1 00:00:23,003 --> 00:00:24,015 >> Steve: FROM ROCKEFELLER 2 00:00:23,003 --> 00:00:24,015 CENTER IN THE HEART OF 3 00:00:24,015 --> 00:00:25,015 NEW YORK CITY, IT'S 4 00:00:24,015 --> 00:00:25,015 "THE TONIGHT SHOW STARRING 5 00:00:25,015 --> 00:00:28,026 JIMMY FALLON." 6 00:00:25,015 --> 00:00:28,026 TONIGHT JOIN JIMMY AND HIS 7 00:00:28,026 --> 00:00:30,022 GUESTS - 8 00:00:28,026 --> 00:00:30,022 DAKOTA JOHNSON - 9 00:00:30,022 --> 00:00:34,011 YARA SHAHIDI - 10 00:00:30,022 --> 00:00:34,011 MUSICAL GUEST TATE McRAE 11 00:00:34,011 --> 00:00:35,001 AND FEATURING THE LEGENDARY 12 00:00:35,001 --> 00:00:39,027 ROOTS CREW 13 00:00:37,010 --> 00:00:39,027 AND NOW HERE'S YOUR HOST, 14 00:00:37,026 --> 00:00:39,027 JIMMY FALLON 15 00:00:43,010 --> 00:00:47,011 [ CHEERS AND APPLAUSE 16 00:00:43,010 --> 00:00:47,011 ♪ 17 00:00:47,011 --> 00:00:49,021 [ CHEERS AND APPLAUSE 18 00:00:47,011 --> 00:00:49,021 ♪ 19 00:00:49,021 --> 00:01:02,021 >> Jimmy: THANK YOU VERY MUCH! 20 00:00:49,021 --> 00:01:02,021 WELCOME, EVERYBODY 21 00:01:02,021 --> 00:01:05,024 WELCOME TO THE "TONIGHT SHOW!" 22 00:01:02,021 --> 00:01:05,024 [ CHEERS AND APPLAUSE 23 00:01:05,024 --> 00:01:09,002 THANK YOU FOR WATCHING 24 00:01:05,024 --> 00:01:09,002 [ APPLAUSE ] 25 00:01:09,002 --> 00:01:10,004 WELL, GUYS, IT IS THE LAST 26 00:01:09,002 --> 00:01:10,004 NIGHT OF DONALD TRUMP'S 27 00:01:10,004 --> 00:01:14,025 PRESIDENCY AND - 28 00:01:10,004 --> 00:01:14,025 [ CHEERS AND APPLAUSE 29 00:01:14,025 --> 00:01:18,023 ♪ 30 00:01:14,025 --> 00:01:18,023 I DON'T KNOW WHAT TOMORROW'S 31 00:01:18,023 --> 00:01:21,009 GONNA FEEL LIKE. 32 00:01:18,023 --> 00:01:21,009 PROBABLY LIKE THAT MOMENT WHEN 33 00:01:21,009 --> 00:01:22,015 THEY PULL THE NASAL SWAB OUT OF 34 00:01:21,009 --> 00:01:22,015 YOUR NOSE. 35 00:01:22,015 --> 00:01:26,020 [ LIGHT LAUGHTER ] 36 00:01:22,015 --> 00:01:26,020 AT LEAST TRUMP IS LEAVING ON 37 00:01:26,020 --> 00:01:28,025 TOP. 38 00:01:26,020 --> 00:01:28,025 I MEAN, WASHINGTON D.C. HAS 39 00:01:28,025 --> 00:01:33,019 NEVER LOOKED MORE BEAUTIFUL. 40 00:01:28,025 --> 00:01:33,019 [ LIGHT LAUGHTER ] 41 00:01:33,019 --> 00:01:34,025 ACTUALLY, THAT HAS NOTHING TO 42 00:01:33,019 --> 00:01:34,025 DO WITH THE RIOTS, THOSE ARE 43 00:01:34,025 --> 00:01:37,000 JUST SOME OF MELANIA'S OLD 44 00:01:34,025 --> 00:01:37,000 CHRISTMAS DECORATIONS. 45 00:01:37,000 --> 00:01:42,012 [ LAUGHTER ] 46 00:01:37,000 --> 00:01:42,012 YEP, ONE MORE NIGHT. 47 00:01:42,012 --> 00:01:43,018 FOR MOST AMERICANS, IT FEELS 48 00:01:42,012 --> 00:01:43,018 LIKE THE NIGHT OF THANKSGIVING 49 00:01:43,018 --> 00:01:44,024 WHEN YOU'RE JUST STARING AT 50 00:01:43,018 --> 00:01:44,024 YOUR AUNT AND UNCLE, THINKING, 51 00:01:44,024 --> 00:01:50,014 "GO HOME." 52 00:01:44,024 --> 00:01:50,014 [ LAUGHTER ] 53 00:01:50,014 --> 00:01:53,013 I THINK EVERYONE IS READY FOR 54 00:01:50,014 --> 00:01:53,013 TRUMP TO MOVE ON 55 00:01:53,013 --> 00:01:55,005 THIS AFTERNOON, EVEN THE 56 00:01:53,013 --> 00:01:55,005 LINCOLN MEMORIAL STOOD UP AND 57 00:01:55,005 --> 00:01:56,028 HELPED TRUMP PACK. 58 00:01:55,005 --> 00:01:56,028 HE'S LIKE, "I GOT IT 59 00:01:56,028 --> 00:01:59,020 I GOT IT." 60 00:01:56,028 --> 00:01:59,020 SOME PEOPLE ARE SAD TO SEE 61 00:01:59,020 --> 00:02:00,029 TRUMP GO 62 00:01:59,020 --> 00:02:00,029 EARLIER TODAY, THE MOVERS SHOOK 63 00:02:00,029 --> 00:02:02,004 HIS HAND AND SAID, "WE HAVE 64 00:02:00,029 --> 00:02:02,004 NEVER MOVED SO MANY PEOPLE OUT 65 00:02:02,004 --> 00:02:04,021 OF THEIR OFFICES IN FOUR YEARS 66 00:02:02,004 --> 00:02:04,021 YOU PUT OUR KIDS THROUGH 67 00:02:04,021 --> 00:02:06,008 COLLEGE. 68 00:02:04,021 --> 00:02:06,008 THANK YOU. 69 00:02:06,008 --> 00:02:10,001 [ LIGHT LAUGHTER ] 70 00:02:06,008 --> 00:02:10,001 IT WAS A TOUCHING SCENE AT THE 71 00:02:10,001 --> 00:02:11,023 WHITE HOUSE TONIGHT, ESPECIALLY 72 00:02:10,001 --> 00:02:11,023 WHEN TRUMP'S FOUR REMAINING 73 00:02:11,023 --> 00:02:14,015 STAFFERS TOASTED HIM BY RAISING 74 00:02:11,023 --> 00:02:14,015 A GLASS OF BLEACH. 75 00:02:14,015 --> 00:02:17,023 [ LIGHT LAUGHTER ] 76 00:02:14,015 --> 00:02:17,023 YEAH TODAY, ALL THE WHITE HOUSE 77 00:02:17,023 --> 00:02:18,027 STAFFERS ARE SIGNING EACH 78 00:02:17,023 --> 00:02:18,027 OTHER'S YEARBOOKS WITH THINGS 79 00:02:18,027 --> 00:02:21,014 LIKE, "KEEP IN TOUCH 80 00:02:18,027 --> 00:02:21,014 FRIENDS FOR LIFE" AND "I WON'T 81 00:02:21,014 --> 00:02:24,019 TESTIFY AGAINST YOU IF YOU 82 00:02:21,014 --> 00:02:24,019 DON'T TESTIFY AGAINST ME!" 83 00:02:24,019 --> 00:02:29,007 [ LIGHT LAUGHTER ] 84 00:02:24,019 --> 00:02:29,007 WELL, TOMORROW MORNING, TRUMP'S 85 00:02:29,007 --> 00:02:31,006 HOLDING A FAREWELL EVENT AT 86 00:02:29,007 --> 00:02:31,006 JOINT BASE ANDREWS 87 00:02:31,006 --> 00:02:32,012 I HEARD THAT EVERYONE WHO'S 88 00:02:31,006 --> 00:02:32,012 INVITED HAS TO BE THERE BY 89 00:02:32,012 --> 00:02:38,029 7:15AM, AND THEY CAN EACH BRING 90 00:02:32,012 --> 00:02:38,029 ALONG FIVE PEOPLE. 91 00:02:38,029 --> 00:02:41,002 YOU KNOW THEY'RE HAVING TROUBLE 92 00:02:38,029 --> 00:02:41,002 FILLING SEATS WHEN THEY OFFER 93 00:02:41,002 --> 00:02:44,013 EVERYBODY A PLUS-FIVE. 94 00:02:41,002 --> 00:02:44,013 [ LAUGHTER ] 95 00:02:44,013 --> 00:02:47,009 NEVER HEARD OF A PLUS-FIVE 96 00:02:44,013 --> 00:02:47,009 [ APPLAUSE ] 97 00:02:47,009 --> 00:02:50,007 "YOU CAN COME IF YOU WANT. 98 00:02:47,009 --> 00:02:50,007 YOU BRING 30 PEOPLE. 99 00:02:50,007 --> 00:02:52,006 BUT IT SOUNDS LIKE A GREAT 100 00:02:50,007 --> 00:02:52,006 PARTY. 101 00:02:52,006 --> 00:02:54,009 I MEAN, GUESTS HAVE TO ARRIVE 102 00:02:52,006 --> 00:02:54,009 BY 7:15 IN THE MORNING ON 103 00:02:54,009 --> 00:02:58,007 A WEDNESDAY, IN THE MIDDLE OF 104 00:02:54,009 --> 00:02:58,007 JANUARY, DURING A PANDEMIC 105 00:02:58,007 --> 00:03:02,021 EVEN CRAIGSLIST ACTORS WERE 106 00:02:58,007 --> 00:03:02,021 LIKE, "PASS. 107 00:03:02,021 --> 00:03:04,017 AND THIS IS TRUE -- THE GUEST 108 00:03:02,021 --> 00:03:04,017 LIST IS SO THIN, EVEN 109 00:03:04,017 --> 00:03:07,015 ANTHONY SCARAMUCCI GOT AN 110 00:03:04,017 --> 00:03:07,015 INVITE 111 00:03:07,015 --> 00:03:08,024 YOU KNOW YOUR PARTY IS 112 00:03:07,015 --> 00:03:08,024 STRUGGLING WHEN IT'S HALF 113 00:03:08,024 --> 00:03:11,013 FAMILY AND HALF STAFF YOU FIRED 114 00:03:08,024 --> 00:03:11,013 FOUR YEARS AGO 115 00:03:11,013 --> 00:03:14,008 [ LIGHT LAUGHTER ] 116 00:03:11,013 --> 00:03:14,008 BUT TODAY, TRUMP RELEASED 117 00:03:14,008 --> 00:03:16,001 A PRE-RECORDED FAREWELL ADDRESS 118 00:03:16,001 --> 00:03:17,022 FROM THE WHITE HOUSE 119 00:03:16,024 --> 00:03:17,022 HERE ARE SOME OF THE 120 00:03:17,007 --> 00:03:17,022 HIGHLIGHTS 121 00:03:19,025 --> 00:03:20,025 POWER OVER TO A NEW 122 00:03:19,025 --> 00:03:20,025 ADMINISTRATION, AT NOON ON 123 00:03:20,025 --> 00:03:22,002 WEDNESDAY, I WANT YOU TO KNOW 124 00:03:20,025 --> 00:03:22,002 THAT THE MOVEMENT WE STARTED IS 125 00:03:22,002 --> 00:03:32,016 ONLY JUST BEGINNING. 126 00:03:22,002 --> 00:03:32,016 WE DID WHAT WE CAME HERE TO DO 127 00:03:32,016 --> 00:03:37,020 AND SO MUCH MORE 128 00:03:32,016 --> 00:03:37,020 THE WORLD RESPECTS US AGAIN. 129 00:03:37,020 --> 00:03:46,019 PLEASE DON'T LOSE THAT RESPECT 130 00:03:37,020 --> 00:03:46,019 >> Jimmy: YEAH 131 00:03:46,019 --> 00:03:49,001 TRUMP SAID, "WE DID WHAT WE 132 00:03:46,019 --> 00:03:49,001 CAME HERE TO DO. 133 00:03:49,001 --> 00:03:51,000 IT'S TRUE, I REMEMBER HIS BIG 134 00:03:49,001 --> 00:03:51,000 CAMPAIGN PROMISE WAS BUILD PART 135 00:03:51,000 --> 00:03:52,022 OF A WALL AND PAY FOR IT 136 00:03:51,000 --> 00:03:52,022 OURSELVES. 137 00:03:52,022 --> 00:03:57,003 [ LIGHT LAUGHTER ] 138 00:03:52,022 --> 00:03:57,003 YEP, TRUMP ALSO SAID, "THE 139 00:03:57,003 --> 00:04:00,004 WORLD RESPECTS US AGAIN. 140 00:03:57,003 --> 00:04:00,004 WHEN HE HEARD, VLADIMIR PUTIN 141 00:04:00,004 --> 00:04:03,011 WAS LIKE, "YES, YES, IS ALWAYS 142 00:04:00,004 --> 00:04:03,011 GOOD TO END WITH JOKE. 143 00:04:03,011 --> 00:04:06,029 [ LAUGHTER ] 144 00:04:03,011 --> 00:04:06,029 [ APPLAUSE ] 145 00:04:06,029 --> 00:04:12,010 CLASSIC BUDDY. 146 00:04:06,029 --> 00:04:12,010 BUT TODAY WASN'T ALL BAD 147 00:04:12,010 --> 00:04:15,027 THERE WAS ACTUALLY SOME NICE 148 00:04:13,009 --> 00:04:15,027 NEWS FOR TRUMP 149 00:04:13,029 --> 00:04:15,027 LISTEN TO THIS 150 00:04:17,004 --> 00:04:18,010 >> PRESIDENT TRUMP'S YOUNGEST 151 00:04:17,004 --> 00:04:18,010 DAUGHTER HAS A BIG 152 00:04:18,010 --> 00:04:19,019 ANNOUNCEMENT 153 00:04:18,010 --> 00:04:19,019 TIFFANY TRUMP IS GETTING 154 00:04:19,019 --> 00:04:20,024 MARRIED. 155 00:04:19,019 --> 00:04:20,024 THE 27-YEAR-OLD TOOK TO 156 00:04:20,024 --> 00:04:22,014 INSTAGRAM TO ANNOUNCE HER HAPPY 157 00:04:20,024 --> 00:04:22,014 NEWS 158 00:04:22,014 --> 00:04:25,000 >> Jimmy: TRUMP WAS SO SWEET 159 00:04:22,014 --> 00:04:25,000 HE WAS LIKE, "THIS WEEK ISN'T 160 00:04:25,000 --> 00:04:29,015 ABOUT YOU, TIFFANY!" 161 00:04:25,000 --> 00:04:29,015 ASKED WHAT SHE'S MOST EXCITED 162 00:04:29,015 --> 00:04:31,024 FOR, TIFFANY WAS LIKE, 163 00:04:29,015 --> 00:04:31,024 "CHANGING LAST NAMES!" 164 00:04:31,024 --> 00:04:35,022 [ LAUGHTER ] 165 00:04:31,024 --> 00:04:35,022 SOME ENTERTAINMENT NEWS. 166 00:04:35,022 --> 00:04:38,005 LAST NIGHT WAS AN ALL-NEW 167 00:04:35,022 --> 00:04:38,005 EPISODE OF "THE BACHELOR," AND 168 00:04:38,005 --> 00:04:40,001 SERENA HAD A ONE-ON- ONE DATE 169 00:04:38,005 --> 00:04:40,001 WITH MATT. 170 00:04:40,001 --> 00:04:40,021 AND THE DATE WAS GOING WELL 171 00:04:40,021 --> 00:04:43,009 UNTIL AN UNEXPECTED VISITOR 172 00:04:42,003 --> 00:04:43,009 SHOWED UP. 173 00:04:42,023 --> 00:04:43,009 WATCH THIS 174 00:04:45,012 --> 00:04:46,015 >> THE FEELINGS THAT I'M 175 00:04:45,012 --> 00:04:46,015 ALREADY HAVING FOR YOU, LIKE 176 00:04:46,015 --> 00:04:47,015 THROUGHOUT THIS EXPERIENCE IS 177 00:04:46,015 --> 00:04:47,015 LIKE, THEY'RE REAL 178 00:04:47,015 --> 00:05:05,022 ♪ 179 00:04:47,015 --> 00:05:05,022 [ LAUGHTER ] 180 00:05:05,022 --> 00:05:06,028 >> Jimmy: ALL THAT WAS MISSING 181 00:05:05,022 --> 00:05:06,028 WAS A GRAPHIC THAT SAID, 182 00:05:06,028 --> 00:05:09,013 "DONKEY -- 183 00:05:06,028 --> 00:05:09,013 AGE SEVEN -- 184 00:05:09,013 --> 00:05:13,005 SOCIAL MEDIA INFLUENCER. 