1 00:00:10,043 --> 00:00:11,544 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:11,544 --> 00:00:13,947 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:13,947 --> 00:00:21,721 TONIGHT, JOIN JIMMY AND HIS GUESTS - VINCE VAUGHN 4 00:00:21,721 --> 00:00:27,527 AIDY BRYANT, MUSICAL GUEST GIRL IN RED, AND FEATURING THE LEGENDARY 5 00:00:27,527 --> 00:00:36,836 ROOTS CREW >> Questlove: 1454 >> Steve: AND NOW, HERE HE IS, 6 00:00:36,836 --> 00:00:37,303 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:46,579 --> 00:00:47,180 * 8 00:00:47,180 --> 00:00:51,317 * [ CHEERS AND APPLAUSE >> Jimmy: THANK YOU VERY MUCH! 9 00:00:51,317 --> 00:01:04,130 THANK YOU VERY MUCH, EVERYBODY WOW. PLEASE, PLEASE HAVE A SEAT 10 00:01:04,130 --> 00:01:06,066 THERE WAS A WAVE GOING ON AT ONE POINT. SOMEONE STARTED A WAVE 11 00:01:06,066 --> 00:01:08,068 IT WAS UNBELIEVABLE. WELCOME, EVERYBODY WELCOME, WELCOME TO "THE 12 00:01:08,068 --> 00:01:14,407 TONIGHT SHOW." YOU'RE HERE. THANK YOU FOR WATCHING 13 00:01:14,407 --> 00:01:16,743 [ CHEERS AND APPLAUSE WELL GUYS, HERE'S SOMETHING POSITIVE TO KICK THINGS OFF. 14 00:01:16,743 --> 00:01:18,511 A NEW POLL SHOWS THAT ALMOST TWO-THIRDS OF AMERICANS ARE FEELING OPTIMISTIC AFTER 15 00:01:18,511 --> 00:01:25,318 PRESIDENT BIDEN'S FIRST 100 DAYS IN OFFICE [ CHEERS AND APPLAUSE 16 00:01:25,318 --> 00:01:29,089 WOW. OF COURSE, THEY'RE FEELING GOOD 17 00:01:29,089 --> 00:01:31,658 WE HAVE VACCINES IN OUR ARMS, STIMULUS CHECKS IN OUR POCKETS AND HOT SAUCE IN OUR GOLDFISH. 18 00:01:31,658 --> 00:01:37,364 COME ON, THINGS ARE -- >> Steve: COME ON. [ CHEERS ] 19 00:01:37,364 --> 00:01:41,301 >> Jimmy: THAT'S RIGHT 64% ARE FEELING OPTIMISTIC WHILE THE OTHER 36% HAD A ROUGH 20 00:01:41,301 --> 00:01:44,904 WEEKEND AT THE KENTUCKY DERBY. [ LAUGHTER ] ACCORDING TO POLLS, THE LAST 21 00:01:44,904 --> 00:01:51,878 TIME WE WERE CLOSE TO BEING THIS OPTIMISTIC WAS 2006 [ AUDIENCE OHS ] 22 00:01:51,878 --> 00:01:53,747 I'M NOT SURPRISED. THAT WAS WHEN TOM HANKS BROUGHT BACK THE MULLET. 23 00:01:53,747 --> 00:02:00,453 DO YOU REMEMBER THAT [ LAUGHTER ] MEANWHILE, AS PANDEMIC 24 00:02:00,453 --> 00:02:02,188 RESTRICTIONS EASE AND THE VACCINE ROLLOUT CONTINUES, MAJOR COMPANIES LIKE DOMINO'S 25 00:02:02,188 --> 00:02:06,226 ARE NOW STRUGGLING TO HIRE ENOUGH EMPLOYEES YEAH, YOU CAN TELL DOMINO'S IS 26 00:02:06,226 --> 00:02:10,764 DESPERATE. EARLIER TODAY, THEY ORDERED PAPA JOHN'S AND KIDNAPPED THE 27 00:02:10,764 --> 00:02:16,169 DRIVER [ LAUGHTER ] >> Steve: REALLY 28 00:02:16,169 --> 00:02:18,138 >> Jimmy: YEAH, THAT'S NOT GOOD >> Steve: THAT IS DESPERATE. 29 00:02:18,138 --> 00:02:19,806 >> Jimmy: I WAS TOLD THAT LOWE'S IS LOOKING TO HIRE 50,000 EMPLOYEES WHILE HOME 30 00:02:19,806 --> 00:02:23,910 DEPOT IS LOOKING TO DOUBLE THE EMPLOYEES ON THE FLOOR TO TWO. [ LAUGHTER ] 31 00:02:23,910 --> 00:02:30,817 HELLO? HELLO? [ APPLAUSE ] 32 00:02:30,817 --> 00:02:32,986 ANYONE, ANYONE, ANYONE USE YOUR APP ECHO, ECHO 33 00:02:32,986 --> 00:02:36,289 [ LAUGHTER ] >> Steve: I NEED A NAIL. >> Jimmy: WHAT AISLE IS 34 00:02:36,289 --> 00:02:41,094 SCREWDRIVERS IS IN >> Steve: BAY 16 >> Jimmy: I'VE BEEN HERE FOR 35 00:02:41,094 --> 00:02:44,698 FOUR DAYS, DAYS, DAYS. [ LAUGHTER ] HOW DO I GET OUT, OUT, OUT 36 00:02:44,698 --> 00:02:46,666 >> Steve: NOW IT'S MY HOME >> Jimmy: I BUILT A HOME IN HOME DEPOT 37 00:02:46,666 --> 00:02:51,771 [ LAUGHTER ] ONE PLACE THAT LOOKS LIKE THEY'RE GOING TO NEED SOME 38 00:02:51,771 --> 00:02:58,445 WORKERS IS THE WORLD'S LARGEST WHITE CASTLE [ AUDIENCE OHS ] 39 00:02:58,445 --> 00:03:00,146 IT JUST OPENED, YEAH, IT JUST OPENED TODAY IN ORLANDO AND THERE WAS A BIT OF A LINE. 40 00:03:00,146 --> 00:03:03,416 WATCH THIS LOOK AT THIS 41 00:03:04,851 --> 00:03:09,589 >> Jimmy: THAT'S ALL PEOPLE WAITING. IT'S A MILE LONG 42 00:03:09,589 --> 00:03:14,327 YEAH OKAY, WOW. AND YOU KNOW AFTER HOURS IN 43 00:03:14,327 --> 00:03:18,798 THAT LINE, SOMEONE IS STILL GOING TO GET TO THE WINDOW AND NOT KNOW WHAT THEY WANT. 44 00:03:18,798 --> 00:03:23,503 [ LAUGHTER ] IT'S MY FIRST TIME HERE, SO -- >> Steve: WHAT DO YOU GOT? 45 00:03:23,503 --> 00:03:25,338 >> Jimmy: YOU KNOW ONE GUY WAS CALLING HIS WIFE I KNOW HE MISSED THE BIRTH, 46 00:03:25,338 --> 00:03:30,577 BUT -- [ LAUGHTER ] HE'LL BE PSYCHED WHEN I SHOW UP 47 00:03:30,577 --> 00:03:34,080 WITH A COUPLE OF THESE STEAMED BURGERS. [ LAUGHTER ] 48 00:03:34,080 --> 00:03:38,585 >> Steve: I ATE THEM ALL >> Jimmy: SOME NEWS FROM OVERSEAS 49 00:03:38,585 --> 00:03:40,754 AFTER BIDEN CRITICIZED NORTH KOREA IN HIS JOINT ADDRESS LAST WEEK, THE COUNTRY 50 00:03:40,754 --> 00:03:43,623 IS WARNING THAT THE U.S. WILL FACE A CRISIS BEYOND CONTROL IN THE NEAR FUTURE. 51 00:03:43,623 --> 00:03:49,629 THAT WOULD ACTUALLY BE SCARY TO HEAR IF WE WEREN'T ALREADY LIVING IN A CRISIS BEYOND OUR 52 00:03:49,629 --> 00:03:57,604 CONTROL. [ LAUGHTER AND APPLAUSE I'M NOT WORRIED. 53 00:03:57,604 --> 00:04:04,177 NORTH KOREA'S THREATS ARE A LOT LIKE THE CICADAS THEY RANDOMLY SHOW UP, MAKE 54 00:04:04,177 --> 00:04:05,812 A LOT OF ANNOYING NOISE, AND THEN YOU JUST GO BACK TO FORGETTING ABOUT THEM. 55 00:04:05,812 --> 00:04:14,421 [ LAUGHTER AND APPLAUSE SOME BUSINESS NEWS I READ THAT VERIZON IS SELLING 56 00:04:14,421 --> 00:04:16,189 YAHOO! AND AOL FOR $5 BILLION. THE DEAL IS ALREADY BEING CALLED THE MOST SUCCESSFUL TECH 57 00:04:16,189 --> 00:04:26,666 SALE OF 1999 [ LAUGHTER ] I DIDN'T EVEN KNOW VERIZON 58 00:04:26,666 --> 00:04:31,604 OWNED YAHOO! AND AOL THAT'S LIKE FINDING OUT APPLE OWNS RADIO SHACK 59 00:04:31,604 --> 00:04:34,474 [ LAUGHTER ] >> Steve: WHAT >> Jimmy: APPARENTLY, THE 60 00:04:34,474 --> 00:04:36,643 DEAL -- THE DEAL ALMOST DIDN'T HAPPEN UNTIL VERIZON THREW IN A CD-ROM WITH 100 FREE HOURS OF 61 00:04:36,643 --> 00:04:42,549 AOL. [ LAUGHTER ] YEAH 62 00:04:42,549 --> 00:04:44,451 IT WAS TELLING WHEN THE EMAIL OF THE NEWS TO THE HEADS OF YAHOO! AND AOL AND THEY BOTH 63 00:04:44,451 --> 00:04:52,158 HAD GMAIL ADDRESSES. I'M SORRY, BUT IF YOU PAID $5 BILLION FOR AOL, THEN - 64 00:04:52,158 --> 00:04:59,265 >> YOU GOT - >> Jimmy: SCAMMED. [ LAUGHTER AND APPLAUSE 65 00:04:59,265 --> 00:05:01,901 OH, THIS IS INTERESTING. MORE BUSINESS NEWS, I HEARD THAT GERBER IS SEARCHING FOR A 66 00:05:01,901 --> 00:05:05,472 A NEW SPOKESBABY [ AUDIENCE OHS ] [ LAUGHTER ] 67 00:05:05,472 --> 00:05:10,210 I MEAN, IT'S ABOUT TIME GERBER STARTED LOOKING FOR A NEW BABY I MEAN, THE COMMERCIALS WERE 68 00:05:10,210 --> 00:05:13,680 I MEAN, THE COMMERCIALS WERE GETTING A LITTLE WEIRD 69 00:05:16,349 --> 00:05:17,951 COUNT ON 70 00:05:17,951 --> 00:05:19,386 BECAUSE HERE AT GERBER, WE PROVIDE ONLY THE BEST FOR YOUR CHILDREN 71 00:05:19,386 --> 00:05:26,393 GERBER BABIES ARE OUR BUSINESS. >> GOO GOO GA GA 72 00:05:26,393 --> 00:05:35,135 [ LAUGHTER AND APPLAUSE >> Steve: WHAT >> Jimmy: IT'S A LITTLE WEIRD. 73 00:05:35,135 --> 00:05:38,271 >> Steve: GOO GOO GA GA? [ LAUGHTER ] >> Jimmy: YEAH 74 00:05:38,271 --> 00:05:41,408 >> Steve: SMOKING? >> Jimmy: AND THIS HAS BEEN GOING VIRAL HERE 75 00:05:41,408 --> 00:05:43,810 A STARBUCKS EMPLOYEE TWEETED OUT A PHOTO OF A CUSTOMER'S EXTREMELY COMPLICATED ORDER. 