --> 00:25:03,403 >> Jimmy: EVERYTHING'S BOILED. >> THEY PATRONIZE. >> Jimmy: NO, THANKS, I WOULD 362 00:25:03,403 --> 00:25:07,941 NEVER INSULT YOU >> THE SALT ISN'T WORKING. >> OKAY. 363 00:25:07,941 --> 00:25:15,715 >> THIS IS GOOD. I LIKE THIN CRUST. >> Jimmy: YEAH, LOOK AT THIS 364 00:25:15,715 --> 00:25:17,784 >> KNOW WHAT I MEAN? >> Jimmy: BEAUTIFUL. YOU FOLD 365 00:25:17,784 --> 00:25:20,053 >> YOU FOLD. >> YEAH, SURE, WHAT ELSE ARE YOU GOING TO DO? 366 00:25:20,053 --> 00:25:23,590 YEAH DON'T FORGET I'M FROM BROOKLYN >> Jimmy: HOLY MOLY. 367 00:25:23,590 --> 00:25:28,595 THAT IS UNBELIEVABLE THAT IS DELICIOUS. >> IT'S PRETTY AMAZING 368 00:25:28,595 --> 00:25:30,163 >> Jimmy: HAVE YOU EVER SEEN PEOPLE TRY TO EAT THIS PIZZA WITH FORK AND KNIFE? 369 00:25:30,163 --> 00:25:32,432 >> YES, I HAVE >> WHAT DO YOU DO WHEN THEY DO THAT 370 00:25:32,432 --> 00:25:37,570 >> SUFFER SILENTLY >> YES, EXACTLY. >> Jimmy: I ALWAYS FEEL LIKE A 371 00:25:37,570 --> 00:25:40,140 A MAYOR. >> DE BLASIO, OF COURSE. >> HE CAME HERE ONCE, ATE WITH 372 00:25:40,140 --> 00:25:45,979 A FORK AND A KNIFE >> OH MY GOD >> Jimmy: NUMBER ONE RULE. 373 00:25:45,979 --> 00:25:47,614 >> YOU HAVE TO FOLD. >> Jimmy: YOU HAVE TO JUST FOLD AND EAT, YEAH. 374 00:25:47,614 --> 00:25:51,685 >> OH, WOW WOW! >> THAT'S AMAZING. 375 00:25:51,685 --> 00:25:57,190 >> Jimmy: THAT'S MY REACTION >> IT'S REALLY AMAZING >> Jimmy: I GOT TO SEE YOU THE 376 00:25:57,190 --> 00:25:58,892 OTHER NIGHT, IT WAS A REALLY FUN DINNER I HAD FUN BECAUSE -- YOU KNOW, 377 00:25:58,892 --> 00:26:02,829 WE LOST A GOOD FRIEND OF OURS, NORM MACDONALD >> YEAH. 378 00:26:02,829 --> 00:26:04,464 >> Jimmy: AND IT WAS GOOD TO GET TOGETHER WITH FRIENDS AND JUST TALK ABOUT HIM. 379 00:26:04,464 --> 00:26:07,801 >> YEA >> Jimmy: YOU BROUGHT UP ONE OF THE BEST JOKES, NORM MACDONALD, 380 00:26:07,801 --> 00:26:15,408 I FORGOT HE EVER TOLD. DO YOU REMEMBER WHAT IT WAS? >> YEAH, ONE WAS WHERE HE GOES, 381 00:26:15,408 --> 00:26:19,379 "I WALKED IN ON MY PARENTS HAVING SEX ONCE. IT WAS THE WORST 30 MINUTES OF 382 00:26:19,379 --> 00:26:26,653 MY LIFE. [ LAUGHTER ] >> Jimmy: THAT IS ONE OF THE 383 00:26:26,653 --> 00:26:32,225 BEST JOKES I'VE EVER HEARD THAT'S A FANTASTIC JOKE. YOU HAVE A BRAND-NEW SHOW? 384 00:26:32,225 --> 00:26:34,060 >> YES >> Jimmy: IT'S CALLED "THE LAST BEST HOPE. 385 00:26:34,060 --> 00:26:35,829 >> YEP >> Jimmy: WHAT'S THE LAST BEST HOPE 386 00:26:35,829 --> 00:26:39,666 YOU JUST HAVE THE ANSWER TO EVERYTHING >> NO, IT'S JUST BECAUSE -- 387 00:26:39,666 --> 00:26:44,270 THIS COUNTRY'S OBVIOUSLY, YOU KNOW, IN SHAMBLES. EMOTIONALLY AND, YOU KNOW -- 388 00:26:44,270 --> 00:26:48,808 THE UNIFICATION'S GONE SO ABRAHAM LINCOLN SAID, "WE ARE," ABOUT AMERICA, "THE LAST, 389 00:26:48,808 --> 00:26:54,214 BEST HOPE. SO I JUST CHANGE IT. I AM THE LAST, BEST HOPE 390 00:26:54,214 --> 00:26:59,452 >> Jimmy: AND THIS IS AT THE LUCILLE -- >> LORTEL. 391 00:26:59,452 --> 00:27:04,691 >> Jimmy: LUCILLE LORTEL THEATRE. YOU'RE VERY FRENCH HERE? 392 00:27:04,691 --> 00:27:06,893 >> I DON'T KNOW, LUCILLE LORTEL >> Jimmy: YELL AT ME 393 00:27:06,893 --> 00:27:12,332 >> AH. >> Jimmy: TO GET TICKETS GO TO COLINQUINN.COM 394 00:27:12,332 --> 00:27:16,269 CASEY, WE HAVE A SPECIAL PIE >> YEP, GOT IT READY FOR YOU >> Jimmy: I GOT A SPECIAL PIE 395 00:27:16,269 --> 00:27:18,271 FOR US >> WHOA! >> Jimmy: LOOK AT THIS RIGHT 396 00:27:18,271 --> 00:27:21,741 HERE THAT'S WHAT I'M TALKING ABOUT. >> THAT'S BEAUTIFUL. 397 00:27:21,741 --> 00:27:24,310 >> Jimmy: YOU KNOW WHY I THOUGHT IT WAS PERFECT BECAUSE NORM USED TO BRING YOU 398 00:27:24,310 --> 00:27:28,081 OUT ON "WEEKEND UPDATE." >> YES >> Jimmy: YOU BROUGHT ME OUT ON 399 00:27:28,081 --> 00:27:31,785 "WEEKEND UPDATE. >> YES >> Jimmy: I'LL NEVER FORGET IT, 400 00:27:31,785 --> 00:27:33,653 BUD. >> I LOVE YOU, MAN I LOVE YOU, BUDDY. 401 00:27:33,653 --> 00:27:38,591 >> Jimmy: COLIN QUINN, EVERYBODY. HE'S DOING HIS SHOW AT THE 402 00:27:38,591 --> 00:27:40,260 LUCILLE LORTEL THEATER AND I WANT TO THANK CASEY, I WANT TO THANK JOE AND PAT'S 403 00:27:40,260 --> 00:27:44,597 PIZZERIA HERE IN STATEN ISLAND WE'LL BE BACK WITH "TONIGHT SHOW. 404 00:27:44,597 --> 00:28:01,348 LOOK AT THAT >> BEAUTIFUL * 405 00:28:01,348 --> 00:28:05,819 >> Jimmy: WELCOME BACK, EVERYBODY. I'M HERE WITH QUESTLOVE, TARIQ, 406 00:28:05,819 --> 00:28:07,354 KIRK, MARK, AND DAVE FROM THE ROOTS. AND WE'RE AT LUNA PARK IN CONEY 407 00:28:07,354 --> 00:28:13,026 ISLAND, BROOKLYN PEOPLE HAVE BEEN COMING HERE FOR OVER 100 YEARS TO HAVE FUN, 408 00:28:13,026 --> 00:28:15,228 GO ON RIDES, PLAY GAMES, BE ENTERTAINED. THERE'S AN ENERGY TO THIS 409 00:28:15,228 --> 00:28:18,365 PLACE. A SPIRIT, A MAGIC. AND