185 00:05:09,013 --> 00:05:13,005 YEAH, NOW ALONG WITH HERPES, 186 00:05:13,005 --> 00:05:16,003 "THE BACHELOR" HAS TO WORRY 187 00:05:13,005 --> 00:05:16,003 ABOUT FOOT AND MOUTH DISEASE 188 00:05:16,003 --> 00:05:19,005 [ LIGHT LAUGHTER ] 189 00:05:16,003 --> 00:05:19,005 HEY, CHECK THIS OUT. 190 00:05:19,005 --> 00:05:21,007 I SAW THAT NISSAN HAS DESIGNED 191 00:05:19,005 --> 00:05:21,007 A NEW CONCEPT VAN INTENDED TO 192 00:05:21,007 --> 00:05:23,013 SERVE AS A MOBILE OFFICE FOR 193 00:05:21,007 --> 00:05:23,013 REMOTE WORKERS 194 00:05:23,013 --> 00:05:26,024 TAKE A LOOK AT THIS. 195 00:05:23,013 --> 00:05:26,024 YEAH, AND THIS IS COOL -- IT 196 00:05:26,024 --> 00:05:27,026 COMES WITH A BUMPER STICKER 197 00:05:26,024 --> 00:05:27,026 THAT SAYS, "I DIDN'T GET 198 00:05:27,026 --> 00:05:37,010 CUSTODY. 199 00:05:27,026 --> 00:05:37,010 [ LAUGHTER ] 200 00:05:37,010 --> 00:05:38,026 YEP, NISSAN WILL RELEASE THE 201 00:05:37,010 --> 00:05:38,026 CAR RIGHT AFTER EVERYONE IS 202 00:05:38,026 --> 00:05:42,004 VACCINATED AND RETURNS TO THE 203 00:05:38,026 --> 00:05:42,004 OFFICE 204 00:05:42,004 --> 00:05:44,003 AND FINALLY, LISTEN TO THIS. 205 00:05:42,004 --> 00:05:44,003 A WOMAN HAD ONE OF 206 00:05:44,003 --> 00:05:45,019 GWYNETH PALTROW'S "THIS SMELLS 207 00:05:44,003 --> 00:05:45,019 LIKE MY VAGINA" CANDLES, BUT IT 208 00:05:45,019 --> 00:05:53,005 EXPLODED AND BURST INTO FLAMES 209 00:05:45,019 --> 00:05:53,005 IN HER HOME. 210 00:05:53,005 --> 00:05:54,008 DON'T WORRY, ELTON JOHN IS 211 00:05:53,005 --> 00:05:54,008 RAISING MONEY FOR THE WOMAN 212 00:05:54,008 --> 00:05:58,012 WITH HIS NEW SINGLE "EXPLODING 213 00:05:54,008 --> 00:05:58,012 VAGINA CANDLE IN THE WIND. 214 00:05:58,012 --> 00:06:03,009 [ APPLAUSE ] 215 00:05:59,008 --> 00:06:03,009 WE HAVE A GREAT SHOW, GIVE IT 216 00:06:00,008 --> 00:06:03,009 UP FOR THE ROOTS EVERYBODY 217 00:06:04,029 --> 00:06:08,018 [ CHEERS AND APPLAUSE 218 00:06:04,029 --> 00:06:08,018 ♪ 219 00:06:08,018 --> 00:06:14,021 ♪ 220 00:06:08,018 --> 00:06:14,021 >> Jimmy: HEY! 221 00:06:14,021 --> 00:06:16,023 WHAT A SHOW WE HAVE FOR YOU 222 00:06:14,021 --> 00:06:16,023 TONIGHT. 223 00:06:16,023 --> 00:06:18,016 SHE STARS IN THE NEW MOVIE "OUR 224 00:06:16,023 --> 00:06:18,016 FRIEND." 225 00:06:18,016 --> 00:06:22,024 DAKOTA JOHNSON IS HERE 226 00:06:18,016 --> 00:06:22,024 [ CHEERS AND APPLAUSE 227 00:06:22,024 --> 00:06:24,000 PLUS, FROM THE FREEFORM SERIES 228 00:06:22,024 --> 00:06:24,000 "GROWNISH," YARA SHAHIDI IS 229 00:06:24,000 --> 00:06:28,014 HERE 230 00:06:24,000 --> 00:06:28,014 [ CHEERS AND APPLAUSE 231 00:06:28,014 --> 00:06:31,012 AND WE GOT GREAT MUSIC FROM 232 00:06:28,014 --> 00:06:31,012 TATE McCRAE. 233 00:06:31,012 --> 00:06:35,008 [ CHEERS AND APPLAUSE 234 00:06:31,012 --> 00:06:35,008 HEY, GUYS, YOU KNOW IT'S MID 235 00:06:35,008 --> 00:06:41,015 JANUARY AND THAT MEANS - 236 00:06:35,008 --> 00:06:41,015 TARIQ, YOU OKAY? 237 00:06:41,015 --> 00:06:48,024 YOU LOOK BOTHERED. 238 00:06:41,015 --> 00:06:48,024 >> Tariq: NO, I'M GOOD 239 00:06:48,024 --> 00:06:51,006 >> Jimmy: YOU SURE 240 00:06:48,024 --> 00:06:51,006 YOU DON'T SEEM GOOD. 241 00:06:51,006 --> 00:06:54,015 >> Tariq: NO, I JUST GOT SOME 242 00:06:51,006 --> 00:06:54,015 THINGS ON MY MIND. 243 00:06:54,015 --> 00:06:58,019 YOU KNOW, THINGS TO PROBABLY GO 244 00:06:54,015 --> 00:06:58,019 ON MY -- MY IRK LIST 245 00:06:58,019 --> 00:07:01,024 >> Jimmy: WHAT'S YOUR IRK LIST 246 00:06:58,019 --> 00:07:01,024 >> Tariq: IT'S THAT LIST I KEEP 247 00:07:01,024 --> 00:07:04,029 OF THINGS THAT ANNOY ME. 248 00:07:01,024 --> 00:07:04,029 YOU KNOW, RANDOM STUFF 249 00:07:04,029 --> 00:07:09,006 YOU KNOW WHAT? 250 00:07:06,012 --> 00:07:09,006 I'LL JUST SHOW YOU 251 00:07:07,022 --> 00:07:09,006 IT'S TIME FOR TARIQ'S IRK LIST 252 00:07:11,029 --> 00:07:13,015 ♪ TARIQ'S IRK LIS 253 00:07:11,029 --> 00:07:13,015 ALL THE THINGS THAT IR 254 00:07:13,015 --> 00:07:17,027 TARIQ ♪ 255 00:07:13,015 --> 00:07:17,027 >> Tariq: WELL, I'M A BINGE 256 00:07:17,027 --> 00:07:20,021 VIEWER, JIMMY. 257 00:07:17,027 --> 00:07:20,021 EVERY TIME I HEAR A NEW SEASON 258 00:07:20,021 --> 00:07:23,017 OF SOMETHING GOOD DROPS, I 259 00:07:20,021 --> 00:07:23,017 BINGE ON IT. 260 00:07:23,017 --> 00:07:26,013 THAT'S HOW I VIEW THINGS 261 00:07:23,017 --> 00:07:26,013 ON A BINGE 262 00:07:26,013 --> 00:07:29,014 [ LIGHT LAUGHTER ] 263 00:07:26,013 --> 00:07:29,014 A BENDER 264 00:07:29,014 --> 00:07:32,000 I WATCH HARD, PLAY HARD. 265 00:07:29,014 --> 00:07:32,000 [ LIGHT LAUGHTER ] 266 00:07:32,000 --> 00:07:34,015 I'M ALWAYS STARVED FOR NEW 267 00:07:32,000 --> 00:07:34,015 CONTENT. 268 00:07:34,015 --> 00:07:35,020 SO IT IRKS ME WHEN A GOOD SHOW 269 00:07:34,015 --> 00:07:35,020 TRICKS ME INTO BELIEVING 270 00:07:35,020 --> 00:07:36,024 THERE'S A NEW SEASON AVAILABLE 271 00:07:35,020 --> 00:07:36,024 WHEN THERE'S REALLY ONLY A 272 00:07:36,024 --> 00:07:41,008 A COUPLE NEW EPISODES. 273 00:07:36,024 --> 00:07:41,008 "BREAKING BAD," "ARRESTED 274 00:07:41,008 --> 00:07:45,016 DEVELOPMENT," "BLACK MIRROR" - 275 00:07:41,008 --> 00:07:45,016 A LOT OF THESE SHOWS MAN 276 00:07:45,016 --> 00:07:48,026 MOST RECENTLY, "EUPHORIA." 277 00:07:45,016 --> 00:07:48,026 OH LOOK, WE FOUND ONE LOOSIE 278 00:07:48,026 --> 00:07:51,027 EPISODE LAYING AROUND THE 279 00:07:48,026 --> 00:07:51,027 STUDIO 280 00:07:51,027 --> 00:07:54,012 [ LIGHT LAUGHTER ] 281 00:07:51,027 --> 00:07:54,012 NEW SEASON ALERT 282 00:07:54,012 --> 00:07:57,008 NAH, I'M NOT FEELING THAT MAN. 283 00:07:54,012 --> 00:07:57,008 Y'ALL GOING ON THE LIST. 284 00:07:57,008 --> 00:08:02,002 [ LIGHT LAUGHTER ] 285 00:07:57,008 --> 00:08:02,002 [ APPLAUSE ] 286 00:08:02,002 --> 00:08:03,011 IT REMINDS ME OF ANOTHER THING 287 00:08:02,002 --> 00:08:03,011 THAT REALLY MAKES MY BLOOD 288 00:08:03,011 --> 00:08:05,023 BOIL 289 00:08:03,011 --> 00:08:05,023 YOU WANNA KNOW WHAT REALLY GETS 290 00:08:05,023 --> 00:08:09,009 MY GOAT, JIMMY 291 00:08:05,023 --> 00:08:09,009 WHAT REALLY GRINDS MY GEARS? 292 00:08:09,009 --> 00:08:11,004 >> Jimmy: MM-HM. 293 00:08:09,009 --> 00:08:11,004 >> Tariq: YOU WANT TO KNOW WHAT 294 00:08:11,004 --> 00:08:12,026 REALLY SQUEEZES THE JELLY OUT 295 00:08:11,004 --> 00:08:12,026 OF MY DOUGHNUT 296 00:08:12,026 --> 00:08:14,025 [ LAUGHTER ] 297 00:08:12,026 --> 00:08:14,025 >> Jimmy: ALL RIGHT, COME ON 298 00:08:14,025 --> 00:08:17,011 HEY, COME ON NOW 299 00:08:14,025 --> 00:08:17,011 [ LAUGHTER ] 300 00:08:17,011 --> 00:08:18,020 >> Questlove: HEY. 301 00:08:17,011 --> 00:08:18,020 >> Jimmy: WHO'S WRITING THIS 302 00:08:18,020 --> 00:08:19,023 WHAT'S HAPPENING 303 00:08:18,020 --> 00:08:19,023 >> Tariq: BEING INTENTIONALLY 304 00:08:19,023 --> 00:08:21,016 ANNOYED WHILE I'M WATCHING TV, 305 00:08:19,023 --> 00:08:21,016 MAN. 306 00:08:21,016 --> 00:08:22,022 LIKE I LIKE TO IMMERSE MYSELF 307 00:08:21,016 --> 00:08:22,022 IN THE STORY, TO REALLY BECOME 308 00:08:22,022 --> 00:08:23,026 A PART OF THE WORLD WITHIN 309 00:08:22,022 --> 00:08:23,026 WHICH THE NARRATIVE TAKES 310 00:08:23,026 --> 00:08:29,026 PLACE. 311 00:08:23,026 --> 00:08:29,026 BUT SAY, I'M WATCHING SOMETHING 312 00:08:29,026 --> 00:08:32,008 WITH MY WIFE RIGHT 313 00:08:29,026 --> 00:08:32,008 NEVER FAILS. 314 00:08:32,008 --> 00:08:35,019 SHE'LL SUSPECT WHAT'S ABOUT TO 315 00:08:32,008 --> 00:08:35,019 HAPPEN AND YELL IT OUT TO ME IN 316 00:08:35,019 --> 00:08:37,019 THE FORM OF A QUESTION 317 00:08:35,019 --> 00:08:37,019 "HE'S NOT GONNA GO INTO THAT 318 00:08:37,019 --> 00:08:40,024 ABANDONED BUILDING ALONE WHERE 319 00:08:37,019 --> 00:08:40,024 IF ANYTHING HAPPENS TO HIM, 320 00:08:40,024 --> 00:08:45,011 IT'D BE DAYS BEFORE SOMEBODY 321 00:08:40,024 --> 00:08:45,011 FOUND HIM BABE, IS HE? 322 00:08:45,011 --> 00:08:48,026 AND I'M LIKE, "I DON'T KNOW 323 00:08:45,011 --> 00:08:48,026 MICHELLE 324 00:08:48,026 --> 00:08:50,002 BUT IF I WERE TO SAY EITHER YES 325 00:08:48,026 --> 00:08:50,002 OR NO, IT WOULD ONLY BE 326 00:08:50,002 --> 00:08:55,004 SPECULATION. 327 00:08:50,002 --> 00:08:55,004 BUT HERE'S THE THING 328 00:08:55,004 --> 00:08:58,018 IF WE WATCH AND WAIT PATIENTLY 329 00:08:55,004 --> 00:08:58,018 FOR JUST A FEW MORE MINUTES -- 330 00:08:58,018 --> 00:09:02,005 [ LAUGHTER ] 331 00:08:58,018 --> 00:09:02,005 WE'LL KNOW EXACTLY WHAT HAPPENS 332 00:09:02,005 --> 00:09:04,026 BECAUSE IT WILL HAVE HAPPENED. 333 00:09:02,005 --> 00:09:04,026 >> Jimmy: UH-HUH, THAT'S 334 00:09:04,026 --> 00:09:07,019 CORRECT. 335 00:09:04,026 --> 00:09:07,019 [ APPLAUSE ] 336 00:09:07,019 --> 00:09:09,025 THAT'S RIGHT 337 00:09:07,019 --> 00:09:09,025 >> Questlove: YES. 338 00:09:09,025 --> 00:09:11,017 >> Tariq: IT'S EITHER THAT, OR 339 00:09:09,025 --> 00:09:11,017 SHE HAS NO CLUE WHAT'S GOING 340 00:09:11,017 --> 00:09:13,010 ON, SO SHE JUST KEEPS CHECKING 341 00:09:11,017 --> 00:09:13,010 IN WITH ME 342 00:09:13,010 --> 00:09:16,005 "OH MY GOD, WHAT'S GONNA 343 00:09:13,010 --> 00:09:16,005 HAPPEN 344 00:09:16,005 --> 00:09:19,010 BABE WHAT JUST HAPPENED? 345 00:09:16,005 --> 00:09:19,010 OR MAYBE SHE CAN'T HEAR, SO 346 00:09:19,010 --> 00:09:22,003 EVERY FIVE MINUTES SHE'S ALL, 347 00:09:19,010 --> 00:09:22,003 "WAIT, HUH 348 00:09:22,003 --> 00:09:24,027 WHAT'D THEY SAY? 349 00:09:22,003 --> 00:09:24,027 [ LAUGHTER ] 350 00:09:24,027 --> 00:09:26,020 NOW MY HEARING IS FINE 351 00:09:24,027 --> 00:09:26,020 >> Jimmy: UH-HUH 352 00:09:26,020 --> 00:09:27,027 >> Tariq: I HAVE AMAZING 353 00:09:26,020 --> 00:09:27,027 HEARING. 354 00:09:27,027 --> 00:09:30,000 >> Jimmy: UH-HUH 355 00:09:27,027 --> 00:09:30,000 >> Tariq: VERY CLEAR FIBER 356 00:09:30,000 --> 00:09:32,009 OPTICS 357 00:09:30,000 --> 00:09:32,009 BUT I'M NOT HERE TO BE YOUR 358 00:09:32,009 --> 00:09:34,011 HUMAN SUBTITLES FOR "THE 359 00:09:32,009 --> 00:09:34,011 UNDOING. 360 00:09:34,011 --> 00:09:37,021 [ LAUGHTER ] 361 00:09:34,011 --> 00:09:37,021 SOMETIMES IT TAKES A COMPLETE 362 00:09:37,021 --> 00:09:41,004 TURN FOR THE WORST BECAUSE SHE 363 00:09:37,021 --> 00:09:41,004 ONLY WATCHES THE BACKGROUND. 364 00:09:41,004 --> 00:09:43,013 I MEAN, SINCE THAT WHOLE 365 00:09:41,004 --> 00:09:43,013 STARBUCKS CUP ON "GAME OF 366 00:09:43,013 --> 00:09:47,003 THRONES" THING, SHE'S BEEN 367 00:09:43,013 --> 00:09:47,003 OBSESSED 368 00:09:47,003 --> 00:09:50,011 "I CAN'T BELIEVE THEY WOULDN'T 369 00:09:47,003 --> 00:09:50,011 NOTICE -- I CAN'T BELIEVE THEY 370 00:09:50,011 --> 00:09:51,018 THOUGHT WE WOULDN'T NOTICE HER 371 00:09:50,011 --> 00:09:51,018 SHOELACES WERE DOUBLE KNOTTED 372 00:09:51,018 --> 00:09:55,002 IN THAT LAST SCENE AND NOW IT'S 373 00:09:51,018 --> 00:09:55,002 A SINGLE KNOT. 374 00:09:55,002 --> 00:09:57,017 AND I GO, "DAMN YOU'RE IRKING 375 00:09:55,002 --> 00:09:57,017 ME 376 00:09:57,017 --> 00:10:00,006 [ LIGHT LAUGHTER ] 377 00:09:57,017 --> 00:10:00,006 TAKE A DAY OFF CONTINUITY 378 00:10:00,006 --> 00:10:04,001 COPS." 379 00:10:00,006 --> 00:10:04,001 [ LAUGHTER ] 380 00:10:04,001 --> 00:10:06,014 [ APPLAUSE ] 381 00:10:04,001 --> 00:10:06,014 AND SHE SAYS, "I CAN'T HELP BUT 382 00:10:06,014 --> 00:10:08,016 NOTICE ALL THE NOOKS AND 383 00:10:06,014 --> 00:10:08,016 CRANNIES 384 00:10:08,016 --> 00:10:11,028 IT'S CALLED BEING PERCEPTIVE." 