1 00:00:13,046 --> 00:00:16,049 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:16,049 --> 00:00:22,088 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:22,088 --> 00:00:26,459 TONIGHT, JOIN JIMMY AND HIS GUESTS - LIN-MANUEL MIRANDA 4 00:00:26,459 --> 00:00:31,498 PHOEBE DYNEVOR MUSICAL GUEST, SHARON VON ETTEN AND ANGEL OLSEN, 5 00:00:31,498 --> 00:00:37,937 AND FEATURING THE LEGENDARY ROOTS CREW >> Questlove: 1475 6 00:00:37,937 --> 00:00:42,609 >> Questlove: 1475 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:43,777 --> 00:00:44,577 [ CHEERS AND APPLAUSE 8 00:00:44,577 --> 00:01:11,871 * * [ CHEERS AND APPLAUSE 9 00:01:11,871 --> 00:01:14,441 >> Jimmy: GOOD TO SEE YOU! THANK YOU! OH, MY GOODNESS, PLEASE, RELAX 10 00:01:14,441 --> 00:01:16,409 WELCOME, EVERYBODY WELCOME, WELCOME, WELCOME TO "THE TONIGHT SHOW" 11 00:01:16,409 --> 00:01:19,245 YOU'RE HERE! YOU MADE IT! WOW. 12 00:01:19,245 --> 00:01:23,350 WHAT A CROWD WELL, GUYS, THIS IS VERY EXCITING 13 00:01:23,350 --> 00:01:29,422 LAST NIGHT WAS THE SEASON PREMIERE OF "THE BACHELORETTE. [ CHEERS ] 14 00:01:29,422 --> 00:01:32,926 YEAH, I'M PUMPED FOR THIS PEOPLE SPREADING VIRUSES THE OLD-FASHIONED WAY. 15 00:01:32,926 --> 00:01:35,762 [ LAUGHTER ] YOU KNOW THAT'S RIGHT 16 00:01:35,762 --> 00:01:37,630 AFTER A YEAR LOCKED INSIDE, VIEWERS WERE LIKE, "YOU KNOW, HOOKING UP WITH 30 STRANGERS 17 00:01:37,630 --> 00:01:42,202 DOESN'T SEEM SO CRAZY ANYMORE. [ LAUGHTER ] THAT'S RIGHT, "THE 18 00:01:42,202 --> 00:01:45,939 BACHELORETTE" IS BACK AND EVERYONE'S FIRED UP. BUT YOU JUST GOT TO REMEMBER 19 00:01:45,939 --> 00:01:49,676 IT'S A STAGED SHOW THAT'S MOSTLY FAKE, KIND OF LIKE A BOXING MATCH BETWEEN 20 00:01:49,676 --> 00:01:53,880 FLOYD MAYWEATHER AND LOGAN PAUL [ LAUGHTER ] 21 00:01:53,880 --> 00:02:00,687 [ CHEERS AND APPLAUSE NO, NO NO 22 00:02:00,687 --> 00:02:05,225 * ARE WE FOREVER * YOU SEE THIS AT ONE POINT THEY INTRODUCED A 23 00:02:05,225 --> 00:02:07,560 A CONTESTANT NAMED CONNOR B. WITH A SHORT VIDEO AND IT'S PRETTY INTERESTING 24 00:02:07,560 --> 00:02:10,630 YOU TELL ME IF YOU THINK IT'S INTERESTING. WATCH. 25 00:02:11,231 --> 00:02:20,674 * >> I'M CONNOR B. I AM 29 YEARS OLD AND I'M FROM 26 00:02:20,674 --> 00:02:25,712 NASHVILLE, TENNESSEE EIGHTH GRADERS, I'M GOING TO MISS YOU GUYS! 27 00:02:25,712 --> 00:02:32,585 MY MAIN OCCUPATION IS A MATH TEACHER. [ LAUGHTER ] 28 00:02:32,585 --> 00:02:39,092 >> Jimmy: WAIT AFTER THAT BATH VIDEO, I THINK IT'S SAFE TO SAY HE WAS A MATH 29 00:02:39,092 --> 00:02:43,663 TEACHER. [ LAUGHTER ] YUP, CONNOR MIGHT NOT FIND 30 00:02:43,663 --> 00:02:58,611 LOVE, BUT HIS SUBSTITUTE JUST FOUND A FULL-TIME JOB. [ LAUGHTER AND APPLAUSE 31 00:02:58,611 --> 00:03:00,580 >> Steve: I'LL PLAY A UKULELE IN A BATH TUB. >> Jimmy: GET THIS, ANOTHER 32 00:03:00,580 --> 00:03:03,516 CONTESTANT, CODY LISTED HIS JOB, CHECK THIS OUT, AS ZIPPER SALES MANAGER. 33 00:03:03,516 --> 00:03:08,822 [ LAUGHTER ] WAIT, A ZIPPER SALESMAN AND HE'S SINGLE? 34 00:03:08,822 --> 00:03:12,192 [ LAUGHTER ] [ LIGHT LAUGHTER ] >> Steve: A LOT OF UPS AND 35 00:03:12,192 --> 00:03:14,961 DOWNS ON THAT JOB. YOU KNOW >> Jimmy: WHAT'S THAT? 36 00:03:14,961 --> 00:03:25,405 >> Steve: A LOT OF UPS AND DOWNS ON THAT JOB. [ LAUGHTER AND APPLAUSE 37 00:03:25,405 --> 00:03:27,374 >> Jimmy: IF THAT WASN'T STRANGE ENOUGH, ANOTHER CONTESTANT SAID THAT HE WAS 38 00:03:27,374 --> 00:03:32,145 A SURGICAL SKIN SALESMEN [ AUDIENCE OHS ] [ LAUGHTER ] 39 00:03:32,145 --> 00:03:34,814 CAUSE IF THERE'S ONE THING WOMEN LOVE TO HEAR ON A FIRST DATE IT'S, "WELL, I SELL HUMAN 40 00:03:34,814 --> 00:03:38,618 SKIN." THAT'S RIGHT, "THE BACHELORETTE" IS BACK AND EVEN 41 00:03:38,618 --> 00:03:42,122 THOUGH IT WAS THE FIRST EPISODE, THINGS GOT PRETTY INTENSE. 42 00:03:42,122 --> 00:03:45,525 THE EMOTIONS ON THAT SHOW CAN BE A LITTLE HARD TO HANDLE SOMETIMES SO I THOUGHT WE COULD 43 00:03:45,525 --> 00:03:47,093 HELP HERE'S A CLIP FROM THE EPISODE RE-VOICED WITH THE LEAST 44 00:03:47,093 --> 00:03:51,398 RE-VOICED WITH THE LEAST EMOTIONAL PERSON WE KNOW, SIRI THIS IS, "LET'S GET SIRIOUS. 45 00:03:52,766 --> 00:03:55,669 [ CHEERS AND APPLAUSE 46 00:03:55,669 --> 00:04:00,340 >> LET'S GET SIRIOUS >> I DON'T LIKE YOU, BRO LIKE, I'VE NEVER LIKED YOU AND 47 00:04:00,340 --> 00:04:02,275 THAT'S FINE. WE DON'T HAVE TO TALK AT ALL, BRO. 48 00:04:02,275 --> 00:04:04,511 RIGHT. RIGHT. AND IT'S NOT MY FAULT I DON'T 49 00:04:04,511 --> 00:04:08,448 LIKE YOU, BRO. YOU KNOW, BRO, YOU DON'T LIKE ME SO THAT IS YOUR FAULT 50 00:04:08,448 --> 00:04:11,851 I'M LIKE, WHAT ARE YOU TALKING ABOUT, DUDE? I'M LITERALLY JUST TELLING YOU 51 00:04:11,851 --> 00:04:14,387 EXACTLY WHAT'S UP, BRO THAT'S IT. ALL RIGHT, MAN, I DON'T AGREE 52 00:04:14,387 --> 00:04:19,059 WITH ANYTHING THAT YOU SAID BUT OKAY, THAT'S FINE, MAN BRO. 53 00:04:19,059 --> 00:04:23,963 I DON'T THINK THERE WAS A NEED FOR THAT AT ALL, BRO HA, HA, HA, HA 54 00:04:23,963 --> 00:04:31,738 [ LAUGHTER AND APPLAUSE WHAT AND IN MORE "BACHELOR" NEWS, 55 00:04:31,738 --> 00:04:34,507 TODAY ABC ANNOUNCED THAT CHRIS HARRISON IS OFFICIALLY EXITING THE FRANCHISE AFTER 56 00:04:34,507 --> 00:04:39,379 19 YEARS [ AUDIENCE OHS ] YEP, HARRISON KNEW THERE WAS 57 00:04:39,379 --> 00:04:41,348 TROUBLE WHEN THE PRODUCERS BROUGHT HIS SUITCASE TO THE MEETING. 58 00:04:41,348 --> 00:04:46,586 [ LAUGHTER ] >> Steve: OH, YOU WEREN'T KIDDING. 59 00:04:46,586 --> 00:04:48,521 >> Jimmy: IT'S GOING TO BE AWKWARD IN THE FINALE WHEN THE LIMO DRIVER LOWERS THE 60 00:04:48,521 --> 00:04:52,392 PARTITION TO REVEAL IT'S CHRIS HARRISON [ LAUGHTER ] 61 00:04:52,392 --> 00:04:54,094 RIGHT NOW HE'S EDITING HIS RESUME, LIKE, "MATCHMAKER WITH 19 YEARS EXPERIENCE AND 62 00:04:54,094 --> 00:05:06,706 3 SUCCESSFUL COUPLES [ LAUGHTER ] GIVE OR TAKE 63 00:05:06,706 --> 00:05:09,876 TWO SUCCESSFUL COUPLES?" SOME POLITICAL NEWS, LESTER HOLT SAT DOWN WITH VICE 64 00:05:09,876 --> 00:05:16,750 PRESIDENT KAMALA HARRIS FOR AN EXCLUSIVE INTERVIEW. AND WHEN HE WAS ASKED WHY SHE 65 00:05:16,750 --> 00:05:20,153 HASN'T VISITED THE BORDER YET, YOU CAN TELL THAT SHE QUITE DIDN'T HAVE AN ANSWER PREPARED 66 00:05:20,153 --> 00:05:22,756 YOU CAN TELL THAT SHE QUITE DIDN'T HAVE AN ANSWER PREPARED LISTEN TO THIS 67 00:05:23,356 --> 00:05:24,624 >> DO YOU HAVE ANY PLANS TO VISIT THE BOARDER? 