WITH THAT IN MIND I INVITED 410 00:28:18,365 --> 00:28:23,636 JUSTIN WILLMAN TO SHOW US A NEW TRICK. I THINK HE'S RIGHT THIS WAY. 411 00:28:23,636 --> 00:28:36,216 LET'S CHECK IT OUT * * 412 00:28:36,216 --> 00:28:38,952 >> WHAT'S UP >> Jimmy: WHAT'S UP, BUD >> GREAT TO SEE YOU. 413 00:28:38,952 --> 00:28:40,787 I'M GOOD GREAT TO SEE YOU HI, GUYS 414 00:28:40,787 --> 00:28:43,523 >> Tariq: WHAT'S UP, MAN >> WELCOME TO CONEY ISLAND >> THANKS. 415 00:28:43,523 --> 00:28:48,461 >> SINCE WE'RE IN CONEY ISLAND, BROOKLYN, I THOUGHT WE'D PLAY A GAME TONIGHT 416 00:28:48,461 --> 00:28:51,398 OKAY THIS IS A GAME MY DAD USED TO PLAY WITH ME WHEN I WAS A KID. 417 00:28:51,398 --> 00:28:54,434 MY DAD IS NOT A MAGICIAN MY DAD WAS AN AIRLINE PILOT FOR TWA, BACK IN THE DAY 418 00:28:54,434 --> 00:28:58,838 REMEMBER TWA >> Jimmy: OF COURSE. >> QUALITY AIRLINE 419 00:28:58,838 --> 00:29:00,807 SO HE'D COME HOME FROM A TRIP AND WE'D HAVE A FAMILY GAME NIGHT. 420 00:29:00,807 --> 00:29:04,310 AND WE'D ALWAYS PLAY THIS ONE GAME HE INVENTED CALLED RIGHT'EM MONEY 421 00:29:04,310 --> 00:29:07,814 HERE'S HOW IT WENT DOWN. HE TOOK A HANDFUL OF COINS OUT OF HIS POCKET. 422 00:29:07,814 --> 00:29:12,018 HE POURED THEM INTO THIS LITTLE CIGAR HUMIDOR BOX SO I COULDN'T COUNT THEM 423 00:29:12,018 --> 00:29:14,788 ON THE WALL HE HAD A MAP OF THE U.S. AND ALL THE 50 STATES HAD 424 00:29:14,788 --> 00:29:20,260 A DIFFERENT POINT VALUE. YOU FOLLOW >> Jimmy: YEAH 425 00:29:20,260 --> 00:29:22,762 >> HE'D GIVE ME SOME DARTS I'D THROW THE DARTS AT THE MAP UNTIL I HIT FOUR STATES. 426 00:29:22,762 --> 00:29:26,299 I'D TOTAL UP THE STATES WITH AN OLD CALCULATOR AND IF MY SCORE EQUALED THE 427 00:29:26,299 --> 00:29:28,201 AMOUNT OF CHANGE IN THE BOX, 150 POINTS, $1.50 IN THE BOX, IT MEANT I'D WON, I WAS RIGHT 428 00:29:28,201 --> 00:29:32,672 ON THE MONEY AND AS A PRIZE, MY DAD WOULD TAKE ME ON A TRIP ANYWHERE IN 429 00:29:32,672 --> 00:29:35,675 THE WORLD I WANTED TO GO >> WOW >> WOW 430 00:29:35,675 --> 00:29:37,544 >> AND OVER THE YEARS MY DAD AND I WENT ON ZERO TRIPS TOGETHER 431 00:29:37,544 --> 00:29:42,449 [ LAUGHTER ] CAUSE THIS GAME SUCKED AND I FORGOT ABOUT THE GAME 432 00:29:42,449 --> 00:29:49,656 UNTIL MY SON JACKSON'S 2nd BIRTHDAY EARLIER THIS YEAR MY DAD IN A VERY SWEET GESTURE 433 00:29:49,656 --> 00:29:53,259 GIFTED US HIS CIGAR HUMIDOR WITH THE DARTS AND THE OLD CALCULATOR 434 00:29:53,259 --> 00:29:59,065 EVEN MADE A BRAND-NEW MAP OF THE U.S. AND I'D BE HONORED, JIMMY, IF 435 00:29:59,065 --> 00:30:01,801 YOU'D PLAY THE ROLE OF MY SON. [ LAUGHTER ] THEY GROW UP SO FAST 436 00:30:01,801 --> 00:30:07,273 THIS IS PERFECT. OKAY THIS IS WHAT'S EXCITING. 