76 00:05:43,810 --> 00:05:51,451 TAKE A LOOK AT THIS THING. [ LIGHT LAUGHTER ] LOOK AT THAT ORDER 77 00:05:51,451 --> 00:05:54,621 OH, MY GOSH. THEN EDWARD LEFT STARBUCKS AND HELD UP THE LINE AT THE WORLD'S 78 00:05:54,621 --> 00:06:00,026 LARGEST WHITE CASTLE [ LAUGHTER ] AND FINALLY, WE ALL KNOW THE 79 00:06:00,026 --> 00:06:01,594 WORLD CAN FEEL OVERWHELMING SOMETIMES, BUT IT'S GOOD TO HAVE SOME PERSPECTIVE. 80 00:06:01,594 --> 00:06:06,533 SO WE WANTED TO GIVE YOU SOMETHING TO MAKE YOU FEEL A A LITTLE BETTER ABOUT YOURSELF 81 00:06:06,533 --> 00:06:09,669 THAT'S WHY IT'S TIME FOR, "HEY, AT LEAST I'M NOT THAT GUY. 82 00:06:12,505 --> 00:06:14,207 [ CHEERS AND APPLAUSE >> TAKE A LOOK AT THIS A TREE FELL ON THIS 83 00:06:14,207 --> 00:06:16,910 PORT-A-POTTY WHILE A MAN WAS INSIDE * 84 00:06:16,910 --> 00:06:20,547 [ CHEERS AND APPLAUSE >> Jimmy: THERE YOU GO I FEEL MUCH BETTER NOW 85 00:06:20,547 --> 00:06:21,481 GIVE IT UP FOR THE ROOTS, EVERYBODY! 86 00:06:22,349 --> 00:06:41,301 * [ CHEERS AND APPLAUSE * 87 00:06:41,301 --> 00:06:43,370 >> Jimmy: IT IS MONDAY, EVERYBODY. HAPPY MONDAY 88 00:06:43,370 --> 00:06:46,106 WE'RE SO EXCITED TO BE BACK. WE HAVE AN AMAZING WEEK OF SHOWS AHEAD. 89 00:06:46,106 --> 00:06:47,874 WHAT A CROWD TONIGHT, BY THE WAY. THANK YOU VERY MUCH. 90 00:06:47,874 --> 00:06:52,512 [ CHEERS AND APPLAUSE HOLY MOLY! >> Steve: REALLY 91 00:06:52,512 --> 00:06:54,314 >> Jimmy: THAT MAKES ME FEEL SO GOOD WE HAVE A GREAT WEEK OF SHOWS 92 00:06:54,314 --> 00:06:59,586 AHEAD. ANDREW GARFIELD WILL BE HERE >> Steve: OH 93 00:06:59,586 --> 00:07:02,522 [ CHEERS AND APPLAUSE >> Jimmy: CHANNING TATUM WILL BE HERE. 94 00:07:02,522 --> 00:07:04,491 >> Steve: OH [ CHEERS AND APPLAUSE >> Jimmy: JESSICA BEAL 95 00:07:04,491 --> 00:07:06,426 >> Steve: WHAT [ CHEERS AND APPLAUSE >> Jimmy: JESSICA ALBA 96 00:07:06,426 --> 00:07:08,094 >> Steve: WHAT [ CHEERS AND APPLAUSE >> Jimmy: BUT FIRST, WHAT 97 00:07:08,094 --> 00:07:10,030 A SHOW WE HAVE FOR YOU TONIGHT FROM THE NEW MOVIE "NORTH HOLLYWOOD," VINCE VAUGHN IS 98 00:07:10,030 --> 00:07:13,066 HERE [ CHEERS AND APPLAUSE CAN YOU GET A BETTER DUDE THAN 99 00:07:13,066 --> 00:07:18,571 VINCE VAUGHN HE'S JUST FUNNY. HE'S JUST -- HE'S GOT 100 00:07:18,571 --> 00:07:23,610 EVERYTHING, THAT GUY HE'S GOT THE WHOLE PACKAGE I LOVE HIM 101 00:07:23,610 --> 00:07:26,046 PLUS JOINING US IN STUDIO -- >> Steve: YES. >> Jimmy: FROM "SATURDAY NIGHT 102 00:07:26,046 --> 00:07:28,048 LIVE" AND THE HULU SERIES "SHRILL. AIDY BRYANT IS HERE. 103 00:07:28,048 --> 00:07:32,819 [ CHEERS AND APPLAUSE >> Steve: COME ON. >> Jimmy: SHE HAS A GREAT -- 104 00:07:32,819 --> 00:07:35,522 >> Steve: SHE'S A DELIGHT. >> Jimmy: AND EVERYBODY IS TALKING ABOUT THIS 105 00:07:35,522 --> 00:07:39,592 OH MY GOODNESS WE'VE GOT GREAT MUSIC TONIGHT FROM GIRL IN RED 106 00:07:39,592 --> 00:07:42,295 [ CHEERS AND APPLAUSE >> Steve: OH >> Jimmy: GIRL IN RED, TONIGHT 107 00:07:42,295 --> 00:07:47,367 [ CHEERS AND APPLAUSE HEY GUYS, MOTHER'S DAY IS COMING UP AND WE WANTED TO DO 108 00:07:47,367 --> 00:07:49,569 SOMETHING SPECIAL IN HONOR OF THAT SO WE TEAMED UP WITH SAMSUNG TO 109 00:07:49,569 --> 00:07:56,676 CELEBRATE FIVE SUPER MOMS THIS WEEK SO WE ASKED PEOPLE TO NOMINATE 110 00:07:56,676 --> 00:07:58,378 AN EPIC MOM IN THEIR LIFE, AN AMAZING PERSON WHO HAS GONE ABOVE AND BEYOND THIS PAST 111 00:07:58,378 --> 00:08:01,881 YEAR WHETHER IT'S JUGGLING JOBS OR VOLUNTEERING OR WORKING ON THE 112 00:08:01,881 --> 00:08:03,550 FRONT LINES OR ANYTHING ELSE ALL WHILE BEING A MOM. WHICH IS JUST A HARD JOB IN 113 00:08:03,550 --> 00:08:14,561 ITSELF WE SET UP VIDEO INTERVIEWS WITH THE MOMS 114 00:08:14,561 --> 00:08:16,296 WE TOLD THEM IT WAS FOR NBC'S INSTAGRAM. BUT WHAT WE DIDN'T TELL THEM IS 115 00:08:16,296 --> 00:08:18,064 THAT I WOULD CALL THEM ON MY NEW SAMSUNG GALAXY S21 ULTRA 5G PHONE AND SURPRISE THEM WITH 116 00:08:18,064 --> 00:08:28,041 SOMETHING TO MAKE THEIR MOTHER'S DAY A LITTLE BRIGHTER YEAH 117 00:08:28,041 --> 00:08:29,843 OUR FIRST MOM IS ASHLEY TUVALU FROM MESA, ARIZONA SHE WAS NOMINATED BY HER MOTHER 118 00:08:29,843 --> 00:08:31,911 CARA CHECK IT OUT 119 00:08:33,046 --> 00:08:40,353 [ CHEERS AND APPLAUSE * TONIGHT SHO SUPER MOM SURPRISE * 120 00:08:40,353 --> 00:08:43,957 >> HI. MY NAME IS CARA AND MY DAUGHTER ASHLEY A SUPER MOM 121 00:08:43,957 --> 00:08:46,793 SHE'S SO PATIENT SHE'S GOT THE THREE LITTLE BOYS ALL UNDER FIVE, WHICH IS A 122 00:08:46,793 --> 00:08:49,062 A HANDFUL. AT THE BEGINNING OF THE PANDEMIC, SHE UNFORTUNATELY WAS 123 00:08:49,062 --> 00:08:50,864 LAID OFF FROM HER JOB AND PICKED UP ANOTHER JOB WORKING ONLINE FROM HOME 124 00:08:50,864 --> 00:08:58,171 THEY HAD BEEN SAVING FOR A A HOUSE. HAD TO PUT THAT ON HOLD AS 125 00:08:58,171 --> 00:09:06,246 WELL SO WE'RE ALL UNDER ONE ROOF. SHE IS SO IN TUNE WITH EACH OF 126 00:09:06,246 --> 00:09:07,614 THEM AND EACH OF THEIR INDIVIDUAL NEEDS AND KEEPING THEM SAFE, 127 00:09:07,614 --> 00:09:14,688 KEEPING THEM HAPPY, MAKING THEM SMART, AND PUTTING GOOD PEOPLE BACK IN THE WORLD. 128 00:09:14,688 --> 00:09:17,190 >> Jimmy: ASHLEY ASHLEY >> YES 129 00:09:17,190 --> 00:09:21,695 >> Jimmy: OH I'M SORRY. LET ME TURN MY VIDEO CAMERA ON 130 00:09:21,695 --> 00:09:24,397 I'M SORRY. HI >> THAT'S JIMMY. 131 00:09:24,397 --> 00:09:27,901 >> Jimmy: HI, IT'S JIMMY FALLON [ CHEERS AND APPLAUSE 132 00:09:27,901 --> 00:09:29,636 WE WANTED TO THANK YOU FOR BEING A SUPER MOM, AND ALSO, OUR FRIENDS AT SAMSUNG WANTED 133 00:09:29,636 --> 00:09:32,839 TO THANK YOU AS WELL SO WE'D LIKE TO GIVE YOU A A SAMSUNG GALAXY PACKAGE 134 00:09:32,839 --> 00:09:36,876 [ CHEERS AND APPLAUSE I MEAN, THIS IS EVERYTHING IT'S GOT THE WATCH, AND YOU GET 135 00:09:36,876 --> 00:09:40,246 THE TABLET, YOU GET THE EAR BUDS >> WHAT! 136 00:09:40,246 --> 00:09:43,750 >> Jimmy: THANK YOU FOR BEING SUCH A SUPER MOM >> THANKS, JIMMY 137 00:09:43,750 --> 00:09:47,487 JIMMY SAID MY NAME >> Jimmy: OH, ASHLEY, WE HAVE ONE MORE THING THAT SAMSUNG 138 00:09:47,487 --> 00:09:55,462 WOULD LIKE TO GIVE YOU AS WELL WE WOULD LIKE TO GIVE YOU A CHECK FOR $25,000. 139 00:09:55,462 --> 00:09:57,731 [ CHEERS AND APPLAUSE >> HOLY SNIKEYS! >> Jimmy: HOLY SNIKEYS 140 00:09:57,731 --> 00:10:02,235 >> YOU ON YOUR WAY TO THE HOUSE? THANK YOU. 141 00:10:02,235 --> 00:10:05,839 >> Jimmy: YOUR MOM LOVES YOU AND WE ALL LOVE YOU. HAPPY EARLY MOTHER'S DAY 142 00:10:05,839 --> 00:10:08,341 >> WE LOVE YOU, JIMMY. >> THANK YOU OH, MY GOSH! 143 00:10:08,341 --> 00:10:12,345 HOLY COW [ CHEERS AND APPLAUSE >> Jimmy: AMAZING. 144 00:10:12,345 --> 00:10:13,813 THANK YOU TO ASHLEY AND CARA, SAMSUNG AND ALL THE SUPER MOMS OUT THERE. 145 00:10:13,813 --> 00:10:15,782 WE'LL BE RIGHT BACK WITH MORE OF "THE TONIGHT SHOW," EVERYBODY. 