68 00:05:24,624 --> 00:05:32,832 >> AT SOME POINT WE ARE GOING TO THE BORDER WE'VE BEEN TO THE BORDER 69 00:05:32,832 --> 00:05:34,467 SO THIS WHOLE THING ABOUT THE BORDER, WE'VE BEEN TO THE BORDER 70 00:05:34,467 --> 00:05:38,304 WE'VE BEEN TO THE BORDER >> YOU HAVEN'T BEEN TO THE BORDER 71 00:05:38,304 --> 00:05:46,279 >> AND I HAVEN'T BEEN TO EUROPE [ LAUGHTER ] 72 00:05:46,279 --> 00:05:51,184 >> Jimmy: WELL, THAT ESCALATED QUICKLY. [ LAUGHTER ] 73 00:05:51,184 --> 00:05:54,187 THAT'S RIGHT, HARRIS WAS NOT IN THE MOOD DON'T BE SURPRISED IF YOU SEE 74 00:05:54,187 --> 00:05:57,857 LESTER HOLT NARRATING HIS OWN EPISODE OF "DATELINE." [ LAUGHTER ] 75 00:05:57,857 --> 00:06:01,494 "IT STARTED OUT AS A NORMAL INTERVIEW. MEANWHILE, IT WAS JUST 76 00:06:01,494 --> 00:06:06,499 ANNOUNCED THAT FORMER PRESIDENT TRUMP IS LAUNCHING A SPEAKING TOUR WITH BILL O'REILLY. 77 00:06:06,499 --> 00:06:10,103 [ AUDIENCE GROANS CALLED -- CALLED THE HISTORY TOUR 78 00:06:10,103 --> 00:06:14,174 [ LAUGHTER ] WHEN HE HEARD, SEAN HANNITY WAS LIKE, "WELL, I MET SOMEONE NEW 79 00:06:14,174 --> 00:06:21,281 AND TOTALLY AWESOME TOO, SO, UM." [ LAUGHTER ] 80 00:06:21,281 --> 00:06:24,684 IT SHOULD BE A FUN TOUR. BACKSTAGE PASSES AUTOMATICALLY COME WITH A HUSH MONEY PAYMENT 81 00:06:24,684 --> 00:06:30,423 OF $130 THOUSAND ISN'T THAT NICE? [ CHEERS ] 82 00:06:30,423 --> 00:06:32,258 AND I READ THAT THE CDC ISSUED A WARNING THAT SALMONELLA HAS BEEN LINKED TO SOME BREADED 83 00:06:32,258 --> 00:06:38,431 CHICKEN PRODUCTS WITH CHICKEN SANDWICHES AT STAKE, EVEN CONSPIRACY 84 00:06:38,431 --> 00:06:42,502 THEORISTS WERE LIKE, "VACCINE, NOW! [ LAUGHTER ] 85 00:06:42,502 --> 00:06:47,741 PUT THE BILL GATES IN ME LET'S GO [ LAUGHTER ] 86 00:06:47,741 --> 00:06:51,778 I'M GOING TO POPEYES [ LAUGHTER AND APPLAUSE YOU'RE NOT STOPPING ME 87 00:06:51,778 --> 00:07:00,086 I'M GOING TO POPEYES GIVE ME THE 5G!" [ APPLAUSE ] 88 00:07:00,086 --> 00:07:05,125 SOME FASHION NEWS, BALENCIAGA JUST UNVEILED ITS NEW STILETTO CROCS. 89 00:07:05,125 --> 00:07:11,798 HERE'S A PHOTO [ LAUGHTER ] IT'S A GREAT WAY TO BE 90 00:07:11,798 --> 00:07:15,068 COMFORTABLE AND UNCOMFORTABLE AT THE SAME TIME [ LAUGHTER ] 91 00:07:15,068 --> 00:07:18,905 YEP, STILETTO CROCS, OR AS STRIPPERS CALL THEM, BUSINESS CASUAL 92 00:07:18,905 --> 00:07:26,880 [ LAUGHTER ] HERE'S YOUR DANCER GIVE IT UP FOR YOUR DANCER, 93 00:07:26,880 --> 00:07:33,086 HERMAN * [ AIR HORN ] 94 00:07:33,086 --> 00:07:37,190 >> Steve: STILETTOS. >> Jimmy: AND FINALLY, A A PIZZERIA IN RHODE ISLAND JUST 95 00:07:37,190 --> 00:07:39,626 A PIZZERIA IN RHODE ISLAND JUST INTRODUCED A NEW EMPLOYEE. WATCH THIS 96 00:07:42,762 --> 00:07:43,697 ATTENDING TO CUSTOMERS AT 97 00:07:43,697 --> 00:07:49,069 ANGELO'S PALACE PIZZA. SO FAR, SHE'S BEEN A BIG HIT WITH MANY CUSTOMERS REQUESTING 98 00:07:49,069 --> 00:07:51,805 A TABLE IN SERVI'S SECTION SHE CAN CHAT WITH GUESTS AND EVEN WISH THEM A HAPPY 99 00:07:51,805 --> 00:07:58,244 BIRTHDAY >> Jimmy: AND JUST LIKE A REAL SERVER, SERVI WAITS UNTIL THE 100 00:07:58,244 --> 00:08:01,414 EXACT MOMENT YOU TAKE A HUGE BITE BEFORE ASKING, "HOW'S EVERYTHING TASTING OVER HERE?" 101 00:08:01,414 --> 00:08:05,552 [ LAUGHTER ] YEP, IT'S A GREAT INNOVATION, ESPECIALLY WHEN THE LAST 102 00:08:05,552 --> 00:08:08,088 CUSTOMER LEAVES AND SERVI BECOMES MOPPY! [ LAUGHTER AND APPLAUSE 103 00:08:08,088 --> 00:08:10,557 [ CHEERS AND APPLAUSE WE HAVE A GREAT SHOW, EVERYONE GIVE IT UP FOR THE ROOTS 104 00:08:11,257 --> 00:08:28,408 * [ CHEERS AND APPLAUSE *E >> Jimmy: WHAT A SHOW WE 105 00:08:28,408 --> 00:08:31,911 HAVE FOR YOU TONIGHT THANK YOU. THIS IS A PERFECT CROWD. 106 00:08:31,911 --> 00:08:38,685 >> Steve: THIS IS PERFECT! >> Jimmy: THIS IS PERFECTION [ CHEERS AND APPLAUSE 107 00:08:38,685 --> 00:08:41,821 JOINING US IN STUDIO, HIS NEW MOVIE "IN THE HEIGHTS" PREMIERES THIS THURSDAY, 108 00:08:41,821 --> 00:08:46,459 LIN-MANUEL MIRANDA IS HERE >> Steve: YEAH [ CHEERS AND APPLAUSE 109 00:08:46,459 --> 00:08:49,396 >> Jimmy: OH, YEAH GETTING A STANDING OVATION NO, HE'S NOT HERE YET. 110 00:08:49,396 --> 00:08:51,898 NO, DON'T STAND UP >> Steve: NO, LATER. >> Jimmy: HE'S NOT COMING OUT. 111 00:08:51,898 --> 00:08:54,200 LATER HE'LL COME OUT >> Steve: HE'S NOT HIDING BEHIND THE CHAIR 112 00:08:54,200 --> 00:08:57,303 >> Jimmy: HE GOT A STANDING OVATION JUST SAYING HIS NAME >> Steve: WOW. 113 00:08:57,303 --> 00:09:01,174 [ CHEERS AND APPLAUSE >> Jimmy: I LOVE THAT. PLUS, FROM THE NETFLIX SERIES 114 00:09:01,174 --> 00:09:07,313 "BRIDGERTON," PHOEBE DYNEVOR IS HERE [ CHEERS AND APPLAUSE 115 00:09:07,313 --> 00:09:09,549 AND YOU WANT TO TALK ABOUT TWO COOL KIDS RIGHT HERE WE HAVE MUSIC FROM 116 00:09:09,549 --> 00:09:13,119 SHARON VAN ETTEN AND ANGEL OLSEN! COME ON, LOOK AT THAT! 117 00:09:13,119 --> 00:09:22,028 [ CHEERS AND APPLAUSE GUYS, IT'S HARD TO BELIEVE, BUT IT'S BEEN OVER A YEAR SINCE WE 118 00:09:22,028 --> 00:09:26,132 ALL GOT ON ZOOM, AND YET SOME PEOPLE ARE STILL GETTING THE HANG OF IT, EVEN PEOPLE ON TV. 119 00:09:26,132 --> 00:09:29,135 SO YOU KNOW WHAT THAT MEANS, IT'S TIME FOR ANOTHER INSTALLMENT OF "GREATEST 120 00:09:29,135 --> 00:09:32,105 INSTALLMENT OF "GREATEST MOMENTS IN ZOOM HISTORY. ENJOY. 121 00:09:32,839 --> 00:09:33,440 [ CHEERS AND APPLAUSE 122 00:09:33,440 --> 00:09:37,210 * >> WHAT DO YOU THINK IS MOST IMPORTANT, MOST URGENT RIGHT 123 00:09:37,210 --> 00:09:45,952 NOW? [ LAUGHTER ] >> WE ALSO HEARD REPORTS THAT 124 00:09:45,952 --> 00:09:52,692 GRANT FUNDING HAS GONE DOWN. [ LAUGHTER ] >> I THINK I LOST 125 00:09:52,692 --> 00:09:57,297 REPRESENTATIVE CLARK >> I UNDERSTAND THAT CONGRESSWOMAN CLARK IS BACK ON 126 00:09:57,297 --> 00:10:01,468 >> I HOPE THIS IS A MORE SUCCESSFUL OUTING. WE ARE - 127 00:10:01,468 --> 00:10:04,104 [ LAUGHTER ] >> I LOVE THEM BOTH. I HOPE IT'S TRUE 128 00:10:04,104 --> 00:10:08,375 THAT WOULD BE AWESOME. >> GREAT, WE WERE JUST SAYING THE SAME THING - 129 00:10:08,375 --> 00:10:10,844 >> OH, NO, WE JUST LOST HIM. [ LAUGHTER ] >> REPRESENTATIVE 130 00:10:10,844 --> 00:10:14,547 GERRY CONNOLLY OF VIRGINIA, WHO'S THE PRESIDENT OF THE NATO PARLIAMENTARY ASSEMBLY FOR FIVE 131 00:10:14,547 --> 00:10:21,588 MINUTES. [ INDISCERNIBLE ROBOTIC VOICE >> I'M HAVING A HARD TIME 132 00:10:21,588 --> 00:10:25,592 HEARING YOU, MR. CONNELLY. YOU'RE COMING IN - [ INDISCERNIBLE ROBOTIC VOICE 133 00:10:25,592 --> 00:10:29,796 YOU'RE BREAKING UP IT'S HARD TO HEAR YOU. TO UNDERSTAND YOU. 134 00:10:29,796 --> 00:10:36,069 >> CAN YOU HEAR ME NOW [ LAUGHTER AND APPLAUSE >> Jimmy: STICK AROUND 135 00:10:36,069 --> 00:10:38,004 WHEN WE COME BACK, I'M JOINING LIN-MANUEL MIRANDA AND SOME SPECIAL GUESTS TO CELEBRATE THE 136 00:10:38,004 --> 00:10:44,010 RETURN OF BROADWAY COME ON BACK [ CHEERS AND APPLAUSE 137 00:10:44,010 --> 00:11:01,494 * >> Jimmy: LIN? HI LIN 138 00:11:01,494 --> 00:11:03,663 >> OH HEY, JIMMY, I'M SO EXCITED TO BE ON THE SHOW TONIGHT. 