1 00:00:10,243 --> 00:00:12,711 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART OF NEW YORK CITY, IT'S "THE 2 00:00:12,713 --> 00:00:13,279 ROCKEFELLER CENTER IN THE HEART OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING 3 00:00:13,281 --> 00:00:14,479 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 4 00:00:14,481 --> 00:00:19,184 TONIGHT SHOW STARRING JIMMY FALLON." TONIGHT, JOIN JIMMY AND HIS 5 00:00:19,186 --> 00:00:22,322 JIMMY FALLON." TONIGHT, JOIN JIMMY AND HIS GUESTS - 6 00:00:22,324 --> 00:00:23,756 TONIGHT, JOIN JIMMY AND HIS GUESTS - HASAN MINHAJ 7 00:00:23,758 --> 00:00:24,422 GUESTS - HASAN MINHAJ JAMES WOLK 8 00:00:24,424 --> 00:00:26,825 HASAN MINHAJ JAMES WOLK MUSICAL GUEST MEEK MILL, 9 00:00:26,827 --> 00:00:27,459 JAMES WOLK MUSICAL GUEST MEEK MILL, AND FEATURING THE LEGENDARY 10 00:00:27,461 --> 00:00:29,995 MUSICAL GUEST MEEK MILL, AND FEATURING THE LEGENDARY ROOTS CREW 11 00:00:29,997 --> 00:00:34,133 AND FEATURING THE LEGENDARY ROOTS CREW >> Questlove: 1518 12 00:00:34,135 --> 00:00:36,001 ROOTS CREW >> Questlove: 1518 >> Steve: AND NOW, HERE HE IS, 13 00:00:36,003 --> 00:00:41,541 >> Questlove: 1518 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 14 00:00:44,344 --> 00:01:07,332 ♪ ♪ [ CHEERS AND APPLAUSE 15 00:01:07,334 --> 00:01:08,466 ♪ [ CHEERS AND APPLAUSE >> Jimmy: PLEASE, DID YOU SEE 16 00:01:08,468 --> 00:01:09,801 [ CHEERS AND APPLAUSE >> Jimmy: PLEASE, DID YOU SEE MY MOVE THERE? 17 00:01:09,803 --> 00:01:10,335 >> Jimmy: PLEASE, DID YOU SEE MY MOVE THERE? >> Tariq: YEAH 18 00:01:10,337 --> 00:01:11,336 MY MOVE THERE? >> Tariq: YEAH >> Jimmy: IMPRESSED. 19 00:01:11,338 --> 00:01:12,971 >> Tariq: YEAH >> Jimmy: IMPRESSED. >> WHAT'S UP JIMMY 20 00:01:12,973 --> 00:01:13,672 >> Jimmy: IMPRESSED. >> WHAT'S UP JIMMY CC >> Tariq: I LIKE THAT. YEAH, 21 00:01:13,674 --> 00:01:14,173 >> WHAT'S UP JIMMY CC >> Tariq: I LIKE THAT. YEAH, JUST POPPED IT OUT 22 00:01:14,175 --> 00:01:20,179 CC >> Tariq: I LIKE THAT. YEAH, JUST POPPED IT OUT ♪ 23 00:01:20,181 --> 00:01:21,613 JUST POPPED IT OUT ♪ [ CHEERS AND APPLAUSE 24 00:01:21,615 --> 00:01:22,481 ♪ [ CHEERS AND APPLAUSE WELCOME, EVERYBODY 25 00:01:22,483 --> 00:01:23,448 [ CHEERS AND APPLAUSE WELCOME, EVERYBODY WELCOME TO "THE TONIGHT SHOW." 26 00:01:23,450 --> 00:01:25,385 WELCOME, EVERYBODY WELCOME TO "THE TONIGHT SHOW." [ CHEERS AND APPLAUSE 27 00:01:25,387 --> 00:01:26,952 WELCOME TO "THE TONIGHT SHOW." [ CHEERS AND APPLAUSE THANK YOU FOR BEING HERE 28 00:01:26,954 --> 00:01:28,821 [ CHEERS AND APPLAUSE THANK YOU FOR BEING HERE THANK YOU FOR WATCHING 29 00:01:28,823 --> 00:01:30,889 THANK YOU FOR BEING HERE THANK YOU FOR WATCHING [ CHEERS AND APPLAUSE 30 00:01:30,891 --> 00:01:31,858 THANK YOU FOR WATCHING [ CHEERS AND APPLAUSE BIG NEWS TODAY, AS PFIZER 31 00:01:31,860 --> 00:01:32,758 [ CHEERS AND APPLAUSE BIG NEWS TODAY, AS PFIZER ANNOUNCED THAT A LOW DOSE OF 32 00:01:32,760 --> 00:01:33,959 BIG NEWS TODAY, AS PFIZER ANNOUNCED THAT A LOW DOSE OF ITS VACCINE IS SAFE AND 33 00:01:33,961 --> 00:01:34,794 ANNOUNCED THAT A LOW DOSE OF ITS VACCINE IS SAFE AND EFFECTIVE FOR KIDS 34 00:01:34,796 --> 00:01:37,462 ITS VACCINE IS SAFE AND EFFECTIVE FOR KIDS AGES 5 TO 11 35 00:01:37,464 --> 00:01:38,663 EFFECTIVE FOR KIDS AGES 5 TO 11 [ CHEERS AND APPLAUSE 36 00:01:38,665 --> 00:01:40,632 AGES 5 TO 11 [ CHEERS AND APPLAUSE IT'S GREAT NEWS UNTIL YOU HEAR 37 00:01:40,634 --> 00:01:41,500 [ CHEERS AND APPLAUSE IT'S GREAT NEWS UNTIL YOU HEAR A 6-YEAR-OLD SAY, "I WANT TO DO 38 00:01:41,502 --> 00:01:45,838 IT'S GREAT NEWS UNTIL YOU HEAR A 6-YEAR-OLD SAY, "I WANT TO DO MY OWN RESEARCH FIRST. 39 00:01:45,840 --> 00:01:51,209 A 6-YEAR-OLD SAY, "I WANT TO DO MY OWN RESEARCH FIRST. [ LAUGHTER ] 40 00:01:51,211 --> 00:01:52,444 MY OWN RESEARCH FIRST. [ LAUGHTER ] YEAH, IT'S A VERSION OF THE 41 00:01:52,446 --> 00:01:56,115 [ LAUGHTER ] YEAH, IT'S A VERSION OF THE PFIZER VACCINE THAT'S MUCH, 42 00:01:56,117 --> 00:01:58,083 YEAH, IT'S A VERSION OF THE PFIZER VACCINE THAT'S MUCH, MUCH WEAKER, SO THEY'RE CALLING 43 00:01:58,085 --> 00:01:58,883 PFIZER VACCINE THAT'S MUCH, MUCH WEAKER, SO THEY'RE CALLING IT JOHNSON & JOHNSON 44 00:01:58,885 --> 00:01:59,385 MUCH WEAKER, SO THEY'RE CALLING IT JOHNSON & JOHNSON [ LAUGHTER ] 45 00:01:59,387 --> 00:02:02,754 IT JOHNSON & JOHNSON [ LAUGHTER ] THAT'S RIGHT 46 00:02:02,756 --> 00:02:04,156 [ LAUGHTER ] THAT'S RIGHT THE VACCINE IS HIGHLY EFFECTIVE 47 00:02:04,158 --> 00:02:06,258 THAT'S RIGHT THE VACCINE IS HIGHLY EFFECTIVE FOR KIDS 5 TO 11, MEANWHILE, 48 00:02:06,260 --> 00:02:07,025 THE VACCINE IS HIGHLY EFFECTIVE FOR KIDS 5 TO 11, MEANWHILE, 4-YEAR-OLDS ARE LIKE, "YEAH, 49 00:02:07,027 --> 00:02:07,960 FOR KIDS 5 TO 11, MEANWHILE, 4-YEAR-OLDS ARE LIKE, "YEAH, DON'T MIND US, WE'LL JUST KEEP 50 00:02:07,962 --> 00:02:08,727 4-YEAR-OLDS ARE LIKE, "YEAH, DON'T MIND US, WE'LL JUST KEEP CLOROX WIPES IN OUR LEGOS. 51 00:02:08,729 --> 00:02:09,261 DON'T MIND US, WE'LL JUST KEEP CLOROX WIPES IN OUR LEGOS. OKAY?" 52 00:02:09,263 --> 00:02:12,298 CLOROX WIPES IN OUR LEGOS. OKAY?" [ LAUGHTER ] 53 00:02:12,300 --> 00:02:13,198 OKAY?" [ LAUGHTER ] OF COURSE, A LOT OF KIDS WILL 54 00:02:13,200 --> 00:02:14,399 [ LAUGHTER ] OF COURSE, A LOT OF KIDS WILL GET THE VACCINE WHILE A SMALL 55 00:02:14,401 --> 00:02:15,234 OF COURSE, A LOT OF KIDS WILL GET THE VACCINE WHILE A SMALL MINORITY WILL INSIST ON TAKING 56 00:02:15,236 --> 00:02:16,268 GET THE VACCINE WHILE A SMALL MINORITY WILL INSIST ON TAKING PONY DEWORMER. 57 00:02:16,270 --> 00:02:23,041 MINORITY WILL INSIST ON TAKING PONY DEWORMER. [ LAUGHTER ] 58 00:02:23,043 --> 00:02:23,608 PONY DEWORMER. [ LAUGHTER ] BECAUSE THEY'RE CHILDREN 59 00:02:23,610 --> 00:02:24,142 [ LAUGHTER ] BECAUSE THEY'RE CHILDREN >> Steve: YEAH, THEY'RE 60 00:02:24,144 --> 00:02:25,110 BECAUSE THEY'RE CHILDREN >> Steve: YEAH, THEY'RE CHILDREN 61 00:02:25,112 --> 00:02:26,411 >> Steve: YEAH, THEY'RE CHILDREN NOT HORSE DEWORMER, PONY - 62 00:02:26,413 --> 00:02:27,380 CHILDREN NOT HORSE DEWORMER, PONY - >> Jimmy: THAT'S CORRECT 63 00:02:27,382 --> 00:02:28,613 NOT HORSE DEWORMER, PONY - >> Jimmy: THAT'S CORRECT WELL, THIS IS BIG NEWS 64 00:02:28,615 --> 00:02:29,915 >> Jimmy: THAT'S CORRECT WELL, THIS IS BIG NEWS PFIZER DECIDED TO GET THE WORD 65 00:02:29,917 --> 00:02:31,217 WELL, THIS IS BIG NEWS PFIZER DECIDED TO GET THE WORD OUT WITH A NEW AD. 66 00:02:31,219 --> 00:02:32,117 PFIZER DECIDED TO GET THE WORD OUT WITH A NEW AD. SO I'M NOT SURE THEY'RE SENDING 67 00:02:32,119 --> 00:02:33,518 OUT WITH A NEW AD. SO I'M NOT SURE THEY'RE SENDING THE RIGHT MESSAGE. 68 00:02:33,520 --> 00:02:35,387 SO I'M NOT SURE THEY'RE SENDING THE RIGHT MESSAGE. TAKE A LOOK AT THIS. 69 00:02:38,358 --> 00:02:41,260 DEDICATED TO IMPROVING THE LIVES OF OUR CUSTOMERS, WHETHER IT'S THROUGH OUR POPULAR 70 00:02:41,262 --> 00:02:42,928 LIVES OF OUR CUSTOMERS, WHETHER IT'S THROUGH OUR POPULAR VACCINE SOON TO BE AVAILABLE TO 71 00:02:42,930 --> 00:02:43,663 IT'S THROUGH OUR POPULAR VACCINE SOON TO BE AVAILABLE TO CHILDREN, OR THROUGH THE THING 72 00:02:43,665 --> 00:02:44,664 VACCINE SOON TO BE AVAILABLE TO CHILDREN, OR THROUGH THE THING THE REST OF YOU KNOW US FOR -- 73 00:02:44,666 --> 00:02:46,865 CHILDREN, OR THROUGH THE THING THE REST OF YOU KNOW US FOR -- VIAGRA 74 00:02:46,867 --> 00:02:47,732 THE REST OF YOU KNOW US FOR -- VIAGRA PFIZER, WE HELPED YOU MAKE YOUR 75 00:02:47,734 --> 00:02:48,601 VIAGRA PFIZER, WE HELPED YOU MAKE YOUR KIDS, NOW LET US KEEP THEM 76 00:02:48,603 --> 00:02:50,802 PFIZER, WE HELPED YOU MAKE YOUR KIDS, NOW LET US KEEP THEM SAFE 77 00:02:50,804 --> 00:02:51,437 KIDS, NOW LET US KEEP THEM SAFE >> Jimmy: INTERESTING. 78 00:02:51,439 --> 00:02:53,972 SAFE >> Jimmy: INTERESTING. [ LAUGHTER AND APPLAUSE 79 00:02:53,974 --> 00:02:56,576 >> Jimmy: INTERESTING. [ LAUGHTER AND APPLAUSE VERY INTERESTING 80 00:02:56,578 --> 00:02:58,677 [ LAUGHTER AND APPLAUSE VERY INTERESTING >> Steve: WOW. 81 00:02:58,679 --> 00:03:00,079 VERY INTERESTING >> Steve: WOW. >> Jimmy: MEANWHILE OUT IN 82 00:03:00,081 --> 00:03:01,112 >> Steve: WOW. >> Jimmy: MEANWHILE OUT IN CALIFORNIA, I SAW THAT SOME 83 00:03:01,114 --> 00:03:02,181 >> Jimmy: MEANWHILE OUT IN CALIFORNIA, I SAW THAT SOME McDONALD'S LOCATIONS ARE NOW 84 00:03:02,183 --> 00:03:05,817 CALIFORNIA, I SAW THAT SOME McDONALD'S LOCATIONS ARE NOW OFFERING FREE VACCINES 85 00:03:05,819 --> 00:03:06,986 McDONALD'S LOCATIONS ARE NOW OFFERING FREE VACCINES IT'S NOT EVERY LOCATION, SO 86 00:03:06,988 --> 00:03:08,054 OFFERING FREE VACCINES IT'S NOT EVERY LOCATION, SO DOUBLE-CHECK BEFORE YOU LET 87 00:03:08,056 --> 00:03:09,387 IT'S NOT EVERY LOCATION, SO DOUBLE-CHECK BEFORE YOU LET A CLOWN STAB YOU WITH A NEEDLE 88 00:03:09,389 --> 00:03:10,355 DOUBLE-CHECK BEFORE YOU LET A CLOWN STAB YOU WITH A NEEDLE I'M JUST SAYING. 89 00:03:10,357 --> 00:03:11,690 A CLOWN STAB YOU WITH A NEEDLE I'M JUST SAYING. [ LAUGHTER ] 90 00:03:11,692 --> 00:03:13,859 I'M JUST SAYING. [ LAUGHTER ] ADVICE 91 00:03:13,861 --> 00:03:15,060 [ LAUGHTER ] ADVICE YEAH, THAT'S RIGHT 92 00:03:15,062 --> 00:03:15,961 ADVICE YEAH, THAT'S RIGHT IT TOOK 66 YEARS BUT THERE'S 93 00:03:15,963 --> 00:03:16,896 YEAH, THAT'S RIGHT IT TOOK 66 YEARS BUT THERE'S FINALLY SOMETHING HEALTHY AT 94 00:03:16,898 --> 00:03:17,563 IT TOOK 66 YEARS BUT THERE'S FINALLY SOMETHING HEALTHY AT McDONALD'S 95 00:03:17,565 --> 00:03:19,764 FINALLY SOMETHING HEALTHY AT McDONALD'S [ LAUGHTER ] 96 00:03:19,766 --> 00:03:20,432 McDONALD'S [ LAUGHTER ] THAT'S RIGHT 97 00:03:20,434 --> 00:03:21,167 [ LAUGHTER ] THAT'S RIGHT McDONALD'S IS OFFERING 98 00:03:21,169 --> 00:03:21,833 THAT'S RIGHT McDONALD'S IS OFFERING VACCINES 99 00:03:21,835 --> 00:03:23,268 McDONALD'S IS OFFERING VACCINES MAN, THOSE GUYS WILL DO 100 00:03:23,270 --> 00:03:23,936 VACCINES MAN, THOSE GUYS WILL DO ANYTHING TO AVOID FIXING THE 101 00:03:23,938 --> 00:03:24,803 MAN, THOSE GUYS WILL DO ANYTHING TO AVOID FIXING THE ICE CREAM MACHINES 102 00:03:24,805 --> 00:03:25,571 ANYTHING TO AVOID FIXING THE ICE CREAM MACHINES ANYTHING 103 00:03:25,573 --> 00:03:26,438 ICE CREAM MACHINES ANYTHING [ LAUGHTER ] 104 00:03:26,440 --> 00:03:28,908 ANYTHING [ LAUGHTER ] JUST FIX THE THING 105 00:03:28,910 --> 00:03:30,141 [ LAUGHTER ] JUST FIX THE THING WELL, GUYS, THIS WEEK, WORLD 106 00:03:30,143 --> 00:03:31,677 JUST FIX THE THING WELL, GUYS, THIS WEEK, WORLD LEADERS ARE HERE IN NEW YORK 107 00:03:31,679 --> 00:03:32,645 WELL, GUYS, THIS WEEK, WORLD LEADERS ARE HERE IN NEW YORK CITY FOR THE UNITED NATIONS 108 00:03:32,647 --> 00:03:34,746 LEADERS ARE HERE IN NEW YORK CITY FOR THE UNITED NATIONS GENERAL ASSEMBLY 109 00:03:34,748 --> 00:03:36,048 CITY FOR THE UNITED NATIONS GENERAL ASSEMBLY YEP, ALL THE WORLD LEADERS ARE 110 00:03:36,050 --> 00:03:36,916 GENERAL ASSEMBLY YEP, ALL THE WORLD LEADERS ARE HERE AND IF YOU THINK YOUR JOB 111 00:03:36,918 --> 00:03:37,916 YEP, ALL THE WORLD LEADERS ARE HERE AND IF YOU THINK YOUR JOB IS STRESSFUL, IMAGINE TELLING 112 00:03:37,918 --> 00:03:39,551 HERE AND IF YOU THINK YOUR JOB IS STRESSFUL, IMAGINE TELLING BRAZIL'S UNVACCINATED PRESIDENT 113 00:03:39,553 --> 00:03:41,154 IS STRESSFUL, IMAGINE TELLING BRAZIL'S UNVACCINATED PRESIDENT HE'S NOT ALLOWED IN SBARROS. 114 00:03:41,156 --> 00:03:42,620 BRAZIL'S UNVACCINATED PRESIDENT HE'S NOT ALLOWED IN SBARROS. [ LAUGHTER ] 115 00:03:42,622 --> 00:03:44,055 HE'S NOT ALLOWED IN SBARROS. [ LAUGHTER ] MEANWHILE IN NEW YORK CITY, 116 00:03:44,057 --> 00:03:45,457 [ LAUGHTER ] MEANWHILE IN NEW YORK CITY, MAYOR BILL de BLASIO ADDRESSED 117 00:03:45,459 --> 00:03:46,458 MEANWHILE IN NEW YORK CITY, MAYOR BILL de BLASIO ADDRESSED WORLD LEADERS AND SAID "IF YOU 118 00:03:46,460 --> 00:03:48,526 MAYOR BILL de BLASIO ADDRESSED WORLD LEADERS AND SAID "IF YOU DON'T WANT TO BE VACCINATED, 119 00:03:48,528 --> 00:03:52,897 WORLD LEADERS AND SAID "IF YOU DON'T WANT TO BE VACCINATED, DON'T BOTHER COMING. 120 00:03:52,899 --> 00:03:54,632 DON'T WANT TO BE VACCINATED, DON'T BOTHER COMING. [ AUDIENCE OOHS 121 00:03:54,634 --> 00:03:56,369 DON'T BOTHER COMING. [ AUDIENCE OOHS NEW YORKERS AGREED WITH THE 122 00:03:56,371 --> 00:03:57,269 [ AUDIENCE OOHS NEW YORKERS AGREED WITH THE MAYOR. 123 00:03:57,271 --> 00:03:57,903 NEW YORKERS AGREED WITH THE MAYOR. THEY WERE LIKE, "YEAH, STAY 124 00:03:57,905 --> 00:03:58,236 MAYOR. THEY WERE LIKE, "YEAH, STAY OUT. 125 00:03:58,238 --> 00:03:59,003 THEY WERE LIKE, "YEAH, STAY OUT. AND TAKE de BLASIO WITH YOU. 126 00:03:59,005 --> 00:03:59,671 OUT. AND TAKE de BLASIO WITH YOU. [ LAUGHTER ] 127 00:03:59,673 --> 00:04:03,008 AND TAKE de BLASIO WITH YOU. [ LAUGHTER ] TAKE HIM TOO 128 00:04:03,010 --> 00:04:05,610 [ LAUGHTER ] TAKE HIM TOO [ APPLAUSE ] 129 00:04:05,612 --> 00:04:06,679 TAKE HIM TOO [ APPLAUSE ] WELL, SOME MORE NEWS HERE. 130 00:04:06,681 --> 00:04:07,279 [ APPLAUSE ] WELL, SOME MORE NEWS HERE. I SAW THAT FORMER PRESIDENT 131 00:04:07,281 --> 00:04:08,814 WELL, SOME MORE NEWS HERE. I SAW THAT FORMER PRESIDENT TRUMP IS TRYING TO FIND SOMEONE 132 00:04:08,816 --> 00:04:10,382 I SAW THAT FORMER PRESIDENT TRUMP IS TRYING TO FIND SOMEONE TO REPLACE MITCH McCONNELL, 133 00:04:10,384 --> 00:04:11,217 TRUMP IS TRYING TO FIND SOMEONE TO REPLACE MITCH McCONNELL, EVEN THOUGH THE GOP STILL 134 00:04:11,219 --> 00:04:13,218 TO REPLACE MITCH McCONNELL, EVEN THOUGH THE GOP STILL SUPPORTS HIM 135 00:04:13,220 --> 00:04:14,652 EVEN THOUGH THE GOP STILL SUPPORTS HIM SO I GUESS NOW HE'S TRYING TO 136 00:04:14,654 --> 00:04:16,188 SUPPORTS HIM SO I GUESS NOW HE'S TRYING TO COMPROMISE BY FINDING SOMEONE 137 00:04:16,190 --> 00:04:17,288 SO I GUESS NOW HE'S TRYING TO COMPROMISE BY FINDING SOMEONE WHO'S SIMILAR TO McCONNELL 138 00:04:17,290 --> 00:04:18,223 COMPROMISE BY FINDING SOMEONE WHO'S SIMILAR TO McCONNELL CHECK OUT A FEW OF THE PEOPLE 139 00:04:18,225 --> 00:04:19,791 WHO'S SIMILAR TO McCONNELL CHECK OUT A FEW OF THE PEOPLE HE'S RECOMMENDED 140 00:04:19,793 --> 00:04:21,526 CHECK OUT A FEW OF THE PEOPLE HE'S RECOMMENDED FIRST OFF, THERE'S HANS MOLEMAN 141 00:04:21,528 --> 00:04:24,564 HE'S RECOMMENDED FIRST OFF, THERE'S HANS MOLEMAN FROM "THE SIMPSONS." 142 00:04:24,566 --> 00:04:26,331 FIRST OFF, THERE'S HANS MOLEMAN FROM "THE SIMPSONS." [ LAUGHTER ] 143 00:04:26,333 --> 00:04:30,268 FROM "THE SIMPSONS." [ LAUGHTER ] NEXT UP, THERE'S A SMILEY FACE 144 00:04:30,270 --> 00:04:30,835 [ LAUGHTER ] NEXT UP, THERE'S A SMILEY FACE FRENCH FRY 145 00:04:30,837 --> 00:04:32,037 NEXT UP, THERE'S A SMILEY FACE FRENCH FRY [ LAUGHTER ] 146 00:04:32,039 --> 00:04:32,904 FRENCH FRY [ LAUGHTER ] AFTER THAT, HE RECOMMENDED 147 00:04:32,906 --> 00:04:33,639 [ LAUGHTER ] AFTER THAT, HE RECOMMENDED SPONGEBOB SQUAREPANTS' 148 00:04:33,641 --> 00:04:35,307 AFTER THAT, HE RECOMMENDED SPONGEBOB SQUAREPANTS' GRANDMOTHER. 149 00:04:35,309 --> 00:04:36,608 SPONGEBOB SQUAREPANTS' GRANDMOTHER. [ LAUGHTER ] 150 00:04:36,610 --> 00:04:37,777 GRANDMOTHER. [ LAUGHTER ] AND FINALLY, HE RECOMMENDED 151 00:04:37,779 --> 00:04:39,244 [ LAUGHTER ] AND FINALLY, HE RECOMMENDED HARRY POTTER AFTER USING THE 152 00:04:39,246 --> 00:04:40,779 AND FINALLY, HE RECOMMENDED HARRY POTTER AFTER USING THE OLD FILTER ON FACEAPP. 153 00:04:40,781 --> 00:04:42,414 HARRY POTTER AFTER USING THE OLD FILTER ON FACEAPP. [ LAUGHTER AND APPLAUSE 154 00:04:42,416 --> 00:04:43,415 OLD FILTER ON FACEAPP. [ LAUGHTER AND APPLAUSE THESE ARE HIS -- 155 00:04:43,417 --> 00:04:45,483 [ LAUGHTER AND APPLAUSE THESE ARE HIS -- >> Steve: WOW. 156 00:04:45,485 --> 00:04:49,187 THESE ARE HIS -- >> Steve: WOW. >> Jimmy: I DON'T KNOW 157 00:04:49,189 --> 00:04:49,922 >> Steve: WOW. >> Jimmy: I DON'T KNOW HEY, GET THIS, I HEARD THAT 158 00:04:49,924 --> 00:04:50,822 >> Jimmy: I DON'T KNOW HEY, GET THIS, I HEARD THAT BETO O'ROURKE IS PREPARING TO 159 00:04:50,824 --> 00:04:51,791 HEY, GET THIS, I HEARD THAT BETO O'ROURKE IS PREPARING TO RUN FOR GOVERNOR OF TEXAS. 160 00:04:51,793 --> 00:04:52,924 BETO O'ROURKE IS PREPARING TO RUN FOR GOVERNOR OF TEXAS. [ CHEERS ] 161 00:04:52,926 --> 00:04:54,426 RUN FOR GOVERNOR OF TEXAS. [ CHEERS ] -- IN 2022 162 00:04:54,428 --> 00:04:57,162 [ CHEERS ] -- IN 2022 THEY LIKE THIS 163 00:04:57,164 --> 00:04:58,596 -- IN 2022 THEY LIKE THIS SO, BETO HAS RUN FOR SENATOR, 164 00:04:58,598 --> 00:05:00,032 THEY LIKE THIS SO, BETO HAS RUN FOR SENATOR, PRESIDENT AND NOW GOVERNOR 165 00:05:00,034 --> 00:05:01,266 SO, BETO HAS RUN FOR SENATOR, PRESIDENT AND NOW GOVERNOR IF HE LOSES THIS RACE, THE ONLY 166 00:05:01,268 --> 00:05:02,001 PRESIDENT AND NOW GOVERNOR IF HE LOSES THIS RACE, THE ONLY THING LEFT IS CONDO BOARD 167 00:05:02,003 --> 00:05:02,801 IF HE LOSES THIS RACE, THE ONLY THING LEFT IS CONDO BOARD TREASURER. 168 00:05:02,803 --> 00:05:05,171 THING LEFT IS CONDO BOARD TREASURER. [ LAUGHTER ] 169 00:05:05,173 --> 00:05:07,272 TREASURER. [ LAUGHTER ] AND FINALLY, TWO MEN IN 170 00:05:07,274 --> 00:05:08,206 [ LAUGHTER ] AND FINALLY, TWO MEN IN AUSTRALIA WERE ARRESTED AFTER 171 00:05:08,208 --> 00:05:09,809 AND FINALLY, TWO MEN IN AUSTRALIA WERE ARRESTED AFTER THEY WERE CAUGHT CROSSING THE 172 00:05:09,811 --> 00:05:10,742 AUSTRALIA WERE ARRESTED AFTER THEY WERE CAUGHT CROSSING THE BORDER WITH $100,000 AND A 173 00:05:10,744 --> 00:05:13,912 THEY WERE CAUGHT CROSSING THE BORDER WITH $100,000 AND A A TRUNK FULL OF KFC. 174 00:05:13,914 --> 00:05:15,414 BORDER WITH $100,000 AND A A TRUNK FULL OF KFC. [ LAUGHTER ] 175 00:05:15,416 --> 00:05:16,482 A TRUNK FULL OF KFC. [ LAUGHTER ] SAY WHAT YOU WANT, BUT THAT 176 00:05:16,484 --> 00:05:17,282 [ LAUGHTER ] SAY WHAT YOU WANT, BUT THAT CASH WILL NEVER NOT SMELL LIKE 177 00:05:17,284 --> 00:05:18,817 SAY WHAT YOU WANT, BUT THAT CASH WILL NEVER NOT SMELL LIKE FRIED CHICKEN. 178 00:05:18,819 --> 00:05:19,584 CASH WILL NEVER NOT SMELL LIKE FRIED CHICKEN. WE HAVE A GREAT SHOW 179 00:05:19,586 --> 00:05:20,352 FRIED CHICKEN. WE HAVE A GREAT SHOW GIVE IT UP FOR THE ROOTS, 180 00:05:20,354 --> 00:05:23,055 WE HAVE A GREAT SHOW GIVE IT UP FOR THE ROOTS, EVERYBODY. 181 00:05:26,193 --> 00:05:39,271 [ CHEERS AND APPLAUSE ♪ ♪ 182 00:05:39,273 --> 00:05:39,904 ♪ ♪ >> Jimmy: HEY, EVERYONE. 183 00:05:39,906 --> 00:05:40,640 ♪ >> Jimmy: HEY, EVERYONE. IT IS MONDAY 184 00:05:40,642 --> 00:05:41,741 >> Jimmy: HEY, EVERYONE. IT IS MONDAY WE'RE EXCITED TO BE BACK 185 00:05:41,743 --> 00:05:42,508 IT IS MONDAY WE'RE EXCITED TO BE BACK WE'VE GOT A GREAT WEEK OF SHOWS 186 00:05:42,510 --> 00:05:43,542 WE'RE EXCITED TO BE BACK WE'VE GOT A GREAT WEEK OF SHOWS AHEAD. 187 00:05:43,544 --> 00:05:44,377 WE'VE GOT A GREAT WEEK OF SHOWS AHEAD. TOMORROW, NICOLE KIDMAN WILL BE 188 00:05:44,379 --> 00:05:44,910 AHEAD. TOMORROW, NICOLE KIDMAN WILL BE HERE 189 00:05:44,912 --> 00:05:48,514 TOMORROW, NICOLE KIDMAN WILL BE HERE [ CHEERS AND APPLAUSE 190 00:05:48,516 --> 00:05:49,414 HERE [ CHEERS AND APPLAUSE STEVE MARTIN WILL BE HERE, 191 00:05:49,416 --> 00:05:50,181 [ CHEERS AND APPLAUSE STEVE MARTIN WILL BE HERE, STEVE MARTIN 192 00:05:50,183 --> 00:05:50,916 STEVE MARTIN WILL BE HERE, STEVE MARTIN [ CHEERS AND APPLAUSE 193 00:05:50,918 --> 00:05:51,716 STEVE MARTIN [ CHEERS AND APPLAUSE MARTIN SHORT 194 00:05:51,718 --> 00:05:52,251 [ CHEERS AND APPLAUSE MARTIN SHORT >> Steve: OH 195 00:05:52,253 --> 00:05:53,351 MARTIN SHORT >> Steve: OH [ CHEERS AND APPLAUSE 196 00:05:53,353 --> 00:05:54,352 >> Steve: OH [ CHEERS AND APPLAUSE >> Jimmy: ALESSIA CARA WILL BE 197 00:05:54,354 --> 00:05:55,421 [ CHEERS AND APPLAUSE >> Jimmy: ALESSIA CARA WILL BE HERE 198 00:05:55,423 --> 00:05:56,988 >> Jimmy: ALESSIA CARA WILL BE HERE AND ON THURSDAY WE'RE DOING 199 00:05:56,990 --> 00:05:57,856 HERE AND ON THURSDAY WE'RE DOING SOMETHING VERY EXCITING. 200 00:05:57,858 --> 00:05:58,791 AND ON THURSDAY WE'RE DOING SOMETHING VERY EXCITING. IT'S A SPECIAL SHOW CELEBRATING 201 00:05:58,793 --> 00:06:00,625 SOMETHING VERY EXCITING. IT'S A SPECIAL SHOW CELEBRATING NEW YORK CITY. 202 00:06:00,627 --> 00:06:01,160 IT'S A SPECIAL SHOW CELEBRATING NEW YORK CITY. WE'RE GOING TO DO AN EPISODE 203 00:06:01,162 --> 00:06:01,761 NEW YORK CITY. WE'RE GOING TO DO AN EPISODE FROM ALL FIVE BOROUGHS OF THE 204 00:06:01,763 --> 00:06:02,762 WE'RE GOING TO DO AN EPISODE FROM ALL FIVE BOROUGHS OF THE CITY 205 00:06:02,764 --> 00:06:04,229 FROM ALL FIVE BOROUGHS OF THE CITY [ CHEERS AND APPLAUSE 206 00:06:04,231 --> 00:06:05,096 CITY [ CHEERS AND APPLAUSE THAT'S THIS THURSDAY 207 00:06:05,098 --> 00:06:07,299 [ CHEERS AND APPLAUSE THAT'S THIS THURSDAY IT'S GONNA BE GREAT. 208 00:06:07,301 --> 00:06:08,666 THAT'S THIS THURSDAY IT'S GONNA BE GREAT. BUT FIRST, WHAT A SHOW WE HAVE 209 00:06:08,668 --> 00:06:09,735 IT'S GONNA BE GREAT. BUT FIRST, WHAT A SHOW WE HAVE FOR YOU TONIGHT. 210 00:06:09,737 --> 00:06:10,469 BUT FIRST, WHAT A SHOW WE HAVE FOR YOU TONIGHT. YOU CAN SEE HIM ON THE APPLE TV 211 00:06:10,471 --> 00:06:12,672 FOR YOU TONIGHT. YOU CAN SEE HIM ON THE APPLE TV PLUS SERIES "THE MORNING SHOW," 212 00:06:12,674 --> 00:06:13,205 YOU CAN SEE HIM ON THE APPLE TV PLUS SERIES "THE MORNING SHOW," ALSO ON HIS STAND-UP TOUR, 213 00:06:13,207 --> 00:06:13,739 PLUS SERIES "THE MORNING SHOW," ALSO ON HIS STAND-UP TOUR, "HASAN MINHAJ: THE KING'S 214 00:06:13,741 --> 00:06:16,775 ALSO ON HIS STAND-UP TOUR, "HASAN MINHAJ: THE KING'S JESTER." 215 00:06:16,777 --> 00:06:19,043 "HASAN MINHAJ: THE KING'S JESTER." [ CHEERS AND APPLAUSE 216 00:06:19,045 --> 00:06:20,378 JESTER." [ CHEERS AND APPLAUSE HASAN MINHAJ IS HERE 217 00:06:20,380 --> 00:06:22,347 [ CHEERS AND APPLAUSE HASAN MINHAJ IS HERE [ CHEERS AND APPLAUSE 218 00:06:22,349 --> 00:06:25,584 HASAN MINHAJ IS HERE [ CHEERS AND APPLAUSE HASAN! 