437 00:30:07,273 --> 00:30:10,243 SO NBC'S ARRANGED A GREAT PRIZE. IF YOU WIN, JIMMY, IF YOU'RE 438 00:30:10,243 --> 00:30:12,078 RIGHT ON THE MONEY, EVERYONE IN THE ROOTS GETS A PAIR OF ROUND TRIP FIRST CLASS TICKETS 439 00:30:12,078 --> 00:30:20,153 ANYWHERE IN THE WORLD ON TWA [ AUDIENCE OHS ] [ LAUGHTER AND APPLAUSE 440 00:30:20,153 --> 00:30:22,355 >> ON TWA. >> HEY >> RIGHT 441 00:30:22,355 --> 00:30:27,494 >> COME ON, COME ON. >> KIRK, WHERE WILL WE GO, WHERE SHOULD WE GO 442 00:30:27,494 --> 00:30:30,864 >> UM, COSTA RICA? >> COSTA RICA. >> LET'S WIN A TRIP TO COSTA 443 00:30:30,864 --> 00:30:34,267 RICA, JIMMY. [ TALKING OVER EACH OTHER >> LET'S GO, COME ON 444 00:30:34,267 --> 00:30:35,935 >> NO PRESSURE I'M GOING TO GET THE MONEY OUT HERE 445 00:30:35,935 --> 00:30:38,338 >> Jimmy: OKAY >> I'LL LET YOU JUST LISTEN TO IT 446 00:30:38,338 --> 00:30:39,973 >> Jimmy: YEAH >> YOU HEAR THAT >> Jimmy: I CAN'T GUESS HOW 447 00:30:39,973 --> 00:30:42,575 MUCH THAT IS >> HERE WE GO. COINS GO IN THE BOX. 448 00:30:42,575 --> 00:30:46,513 >> Jimmy: COINS GO IN THE BOX. >> JIMMY, STAND ON YOUR THROWING MARK. 449 00:30:46,513 --> 00:30:50,250 I'LL GIVE YOU THE DARTS ONE AT A TIME >> Jimmy: OKAY 450 00:30:50,250 --> 00:30:53,586 >> GODSPEED. FOR A TRIP TO COSTA RICA >> Jimmy: YOU WANT ME TO EQUAL 451 00:30:53,586 --> 00:31:00,293 WHAT'S IN THE BOX? >> THAT'S EXACTLY RIGHT. NO WHAMMIES. 452 00:31:00,293 --> 00:31:04,330 >> Jimmy: ALL RIGHT. >> MISSISSIPPI >> Jimmy: ALL RIGHT. 453 00:31:04,330 --> 00:31:10,337 >> MISSISSIPPI >> Tariq: GOOD ANSWER. >> DART NUMBER TWO 454 00:31:10,337 --> 00:31:12,072 >> Jimmy: DART NUMBER TWO. THAT'S 20. SO IT'S MORE THAN 20 CENTS IN 455 00:31:12,072 --> 00:31:13,840 THERE. >> Tariq: SOUTH DAKOTA, JIMMY. >> Jimmy: OKAY, I SEE WHAT YOUR 456 00:31:13,840 --> 00:31:18,645 SAYING >> Tariq: OKAY, OKAY >> Jimmy: WATER. 