146 00:10:15,782 --> 00:10:41,841 COME ON BACK [ CHEERS AND APPLAUSE * 147 00:10:41,841 --> 00:10:44,811 >> Jimmy: WELCOME BACK HEY, GUYS, IT'S TIME TO COUNT DOWN THE HOTTEST SONGS AT THE 148 00:10:44,811 --> 00:10:47,547 TOP OF THE CHARTS RIGHT NOW. >> Steve: OH >> Jimmy: HERE WE GO 149 00:10:47,547 --> 00:10:52,786 NUMBER 3, WE'VE GOT "PEACHES" BY JUSTIN BIEBER IT'S A GREAT ONE 150 00:10:52,786 --> 00:10:57,257 AT NUMBER 2, WE HAVE "LEAVE THE DOOR OPEN" BY SILK SONIC AND HOLDING STEADY AT NUMBER 1, 151 00:10:57,257 --> 00:11:00,794 IT'S "RAP STAR" BY POLO G. AND THOSE ARE THE TOP THREE SONGS. 152 00:11:00,794 --> 00:11:06,366 NOW IT'S TIME TO TAKE A LOOK AT THE SONGS AT THE BOTTOM OF THE CHARTS 153 00:11:06,366 --> 00:11:06,399 THE SONGS AT THE BOTTOM OF THE CHARTS 154 00:11:09,769 --> 00:11:15,542 * BOTTOM OF THE CHART BOTTOM OF THE CHARTS * 155 00:11:15,542 --> 00:11:19,713 >> Jimmy: ALL RIGHT, FIRST UP AT NUMBER 94 WE'VE GOT NELLY'S "COUNTRY 156 00:11:19,713 --> 00:11:24,150 GRAMMAR" SUNG BY FRAZIER'S KELSEY GRAMMER >> Steve: WOW. 157 00:11:24,150 --> 00:11:26,653 >> Jimmy: I DIDN'T EVEN KNOW THAT HE DID A VERSION OF THAT SONG 158 00:11:26,653 --> 00:11:28,521 >> Steve: YEAH, I DIDN'T KNOW THAT EITHER. DO WE HAVE A COPY OF IT? 159 00:11:28,521 --> 00:11:31,691 >> Jimmy: YEAH WE HAVE A CLIP OF IT LET'S HEAR IT. 160 00:11:31,691 --> 00:11:37,263 * I'M GOING DOWN DOWN BAB OLD SCHOOL ON A RANGE ROVE BOOM, BOOM BAB 161 00:11:37,263 --> 00:11:40,266 READY TO LET IT GO * * SHIMMY SHIMMY COCOA PUFF 162 00:11:40,266 --> 00:11:42,402 LISTEN TO ME ROZ TOSSED SALAD * * AND SCRAMBLED EGG 163 00:11:42,402 --> 00:11:46,573 REALLY NILES COME ON * [ CHEERS AND APPLAUSE 164 00:11:46,573 --> 00:11:49,175 >> Jimmy: ALL RIGHT, WELL, HE SOUNDED A LITTLE AGGRAVATED. >> Steve: HE SOUNDS MAD. 165 00:11:49,175 --> 00:11:50,810 >> Jimmy: HE WAS TALKING TO ROZ. >> Steve: HE'S TALKING TO 166 00:11:50,810 --> 00:11:53,446 ROZ -- >> Jimmy: HE WENT OFF SCRIPT A A LITTLE BIT, YEAH 167 00:11:53,446 --> 00:11:57,817 NEXT UP AT NUMBER 95, WE, OF COURSE, HAVE "THE STAR SPANGLED BANNER" BY KE$HA 168 00:11:57,817 --> 00:12:01,421 [ LAUGHTER ] >> Steve: KE$HA, REALLY? >> Jimmy: I DIDN'T KNOW THAT 169 00:12:01,421 --> 00:12:03,823 SHE DID A VERSION OF IT. >> Steve: I DIDN'T KNOW. I'D LOVE TO HEAR IT. 170 00:12:03,823 --> 00:12:09,529 >> Jimmy: YEAH, WE HAVE A CLIP OF THIS ONE TOO. LET'S HEAR IT. 171 00:12:09,529 --> 00:12:14,768 * OH SAY, CAN YOU SEE BY THE DAWN'S EARLY LIGH WHAT SO PROUDLY WE HAILE 172 00:12:14,768 --> 00:12:18,371 AT THE TWILIGHT'S * * LAST GLEAMING WHOSE BROAD STRIPE 173 00:12:18,371 --> 00:12:22,075 AND BRIGHT STARS THROUGH THE PERILOUS FIGHT * * O'ER THE RAMPARTS 174 00:12:22,075 --> 00:12:27,647 WE WATCHED WERE SO GALLANTLY STREAMIN AND THE ROCKETS RED GLARE * 175 00:12:27,647 --> 00:12:31,718 * THE BOMBS BURSTING IN AIR GAVE PROOF THROUGH THE NIGHT THAT OUR FLAG WAS STILL THER 176 00:12:31,718 --> 00:12:36,823 OH SAY DOES THAT STAR * * SPANGLED BANNER * >> Jimmy: THAT'S PRETTY GOOD 177 00:12:36,823 --> 00:12:40,794 ACTUALLY [ CHEERS AND APPLAUSE I NEVER HEARD THAT VERSION 178 00:12:40,794 --> 00:12:43,296 >> Steve: I'M SURPRISED IT'S AT THE BOTTOM OF THE CHART. >> Jimmy: WELL, YEAH 179 00:12:43,296 --> 00:12:45,699 IT'S BEEN ON THE CHART FOR A A LONG TIME. >> Steve: PROBABLY LIKE 180 00:12:45,699 --> 00:12:48,001 A THOUSAND WEEKS >> Jimmy: WHAT GOES UP - >> Steve: HAS GOT TO COME DOWN 181 00:12:48,001 --> 00:12:51,371 >> Jimmy: COMING IN AT NUMBER 96. WE HAVE "ROCK A BYE BABY" BY - 182 00:12:51,371 --> 00:12:57,944 [ CHEERS ] >> Steve: REALLY >> Jimmy: BY DABABY. 183 00:12:57,944 --> 00:13:00,113 >> Steve: DABABY, WOW. >> Jimmy: DABABY DID "ROCK A A BYE BABY." 184 00:13:00,113 --> 00:13:02,349 I DIDN'T EVEN KNOW HE DID LULLABIES. >> Steve: I DIDN'T EITHER. 185 00:13:02,349 --> 00:13:10,090 >> Jimmy: LET'S TAKE A LISTEN. [ LIGHT LAUGHTER ] * ROCK A BYE BABY 186 00:13:10,090 --> 00:13:14,227 IN THE TREE TO THE WIND WILL BLOW THE CRADLE WILL ROCK 187 00:13:14,227 --> 00:13:18,365 WHAT ABOUT BREAD * * THE CRADLE WILL FAL AND DOWN WILL COME BAB 188 00:13:18,365 --> 00:13:22,535 DABABY CRADLE AND ALL * * ROCK A BYE BABY 189 00:13:22,535 --> 00:13:25,071 IN THE TREETOP WHEN THE WIND BLOW THE CRADLE WILL ROCK * 190 00:13:25,071 --> 00:13:27,574 * WHEN THE BOUGH BREAKS THE CRADLE WILL FALL AND DOWN WILL COME BAB 191 00:13:27,574 --> 00:13:29,442 CRADLE AND ALL * * YEAH YEAH ROCK A BYE BAB 192 00:13:29,442 --> 00:13:31,711 DABABY YEAH YEAH YEAH* * 193 00:13:31,711 --> 00:13:36,316 [ CHEERS AND APPLAUSE >> Steve: WAIT, THERE'S MORE >> Jimmy: I DON'T KNOW HOW YOU 194 00:13:36,316 --> 00:13:38,718 SQUEEZE ALL THOSE WORDS IN THAT ONE LINE >> Steve: HE SAID "DABABY" LIKE 195 00:13:38,718 --> 00:13:41,788 20 TIMES >> Jimmy: NEXT UP AT NUMBER 7, WE'VE GOT "SHAGGY MAKES 196 00:13:41,788 --> 00:13:45,692 A SMOOTHIE" BY SHAGGY. >> Steve: WOW. >> Jimmy: THAT SOUNDS PRETTY 197 00:13:45,692 --> 00:13:49,963 SELF-EXPLANATORY, BUT LET'S CHECK THIS OUT * FIRST I BUY THE FRUIT 198 00:13:49,963 --> 00:13:53,466 AND I CUT IT ALL U AND TAKE ALL THE FRUIT AND I PUT IT IN A CUP * 199 00:13:53,466 --> 00:13:56,636 * THERE'S BANANAS SOME KIWIS AND STRAWBERRY JA AND I MIX IT ALL U 200 00:13:56,636 --> 00:14:01,107 WITH SOME HONEY BAKED HAM * * AND I PUT I IN A BOTTLE MI 201 00:14:01,107 --> 00:14:03,309 AND MAKE A BIG MES AND LOOK AT THE MESS * * AND I SAY 202 00:14:03,309 --> 00:14:07,781 IT WASN'T ME * [ CHEERS AND APPLAUSE >> Jimmy: NO MUSIC TO THAT 203 00:14:07,781 --> 00:14:12,919 >> Steve: IT'S JUST A CAPPELLA >> Jimmy: IT'S JUST A CAPPELLA >> Steve: YEAH, A CAPPELLA 204 00:14:12,919 --> 00:14:15,221 SHAGGY, MAN. >> Jimmy: OH, MY GOSH. >> Steve: LIKE IN THE MYSTERY 205 00:14:15,221 --> 00:14:17,057 VAN. >> Jimmy: YEAH >> Steve: HOW DOES SHAGGY DO 206 00:14:17,057 --> 00:14:18,925 IT >> Jimmy: I DON'T KNOW, HOW WOULD SHAGGY DO IT 207 00:14:18,925 --> 00:14:20,760 >> Steve: I DON'T KNOW IT WASN'T ME [ LIGHT LAUGHTER ] 208 00:14:20,760 --> 00:14:24,497 >> Jimmy: I KNOW OH, THIS ONE IS INTERESTING. I CAN'T BELIEVE THIS IS AT THE 209 00:14:24,497 --> 00:14:29,202 BOTTOM OF THE CHARTS THIS IS ONE OF MY FAVORITES. AT 98, IT'S "I WILL ALWAYS LOVE 210 00:14:29,202 --> 00:14:34,774 YOU" BY WHITNEY HOUSTON. APPARENTLY THIS IS AN EARLIER, SLIGHTLY LONGER VERSION OF THE 211 00:14:34,774 --> 00:14:39,813 SONG >> Steve: OH >> Jimmy: LET'S LISTEN TO CLIP 212 00:14:39,813 --> 00:15:07,040 * I WISH YOU LOVE AND I * [ CHEERS AND APPLAUSE 213 00:15:07,040 --> 00:15:10,343 >> Jimmy: WOW! I'VE NEVER HEARD THAT VERSION. >> Steve: WOW. 214 00:15:10,343 --> 00:15:12,112 NOW I UNDERSTAND WHY SO MANY I'S. >> Jimmy: BASE 215 00:15:12,112 --> 00:15:16,683 >> Steve: YEAH >> Jimmy: NEXT AT 99, THERE IS "BUDDY HOLLY" BY WHEEZER 216 00:15:16,683 --> 00:15:22,589 >> Steve: WAIT, WHEEZER? NOT WEEZER >> Jimmy: NO, IT'S WHEEZER WITH 217 00:15:22,589 --> 00:15:27,060 AN "H. >> Steve: WHEEZER. >> Jimmy: I DON'T KNOW IF I'VE 218 00:15:27,060 --> 00:15:32,432 HEARD THIS ONE LET'S HEAR WHAT IT SOUNDS LIKE * I LOOK JUST LIKE BUDDY HOLL 219 00:15:32,432 --> 00:15:40,540 AND YOU'RE MARY TYLER MOOR I DON'T CARE - [ WHEEZING ] 220 00:15:40,540 --> 00:15:45,078 SAY ABOUT US ANYWAY * * I DON'T CARE ABOUT THAT [ WHEEZING ] 221 00:15:45,078 --> 00:15:48,515 [ COUGHING ] I DON'T CARE ABOUT THAT * [ CHEERS AND APPLAUSE 222 00:15:48,515 --> 00:15:50,784 >> Steve: THEY'RE WHEEZING >> Jimmy: THAT'S - >> Steve: THAT'S THE NAME -- 223 00:15:50,784 --> 00:15:54,087 >> Jimmy: THAT'S HIS THING, YEAH >> Steve: HE DOES WEEZER COVERS 224 00:15:54,087 --> 00:15:56,690 BUT HE WHEEZES >> Jimmy: THAT'S CORRECT FINALLY COMING IN AT THE BOTTOM 225 00:15:56,690 --> 00:16:00,026 OF THE CHART, UNFORTUNATELY, IT'S "DANCING IN THE DARK, IN THE DARK" BY BRUCE SPRINGSTEEN 226 00:16:00,026 --> 00:16:05,331 [ LIGHT LAUGHTER ] >> Steve: "DANCING IN THE DARK IN THE DARK. 227 00:16:05,331 --> 00:16:09,836 >> Jimmy: THAT'S CORRECT >> Steve: BY BRUCE SPRINGSTEEN >> Jimmy: YEAH, I GUESS HE WAS 228 00:16:09,836 --> 00:16:12,339 RECORDING THIS VERSION OF "DANCING IN THE DARK" -- >> Steve: BUT WITH NO LIGHTS 229 00:16:12,339 --> 00:16:14,607 >> Jimmy: NO, COMPLETELY IN THE DARK >> Steve: COMPLETELY DARK. 230 00:16:14,607 --> 00:16:16,810 >> Jimmy: HE RECORDED THIS IN THE DARK >> Steve: REALLY 231 00:16:16,810 --> 00:16:19,212 SO HE COULDN'T SEE ANYTHING? >> Jimmy: IT'S A NEW BOX SET OR SOMETHING. 232 00:16:19,212 --> 00:16:23,049 >> Steve: OH, OKAY >> Jimmy: TAKE A LISTEN TO THIS 233 00:16:23,049 --> 00:16:29,055 * I GET UP IN THE EVENING * AND I AIN'T GOT NOTHING TO SAY * 234 00:16:29,055 --> 00:16:31,524 [ PLATES FALLING ] >> OUCH. [ LAUGHTER ] 235 00:16:31,524 --> 00:16:36,496 * IN THE MORNIN GO TO BED FEELIN THE SAME WAY * 236 00:16:36,496 --> 00:16:39,666 >> OH! * THEN I GET TIRED * >> THAT ONE HURT 237 00:16:39,666 --> 00:16:43,903 * THEN I'M JUST TIRED AND BORED OF MYSELF * [ CAT MEOWS LOUDLY ] 238 00:16:43,903 --> 00:16:48,308 >> SORRY >> Jimmy: I HOPE HE'S OKAY >> Steve: HE'S WALKING AROUND 239 00:16:48,308 --> 00:16:52,979 IN THE HOUSE, APPARENTLY, NOT A RECORDING STUDIO THERE'S A CAT. 240 00:16:52,979 --> 00:16:55,615 >> Jimmy: AT THIS POINT IN HIS CAREER, HE HAS A RECORDING STUDIO AT HIS HOUSE. 241 00:16:55,615 --> 00:16:57,784 >> Steve: HE CAN DO ANYTHING HE WANTS. A MICROPHONE PROBABLY HOVERS 242 00:16:57,784 --> 00:17:02,022 SILENTLY ABOVE HIM, FOLLOWS HIM. >> Jimmy: IT'S LIKE A DRONE 243 00:17:02,022 --> 00:17:04,024 MIC. >> Steve: YEAH, A DRONE MIC BECAUSE IT SOUNDS LIKE HE 244 00:17:04,024 --> 00:17:06,793 SPILLED SOME PLASTIC CUPS FIRST. [ LIGHT LAUGHTER ] 245 00:17:06,793 --> 00:17:10,397 THEN SOME KIND OF SMALL STOOL. >> Jimmy: I DON'T KNOW IF HE WAS DANCING OR WALKING 246 00:17:10,397 --> 00:17:13,133 >> Steve: I THINK IT WAS -- IT SOUNDED LIKE HE WAS WALKING. >> Jimmy: IT WAS DANGEROUS, 247 00:17:13,133 --> 00:17:15,035 WHATEVER HE WAS DOING. >> Steve: YEAH, BECAUSE THAT'S JUST - 248 00:17:15,035 --> 00:17:17,370 >> Jimmy: I MEAN, HE'S ALWAYS ON THE EDGE. HE'S ROCK AND ROLL, MAN. 249 00:17:17,370 --> 00:17:19,873 YOU CAN'T TELL A ROCK 'N' ROLLER WHAT TO DO. >> Steve: YOU CAN'T TELL A BOSS 250 00:17:19,873 --> 00:17:21,941 WHAT TO DO >> Jimmy: NO >> Steve: YOU KNOW WHY 251 00:17:21,941 --> 00:17:24,310 BECAUSE HE'S THE BOSS. >> Jimmy: THAT'S RIGHT THAT'S WHAT I'M TALKING ABOUT. 252 00:17:24,310 --> 00:17:26,112 [ CHEERS AND APPLAUSE THAT'S ALL FOR "BOTTOM OF THE CHARTS." 253 00:17:26,112 --> 00:17:28,281 STICK AROUND WE'LL BE RIGHT BACK WITH VINCE VAUGHN, EVERYBODY. 254 00:17:28,281 --> 00:17:51,638 COME ON BACK [ CHEERS AND APPLAUSE * 255 00:17:51,638 --> 00:17:54,708 >> Jimmy: OUR FIRST GUEST TONIGHT IS ONE OF MY FAVORITES YOU'LL BE ABLE TO SEE HIM SOON 256 00:17:54,708 --> 00:17:57,377 IN THE MOVIE, "NORTH HOLLYWOOD. PLEASE WELCOME VINCE VAUGHN, 257 00:17:57,377 --> 00:17:57,844 PLEASE WELCOME VINCE VAUGHN, LADIES AND GENTLEMEN 258 00:17:58,812 --> 00:17:59,312 * 259 00:17:59,312 --> 00:18:01,481 THAT'S WHAT I'M TALKING ABOUT. VINCE! >> GOOD TO SEE YOU, MAN. 260 00:18:01,481 --> 00:18:03,683 >> Jimmy: IT IS ALWAYS - >> CONGRATS ON BEING BACK IN THE STUDIO 261 00:18:03,683 --> 00:18:06,119 >> Jimmy: AW, THANK YOU BUDDY. YEAH, WE'VE GOT AN AUDIENCE. IT'S UNBELIEVABLE. 262 00:18:06,119 --> 00:18:10,023 >> IT'S AMAZING. LIKE SEEING A TERRIFIC DOLPHIN RELEASED BACK INTO THE OCEAN 263 00:18:10,023 --> 00:18:12,192 IT'S NICE TO SEE >> Jimmy: THAT'S EXACTLY HOW I DESCRIBE IT. 264 00:18:12,192 --> 00:18:15,595 YEAH YOU WERE WITH US WHEN WE DID OUR SHOWS AT HOME AND THEN IN 265 00:18:15,595 --> 00:18:20,300 THE OTHER STUDIO, AND NOW BACK IN OUR ORIGINAL "TONIGHT SHOW" WITH AN AUDIENCE 266 00:18:20,300 --> 00:18:24,037 SO I APPRECIATE YOU BEING A FRIEND OF THE SHOW THANK YOU FOR HELPING US OUT, 267 00:18:24,037 --> 00:18:26,506 BUDDY. >> YEAH, GREAT TO BE WITH YOU. YOU GLAD TO BE BACK? 268 00:18:26,506 --> 00:18:31,644 >> Jimmy: IT'S AMAZING >> YEAH. >> Jimmy: I MEAN, TO BE HONEST, 269 00:18:31,644 --> 00:18:34,948 THE FIRST SHOW WE CAME BACK I WAS A LITTLE BIT TOO EMOTIONAL, JUST COMING OUT. 270 00:18:34,948 --> 00:18:37,217 >> YEAH. >> Jimmy: CAUSE I WAS LIKE -- I WASN'T READY FOR IT. 271 00:18:37,217 --> 00:18:40,286 I'M LIKE, "I GET TO TELL JOKES. BUT NOW IT'S THE GREATEST. 272 00:18:40,286 --> 00:18:42,589 IT FEELS LIKE WE'RE SLOWLY GETTING BACK TO NORMAL, YOU KNOW 273 00:18:42,589 --> 00:18:45,458 SO IT FEELS GOOD >> YEAH, FOR SURE. AND IT'S NICE TO HAVE A FEELING 274 00:18:45,458 --> 00:18:49,462 ABOUT IT THAT YOU LIKE AND I THINK THAT'S A GOOD THING. >> Jimmy: YEAH, THANKS 275 00:18:49,462 --> 00:18:51,664 YEAH I WAS GOING TO ASK YOU, DID YOU WATCH THE DERBY THIS WEEKEND 276 00:18:51,664 --> 00:18:56,069 KENTUCKY DERBY >> YOU KNOW, I USUALLY ALWAYS WATCH THE DERBY. 277 00:18:56,069 --> 00:19:01,074 I NEVER MISS IT. BUT THIS YEAR BECAUSE OF KIDS' SPORTS, I DID MISS THE DERBY 278 00:19:01,074 --> 00:19:03,376 BUT I SAW THAT BOB BAFFERT, WHO'S A GREAT TRAINER, THAT HE HAD KIND OF A LONG SHOT THAT 279 00:19:03,376 --> 00:19:06,646 WON. >> Jimmy: YEAH, IT WAS UNBELIEVABLE 280 00:19:06,646 --> 00:19:08,815 YEAH, I KNOW -- WHAT, DO YOU HAVE TO TAKE THE KIDS -- ARE THEY PLAYING BASEBALL OR 281 00:19:08,815 --> 00:19:13,086 SOMETHING? >> YEAH. THERE WAS A BASEBALL GAME AND 282 00:19:13,086 --> 00:19:18,224 A SOCCER GAME AND THERE WAS TRAVELING INVOLVED WE'VE TALKED ABOUT THIS. 283 00:19:18,224 --> 00:19:22,128 FOR SOME REASON YOU HAVE TO DRIVE 35 MINUTES TO PLAY OTHER 9-YEAR-OLDS. 284 00:19:22,128 --> 00:19:23,897 IT'S A CONFUSING PROCESS [ LAUGHTER ] I DON'T UNDERSTAND 285 00:19:23,897 --> 00:19:26,032 I DON'T UNDERSTAND IT, BUT I'M ON THE TRAIN AND IT'S NOT STOPPING, BUT I DON'T 286 00:19:26,032 --> 00:19:30,904 UNDERSTAND >> Jimmy: AND OF COURSE, THEY'RE PLAYING PROBABLY TWO 287 00:19:30,904 --> 00:19:37,644 DIFFERENT FIELDS AND DIFFERENT TIMES AND ALL THAT STUFF >> AND THEN YOU CAN'T FIND -- I 288 00:19:37,644 --> 00:19:40,246 DON'T KNOW WHICH FIELD IS WHAT THERE'S A FIELD BEHIND THE FIELD AND YOU DIDN'T KNOW ABOUT 289 00:19:40,246 --> 00:19:45,051 THAT AND PEOPLE ARE IN TEARS AND YOU'RE LATE AND IT'S -- YOU 290 00:19:45,051 --> 00:19:47,620 KNOW WHAT I MEAN IT'S ALL COMPLICATED BUT I'M GLAD WE'RE PLAYING 291 00:19:47,620 --> 00:19:49,823 I'M GRATEFUL THE KIDS ARE BACK PLAYING SPORTS SO, NO COMPLAINTS. 