219 00:06:25,586 --> 00:06:26,552 [ CHEERS AND APPLAUSE HASAN! PLUS, HE'S THE STAR OF THE NEW 220 00:06:26,554 --> 00:06:27,485 HASAN! PLUS, HE'S THE STAR OF THE NEW SERIES "ORDINARY JOE," WHICH 221 00:06:27,487 --> 00:06:30,923 PLUS, HE'S THE STAR OF THE NEW SERIES "ORDINARY JOE," WHICH YOU CAN SEE EVERY MONDAY ON 222 00:06:30,925 --> 00:06:31,856 SERIES "ORDINARY JOE," WHICH YOU CAN SEE EVERY MONDAY ON NBC, JAMES WOLK IS HERE! 223 00:06:31,858 --> 00:06:35,994 YOU CAN SEE EVERY MONDAY ON NBC, JAMES WOLK IS HERE! [ CHEERS AND APPLAUSE 224 00:06:35,996 --> 00:06:37,629 NBC, JAMES WOLK IS HERE! [ CHEERS AND APPLAUSE AND WHAT A TREAT WE HAVE 225 00:06:37,631 --> 00:06:38,396 [ CHEERS AND APPLAUSE AND WHAT A TREAT WE HAVE TONIGHT. 226 00:06:38,398 --> 00:06:39,731 AND WHAT A TREAT WE HAVE TONIGHT. IN-STUDIO PERFORMANCE FROM 227 00:06:39,733 --> 00:06:41,232 TONIGHT. IN-STUDIO PERFORMANCE FROM MEEK MILL WITH LIL UZI VERT. 228 00:06:41,234 --> 00:06:44,102 IN-STUDIO PERFORMANCE FROM MEEK MILL WITH LIL UZI VERT. [ CHEERS AND APPLAUSE 229 00:06:44,104 --> 00:06:45,371 MEEK MILL WITH LIL UZI VERT. [ CHEERS AND APPLAUSE LIL UZI VERT IS COMING TOO 230 00:06:45,373 --> 00:06:47,372 [ CHEERS AND APPLAUSE LIL UZI VERT IS COMING TOO IT'LL BE FUN 231 00:06:47,374 --> 00:06:48,140 LIL UZI VERT IS COMING TOO IT'LL BE FUN GUYS, IT IS TIME FOR OUR LATEST 232 00:06:48,142 --> 00:06:49,007 IT'LL BE FUN GUYS, IT IS TIME FOR OUR LATEST INSTALLMENT OF "TONIGHT SHOW 233 00:06:49,009 --> 00:06:49,875 GUYS, IT IS TIME FOR OUR LATEST INSTALLMENT OF "TONIGHT SHOW POLLS. 234 00:06:49,877 --> 00:06:51,810 INSTALLMENT OF "TONIGHT SHOW POLLS. HERE WE GO 235 00:06:53,446 --> 00:06:58,950 ♪ TONIGHT SHO POLLS ♪ >> Jimmy: NOW THIS FIRST POLL 236 00:06:58,952 --> 00:07:00,019 POLLS ♪ >> Jimmy: NOW THIS FIRST POLL ASKED, "DO YOU WEAR YOUR FACE 237 00:07:00,021 --> 00:07:02,153 >> Jimmy: NOW THIS FIRST POLL ASKED, "DO YOU WEAR YOUR FACE MASK PROPERLY? 238 00:07:02,155 --> 00:07:03,822 ASKED, "DO YOU WEAR YOUR FACE MASK PROPERLY? 70% SAID ALWAYS. 239 00:07:03,824 --> 00:07:06,224 MASK PROPERLY? 70% SAID ALWAYS. 29% SAID MOST OF THE TIME. 240 00:07:06,226 --> 00:07:07,460 70% SAID ALWAYS. 29% SAID MOST OF THE TIME. NFL COACHES SAID, I DON'T KNOW 241 00:07:07,462 --> 00:07:09,227 29% SAID MOST OF THE TIME. NFL COACHES SAID, I DON'T KNOW IS THIS RIGHT? 242 00:07:09,229 --> 00:07:10,196 NFL COACHES SAID, I DON'T KNOW IS THIS RIGHT? [ LAUGHTER ] 243 00:07:10,198 --> 00:07:12,397 IS THIS RIGHT? [ LAUGHTER ] NO, THEY'RE NOT. 244 00:07:12,399 --> 00:07:14,366 [ LAUGHTER ] NO, THEY'RE NOT. THIS NEXT POLL ASKED, "WHAT WAS 245 00:07:14,368 --> 00:07:15,233 NO, THEY'RE NOT. THIS NEXT POLL ASKED, "WHAT WAS THE BIGGEST SURPRISE OF YOUR 246 00:07:15,235 --> 00:07:16,234 THIS NEXT POLL ASKED, "WHAT WAS THE BIGGEST SURPRISE OF YOUR LIFE?" 247 00:07:16,236 --> 00:07:17,869 THE BIGGEST SURPRISE OF YOUR LIFE?" 50% SAID, A MARRIAGE PROPOSAL. 248 00:07:17,871 --> 00:07:18,637 LIFE?" 50% SAID, A MARRIAGE PROPOSAL. 20% SAID, BEING THROWN A 249 00:07:18,639 --> 00:07:21,373 50% SAID, A MARRIAGE PROPOSAL. 20% SAID, BEING THROWN A A SURPRISE PARTY 250 00:07:21,375 --> 00:07:22,240 20% SAID, BEING THROWN A A SURPRISE PARTY 30% SAID, SEEING THE DIFFERENCE 251 00:07:22,242 --> 00:07:23,108 A SURPRISE PARTY 30% SAID, SEEING THE DIFFERENCE BETWEEN WHAT PEOPLE IN CASINO 252 00:07:23,110 --> 00:07:24,276 30% SAID, SEEING THE DIFFERENCE BETWEEN WHAT PEOPLE IN CASINO COMMERCIALS LOOK LIKE AND THE 253 00:07:24,278 --> 00:07:26,045 BETWEEN WHAT PEOPLE IN CASINO COMMERCIALS LOOK LIKE AND THE ACTUAL PEOPLE IN CASINOS 254 00:07:26,047 --> 00:07:33,718 COMMERCIALS LOOK LIKE AND THE ACTUAL PEOPLE IN CASINOS [ CHEERS AND APPLAUSE 255 00:07:33,720 --> 00:07:35,687 ACTUAL PEOPLE IN CASINOS [ CHEERS AND APPLAUSE THIS NEXT ONE ASKED, "WERE YOU 256 00:07:35,689 --> 00:07:36,988 [ CHEERS AND APPLAUSE THIS NEXT ONE ASKED, "WERE YOU A BULLY IN HIGH SCHOOL?" 257 00:07:36,990 --> 00:07:39,391 THIS NEXT ONE ASKED, "WERE YOU A BULLY IN HIGH SCHOOL?" 90% SAID, NO 258 00:07:39,393 --> 00:07:40,592 A BULLY IN HIGH SCHOOL?" 90% SAID, NO 10% SAID, "WERE YOU A BULLY IN 259 00:07:40,594 --> 00:07:41,493 90% SAID, NO 10% SAID, "WERE YOU A BULLY IN HIGH SCHOOL? 260 00:07:41,495 --> 00:07:42,026 10% SAID, "WERE YOU A BULLY IN HIGH SCHOOL? THAT'S YOU 261 00:07:42,028 --> 00:07:43,328 HIGH SCHOOL? THAT'S YOU THAT'S WHAT YOU SOUND LIKE 262 00:07:43,330 --> 00:07:48,032 THAT'S YOU THAT'S WHAT YOU SOUND LIKE [ LAUGHTER AND APPLAUSE 263 00:07:48,034 --> 00:07:49,467 THAT'S WHAT YOU SOUND LIKE [ LAUGHTER AND APPLAUSE THIS NEXT ONE SAID, I'M TOO 264 00:07:49,469 --> 00:07:51,302 [ LAUGHTER AND APPLAUSE THIS NEXT ONE SAID, I'M TOO SEXY 265 00:07:51,304 --> 00:07:52,738 THIS NEXT ONE SAID, I'M TOO SEXY 10% SAID, FOR MY LOVE. 266 00:07:52,740 --> 00:07:54,472 SEXY 10% SAID, FOR MY LOVE. 10% SAID, FOR MY SHIRT 267 00:07:54,474 --> 00:07:56,007 10% SAID, FOR MY LOVE. 10% SAID, FOR MY SHIRT 10% SAID, FOR MILAN. 268 00:07:56,009 --> 00:07:59,411 10% SAID, FOR MY SHIRT 10% SAID, FOR MILAN. 10% SAID, FOR YOUR PARTY 269 00:07:59,413 --> 00:08:00,311 10% SAID, FOR MILAN. 10% SAID, FOR YOUR PARTY 60% SAID, I'M A MODEL, YOU KNOW 270 00:08:00,313 --> 00:08:01,313 10% SAID, FOR YOUR PARTY 60% SAID, I'M A MODEL, YOU KNOW WHAT I MEAN, AND I DO MY LITTLE 271 00:08:01,315 --> 00:08:02,514 60% SAID, I'M A MODEL, YOU KNOW WHAT I MEAN, AND I DO MY LITTLE TURN ON THE CATWALK. 272 00:08:02,516 --> 00:08:03,115 WHAT I MEAN, AND I DO MY LITTLE TURN ON THE CATWALK. YEAH, ON THE CATWALK, ON THE 273 00:08:03,117 --> 00:08:04,149 TURN ON THE CATWALK. YEAH, ON THE CATWALK, ON THE CATWALK, YEAH, I DO MY LITTLE 274 00:08:04,151 --> 00:08:05,683 YEAH, ON THE CATWALK, ON THE CATWALK, YEAH, I DO MY LITTLE TURN ON THE CATWALK. 275 00:08:05,685 --> 00:08:08,920 CATWALK, YEAH, I DO MY LITTLE TURN ON THE CATWALK. [ CHEERS AND APPLAUSE 276 00:08:08,922 --> 00:08:11,656 TURN ON THE CATWALK. [ CHEERS AND APPLAUSE THIS LAST POLL ASKED, "HOW ARE 277 00:08:11,658 --> 00:08:13,057 [ CHEERS AND APPLAUSE THIS LAST POLL ASKED, "HOW ARE YOU CELEBRATING YOUR FRIEND'S 278 00:08:13,059 --> 00:08:14,158 THIS LAST POLL ASKED, "HOW ARE YOU CELEBRATING YOUR FRIEND'S BIRTHDAY WEEK. 279 00:08:14,160 --> 00:08:15,327 YOU CELEBRATING YOUR FRIEND'S BIRTHDAY WEEK. 10% SAID, HAPPY HOUR 280 00:08:15,329 --> 00:08:16,561 BIRTHDAY WEEK. 10% SAID, HAPPY HOUR 10% SAID, LUNCH. 281 00:08:16,563 --> 00:08:18,429 10% SAID, HAPPY HOUR 10% SAID, LUNCH. 80% SAID, SHE'S GETTING NOTHING 282 00:08:18,431 --> 00:08:19,197 10% SAID, LUNCH. 80% SAID, SHE'S GETTING NOTHING UNTIL SHE STOPS CALLING IT HER 283 00:08:19,199 --> 00:08:21,032 80% SAID, SHE'S GETTING NOTHING UNTIL SHE STOPS CALLING IT HER "BIRTHDAY WEEK." 284 00:08:21,034 --> 00:08:22,101 UNTIL SHE STOPS CALLING IT HER "BIRTHDAY WEEK." [ LAUGHTER AND APPLAUSE 285 00:08:22,103 --> 00:08:23,134 "BIRTHDAY WEEK." [ LAUGHTER AND APPLAUSE THAT'S ALL THE TIME WE HAVE FOR 286 00:08:23,136 --> 00:08:23,869 [ LAUGHTER AND APPLAUSE THAT'S ALL THE TIME WE HAVE FOR "TONIGHT SHOW POLLS. 287 00:08:23,871 --> 00:08:24,769 THAT'S ALL THE TIME WE HAVE FOR "TONIGHT SHOW POLLS. WE'LL BE RIGHT BACK WITH 288 00:08:24,771 --> 00:08:27,071 "TONIGHT SHOW POLLS. WE'LL BE RIGHT BACK WITH "FREESTYLIN' WITH THE ROOTS. 289 00:08:27,073 --> 00:08:30,008 WE'LL BE RIGHT BACK WITH "FREESTYLIN' WITH THE ROOTS. IT'S GONNA BE FUN. 290 00:08:30,010 --> 00:08:30,675 "FREESTYLIN' WITH THE ROOTS. IT'S GONNA BE FUN. COME ON BACK 291 00:08:30,677 --> 00:08:31,610 IT'S GONNA BE FUN. COME ON BACK [ CHEERS AND APPLAUSE 292 00:08:31,612 --> 00:08:46,090 COME ON BACK [ CHEERS AND APPLAUSE ♪ 293 00:08:46,092 --> 00:08:47,091 [ CHEERS AND APPLAUSE ♪ >> Jimmy: WELCOME BACK 294 00:08:47,093 --> 00:08:48,927 ♪ >> Jimmy: WELCOME BACK HEY, GUYS, I ALWAYS SAY THAT 295 00:08:48,929 --> 00:08:50,262 >> Jimmy: WELCOME BACK HEY, GUYS, I ALWAYS SAY THAT OUR SHOW IS LUCKY TO HAVE THE 296 00:08:50,264 --> 00:08:51,563 HEY, GUYS, I ALWAYS SAY THAT OUR SHOW IS LUCKY TO HAVE THE GREATEST BAND IN LATE NIGHT. 297 00:08:51,565 --> 00:08:52,564 OUR SHOW IS LUCKY TO HAVE THE GREATEST BAND IN LATE NIGHT. THE ROOTS, RIGHT THERE, LADIES 298 00:08:52,566 --> 00:08:55,701 GREATEST BAND IN LATE NIGHT. THE ROOTS, RIGHT THERE, LADIES AND GENTLEMEN. 299 00:08:55,703 --> 00:08:57,102 THE ROOTS, RIGHT THERE, LADIES AND GENTLEMEN. [ CHEERS AND APPLAUSE 300 00:08:57,104 --> 00:08:58,136 AND GENTLEMEN. [ CHEERS AND APPLAUSE BUT IT ISN'T ALWAYS FUN AND 301 00:08:58,138 --> 00:08:58,670 [ CHEERS AND APPLAUSE BUT IT ISN'T ALWAYS FUN AND GAMES. 302 00:08:58,672 --> 00:08:59,538 BUT IT ISN'T ALWAYS FUN AND GAMES. FROM TIME TO TIME WE PUT THE 303 00:08:59,540 --> 00:09:00,138 GAMES. FROM TIME TO TIME WE PUT THE ROOTS TO THE TEST. 304 00:09:00,140 --> 00:09:00,838 FROM TIME TO TIME WE PUT THE ROOTS TO THE TEST. WE'RE GOING TO PICK THREE 305 00:09:00,840 --> 00:09:01,439 ROOTS TO THE TEST. WE'RE GOING TO PICK THREE PEOPLE RANDOMLY FROM OUR 306 00:09:01,441 --> 00:09:02,006 WE'RE GOING TO PICK THREE PEOPLE RANDOMLY FROM OUR AUDIENCE, AND HAVE THE ROOTS 307 00:09:02,008 --> 00:09:03,408 PEOPLE RANDOMLY FROM OUR AUDIENCE, AND HAVE THE ROOTS MAKE UP SONGS ABOUT THEM ON THE 308 00:09:03,410 --> 00:09:04,376 AUDIENCE, AND HAVE THE ROOTS MAKE UP SONGS ABOUT THEM ON THE SPOT 309 00:09:04,378 --> 00:09:05,810 MAKE UP SONGS ABOUT THEM ON THE SPOT IT IS TIME FOR "FREESTYLIN' 310 00:09:05,812 --> 00:09:07,345 SPOT IT IS TIME FOR "FREESTYLIN' WITH THE ROOTS." 311 00:09:07,347 --> 00:09:09,514 IT IS TIME FOR "FREESTYLIN' WITH THE ROOTS." HERE WE GO 312 00:09:10,849 --> 00:09:14,118 ♪ ♪ TIME TO FREESTYLE WITH THE ROOTS ♪ 313 00:09:14,120 --> 00:09:18,590 ♪ TIME TO FREESTYLE WITH THE ROOTS ♪ ♪ 314 00:09:18,592 --> 00:09:19,658 WITH THE ROOTS ♪ ♪ >> Jimmy: HEY, ROOTS, YOU GUYS 315 00:09:19,660 --> 00:09:20,892 ♪ >> Jimmy: HEY, ROOTS, YOU GUYS READY TO DO THIS 316 00:09:20,894 --> 00:09:21,893 >> Jimmy: HEY, ROOTS, YOU GUYS READY TO DO THIS ALL RIGHT, HERE WE GO. 317 00:09:21,895 --> 00:09:22,928 READY TO DO THIS ALL RIGHT, HERE WE GO. LET'S PICK SOMEONE 318 00:09:22,930 --> 00:09:24,796 ALL RIGHT, HERE WE GO. LET'S PICK SOMEONE RAISE YOUR HAND IF YOU WANT THE 319 00:09:24,798 --> 00:09:25,663 LET'S PICK SOMEONE RAISE YOUR HAND IF YOU WANT THE ROOTS TO WRITE A SONG ABOUT 320 00:09:25,665 --> 00:09:26,231 RAISE YOUR HAND IF YOU WANT THE ROOTS TO WRITE A SONG ABOUT YOU. 321 00:09:26,233 --> 00:09:26,831 ROOTS TO WRITE A SONG ABOUT YOU. RIGHT THERE WITH THE PINK -- 322 00:09:26,833 --> 00:09:27,599 YOU. RIGHT THERE WITH THE PINK -- ALMOST LIKE A -- WHAT COLOR IS 323 00:09:27,601 --> 00:09:28,733 RIGHT THERE WITH THE PINK -- ALMOST LIKE A -- WHAT COLOR IS THAT MASK? 324 00:09:28,735 --> 00:09:29,501 ALMOST LIKE A -- WHAT COLOR IS THAT MASK? I LIKE IT. 325 00:09:29,503 --> 00:09:30,602 THAT MASK? I LIKE IT. LIKE A -- YEAH 326 00:09:30,604 --> 00:09:31,871 I LIKE IT. LIKE A -- YEAH OH, YOU CAN USE THE MIC. 327 00:09:31,873 --> 00:09:32,537 LIKE A -- YEAH OH, YOU CAN USE THE MIC. >> THANK YOU 328 00:09:32,539 --> 00:09:34,039 OH, YOU CAN USE THE MIC. >> THANK YOU IT'S PINK, YEAH. 329 00:09:34,041 --> 00:09:35,073 >> THANK YOU IT'S PINK, YEAH. >> Jimmy: YEAH, YOU'RE WELCOME, 330 00:09:35,075 --> 00:09:35,607 IT'S PINK, YEAH. >> Jimmy: YEAH, YOU'RE WELCOME, YEAH 331 00:09:35,609 --> 00:09:36,342 >> Jimmy: YEAH, YOU'RE WELCOME, YEAH WHAT IS YOUR NAME AND WHERE ARE 332 00:09:36,344 --> 00:09:36,941 YEAH WHAT IS YOUR NAME AND WHERE ARE YOU FROM 333 00:09:36,943 --> 00:09:37,475 WHAT IS YOUR NAME AND WHERE ARE YOU FROM >> I'M SARAH 334 00:09:37,477 --> 00:09:38,410 YOU FROM >> I'M SARAH I'M FROM THE SAN FRANCISCO BAY 335 00:09:38,412 --> 00:09:38,910 >> I'M SARAH I'M FROM THE SAN FRANCISCO BAY AREA 336 00:09:38,912 --> 00:09:39,444 I'M FROM THE SAN FRANCISCO BAY AREA [ CHEERS AND APPLAUSE 337 00:09:39,446 --> 00:09:40,846 AREA [ CHEERS AND APPLAUSE >> Jimmy: HEY! 338 00:09:40,848 --> 00:09:44,016 [ CHEERS AND APPLAUSE >> Jimmy: HEY! SAN FRANCISCO, I LOVE IT 339 00:09:44,018 --> 00:09:45,116 >> Jimmy: HEY! SAN FRANCISCO, I LOVE IT OKAY, SARAH, DRAKE'S NEW ALBUM 340 00:09:45,118 --> 00:09:45,751 SAN FRANCISCO, I LOVE IT OKAY, SARAH, DRAKE'S NEW ALBUM IS CALLED "CERTIFIED LOVER 341 00:09:45,753 --> 00:09:47,319 OKAY, SARAH, DRAKE'S NEW ALBUM IS CALLED "CERTIFIED LOVER BOY. 342 00:09:47,321 --> 00:09:48,153 IS CALLED "CERTIFIED LOVER BOY. WHAT DO YOU THINK THAT YOU 343 00:09:48,155 --> 00:09:49,621 BOY. WHAT DO YOU THINK THAT YOU WOULD BE CERTIFIED IN? 344 00:09:49,623 --> 00:09:50,488 WHAT DO YOU THINK THAT YOU WOULD BE CERTIFIED IN? YOU SHOULD BE CERTIFIED IN 345 00:09:50,490 --> 00:09:51,122 WOULD BE CERTIFIED IN? YOU SHOULD BE CERTIFIED IN >> OH, MY GOSH 346 00:09:51,124 --> 00:09:54,092 YOU SHOULD BE CERTIFIED IN >> OH, MY GOSH UM - 347 00:09:54,094 --> 00:09:54,659 >> OH, MY GOSH UM - SNOOZING MY ALARM EVERY 348 00:09:54,661 --> 00:09:56,260 UM - SNOOZING MY ALARM EVERY MORNING. 349 00:09:56,262 --> 00:09:56,894 SNOOZING MY ALARM EVERY MORNING. >> Jimmy: YEAH, YOU SHOULD BE 350 00:09:56,896 --> 00:09:57,695 MORNING. >> Jimmy: YEAH, YOU SHOULD BE CERTIFIED -- SNOOZING YOUR 351 00:09:57,697 --> 00:09:58,229 >> Jimmy: YEAH, YOU SHOULD BE CERTIFIED -- SNOOZING YOUR ALARM. 352 00:09:58,231 --> 00:09:59,298 CERTIFIED -- SNOOZING YOUR ALARM. YEAH, YOU'RE GOOD AT THAT. 353 00:09:59,300 --> 00:09:59,897 ALARM. YEAH, YOU'RE GOOD AT THAT. YEAH 354 00:09:59,899 --> 00:10:00,633 YEAH, YOU'RE GOOD AT THAT. YEAH YEAH, THAT'S GOOD. 355 00:10:00,635 --> 00:10:02,934 YEAH YEAH, THAT'S GOOD. I LOVE THAT. 356 00:10:02,936 --> 00:10:04,569 YEAH, THAT'S GOOD. I LOVE THAT. WHAT IS THE MOST ROMANTIC THING 357 00:10:04,571 --> 00:10:08,940 I LOVE THAT. WHAT IS THE MOST ROMANTIC THING THAT'S EVER HAPPENED TO YOU? 358 00:10:08,942 --> 00:10:10,342 WHAT IS THE MOST ROMANTIC THING THAT'S EVER HAPPENED TO YOU? >> MY BOYFRIEND GOT ME FLOWERS, 359 00:10:10,344 --> 00:10:11,810 THAT'S EVER HAPPENED TO YOU? >> MY BOYFRIEND GOT ME FLOWERS, AND WROTE ME THIS NICE CARD ON 360 00:10:11,812 --> 00:10:13,211 >> MY BOYFRIEND GOT ME FLOWERS, AND WROTE ME THIS NICE CARD ON MY BIRTHDAY. 361 00:10:13,213 --> 00:10:14,212 AND WROTE ME THIS NICE CARD ON MY BIRTHDAY. AND IT WAS REALLY SWEET. 362 00:10:14,214 --> 00:10:15,047 MY BIRTHDAY. AND IT WAS REALLY SWEET. >> Jimmy: AH, SEE, THAT'S WHAT 363 00:10:15,049 --> 00:10:17,248 AND IT WAS REALLY SWEET. >> Jimmy: AH, SEE, THAT'S WHAT I'M TALKING ABOUT. 364 00:10:17,250 --> 00:10:17,849 >> Jimmy: AH, SEE, THAT'S WHAT I'M TALKING ABOUT. FLOWERS AND A CARD FROM THE 365 00:10:17,851 --> 00:10:18,350 I'M TALKING ABOUT. FLOWERS AND A CARD FROM THE BOYFRIEND. 366 00:10:18,352 --> 00:10:20,418 FLOWERS AND A CARD FROM THE BOYFRIEND. [ APPLAUSE ] 367 00:10:20,420 --> 00:10:21,419 BOYFRIEND. [ APPLAUSE ] STILL SEEING HIM 368 00:10:21,421 --> 00:10:22,086 [ APPLAUSE ] STILL SEEING HIM >> YES, YES. 369 00:10:22,088 --> 00:10:23,654 STILL SEEING HIM >> YES, YES. >> Jimmy: PERFECT, OKAY GOOD 370 00:10:23,656 --> 00:10:24,756 >> YES, YES. >> Jimmy: PERFECT, OKAY GOOD ALL RIGHT. 371 00:10:24,758 --> 00:10:26,291 >> Jimmy: PERFECT, OKAY GOOD ALL RIGHT. GUYS, WE HAVE SARAH FROM THE 372 00:10:26,293 --> 00:10:29,862 ALL RIGHT. GUYS, WE HAVE SARAH FROM THE BAY AREA, SAN FRANCISCO. 373 00:10:29,864 --> 00:10:31,763 GUYS, WE HAVE SARAH FROM THE BAY AREA, SAN FRANCISCO. AND SHE THINKS SHE WOULD BE 374 00:10:31,765 --> 00:10:33,064 BAY AREA, SAN FRANCISCO. AND SHE THINKS SHE WOULD BE CERTIFIED IN HITTING THE SNOOZE 375 00:10:33,066 --> 00:10:36,001 AND SHE THINKS SHE WOULD BE CERTIFIED IN HITTING THE SNOOZE BUTTON ON HER ALARM. 376 00:10:36,003 --> 00:10:36,901 CERTIFIED IN HITTING THE SNOOZE BUTTON ON HER ALARM. AND THE MOST ROMANTIC THING 377 00:10:36,903 --> 00:10:38,070 BUTTON ON HER ALARM. AND THE MOST ROMANTIC THING THAT'S HAPPENED TO SARAH IS HER 378 00:10:38,072 --> 00:10:40,171 AND THE MOST ROMANTIC THING THAT'S HAPPENED TO SARAH IS HER BOYFRIEND ON HER BIRTHDAY -- 379 00:10:40,173 --> 00:10:41,039 THAT'S HAPPENED TO SARAH IS HER BOYFRIEND ON HER BIRTHDAY -- COME ON, CLASSY GUY -- FLOWERS 380 00:10:41,041 --> 00:10:42,541 BOYFRIEND ON HER BIRTHDAY -- COME ON, CLASSY GUY -- FLOWERS AND A CARD 381 00:10:42,543 --> 00:10:44,208 COME ON, CLASSY GUY -- FLOWERS AND A CARD YEAH, IT WASN'T PRINTED. 382 00:10:44,210 --> 00:10:45,209 AND A CARD YEAH, IT WASN'T PRINTED. >> NO, IT WAS HANDWRITTEN. 383 00:10:45,211 --> 00:10:45,877 YEAH, IT WASN'T PRINTED. >> NO, IT WAS HANDWRITTEN. >> Jimmy: HANDWRITTEN. 384 00:10:45,879 --> 00:10:46,478 >> NO, IT WAS HANDWRITTEN. >> Jimmy: HANDWRITTEN. >> HANDWRITTEN 385 00:10:46,480 --> 00:10:47,479 >> Jimmy: HANDWRITTEN. >> HANDWRITTEN >> Jimmy: HE DIDN'T JUST SIGN 386 00:10:47,481 --> 00:10:48,146 >> HANDWRITTEN >> Jimmy: HE DIDN'T JUST SIGN IT, AND GIVE YOU A CARD. 387 00:10:48,148 --> 00:10:48,547 >> Jimmy: HE DIDN'T JUST SIGN IT, AND GIVE YOU A CARD. [ LAUGHTER ] 388 00:10:48,549 --> 00:10:49,480 IT, AND GIVE YOU A CARD. [ LAUGHTER ] >> YEAH. 389 00:10:49,482 --> 00:10:49,947 [ LAUGHTER ] >> YEAH. >> Jimmy: HE WROTE OUT 390 00:10:49,949 --> 00:10:50,682 >> YEAH. >> Jimmy: HE WROTE OUT SOMETHING VERY NICE AND 391 00:10:50,684 --> 00:10:51,349 >> Jimmy: HE WROTE OUT SOMETHING VERY NICE AND PERSONAL, AND WE WON'T GET INTO 392 00:10:51,351 --> 00:10:51,883 SOMETHING VERY NICE AND PERSONAL, AND WE WON'T GET INTO IT 393 00:10:51,885 --> 00:10:53,084 PERSONAL, AND WE WON'T GET INTO IT WHAT DID HE SAY? 394 00:10:53,086 --> 00:10:53,685 IT WHAT DID HE SAY? JUST SAY -- NO, YOU DON'T HAVE 395 00:10:53,687 --> 00:10:54,153 WHAT DID HE SAY? JUST SAY -- NO, YOU DON'T HAVE TO 396 00:10:54,155 --> 00:10:55,153 JUST SAY -- NO, YOU DON'T HAVE TO [ LAUGHTER ] 397 00:10:55,155 --> 00:10:55,821 TO [ LAUGHTER ] ROOTS, FOR THIS ONE, SINCE I 398 00:10:55,823 --> 00:10:56,521 [ LAUGHTER ] ROOTS, FOR THIS ONE, SINCE I MENTIONED DRAKE, CAN WE DO A 399 00:10:56,523 --> 00:10:57,021 ROOTS, FOR THIS ONE, SINCE I MENTIONED DRAKE, CAN WE DO A A DRAKE TYPE OF SONG 400 00:10:57,023 --> 00:10:58,556 MENTIONED DRAKE, CAN WE DO A A DRAKE TYPE OF SONG ♪ 401 00:10:58,558 --> 00:10:59,624 A DRAKE TYPE OF SONG ♪ ♪ OH OKAY 402 00:10:59,626 --> 00:11:11,035 ♪ ♪ OH OKAY OKAY 403 00:11:11,037 --> 00:11:14,840 ♪ OH OKAY OKAY YEAH YEAH ♪ 404 00:11:14,842 --> 00:11:16,307 OKAY YEAH YEAH ♪ ♪ TOO SEXY FOR THIS EIGHT 405 00:11:16,309 --> 00:11:17,508 YEAH YEAH ♪ ♪ TOO SEXY FOR THIS EIGHT I'M SARAHH WITH A 406 00:11:17,510 --> 00:11:18,910 ♪ TOO SEXY FOR THIS EIGHT I'M SARAHH WITH A WHAT CAN I SAY ♪ 407 00:11:18,912 --> 00:11:19,477 I'M SARAHH WITH A WHAT CAN I SAY ♪ ♪ I'M TOO SEXY FO 408 00:11:19,479 --> 00:11:21,513 WHAT CAN I SAY ♪ ♪ I'M TOO SEXY FO SAN FRANCISCO BA 409 00:11:21,515 --> 00:11:22,580 ♪ I'M TOO SEXY FO SAN FRANCISCO BA DRAKE ALBUM CERTIFIE 410 00:11:22,582 --> 00:11:24,183 SAN FRANCISCO BA DRAKE ALBUM CERTIFIE LOVER BOY ♪ 411 00:11:24,185 --> 00:11:24,782 DRAKE ALBUM CERTIFIE LOVER BOY ♪ ♪ YEAH THAT IS MY JAM 412 00:11:24,784 --> 00:11:26,317 LOVER BOY ♪ ♪ YEAH THAT IS MY JAM BUT I'M TOO SEXY TO LISTEN S 413 00:11:26,319 --> 00:11:28,920 ♪ YEAH THAT IS MY JAM BUT I'M TOO SEXY TO LISTEN S I DON'T PUT IT O 414 00:11:28,922 --> 00:11:30,021 BUT I'M TOO SEXY TO LISTEN S I DON'T PUT IT O TOO SEXY FOR THIS SHOW ♪ 415 00:11:30,023 --> 00:11:31,656 I DON'T PUT IT O TOO SEXY FOR THIS SHOW ♪ ♪ TOO SEXY FOR MY BRO 416 00:11:31,658 --> 00:11:33,258 TOO SEXY FOR THIS SHOW ♪ ♪ TOO SEXY FOR MY BRO TOO SEXY TO HIT SNOOZE O 417 00:11:33,260 --> 00:11:38,563 ♪ TOO SEXY FOR MY BRO TOO SEXY TO HIT SNOOZE O THAT ALARM I LET IT GO ♪ 418 00:11:38,565 --> 00:11:39,197 TOO SEXY TO HIT SNOOZE O THAT ALARM I LET IT GO ♪ ♪ 419 00:11:39,199 --> 00:11:39,964 THAT ALARM I LET IT GO ♪ ♪ [ CHEERS AND APPLAUSE 420 00:11:39,966 --> 00:11:40,632 ♪ [ CHEERS AND APPLAUSE >> Jimmy: THAT'S HOW YOU DO IT 421 00:11:40,634 --> 00:11:40,965 [ CHEERS AND APPLAUSE >> Jimmy: THAT'S HOW YOU DO IT RIGHT THERE. 422 00:11:40,967 --> 00:11:41,599 >> Jimmy: THAT'S HOW YOU DO IT RIGHT THERE. THANK YOU VERY MUCH. 423 00:11:41,601 --> 00:11:43,234 RIGHT THERE. THANK YOU VERY MUCH. THAT IS HOW YOU DO IT. 424 00:11:43,236 --> 00:11:44,469 THANK YOU VERY MUCH. THAT IS HOW YOU DO IT. LET'S DO ANOTHER ONE 425 00:11:44,471 --> 00:11:45,837 THAT IS HOW YOU DO IT. LET'S DO ANOTHER ONE WHO -- RIGHT THERE 426 00:11:45,839 --> 00:11:46,637 LET'S DO ANOTHER ONE WHO -- RIGHT THERE IN THE VERY PRETTY DRESS 427 00:11:46,639 --> 00:11:47,939 WHO -- RIGHT THERE IN THE VERY PRETTY DRESS WHAT IS YOUR NAME? 428 00:11:47,941 --> 00:11:49,473 IN THE VERY PRETTY DRESS WHAT IS YOUR NAME? >> I'M ROSALIE 429 00:11:49,475 --> 00:11:51,242 WHAT IS YOUR NAME? >> I'M ROSALIE >> Jimmy: ROSALIE. 430 00:11:51,244 --> 00:11:51,876 >> I'M ROSALIE >> Jimmy: ROSALIE. A NEW SEASON OF "THE VOICE" 431 00:11:51,878 --> 00:11:53,379 >> Jimmy: ROSALIE. A NEW SEASON OF "THE VOICE" PREMIERED TONIGHT. 432 00:11:53,381 --> 00:11:56,882 A NEW SEASON OF "THE VOICE" PREMIERED TONIGHT. WHAT HIDDEN TALENT DO YOU HAVE 433 00:11:56,884 --> 00:11:58,083 PREMIERED TONIGHT. WHAT HIDDEN TALENT DO YOU HAVE >> WELL, IT'S STILL HIDING 434 00:11:58,085 --> 00:12:00,118 WHAT HIDDEN TALENT DO YOU HAVE >> WELL, IT'S STILL HIDING [ LAUGHTER ] 435 00:12:00,120 --> 00:12:02,621 >> WELL, IT'S STILL HIDING [ LAUGHTER ] >> Jimmy: IT'S STILL HIDING. 436 00:12:02,623 --> 00:12:03,955 [ LAUGHTER ] >> Jimmy: IT'S STILL HIDING. THAT'S REALLY FUNNY. 437 00:12:03,957 --> 00:12:11,162 >> Jimmy: IT'S STILL HIDING. THAT'S REALLY FUNNY. [ LAUGHTER AND APPLAUSE 438 00:12:11,164 --> 00:12:11,829 THAT'S REALLY FUNNY. [ LAUGHTER AND APPLAUSE I KNOW ONE TALENT, YOU'RE VERY 439 00:12:11,831 --> 00:12:12,363 [ LAUGHTER AND APPLAUSE I KNOW ONE TALENT, YOU'RE VERY FUNNY. 