457 00:31:18,645 --> 00:31:20,947 >> SO CLOSE. [ TALKING OVER EACH OTHER >> Jimmy: WE'RE IN THE WATER 458 00:31:20,947 --> 00:31:22,482 >> WE'RE IN THE WATER, SO WHICH -- I'LL GIVE YOU A A FREEBIE HERE 459 00:31:22,482 --> 00:31:24,084 >> Jimmy: THANK YOU. >> WHICH STATE DO YOU WANT IT TO BE? 460 00:31:24,084 --> 00:31:27,087 WISCONSIN, MICHIGAN? >> Jimmy: LET'S GO WISCONSIN >> WISCONSIN, THAT'S WHAT YOU 461 00:31:27,087 --> 00:31:31,324 WERE AIMING FOR, WISCONSIN WISCONSIN, WE'VE GOT WISCONSIN AND MISSISSIPPI. 462 00:31:31,324 --> 00:31:33,293 ALL RIGHT. TWO DOWN, TWO TO GO. >> Jimmy: YEAH 463 00:31:33,293 --> 00:31:36,596 YOU WANT SOUTH DAKOTA TARIQ? >> Tariq: YEAH, YEAH, SOUTH DAKOTA 464 00:31:36,596 --> 00:31:38,798 THERE YOU GO >> Jimmy: MISSOURI >> MISSOURI, THAT'S MY HOME 465 00:31:38,798 --> 00:31:42,602 STATE. 24 POINTS. LAST ONE 466 00:31:42,602 --> 00:31:48,508 >> Jimmy: I KNEW THAT. >> WHY DON'T YOU THROW THIS ONE WITH YOUR EYES SHUT? 467 00:31:48,508 --> 00:31:50,243 I'LL STAND A LITTLE FURTHER AWAY DON'T MAKE ME REGRET THIS. 468 00:31:50,243 --> 00:31:52,112 >> THROW IT BACKWARDS. >> WOW, LOTS OF FAITH THEY HAVE 469 00:31:52,112 --> 00:31:56,116 >> YOU NEVER KNOW. >> Jimmy: EYES CLOSED, HERE WE GO 470 00:31:56,116 --> 00:31:58,451 >> ALL RIGHT >> HEY >> NICE. 471 00:31:58,451 --> 00:32:02,155 >> NOT BAD >> NO ONE'S SCREAMING. OREGON 472 00:32:02,155 --> 00:32:03,790 ALL RIGHT. WISCONSIN, MISSOURI, MISSISSIPPI. 473 00:32:03,790 --> 00:32:08,495 >> Jimmy: YES. >> LET'S DO THE MATH OLD-SCHOOL 474 00:32:08,495 --> 00:32:13,066 >> YEAH. >> WE GOT WISCONSIN FOR 30 POINTS 475 00:32:13,066 --> 00:32:15,335 >> Jimmy: COME ON. LET'S GO TO COSTA RICA >> PLUS WE GOT MISSOURI FOR 24 476 00:32:15,335 --> 00:32:21,741 POINTS >> Jimmy: THAT'S CORRECT >> THAT TAKES TO US 54 477 00:32:21,741 --> 00:32:23,710 >> Jimmy: OKAY >> WE GOT MISSISSIPPI FOR 20 POINTS 478 00:32:23,710 --> 00:32:28,515 TAKES US TO 74 AND WE GOT OREGON FOR 33 WHICH TAKES US TO -- 479 00:32:28,515 --> 00:32:31,151 >> 107 >> YEAH, 107 >> 107 480 00:32:31,151 --> 00:32:33,553 >> I WAS TRYING TO HELP. >> 107 WHAT'S HAPPENED TO US AS A 481 00:32:33,553 --> 00:32:36,122 A CULTURE? 107, WHICH MEANS IF THERE'S $1.07 IN THAT BOX, WE'RE GOING 482 00:32:36,122 --> 00:32:43,930 TO COSTA RICA ON AN AIRLINE THAT NO LONGER EXISTS, WHICH MAGIC TO ME. 483 00:32:43,930 --> 00:32:48,635 FEELING GOOD >> Jimmy: I'M LOVING THIS. >> SCOOP UP THE COINS, I DON'T 484 00:32:48,635 --> 00:32:52,772 WANT TO TOUCH THEM SCOOP THEM UP IN YOUR HAND YOU CAN STAND NEXT TO ME 485 00:32:52,772 --> 00:32:56,609 >> Jimmy: I DON'T KNOW IF WE'RE GOING TO COSTA RICA, GUYS. >> THE DRAMA 486 00:32:56,609 --> 00:32:59,879 YOU GOT THIS >> Jimmy: ALL RIGHT. >> BUILD THE EXCITEMENT. 