292 00:19:49,823 --> 00:19:52,759 NOW, DID YOU ENJOY THE DERBY WAS THAT AN EXCITING - WHAT HAPPENED THAT MADE THIS 293 00:19:52,759 --> 00:19:58,331 MEMORABLE FOR YOU? >> Jimmy: I ENJOYED IT FOR ME, WATCHING HORSE RACING, 294 00:19:58,331 --> 00:20:02,702 IT REMINDS ME OF MY CHILDHOOD. BECAUSE THAT WAS LIKE A TREAT FOR US TO GO TO LIKE A SMOKY 295 00:20:02,702 --> 00:20:09,609 OTB WITH A BUNCH OF ALCOHOLICS, AND YOU JUST LET THE KIDS RUN FREE AND YEAH. 296 00:20:09,609 --> 00:20:12,879 AND GRANDPA TOOK ME THERE, JUST BET ON HORSES, AND JUST GAMBLED, BUNCH OF PEOPLE 297 00:20:12,879 --> 00:20:18,685 GAMBLING, SMOKING CIGARETTES >> I HAD THE SAME CHILDHOOD. IT WAS ARLINGTON PARK IN 298 00:20:18,685 --> 00:20:22,288 CHICAGO. AND MY DAD WOULD ALWAYS TAKE ME, AND THERE WERE A GROUP OF 299 00:20:22,288 --> 00:20:25,658 KIDS THAT WOULD PLAY TAG NEAR THE FINISH LINE. MY DAD WOULD LET ME PICK 300 00:20:25,658 --> 00:20:31,231 HORSES SO THERE WOULD BE -- HE WOULD GIVE ME $2 A RACE 301 00:20:31,231 --> 00:20:34,934 AND WHATEVER WE WON, WE WOULD SPLIT, IF I WON. AND IF I LOST, WE WERE EVEN, SO 302 00:20:34,934 --> 00:20:38,905 I COULDN'T COMPLAIN ABOUT THE SET-UP BUT, YOU KNOW, YOU JUST PICK 303 00:20:38,905 --> 00:20:41,207 THE HORSES BY NAME AND EVERY NOW AND THEN YOU'D HIT A LONG SHOT 304 00:20:41,207 --> 00:20:45,245 IT FELT LIKE A NICE DAY. >> Jimmy: I DON'T KNOW IF I EVER TOLD YOU ABOUT MY WORST 305 00:20:45,245 --> 00:20:47,580 INVESTMENT EVER. DID I EVER TELL YOU ABOUT THIS >> NO. 306 00:20:47,580 --> 00:20:51,451 PLEASE >> Jimmy: SO, THIS IS NOT THAT FAR LONG AGO 307 00:20:51,451 --> 00:20:53,319 BUT ANYWAYS, I WAS ON "SATURDAY NIGHT LIVE," AND THIS WAS THE FIRST TIME I WAS ACTUALLY 308 00:20:53,319 --> 00:20:57,924 MAKING REAL MONEY AND SOME GUY IN MY BUILDING SAID, "HEY, JIMMY, DO YOU WANT TO INVEST IN 309 00:20:57,924 --> 00:21:04,064 A RACE HORSE?" AND I GO, "YES, OF COURSE. AND SO HE'S LIKE, "ALRIGHT, 310 00:21:04,064 --> 00:21:07,634 I'LL GET YOU DETAILS LATER." AND I GO, "OH, MY GOD. I CALLED MY DAD AND MY MOM 311 00:21:07,634 --> 00:21:12,272 I GO, "I'M GOING TO INVEST IN A RACE HORSE." I'M GOING TO OWN A HORSE 312 00:21:12,272 --> 00:21:15,842 IT'S GOING TO BE FANTASTIC AND IT WAS A LOT OF MONEY FOR ME 313 00:21:15,842 --> 00:21:19,112 AND I CALLED MY BUSINESS MANAGER. HE SAID, "DO NOT DO THIS 314 00:21:19,112 --> 00:21:23,083 THIS IS A DISASTER THIS A WASTE OF MONEY. DON'T EVEN DO THIS." 315 00:21:23,083 --> 00:21:26,886 I GO, "NO, I'VE GOT TO DO IT I WAS RAISED I HAVE TO. 316 00:21:26,886 --> 00:21:29,689 I'M GOING TO GO TO THE STABLES EVERY DAY. I'M GOING TO COMB IT 317 00:21:29,689 --> 00:21:34,160 I'M GOING TO BRUSH ITS TEETH I DON'T CARE I'M GOING TO SAY, 'YOU ARE SEA 318 00:21:34,160 --> 00:21:36,096 WARRIOR AND YOU'RE GOING TO WIN THE KENTUCKY DERBY.'" AND SO, I CALLED MY FRIEND AFTER I MADE 319 00:21:36,096 --> 00:21:40,867 THE INVESTMENT AND HE GOES -- I GO, "WHEN DO YOU NAME IT? 320 00:21:40,867 --> 00:21:45,505 HE GOES, "WHAT DO YOU MEAN IT'S ALREADY NAMED YOU DON'T NAME THE HORSE 321 00:21:45,505 --> 00:21:47,307 IT'S NAMED BY LIKE THE SIRE OF THE --" YOU KNOW, I GO, "OH, WHAT'S THE NAME OF OUR HORSE?" 322 00:21:47,307 --> 00:21:57,884 HE GOES, "IT'S POCO BUENO. I GO, "POCO BUENO? I GO, WHAT DOES THAT MEAN? 323 00:21:57,884 --> 00:21:59,786 HE GOES, "IT MEANS LITTLE BIT GOOD." I GO, "WHO -- WHY DIDN'T WE GET 324 00:21:59,786 --> 00:22:01,454 MUCHO BUENO? I MEAN, I WOULD HAVE BEEN HAPPY WITH BUENO 325 00:22:01,454 --> 00:22:03,590 REGULAR BUENO. I GOT "POCO BUENO. AND I WENT TO OTB TO SEE HIS 326 00:22:03,590 --> 00:22:05,892 DEBUT AND I PUT SOME MONEY ON HIM WITH MY FRIEND AND HE CAME IN LAST PLACE AND I 327 00:22:05,892 --> 00:22:18,805 HAVEN'T SEEN HIM SINCE >> DID YOU PUT HIM IN A CLAIMING RACE OR WAS IT -- 328 00:22:18,805 --> 00:22:28,982 DID IT GET CLAIMED >> YEAH. IT WAS IN A REAL, ACTUAL RACE. 329 00:22:28,982 --> 00:22:32,085 IT WAS IN THE GATE I KNOW THAT. >> YOU JUST PICTURE LIKE 330 00:22:32,085 --> 00:22:36,289 WINNING THINGS AND -- IN THE CIRCLE AND CRYING AND DREAMS COMING TRUE. 331 00:22:36,289 --> 00:22:39,693 BUT THE REALITY IS SOMEONE'S GOT TO FEED THE HORSE, AND THE HORSE HAS TO BE WASHED AND 332 00:22:39,693 --> 00:22:42,295 THERE'S A LOT OF EXPENSES BEFORE "LITTLE GOOD -- LITTLE BIT GOOD" GETS A CHANCE TO 333 00:22:42,295 --> 00:22:48,001 RACE "LITTLE BIT GOOD" NEEDS LOTS OF FOOD 334 00:22:48,001 --> 00:22:50,437 >> Jimmy: YEAH YEAH WHAT I HEARD, RIGHT NOW HE'S AN 335 00:22:50,437 --> 00:22:55,975 UBER DRIVER. THAT'S WHAT I HEARD. THAT'S WHAT HE DOES NOW. 336 00:22:55,975 --> 00:22:58,111 >> BUT HE'S HAPPY, JIMMY HE'S HAPPY HE'S HAPPY 337 00:22:58,111 --> 00:23:00,580 >> Jimmy: YEAH, HE DOESN'T LIKE RACING ANYMORE IT'S NOT HIS THING, YOU KNOW 338 00:23:00,580 --> 00:23:03,083 YOU HAVE A MOVIE COMING OUT, "NORTH HOLLYWOOD." >> YES 339 00:23:03,083 --> 00:23:08,321 >> THIS IS MIKEY ALFRED. >> MIKEY ALFRED. YEAH, I DID THIS MOVIE, I LIKE 340 00:23:08,321 --> 00:23:12,592 THIS YOUNG FILMMAKER HE'S A YOUNG KID AND HE COMES FROM THE SKATEBOARD CULTURE AND 341 00:23:12,592 --> 00:23:16,529 HE HAD LIKE A COMING OF AGE MOVIE AND I WAS JUST REALLY IMPRESSED WITH HIM 342 00:23:16,529 --> 00:23:20,900 SO I SAID THAT I WOULD DO THE MOVIE. SO, I'M GLAD THAT I DID IT 343 00:23:20,900 --> 00:23:22,869 IT'S A NICE LITTLE MOVIE THAT HE MADE. HE'S A FIRST TIME DIRECTOR 344 00:23:22,869 --> 00:23:26,473 AND IT'S LIKE THIS WHOLE SKATEBOARDING CULTURE THAT WAS VERY INTERESTING 345 00:23:26,473 --> 00:23:29,342 >> Jimmy: IS IT ABOUT HIS LIFE >> IT IS IT'S SORT OF BASED ON HIS LIFE, 346 00:23:29,342 --> 00:23:31,945 YES. IT'S SORT OF BASED ON HIS, KIND OF, GROWING UP SKATEBOARDING 347 00:23:31,945 --> 00:23:39,152 AND MAKING A DECISION TO PURSUE THAT >> Jimmy: VINCE, I WANTED TO 348 00:23:39,152 --> 00:23:42,555 ASK YOU -- YOU ACT IN A LOT OF MOVIES, YOU PRODUCE MOVIES AND I WAS WONDERING IF YOU 349 00:23:42,555 --> 00:23:49,696 WOULD PLAY A GAME WITH ME THAT IS ABOUT - >> YES, I'LL PLAY A GAME AS 350 00:23:49,696 --> 00:23:54,567 LONG AS IT DOESN'T INVOLVE INVESTING IN HORSES OR THINGS OF THAT NATURE 351 00:23:54,567 --> 00:23:57,404 >> Jimmy: WE'LL TALK ABOUT THAT OVER THE COMMERCIAL BREAK. WE'LL DISCUSS. 352 00:23:57,404 --> 00:23:59,372 >> OKAY. >> Jimmy: ALL RIGHT. GOOD 353 00:23:59,372 --> 00:24:01,474 MORE WITH VINCE VAUGHN WE'RE GOING TO PLAY "FIVE SECOND SUMMARIES" AFTER THE 354 00:24:01,474 --> 00:24:03,309 BREAK. COME ON BACK POCO BUENO 355 00:24:03,309 --> 00:24:29,102 >> POCO BUENO! * >> Jimmy: HEY, GUYS, WELCOME 356 00:24:29,102 --> 00:24:31,204 BACK WE ARE HANGING OUT WITH VINCE VAUGHN 357 00:24:31,204 --> 00:24:34,674 [ CHEERS AND APPLAUSE COME ON NOW. I HAD THIS IDEA FOR THIS GAME. 358 00:24:34,674 --> 00:24:37,077 YOU'VE BEEN IN SO MANY GREAT MOVIES ALRIGHT? 359 00:24:37,077 --> 00:24:40,347 I WANTED TO SEE IF YOU'RE A BIG ENOUGH FAN OF MOVIES THAT YOU CAN SUMMARIZE A MOVIE IN JUST 360 00:24:40,347 --> 00:24:43,750 FIVE SECONDS IT'S TIME FOR "FIVE SECOND SUMMARIES. 