440 00:12:12,365 --> 00:12:15,533 I KNOW ONE TALENT, YOU'RE VERY FUNNY. >> THANK YOU 441 00:12:15,535 --> 00:12:16,400 FUNNY. >> THANK YOU >> Jimmy: ROSALIE, IF YOU COULD 442 00:12:16,402 --> 00:12:17,101 >> THANK YOU >> Jimmy: ROSALIE, IF YOU COULD CHOOSE ANY CELEBRITY TO BE YOUR 443 00:12:17,103 --> 00:12:17,635 >> Jimmy: ROSALIE, IF YOU COULD CHOOSE ANY CELEBRITY TO BE YOUR LIFE COACH, WHO WOULD YOU 444 00:12:17,637 --> 00:12:20,037 CHOOSE ANY CELEBRITY TO BE YOUR LIFE COACH, WHO WOULD YOU CHOOSE 445 00:12:20,039 --> 00:12:20,639 LIFE COACH, WHO WOULD YOU CHOOSE >> OH, MAN 446 00:12:20,641 --> 00:12:23,241 CHOOSE >> OH, MAN CHILDISH GAMBINO 447 00:12:23,243 --> 00:12:24,342 >> OH, MAN CHILDISH GAMBINO [ CHEERS AND APPLAUSE 448 00:12:24,344 --> 00:12:27,746 CHILDISH GAMBINO [ CHEERS AND APPLAUSE >> Jimmy: CHILDISH GAMBINO 449 00:12:27,748 --> 00:12:29,280 [ CHEERS AND APPLAUSE >> Jimmy: CHILDISH GAMBINO ALL RIGHT, CHILDISH GAMBINO TO 450 00:12:29,282 --> 00:12:29,914 >> Jimmy: CHILDISH GAMBINO ALL RIGHT, CHILDISH GAMBINO TO BE HER LIFE COACH. 451 00:12:29,916 --> 00:12:30,816 ALL RIGHT, CHILDISH GAMBINO TO BE HER LIFE COACH. I LOVE IT. 452 00:12:30,818 --> 00:12:33,518 BE HER LIFE COACH. I LOVE IT. SURE 453 00:12:33,520 --> 00:12:35,954 I LOVE IT. SURE GUYS, WE HAVE ROSALIE. 454 00:12:35,956 --> 00:12:38,022 SURE GUYS, WE HAVE ROSALIE. OKAY 455 00:12:38,024 --> 00:12:38,790 GUYS, WE HAVE ROSALIE. OKAY HER HIDDEN TALENT IS CURRENTLY 456 00:12:38,792 --> 00:12:39,657 OKAY HER HIDDEN TALENT IS CURRENTLY STILL HIDING 457 00:12:39,659 --> 00:12:40,858 HER HIDDEN TALENT IS CURRENTLY STILL HIDING [ LAUGHTER ] 458 00:12:40,860 --> 00:12:41,726 STILL HIDING [ LAUGHTER ] HER HIDDEN TALENT IS STILL 459 00:12:41,728 --> 00:12:42,795 [ LAUGHTER ] HER HIDDEN TALENT IS STILL HIDING, BUT I THINK SHE'S 460 00:12:42,797 --> 00:12:43,495 HER HIDDEN TALENT IS STILL HIDING, BUT I THINK SHE'S FUNNY. 461 00:12:43,497 --> 00:12:45,463 HIDING, BUT I THINK SHE'S FUNNY. AND IF SHE COULD CHOOSE ANY 462 00:12:45,465 --> 00:12:47,865 FUNNY. AND IF SHE COULD CHOOSE ANY CELEBRITY TO BE HER LIFE COACH, 463 00:12:47,867 --> 00:12:50,168 AND IF SHE COULD CHOOSE ANY CELEBRITY TO BE HER LIFE COACH, ANYONE, ANYONE -- IT COULD 464 00:12:50,170 --> 00:12:51,537 CELEBRITY TO BE HER LIFE COACH, ANYONE, ANYONE -- IT COULD BE -- IT COLD BE DONALD GLOVER 465 00:12:51,539 --> 00:12:52,470 ANYONE, ANYONE -- IT COULD BE -- IT COLD BE DONALD GLOVER IT'S NOT 466 00:12:52,472 --> 00:12:53,871 BE -- IT COLD BE DONALD GLOVER IT'S NOT [ LAUGHTER ] 467 00:12:53,873 --> 00:12:54,972 IT'S NOT [ LAUGHTER ] NO 468 00:12:54,974 --> 00:12:56,174 [ LAUGHTER ] NO CHILDISH GAMBINO WOULD BE HER 469 00:12:56,176 --> 00:12:59,677 NO CHILDISH GAMBINO WOULD BE HER LIFE COACH 470 00:12:59,679 --> 00:13:00,711 CHILDISH GAMBINO WOULD BE HER LIFE COACH [ APPLAUSE ] 471 00:13:00,713 --> 00:13:02,013 LIFE COACH [ APPLAUSE ] I JUST FIND IT INTERESTING 472 00:13:02,015 --> 00:13:02,780 [ APPLAUSE ] I JUST FIND IT INTERESTING HERE WE GO 473 00:13:02,782 --> 00:13:03,548 I JUST FIND IT INTERESTING HERE WE GO FOR THIS ONE, ROOTS, I REALLY 474 00:13:03,550 --> 00:13:04,516 HERE WE GO FOR THIS ONE, ROOTS, I REALLY WANT TO TEST YOU GUYS. 475 00:13:04,518 --> 00:13:05,950 FOR THIS ONE, ROOTS, I REALLY WANT TO TEST YOU GUYS. CAN WE DO AN OLD, LIKE, 476 00:13:05,952 --> 00:13:07,553 WANT TO TEST YOU GUYS. CAN WE DO AN OLD, LIKE, WESTERN -- LIKE SOMETHING THAT 477 00:13:07,555 --> 00:13:08,586 CAN WE DO AN OLD, LIKE, WESTERN -- LIKE SOMETHING THAT WOULD BE AN OLD -- LIKE SOME 478 00:13:08,588 --> 00:13:09,320 WESTERN -- LIKE SOMETHING THAT WOULD BE AN OLD -- LIKE SOME TYPE OF -- LIKE AN OLD WESTERN 479 00:13:09,322 --> 00:13:10,087 WOULD BE AN OLD -- LIKE SOME TYPE OF -- LIKE AN OLD WESTERN MOVIE OR SOMETHING 480 00:13:10,089 --> 00:13:11,756 TYPE OF -- LIKE AN OLD WESTERN MOVIE OR SOMETHING YOU KNOW 481 00:13:11,758 --> 00:13:17,628 MOVIE OR SOMETHING YOU KNOW ♪ 482 00:13:17,630 --> 00:13:18,396 YOU KNOW ♪ ♪ ROSALIE COMES U 483 00:13:18,398 --> 00:13:20,698 ♪ ♪ ROSALIE COMES U FROM THE VALLE 484 00:13:20,700 --> 00:13:24,702 ♪ ROSALIE COMES U FROM THE VALLE THE PEOPLE JUST REJOIC 485 00:13:24,704 --> 00:13:28,707 FROM THE VALLE THE PEOPLE JUST REJOIC AND HER TALENT'S HIDING ♪ 486 00:13:28,709 --> 00:13:29,841 THE PEOPLE JUST REJOIC AND HER TALENT'S HIDING ♪ ♪ BUT LET'S JUST SAY IT 487 00:13:29,843 --> 00:13:32,910 AND HER TALENT'S HIDING ♪ ♪ BUT LET'S JUST SAY IT AIN'T HER VOIC 488 00:13:32,912 --> 00:13:33,645 ♪ BUT LET'S JUST SAY IT AIN'T HER VOIC CELEBRITY LIFE 489 00:13:33,647 --> 00:13:36,582 AIN'T HER VOIC CELEBRITY LIFE COACHES WELCOME ♪ 490 00:13:36,584 --> 00:13:37,249 CELEBRITY LIFE COACHES WELCOME ♪ ♪ SHE SAID I DON' 491 00:13:37,251 --> 00:13:39,917 COACHES WELCOME ♪ ♪ SHE SAID I DON' KNOW WHAT YOU MEAN 492 00:13:39,919 --> 00:13:41,319 ♪ SHE SAID I DON' KNOW WHAT YOU MEAN SO I SAID WHO WOUL 493 00:13:41,321 --> 00:13:41,986 KNOW WHAT YOU MEAN SO I SAID WHO WOUL YOU LIKE TO BE YOUR ♪ 494 00:13:41,988 --> 00:13:43,287 SO I SAID WHO WOUL YOU LIKE TO BE YOUR ♪ ♪ CELEBRITY LIFE COAC 495 00:13:43,289 --> 00:13:44,556 YOU LIKE TO BE YOUR ♪ ♪ CELEBRITY LIFE COAC AND YOU CAN PICK ANYON 496 00:13:44,558 --> 00:13:45,124 ♪ CELEBRITY LIFE COAC AND YOU CAN PICK ANYON AND SHE SAID O 497 00:13:45,126 --> 00:13:47,325 AND YOU CAN PICK ANYON AND SHE SAID O CHILDISH GAMBIN-O ♪ 498 00:13:47,327 --> 00:13:48,860 AND SHE SAID O CHILDISH GAMBIN-O ♪ ♪ 499 00:13:48,862 --> 00:13:53,464 CHILDISH GAMBIN-O ♪ ♪ [ CHEERS AND APPLAUSE 500 00:13:53,466 --> 00:13:57,401 ♪ [ CHEERS AND APPLAUSE [ LAUGHTER ] 501 00:13:57,403 --> 00:13:59,370 [ CHEERS AND APPLAUSE [ LAUGHTER ] >> Tariq: YOU THOUGHT YOU HAD 502 00:13:59,372 --> 00:14:00,505 [ LAUGHTER ] >> Tariq: YOU THOUGHT YOU HAD ME 503 00:14:00,507 --> 00:14:01,372 >> Tariq: YOU THOUGHT YOU HAD ME >> Jimmy: NO, I LIKE IT. 504 00:14:01,374 --> 00:14:02,773 ME >> Jimmy: NO, I LIKE IT. YOU RHYMED GAMBINE 505 00:14:02,775 --> 00:14:04,308 >> Jimmy: NO, I LIKE IT. YOU RHYMED GAMBINE YEAH, I LIKE THAT. 506 00:14:04,310 --> 00:14:05,076 YOU RHYMED GAMBINE YEAH, I LIKE THAT. GAMBINE. 507 00:14:05,078 --> 00:14:06,277 YEAH, I LIKE THAT. GAMBINE. I LOVE IT. 508 00:14:06,279 --> 00:14:06,944 GAMBINE. I LOVE IT. LET'S DO ONE MORE. 509 00:14:06,946 --> 00:14:07,912 I LOVE IT. LET'S DO ONE MORE. HOW ABOUT ALL THE WAY IN THE UP 510 00:14:07,914 --> 00:14:08,813 LET'S DO ONE MORE. HOW ABOUT ALL THE WAY IN THE UP TOP ON THAT SIDE 511 00:14:08,815 --> 00:14:09,548 HOW ABOUT ALL THE WAY IN THE UP TOP ON THAT SIDE ALL THE WAY UP TOP 512 00:14:09,550 --> 00:14:11,649 TOP ON THAT SIDE ALL THE WAY UP TOP HELLO, WHAT IS YOUR NAME 513 00:14:11,651 --> 00:14:13,018 ALL THE WAY UP TOP HELLO, WHAT IS YOUR NAME >> MY NAME IS GRACE. 514 00:14:13,020 --> 00:14:14,719 HELLO, WHAT IS YOUR NAME >> MY NAME IS GRACE. >> Jimmy: HELLO, GRACE 515 00:14:14,721 --> 00:14:16,354 >> MY NAME IS GRACE. >> Jimmy: HELLO, GRACE THANK YOU FOR BEING HERE 516 00:14:16,356 --> 00:14:18,422 >> Jimmy: HELLO, GRACE THANK YOU FOR BEING HERE GRACE, FALL IS AROUND THE 517 00:14:18,424 --> 00:14:20,592 THANK YOU FOR BEING HERE GRACE, FALL IS AROUND THE CORNER 518 00:14:20,594 --> 00:14:21,492 GRACE, FALL IS AROUND THE CORNER WHAT'S YOUR FAVORITE PART ABOUT 519 00:14:21,494 --> 00:14:22,026 CORNER WHAT'S YOUR FAVORITE PART ABOUT FALL 520 00:14:22,028 --> 00:14:22,961 WHAT'S YOUR FAVORITE PART ABOUT FALL >> PRETENDING I AM IN 521 00:14:22,963 --> 00:14:23,728 FALL >> PRETENDING I AM IN "TWILIGHT" WHEN IT GETS COLD 522 00:14:23,730 --> 00:14:26,898 >> PRETENDING I AM IN "TWILIGHT" WHEN IT GETS COLD [ LAUGHTER AND APPLAUSE 523 00:14:26,900 --> 00:14:28,333 "TWILIGHT" WHEN IT GETS COLD [ LAUGHTER AND APPLAUSE >> Jimmy: WHAT 524 00:14:28,335 --> 00:14:30,903 [ LAUGHTER AND APPLAUSE >> Jimmy: WHAT IS THAT A THING? 525 00:14:30,905 --> 00:14:32,604 >> Jimmy: WHAT IS THAT A THING? PRETENDING TO BE IN "TWILIGHT" 526 00:14:32,606 --> 00:14:37,042 IS THAT A THING? PRETENDING TO BE IN "TWILIGHT" WHEN IT GETS COLD. 527 00:14:37,044 --> 00:14:37,442 PRETENDING TO BE IN "TWILIGHT" WHEN IT GETS COLD. [ LIGHT LAUGHTER ] 528 00:14:37,444 --> 00:14:38,476 WHEN IT GETS COLD. [ LIGHT LAUGHTER ] >> YES 529 00:14:38,478 --> 00:14:39,377 [ LIGHT LAUGHTER ] >> YES >> Jimmy: LIKE, 'CAUSE YOU 530 00:14:39,379 --> 00:14:40,244 >> YES >> Jimmy: LIKE, 'CAUSE YOU COULD SEE YOUR BREATH OR 531 00:14:40,246 --> 00:14:41,646 >> Jimmy: LIKE, 'CAUSE YOU COULD SEE YOUR BREATH OR SOMETHING? 532 00:14:41,648 --> 00:14:42,514 COULD SEE YOUR BREATH OR SOMETHING? >> YEAH, LIKE THE FASHIONS, 533 00:14:42,516 --> 00:14:43,414 SOMETHING? >> YEAH, LIKE THE FASHIONS, LIKE, LAYERING AND STUFF 534 00:14:43,416 --> 00:14:44,181 >> YEAH, LIKE THE FASHIONS, LIKE, LAYERING AND STUFF >> Jimmy: OH, OKAY 535 00:14:44,183 --> 00:14:45,917 LIKE, LAYERING AND STUFF >> Jimmy: OH, OKAY GOT IT, YEAH 536 00:14:45,919 --> 00:14:48,552 >> Jimmy: OH, OKAY GOT IT, YEAH SWEATER WEATHER. 537 00:14:48,554 --> 00:14:49,754 GOT IT, YEAH SWEATER WEATHER. [ LAUGHTER ] 538 00:14:49,756 --> 00:14:50,855 SWEATER WEATHER. [ LAUGHTER ] GRACE, WHAT WAS YOUR FAVORITE 539 00:14:50,857 --> 00:14:52,156 [ LAUGHTER ] GRACE, WHAT WAS YOUR FAVORITE HALLOWEEN COSTUME? 540 00:14:52,158 --> 00:14:52,790 GRACE, WHAT WAS YOUR FAVORITE HALLOWEEN COSTUME? DOESN'T HAVE TO BE THIS LAST 541 00:14:52,792 --> 00:14:53,257 HALLOWEEN COSTUME? DOESN'T HAVE TO BE THIS LAST YEAR 542 00:14:53,259 --> 00:14:54,892 DOESN'T HAVE TO BE THIS LAST YEAR COULD BE WHEN YOU WERE A KID 543 00:14:54,894 --> 00:14:55,860 YEAR COULD BE WHEN YOU WERE A KID >> UM, I WAS ANGELICA SCHUYLER 544 00:14:55,862 --> 00:14:58,596 COULD BE WHEN YOU WERE A KID >> UM, I WAS ANGELICA SCHUYLER FROM "HAMILTON." 545 00:14:58,598 --> 00:14:59,163 >> UM, I WAS ANGELICA SCHUYLER FROM "HAMILTON." [ CHEERS AND APPLAUSE 546 00:14:59,165 --> 00:15:00,164 FROM "HAMILTON." [ CHEERS AND APPLAUSE >> Jimmy: YOU WERE ANGELICA? 547 00:15:00,166 --> 00:15:03,668 [ CHEERS AND APPLAUSE >> Jimmy: YOU WERE ANGELICA? ANGELICA 548 00:15:03,670 --> 00:15:04,668 >> Jimmy: YOU WERE ANGELICA? ANGELICA THAT'S A GREAT ONE 549 00:15:04,670 --> 00:15:06,203 ANGELICA THAT'S A GREAT ONE PROBABLY NOT THAT POPULAR. 550 00:15:06,205 --> 00:15:07,072 THAT'S A GREAT ONE PROBABLY NOT THAT POPULAR. NOT THAT MANY PEOPLE WERE 551 00:15:07,074 --> 00:15:08,039 PROBABLY NOT THAT POPULAR. NOT THAT MANY PEOPLE WERE ANGELICA 552 00:15:08,041 --> 00:15:11,208 NOT THAT MANY PEOPLE WERE ANGELICA OKAY, WE HAVE GRACE. 553 00:15:11,210 --> 00:15:12,743 ANGELICA OKAY, WE HAVE GRACE. HER FAVORITE PART OF FALL, LIKE 554 00:15:12,745 --> 00:15:13,611 OKAY, WE HAVE GRACE. HER FAVORITE PART OF FALL, LIKE MANY OF US, IS PRETENDING TO BE 555 00:15:13,613 --> 00:15:14,680 HER FAVORITE PART OF FALL, LIKE MANY OF US, IS PRETENDING TO BE IN "TWILIGHT" WHEN IT GETS 556 00:15:14,682 --> 00:15:19,317 MANY OF US, IS PRETENDING TO BE IN "TWILIGHT" WHEN IT GETS COLD 557 00:15:19,319 --> 00:15:20,284 IN "TWILIGHT" WHEN IT GETS COLD [ LAUGHTER ] 558 00:15:20,286 --> 00:15:21,152 COLD [ LAUGHTER ] THAT'S -- I ALWAYS THINK OF 559 00:15:21,154 --> 00:15:22,053 [ LAUGHTER ] THAT'S -- I ALWAYS THINK OF THAT, TOO, IN FALL 560 00:15:22,055 --> 00:15:24,289 THAT'S -- I ALWAYS THINK OF THAT, TOO, IN FALL [ LIGHT LAUGHTER ] 561 00:15:24,291 --> 00:15:24,889 THAT, TOO, IN FALL [ LIGHT LAUGHTER ] AND HER FAVORITE HALLOWEEN 562 00:15:24,891 --> 00:15:25,357 [ LIGHT LAUGHTER ] AND HER FAVORITE HALLOWEEN COSTUME -- SHE WAS 563 00:15:25,359 --> 00:15:26,157 AND HER FAVORITE HALLOWEEN COSTUME -- SHE WAS ANGELICA SCHUYLER FROM 564 00:15:26,159 --> 00:15:27,993 COSTUME -- SHE WAS ANGELICA SCHUYLER FROM "HAMILTON. 565 00:15:27,995 --> 00:15:28,760 ANGELICA SCHUYLER FROM "HAMILTON. I LOVE THIS. 566 00:15:28,762 --> 00:15:29,494 "HAMILTON. I LOVE THIS. FOR THIS LAST ONE, THE EMMYS 567 00:15:29,496 --> 00:15:31,062 I LOVE THIS. FOR THIS LAST ONE, THE EMMYS WERE LAST NIGHT, AND "THE 568 00:15:31,064 --> 00:15:32,231 FOR THIS LAST ONE, THE EMMYS WERE LAST NIGHT, AND "THE CROWN" TOOK HOME A BUNCH OF 569 00:15:32,233 --> 00:15:33,264 WERE LAST NIGHT, AND "THE CROWN" TOOK HOME A BUNCH OF AWARDS 570 00:15:33,266 --> 00:15:34,799 CROWN" TOOK HOME A BUNCH OF AWARDS CAN WE DO SOMETHING IN THE 571 00:15:34,801 --> 00:15:39,370 AWARDS CAN WE DO SOMETHING IN THE STYLE OF, LIKE, QUEEN? 572 00:15:39,372 --> 00:15:40,138 CAN WE DO SOMETHING IN THE STYLE OF, LIKE, QUEEN? >> Tariq: OH, QUEEN, YEAH. 573 00:15:40,140 --> 00:15:41,772 STYLE OF, LIKE, QUEEN? >> Tariq: OH, QUEEN, YEAH. OKAY, OKAY 574 00:15:41,774 --> 00:15:48,112 >> Tariq: OH, QUEEN, YEAH. OKAY, OKAY ♪ 575 00:15:48,114 --> 00:15:49,313 OKAY, OKAY ♪ ♪ UH-HU 576 00:15:49,315 --> 00:15:50,048 ♪ ♪ UH-HU WELL GRACE IN THE PLAC 577 00:15:50,050 --> 00:15:50,716 ♪ UH-HU WELL GRACE IN THE PLAC WHERE YOU LOVE THE ROOTS 578 00:15:50,718 --> 00:15:53,051 WELL GRACE IN THE PLAC WHERE YOU LOVE THE ROOTS AND ALL ♪ 579 00:15:53,053 --> 00:15:53,886 WHERE YOU LOVE THE ROOTS AND ALL ♪ ♪ GOOD TO KNOW THEY LIK 580 00:15:53,888 --> 00:15:54,886 AND ALL ♪ ♪ GOOD TO KNOW THEY LIK ACTING LIKE THEY'R 581 00:15:54,888 --> 00:15:56,988 ♪ GOOD TO KNOW THEY LIK ACTING LIKE THEY'R ON "TWILIGHT" IN THE FALL ♪ 582 00:15:56,990 --> 00:15:59,124 ACTING LIKE THEY'R ON "TWILIGHT" IN THE FALL ♪ ♪ YOUR FAVORITE PART OF - 583 00:15:59,126 --> 00:16:02,827 ON "TWILIGHT" IN THE FALL ♪ ♪ YOUR FAVORITE PART OF - IS THE LAYERS IN THE FAL 584 00:16:02,829 --> 00:16:03,595 ♪ YOUR FAVORITE PART OF - IS THE LAYERS IN THE FAL ANOTHER ON 585 00:16:03,597 --> 00:16:05,329 IS THE LAYERS IN THE FAL ANOTHER ON BITES THE STYLE ♪ 586 00:16:05,331 --> 00:16:10,135 ANOTHER ON BITES THE STYLE ♪ ♪ 587 00:16:10,137 --> 00:16:10,769 BITES THE STYLE ♪ ♪ >> Jimmy: HEY, THAT'S WHAT I'M 588 00:16:10,771 --> 00:16:11,435 ♪ >> Jimmy: HEY, THAT'S WHAT I'M TALKING ABOUT. 589 00:16:11,437 --> 00:16:12,304 >> Jimmy: HEY, THAT'S WHAT I'M TALKING ABOUT. THANK YOU TO OUR AUDIENCE. 590 00:16:12,306 --> 00:16:14,473 TALKING ABOUT. THANK YOU TO OUR AUDIENCE. THANK YOU TO THE ROOTS 591 00:16:14,475 --> 00:16:15,005 THANK YOU TO OUR AUDIENCE. THANK YOU TO THE ROOTS [ CHEERS AND APPLAUSE 592 00:16:15,007 --> 00:16:15,506 THANK YOU TO THE ROOTS [ CHEERS AND APPLAUSE WE'LL BE RIGHT BACK WITH 593 00:16:15,508 --> 00:16:16,441 [ CHEERS AND APPLAUSE WE'LL BE RIGHT BACK WITH HASAN MINHAJ 594 00:16:16,443 --> 00:16:17,175 WE'LL BE RIGHT BACK WITH HASAN MINHAJ AND THEN LATER, WHEN WE HAVE AN 595 00:16:17,177 --> 00:16:17,708 HASAN MINHAJ AND THEN LATER, WHEN WE HAVE AN IN-STUDIO PERFORMANCE FROM 596 00:16:17,710 --> 00:16:20,311 AND THEN LATER, WHEN WE HAVE AN IN-STUDIO PERFORMANCE FROM MEEK MILL AND LIL UZI VERT 597 00:16:20,313 --> 00:16:21,278 IN-STUDIO PERFORMANCE FROM MEEK MILL AND LIL UZI VERT COME ON BACK, EVERYBODY. 598 00:16:21,280 --> 00:16:22,813 MEEK MILL AND LIL UZI VERT COME ON BACK, EVERYBODY. [ CHEERS AND APPLAUSE 599 00:16:22,815 --> 00:16:37,095 COME ON BACK, EVERYBODY. [ CHEERS AND APPLAUSE ♪ 600 00:16:37,097 --> 00:16:37,663 [ CHEERS AND APPLAUSE ♪ >> Jimmy: OUR FIRST GUEST IS A 601 00:16:37,665 --> 00:16:38,396 ♪ >> Jimmy: OUR FIRST GUEST IS A A VERY TALENTED COMEDIAN WHO IS 602 00:16:38,398 --> 00:16:39,063 >> Jimmy: OUR FIRST GUEST IS A A VERY TALENTED COMEDIAN WHO IS CURRENTLY ON HIS NEW STAND-UP 603 00:16:39,065 --> 00:16:39,730 A VERY TALENTED COMEDIAN WHO IS CURRENTLY ON HIS NEW STAND-UP TOUR CALLED "HASAN MINHAJ: THE 604 00:16:39,732 --> 00:16:43,402 CURRENTLY ON HIS NEW STAND-UP TOUR CALLED "HASAN MINHAJ: THE KING'S JESTER. 605 00:16:43,404 --> 00:16:44,201 TOUR CALLED "HASAN MINHAJ: THE KING'S JESTER. YOU CAN ALSO SEE HIM IN "THE 606 00:16:44,203 --> 00:16:44,935 KING'S JESTER. YOU CAN ALSO SEE HIM IN "THE MORNING SHOW," WHICH HAS NEW 607 00:16:44,937 --> 00:16:45,469 YOU CAN ALSO SEE HIM IN "THE MORNING SHOW," WHICH HAS NEW EPISODES AVAILABLE EVERY FRIDAY 608 00:16:45,471 --> 00:16:45,803 MORNING SHOW," WHICH HAS NEW EPISODES AVAILABLE EVERY FRIDAY ON APPLE TV PLUS 609 00:16:45,805 --> 00:16:49,006 EPISODES AVAILABLE EVERY FRIDAY ON APPLE TV PLUS PLEASE WELCOME HASAN MINHAJ, 610 00:16:49,008 --> 00:16:52,943 ON APPLE TV PLUS PLEASE WELCOME HASAN MINHAJ, EVERYBODY. 611 00:16:55,714 --> 00:17:15,867 ♪ ♪ [ CHEERS AND APPLAUSE 612 00:17:15,869 --> 00:17:20,505 ♪ [ CHEERS AND APPLAUSE >> THANK YOU 613 00:17:20,507 --> 00:17:22,139 [ CHEERS AND APPLAUSE >> THANK YOU >> Jimmy: LOOK AT YOU. 614 00:17:22,141 --> 00:17:22,673 >> THANK YOU >> Jimmy: LOOK AT YOU. HASAN, LOOK AT YOU ON TV 615 00:17:22,675 --> 00:17:23,075 >> Jimmy: LOOK AT YOU. HASAN, LOOK AT YOU ON TV HOLDING YOUR OWN WITH 616 00:17:23,077 --> 00:17:25,410 HASAN, LOOK AT YOU ON TV HOLDING YOUR OWN WITH REESE WITHERSPOON. 617 00:17:25,412 --> 00:17:26,244 HOLDING YOUR OWN WITH REESE WITHERSPOON. >> WE'RE BACK! 618 00:17:26,246 --> 00:17:27,044 REESE WITHERSPOON. >> WE'RE BACK! >> Jimmy: I WANT TO GET IN -- 619 00:17:27,046 --> 00:17:27,945 >> WE'RE BACK! >> Jimmy: I WANT TO GET IN -- WE'RE BACK 620 00:17:27,947 --> 00:17:28,913 >> Jimmy: I WANT TO GET IN -- WE'RE BACK >> WE'RE BACK ON TV. 621 00:17:28,915 --> 00:17:29,680 WE'RE BACK >> WE'RE BACK ON TV. >> Jimmy: YES WE ARE 622 00:17:29,682 --> 00:17:30,515 >> WE'RE BACK ON TV. >> Jimmy: YES WE ARE >> LIVE AUDIENCE 623 00:17:30,517 --> 00:17:31,549 >> Jimmy: YES WE ARE >> LIVE AUDIENCE [ CHEERS AND APPLAUSE 624 00:17:31,551 --> 00:17:32,750 >> LIVE AUDIENCE [ CHEERS AND APPLAUSE >> Jimmy: LIVE AUDIENCE. 625 00:17:32,752 --> 00:17:33,718 [ CHEERS AND APPLAUSE >> Jimmy: LIVE AUDIENCE. >> I FEEL GREAT. 626 00:17:33,720 --> 00:17:34,585 >> Jimmy: LIVE AUDIENCE. >> I FEEL GREAT. >> Jimmy: YOU'RE BUSY. 627 00:17:34,587 --> 00:17:35,053 >> I FEEL GREAT. >> Jimmy: YOU'RE BUSY. >> DUDE, WE HAD A BUSY 628 00:17:35,055 --> 00:17:36,120 >> Jimmy: YOU'RE BUSY. >> DUDE, WE HAD A BUSY PANDEMIC 629 00:17:36,122 --> 00:17:36,888 >> DUDE, WE HAD A BUSY PANDEMIC >> Jimmy: YOU HAD A VERY 630 00:17:36,890 --> 00:17:37,555 PANDEMIC >> Jimmy: YOU HAD A VERY BUSY - 631 00:17:37,557 --> 00:17:38,490 >> Jimmy: YOU HAD A VERY BUSY - >> PRODUCTIVE. 632 00:17:38,492 --> 00:17:39,223 BUSY - >> PRODUCTIVE. MY WIFE AND I, WE HAD OUR BABY, 633 00:17:39,225 --> 00:17:41,360 >> PRODUCTIVE. MY WIFE AND I, WE HAD OUR BABY, SECOND BABY. 634 00:17:41,362 --> 00:17:41,893 MY WIFE AND I, WE HAD OUR BABY, SECOND BABY. YES. 635 00:17:41,895 --> 00:17:42,427 SECOND BABY. YES. YES. 636 00:17:42,429 --> 00:17:44,296 YES. YES. [ CHEERS AND APPLAUSE 637 00:17:44,298 --> 00:17:44,895 YES. [ CHEERS AND APPLAUSE NOW, LISTEN, I HAVEN'T TOLD 638 00:17:44,897 --> 00:17:46,964 [ CHEERS AND APPLAUSE NOW, LISTEN, I HAVEN'T TOLD ANYBODY THIS, JIMMY. 639 00:17:46,966 --> 00:17:47,565 NOW, LISTEN, I HAVEN'T TOLD ANYBODY THIS, JIMMY. THIS IS NEWS FOR A LOT OF 640 00:17:47,567 --> 00:17:48,099 ANYBODY THIS, JIMMY. THIS IS NEWS FOR A LOT OF PEOPLE, BUT MY WIFE AND I, WE 641 00:17:48,101 --> 00:17:48,766 THIS IS NEWS FOR A LOT OF PEOPLE, BUT MY WIFE AND I, WE WERE ACTUALLY HAVING FERTILITY 642 00:17:48,768 --> 00:17:52,303 PEOPLE, BUT MY WIFE AND I, WE WERE ACTUALLY HAVING FERTILITY PROBLEMS FOR YEARS 643 00:17:52,305 --> 00:17:53,738 WERE ACTUALLY HAVING FERTILITY PROBLEMS FOR YEARS >> Jimmy: OH, REALLY 644 00:17:53,740 --> 00:17:54,339 PROBLEMS FOR YEARS >> Jimmy: OH, REALLY >> AND THAT WAS REALLY TOUGH ON 645 00:17:54,341 --> 00:17:54,939 >> Jimmy: OH, REALLY >> AND THAT WAS REALLY TOUGH ON US AND IT LOADED THE 646 00:17:54,941 --> 00:17:55,506 >> AND THAT WAS REALLY TOUGH ON US AND IT LOADED THE RELATIONSHIP WITH A LOT OF 647 00:17:55,508 --> 00:17:57,775 US AND IT LOADED THE RELATIONSHIP WITH A LOT OF TENSION. 648 00:17:57,777 --> 00:18:00,612 RELATIONSHIP WITH A LOT OF TENSION. >> Jimmy: OF COURSE, SURE. 649 00:18:00,614 --> 00:18:01,345 TENSION. >> Jimmy: OF COURSE, SURE. >> YOU KNOW, WE'D BE SITTING 650 00:18:01,347 --> 00:18:01,779 >> Jimmy: OF COURSE, SURE. >> YOU KNOW, WE'D BE SITTING THERE LATE AT NIGHT HAVING 651 00:18:01,781 --> 00:18:03,348 >> YOU KNOW, WE'D BE SITTING THERE LATE AT NIGHT HAVING REALLY TOUGH CONVERSATIONS 652 00:18:03,350 --> 00:18:04,014 THERE LATE AT NIGHT HAVING REALLY TOUGH CONVERSATIONS YOU KNOW, ARE WE GOING TO BE 653 00:18:04,016 --> 00:18:04,649 REALLY TOUGH CONVERSATIONS YOU KNOW, ARE WE GOING TO BE ABLE TO HAVE KIDS? 654 00:18:04,651 --> 00:18:05,416 YOU KNOW, ARE WE GOING TO BE ABLE TO HAVE KIDS? ARE WE ARROGANT FOR THINKING WE 655 00:18:05,418 --> 00:18:07,484 ABLE TO HAVE KIDS? ARE WE ARROGANT FOR THINKING WE DESERVE KIDS 656 00:18:07,486 --> 00:18:08,152 ARE WE ARROGANT FOR THINKING WE DESERVE KIDS YOU KNOW AND I WAS TRYING TO, 657 00:18:08,154 --> 00:18:10,221 DESERVE KIDS YOU KNOW AND I WAS TRYING TO, YOU KNOW, BE OPTIMISTIC. 658 00:18:10,223 --> 00:18:11,523 YOU KNOW AND I WAS TRYING TO, YOU KNOW, BE OPTIMISTIC. I GO, "BABE, WHAT IF WE ADOPT? 659 00:18:11,525 --> 00:18:13,191 YOU KNOW, BE OPTIMISTIC. I GO, "BABE, WHAT IF WE ADOPT? RIGHT? 660 00:18:13,193 --> 00:18:14,559 I GO, "BABE, WHAT IF WE ADOPT? RIGHT? >> Jimmy: YEAH 661 00:18:14,561 --> 00:18:15,160 RIGHT? >> Jimmy: YEAH >> WHAT IF WE ADOPT A WHITE 662 00:18:15,162 --> 00:18:15,926 >> Jimmy: YEAH >> WHAT IF WE ADOPT A WHITE BABY JUST TO FLEX ON THESE 663 00:18:15,928 --> 00:18:17,561 >> WHAT IF WE ADOPT A WHITE BABY JUST TO FLEX ON THESE MOTHER [ BLEEP ] 664 00:18:17,563 --> 00:18:20,064 BABY JUST TO FLEX ON THESE MOTHER [ BLEEP ] [ LAUGHTER AND APPLAUSE 665 00:18:20,066 --> 00:18:20,664 MOTHER [ BLEEP ] [ LAUGHTER AND APPLAUSE JUST TO SHOW PEOPLE WE REALLY 666 00:18:20,666 --> 00:18:22,266 [ LAUGHTER AND APPLAUSE JUST TO SHOW PEOPLE WE REALLY MADE IT IN THIS COUNTRY! 