385 00:10:08,016 --> 00:10:11,028 AND THEN, I CAN'T FOCUS ON THE 386 00:10:11,028 --> 00:10:13,003 SHOW AT ALL BECAUSE I START 387 00:10:11,028 --> 00:10:13,003 THINKING, "WHY DON'T YOU EVER 388 00:10:13,003 --> 00:10:17,004 HEAR ABOUT CRANNIES WITHOUT THE 389 00:10:13,003 --> 00:10:17,004 NOOKS? 390 00:10:17,004 --> 00:10:19,026 [ LAUGHTER ] 391 00:10:17,004 --> 00:10:19,026 IT'S LIKE CRANNIES NEED NOOKS 392 00:10:19,026 --> 00:10:24,014 FOR VALIDATION 393 00:10:19,026 --> 00:10:24,014 NOOKS DON'T NEED CRANNIES. 394 00:10:24,014 --> 00:10:26,024 THEY GO OFF AND DO THEIR OWN 395 00:10:24,014 --> 00:10:26,024 THING SOMETIMES. 396 00:10:26,024 --> 00:10:29,018 YOU SEE BREAKFAST NOOKS. 397 00:10:26,024 --> 00:10:29,018 READING NOOKS. 398 00:10:29,018 --> 00:10:36,003 NOOK THIS, NOOK THAT 399 00:10:29,018 --> 00:10:36,003 STOP, NOOK AND LISTEN. 400 00:10:36,003 --> 00:10:38,008 [ LAUGHTER ] 401 00:10:36,003 --> 00:10:38,008 YOU NEVER HERE ABOUT A 402 00:10:38,008 --> 00:10:41,002 A BREAKFAST CRANNIE. 403 00:10:38,008 --> 00:10:41,002 I MEAN, NOOKS AND CRANNIES AS 404 00:10:41,002 --> 00:10:43,029 A TEAM, THEY ARE SORT OF LOW 405 00:10:41,002 --> 00:10:43,029 KEY THOUGH USUALLY 406 00:10:43,029 --> 00:10:47,011 I MEAN, YOU HEAR BOUT THEM IN 407 00:10:43,029 --> 00:10:47,011 REFERENCE TO ENGLISH MUFFINS 408 00:10:47,011 --> 00:10:48,023 THAT'S PRETTY MUCH IT. 409 00:10:47,011 --> 00:10:48,023 BUT THEN I START TO THINK ABOUT 410 00:10:48,023 --> 00:10:49,026 ALL THE OTHER SEEMINGLY 411 00:10:48,023 --> 00:10:49,026 INSEPARABLE DUOS WITH ONE HALF 412 00:10:49,026 --> 00:10:56,005 WHO'S GONE ROGUE 413 00:10:49,026 --> 00:10:56,005 I MEAN LOOK AT TO AND FRO. 414 00:10:56,005 --> 00:10:58,011 FRO AIN'T [ BLEEP ] WITHOUT HIS 415 00:10:56,005 --> 00:10:58,011 BOY TOO. 416 00:10:58,011 --> 00:11:02,002 [ LAUGHTER ] 417 00:10:58,011 --> 00:11:02,002 TO -- TO IS DROPPING SOLO 418 00:11:02,002 --> 00:11:05,001 MUSIC. 419 00:11:02,002 --> 00:11:05,001 HE'S GOT HIS OWN SPINOFF SHOW. 420 00:11:05,001 --> 00:11:08,026 HE'S ALL OVER THE PLACE! 421 00:11:05,001 --> 00:11:08,026 "LOOK EVERYBODY IT'S TO. 422 00:11:08,026 --> 00:11:11,002 HE'S ON THE RED CARPET 423 00:11:08,026 --> 00:11:11,002 GOSSIP COLUMNS 424 00:11:11,002 --> 00:11:13,004 FLYING PRIVATE 425 00:11:11,002 --> 00:11:13,004 DATING SOCIAL MEDIA CELEBRITY 426 00:11:13,004 --> 00:11:15,018 INFLUENCERS! 427 00:11:13,004 --> 00:11:15,018 IT IRKS ME THAT FRO WON'T TAKE 428 00:11:15,018 --> 00:11:18,011 A STAND FOR HIS INDEPENDENCE, 429 00:11:15,018 --> 00:11:18,011 JIMMY. 430 00:11:18,011 --> 00:11:23,012 GET YOURSELF TOGETHER, MAN 431 00:11:18,011 --> 00:11:23,012 [ LAUGHTER ] 432 00:11:23,012 --> 00:11:25,018 WAIT, WHAT WAS I SAYING? 433 00:11:23,012 --> 00:11:25,018 >> Jimmy: YOU WERE TELLING ME 434 00:11:25,018 --> 00:11:26,024 ABOUT YOUR IRK LIST. 435 00:11:25,018 --> 00:11:26,024 >> Tariq: OH, YEAH 436 00:11:26,024 --> 00:11:28,029 THAT'S RIGHT 437 00:11:26,024 --> 00:11:28,029 >> Jimmy: YEAH 438 00:11:28,029 --> 00:11:30,005 >> Tariq: YOU WANT TO KNOW WHAT 439 00:11:28,029 --> 00:11:30,005 ELSE IRKS ME 440 00:11:30,005 --> 00:11:33,020 THIS NEW TREND OF PEOPLE USING 441 00:11:30,005 --> 00:11:33,020 CHEERS AS A VERB 442 00:11:33,020 --> 00:11:37,015 YOU KNOW AS TO SAY LIKE, "LET'S 443 00:11:33,020 --> 00:11:37,015 CHEERS TO THE END OF THE TRUMP 444 00:11:37,015 --> 00:11:39,000 ADMINISTRATION!" 445 00:11:37,015 --> 00:11:39,000 AND THOUGH I'M DEFINITELY GONNA 446 00:11:39,000 --> 00:11:40,004 DRINK TO THAT, I'M LIKE, "IT 447 00:11:39,000 --> 00:11:40,004 IRKS ME THAT WE'RE ALLOWING 448 00:11:40,004 --> 00:11:45,022 CHEERSING TO TAKE THE PLACE OF 449 00:11:40,004 --> 00:11:45,022 THE TOAST. 450 00:11:45,022 --> 00:11:49,019 JIMMY, THE TOAST HAS EVOLVED 451 00:11:45,022 --> 00:11:49,019 FROM SACRED LIBATION CEREMONIES 452 00:11:49,019 --> 00:11:50,026 THAT DATE BACK TO THE EMPIRES 453 00:11:49,019 --> 00:11:50,026 OF THE GREEKS, THE ROMANS, THE 454 00:11:50,026 --> 00:11:54,015 EGYPTIANS. 455 00:11:50,026 --> 00:11:54,015 IT'S A SACRED RITUAL 456 00:11:54,015 --> 00:11:56,010 >> Jimmy: YEAH 457 00:11:54,015 --> 00:11:56,010 >> Tariq: IT'S FORMAL. 458 00:11:56,010 --> 00:11:58,022 YOU DON'T JUST TOAST 459 00:11:56,010 --> 00:11:58,022 THERE'S A PROPOSAL INVOLVED AND 460 00:11:58,022 --> 00:12:01,025 EVERYTHING 461 00:11:58,022 --> 00:12:01,025 IF THOSE PRESENT ACCEPT YOUR 462 00:12:01,025 --> 00:12:03,002 PROPOSAL AND AGREE, THEN THEY 463 00:12:01,025 --> 00:12:03,002 RAISE THEIR GLASSES AS YOU HAVE 464 00:12:03,002 --> 00:12:07,021 RAISED YOURS 465 00:12:03,002 --> 00:12:07,021 IT'S A BEAUTIFUL THING 466 00:12:07,021 --> 00:12:10,013 NOW PEOPLE RUNNING AROUND ALL 467 00:12:07,021 --> 00:12:10,013 HAPPY GO LUCKY CHEERSING ALL 468 00:12:10,013 --> 00:12:14,002 WILLY NILLY WITH ANY OLD 469 00:12:10,013 --> 00:12:14,002 BEVERAGE 470 00:12:14,002 --> 00:12:17,027 AND IT IRKS MY SOUL, JIMMY 471 00:12:14,002 --> 00:12:17,027 I'M HURT 472 00:12:17,027 --> 00:12:20,005 BUT OTHER THAN THAT I'M FINE 473 00:12:17,027 --> 00:12:20,005 [ CHEERS AND APPLAUSE 474 00:12:20,005 --> 00:12:24,000 >> Jimmy: A TOAST! 475 00:12:20,005 --> 00:12:24,000 TO A GREAT MAN, TARIQ TROTTER, 476 00:12:24,000 --> 00:12:25,010 EVERYONE 477 00:12:24,000 --> 00:12:25,010 STICK AROUND, WE'VE GOT MORE 478 00:12:25,010 --> 00:12:29,007 "TONIGHT SHOW" COMING UP 479 00:12:25,010 --> 00:12:29,007 COME ON BACK, EVERYBODY. 480 00:12:29,007 --> 00:12:47,023 [ CHEERS AND APPLAUSE 481 00:12:29,007 --> 00:12:47,023 ♪ 482 00:12:47,023 --> 00:12:50,009 >> Jimmy: MY FIRST GUEST IS 483 00:12:47,023 --> 00:12:50,009 A TALENTED ACTRESS WHO STARS IN 484 00:12:50,009 --> 00:12:52,025 THE NEW MOVIE, "OUR FRIEND," 485 00:12:50,009 --> 00:12:52,025 WHICH IS IN THEATERS AND ON 486 00:12:52,025 --> 00:12:56,026 DEMAND THIS FRIDAY 487 00:12:52,025 --> 00:12:56,026 HERE SHE IS, DAKOTA JOHNSON! 488 00:12:56,026 --> 00:12:59,008 HI, DAKOTA 489 00:12:56,026 --> 00:12:59,008 >> HI. 490 00:12:59,008 --> 00:13:01,023 >> Jimmy: THANK YOU SO MUCH FOR 491 00:12:59,008 --> 00:13:01,023 BEING ON THE SHOW. 492 00:13:01,023 --> 00:13:03,029 >> THANKS FOR HAVING ME. 493 00:13:01,023 --> 00:13:03,029 >> Jimmy: YOU LOOK GREAT 494 00:13:03,029 --> 00:13:05,005 I HAVEN'T SEEN YOU IN A WHILE, 495 00:13:03,029 --> 00:13:05,005 SO WE HAVE A LOT TO CATCH UP 496 00:13:05,005 --> 00:13:06,029 ON 497 00:13:05,005 --> 00:13:06,029 FIRST THINGS FIRST, LAST MARCH 498 00:13:06,029 --> 00:13:11,011 YOU GAVE A TOUR TO 499 00:13:06,029 --> 00:13:11,011 "ARCHITECTURAL DIGEST," AND THE 500 00:13:11,011 --> 00:13:16,009 INTERNET LOVED IT. 501 00:13:11,011 --> 00:13:16,009 I LOVED IT, TOO. 502 00:13:16,009 --> 00:13:19,020 PEOPLE WERE FASCINATED WITH 503 00:13:16,009 --> 00:13:19,020 YOUR GREEN KITCHEN AND YOUR 504 00:13:19,020 --> 00:13:22,017 LOVE OF LIMES. 505 00:13:19,020 --> 00:13:22,017 >> YES 506 00:13:22,017 --> 00:13:23,029 >> Jimmy: DURING THE TOUR, YOU 507 00:13:23,029 --> 00:13:27,001 VERY CLEARLY STATE THAT YOU 508 00:13:25,012 --> 00:13:27,001 LOVE LIMES 509 00:13:26,002 --> 00:13:27,001 TAKE A LOOK AT THIS VIDEO. 510 00:13:28,021 --> 00:13:30,029 >> I LOVE LIMES. 511 00:13:28,021 --> 00:13:30,029 I LOVE THEM. 512 00:13:30,029 --> 00:13:32,016 >> Jimmy: YEAH 513 00:13:30,029 --> 00:13:32,016 NOW WHAT DO YOU DO WITH ALL 514 00:13:32,016 --> 00:13:35,010 THOSE LIMES? 515 00:13:32,016 --> 00:13:35,010 >> I ACTUALLY DIDN'T EVEN KNOW 516 00:13:35,010 --> 00:13:37,029 THAT THEY WERE IN THERE. 517 00:13:35,010 --> 00:13:37,029 I WAS GIVING THE TOUR AND WENT 518 00:13:37,029 --> 00:13:41,018 INTO THE KITCHEN AND IT WAS SET 519 00:13:37,029 --> 00:13:41,018 DRESSING 520 00:13:41,018 --> 00:13:43,016 I'M ACTUALLY -- I'M ALLERGIC TO 521 00:13:41,018 --> 00:13:43,016 LIMES. 522 00:13:43,016 --> 00:13:46,008 >> Jimmy: OH, MY 523 00:13:43,016 --> 00:13:46,008 STOP IT, NOW 524 00:13:46,008 --> 00:13:49,026 >> YEAH, I'M MILDLY ALLERGIC 525 00:13:46,008 --> 00:13:49,026 AND HONEYDEW MELON, SO ANOTHER 526 00:13:49,026 --> 00:13:53,004 GREEN THING FROM THE OUTSIDE 527 00:13:49,026 --> 00:13:53,004 >> Jimmy: YOU'RE GOOD WITH THE 528 00:13:53,004 --> 00:13:58,000 HONEYDEW MELON 529 00:13:53,004 --> 00:13:58,000 >> OH, NO, AND THE INSIDE. 530 00:13:58,000 --> 00:14:00,025 >> Jimmy: NO ONE EATS THE 531 00:13:58,000 --> 00:14:00,025 OUTSIDE OF A HONEYDEW MELON. 532 00:14:00,025 --> 00:14:03,001 >> IT'S KIND OF BEIGE AND THEN 533 00:14:00,025 --> 00:14:03,001 THE INSIDE IS GREEN. 534 00:14:03,001 --> 00:14:05,002 >> Jimmy: YES. 535 00:14:03,001 --> 00:14:05,002 CORRECT. 536 00:14:05,002 --> 00:14:06,012 YES. 537 00:14:05,002 --> 00:14:06,012 I WOULDN'T EAT THE OUTSIDE 538 00:14:06,012 --> 00:14:08,013 >> IT MAKES MY TONGUE ITCH 539 00:14:06,012 --> 00:14:08,013 >> Jimmy: BUT LIMES DO THE SAME 540 00:14:08,013 --> 00:14:13,018 THING? 541 00:14:08,013 --> 00:14:13,018 >> UM, KIND OF 542 00:14:13,018 --> 00:14:15,020 LIMES MAKE MY TONGUE ITCH, TOO, 543 00:14:13,018 --> 00:14:15,020 YEAH 544 00:14:15,020 --> 00:14:17,026 >> Jimmy: REALLY 545 00:14:15,020 --> 00:14:17,026 >> YEAH. 546 00:14:17,026 --> 00:14:20,013 >> Jimmy: THAT'S SO BIZARRE. 547 00:14:17,026 --> 00:14:20,013 SO, IT WAS JUST SET DRESSING, 548 00:14:20,013 --> 00:14:21,018 AND IT LOOKED PRETTY, AND THEN 549 00:14:20,013 --> 00:14:21,018 YOU WERE LIKE, "YEAH, I LOVE 550 00:14:21,018 --> 00:14:26,005 LIMES," JUST TALKING, GOING 551 00:14:21,018 --> 00:14:26,005 WITH THE FLOW. 552 00:14:26,005 --> 00:14:27,011 >> YEAH, BECAUSE IT WAS HARD TO 553 00:14:26,005 --> 00:14:27,011 JUST IGNORE THEM, SO I JUST 554 00:14:27,011 --> 00:14:34,011 LIED 555 00:14:27,011 --> 00:14:34,011 JUST LIED. 556 00:14:34,011 --> 00:14:36,010 I WENT THE FULL OPPOSITE 557 00:14:34,011 --> 00:14:36,010 DIRECTION. 558 00:14:36,010 --> 00:14:40,015 >> Jimmy: UNBELIEVABLE 559 00:14:36,010 --> 00:14:40,015 I'M GLAD YOU CAME CLEAN, MAN 560 00:14:40,015 --> 00:14:42,027 I KNOW THAT YOU'VE ALSO BEEN 561 00:14:40,015 --> 00:14:42,027 WORKING ON PROJECTS. 