361 00:24:43,750 --> 00:24:44,250 SUMMARIES. HERE WE GO 362 00:24:45,418 --> 00:24:46,086 * ONE TWO THREE 363 00:24:46,086 --> 00:24:51,491 FOUR FIV SECOND SUMMARIES * 364 00:24:51,491 --> 00:24:53,593 >> Jimmy: HERE'S HOW THE GAME WORKS. WE'LL BE GIVEN THE NAME OF A 365 00:24:53,593 --> 00:24:55,562 A MOVIE. IT'LL POP UP ON YOUR ZOOM SCREEN 366 00:24:55,562 --> 00:24:59,165 >> YEP >> Jimmy: AND AS SOON AS YOU SEE THE TITLE IN YOUR PROMPTER, 367 00:24:59,165 --> 00:25:02,669 YOU WILL HAVE FIVE SECONDS TO DESCRIBE THE PLOT, THE BEST WAY YOU CAN, AND TRY TO MAKE ME 368 00:25:02,669 --> 00:25:06,139 GUESS WHAT IT IS YOU CAN'T USE ANY WORDS IN THE TITLE, ACTORS' NAMES OR CATCH 369 00:25:06,139 --> 00:25:09,242 PHRASES. YOU'RE JUST DESCRIBING THE PLOT OF THE MOVIE 370 00:25:09,242 --> 00:25:12,812 DOES THAT SOUND GOOD >> OKAY. YEAH, YEAH 371 00:25:12,812 --> 00:25:15,448 LET'S GIVE IT A SHOT >> Jimmy: ALL RIGHT, YOU'RE MY GUEST, VINCE, SO PLEASE, YOU'RE 372 00:25:15,448 --> 00:25:18,385 UP FIRST LET'S PUT FIVE SECONDS ON THE CLOCK. 373 00:25:18,385 --> 00:25:21,688 TAKE A LOOK AT THE MOVIE IN YOUR PROMPTER. AND WHENEVER YOU'RE READY. 374 00:25:21,688 --> 00:25:24,858 >> OKAY, GO. HAUNTED HOTEL, FAMILY, DAD CHOPS DOWN THE DOOR WITH AN 375 00:25:24,858 --> 00:25:27,594 AXE. >> Jimmy: "AMITYVILLE HORROR?" OH, NO 376 00:25:27,594 --> 00:25:30,096 [ BUZZER ] IT'S THE ONE WITH JACK NICHOLSON 377 00:25:30,096 --> 00:25:31,831 "THE SHINING." [ DING ] "THE SHINING." 378 00:25:31,831 --> 00:25:33,600 SORRY. >> THAT'S RIGHT. THAT'S RIGHT 379 00:25:33,600 --> 00:25:36,436 >> Jimmy: I'M ALLOWED TO SPEAK I'M ALLOWED TO ANSWER LONGER THAN FIVE SECONDS. 380 00:25:36,436 --> 00:25:39,172 >> THAT WAS A BROAD -- THAT WAS A BROAD DESCRIPTION IT COULD HAVE BEEN EITHER ONE. 381 00:25:39,172 --> 00:25:42,442 IT WAS JUST A -- IT WAS JUST A -- [ LAUGHTER ] 382 00:25:42,442 --> 00:25:44,844 >> Jimmy: ALRIGHT, HERE WE GO. CAN I HAVE FIVE SECONDS ON THE CLOCK. 383 00:25:44,844 --> 00:25:48,348 OH, OKAY YEP. OKAY 384 00:25:48,348 --> 00:25:50,750 READY? GO THERE'S A GUY LIVING IN HIS 385 00:25:50,750 --> 00:25:54,688 BASEMENT [ LAUGHTER ] [ BUZZER ] 386 00:25:54,688 --> 00:26:01,461 >> A GUY LIVING IN HIS BASEMENT I HAVE NO ANSWER FOR THIS. 387 00:26:01,461 --> 00:26:04,030 [ LAUGHTER ] >> Jimmy: THAT'S NOT TRUE. YOU HAVE TO HAVE AN ANSWER FOR 388 00:26:04,030 --> 00:26:07,267 IT THERE'S A GUY LIVING IN HIS BASEMENT 389 00:26:07,267 --> 00:26:10,870 >> THERE'S A GUY, AND HE'S LIVING IN HIS BASEMENT THAT'S WHERE HE LIVES. 390 00:26:10,870 --> 00:26:13,940 [ LAUGHTER ] THAT HAPPENS TO BE A HOME FOR HIM. 391 00:26:13,940 --> 00:26:19,612 THIS IS AN UNDER FIVE-SECOND DESCRIPTION OF A MOVIE THAT ONE MIGHT KNOW 392 00:26:19,612 --> 00:26:21,581 >> Jimmy: YEAH, THAT IS CORRECT. >> AND THAT DESCRIPTION IS THAT 393 00:26:21,581 --> 00:26:24,084 THERE'S A GENTLEMAN LIVING IN HIS BASEMENT THAT'S THE BEST DESCRIPTION. 394 00:26:24,084 --> 00:26:29,122 [ LAUGHTER ] THAT'S THE PREMISE THAT WE'RE WORKING WITH 395 00:26:29,122 --> 00:26:31,758 WE HAVE FIVE SECONDS TO ANSWER THIS QUESTION. I HOPE THAT THAT'S CLEAR TO 396 00:26:31,758 --> 00:26:34,260 YOU. I WILL SAY, UM, ALTHOUGH HE WASN'T LIVING IN A BASEMENT, 397 00:26:34,260 --> 00:26:36,429 BUT HE WAS SORT OF ISOLATED. I'LL SAY "BEING THERE," FOR THE BUZZ 398 00:26:36,429 --> 00:26:38,732 [ BUZZER ] >> Jimmy: SORRY. >> YEAH, THAT'S WRONG. 399 00:26:38,732 --> 00:26:41,067 >> Jimmy: "PARASITE. >> "PARASITE." I SADLY NEVER SAW "PARASITE. 400 00:26:41,067 --> 00:26:46,172 [ LAUGHTER ] >> Jimmy: ALRIGHT, THERE YOU GO 401 00:26:46,172 --> 00:26:48,675 >> BUT YOU KNOW WHAT THAT'S A TERRIFIC -- I BET IT'S A TERRIFIC DESCRIPTION, AND I'M 402 00:26:48,675 --> 00:26:54,714 GOING TO TAKE THE FULL BLAME FOR "PARASITE" NOT BEING ANSWERED 403 00:26:54,714 --> 00:26:56,816 >>Jimmy: NO, NO, NO, I THINK - >> WELL NO, I AM, BECAUSE IF I WOULD HAVE SEEN "PARASITE --" 404 00:26:56,816 --> 00:26:58,485 >> Jimmy: I JUST RUINED THE MOVIE FOR YOU I THINK. >> IT WAS IMPOSSIBLE FOR ME TO 405 00:26:58,485 --> 00:27:05,025 GET THAT CORRECT, AND YOU DESERVED BETTER, JIMMY I FEEL LIKE -- 406 00:27:05,025 --> 00:27:06,926 >> Jimmy: THAT'S UNBELIEVABLE. [ CHEERS AND APPLAUSE SEE, THAT'S UNBELIEVABLE 407 00:27:06,926 --> 00:27:08,695 THAT'S THE KIND OF - HE GIVES, AND HE GIVES, AND HE GIVES. 408 00:27:08,695 --> 00:27:11,031 >> GUESS WHAT? SOMETIMES YOU START SLOW, BUT IT'S NOT OVER. 409 00:27:11,031 --> 00:27:13,033 TOMORROW'S A NEW DAY LET'S GO THREE SECONDS. 410 00:27:13,033 --> 00:27:15,135 HERE WE GO >> Jimmy: WE'RE MAKING IT A LITTLE TIGHTER 411 00:27:15,135 --> 00:27:17,671 THREE SECONDS ON THE CLOCK VINCE VAUGHN IS UP VINCE, WHENEVER YOU'RE READY, 412 00:27:17,671 --> 00:27:21,041 SAY "GO. >> GO. GIANT APE ROYALTY, FIGHTS GIANT 413 00:27:21,041 --> 00:27:24,511 LIZARD >> Jimmy: GODZILLA VERSUS KONG [ BUZZER ] 414 00:27:24,511 --> 00:27:30,216 [ DING ] WOW, THAT WAS SO FAST! >> THAT WAS RIGHT. 415 00:27:30,216 --> 00:27:34,154 THIS IS THE COMEBACK THIS IS HOW WE SPELL REDEMPTION 416 00:27:34,154 --> 00:27:36,056 >> Jimmy: ALL RIGHT. HERE WE GO I GOT THREE SECONDS FOR THIS 417 00:27:36,056 --> 00:27:38,091 ONE? OH, NO, NO >> HOPEFULLY I'VE SEEN IT. 418 00:27:38,091 --> 00:27:40,060 >> Jimmy: YEAH, I KNOW, I DON'T KNOW >> HOPEFULLY I'VE SEEN IT. 419 00:27:40,060 --> 00:27:42,128 >> Jimmy: ALL RIGHT, READY HERE WE GO >> HERE WE GO. 420 00:27:42,128 --> 00:27:46,099 >> Jimmy: GO WHITE FISHERMAN'S SWEATER. [ LAUGHTER ] 421 00:27:46,099 --> 00:27:52,839 [ BUZZER ] [ CHEERS AND APPLAUSE >> FISHERMAN'S SWEATER 422 00:27:52,839 --> 00:27:56,242 >> Jimmy: YES. >> IT'S THE SWEATER OF A A FISHERMAN, AND THE COLOR OF 423 00:27:56,242 --> 00:27:59,512 THIS SWEATER HAPPENS TO BE WHITE. >> Jimmy: YEP. 424 00:27:59,512 --> 00:28:03,149 KIND OF STOLE THE MOVIE A LITTLE BIT >> I THINK ONCE AGAIN YOU'VE 425 00:28:03,149 --> 00:28:05,318 GIVEN A TERRIFIC, TERRIFIC, TERRIFIC - [ LAUGHTER ] 426 00:28:05,318 --> 00:28:09,122 >> Jimmy: YOU THINK SO >> I THINK YOU GIVEN A A TERRIFIC -- BUT I'M AFRAID I 427 00:28:09,122 --> 00:28:11,024 MAY NOT HAVE SEEN THIS MOVIE I MIGHT HAVE BEEN IN MY LIBRARY READING BEN FRANKLIN'S 428 00:28:11,024 --> 00:28:20,400 BIOGRAPHY. >> Jimmy: OH MY GOD. >> Jimmy: WHAT IF I SAID IT 429 00:28:20,400 --> 00:28:25,905 WITH THIS ACCENT [ CHEERS ] >> THEN I WOULD THINK IT'S 430 00:28:25,905 --> 00:28:28,708 PROBABLY THE BEST CLUE EVER GIVEN IF SOMEONE HAD SEEN THE MOVIE ONCE AGAIN 431 00:28:28,708 --> 00:28:31,211 [ LAUGHTER ] AND THIS IS NOW AN UNCOMFORTABLE MOMENT 432 00:28:31,211 --> 00:28:33,847 [ LAUGHTER ] >> Jimmy: IT WAS CHRIS EVANS WAS WEARING THE SWEATER, AND 433 00:28:33,847 --> 00:28:36,916 THE MOVIE WAS "KNIVES OUT. >> "KNIVES OUT." AND IT'S PROBABLY A FANTASTIC 434 00:28:36,916 --> 00:28:40,086 MOVIE -- [ LAUGHTER ] AND UNDOUBTEDLY -- AND 435 00:28:40,086 --> 00:28:46,059 UNDOUBTEDLY CHRIS EVAN'S DAZZLED IN THAT MOVIE. >> Jimmy: FINAL ROUND, WE'RE 436 00:28:46,059 --> 00:28:48,061 GOING TO PUT ONE SECOND ON THE CLOCK. >> FINAL ROUND 437 00:28:48,061 --> 00:28:50,397 >> Jimmy: ONE SECOND YOU HAVE TO SUMMARIZE THE MOVIE IN ONE SECOND. 