667 00:18:22,268 --> 00:18:24,435 JUST TO SHOW PEOPLE WE REALLY MADE IT IN THIS COUNTRY! [ CHEERS AND APPLAUSE 668 00:18:24,437 --> 00:18:27,738 MADE IT IN THIS COUNTRY! [ CHEERS AND APPLAUSE AND WE'LL SHOW HIM OFF 669 00:18:27,740 --> 00:18:29,007 [ CHEERS AND APPLAUSE AND WE'LL SHOW HIM OFF TAKE HIM TO PARTIES. 670 00:18:29,009 --> 00:18:30,141 AND WE'LL SHOW HIM OFF TAKE HIM TO PARTIES. >> Jimmy: NO 671 00:18:30,143 --> 00:18:30,742 TAKE HIM TO PARTIES. >> Jimmy: NO >> HI, I'M BRADLEY 672 00:18:30,744 --> 00:18:31,308 >> Jimmy: NO >> HI, I'M BRADLEY I'M A PROUD MEMBER OF THE 673 00:18:31,310 --> 00:18:31,976 >> HI, I'M BRADLEY I'M A PROUD MEMBER OF THE INDIAN-AMERICAN COMMUNITY. 674 00:18:31,978 --> 00:18:33,510 I'M A PROUD MEMBER OF THE INDIAN-AMERICAN COMMUNITY. [ LAUGHTER ] 675 00:18:33,512 --> 00:18:37,681 INDIAN-AMERICAN COMMUNITY. [ LAUGHTER ] THIS IS MY SON, BRADLEY! 676 00:18:37,683 --> 00:18:38,749 [ LAUGHTER ] THIS IS MY SON, BRADLEY! >> Jimmy: FLEX 677 00:18:38,751 --> 00:18:39,350 THIS IS MY SON, BRADLEY! >> Jimmy: FLEX >> FOR $15 A DAY, BRADLEY GOES 678 00:18:39,352 --> 00:18:39,950 >> Jimmy: FLEX >> FOR $15 A DAY, BRADLEY GOES TO THE GYMBOREE ON THE UPPER 679 00:18:39,952 --> 00:18:41,686 >> FOR $15 A DAY, BRADLEY GOES TO THE GYMBOREE ON THE UPPER WEST SIDE. 680 00:18:41,688 --> 00:18:43,354 TO THE GYMBOREE ON THE UPPER WEST SIDE. [ LAUGHTER ] 681 00:18:43,356 --> 00:18:44,089 WEST SIDE. [ LAUGHTER ] >> Jimmy: GYMBOREE 682 00:18:44,091 --> 00:18:46,423 [ LAUGHTER ] >> Jimmy: GYMBOREE >> WE SAVED HIM. 683 00:18:46,425 --> 00:18:48,059 >> Jimmy: GYMBOREE >> WE SAVED HIM. FROM A WAR-TORN PART OF 684 00:18:48,061 --> 00:18:49,360 >> WE SAVED HIM. FROM A WAR-TORN PART OF AMERICA, DETROIT 685 00:18:49,362 --> 00:18:53,832 FROM A WAR-TORN PART OF AMERICA, DETROIT [ LAUGHTER ] 686 00:18:53,834 --> 00:18:54,832 AMERICA, DETROIT [ LAUGHTER ] AND SHE TOLD ME, "I WANT A BABY 687 00:18:54,834 --> 00:18:55,933 [ LAUGHTER ] AND SHE TOLD ME, "I WANT A BABY WITH YOU." 688 00:18:55,935 --> 00:18:56,501 AND SHE TOLD ME, "I WANT A BABY WITH YOU." IT IS NOT MY OVARIES, YOU HAVE 689 00:18:56,503 --> 00:18:57,101 WITH YOU." IT IS NOT MY OVARIES, YOU HAVE GOT TO GO GET YOUR BALLS 690 00:18:57,103 --> 00:18:58,536 IT IS NOT MY OVARIES, YOU HAVE GOT TO GO GET YOUR BALLS CHECKED OUT. 691 00:18:58,538 --> 00:18:59,737 GOT TO GO GET YOUR BALLS CHECKED OUT. [ LAUGHTER ] 692 00:18:59,739 --> 00:19:00,404 CHECKED OUT. [ LAUGHTER ] NOW, LISTEN, LISTEN -- I'M AT 693 00:19:00,406 --> 00:19:00,872 [ LAUGHTER ] NOW, LISTEN, LISTEN -- I'M AT THAT AGE NOW WHERE A LOT OF 694 00:19:00,874 --> 00:19:05,109 NOW, LISTEN, LISTEN -- I'M AT THAT AGE NOW WHERE A LOT OF DOCTORS ARE MY AGE, OKAY 695 00:19:05,111 --> 00:19:07,077 THAT AGE NOW WHERE A LOT OF DOCTORS ARE MY AGE, OKAY >> Jimmy: OKAY 696 00:19:07,079 --> 00:19:07,645 DOCTORS ARE MY AGE, OKAY >> Jimmy: OKAY >> AND THEY'RE INDIAN, WHICH 697 00:19:07,647 --> 00:19:10,247 >> Jimmy: OKAY >> AND THEY'RE INDIAN, WHICH MEANS I MIGHT KNOW THEM. 698 00:19:10,249 --> 00:19:13,083 >> AND THEY'RE INDIAN, WHICH MEANS I MIGHT KNOW THEM. [ LAUGHTER ] 699 00:19:13,085 --> 00:19:13,685 MEANS I MIGHT KNOW THEM. [ LAUGHTER ] SO I'M SITTING OVER HERE AT THE 700 00:19:13,687 --> 00:19:14,351 [ LAUGHTER ] SO I'M SITTING OVER HERE AT THE FERTILITY CLINIC, NURSE COMES 701 00:19:14,353 --> 00:19:14,952 SO I'M SITTING OVER HERE AT THE FERTILITY CLINIC, NURSE COMES OUT, SHE'S LIKE, "DR. SHAH WILL 702 00:19:14,954 --> 00:19:19,057 FERTILITY CLINIC, NURSE COMES OUT, SHE'S LIKE, "DR. SHAH WILL SEE YOU NOW. 703 00:19:19,059 --> 00:19:19,724 OUT, SHE'S LIKE, "DR. SHAH WILL SEE YOU NOW. AND I'M LIKE, "THIS BETTER NOT 704 00:19:19,726 --> 00:19:21,492 SEE YOU NOW. AND I'M LIKE, "THIS BETTER NOT BE ARJAN SHAH. 705 00:19:21,494 --> 00:19:24,096 AND I'M LIKE, "THIS BETTER NOT BE ARJAN SHAH. OKAY 706 00:19:24,098 --> 00:19:24,996 BE ARJAN SHAH. OKAY DOOR OPENS, I HEAR A FAMILIAR 707 00:19:24,998 --> 00:19:25,996 OKAY DOOR OPENS, I HEAR A FAMILIAR VOICE. 708 00:19:25,998 --> 00:19:27,064 DOOR OPENS, I HEAR A FAMILIAR VOICE. HE'S LIKE, "HASAN MINHAJ?" 709 00:19:27,066 --> 00:19:28,165 VOICE. HE'S LIKE, "HASAN MINHAJ?" I'M LIKE, THIS IS ARJAN SHAH 710 00:19:28,167 --> 00:19:29,166 HE'S LIKE, "HASAN MINHAJ?" I'M LIKE, THIS IS ARJAN SHAH THIS KID IS AN IDIOT 711 00:19:29,168 --> 00:19:30,134 I'M LIKE, THIS IS ARJAN SHAH THIS KID IS AN IDIOT I GREW UP WITH HIM 712 00:19:30,136 --> 00:19:31,335 THIS KID IS AN IDIOT I GREW UP WITH HIM >> Jimmy: NO, YOU'RE JOKE -- 713 00:19:31,337 --> 00:19:31,870 I GREW UP WITH HIM >> Jimmy: NO, YOU'RE JOKE -- >> YES, HE FAILED OUT OF THE 714 00:19:31,872 --> 00:19:32,469 >> Jimmy: NO, YOU'RE JOKE -- >> YES, HE FAILED OUT OF THE CARIBBEAN MED SCHOOL TWICE, 715 00:19:32,471 --> 00:19:33,071 >> YES, HE FAILED OUT OF THE CARIBBEAN MED SCHOOL TWICE, JIMMY. 716 00:19:33,073 --> 00:19:34,605 CARIBBEAN MED SCHOOL TWICE, JIMMY. >> Jimmy: THIS IS SO YOU 717 00:19:34,607 --> 00:19:37,574 JIMMY. >> Jimmy: THIS IS SO YOU THIS COULD ONLY HAPPEN TO YOU. 718 00:19:37,576 --> 00:19:38,175 >> Jimmy: THIS IS SO YOU THIS COULD ONLY HAPPEN TO YOU. >> YEAH, I GO, "ARJAN, HOW ARE 719 00:19:38,177 --> 00:19:38,676 THIS COULD ONLY HAPPEN TO YOU. >> YEAH, I GO, "ARJAN, HOW ARE YOU LICENSED?" 720 00:19:38,678 --> 00:19:40,211 >> YEAH, I GO, "ARJAN, HOW ARE YOU LICENSED?" HE'S LIKE, "I DON'T KNOW." 721 00:19:40,213 --> 00:19:41,846 YOU LICENSED?" HE'S LIKE, "I DON'T KNOW." [ LAUGHTER ] 722 00:19:41,848 --> 00:19:42,447 HE'S LIKE, "I DON'T KNOW." [ LAUGHTER ] THAT'S WHY I'M A JIZZ DOCTOR UP 723 00:19:42,449 --> 00:19:43,982 [ LAUGHTER ] THAT'S WHY I'M A JIZZ DOCTOR UP ON THE UPPER WEST SIDE 724 00:19:43,984 --> 00:19:45,750 THAT'S WHY I'M A JIZZ DOCTOR UP ON THE UPPER WEST SIDE >> Jimmy: OH, OKAY 725 00:19:45,752 --> 00:19:47,418 ON THE UPPER WEST SIDE >> Jimmy: OH, OKAY [ AUDIENCE OHS ] 726 00:19:47,420 --> 00:19:48,085 >> Jimmy: OH, OKAY [ AUDIENCE OHS ] PROBABLY A DIFFERENT NAME FOR 727 00:19:48,087 --> 00:19:50,020 [ AUDIENCE OHS ] PROBABLY A DIFFERENT NAME FOR IT 728 00:19:50,022 --> 00:19:50,921 PROBABLY A DIFFERENT NAME FOR IT >> DROP YOUR PANTS, HOW'S 729 00:19:50,923 --> 00:19:51,455 IT >> DROP YOUR PANTS, HOW'S AUNTIE 730 00:19:51,457 --> 00:19:52,122 >> DROP YOUR PANTS, HOW'S AUNTIE I'M LIKE, "DON'T BRING MY MOM 731 00:19:52,124 --> 00:19:52,524 AUNTIE I'M LIKE, "DON'T BRING MY MOM INTO THIS. 732 00:19:52,526 --> 00:19:53,190 I'M LIKE, "DON'T BRING MY MOM INTO THIS. [ LAUGHTER ] 733 00:19:53,192 --> 00:19:53,957 INTO THIS. [ LAUGHTER ] THIS IS CRAZY. 734 00:19:53,959 --> 00:19:54,592 [ LAUGHTER ] THIS IS CRAZY. HE'S NOT EVEN AN M.D., JIMMY, 735 00:19:54,594 --> 00:19:55,826 THIS IS CRAZY. HE'S NOT EVEN AN M.D., JIMMY, HE'S A D.O 736 00:19:55,828 --> 00:19:57,561 HE'S NOT EVEN AN M.D., JIMMY, HE'S A D.O >> Jimmy: WHAT IS IT 737 00:19:57,563 --> 00:19:58,162 HE'S A D.O >> Jimmy: WHAT IS IT >> I'M LIKE, THIS GUY CAN'T 738 00:19:58,164 --> 00:19:58,629 >> Jimmy: WHAT IS IT >> I'M LIKE, THIS GUY CAN'T EVEN AFFORD ALL THE GOOD 739 00:19:58,631 --> 00:19:59,230 >> I'M LIKE, THIS GUY CAN'T EVEN AFFORD ALL THE GOOD LETTERS. 740 00:19:59,232 --> 00:20:00,699 EVEN AFFORD ALL THE GOOD LETTERS. OH, YOU DON'T KNOW THIS. 741 00:20:00,701 --> 00:20:02,400 LETTERS. OH, YOU DON'T KNOW THIS. >> Jimmy: WHAT IS A D.O. 742 00:20:02,402 --> 00:20:03,033 OH, YOU DON'T KNOW THIS. >> Jimmy: WHAT IS A D.O. >> THERE'S A WAR GOING ON IN 743 00:20:03,035 --> 00:20:03,567 >> Jimmy: WHAT IS A D.O. >> THERE'S A WAR GOING ON IN THE MEDICAL COMMUNITY GUYS 744 00:20:03,569 --> 00:20:05,470 >> THERE'S A WAR GOING ON IN THE MEDICAL COMMUNITY GUYS BETWEEN M.D.s AND D.O.s. 745 00:20:05,472 --> 00:20:06,270 THE MEDICAL COMMUNITY GUYS BETWEEN M.D.s AND D.O.s. >> Jimmy: I DON'T KNOW D.O 746 00:20:06,272 --> 00:20:09,440 BETWEEN M.D.s AND D.O.s. >> Jimmy: I DON'T KNOW D.O >> OKAY, SO IT'S LIKE -- 747 00:20:09,442 --> 00:20:10,107 >> Jimmy: I DON'T KNOW D.O >> OKAY, SO IT'S LIKE -- THEY'RE BASICALLY THE SAME BUT 748 00:20:10,109 --> 00:20:10,842 >> OKAY, SO IT'S LIKE -- THEY'RE BASICALLY THE SAME BUT THEY'RE TOTALLY NOT. 749 00:20:10,844 --> 00:20:11,510 THEY'RE BASICALLY THE SAME BUT THEY'RE TOTALLY NOT. LIKE, AN M.D. IS COCA-COLA AND 750 00:20:11,512 --> 00:20:16,780 THEY'RE TOTALLY NOT. LIKE, AN M.D. IS COCA-COLA AND A D.O. 751 00:20:16,782 --> 00:20:17,382 LIKE, AN M.D. IS COCA-COLA AND A D.O. IS RC COLA 752 00:20:17,384 --> 00:20:18,315 A D.O. IS RC COLA YOU UNDERSTAND 753 00:20:18,317 --> 00:20:18,849 IS RC COLA YOU UNDERSTAND [ LAUGHTER ] 754 00:20:18,851 --> 00:20:20,050 YOU UNDERSTAND [ LAUGHTER ] IT'S LIKE AN OFF-BRAND DOCTOR. 755 00:20:20,052 --> 00:20:21,653 [ LAUGHTER ] IT'S LIKE AN OFF-BRAND DOCTOR. LIKE JOHN OLIVER IS AN M.D., 756 00:20:21,655 --> 00:20:22,988 IT'S LIKE AN OFF-BRAND DOCTOR. LIKE JOHN OLIVER IS AN M.D., I'M A D.O. 757 00:20:22,990 --> 00:20:23,754 LIKE JOHN OLIVER IS AN M.D., I'M A D.O. [ LAUGHTER ] 758 00:20:23,756 --> 00:20:26,190 I'M A D.O. [ LAUGHTER ] >> Jimmy: NO, YOU'RE AN M.D. 759 00:20:26,192 --> 00:20:26,790 [ LAUGHTER ] >> Jimmy: NO, YOU'RE AN M.D. >> LISTEN, SO, YOU KNOW, ARJAN 760 00:20:26,792 --> 00:20:32,396 >> Jimmy: NO, YOU'RE AN M.D. >> LISTEN, SO, YOU KNOW, ARJAN COMES IN THERE 761 00:20:32,398 --> 00:20:33,063 >> LISTEN, SO, YOU KNOW, ARJAN COMES IN THERE HE'S LIKE, "LISTEN, MAN, IF 762 00:20:33,065 --> 00:20:33,731 COMES IN THERE HE'S LIKE, "LISTEN, MAN, IF YOU --" HE'S FEELING AROUND MY 763 00:20:33,733 --> 00:20:35,132 HE'S LIKE, "LISTEN, MAN, IF YOU --" HE'S FEELING AROUND MY MERCHANDISE. 764 00:20:35,134 --> 00:20:36,133 YOU --" HE'S FEELING AROUND MY MERCHANDISE. AND HE GOES, "OH, YOU -- 765 00:20:36,135 --> 00:20:37,201 MERCHANDISE. AND HE GOES, "OH, YOU -- [ LAUGHTER ] 766 00:20:37,203 --> 00:20:37,801 AND HE GOES, "OH, YOU -- [ LAUGHTER ] YOU HAVE TOO MUCH BLOOD DOWN 767 00:20:37,803 --> 00:20:38,402 [ LAUGHTER ] YOU HAVE TOO MUCH BLOOD DOWN THERE. 768 00:20:38,404 --> 00:20:39,069 YOU HAVE TOO MUCH BLOOD DOWN THERE. IT'S BEEN LOWERING YOUR SPERM 769 00:20:39,071 --> 00:20:39,603 THERE. IT'S BEEN LOWERING YOUR SPERM COUNT, SO WE'RE GOING TO HAVE 770 00:20:39,605 --> 00:20:40,338 IT'S BEEN LOWERING YOUR SPERM COUNT, SO WE'RE GOING TO HAVE TO DO A VERY DANGEROUS SURGERY 771 00:20:40,340 --> 00:20:41,005 COUNT, SO WE'RE GOING TO HAVE TO DO A VERY DANGEROUS SURGERY IT'S CALLED VARICOCELE REPAIR 772 00:20:41,007 --> 00:20:42,974 TO DO A VERY DANGEROUS SURGERY IT'S CALLED VARICOCELE REPAIR SURGERY. 773 00:20:42,976 --> 00:20:43,674 IT'S CALLED VARICOCELE REPAIR SURGERY. BUT DON'T WORRY, BRO, I'LL BE 774 00:20:43,676 --> 00:20:48,013 SURGERY. BUT DON'T WORRY, BRO, I'LL BE DOING THE SURGERY. 775 00:20:48,015 --> 00:20:49,347 BUT DON'T WORRY, BRO, I'LL BE DOING THE SURGERY. [ LAUGHTER ] 776 00:20:49,349 --> 00:20:49,913 DOING THE SURGERY. [ LAUGHTER ] I'M LIKE, "ARJAN, I'M VERY 777 00:20:49,915 --> 00:20:50,315 [ LAUGHTER ] I'M LIKE, "ARJAN, I'M VERY WORRIED. 778 00:20:50,317 --> 00:20:51,082 I'M LIKE, "ARJAN, I'M VERY WORRIED. YOU'RE IN A LAB COAT AND 779 00:20:51,084 --> 00:20:51,548 WORRIED. YOU'RE IN A LAB COAT AND JORDANS. 780 00:20:51,550 --> 00:20:52,082 YOU'RE IN A LAB COAT AND JORDANS. THIS IS NOT INSTILLING 781 00:20:52,084 --> 00:20:55,353 JORDANS. THIS IS NOT INSTILLING CONFIDENCE IN ME, AS A PATIENT 782 00:20:55,355 --> 00:20:56,188 THIS IS NOT INSTILLING CONFIDENCE IN ME, AS A PATIENT >> Jimmy: IN HIS JORDANS 783 00:20:56,190 --> 00:20:56,987 CONFIDENCE IN ME, AS A PATIENT >> Jimmy: IN HIS JORDANS [ LAUGHTER ] 784 00:20:56,989 --> 00:20:57,755 >> Jimmy: IN HIS JORDANS [ LAUGHTER ] >> HE PULLS OUT A TRIMMER AND 785 00:20:57,757 --> 00:20:58,322 [ LAUGHTER ] >> HE PULLS OUT A TRIMMER AND HE GOES, "LET ME GET UP IN 786 00:20:58,324 --> 00:20:58,956 >> HE PULLS OUT A TRIMMER AND HE GOES, "LET ME GET UP IN THERE. 787 00:20:58,958 --> 00:20:59,857 HE GOES, "LET ME GET UP IN THERE. I'LL SHAVE YOU DOWN. 788 00:20:59,859 --> 00:21:00,457 THERE. I'LL SHAVE YOU DOWN. I'LL DO IT RIGHT HERE RIGHT 789 00:21:00,459 --> 00:21:00,858 I'LL SHAVE YOU DOWN. I'LL DO IT RIGHT HERE RIGHT NOW. 790 00:21:00,860 --> 00:21:01,126 I'LL DO IT RIGHT HERE RIGHT NOW. [ LAUGHTER ] 791 00:21:01,128 --> 00:21:01,625 NOW. [ LAUGHTER ] I GO, "ARJAN --" 792 00:21:01,627 --> 00:21:02,493 [ LAUGHTER ] I GO, "ARJAN --" >> Jimmy: NO, THIS IS -- 793 00:21:02,495 --> 00:21:02,960 I GO, "ARJAN --" >> Jimmy: NO, THIS IS -- >> YEAH. 794 00:21:02,962 --> 00:21:04,094 >> Jimmy: NO, THIS IS -- >> YEAH. I KNOW WE GREW UP TOGETHER BUT 795 00:21:04,096 --> 00:21:05,163 >> YEAH. I KNOW WE GREW UP TOGETHER BUT I'M NOT READY FOR THIS 796 00:21:05,165 --> 00:21:07,398 I KNOW WE GREW UP TOGETHER BUT I'M NOT READY FOR THIS HE GOES, "LISTEN, MAN. 797 00:21:07,400 --> 00:21:08,132 I'M NOT READY FOR THIS HE GOES, "LISTEN, MAN. IF YOU DON'T GET THIS SURGERY, 798 00:21:08,134 --> 00:21:11,436 HE GOES, "LISTEN, MAN. IF YOU DON'T GET THIS SURGERY, YOU CAN'T HAVE KIDS. 799 00:21:11,438 --> 00:21:15,440 IF YOU DON'T GET THIS SURGERY, YOU CAN'T HAVE KIDS. AND I GO, "YOU KNOW WHAT 800 00:21:15,442 --> 00:21:15,973 YOU CAN'T HAVE KIDS. AND I GO, "YOU KNOW WHAT JUST GIVE ME THE FADE. 801 00:21:15,975 --> 00:21:16,774 AND I GO, "YOU KNOW WHAT JUST GIVE ME THE FADE. MAKE THE TOP MATCH THE BOTTOM. 802 00:21:16,776 --> 00:21:17,775 JUST GIVE ME THE FADE. MAKE THE TOP MATCH THE BOTTOM. [ LAUGHTER ] 803 00:21:17,777 --> 00:21:18,976 MAKE THE TOP MATCH THE BOTTOM. [ LAUGHTER ] >> Jimmy: GIVE ME THE FADE 804 00:21:18,978 --> 00:21:20,345 [ LAUGHTER ] >> Jimmy: GIVE ME THE FADE >> YEAH, HE PUTS THE 805 00:21:20,347 --> 00:21:22,046 >> Jimmy: GIVE ME THE FADE >> YEAH, HE PUTS THE DARTH VADER ON ME. 806 00:21:22,048 --> 00:21:22,579 >> YEAH, HE PUTS THE DARTH VADER ON ME. SIX HOURS LATER, I WAKE UP 807 00:21:22,581 --> 00:21:23,315 DARTH VADER ON ME. SIX HOURS LATER, I WAKE UP I'M BUTT NAKED IN A DIAPER 808 00:21:23,317 --> 00:21:24,114 SIX HOURS LATER, I WAKE UP I'M BUTT NAKED IN A DIAPER >> Jimmy: YEAH 809 00:21:24,116 --> 00:21:24,716 I'M BUTT NAKED IN A DIAPER >> Jimmy: YEAH >> FOUR HUGE BLOODSTAINS ON THE 810 00:21:24,718 --> 00:21:25,183 >> Jimmy: YEAH >> FOUR HUGE BLOODSTAINS ON THE DIAPER 811 00:21:25,185 --> 00:21:25,849 >> FOUR HUGE BLOODSTAINS ON THE DIAPER I LOOK DOWN, I LOOK UP, I SEE 812 00:21:25,851 --> 00:21:27,818 DIAPER I LOOK DOWN, I LOOK UP, I SEE ARJAN. 813 00:21:27,820 --> 00:21:28,386 I LOOK DOWN, I LOOK UP, I SEE ARJAN. I GO, "ARJAN, I ONLY HAVE TWO 814 00:21:28,388 --> 00:21:28,919 ARJAN. I GO, "ARJAN, I ONLY HAVE TWO TESTICLES. 815 00:21:28,921 --> 00:21:29,321 I GO, "ARJAN, I ONLY HAVE TWO TESTICLES. [ LAUGHTER ] 816 00:21:29,323 --> 00:21:29,988 TESTICLES. [ LAUGHTER ] >> Jimmy: YEAH 817 00:21:29,990 --> 00:21:30,522 [ LAUGHTER ] >> Jimmy: YEAH >> HOW DID YOU MESS UP TWO 818 00:21:30,524 --> 00:21:31,755 >> Jimmy: YEAH >> HOW DID YOU MESS UP TWO EXTRA TIMES? 819 00:21:31,757 --> 00:21:32,490 >> HOW DID YOU MESS UP TWO EXTRA TIMES? HE'S LIKE, "DON'T WORRY, BRO 820 00:21:32,492 --> 00:21:33,624 EXTRA TIMES? HE'S LIKE, "DON'T WORRY, BRO WE FIGURED IT OUT. 821 00:21:33,626 --> 00:21:35,159 HE'S LIKE, "DON'T WORRY, BRO WE FIGURED IT OUT. >> Jimmy: YEAH 822 00:21:35,161 --> 00:21:36,194 WE FIGURED IT OUT. >> Jimmy: YEAH [ LIGHT LAUGHTER ] 823 00:21:36,196 --> 00:21:36,860 >> Jimmy: YEAH [ LIGHT LAUGHTER ] >> JUST GIVE IT SIX WEEKS AND 824 00:21:36,862 --> 00:21:38,763 [ LIGHT LAUGHTER ] >> JUST GIVE IT SIX WEEKS AND YOU'LL BE GOOD TO GO 825 00:21:38,765 --> 00:21:39,397 >> JUST GIVE IT SIX WEEKS AND YOU'LL BE GOOD TO GO SIX WEEKS LATER, WE HAVE HOT 826 00:21:39,399 --> 00:21:39,831 YOU'LL BE GOOD TO GO SIX WEEKS LATER, WE HAVE HOT MONOGAMOUS ACTION, ME AND 827 00:21:39,833 --> 00:21:40,397 SIX WEEKS LATER, WE HAVE HOT MONOGAMOUS ACTION, ME AND BEENA. 828 00:21:40,399 --> 00:21:40,999 MONOGAMOUS ACTION, ME AND BEENA. SHE GETS PREGNANT AND THERE YOU 829 00:21:41,001 --> 00:21:42,800 BEENA. SHE GETS PREGNANT AND THERE YOU GO 830 00:21:42,802 --> 00:21:43,401 SHE GETS PREGNANT AND THERE YOU GO >> Jimmy: THAT'S WHAT I'M 831 00:21:43,403 --> 00:21:44,069 GO >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. 832 00:21:44,071 --> 00:21:46,203 >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. [ CHEERS AND APPLAUSE 833 00:21:46,205 --> 00:21:47,271 TALKING ABOUT. [ CHEERS AND APPLAUSE >> SO THANK YOU TO ARJAN SHAH 834 00:21:47,273 --> 00:21:48,139 [ CHEERS AND APPLAUSE >> SO THANK YOU TO ARJAN SHAH AND THE D.O.s. 835 00:21:48,141 --> 00:21:48,906 >> SO THANK YOU TO ARJAN SHAH AND THE D.O.s. >> Jimmy: AND THE D.O.s. 836 00:21:48,908 --> 00:21:50,874 AND THE D.O.s. >> Jimmy: AND THE D.O.s. SHOUT OUT TO THE D.O.s 837 00:21:50,876 --> 00:21:51,610 >> Jimmy: AND THE D.O.s. SHOUT OUT TO THE D.O.s >> SHOUT OUT TO THE D.O.s. 838 00:21:51,612 --> 00:21:52,276 SHOUT OUT TO THE D.O.s >> SHOUT OUT TO THE D.O.s. >> Jimmy: DUDE, I WANT TO TALK 839 00:21:52,278 --> 00:21:53,844 >> SHOUT OUT TO THE D.O.s. >> Jimmy: DUDE, I WANT TO TALK ABOUT "THE MORNING SHOW. 840 00:21:53,846 --> 00:21:54,612 >> Jimmy: DUDE, I WANT TO TALK ABOUT "THE MORNING SHOW. >> YES 841 00:21:54,614 --> 00:21:55,447 ABOUT "THE MORNING SHOW. >> YES >> Jimmy: BECAUSE THIS IS -- 842 00:21:55,449 --> 00:21:56,180 >> YES >> Jimmy: BECAUSE THIS IS -- I SAW EPISODE ONE AND THERE YOU 843 00:21:56,182 --> 00:21:57,014 >> Jimmy: BECAUSE THIS IS -- I SAW EPISODE ONE AND THERE YOU ARE CRUSHING IT. 844 00:21:57,016 --> 00:22:00,318 I SAW EPISODE ONE AND THERE YOU ARE CRUSHING IT. YOU AND REESE WITHERSPOON. 845 00:22:00,320 --> 00:22:00,885 ARE CRUSHING IT. YOU AND REESE WITHERSPOON. I GO, "LOOK AT HASAN, THIS IS 846 00:22:00,887 --> 00:22:01,419 YOU AND REESE WITHERSPOON. I GO, "LOOK AT HASAN, THIS IS UNBELIEVABLE." 847 00:22:01,421 --> 00:22:02,052 I GO, "LOOK AT HASAN, THIS IS UNBELIEVABLE." THIS IS -- IT'S A GIANT ROLE 848 00:22:02,054 --> 00:22:03,821 UNBELIEVABLE." THIS IS -- IT'S A GIANT ROLE FOR YOU. 849 00:22:03,823 --> 00:22:04,822 THIS IS -- IT'S A GIANT ROLE FOR YOU. >> YES 850 00:22:04,824 --> 00:22:05,357 FOR YOU. >> YES >> Jimmy: AND I LOVE -- YOU 851 00:22:05,359 --> 00:22:06,091 >> YES >> Jimmy: AND I LOVE -- YOU KNOW, I'M A FAN, SO 852 00:22:06,093 --> 00:22:08,325 >> Jimmy: AND I LOVE -- YOU KNOW, I'M A FAN, SO CONGRATULATIONS ON THIS. 853 00:22:08,327 --> 00:22:09,293 KNOW, I'M A FAN, SO CONGRATULATIONS ON THIS. I WANT TO SHOW EVERYONE A CLIP 854 00:22:09,295 --> 00:22:09,893 CONGRATULATIONS ON THIS. I WANT TO SHOW EVERYONE A CLIP THIS IS HASAN MINHAJ IN "THE 855 00:22:09,895 --> 00:22:10,294 I WANT TO SHOW EVERYONE A CLIP THIS IS HASAN MINHAJ IN "THE MORNING SHOW." 856 00:22:10,296 --> 00:22:12,897 THIS IS HASAN MINHAJ IN "THE MORNING SHOW." TAKE A LOOK AT THIS. 857 00:22:14,566 --> 00:22:16,834 SOMETHING HERE, AND I WANT TO MAKE A TOAST >> OKAY. 858 00:22:16,836 --> 00:22:17,701 MAKE A TOAST >> OKAY. >> TO YOU. 859 00:22:17,703 --> 00:22:19,336 >> OKAY. >> TO YOU. >> UH-OH 860 00:22:19,338 --> 00:22:19,903 >> TO YOU. >> UH-OH >> BECAUSE YOU CAME IN AT 861 00:22:19,905 --> 00:22:20,972 >> UH-OH >> BECAUSE YOU CAME IN AT A REALLY DIFFICULT TIME, AND 862 00:22:20,974 --> 00:22:21,506 >> BECAUSE YOU CAME IN AT A REALLY DIFFICULT TIME, AND YOU JUST REALLY PULLED ME 863 00:22:21,508 --> 00:22:24,442 A REALLY DIFFICULT TIME, AND YOU JUST REALLY PULLED ME THROUGH IT 864 00:22:24,444 --> 00:22:25,042 YOU JUST REALLY PULLED ME THROUGH IT YOU'VE BEEN SINCERELY AN 865 00:22:25,044 --> 00:22:25,644 THROUGH IT YOU'VE BEEN SINCERELY AN AMAZING PARTNER AND I JUST WANT 866 00:22:25,646 --> 00:22:30,514 YOU'VE BEEN SINCERELY AN AMAZING PARTNER AND I JUST WANT TO THANK YOU 867 00:22:30,516 --> 00:22:32,149 AMAZING PARTNER AND I JUST WANT TO THANK YOU >> THAT MEANS A LOT. 868 00:22:32,151 --> 00:22:34,451 TO THANK YOU >> THAT MEANS A LOT. HONESTLY 869 00:22:34,453 --> 00:22:34,985 >> THAT MEANS A LOT. HONESTLY AND YOU'VE BEEN A GREAT 870 00:22:34,987 --> 00:22:41,325 HONESTLY AND YOU'VE BEEN A GREAT PARTNER, TOO 871 00:22:41,327 --> 00:22:42,192 AND YOU'VE BEEN A GREAT PARTNER, TOO >> I GOT TWO 872 00:22:42,194 --> 00:22:42,827 PARTNER, TOO >> I GOT TWO >> YEAH. 873 00:22:42,829 --> 00:22:43,361 >> I GOT TWO >> YEAH. GOOD, GOOD 874 00:22:43,363 --> 00:22:46,029 >> YEAH. GOOD, GOOD GREAT. 875 00:22:46,031 --> 00:22:47,131 GOOD, GOOD GREAT. [ CHEERS AND APPLAUSE 876 00:22:47,133 --> 00:22:48,966 GREAT. [ CHEERS AND APPLAUSE >> Jimmy: HASAN MINHAJ 877 00:22:48,968 --> 00:22:49,567 [ CHEERS AND APPLAUSE >> Jimmy: HASAN MINHAJ SEASON TWO OF "THE MORNING 878 00:22:49,569 --> 00:22:50,301 >> Jimmy: HASAN MINHAJ SEASON TWO OF "THE MORNING SHOW" IS ON APPLE TV PLUS. 879 00:22:50,303 --> 00:22:50,869 SEASON TWO OF "THE MORNING SHOW" IS ON APPLE TV PLUS. AND TICKETS FOR "HASAN MINHAJ: 880 00:22:50,871 --> 00:22:51,535 SHOW" IS ON APPLE TV PLUS. AND TICKETS FOR "HASAN MINHAJ: THE KING'S JESTER TOUR" ARE ON 881 00:22:51,537 --> 00:22:53,136 AND TICKETS FOR "HASAN MINHAJ: THE KING'S JESTER TOUR" ARE ON HASANMINHAJ.COM. 882 00:22:53,138 --> 00:22:55,740 THE KING'S JESTER TOUR" ARE ON HASANMINHAJ.COM. WE'RE DOING SOMETHING FUN AFTER 883 00:22:55,742 --> 00:23:00,944 HASANMINHAJ.COM. WE'RE DOING SOMETHING FUN AFTER THE BREAK. 884 00:23:00,946 --> 00:23:01,413 WE'RE DOING SOMETHING FUN AFTER THE BREAK. COME ON BACK, EVERYBODY. 885 00:23:01,415 --> 00:23:03,947 THE BREAK. COME ON BACK, EVERYBODY. [ CHEERS AND APPLAUSE 886 00:23:03,949 --> 00:23:20,097 COME ON BACK, EVERYBODY. [ CHEERS AND APPLAUSE ♪ 887 00:23:20,099 --> 00:23:20,631 [ CHEERS AND APPLAUSE ♪ >> Jimmy: WELCOME BACK, 888 00:23:20,633 --> 00:23:21,398 ♪ >> Jimmy: WELCOME BACK, EVERYBODY. 