562 00:14:42,027 --> 00:14:44,026 YOUR PRODUCTION COMPANY, TEA 563 00:14:42,027 --> 00:14:44,026 TIME PICTURES, I LOVE THAT 564 00:14:44,026 --> 00:14:48,004 HOW'S IT GOING 565 00:14:44,026 --> 00:14:48,004 >> TEA TIME IS GOING REALLY 566 00:14:48,004 --> 00:14:52,007 WELL 567 00:14:48,004 --> 00:14:52,007 WE ARE ACTUALLY GOING TO SHOOT 568 00:14:52,007 --> 00:14:53,012 OUR FIRST MOVIE THAT WE ARE 569 00:14:52,007 --> 00:14:53,012 PRODUCING STARTING 570 00:14:53,012 --> 00:14:56,022 FEBRUARY 1st 571 00:14:53,012 --> 00:14:56,022 AND TIG NOTARO, WHO YOU LOVE, 572 00:14:56,022 --> 00:14:57,023 AND WHO I LOVE, AND 573 00:14:56,022 --> 00:14:57,023 STEPHANIE ALLYNNE, THEY ARE 574 00:14:57,023 --> 00:15:05,019 MARRIED, ARE DIRECTING 575 00:14:57,023 --> 00:15:05,019 TOGETHER 576 00:15:05,019 --> 00:15:07,016 >> Jimmy: NO WAY 577 00:15:05,019 --> 00:15:07,016 OH, I LOVE THEM. 578 00:15:07,016 --> 00:15:11,000 WHAT'S IT CALLED 579 00:15:07,016 --> 00:15:11,000 >> WE'RE IN A VERY HEATED 580 00:15:11,000 --> 00:15:15,021 DEBATE ABOUT THE TITLE AT THE 581 00:15:11,000 --> 00:15:15,021 MOMENT, SO IT HAS NO TITLE 582 00:15:15,021 --> 00:15:18,003 >> Jimmy: LIME TIME? 583 00:15:15,021 --> 00:15:18,003 OR HONEYDEW? 584 00:15:18,003 --> 00:15:21,008 >> HONEYDEW IS NOT BAD 585 00:15:18,003 --> 00:15:21,008 I WOULD WATCH THAT MOVIE 586 00:15:21,008 --> 00:15:24,003 >> Jimmy: I'D SEE HONEYDEW 587 00:15:21,008 --> 00:15:24,003 >> I'D SEE HONEYDEW. 588 00:15:24,003 --> 00:15:26,002 HAS NOTHING TO DO WITH THE 589 00:15:24,003 --> 00:15:26,002 MOVIE. 590 00:15:26,002 --> 00:15:28,021 >> Jimmy: YEAH, NO, I'D HAVE TO 591 00:15:26,002 --> 00:15:28,021 READ THE SCRIPT FIRST. 592 00:15:28,021 --> 00:15:32,002 I'M SURE TIG WILL -- SHE'LL 593 00:15:28,021 --> 00:15:32,002 HAVE A GOOD TITLE. 594 00:15:32,002 --> 00:15:35,008 >> YEAH, I'M EXCITED 595 00:15:32,002 --> 00:15:35,008 IT'S GOING TO BE FUN AND FUNNY, 596 00:15:35,008 --> 00:15:37,012 AND IT'S, LIKE, REALLY 597 00:15:35,008 --> 00:15:37,012 CONTAINED, AND SHORT, AND IN 598 00:15:37,012 --> 00:15:41,028 L.A. 599 00:15:37,012 --> 00:15:41,028 IT WILL BE -- IT WILL BE COOL. 600 00:15:41,028 --> 00:15:44,004 AND THEN WE MAKE THESE LISTS 601 00:15:41,028 --> 00:15:44,004 EVERY MONTH, WELL, NOW, WE USED 602 00:15:44,004 --> 00:15:45,013 TO DO IT WEEKLY OF, LIKE, TOP 603 00:15:44,004 --> 00:15:45,013 TEN LISTS OF WHAT'S THE BEST TO 604 00:15:45,013 --> 00:15:49,026 WATCH. 605 00:15:45,013 --> 00:15:49,026 BECAUSE I GET -- I DON'T KNOW 606 00:15:49,026 --> 00:15:51,010 ABOUT YOU, BUT I GET REALLY 607 00:15:49,026 --> 00:15:51,010 OVERWHELMED WITH KIND OF 608 00:15:51,010 --> 00:15:52,013 CONTENT OVERLOAD OF LIKE 609 00:15:51,010 --> 00:15:52,013 "WHAT -- WHAT AM I SUPPOSED TO 610 00:15:52,013 --> 00:15:53,020 WATCH ON ALL OF THE PLATFORMS 611 00:15:52,013 --> 00:15:53,020 WITH ALL OF THE AMAZING SHOWS, 612 00:15:53,020 --> 00:16:01,024 SO --" >> Jimmy: THERE'S TOO 613 00:15:53,020 --> 00:16:01,024 MANY GOOD SHOWS. 614 00:16:01,024 --> 00:16:05,019 AND THEN I ALSO HEARD YOU'RE 615 00:16:01,024 --> 00:16:05,019 INTO MUSIC PLAYLISTS 616 00:16:05,019 --> 00:16:10,011 WHAT DO YOU MAKE PLAYLISTS FOR 617 00:16:05,019 --> 00:16:10,011 >> EVERYTHING. 618 00:16:10,011 --> 00:16:15,021 I MAKE THEM FOR, LIKE, CERTAIN 619 00:16:10,011 --> 00:16:15,021 TIMES OF THE YEAR OR CERTAIN 620 00:16:15,021 --> 00:16:19,009 MOODS OR ROAD TRIPS OR DINNER 621 00:16:15,021 --> 00:16:19,009 PARTIES. 622 00:16:19,009 --> 00:16:21,022 >> Jimmy: YEAH, DINNER PARTIES 623 00:16:19,009 --> 00:16:21,022 >> MOVIES, I DO IT A LOT FOR 624 00:16:21,022 --> 00:16:23,024 CHARACTERS AND THINGS. 625 00:16:21,022 --> 00:16:23,024 >> Jimmy: LIKE, IF YOU AND I 626 00:16:23,024 --> 00:16:25,011 WERE TO GO ON A ROAD TRIP, WHAT 627 00:16:23,024 --> 00:16:25,011 KIND OF MUSIC WOULD YOU PUT ON 628 00:16:25,011 --> 00:16:27,022 FOR US 629 00:16:25,011 --> 00:16:27,022 >> WELL, WHAT'S THE VIBE IN OUR 630 00:16:27,022 --> 00:16:30,014 CAR? 631 00:16:27,022 --> 00:16:30,014 >> Jimmy: FUN, HITTIN' THE 632 00:16:30,014 --> 00:16:35,008 ROAD 633 00:16:30,014 --> 00:16:35,008 YOU'RE DRIVING 634 00:16:35,008 --> 00:16:38,017 >> I'M DRIVING 635 00:16:35,008 --> 00:16:38,017 >> Jimmy: I THINK SO, YEAH 636 00:16:38,017 --> 00:16:41,022 DO YOU WANT TO BE PASSENGER 637 00:16:38,017 --> 00:16:41,022 SEAT 638 00:16:41,022 --> 00:16:45,000 >> WELL, ARE WE, LIKE, IS IT, 639 00:16:41,022 --> 00:16:45,000 LIKE, HIGH ENERGY? 640 00:16:45,000 --> 00:16:47,012 DOES IT HAVE AN ARC? 641 00:16:45,000 --> 00:16:47,012 DOES IT GO, LIKE, WE START OUT, 642 00:16:47,012 --> 00:16:51,005 MAYBE WE DO -- MAYBE IT STARTS 643 00:16:47,012 --> 00:16:51,005 WITH "BY YOUR SIDE" BY SADE, 644 00:16:51,005 --> 00:16:56,005 BECAUSE I'M SITTING NEXT TO 645 00:16:51,005 --> 00:16:56,005 YOU, BY YOUR SIDE, IN THE CAR. 646 00:16:56,005 --> 00:16:59,024 AND THEN WE'RE KIND OF 647 00:16:56,005 --> 00:16:59,024 GROOVIN' 648 00:16:59,024 --> 00:17:02,022 AND THEN MAYBE IT GETS REALLY 649 00:16:59,024 --> 00:17:02,022 UPBEAT HALFWAY THROUGH, BECAUSE 650 00:17:02,022 --> 00:17:05,028 WE'RE BORED, AND IT'S A ROAD 651 00:17:02,022 --> 00:17:05,028 TRIP 652 00:17:05,028 --> 00:17:08,016 AND THEN WE GET IN A FIGHT 653 00:17:05,028 --> 00:17:08,016 AND THEN IT GOES TO LIKE 654 00:17:08,016 --> 00:17:11,008 PHILIP GLASS 655 00:17:08,016 --> 00:17:11,008 >> Jimmy: YEP. 656 00:17:11,008 --> 00:17:14,013 WE GET IN A LITTLE TIFF. 657 00:17:11,008 --> 00:17:14,013 >> ROLLING HILLS 658 00:17:14,013 --> 00:17:16,022 >> Jimmy: BUT THEN WE HAVE TO 659 00:17:14,013 --> 00:17:16,022 GO LIKE TO THE RESTROOM. 660 00:17:16,022 --> 00:17:18,024 WE GET A SNACK 661 00:17:16,022 --> 00:17:18,024 AND WE GET OUR BLOOD SUGAR BACK 662 00:17:18,024 --> 00:17:22,000 UP 663 00:17:18,024 --> 00:17:22,000 AND THEN WE MAKE UP AGAIN. 664 00:17:22,000 --> 00:17:25,001 >> YEAH, WHEN WE STOP FOR 665 00:17:22,000 --> 00:17:25,001 A SNACK AND YOU GO TO THE 666 00:17:25,001 --> 00:17:31,008 RESTROOM, THEN IT'S, "WAITING 667 00:17:25,001 --> 00:17:31,008 ON A FRIEND." BY THE STONE 668 00:17:31,008 --> 00:17:32,017 >> Jimmy: I WAS THINKING AT ONE 669 00:17:31,008 --> 00:17:32,017 POINT, DO WE SING "HIT THE ROAD 670 00:17:32,017 --> 00:17:33,022 JACK" AND REALLY GET INTO IT 671 00:17:32,017 --> 00:17:33,022 AND, LIKE, FAKE LIP SYNC AND, 672 00:17:33,022 --> 00:17:38,008 LIKE, LAUGH AND STUFF? 673 00:17:33,022 --> 00:17:38,008 WAIT, NOW I'M DRIVING. 674 00:17:38,008 --> 00:17:41,003 >> OH, YEAH, WELL. 675 00:17:38,008 --> 00:17:41,003 >> Jimmy: DON'T WORRY ABOUT IT, 676 00:17:41,003 --> 00:17:43,000 I'LL DRIVE 677 00:17:41,003 --> 00:17:43,000 >> THAT'S WHAT THE FIGHT WAS, 678 00:17:43,000 --> 00:17:46,020 BECAUSE YOU'RE A BACK SEAT 679 00:17:43,000 --> 00:17:46,020 DRIVER SO THEN YOU TAKE OVER 680 00:17:46,020 --> 00:17:49,010 BECAUSE I DON'T LIKE FIGHTING. 681 00:17:46,020 --> 00:17:49,010 >> Jimmy: NO, I DON'T LIKE 682 00:17:49,010 --> 00:17:51,015 FIGHTING, BUT YOU KNOW, I'M NOT 683 00:17:49,010 --> 00:17:51,015 EVEN A BACK SEAT DRIVER. 684 00:17:51,015 --> 00:17:55,010 BUT IT'S EITHER GO WITH THE GPS 685 00:17:51,015 --> 00:17:55,010 OR DON'T GO WITH THE GPS 686 00:17:55,010 --> 00:17:57,013 I CAN'T BE WATCHING YOU GOING 687 00:17:55,010 --> 00:17:57,013 LIKE, "WHAT? 688 00:17:57,013 --> 00:17:58,016 WHAT DO YOU MEAN, 'MAKE 689 00:17:57,013 --> 00:17:58,016 A RIGHT,' I WOULD NEVER MAKE A 690 00:17:58,016 --> 00:18:00,014 A RIGHT. 691 00:17:58,016 --> 00:18:00,014 I GO, "THEN TURN IT OFF. 692 00:18:00,014 --> 00:18:02,019 JUST GO YOUR WAY 693 00:18:00,014 --> 00:18:02,019 >> GOT IT. 694 00:18:02,019 --> 00:18:05,008 GOT IT 695 00:18:02,019 --> 00:18:05,008 BUT IF WE GO LIKE -- 696 00:18:05,008 --> 00:18:08,013 ♪ HIT THE ROAD JACK 697 00:18:05,008 --> 00:18:08,013 DON'T YOU COME BACK ♪ 698 00:18:08,013 --> 00:18:10,003 >> WHERE ARE WE GOING? 699 00:18:08,013 --> 00:18:10,003 THEN YOU GO LIKE ♪ THAT'S 700 00:18:10,003 --> 00:18:11,018 RIGHT ♪ 701 00:18:10,003 --> 00:18:11,018 WE START CHOREOGRAPHING A THING 702 00:18:11,018 --> 00:18:16,002 TO IT. 703 00:18:11,018 --> 00:18:16,002 MAYBE YOU HAVE A KERCHIEF. 704 00:18:16,002 --> 00:18:18,018 >> PROBABLY, YEAH, BECAUSE 705 00:18:16,002 --> 00:18:18,018 WE'RE IN A CONVERTIBLE 706 00:18:18,018 --> 00:18:20,026 >> Jimmy: NOW WE'RE TALKING. 707 00:18:18,018 --> 00:18:20,026 >> YEAH. 708 00:18:20,026 --> 00:18:22,020 >> Jimmy: YOU KNOW WE'RE 709 00:18:20,026 --> 00:18:22,020 DEFINITELY IN A CONVERTIBLE. 710 00:18:22,020 --> 00:18:25,009 >> WHERE ARE WE GOING? 711 00:18:22,020 --> 00:18:25,009 >> Jimmy: I THINK WE'RE JUST 712 00:18:25,009 --> 00:18:29,005 TOURING LIKE THOSE WEIRD THINGS 713 00:18:25,009 --> 00:18:29,005 THAT YOU CAN SEE, LIKE, ON 714 00:18:29,005 --> 00:18:34,004 ROUTE 66, LIKE, WORLD'S BIGGEST 715 00:18:29,005 --> 00:18:34,004 BALL OF YARN, STUFF LIKE THAT. 716 00:18:34,004 --> 00:18:37,003 >> OKAY, YEAH. 717 00:18:34,004 --> 00:18:37,003 >> Jimmy: JUST FOR LIKE FOR 718 00:18:37,003 --> 00:18:40,027 SOME INSTAGRAM PHOTOS TO POST. 719 00:18:37,003 --> 00:18:40,027 >> MY KIND OF ROAD 720 00:18:40,027 --> 00:18:42,018 >> Jimmy: THIS SOUNDS FUN. 721 00:18:40,027 --> 00:18:42,018 I LIKE STARTING WITH SADE, BY 722 00:18:42,018 --> 00:18:44,022 THE WAY, THAT'S MY JAM 723 00:18:42,018 --> 00:18:44,022 "BY YOUR SIDE. 724 00:18:44,022 --> 00:18:48,029 THAT'S MY ONE. 725 00:18:44,022 --> 00:18:48,029 >> GREAT SONG. 726 00:18:48,029 --> 00:18:50,029 I'LL MAKE YOU A PLAYLIST 727 00:18:48,029 --> 00:18:50,029 >> Jimmy: YOU WILL 728 00:18:50,029 --> 00:18:53,017 >> YEAH. 729 00:18:50,029 --> 00:18:53,017 >> Jimmy: I'D LOVE ONE 730 00:18:53,017 --> 00:18:55,008 HEY, I WANT TO TALK ABOUT YOUR 731 00:18:53,017 --> 00:18:55,008 NEW MOVIE. 732 00:18:55,008 --> 00:18:56,020 >> OKAY. 733 00:18:55,008 --> 00:18:56,020 >> Jimmy: IT'S CALLED "OUR 734 00:18:56,020 --> 00:18:59,022 FRIEND." 735 00:18:56,020 --> 00:18:59,022 IT'S BASED ON A TRUE STORY 736 00:18:59,022 --> 00:19:01,011 FOR ANYONE WHO DOESN'T KNOW IT, 737 00:18:59,022 --> 00:19:01,011 CAN YOU SET IT UP? 738 00:19:01,011 --> 00:19:05,012 >> YES 739 00:19:01,011 --> 00:19:05,012 IT'S BASED ON A TRUE STORY OF 740 00:19:05,012 --> 00:19:12,028 A COUPLE WHO, THE WIFE -- THE 741 00:19:05,012 --> 00:19:12,028 WOMAN HAS TERMINAL CANCER. 