438 00:28:50,397 --> 00:28:56,469 WHENEVER YOU'RE READY. >> GO. DATING, WINE, CALIFORNIA 439 00:28:56,469 --> 00:29:00,507 >> Jimmy: DATING, WINE, CALIFORNIA DATING, WINE, CALIFORNIA 440 00:29:00,507 --> 00:29:08,281 ALL RIGHT, SO IF I WAS DATING SOMEBODY - IT'S LIKE SONOMA - 441 00:29:08,281 --> 00:29:11,885 >> YOU'RE PUTTING YOURSELF IN THE MOMENT I LIKE THIS. 442 00:29:11,885 --> 00:29:15,922 >> Jimmy: OH, IS IT, "EAT, PRAY, LOVE?" NO, DATING, NOPE 443 00:29:15,922 --> 00:29:18,224 THAT WASN'T CALIFORNIA THAT WAS ITALY DATING, WINE, IS IT THE ONE 444 00:29:18,224 --> 00:29:24,664 WITH PAUL GIAMONTE >> THAT'S CORRECT. >> Jimmy: THAT'S CORRECT 445 00:29:24,664 --> 00:29:27,600 >> THAT'S CORRECT. * [ CHEERS AND APPLAUSE 446 00:29:27,600 --> 00:29:31,805 "SIDEWAYS. >> Jimmy: "SIDEWAYS! YES! 447 00:29:31,805 --> 00:29:34,174 >> HAVE YOU SEEN "SIDEWAYS?" >>Jimmy: YES, I DID. I SAW "SIDEWAYS. 448 00:29:34,174 --> 00:29:37,577 YES. >> Jimmy: WE HAVE ONE MORE SHOT AT - 449 00:29:37,577 --> 00:29:40,046 >> WE HAVE ONE MORE SHOT AT BEING WHO WE ARE, WHICH IS A A TERRIFIC TANDEM. 450 00:29:40,046 --> 00:29:44,050 LET'S GIVE IT A GO >> Jimmy: ONE SECOND ON THE CLOCK. 451 00:29:44,050 --> 00:29:48,555 WE'VE GOT THIS I KNOW WE HAVE IT. >> THAT'S ALL WE NEED. 452 00:29:48,555 --> 00:29:50,457 >> Jimmy: READY FOR THIS >> YES >> Jimmy: GO 453 00:29:50,457 --> 00:29:55,395 MOUSE CHEF [ APPLAUSE ] >> MOUSE CHEF IS A LITTLE FILM 454 00:29:55,395 --> 00:30:00,633 THAT WENT BY THE NAME OF "RATATOUILLE." >> Jimmy: YES. 455 00:30:00,633 --> 00:30:07,073 [ CHEERS AND APPLAUSE * MY THANKS TO VINCE VAUGHN. 456 00:30:07,073 --> 00:30:09,275 STICK AROUND WE'LL BE RIGHT BACK WITH MORE "TONIGHT SHOW," EVERYBODY. 457 00:30:09,275 --> 00:30:26,926 COME ON. [ CHEERS AND APPLAUSE * 458 00:30:26,926 --> 00:30:29,329 >> Jimmy: YOU KNOW OUR NEXT GUEST FROM "SATURDAY NIGHT LIVE." 459 00:30:29,329 --> 00:30:32,499 SHE ALSO PRODUCES, WRITES AND STARS IN THE SHOW "SHRILL. ALL EPISODES OF THE THIRD AND 460 00:30:32,499 --> 00:30:35,035 FINAL SEASON WILL BE ON HULU THIS FRIDAY. EVERYONE, PLEASE WELCOME 461 00:30:35,035 --> 00:30:41,107 EVERYONE, PLEASE WELCOME AIDY BRYANT! 462 00:30:41,841 --> 00:30:57,424 * 463 00:30:57,424 --> 00:31:00,160 [ CHEERS AND APPLAUSE >> Jimmy: THAT'S GOT TO FEEL GOOD, RIGHT? 464 00:31:00,160 --> 00:31:04,964 >> OH, SO NICE >> Jimmy: AIDY >> WOW, IT'S REALLY NICE TO 465 00:31:04,964 --> 00:31:07,467 HAVE A CROWD >> Jimmy: IT'S AMAZING, RIGHT? >> YEAH. 466 00:31:07,467 --> 00:31:12,605 >> Jimmy: AS A PERFORMER, IT'S EVERYTHING >> YOU NEED THEM 467 00:31:12,605 --> 00:31:15,542 >> Jimmy: IT'S EVERYTHING. >> WE NEED YOU >> Jimmy: YEAH, WE TOTALLY DO. 468 00:31:15,542 --> 00:31:18,211 THANK YOU SO MUCH FOR COMING ON THE SHOW I KNOW YOU'RE BUSY 469 00:31:18,211 --> 00:31:22,148 YOU'VE GOT A NEW SHOW THIS SATURDAY I'VE GOT TO SAY YOU'RE CRUSHING 470 00:31:22,148 --> 00:31:24,517 IT THIS SEASON >> OH THANKS >> Jimmy: AND I WILL SAY THAT 471 00:31:24,517 --> 00:31:27,087 MY FAVORITE THING, SO FAR, THAT YOU'RE DOING NOW, THIS NEW CHARACTER YOU'RE DOING, 472 00:31:27,087 --> 00:31:29,422 TED CRUZ [ LAUGHTER ] THIS IS WHEN HE CAME BACK FROM 473 00:31:29,422 --> 00:31:36,996 CANCUN >> YEAH. [ LAUGHTER ] 474 00:31:36,996 --> 00:31:39,632 >> Jimmy: DID YOU KNOW YOU HAD A TED CRUZ IN YOU? AND WHAT - 475 00:31:39,632 --> 00:31:44,104 >> I STILL AM AMAZED THAT I'M FINDING HIM EVERY DAY IN THERE [ LAUGHTER ] 476 00:31:44,104 --> 00:31:49,142 NO I DIDN'T KNOW. AND ALSO -- YOU KNOW, NORMALLY, 477 00:31:49,142 --> 00:31:51,911 LIKE SOMETIMES DURING THE WEEK YOU HAVE AN IDEA THAT AN IMPRESSION IS COMING UP, AND 478 00:31:51,911 --> 00:31:57,217 HIM IN PARTICULAR, IT KIND OF SPRUNG UP ON US ON FRIDAY. AND SO SATURDAY MORNING, I WENT 479 00:31:57,217 --> 00:32:04,424 IN AND THEY WERE LIKE, "YOU'RE TED CRUZ OKAY." 480 00:32:04,424 --> 00:32:06,960 >> Jimmy: REALLY >> YEAH, AND SO I JUST WAS LIKE, "OKAY, I'LL PUT SOMETHING 481 00:32:06,960 --> 00:32:09,362 TOGETHER." AND THEN I FELT LIKE, "OKAY, WELL, THAT'LL BE MY ONLY TIME I 482 00:32:09,362 --> 00:32:11,097 DID TED CRUZ." AND THEN IT WAS WEEK AFTER WEEK 483 00:32:11,097 --> 00:32:12,832 THEY WERE LIKE, "GET THE BEARD OUT. >> Jimmy: "GET THE BEARD BACK 484 00:32:12,832 --> 00:32:15,902 OUT. PEOPLE WANT TO HEAR THE HITS TED CRUZ." 485 00:32:15,902 --> 00:32:20,073 YEAH, EXACTLY. >> YEAH. >> Jimmy: CAUSE YOU'RE DOING 486 00:32:20,073 --> 00:32:22,342 THAT AS WELL AS "SHRILL. >> YEAH. >> Jimmy: WHICH, BY THE WAY, 487 00:32:22,342 --> 00:32:24,244 CONGRATULATIONS. IT COMES OUT ON FRIDAY [ CHEERS AND APPLAUSE 488 00:32:24,244 --> 00:32:29,683 BUT -- ALL THE EPISODES ON FRIDAY >> YEAH. 489 00:32:29,683 --> 00:32:32,185 >> Jimmy: BUT FRIDAY IS ALSO YOUR BIRTHDAY, BY THE WAY. >> I KNOW. 490 00:32:32,185 --> 00:32:34,921 >> Jimmy: HAPPY BIRTHDAY * [ CHEERS AND APPLAUSE 491 00:32:34,921 --> 00:32:39,959 HAPPY, HAPPY BIRTHDAY! >> YOU KNOW, YEAH. IT'S A LOT OF ATTENTION FOR ME 492 00:32:39,959 --> 00:32:47,600 ON ONE DAY, I THINK. I'M SCARED THAT I'LL NEVER BE THE SAME AFTERWARDS. 493 00:32:47,600 --> 00:32:50,136 >> Jimmy: YEAH, I MEAN, YOU COULDN'T PLAN THIS IF YOU PLANNED IT FOUR YEARS IN 494 00:32:50,136 --> 00:32:55,608 ADVANCE. >> NO. NO, IT WAS NOT MY IDEA 495 00:32:55,608 --> 00:32:58,611 I WANT PEOPLE TO KNOW THAT THEY JUST CHOSE THE DATE, AND I WAS LIKE, "THAT'S MY BIRTHDAY. 496 00:32:58,611 --> 00:33:00,146 AND THEY WERE LIKE, "OKAY, WE DON'T CARE." [ LAUGHTER ] 497 00:33:00,146 --> 00:33:02,816 >> Jimmy: THIS SEASON, I KNOW THERE WAS AN EPISODE WHERE YOU HAD TO LEARN THE ELECTRIC 498 00:33:02,816 --> 00:33:04,317 SLIDE. >> YEAH. YEAH 499 00:33:04,317 --> 00:33:06,853 >> Jimmy: AND YOU WERE TALKING TO ME ABOUT THIS NOW, WHY DID IT BOTHER YOU 500 00:33:06,853 --> 00:33:11,057 OR NOT BOTHER YOU, BUT WHY IS IT STILL IN YOUR BRAIN >> NO, I THINK IT BECAME A BIG 501 00:33:11,057 --> 00:33:14,828 MOMENT FOR ME IN MY LIFE >> Jimmy: ALRIGHT, EXPLAIN THIS TO ME. 502 00:33:14,828 --> 00:33:20,667 >> WELL, YOU KNOW, YOU THINK YOU KNOW THE ELECTRIC SLIDE, DON'T YOU? 503 00:33:20,667 --> 00:33:23,803 >> Jimmy: OF COURSE. YEAH, WE ALL KNOW IT >> YOU'VE ALL BEEN TO A WEDDING 504 00:33:23,803 --> 00:33:26,373 OR A BAR MITZVAH YOU KNOW THE ELECTRIC SLIDE. >> Jimmy: YES. 505 00:33:26,373 --> 00:33:30,076 >> WELL, SO WE WROTE IT INTO THE SHOW IT WAS LIKE, "OKAY, THIS GIRLS 506 00:33:30,076 --> 00:33:32,212 NIGHT OUT. THE FOUR GIRLS ARE GOING TO DO THE ELECTRIC SLIDE." 507 00:33:32,212 --> 00:33:34,314 AND THE DIRECTOR, CARRIE BROWNSTEIN WAS LIKE, "I THINK WE SHOULD GET 508 00:33:34,314 --> 00:33:37,717 A CHOREOGRAPHER JUST SO YOU GUYS LOOK REALLY TIGHT AND ALL TOGETHER." 509 00:33:37,717 --> 00:33:41,388 AND IN MY MIND I WAS LIKE, "OKAY, LADY. WE DON'T NEED A CHOREOGRAPHER. 