139 00:11:03,663 --> 00:11:07,267 ISN'T THIS GREAT >> Jimmy: IT IS GREAT. IT'S GREAT 140 00:11:07,267 --> 00:11:12,706 >> YOU OKAY, BUD YOU SEEM PRETTY DOWN >> Jimmy: I WAS WALKING TO WORK 141 00:11:12,706 --> 00:11:15,175 TODAY, I WALKED THROUGH THE THEATER DISTRICT, AND IT JUST MADE ME MISS BROADWAY. 142 00:11:15,175 --> 00:11:18,244 >> WAIT, JIMMY, DIDN'T YOU HEAR BROADWAY'S COMING BACK 143 00:11:18,244 --> 00:11:19,946 >> Jimmy: BROADWAY'S COMING BACK >> YEAH, BROADWAY'S COMING BACK 144 00:11:19,946 --> 00:11:24,084 IN SEPTEMBER >> Jimmy: THIS IS SO AMAZING MAN, I MISS GOING TO SEE A 145 00:11:24,084 --> 00:11:33,326 A PLAY >> AND I MISS PLAYING. * BROADWAY, OH, BROADWA 146 00:11:33,326 --> 00:11:38,698 YOU'RE FINALLY COMING BACK * * I MISS DRINKING WIN OUT OF SIPPY CUP 147 00:11:38,698 --> 00:11:46,873 AND A $20 SNACK * * A NIGHT AT THE THEATE MY FAVORITE KIND OF DATE 148 00:11:46,873 --> 00:11:52,779 I EVEN MISS THE PEOPLE WHO ALWAYS SHOW UP LATE * * 149 00:11:52,779 --> 00:11:54,814 >> Jimmy: HI, EXCUSE ME. >> I'M SORRY >> Jimmy: NO, IS THIS ROW 150 00:11:54,814 --> 00:11:56,716 EIGHT. >> I'M SORRY >> Jimmy: NO, I'M IN I 151 00:11:56,716 --> 00:11:59,119 * I MISS HENRY'S WIFE AND SIX EX-WIVES THINK OF ALL 152 00:11:59,119 --> 00:12:02,622 THAT ALIMONY * * I MISS THAT BROODING PHANTOM 153 00:12:02,622 --> 00:12:05,692 THE ONLY MASKED SINGER WITH A TONY * * I MISS TH 154 00:12:05,692 --> 00:12:09,295 LADIES OF CHICAG CAN THESE LEGS KIC EVEN HIGHER? * 155 00:12:09,295 --> 00:12:12,465 * I MISS THAT ANXIOUS EVAN HANSE YES I'M CUTE 156 00:12:12,465 --> 00:12:16,503 BUT I'M A LIAR * * I MISS GOIN DOWN TO HADESTOW 157 00:12:16,503 --> 00:12:20,540 FOR TRUE LOVE I'LL GO FAR * * I WANT TO YEL DON'T TURN AROUN 158 00:12:20,540 --> 00:12:25,245 TO THE GUY WITH THE GUITAR * * ON THE WEST SID THERE'S A STOR 159 00:12:25,245 --> 00:12:28,782 ABOUT THE JETS AND SHARKS * * WHERE FIGHTIN IS JUST DANCIN 160 00:12:28,782 --> 00:12:31,918 AND THE LION HIT THEIR MARKS * * IT'S BEEN A YEA 161 00:12:31,918 --> 00:12:35,722 OF QUARANTIN IT'S TIME FOR COMPANY * >> Jimmy: BOBBY, BOBBY 162 00:12:35,722 --> 00:12:38,892 * COME FROM AWAY TAUGHT ME ALL ABOUT HOSPITALITY * 163 00:12:38,892 --> 00:12:42,729 >> Jimmy: SORRY, SORRY * I MISS MORMONS TELLING ME HELL 164 00:12:42,729 --> 00:12:45,999 FOUNDING FATHERS DUELING WOAH * * AND DANCERS CAN CAN 165 00:12:45,999 --> 00:12:50,937 CANNING THROUGH PARIS * * I MISS TRYING OUT FOR CHORUS LINES 166 00:12:50,937 --> 00:12:55,208 A WHOLE NEW WORL WOULD BE DIVINE * * AND FEELING LIK 167 00:12:55,208 --> 00:12:59,779 I'M DEFYING GRAVITY * * >> Jimmy: SORRY, I GAINED A FEW 168 00:12:59,779 --> 00:13:04,384 POUNDS DURING QUARANTINE >> IT'S OKAY JIMMY, KEEP GOING * BUT MOST OF ALL 169 00:13:04,384 --> 00:13:09,055 I MISS THE CROWD THE THEATER IS PACKED AN THEY'RE CHEERING SO LOUD * 170 00:13:09,055 --> 00:13:12,292 * I JUST HOPE WE MAKE IT THROUGH * >> Jimmy: BUT, LIN, WE HAVE 171 00:13:12,292 --> 00:13:14,894 A FULL AUDIENCE NOW! * WE DO? * >> Jimmy: YEAH, MAN, WE DO 172 00:13:14,894 --> 00:13:39,853 * WE DO * [ CHEERS AND APPLAUSE * 173 00:13:39,853 --> 00:13:47,327 * YOU SAY IT'S BEEN A FULL YEAR SINCE YOU'VE SEEN A LIVE SHOW OR A PLAY * 174 00:13:47,327 --> 00:13:53,466 * YOU CRY IN THE TERRIBLE SOURDOUGH STARTE YOU MADE TO GET BY * 175 00:13:53,466 --> 00:13:59,239 * WE'VE GONE MA REMEMBER WE'VE BEE IN CONTAINMENT 176 00:13:59,239 --> 00:14:05,045 FOR HUNDREDS OF DAYS * * BUT IT'S NOT ALL BA IN SEPTEMBER 177 00:14:05,045 --> 00:14:19,059 FOR YOUR ENTERTAINMENT BROADWAY'S BACK * [ CHEERS AND APPLAUSE 178 00:14:19,059 --> 00:14:25,065 * YOU'LL BE BAC SOON YOU'LL SE YOU'LL REMEMBE 179 00:14:25,065 --> 00:14:31,738 WHAT IT'S LIKE TO BE * * IN TIMES SQUARE FOR A SHOW 180 00:14:31,738 --> 00:14:36,976 WAVING HI TO EVERY DRUNK ELMO * * TAKE A BREA 181 00:14:36,976 --> 00:14:43,450 FROM YOUR ZOOM YOUR PLANTS ARE SAFE INSIDE THEIR ROOMS * 182 00:14:43,450 --> 00:14:48,288 * WON'T YOU PLEAS COME WITH US * * THERE IS LIFE 183 00:14:48,288 --> 00:14:52,592 BEYOND YOUR FRIENDS AT NETFLIX HULU PEACOCK DISNEY PLUS * 184 00:14:52,592 --> 00:15:05,538 * * * 185 00:15:05,538 --> 00:15:15,949 >> EVERYBODY * * 186 00:15:15,949 --> 00:15:37,871 * [ CHEERS AND APPLAUSE >> Jimmy: MY THANKS TO 187 00:15:37,871 --> 00:15:45,378 LIN-MANUEL MIRANDA, JIMMY SMITS, OLGA MEREDIZ, "IN THE HEIGHTS" IS OUT THIS 188 00:15:45,378 --> 00:15:51,751 THURSDAY THANK YOU TO KRISTIN CHENOWETH, PHYLICIA RASHAD, LAURA BENANTI 189 00:15:51,751 --> 00:15:55,755 AND CHRISTOPHER JACKSON! WE'LL BE RIGHT BACK WITH MORE "TONIGHT SHOW" 190 00:15:55,755 --> 00:16:15,141 COME ON BACK * * 191 00:16:15,141 --> 00:16:19,612 >> Jimmy: OUR FIRST GUEST IS AN EMMY, GRAMMY AND TONY WINNER, WHOSE NEW MOVIE, "IN THE 192 00:16:19,612 --> 00:16:26,186 HEIGHTS," WILL BE IN THEATERS AND ON HBO MAX THIS THURSDAY PLEASE WELCOME THE ONE AND ONLY 193 00:16:26,186 --> 00:16:26,619 AND ON HBO MAX THIS THURSDAY PLEASE WELCOME THE ONE AND ONLY LIN-MANUEL MIRANDA 194 00:16:29,055 --> 00:16:47,374 [ CHEERS AND APPLAUSE >> Jimmy: THIS GUY -- COME ON. 195 00:16:47,607 --> 00:16:55,982 [ LAUGHTER ] THAT'S FOR YOU, BUDDY! [ CHEERS AND APPLAUSE 196 00:16:55,982 --> 00:16:58,585 YOU GOT A STANDING OVATION JUST SAYING YOUR NAME IN THE OPENING. 