487 00:32:59,879 --> 00:33:05,051 BIG COINS FIRST. >> Jimmy: BIG COINS FIRST. >> GOING FOR $1.07 488 00:33:05,051 --> 00:33:07,087 >> Jimmy: ALL RIGHT. SO THAT'S A QUARTER. 50 CENTS 489 00:33:07,087 --> 00:33:11,157 >> 50 CENTS. >> Jimmy: 75 CENTS >> 75. 490 00:33:11,157 --> 00:33:17,063 >> Jimmy: A DOLLAR >> ONE DOLLAR. >> Jimmy: $1.05. 491 00:33:17,063 --> 00:33:20,066 $1.07. >> NAILED IT >> WE'RE GOING TO COSTA RICA, 492 00:33:20,066 --> 00:33:25,071 YEAH >> Jimmy: THERE'S MORE THERE'S MORE 493 00:33:25,071 --> 00:33:29,609 >> OH, MAN >> Jimmy: $1.08. >> YEAH. 494 00:33:29,609 --> 00:33:33,213 >> Jimmy: $1.18. >> YEAH. WELCOME TO MY CHILDHOOD. 495 00:33:33,213 --> 00:33:35,949 >> Jimmy: THIS GAME SUCKS. >> YEAH. >> Jimmy: THIS GAME SUCKS. 496 00:33:35,949 --> 00:33:38,084 >> IT'S A DARK GAME. >> NORMALLY I MY DAD WOULD BE TRYING TO CALM ME DOWN, BUDDY, 497 00:33:38,084 --> 00:33:45,258 COSTA RICA'S OVERRATED BUT I'D BE UPSET I DON'T WANT MY SON TO FEEL THE 498 00:33:45,258 --> 00:33:50,497 WAY YOU FEEL RIGHT NOW A MAGIC MAKEOVER TO MAKE LOSING FUN. 499 00:33:50,497 --> 00:33:57,170 HERE'S MY PITCH. YOU HIT FOUR STATES. OREGON, WISCONSIN, MISSOURI, 500 00:33:57,170 --> 00:34:00,040 MISSISSIPPI. FOUR STATES. HOW MANY QUARTERS WERE THERE IN 501 00:34:00,040 --> 00:34:07,447 THE MIX? >> Jimmy: THERE WERE FOUR. >> FOUR QUARTERS, FOUR STATES. 502 00:34:07,447 --> 00:34:10,717 >> THAT'S CORRECT. >> PULL OUT THOSE QUARTERS HOLD THOSE QUARTERS. 503 00:34:10,717 --> 00:34:12,686 SO JIMMY IN 1999, THE U.S. TREASURY ISSUED COMMEMORATIVE STATE 504 00:34:12,686 --> 00:34:14,254 QUARTERS WHERE THEY PUT A DIFFERENT ONE OF THE 50 STATES ON THE BACK OF EACH 505 00:34:14,254 --> 00:34:18,158 QUARTER. YOU COULD COLLECT THEM ALL RIGHT? 506 00:34:18,158 --> 00:34:29,536 >> OH -- >> SO I COLLECTED THEM ALL I MEAN -- JUST FOR KICKS 507 00:34:29,536 --> 00:34:31,071 JIMMY, WHY DON'T YOU TELL US WHAT STATES ARE ON THE BACK OF THOSE QUARTERS 508 00:34:31,071 --> 00:34:37,510 >> Jimmy: MISSISSIPPI. >> WOW >> MISSISSIPPI 509 00:34:37,510 --> 00:34:40,113 >> Jimmy: OREGON >> WOW >> OREGON. 