510 00:33:41,388 --> 00:33:45,992 WE KNOW IT." >> Jimmy: YEAH, IT'S THE ELECTRIC SLIDE 511 00:33:45,992 --> 00:33:47,861 >> AND SO THEY GOT THE CHOREOGRAPHER, AND IT JUST SO HAPPENED THAT, LIKE, WHEN WE 512 00:33:47,861 --> 00:33:50,597 WERE SUPPOSED TO REHEARSE, I HAD AN ISSUE WITH MY COSTUME SO THE OTHER GIRLS WENT AND 513 00:33:50,597 --> 00:33:54,934 REHEARSED. AND THEN RIGHT WHEN I COULD JOIN THEM, THEY WERE DONE. 514 00:33:54,934 --> 00:34:00,640 AND THEN IT WAS JUST ME, AND A A PROFESSIONAL CHOREOGRAPHER IN A HUGE ROOM. 515 00:34:00,640 --> 00:34:05,845 AND IT WAS LIKE, DO THE ELECTRIC SLIDE [ LIGHT LAUGHTER ] 516 00:34:05,845 --> 00:34:08,415 AND IT WAS THE MOST INTIMATE, RAW, NIGHTMARISH PANIC I'VE EVER FELT IN MY ENTIRE LIFE. 517 00:34:08,415 --> 00:34:15,922 AND SUDDENLY I FOUND MYSELF BEING LIKE, "WHAT IS THE GRAPEVINE? 518 00:34:15,922 --> 00:34:21,494 WHAT IS A LITTLE SHIMMY? LIKE, I'M RAW TERROR LOOKING INTO THIS MAN'S EYES 519 00:34:21,494 --> 00:34:23,797 >> Jimmy: I'VE DONE THIS A A MILLION TIMES. LIKE, "IS THIS THE ELECTRIC 520 00:34:23,797 --> 00:34:26,666 SLIDE? >> SO THEN, I THINK BECAUSE OF THAT, HE WAS LIKE, "THIS WOMAN 521 00:34:26,666 --> 00:34:32,872 DOESN'T KNOW THE ELECTRIC SLIDE. SHE NEEDS EXTRA HELP." 522 00:34:32,872 --> 00:34:34,607 I WOULD SAY FOR 20 MINUTES, I QUIETLY DID THE ELECTRIC SLIDE FOR A PROFESSIONAL 523 00:34:34,607 --> 00:34:41,514 CHOREOGRAPHER. PROBABLY TEN TIMES IN A ROW. SOLO ELECTRIC SLIDE. 524 00:34:41,514 --> 00:34:48,188 IT WILL CHILL YOU TO YOUR -- [ CHEERS AND APPLAUSE BUT I SURVIVED 525 00:34:48,188 --> 00:34:51,224 >> Jimmy: YOU SURVIVED >> IT LOOKED GREAT ON CAMERA OH, WOW. 526 00:34:51,224 --> 00:34:53,760 >> Jimmy: YOU FILMED THE SHOW IN AND AROUND PORTLAND GOSH 527 00:34:53,760 --> 00:34:56,629 >> YEAH, IT'S THE BEST >> Jimmy: THAT'S A COOL PLACE. >> AND IT'S SUCH A COOL TOWN TO 528 00:34:56,629 --> 00:35:02,535 EXPLORE, AND WE WENT ALL THESE AREAS AROUND IT. WE WENT TO THE BEACH 529 00:35:02,535 --> 00:35:06,806 WE WENT TO THIS CATTLE RANCH WE SHOT ON. >> Jimmy: OH YEAH. 530 00:35:06,806 --> 00:35:12,045 >> AND THERE'S LIKE A SCENE WHERE WE SHOT AT THIS FULL WORKING CATTLE RANCH 531 00:35:12,045 --> 00:35:15,915 AND WE THOUGHT IT WOULD BE FUNNY TO WRITE IN THAT A CHILD ON AN ATV COMES, AND PICKS ME 532 00:35:15,915 --> 00:35:20,253 UP AND TAKES ME ACROSS THE CATTLE RANCH BUT I DIDN'T REALIZE THAT MEANT 533 00:35:20,253 --> 00:35:25,692 ACTUALLY A CHILD WOULD DRIVE ME ON A ATV ACROSS A CATTLE RANCH >> Jimmy: WE ACTUALLY HAVE A 534 00:35:25,692 --> 00:35:28,628 A CLIP OF THE SCENE YOU'RE TALKING ABOUT. HERE'S AIDY BRYANT IN THE NEW 535 00:35:28,628 --> 00:35:29,896 SEASON OF "SHRILL" ON HULU, TAKE A LOOK. 536 00:35:32,632 --> 00:35:46,579 >> HI. I'M HERE TO MEET CLARA PICKETT OKAY 537 00:35:46,579 --> 00:35:51,818 SORRY, I'VE NEVER BEEN ON ONE OF THESE, SO I'M GOING TO GRAB ON THERE 538 00:35:51,818 --> 00:35:57,223 OKAY JUST GIVE ME ONE OF THESE. OKAY 539 00:35:57,223 --> 00:36:05,699 OKAY IS IT OKAY IF I PUT MY HANDS ON YOUR BACK HERE 540 00:36:05,699 --> 00:36:14,774 LITTLE SUPPORT FROM A CHILD. OKAY WHOA 541 00:36:14,774 --> 00:36:16,409 ALL RIGHT. SO I'M GOOD TO LEAVE MY CAR THERE? 542 00:36:16,409 --> 00:36:22,282 I WILL OKAY 543 00:36:22,816 --> 00:36:24,484 [ CHEERS AND APPLAUSE >> Jimmy: COME ON -- >> COME ON 544 00:36:24,484 --> 00:36:27,053 >> Jimmy: HAPPY EARLY BIRTHDAY AIDY BRYANT, EVERYBODY ALL EPISODES OF THE THIRD AND 545 00:36:27,053 --> 00:36:29,422 FINAL SEASON OF "SHRILL" WILL BE ON HULU THIS FRIDAY WE'LL BE RIGHT BACK WITH A 546 00:36:29,422 --> 00:36:31,925 A PERFORMANCE FROM GIRL IN RED STICK AROUND COME ON BACK 547 00:36:31,925 --> 00:36:54,114 [ CHEERS AND APPLAUSE * >> Jimmy: MAKING HER TV DEBUT, 548 00:36:54,114 --> 00:37:02,122 PERFORMING "SEROTONIN" FROM HER ALBUM, "IF I COULD MAKE IT GO QUIET," HERE IS GIRL IN RED. 549 00:37:02,122 --> 00:37:02,155 ALBUM, "IF I COULD MAKE IT GO QUIET," HERE IS GIRL IN RED. 550 00:37:26,046 --> 00:37:27,047 * I'M RUNNING LOW 551 00:37:27,047 --> 00:37:32,485 ON SEROTONIN CHEMICAL IMBALANCE GOT ME TWISTING THINGS * 552 00:37:32,485 --> 00:37:38,391 * STABILIZE WITH MEDICINE BUT THERE'S NO DEPTH TO THESE FEELINGS * 553 00:37:38,391 --> 00:37:45,498 * DIG DEEP, CAN'T HID FROM THE CORNERS OF MY MIN I'M TERRIFIE 554 00:37:45,498 --> 00:37:52,272 OF WHAT'S INSIDE * * I GET INTRUSIVE THOUGHT LIKE CUTTING MY HANDS OFF * 555 00:37:52,272 --> 00:37:56,209 * LIKE JUMPIN IN FRONT OF A BU LIKE HOW D 556 00:37:56,209 --> 00:37:58,812 I MAKE THIS STOP * * WHEN IT FEELS LIK MY THERAPIST HATES M 557 00:37:58,812 --> 00:38:01,348 PLEASE DON'T LET ME GO CRAZY * * PUT ME IN A 558 00:38:01,348 --> 00:38:04,084 FIELD WITH DAISIES MIGHT NOT WORK BUT I'LL TAKE A MAYBE * 559 00:38:04,084 --> 00:38:07,253 * OH BEEN BREAKING DAIL BUT ONLY ME CAN SAVE M SO I'M CAPITULATIN 560 00:38:07,253 --> 00:38:13,026 CRYING LIKE A BABY * * I DON'T WANNA MISS IT BA-D 561 00:38:13,026 --> 00:38:16,096 I DON'T WANNA BE SICK AH-DA * * I DON'T 562 00:38:16,096 --> 00:38:18,398 LA-BA-DEH-DEH-BA-DEH DA-DA-DA-BRRRRAH-LA-DA-DA * * I'M RUNNING 563 00:38:18,398 --> 00:38:24,404 LOW ON SEROTONIN CHEMICAL IMBALANCE GOT ME TWISTING THINGS * 564 00:38:24,404 --> 00:38:31,277 * STABILIZE WITH MEDICINE BUT THERE'S NO DEPTH TO THESE FEELINGS * 565 00:38:31,277 --> 00:38:36,783 * DIG DEEP, CAN'T HID FROM THE CORNERS OF MY MIND * 566 00:38:36,783 --> 00:38:45,959 * I'M TERRIFIED OF WHAT'S INSIDE * * I GET INTRUSIVE THOUGHT 567 00:38:45,959 --> 00:38:50,230 LIKE BURNING MY HAIR OFF * * LIKE HURTIN SOMEBODY I LOV 568 00:38:50,230 --> 00:38:52,399 LIKE DOES IT EVER REALLY STOP * * WHEN THERE'S CONTRO 569 00:38:52,399 --> 00:38:56,336 I LOSE I INCREDIBLY IMPULSIVE * * SO SCARED I'M GONNA 570 00:38:56,336 --> 00:38:59,072 END UP DOING SOMETHING STUPI BUT I TRY TO CONTAIN I OH, IT GETS SO DRAINING * 571 00:38:59,072 --> 00:39:02,242 * IT'S LIKE M HEART IS FAILING EVERY NIGH 572 00:39:02,242 --> 00:39:04,310 I'M CONTEMPLATING * * MY INNER VOICES SAYING, TOUG 573 00:39:04,310 --> 00:39:08,048 SO I TRY TO BRUSH IT OFF YEAH, TRY TO BRUSH IT OFF * * I'M RUNNING LOW 574 00:39:08,048 --> 00:39:15,789 ON SEROTONIN CHEMICAL IMBALANCE GOT ME TWISTING THINGS * 575 00:39:15,789 --> 00:39:22,028 * STABILIZE WITH MEDICINE BUT THERE'S NO DEPTH TO THESE FEELINGS * 576 00:39:22,028 --> 00:39:25,865 * DIG DEEP, CAN'T HID FROM THE CORNERS OF MY MIN I'M TERRIFIE 577 00:39:25,865 --> 00:39:48,521 OF WHAT'S INSIDE * * * 578 00:39:48,521 --> 00:39:48,555 * * 579 00:39:48,755 --> 00:40:17,984 * [ CHEERS AND APPLAUSE 580 00:40:17,984 --> 00:40:20,954 >> Jimmy: JOIN US TOMORROW NIGHT. ANDREW GARFIELD AND THE CAST OF 581 00:40:20,954 --> 00:40:24,657 "GIRLS5EVA" WILL BE HERE [ CHEERS AND APPLAUSE PLUS, WE'LL HAVE MUSIC FROM 582 00:40:24,657 --> 00:40:27,293 THOMAS RHETT MY THANKS TO VINCE VAUGHN, AIDY BRYANT, GIRL IN RED, ONCE 583 00:40:27,293 --> 00:40:29,796 AGAIN. [ CHEERS AND APPLAUSE AND THE ROOTS FROM 584 00:40:29,796 --> 00:40:32,098 PHILADELPHIA, PENNSYLVANIA THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH 585 00:40:32,098 --> 00:40:33,933 SETH MEYERS. GOODNIGHT, EVERYBODY [ CHEERS AND APPLAUSE 586 00:40:33,933 --> 00:40:36,336 [ CHEERS AND APPLAUSE *