197 00:16:58,585 --> 00:17:02,088 I GO, "NO, NO, NO, HE'S NOT COMING OUT NOW HE JUST WILL BE HERE." 198 00:17:02,088 --> 00:17:06,693 THANK YOU FOR -- FOR -- FOR BEING ON THE SHOW. AND BEFORE WE GET INTO IT, I 199 00:17:06,693 --> 00:17:09,829 JUST WANTED TO THANK YOU, YOU WERE OUR FIRST GUEST WHEN WE DID OUR AT-HOME SHOWS. 200 00:17:09,829 --> 00:17:12,632 >> YEAH. >> Jimmy: 'CAUSE WE DIDN'T KNOW WHAT WE WERE DOING 201 00:17:12,632 --> 00:17:15,869 WE HAD NO PLAN AND I WAS LIKE, "LIN, MY WIFE IS GOING TO HOLD THE PHONE 202 00:17:15,869 --> 00:17:19,739 AND -- [ LAUGHTER ] >> THAT'S RIGHT. 203 00:17:19,739 --> 00:17:22,609 >> Jimmy: -- AND VIDEO ME DOING "THE TONIGHT SHOW. AND YOU'RE LIKE, "I'M IN, DUDE 204 00:17:22,609 --> 00:17:24,844 LET'S ZOOM IT UP." >> ABSOLUTELY. I REMEMBER TALKING TO YOU AND 205 00:17:24,844 --> 00:17:29,249 SHOEING MY CHILD AWAY WITH MY RIGHT LEG. [ LAUGHTER ] 206 00:17:29,249 --> 00:17:30,684 >> Jimmy: AT THE SAME TIME IT'S A TALENT. IT'S A SPECIAL TALENT! 207 00:17:30,684 --> 00:17:33,153 >> "YES. I KNOW IT'S JIMMY. "I KNOW IT'S JIMMY, BUT YOU 208 00:17:33,153 --> 00:17:36,389 CAN'T BE ON TV." >> Jimmy: THAT'S SO FUNNY. YOU KNOW, AS WE WERE LEAVING, 209 00:17:36,389 --> 00:17:43,163 WE JUST DID THE UNBELIEVABLE NUMBER THANK YOU FOR DOING THAT 210 00:17:43,163 --> 00:17:44,931 AND I WAS LEAVING, AND I SAW YOUR DAD, AND I HUGGED YOUR DAD, AND I GO, "I SHOULD 211 00:17:44,931 --> 00:17:47,300 PROBABLY STOP HUGGING YOU, BECAUSE YOUR SON WILL PROBABLY WANT TO HUG YOU AS WELL. 212 00:17:47,300 --> 00:17:51,137 BUT, LIKE, I -- I GO, "I SHOULD STOP." [ LAUGHTER ] 213 00:17:51,137 --> 00:17:54,107 BUT, I WAS SO HAPPY. AND, JUST, THANK YOU FOR DOING -- BROADWAY IS BACK! 214 00:17:54,107 --> 00:17:57,577 >> OH, MAN >> Jimmy: I MEAN, THIS IS A BIG DEAL 215 00:17:57,577 --> 00:18:11,091 [ CHEERS AND APPLAUSE >> YOU DON'T KNOW WHAT A GIFT YOU ARE TO ALL OF THOSE PEOPLE 216 00:18:11,091 --> 00:18:13,026 WHO SANG FOR YOU JUST NOW, WHO HAVE BEEN DYING FOR AN AUDIENCE 217 00:18:13,026 --> 00:18:17,364 [ AUDIENCE AWS ] WE'RE ALL LIKE TINKER BELL IN THE PLAY "PETER PAN. 218 00:18:17,364 --> 00:18:22,035 WE NEED APPLAUSE TO LIVE [ LAUGHTER ] AND -- AND -- AND THAT WAS -- 219 00:18:22,035 --> 00:18:23,937 YOU KNOW, IT WAS REALLY FUN WHEN I GOT THE SKETCH, BUT IT WAS SO EMOTIONAL TO SING FOR AN 220 00:18:23,937 --> 00:18:30,043 AUDIENCE AGAIN AND I'M SO GRATEFUL TO YOU THANK YOU SO MUCH. 221 00:18:30,043 --> 00:18:35,215 [ CHEERS AND APPLAUSE >> Jimmy: YES. IT WAS WILD. 222 00:18:35,215 --> 00:18:39,052 HOW DOES IT -- HOW DOES IT FEEL -- HOW DOES IT FEEL TO ACTUALLY SAY BROADWAY IS BACK? 223 00:18:39,052 --> 00:18:40,954 >> I -- I -- I -- IT'S -- IT'S REALLY EXCITING. AND -- AND AGAIN, LIKE, THIS 224 00:18:40,954 --> 00:18:46,192 ALL DEPENDS, RIGHT LIKE, IT DEPENDS ON US BEING SAFE, AND IT DEPENDS ON US 225 00:18:46,192 --> 00:18:51,331 GETTING VACCINATED, IT DEPENDS ON PEOPLE FEELING SAFE AT WORK >> Jimmy: YEAH 226 00:18:51,331 --> 00:18:55,368 >> BUT I AM GOING TO GO TO EVERYBODY BROADWAY SHOW. I CANNOT WAIT. 227 00:18:55,368 --> 00:18:59,739 [ CHEERS AND APPLAUSE >> Jimmy: RIGHT? LIKE FREAKING OUT. 228 00:18:59,739 --> 00:19:01,574 [ LAUGHTER ] >> I WILL PAY A FULL PRICE JUST TO SEE "CIRCLE OF LIFE," "THE 229 00:19:01,574 --> 00:19:02,709 LION KING. >> Jimmy: YES. >> I WAS 8 WHEN "PHANTOM" 230 00:19:02,709 --> 00:19:06,179 PREMIERED ON BROADWAY. I WANT TO GO TO PREMIERE NUMBER TWO. 231 00:19:06,179 --> 00:19:08,481 >> Jimmy: LET'S GO SEE "PHANTOM." >> LIKE, I WANT TO SEE "SIX. 232 00:19:08,481 --> 00:19:13,019 I WANT TO SEE THE NEW SHOWS THAT DIDN'T GET A CHANCE I WANT TO SEE "COMPANY." 233 00:19:13,019 --> 00:19:16,156 >> Jimmy: YEAH I WANT TO SEE "HAMILTON" >> I'M GOING TO SEE EVERYTHING 234 00:19:16,156 --> 00:19:18,324 [ CHEERS AND APPLAUSE THAT ONE - >> Jimmy: HAVE YOU SEEN IT 235 00:19:18,324 --> 00:19:20,026 >> I HAVE SEEN IT. >> Jimmy: OH, MY GOD IT'S GREAT 236 00:19:20,026 --> 00:19:21,928 DIDN'T YOU LOVE IT >> YES I LOVE IT. 237 00:19:21,928 --> 00:19:23,930 AND I HAVE BEEN -- YOU KNOW, AND I'VE BEEN TALKING TO OUR CASTS, WHO HAVE BEEN, YOU KNOW, 238 00:19:23,930 --> 00:19:25,665 FOR A YEAR AND A HALF, AND THEY CANNOT WAIT TO GET BACK TO WORK AND SING FOR YOU AGAIN 239 00:19:25,665 --> 00:19:30,603 >> Jimmy: YEAH [ CHEERS AND APPLAUSE WILL -- WILL YOU BE THERE -- 240 00:19:30,603 --> 00:19:35,175 WILL YOU GO TO THE SHOW? WILL YOU SEE "HAMILTON"? >> YES 241 00:19:35,175 --> 00:19:37,510 >> Jimmy: YEAH, YOU HAVE TO. >> YEAH. >> Jimmy: EVERYONE'S SO 242 00:19:37,510 --> 00:19:39,079 EXCITED. I'M LIKE, "ALRIGHT, SEPTEMBER, COME -- CAN'T COME SOONER. 243 00:19:39,079 --> 00:19:41,081 >> YEAH. >> Jimmy: IT CAN'T COME ANY SOONER 244 00:19:41,081 --> 00:19:43,850 PLEASE COME. >> I KNOW, IT'S SO EXCITING. >> Jimmy: SPEAKING OF 245 00:19:43,850 --> 00:19:45,585 "HAMILTON," I SAW SOMETHING ONLINE, I FIGURED YOU WOULD LIKE IT, I DON'T KNOW IF YOU'D 246 00:19:45,585 --> 00:19:47,620 LIKE IT, BUT SOMEBODY MASHED UP "HAMILTON" WITH "SPACE JAM" AND MADE SOMETHING CALLED 247 00:19:47,620 --> 00:19:53,793 "SLAMILTON." [ LAUGHTER ] >> I HAVE -- I HAVE SEEN THIS. 248 00:19:53,793 --> 00:19:58,431 >> Jimmy: YOU HAVE SEEN THIS >> OH, YEAH. [ CHEERS AND APPLAUSE 249 00:19:58,431 --> 00:20:00,900 >> Jimmy: SO THIS IS - >> PLEASE, PLAY IT >> Jimmy: "SLAMILTON." 250 00:20:00,900 --> 00:20:02,535 IT -- IT -- IT'S -- CAN WE JUST PLAY A LITTLE BIT OF THE OPENING NUMBER, JUST SO 251 00:20:02,535 --> 00:20:09,843 EVERYONE GETS THE IDEA * * EVERYBODY GET UP * 252 00:20:09,843 --> 00:20:14,280 * IT'S TIME TO SLAM NOW WE GOT A REAL JA GOING DOWN * 253 00:20:14,280 --> 00:20:17,017 * WELCOME TO THE SPACE JA SPACE JA HERE'S YOUR CHANCE 254 00:20:17,017 --> 00:20:20,420 DO YOUR DANCE * * AT THE SPACE JA ALRIGHT * 255 00:20:20,420 --> 00:20:27,961 [ LAUGHTER ] >> Jimmy: I MEAN, NOT BAD. [ CHEERS AND APPLAUSE 256 00:20:27,961 --> 00:20:33,333 >> I DIDN'T UNDERSTAND THAT THE REASON IT TOOK ME SIX YEARS TO WRITE "HAMILTON" WAS TO ONE DAY 257 00:20:33,333 --> 00:20:38,371 BE THE SOUNDTRACK TO "SLAMILTON." [ LAUGHTER ] 258 00:20:38,371 --> 00:20:40,173 THAT'S REALLY WHAT IT WAS ALL FOR. [ APPLAUSE ] 259 00:20:40,173 --> 00:20:42,308 >> Jimmy: THAT'S THE WHOLE REASON >> YOU DON'T UNDERSTAND. 