510 00:34:40,113 --> 00:34:46,353 >> Jimmy: WISCONSIN. >> WHAT? >> WISCONSIN 511 00:34:46,353 --> 00:34:49,289 >> Jimmy: MISSOURI >> NO WAY. >> MISSOURI. 512 00:34:49,289 --> 00:34:51,491 >> NO WAY. >> RIGHT ON THE MONEY! >> COME ON 513 00:34:51,491 --> 00:34:55,428 >> COME ON >> Jimmy: HOW IN THE WORLD HOW? 514 00:34:55,428 --> 00:34:58,598 HOW? >> SORRY ABOUT COSTA RICA, BUT -- 515 00:34:58,598 --> 00:35:02,268 >> Jimmy: YEAH >> JIMMY, IT'S COOL, COSTA RICA IS OVERRATED, YOU'RE GOOD, 516 00:35:02,268 --> 00:35:08,441 DON'T WORRY ABOUT IT >> WHAT? >> OH! 517 00:35:08,441 --> 00:35:10,510 >> OKAY. >> Jimmy: YOU ARE THE GREATEST >> YOU CAN KEEP THE CHANGE 518 00:35:10,510 --> 00:35:12,479 >> Jimmy: I CAN KEEP THE CHANGE >> KEEP THE CHANGE 519 00:35:12,479 --> 00:35:16,950 >> Jimmy: COME ON. JUSTIN WILLMAN THAT IS HOW YOU DO IT. 520 00:35:16,950 --> 00:35:19,352 YOU CAN SEE JUSTIN LIVE ON HIS "MAGIC FOR HUMANS IN PERSON" TOUR 521 00:35:19,352 --> 00:35:21,554 GO TO JUSTINWILLMAN.COM FOR TICKETS. STICK AROUND 522 00:35:21,554 --> 00:35:24,824 WE'LL BE BACK WITH MORE "TONIGHT SHOW. YEAH 523 00:35:24,824 --> 00:35:44,310 * >> Jimmy: IT'S BEEN A GREAT TIME VISITING NEW YORK CITY'S 524 00:35:44,310 --> 00:35:47,647 FIVE BOROUGHS. AND WE'RE CLOSING THINGS OUT IN A BIG WAY, BY BRINGING IT ALL 525 00:35:47,647 --> 00:35:55,255 BACK HOME TO MANHATTAN HERE TO PERFORM "DYING BREED" FROM THEIR NUMBER ONE ALBUM 526 00:35:55,255 --> 00:35:56,823 "IMPLODING THE MIRAGE," FROM THE TOP OF THE ROCK, GIVE IT UP FOR THE KILLERS! 527 00:35:56,823 --> 00:35:57,957 FOR THE KILLERS! [ CHEERS AND APPLAUSE 528 00:36:06,866 --> 00:36:18,044 * 529 00:36:18,044 --> 00:36:35,895 [ CHEERS AND APPLAUSE * 530 00:36:39,699 --> 00:36:47,273 * BE OPPOSITION AIN'T NO WAY AROUND IT BUT IF YOU'RE LOOKIN 531 00:36:47,273 --> 00:36:54,180 FOR STRONG AND STEADY * * WELL BABY YOU FOUND I WE'LL WEATHER TH 532 00:36:54,180 --> 00:36:59,419 COLDEST NIGH BABY WE'RE A DYING BREED * * WHEN EVERYONE'S 533 00:36:59,419 --> 00:37:06,860 COMPROMISING I'LL BE YOUR DIEHARD I'LL BE THERE * 534 00:37:06,860 --> 00:37:16,369 * WHEN WATER'S RISING I'LL BE YOUR LIFEGUARD WE'RE CUT FROM A 535 00:37:16,369 --> 00:37:23,143 STAINED GLASS MOUNTAIN * * BABY, WE'RE A DYING BREED NA NA NA NA NA N 536 00:37:23,143 --> 00:37:36,156 NA NA NA NA NA N NA NA NA NA NA NA * * NA NA NA NA NA NA 537 00:37:36,156 --> 00:37:41,294 WHEN FACING