889 00:23:21,400 --> 00:23:21,865 >> Jimmy: WELCOME BACK, EVERYBODY. WE'RE HANGING OUT WITH 890 00:23:21,867 --> 00:23:22,599 EVERYBODY. WE'RE HANGING OUT WITH HASAN MINHAJ RIGHT NOW 891 00:23:22,601 --> 00:23:26,203 WE'RE HANGING OUT WITH HASAN MINHAJ RIGHT NOW [ CHEERS AND APPLAUSE 892 00:23:26,205 --> 00:23:26,871 HASAN MINHAJ RIGHT NOW [ CHEERS AND APPLAUSE HASAN, YOU'RE NOT AFRAID TO 893 00:23:26,873 --> 00:23:27,504 [ CHEERS AND APPLAUSE HASAN, YOU'RE NOT AFRAID TO SPEAK YOUR MIND, AND YOU ALWAYS 894 00:23:27,506 --> 00:23:28,106 HASAN, YOU'RE NOT AFRAID TO SPEAK YOUR MIND, AND YOU ALWAYS GIVE GREAT ADVICE, SO I THOUGHT 895 00:23:28,108 --> 00:23:28,772 SPEAK YOUR MIND, AND YOU ALWAYS GIVE GREAT ADVICE, SO I THOUGHT RIGHT NOW, WE COULD HELP SOME 896 00:23:28,774 --> 00:23:29,307 GIVE GREAT ADVICE, SO I THOUGHT RIGHT NOW, WE COULD HELP SOME PEOPLE OUT WITH THEIR BIG LIFE 897 00:23:29,309 --> 00:23:32,977 RIGHT NOW, WE COULD HELP SOME PEOPLE OUT WITH THEIR BIG LIFE DECISIONS. 898 00:23:32,979 --> 00:23:33,712 PEOPLE OUT WITH THEIR BIG LIFE DECISIONS. IT'S TIME FOR "LIFE COACH WITH 899 00:23:33,714 --> 00:23:34,211 DECISIONS. IT'S TIME FOR "LIFE COACH WITH HASAN MINHAJ." 900 00:23:34,213 --> 00:23:36,380 IT'S TIME FOR "LIFE COACH WITH HASAN MINHAJ." HERE WE GO 901 00:23:39,317 --> 00:23:44,254 WITH HASAN MINHAJ ♪ >> Jimmy: NOT BAD RIGHT? YOU LIKE THAT? 902 00:23:44,256 --> 00:23:45,456 >> Jimmy: NOT BAD RIGHT? YOU LIKE THAT? >> I LOVE IT 903 00:23:45,458 --> 00:23:45,990 YOU LIKE THAT? >> I LOVE IT >> Jimmy: ALL RIGHT, WE HAD 904 00:23:45,992 --> 00:23:47,424 >> I LOVE IT >> Jimmy: ALL RIGHT, WE HAD VIEWERS SEND IN SOME QUESTIONS 905 00:23:47,426 --> 00:23:49,160 >> Jimmy: ALL RIGHT, WE HAD VIEWERS SEND IN SOME QUESTIONS AND WE GOT SOME PRETTY GOOD 906 00:23:49,162 --> 00:23:49,726 VIEWERS SEND IN SOME QUESTIONS AND WE GOT SOME PRETTY GOOD ONES HERE. 907 00:23:49,728 --> 00:23:50,260 AND WE GOT SOME PRETTY GOOD ONES HERE. YOU READY TO GIVE US SOME 908 00:23:50,262 --> 00:23:50,828 ONES HERE. YOU READY TO GIVE US SOME ADVICE 909 00:23:50,830 --> 00:23:51,895 YOU READY TO GIVE US SOME ADVICE >> LET'S DO IT 910 00:23:51,897 --> 00:23:52,496 ADVICE >> LET'S DO IT >> Jimmy: ALL RIGHT, HERE WE 911 00:23:52,498 --> 00:23:52,764 >> LET'S DO IT >> Jimmy: ALL RIGHT, HERE WE GO 912 00:23:52,766 --> 00:23:53,430 >> Jimmy: ALL RIGHT, HERE WE GO THIS FIRST ONE, "MY CO-WORKER 913 00:23:53,432 --> 00:23:53,998 GO THIS FIRST ONE, "MY CO-WORKER LOST A PET A FEW WEEKS AGO, AND 914 00:23:54,000 --> 00:23:54,598 THIS FIRST ONE, "MY CO-WORKER LOST A PET A FEW WEEKS AGO, AND IT'S ALL SHE TALKS ABOUT 915 00:23:54,600 --> 00:23:55,399 LOST A PET A FEW WEEKS AGO, AND IT'S ALL SHE TALKS ABOUT I'M A PET LOVER, AND I GET IT, 916 00:23:55,401 --> 00:24:00,771 IT'S ALL SHE TALKS ABOUT I'M A PET LOVER, AND I GET IT, BUT IT'S A FISH. 917 00:24:00,773 --> 00:24:02,173 I'M A PET LOVER, AND I GET IT, BUT IT'S A FISH. I MEAN, COME ON, RIGHT?" 918 00:24:02,175 --> 00:24:02,940 BUT IT'S A FISH. I MEAN, COME ON, RIGHT?" [ LIGHT LAUGHTER ] 919 00:24:02,942 --> 00:24:03,607 I MEAN, COME ON, RIGHT?" [ LIGHT LAUGHTER ] >> OKAY, WAIT -- FIRST OF ALL, 920 00:24:03,609 --> 00:24:04,342 [ LIGHT LAUGHTER ] >> OKAY, WAIT -- FIRST OF ALL, I THINK WE HAVE TO JUST FIGURE 921 00:24:04,344 --> 00:24:07,878 >> OKAY, WAIT -- FIRST OF ALL, I THINK WE HAVE TO JUST FIGURE THIS OUT AS A COUNTRY. 922 00:24:07,880 --> 00:24:09,079 I THINK WE HAVE TO JUST FIGURE THIS OUT AS A COUNTRY. IF YOU CAN EAT YOUR PET, IS IT 923 00:24:09,081 --> 00:24:10,280 THIS OUT AS A COUNTRY. IF YOU CAN EAT YOUR PET, IS IT A PET? 924 00:24:10,282 --> 00:24:12,249 IF YOU CAN EAT YOUR PET, IS IT A PET? [ LAUGHTER ] 925 00:24:12,251 --> 00:24:13,216 A PET? [ LAUGHTER ] YOU UNDERSTAND 926 00:24:13,218 --> 00:24:14,518 [ LAUGHTER ] YOU UNDERSTAND CULTURALLY 927 00:24:14,520 --> 00:24:15,152 YOU UNDERSTAND CULTURALLY >> Jimmy: YES, I UNDERSTAND, 928 00:24:15,154 --> 00:24:15,620 CULTURALLY >> Jimmy: YES, I UNDERSTAND, BUT YOU CAN'T EAT YOUR DOG, 929 00:24:15,622 --> 00:24:18,021 >> Jimmy: YES, I UNDERSTAND, BUT YOU CAN'T EAT YOUR DOG, YOUR CAT, YOUR GUINEA PIG. 930 00:24:18,023 --> 00:24:18,556 BUT YOU CAN'T EAT YOUR DOG, YOUR CAT, YOUR GUINEA PIG. >> BUT IF YOU ARE TELLING ME 931 00:24:18,558 --> 00:24:20,825 YOUR CAT, YOUR GUINEA PIG. >> BUT IF YOU ARE TELLING ME YOU ARE MOURNING YOUR FISH, BUT 932 00:24:20,827 --> 00:24:21,758 >> BUT IF YOU ARE TELLING ME YOU ARE MOURNING YOUR FISH, BUT YOU HAD A POKI BOWL FOR LUNCH, 933 00:24:21,760 --> 00:24:23,060 YOU ARE MOURNING YOUR FISH, BUT YOU HAD A POKI BOWL FOR LUNCH, I REFUSE, I REFUSE 934 00:24:23,062 --> 00:24:26,130 YOU HAD A POKI BOWL FOR LUNCH, I REFUSE, I REFUSE [ LAUGHTER ] 935 00:24:26,132 --> 00:24:26,764 I REFUSE, I REFUSE [ LAUGHTER ] LIKE, I'M NOT GOING TO PLAY 936 00:24:26,766 --> 00:24:27,865 [ LAUGHTER ] LIKE, I'M NOT GOING TO PLAY THIS GAME WITH YOU 937 00:24:27,867 --> 00:24:28,833 LIKE, I'M NOT GOING TO PLAY THIS GAME WITH YOU [ CHEERS ] 938 00:24:28,835 --> 00:24:29,833 THIS GAME WITH YOU [ CHEERS ] >> Jimmy: YEAH, YOU CAN'T EAT 939 00:24:29,835 --> 00:24:32,303 [ CHEERS ] >> Jimmy: YEAH, YOU CAN'T EAT YOUR PET 940 00:24:32,305 --> 00:24:33,103 >> Jimmy: YEAH, YOU CAN'T EAT YOUR PET HOW ABOUT THIS ONE, READY. 941 00:24:33,105 --> 00:24:33,871 YOUR PET HOW ABOUT THIS ONE, READY. >> OKAY. 942 00:24:33,873 --> 00:24:34,505 HOW ABOUT THIS ONE, READY. >> OKAY. >> Jimmy: "MY CO-WORKER SNEEZES 943 00:24:34,507 --> 00:24:34,972 >> OKAY. >> Jimmy: "MY CO-WORKER SNEEZES ALL THE TIME." 944 00:24:34,974 --> 00:24:36,507 >> Jimmy: "MY CO-WORKER SNEEZES ALL THE TIME." >> OKAY. 945 00:24:36,509 --> 00:24:37,174 ALL THE TIME." >> OKAY. >> Jimmy: "I USED TO SAY, 'GOD 946 00:24:37,176 --> 00:24:37,708 >> OKAY. >> Jimmy: "I USED TO SAY, 'GOD BLESS YOU,' BUT IT'S LIKE 947 00:24:37,710 --> 00:24:38,309 >> Jimmy: "I USED TO SAY, 'GOD BLESS YOU,' BUT IT'S LIKE 30 TIMES A DAY, SO I FINALLY 948 00:24:38,311 --> 00:24:40,777 BLESS YOU,' BUT IT'S LIKE 30 TIMES A DAY, SO I FINALLY STOPPED. 949 00:24:40,779 --> 00:24:41,412 30 TIMES A DAY, SO I FINALLY STOPPED. HE'S BEEN COLD TO ME EVER 950 00:24:41,414 --> 00:24:42,413 STOPPED. HE'S BEEN COLD TO ME EVER SINCE. 951 00:24:42,415 --> 00:24:43,047 HE'S BEEN COLD TO ME EVER SINCE. SHOULD I START BLESSING HIM 952 00:24:43,049 --> 00:24:44,148 SINCE. SHOULD I START BLESSING HIM AGAIN? 953 00:24:44,150 --> 00:24:45,650 SHOULD I START BLESSING HIM AGAIN? [ LAUGHTER ] 954 00:24:45,652 --> 00:24:47,218 AGAIN? [ LAUGHTER ] >> ALL RIGHT 955 00:24:47,220 --> 00:24:48,386 [ LAUGHTER ] >> ALL RIGHT LET'S THINK ABOUT THIS 956 00:24:48,388 --> 00:24:49,186 >> ALL RIGHT LET'S THINK ABOUT THIS 30 TIMES A DAY 957 00:24:49,188 --> 00:24:49,720 LET'S THINK ABOUT THIS 30 TIMES A DAY THAT'S A LOT 958 00:24:49,722 --> 00:24:50,488 30 TIMES A DAY THAT'S A LOT >> Jimmy: THAT'S TOO MANY. 959 00:24:50,490 --> 00:24:51,255 THAT'S A LOT >> Jimmy: THAT'S TOO MANY. >> THAT'S TOO MANY 960 00:24:51,257 --> 00:24:52,256 >> Jimmy: THAT'S TOO MANY. >> THAT'S TOO MANY >> Jimmy: YEAH 961 00:24:52,258 --> 00:24:52,923 >> THAT'S TOO MANY >> Jimmy: YEAH >> BUT WE ALL KNOW SNEEZING AT 962 00:24:52,925 --> 00:24:53,457 >> Jimmy: YEAH >> BUT WE ALL KNOW SNEEZING AT THE OFFICE IS THE NEW FARTING 963 00:24:53,459 --> 00:24:54,658 >> BUT WE ALL KNOW SNEEZING AT THE OFFICE IS THE NEW FARTING AT THE OFFICE. 964 00:24:54,660 --> 00:24:55,526 THE OFFICE IS THE NEW FARTING AT THE OFFICE. YOU CAN'T DO IT. 965 00:24:55,528 --> 00:24:56,293 AT THE OFFICE. YOU CAN'T DO IT. YOU CAN'T DO IT. 966 00:24:56,295 --> 00:24:56,860 YOU CAN'T DO IT. YOU CAN'T DO IT. IF SOMEONE SNEEZES AT YOUR 967 00:24:56,862 --> 00:24:57,395 YOU CAN'T DO IT. IF SOMEONE SNEEZES AT YOUR OFFICE, THEY GO, "HEY, WELCOME 968 00:24:57,397 --> 00:24:58,929 IF SOMEONE SNEEZES AT YOUR OFFICE, THEY GO, "HEY, WELCOME BACK." 969 00:24:58,931 --> 00:24:59,597 OFFICE, THEY GO, "HEY, WELCOME BACK." NO MORE WORK FROM HOME AND YOU 970 00:24:59,599 --> 00:25:02,066 BACK." NO MORE WORK FROM HOME AND YOU SEE SOMEONE SNEEZING 30 TIMES 971 00:25:02,068 --> 00:25:02,666 NO MORE WORK FROM HOME AND YOU SEE SOMEONE SNEEZING 30 TIMES IN AN EIGHT-HOUR DAY, THAT'S 972 00:25:02,668 --> 00:25:05,135 SEE SOMEONE SNEEZING 30 TIMES IN AN EIGHT-HOUR DAY, THAT'S FOUR TIMES AN HOUR 973 00:25:05,137 --> 00:25:06,003 IN AN EIGHT-HOUR DAY, THAT'S FOUR TIMES AN HOUR YOU KNOW WHAT I MEAN 974 00:25:06,005 --> 00:25:07,672 FOUR TIMES AN HOUR YOU KNOW WHAT I MEAN THAT'S LIKE AN iPHONE BURST. 975 00:25:07,674 --> 00:25:08,273 YOU KNOW WHAT I MEAN THAT'S LIKE AN iPHONE BURST. LIKE WHEN YOU TAKE A PHOTO, DA, 976 00:25:08,275 --> 00:25:08,872 THAT'S LIKE AN iPHONE BURST. LIKE WHEN YOU TAKE A PHOTO, DA, DA, DA 977 00:25:08,874 --> 00:25:09,740 LIKE WHEN YOU TAKE A PHOTO, DA, DA, DA YOU'RE LIKE, "WHOA, WHAT'S 978 00:25:09,742 --> 00:25:10,273 DA, DA YOU'RE LIKE, "WHOA, WHAT'S GOING ON?" 979 00:25:10,275 --> 00:25:12,909 YOU'RE LIKE, "WHOA, WHAT'S GOING ON?" [ LAUGHTER ] 980 00:25:12,911 --> 00:25:13,511 GOING ON?" [ LAUGHTER ] I THINK, LOOK, I'M A SPIRITUAL 981 00:25:13,513 --> 00:25:14,211 [ LAUGHTER ] I THINK, LOOK, I'M A SPIRITUAL PERSON 982 00:25:14,213 --> 00:25:18,148 I THINK, LOOK, I'M A SPIRITUAL PERSON YOU SHOULD ALWAYS BLESS PEOPLE 983 00:25:18,150 --> 00:25:18,749 PERSON YOU SHOULD ALWAYS BLESS PEOPLE MAYBE SWITCH IT UP AND DO WHAT 984 00:25:18,751 --> 00:25:20,784 YOU SHOULD ALWAYS BLESS PEOPLE MAYBE SWITCH IT UP AND DO WHAT WE DO IN MY CULTURE, TARIQ, YOU 985 00:25:20,786 --> 00:25:21,418 MAYBE SWITCH IT UP AND DO WHAT WE DO IN MY CULTURE, TARIQ, YOU KNOW THIS. 986 00:25:21,420 --> 00:25:22,086 WE DO IN MY CULTURE, TARIQ, YOU KNOW THIS. WE'RE BROTHERS 987 00:25:22,088 --> 00:25:23,186 KNOW THIS. WE'RE BROTHERS [ LAUGHTER ] 988 00:25:23,188 --> 00:25:24,054 WE'RE BROTHERS [ LAUGHTER ] I'LL SNEEZE, YOU TELL HIM WHAT 989 00:25:24,056 --> 00:25:24,555 [ LAUGHTER ] I'LL SNEEZE, YOU TELL HIM WHAT WE DO, OKAY. 990 00:25:24,557 --> 00:25:25,355 I'LL SNEEZE, YOU TELL HIM WHAT WE DO, OKAY. I'M GONNA SNEEZE 991 00:25:25,357 --> 00:25:26,023 WE DO, OKAY. I'M GONNA SNEEZE >> Tariq: OKAY 992 00:25:26,025 --> 00:25:26,690 I'M GONNA SNEEZE >> Tariq: OKAY >> ACHOO 993 00:25:26,692 --> 00:25:27,891 >> Tariq: OKAY >> ACHOO [ SPEAKING FOREIGN LANGUAGE 994 00:25:27,893 --> 00:25:30,827 >> ACHOO [ SPEAKING FOREIGN LANGUAGE >> Hasan: THERE WE GO. 995 00:25:30,829 --> 00:25:33,130 [ SPEAKING FOREIGN LANGUAGE >> Hasan: THERE WE GO. [ SPEAKING FOREIGN LANGUAGE 996 00:25:33,132 --> 00:25:33,965 >> Hasan: THERE WE GO. [ SPEAKING FOREIGN LANGUAGE IT'S ALL HALLELUJAH, YEAH. 997 00:25:33,967 --> 00:25:34,565 [ SPEAKING FOREIGN LANGUAGE IT'S ALL HALLELUJAH, YEAH. ARE YOU FAMILIAR WITH ASAP 998 00:25:34,567 --> 00:25:36,300 IT'S ALL HALLELUJAH, YEAH. ARE YOU FAMILIAR WITH ASAP FERG 999 00:25:36,302 --> 00:25:37,167 ARE YOU FAMILIAR WITH ASAP FERG >> Jimmy: YES, OF COURSE 1000 00:25:37,169 --> 00:25:37,768 FERG >> Jimmy: YES, OF COURSE >> HE HAS THAT SONG "RIDE WITH 1001 00:25:37,770 --> 00:25:38,770 >> Jimmy: YES, OF COURSE >> HE HAS THAT SONG "RIDE WITH THE MOB" 1002 00:25:38,772 --> 00:25:41,438 >> HE HAS THAT SONG "RIDE WITH THE MOB" ♪ 1003 00:25:41,440 --> 00:25:44,174 THE MOB" ♪ [ SPEAKING FOREIGN LANGUAGE 1004 00:25:44,176 --> 00:25:44,842 ♪ [ SPEAKING FOREIGN LANGUAGE [ SINGING IN FOREIGN LANGUAGE 1005 00:25:44,844 --> 00:25:45,375 [ SPEAKING FOREIGN LANGUAGE [ SINGING IN FOREIGN LANGUAGE >> Jimmy: OKAY, SO YOU'RE 1006 00:25:45,377 --> 00:25:45,844 [ SINGING IN FOREIGN LANGUAGE >> Jimmy: OKAY, SO YOU'RE SAYING THAT'S THAT. >> YEAH, 1007 00:25:45,846 --> 00:25:46,244 >> Jimmy: OKAY, SO YOU'RE SAYING THAT'S THAT. >> YEAH, JUST SWITCH IT UP. 1008 00:25:46,246 --> 00:25:47,244 SAYING THAT'S THAT. >> YEAH, JUST SWITCH IT UP. >> Jimmy: YEAH -- ALL RIGHT, 1009 00:25:47,246 --> 00:25:48,979 JUST SWITCH IT UP. >> Jimmy: YEAH -- ALL RIGHT, HOW ABOUT THIS ONE 1010 00:25:48,981 --> 00:25:51,583 >> Jimmy: YEAH -- ALL RIGHT, HOW ABOUT THIS ONE >> SURE. 1011 00:25:51,585 --> 00:25:52,182 HOW ABOUT THIS ONE >> SURE. >> Jimmy: "SHOULD I TELL MY 1012 00:25:52,184 --> 00:25:52,783 >> SURE. >> Jimmy: "SHOULD I TELL MY CO-WORKER THAT THEIR BAND IS 1013 00:25:52,785 --> 00:25:54,651 >> Jimmy: "SHOULD I TELL MY CO-WORKER THAT THEIR BAND IS REALLY BAD 1014 00:25:54,653 --> 00:25:55,318 CO-WORKER THAT THEIR BAND IS REALLY BAD THEY'VE BEEN TRYING TO MAKE IT 1015 00:25:55,320 --> 00:25:55,854 REALLY BAD THEY'VE BEEN TRYING TO MAKE IT HAPPEN FOR LIKE EIGHT YEARS, 1016 00:25:55,856 --> 00:25:56,520 THEY'VE BEEN TRYING TO MAKE IT HAPPEN FOR LIKE EIGHT YEARS, AND LET ME TELL YOU, IT AIN'T 1017 00:25:56,522 --> 00:25:56,920 HAPPEN FOR LIKE EIGHT YEARS, AND LET ME TELL YOU, IT AIN'T NEVER GONNA HAPPEN 1018 00:25:56,922 --> 00:25:58,456 AND LET ME TELL YOU, IT AIN'T NEVER GONNA HAPPEN [ LAUGHTER ] 1019 00:25:58,458 --> 00:25:59,456 NEVER GONNA HAPPEN [ LAUGHTER ] THEIR SONGS ARE AWFUL. 1020 00:25:59,458 --> 00:26:00,123 [ LAUGHTER ] THEIR SONGS ARE AWFUL. THIS GUY CAN'T SING, CAN'T 1021 00:26:00,125 --> 00:26:00,891 THEIR SONGS ARE AWFUL. THIS GUY CAN'T SING, CAN'T WRITE A MELODY, NOTHING. 1022 00:26:00,893 --> 00:26:03,193 THIS GUY CAN'T SING, CAN'T WRITE A MELODY, NOTHING. I FEEL LIKE SOMEONE SHOULD TELL 1023 00:26:03,195 --> 00:26:03,860 WRITE A MELODY, NOTHING. I FEEL LIKE SOMEONE SHOULD TELL HIM. 1024 00:26:03,862 --> 00:26:04,796 I FEEL LIKE SOMEONE SHOULD TELL HIM. [ LIGHT LAUGHTER ] 1025 00:26:04,798 --> 00:26:05,529 HIM. [ LIGHT LAUGHTER ] >> JIMMY, YOU CANNOT THROW YOUR 1026 00:26:05,531 --> 00:26:06,897 [ LIGHT LAUGHTER ] >> JIMMY, YOU CANNOT THROW YOUR CO-WORKERS UNDER THE BUS HERE. 1027 00:26:06,899 --> 00:26:07,866 >> JIMMY, YOU CANNOT THROW YOUR CO-WORKERS UNDER THE BUS HERE. DID YOU WRITE THIS 1028 00:26:07,868 --> 00:26:09,300 CO-WORKERS UNDER THE BUS HERE. DID YOU WRITE THIS THE ROOTS, THE ROOTS ARE ONE OF 1029 00:26:09,302 --> 00:26:10,935 DID YOU WRITE THIS THE ROOTS, THE ROOTS ARE ONE OF THE GREATEST BANDS OF ALL TIME 1030 00:26:10,937 --> 00:26:11,501 THE ROOTS, THE ROOTS ARE ONE OF THE GREATEST BANDS OF ALL TIME [ LAUGHTER ] 1031 00:26:11,503 --> 00:26:12,603 THE GREATEST BANDS OF ALL TIME [ LAUGHTER ] >> Jimmy: NO 1032 00:26:12,605 --> 00:26:13,203 [ LAUGHTER ] >> Jimmy: NO >> NO, NO, NO. THAT IS SUCH 1033 00:26:13,205 --> 00:26:13,804 >> Jimmy: NO >> NO, NO, NO. THAT IS SUCH A PASSIVE AGGRESSIVE WAY TO 1034 00:26:13,806 --> 00:26:14,339 >> NO, NO, NO. THAT IS SUCH A PASSIVE AGGRESSIVE WAY TO THROW YOUR CO-WORKERS UNDER THE 1035 00:26:14,341 --> 00:26:18,709 A PASSIVE AGGRESSIVE WAY TO THROW YOUR CO-WORKERS UNDER THE BUS. 1036 00:26:18,711 --> 00:26:18,977 THROW YOUR CO-WORKERS UNDER THE BUS. [ LAUGHTER ] 1037 00:26:18,979 --> 00:26:19,677 BUS. [ LAUGHTER ] AFTER THE SHOW IS DONE, LOG ON 1038 00:26:19,679 --> 00:26:20,244 [ LAUGHTER ] AFTER THE SHOW IS DONE, LOG ON SLACK AND JUST PUT THIS IN 1039 00:26:20,246 --> 00:26:24,148 AFTER THE SHOW IS DONE, LOG ON SLACK AND JUST PUT THIS IN GENERAL. 1040 00:26:24,150 --> 00:26:24,948 SLACK AND JUST PUT THIS IN GENERAL. GO @JIMMY AND JUST CLAP BACK AT 1041 00:26:24,950 --> 00:26:27,752 GENERAL. GO @JIMMY AND JUST CLAP BACK AT HIM. 1042 00:26:27,754 --> 00:26:28,352 GO @JIMMY AND JUST CLAP BACK AT HIM. NO, BECAUSE ALL MY SLACK 1043 00:26:28,354 --> 00:26:28,885 HIM. NO, BECAUSE ALL MY SLACK HEADS -- 1044 00:26:28,887 --> 00:26:29,953 NO, BECAUSE ALL MY SLACK HEADS -- YOU KNOW WHERE GENERAL - 1045 00:26:29,955 --> 00:26:31,722 HEADS -- YOU KNOW WHERE GENERAL - [ TALKING OVER EACH OTHER 1046 00:26:31,724 --> 00:26:32,557 YOU KNOW WHERE GENERAL - [ TALKING OVER EACH OTHER >> Jimmy: BUT NO, WOULD YOU -- 1047 00:26:32,559 --> 00:26:33,224 [ TALKING OVER EACH OTHER >> Jimmy: BUT NO, WOULD YOU -- KIDS EAT IT ON GENERAL 1048 00:26:33,226 --> 00:26:34,225 >> Jimmy: BUT NO, WOULD YOU -- KIDS EAT IT ON GENERAL NOT A PRIVATE THREAD GENERAL 1049 00:26:34,227 --> 00:26:34,992 KIDS EAT IT ON GENERAL NOT A PRIVATE THREAD GENERAL THAT'S FULL NAS ETHER. 1050 00:26:34,994 --> 00:26:36,828 NOT A PRIVATE THREAD GENERAL THAT'S FULL NAS ETHER. LIKE, OKAY 1051 00:26:36,830 --> 00:26:37,362 THAT'S FULL NAS ETHER. LIKE, OKAY WE'RE DOING THIS 1052 00:26:37,364 --> 00:26:37,828 LIKE, OKAY WE'RE DOING THIS GENERAL. 1053 00:26:37,830 --> 00:26:39,463 WE'RE DOING THIS GENERAL. [ LAUGHTER ] 1054 00:26:39,465 --> 00:26:41,565 GENERAL. [ LAUGHTER ] AND THEY TAG YOU 1055 00:26:41,567 --> 00:26:43,200 [ LAUGHTER ] AND THEY TAG YOU IT POPS UP 1056 00:26:43,202 --> 00:26:43,700 AND THEY TAG YOU IT POPS UP YOU'RE AT HOME WITH YOUR 1057 00:26:43,702 --> 00:26:44,401 IT POPS UP YOU'RE AT HOME WITH YOUR FAMILY. AND YOU GO, "UH-OH." 1058 00:26:44,403 --> 00:26:44,968 YOU'RE AT HOME WITH YOUR FAMILY. AND YOU GO, "UH-OH." STAFF IS CALLING ME OUT ON 1059 00:26:44,970 --> 00:26:48,238 FAMILY. AND YOU GO, "UH-OH." STAFF IS CALLING ME OUT ON GENERAL. 1060 00:26:48,240 --> 00:26:49,507 STAFF IS CALLING ME OUT ON GENERAL. [ LAUGHTER ] 1061 00:26:49,509 --> 00:26:50,174 GENERAL. [ LAUGHTER ] >> Jimmy: ON GENERAL 1062 00:26:50,176 --> 00:26:50,841 [ LAUGHTER ] >> Jimmy: ON GENERAL >> BECAUSE RANDOM IS A LITTLE 1063 00:26:50,843 --> 00:26:53,011 >> Jimmy: ON GENERAL >> BECAUSE RANDOM IS A LITTLE BIT LESS -- OKAY, IT'S RANDOM. 1064 00:26:53,013 --> 00:26:54,444 >> BECAUSE RANDOM IS A LITTLE BIT LESS -- OKAY, IT'S RANDOM. GENERAL IS WE WANT THE SMOKE 1065 00:26:54,446 --> 00:26:55,012 BIT LESS -- OKAY, IT'S RANDOM. GENERAL IS WE WANT THE SMOKE >> Jimmy: OKAY - 1066 00:26:55,014 --> 00:26:55,879 GENERAL IS WE WANT THE SMOKE >> Jimmy: OKAY - >> NOW THIS IS A CO-WORKER WITH 1067 00:26:55,881 --> 00:26:59,117 >> Jimmy: OKAY - >> NOW THIS IS A CO-WORKER WITH A BAND 1068 00:26:59,119 --> 00:26:59,784 >> NOW THIS IS A CO-WORKER WITH A BAND LISTEN, YOU GOT TO DETERMINE 1069 00:26:59,786 --> 00:27:00,450 A BAND LISTEN, YOU GOT TO DETERMINE ARE THEY JUST A CO-WORKER OR A 1070 00:27:00,452 --> 00:27:00,851 LISTEN, YOU GOT TO DETERMINE ARE THEY JUST A CO-WORKER OR A A FRIEND 1071 00:27:00,853 --> 00:27:01,386 ARE THEY JUST A CO-WORKER OR A A FRIEND IF THEY'RE A CO-WORKER, LET 1072 00:27:01,388 --> 00:27:02,820 A FRIEND IF THEY'RE A CO-WORKER, LET THEM LIVE THEIR DREAM. 1073 00:27:02,822 --> 00:27:05,522 IF THEY'RE A CO-WORKER, LET THEM LIVE THEIR DREAM. YOU DON'T KNOW WHAT PEOPLE ARE 1074 00:27:05,524 --> 00:27:08,058 THEM LIVE THEIR DREAM. YOU DON'T KNOW WHAT PEOPLE ARE GOING THROUGH. 1075 00:27:08,060 --> 00:27:08,592 YOU DON'T KNOW WHAT PEOPLE ARE GOING THROUGH. IF IT'S A FRIEND, A TRUE 1076 00:27:08,594 --> 00:27:09,193 GOING THROUGH. IF IT'S A FRIEND, A TRUE FRIEND, YOU HAVE TO GO, "IS 1077 00:27:09,195 --> 00:27:09,727 IF IT'S A FRIEND, A TRUE FRIEND, YOU HAVE TO GO, "IS THIS SOME SORT OF MID-LIFE 1078 00:27:09,729 --> 00:27:11,128 FRIEND, YOU HAVE TO GO, "IS THIS SOME SORT OF MID-LIFE CRISIS." 1079 00:27:11,130 --> 00:27:11,862 THIS SOME SORT OF MID-LIFE CRISIS." >> Jimmy: IT IS, RIGHT 1080 00:27:11,864 --> 00:27:12,597 CRISIS." >> Jimmy: IT IS, RIGHT >> OKAY, YEAH -- 1081 00:27:12,599 --> 00:27:13,263 >> Jimmy: IT IS, RIGHT >> OKAY, YEAH -- >> Jimmy: YOU MIGHT HAVE TO BE 1082 00:27:13,265 --> 00:27:13,797 >> OKAY, YEAH -- >> Jimmy: YOU MIGHT HAVE TO BE LIKE, "HEY, WHAT AM I NOT 1083 00:27:13,799 --> 00:27:14,598 >> Jimmy: YOU MIGHT HAVE TO BE LIKE, "HEY, WHAT AM I NOT GETTING. 1084 00:27:14,600 --> 00:27:15,333 LIKE, "HEY, WHAT AM I NOT GETTING. >> YEAH, AND THEN, TAKE THE 1085 00:27:15,335 --> 00:27:16,567 GETTING. >> YEAH, AND THEN, TAKE THE DRUMSTICKS AND JUST BREAK THEM 1086 00:27:16,569 --> 00:27:17,768 >> YEAH, AND THEN, TAKE THE DRUMSTICKS AND JUST BREAK THEM [ LAUGHTER ] 1087 00:27:17,770 --> 00:27:19,303 DRUMSTICKS AND JUST BREAK THEM [ LAUGHTER ] LISTEN, MAN -- 1088 00:27:19,305 --> 00:27:20,170 [ LAUGHTER ] LISTEN, MAN -- >> Jimmy: OR DO YOU GO, "IS 1089 00:27:20,172 --> 00:27:21,673 LISTEN, MAN -- >> Jimmy: OR DO YOU GO, "IS THIS THE GOAL? 1090 00:27:21,675 --> 00:27:23,473 >> Jimmy: OR DO YOU GO, "IS THIS THE GOAL? LIKE, IS THIS FUN, IS THIS IT? 1091 00:27:23,475 --> 00:27:24,341 THIS THE GOAL? LIKE, IS THIS FUN, IS THIS IT? ARE WE HERE. 1092 00:27:24,343 --> 00:27:25,008 LIKE, IS THIS FUN, IS THIS IT? ARE WE HERE. >> IF THAT IS WHAT IT IS, THEN 1093 00:27:25,010 --> 00:27:25,676 ARE WE HERE. >> IF THAT IS WHAT IT IS, THEN I THINK THE ALPHA MOVE JUST TO 1094 00:27:25,678 --> 00:27:26,210 >> IF THAT IS WHAT IT IS, THEN I THINK THE ALPHA MOVE JUST TO CHECK THEM ON WHAT THEY'VE DONE 1095 00:27:26,212 --> 00:27:26,744 I THINK THE ALPHA MOVE JUST TO CHECK THEM ON WHAT THEY'VE DONE TO YOU AS A FRIEND IS GO, 1096 00:27:26,746 --> 00:27:27,411 CHECK THEM ON WHAT THEY'VE DONE TO YOU AS A FRIEND IS GO, "SURE, I'LL GO SEE YOUR BAND, 1097 00:27:27,413 --> 00:27:33,317 TO YOU AS A FRIEND IS GO, "SURE, I'LL GO SEE YOUR BAND, YOU COME TO MY IMPROV SHOW." 1098 00:27:33,319 --> 00:27:36,486 "SURE, I'LL GO SEE YOUR BAND, YOU COME TO MY IMPROV SHOW." [ LAUGHTER ] 1099 00:27:36,488 --> 00:27:37,688 YOU COME TO MY IMPROV SHOW." [ LAUGHTER ] >> Jimmy: OKAY 1100 00:27:37,690 --> 00:27:40,624 [ LAUGHTER ] >> Jimmy: OKAY [ TALKING OVER EACH OTHER 1101 00:27:40,626 --> 00:27:41,224 >> Jimmy: OKAY [ TALKING OVER EACH OTHER >> THAT'S YOUR CHECKMATE. >> 1102 00:27:41,226 --> 00:27:42,226 [ TALKING OVER EACH OTHER >> THAT'S YOUR CHECKMATE. >> Jimmy: LET'S MAKE IT FAIR. 1103 00:27:42,228 --> 00:27:43,794 >> THAT'S YOUR CHECKMATE. >> Jimmy: LET'S MAKE IT FAIR. [ TALKING OVER EACH OTHER 1104 00:27:43,796 --> 00:27:44,362 Jimmy: LET'S MAKE IT FAIR. [ TALKING OVER EACH OTHER TOTALLY, I WOULD TOTALLY LOVE 1105 00:27:44,364 --> 00:27:45,428 [ TALKING OVER EACH OTHER TOTALLY, I WOULD TOTALLY LOVE THIS 1106 00:27:45,430 --> 00:27:46,196 TOTALLY, I WOULD TOTALLY LOVE THIS YOU GOT SO SEE MY THING THAT 1107 00:27:46,198 --> 00:27:48,065 THIS YOU GOT SO SEE MY THING THAT I'M DOING THAT'S AWFUL 1108 00:27:48,067 --> 00:27:48,832 YOU GOT SO SEE MY THING THAT I'M DOING THAT'S AWFUL >> YEAH IT'S UCB 101, JUST 1109 00:27:48,834 --> 00:27:49,933 I'M DOING THAT'S AWFUL >> YEAH IT'S UCB 101, JUST STARTED. 