260 00:20:42,308 --> 00:20:44,911 THE THING IS LIKE AN HOUR LONG, AND IT TELLS THE ENTIRE PLOT OF "SPACE JAM" THROUGH "HAMILTON" 261 00:20:44,911 --> 00:20:49,716 SONGS. [ LAUGHTER ] LIKE, "MY SHOT" IS PLAYING, AND 262 00:20:49,716 --> 00:20:53,887 YOU HEAR YOUNG MICHAEL JORDAN BEING LIKE, "I WANT TO PLAY BASKETBALL ONE DAY." 263 00:20:53,887 --> 00:20:55,855 >> Jimmy: YES. >> LIKE, IT WORKS. IT REALLY WORKS. 264 00:20:55,855 --> 00:20:58,091 SO, KUDOS TO THE GENIUS WHO MADE THAT. THE INTERNET REMAINS 265 00:20:58,091 --> 00:21:00,694 UNDEFEATED >> Jimmy: YEAH >> IT'S JUST GREAT 266 00:21:00,694 --> 00:21:02,629 >> Jimmy: THEY REALLY DO REMAIN UNDEFEATED >> YEAH. 267 00:21:02,629 --> 00:21:05,365 >> Jimmy: HOW ARE THE BABIES -- I GUESS NOT BABIES GOSH, THEY'RE GETTING OLD. 268 00:21:05,365 --> 00:21:07,334 THEY'RE 6 AND 3 NOW? >> YEAH, 6 AND 3 THEY'RE GREAT. 269 00:21:07,334 --> 00:21:09,969 >> Jimmy: THEY'RE THE BEST >> YEAH. >> Jimmy: THEY ARE SO YOU AND 270 00:21:09,969 --> 00:21:12,172 VANESSA. AND THEY'RE THE CUTEST KIDS. >> YEAH, WE EACH HAVE A MINI 271 00:21:12,172 --> 00:21:14,074 ME SEBASTIAN IS MINI ME >> Jimmy: YEAH 272 00:21:14,074 --> 00:21:16,276 >> FRANKIE IS MINI VANESSA AND, UM -- >> Jimmy: DO THEY RUN AROUND 273 00:21:16,276 --> 00:21:17,944 SINGING? DO THEY SING DO THEY DO - 274 00:21:17,944 --> 00:21:22,082 >> YES I -- I -- YOU'RE PROBABLY TIRED OF ME TALKING ABOUT WEIRD AL ON 275 00:21:22,082 --> 00:21:24,184 THE SHOW, BECAUSE HE WE LOVE WEIRD AL SO MUCH >> Jimmy: I KNOW, BUT WE HAVE 276 00:21:24,184 --> 00:21:26,586 TO >> BUT, THEY HAVE BEEN - >> Jimmy: WE HAVE TO 277 00:21:26,586 --> 00:21:28,621 WE MUST. HE'S OUR FAVORITE. >> THERE WERE RAISED BY 278 00:21:28,621 --> 00:21:31,491 WEIRD AL, 'CAUSE THAT'S WHAT I PLAY THEM. AND THE ONE THEY'RE REALLY 279 00:21:31,491 --> 00:21:37,330 INTO, IS "SMELLS LIKE NIRVANA," WHICH IS THE PARODY OF "SMELLS LIKE TEEN SPIRIT." 280 00:21:37,330 --> 00:21:41,868 AND FOR LIKE A WEEK, THEY WOULD JUST SING EVERYTHING TO THE TUNE OF -- 281 00:21:41,868 --> 00:21:44,237 THEY BECAME LITTLE, MINI WEIRD AL'S SO THEY'D BE LIKE -- 282 00:21:44,237 --> 00:21:48,708 * I WILL NOT EAT * * ANY BREAKFAST * I AM GOING TO 283 00:21:48,708 --> 00:21:54,447 PLAY LEGOS * * IT IS BEDTIME * * YOU CAN'T MAKE ME 284 00:21:54,447 --> 00:21:58,118 WEAR PAJAMAS * >> Jimmy: YEAH >> AND THEN THEY GO -- 285 00:21:58,118 --> 00:22:00,887 * NO NO NO NO NO NO NO * * NO NO * >> Jimmy: AT 6 AND 3 286 00:22:00,887 --> 00:22:04,524 >> AT 6 AND 3. THEY LOVE IT >> Jimmy: THAT'S THE CUTEST. 287 00:22:04,524 --> 00:22:08,361 I -- I ALWAYS -- EVERY TIME, YOU KNOW, I TALK TO YOU, I ALWAYS REMEMBER THIS VIDEO THAT 288 00:22:08,361 --> 00:22:12,932 I SAW OF YOU LIP SYNCING IN YOUR BEDROOM AND THIS IS HOW YOU KNOW YOU 289 00:22:12,932 --> 00:22:17,203 GOT A PERFORMER ON YOUR HANDS. HERE'S YOUNG LIN-MANUEL MIRANDA -- 290 00:22:17,203 --> 00:22:19,539 8-YEAR-OLD LIN-MANUEL, LIP SYNCING "THE KING OF WISHFUL THINKING." 291 00:22:19,539 --> 00:22:24,511 CHECK THIS OUT * I DON'T NEED TO FALL AT YOUR * 292 00:22:24,511 --> 00:22:31,351 * FEET JUST 'CAUS YOU CUT ME TO THE BONE I'LL GET OVER YOU * 293 00:22:31,351 --> 00:22:37,857 * I KNOW I WILL I'LL PRETEND M SHIP'S NOT SINKING * 294 00:22:37,857 --> 00:22:43,096 * 'CAUSE I'M THE KING O WISHFUL THINKING * [ CHEERS AND APPLAUSE 295 00:22:43,096 --> 00:22:46,733 >> Jimmy: JUST -- JUST SPINS JUST SPINS >> I MEAN, I'M CHOREOGRAPHING 296 00:22:46,733 --> 00:22:50,970 TO THE LYRICS HERE * BECAUSE YOU CUT * * ME TO THE BON 297 00:22:50,970 --> 00:22:54,474 CUT CUT CUT * >> Jimmy: DUDE, SINKING. [ LAUGHTER ] 298 00:22:54,474 --> 00:22:58,278 >> YEAH. >> Jimmy: THAT'S - >> I WAS UNSUPERVISED! 299 00:22:58,278 --> 00:23:02,549 [ LAUGHTER ] >> Jimmy: WHEN WE COME BACK, I WANT TO TALK TO YOU ABOUT YOUR 300 00:23:02,549 --> 00:23:05,952 GIANT NEW MOVIE "IN THE HEIGHTS," WHICH I LOVE SO MUCH IT'S A MUST WATCH. 301 00:23:05,952 --> 00:23:09,489 [ CHEERS AND APPLAUSE MORE WITH LIN-MANUEL MIRANDA WHEN WE COME BACK. 302 00:23:09,489 --> 00:23:27,207 COME BACK, EVERYBODY [ CHEERS AND APPLAUSE * 303 00:23:27,207 --> 00:23:29,209 >> Jimmy: WELCOME BACK, EVERYBODY. I'M HERE WITH 304 00:23:29,209 --> 00:23:33,847 LIN-MANUEL MIRANDA [ CHEERS AND APPLAUSE LET'S TALK ABOUT "IN THE 305 00:23:33,847 --> 00:23:40,520 HEIGHTS. THIS IS THE MOVIE ADAPTATION OF YOUR TONY-WINNING BROADWAY 306 00:23:40,520 --> 00:23:42,822 MUSICAL. YOU STARTED WRITING THIS WHEN YOU WERE IN COLLEGE. 307 00:23:42,822 --> 00:23:47,160 YOU WERE 19 WHEN YOU WERE WRITING THIS AND WHAT DID YOU ENVISION WHEN 308 00:23:47,160 --> 00:23:49,996 YOU WERE -- WHEN YOU WERE WRITING THIS >> YEAH, I WAS NOT MUCH OLDER 309 00:23:49,996 --> 00:23:51,297 THAN "THE KING OF WISHFUL THINKING --" [ LAUGHTER ] 310 00:23:51,297 --> 00:23:54,567 >> Jimmy: EXACTLY. >> -- THAT YOU SAW BUT, I -- I HONESTLY -- I JUST, 311 00:23:54,567 --> 00:23:59,105 I KNEW I WANTED A LIFE IN MUSICALS I DIRECTED "WEST SIDE STORY" MY 312 00:23:59,105 --> 00:24:03,843 SENIOR YEAR OF HIGH SCHOOL, AND I KNEW THAT WAS KIND OF IT FOR PUERTO RICAN GUYS IN MUSICAL 313 00:24:03,843 --> 00:24:06,046 THEATER. THAT'S ALL THAT EXISTED. >> Jimmy: YEAH 314 00:24:06,046 --> 00:24:08,515 >> I LOVE THAT SHOW. >> Jimmy: IT'S INTERESTING >> BUT IT WAS A LONG TIME AGO. 315 00:24:08,515 --> 00:24:10,784 >> Jimmy: WOW. >> AND -- AND I JUST, KIND OF, WAS WRITING WHAT WAS MISSING, 316 00:24:10,784 --> 00:24:16,790 AND I WANTED TO, YOU KNOW, I WANTED TO WRITE MUSICALS STARRING LATINOS, TELLING 317 00:24:16,790 --> 00:24:20,560 DIFFERENT STORIES AND -- [ CHEERS AND APPLAUSE LIKE, AND HERE WE ARE 20 YEARS 318 00:24:20,560 --> 00:24:22,395 LATER, RIGHT AND NOW I'M ON "THE TONIGHT SHOW" TALKING TO YOU 319 00:24:22,395 --> 00:24:24,798 LIKE, THAT'S CRAZY [ LAUGHTER ] >> Jimmy: THAT'S -- IT SHOWS 320 00:24:24,798 --> 00:24:28,635 HOW MUCH WORK GOES INTO ALL OF THIS STUFF >> YEAH. 321 00:24:28,635 --> 00:24:30,170 [ CHEERS AND APPLAUSE >> Jimmy: LIGHTNING, I MEAN, COME ON. 322 00:24:30,170 --> 00:24:34,407 >> YEAH. >> Jimmy: AND DON'T STOP AND YOU NEVER STOPPED. 323 00:24:34,407 --> 00:24:37,677 AND YOU JUST GO, "YOU KNOW, WE'RE JUST GONNA KEEP DOING >> YEAH. 324 00:24:37,677 --> 00:24:41,081 >> Jimmy: "I'M GOING TO WRITE THIS." IT IS BRILLIANTLY DONE 325 00:24:41,081 --> 00:24:44,584 THE CHOREOGRAPHY, THE SINGING. ANTHONY RAMOS. >> WHAT A SUPERSTAR. 