742 00:19:12,028 --> 00:19:17,016 AND THEIR BEST FRIEND MOVES IN 743 00:19:12,028 --> 00:19:17,016 AND SORT OF TAKES CARE OF THEM 744 00:19:17,016 --> 00:19:19,002 AND THROUGHOUT THIS, THIS 745 00:19:17,016 --> 00:19:19,002 STORY, LIKE TUMBLING OVER THE 746 00:19:19,002 --> 00:19:24,009 YEARS IT'S ABOUT LIKE IMMENSE 747 00:19:19,002 --> 00:19:24,009 FRIENDSHIP AND PAIN AND TORTURE 748 00:19:24,009 --> 00:19:28,016 AND, LIKE, TRAGEDY 749 00:19:24,009 --> 00:19:28,016 BUT ALSO HUMOR AND LEVITY AND 750 00:19:28,016 --> 00:19:34,009 LOVE AND MOST OF ALL JUST 751 00:19:28,016 --> 00:19:34,009 COMPASSION 752 00:19:34,009 --> 00:19:36,011 >> Jimmy: YOU DO A GREAT JOB IN 753 00:19:34,009 --> 00:19:36,011 THE MOVIE. 754 00:19:36,011 --> 00:19:39,013 WE EVEN GET TO HEAR YOU SING A 755 00:19:36,011 --> 00:19:39,013 A LITTLE BIT 756 00:19:39,013 --> 00:19:41,008 I DON'T THINK WE'VE HEARD YOU 757 00:19:39,013 --> 00:19:41,008 SING BEFORE, RIGHT 758 00:19:41,008 --> 00:19:45,016 HOW WAS THAT EXPERIENCE? 759 00:19:41,008 --> 00:19:45,016 >> NO. 760 00:19:45,016 --> 00:19:48,027 THAT WAS SO SCARY. 761 00:19:45,016 --> 00:19:48,027 I ACTUALLY HAD, I HAVE A LITTLE 762 00:19:48,027 --> 00:19:50,005 BIT OF STAGE FRIGHT, LIKE, I -- 763 00:19:48,027 --> 00:19:50,005 WHEN I COME ON YOUR SHOW, I GET 764 00:19:50,005 --> 00:19:57,016 REALLY NERVOUS, AND I LAUGH AND 765 00:19:50,005 --> 00:19:57,016 THEN CRY MOST OF THE TIME. 766 00:19:57,016 --> 00:19:59,006 >> Jimmy: YOU'VE CRIED 767 00:19:57,016 --> 00:19:59,006 YEAH, YOU'VE CRIED A COUPLE 768 00:19:59,006 --> 00:20:01,009 TIMES, YES 769 00:19:59,006 --> 00:20:01,009 >> I'VE CRIED A COUPLE TIMES, 770 00:20:01,009 --> 00:20:03,027 WHICH THAT'S FINE. 771 00:20:01,009 --> 00:20:03,027 I'M USED TO IT BY NOW, BUT 772 00:20:03,027 --> 00:20:08,012 SINGING IN FRONT OF PEOPLE IS 773 00:20:03,027 --> 00:20:08,012 ACTUALLY SO TERRIFYING FOR ME. 774 00:20:08,012 --> 00:20:10,021 AND WE HAD TO SHOOT THE SCENE 775 00:20:08,012 --> 00:20:10,021 WHERE YOU DON'T EVEN REALLY SEE 776 00:20:10,021 --> 00:20:13,029 ME, THE CAMERA'S LIKE IN THE 777 00:20:10,021 --> 00:20:13,029 BACK OF A -- 778 00:20:13,029 --> 00:20:16,014 LIKE, YOU CAN'T EVEN REALLY 779 00:20:13,029 --> 00:20:16,014 TELL WHAT'S GOING ON, AND I WAS 780 00:20:16,014 --> 00:20:19,026 MEANT TO BE PERFORMING IN, 781 00:20:16,014 --> 00:20:19,026 LIKE, COMMUNITY THEATER. 782 00:20:19,026 --> 00:20:24,017 AND THEY HIT PLAYBACK OF MY 783 00:20:19,026 --> 00:20:24,017 VOICE -- MY VOCAL RECORDING AND 784 00:20:24,017 --> 00:20:25,027 CALLED "ACTION," AND MY, IT WAS 785 00:20:24,017 --> 00:20:25,027 LIKE I HAD A PANIC ATTACK THAT 786 00:20:25,027 --> 00:20:27,005 MANIFESTED IN ALL THE WAYS THAT 787 00:20:25,027 --> 00:20:27,005 IT DOES, THAT IT CAN, SO, LIKE, 788 00:20:27,005 --> 00:20:36,026 I JUST TOOK OFF RUNNING. 789 00:20:27,005 --> 00:20:36,026 RUNNING, LIKE AROUND THE 790 00:20:36,026 --> 00:20:40,018 THEATER, AROUND BACKSTAGE. 791 00:20:36,026 --> 00:20:40,018 I WAS RUNNING AROUND, AND THEN 792 00:20:40,018 --> 00:20:42,026 JUST STARTED LAUGHING 793 00:20:40,018 --> 00:20:42,026 HYSTERICALLY, AND EVERYONE ON 794 00:20:42,026 --> 00:20:46,003 THE CREW'S LIKE, "WHAT'S SHE 795 00:20:42,026 --> 00:20:46,003 DOING? 796 00:20:46,003 --> 00:20:48,022 RUNNING AROUND, LAUGHING AND 797 00:20:46,003 --> 00:20:48,022 THEN JUST STOPPED MOVING AND 798 00:20:48,022 --> 00:20:53,003 STARTED CRYING 799 00:20:48,022 --> 00:20:53,003 >> Jimmy: JUST COMPLETE -- JUST 800 00:20:53,003 --> 00:20:58,016 EMBARRASSMENT? 801 00:20:53,003 --> 00:20:58,016 OR YOU SPUN YOURSELF OUT 802 00:20:58,016 --> 00:21:02,021 >> I JUST, LIKE, GOT, I DON'T 803 00:20:58,016 --> 00:21:02,021 KNOW 804 00:21:02,021 --> 00:21:05,013 IT TOOK OVER 805 00:21:02,021 --> 00:21:05,013 I GOT SO SCARED. 806 00:21:05,013 --> 00:21:08,025 IT WAS LIKE EXTREME FLIGHT 807 00:21:05,013 --> 00:21:08,025 MODE 808 00:21:08,025 --> 00:21:11,024 >> Jimmy: GOSH, FOR THE SCENE, 809 00:21:08,025 --> 00:21:11,024 WERE YOU DOING SOMETHING FROM 810 00:21:11,024 --> 00:21:14,016 A PLAY, RIGHT? 811 00:21:11,024 --> 00:21:14,016 WAS IT CHECKERS OR SOMETHING 812 00:21:14,016 --> 00:21:20,000 >> YES 813 00:21:14,016 --> 00:21:20,000 YEAH, YOU KNOW THAT REALLY 814 00:21:20,000 --> 00:21:22,021 FAMOUS MUSICAL, "CHECKERS" 815 00:21:20,000 --> 00:21:22,021 >> Jimmy: YEAH, OF COURSE, THE 816 00:21:22,021 --> 00:21:28,002 FAMOUS MUSICAL, "CHECKERS. 817 00:21:22,021 --> 00:21:28,002 AH, COME ON, THAT WAS SO FUN 818 00:21:28,002 --> 00:21:29,012 WELL, YOU'RE GREAT IN IT, AND I 819 00:21:28,002 --> 00:21:29,012 WANT TO SHOW EVERYONE A CLIP 820 00:21:29,012 --> 00:21:34,002 HERE'S DAKOTA JOHNSON IN "OUR 821 00:21:30,008 --> 00:21:34,002 FRIEND." 822 00:21:31,014 --> 00:21:34,002 TAKE A LOOK! 823 00:21:35,025 --> 00:21:40,003 >> I'D LIKE TO BE BLONDE 824 00:21:35,025 --> 00:21:40,003 NO, I WANT TO HAVE BLUE HAIR 825 00:21:40,003 --> 00:21:43,017 AND I ALSO WANT TO GO TO 826 00:21:40,003 --> 00:21:43,017 NEW YORK ONE LAST TIME AND SEE 827 00:21:43,017 --> 00:21:49,015 "LES MIS." 828 00:21:43,017 --> 00:21:49,015 AND MARDI GRAS, I WANT TO BE A 829 00:21:49,015 --> 00:21:55,022 A GRAND MARSHAL. 830 00:21:49,015 --> 00:21:55,022 AND I WANT TO SING ON STAGE 831 00:21:55,022 --> 00:21:58,029 WITH KATY PERRY. 832 00:21:55,022 --> 00:21:58,029 >> Jimmy: DAKOTA JOHNSON 833 00:21:58,029 --> 00:22:02,002 "OUR FRIEND" IS IN THEATERS AND 834 00:21:58,029 --> 00:22:02,002 ON DEMAND THIS FRIDAY. 835 00:22:02,002 --> 00:22:03,012 WHEN WE COME BACK, DAKOTA IS 836 00:22:02,002 --> 00:22:03,012 GOING TO SETTLE SOME OF THE 837 00:22:03,012 --> 00:22:07,012 BIGGEST DEBATES OF ALL TIME. 838 00:22:03,012 --> 00:22:07,012 STICK AROUND 839 00:22:07,012 --> 00:22:27,004 ♪ 840 00:22:07,012 --> 00:22:27,004 >> Jimmy: WELCOME BACK 841 00:22:27,004 --> 00:22:29,016 I'M HERE WITH DAKOTA JOHNSON 842 00:22:27,004 --> 00:22:29,016 DAKOTA, YOU'RE NOT AFRAID TO 843 00:22:29,016 --> 00:22:31,006 TELL IT LIKE IT IS, SO I 844 00:22:29,016 --> 00:22:31,006 THOUGHT WE'D HAVE SOME FUN BY 845 00:22:31,006 --> 00:22:34,010 ASKING YOU TO SETTLE SOME OF 846 00:22:31,006 --> 00:22:34,010 THE BIGGEST DEBATES OF ALL 847 00:22:34,010 --> 00:22:36,028 TIME 848 00:22:34,010 --> 00:22:36,028 ARE YOU READY FOR THIS 849 00:22:36,028 --> 00:22:40,022 >> YES 850 00:22:37,021 --> 00:22:40,022 >> Jimmy: IT IS TIME FOR 851 00:22:38,006 --> 00:22:40,022 "DAKOTA SETTLES IT!" 852 00:22:42,001 --> 00:22:45,017 ♪ DAKOTA SETTLES IT 853 00:22:42,001 --> 00:22:45,017 DAKOTA SETTLES IT ♪ 854 00:22:45,017 --> 00:22:49,003 >> Jimmy: ALL RIGHT. 855 00:22:45,017 --> 00:22:49,003 >> WOW, I LOVE THAT. 856 00:22:49,003 --> 00:22:52,000 >> Jimmy: FIRST ISSUE. 857 00:22:49,003 --> 00:22:52,000 BETTER ROM-COM: "THE NOTEBOOK" 858 00:22:52,000 --> 00:22:56,014 OR "WHEN HARRY MET SALLY?" 859 00:22:52,000 --> 00:22:56,014 >> "WHEN HARRY MET SALLY." 860 00:22:56,014 --> 00:22:58,023 >> Jimmy: I AGREE. 861 00:22:56,014 --> 00:22:58,023 THERE YOU GO 862 00:22:58,023 --> 00:23:00,004 NEXT 863 00:22:58,023 --> 00:23:00,004 "GAME OF THRONES" OR "LORD OF 864 00:23:00,004 --> 00:23:03,028 THE RINGS? 865 00:23:00,004 --> 00:23:03,028 >> OH, THAT'S TOUGH, BECAUSE I 866 00:23:03,028 --> 00:23:07,013 FEEL LIKE PEOPLE WILL BE REALLY 867 00:23:03,028 --> 00:23:07,013 ANGRY ON EITHER SIDE, BUT I'M 868 00:23:07,013 --> 00:23:13,012 GOING TO SAY "LORD OF THE 869 00:23:07,013 --> 00:23:13,012 THRONES. 870 00:23:13,012 --> 00:23:16,004 >> Jimmy: OH, MY GOSH, "LORD OF 871 00:23:13,012 --> 00:23:16,004 THE THRONES. 872 00:23:16,004 --> 00:23:19,015 OH, MY GOSH. 873 00:23:16,004 --> 00:23:19,015 I'M GOING TO SAY, I THINK "GAME 874 00:23:19,015 --> 00:23:24,007 OF THRONES." 875 00:23:19,015 --> 00:23:24,007 >> REALLY? 876 00:23:24,007 --> 00:23:27,006 >> Jimmy: YEAH 877 00:23:24,007 --> 00:23:27,006 >> I WOULD ALSO SAY "GAME OF 878 00:23:27,006 --> 00:23:29,014 THRONES," ACTUALLY, RIGHT NOW, 879 00:23:27,006 --> 00:23:29,014 AS WELL. 880 00:23:29,014 --> 00:23:31,013 >> Jimmy: YEAH, RIGHT NOW I'D 881 00:23:29,014 --> 00:23:31,013 SAY "GAME OF THRONES." 882 00:23:31,013 --> 00:23:34,005 YEAH 883 00:23:31,013 --> 00:23:34,005 >> OKAY. 884 00:23:34,005 --> 00:23:35,008 >> Jimmy: I REMEMBER SEEING 885 00:23:34,005 --> 00:23:35,008 "LORD OF THE RINGS," AND I 886 00:23:35,008 --> 00:23:37,013 DIDN'T KNOW IF I WAS SEEING THE 887 00:23:35,008 --> 00:23:37,013 SECOND ONE OR THE THIRD ONE. 888 00:23:37,013 --> 00:23:39,029 I WAS LIKE, "I'M LOST. 889 00:23:37,013 --> 00:23:39,029 >> YEAH. 890 00:23:39,029 --> 00:23:41,021 YEAH, YEAH, YEAH 891 00:23:39,029 --> 00:23:41,021 >> Jimmy: "GAME OF THRONES," I 892 00:23:41,021 --> 00:23:42,028 REALLY FOLLOWED IT 893 00:23:41,021 --> 00:23:42,028 PUT A LOT OF WORK INTO IT. 894 00:23:42,028 --> 00:23:45,022 NEXT 895 00:23:42,028 --> 00:23:45,022 COULD JACK HAVE FIT ON THE DOOR 896 00:23:45,022 --> 00:23:49,007 WITH ROSE? 897 00:23:45,022 --> 00:23:49,007 >> YES 898 00:23:49,007 --> 00:23:55,015 EVEN IF HE WAS ON TOP OF HER 899 00:23:49,007 --> 00:23:55,015 [ LAUGHTER ] 900 00:23:55,015 --> 00:23:57,011 >> Jimmy: WHAT DO YOU MEAN 901 00:23:55,015 --> 00:23:57,011 HOW WOULD HE GET ON TOP OF HER 902 00:23:57,011 --> 00:23:58,012 >> WHAT DO YOU MEAN? 903 00:23:57,011 --> 00:23:58,012 >> Jimmy: YOU'RE SWIMMING FOR 904 00:23:58,012 --> 00:24:02,008 YOUR LIFE. 905 00:23:58,012 --> 00:24:02,008 IT'S FREEZING COLD WATER 906 00:24:02,008 --> 00:24:04,010 >> YEAH, YOU JUST HOIST UP AND 907 00:24:02,008 --> 00:24:04,010 SLAP ON. 908 00:24:04,010 --> 00:24:10,024 [ LAUGHTER ] 909 00:24:04,010 --> 00:24:10,024 >> Jimmy: HERE WE GO 910 00:24:10,024 --> 00:24:14,002 ALL RIGHT, IS IT -- IS IT "GIF" 911 00:24:10,024 --> 00:24:14,002 OR "JIF? 912 00:24:14,002 --> 00:24:17,022 >> IT'S "GIF." 913 00:24:14,002 --> 00:24:17,022 >> Jimmy: IT IS "JIF" BUT IT'S 914 00:24:17,022 --> 00:24:20,028 "GIF," YOU'RE RIGHT. 915 00:24:17,022 --> 00:24:20,028 >> IT'S "GIF." 916 00:24:20,028 --> 00:24:22,027 >> Jimmy: THE GUY INVENTED IT 917 00:24:20,028 --> 00:24:22,027 SAID IT'S "JIF." 918 00:24:22,027 --> 00:24:25,000 >> WHO'S THE GUY WHO INVENTED 919 00:24:22,027 --> 00:24:25,000 IT 920 00:24:25,000 --> 00:24:31,028 >> Jimmy: 921 00:24:25,000 --> 00:24:31,028 FRED "JIFFY" MENDELSOHN. 922 00:24:31,028 --> 00:24:34,020 ALL RIGHT, HERE WE GO. 923 00:24:31,028 --> 00:24:34,020 "SEX AND THE CITY" QUESTION. 924 00:24:34,020 --> 00:24:37,015 SHOULD CARRIE HAVE ENDED UP 925 00:24:34,020 --> 00:24:37,015 WITH BIG 926 00:24:37,015 --> 00:24:40,007 >> NO. 927 00:24:37,015 --> 00:24:40,007 >> Jimmy: YEAH, I AGREE. 928 00:24:40,007 --> 00:24:43,005 IT ENDED BITTERSWEET AND COOL. 929 00:24:40,007 --> 00:24:43,005 >> YEAH. 930 00:24:43,005 --> 00:24:45,017 >> Jimmy: BUT -- ALSO PERFECT. 931 00:24:43,005 --> 00:24:45,017 I AGREE. 