1110 00:27:49,935 --> 00:27:50,969 >> YEAH IT'S UCB 101, JUST STARTED. [ LIGHT LAUGHTER ] 1111 00:27:50,971 --> 00:27:51,768 STARTED. [ LIGHT LAUGHTER ] >> Jimmy: I GOT THREE NEW 1112 00:27:51,770 --> 00:27:52,336 [ LIGHT LAUGHTER ] >> Jimmy: I GOT THREE NEW CHARACTERS 1113 00:27:52,338 --> 00:27:53,303 >> Jimmy: I GOT THREE NEW CHARACTERS >> I GOT THREE NEW CHARACTERS. 1114 00:27:53,305 --> 00:27:54,071 CHARACTERS >> I GOT THREE NEW CHARACTERS. >> Jimmy: IT'S LONG. 1115 00:27:54,073 --> 00:27:54,504 >> I GOT THREE NEW CHARACTERS. >> Jimmy: IT'S LONG. >> YEAH. 1116 00:27:54,506 --> 00:27:55,505 >> Jimmy: IT'S LONG. >> YEAH. >> Jimmy: IT'S LIKE AN HOUR AND 1117 00:27:55,507 --> 00:27:55,939 >> YEAH. >> Jimmy: IT'S LIKE AN HOUR AND A HALF 1118 00:27:55,941 --> 00:27:56,473 >> Jimmy: IT'S LIKE AN HOUR AND A HALF >> GOOD -- 1119 00:27:56,475 --> 00:27:57,240 A HALF >> GOOD -- >> Jimmy: IT'S REAL. 1120 00:27:57,242 --> 00:27:58,108 >> GOOD -- >> Jimmy: IT'S REAL. YEAH, IT'S ALL IMPROV. 1121 00:27:58,110 --> 00:27:58,676 >> Jimmy: IT'S REAL. YEAH, IT'S ALL IMPROV. >> YEAH. 1122 00:27:58,678 --> 00:27:59,309 YEAH, IT'S ALL IMPROV. >> YEAH. >> Jimmy: I DON'T KNOW WHAT I'M 1123 00:27:59,311 --> 00:27:59,643 >> YEAH. >> Jimmy: I DON'T KNOW WHAT I'M GOING TO DO. 1124 00:27:59,645 --> 00:28:00,210 >> Jimmy: I DON'T KNOW WHAT I'M GOING TO DO. >> RIGHT 1125 00:28:00,212 --> 00:28:00,844 GOING TO DO. >> RIGHT >> Jimmy: IT'S MY DREAM TOO, I 1126 00:28:00,846 --> 00:28:01,245 >> RIGHT >> Jimmy: IT'S MY DREAM TOO, I LOVE IT. 1127 00:28:01,247 --> 00:28:02,246 >> Jimmy: IT'S MY DREAM TOO, I LOVE IT. OKAY, GOOD 1128 00:28:02,248 --> 00:28:03,380 LOVE IT. OKAY, GOOD I LIKE THAT. 1129 00:28:03,382 --> 00:28:04,047 OKAY, GOOD I LIKE THAT. ALL RIGHT, HOW ABOUT THIS ONE 1130 00:28:04,049 --> 00:28:04,581 I LIKE THAT. ALL RIGHT, HOW ABOUT THIS ONE HERE 1131 00:28:04,583 --> 00:28:05,248 ALL RIGHT, HOW ABOUT THIS ONE HERE "MY BOYFRIEND AND I FINALLY SET 1132 00:28:05,250 --> 00:28:06,516 HERE "MY BOYFRIEND AND I FINALLY SET A DATE TO GET MARRIED. 1133 00:28:06,518 --> 00:28:07,184 "MY BOYFRIEND AND I FINALLY SET A DATE TO GET MARRIED. >> OKAY. 1134 00:28:07,186 --> 00:28:08,786 A DATE TO GET MARRIED. >> OKAY. [ CHEERS ] 1135 00:28:08,788 --> 00:28:09,454 >> OKAY. [ CHEERS ] >> Jimmy: THEN THE PANDEMIC 1136 00:28:09,456 --> 00:28:09,988 [ CHEERS ] >> Jimmy: THEN THE PANDEMIC PUSHED IT BACK 1137 00:28:09,990 --> 00:28:10,655 >> Jimmy: THEN THE PANDEMIC PUSHED IT BACK >> RIGHT 1138 00:28:10,657 --> 00:28:11,454 PUSHED IT BACK >> RIGHT >> Jimmy: PICKED A NEW DATE -- 1139 00:28:11,456 --> 00:28:12,857 >> RIGHT >> Jimmy: PICKED A NEW DATE -- >> OKAY. 1140 00:28:12,859 --> 00:28:13,457 >> Jimmy: PICKED A NEW DATE -- >> OKAY. >> Jimmy: THEN IT PUSHED IT 1141 00:28:13,459 --> 00:28:15,492 >> OKAY. >> Jimmy: THEN IT PUSHED IT BACK AGAIN 1142 00:28:15,494 --> 00:28:16,059 >> Jimmy: THEN IT PUSHED IT BACK AGAIN NOW IT SEEMS LIKE HE DOESN'T 1143 00:28:16,061 --> 00:28:16,727 BACK AGAIN NOW IT SEEMS LIKE HE DOESN'T CARE IF WE GET MARRIED OR NOT 1144 00:28:16,729 --> 00:28:17,794 NOW IT SEEMS LIKE HE DOESN'T CARE IF WE GET MARRIED OR NOT AND I'M QUESTIONING EVERYTHING 1145 00:28:17,796 --> 00:28:18,396 CARE IF WE GET MARRIED OR NOT AND I'M QUESTIONING EVERYTHING SHOULD I JUST CUT MY LOSSES AND 1146 00:28:18,398 --> 00:28:21,064 AND I'M QUESTIONING EVERYTHING SHOULD I JUST CUT MY LOSSES AND MOVE ON. 1147 00:28:21,066 --> 00:28:21,832 SHOULD I JUST CUT MY LOSSES AND MOVE ON. >> WAIT A SECOND 1148 00:28:21,834 --> 00:28:22,700 MOVE ON. >> WAIT A SECOND WAIT, WAIT 1149 00:28:22,702 --> 00:28:23,800 >> WAIT A SECOND WAIT, WAIT CUT MY LOSSES? 1150 00:28:23,802 --> 00:28:25,737 WAIT, WAIT CUT MY LOSSES? [ LAUGHTER ] 1151 00:28:25,739 --> 00:28:27,204 CUT MY LOSSES? [ LAUGHTER ] CUT MY LOSSES. 1152 00:28:27,206 --> 00:28:28,139 [ LAUGHTER ] CUT MY LOSSES. WHAT ARE YOU AT THE CRAPS TABLE 1153 00:28:28,141 --> 00:28:28,739 CUT MY LOSSES. WHAT ARE YOU AT THE CRAPS TABLE IN VEGAS 1154 00:28:28,741 --> 00:28:29,940 WHAT ARE YOU AT THE CRAPS TABLE IN VEGAS [ LAUGHTER ] 1155 00:28:29,942 --> 00:28:31,575 IN VEGAS [ LAUGHTER ] AH 1156 00:28:31,577 --> 00:28:32,209 [ LAUGHTER ] AH HOW MUCH YOU WANT TO PUT ON 1157 00:28:32,211 --> 00:28:32,643 AH HOW MUCH YOU WANT TO PUT ON BRAD 1158 00:28:32,645 --> 00:28:34,845 HOW MUCH YOU WANT TO PUT ON BRAD I SHOULD CUT MY LOSSES ON BRAD 1159 00:28:34,847 --> 00:28:35,612 BRAD I SHOULD CUT MY LOSSES ON BRAD [ LAUGHTER ] 1160 00:28:35,614 --> 00:28:36,380 I SHOULD CUT MY LOSSES ON BRAD [ LAUGHTER ] YOU LOVE THIS PERSON 1161 00:28:36,382 --> 00:28:37,548 [ LAUGHTER ] YOU LOVE THIS PERSON >> Jimmy: YOU LOVE THIS PERSON 1162 00:28:37,550 --> 00:28:38,248 YOU LOVE THIS PERSON >> Jimmy: YOU LOVE THIS PERSON >> CUT MY LOSSES 1163 00:28:38,250 --> 00:28:39,216 >> Jimmy: YOU LOVE THIS PERSON >> CUT MY LOSSES >> Jimmy: YEAH, IF YOU'RE 1164 00:28:39,218 --> 00:28:39,883 >> CUT MY LOSSES >> Jimmy: YEAH, IF YOU'RE SAYING THAT -- 1165 00:28:39,885 --> 00:28:41,185 >> Jimmy: YEAH, IF YOU'RE SAYING THAT -- >> YEAH, YOU CLEARLY DON'T LOVE 1166 00:28:41,187 --> 00:28:42,920 SAYING THAT -- >> YEAH, YOU CLEARLY DON'T LOVE THIS PERSON. 1167 00:28:42,922 --> 00:28:45,122 >> YEAH, YOU CLEARLY DON'T LOVE THIS PERSON. THIS PERSON WANTS A WEDDING. 1168 00:28:45,124 --> 00:28:45,689 THIS PERSON. THIS PERSON WANTS A WEDDING. THEY DON'T WANT -- THEY DON'T 1169 00:28:45,691 --> 00:28:46,223 THIS PERSON WANTS A WEDDING. THEY DON'T WANT -- THEY DON'T WANT A SPOUSE. 1170 00:28:46,225 --> 00:28:46,958 THEY DON'T WANT -- THEY DON'T WANT A SPOUSE. THEY DON'T WANT LOVE 1171 00:28:46,960 --> 00:28:47,758 WANT A SPOUSE. THEY DON'T WANT LOVE THEY WANT THEIR DAY. 1172 00:28:47,760 --> 00:28:48,359 THEY DON'T WANT LOVE THEY WANT THEIR DAY. I HAD MY WEDDING AT THE HYATT 1173 00:28:48,361 --> 00:28:51,695 THEY WANT THEIR DAY. I HAD MY WEDDING AT THE HYATT IN SACRAMENTO. 1174 00:28:51,697 --> 00:28:52,329 I HAD MY WEDDING AT THE HYATT IN SACRAMENTO. I'M JUST TELLING YOU THIS RIGHT 1175 00:28:52,331 --> 00:28:52,662 IN SACRAMENTO. I'M JUST TELLING YOU THIS RIGHT NOW. 1176 00:28:52,664 --> 00:28:53,864 I'M JUST TELLING YOU THIS RIGHT NOW. WEDDINGS ARE OVERRATED 1177 00:28:53,866 --> 00:28:54,732 NOW. WEDDINGS ARE OVERRATED YOU GET DRESSED IN A RIDICULOUS 1178 00:28:54,734 --> 00:28:55,832 WEDDINGS ARE OVERRATED YOU GET DRESSED IN A RIDICULOUS COSTUME. 1179 00:28:55,834 --> 00:28:56,700 YOU GET DRESSED IN A RIDICULOUS COSTUME. EVERYBODY RESENTS YOU. 1180 00:28:56,702 --> 00:28:58,302 COSTUME. EVERYBODY RESENTS YOU. NOBODY LIKES YOU THERE 1181 00:28:58,304 --> 00:28:59,904 EVERYBODY RESENTS YOU. NOBODY LIKES YOU THERE >> Jimmy: YEAH 1182 00:28:59,906 --> 00:29:00,505 NOBODY LIKES YOU THERE >> Jimmy: YEAH [ LIGHT LAUGHTER ] 1183 00:29:00,507 --> 00:29:01,172 >> Jimmy: YEAH [ LIGHT LAUGHTER ] >> THE FOOD IS AVERAGE AT BEST 1184 00:29:01,174 --> 00:29:01,571 [ LIGHT LAUGHTER ] >> THE FOOD IS AVERAGE AT BEST >> Jimmy: YEAH 1185 00:29:01,573 --> 00:29:02,505 >> THE FOOD IS AVERAGE AT BEST >> Jimmy: YEAH NO ONE WANTS TO DO THIS. 1186 00:29:02,507 --> 00:29:03,140 >> Jimmy: YEAH NO ONE WANTS TO DO THIS. >> YEAH, I SAY THROW AWAY ALL 1187 00:29:03,142 --> 00:29:03,607 NO ONE WANTS TO DO THIS. >> YEAH, I SAY THROW AWAY ALL THE PAGEANTRY. 1188 00:29:03,609 --> 00:29:04,175 >> YEAH, I SAY THROW AWAY ALL THE PAGEANTRY. FORCE HIS HAND, ELOPE AND DO A 1189 00:29:04,177 --> 00:29:04,841 THE PAGEANTRY. FORCE HIS HAND, ELOPE AND DO A A ZOOM WEDDING, AND BE LIKE, 1190 00:29:04,843 --> 00:29:05,442 FORCE HIS HAND, ELOPE AND DO A A ZOOM WEDDING, AND BE LIKE, LET'S DO THIS RIGHT HERE, RIGHT 1191 00:29:05,444 --> 00:29:12,183 A ZOOM WEDDING, AND BE LIKE, LET'S DO THIS RIGHT HERE, RIGHT NOW, HOW MUCH DO YOU LOVE ME." 1192 00:29:12,185 --> 00:29:12,883 LET'S DO THIS RIGHT HERE, RIGHT NOW, HOW MUCH DO YOU LOVE ME." >> Jimmy: WOW. 1193 00:29:12,885 --> 00:29:13,416 NOW, HOW MUCH DO YOU LOVE ME." >> Jimmy: WOW. >> YEAH. 1194 00:29:13,418 --> 00:29:14,052 >> Jimmy: WOW. >> YEAH. >> Jimmy: WOW. 1195 00:29:14,054 --> 00:29:14,719 >> YEAH. >> Jimmy: WOW. HOW ABOUT THAT 1196 00:29:14,721 --> 00:29:15,719 >> Jimmy: WOW. HOW ABOUT THAT >> I HEARD SOMEONE GO OOH. 1197 00:29:15,721 --> 00:29:16,319 HOW ABOUT THAT >> I HEARD SOMEONE GO OOH. >> Jimmy: HOW ABOUT THAT FOR 1198 00:29:16,321 --> 00:29:16,820 >> I HEARD SOMEONE GO OOH. >> Jimmy: HOW ABOUT THAT FOR ADVICE 1199 00:29:16,822 --> 00:29:18,856 >> Jimmy: HOW ABOUT THAT FOR ADVICE YOU'RE GOOD AT THAT. 1200 00:29:18,858 --> 00:29:21,091 ADVICE YOU'RE GOOD AT THAT. YOU'RE GOOD AT CHECK - 1201 00:29:21,093 --> 00:29:21,725 YOU'RE GOOD AT THAT. YOU'RE GOOD AT CHECK - >> CAN I JUST SAY SOMETHING 1202 00:29:21,727 --> 00:29:22,292 YOU'RE GOOD AT CHECK - >> CAN I JUST SAY SOMETHING ABOUT THIS WHOLE SEGMENT IN 1203 00:29:22,294 --> 00:29:22,726 >> CAN I JUST SAY SOMETHING ABOUT THIS WHOLE SEGMENT IN GENERAL? 1204 00:29:22,728 --> 00:29:23,393 ABOUT THIS WHOLE SEGMENT IN GENERAL? >> Jimmy: YEAH 1205 00:29:23,395 --> 00:29:25,228 GENERAL? >> Jimmy: YEAH >> I FEEL LIKE ALL THESE PEOPLE 1206 00:29:25,230 --> 00:29:26,297 >> Jimmy: YEAH >> I FEEL LIKE ALL THESE PEOPLE HAVE PROBLEMS WITH HONESTY 1207 00:29:26,299 --> 00:29:26,997 >> I FEEL LIKE ALL THESE PEOPLE HAVE PROBLEMS WITH HONESTY THEY'RE JUST LIKE, "LOOK, I'M 1208 00:29:26,999 --> 00:29:27,465 HAVE PROBLEMS WITH HONESTY THEY'RE JUST LIKE, "LOOK, I'M A LIAR AND I CAN'T TELL THE 1209 00:29:27,467 --> 00:29:27,864 THEY'RE JUST LIKE, "LOOK, I'M A LIAR AND I CAN'T TELL THE TRUTH. 1210 00:29:27,866 --> 00:29:28,832 A LIAR AND I CAN'T TELL THE TRUTH. [ LAUGHTER ] 1211 00:29:28,834 --> 00:29:32,870 TRUTH. [ LAUGHTER ] ISN'T IT 1212 00:29:32,872 --> 00:29:33,470 [ LAUGHTER ] ISN'T IT THE WHOLE THEME WAS JUST 1213 00:29:33,472 --> 00:29:34,004 ISN'T IT THE WHOLE THEME WAS JUST DISHONEST WITH EACH OTHER. 1214 00:29:34,006 --> 00:29:34,338 THE WHOLE THEME WAS JUST DISHONEST WITH EACH OTHER. >> Jimmy: YEAH, IT'S 1215 00:29:34,340 --> 00:29:36,606 DISHONEST WITH EACH OTHER. >> Jimmy: YEAH, IT'S INTERESTING. 1216 00:29:36,608 --> 00:29:37,374 >> Jimmy: YEAH, IT'S INTERESTING. BUT I LOVE THEY'RE SENDING ME 1217 00:29:37,376 --> 00:29:38,475 INTERESTING. BUT I LOVE THEY'RE SENDING ME THESE PROBLEMS 1218 00:29:38,477 --> 00:29:39,243 BUT I LOVE THEY'RE SENDING ME THESE PROBLEMS >> RIGHT 1219 00:29:39,245 --> 00:29:39,877 THESE PROBLEMS >> RIGHT >> Jimmy: AND THEY'RE LIKE, 1220 00:29:39,879 --> 00:29:40,544 >> RIGHT >> Jimmy: AND THEY'RE LIKE, "JIMMY, HOW DO I SOLVE THIS? 1221 00:29:40,546 --> 00:29:40,745 >> Jimmy: AND THEY'RE LIKE, "JIMMY, HOW DO I SOLVE THIS? >> YEAH. 1222 00:29:40,747 --> 00:29:42,612 "JIMMY, HOW DO I SOLVE THIS? >> YEAH. THEY'RE CLEARLY AT WITS END. 1223 00:29:42,614 --> 00:29:46,550 >> YEAH. THEY'RE CLEARLY AT WITS END. [ LAUGHTER ] 1224 00:29:46,552 --> 00:29:47,083 THEY'RE CLEARLY AT WITS END. [ LAUGHTER ] >> Jimmy: DUDE, I LOVE YOU 1225 00:29:47,085 --> 00:29:47,952 [ LAUGHTER ] >> Jimmy: DUDE, I LOVE YOU HELPING ME OUT 1226 00:29:47,954 --> 00:29:48,552 >> Jimmy: DUDE, I LOVE YOU HELPING ME OUT COME ON, THAT'S WHAT I'M 1227 00:29:48,554 --> 00:29:48,819 HELPING ME OUT COME ON, THAT'S WHAT I'M TALKING ABOUT. 1228 00:29:48,821 --> 00:29:49,687 COME ON, THAT'S WHAT I'M TALKING ABOUT. THIS IS A LIFE COACH THAT YOU 1229 00:29:49,689 --> 00:29:50,153 TALKING ABOUT. THIS IS A LIFE COACH THAT YOU WANT 1230 00:29:50,155 --> 00:29:51,354 THIS IS A LIFE COACH THAT YOU WANT >> THANK YOU 1231 00:29:51,356 --> 00:29:51,889 WANT >> THANK YOU [ CHEERS AND APPLAUSE 1232 00:29:51,891 --> 00:29:52,355 >> THANK YOU [ CHEERS AND APPLAUSE >> Jimmy: HASAN MINHAJ, 1233 00:29:52,357 --> 00:29:52,689 [ CHEERS AND APPLAUSE >> Jimmy: HASAN MINHAJ, EVERYBODY. 1234 00:29:52,691 --> 00:29:53,023 >> Jimmy: HASAN MINHAJ, EVERYBODY. STICK AROUND 1235 00:29:53,025 --> 00:29:53,490 EVERYBODY. STICK AROUND WE'LL BE RIGHT BACK WITH 1236 00:29:53,492 --> 00:29:54,090 STICK AROUND WE'LL BE RIGHT BACK WITH JAMES WOLK AND A PERFORMANCE 1237 00:29:54,092 --> 00:29:54,558 WE'LL BE RIGHT BACK WITH JAMES WOLK AND A PERFORMANCE FROM MEEK MILL WITH 1238 00:29:54,560 --> 00:29:54,759 JAMES WOLK AND A PERFORMANCE FROM MEEK MILL WITH LIL UZI VERT 1239 00:29:54,761 --> 00:29:55,292 FROM MEEK MILL WITH LIL UZI VERT [ CHEERS AND APPLAUSE 1240 00:29:55,294 --> 00:30:12,076 LIL UZI VERT [ CHEERS AND APPLAUSE ♪ 1241 00:30:12,078 --> 00:30:13,009 [ CHEERS AND APPLAUSE ♪ >> Jimmy: MY NEXT GUEST IS THE 1242 00:30:13,011 --> 00:30:13,844 ♪ >> Jimmy: MY NEXT GUEST IS THE STAR OF THE NEW NBC SERIES 1243 00:30:13,846 --> 00:30:15,278 >> Jimmy: MY NEXT GUEST IS THE STAR OF THE NEW NBC SERIES "ORDINARY JOE. 1244 00:30:15,280 --> 00:30:16,613 STAR OF THE NEW NBC SERIES "ORDINARY JOE. THE SHOW PREMIERED EARLIER 1245 00:30:16,615 --> 00:30:17,580 "ORDINARY JOE. THE SHOW PREMIERED EARLIER TONIGHT, AND YOU CAN CATCH NEW 1246 00:30:17,582 --> 00:30:18,448 THE SHOW PREMIERED EARLIER TONIGHT, AND YOU CAN CATCH NEW EPISODES EVERY MONDAY AT 1247 00:30:18,450 --> 00:30:19,116 TONIGHT, AND YOU CAN CATCH NEW EPISODES EVERY MONDAY AT 10:00 P.M. HERE ON NBC 1248 00:30:19,118 --> 00:30:20,216 EPISODES EVERY MONDAY AT 10:00 P.M. HERE ON NBC LADIES AND GENTLEMEN, PLEASE 1249 00:30:20,218 --> 00:30:23,153 10:00 P.M. HERE ON NBC LADIES AND GENTLEMEN, PLEASE WELCOME JAMES WOLK 1250 00:30:26,657 --> 00:30:38,235 ♪ >> Jimmy: THANK YOU FOR BEING HERE 1251 00:30:38,237 --> 00:30:38,902 >> Jimmy: THANK YOU FOR BEING HERE >> OH, MY GOD. 1252 00:30:38,904 --> 00:30:40,003 HERE >> OH, MY GOD. >> Jimmy: YOU LOOK GREAT, BUD. 1253 00:30:40,005 --> 00:30:40,604 >> OH, MY GOD. >> Jimmy: YOU LOOK GREAT, BUD. >> THANKS. 1254 00:30:40,606 --> 00:30:41,604 >> Jimmy: YOU LOOK GREAT, BUD. >> THANKS. >> Jimmy: DO I CALL YOU JAMES 1255 00:30:41,606 --> 00:30:42,239 >> THANKS. >> Jimmy: DO I CALL YOU JAMES OR DO I CALL YOU JIMMY 1256 00:30:42,241 --> 00:30:43,673 >> Jimmy: DO I CALL YOU JAMES OR DO I CALL YOU JIMMY >> JIMMY 1257 00:30:43,675 --> 00:30:44,275 OR DO I CALL YOU JIMMY >> JIMMY >> Jimmy: I DO 1258 00:30:44,277 --> 00:30:44,875 >> JIMMY >> Jimmy: I DO >> YEAH. 1259 00:30:44,877 --> 00:30:45,610 >> Jimmy: I DO >> YEAH. >> Jimmy: YOU GO BY JIMMY. 1260 00:30:45,612 --> 00:30:46,743 >> YEAH. >> Jimmy: YOU GO BY JIMMY. >> I GO BY JIMMY 1261 00:30:46,745 --> 00:30:47,811 >> Jimmy: YOU GO BY JIMMY. >> I GO BY JIMMY >> Jimmy: BUT PROFESSIONALLY 1262 00:30:47,813 --> 00:30:50,447 >> I GO BY JIMMY >> Jimmy: BUT PROFESSIONALLY JAMES. 1263 00:30:50,449 --> 00:30:51,716 >> Jimmy: BUT PROFESSIONALLY JAMES. >> YEAH, I'M PROFESSIONALLY 1264 00:30:51,718 --> 00:30:53,351 JAMES. >> YEAH, I'M PROFESSIONALLY JAMES, BUT EVERYONE CALLS ME 1265 00:30:53,353 --> 00:30:54,118 >> YEAH, I'M PROFESSIONALLY JAMES, BUT EVERYONE CALLS ME JIMMY. 1266 00:30:54,120 --> 00:30:55,119 JAMES, BUT EVERYONE CALLS ME JIMMY. ALL MY FRIENDS CALL ME JIMMY 1267 00:30:55,121 --> 00:30:55,753 JIMMY. ALL MY FRIENDS CALL ME JIMMY >> Jimmy: OH, GOOD 1268 00:30:55,755 --> 00:30:56,786 ALL MY FRIENDS CALL ME JIMMY >> Jimmy: OH, GOOD >> I MADE THIS CRAZY DECISION 1269 00:30:56,788 --> 00:30:57,454 >> Jimmy: OH, GOOD >> I MADE THIS CRAZY DECISION WHEN I WAS LIKE 22 1270 00:30:57,456 --> 00:30:58,022 >> I MADE THIS CRAZY DECISION WHEN I WAS LIKE 22 THE FIRST BIG SHOW I DID AS AN 1271 00:30:58,024 --> 00:30:58,955 WHEN I WAS LIKE 22 THE FIRST BIG SHOW I DID AS AN ACTOR, THE PRODUCER CAME UP TO 1272 00:30:58,957 --> 00:31:00,224 THE FIRST BIG SHOW I DID AS AN ACTOR, THE PRODUCER CAME UP TO ME AND SHE WAS LIKE, "YOU KNOW 1273 00:31:00,226 --> 00:31:01,958 ACTOR, THE PRODUCER CAME UP TO ME AND SHE WAS LIKE, "YOU KNOW WHAT?" 1274 00:31:01,960 --> 00:31:03,594 ME AND SHE WAS LIKE, "YOU KNOW WHAT?" I WAS LIKE, "WHAT? 1275 00:31:03,596 --> 00:31:04,595 WHAT?" I WAS LIKE, "WHAT? SHE WAS LIKE, "I THINK YOU 1276 00:31:04,597 --> 00:31:05,996 I WAS LIKE, "WHAT? SHE WAS LIKE, "I THINK YOU SHOULD GO BY JAMES." 1277 00:31:05,998 --> 00:31:06,763 SHE WAS LIKE, "I THINK YOU SHOULD GO BY JAMES." I WAS LIKE, "I DON'T KNOW. 1278 00:31:06,765 --> 00:31:07,632 SHOULD GO BY JAMES." I WAS LIKE, "I DON'T KNOW. EVERYONE CALLS ME JIMMY. 1279 00:31:07,634 --> 00:31:08,132 I WAS LIKE, "I DON'T KNOW. EVERYONE CALLS ME JIMMY. THAT MIGHT BE WEIRD AND 1280 00:31:08,134 --> 00:31:08,865 EVERYONE CALLS ME JIMMY. THAT MIGHT BE WEIRD AND CONFUSING. 1281 00:31:08,867 --> 00:31:10,367 THAT MIGHT BE WEIRD AND CONFUSING. AND SHE GOES, "YEAH, BUT 1282 00:31:10,369 --> 00:31:12,669 CONFUSING. AND SHE GOES, "YEAH, BUT JAMES STEWART IS WHAT 1283 00:31:12,671 --> 00:31:13,638 AND SHE GOES, "YEAH, BUT JAMES STEWART IS WHAT JIMMY STEWART WAS BILLED AS. 1284 00:31:13,640 --> 00:31:14,272 JAMES STEWART IS WHAT JIMMY STEWART WAS BILLED AS. AND I SAID, "ALL RIGHT, WELL IF 1285 00:31:14,274 --> 00:31:14,738 JIMMY STEWART WAS BILLED AS. AND I SAID, "ALL RIGHT, WELL IF IT'S GOOD ENOUGH FOR 1286 00:31:14,740 --> 00:31:15,739 AND I SAID, "ALL RIGHT, WELL IF IT'S GOOD ENOUGH FOR JIMMY STEWART, IT'S GOOD ENOUGH 1287 00:31:15,741 --> 00:31:16,272 IT'S GOOD ENOUGH FOR JIMMY STEWART, IT'S GOOD ENOUGH FOR ME." 1288 00:31:16,274 --> 00:31:17,374 JIMMY STEWART, IT'S GOOD ENOUGH FOR ME." >> Jimmy: FOR JIMMY STEWART, 1289 00:31:17,376 --> 00:31:18,141 FOR ME." >> Jimmy: FOR JIMMY STEWART, YEAH 1290 00:31:18,143 --> 00:31:18,976 >> Jimmy: FOR JIMMY STEWART, YEAH >> AND SO THEN BECAME THE MOST 1291 00:31:18,978 --> 00:31:20,644 YEAH >> AND SO THEN BECAME THE MOST CONFUSING TEN YEARS OF MY LIFE 1292 00:31:20,646 --> 00:31:22,078 >> AND SO THEN BECAME THE MOST CONFUSING TEN YEARS OF MY LIFE BECAUSE WHAT HAPPENED IS I'LL 1293 00:31:22,080 --> 00:31:24,147 CONFUSING TEN YEARS OF MY LIFE BECAUSE WHAT HAPPENED IS I'LL GO ONTO A SET, AND THEY'LL GO, 1294 00:31:24,149 --> 00:31:27,751 BECAUSE WHAT HAPPENED IS I'LL GO ONTO A SET, AND THEY'LL GO, "SO WHAT SHOULD WE CALL YOU? 1295 00:31:27,753 --> 00:31:28,518 GO ONTO A SET, AND THEY'LL GO, "SO WHAT SHOULD WE CALL YOU? AND I SAID, "WELL, CALL ME 1296 00:31:28,520 --> 00:31:29,085 "SO WHAT SHOULD WE CALL YOU? AND I SAID, "WELL, CALL ME JIMMY. 1297 00:31:29,087 --> 00:31:30,053 AND I SAID, "WELL, CALL ME JIMMY. BUT I DON'T GET TO EVERYONE AT 1298 00:31:30,055 --> 00:31:30,621 JIMMY. BUT I DON'T GET TO EVERYONE AT THE SAME TIME. 1299 00:31:30,623 --> 00:31:31,588 BUT I DON'T GET TO EVERYONE AT THE SAME TIME. SO, I'M TELLING CERTAIN PEOPLE 1300 00:31:31,590 --> 00:31:32,255 THE SAME TIME. SO, I'M TELLING CERTAIN PEOPLE JIMMY. 1301 00:31:32,257 --> 00:31:33,790 SO, I'M TELLING CERTAIN PEOPLE JIMMY. CERTAIN PEOPLE JAMES 1302 00:31:33,792 --> 00:31:34,524 JIMMY. CERTAIN PEOPLE JAMES >> Jimmy: THEN PEOPLE THINK YOU 1303 00:31:34,526 --> 00:31:35,291 CERTAIN PEOPLE JAMES >> Jimmy: THEN PEOPLE THINK YOU DON'T LIKE THEM. 1304 00:31:35,293 --> 00:31:36,393 >> Jimmy: THEN PEOPLE THINK YOU DON'T LIKE THEM. >> PEOPLE THINK I'M NOT A NICE 1305 00:31:36,395 --> 00:31:36,794 DON'T LIKE THEM. >> PEOPLE THINK I'M NOT A NICE PERSON 1306 00:31:36,796 --> 00:31:37,694 >> PEOPLE THINK I'M NOT A NICE PERSON >> Jimmy: YEAH, THEY GO, "HEY, 1307 00:31:37,696 --> 00:31:38,261 PERSON >> Jimmy: YEAH, THEY GO, "HEY, WHAT'S THIS? 1308 00:31:38,263 --> 00:31:39,129 >> Jimmy: YEAH, THEY GO, "HEY, WHAT'S THIS? WHY CAN I -- I'M NOT IN THE 1309 00:31:39,131 --> 00:31:39,662 WHAT'S THIS? WHY CAN I -- I'M NOT IN THE JIMMY CLUB." 1310 00:31:39,664 --> 00:31:40,563 WHY CAN I -- I'M NOT IN THE JIMMY CLUB." >> YEAH, "WHY DOES HE GET TO 1311 00:31:40,565 --> 00:31:41,431 JIMMY CLUB." >> YEAH, "WHY DOES HE GET TO CALL HIM JIMMY, AND I HAVE TO 1312 00:31:41,433 --> 00:31:42,166 >> YEAH, "WHY DOES HE GET TO CALL HIM JIMMY, AND I HAVE TO CALL HIM JAMES?" 1313 00:31:42,168 --> 00:31:42,933 CALL HIM JIMMY, AND I HAVE TO CALL HIM JAMES?" >> Jimmy: YEAH, YOU ACTUALLY 1314 00:31:42,935 --> 00:31:43,833 CALL HIM JAMES?" >> Jimmy: YEAH, YOU ACTUALLY HAVE THEM START SAYING YOUR 1315 00:31:43,835 --> 00:31:44,569 >> Jimmy: YEAH, YOU ACTUALLY HAVE THEM START SAYING YOUR MIDDLE NAME AS WELL. 1316 00:31:44,571 --> 00:31:45,368 HAVE THEM START SAYING YOUR MIDDLE NAME AS WELL. THAT'S REALLY RUDE 1317 00:31:45,370 --> 00:31:46,469 MIDDLE NAME AS WELL. THAT'S REALLY RUDE I GOT TO ASSUME YOU GET 1318 00:31:46,471 --> 00:31:49,506 THAT'S REALLY RUDE I GOT TO ASSUME YOU GET RECOGNIZED A LOT 1319 00:31:49,508 --> 00:31:50,273 I GOT TO ASSUME YOU GET RECOGNIZED A LOT BECAUSE I KNOW YOU FROM A LOT 1320 00:31:50,275 --> 00:31:50,874 RECOGNIZED A LOT BECAUSE I KNOW YOU FROM A LOT OF BIG THINGS -- "MAD MEN," YOU 1321 00:31:50,876 --> 00:31:51,274 BECAUSE I KNOW YOU FROM A LOT OF BIG THINGS -- "MAD MEN," YOU WERE GREAT IN. 1322 00:31:51,276 --> 00:31:52,342 OF BIG THINGS -- "MAD MEN," YOU WERE GREAT IN. "WATCHMEN," "BILLIONS. 1323 00:31:52,344 --> 00:31:55,745 WERE GREAT IN. "WATCHMEN," "BILLIONS. >> THANK YOU 1324 00:31:55,747 --> 00:31:56,513 "WATCHMEN," "BILLIONS. >> THANK YOU >> Jimmy: DO YOU GET RECOGNIZED 1325 00:31:56,515 --> 00:31:56,780 >> THANK YOU >> Jimmy: DO YOU GET RECOGNIZED A LOT? 1326 00:31:56,782 --> 00:31:57,448 >> Jimmy: DO YOU GET RECOGNIZED A LOT? >> YEAH -- I MEAN, IT'S LIKE -- 1327 00:31:57,450 --> 00:31:59,149 A LOT? >> YEAH -- I MEAN, IT'S LIKE -- NOT LIKE YOU 1328 00:31:59,151 --> 00:32:00,150 >> YEAH -- I MEAN, IT'S LIKE -- NOT LIKE YOU IT'S NOT -- YOU KNOW, THERE'S 1329 00:32:00,152 --> 00:32:01,918 NOT LIKE YOU IT'S NOT -- YOU KNOW, THERE'S NO - 1330 00:32:01,920 --> 00:32:02,786 IT'S NOT -- YOU KNOW, THERE'S NO - >> Jimmy: "YO, JAMES!" 