326 00:24:44,584 --> 00:24:49,089 [ CHEERS AND APPLAUSE SUPERSTAR! >> Jimmy: IT'S JUST -- IT'S 327 00:24:49,089 --> 00:24:53,993 COLORFUL, IT MOVES, IT'S HOPEFUL. IT'S A BEAUTIFUL STORY 328 00:24:53,993 --> 00:24:56,296 AND, YEAH, IT JUST GIVES YOU EVERYTHING YOU WANT TO SEE IN A MOVIE. 329 00:24:56,296 --> 00:24:59,232 I LOVED IT I NEEDED IT. LIKE, I NEEDED A FILM -- I LOVE 330 00:24:59,232 --> 00:25:02,836 "GODZILLA VS. KONG." THAT'S ALL GOOD. [ LAUGHTER ] 331 00:25:02,836 --> 00:25:06,573 I NEED THIS THOUGH I NEEDED THIS. AND I WAS LIKE, "OH. 332 00:25:06,573 --> 00:25:08,508 AND THEN, THERE'S A SCENE WHERE IT'S LIKE, "OOF, THIS IS GOING TO GET SAD 333 00:25:08,508 --> 00:25:11,711 YOU'RE NOT GOING TO DO IT. AND YEAH, IT DOES. IT GETS YOU, AND YOU GO, "OH." 334 00:25:11,711 --> 00:25:14,047 IT'S SO GREAT. >> YEAH. [ LAUGHTER ] 335 00:25:14,047 --> 00:25:17,450 >> Jimmy: BUT, I JUST -- I FREAKED OUT. BUT WHEN I TALKED TO YOU WHEN 336 00:25:17,450 --> 00:25:20,387 JON WAS DOING THE MOVIE, YOU GO, "YEAH, AND I THINK I MIGHT -- I MIGHT DO SOMETHING 337 00:25:20,387 --> 00:25:25,091 IN THE MOVIE YOU WERE NOT GOING TO BE IN IT >> I WAS NOT GOING TO BE IN IT 338 00:25:25,091 --> 00:25:27,594 I WAS -- I WAS NEVER PLANNING TO BE IN IT. I HAD MY BROADWAY EXPERIENCE, 339 00:25:27,594 --> 00:25:33,166 WHICH WAS A MIRACULOUS EXPERIENCE I WENT FROM SUBSTITUTE TEACHER 340 00:25:33,166 --> 00:25:38,938 TO BROADWAY COMPOSER I WILL NEVER MAKE A LEAP THAT BIG AGAIN IN MY LIFE 341 00:25:38,938 --> 00:25:41,174 AND, SO, I WAS VERY CONTENT TO LET ANTHONY RAMOS AND THIS INCREDIBLE CAST, KIND OF, HAVE 342 00:25:41,174 --> 00:25:43,109 THEIR OWN EXPERIENCE AND QUIARA, MY CO-WRITER, AND JON CHU, KEPT DROPPING HINTS, 343 00:25:43,109 --> 00:25:48,281 LIKE, "WE HAVEN'T CAST PIRAGUA GUY YET. WE HAVEN'T CASTED PIRAGUA GUY 344 00:25:48,281 --> 00:25:52,218 YET. >> Jimmy: PIRAGUA. >> AND I WAS LIKE, "THAT'S 345 00:25:52,218 --> 00:25:54,320 COOL THAT'S COOL. AND THEN, QUIARA SAID TWO 346 00:25:54,320 --> 00:26:00,360 THINGS -- SHE WROTE THE SCREENPLAY, AND SHE'S A GENIUS BUT SHE ALSO SAID, "I THINK 347 00:26:00,360 --> 00:26:02,529 THAT WE MIGHT HAVE TO CUT PIRAGUA, BECAUSE IT DOESN'T REALLY MOVE THE PLOT ALONG, BUT 348 00:26:02,529 --> 00:26:10,804 I THOUGHT OF A WAY NOT TO CUT IT." AND I WENT, "WHAT IS THE WAY 349 00:26:10,804 --> 00:26:15,075 I LOVE THAT SONG." AND SHE SAID, "YOU PLAY PIRAGUA GUY, THEY WON'T CUT 350 00:26:15,075 --> 00:26:16,943 PIRAGUA GUY. >> Jimmy: YOU CAN'T CUT PIRAGUA GUY. 351 00:26:16,943 --> 00:26:19,446 >> YEAH. [ LAUGHTER ] >> Jimmy: HE'S MY FAVORITE 352 00:26:19,446 --> 00:26:21,047 THE SONG IS SO GOOD. >> YEAH. IT PAYS OFF. 353 00:26:21,047 --> 00:26:23,416 >> YEAH. AND SHE ALSO SAID, LIKE, "IF YOU HADN'T WRITTEN THIS, YOU 354 00:26:23,416 --> 00:26:25,485 YOU'D BE BEGGING TO BE IN THIS MOVIE. THIS IS WHAT YOU ALWAYS DREAMED 355 00:26:25,485 --> 00:26:27,554 OF AND, LIKE, THAT KIND OF GOT THROUGH TO ME. 356 00:26:27,554 --> 00:26:29,522 AND I'M SO GLAD I WAS A PART OF IT, BECAUSE IT'S JUST -- I'M SO PROUD OF WHAT JON MADE, AND 357 00:26:29,522 --> 00:26:31,291 THERE'S A MOMENT WHERE I SING WITH ANTHONY, AND HE PLAYED MY OLD PART, AND I GET TO DUET 358 00:26:31,291 --> 00:26:33,059 WITH HIM, AND I'M ON A FIRE ESCAPE, AND HE'S A FLOOR BELOW ME, AND I'M SINGING A NEW 359 00:26:33,059 --> 00:26:44,237 HARMONYAND HE'S SINGING MY OLD HARMONY. AND THERE'S ALL THESE, LIKE, 360 00:26:44,237 --> 00:26:47,073 FULL-CIRCLE MOMENTS. IT WAS REALLY -- IT WAS LIKE A A DREAM COME TRUE. 361 00:26:47,073 --> 00:26:50,777 [ CHEERS AND APPLAUSE EVERYDAY WAS A DREAM COME TRUE >> Jimmy: IT'S SO WELL WRITTEN, 362 00:26:50,777 --> 00:26:55,682 IT'S SO GOOD AND YOU GO, YEAH, AT THE END YOU'RE CLAPPING, EVEN THOUGH I 363 00:26:55,682 --> 00:26:57,384 WAS JUST WATCHING AT HOME, AND I WAS JUST, LIKE, CLAPPING ABOUT IT 364 00:26:57,384 --> 00:27:03,890 I WAS LIKE, "OH, MY GOD. I WANT TO SHOW EVERYONE A CLIP HERE'S LIN-MANUEL MIRANDA IN 365 00:27:03,890 --> 00:27:10,463 "IN THE HEIGHTS. TAKE A LOOK. [ CHEERS AND APPLAUSE 366 00:27:11,631 --> 00:27:32,952 * [ SINGING IN FOREIGN LANGUAGE [ SINGING IN FOREIGN LANGUAGE 367 00:27:32,952 --> 00:27:37,724 * * [ SINGING IN FOREIGN LANGUAGE 368 00:27:37,724 --> 00:27:51,271 * [ CHEERS AND APPLAUSE >> Jimmy: THE FACT THAT'S HOW 369 00:27:51,271 --> 00:27:54,174 YOU FEEL IT. IT'S SO WELL DONE. I ALSO WANT TO SAY, THE -- 370 00:27:54,174 --> 00:27:59,245 TOMORROW NIGHT IT OPENS AT TRIBECA FILM FESTIVAL, WHICH MEANS A LOT TO NEW YORK CITY, 371 00:27:59,245 --> 00:28:04,451 BUT ALSO TO EVERYONE IN THE BUSINESS I MEAN, WHAT THEY'VE DONE WITH 372 00:28:04,451 --> 00:28:07,053 THAT FESTIVAL, BUT YOU'RE OPENING THE FILM FESTIVAL. YOU'RE GOING TO BE IN 373 00:28:07,053 --> 00:28:11,858 WASHINGTON HEIGHTS SHOWING THIS TO A THEATER >> WE PREMIERE THIS MOVIE 374 00:28:11,858 --> 00:28:15,595 ON 175th STREET, Y'ALL [ CHEERS AND APPLAUSE LIKE, IT'S IN 375 00:28:15,595 --> 00:28:22,135 WASHINGTON HEIGHTS >> Jimmy: THE BEST -- THAT -- TALK ABOUT EMOTIONAL, THAT'S 376 00:28:22,135 --> 00:28:25,138 LIKE -- IT IS A LOVE LETTER TO WASHINGTON HEIGHTS, REALLY, AND NEW YORK CITY. 377 00:28:25,138 --> 00:28:28,274 AND I THINK THAT'S GOING TO BE ANOTHER SPECIAL MOMENT >> IT'S GOING TO BE INSANE 378 00:28:28,274 --> 00:28:31,878 >> Jimmy: BUDDY, I LOVE YOU SO MUCH >> THANK YOU 379 00:28:31,878 --> 00:28:34,080 >> Jimmy: THANK YOU SO MUCH FOR COMING ON THE SHOW WE LOVE YOU. 380 00:28:34,080 --> 00:28:39,119 LIN-MANUEL MIRANDA "IN THE HEIGHTS" IS IN THEATERS AND ON HBO MAX, THIS THURSDAY. 381 00:28:39,119 --> 00:28:41,287 MORE "TONIGHT SHOW" AFTER THE BREAK. COME ON BACK, EVERYBODY. 382 00:28:41,287 --> 00:29:02,175 [ CHEERS AND APPLAUSE * >> Jimmy: MY NEXT GUEST IS A 383 00:29:02,175 --> 00:29:07,580 A VERY TALENTED ACTRESS STARRING ON THE HIT TELEVISION SERIES "BRIDGERTON." 384 00:29:07,580 --> 00:29:11,017 SEASON ONE IS STREAMING NOW ON NETFLIX. HERE'S PHOEBE DYNEVOR, 385 00:29:11,017 --> 00:29:11,351 NETFLIX. HERE'S PHOEBE DYNEVOR, EVERYBODY! 386 00:29:12,385 --> 00:29:14,054 * >> Jimmy: OH, MY GOODNESS! 