932 00:24:45,017 --> 00:24:47,010 GREAT, ALL RIGHT 933 00:24:45,017 --> 00:24:47,010 TAKE A LOOK AT THIS. 934 00:24:47,010 --> 00:24:51,004 IS THE DRESS BLUE AND BLACK OR 935 00:24:47,010 --> 00:24:51,004 WHITE AND GOLD 936 00:24:51,004 --> 00:24:53,013 >> IT'S WHITE AND GOLD 937 00:24:51,004 --> 00:24:53,013 >> Jimmy: CORRECT. 938 00:24:53,013 --> 00:24:55,019 >> BUT IT ACTUALLY SORT OF 939 00:24:53,013 --> 00:24:55,019 LOOKS BLUE AND GOLD. 940 00:24:55,019 --> 00:24:56,028 >> Jimmy: IT DOES A LITTLE BIT 941 00:24:55,019 --> 00:24:56,028 IT'S LIKE A LIGHT BLUE AND 942 00:24:56,028 --> 00:24:58,017 GOLD 943 00:24:56,028 --> 00:24:58,017 >> YEAH. 944 00:24:58,017 --> 00:25:00,004 >> Jimmy: I AGREE. 945 00:24:58,017 --> 00:25:00,004 IT'S NEITHER ONE 946 00:25:00,004 --> 00:25:01,020 TRICK QUESTION 947 00:25:00,004 --> 00:25:01,020 ALL RIGHT, NEXT UP, TEAM JACOB 948 00:25:01,020 --> 00:25:10,022 OR TEAM EDWARD 949 00:25:01,020 --> 00:25:10,022 >> OH, TEAM EDWARD 950 00:25:10,022 --> 00:25:13,010 >> Jimmy: YEAH, I THINK SO, 951 00:25:10,022 --> 00:25:13,010 TOO. 952 00:25:13,010 --> 00:25:14,024 NEXT, HOW DO YOU PRONOUNCE THE 953 00:25:13,010 --> 00:25:14,024 WORD AT THE BOTTOM OF MY 954 00:25:14,024 --> 00:25:21,010 SCREEN 955 00:25:14,024 --> 00:25:21,010 >> CARA-MEL. 956 00:25:21,010 --> 00:25:23,028 >> Jimmy: YEAH 957 00:25:21,010 --> 00:25:23,028 YOU'RE CLASSIC 958 00:25:23,028 --> 00:25:25,008 BECAUSE I WOULD HAVE SAID -- 959 00:25:23,028 --> 00:25:25,008 >> WE'RE NOT DISAGREEING ON 960 00:25:25,008 --> 00:25:26,010 MUCH 961 00:25:25,008 --> 00:25:26,010 >> Jimmy: CAR-MEL. 962 00:25:26,010 --> 00:25:28,003 BUT CAR-MEL -- 963 00:25:26,010 --> 00:25:28,003 >> DO YOU SAY THAT 964 00:25:28,003 --> 00:25:29,003 >> Jimmy: I THINK I SAY 965 00:25:28,003 --> 00:25:29,003 CAR-MEL. 966 00:25:29,003 --> 00:25:31,018 CAR-MEL. 967 00:25:29,003 --> 00:25:31,018 >> CAR-A-MEL 968 00:25:31,018 --> 00:25:33,014 >> Jimmy: CAR-MEL. 969 00:25:31,018 --> 00:25:33,014 IT'S -- WHAT I'M SAYING -- 970 00:25:33,014 --> 00:25:35,024 >> CAR-MEL 971 00:25:33,014 --> 00:25:35,024 >> Jimmy: IS WRONG 972 00:25:35,024 --> 00:25:37,019 LIKE CAR-MEL CORN. 973 00:25:35,024 --> 00:25:37,019 CARA-MEL-ED -- CAR-MEL-ED 974 00:25:37,019 --> 00:25:39,018 APPLES 975 00:25:37,019 --> 00:25:39,018 CAR-MEL APP -- 976 00:25:39,018 --> 00:25:41,027 >> CARE-A-MEL APPLE. 977 00:25:39,018 --> 00:25:41,027 >> Jimmy: IT SOUNDS MUCH BETTER 978 00:25:41,027 --> 00:25:44,005 WHEN YOU SAY IT. 979 00:25:41,027 --> 00:25:44,005 CAR-MEL APPLES AND STUFF LIKE 980 00:25:44,005 --> 00:25:45,025 THAT 981 00:25:44,005 --> 00:25:45,025 YEAH 982 00:25:45,025 --> 00:25:47,015 ALL RIGHT, FOR THIS NEXT ONE, 983 00:25:45,025 --> 00:25:47,015 REMEMBER THERE ARE FOUR TO 984 00:25:47,015 --> 00:25:49,021 CHOOSE FROM. 985 00:25:47,015 --> 00:25:49,021 BEST "TOY STORY? 986 00:25:49,021 --> 00:25:56,007 I KNOW THE ANSWER. 987 00:25:49,021 --> 00:25:56,007 >> OH, I LIKE "TOY STORY 3." 988 00:25:56,007 --> 00:25:58,011 >> Jimmy: THAT IS CORRECT. 989 00:25:56,007 --> 00:25:58,011 THAT IS THE RIGHT ANSWER 990 00:25:58,011 --> 00:25:59,026 >> IS IT 991 00:25:58,011 --> 00:25:59,026 >> Jimmy: YEAH, IT'S DEFINITELY 992 00:25:59,026 --> 00:26:01,000 "3." 993 00:25:59,026 --> 00:26:01,000 "3" SHOULD HAVE WON FOR BEST 994 00:26:01,000 --> 00:26:02,007 PICTURE, ONE OF THE BEST MOVIES 995 00:26:01,000 --> 00:26:02,007 I'VE EVER SEEN IN MY ENTIRE 996 00:26:02,007 --> 00:26:07,007 LIFETIME 997 00:26:02,007 --> 00:26:07,007 >> YEAH, I AGREE 998 00:26:07,007 --> 00:26:13,014 >> Jimmy: DOES CILANTRO TASTE 999 00:26:07,007 --> 00:26:13,014 LIKE SOAP? 1000 00:26:13,014 --> 00:26:16,000 >> NO. 1001 00:26:13,014 --> 00:26:16,000 >> Jimmy: YEAH, I AGREE. 1002 00:26:16,000 --> 00:26:18,005 >> OH. 1003 00:26:16,000 --> 00:26:18,005 >> Jimmy: AND FINALLY, ONE OF 1004 00:26:18,005 --> 00:26:20,001 THE MOST DEBATED QUESTIONS 1005 00:26:18,005 --> 00:26:20,001 EVER 1006 00:26:20,001 --> 00:26:22,020 WERE ROSS AND RACHEL ON 1007 00:26:20,001 --> 00:26:22,020 A BREAK? 1008 00:26:22,020 --> 00:26:24,006 >> YES 1009 00:26:22,020 --> 00:26:24,006 >> Jimmy: THEY WERE! 1010 00:26:24,006 --> 00:26:26,024 I TOTALLY AGREE WITH YOU 1011 00:26:24,006 --> 00:26:26,024 [ APPLAUSE ] 1012 00:26:26,024 --> 00:26:29,010 YOU HEARD IT HERE FIRST! 1013 00:26:26,024 --> 00:26:29,010 MY THANKS TO DAKOTA JOHNSON! 1014 00:26:29,010 --> 00:26:30,023 HER NEW MOVIE, "OUR FRIEND" IS 1015 00:26:29,010 --> 00:26:30,023 IN THEATERS AND ON-DEMAND THIS 1016 00:26:30,023 --> 00:26:32,023 FRIDAY 1017 00:26:30,023 --> 00:26:32,023 WE'LL BE RIGHT BACK WITH MORE 1018 00:26:32,023 --> 00:26:34,021 "TONIGHT SHOW. 1019 00:26:32,023 --> 00:26:34,021 DAKOTA JOHNSON, THANK YOU SO 1020 00:26:34,021 --> 00:26:36,010 MUCH 1021 00:26:34,021 --> 00:26:36,010 [ APPLAUSE ] 1022 00:26:36,010 --> 00:26:38,025 ♪ 1023 00:26:36,010 --> 00:26:38,025 >> THANK YOU 1024 00:26:38,025 --> 00:26:55,011 ♪ 1025 00:26:38,025 --> 00:26:55,011 >> Jimmy: MY NEXT GUEST IS THE 1026 00:26:55,011 --> 00:26:58,014 STAR AND EXECUTIVE PRODUCER OF 1027 00:26:55,011 --> 00:26:58,014 THE SHOW "GROWN-ISH," WHICH 1028 00:26:58,014 --> 00:26:59,020 RETURNS WITH ALL NEW EPISODES 1029 00:26:58,014 --> 00:26:59,020 THIS THURSDAY AT 8:00 P.M. ON 1030 00:26:59,020 --> 00:27:05,004 FREEFORM AND WILL BE AVAILABLE 1031 00:26:59,020 --> 00:27:05,004 ON HULU THE NEXT DAY 1032 00:27:05,004 --> 00:27:09,005 HERE IS YARA SHAHIDI 1033 00:27:05,004 --> 00:27:09,005 OH, HI 1034 00:27:09,005 --> 00:27:11,008 YARA, GREAT TO SEE YOU 1035 00:27:09,005 --> 00:27:11,008 >> HELLO, HELLO. 1036 00:27:11,008 --> 00:27:14,007 SO GOOD TO SEE YOU 1037 00:27:11,008 --> 00:27:14,007 >> Jimmy: YOU LOOK FANTASTIC 1038 00:27:14,007 --> 00:27:16,023 THANK YOU FOR COMING BACK TO 1039 00:27:14,007 --> 00:27:16,023 THE SHOW 1040 00:27:16,023 --> 00:27:21,013 I FOLLOW YOU ON TWITTER, AND 1041 00:27:16,023 --> 00:27:21,013 LAST MONTH EVERYONE WAS POSTING 1042 00:27:21,013 --> 00:27:22,021 THEIR SPOTIFY RAP RESULTS, LIKE 1043 00:27:21,013 --> 00:27:22,021 WHAT SONG THEY LISTENED TO THE 1044 00:27:22,021 --> 00:27:24,025 MOST 1045 00:27:22,021 --> 00:27:24,025 BUT YOU POSTED SOMETHING A 1046 00:27:24,025 --> 00:27:27,027 A LITTLE DIFFERENT I THOUGHT 1047 00:27:24,025 --> 00:27:27,027 WAS VERY COOL. 1048 00:27:27,027 --> 00:27:32,018 YOU PUT, "SORRY IF YOU COULDN'T 1049 00:27:27,027 --> 00:27:32,018 REACH ME, I WAS LISTENING TO 1050 00:27:32,018 --> 00:27:36,019 101,070 MINUTES OF RADIO ON NPR 1051 00:27:32,018 --> 00:27:36,019 ONE APP. 1052 00:27:36,019 --> 00:27:38,021 THAT'S - 1053 00:27:36,019 --> 00:27:38,021 [ LAUGHTER ] 1054 00:27:38,021 --> 00:27:40,028 I ADDED IT UP. 1055 00:27:38,021 --> 00:27:40,028 THAT'S OVER 70 FULL DAYS OF 1056 00:27:40,028 --> 00:27:43,020 LISTENING. 1057 00:27:40,028 --> 00:27:43,020 >> YES, AND THE BEST THING IS 1058 00:27:43,020 --> 00:27:44,023 IT LITERALLY DOESN'T SCRATCH 1059 00:27:43,020 --> 00:27:44,023 THE SURFACE OF HOW MANY 1060 00:27:44,023 --> 00:27:49,016 PODCASTS AND RADIO SHOWS I 1061 00:27:44,023 --> 00:27:49,016 LISTEN TO. 1062 00:27:49,016 --> 00:27:51,016 BECAUSE THAT'S ONE APP 1063 00:27:49,016 --> 00:27:51,016 AND I STILL HAVE THE PODCAST 1064 00:27:51,016 --> 00:27:54,017 APP THAT I THINK I LISTEN TO 1065 00:27:51,016 --> 00:27:54,017 EVERY EVENING. 1066 00:27:54,017 --> 00:27:56,013 >> Jimmy: OH, MY GOODNESS, THAT 1067 00:27:54,017 --> 00:27:56,013 IS - 1068 00:27:56,013 --> 00:27:58,029 WHAT IS IT -- WHAT DO YOU GO 1069 00:27:56,013 --> 00:27:58,029 THROUGH? 1070 00:27:58,029 --> 00:28:04,015 WHAT ARE YOU LISTENING TO? 1071 00:27:58,029 --> 00:28:04,015 >> I'M REALLY AN NPR FAN 1072 00:28:04,015 --> 00:28:05,022 LIKE, I'M NOT, THIS IS NOT PAID 1073 00:28:04,015 --> 00:28:05,022 PROMOTION, BUT WHEN I TELL YOU 1074 00:28:05,022 --> 00:28:06,028 THE NPR ONE APP IS PROBABLY MY 1075 00:28:05,022 --> 00:28:06,028 FAVORITE APP BECAUSE YOU HAVE, 1076 00:28:06,028 --> 00:28:13,021 LIKE, YOUR LOCAL NEWS STATION. 1077 00:28:06,028 --> 00:28:13,021 BUT THEN THEY CYCLE THROUGH 1078 00:28:13,021 --> 00:28:14,021 PODCASTS OF, LIKE, 1079 00:28:13,021 --> 00:28:14,021 INVESTIGATIVE RESEARCH AND ALL 1080 00:28:14,021 --> 00:28:18,028 SORTS OF THINGS. 1081 00:28:14,021 --> 00:28:18,028 AND SO, LIKE, I MEAN, FOR 1082 00:28:18,028 --> 00:28:21,004 A MINUTE IT WAS FUNNY BECAUSE 1083 00:28:18,028 --> 00:28:21,004 MY LOCAL NEWS STATION WAS STUCK 1084 00:28:21,004 --> 00:28:24,020 IN IDAHO 1085 00:28:21,004 --> 00:28:24,020 AND SO I LEARNED EVERYTHING 1086 00:28:24,020 --> 00:28:29,010 THAT WAS HAPPENING IN IDAHO AT 1087 00:28:24,020 --> 00:28:29,010 THE TIME 1088 00:28:29,010 --> 00:28:31,028 I GUESS I HAVE TO SAY IT'S 1089 00:28:29,010 --> 00:28:31,028 REALLY AN IMMERSIVE EXPERIENCE 1090 00:28:31,028 --> 00:28:34,014 >> Jimmy: YEAH, THAT IS KIND OF 1091 00:28:31,028 --> 00:28:34,014 INTERESTING, I LIKE THAT - 1092 00:28:34,014 --> 00:28:38,022 I LISTEN TO A COUPLE OF 1093 00:28:34,014 --> 00:28:38,022 PODCASTS ON THE NPR. 1094 00:28:38,022 --> 00:28:41,017 I MEAN, "HOW I BUILT THIS. 1095 00:28:38,022 --> 00:28:41,017 >> MM-HM 1096 00:28:41,017 --> 00:28:44,029 >> Jimmy: TERRY GROSS. 1097 00:28:41,017 --> 00:28:44,029 >> YEAH. 1098 00:28:44,029 --> 00:28:46,024 >> Jimmy: OH, WHAT'S THE GAME 1099 00:28:44,029 --> 00:28:46,024 SHOW 1100 00:28:46,024 --> 00:28:49,020 "WAIT WAIT DON'T TELL ME." 1101 00:28:46,024 --> 00:28:49,020 >> "WAIT WAIT DON'T TELL ME. 1102 00:28:49,020 --> 00:28:51,012 YEAH 1103 00:28:49,020 --> 00:28:51,012 >> Jimmy: THAT'S THE JAM 1104 00:28:51,012 --> 00:28:53,007 THAT IS MY -- I LOVE THAT. 1105 00:28:51,012 --> 00:28:53,007 YOU KNOW WHAT, I GOT TO CHECK 1106 00:28:53,007 --> 00:28:55,009 OUT HOW MANY MINUTES I'M 1107 00:28:53,007 --> 00:28:55,009 LISTENING TO THAT. 1108 00:28:55,009 --> 00:28:56,007 >> AND IF YOU EVER NEED 1109 00:28:55,009 --> 00:28:56,007 RECOMMENDATIONS I'VE 1110 00:28:56,007 --> 00:28:58,005 EXPERIENCED THE ENTIRE CATALOG 1111 00:28:56,007 --> 00:28:58,005 >> Jimmy: I LOVE THAT, BUT I 1112 00:28:58,005 --> 00:29:02,022 ALSO KNOW YOU'RE A BIG MUSIC 1113 00:28:58,005 --> 00:29:02,022 FAN. 1114 00:29:02,022 --> 00:29:04,021 THAT YOU'RE BUILDING YOUR VINYL 1115 00:29:02,022 --> 00:29:04,021 COLLECTION 1116 00:29:04,021 --> 00:29:08,012 HOW'S THE VINYL? 1117 00:29:04,021 --> 00:29:08,012 HOW'S THAT GOING 1118 00:29:08,012 --> 00:29:09,018 >> IT'S BEEN WONDERFUL BECAUSE 1119 00:29:08,012 --> 00:29:09,018 I'M AROUND EITHER MUSICIANS OR 1120 00:29:09,018 --> 00:29:13,029 MUSICALLY-INSPIRED PEOPLE ALL 1121 00:29:09,018 --> 00:29:13,029 THE TIME 1122 00:29:13,029 --> 00:29:17,017 SO I GET SOME GREAT ADDITIONS 1123 00:29:13,029 --> 00:29:17,017 TO THE COLLECTION. 