TH WIND GOT WICKE WE RALLIED AND RAISED UP * 538 00:37:41,294 --> 00:37:45,098 * RAISED UP SO NOW IF SH COMES BACK KICKING 539 00:37:45,098 --> 00:37:48,501 WE'LL KNOW WHAT * * WE'RE MADE OF RAISED U 540 00:37:48,501 --> 00:37:53,106 THERE'S GONN BE OPPOSITION * * BUT WE'VE GOT 541 00:37:53,106 --> 00:37:57,911 EVERYTHING WE NEED RAISED U OOH BABY WE'RE * 542 00:37:57,911 --> 00:38:06,219 * A DYING BREED HE ONE TWO THRE 543 00:38:06,219 --> 00:38:13,093 FROM THE COVETED TOUCH * * OF A GIRL IN LOVE I WAS LIFTED BY THE SOUN 544 00:38:13,093 --> 00:38:22,502 OF A SPIRIT IN NEE BABY WE'RE A DYING BREED * * NA NA NA NA NA NA 545 00:38:22,502 --> 00:38:32,045 NA NA NA NA NA N NA NA NA NA NA N NA NA NA NA NA NA * 546 00:38:32,045 --> 00:38:37,150 * I DON'T KNOW WHAT YOU WANT FROM ME SOMETIMES I DON'T KNOW 547 00:38:37,150 --> 00:38:41,955 WHAT TO DO * * IT'S LIKE I'M SCREAMING IN A DREAM 548 00:38:41,955 --> 00:38:46,059 IT'S LIKE I CAN' GET THROUGH * * WHAT IF WE'RE NOT 549 00:38:46,059 --> 00:38:52,232 PREPARED FOR THI WHAT IF WE JUST CAN' FIND THE TRAIL * 550 00:38:52,232 --> 00:38:57,570 * THEN I REMEMBER THE PROMISE I MADE AND THE WAY THAT I FEL 551 00:38:57,570 --> 00:39:03,610 FOR THE COVETED TOUCH * * OF A GIRL IN LOVE I WAS TAKEN BY THE SOUND 552 00:39:03,610 --> 00:39:15,522 OF A SPIRIT IN NEE BABY WE'RE A DYING BREED * * WE'VE GOT EVERYTHIN 553 00:39:15,522 --> 00:39:35,175 WE NEE BABY WE'RE A DYING BREED * * 554 00:39:35,175 --> 00:39:40,447 * WE'VE GOT EVERYTHIN WE NEE BABY WE'RE A DYING BREED * 555 00:39:40,447 --> 00:39:47,220 * WE'VE GOT EVERYTHIN WE NEE BABY WE'RE A DYING BREED * 556 00:39:47,220 --> 00:39:56,730 * NA NA NA NA NA NA NA NA NA NA NA N NA NA NA NA NA N 557 00:39:56,730 --> 00:40:06,106 NA NA NA NA NA NA * * NA NA NA NA NA NA NA NA NA NA NA NA * 558 00:40:06,106 --> 00:40:19,452 * [ CHEERS AND APPLAUSE >> Jimmy: THE KILLERS! 559 00:40:19,452 --> 00:40:22,856 "IMPLODING THE MIRAGE" IS OUT NOW. MY THANK YOU TO EVERYONE FOR 560 00:40:22,856 --> 00:40:31,164 WATCHING THANK YOU TO SAMSUNG THANK YOU TO THE KILLERS 561 00:40:31,164 --> 00:40:33,767 [ CHEERS AND APPLAUSE THANK YOU TO NEW YORK CITY WE LOVE YOU! 562 00:40:33,767 --> 00:40:35,635 STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. GOOD NIGHT EVERYBODY 563 00:40:35,635 --> 00:40:35,635 GOOD NIGHT EVERYBODY THANK YOU! [ CHEERS AND APPLAUSE