1331 00:32:02,788 --> 00:32:03,453 NO - >> Jimmy: "YO, JAMES!" >> YEAH, RIGHT 1332 00:32:03,455 --> 00:32:04,622 >> Jimmy: "YO, JAMES!" >> YEAH, RIGHT [ LIGHT LAUGHTER ] 1333 00:32:04,624 --> 00:32:05,221 >> YEAH, RIGHT [ LIGHT LAUGHTER ] I KIND OF GET LIKE THE LOOK, 1334 00:32:05,223 --> 00:32:08,024 [ LIGHT LAUGHTER ] I KIND OF GET LIKE THE LOOK, LIKE, "IS THAT MY COUSIN 1335 00:32:08,026 --> 00:32:09,126 I KIND OF GET LIKE THE LOOK, LIKE, "IS THAT MY COUSIN WHY DO I KNOW THAT GUY?" 1336 00:32:09,128 --> 00:32:10,628 LIKE, "IS THAT MY COUSIN WHY DO I KNOW THAT GUY?" [ LAUGHTER ] 1337 00:32:10,630 --> 00:32:11,428 WHY DO I KNOW THAT GUY?" [ LAUGHTER ] OR LIKE, "WAS HE AT 1338 00:32:11,430 --> 00:32:13,263 [ LAUGHTER ] OR LIKE, "WAS HE AT THANKSGIVING 1339 00:32:13,265 --> 00:32:13,730 OR LIKE, "WAS HE AT THANKSGIVING WAS HE AT MY AUNT'S 1340 00:32:13,732 --> 00:32:14,364 THANKSGIVING WAS HE AT MY AUNT'S THANKSGIVING?" 1341 00:32:14,366 --> 00:32:15,365 WAS HE AT MY AUNT'S THANKSGIVING?" [ LAUGHTER ] 1342 00:32:15,367 --> 00:32:16,100 THANKSGIVING?" [ LAUGHTER ] >> Jimmy: WAS HE AT 1343 00:32:16,102 --> 00:32:16,766 [ LAUGHTER ] >> Jimmy: WAS HE AT THANKSGIVING 1344 00:32:16,768 --> 00:32:17,668 >> Jimmy: WAS HE AT THANKSGIVING >> "WHY IS HE SMILING BACK AT 1345 00:32:17,670 --> 00:32:18,201 THANKSGIVING >> "WHY IS HE SMILING BACK AT ME 1346 00:32:18,203 --> 00:32:19,069 >> "WHY IS HE SMILING BACK AT ME WHAT'S WRONG WITH THAT GUY?" 1347 00:32:19,071 --> 00:32:19,804 ME WHAT'S WRONG WITH THAT GUY?" BUT WHAT HAPPENS IS LIKE WE -- 1348 00:32:19,806 --> 00:32:20,837 WHAT'S WRONG WITH THAT GUY?" BUT WHAT HAPPENS IS LIKE WE -- SO WE HAVE THESE NEIGHBORS WHO 1349 00:32:20,839 --> 00:32:21,704 BUT WHAT HAPPENS IS LIKE WE -- SO WE HAVE THESE NEIGHBORS WHO ARE -- THEY'RE GREAT 1350 00:32:21,706 --> 00:32:22,339 SO WE HAVE THESE NEIGHBORS WHO ARE -- THEY'RE GREAT THERE'S LIKE 13, 14 -- THERE'S 1351 00:32:22,341 --> 00:32:23,339 ARE -- THEY'RE GREAT THERE'S LIKE 13, 14 -- THERE'S LIKE 20 OF THEM. 1352 00:32:23,341 --> 00:32:24,508 THERE'S LIKE 13, 14 -- THERE'S LIKE 20 OF THEM. AND THEY'RE REALLY NICE. 1353 00:32:24,510 --> 00:32:26,610 LIKE 20 OF THEM. AND THEY'RE REALLY NICE. AND THEY WALK OUR DOG. 1354 00:32:26,612 --> 00:32:27,611 AND THEY'RE REALLY NICE. AND THEY WALK OUR DOG. AND DURING THE PANDEMIC THEY 1355 00:32:27,613 --> 00:32:29,112 AND THEY WALK OUR DOG. AND DURING THE PANDEMIC THEY WERE GREAT 1356 00:32:29,114 --> 00:32:30,980 AND DURING THE PANDEMIC THEY WERE GREAT THEY'D COME AND WALK THE DOG -- 1357 00:32:30,982 --> 00:32:33,383 WERE GREAT THEY'D COME AND WALK THE DOG -- WE HAVE TWO SMALL KIDS AT HOME 1358 00:32:33,385 --> 00:32:34,118 THEY'D COME AND WALK THE DOG -- WE HAVE TWO SMALL KIDS AT HOME AND WE DIDN'T WANT THE DOG TO 1359 00:32:34,120 --> 00:32:34,918 WE HAVE TWO SMALL KIDS AT HOME AND WE DIDN'T WANT THE DOG TO BE NEGLECTED 1360 00:32:34,920 --> 00:32:36,453 AND WE DIDN'T WANT THE DOG TO BE NEGLECTED SO WE HAD THEM COME. 1361 00:32:36,455 --> 00:32:37,654 BE NEGLECTED SO WE HAD THEM COME. AND I ALWAYS NOTICED THEY'D 1362 00:32:37,656 --> 00:32:38,421 SO WE HAD THEM COME. AND I ALWAYS NOTICED THEY'D KIND OF LOOK AT ME 1363 00:32:38,423 --> 00:32:39,089 AND I ALWAYS NOTICED THEY'D KIND OF LOOK AT ME AND THEY KIND OF SMILE, AND I 1364 00:32:39,091 --> 00:32:39,824 KIND OF LOOK AT ME AND THEY KIND OF SMILE, AND I GO, "OH, THEY DEFINITELY KNOW 1365 00:32:39,826 --> 00:32:41,658 AND THEY KIND OF SMILE, AND I GO, "OH, THEY DEFINITELY KNOW MY WORK. 1366 00:32:41,660 --> 00:32:43,960 GO, "OH, THEY DEFINITELY KNOW MY WORK. I TALK -- THEY MUST HAVE SEEN 1367 00:32:43,962 --> 00:32:44,728 MY WORK. I TALK -- THEY MUST HAVE SEEN WHATEVER SHOW IT WAS 1368 00:32:44,730 --> 00:32:45,295 I TALK -- THEY MUST HAVE SEEN WHATEVER SHOW IT WAS AND THEN ONE DAY, ONE OF THE 1369 00:32:45,297 --> 00:32:45,863 WHATEVER SHOW IT WAS AND THEN ONE DAY, ONE OF THE GUYS COMES UP AND HE GOES, "WE 1370 00:32:45,865 --> 00:32:46,864 AND THEN ONE DAY, ONE OF THE GUYS COMES UP AND HE GOES, "WE THOUGHT YOU WERE 1371 00:32:46,866 --> 00:32:48,231 GUYS COMES UP AND HE GOES, "WE THOUGHT YOU WERE JOHN KRASINSKI." 1372 00:32:48,233 --> 00:32:50,634 THOUGHT YOU WERE JOHN KRASINSKI." [ LAUGHTER ] 1373 00:32:50,636 --> 00:32:51,469 JOHN KRASINSKI." [ LAUGHTER ] I WAS LIKE, "OKAY. 1374 00:32:51,471 --> 00:32:52,469 [ LAUGHTER ] I WAS LIKE, "OKAY. >> Jimmy: AT LEAST HE'S HONEST 1375 00:32:52,471 --> 00:32:53,570 I WAS LIKE, "OKAY. >> Jimmy: AT LEAST HE'S HONEST I'LL TAKE THAT 1376 00:32:53,572 --> 00:32:54,739 >> Jimmy: AT LEAST HE'S HONEST I'LL TAKE THAT >> "WE THOUGHT YOU WERE FAMOUS 1377 00:32:54,741 --> 00:32:55,506 I'LL TAKE THAT >> "WE THOUGHT YOU WERE FAMOUS WE THOUGHT YOU WERE 1378 00:32:55,508 --> 00:32:56,206 >> "WE THOUGHT YOU WERE FAMOUS WE THOUGHT YOU WERE JOHN KRASINSKI." 1379 00:32:56,208 --> 00:32:56,941 WE THOUGHT YOU WERE JOHN KRASINSKI." >> Jimmy: I WOULD TAKE THAT. 1380 00:32:56,943 --> 00:32:57,607 JOHN KRASINSKI." >> Jimmy: I WOULD TAKE THAT. WHY NOT MAN? 1381 00:32:57,609 --> 00:32:58,374 >> Jimmy: I WOULD TAKE THAT. WHY NOT MAN? >> JOHN KRASINSKI -- YEAH. 1382 00:32:58,376 --> 00:32:59,242 WHY NOT MAN? >> JOHN KRASINSKI -- YEAH. >> Jimmy: HE'S A STUD. 1383 00:32:59,244 --> 00:32:59,977 >> JOHN KRASINSKI -- YEAH. >> Jimmy: HE'S A STUD. >> YEAH, NEVER WALKED THE DOG 1384 00:32:59,979 --> 00:33:00,377 >> Jimmy: HE'S A STUD. >> YEAH, NEVER WALKED THE DOG AGAIN. 1385 00:33:00,379 --> 00:33:01,044 >> YEAH, NEVER WALKED THE DOG AGAIN. THAT WAS IT. 1386 00:33:01,046 --> 00:33:02,479 AGAIN. THAT WAS IT. HE WASN'T WELCOME BACK 1387 00:33:02,481 --> 00:33:03,514 THAT WAS IT. HE WASN'T WELCOME BACK >> Jimmy: YOU'RE NOT 1388 00:33:03,516 --> 00:33:05,049 HE WASN'T WELCOME BACK >> Jimmy: YOU'RE NOT JOHN KRASINSKI, YEAH 1389 00:33:05,051 --> 00:33:06,083 >> Jimmy: YOU'RE NOT JOHN KRASINSKI, YEAH I WANT TO -- CAN WE TALK ABOUT 1390 00:33:06,085 --> 00:33:07,585 JOHN KRASINSKI, YEAH I WANT TO -- CAN WE TALK ABOUT THE SHOW 1391 00:33:07,587 --> 00:33:08,818 I WANT TO -- CAN WE TALK ABOUT THE SHOW >> YEAH. 1392 00:33:08,820 --> 00:33:10,354 THE SHOW >> YEAH. >> Jimmy: "ORDINARY JOE. 1393 00:33:10,356 --> 00:33:10,854 >> YEAH. >> Jimmy: "ORDINARY JOE. I LIKE THE IDEA OF THIS, 1394 00:33:10,856 --> 00:33:13,724 >> Jimmy: "ORDINARY JOE. I LIKE THE IDEA OF THIS, BECAUSE -- THE IDEA IS KIND OF 1395 00:33:13,726 --> 00:33:14,357 I LIKE THE IDEA OF THIS, BECAUSE -- THE IDEA IS KIND OF LIKE, TO ME, LIKE THE MOVIE 1396 00:33:14,359 --> 00:33:14,824 BECAUSE -- THE IDEA IS KIND OF LIKE, TO ME, LIKE THE MOVIE "SLIDING DOORS." 1397 00:33:14,826 --> 00:33:15,893 LIKE, TO ME, LIKE THE MOVIE "SLIDING DOORS." LIKE, WHAT IF? 1398 00:33:15,895 --> 00:33:16,693 "SLIDING DOORS." LIKE, WHAT IF? WHAT IF I MADE THIS DECISION 1399 00:33:16,695 --> 00:33:17,261 LIKE, WHAT IF? WHAT IF I MADE THIS DECISION INSTEAD OF THIS DECISION IN MY 1400 00:33:17,263 --> 00:33:17,661 WHAT IF I MADE THIS DECISION INSTEAD OF THIS DECISION IN MY LIFE 1401 00:33:17,663 --> 00:33:18,962 INSTEAD OF THIS DECISION IN MY LIFE WOULD MY LIFE CHANGE 1402 00:33:18,964 --> 00:33:19,596 LIFE WOULD MY LIFE CHANGE YES, OF COURSE IT WOULD, BUT 1403 00:33:19,598 --> 00:33:20,397 WOULD MY LIFE CHANGE YES, OF COURSE IT WOULD, BUT ALSO THE LIVES AROUND YOU WOULD 1404 00:33:20,399 --> 00:33:20,831 YES, OF COURSE IT WOULD, BUT ALSO THE LIVES AROUND YOU WOULD CHANGE AS WELL 1405 00:33:20,833 --> 00:33:21,899 ALSO THE LIVES AROUND YOU WOULD CHANGE AS WELL >> YEAH. 1406 00:33:21,901 --> 00:33:22,565 CHANGE AS WELL >> YEAH. >> Jimmy: IS THAT KIND OF THE 1407 00:33:22,567 --> 00:33:26,804 >> YEAH. >> Jimmy: IS THAT KIND OF THE IDEA 1408 00:33:26,806 --> 00:33:30,440 >> Jimmy: IS THAT KIND OF THE IDEA >> YEAH, SO THE SHOW IS, 1409 00:33:30,442 --> 00:33:30,975 IDEA >> YEAH, SO THE SHOW IS, BASICALLY, YOU MEET THE 1410 00:33:30,977 --> 00:33:31,875 >> YEAH, SO THE SHOW IS, BASICALLY, YOU MEET THE CHARACTER WHO I PLAY, HIS NAME 1411 00:33:31,877 --> 00:33:32,409 BASICALLY, YOU MEET THE CHARACTER WHO I PLAY, HIS NAME IS JOE KIMBROUGH 1412 00:33:32,411 --> 00:33:33,843 CHARACTER WHO I PLAY, HIS NAME IS JOE KIMBROUGH YOU MEET HIM THE DAY HE'S ABOUT 1413 00:33:33,845 --> 00:33:34,511 IS JOE KIMBROUGH YOU MEET HIM THE DAY HE'S ABOUT TO GRADUATE FROM COLLEGE 1414 00:33:34,513 --> 00:33:35,346 YOU MEET HIM THE DAY HE'S ABOUT TO GRADUATE FROM COLLEGE AND YOU SEE THAT HE HAS THREE 1415 00:33:35,348 --> 00:33:36,346 TO GRADUATE FROM COLLEGE AND YOU SEE THAT HE HAS THREE VERY DIFFERENT CHOICES IN FRONT 1416 00:33:36,348 --> 00:33:38,548 AND YOU SEE THAT HE HAS THREE VERY DIFFERENT CHOICES IN FRONT OF HIM 1417 00:33:38,550 --> 00:33:39,849 VERY DIFFERENT CHOICES IN FRONT OF HIM AND THEN THE SHOW CUTS TO 1418 00:33:39,851 --> 00:33:40,917 OF HIM AND THEN THE SHOW CUTS TO BLACK, AND IT PICKS UP TEN 1419 00:33:40,919 --> 00:33:41,985 AND THEN THE SHOW CUTS TO BLACK, AND IT PICKS UP TEN YEARS LATER, AND YOU FOLLOW THE 1420 00:33:41,987 --> 00:33:42,753 BLACK, AND IT PICKS UP TEN YEARS LATER, AND YOU FOLLOW THE THREE DIFFERENT ITERATIONS OF 1421 00:33:42,755 --> 00:33:44,188 YEARS LATER, AND YOU FOLLOW THE THREE DIFFERENT ITERATIONS OF HIS LIFE 1422 00:33:44,190 --> 00:33:46,056 THREE DIFFERENT ITERATIONS OF HIS LIFE SO BASICALLY IT PLAYS WITH THIS 1423 00:33:46,058 --> 00:33:47,425 HIS LIFE SO BASICALLY IT PLAYS WITH THIS IDEA OF CHOICE, AND HOW THE 1424 00:33:47,427 --> 00:33:50,527 SO BASICALLY IT PLAYS WITH THIS IDEA OF CHOICE, AND HOW THE CHOICES WE MAKE DRASTICALLY 1425 00:33:50,529 --> 00:33:51,194 IDEA OF CHOICE, AND HOW THE CHOICES WE MAKE DRASTICALLY CHANGE WHO WE BECOME 1426 00:33:51,196 --> 00:33:52,062 CHOICES WE MAKE DRASTICALLY CHANGE WHO WE BECOME AND IN EACH WORLD -- LIKE, IN 1427 00:33:52,064 --> 00:33:52,997 CHANGE WHO WE BECOME AND IN EACH WORLD -- LIKE, IN ONE WORLD HE'S MARRIED WITH 1428 00:33:52,999 --> 00:33:53,664 AND IN EACH WORLD -- LIKE, IN ONE WORLD HE'S MARRIED WITH A KID. 1429 00:33:53,666 --> 00:33:55,231 ONE WORLD HE'S MARRIED WITH A KID. IN ANOTHER WORLD, HE REMAINS 1430 00:33:55,233 --> 00:33:56,200 A KID. IN ANOTHER WORLD, HE REMAINS SINGLE, AND HE BECAME A NURSE 1431 00:33:56,202 --> 00:33:57,300 IN ANOTHER WORLD, HE REMAINS SINGLE, AND HE BECAME A NURSE AT A HOSPITAL. 1432 00:33:57,302 --> 00:33:57,967 SINGLE, AND HE BECAME A NURSE AT A HOSPITAL. IN ANOTHER WORLD HE BECAME LIKE 1433 00:33:57,969 --> 00:33:58,735 AT A HOSPITAL. IN ANOTHER WORLD HE BECAME LIKE A FAMOUS MUSICIAN BECAUSE HE 1434 00:33:58,737 --> 00:33:59,936 IN ANOTHER WORLD HE BECAME LIKE A FAMOUS MUSICIAN BECAUSE HE FOLLOWED HIS DREAMS OF MUSIC, 1435 00:33:59,938 --> 00:34:01,504 A FAMOUS MUSICIAN BECAUSE HE FOLLOWED HIS DREAMS OF MUSIC, AND HE HAS -- HIM AND HIS WIFE 1436 00:34:01,506 --> 00:34:02,806 FOLLOWED HIS DREAMS OF MUSIC, AND HE HAS -- HIM AND HIS WIFE ARE TRYING TO CONCEIVE, AND 1437 00:34:02,808 --> 00:34:03,806 AND HE HAS -- HIM AND HIS WIFE ARE TRYING TO CONCEIVE, AND THEY'RE HAVING TROUBLE DOING 1438 00:34:03,808 --> 00:34:05,209 ARE TRYING TO CONCEIVE, AND THEY'RE HAVING TROUBLE DOING IT 1439 00:34:05,211 --> 00:34:06,177 THEY'RE HAVING TROUBLE DOING IT >> Jimmy: SO IT WAS LIKE -- 1440 00:34:06,179 --> 00:34:07,410 IT >> Jimmy: SO IT WAS LIKE -- THIS IS GREAT FOR AN ACTOR 1441 00:34:07,412 --> 00:34:08,011 >> Jimmy: SO IT WAS LIKE -- THIS IS GREAT FOR AN ACTOR YOU MUST -- THAT'S A MEATY 1442 00:34:08,013 --> 00:34:08,478 THIS IS GREAT FOR AN ACTOR YOU MUST -- THAT'S A MEATY ROLE 1443 00:34:08,480 --> 00:34:10,146 YOU MUST -- THAT'S A MEATY ROLE >> IT'S A CHALLENGE. 1444 00:34:10,148 --> 00:34:10,881 ROLE >> IT'S A CHALLENGE. >> Jimmy: YOU CAN DO THREE -- 1445 00:34:10,883 --> 00:34:11,347 >> IT'S A CHALLENGE. >> Jimmy: YOU CAN DO THREE -- YOU HAVE TO DO THREE 1446 00:34:11,349 --> 00:34:11,782 >> Jimmy: YOU CAN DO THREE -- YOU HAVE TO DO THREE DIFFERENT -- 1447 00:34:11,784 --> 00:34:12,616 YOU HAVE TO DO THREE DIFFERENT -- >> YES 1448 00:34:12,618 --> 00:34:13,517 DIFFERENT -- >> YES >> Jimmy: -- CHARACTERS IN ONE 1449 00:34:13,519 --> 00:34:14,951 >> YES >> Jimmy: -- CHARACTERS IN ONE EPISODE. 1450 00:34:14,953 --> 00:34:16,320 >> Jimmy: -- CHARACTERS IN ONE EPISODE. >> YES, WE WILL -- SOMETIMES WE 1451 00:34:16,322 --> 00:34:17,787 EPISODE. >> YES, WE WILL -- SOMETIMES WE DO THREE CHARACTERS IN A DAY 1452 00:34:17,789 --> 00:34:19,824 >> YES, WE WILL -- SOMETIMES WE DO THREE CHARACTERS IN A DAY LIKE, YOU'RE LITERALLY, IN THE 1453 00:34:19,826 --> 00:34:21,157 DO THREE CHARACTERS IN A DAY LIKE, YOU'RE LITERALLY, IN THE MORNING, YOU KNOW, WE'LL DO ONE 1454 00:34:21,159 --> 00:34:22,492 LIKE, YOU'RE LITERALLY, IN THE MORNING, YOU KNOW, WE'LL DO ONE CHARACTER AND THEN TWO HOURS 1455 00:34:22,494 --> 00:34:23,861 MORNING, YOU KNOW, WE'LL DO ONE CHARACTER AND THEN TWO HOURS OF, LIKE, A HAND-LAID BEARD. 1456 00:34:23,863 --> 00:34:25,328 CHARACTER AND THEN TWO HOURS OF, LIKE, A HAND-LAID BEARD. IF YOU SAW THE SHOW TONIGHT, HE 1457 00:34:25,330 --> 00:34:27,397 OF, LIKE, A HAND-LAID BEARD. IF YOU SAW THE SHOW TONIGHT, HE WEARS -- LIKE, I HAVE A LONG 1458 00:34:27,399 --> 00:34:28,398 IF YOU SAW THE SHOW TONIGHT, HE WEARS -- LIKE, I HAVE A LONG HAIR AND A BEARD IN ONE OF THE 1459 00:34:28,400 --> 00:34:29,465 WEARS -- LIKE, I HAVE A LONG HAIR AND A BEARD IN ONE OF THE ROLES, SO WE'LL DO THAT AT 1460 00:34:29,467 --> 00:34:30,968 HAIR AND A BEARD IN ONE OF THE ROLES, SO WE'LL DO THAT AT LUNCH. 1461 00:34:30,970 --> 00:34:31,568 ROLES, SO WE'LL DO THAT AT LUNCH. >> Jimmy: HOW FUN. 1462 00:34:31,570 --> 00:34:32,102 LUNCH. >> Jimmy: HOW FUN. >> COME BACK AS A DIFFERENT 1463 00:34:32,104 --> 00:34:32,769 >> Jimmy: HOW FUN. >> COME BACK AS A DIFFERENT CHARACTER. 1464 00:34:32,771 --> 00:34:33,403 >> COME BACK AS A DIFFERENT CHARACTER. IT'S AWESOME 1465 00:34:33,405 --> 00:34:34,404 CHARACTER. IT'S AWESOME >> Jimmy: AND THEN YOU CAN TAKE 1466 00:34:34,406 --> 00:34:34,938 IT'S AWESOME >> Jimmy: AND THEN YOU CAN TAKE IT ANYWHERE. 1467 00:34:34,940 --> 00:34:35,939 >> Jimmy: AND THEN YOU CAN TAKE IT ANYWHERE. WHO KNOWS WHERE THE SHOW CAN -- 1468 00:34:35,941 --> 00:34:36,807 IT ANYWHERE. WHO KNOWS WHERE THE SHOW CAN -- CAUSE YOU GO LIKE, "WHICH ONE 1469 00:34:36,809 --> 00:34:37,473 WHO KNOWS WHERE THE SHOW CAN -- CAUSE YOU GO LIKE, "WHICH ONE IS REAL? 1470 00:34:37,475 --> 00:34:37,875 CAUSE YOU GO LIKE, "WHICH ONE IS REAL? >> RIGHT 1471 00:34:37,877 --> 00:34:38,843 IS REAL? >> RIGHT >> Jimmy: COULD BE THE REAL -- 1472 00:34:38,845 --> 00:34:39,976 >> RIGHT >> Jimmy: COULD BE THE REAL -- I'M NOT WRITING FOR THE SHOW 1473 00:34:39,978 --> 00:34:40,344 >> Jimmy: COULD BE THE REAL -- I'M NOT WRITING FOR THE SHOW [ LIGHT LAUGHTER ] 1474 00:34:40,346 --> 00:34:41,010 I'M NOT WRITING FOR THE SHOW [ LIGHT LAUGHTER ] >> YEAH, YEAH. 1475 00:34:41,012 --> 00:34:41,678 [ LIGHT LAUGHTER ] >> YEAH, YEAH. >> Jimmy: JUST SAYING, YOU GO 1476 00:34:41,680 --> 00:34:42,345 >> YEAH, YEAH. >> Jimmy: JUST SAYING, YOU GO LIKE, "HEY, THE ROCK STAR ONE 1477 00:34:42,347 --> 00:34:43,714 >> Jimmy: JUST SAYING, YOU GO LIKE, "HEY, THE ROCK STAR ONE IS REAL. 1478 00:34:43,716 --> 00:34:45,282 LIKE, "HEY, THE ROCK STAR ONE IS REAL. THEN YOU GO, "NO, IT'S NOT 1479 00:34:45,284 --> 00:34:46,382 IS REAL. THEN YOU GO, "NO, IT'S NOT JUST KIDDING." 1480 00:34:46,384 --> 00:34:46,984 THEN YOU GO, "NO, IT'S NOT JUST KIDDING." >> WELL, DO YOU HAVE THAT -- DO 1481 00:34:46,986 --> 00:34:48,652 JUST KIDDING." >> WELL, DO YOU HAVE THAT -- DO YOU HAVE, LIKE, A MOMENT LIKE 1482 00:34:48,654 --> 00:34:50,320 >> WELL, DO YOU HAVE THAT -- DO YOU HAVE, LIKE, A MOMENT LIKE THAT WHERE YOU LOOK BACK AND 1483 00:34:50,322 --> 00:34:51,288 YOU HAVE, LIKE, A MOMENT LIKE THAT WHERE YOU LOOK BACK AND YOU GO LIKE, "THAT WAS THE -- 1484 00:34:51,290 --> 00:34:52,256 THAT WHERE YOU LOOK BACK AND YOU GO LIKE, "THAT WAS THE -- THAT WAS THE CROSSROADS WHERE, 1485 00:34:52,258 --> 00:34:53,156 YOU GO LIKE, "THAT WAS THE -- THAT WAS THE CROSSROADS WHERE, LIKE, THAT DRASTICALLY 1486 00:34:53,158 --> 00:34:55,792 THAT WAS THE CROSSROADS WHERE, LIKE, THAT DRASTICALLY CHANGED --"? 1487 00:34:55,794 --> 00:34:56,627 LIKE, THAT DRASTICALLY CHANGED --"? >> Jimmy: YEAH, I THINK I DID 1488 00:34:56,629 --> 00:34:57,427 CHANGED --"? >> Jimmy: YEAH, I THINK I DID REACH THAT PART. 1489 00:34:57,429 --> 00:34:58,194 >> Jimmy: YEAH, I THINK I DID REACH THAT PART. I THINK EVERYONE HAS THAT THING 1490 00:34:58,196 --> 00:34:59,062 REACH THAT PART. I THINK EVERYONE HAS THAT THING WHERE YOU'RE LIKE, "I THINK I'M 1491 00:34:59,064 --> 00:35:00,063 I THINK EVERYONE HAS THAT THING WHERE YOU'RE LIKE, "I THINK I'M GOING TO DO THIS," OR, "I'M 1492 00:35:00,065 --> 00:35:00,863 WHERE YOU'RE LIKE, "I THINK I'M GOING TO DO THIS," OR, "I'M GOING TO DATE THIS PERSON, OR 1493 00:35:00,865 --> 00:35:01,498 GOING TO DO THIS," OR, "I'M GOING TO DATE THIS PERSON, OR NOT THIS PERSON. 1494 00:35:01,500 --> 00:35:02,132 GOING TO DATE THIS PERSON, OR NOT THIS PERSON. >> TOTALLY 1495 00:35:02,134 --> 00:35:03,366 NOT THIS PERSON. >> TOTALLY >> Jimmy: YOU MAKE THAT MOVE, 1496 00:35:03,368 --> 00:35:04,134 >> TOTALLY >> Jimmy: YOU MAKE THAT MOVE, AND IT ALL CAN CHANGE. 1497 00:35:04,136 --> 00:35:05,001 >> Jimmy: YOU MAKE THAT MOVE, AND IT ALL CAN CHANGE. I LOVE IT. 1498 00:35:05,003 --> 00:35:05,768 AND IT ALL CAN CHANGE. I LOVE IT. >> YEAH. 1499 00:35:05,770 --> 00:35:06,536 I LOVE IT. >> YEAH. >> Jimmy: I'M SO EXCITED ABOUT 1500 00:35:06,538 --> 00:35:06,937 >> YEAH. >> Jimmy: I'M SO EXCITED ABOUT THIS 1501 00:35:06,939 --> 00:35:07,838 >> Jimmy: I'M SO EXCITED ABOUT THIS >> THANKS, MAN 1502 00:35:07,840 --> 00:35:08,605 THIS >> THANKS, MAN >> Jimmy: I WANT TO SHOW 1503 00:35:08,607 --> 00:35:09,473 >> THANKS, MAN >> Jimmy: I WANT TO SHOW EVERYONE A CLIP. 1504 00:35:09,475 --> 00:35:10,139 >> Jimmy: I WANT TO SHOW EVERYONE A CLIP. HERE'S JAMES WOLK IN "ORDINARY 1505 00:35:10,141 --> 00:35:10,541 EVERYONE A CLIP. HERE'S JAMES WOLK IN "ORDINARY JOE. 1506 00:35:10,543 --> 00:35:12,342 HERE'S JAMES WOLK IN "ORDINARY JOE. TAKE A LOOK AT THIS. 1507 00:35:13,678 --> 00:35:17,347 >> WOW, YOU LOOK FANCY >> JUST A TIE, BUD >> FANCIER THAN YOUR SCRUBS. 1508 00:35:17,349 --> 00:35:19,015 >> JUST A TIE, BUD >> FANCIER THAN YOUR SCRUBS. >> YEAH, A BIT 1509 00:35:19,017 --> 00:35:19,750 >> FANCIER THAN YOUR SCRUBS. >> YEAH, A BIT >> YOU TRYING TO IMPRESS 1510 00:35:19,752 --> 00:35:20,650 >> YEAH, A BIT >> YOU TRYING TO IMPRESS PEOPLE 1511 00:35:20,652 --> 00:35:22,385 >> YOU TRYING TO IMPRESS PEOPLE >> NOT REALLY. 1512 00:35:22,387 --> 00:35:24,354 PEOPLE >> NOT REALLY. >> IS MOM GOING TO BE THERE? 1513 00:35:24,356 --> 00:35:25,355 >> NOT REALLY. >> IS MOM GOING TO BE THERE? >> YEAH. 1514 00:35:25,357 --> 00:35:26,322 >> IS MOM GOING TO BE THERE? >> YEAH. IT'S HER REUNION TOO 1515 00:35:26,324 --> 00:35:27,090 >> YEAH. IT'S HER REUNION TOO THAT'S WHERE WE MET, IN 1516 00:35:27,092 --> 00:35:29,492 IT'S HER REUNION TOO THAT'S WHERE WE MET, IN COLLEGE. 1517 00:35:29,494 --> 00:35:31,762 THAT'S WHERE WE MET, IN COLLEGE. >> I HOPE YOU IMPRESS HER. 1518 00:35:31,764 --> 00:35:36,033 COLLEGE. >> I HOPE YOU IMPRESS HER. ♪ 1519 00:35:36,035 --> 00:35:36,599 >> I HOPE YOU IMPRESS HER. ♪ >> Jimmy: JAMES WOLK, 1520 00:35:36,601 --> 00:35:37,134 ♪ >> Jimmy: JAMES WOLK, EVERYBODY. 1521 00:35:37,136 --> 00:35:38,101 >> Jimmy: JAMES WOLK, EVERYBODY. [ CHEERS AND APPLAUSE 1522 00:35:38,103 --> 00:35:39,235 EVERYBODY. [ CHEERS AND APPLAUSE CHECK OUT NEW EPISODES OF 1523 00:35:39,237 --> 00:35:41,105 [ CHEERS AND APPLAUSE CHECK OUT NEW EPISODES OF "ORDINARY JOE" MONDAY NIGHTS AT 1524 00:35:41,107 --> 00:35:42,906 CHECK OUT NEW EPISODES OF "ORDINARY JOE" MONDAY NIGHTS AT 10:00 P.M. HERE ON NBC 1525 00:35:42,908 --> 00:35:43,773 "ORDINARY JOE" MONDAY NIGHTS AT 10:00 P.M. HERE ON NBC WE'LL BE RIGHT BACK WITH A 1526 00:35:43,775 --> 00:35:44,641 10:00 P.M. HERE ON NBC WE'LL BE RIGHT BACK WITH A A PERFORMANCE FROM MEEK MILL 1527 00:35:44,643 --> 00:35:45,408 WE'LL BE RIGHT BACK WITH A A PERFORMANCE FROM MEEK MILL WITH LIL UZI VERT. 1528 00:35:45,410 --> 00:35:47,477 A PERFORMANCE FROM MEEK MILL WITH LIL UZI VERT. STICK AROUND 1529 00:35:47,479 --> 00:35:49,679 WITH LIL UZI VERT. STICK AROUND [ CHEERS AND APPLAUSE 1530 00:35:49,681 --> 00:36:11,067 STICK AROUND [ CHEERS AND APPLAUSE ♪ 1531 00:36:11,069 --> 00:36:12,470 [ CHEERS AND APPLAUSE ♪ >> Jimmy: PERFORMING "BLUE 1532 00:36:12,472 --> 00:36:14,204 ♪ >> Jimmy: PERFORMING "BLUE NOTES 2" WITH LIL UZI VERT, 1533 00:36:14,206 --> 00:36:15,538 >> Jimmy: PERFORMING "BLUE NOTES 2" WITH LIL UZI VERT, FROM HIS UPCOMING ALBUM, 1534 00:36:15,540 --> 00:36:17,740 NOTES 2" WITH LIL UZI VERT, FROM HIS UPCOMING ALBUM, "EXPENSIVE PAIN," GIVE IT UP 1535 00:36:17,742 --> 00:36:21,878 FROM HIS UPCOMING ALBUM, "EXPENSIVE PAIN," GIVE IT UP FOR MEEK MILL. 1536 00:36:26,485 --> 00:36:33,290 ♪ >> I GO BY THE NAME OF MEEK MILLY, FRESH OUTTA 1537 00:36:33,292 --> 00:36:34,090 >> I GO BY THE NAME OF MEEK MILLY, FRESH OUTTA PHILADELPHIA 1538 00:36:34,092 --> 00:36:35,693 MILLY, FRESH OUTTA PHILADELPHIA [ CHEERS AND APPLAUSE 1539 00:36:35,695 --> 00:36:36,726 PHILADELPHIA [ CHEERS AND APPLAUSE THIS IS MY SONG "BLUE NOTES" 1540 00:36:36,728 --> 00:36:37,461 [ CHEERS AND APPLAUSE THIS IS MY SONG "BLUE NOTES" OFF MY NEW ALBUM, "EXPENSIVE 1541 00:36:37,463 --> 00:36:38,695 THIS IS MY SONG "BLUE NOTES" OFF MY NEW ALBUM, "EXPENSIVE PAIN," DROPPING 10-1 1542 00:36:38,697 --> 00:36:42,165 OFF MY NEW ALBUM, "EXPENSIVE PAIN," DROPPING 10-1 MAKE SURE YOU GO GET THAT. 1543 00:36:42,167 --> 00:36:43,567 PAIN," DROPPING 10-1 MAKE SURE YOU GO GET THAT. STARRING LIL UZI VERT, IN THE 1544 00:36:43,569 --> 00:36:44,367 MAKE SURE YOU GO GET THAT. STARRING LIL UZI VERT, IN THE BUILDING, YA HEARD 1545 00:36:44,369 --> 00:36:45,436 STARRING LIL UZI VERT, IN THE BUILDING, YA HEARD MAKE SOME NOISE FOR LIL UZI, 1546 00:36:45,438 --> 00:36:47,303 BUILDING, YA HEARD MAKE SOME NOISE FOR LIL UZI, AGAIN. 