387 00:29:14,054 --> 00:29:17,290 HELLO! PHOEBE DYNEVOR >> HI. 388 00:29:17,290 --> 00:29:23,830 >> Jimmy: HELLO AND WELCOME! WELCOME TO "THE TONIGHT SHOW." THANK YOU FOR COMING ON. 389 00:29:23,830 --> 00:29:25,865 IT'S YOUR FIRST TIME ON OUR SHOW >> YES, I'M SO HAPPY TO BE 390 00:29:25,865 --> 00:29:27,367 HERE THANK YOU SO MUCH FOR HAVING ME 391 00:29:27,367 --> 00:29:31,571 >> Jimmy: I WANT TO -- >> I'M YOUR BIGGEST FAN. [ LAUGHTER ] 392 00:29:31,571 --> 00:29:34,474 >> Jimmy: WELL, RIGHT BACK AT YOU. ALL RIGHT, HERE WE GO. 393 00:29:34,474 --> 00:29:39,479 I DO -- I WANT TO TALK TO YOU ABOUT "BRIDGERTON," BUT I ALSO WANT TO SAY WE JUST HAD 394 00:29:39,479 --> 00:29:42,248 LIN-MANUEL MIRANDA OUT HERE ON THE SHOW AND I KNOW THAT YOU'RE A BIG FAN OF LIN AND - 395 00:29:42,248 --> 00:29:45,518 [ LAUGHTER ] >> CAN WE JUST TALK ABOUT "HAMILTON" THIS WHOLE 396 00:29:45,518 --> 00:29:49,589 INTERVIEW? BECAUSE I'M THE BIGGEST FAN OF LIN-MANUEL EVER, I MEAN -- 397 00:29:49,589 --> 00:29:53,493 >> Jimmy: WAIT, WAIT, HOLD ON A SECOND YOU KNOW, THERE'S LIN, WHO WAS 398 00:29:53,493 --> 00:29:55,595 HERE, BUT THEN THERE'S ME WHO IS HERE. YOU KNOW 399 00:29:55,595 --> 00:29:59,733 [ LAUGHTER ] >> YEAH, BOTH OF YOU IN THE SAME ROOM IS CRAZY 400 00:29:59,733 --> 00:30:03,803 I DON'T KNOW WHAT TO DO WITH MYSELF RIGHT NOW BUT LIN-MANUEL -- "HAMILTON" 401 00:30:03,803 --> 00:30:08,341 LITERALLY GOT ME AND MY FAMILY THROUGH LOCKDOWN WE WOULD PLAY IT EVERY SINGLE 402 00:30:08,341 --> 00:30:13,079 DAY. AND WE WATCHED THE THEATER VERSION A MILLION TIMES AND WE 403 00:30:13,079 --> 00:30:18,785 CAN SING EVERY SONG. SO YEAH, "HAMILTON" IS THE BEST, THE BEST 404 00:30:18,785 --> 00:30:20,987 I CANNOT WAIT TO SEE "IN THE HEIGHTS. >> Jimmy: OH, GET READY. 405 00:30:20,987 --> 00:30:23,456 [ APPLAUSE ] GET READY. >> OH, MY GOSH 406 00:30:23,456 --> 00:30:28,695 >> Jimmy: NO, YOU WON'T EVEN BELIEVE -- THIS THURSDAY, YOU WON'T EVEN BELIEVE IT. 407 00:30:28,695 --> 00:30:31,998 SO GET READY, IT PAYS OFF. BUT PEOPLE WILL SAY THE SAME THING FOR YOU, BY THE WAY, 408 00:30:31,998 --> 00:30:35,735 BECAUSE YOU GOT US THROUGH QUARANTINE WE ALL GOT TO EXPERIENCE YOU 409 00:30:35,735 --> 00:30:38,638 WITH "BRIDGERTON," AND WE ALL -- THAT WAS YOUR MOMENT. [ CHEERS AND APPLAUSE 410 00:30:38,638 --> 00:30:47,113 THAT'S A TV MOMENT AND -- THAT'S AMAZING. IT CAME OUT OF NOWHERE 411 00:30:47,113 --> 00:30:49,683 I HAD NO IDEA. WE WERE JUST LOOKING FOR SOMETHING TO WATCH AND EVERYONE 412 00:30:49,683 --> 00:30:52,352 WAS LIKE, "I'M IN. IT'S 'DOWNTON ABBEY' BUT SPICIER. 413 00:30:52,352 --> 00:30:55,989 [ LAUGHTER ] WE DIDN'T KNOW WHAT IT WAS AND IT WAS SO GREAT. 414 00:30:55,989 --> 00:31:01,428 AND I ALWAYS LOVE A GOOD STORY, AS ANYONE DOES BUT THE STORY OF YOU GETTING 415 00:31:01,428 --> 00:31:05,065 CAST IS INTERESTING TO ME, BECAUSE I HEARD THAT YOU WERE ALMOST READY TO JUST KIND OF 416 00:31:05,065 --> 00:31:08,134 GIVE UP ON ACTING IN L.A. FOR A LITTLE BIT AND YOU GO, "EH, IT'S NOT WORKING OUT, I'M GOING 417 00:31:08,134 --> 00:31:11,171 TO GO BACK TO ENGLAND. IS THAT TRUE >> YEAH, I HAD BEEN -- IT'S 418 00:31:11,171 --> 00:31:19,079 KIND OF CRAZY, I'VE BEEN LIVING IN L.A. FOR ABOUT NINE MONTHS AND I WAS KIND OF AT THAT POINT 419 00:31:19,079 --> 00:31:24,084 WHERE I WAS READY TO GO HOME, SORT OF THROW IN THE TOWEL, AND SEE THE FAM FOR A BIT. 420 00:31:24,084 --> 00:31:28,655 AND THEN I GOT A CALL SAYING, "CAN YOU COME IN AND READ WITH REGE NEXT WEEK?" 421 00:31:28,655 --> 00:31:31,091 AND I WAS LIKE "OH, GOD. WELL, THAT'S ANNOYING, 'CAUSE I HAVE GOT TO MOVE MY FLIGHT." 422 00:31:31,091 --> 00:31:35,428 [ LAUGHTER ] SO I WAS LIKE, "I HOPE IT PAYS OFF. 423 00:31:35,428 --> 00:31:38,098 DIDN'T THINK ANYTHING OF IT. >> Jimmy: YEAH, "I DON'T WANT TO DO THIS AND GET REJECTED. 424 00:31:38,098 --> 00:31:42,102 YEAH, EXACTLY. >> YEAH, EXACTLY AND THEN -- YEAH, AND THEN THE 425 00:31:42,102 --> 00:31:46,706 NEXT DAY, THEY WERE LIKE "NETFLIX WILL PAY FOR YOUR FLIGHT BACK TO LONDON BECAUSE 426 00:31:46,706 --> 00:31:50,110 YOU'VE GOT TO BE IN REHEARSALS ON MONDAY. >> Jimmy: THAT'S WHAT I'M 427 00:31:50,110 --> 00:31:52,278 TALKING ABOUT! YES! >> SO IT DID PAY OFF 428 00:31:52,278 --> 00:31:54,114 [ CHEERS AND APPLAUSE >> Jimmy: THAT'S THE STORY THAT YOU WANT 429 00:31:54,114 --> 00:32:00,253 I LOVE THAT! >> YEAH. >> Jimmy: WHEN DID YOU -- WHEN 430 00:32:00,253 --> 00:32:05,492 DID YOU RECOGNIZE THAT YOU AND REGE-JEAN HAD CHEMISTRY? BECAUSE REGE-JEAN'S BEEN ON OUR 431 00:32:05,492 --> 00:32:08,128 SHOW AND I HAD CHEMISTRY WITH REGE-JEAN. [ LAUGHTER ] 432 00:32:08,128 --> 00:32:11,531 >> IT'S HARD NOT TO. >> Jimmy: YEAH, BUT YOU TWO TOGETHER, IT'S LIKE, "WHAT IS 433 00:32:11,531 --> 00:32:17,537 GOING ON?" [ LIGHT LAUGHTER ] WHEN DID YOU GUYS REALIZE? 434 00:32:17,537 --> 00:32:21,441 WAS IT REHEARSAL OR WAS IT -- DID YOU DO A SCENE AND YOU GO, "THAT'S PRETTY GOOD, GUYS. 435 00:32:21,441 --> 00:32:26,179 [ LAUGHTER ] >> I THINK YOU NEVER KNOW BUT WE BOTH HAD DANCE REHEARSALS 436 00:32:26,179 --> 00:32:31,785 TOGETHER, AND WE WERE BOTH KIND OF NERVOUS ABOUT -- ABOUT THE DANCING PART 437 00:32:31,785 --> 00:32:35,255 IT WAS THE PART THAT WE WERE BOTH A BIT LIKE, "OH, CAN WE DO THIS?" 438 00:32:35,255 --> 00:32:40,093 AND I REMEMBER WE HAD A FEW REHEARSALS AND ONE OF THEM GOT RECORDED SO WE GOT TO WATCH IT 439 00:32:40,093 --> 00:32:43,930 BACK AND WE WERE LIKE, "OH, EYE CONTACT REALLY DOES A LOT OF 440 00:32:43,930 --> 00:32:49,602 THE WORK." [ LAUGHTER ] >> Jimmy: YEAH, YEAH 441 00:32:49,602 --> 00:32:51,805 YEAH YOU FELT -- >> AND DANCING >> Jimmy: YEAH, EXACTLY. 442 00:32:51,805 --> 00:32:55,508 WELL, I THINK IT WAS BRILLIANTLY DONE AND WE KNOW THAT HE'S NOT 443 00:32:55,508 --> 00:33:02,615 RETURNING FOR SEASON TWO, BUT -- A LOT OF PEOPLE WERE DISAPPOINTED -- BUT IF YOU READ 444 00:33:02,615 --> 00:33:05,251 THE BOOKS, WHICH -- OR READ THE BOOKS, WHICH I HAVE NOT, SO I WOULD SIT THERE GOING "OH, AW! 445 00:33:05,251 --> 00:33:08,188 [ LAUGHTER ] AND THEN THEY GO, "NO, THAT'S THE WAY THE STORY GOES." 446 00:33:08,188 --> 00:33:11,057 >> RIGHT >> Jimmy: IT WAS NEVER PLANNED FOR HIM TO RETURN IN SEASON 447 00:33:11,057 --> 00:33:15,862 TWO, IS THAT CORRECT >> NO, I MEAN I THINK EVERY -- THE SPECIAL THING ABOUT 448 00:33:15,862 --> 00:33:21,534 "BRIDGERTON," I THINK NOT A LOT OF SHOWS REALLY DO, IS THAT EVERY SEASON CENTERS AROUND 449 00:33:21,534 --> 00:33:30,510 A DIFFERENT LOVE STORY SO SEASON TWO IS CENTERED AROUND ANTHONY, MY OLDER 450 00:33:30,510 --> 00:33:34,514 BROTHER, AND HIS SORT OF COMING OUT INTO THE SEASON AND FINDING A MATCH HOPEFULLY. 