1124 00:29:17,017 --> 00:29:21,006 I'M TRYING TO THINK OF WHEN I 1125 00:29:17,017 --> 00:29:21,006 STARTED IT 1126 00:29:21,006 --> 00:29:23,024 IT'S PROBABLY BEEN FOUR-ISH 1127 00:29:21,006 --> 00:29:23,024 YEARS. 1128 00:29:23,024 --> 00:29:27,010 >> Jimmy: YEAH 1129 00:29:23,024 --> 00:29:27,010 >> AND SO FAR SO GOOD. 1130 00:29:27,010 --> 00:29:28,017 >> Jimmy: YEAH, YOU KNOW WHAT'S 1131 00:29:27,010 --> 00:29:28,017 INTERESTING IS, I RECENTLY GOT 1132 00:29:28,017 --> 00:29:34,023 BACK INTO VINYL, SAME THING, 1133 00:29:28,017 --> 00:29:34,023 PROBABLY FOUR, FIVE YEARS. 1134 00:29:34,023 --> 00:29:36,003 I GREW UP WITH IT, BUT THEN IT 1135 00:29:34,023 --> 00:29:36,003 WENT AWAY, TECHNOLOGY, BUT THEN 1136 00:29:36,003 --> 00:29:37,010 IT GOT BACK IN, AND EVERYONE'S 1137 00:29:36,003 --> 00:29:37,010 LIKE, "OH, HERE'S 100 OF MY 1138 00:29:37,010 --> 00:29:42,009 FAVORITE ALBUMS. 1139 00:29:37,010 --> 00:29:42,009 AND I GO, "DON'T GIVE ME 100 1140 00:29:42,009 --> 00:29:44,010 JUST GIVE ME ONE." 1141 00:29:42,009 --> 00:29:44,010 >> YEAH. 1142 00:29:44,010 --> 00:29:46,000 >> Jimmy: WHAT'S ON YOUR 1143 00:29:44,010 --> 00:29:46,000 TURNTABLE THESE DAYS 1144 00:29:46,000 --> 00:29:48,013 ANYTHING THAT STICKS OUT THAT 1145 00:29:46,000 --> 00:29:48,013 YOU REMEMBER 1146 00:29:48,013 --> 00:29:51,001 >> OOH, I HAVE A COUPLE. 1147 00:29:48,013 --> 00:29:51,001 SO I FEEL LIKE I SOMEHOW FIND 1148 00:29:51,001 --> 00:29:52,007 A WAY TO MENTION FRANK OCEAN'S 1149 00:29:51,001 --> 00:29:52,007 "BLONDE" EVERY TIME I'M ON THE 1150 00:29:52,007 --> 00:29:58,011 SHOW, AND SO I MUST MENTION IT 1151 00:29:52,007 --> 00:29:58,011 AGAIN. 1152 00:29:58,011 --> 00:30:01,009 >> Jimmy: IT'S PHENOMENAL. 1153 00:29:58,011 --> 00:30:01,009 GOOD, I LOVE THAT. 1154 00:30:01,009 --> 00:30:04,006 >> YEAH, AND THEN I'M TRYING TO 1155 00:30:01,009 --> 00:30:04,006 THINK. 1156 00:30:04,006 --> 00:30:05,008 I MEAN, SOME CLASSICS ARE JUST 1157 00:30:04,006 --> 00:30:05,008 LIKE THE STEVIE WONDER 1158 00:30:05,008 --> 00:30:07,024 COMPILATION. 1159 00:30:05,008 --> 00:30:07,024 A LOT OF BOB MARLEY, 1160 00:30:07,024 --> 00:30:11,007 "BABYLON BY BUS. 1161 00:30:07,024 --> 00:30:11,007 WHICH IS SOMETHING STRAIGHT 1162 00:30:11,007 --> 00:30:13,017 FROM MY PARENTS. 1163 00:30:11,007 --> 00:30:13,017 AND THEN, OF COURSE, IT ALWAYS 1164 00:30:13,017 --> 00:30:14,022 DOESN'T HURT TO HAVE A COUSIN 1165 00:30:13,017 --> 00:30:14,022 THAT'S A MUSICIAN SO I HAVE 1166 00:30:14,022 --> 00:30:20,006 "ILLMATIC" IN MY COLLECTION. 1167 00:30:14,022 --> 00:30:20,006 >> Jimmy: I JUST GOT THAT. 1168 00:30:20,006 --> 00:30:26,006 I JUST GOT THAT ON 180 GRAM. 1169 00:30:20,006 --> 00:30:26,006 >> OH, IT WAS MY FIRST VINYL 1170 00:30:26,006 --> 00:30:27,028 HE WAS THE FIRST CONTRIBUTOR TO 1171 00:30:26,006 --> 00:30:27,028 MY COLLECTION. 1172 00:30:27,028 --> 00:30:30,014 >> Jimmy: OH, MY GOSH. 1173 00:30:27,028 --> 00:30:30,014 HOW COOL IS THAT 1174 00:30:30,014 --> 00:30:34,008 OF ALL COOLNESS. 1175 00:30:30,014 --> 00:30:34,008 AND WHAT'S THE BOB MARLEY ONE? 1176 00:30:34,008 --> 00:30:37,014 BUS ON - 1177 00:30:34,008 --> 00:30:37,014 BABYLON -- 1178 00:30:37,014 --> 00:30:41,016 >> "BABYLON BY BUS." 1179 00:30:37,014 --> 00:30:41,016 >> Jimmy: OH, I LOVE IT. 1180 00:30:41,016 --> 00:30:42,025 >> I MEAN, EVEN FOR MY BIRTHDAY 1181 00:30:41,016 --> 00:30:42,025 RECENTLY, MY FRIENDS MADE ME A 1182 00:30:42,025 --> 00:30:43,028 A VINYL WITH ALL THE SONGS THAT 1183 00:30:42,025 --> 00:30:43,028 REPRESENT KIND OF OUR 1184 00:30:43,028 --> 00:30:50,001 FRIENDSHIP 1185 00:30:43,028 --> 00:30:50,001 IT'S THE COOLEST THING 1186 00:30:50,001 --> 00:30:52,010 IT'S A PICTURE OF ME EDITED 1187 00:30:50,001 --> 00:30:52,010 ONTO AN ALBUM COVER. 1188 00:30:52,010 --> 00:30:57,027 >> Jimmy: WAIT, I DID THAT FOR 1189 00:30:52,010 --> 00:30:57,027 MY WIFE FOR HER BIRTHDAY 1190 00:30:57,027 --> 00:30:59,026 >> BOTH YOU AND MY FRIENDS ARE 1191 00:30:57,027 --> 00:30:59,026 TWINNING, THEN 1192 00:30:59,026 --> 00:31:01,018 >> Jimmy: I GOT TO TALK TO YOUR 1193 00:30:59,026 --> 00:31:01,018 FRIEND, THAT'S UNBELIEVABLE. 1194 00:31:01,018 --> 00:31:04,007 WE GOT TO GET IT - 1195 00:31:01,018 --> 00:31:04,007 MAYBE WE'LL GET INTO, LIKE, THE 1196 00:31:04,007 --> 00:31:06,009 GIFT-GIVING BUSINESS 1197 00:31:04,007 --> 00:31:06,009 I MADE A FULL BOX SET WITH 1198 00:31:06,009 --> 00:31:09,005 DIFFERENT PHOTOS - 1199 00:31:06,009 --> 00:31:09,005 >> THAT IS SO COOL 1200 00:31:09,005 --> 00:31:10,010 >> Jimmy: DIFFERENT PHOTOS OF 1201 00:31:09,005 --> 00:31:10,010 MY WIFE THROUGHOUT THE YEARS 1202 00:31:10,010 --> 00:31:12,011 AND STUFF. 1203 00:31:10,010 --> 00:31:12,011 YEAH 1204 00:31:12,011 --> 00:31:13,020 I ALSO WANT TO CONGRATULATE 1205 00:31:12,011 --> 00:31:13,020 YOU. 1206 00:31:13,020 --> 00:31:15,015 YOU LAUNCHED A PRODUCTION 1207 00:31:13,020 --> 00:31:15,015 COMPANY WITH YOUR MOM. 1208 00:31:15,015 --> 00:31:19,020 PLEASE, TELL HER HI FOR ME 1209 00:31:15,015 --> 00:31:19,020 BECAUSE SHE'S BEEN ON OUR SHOW 1210 00:31:19,020 --> 00:31:23,011 WHAT KIND OF PROJECTS ARE YOU 1211 00:31:19,020 --> 00:31:23,011 HOPING TO MAKE WITH THIS 1212 00:31:23,011 --> 00:31:26,013 >> YEAH, WELL, ME AND MY MOMMA, 1213 00:31:23,011 --> 00:31:26,013 KERI, WE TOGETHER OPENED 1214 00:31:26,013 --> 00:31:29,015 PROBABLY ABOUT TWO YEARS AGO 1215 00:31:26,013 --> 00:31:29,015 AND WE'D ALREADY BEEN IN 1216 00:31:29,015 --> 00:31:31,009 PRODUCTION BEFOREHAND. 1217 00:31:29,015 --> 00:31:31,009 BUT IT'S BEEN REALLY WONDERFUL 1218 00:31:31,009 --> 00:31:32,017 TO BE IN THE ABC ECOSYSTEM, AND 1219 00:31:31,009 --> 00:31:32,017 ONE OF THE FIRST THINGS WE JUST 1220 00:31:32,017 --> 00:31:33,024 ANNOUNCED LAST WEEK IS A SHOW 1221 00:31:32,017 --> 00:31:33,024 CALLED "SMOAKLAND," WHICH WE'RE 1222 00:31:33,024 --> 00:31:40,013 SO EXCITED ABOUT 1223 00:31:33,024 --> 00:31:40,013 WE'RE SETTING IT UP WITH OUR 1224 00:31:40,013 --> 00:31:43,019 FREEFORM FAMILY. 1225 00:31:40,013 --> 00:31:43,019 IT'S EXACTLY WHAT IT SOUNDS 1226 00:31:43,019 --> 00:31:46,001 LIKE 1227 00:31:43,019 --> 00:31:46,001 THINK, WEED IN OAKLAND AND AN 1228 00:31:46,001 --> 00:31:47,008 INCREDIBLE ENTREPRENEUR IN THE 1229 00:31:46,001 --> 00:31:47,008 MIDDLE OF IT, AND IT CAME FROM 1230 00:31:47,008 --> 00:31:53,024 THE BRAIN OF WRITER 1231 00:31:47,008 --> 00:31:53,024 JEWEL McPHERSON. 1232 00:31:53,024 --> 00:31:55,023 AND IT'S BEEN SO WONDERFUL 1233 00:31:53,024 --> 00:31:55,023 BECAUSE I THINK THROUGH 1234 00:31:55,023 --> 00:31:56,026 PRODUCTION WE'VE BEEN ABLE TO 1235 00:31:55,023 --> 00:31:56,026 REALLY HONOR ALL OF OUR 1236 00:31:56,026 --> 00:31:58,000 SENSIBILITIES IN TV, AND I 1237 00:31:56,026 --> 00:31:58,000 THINK PEOPLE HAVE KNOWN ME AS 1238 00:31:58,000 --> 00:32:03,016 ZOE JOHNSON FOR, WHAT, GOING ON 1239 00:31:58,000 --> 00:32:03,016 EIGHT YEARS. 1240 00:32:03,016 --> 00:32:05,016 >> Jimmy: YEAH 1241 00:32:03,016 --> 00:32:05,016 >> AND SO TO BE ABLE TO REALLY 1242 00:32:05,016 --> 00:32:06,019 EXPERIMENT AND PLAY AND BE A 1243 00:32:05,016 --> 00:32:06,019 A COLLABORATOR TO SO MANY 1244 00:32:06,019 --> 00:32:12,017 INCREDIBLE WRITERS HAS BEEN 1245 00:32:06,019 --> 00:32:12,017 SUCH A TREAT 1246 00:32:12,017 --> 00:32:13,026 >> Jimmy: ON TOP OF THAT, I 1247 00:32:12,017 --> 00:32:13,026 WANT TO SAY, YARA, YOU KNOW I'M 1248 00:32:13,026 --> 00:32:15,000 A BIG FAN OF YOURS, BUT YOU'VE 1249 00:32:13,026 --> 00:32:15,000 BEEN A HUGE ADVOCATE FOR 1250 00:32:15,000 --> 00:32:16,004 GETTING PEOPLE TO VOTE, AND WE 1251 00:32:15,000 --> 00:32:16,004 JUST SAW A HISTORIC VOTER 1252 00:32:16,004 --> 00:32:24,024 TURNOUT IN NOVEMBER. 1253 00:32:16,004 --> 00:32:24,024 TOMORROW IS INAUGURATION DAY, 1254 00:32:24,024 --> 00:32:26,000 AND THIS IS ACTUALLY THE FIRST 1255 00:32:24,024 --> 00:32:26,000 PRESIDENTIAL ELECTION THAT YOU 1256 00:32:26,000 --> 00:32:31,028 WERE ABLE TO VOTE IN 1257 00:32:26,000 --> 00:32:31,028 HOW DOES THAT FEEL 1258 00:32:31,028 --> 00:32:35,029 >> I MEAN, IT -- IT'S 1259 00:32:31,028 --> 00:32:35,029 INTERESTING. 1260 00:32:35,029 --> 00:32:37,002 I THINK I FEEL THE SAME LEVEL 1261 00:32:35,029 --> 00:32:37,002 OF BOTH EXCITEMENT AND 1262 00:32:37,002 --> 00:32:38,003 TREPIDATION AS EVERYONE ELSE 1263 00:32:37,002 --> 00:32:38,003 DOES, ESPECIALLY AFTER 1264 00:32:38,003 --> 00:32:44,024 WITNESSING THE EVENTS AT THE 1265 00:32:38,003 --> 00:32:44,024 CAPITOL. 1266 00:32:44,024 --> 00:32:46,015 AND I FEEL LIKE WHAT WAS MOST 1267 00:32:44,024 --> 00:32:46,015 SADDENING WAS THAT IT WAS 1268 00:32:46,015 --> 00:32:49,003 UNSURPRISING 1269 00:32:46,015 --> 00:32:49,003 IT WAS WHAT I EXPECTED 1270 00:32:49,003 --> 00:32:53,018 IMMEDIATELY AFTER THE ELECTION, 1271 00:32:49,003 --> 00:32:53,018 IN ALL HONESTY 1272 00:32:53,018 --> 00:32:54,026 AND SO WHAT I'VE BEEN TRYING TO 1273 00:32:53,018 --> 00:32:54,026 KIND OF REALLY THINK INSTEAD IN 1274 00:32:54,026 --> 00:32:55,028 IS THE FACT THAT WE HAD EPIC 1275 00:32:54,026 --> 00:32:55,028 YOUTH VOTER TURNOUT, AND 1276 00:32:55,028 --> 00:32:57,004 GRASSROOTS ORGANIZERS ENSURED 1277 00:32:55,028 --> 00:32:57,004 THAT SO MANY COMMUNITIES THAT 1278 00:32:57,004 --> 00:32:58,003 OFTEN GO OVERLOOKED WERE 1279 00:32:57,004 --> 00:32:58,003 CENTRAL VOICES IN THIS 1280 00:32:58,003 --> 00:33:08,005 ELECTION 1281 00:32:58,003 --> 00:33:08,005 AND SO THOSE ARE WINS THAT WE 1282 00:33:08,005 --> 00:33:10,010 HAVE TO HOLD ONTO. 1283 00:33:08,005 --> 00:33:10,010 BIG SHOUTOUT TO STACEY ABRAMS 1284 00:33:10,010 --> 00:33:15,006 FOR SINGLEHANDEDLY HELPING US 1285 00:33:10,010 --> 00:33:15,006 SAVE THIS ELECTION 1286 00:33:15,006 --> 00:33:16,012 AND THEN I ALSO HAVE TO SAY 1287 00:33:15,006 --> 00:33:16,012 INAUGURATION DAY IS A TIME TO 1288 00:33:16,012 --> 00:33:17,017 REJUVENATE, CELEBRATE BUT ALSO 1289 00:33:16,012 --> 00:33:17,017 NO TIME TO SLEEP BECAUSE WE 1290 00:33:17,017 --> 00:33:24,016 KNOW THERE'S SO MUCH MORE WORK 1291 00:33:17,017 --> 00:33:24,016 TO BE DONE 1292 00:33:24,016 --> 00:33:26,021 >> Jimmy: YEAH, GOOD 1293 00:33:24,016 --> 00:33:26,021 I WANT TO TALK ABOUT 1294 00:33:26,021 --> 00:33:29,023 "GROWN-ISH." 1295 00:33:26,021 --> 00:33:29,023 SEASON THREE RETURNS THIS WEEK 1296 00:33:29,023 --> 00:33:31,025 >> YES 1297 00:33:29,023 --> 00:33:31,025 >> Jimmy: YOU STAR IN IT 1298 00:33:31,025 --> 00:33:34,011 EXECUTIVE PRODUCE IT 1299 00:33:31,025 --> 00:33:34,011 IT LEFT OFF WITH ZOE MAKING 1300 00:33:34,011 --> 00:33:36,016 A BIG DECISION TO LEAVE 1301 00:33:34,011 --> 00:33:36,016 COLLEGE. 1302 00:33:36,016 --> 00:33:41,019 WHAT HAPPENS NOW 1303 00:33:36,016 --> 00:33:41,019 >> I MEAN, WHAT'S WONDERFUL IS 1304 00:33:41,019 --> 00:33:43,021 LIKE WHEN WE FIRST STARTED 1305 00:33:41,019 --> 00:33:43,021 "GROWN-ISH," THE REASON WHY WE 1306 00:33:43,021 --> 00:33:44,025 DIDN'T GO WITH THE MUCH 1307 00:33:43,021 --> 00:33:44,025 CLUNKIER NAME "COLLEG-ISH" WAS 1308 00:33:44,025 --> 00:33:46,003 BECAUSE WE KNEW THAT ULTIMATELY 1309 00:33:44,025 --> 00:33:46,003 IT WAS ABOUT THE EXPERIENCE OF 1310 00:33:46,003 --> 00:33:54,011 GROWING UP MORE THAN BEING AT 1311 00:33:46,003 --> 00:33:54,011 SCHOOL 1312 00:33:54,011 --> 00:33:55,020 SO I THINK FINALLY ZOE DROPPING 1313 00:33:54,011 --> 00:33:55,020 OUT IS US BEING ABLE TO REALLY 1314 00:33:55,020 --> 00:34:02,014 EXPLORE ALL OF THE PATHS THAT 1315 00:33:55,020 --> 00:34:02,014 YOUNG PEOPLE TAKE. 1316 00:34:02,014 --> 00:34:04,010 AND, YOU KNOW, AS AN E.P. ON 1317 00:34:02,014 --> 00:34:04,010 THE SHOW, THIS SEASON IS REALLY 1318 00:34:04,010 --> 00:34:07,021 EXCITING FOR TWO REASONS 1319 00:34:04,010 --> 00:34:07,021 ONE, BECAUSE I THINK SINCE 1320 00:34:07,021 --> 00:34:10,006 SEASON ONE I WAS LIKE, "I HAVE 1321 00:34:07,021 --> 00:34:10,006 AMAZING CASTMATES. 1322 00:34:10,006 --> 00:34:11,028 LET'S GET TO KNOW THEIR 1323 00:34:10,006 --> 00:34:11,028 CHARACTERS." 1324 00:34:11,028 --> 00:34:13,006 AND THIS IS A SEASON WHERE WE 1325 00:34:11,028 --> 00:34:13,006 GET TO DIVE, LIKE, HEAD FIRST 1326 00:34:13,006 --> 00:34:16,006 INTO EVERYONE'S DIFFERENT STORY 1327 00:34:13,006 --> 00:34:16,006 LINES. 1328 00:34:16,006 --> 00:34:17,010 AND I ALSO THINK THIS IS THE 1329 00:34:16,006 --> 00:34:17,010 SEASON WHERE ZOE, LIKE, PUTS 1330 00:34:17,010 --> 00:34:21,021 THE "GROWN" IN "GROWN-ISH. 1331 00:34:17,010 --> 00:34:21,021 IN MANY WAYS, HER LIFE 1332 00:34:21,021 --> 00:34:22,022 PARALLELS MINE FOR THE 1333 00:34:21,021 --> 00:34:22,022 REMAINDER OF THESE EPISODES 1334 00:34:22,022 --> 00:34:23,027 BECAUSE WHILE SHE WAS FLYING 1335 00:34:22,022 --> 00:34:23,027 BACK AND FORTH BETWEEN HER JOB 1336 00:34:23,027 --> 00:34:25,002 AS A FULL-TIME STYLIST, I WAS 1337 00:34:23,027 --> 00:34:25,002 FLYING IN BETWEEN SCHOOL AND 1338 00:34:25,002 --> 00:34:36,013 WORK EVERY WEEK. 1339 00:34:25,002 --> 00:34:36,013 >> Jimmy: I LOVE THAT. 1340 00:34:36,013 --> 00:34:38,006 I LOVE THAT NOW YOU HAVE A 1341 00:34:36,013 --> 00:34:38,006 A FULL-ON, OPEN WORLD. 1342 00:34:38,006 --> 00:34:39,015 WHO KNOWS WHERE YOU'RE GOING TO 1343 00:34:38,006 --> 00:34:39,015 EXPLORE NEXT 1344 00:34:39,015 --> 00:34:41,027 >> MM-HM 1345 00:34:39,015 --> 00:34:41,027 >> Jimmy: I WANT TO SHOW 1346 00:34:41,027 --> 00:34:42,017 EVERYONE A CLIP. 1347 00:34:42,017 --> 00:34:44,028 HERE IS YARA SHAHIDI IN 1348 00:34:43,013 --> 00:34:44,028 "GROWN-ISH." 1349 00:34:44,003 --> 00:34:44,028 TAKE A LOOK. 1350 00:34:47,021 --> 00:34:49,005 >> WARDROBE! 1351 00:34:47,021 --> 00:34:49,005 ANYONE FROM WARDROBE 1352 00:34:49,005 --> 00:34:54,024 >> WARDROBE, THAT'S ME 1353 00:34:49,005 --> 00:34:54,024 ♪ 1354 00:34:54,024 --> 00:34:57,016 IS EVERYTHING OKAY 1355 00:34:54,024 --> 00:34:57,016 >> NO. 1356 00:34:57,016 --> 00:34:58,020 IT'S HOT AS FISH GREASE OUT 1357 00:34:57,016 --> 00:34:58,020 HERE AND NOTHING ABOUT THIS 1358 00:34:58,020 --> 00:35:00,025 FABRIC IS BREATHABLE 1359 00:34:58,020 --> 00:35:00,025 >> WELL, I ACTUALLY HAVE YOUR 1360 00:35:00,025 --> 00:35:02,021 SECOND CHOICE OPTIONS ON STAND 1361 00:35:00,025 --> 00:35:02,021 BY 1362 00:35:02,021 --> 00:35:05,009 YOU KNOW, I'M SURE WE CAN 1363 00:35:02,021 --> 00:35:05,009 FIGURE SOMETHING OUT IF YOU 1364 00:35:05,009 --> 00:35:07,005 GIVE ME, LIKE, 15 MINUTES. 1365 00:35:05,009 --> 00:35:07,005 >> 12? 1366 00:35:07,005 --> 00:35:10,013 >> 10! 1367 00:35:07,005 --> 00:35:10,013 WHY'D I DO THAT? 1368 00:35:10,013 --> 00:35:12,022 >> I'M NOT REALLY FEELING THIS 1369 00:35:10,013 --> 00:35:12,022 OUTFIT ANYMORE 1370 00:35:12,022 --> 00:35:15,014 I JUST REALIZED THAT ALL THE 1371 00:35:12,022 --> 00:35:15,014 OTHER DANCERS HAVE THE SAME 1372 00:35:15,014 --> 00:35:17,027 LOOK 1373 00:35:15,014 --> 00:35:17,027 I NEED TO STAND OUT. 1374 00:35:17,027 --> 00:35:20,012 >> YOU KNOW, UNFORTUNATELY, I 1375 00:35:17,027 --> 00:35:20,012 REALLY DON'T HAVE ANYTHING 1376 00:35:20,012 --> 00:35:25,000 ELSE, OTHER THAN SWIMSUITS 1377 00:35:20,012 --> 00:35:25,000 >> YES, YOU DO 1378 00:35:25,000 --> 00:35:26,028 >> Jimmy: YARA SHAHIDI 1379 00:35:25,000 --> 00:35:26,028 NEW EPISODES OF "GROWN-ISH" AIR 1380 00:35:26,028 --> 00:35:28,003 THURSDAYS AT 8:00 P.M. ON 1381 00:35:26,028 --> 00:35:28,003 FREEFORM AND ON HULU THE NEXT 1382 00:35:28,003 --> 00:35:32,025 DAY. 1383 00:35:28,003 --> 00:35:32,025 WE'LL BE RIGHT BACK WITH A 1384 00:35:32,025 --> 00:35:35,007 A PERFORMANCE FROM TATE McRAE. 1385 00:35:32,025 --> 00:35:35,007 STICK AROUND 1386 00:35:35,007 --> 00:35:37,001 YARA, THANK YOU AGAIN. 1387 00:35:35,007 --> 00:35:37,001 >> ALL RIGHT 1388 00:35:37,001 --> 00:35:54,019 THANK YOU SO MUCH! 1389 00:35:37,001 --> 00:35:54,019 ♪ 1390 00:35:54,019 --> 00:35:57,008 >> Jimmy: PERFORMING HER 1391 00:35:54,019 --> 00:35:57,008 PLATINUM SINGLE, "YOU BROKE ME 1392 00:35:57,008 --> 00:36:10,002 FIRST," HERE'S TATE McCRAE 1393 00:35:57,008 --> 00:36:10,002 ♪ 1394 00:36:10,002 --> 00:36:11,021 ♪ MAYBE YOU DON'T LIK 1395 00:36:10,002 --> 00:36:11,021 TALKING TOO MUCH 1396 00:36:11,021 --> 00:36:14,019 ABOUT YOURSELF 1397 00:36:11,021 --> 00:36:14,019 BUT YOU SHOULD'A TOLD ME ♪ 1398 00:36:14,019 --> 00:36:17,002 ♪ THAT YOU WERE THINKIN 1399 00:36:14,019 --> 00:36:17,002 ABOUT SOMEONE ELSE 1400 00:36:17,002 --> 00:36:19,020 YOU'RE DRUNK AT A PART 1401 00:36:17,002 --> 00:36:19,020 OR MAYBE IT'S JUST THAT ♪ 1402 00:36:19,020 --> 00:36:22,006 ♪ YOUR CAR BROKE DOWN 1403 00:36:19,020 --> 00:36:22,006 YOUR PHONE'S BEEN OF 1404 00:36:22,006 --> 00:36:25,001 FOR A COUPLE OF MONTHS 1405 00:36:22,006 --> 00:36:25,001 SO YOU'RE CALLING ME NOW ♪ 1406 00:36:25,001 --> 00:36:28,019 ♪ I KNOW YO 1407 00:36:25,001 --> 00:36:28,019 YOU'RE LIKE THIS 1408 00:36:28,019 --> 00:36:30,024 WHEN THINGS DON'T GO YOUR ♪ 1409 00:36:28,019 --> 00:36:30,024 ♪ WAY YOU NEEDE 1410 00:36:30,024 --> 00:36:37,004 ME TO FIX IT ♪ 1411 00:36:30,024 --> 00:36:37,004 ♪ AND LIKE ME, I DI 1412 00:36:37,004 --> 00:36:40,016 BUT I RAN OU 1413 00:36:37,004 --> 00:36:40,016 OF EVERY REASO 1414 00:36:40,016 --> 00:36:43,009 NOW SUDDENLY YOU'RE ♪ 1415 00:36:40,016 --> 00:36:43,009 ♪ ASKING FOR IT BAC 1416 00:36:43,009 --> 00:36:46,024 COULD YOU TELL M 1417 00:36:43,009 --> 00:36:46,024 WHERE'D YOU GET THE NERV 1418 00:36:46,024 --> 00:36:50,025 YEAH YOU COULD SAY ♪ 1419 00:36:46,024 --> 00:36:50,025 ♪ YOU MISS ALL THAT WE HA 1420 00:36:50,025 --> 00:36:54,013 BUT I DON'T REALLY CAR 1421 00:36:50,025 --> 00:36:54,013 HOW BAD IT HURTS 1422 00:36:54,013 --> 00:37:04,008 WHEN YOU BROKE ME FIRST ♪ 1423 00:36:54,013 --> 00:37:04,008 ♪ YOU BROKE ME FIRS 1424 00:37:04,008 --> 00:37:07,016 TOOK A WHILE WAS IN DENIAL 1425 00:37:04,008 --> 00:37:07,016 WHEN I FIRST HEARD 1426 00:37:07,016 --> 00:37:09,028 THAT YOU MOVED ON QUICKER ♪ 1427 00:37:07,016 --> 00:37:09,028 ♪ THAN I COULD'VE EVE 1428 00:37:09,028 --> 00:37:12,017 YOU KNOW THAT HURT 1429 00:37:09,028 --> 00:37:12,017 SWEAR FOR A WHIL 1430 00:37:12,017 --> 00:37:15,005 I WOULD STARE AT MY PHONE ♪ 1431 00:37:12,017 --> 00:37:15,005 ♪ JUST TO SEE YOUR NAME 1432 00:37:15,005 --> 00:37:17,012 BUT NOW THAT IT'S THER 1433 00:37:15,005 --> 00:37:17,012 I DON'T REALLY KNO 1434 00:37:17,012 --> 00:37:20,020 WHAT TO SAY ♪ 1435 00:37:17,012 --> 00:37:20,020 ♪ I KNOW YO 1436 00:37:20,020 --> 00:37:24,008 YOU'RE LIKE THIS 1437 00:37:20,020 --> 00:37:24,008 WHEN THINGS DON'T GO YOUR WA 1438 00:37:24,008 --> 00:37:30,017 YOU NEEDED ME TO FIX IT ♪ 1439 00:37:24,008 --> 00:37:30,017 ♪ AND LIKE ME I DID 1440 00:37:30,017 --> 00:37:33,023 BUT I RAN OU 1441 00:37:30,017 --> 00:37:33,023 OF EVERY REASO 1442 00:37:33,023 --> 00:37:37,011 NOW SUDDENLY YOU'RE ♪ 1443 00:37:33,023 --> 00:37:37,011 ♪ ASKING FOR IT BAC 1444 00:37:37,011 --> 00:37:41,010 COULD YOU TELL M 1445 00:37:37,011 --> 00:37:41,010 WHERE'D YOU GET THE NERV 1446 00:37:41,010 --> 00:37:45,012 YEAH YOU COULD SAY YOU ♪ 1447 00:37:41,010 --> 00:37:45,012 ♪ MISS ALL THAT WE HA 1448 00:37:45,012 --> 00:37:48,019 BUT I DON'T REALLY CAR 1449 00:37:45,012 --> 00:37:48,019 HOW BAD IT HURTS 1450 00:37:48,019 --> 00:37:56,029 WHEN YOU BROKE ME FIRST ♪ 1451 00:37:48,019 --> 00:37:56,029 ♪ YOU BROKE ME FIRS 1452 00:37:56,029 --> 00:38:01,023 WHAT DID YOU THINK 1453 00:37:56,029 --> 00:38:01,023 WOULD HAPPEN 1454 00:38:01,023 --> 00:38:05,024 WHAT DID YOU THINK ♪ 1455 00:38:01,023 --> 00:38:05,024 ♪ WOULD HAPPE 1456 00:38:05,024 --> 00:38:12,011 I'LL NEVER LET YOU HAVE IT 1457 00:38:05,024 --> 00:38:12,011 WHAT DID YOU THINK 1458 00:38:12,011 --> 00:38:14,023 WOULD HAPPEN ♪ 1459 00:38:12,011 --> 00:38:14,023 ♪ NOW SUDDENLY YOU'RE 1460 00:38:14,023 --> 00:38:17,008 ASKING FOR IT BACK 1461 00:38:14,023 --> 00:38:17,008 COULD YOU TELL M 1462 00:38:17,008 --> 00:38:21,003 WHERE'D YOU GET THE NERVE ♪ 1463 00:38:17,008 --> 00:38:21,003 ♪ YEAH YOU COULD SA 1464 00:38:21,003 --> 00:38:24,029 YOU MISS ALL THAT WE HAD 1465 00:38:21,003 --> 00:38:24,029 BUT I DON'T REALLY CAR 1466 00:38:24,029 --> 00:38:30,029 HOW BAD IT HURTS ♪ 1467 00:38:24,029 --> 00:38:30,029 ♪ WHEN YOU BROKE ME FIRST 1468 00:38:30,029 --> 00:38:45,021 YOU BROKE ME FIRST 1469 00:38:30,029 --> 00:38:45,021 YOU BROKE ME FIRST ♪ 1470 00:38:45,021 --> 00:38:47,007 >> Jimmy: THANK YOU TO 1471 00:38:45,021 --> 00:38:47,007 TATE McCRAE. 1472 00:38:47,007 --> 00:38:48,029 MORE "TONIGHT SHOW" WHEN WE 1473 00:38:47,007 --> 00:38:48,029 COME BACK. 1474 00:38:48,029 --> 00:39:10,001 COME ON BACK, EVERYBODY. 1475 00:38:48,029 --> 00:39:10,001 ♪ 1476 00:39:10,001 --> 00:39:11,017 >> Jimmy: THANK YOU ALL FOR 1477 00:39:10,001 --> 00:39:11,017 WATCHING 1478 00:39:11,017 --> 00:39:12,029 STAY SAFE OUT THERE. 1479 00:39:11,017 --> 00:39:12,029 WASH YOUR HANDS. 1480 00:39:12,029 --> 00:39:14,025 DON'T TOUCH YOUR FACE. 1481 00:39:12,029 --> 00:39:14,025 STAY TUNED FOR "LATE NIGHT WITH 1482 00:39:14,025 --> 00:39:17,010 SETH MEYERS. 1483 00:39:14,025 --> 00:39:17,010 [ CHEERS AND APPLAUSE 1484 00:39:17,010 --> 00:39:18,007 GOODNIGHT, EVERYBODY 1485 00:39:18,007 --> 00:39:28,010 [ CHEERS AND APPLAUSE 1486 00:39:18,026 --> 00:39:28,010 ♪ 1487 00:39:24,023 --> 00:39:28,010 ♪