1547 00:36:47,305 --> 00:36:49,139 MAKE SOME NOISE FOR LIL UZI, AGAIN. [ CHEERS AND APPLAUSE 1548 00:36:49,141 --> 00:36:49,939 AGAIN. [ CHEERS AND APPLAUSE ♪ I'M NOT IN COMPETITIO 1549 00:36:49,941 --> 00:36:50,907 [ CHEERS AND APPLAUSE ♪ I'M NOT IN COMPETITIO WITH MY HOMIES 1550 00:36:50,909 --> 00:36:51,642 ♪ I'M NOT IN COMPETITIO WITH MY HOMIES I'M WHIPPIN' THE 1551 00:36:51,644 --> 00:36:52,576 WITH MY HOMIES I'M WHIPPIN' THE COMPETITION AND THE ROLLIE ♪ 1552 00:36:52,578 --> 00:36:53,343 I'M WHIPPIN' THE COMPETITION AND THE ROLLIE ♪ ♪ I KNOW MY OPPOSITIO 1553 00:36:53,345 --> 00:36:54,211 COMPETITION AND THE ROLLIE ♪ ♪ I KNOW MY OPPOSITIO NEVER KNEW M 1554 00:36:54,213 --> 00:36:54,744 ♪ I KNOW MY OPPOSITIO NEVER KNEW M THEY WOULDN'T BE 1555 00:36:54,746 --> 00:36:55,745 NEVER KNEW M THEY WOULDN'T BE OPPOSITION IF THEY KNOW ME ♪ 1556 00:36:55,747 --> 00:36:56,279 THEY WOULDN'T BE OPPOSITION IF THEY KNOW ME ♪ ♪ I MADE A PROPOSITIO 1557 00:36:56,281 --> 00:36:57,047 OPPOSITION IF THEY KNOW ME ♪ ♪ I MADE A PROPOSITIO TO MY HITTER 1558 00:36:57,049 --> 00:36:57,914 ♪ I MADE A PROPOSITIO TO MY HITTER I TOLD THEM TO KNOCK 'EM 1559 00:36:57,916 --> 00:36:58,582 TO MY HITTER I TOLD THEM TO KNOCK 'EM DOWN IF YOU OWE ME ♪ 1560 00:36:58,584 --> 00:36:59,449 I TOLD THEM TO KNOCK 'EM DOWN IF YOU OWE ME ♪ ♪ I JUST BEEN SLIDIN' 'ROUN 1561 00:36:59,451 --> 00:37:00,149 DOWN IF YOU OWE ME ♪ ♪ I JUST BEEN SLIDIN' 'ROUN HITTIN' BUILDING 1562 00:37:00,151 --> 00:37:01,017 ♪ I JUST BEEN SLIDIN' 'ROUN HITTIN' BUILDING WE MOVIN' WITH GLOCK 1563 00:37:01,019 --> 00:37:02,018 HITTIN' BUILDING WE MOVIN' WITH GLOCK POUNDS AND THEM 40S ♪ 1564 00:37:02,020 --> 00:37:02,552 WE MOVIN' WITH GLOCK POUNDS AND THEM 40S ♪ ♪ THEM GOT SHOT DOW 1565 00:37:02,554 --> 00:37:03,320 POUNDS AND THEM 40S ♪ ♪ THEM GOT SHOT DOW WE WAS WHORIN' 1566 00:37:03,322 --> 00:37:04,054 ♪ THEM GOT SHOT DOW WE WAS WHORIN' MY HOMIE A OPP NOW 1567 00:37:04,056 --> 00:37:04,854 WE WAS WHORIN' MY HOMIE A OPP NOW SO WE ON HIM ♪ 1568 00:37:04,856 --> 00:37:05,722 MY HOMIE A OPP NOW SO WE ON HIM ♪ ♪ I WAS LIKE SIXTEE 1569 00:37:05,724 --> 00:37:06,356 SO WE ON HIM ♪ ♪ I WAS LIKE SIXTEE WITH THE MAC ON ME 1570 00:37:06,358 --> 00:37:07,257 ♪ I WAS LIKE SIXTEE WITH THE MAC ON ME DEEP IN THE FIEL 1571 00:37:07,259 --> 00:37:07,890 WITH THE MAC ON ME DEEP IN THE FIEL LIKE IT'S POP WARNER ♪ 1572 00:37:07,892 --> 00:37:09,125 DEEP IN THE FIEL LIKE IT'S POP WARNER ♪ ♪ WEATHERED THE SCENE 1573 00:37:09,127 --> 00:37:09,892 LIKE IT'S POP WARNER ♪ ♪ WEATHERED THE SCENE CRACKED ON M 1574 00:37:09,894 --> 00:37:10,494 ♪ WEATHERED THE SCENE CRACKED ON M WHEN IT GOT REAL 1575 00:37:10,496 --> 00:37:11,527 CRACKED ON M WHEN IT GOT REAL TRIED TO SLIDE ON HIM ♪ 1576 00:37:11,529 --> 00:37:12,162 WHEN IT GOT REAL TRIED TO SLIDE ON HIM ♪ ♪ I MADE SOME M'S 1577 00:37:12,164 --> 00:37:13,063 TRIED TO SLIDE ON HIM ♪ ♪ I MADE SOME M'S SPLIT THE GUYS ON IT 1578 00:37:13,065 --> 00:37:13,764 ♪ I MADE SOME M'S SPLIT THE GUYS ON IT WE KEEPIN' IT REAL NOT 1579 00:37:13,766 --> 00:37:15,031 SPLIT THE GUYS ON IT WE KEEPIN' IT REAL NOT AND MY HOMIE A SAVAGE ♪ 1580 00:37:15,033 --> 00:37:15,765 WE KEEPIN' IT REAL NOT AND MY HOMIE A SAVAGE ♪ ♪ GOT PUT IN A CASKET 1581 00:37:15,767 --> 00:37:16,866 AND MY HOMIE A SAVAGE ♪ ♪ GOT PUT IN A CASKET AND I'M MAD AT HIM 1582 00:37:16,868 --> 00:37:17,601 ♪ GOT PUT IN A CASKET AND I'M MAD AT HIM 'CAUSE HE DIED ON US 1583 00:37:17,603 --> 00:37:18,401 AND I'M MAD AT HIM 'CAUSE HE DIED ON US JUST LEFT HIS VIEWING ♪ 1584 00:37:18,403 --> 00:37:19,402 'CAUSE HE DIED ON US JUST LEFT HIS VIEWING ♪ ♪ AND I TOLD HIS MO 1585 00:37:19,404 --> 00:37:20,470 JUST LEFT HIS VIEWING ♪ ♪ AND I TOLD HIS MO EVERY TIME THAT SHE CR 1586 00:37:20,472 --> 00:37:21,137 ♪ AND I TOLD HIS MO EVERY TIME THAT SHE CR WE GON' SLIDE ON 'EM 1587 00:37:21,139 --> 00:37:21,872 EVERY TIME THAT SHE CR WE GON' SLIDE ON 'EM I LOOK YOU RIGHT ♪ 1588 00:37:21,874 --> 00:37:22,572 WE GON' SLIDE ON 'EM I LOOK YOU RIGHT ♪ ♪ DEAD IN THE EYE 1589 00:37:22,574 --> 00:37:23,439 I LOOK YOU RIGHT ♪ ♪ DEAD IN THE EYE AND I AIN'T SURPRISE 1590 00:37:23,441 --> 00:37:24,174 ♪ DEAD IN THE EYE AND I AIN'T SURPRISE YOU AIN'T RIDE FOR U 1591 00:37:24,176 --> 00:37:24,841 AND I AIN'T SURPRISE YOU AIN'T RIDE FOR U HOW WOULD YOU FEEL IF ♪ 1592 00:37:24,843 --> 00:37:25,809 YOU AIN'T RIDE FOR U HOW WOULD YOU FEEL IF ♪ ♪ YOU BUST A MIL' WITH SOME 1593 00:37:25,811 --> 00:37:26,576 HOW WOULD YOU FEEL IF ♪ ♪ YOU BUST A MIL' WITH SOME AND THEY SWITC 1594 00:37:26,578 --> 00:37:27,544 ♪ YOU BUST A MIL' WITH SOME AND THEY SWITC SIDE ON YO 1595 00:37:27,546 --> 00:37:29,579 AND THEY SWITC SIDE ON YO HOW WOULD YOU FEEL ♪ 1596 00:37:29,581 --> 00:37:30,380 SIDE ON YO HOW WOULD YOU FEEL ♪ ♪ WHEN YOU SO LIT THAT YO 1597 00:37:30,382 --> 00:37:31,115 HOW WOULD YOU FEEL ♪ ♪ WHEN YOU SO LIT THAT YO CAN'T TELL I 1598 00:37:31,117 --> 00:37:32,650 ♪ WHEN YOU SO LIT THAT YO CAN'T TELL I THE LOVE REA 1599 00:37:32,652 --> 00:37:33,450 CAN'T TELL I THE LOVE REA IF I CAN'T TELL YOU ♪ 1600 00:37:33,452 --> 00:37:34,317 THE LOVE REA IF I CAN'T TELL YOU ♪ ♪ NOTHIN' I'LL TELL YOU 1601 00:37:34,319 --> 00:37:35,852 IF I CAN'T TELL YOU ♪ ♪ NOTHIN' I'LL TELL YOU HOW A THUG FEE 1602 00:37:35,854 --> 00:37:36,619 ♪ NOTHIN' I'LL TELL YOU HOW A THUG FEE AND YOU AIN'T RICH 1603 00:37:36,621 --> 00:37:37,487 HOW A THUG FEE AND YOU AIN'T RICH YOUR STASH CAN'T ♪ 1604 00:37:37,489 --> 00:37:38,788 AND YOU AIN'T RICH YOUR STASH CAN'T ♪ ♪ PAY MY DRUG BIL 1605 00:37:38,790 --> 00:37:41,091 YOUR STASH CAN'T ♪ ♪ PAY MY DRUG BIL THIS EXPENSIVE PAI 1606 00:37:41,093 --> 00:37:41,958 ♪ PAY MY DRUG BIL THIS EXPENSIVE PAI PULLIN' AN EXPENSIVE RANGE 1607 00:37:41,960 --> 00:37:43,260 THIS EXPENSIVE PAI PULLIN' AN EXPENSIVE RANGE NECK GOT EXPENSIVE CHAIN ♪ 1608 00:37:43,262 --> 00:37:44,795 PULLIN' AN EXPENSIVE RANGE NECK GOT EXPENSIVE CHAIN ♪ ♪ HE GOT DRUG MONEY 1609 00:37:44,797 --> 00:37:46,463 NECK GOT EXPENSIVE CHAIN ♪ ♪ HE GOT DRUG MONEY THAT'S EXPENSIVE GAM 1610 00:37:46,465 --> 00:37:47,997 ♪ HE GOT DRUG MONEY THAT'S EXPENSIVE GAM I GOT EXPENSIVE SHOOTE 1611 00:37:47,999 --> 00:37:50,166 THAT'S EXPENSIVE GAM I GOT EXPENSIVE SHOOTE HE GOT EXPENSIVE AIM ♪ 1612 00:37:50,168 --> 00:37:51,468 I GOT EXPENSIVE SHOOTE HE GOT EXPENSIVE AIM ♪ ♪ YOU KNOW IT'S LIL UZI 1613 00:37:51,470 --> 00:37:53,136 HE GOT EXPENSIVE AIM ♪ ♪ YOU KNOW IT'S LIL UZI THAT'S AN EXPENSIVE NAME 1614 00:37:53,138 --> 00:37:53,904 ♪ YOU KNOW IT'S LIL UZI THAT'S AN EXPENSIVE NAME I'M GOIN' HARD AND 1615 00:37:53,906 --> 00:37:54,637 THAT'S AN EXPENSIVE NAME I'M GOIN' HARD AND MY BACK TO THE WALL ♪ 1616 00:37:54,639 --> 00:37:55,638 I'M GOIN' HARD AND MY BACK TO THE WALL ♪ ♪ I WAS LIKE JUST 1617 00:37:55,640 --> 00:37:56,506 MY BACK TO THE WALL ♪ ♪ I WAS LIKE JUST PUMPIN' AND FAKIN' 1618 00:37:56,508 --> 00:37:57,273 ♪ I WAS LIKE JUST PUMPIN' AND FAKIN' THERE'S NO WAY 1619 00:37:57,275 --> 00:37:58,141 PUMPIN' AND FAKIN' THERE'S NO WAY THEY MATCHIN' ME OFF ♪ 1620 00:37:58,143 --> 00:37:59,142 THERE'S NO WAY THEY MATCHIN' ME OFF ♪ ♪ WHO REALLY GON' STICK M 1621 00:37:59,144 --> 00:37:59,876 THEY MATCHIN' ME OFF ♪ ♪ WHO REALLY GON' STICK M AND WE GETTIN' BUS 1622 00:37:59,878 --> 00:38:00,610 ♪ WHO REALLY GON' STICK M AND WE GETTIN' BUS WE SEEIN' RA 1623 00:38:00,612 --> 00:38:01,211 AND WE GETTIN' BUS WE SEEIN' RA WHEN IT'S BOUGHT ♪ 1624 00:38:01,213 --> 00:38:02,212 WE SEEIN' RA WHEN IT'S BOUGHT ♪ ♪ I WON'T EVEN PRACTICE 1625 00:38:02,214 --> 00:38:02,912 WHEN IT'S BOUGHT ♪ ♪ I WON'T EVEN PRACTICE I GO TRIPLE PLATINUM 1626 00:38:02,914 --> 00:38:03,780 ♪ I WON'T EVEN PRACTICE I GO TRIPLE PLATINUM AND THEY SAYIN' THAT 1627 00:38:03,782 --> 00:38:04,647 I GO TRIPLE PLATINUM AND THEY SAYIN' THAT WAS A WASH YEAH ♪ 1628 00:38:04,649 --> 00:38:05,916 AND THEY SAYIN' THAT WAS A WASH YEAH ♪ ♪ ICED OUT MY ROLLI 1629 00:38:05,918 --> 00:38:07,250 WAS A WASH YEAH ♪ ♪ ICED OUT MY ROLLI UP TO A RICHARD MILL 1630 00:38:07,252 --> 00:38:08,584 ♪ ICED OUT MY ROLLI UP TO A RICHARD MILL IN THE TRENCHES WITH 1631 00:38:08,586 --> 00:38:09,185 UP TO A RICHARD MILL IN THE TRENCHES WITH SOME YOUNG TRYNA TELL HIM ♪ 1632 00:38:09,187 --> 00:38:09,853 IN THE TRENCHES WITH SOME YOUNG TRYNA TELL HIM ♪ ♪ HOW THIS RICH REALLY FEEL 1633 00:38:09,855 --> 00:38:11,187 SOME YOUNG TRYNA TELL HIM ♪ ♪ HOW THIS RICH REALLY FEEL YOU AIN'T NEVE 1634 00:38:11,189 --> 00:38:11,921 ♪ HOW THIS RICH REALLY FEEL YOU AIN'T NEVE BEEN IN THE FIEL 1635 00:38:11,923 --> 00:38:12,855 YOU AIN'T NEVE BEEN IN THE FIEL WITH THEM LATE NIGHTS ♪ 1636 00:38:12,857 --> 00:38:13,623 BEEN IN THE FIEL WITH THEM LATE NIGHTS ♪ ♪ OFF BENADRY 1637 00:38:13,625 --> 00:38:14,491 WITH THEM LATE NIGHTS ♪ ♪ OFF BENADRY WITH THEM GREAT WHITES 1638 00:38:14,493 --> 00:38:15,125 ♪ OFF BENADRY WITH THEM GREAT WHITES LOCKED IN A CELL 1639 00:38:15,127 --> 00:38:15,892 WITH THEM GREAT WHITES LOCKED IN A CELL LIKE SHAWSHANK ♪ 1640 00:38:15,894 --> 00:38:16,627 LOCKED IN A CELL LIKE SHAWSHANK ♪ ♪ NO REDEMPTION 1641 00:38:16,629 --> 00:38:17,527 LIKE SHAWSHANK ♪ ♪ NO REDEMPTION I WAS RICHES 1642 00:38:17,529 --> 00:38:18,761 ♪ NO REDEMPTION I WAS RICHES IN THE PRISO 1643 00:38:18,763 --> 00:38:19,629 I WAS RICHES IN THE PRISO I WAS STRAPPIN' UP ♪ 1644 00:38:19,631 --> 00:38:20,230 IN THE PRISO I WAS STRAPPIN' UP ♪ ♪ WHEN WASN'T RIDIN 1645 00:38:20,232 --> 00:38:21,264 I WAS STRAPPIN' UP ♪ ♪ WHEN WASN'T RIDIN I WAS THE RICHES 1646 00:38:21,266 --> 00:38:21,931 ♪ WHEN WASN'T RIDIN I WAS THE RICHES ON A MISSION 1647 00:38:21,933 --> 00:38:22,565 I WAS THE RICHES ON A MISSION I WAS MOTIVATED ♪ 1648 00:38:22,567 --> 00:38:23,433 ON A MISSION I WAS MOTIVATED ♪ ♪ I WATCHIN' MOVES, YEA 1649 00:38:23,435 --> 00:38:24,434 I WAS MOTIVATED ♪ ♪ I WATCHIN' MOVES, YEA I WAS THE BROKES 1650 00:38:24,436 --> 00:38:25,168 ♪ I WATCHIN' MOVES, YEA I WAS THE BROKES IN THE KITCHEN 1651 00:38:25,170 --> 00:38:25,969 I WAS THE BROKES IN THE KITCHEN I WAS CHASIN' A MILLION ♪ 1652 00:38:25,971 --> 00:38:26,836 IN THE KITCHEN I WAS CHASIN' A MILLION ♪ ♪ WHEN THEY SAID I COULDN'T 1653 00:38:26,838 --> 00:38:27,937 I WAS CHASIN' A MILLION ♪ ♪ WHEN THEY SAID I COULDN'T I WAS HARD HEADE 1654 00:38:27,939 --> 00:38:28,705 ♪ WHEN THEY SAID I COULDN'T I WAS HARD HEADE I AIN'T LISTEN 1655 00:38:28,707 --> 00:38:29,339 I WAS HARD HEADE I AIN'T LISTEN KINDA GLAD THAT ♪ 1656 00:38:29,341 --> 00:38:30,240 I AIN'T LISTEN KINDA GLAD THAT ♪ ♪ I NEVER DID 1657 00:38:30,242 --> 00:38:30,841 KINDA GLAD THAT ♪ ♪ I NEVER DID NOW WE ALL MADE IT OUT 1658 00:38:30,843 --> 00:38:31,741 ♪ I NEVER DID NOW WE ALL MADE IT OUT THE TRENCHES, YEAH 1659 00:38:31,743 --> 00:38:32,942 NOW WE ALL MADE IT OUT THE TRENCHES, YEAH ALL OF MY MONEY IS NEW ♪ 1660 00:38:32,944 --> 00:38:33,943 THE TRENCHES, YEAH ALL OF MY MONEY IS NEW ♪ ♪ ALL OF MY MONEY IS BLUE 1661 00:38:33,945 --> 00:38:34,610 ALL OF MY MONEY IS NEW ♪ ♪ ALL OF MY MONEY IS BLUE RIDDLE ME THIS 1662 00:38:34,612 --> 00:38:35,478 ♪ ALL OF MY MONEY IS BLUE RIDDLE ME THIS I'M SUPPOSED TO GO GET THE 1663 00:38:35,480 --> 00:38:36,246 RIDDLE ME THIS I'M SUPPOSED TO GO GET THE MONEY AND KEEP DOIN' ♪ 1664 00:38:36,248 --> 00:38:37,313 I'M SUPPOSED TO GO GET THE MONEY AND KEEP DOIN' ♪ ♪ FAVORS AND GIVE ALL M 1665 00:38:37,315 --> 00:38:38,048 MONEY AND KEEP DOIN' ♪ ♪ FAVORS AND GIVE ALL M MONEY TO WHO 1666 00:38:38,050 --> 00:38:38,716 ♪ FAVORS AND GIVE ALL M MONEY TO WHO YOU KEEP TELLIN' M 1667 00:38:38,718 --> 00:38:39,749 MONEY TO WHO YOU KEEP TELLIN' M KEEP TELLIN' YOU WHAT ♪ 1668 00:38:39,751 --> 00:38:40,817 YOU KEEP TELLIN' M KEEP TELLIN' YOU WHAT ♪ ♪ WHY THEY BE RUNNIN' TO YO 1669 00:38:40,819 --> 00:38:41,918 KEEP TELLIN' YOU WHAT ♪ ♪ WHY THEY BE RUNNIN' TO YO WHY EVERY TIME TAL 1670 00:38:41,920 --> 00:38:43,420 ♪ WHY THEY BE RUNNIN' TO YO WHY EVERY TIME TAL BOUT ME AND IT'S BAD 1671 00:38:43,422 --> 00:38:44,988 WHY EVERY TIME TAL BOUT ME AND IT'S BAD THEY KEEP COMIN' TO YOU ♪ 1672 00:38:44,990 --> 00:38:47,490 BOUT ME AND IT'S BAD THEY KEEP COMIN' TO YOU ♪ ♪ I NEVER GOT THAT PART 1673 00:38:47,492 --> 00:38:48,691 THEY KEEP COMIN' TO YOU ♪ ♪ I NEVER GOT THAT PART WHY EVERY TIME SOMEBOD 1674 00:38:48,693 --> 00:38:49,359 ♪ I NEVER GOT THAT PART WHY EVERY TIME SOMEBOD GOT SOMETHING BAD TO 1675 00:38:49,361 --> 00:38:50,094 WHY EVERY TIME SOMEBOD GOT SOMETHING BAD TO SAY ABOUT ME ♪ 1676 00:38:50,096 --> 00:38:50,893 GOT SOMETHING BAD TO SAY ABOUT ME ♪ ♪ THEY GO TO ONE OF M 1677 00:38:50,895 --> 00:38:51,661 SAY ABOUT ME ♪ ♪ THEY GO TO ONE OF M FRIENDS AND THEN THE 1678 00:38:51,663 --> 00:38:52,862 ♪ THEY GO TO ONE OF M FRIENDS AND THEN THE COME BACK AND TELL ME ♪ 1679 00:38:52,864 --> 00:38:53,830 FRIENDS AND THEN THE COME BACK AND TELL ME ♪ ♪ I NEVER GOT THAT PART 1680 00:38:53,832 --> 00:38:57,100 COME BACK AND TELL ME ♪ ♪ I NEVER GOT THAT PART I'M TRYNA FIGURE IT OUT ♪ 1681 00:38:57,102 --> 00:38:58,735 ♪ I NEVER GOT THAT PART I'M TRYNA FIGURE IT OUT ♪ ♪ HUNNIDS ON HUNNID 1682 00:38:58,737 --> 00:39:00,771 I'M TRYNA FIGURE IT OUT ♪ ♪ HUNNIDS ON HUNNID ON HUNNIDS ON HUNNID 1683 00:39:00,773 --> 00:39:01,404 ♪ HUNNIDS ON HUNNID ON HUNNIDS ON HUNNID MY HOMIE A OPP, BU 1684 00:39:01,406 --> 00:39:02,171 ON HUNNIDS ON HUNNID MY HOMIE A OPP, BU HE KNOW HOW I ROCK ♪ 1685 00:39:02,173 --> 00:39:03,040 MY HOMIE A OPP, BU HE KNOW HOW I ROCK ♪ ♪ SO YOU KNOW THAT I'M READ 1686 00:39:03,042 --> 00:39:03,940 HE KNOW HOW I ROCK ♪ ♪ SO YOU KNOW THAT I'M READ HOWEVER HE COMIN 1687 00:39:03,942 --> 00:39:04,675 ♪ SO YOU KNOW THAT I'M READ HOWEVER HE COMIN WE DONE WENT UP ON THESE 1688 00:39:04,677 --> 00:39:05,575 HOWEVER HE COMIN WE DONE WENT UP ON THESE HITTAS LIKE SEVENTY-NOTHIN ♪ 1689 00:39:05,577 --> 00:39:07,110 WE DONE WENT UP ON THESE HITTAS LIKE SEVENTY-NOTHIN ♪ ♪ THEY TALKIN' ABOUT BODIES 1690 00:39:07,112 --> 00:39:08,311 HITTAS LIKE SEVENTY-NOTHIN ♪ ♪ THEY TALKIN' ABOUT BODIES WE TALKIN' ABOUT MILLION 1691 00:39:08,313 --> 00:39:09,412 ♪ THEY TALKIN' ABOUT BODIES WE TALKIN' ABOUT MILLION WE TALKIN' ABOUT MONEY 1692 00:39:09,414 --> 00:39:10,580 WE TALKIN' ABOUT MILLION WE TALKIN' ABOUT MONEY THEY TALKIN' ABOUT KILLIN ♪ 1693 00:39:10,582 --> 00:39:11,448 WE TALKIN' ABOUT MONEY THEY TALKIN' ABOUT KILLIN ♪ ♪ I GOTTA GO TO THE BATHROO 1694 00:39:11,450 --> 00:39:12,115 THEY TALKIN' ABOUT KILLIN ♪ ♪ I GOTTA GO TO THE BATHROO SOON AS I WALK 1695 00:39:12,117 --> 00:39:12,882 ♪ I GOTTA GO TO THE BATHROO SOON AS I WALK IN THE BUILDIN 1696 00:39:12,884 --> 00:39:13,751 SOON AS I WALK IN THE BUILDIN YOU KNOW HOW I'M LIVIN' ♪ 1697 00:39:13,753 --> 00:39:14,551 IN THE BUILDIN YOU KNOW HOW I'M LIVIN' ♪ ♪ WALKIN' I'M TUCKIN' AND 1698 00:39:14,553 --> 00:39:15,518 YOU KNOW HOW I'M LIVIN' ♪ ♪ WALKIN' I'M TUCKIN' AND PASSIN' THE GLIZZY 1699 00:39:15,520 --> 00:39:16,185 ♪ WALKIN' I'M TUCKIN' AND PASSIN' THE GLIZZY NO LOOK OUT, SISSY 1700 00:39:16,187 --> 00:39:17,153 PASSIN' THE GLIZZY NO LOOK OUT, SISSY YOU KNOW I AIN'T SLIPPIN' ♪ 1701 00:39:17,155 --> 00:39:17,821 NO LOOK OUT, SISSY YOU KNOW I AIN'T SLIPPIN' ♪ ♪ COME TO YOUR TRENCHES 1702 00:39:17,823 --> 00:39:18,588 YOU KNOW I AIN'T SLIPPIN' ♪ ♪ COME TO YOUR TRENCHES JUST ME AND LIKE ONE 1703 00:39:18,590 --> 00:39:19,189 ♪ COME TO YOUR TRENCHES JUST ME AND LIKE ONE OF MY SAVAGE 1704 00:39:19,191 --> 00:39:19,989 JUST ME AND LIKE ONE OF MY SAVAGE YOU KNOW I AIN'T TRIPPIN' ♪ 1705 00:39:19,991 --> 00:39:21,091 OF MY SAVAGE YOU KNOW I AIN'T TRIPPIN' ♪ ♪ I CAN'T GET EXTORTE 1706 00:39:21,093 --> 00:39:22,291 YOU KNOW I AIN'T TRIPPIN' ♪ ♪ I CAN'T GET EXTORTE I'M BALLIN' LIKE JORDA 1707 00:39:22,293 --> 00:39:23,127 ♪ I CAN'T GET EXTORTE I'M BALLIN' LIKE JORDA WE SLIDIN' WITH TORCHE 1708 00:39:23,129 --> 00:39:24,060 I'M BALLIN' LIKE JORDA WE SLIDIN' WITH TORCHE WE TOTIN' AND PIMPIN' ♪ 1709 00:39:24,062 --> 00:39:24,661 WE SLIDIN' WITH TORCHE WE TOTIN' AND PIMPIN' ♪ ♪ I JUST BE LAUGHIN 1710 00:39:24,663 --> 00:39:25,562 WE TOTIN' AND PIMPIN' ♪ ♪ I JUST BE LAUGHIN TO THE BAN 1711 00:39:25,564 --> 00:39:26,396 ♪ I JUST BE LAUGHIN TO THE BAN I DONE PULLED UP WITH TH 1712 00:39:26,398 --> 00:39:27,297 TO THE BAN I DONE PULLED UP WITH TH PRESIDENTIAL ON MY WRIST ♪ 1713 00:39:27,299 --> 00:39:28,364 I DONE PULLED UP WITH TH PRESIDENTIAL ON MY WRIST ♪ ♪ AND THIS HIT LIKE HILLARY 1714 00:39:28,366 --> 00:39:29,699 PRESIDENTIAL ON MY WRIST ♪ ♪ AND THIS HIT LIKE HILLARY I WAS JUST IN TH 1715 00:39:29,701 --> 00:39:30,534 ♪ AND THIS HIT LIKE HILLARY I WAS JUST IN TH KITCHEN WHIPPIN' HANNA 1716 00:39:30,536 --> 00:39:31,434 I WAS JUST IN TH KITCHEN WHIPPIN' HANNA MONTANA LIKE MY NAME ♪ 1717 00:39:31,436 --> 00:39:32,202 KITCHEN WHIPPIN' HANNA MONTANA LIKE MY NAME ♪ ♪ WAS BILLY RAY 1718 00:39:32,204 --> 00:39:33,202 MONTANA LIKE MY NAME ♪ ♪ WAS BILLY RAY AND I BET THAT I HAVE ME 1719 00:39:33,204 --> 00:39:33,803 ♪ WAS BILLY RAY AND I BET THAT I HAVE ME A HUNNID MILLION DOLLARS 1720 00:39:33,805 --> 00:39:34,671 AND I BET THAT I HAVE ME A HUNNID MILLION DOLLARS ON 'FORE I BE TWENTY-EIGHT ♪ 1721 00:39:34,673 --> 00:39:35,672 A HUNNID MILLION DOLLARS ON 'FORE I BE TWENTY-EIGHT ♪ ♪ LOVE HER BACK WHE 1722 00:39:35,674 --> 00:39:36,372 ON 'FORE I BE TWENTY-EIGHT ♪ ♪ LOVE HER BACK WHE WASN'T LOVIN' ME 1723 00:39:36,374 --> 00:39:37,574 ♪ LOVE HER BACK WHE WASN'T LOVIN' ME TWENTY-THOUSAND AT BES 1724 00:39:37,576 --> 00:39:38,441 WASN'T LOVIN' ME TWENTY-THOUSAND AT BES SHE AIN'T DUBBIN' ME ♪ 1725 00:39:38,443 --> 00:39:39,743 TWENTY-THOUSAND AT BES SHE AIN'T DUBBIN' ME ♪ ♪ I'M ON POINT AIN'T NO 1726 00:39:39,745 --> 00:39:40,510 SHE AIN'T DUBBIN' ME ♪ ♪ I'M ON POINT AIN'T NO OUT HERE RUNNIN' M 1727 00:39:40,512 --> 00:39:41,277 ♪ I'M ON POINT AIN'T NO OUT HERE RUNNIN' M LAMBORGHINI, THE SAM 1728 00:39:41,279 --> 00:39:42,045 OUT HERE RUNNIN' M LAMBORGHINI, THE SAM COLOR BUMBLEBEE ♪ 1729 00:39:42,047 --> 00:39:42,912 LAMBORGHINI, THE SAM COLOR BUMBLEBEE ♪ ♪ PULL UP CULLINA 1730 00:39:42,914 --> 00:39:43,680 COLOR BUMBLEBEE ♪ ♪ PULL UP CULLINA SAME COLOR, BUTTER SEATS 1731 00:39:43,682 --> 00:39:44,448 ♪ PULL UP CULLINA SAME COLOR, BUTTER SEATS IN THE GAME, AIN'T N 1732 00:39:44,450 --> 00:39:45,315 SAME COLOR, BUTTER SEATS IN THE GAME, AIN'T N YOUNG TOUCHIN' ME ♪ 1733 00:39:45,317 --> 00:39:46,082 IN THE GAME, AIN'T N YOUNG TOUCHIN' ME ♪ ♪ YEAH, SHE KNOW THAT I'M 1734 00:39:46,084 --> 00:39:46,949 YOUNG TOUCHIN' ME ♪ ♪ YEAH, SHE KNOW THAT I'M AND SHE KNOW THAT I'M RICH 1735 00:39:46,951 --> 00:39:47,851 ♪ YEAH, SHE KNOW THAT I'M AND SHE KNOW THAT I'M RICH EVERY TIME THAT 1736 00:39:47,853 --> 00:39:50,019 AND SHE KNOW THAT I'M RICH EVERY TIME THAT NOT ON ME ♪ 1737 00:39:50,021 --> 00:39:50,553 EVERY TIME THAT NOT ON ME ♪ >> JIMMY FALLON. 1738 00:39:50,555 --> 00:39:51,554 NOT ON ME ♪ >> JIMMY FALLON. MAKE SOME NOISE FOR 1739 00:39:51,556 --> 00:39:52,823 >> JIMMY FALLON. MAKE SOME NOISE FOR LIL UZI VERT IN THE BUILDING 1740 00:39:52,825 --> 00:39:53,723 MAKE SOME NOISE FOR LIL UZI VERT IN THE BUILDING I GO BY THE NAME OF MEEK MILL. 1741 00:39:53,725 --> 00:39:56,893 LIL UZI VERT IN THE BUILDING I GO BY THE NAME OF MEEK MILL. ONCE AGAIN, MAKE SURE YOU GET 1742 00:39:56,895 --> 00:39:57,628 I GO BY THE NAME OF MEEK MILL. ONCE AGAIN, MAKE SURE YOU GET MY NEW ALBUM "EXPENSIVE PAIN," 1743 00:39:57,630 --> 00:39:59,195 ONCE AGAIN, MAKE SURE YOU GET MY NEW ALBUM "EXPENSIVE PAIN," OCTOBER 1st. 1744 00:39:59,197 --> 00:40:01,064 MY NEW ALBUM "EXPENSIVE PAIN," OCTOBER 1st. [ CHEERS AND APPLAUSE 1745 00:40:01,066 --> 00:40:02,798 OCTOBER 1st. [ CHEERS AND APPLAUSE IT'S GOING DOWN. 1746 00:40:02,800 --> 00:40:04,333 [ CHEERS AND APPLAUSE IT'S GOING DOWN. SHOUT OUT TO ATLANTIC RECORDS. 1747 00:40:04,335 --> 00:40:05,869 IT'S GOING DOWN. SHOUT OUT TO ATLANTIC RECORDS. SHOUT OUT TO ROC NATION. 1748 00:40:05,871 --> 00:40:07,604 SHOUT OUT TO ATLANTIC RECORDS. SHOUT OUT TO ROC NATION. GREAT CHASIN' 1600 UZI GANG IN 1749 00:40:07,606 --> 00:40:08,572 SHOUT OUT TO ROC NATION. GREAT CHASIN' 1600 UZI GANG IN THE BUILDING 1750 00:40:08,574 --> 00:40:10,140 GREAT CHASIN' 1600 UZI GANG IN THE BUILDING [ CHEERS AND APPLAUSE 1751 00:40:10,142 --> 00:40:12,542 THE BUILDING [ CHEERS AND APPLAUSE ♪ 1752 00:40:12,544 --> 00:40:13,977 [ CHEERS AND APPLAUSE ♪ [ CHEERS AND APPLAUSE 1753 00:40:13,979 --> 00:40:15,611 ♪ [ CHEERS AND APPLAUSE >> Jimmy: MEEK MILL, 1754 00:40:15,613 --> 00:40:16,913 [ CHEERS AND APPLAUSE >> Jimmy: MEEK MILL, LIL UZI VERT 1755 00:40:16,915 --> 00:40:17,680 >> Jimmy: MEEK MILL, LIL UZI VERT "EXPENSIVE PAIN" IS OUT 1756 00:40:17,682 --> 00:40:19,215 LIL UZI VERT "EXPENSIVE PAIN" IS OUT OCTOBER 1st. 1757 00:40:19,217 --> 00:40:20,150 "EXPENSIVE PAIN" IS OUT OCTOBER 1st. MY THANKS TO HASAN MINHAJ, 1758 00:40:20,152 --> 00:40:21,485 OCTOBER 1st. MY THANKS TO HASAN MINHAJ, JAMES WOLK, MEEK MILL, 1759 00:40:21,487 --> 00:40:23,486 MY THANKS TO HASAN MINHAJ, JAMES WOLK, MEEK MILL, LIL UZI VERT AND THE ROOTS 1760 00:40:23,488 --> 00:40:24,353 JAMES WOLK, MEEK MILL, LIL UZI VERT AND THE ROOTS RIGHT THERE FROM PHILADELPHIA, 1761 00:40:24,355 --> 00:40:24,987 LIL UZI VERT AND THE ROOTS RIGHT THERE FROM PHILADELPHIA, PENNSYLVANIA 1762 00:40:24,989 --> 00:40:26,589 RIGHT THERE FROM PHILADELPHIA, PENNSYLVANIA [ CHEERS AND APPLAUSE 1763 00:40:26,591 --> 00:40:27,590 PENNSYLVANIA [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING 1764 00:40:27,592 --> 00:40:28,691 [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH 1765 00:40:28,693 --> 00:40:29,759 THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. 1766 00:40:29,761 --> 00:40:53,449 STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. GOOD NIGHT, EVERYBODY.