451 00:33:34,514 --> 00:33:37,283 SO EVERY STORY CENTERS AROUND A DIFFERENT RELATIONSHIP SO I'M JUST REALLY EXCITED TO 452 00:33:37,283 --> 00:33:44,624 WATCH THE SHOW AS AN AUDIENCE AND SEE WHAT IT HAS IN STORE FOR HIM. 453 00:33:44,624 --> 00:33:51,164 >> Jimmy: BUT YOU'RE BACK AND FILMING SEASON TWO RIGHT NOW >> YEAH, YEAH. 454 00:33:51,164 --> 00:33:53,900 I'VE HAD THREE DAYS ON SET IT'S SO NICE TO BE BACK. IT'S SUCH A NICE FEELING 455 00:33:53,900 --> 00:33:55,902 >> Jimmy: WHAT DOES IT FEEL LIKE >> THE BEST. 456 00:33:55,902 --> 00:34:01,207 I CRIED LIKE SEVEN TIMES WHEN I CAME BACK. 'CAUSE SO MUCH HAD HAPPENED, 457 00:34:01,207 --> 00:34:07,147 YOU KNOW, SINCE THE FIRST SEASON OBVIOUSLY, COVID AND THE SHOW 458 00:34:07,147 --> 00:34:09,649 COMING OUT AND JUST SEEING EVERYONE AGAIN I MEAN, HALF OF THEIR FACES FOR 459 00:34:09,649 --> 00:34:13,053 THE MOST PART. BUT YEAH >> Jimmy: STILL, I'LL TAKE IT. 460 00:34:13,053 --> 00:34:15,155 YEAH >> IT'S JUST SO NICE YEAH 461 00:34:15,155 --> 00:34:20,727 >> Jimmy: WELL, ON BEHALF OF EVERYONE WHO ACTUALLY DID GET THROUGH QUARANTINE, THANKS TO 462 00:34:20,727 --> 00:34:23,063 YOU, I JUST WANT TO SAY THANK YOU VERY MUCH FOR DOING WHAT YOU DID. 463 00:34:23,063 --> 00:34:25,532 IT WAS DEFINITELY A BIG MOMENT FOR US [ CHEERS AND APPLAUSE 464 00:34:25,532 --> 00:34:30,437 AND I WANT TO SHOW EVERYONE A CLIP FROM SEASON ONE HERE'S PHOEBE DYNEVOR AND 465 00:34:30,437 --> 00:34:32,539 HERE'S PHOEBE DYNEVOR AND REGE-JEAN PAGE IN "BRIDGERTON. TAKE A LOOK. 466 00:34:34,641 --> 00:34:35,275 >> IT WOULD BE BETTER IF YOU 467 00:34:35,275 --> 00:34:40,947 REFRAIN FROM THINKING ABOUT ME AT ALL >> IT IS SIMPLY SURPRISING 468 00:34:40,947 --> 00:34:45,485 >> YES, HOW EVER IS IT POSSIBLE FOR A LADY TO OFFER ANYTHING BUT A SMILE WHILE SEATED BESIDE 469 00:34:45,485 --> 00:34:49,456 A DUKE EVEN ONE OF YOUR REPUTATION. >> YOU ARE AWARE OF MY 470 00:34:49,456 --> 00:34:54,728 REPUTATION >> I'M AWARE OF YOUR FRIENDSHIP WITH MY ELDEST BROTHER 471 00:34:54,728 --> 00:34:58,765 IF THAT WERE NOT ENOUGH, I'M ALSO AWARE OF THE THINGS A A CERTAIN WRITER HAD RECENTLY 472 00:34:58,765 --> 00:35:02,936 WRITTEN OF YOU PRESUMPTUOUS, CLEARLY, ARROGANT, MOST DEFINITELY. 473 00:35:02,936 --> 00:35:07,040 YOU ARE A RAKE THROUGH AND THROUGH. TELL ME I'M WRONG. 474 00:35:07,040 --> 00:35:12,245 >> WHO IS TO REFRAIN FROM THINKING ABOUT WHO AGAIN >> I ASSURE YOU, I'M ANYTHING 475 00:35:12,245 --> 00:35:14,047 BUT INTERESTED IN YOU. >> GOOD. >> QUITE 476 00:35:14,047 --> 00:35:18,551 >> AND I'M ANYTHING BUT INTERESTED IN YOU. >> Jimmy: THERE YOU GO 477 00:35:18,551 --> 00:35:21,654 PHOEBE DYNEVOR, EVERYBODY! [ CHEERS AND APPLAUSE >> THANK YOU 478 00:35:21,654 --> 00:35:24,557 >> Jimmy: SEASON ONE OF "BRIDGERTON" IS STREAMING NOW ON NETFLIX 479 00:35:24,557 --> 00:35:27,527 SHARON VAN ETTEN AND ANGEL OLSEN PERFORM AFTER THE BREAK. 480 00:35:27,527 --> 00:35:29,929 STICK AROUND WE'LL BE RIGHT BACK. THANK YOU. 481 00:35:29,929 --> 00:35:32,632 THANK YOU VERY MUCH! COME BACK! [ CHEERS AND APPLAUSE 482 00:35:32,632 --> 00:35:55,088 * >> Jimmy: HERE WITH THE TV DEBUT OF THEIR NEW 483 00:35:55,088 --> 00:36:00,493 COLLABORATION, "LIKE I USED TO," PLEASE WELCOME SHARON VON ETTEN AND 484 00:36:00,493 --> 00:36:04,898 ANGEL OLSEN. [ CHEERS AND APPLAUSE * 485 00:36:04,898 --> 00:36:26,286 * * WILL THE MARKER STAIN THE SKIN 486 00:36:26,286 --> 00:36:32,625 STOLE THE DRES I SAW YOU IN * * NOW NOTHING 487 00:36:32,625 --> 00:36:42,369 COMES TO MIN SAW OUR LIFE AS OVERRIDE * 488 00:36:42,369 --> 00:36:49,275 * ONE MOR SESSION OVERDRIV THE CEILIN 489 00:36:49,275 --> 00:36:58,318 IS THE ROOF * * CHANGE ADDRES AND DRAW A LIN 490 00:36:58,318 --> 00:37:06,192 SHOW MY FRIEND THE SILVER LIFE * * CALL MY FAMILY JUST 491 00:37:06,192 --> 00:37:14,167 TO KNOW THEY'RE THER SLEEPING IN LATE LIKE I USED TO * 492 00:37:14,167 --> 00:37:22,075 * CROSSING MY FINGERS LIKE I USED TO WAITING INSIDE 493 00:37:22,075 --> 00:37:37,924 LIKE I USED TO * * AVOIDING BIG CROWDS LIKE I USED TO 494 00:37:37,924 --> 00:37:43,697 CRAWL THE FIEL AND LET YOU IN * * BRAND MY HEAR 495 00:37:43,697 --> 00:37:54,774 I FOUND YOU IN TO SAY NOTHING'S MORE APART * 496 00:37:54,774 --> 00:38:01,748 * WILL MY LOVER BE THERE STA FOLLOW THEM TO 497 00:38:01,748 --> 00:38:11,925 LESS THE PAIN * * THE CEILING MUST BE WRON 498 00:38:11,925 --> 00:38:18,365 WELL MY HEAD'S GONE TODAY * * SELL MY PAS 499 00:38:18,365 --> 00:38:29,175 FOR A WA TO SING AND HAVE SOMETHING LEFT TO SAY * 500 00:38:29,175 --> 00:38:35,949 * PRAY MY HANDS PRAY MY VOIC GIVE THE REASO 501 00:38:35,949 --> 00:38:46,793 TAKE AWAY * * MAKE BELIEVE AN ORDER FOR TO STA 502 00:38:46,793 --> 00:38:52,065 LIGHTING ONE U LIKE I USED TO * * DANCING ALL ALONE 503 00:38:52,065 --> 00:38:59,572 LIKE I USED TO GIVING IT UP LIKE I USED TO * 504 00:38:59,572 --> 00:39:05,045 * FALLING IN LOVE I LIKE I USED TO OPEN MY HEART LIKE 505 00:39:05,045 --> 00:39:11,718 I USED TO * * MAKING OUT LONG LIKE I USED TO 506 00:39:11,718 --> 00:39:18,491 HOLDING HANDS OPENLY RIGHTS TO * * TAKING WHAT'S MIN 507 00:39:18,491 --> 00:39:29,302 LIKE I USED TO LIKE I USED TO LIKE I USED TO * 508 00:39:29,302 --> 00:39:42,749 * LIKE I USED T LIKE I USED TO * * 509 00:39:42,749 --> 00:39:59,766 LIKE I USED TO * * * 510 00:40:00,734 --> 00:40:03,503 [ CHEERS AND APPLAUSE >> Jimmy: JOIN US TOMORROW 511 00:40:03,503 --> 00:40:08,675 NIGHT. KRISTEN BELL AND DANE DeHAAN WILL BE HERE, PLUS WE'LL HAVE 512 00:40:08,675 --> 00:40:10,877 MUSIC FROM MIGOS [ CHEERS AND APPLAUSE MY THANKS TO 513 00:40:10,877 --> 00:40:15,815 LIN-MANUEL MIRANDA, PHOEBE DYNEVOR, SHARON VON ETTEN AND 514 00:40:15,815 --> 00:40:19,819 ANGEL OLSEN, AND OF COURSE, THE ROOTS FROM PHILADELPHIA, PENNSYLVANIA 515 00:40:19,819 --> 00:40:22,655 THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS.