1 00:00:21,600 --> 00:00:22,800 >> FROM ROCKEFELLER CENTER, IN 2 00:00:21,600 --> 00:00:22,800 THE HEART OF NEW YORK CITY, 3 00:00:22,800 --> 00:00:24,000 IT'S "THE TONIGHT SHOW STARRING 4 00:00:22,800 --> 00:00:24,000 JIMMY FALLON." TONIGHT, JOIN 5 00:00:24,000 --> 00:00:30,000 JIMMY AND HIS GUESTS 6 00:00:24,000 --> 00:00:30,000 OLIVIA COLMAN, 7 00:00:30,000 --> 00:00:32,833 LUCAS HEDGES 8 00:00:30,000 --> 00:00:32,833 BARRY GIBB 9 00:00:32,833 --> 00:00:34,833 MUSICAL GUEST JHENE AIKO WITH 10 00:00:32,833 --> 00:00:34,833 SPECIAL GUEST NAS, 11 00:00:34,833 --> 00:00:36,033 AND FEATURING THE LEGENDARY 12 00:00:34,833 --> 00:00:36,033 ROOTS CREW, AND NOW HERE HE IS, 13 00:00:36,033 --> 00:00:50,367 JIMMY FALLON 14 00:00:36,033 --> 00:00:50,367 ♪ 15 00:00:50,367 --> 00:00:51,200 >> Jimmy: YEAH, YO, WHAT'S 16 00:00:50,367 --> 00:00:51,200 HAPPENING? 17 00:00:51,200 --> 00:00:54,500 THANK YOU VERY MUCH, EVERYBODY 18 00:00:51,200 --> 00:00:54,500 THANK YOU VERY MUCH, HELLO 19 00:00:54,500 --> 00:00:59,467 HEY. 20 00:00:54,500 --> 00:00:59,467 PPP THANK YOU VERY MUCH. 21 00:00:59,467 --> 00:01:00,533 WELCOME, EVERYBODY. WELCOME, 22 00:00:59,467 --> 00:01:00,533 WELCOME, WELCOME TO "THE 23 00:01:00,533 --> 00:01:03,767 TONIGHT SHOW." 24 00:01:00,533 --> 00:01:03,767 HERE WE GO 25 00:01:03,767 --> 00:01:07,967 [ CHEERS AND APPLAUSE 26 00:01:03,767 --> 00:01:07,967 LET'S GET TO THE NEWS AND 27 00:01:07,967 --> 00:01:09,067 JOKES, WELL GUYS, THIS MORNING 28 00:01:07,967 --> 00:01:09,067 AT THE WHITE HOUSE, VICE 29 00:01:09,067 --> 00:01:15,800 PRESIDENT MIKE PENCE DID 30 00:01:09,067 --> 00:01:15,800 SOMETHING HELPFUL. 31 00:01:15,800 --> 00:01:20,400 HE RECEIVED PFIZER'S COVID 32 00:01:16,367 --> 00:01:20,400 VACCINE ON LIVE TV 33 00:01:17,133 --> 00:01:20,400 WATCH THIS 34 00:01:21,833 --> 00:01:36,767 [ CAMERA SHUTTERS ] >> Jimmy: 35 00:01:21,833 --> 00:01:36,767 YEAH, PENCE ROLLED UP HIS 36 00:01:36,767 --> 00:01:38,300 SLEEVE AND WAS LIKE, "SORRY FOR 37 00:01:36,767 --> 00:01:38,300 THE NUDITY." 38 00:01:38,300 --> 00:01:42,933 [ LAUGHTER ] 39 00:01:38,300 --> 00:01:42,933 SOMETHING ABOUT THAT FELT 40 00:01:42,933 --> 00:01:45,433 EXACTLY LIKE THE TIN MAN 41 00:01:42,933 --> 00:01:45,433 GETTING OIL, RIGHT 42 00:01:45,433 --> 00:01:47,200 [ LAUGHTER ] 43 00:01:45,433 --> 00:01:47,200 OIL CAN. 44 00:01:47,200 --> 00:01:50,367 OIL. 45 00:01:47,200 --> 00:01:50,367 HE DIDN'T FLINCH 46 00:01:50,367 --> 00:01:52,967 I MEAN, IT IS A NEEDLE GOING IN 47 00:01:50,367 --> 00:01:52,967 YOUR ARM 48 00:01:52,967 --> 00:01:54,400 YOU CAN HAVE SOME REACTION, 49 00:01:52,967 --> 00:01:54,400 RIGHT? 50 00:01:54,400 --> 00:01:58,000 OH, WHATEVER 51 00:01:54,400 --> 00:01:58,000 "VACCINE, VACCINE. 52 00:01:58,000 --> 00:02:00,400 [ LAUGHTER ] 53 00:01:58,000 --> 00:02:00,400 YOU'RE NOT GOING TO BELIEVE 54 00:02:00,400 --> 00:02:01,467 THIS BUT JUST CLEANING HIS ARM 55 00:02:00,400 --> 00:02:01,467 WITH ALCOHOL GOT PENCE 56 00:02:01,467 --> 00:02:05,867 COMPLETELY WASTED. 57 00:02:01,467 --> 00:02:05,867 [ LAUGHTER ] 58 00:02:05,867 --> 00:02:06,833 "MOTHER, I AM IN THE MOOD FOR 59 00:02:05,867 --> 00:02:06,833 RELATIONS. 60 00:02:06,833 --> 00:02:12,733 [ LAUGHTER ] 61 00:02:06,833 --> 00:02:12,733 ♪ 62 00:02:12,733 --> 00:02:16,367 TWO SLEEVES UP 63 00:02:12,733 --> 00:02:16,367 SEEING PENCE'S BARE ARM IS LIKE 64 00:02:16,367 --> 00:02:19,333 SEEING YOUR TEACHER OUTSIDE OF 65 00:02:16,367 --> 00:02:19,333 SCHOOL 66 00:02:19,333 --> 00:02:20,433 YOU KNOW IT EXISTS BUT IT'S 67 00:02:19,333 --> 00:02:20,433 JUST WEIRD TO SEE. 68 00:02:20,433 --> 00:02:25,100 [ LAUGHTER ] 69 00:02:20,433 --> 00:02:25,100 CAN WE LOOK AT HIS ARM AGAIN 70 00:02:25,100 --> 00:02:27,533 GOSH, HE'S PALE. 71 00:02:25,100 --> 00:02:27,533 HE'S SO PALE, TRUMP WATCHED AND 72 00:02:27,533 --> 00:02:28,767 WAS LIKE, "I STARED DIRECTLY AT 73 00:02:27,533 --> 00:02:28,767 THE ECLIPSE AND EVEN I CAN'T 74 00:02:28,767 --> 00:02:33,633 LOOK AT THAT 75 00:02:28,767 --> 00:02:33,633 THAT'S VERY PALE." 76 00:02:33,633 --> 00:02:34,933 WELL, AFTER PENCE RECEIVED THE 77 00:02:33,633 --> 00:02:34,933 VACCINE, HE TOLD REPORTERS THAT 78 00:02:34,933 --> 00:02:36,133 HE DIDN'T FEEL A THING AND WAS 79 00:02:34,933 --> 00:02:36,133 HAPPY TO STEP FORWARD AND SET 80 00:02:36,133 --> 00:02:37,267 AN EXAMPLE FOR THE COUNTRY 81 00:02:36,133 --> 00:02:37,267 YEAH, PENCE TRIED TO DO A GOOD 82 00:02:37,267 --> 00:02:44,567 THING BUT I'M NOT SURE HE'S 83 00:02:37,267 --> 00:02:44,567 GOING LOVE THESE HEADLINES 84 00:02:44,567 --> 00:02:45,633 LIKE THIS ONE THAT SAYS, "PENCE 85 00:02:44,567 --> 00:02:45,633 PENETRATED LIVE. 86 00:02:45,633 --> 00:02:50,467 [ LAUGHTER ] 87 00:02:45,633 --> 00:02:50,467 OR THIS ONE, "PENCE IS ALL 88 00:02:50,467 --> 00:02:58,333 ABOUT THAT V." 89 00:02:50,467 --> 00:02:58,333 [ LAUGHTER ] 90 00:02:58,333 --> 00:02:59,333 OR MAYBE THIS ONE, "PENCE SHOWS 91 00:02:58,333 --> 00:02:59,333 OFF PRICK. 92 00:02:59,333 --> 00:03:01,967 [ LAUGHTER ] 93 00:02:59,333 --> 00:03:01,967 I MEAN - 94 00:03:01,967 --> 00:03:03,367 HE'S TRYING TO DO A GOOD THING 95 00:03:01,967 --> 00:03:03,367 AND THESE. 96 00:03:03,367 --> 00:03:09,200 [ APPLAUSE ] 97 00:03:03,367 --> 00:03:09,200 WELL, SPEAKING OF VACCINES, I 98 00:03:09,200 --> 00:03:12,200 SAW THAT UBER IS OFFERING 99 00:03:09,200 --> 00:03:12,200 10 MILLION FREE OR DISCOUNTED 100 00:03:12,200 --> 00:03:15,267 RIDES TO PEOPLE WHO WANT TO GET 101 00:03:12,200 --> 00:03:15,267 THE COVID VACCINATION. 102 00:03:15,267 --> 00:03:16,367 YOU KNOW PASSENGERS WILL BE 103 00:03:15,267 --> 00:03:16,367 LIKE, YEAH, THE HOOTERS ON 104 00:03:16,367 --> 00:03:19,433 ROUTE 2, THAT'S WHERE I'M 105 00:03:16,367 --> 00:03:19,433 GETTING THE -- 106 00:03:19,433 --> 00:03:24,600 [ LAUGHTER ] 107 00:03:19,433 --> 00:03:24,600 VACCINATION. 108 00:03:24,600 --> 00:03:26,000 CAN YOU PICK ME UP IN, LIKE, 109 00:03:24,600 --> 00:03:26,000 THREE HOURS AFTER THE GAME -- I 110 00:03:26,000 --> 00:03:30,033 MEAN AFTER THE VACCINATION?" 111 00:03:26,000 --> 00:03:30,033 [ LAUGHTER ] 112 00:03:30,033 --> 00:03:33,100 MEANWHILE, NOT TO BE OUTDONE, 113 00:03:30,033 --> 00:03:33,100 LYFT IS LETTING CUSTOMERS KEEP 114 00:03:33,100 --> 00:03:34,267 WHATEVER USED BAND-AIDS AND 115 00:03:33,100 --> 00:03:34,267 NEEDLES THEY FIND IN THE 116 00:03:34,267 --> 00:03:37,467 BACKSEAT 117 00:03:34,267 --> 00:03:37,467 [ LAUGHTER ] 118 00:03:37,467 --> 00:03:41,200 WHAT 119 00:03:37,467 --> 00:03:41,200 OH, MAN. 120 00:03:41,200 --> 00:03:42,433 WELL, GUYS, EVERYDAY THIS WEEK 121 00:03:41,200 --> 00:03:42,433 WE'VE FOUND OUT ABOUT ANOTHER 122 00:03:42,433 --> 00:03:43,033 MAJOR GOVERNMENT AGENCY THAT'S 123 00:03:43,033 --> 00:03:48,033 BEEN HACKED BY RUSSIA. 124 00:03:46,633 --> 00:03:48,033 BUT THIS LATEST ONE MIGHT BE 125 00:03:47,300 --> 00:03:48,033 THE WORST YET. 126 00:03:50,267 --> 00:03:53,533 THE SCOPE OF THE VAST CYBER 127 00:03:50,267 --> 00:03:53,533 ATTACK 128 00:03:53,533 --> 00:03:54,767 THE DEPARTMENT OF ENERGY AND 129 00:03:53,533 --> 00:03:54,767 ITS NATIONAL NUCLEAR SECURITY 130 00:03:54,767 --> 00:03:56,000 ADMINISTRATION WHICH MAINTAINS 131 00:03:54,767 --> 00:03:56,000 OUR NUCLEAR STOCK PILE WAS ALSO 132 00:03:56,000 --> 00:04:03,767 BREACHED 133 00:03:56,000 --> 00:04:03,767 >> Jimmy: YEAH, RUSSIA HACKED 134 00:04:03,767 --> 00:04:05,800 OUR ELECTION, THEY HACKED OUR 135 00:04:03,767 --> 00:04:05,800 VACCINE RESEARCH 136 00:04:05,800 --> 00:04:08,400 NOW THEY HACKED OUR NUKES. 137 00:04:05,800 --> 00:04:08,400 I KIND OF FEEL BAD FOR PUTIN 138 00:04:08,400 --> 00:04:11,200 HE'S PROBABLY SITTING THERE 139 00:04:08,400 --> 00:04:11,200 LIKE, "NOW WHAT? 140 00:04:11,200 --> 00:04:13,933 I GUESS MAKE MY OWN SOURDOUGH? 141 00:04:11,200 --> 00:04:13,933 [ LAUGHTER ] 142 00:04:13,933 --> 00:04:17,200 IS THAT STILL A THING? 143 00:04:13,933 --> 00:04:17,200 [ LIGHT LAUGHTER ] 144 00:04:17,200 --> 00:04:19,833 IS THIS THING ON 145 00:04:17,200 --> 00:04:19,833 [ LAUGHTER ] 146 00:04:19,833 --> 00:04:20,567 WHAT ELSE IS GOING ON IN THE 147 00:04:19,833 --> 00:04:20,567 NEWS 148 00:04:20,567 --> 00:04:28,367 ANYONE HERE FROM OUT OF TOWN?" 149 00:04:20,567 --> 00:04:28,367 [ LAUGHTER ] 150 00:04:28,367 --> 00:04:29,133 DON'T WORRY, TRUMP IS TAKING 151 00:04:28,367 --> 00:04:29,133 ACTION 152 00:04:29,133 --> 00:04:30,233 TODAY HE ORDERED EVERYONE IN 153 00:04:29,133 --> 00:04:30,233 THE PENTAGON TO FIT THEIR 154 00:04:30,233 --> 00:04:37,967 COMPUTERS WITH A RING DOORBELL 155 00:04:30,233 --> 00:04:37,967 [ LAUGHTER ] 156 00:04:37,967 --> 00:04:44,200 IT WAS FUNNY WHEN WE WROTE IT. 157 00:04:37,967 --> 00:04:44,200 [ LAUGHTER ] 158 00:04:44,200 --> 00:04:45,167 BUT TRUMP IS GETTING RIGHT INTO 159 00:04:44,200 --> 00:04:45,167 THIS 160 00:04:45,167 --> 00:04:46,500 TRUMP IS FURIOUS WITH PUTIN AND 161 00:04:45,167 --> 00:04:46,500 IT'S BEING REPORTED THAT HE'S 162 00:04:46,500 --> 00:04:47,500 SPENDING 18 HOURS A DAY 163 00:04:46,500 --> 00:04:47,500 CONSIDERING ALL FORMS OF 164 00:04:47,500 --> 00:04:48,667 RETALIATION TO MAKE SURE THIS 165 00:04:47,500 --> 00:04:48,667 KIND OF ACT IS NEVER CARRIED 166 00:04:48,667 --> 00:04:56,000 OUT AGAIN. 167 00:04:48,667 --> 00:04:56,000 I'M SORRY, HANG ON 168 00:04:56,000 --> 00:04:59,067 SORRY. 169 00:04:56,000 --> 00:04:59,067 A SLIGHT CORRECTION. 170 00:04:59,067 --> 00:05:00,733 TRUMP IS CURRENTLY CONSIDERING 171 00:04:59,067 --> 00:05:00,733 A REBOOT OF "THE APPRENTICE. 172 00:05:00,733 --> 00:05:03,333 [ LAUGHTER ] 173 00:05:00,733 --> 00:05:03,333 THAT'S REAL. 174 00:05:03,333 --> 00:05:07,700 TRUMP -- 175 00:05:03,333 --> 00:05:07,700 A REBOOT OF "THE APPRENTICE," 176 00:05:07,700 --> 00:05:09,033 JUST IN CASE THE LAST FOUR 177 00:05:07,700 --> 00:05:09,033 YEARS OF DRAMA AND D-LIST 178 00:05:09,033 --> 00:05:14,267 CELEBRITIES WASN'T ENOUGH FOR 179 00:05:09,033 --> 00:05:14,267 YOU. 180 00:05:14,267 --> 00:05:15,533 YOU KNOW YOU MESSED UP WHEN 181 00:05:14,267 --> 00:05:15,533 YOUR RESUME READS HOST OF "THE 182 00:05:15,533 --> 00:05:16,700 APPRENTICE," PRESIDENT OF THE 183 00:05:15,533 --> 00:05:16,700 UNITED STATES, HOST OF "THE 184 00:05:16,700 --> 00:05:24,633 APPRENTICE." 185 00:05:16,700 --> 00:05:24,633 [ LAUGHTER AND APPLAUSE 186 00:05:24,633 --> 00:05:26,200 WELL, LISTEN TO THIS 187 00:05:24,633 --> 00:05:26,200 I SAW THAT EARLY NEXT YEAR, 188 00:05:26,200 --> 00:05:27,400 PEPSI IS GOING TO RELEASE A NEW 189 00:05:26,200 --> 00:05:27,400 CHOCOLATE SODA DRINK CALLED, 190 00:05:27,400 --> 00:05:35,033 AND I AM NOT KIDDING, CALLED 191 00:05:27,400 --> 00:05:35,033 COCOA COLA 192 00:05:35,033 --> 00:05:36,467 [ LIGHT LAUGHTER ] 193 00:05:35,033 --> 00:05:36,467 >> Tariq: WAIT, WHAT 194 00:05:36,467 --> 00:05:39,300 [ LAUGHTER ] 195 00:05:36,467 --> 00:05:39,300 >> Jimmy: IT'S KIND OF 196 00:05:39,300 --> 00:05:41,167 BRILLIANT, RIGHT 197 00:05:39,300 --> 00:05:41,167 >> Tariq: KINDA. 198 00:05:41,167 --> 00:05:42,567 >> Jimmy: COCOA COLA 199 00:05:41,167 --> 00:05:42,567 YEAH 200 00:05:42,567 --> 00:05:45,433 [ LAUGHTER ] 201 00:05:42,567 --> 00:05:45,433 SO NOW WHEN YOU GO TO 202 00:05:45,433 --> 00:05:46,533 A RESTAURANT AND ASK FOR 203 00:05:45,433 --> 00:05:46,533 COCA-COLA, THE WAITER WILL BE 204 00:05:46,533 --> 00:05:48,367 LIKE, "SORRY, IS COCOA COLA 205 00:05:46,533 --> 00:05:48,367 OKAY 206 00:05:48,367 --> 00:05:53,267 [ LIGHT LAUGHTER ] 207 00:05:48,367 --> 00:05:53,267 >> Tariq: YEAH 208 00:05:53,267 --> 00:05:54,500 >> Questlove: AH. >> Jimmy: AS 209 00:05:53,267 --> 00:05:54,500 SOON AS --IT'S GOOD -- IT'S 210 00:05:54,500 --> 00:05:56,900 A THINKER. 211 00:05:54,500 --> 00:05:56,900 THINKING 212 00:05:56,900 --> 00:05:57,967 >> Tariq: YEAH, YEAH, YEAH 213 00:05:56,900 --> 00:05:57,967 >> Questlove: YEP. 214 00:05:57,967 --> 00:05:59,933 [ LAUGHTER ] 215 00:05:57,967 --> 00:05:59,933 >> Jimmy: THAT'S A LAUGHER, 216 00:05:59,933 --> 00:06:00,933 TOO. 217 00:05:59,933 --> 00:06:00,933 BUT YOU THINK -- 218 00:06:00,933 --> 00:06:02,567 >> Questlove: NO, IT'S A 219 00:06:00,933 --> 00:06:02,567 A THINKER. 220 00:06:02,567 --> 00:06:04,100 >> Jimmy: YOU THINK FIRST, IT'S 221 00:06:02,567 --> 00:06:04,100 A THINKER. 222 00:06:04,100 --> 00:06:07,367 >> Questlove: YEAH 223 00:06:04,100 --> 00:06:07,367 >> Jimmy: AND THEN IT'S A REAL 224 00:06:07,367 --> 00:06:08,500 LAUGHER. 225 00:06:07,367 --> 00:06:08,500 >> Tariq: IT'S A CHUCKLER. 226 00:06:08,500 --> 00:06:10,033 >> Jimmy: IT'S A CHUCKLER? 227 00:06:08,500 --> 00:06:10,033 >> Tariq: YEAH, YEAH, YOU THINK 228 00:06:10,033 --> 00:06:11,567 FIRST -- 229 00:06:10,033 --> 00:06:11,567 >> Jimmy: UH-HUH 230 00:06:11,567 --> 00:06:12,533 >> Tariq: AND THEN IT'S -- 231 00:06:11,567 --> 00:06:12,533 [ LIGHT LAUGHTER ] 232 00:06:12,533 --> 00:06:13,967 ONE OF THOSE GUYS, JUST LIKE 233 00:06:12,533 --> 00:06:13,967 A -- 234 00:06:13,967 --> 00:06:16,033 >> Questlove: YEAH, YEAH 235 00:06:13,967 --> 00:06:16,033 [ LAUGHTER ] 236 00:06:16,033 --> 00:06:17,433 >> Jimmy: I THINK IT'S A 237 00:06:16,033 --> 00:06:17,433 A THINKER AND IT'S SO -- IT'S 238 00:06:17,433 --> 00:06:21,600 SO CLEVER THAT OUT OF RESPECT 239 00:06:17,433 --> 00:06:21,600 FOR THE COMEDIAN TELLING THE 240 00:06:21,600 --> 00:06:23,667 JOKE 241 00:06:21,600 --> 00:06:23,667 [ LAUGHTER ] 242 00:06:23,667 --> 00:06:25,000 >> Questlove: OH, OKAY 243 00:06:23,667 --> 00:06:25,000 >> Jimmy: YOU -- 244 00:06:25,000 --> 00:06:28,867 [ APPLAUSE ] 245 00:06:25,000 --> 00:06:28,867 MAYBE APPLAUSE 246 00:06:28,867 --> 00:06:30,567 THANK YOU. 247 00:06:28,867 --> 00:06:30,567 ♪ 248 00:06:30,567 --> 00:06:32,067 DAN, THANK YOU 249 00:06:30,567 --> 00:06:32,067 OH MY GOD. 250 00:06:32,067 --> 00:06:36,000 WOW. 251 00:06:32,067 --> 00:06:36,000 OH, MY GOD 252 00:06:36,000 --> 00:06:41,300 [ LAUGHTER ] 253 00:06:36,000 --> 00:06:41,300 GUYS 254 00:06:41,300 --> 00:06:45,000 >> Questlove: RESPECT, MAN 255 00:06:41,300 --> 00:06:45,000 >> Jimmy: NO, IT WASN'T -- 256 00:06:45,000 --> 00:06:46,000 [ LAUGHTER ] 257 00:06:45,000 --> 00:06:46,000 IT WASN'T THAT GOOD, MAN 258 00:06:46,000 --> 00:06:49,167 [ LAUGHTER ] 259 00:06:46,000 --> 00:06:49,167 THAT'S FANTASTIC DRUMS 260 00:06:49,167 --> 00:06:51,800 [ LAUGHTER ] 261 00:06:49,167 --> 00:06:51,800 AS SOON AS PEPSI'S NEW 262 00:06:51,800 --> 00:06:53,000 CHOCOLATE SODA WAS ANNOUNCED, 263 00:06:51,800 --> 00:06:53,000 DENTISTS AROUND THE COUNTRY 264 00:06:53,000 --> 00:06:54,067 STARTED LOOKING AT SPEEDBOAT 265 00:06:53,000 --> 00:06:54,067 CATALOGS 266 00:06:54,067 --> 00:06:57,667 THERE YOU GO 267 00:06:54,067 --> 00:06:57,667 THAT'S WHAT I AM TALKING ABOUT 268 00:06:57,667 --> 00:07:08,933 ♪ 269 00:06:57,667 --> 00:07:08,933 [ LAUGHTER ] 270 00:07:08,933 --> 00:07:11,433 AND FINALLY, YOU GUYS, 271 00:07:08,933 --> 00:07:11,433 CHRISTMAS IS -- IS THIS OUR 272 00:07:11,433 --> 00:07:13,067 LAST SHOW BEFORE WE GO ON 273 00:07:11,433 --> 00:07:13,067 BREAK? 274 00:07:13,067 --> 00:07:18,133 [ LAUGHTER ] 275 00:07:13,067 --> 00:07:18,133 FINALLY, YOU GUYS, CHRISTMAS IS 276 00:07:18,133 --> 00:07:20,533 RIGHT AROUND THE CORNER. 277 00:07:18,133 --> 00:07:20,533 COME ON -- AND SINCE - 278 00:07:20,533 --> 00:07:22,500 [ CHEERS AND APPLAUSE 279 00:07:20,533 --> 00:07:22,500 SINCE THINGS FEEL A LITTLE 280 00:07:22,500 --> 00:07:23,700 DIFFERENT THIS YEAR, I THOUGHT 281 00:07:22,500 --> 00:07:23,700 IT'D BE GOOD TO UPDATE AN OLD 282 00:07:23,700 --> 00:07:33,300 CLASSIC. 283 00:07:23,700 --> 00:07:33,300 ♪ 284 00:07:33,300 --> 00:07:36,467 TWAS THE NIGHT BEFORE 285 00:07:33,300 --> 00:07:36,467 CHRISTMAS, ROUGHLY ONE YEAR 286 00:07:36,467 --> 00:07:40,167 AGO, TRUMP WAS STILL SHOUTING. 287 00:07:36,467 --> 00:07:40,167 >> THERE WAS NO QUID PRO QUO 288 00:07:40,167 --> 00:07:43,167 [ LIGHT LAUGHTER ] 289 00:07:40,167 --> 00:07:43,167 >> Jimmy: THEN 2020 ARRIVED, 290 00:07:43,167 --> 00:07:46,400 "BEST YEAR EVER WE SCREAMED. 291 00:07:43,167 --> 00:07:46,400 WHEN ALL OF A SUDDEN - 292 00:07:46,400 --> 00:07:49,267 >> THIS ILLNESS CALLED 293 00:07:46,400 --> 00:07:49,267 COVID-19 294 00:07:49,267 --> 00:07:50,700 >> Jimmy: NO MORE RESTAURANTS, 295 00:07:49,267 --> 00:07:50,700 NO BROADWAY. 296 00:07:50,700 --> 00:07:53,967 POOR TOM HANKS 297 00:07:50,700 --> 00:07:53,967 OH, DEAR 298 00:07:53,967 --> 00:07:55,933 BUT THE PRESIDENT SAID - 299 00:07:53,967 --> 00:07:55,933 >> IT'S LIKE A MIRACLE, IT WILL 300 00:07:55,933 --> 00:07:57,067 DISAPPEAR. 301 00:07:55,933 --> 00:07:57,067 >> Jimmy: NO ONE KNEW HOW TO 302 00:07:57,067 --> 00:08:02,400 MUTE WHEN ZOOMING BEGAN. 303 00:07:57,067 --> 00:08:02,400 YOUR CO-WORKERS ALL YELLING -- 304 00:08:02,400 --> 00:08:05,333 >> WILL YOU SHUT UP, MAN 305 00:08:02,400 --> 00:08:05,333 [ LIGHT LAUGHTER ] 306 00:08:05,333 --> 00:08:06,367 >> Jimmy: AND THEN THE 307 00:08:05,333 --> 00:08:06,367 ELECTION, TRUMP AND JOE IN A 308 00:08:06,367 --> 00:08:10,267 A BRAWL BUT IN STATE AFTER 309 00:08:06,367 --> 00:08:10,267 STATE, STILL - 310 00:08:10,267 --> 00:08:13,867 >> TOO CLOSE TO CALL 311 00:08:10,267 --> 00:08:13,867 >> Jimmy: BUT ONE MAN SAVED THE 312 00:08:13,867 --> 00:08:17,567 DAY IN HIS WELL-IRONED KHAKIS. 313 00:08:13,867 --> 00:08:17,567 >> THE UNDISPUTED SEXIEST MAN 314 00:08:17,567 --> 00:08:20,533 ALIVE, STEVE KORNACKI. 315 00:08:17,567 --> 00:08:20,533 [ LIGHT LAUGHTER ] 316 00:08:20,533 --> 00:08:21,633 >> Jimmy: KEEP COUNTING, STOP 317 00:08:20,533 --> 00:08:21,633 COUNTING, THERE WAS NO 318 00:08:21,633 --> 00:08:25,700 ESCAPING 319 00:08:21,633 --> 00:08:25,700 THEN - 320 00:08:25,700 --> 00:08:26,800 >> GIULIANI SPOKE TO REPORTERS 321 00:08:25,700 --> 00:08:26,800 AT FOUR SEASONS TOTAL 322 00:08:26,800 --> 00:08:30,700 LANDSCAPING. 323 00:08:26,800 --> 00:08:30,700 [ LIGHT LAUGHTER ] 324 00:08:30,700 --> 00:08:34,433 BUT THE ELECTORAL COLLEGE, 325 00:08:30,700 --> 00:08:34,433 WELL, THEY DID THEIR PART. 326 00:08:34,433 --> 00:08:36,067 NOT A SOUND COULD BE HEARD, NOT 327 00:08:34,433 --> 00:08:36,067 EVEN A - 328 00:08:36,067 --> 00:08:47,000 [ FART ] 329 00:08:36,067 --> 00:08:47,000 [ LAUGHTER ] 330 00:08:47,000 --> 00:08:51,567 BUT THIS YEAR WAS TOUGH. 331 00:08:47,000 --> 00:08:51,567 BUT WE'RE TOUGHER INSIDE 332 00:08:51,567 --> 00:08:54,000 HAPPY HOLIDAYS TO ALL, AND TO 333 00:08:51,567 --> 00:08:54,000 2020 - 334 00:08:54,000 --> 00:08:56,200 >> BYE-BYE 335 00:08:54,000 --> 00:08:56,200 >> Jimmy: WE HAVE A GREAT SHOW, 336 00:08:56,200 --> 00:08:58,033 GIVE IT UP FOR THE ROOTS, 337 00:08:56,200 --> 00:08:58,033 LADIES AND GENTLEMEN 338 00:08:58,033 --> 00:09:06,333 [ CHEERS AND APPLAUSE 339 00:08:58,033 --> 00:09:06,333 ♪ 340 00:09:06,333 --> 00:09:11,033 ♪ 341 00:09:06,333 --> 00:09:11,033 [ CHEERS AND APPLAUSE 342 00:09:11,033 --> 00:09:12,033 HEY, EVERYBODY 343 00:09:11,033 --> 00:09:12,033 WHAT A FUN SHOW WE HAD LAST 344 00:09:12,033 --> 00:09:14,200 NIGHT, I JUST WANT TO THANK 345 00:09:12,033 --> 00:09:14,200 PAUL McCARTNEY ONE AGAIN 346 00:09:14,200 --> 00:09:16,400 "McCARTNEY III" IS AVAILABLE 347 00:09:14,200 --> 00:09:16,400 NOW. 348 00:09:16,400 --> 00:09:17,600 PCPC HE'S JUST A LEGEND AND I 349 00:09:16,400 --> 00:09:17,600 THINK HE'S CONSIDERING DOING A 350 00:09:17,600 --> 00:09:18,900 A NEXT ALBUM, ALL-DUETS WITH 351 00:09:17,600 --> 00:09:18,900 ME 352 00:09:18,900 --> 00:09:30,633 [ LAUGHTER ] 353 00:09:18,900 --> 00:09:30,633 THAT'S THE RUMOR I'M STARTING. 354 00:09:30,633 --> 00:09:33,233 TONIGHT, WE HAVE A GREAT SHOW. 355 00:09:30,633 --> 00:09:33,233 SHE STARS IN THE UPCOMING FILM, 356 00:09:33,233 --> 00:09:34,067 "THE FATHER," OLIVIA COLMAN IS 357 00:09:33,233 --> 00:09:34,067 HERE 358 00:09:34,067 --> 00:09:37,300 [ CHEERS AND APPLAUSE 359 00:09:34,067 --> 00:09:37,300 PLUS, FROM THE NEW HBO MAX 360 00:09:37,300 --> 00:09:40,000 MOVIE, "LET THEM ALL TALK," 361 00:09:37,300 --> 00:09:40,000 LUCAS HEDGES IS HERE 362 00:09:40,000 --> 00:09:43,000 [ CHEERS AND APPLAUSE 363 00:09:40,000 --> 00:09:43,000 PLUS, YOU CAN SEE HIM IN THE 364 00:09:43,000 --> 00:09:44,167 NEW DOCUMENTARY "THE BEE GEES: 365 00:09:43,000 --> 00:09:44,167 HOW CAN YOU MEND A BROKEN 366 00:09:44,167 --> 00:09:48,533 HEART? 367 00:09:44,167 --> 00:09:48,533 THE ONE AND ONLY BARRY GIBB. 368 00:09:48,533 --> 00:09:52,733 [ CHEERS AND APPLAUSE 369 00:09:48,533 --> 00:09:52,733 AND WE GOT MUSIC FROM 370 00:09:52,733 --> 00:09:57,067 JHENE AIKO WITH SPECIAL GUEST, 371 00:09:52,733 --> 00:09:57,067 NAS. 372 00:09:57,067 --> 00:09:58,700 [ CHEERS AND APPLAUSE 373 00:09:57,067 --> 00:09:58,700 THAT'S A SHOW RIGHT THERE, 374 00:09:58,700 --> 00:09:59,867 TONIGHT. 375 00:09:58,700 --> 00:09:59,867 DID YOU SEE BARRY GAVE YOU GUYS 376 00:09:59,867 --> 00:10:02,667 A SHOUT-OUT ON TWITTER 377 00:09:59,867 --> 00:10:02,667 >> Questlove: YEAH 378 00:10:02,667 --> 00:10:04,167 >> Tariq: YEAH, MAN. 379 00:10:02,667 --> 00:10:04,167 >> Questlove: I SAW THAT 380 00:10:04,167 --> 00:10:05,167 >> Jimmy: THAT'S GO TO FEEL 381 00:10:04,167 --> 00:10:05,167 GREAT, RIGHT 382 00:10:05,167 --> 00:10:06,800 >> Questlove: YEAH, MAN. 383 00:10:05,167 --> 00:10:06,800 >> Tariq: ABSOLUTELY 384 00:10:06,800 --> 00:10:08,100 >> Jimmy: RIGHT NOW IT IS TIME 385 00:10:06,800 --> 00:10:08,100 FOR THAT BELOVED "TONIGHT SHOW" 386 00:10:08,100 --> 00:10:08,433 TRADITION. 387 00:10:08,433 --> 00:10:12,133 IT'S TIME FOR "12 DAYS OF 388 00:10:09,000 --> 00:10:12,133 CHRISTMAS SWEATERS." 389 00:10:10,400 --> 00:10:12,133 HERE WE GO 390 00:10:13,567 --> 00:10:15,200 ♪ 12 DAYS O 391 00:10:13,567 --> 00:10:15,200 CHRISTMAS SWEATERS 392 00:10:15,200 --> 00:10:21,333 ONE DAY LEFT ♪ 393 00:10:15,200 --> 00:10:21,333 >> Jimmy: THAT IS RIGHT. 394 00:10:21,333 --> 00:10:23,500 FOR EACH OF THE LAST 12 SHOWS 395 00:10:21,333 --> 00:10:23,500 BEFORE CHRISTMAS, WE'VE BEEN 396 00:10:23,500 --> 00:10:24,667 GIVING ONE LUCKY AUDIENCE 397 00:10:23,500 --> 00:10:24,667 MEMBER A SPECTACULAR CHRISTMAS 398 00:10:24,667 --> 00:10:29,200 SWEATER FROM THE COUNTDOWN TO 399 00:10:24,667 --> 00:10:29,200 CHRISTMAS CABINET. 400 00:10:29,200 --> 00:10:31,600 SINCE THIS IS OUR LAST SHOW, 401 00:10:29,200 --> 00:10:31,600 LET'S OPEN DOOR NUMBER ONE 402 00:10:31,600 --> 00:10:42,100 [ DRUMROLL ] 403 00:10:31,600 --> 00:10:42,100 HERE WE GO 404 00:10:42,100 --> 00:10:46,833 HEY, WOW, OH, WOW. 405 00:10:42,100 --> 00:10:46,833 ♪ 406 00:10:46,833 --> 00:10:50,067 OH, MY GOODNESS. 407 00:10:46,833 --> 00:10:50,067 OH, THAT IS A THREE DIMENSIONAL 408 00:10:50,067 --> 00:10:53,233 SWEATER. 409 00:10:50,067 --> 00:10:53,233 THAT IS THE FRONT, LET'S SEE 410 00:10:53,233 --> 00:10:55,433 THE BACK 411 00:10:53,233 --> 00:10:55,433 YEAH, THAT'S WHAT I AM TALKING 412 00:10:55,433 --> 00:10:56,533 ABOUT. 413 00:10:55,433 --> 00:10:56,533 [ CHEERS AND APPLAUSE 414 00:10:56,533 --> 00:10:58,600 THAT IS -- 415 00:10:56,533 --> 00:10:58,600 THAT IS A QUALITY, QUALITY 416 00:10:58,600 --> 00:11:02,100 SWEATER RIGHT THERE. 417 00:10:58,600 --> 00:11:02,100 OH, MY GOD 418 00:11:02,100 --> 00:11:03,500 THAT IS THE BEST ONE WE'VE EVER 419 00:11:02,100 --> 00:11:03,500 DONE 420 00:11:03,500 --> 00:11:06,367 ABSOLUTELY 421 00:11:03,500 --> 00:11:06,367 [ LAUGHTER ] 422 00:11:06,367 --> 00:11:09,667 OH, MY GOSH, PROPS TO THE 423 00:11:06,367 --> 00:11:09,667 WARDROBE DEPARTMENT. 424 00:11:09,667 --> 00:11:11,400 NOW, LET'S SEE WHO'S GOING HOME 425 00:11:09,667 --> 00:11:11,400 WITH TONIGHT'S SWEATER 426 00:11:11,400 --> 00:11:13,267 EVERYONE LOOK AT YOUR SEAT 427 00:11:11,400 --> 00:11:13,267 NUMBER 428 00:11:13,267 --> 00:11:14,900 IF I CALL YOUR NUMBER, COME ON 429 00:11:13,267 --> 00:11:14,900 DOWN 430 00:11:14,900 --> 00:11:16,100 QUEST, CAN I GET A DRUMROLL, 431 00:11:14,900 --> 00:11:16,100 PLEASE 432 00:11:16,100 --> 00:11:23,200 [ DRUMROLL ] 433 00:11:16,100 --> 00:11:23,200 IT IS -- 434 00:11:23,200 --> 00:11:30,733 2-4-9! 435 00:11:23,200 --> 00:11:30,733 ♪ 436 00:11:30,733 --> 00:11:35,533 [ CHEERS AND APPLAUSE 437 00:11:30,733 --> 00:11:35,533 ♪ 438 00:11:35,533 --> 00:11:37,167 COME ON DOWN, NICE TO SEE YOU. 439 00:11:35,533 --> 00:11:37,167 HEY! 440 00:11:37,167 --> 00:11:39,367 GO RIGHT OVER THERE. 441 00:11:37,167 --> 00:11:39,367 THANK YOU VERY MUCH. 442 00:11:39,367 --> 00:11:40,567 THANK YOU SO MUCH FOR BEING 443 00:11:39,367 --> 00:11:40,567 HERE 444 00:11:40,567 --> 00:11:42,567 WHAT IS YOUR NAME AND WHERE ARE 445 00:11:40,567 --> 00:11:42,567 YOU FROM 446 00:11:42,567 --> 00:11:44,000 >> MY NAME IS MIGUEL AND I'M 447 00:11:42,567 --> 00:11:44,000 FROM FREDERICKSBURG, VIRGINIA. 448 00:11:44,000 --> 00:11:47,033 >> Jimmy: HEY, MIGUEL, WELCOME 449 00:11:44,000 --> 00:11:47,033 [ CHEERS AND APPLAUSE 450 00:11:47,033 --> 00:11:49,133 MIGUEL - 451 00:11:47,033 --> 00:11:49,133 OH, CAN WE DIM THE LIGHTS 452 00:11:49,133 --> 00:11:50,433 A LITTLE BIT HERE? 453 00:11:49,133 --> 00:11:50,433 THIS IS ANOTHER -- 454 00:11:50,433 --> 00:11:54,700 LOOK AT THIS 455 00:11:50,433 --> 00:11:54,700 [ AUDIENCE OOHS 456 00:11:54,700 --> 00:11:57,633 CAN YOU SEE THAT 457 00:11:54,700 --> 00:11:57,633 CAN WE DIM THE LIGHTS EVEN 458 00:11:57,633 --> 00:12:01,133 MORE 459 00:11:57,633 --> 00:12:01,133 YEAH, HARD TO DO THAT. 460 00:12:01,133 --> 00:12:04,500 THAT -- THERE WE GO. 461 00:12:01,133 --> 00:12:04,500 NOW WE'RE -- 462 00:12:04,500 --> 00:12:05,267 THAT'S WHAT WE ARE TALKING 463 00:12:04,500 --> 00:12:05,267 ABOUT. 464 00:12:05,267 --> 00:12:07,033 LOOK AT THAT 465 00:12:05,267 --> 00:12:07,033 [ CHEERS AND APPLAUSE 466 00:12:07,033 --> 00:12:08,267 LOOK AT THAT 467 00:12:07,033 --> 00:12:08,267 MIGUEL, WOULD YOU LIKE TO TRY 468 00:12:08,267 --> 00:12:09,633 IT ON, THAT SWEATER? 469 00:12:08,267 --> 00:12:09,633 >> I WOULD LOVE TO 470 00:12:09,633 --> 00:12:10,733 >> Jimmy: THIS IS GOING TO BE 471 00:12:09,633 --> 00:12:10,733 GREAT. 472 00:12:10,733 --> 00:12:12,500 ROOTS, CAN WE GET SOME SWEATER 473 00:12:10,733 --> 00:12:12,500 TRYING-ON MUSIC. 474 00:12:12,500 --> 00:12:15,567 DO YOU HAVE ANYTHING LIKE THIS 475 00:12:12,500 --> 00:12:15,567 >> NO, NO, NOT YET 476 00:12:15,567 --> 00:12:17,333 >> Jimmy: THE FUN THING ABOUT 477 00:12:15,567 --> 00:12:17,333 THESE SWEATERS IS YOU CAN WEAR 478 00:12:17,333 --> 00:12:19,633 THEM YEAR ROUND. 479 00:12:17,333 --> 00:12:19,633 >> IS THIS GUCCI 480 00:12:19,633 --> 00:12:20,700 >> Jimmy: YEAH, YOU CAN WEAR 481 00:12:19,633 --> 00:12:20,700 THEM YEAR ROUND. 482 00:12:20,700 --> 00:12:21,800 ABSOLUTELY 483 00:12:20,700 --> 00:12:21,800 LOOK AT THIS 484 00:12:21,800 --> 00:12:24,433 WOW. 485 00:12:21,800 --> 00:12:24,433 >> WOO 486 00:12:24,433 --> 00:12:27,700 >> Jimmy: GLASSES, MASK. 487 00:12:24,433 --> 00:12:27,700 EVERYTHING STILL ON. 488 00:12:27,700 --> 00:12:30,633 >> OH, YEAH. 489 00:12:27,700 --> 00:12:30,633 >> Jimmy: YOU'RE A TALENTED 490 00:12:30,633 --> 00:12:31,967 DUDE 491 00:12:30,633 --> 00:12:31,967 MIGUEL 492 00:12:31,967 --> 00:12:33,700 LOOK AT THIS 493 00:12:31,967 --> 00:12:33,700 MIGUEL 494 00:12:33,700 --> 00:12:35,033 YOU HAVE TO DO - 495 00:12:33,700 --> 00:12:35,033 YOU GOT TO DO A 360. 496 00:12:35,033 --> 00:12:36,200 YOU GOT TO - 497 00:12:35,033 --> 00:12:36,200 THAT'S FANTASTIC 498 00:12:36,200 --> 00:12:37,733 LOOK AT THAT RIGHT THERE 499 00:12:36,200 --> 00:12:37,733 THAT'S WHAT I'M TALKING ABOUT. 500 00:12:37,733 --> 00:12:39,500 ROUND OF APPLAUSE FOR MIGUEL 501 00:12:37,733 --> 00:12:39,500 THANKS AGAIN TO OUR LUCKY 502 00:12:39,500 --> 00:12:40,933 AUDIENCE MEMBERS 503 00:12:39,500 --> 00:12:40,933 STICK AROUND, WE'LL BE RIGHT 504 00:12:40,933 --> 00:12:42,533 BACK WITH "THANK YOU NOTES," 505 00:12:40,933 --> 00:12:42,533 EVERYBODY. 506 00:12:42,533 --> 00:13:02,433 ♪ 507 00:12:42,533 --> 00:13:02,433 >> Jimmy: WELCOME BACK 508 00:13:02,433 --> 00:13:04,600 EVERYBODY. 509 00:13:02,433 --> 00:13:04,600 HEY GUYS, IT IS FRIDAY AND THAT 510 00:13:04,600 --> 00:13:06,800 IS USUALLY WHEN I TAKE CARE OF 511 00:13:04,600 --> 00:13:06,800 SOME BUSINESS. 512 00:13:06,800 --> 00:13:09,300 YOU KNOW, I GET SOME THINGS 513 00:13:06,800 --> 00:13:09,300 DONE, BUT, GOSH, THE DAY JUST 514 00:13:09,300 --> 00:13:11,933 GOT COMPLETELY AWAY FROM ME. 515 00:13:09,300 --> 00:13:11,933 IT JUST GOT AWAY FROM ME 516 00:13:11,933 --> 00:13:17,600 I SPENT ALL MORNING SHOPPING 517 00:13:11,933 --> 00:13:17,600 FOR EGG-FREE NOG, AND I 518 00:13:17,600 --> 00:13:23,000 COMPLETELY FORGOT TO WRITE MY 519 00:13:17,600 --> 00:13:23,000 WEEKLY THANK YOU NOTES 520 00:13:23,000 --> 00:13:25,167 >> JIMMY: NOW, I KNOW IT'S 521 00:13:23,000 --> 00:13:25,167 DURING THE SHOW, BUT IF YOU 522 00:13:25,167 --> 00:13:27,033 DON'T MIND, I THOUGHT I'D TAKE 523 00:13:25,167 --> 00:13:27,033 THIS TIME TO WRITE OUT MY THANK 524 00:13:27,033 --> 00:13:28,667 YOU NOTES RIGHT NOW. 525 00:13:27,033 --> 00:13:28,667 THIS WILL ONLY TAKE A MINUTE 526 00:13:28,667 --> 00:13:36,433 ♪ 527 00:13:28,667 --> 00:13:36,433 THANK YOU, ELECTORAL COLLEGE, 528 00:13:36,433 --> 00:13:40,800 FOR FINALLY MAKING JOE BIDEN'S 529 00:13:36,433 --> 00:13:40,800 VICTORY OFFICIAL, AFTER IT WAS 530 00:13:40,800 --> 00:13:42,433 ALREADY OFFICIAL, BEFORE NEXT 531 00:13:40,800 --> 00:13:42,433 MONTH WHEN IT OFFICIALLY 532 00:13:42,433 --> 00:13:44,933 BECOMES OFFICIAL 533 00:13:42,433 --> 00:13:44,933 [ APPLAUSE ] 534 00:13:44,933 --> 00:13:53,800 >> COME ON, MAN. 535 00:13:44,933 --> 00:13:53,800 >> Jimmy: THAT GOING? >> I 536 00:13:53,800 --> 00:13:57,633 MEAN, IT WAS ALL RIGHT 537 00:13:53,800 --> 00:13:57,633 [ LAUGHTER ] 538 00:13:57,633 --> 00:14:01,700 >> Jimmy: THANK YOU. 539 00:13:57,633 --> 00:14:01,700 [ LAUGHTER ] 540 00:14:01,700 --> 00:14:07,133 ♪ 541 00:14:01,700 --> 00:14:07,133 THANK YOU, VLADIMIR PUTIN 542 00:14:07,133 --> 00:14:08,367 CONGRATULATING JOE BIDEN ON HIS 543 00:14:07,133 --> 00:14:08,367 WIN VIA TELEGRAM, FOR MAKING 544 00:14:08,367 --> 00:14:12,067 EVEN BIDEN BE LIKE, "LOOK, I'M 545 00:14:08,367 --> 00:14:12,067 OLD, BUT I'M NOT TELEGRAM OLD. 546 00:14:12,067 --> 00:14:16,667 [ LAUGHTER ] 547 00:14:12,067 --> 00:14:16,667 ♪ 548 00:14:16,667 --> 00:14:17,433 THANK YOU, 549 00:14:16,667 --> 00:14:17,433 "IT'S A WONDERFUL LIFE," 550 00:14:17,433 --> 00:14:18,533 ALTHOUGH LATELY EVERY TIME I 551 00:14:17,433 --> 00:14:18,533 HEAR A BELL RING, IT'S MY 552 00:14:18,533 --> 00:14:29,467 IPHONE REMINDING ME I HAVE TO 553 00:14:18,533 --> 00:14:29,467 STAND MORE 554 00:14:29,467 --> 00:14:34,500 [ LAUGHTER AND APPLAUSE 555 00:14:29,467 --> 00:14:34,500 "DID YOU GET THE NEW UPDATE, 556 00:14:34,500 --> 00:14:37,067 MAN? 557 00:14:34,500 --> 00:14:37,067 OH, MY GOSH, THE PHONE TELLS 558 00:14:37,067 --> 00:14:42,567 YOU WHEN YOU SHOULD STAND. 559 00:14:37,067 --> 00:14:42,567 >> YEAH, MINE DOES, BECAUSE 560 00:14:42,567 --> 00:14:44,433 YOU'RE MORE STEPS THAN THAT. 561 00:14:42,567 --> 00:14:44,433 >> Jimmy: OH 562 00:14:44,433 --> 00:14:51,100 WHAT ARE YOU TALKING ABOUT 563 00:14:44,433 --> 00:14:51,100 >> JUST SAYING 564 00:14:51,100 --> 00:14:52,500 WHAT UPDATE DID YOU -- WHAT 565 00:14:51,100 --> 00:14:52,500 OPERATING SYSTEM ARE YOU DOING 566 00:14:52,500 --> 00:14:55,600 [ LAUGHTER ] 567 00:14:52,500 --> 00:14:55,600 >> Jimmy: I WANT TO SEE HOW 568 00:14:55,600 --> 00:15:03,133 YOU'RE GOING TO MAKE THIS WORK 569 00:14:55,600 --> 00:15:03,133 [ LAUGHTER ] 570 00:15:03,133 --> 00:15:05,233 14.0.3 >> OH, COOL 571 00:15:03,133 --> 00:15:05,233 WELL, YOU GOT ME, YOU BEAT ME. 572 00:15:05,233 --> 00:15:10,767 [ LAUGHTER ] 573 00:15:05,233 --> 00:15:10,767 >> Jimmy: THAT'S NOT A BIT 574 00:15:10,767 --> 00:15:12,400 DIDN'T HAVE A BEGINNING, MIDDLE 575 00:15:10,767 --> 00:15:12,400 OR END 576 00:15:12,400 --> 00:15:15,133 THAT IS JUST SO -- 577 00:15:12,400 --> 00:15:15,133 >> IT STARTED OUT GREAT THERE, 578 00:15:15,133 --> 00:15:16,467 MAN. 579 00:15:15,133 --> 00:15:16,467 >> Jimmy: IT STARTED OUT OKAY. 580 00:15:16,467 --> 00:15:19,833 >> THAT WAS THE BEGINNING. 581 00:15:16,467 --> 00:15:19,833 >> Jimmy: NO, THAT WAS IT, MAN 582 00:15:19,833 --> 00:15:24,533 [ LAUGHTER ] 583 00:15:19,833 --> 00:15:24,533 NO ONE WILL EVER SEE THIS, THIS 584 00:15:24,533 --> 00:15:27,467 IS ALL GETTING - 585 00:15:24,533 --> 00:15:27,467 [ LAUGHTER ] 586 00:15:27,467 --> 00:15:29,767 YEAH, HAVE THE SHOW, MAN 587 00:15:27,467 --> 00:15:29,767 >> NO WAY, MAN 588 00:15:29,767 --> 00:15:33,800 THAT'S A G-THING 589 00:15:29,767 --> 00:15:33,800 [ LAUGHTER ] 590 00:15:33,800 --> 00:15:35,700 >> Jimmy: PEOPLE DON'T HAVE 591 00:15:33,800 --> 00:15:35,700 TIME FOR THIS TYPE OF STUFF. 592 00:15:35,700 --> 00:15:38,000 PEOPLE ARE MOVING FAST THESE 593 00:15:35,700 --> 00:15:38,000 DAYS 594 00:15:38,000 --> 00:15:42,467 IT'S 2020, YOU GOTTA HAVE YOUR 595 00:15:38,000 --> 00:15:42,467 PHONE TELL YOU TO STAND UP 596 00:15:42,467 --> 00:15:44,100 >> OR IT CAN TELL YOU WHAT MY 597 00:15:42,467 --> 00:15:44,100 PHONE TELLS ME 598 00:15:44,100 --> 00:15:51,100 [ LAUGHTER ] 599 00:15:44,100 --> 00:15:51,100 >> Jimmy: I GOT THE NEW 600 00:15:51,100 --> 00:15:53,700 BOB MARLEY UPDATE. 601 00:15:51,100 --> 00:15:53,700 IT TELLS YOU TO GET UP AND 602 00:15:53,700 --> 00:15:57,333 STAND. 603 00:15:53,700 --> 00:15:57,333 [ LAUGHTER ] 604 00:15:57,333 --> 00:16:01,033 >> IN THIS CASE, MY BOB MARLEY 605 00:15:57,333 --> 00:16:01,033 UPDATE, IT SINGS ♪ LIVELY UP 606 00:16:01,033 --> 00:16:05,067 YOURSELF. ♪ 607 00:16:01,033 --> 00:16:05,067 JUST SAYING. 608 00:16:05,067 --> 00:16:08,833 [ LAUGHTER ] 609 00:16:05,067 --> 00:16:08,833 SEE, YOU GOT THE ONE - 610 00:16:08,833 --> 00:16:09,833 >> Jimmy: I GOT THE 611 00:16:08,833 --> 00:16:09,833 JACOB MARLEY UPDATE, AND IT 612 00:16:09,833 --> 00:16:11,433 GOES A "I'M A GHOST OF 613 00:16:09,833 --> 00:16:11,433 CHRISTMAS PAST." 614 00:16:11,433 --> 00:16:18,767 [ LAUGHTER ] 615 00:16:11,433 --> 00:16:18,767 >> ALL RIGHT, I'LL ALLOW IT. 616 00:16:18,767 --> 00:16:24,433 [ LAUGHTER ] 617 00:16:18,767 --> 00:16:24,433 ♪ 618 00:16:24,433 --> 00:16:25,633 >> Jimmy: THANK YOU, GIFT BAGS, 619 00:16:24,433 --> 00:16:25,633 FOR ALWAYS GIVING ME THAT 620 00:16:25,633 --> 00:16:26,867 AWKWARD MOMENT OF REACHING BACK 621 00:16:25,633 --> 00:16:26,867 INTO THE BAG AND REALIZING, 622 00:16:26,867 --> 00:16:33,400 "NOPE, THAT'S IT." 623 00:16:26,867 --> 00:16:33,400 [ LAUGHTER ] 624 00:16:33,400 --> 00:16:36,800 NO, I LOVE IT. 625 00:16:33,400 --> 00:16:36,800 ANYTHING ELSE IN HERE? 626 00:16:36,800 --> 00:16:45,000 NO, JUST TISSUE PAPER. 627 00:16:36,800 --> 00:16:45,000 ♪ 628 00:16:45,000 --> 00:16:46,300 THANK YOU, SNOW MISER AND HEAT 629 00:16:45,000 --> 00:16:46,300 MISER, FOR LETTING ME KNOW WHAT 630 00:16:46,300 --> 00:16:51,267 WOULD HAPPEN IF I DROPPED ACID 631 00:16:46,300 --> 00:16:51,267 WITH BIDEN AND TRUMP 632 00:16:51,267 --> 00:16:57,867 [ LAUGHTER ] 633 00:16:51,267 --> 00:16:57,867 ♪ 634 00:16:57,867 --> 00:16:58,767 THANK YOU, 635 00:16:57,867 --> 00:16:58,767 "CHRISTMAS DON'T BE LATE," FOR 636 00:16:58,767 --> 00:16:59,867 DEFINITELY BEING ONE OF MY 637 00:16:58,767 --> 00:16:59,867 FAVORITE SONGS ABOUT RODENTS 638 00:16:59,867 --> 00:17:06,733 BEGGING FOR HULA HOOPS 639 00:16:59,867 --> 00:17:06,733 [ LAUGHTER ] 640 00:17:06,733 --> 00:17:12,967 ONE OF THEM. 641 00:17:06,733 --> 00:17:12,967 ♪ 642 00:17:12,967 --> 00:17:13,867 THANK YOU, 643 00:17:12,967 --> 00:17:13,867 RUDOLPH THE RED NOSED REINDEER, 644 00:17:13,867 --> 00:17:15,100 FOR ALWAYS BEING COOL WITH US 645 00:17:13,867 --> 00:17:15,100 SINGING A SONG ABOUT THAT TIME 646 00:17:15,100 --> 00:17:19,633 YOU GOT BULLIED AT WORK. 647 00:17:15,100 --> 00:17:19,633 THERE YA GO EVERYBODY. 648 00:17:19,633 --> 00:17:22,600 THOSE ARE MY THANK YOU NOTES 649 00:17:19,633 --> 00:17:22,600 WE'LL BE RIGHT BACK WITH 650 00:17:22,600 --> 00:17:46,300 OLIVIA COLMAN! 651 00:17:22,600 --> 00:17:46,300 >> Jimmy: OUR FIRST GUEST IS AN 652 00:17:46,300 --> 00:17:48,767 ACADEMY AWARD WINNING ACTRESS 653 00:17:46,300 --> 00:17:48,767 WHO YOU KNOW FROM "THE 654 00:17:48,767 --> 00:17:52,100 FAVOURITE," "FLEABAG," AND "THE 655 00:17:48,767 --> 00:17:52,100 CROWN. 656 00:17:52,100 --> 00:17:55,067 SHE NOW STARS ALONGSIDE 657 00:17:52,100 --> 00:17:55,067 ANTHONY HOPKINS IN THE NEW 658 00:17:55,067 --> 00:17:59,200 FILM, "THE FATHER," WHICH WILL 659 00:17:55,067 --> 00:17:59,200 BE IN THEATERS FEBRUARY 26TH 660 00:17:59,200 --> 00:18:02,933 HERE IS OLIVIA COLMAN. 661 00:17:59,200 --> 00:18:02,933 OH, OLIVIA, IT'S SO GOOD TO SEE 662 00:18:02,933 --> 00:18:03,900 YOU. 663 00:18:02,933 --> 00:18:03,900 >> HI. 664 00:18:03,900 --> 00:18:05,967 HELLO. 665 00:18:03,900 --> 00:18:05,967 >> Jimmy: THANK YOU SO MUCH FOR 666 00:18:05,967 --> 00:18:07,400 COMING ON THE SHOW 667 00:18:05,967 --> 00:18:07,400 I APPRECIATE THIS. 668 00:18:07,400 --> 00:18:09,700 >> WELL, THANK YOU FOR HAVING 669 00:18:07,400 --> 00:18:09,700 ME 670 00:18:09,700 --> 00:18:11,333 >> Jimmy: ARE YOU ALREADY -- 671 00:18:09,700 --> 00:18:11,333 ARE YOU GETTING READY FOR 672 00:18:11,333 --> 00:18:12,467 CHRISTMAS? 673 00:18:11,333 --> 00:18:12,467 ARE YOU -- YOU'RE IN ENGLAND, 674 00:18:12,467 --> 00:18:15,800 YES? 675 00:18:12,467 --> 00:18:15,800 >> YES, IN ENGLAND AND SO 676 00:18:15,800 --> 00:18:18,867 EXCITED ABOUT CHRISTMAS. 677 00:18:15,800 --> 00:18:18,867 YEAH, IT'S PATHETIC. 678 00:18:18,867 --> 00:18:20,833 I WAKE UP REALLY EARLY EVERY 679 00:18:18,867 --> 00:18:20,833 MORNING. 680 00:18:20,833 --> 00:18:23,800 >> Jimmy: YOU -- YOU'RE HOPING 681 00:18:20,833 --> 00:18:23,800 THAT SANTA COMES 682 00:18:23,800 --> 00:18:25,033 >> YEAH. 683 00:18:23,800 --> 00:18:25,033 >> Jimmy: YEAH 684 00:18:25,033 --> 00:18:28,100 >> SO, I'M READY 685 00:18:25,033 --> 00:18:28,100 >> Jimmy: YEAH, BUT ENGLAND 686 00:18:28,100 --> 00:18:30,267 DOES CHRISTMAS, RIGHT? 687 00:18:28,100 --> 00:18:30,267 >> BUT IT CAN'T BE TOO 688 00:18:30,267 --> 00:18:32,033 DISSIMILAR TO YOU GUYS 689 00:18:30,267 --> 00:18:32,033 I MEAN, YOU HAD SNOW IN 690 00:18:32,033 --> 00:18:33,767 NEW YORK 691 00:18:32,033 --> 00:18:33,767 >> Jimmy: I KNOW, ARE YOU 692 00:18:33,767 --> 00:18:35,200 JEALOUS? 693 00:18:33,767 --> 00:18:35,200 >> BUT DID IT LOWKEY AND MINCE 694 00:18:35,200 --> 00:18:37,033 PIES AND - 695 00:18:35,200 --> 00:18:37,033 >> Jimmy: CRACKERS 696 00:18:37,033 --> 00:18:38,567 >> Jimmy: WE DON'T HAVE 697 00:18:37,033 --> 00:18:38,567 CRACKERS 698 00:18:38,567 --> 00:18:41,633 >> WHAT? 699 00:18:38,567 --> 00:18:41,633 >> Jimmy: YEAH, WE DON'T HAVE 700 00:18:41,633 --> 00:18:42,733 CRACKERS 701 00:18:41,633 --> 00:18:42,733 >> WHY 702 00:18:42,733 --> 00:18:44,900 >> Jimmy: I DON'T KNOW 703 00:18:42,733 --> 00:18:44,900 >> HORRIBLE. 704 00:18:44,900 --> 00:18:49,067 BUT I'M SO SORRY ABOUT THAT. 705 00:18:44,900 --> 00:18:49,067 I CAN SEND YOU SOME. 706 00:18:49,067 --> 00:18:51,033 >> Jimmy: THAT WAS A HINT, 707 00:18:49,067 --> 00:18:51,033 YEAH 708 00:18:51,033 --> 00:18:53,433 >> YEAH. 709 00:18:51,033 --> 00:18:53,433 OKAY 710 00:18:53,433 --> 00:18:55,633 >> Jimmy: I WAS TALKING ABOUT 711 00:18:53,433 --> 00:18:55,633 "THE CROWN" BECAUSE YOU PLAYED 712 00:18:55,633 --> 00:18:57,200 THE QUEEN FOR THE PAST TWO 713 00:18:55,633 --> 00:18:57,200 SEASONS. 714 00:18:57,200 --> 00:18:58,333 >> YEAH. 715 00:18:57,200 --> 00:18:58,333 >> Jimmy: AND FANTASTIC -- DOWN 716 00:18:58,333 --> 00:19:00,000 TO EVEN HOW SHE SITS, BY THE 717 00:18:58,333 --> 00:19:00,000 WAY. 718 00:19:00,000 --> 00:19:03,267 >> OH, FUN 719 00:19:00,000 --> 00:19:03,267 >> Jimmy: I PAY ATTENTION TO 720 00:19:03,267 --> 00:19:04,933 ALL THESE THINGS 721 00:19:03,267 --> 00:19:04,933 YES, I HEARD ABOUT A TRICK THAT 722 00:19:04,933 --> 00:19:07,967 YOU DO BECAUSE THERE SOME 723 00:19:04,933 --> 00:19:07,967 SCENES -- YOU SAID THAT YOU'RE 724 00:19:07,967 --> 00:19:11,800 VERY SENSITIVE AND YOU LIKE CRY 725 00:19:07,967 --> 00:19:11,800 IN LIKE CERTAIN SCENES IF 726 00:19:11,800 --> 00:19:14,733 HAVING THESE THINGS. 727 00:19:11,800 --> 00:19:14,733 >> I DO. 728 00:19:14,733 --> 00:19:16,400 >> Jimmy: AND SO THE TRICK 729 00:19:14,733 --> 00:19:16,400 IS -- CAN YOU TELL ME -- 730 00:19:16,400 --> 00:19:18,567 >> YEAH. 731 00:19:16,400 --> 00:19:18,567 >> Jimmy: -- DO YOU KNOW WHAT 732 00:19:18,567 --> 00:19:20,967 I'M TALKING ABOUT? 733 00:19:18,567 --> 00:19:20,967 >> YEAH, SO THERE ARE MOMENTS 734 00:19:20,967 --> 00:19:23,367 WHEN THE QUEEN IS -- IS A ROCK 735 00:19:20,967 --> 00:19:23,367 AND IS MEANT TO BE VERY STRONG 736 00:19:23,367 --> 00:19:28,100 FOR EVERYBODY WITH HER JOB 737 00:19:23,367 --> 00:19:28,100 >> Jimmy: YEAH 738 00:19:28,100 --> 00:19:32,467 >> BUT I'M NOT 739 00:19:28,100 --> 00:19:32,467 AND SO, FOR EXAMPLE, WHEN 740 00:19:32,467 --> 00:19:34,433 LISTENING TO SAD THINGS I WAIL 741 00:19:32,467 --> 00:19:34,433 UP AND CRY AND THE QUEEN'S NOT 742 00:19:34,433 --> 00:19:36,400 MEANT TO 743 00:19:34,433 --> 00:19:36,400 SO THEY CAME UP WITH A -- THEY 744 00:19:36,400 --> 00:19:40,333 GAVE ME AN EARPIECE AND I 745 00:19:36,400 --> 00:19:40,333 LISTEN TO THE SHIPPING 746 00:19:40,333 --> 00:19:42,300 FORECAST 747 00:19:40,333 --> 00:19:42,300 DON'T KNOW IF YOU WERE TO HAVE 748 00:19:42,300 --> 00:19:44,700 THAT 749 00:19:42,300 --> 00:19:44,700 >> Jimmy: WE -- WHAT IS THE 750 00:19:44,700 --> 00:19:48,200 SHIPPING FORECAST? 751 00:19:44,700 --> 00:19:48,200 NO, WE DO NOT HAVE THAT. 752 00:19:48,200 --> 00:19:51,367 >> IT'S QUITE BORING, BUT IT'S 753 00:19:48,200 --> 00:19:51,367 REALLY EASY TO ZONE OUT TO 754 00:19:51,367 --> 00:19:54,433 AND I THINK PEOPLE QUITE LIKE 755 00:19:51,367 --> 00:19:54,433 IT SOMETIMES TO GO TO SLEEP TO 756 00:19:54,433 --> 00:19:58,267 BUT IT'S A VOICE JUST TELLING 757 00:19:54,433 --> 00:19:58,267 YOU, I THINK WHAT'S HAPPENING 758 00:19:58,267 --> 00:19:59,767 WITH THE WIND AROUND BECAUSE 759 00:19:58,267 --> 00:19:59,767 WE'RE AN ISLAND. 760 00:19:59,767 --> 00:20:03,833 SO FOR THE SHIPS GOING AROUND 761 00:19:59,767 --> 00:20:03,833 THE ISLAND, IT'S THE VARIOUS 762 00:20:03,833 --> 00:20:08,667 REGIONS AND THEY FARE TO 763 00:20:03,833 --> 00:20:08,667 MIDDLING OR WHERE THEY'RE GOOD 764 00:20:08,667 --> 00:20:13,333 SOUTH UTSIRE, NORTH UTSIRE 765 00:20:08,667 --> 00:20:13,333 GOOD, HOW TO EXPLAIN 766 00:20:13,333 --> 00:20:14,533 THAT IT'S REALLY EASY TO SEND 767 00:20:13,333 --> 00:20:14,533 IT OUT TO. 768 00:20:14,533 --> 00:20:17,167 >> Jimmy: WE HAVE AN AUDIO OF 769 00:20:14,533 --> 00:20:17,167 IT JUST SO EVERYONE AT HOME CAN 770 00:20:17,167 --> 00:20:20,433 LISTEN TO IT 771 00:20:17,167 --> 00:20:20,433 >> OH, THERE YOU GO. 772 00:20:20,433 --> 00:20:21,967 >> Jimmy: THIS IS WHAT YOU WERE 773 00:20:20,433 --> 00:20:21,967 LISTENING TO 774 00:20:21,967 --> 00:20:24,067 IS THIS -- 775 00:20:21,967 --> 00:20:24,067 >> AREA FORECAST THE NEXT 776 00:20:24,067 --> 00:20:26,233 24 HOURS 777 00:20:24,067 --> 00:20:26,233 VIKING, NORTH UTSIRE, SOUTH 778 00:20:26,233 --> 00:20:28,867 UTSIRE 779 00:20:26,233 --> 00:20:28,867 SOUTHWESTERLY 4 TO 6, BACKING 780 00:20:28,867 --> 00:20:32,567 SOUTHEASTERLY 5 TO 7 781 00:20:28,867 --> 00:20:32,567 >> Jimmy: YOU DID A GREAT 782 00:20:32,567 --> 00:20:34,200 IMPRESSION, BY THE WAY 783 00:20:32,567 --> 00:20:34,200 SO THAT'S IN YOUR EAR WHEN 784 00:20:34,200 --> 00:20:35,867 YOU'RE DOING LIKE -- 785 00:20:34,200 --> 00:20:35,867 >> AND THAT'S JUST A CONSTANT 786 00:20:35,867 --> 00:20:36,967 MUMBLE 787 00:20:35,867 --> 00:20:36,967 AND THEN -- BUT THE AWFUL 788 00:20:36,967 --> 00:20:42,333 THING, MY EVER FIRST SCENE WITH 789 00:20:36,967 --> 00:20:42,333 HELENA, OUR FIRST SCENE AND SHE 790 00:20:42,333 --> 00:20:47,133 WAS SAYING SOMETHING REALLY SAD 791 00:20:42,333 --> 00:20:47,133 AND SO I PUT THIS THING IN AND 792 00:20:47,133 --> 00:20:48,867 I JUST FELT SO RUDE THAT SHE 793 00:20:47,133 --> 00:20:48,867 KNEW I WAS NOT LISTENING TO 794 00:20:48,867 --> 00:20:50,633 HER. 795 00:20:48,867 --> 00:20:50,633 I WAS JUST ZONING OUT. 796 00:20:50,633 --> 00:20:53,667 [ LAUGHTER ] 797 00:20:50,633 --> 00:20:53,667 >> Jimmy: THAT'S A GOOD TRICK. 798 00:20:53,667 --> 00:20:57,067 IT WORKS 799 00:20:53,667 --> 00:20:57,067 >> IT WAS -- YEAH. 800 00:20:57,067 --> 00:21:00,000 >> Jimmy: NOW LOOK A YOU 801 00:20:57,067 --> 00:21:00,000 I MEAN, NOW YOU'RE GOING FROM 802 00:21:00,000 --> 00:21:03,600 THAT -- YOU'RE WINNING OSCAR 803 00:21:00,000 --> 00:21:03,600 WOULD YOU -- WAS THAT LIKE THAT 804 00:21:03,600 --> 00:21:07,233 JUST A WHIRLWIND 805 00:21:03,600 --> 00:21:07,233 WAS THAT -- DO YOU REMEMBER 806 00:21:07,233 --> 00:21:11,167 ANYTHING ABOUT THAT NIGHT? 807 00:21:07,233 --> 00:21:11,167 >> NO, NOT REALLY. 808 00:21:11,167 --> 00:21:13,033 >> Jimmy: YEAH 809 00:21:11,167 --> 00:21:13,033 >> ISN'T THAT AWFUL? 810 00:21:13,033 --> 00:21:14,900 >> Jimmy: NO, THAT'S THE GOOD 811 00:21:13,033 --> 00:21:14,900 MOMENTS, THEY HAPPEN AND YOU 812 00:21:14,900 --> 00:21:16,433 GO, "OOH, I SHOULD REMEMBER 813 00:21:14,900 --> 00:21:16,433 THAT." 814 00:21:16,433 --> 00:21:19,467 >> I CANNOT BELIEVE -- WELL, 815 00:21:16,433 --> 00:21:19,467 EXACTLY, AND YOU WAKE UP GOING, 816 00:21:19,467 --> 00:21:20,900 "I JUST CAN'T BELIEVE IT 817 00:21:19,467 --> 00:21:20,900 HAPPENED." 818 00:21:20,900 --> 00:21:22,200 >> Jimmy: YOU WERE FUNNY 819 00:21:20,900 --> 00:21:22,200 >> I WAS GIVEN THIS ADVICE 820 00:21:22,200 --> 00:21:27,900 WHICH BEFORE WE GOT MARRIED TO 821 00:21:22,200 --> 00:21:27,900 JUST EVERY NOW AND THEN TAKE A 822 00:21:27,900 --> 00:21:30,200 A LITTLE MOMENT, HAVE A LOOK 823 00:21:27,900 --> 00:21:30,200 AROUND 'CAUSE IT GOES SO 824 00:21:30,200 --> 00:21:32,900 QUICKLY AND THIS SORT OF RUSH 825 00:21:30,200 --> 00:21:32,900 OF ADRENALINE, YOU DON'T 826 00:21:32,900 --> 00:21:36,067 REMEMBER EVERYTHING AND IT IS 827 00:21:32,900 --> 00:21:36,067 SUCH A BIG DAY 828 00:21:36,067 --> 00:21:38,933 >> Jimmy: THAT'S TRUE. 829 00:21:36,067 --> 00:21:38,933 >> AND I REALLY WISH I CAN 830 00:21:38,933 --> 00:21:40,567 REMEMBER THAT TO THE OSCARS. 831 00:21:38,933 --> 00:21:40,567 I JUST DIDN'T THINK IT WOULD 832 00:21:40,567 --> 00:21:42,333 HAPPEN 833 00:21:40,567 --> 00:21:42,333 SO, YOU KNOW, I WAS JUST - 834 00:21:42,333 --> 00:21:43,900 >> Jimmy: IT WAS - 835 00:21:42,333 --> 00:21:43,900 >> -- IT WAS JUST A MASSIVE 836 00:21:43,900 --> 00:21:48,133 WHIRLWIND AND I CAN'T QUITE 837 00:21:43,900 --> 00:21:48,133 REMEMBER IT. 838 00:21:48,133 --> 00:21:49,767 >> Jimmy: I WANT TO TALK ABOUT 839 00:21:48,133 --> 00:21:49,767 YOUR FILM "THE FATHER. 840 00:21:49,767 --> 00:21:52,500 IT'S IS COMING OUT NOW 841 00:21:49,767 --> 00:21:52,500 FEBRUARY 26th HERE 842 00:21:52,500 --> 00:21:54,900 IT IS GETTING FANTASTIC 843 00:21:52,500 --> 00:21:54,900 REVIEWS. 844 00:21:54,900 --> 00:21:56,333 IT'S AT 100% ON ROTTEN 845 00:21:54,900 --> 00:21:56,333 TOMATOES 846 00:21:56,333 --> 00:21:58,400 >> OH. 847 00:21:56,333 --> 00:21:58,400 >> Jimmy: IT IS -- YEAH. 848 00:21:58,400 --> 00:22:00,700 IT IS -- 849 00:21:58,400 --> 00:22:00,700 >> GREAT 850 00:22:00,700 --> 00:22:02,333 >> Jimmy: -- IT'S A TRICKY 851 00:22:00,700 --> 00:22:02,333 STORY AND BEAUTIFULLY --- 852 00:22:02,333 --> 00:22:04,833 BEAUTIFULLY DONE 853 00:22:02,333 --> 00:22:04,833 CAN YOU TELL EVERYONE WHAT'S IT 854 00:22:04,833 --> 00:22:09,433 IS ABOUT 855 00:22:04,833 --> 00:22:09,433 >> YEAH. 856 00:22:09,433 --> 00:22:13,033 SO, ANTHONY HOPKINS IS THE 857 00:22:09,433 --> 00:22:13,033 FATHER, AND HE IS A MAN 858 00:22:13,033 --> 00:22:19,267 SUFFERING WITH DEMENTIA. 859 00:22:13,033 --> 00:22:19,267 BUT WHAT'S EXTRAORDINARY 860 00:22:19,267 --> 00:22:22,900 ABOUT -- IT'S NOT JUST IN THERE 861 00:22:19,267 --> 00:22:22,900 LIKE -- I'VE SEEN BEAUTIFUL 862 00:22:22,900 --> 00:22:25,300 FILMS ON THIS SUBJECT, BUT THIS 863 00:22:22,900 --> 00:22:25,300 ONE IS FROM HIS POINT OF VIEW. 864 00:22:25,300 --> 00:22:28,133 SO, YOU'RE WITH HIM AS HE GOES 865 00:22:25,300 --> 00:22:28,133 INTO A ROOM AND THE COLORS IN 866 00:22:28,133 --> 00:22:30,000 THE ROOM IS SLIGHTLY DIFFERENT 867 00:22:28,133 --> 00:22:30,000 AND SO YOU'RE AS CONFUSED AS HE 868 00:22:30,000 --> 00:22:32,167 IS 869 00:22:30,000 --> 00:22:32,167 >> Jimmy: UGH. 870 00:22:32,167 --> 00:22:33,867 >> IT'S SO BEAUTIFULLY WRITTEN 871 00:22:32,167 --> 00:22:33,867 AND FOR THE FIRST TIME, I SORT 872 00:22:33,867 --> 00:22:36,333 OF -- YOU UNDERSTAND HIS 873 00:22:33,867 --> 00:22:36,333 CONFUSION. 874 00:22:36,333 --> 00:22:39,700 >> Jimmy: IT'S - 875 00:22:36,333 --> 00:22:39,700 >> YES 876 00:22:39,700 --> 00:22:41,000 >> Jimmy: -- IT'S JUST 877 00:22:39,700 --> 00:22:41,000 BEAUTIFUL. 878 00:22:41,000 --> 00:22:42,433 >> IT'S HEARTBREAKING. 879 00:22:41,000 --> 00:22:42,433 >> Jimmy: YEAH 880 00:22:42,433 --> 00:22:43,867 >> YEAH. 881 00:22:42,433 --> 00:22:43,867 >> Jimmy: AND OF COURSE IT'S - 882 00:22:43,867 --> 00:22:45,933 >> BUT HE'S GOOD 883 00:22:43,867 --> 00:22:45,933 >> Jimmy: YEAH, IT'S SIR 884 00:22:45,933 --> 00:22:47,233 ANTHONY HOPKINS, TOO 885 00:22:45,933 --> 00:22:47,233 I MEAN, IT'S - 886 00:22:47,233 --> 00:22:48,467 >> YEAH. 887 00:22:47,233 --> 00:22:48,467 >> Jimmy: WELL, IT'S PHENOMENAL 888 00:22:48,467 --> 00:22:50,100 AND YOU GUYS TOGETHER, I'M 889 00:22:48,467 --> 00:22:50,100 TELLING YOU THIS IS -- EVERYONE 890 00:22:50,100 --> 00:22:52,833 HAS TO WATCH THIS, "THE 891 00:22:50,100 --> 00:22:52,833 FATHER." 892 00:22:52,833 --> 00:22:54,600 I WANT TO SHOW EVERYONE A CLIP 893 00:22:52,833 --> 00:22:54,600 HERE'S OLIVIA COLMAN AND 894 00:22:54,600 --> 00:22:57,933 ANTHONY HOPKINS IN "THE 895 00:22:55,467 --> 00:22:57,933 FATHER." 896 00:22:56,100 --> 00:22:57,933 TAKE A LOOK. 897 00:22:59,733 --> 00:23:02,233 >> DATE OF BIRTH 898 00:22:59,733 --> 00:23:02,233 >> FRIDAY, 31st OF 899 00:23:02,233 --> 00:23:04,200 DECEMBER 1937. 900 00:23:02,233 --> 00:23:04,200 >> FRIDAY? 901 00:23:04,200 --> 00:23:06,367 >> YES 902 00:23:04,200 --> 00:23:06,367 >> YOU'RE LIVING WITH YOUR 903 00:23:06,367 --> 00:23:09,767 DAUGHTER AT THE MOMENT, IS THAT 904 00:23:06,367 --> 00:23:09,767 RIGHT? 905 00:23:09,767 --> 00:23:12,167 >> YES, UNTIL SHE GOES TO LIVE 906 00:23:09,767 --> 00:23:12,167 IN PARIS 907 00:23:12,167 --> 00:23:14,367 >> NO DAD, WHY DO YOU KEEP 908 00:23:12,167 --> 00:23:14,367 GOING ON ABOUT PARIS 909 00:23:14,367 --> 00:23:18,500 >> WHAT? 910 00:23:14,367 --> 00:23:18,500 >> I'M STAYING IN LONDON 911 00:23:18,500 --> 00:23:20,233 >> IF YOU KEEP CHANGING YOUR 912 00:23:18,500 --> 00:23:20,233 MIND, HOW DO YOU EXPECT PEOPLE 913 00:23:20,233 --> 00:23:22,133 TO KEEP UP 914 00:23:20,233 --> 00:23:22,133 >> THERE'S NEVER BEEN ANY 915 00:23:22,133 --> 00:23:24,567 QUESTION OF ME LIVING IN PARIS 916 00:23:22,133 --> 00:23:24,567 >> YES, IT WAS 917 00:23:24,567 --> 00:23:26,300 YOU TOLD ME. 918 00:23:24,567 --> 00:23:26,300 >> NO, I DIDN'T. 919 00:23:26,300 --> 00:23:27,833 >> I'M SORRY, AND YOU TOLD ME 920 00:23:26,300 --> 00:23:27,833 THE OTHER DAY. 921 00:23:27,833 --> 00:23:30,567 HAVE YOU FORGOTTEN 922 00:23:27,833 --> 00:23:30,567 SHE'S FORGOTTEN. 923 00:23:30,567 --> 00:23:32,533 YOU ARE STARTING TO SUFFER FROM 924 00:23:30,567 --> 00:23:32,533 MEMORY LOSS. 925 00:23:32,533 --> 00:23:34,067 HAVE A WORD WITH A DOCTOR IF I 926 00:23:32,533 --> 00:23:34,067 WERE YOU 927 00:23:34,067 --> 00:23:35,600 >> IN ANY EVENT, I'M NOT GOING 928 00:23:34,067 --> 00:23:35,600 TO PARIS 929 00:23:35,600 --> 00:23:37,667 >> OH, THAT'S GOOD 930 00:23:35,600 --> 00:23:37,667 PARIS, THEY DON'T EVEN SPEAK 931 00:23:37,667 --> 00:23:42,167 ENGLISH THERE. 932 00:23:37,667 --> 00:23:42,167 >> Jimmy: OLIVIA COLMAN, "THE 933 00:23:42,167 --> 00:23:45,967 FATHER" WILL BE IN THEATERS ON 934 00:23:42,167 --> 00:23:45,967 FEBRUARY 26th. 935 00:23:45,967 --> 00:23:47,500 THANK YOU SO MUCH FOR COMING ON 936 00:23:45,967 --> 00:23:47,500 THE SHOW 937 00:23:47,500 --> 00:23:49,800 PLEASE COME BACK 938 00:23:47,500 --> 00:23:49,800 WE'RE OBVIOUSLY GIANT FANS 939 00:23:49,800 --> 00:23:52,200 >> OH, THANK YOU 940 00:23:49,800 --> 00:23:52,200 SO LOVELY TO MEET YOU. 941 00:23:52,200 --> 00:23:54,600 I LOVE YOU 942 00:23:52,200 --> 00:23:54,600 >> Jimmy: BYE, I LOVE YOU, TOO 943 00:23:54,600 --> 00:23:55,833 HAPPY CHRISTMAS! 944 00:23:54,600 --> 00:23:55,833 >> THANK YOU 945 00:23:55,833 --> 00:23:57,500 >> Jimmy: WE'LL BE RIGHT BACK 946 00:23:55,833 --> 00:23:57,500 WITH LUCAS HEDGES, EVERYONE. 947 00:23:57,500 --> 00:24:01,767 STICK AROUND 948 00:23:57,500 --> 00:24:01,767 >> BYE 949 00:24:01,767 --> 00:24:20,133 ♪ 950 00:24:01,767 --> 00:24:20,133 >> Jimmy: MY NEXT GUEST IS AN 951 00:24:20,133 --> 00:24:23,300 OSCAR-NOMINATED ACTOR WHO YOU 952 00:24:20,133 --> 00:24:23,300 CAN SEE ALONGSIDE MERYL STREEP 953 00:24:23,300 --> 00:24:25,033 IN THE NEW MOVIE "LET THEM ALL 954 00:24:23,300 --> 00:24:25,033 TALK," WHICH IS AVAILABLE NOW 955 00:24:25,033 --> 00:24:28,700 ON HBO MAX 956 00:24:25,033 --> 00:24:28,700 HERE'S LUCAS HEDGES! 957 00:24:28,700 --> 00:24:30,333 >> YES 958 00:24:28,700 --> 00:24:30,333 >> Jimmy: I NAILED IT? 959 00:24:30,333 --> 00:24:32,300 >> YES, YES. 960 00:24:30,333 --> 00:24:32,300 >> Jimmy: I NAILED IT? 961 00:24:32,300 --> 00:24:33,933 I NAILED IT? 962 00:24:32,300 --> 00:24:33,933 >> YEAH, YOU KILLED IT 963 00:24:33,933 --> 00:24:36,967 THAT'S HOW YOU PRONOUNCE MY 964 00:24:33,933 --> 00:24:36,967 NAME 965 00:24:36,967 --> 00:24:39,400 >> Jimmy: THANK YOU, BUDDY 966 00:24:36,967 --> 00:24:39,400 >> PERFECT 967 00:24:39,400 --> 00:24:44,633 PERFECT. 968 00:24:39,400 --> 00:24:44,633 >> Jimmy: HEY, IT LOOKS LIKE 969 00:24:44,633 --> 00:24:46,033 IT'S SNOWING REALLY HARD WHERE 970 00:24:44,633 --> 00:24:46,033 YOU ARE. 971 00:24:46,033 --> 00:24:47,800 >> YEAH, I'M ACTUALLY -- JUST 972 00:24:46,033 --> 00:24:47,800 10 FEET OF SNOW BEHIND ME. 973 00:24:47,800 --> 00:24:49,200 THIS IS -- 974 00:24:47,800 --> 00:24:49,200 >> Jimmy: I THINK THERE IS 975 00:24:49,200 --> 00:24:50,733 SOMEONE BEHIND YOU, BE CAREFUL 976 00:24:49,200 --> 00:24:50,733 >> NO, THIS IS ACTUALLY MY 977 00:24:50,733 --> 00:24:54,333 SPIRITUAL ADVISER/IT'S A 978 00:24:50,733 --> 00:24:54,333 A SELF-PORTRAIT I DID AND I 979 00:24:54,333 --> 00:24:56,967 WANTED -- I FELT LIKE I'D FEEL 980 00:24:54,333 --> 00:24:56,967 MORE COMFORTABLE IF SHE'S WITH 981 00:24:56,967 --> 00:24:59,700 ME 982 00:24:56,967 --> 00:24:59,700 >> Jimmy: OH, IT'S BEAUTIFUL 983 00:24:59,700 --> 00:25:01,133 >> THANK YOU 984 00:24:59,700 --> 00:25:01,133 >> Jimmy: DID YOU DRAW THAT OR 985 00:25:01,133 --> 00:25:02,367 AN ARTIST? 986 00:25:01,133 --> 00:25:02,367 >> YEAH, I DID 987 00:25:02,367 --> 00:25:03,667 >> Jimmy: YOU DID? 988 00:25:02,367 --> 00:25:03,667 >> YEAH, I DID 989 00:25:03,667 --> 00:25:07,600 >> Jimmy: WOW. 990 00:25:03,667 --> 00:25:07,600 >> YEAH, I'VE ACTUALLY ONLY 991 00:25:07,600 --> 00:25:09,233 REALLY BEEN DOING ONE DRAWING 992 00:25:07,600 --> 00:25:09,233 MY WHOLE LIFE AND IT'S THIS 993 00:25:09,233 --> 00:25:10,667 GUY, SO. 994 00:25:09,233 --> 00:25:10,667 >> Jimmy: I LIKE HIM 995 00:25:10,667 --> 00:25:11,967 I THINK HE'S FRIENDLY. 996 00:25:10,667 --> 00:25:11,967 >> THANK YOU 997 00:25:11,967 --> 00:25:14,367 THANK YOU. 998 00:25:11,967 --> 00:25:14,367 >> Jimmy: I LIKE HIS VIBE. 999 00:25:14,367 --> 00:25:15,800 >> YEAH. 1000 00:25:14,367 --> 00:25:15,800 SO WHAT'S GOING ON, JIMMY? 1001 00:25:15,800 --> 00:25:17,633 TALK TO ME, MAN. 1002 00:25:15,800 --> 00:25:17,633 HOW WE DOING 1003 00:25:17,633 --> 00:25:19,167 >> Jimmy: LOOK, HERE'S WHAT I 1004 00:25:17,633 --> 00:25:19,167 WANT TO KNOW 1005 00:25:19,167 --> 00:25:22,133 I HAVE QUESTIONS 1006 00:25:19,167 --> 00:25:22,133 I WANT TO TALK TO YOU ABOUT 1007 00:25:22,133 --> 00:25:23,533 THIS NEW MOVIE "LET THEM ALL 1008 00:25:22,133 --> 00:25:23,533 TALK." 1009 00:25:23,533 --> 00:25:24,733 MERYL STREEP - 1010 00:25:23,533 --> 00:25:24,733 >> YEAH. 1011 00:25:24,733 --> 00:25:28,233 >> Jimmy: -- OBVIOUSLY A PRO 1012 00:25:24,733 --> 00:25:28,233 IT IS ON HBO MAX RIGHT NOW 1013 00:25:28,233 --> 00:25:29,667 GOSH, THEY'RE HITTING HOMERUNS, 1014 00:25:28,233 --> 00:25:29,667 HBO MAX. 1015 00:25:29,667 --> 00:25:32,167 >> KILLING IT. 1016 00:25:29,667 --> 00:25:32,167 >> Jimmy: CAN YOU DESCRIBE WHAT 1017 00:25:32,167 --> 00:25:34,267 THIS MOVIE IS ABOUT? 1018 00:25:32,167 --> 00:25:34,267 >> YEAH. 1019 00:25:34,267 --> 00:25:38,533 YEAH, YEAH, YEAH 1020 00:25:34,267 --> 00:25:38,533 IT'S ABOUT -- IT'S ABOUT A 1021 00:25:38,533 --> 00:25:43,900 A FAMOUS WRITER PLAYED BY 1022 00:25:38,533 --> 00:25:43,900 MERYL STREEP WHO'S GIVEN -- 1023 00:25:43,900 --> 00:25:47,600 SHE'S GOING TO ACCEPT A BIG 1024 00:25:43,900 --> 00:25:47,600 PRIZE IN ENGLAND 1025 00:25:47,600 --> 00:25:49,467 SHE'S LIKE THE EQUIVALENT LIKE 1026 00:25:47,600 --> 00:25:49,467 THE MAN BOOKER PRIZE CALLED THE 1027 00:25:49,467 --> 00:25:50,900 FOOTLING 1028 00:25:49,467 --> 00:25:50,900 AND SHE'S GIVEN THREE TICKETS 1029 00:25:50,900 --> 00:25:55,033 TO GO ON THIS CRUISE WTIH -- TO 1030 00:25:50,900 --> 00:25:55,033 TAKE ON A CRUISE WITH HER TO GO 1031 00:25:55,033 --> 00:25:58,900 RECEIVE IT AND SHE BRINGS HER 1032 00:25:55,033 --> 00:25:58,900 TWO BEST FRIENDS FROM WHEN SHE 1033 00:25:58,900 --> 00:26:02,667 WAS GROWING UP AND HER NEPHEW. 1034 00:25:58,900 --> 00:26:02,667 AND I PLAY HER NEPHEW AND THE 1035 00:26:02,667 --> 00:26:05,833 MOVIE IS THE DYNAMICS THAT 1036 00:26:02,667 --> 00:26:05,833 ENSUE FROM IT. 1037 00:26:05,833 --> 00:26:07,933 >> Jimmy: YEAH, THAT'S GREAT 1038 00:26:05,833 --> 00:26:07,933 IT IS, DIANNE WIEST AND 1039 00:26:07,933 --> 00:26:09,800 CANDICE BERGEN 1040 00:26:07,933 --> 00:26:09,800 >> CANDICE BERGEN, YEAH. 1041 00:26:09,800 --> 00:26:11,567 >> Jimmy: COME ON. 1042 00:26:09,800 --> 00:26:11,567 YOU CAN'T BEAT CANDICE BERGEN. 1043 00:26:11,567 --> 00:26:13,200 >> YEAH, MAN 1044 00:26:11,567 --> 00:26:13,200 >> Jimmy: SHE'S SO FUN 1045 00:26:13,200 --> 00:26:14,567 >> YEAH. 1046 00:26:13,200 --> 00:26:14,567 >> Jimmy: DID YOU GET TO HANG 1047 00:26:14,567 --> 00:26:15,533 OUT WITH THE CASTS BEFORE YOU 1048 00:26:14,567 --> 00:26:15,533 STARTED FILMING? 1049 00:26:15,533 --> 00:26:18,333 >> YEAH, WE DID. 1050 00:26:15,533 --> 00:26:18,333 WE HAD A FEW CAST DINNERS IN 1051 00:26:18,333 --> 00:26:19,433 NEW YORK 1052 00:26:18,333 --> 00:26:19,433 AND THERE WAS THIS ONE -- AFTER 1053 00:26:19,433 --> 00:26:26,200 ONE OF THE DINNERS, WE ALL LIKE 1054 00:26:19,433 --> 00:26:26,200 WENT OUT, IT WAS I THINK IN THE 1055 00:26:26,200 --> 00:26:27,400 WEST VILLAGE, AND WE'RE ALL 1056 00:26:26,200 --> 00:26:27,400 TALKING AND WE'RE GOING TO GET 1057 00:26:27,400 --> 00:26:28,633 INTO OUR TAXIS AND THEN MERYL 1058 00:26:27,400 --> 00:26:28,633 JUST LIKE STARTS UNHOOKING LIKE 1059 00:26:28,633 --> 00:26:36,667 A BIKE -- LIKE A BIKE CHAIN AND 1060 00:26:28,633 --> 00:26:36,667 LIKE JUST -- 1061 00:26:36,667 --> 00:26:41,533 >> Jimmy: OF COURSE. 1062 00:26:36,667 --> 00:26:41,533 -- HOPS ON HER BIKE AND BIKES 1063 00:26:41,533 --> 00:26:43,267 HOME 1064 00:26:41,533 --> 00:26:43,267 >> Jimmy: OF COURSE SHE DOES 1065 00:26:43,267 --> 00:26:44,667 GOSH 1066 00:26:43,267 --> 00:26:44,667 >> SORT OF A TRUE O.G. MOMENT. 1067 00:26:44,667 --> 00:26:46,433 >> Jimmy: STEVEN SODERBERGH 1068 00:26:44,667 --> 00:26:46,433 DIRECTED THE MOVIE 1069 00:26:46,433 --> 00:26:49,033 THAT MAN IS A GENIUS 1070 00:26:46,433 --> 00:26:49,033 >> YEAH. 1071 00:26:49,033 --> 00:26:52,867 >> Jimmy: HOW WAS THAT 1072 00:26:49,033 --> 00:26:52,867 EXPERIENCE 1073 00:26:52,867 --> 00:26:55,167 >> IT WAS -- I HATE HIM, MAN 1074 00:26:52,867 --> 00:26:55,167 I HATE STEVEN SODERBERGH 1075 00:26:55,167 --> 00:26:57,800 >> Jimmy: YEAH, ME, TOO. 1076 00:26:55,167 --> 00:26:57,800 BUT I GOT THAT VIBE. 1077 00:26:57,800 --> 00:27:00,200 >> YEAH, HE'S SMART. 1078 00:26:57,800 --> 00:27:00,200 HE'S SMART 1079 00:27:00,200 --> 00:27:03,833 NO, I LOVE STEVEN. 1080 00:27:00,200 --> 00:27:03,833 AND HE WAS -- ONE OF THE WAYS 1081 00:27:03,833 --> 00:27:05,033 IT WAS UNIQUE WAS HE -- WHEN WE 1082 00:27:03,833 --> 00:27:05,033 HAD OUR FIRST MEETING HE WAS 1083 00:27:05,033 --> 00:27:06,200 LIKE, WHATEVER YOU WANT THIS 1084 00:27:05,033 --> 00:27:06,200 CHARACTER TO BE OR HOWEVER YOU 1085 00:27:06,200 --> 00:27:12,533 WANT HIM TO DRESS, HOWEVER YOU 1086 00:27:06,200 --> 00:27:12,533 WANT HIM TO SPEAK. 1087 00:27:12,533 --> 00:27:16,167 >> Jimmy: OH, WOW. 1088 00:27:12,533 --> 00:27:16,167 >> HE CAN BE ANY OF THOSE 1089 00:27:16,167 --> 00:27:17,700 THINGS 1090 00:27:16,167 --> 00:27:17,700 SO I DABBLE IN A FEW DIFFERENT 1091 00:27:17,700 --> 00:27:19,133 VERSIONS 1092 00:27:17,700 --> 00:27:19,133 >> Jimmy: IT IS ALMOST TOO MUCH 1093 00:27:19,133 --> 00:27:20,767 FREEDOM. 1094 00:27:19,133 --> 00:27:20,767 >> YEAH. I KNOW, I KNOW. 1095 00:27:20,767 --> 00:27:22,100 IT WAS TOO MUCH FREEDOM AND I 1096 00:27:20,767 --> 00:27:22,100 WAS TRYING TO EXPLORE A FEW 1097 00:27:22,100 --> 00:27:24,267 DIFFERENT VERSIONS 1098 00:27:22,100 --> 00:27:24,267 AND THEN AT THE END OF THE DAY, 1099 00:27:24,267 --> 00:27:27,100 I WAS JUST LIKE, "I HAVE NO 1100 00:27:24,267 --> 00:27:27,100 IDEA HOW TO DO --" 1101 00:27:27,100 --> 00:27:28,200 LIKE, I WAS TRYING TO BE A 1102 00:27:27,100 --> 00:27:28,200 A MAGICIAN WHO ONLY WEARS 1103 00:27:28,200 --> 00:27:32,033 FEDORAS. 1104 00:27:28,200 --> 00:27:32,033 >> Jimmy: WHAT 1105 00:27:32,033 --> 00:27:33,900 >> BUT THAT, I COULDN'T REALLY 1106 00:27:32,033 --> 00:27:33,900 FIGURE THAT OUT. 1107 00:27:33,900 --> 00:27:36,100 LAST SECOND. 1108 00:27:33,900 --> 00:27:36,100 [ LAUGHTER ] 1109 00:27:36,100 --> 00:27:37,733 I DON'T KNOW 1110 00:27:36,100 --> 00:27:37,733 I THINK -- AT THE OF THE DAY, I 1111 00:27:37,733 --> 00:27:39,133 WAS LIKE, "I DON'T HOW I AM 1112 00:27:37,733 --> 00:27:39,133 GOING TO BE ABLE TO JUST TALK. 1113 00:27:39,133 --> 00:27:40,267 WE JUST -- WE JUST IMPROVISED 1114 00:27:39,133 --> 00:27:40,267 SO MUCH OF IT THAT IT WAS 1115 00:27:40,267 --> 00:27:45,600 LIKE -- I LIKE THE IDEA OF HIM 1116 00:27:40,267 --> 00:27:45,600 JUST HAVING A FEDORA 1117 00:27:45,600 --> 00:27:46,900 BUT AT THE END OF THE DAY, I 1118 00:27:45,600 --> 00:27:46,900 HAD NO IDEA WHAT TO SAY, SO. 1119 00:27:46,900 --> 00:27:49,233 [ LAUGHTER ] 1120 00:27:46,900 --> 00:27:49,233 YEAH 1121 00:27:49,233 --> 00:27:52,500 >> Jimmy: OH, MY GOSH. 1122 00:27:49,233 --> 00:27:52,500 THE NEXT THING TO HAVE - 1123 00:27:52,500 --> 00:27:53,467 >> YEAH, MAN 1124 00:27:52,500 --> 00:27:53,467 >> Jimmy: PLEASE, LUCAS, YOU 1125 00:27:53,467 --> 00:27:54,667 HAVE TO DO A MOVIE IN A FEDORA 1126 00:27:53,467 --> 00:27:54,667 >> THANK YOU 1127 00:27:54,667 --> 00:27:56,433 >> Jimmy: AND JUST PLEASE -- 1128 00:27:54,667 --> 00:27:56,433 YOU DON'T HAVE TO EVEN WEAR IT, 1129 00:27:56,433 --> 00:27:57,667 JUST HANG UP LIKE IN THE MIDDLE 1130 00:27:56,433 --> 00:27:57,667 OF THE SCENE LIKE, "I KNOW, 1131 00:27:57,667 --> 00:28:01,233 BLAH, BLAH, BLAH." 1132 00:27:57,667 --> 00:28:01,233 AND JUST DON'T MENTION IT. 1133 00:28:01,233 --> 00:28:03,433 >> YEAH, JUST POP IT DOWN. 1134 00:28:01,233 --> 00:28:03,433 THAT'S THE VIBE. 1135 00:28:03,433 --> 00:28:06,167 THAT I SHOULD HAVE DONE. 1136 00:28:03,433 --> 00:28:06,167 >> Jimmy: ANYWAYS, I WANT TO 1137 00:28:06,167 --> 00:28:07,233 SHOW A CLIP FROM THE MOVIE 1138 00:28:06,167 --> 00:28:07,233 >> YEAH. 1139 00:28:07,233 --> 00:28:07,900 >> Jimmy: HERE'S LUCAS HEDGES 1140 00:28:07,900 --> 00:28:10,700 WITH MERYL STREEP IN "LET THEM 1141 00:28:08,500 --> 00:28:10,700 ALL TALK" ON HBO MAX 1142 00:28:09,533 --> 00:28:10,700 TAKE A LOOK. 1143 00:28:12,267 --> 00:28:13,300 >> CAN YOU HAND ME THE 1144 00:28:12,267 --> 00:28:13,300 MANUSCRIPT OVER THERE ON THE 1145 00:28:13,300 --> 00:28:20,567 COUCH? 1146 00:28:13,300 --> 00:28:20,567 >> YEAH, SURE. 1147 00:28:20,567 --> 00:28:21,867 >> AND A PEN 1148 00:28:20,567 --> 00:28:21,867 >> UH-HUH. 1149 00:28:21,867 --> 00:28:23,533 >> THE RED PEN 1150 00:28:21,867 --> 00:28:23,533 >> YEAH. 1151 00:28:23,533 --> 00:28:28,033 TWO PENS 1152 00:28:23,533 --> 00:28:28,033 >> THANK YOU, DARLING. 1153 00:28:28,033 --> 00:28:33,933 >> HERE YOU GO 1154 00:28:28,033 --> 00:28:33,933 IS -- IS THIS YOUR NEW BOOK? 1155 00:28:33,933 --> 00:28:38,300 >> YEAH. 1156 00:28:33,933 --> 00:28:38,300 THIS IS IT 1157 00:28:38,300 --> 00:28:44,467 >> WHAT'S IT ABOUT 1158 00:28:38,300 --> 00:28:44,467 >> UM -- IT IS ABOUT TRYING TO 1159 00:28:44,467 --> 00:28:49,533 CATCH LIGHTNING IN A BOTTLE FOR 1160 00:28:44,467 --> 00:28:49,533 A SECOND TIME. 1161 00:28:49,533 --> 00:28:56,367 >> NICE. 1162 00:28:49,533 --> 00:28:56,367 >> Jimmy: LUCAS HEDGES 1163 00:28:56,367 --> 00:28:59,733 "LET THEM ALL TALK" IS 1164 00:28:56,367 --> 00:28:59,733 AVAILABLE NOW ON HBO MAX 1165 00:28:59,733 --> 00:29:02,467 BARRY GIBB JOINS US AFTER THE 1166 00:28:59,733 --> 00:29:02,467 BREAK. 1167 00:29:02,467 --> 00:29:05,067 STICK AROUND EVERYBODY 1168 00:29:02,467 --> 00:29:05,067 >> YEAH. 1169 00:29:05,067 --> 00:29:06,933 >> Jimmy: THAT'S WHAT I AM 1170 00:29:05,067 --> 00:29:06,933 TALKING ABOUT. 1171 00:29:06,933 --> 00:29:24,667 ♪ 1172 00:29:06,933 --> 00:29:24,667 >> Jimmy: MY NEXT GUEST IS A 1173 00:29:24,667 --> 00:29:27,167 A LEGENDARY SINGER AND 1174 00:29:24,667 --> 00:29:27,167 SONGWRITER WHO SOLD OVER 1175 00:29:27,167 --> 00:29:31,367 200 MILLION RECORDS. 1176 00:29:27,167 --> 00:29:31,367 WOW. 1177 00:29:31,367 --> 00:29:34,767 AS PART OF THE BEE GEES, THE 1178 00:29:31,367 --> 00:29:34,767 INCREDIBLE NEW DOCUMENTARY, THE 1179 00:29:34,767 --> 00:29:36,500 BEE GEES' "HOW CAN YOU MEND 1180 00:29:34,767 --> 00:29:36,500 A BROKEN HEART" IS STREAMING 1181 00:29:36,500 --> 00:29:39,500 NOW ON HBO MAX 1182 00:29:36,500 --> 00:29:39,500 IT IS PHENOMENAL 1183 00:29:39,500 --> 00:29:41,400 HE ALSO HAS A NEW ALBUM COMING 1184 00:29:39,500 --> 00:29:41,400 JANUARY 8th CALLED 1185 00:29:41,400 --> 00:29:45,667 "GREENFIELD. 1186 00:29:41,400 --> 00:29:45,667 HERE IS BARRY GIBB 1187 00:29:45,667 --> 00:29:48,633 >> HI, JIMMY 1188 00:29:45,667 --> 00:29:48,633 >> Jimmy: SIR BARRY -- SIR 1189 00:29:48,633 --> 00:29:50,700 BARRY GIBB, THANK YOU SO MUCH 1190 00:29:48,633 --> 00:29:50,700 FOR DOING OUR SHOW 1191 00:29:50,700 --> 00:29:54,200 >> MY PLEASURE 1192 00:29:50,700 --> 00:29:54,200 >> Jimmy: YOU KNOW I ALWAYS 1193 00:29:54,200 --> 00:29:55,733 LOVE TALKING TO YOU. 1194 00:29:54,200 --> 00:29:55,733 LET'S TALK ABOUT THE 1195 00:29:55,733 --> 00:29:59,000 DOCUMENTARY AT FIRST 1196 00:29:55,733 --> 00:29:59,000 PEOPLE ARE LOVING IT AND 1197 00:29:59,000 --> 00:30:01,167 FALLING IN LOVE WITH THE 1198 00:29:59,000 --> 00:30:01,167 BEE GEES MUSIC ALL OVER AGAIN 1199 00:30:01,167 --> 00:30:07,100 AND IT IS ABOUT THE JOURNEY OF 1200 00:30:01,167 --> 00:30:07,100 YOU AND YOUR BROTHERS AND THE 1201 00:30:07,100 --> 00:30:10,933 HIGHS, THE LOWS, EVERYTHING IN 1202 00:30:07,100 --> 00:30:10,933 BETWEEN. 1203 00:30:10,933 --> 00:30:15,633 I DIDN'T KNOW THAT YOUR DAD WAS 1204 00:30:10,933 --> 00:30:15,633 INTO MUSIC 1205 00:30:15,633 --> 00:30:20,533 >> MY DAD WAS A DRUMMER AND HE 1206 00:30:15,633 --> 00:30:20,533 HAD A 13-PIECE BAND THAT PLAYED 1207 00:30:20,533 --> 00:30:23,500 THE MECHA CIRCUIT DURING THE 1208 00:30:20,533 --> 00:30:23,500 WAR FOR THE AMERICAN SOLDIERS 1209 00:30:23,500 --> 00:30:25,567 WHEN THEY CAME TO ENGLAND. 1210 00:30:23,500 --> 00:30:25,567 >> Jimmy: WOW. >> SO, YES, SIR 1211 00:30:25,567 --> 00:30:28,533 WAS A BAND'S VOCALIST. 1212 00:30:25,567 --> 00:30:28,533 SO, I THINK IT'LL -- I'M GONNA 1213 00:30:28,533 --> 00:30:32,100 REACH FOR MAT, SOMEHOW. >> 1214 00:30:28,533 --> 00:30:32,100 Jimmy: YEAH. 1215 00:30:32,100 --> 00:30:33,300 AND, YOU KNOW, IT'S ABOUT THE 1216 00:30:32,100 --> 00:30:33,300 SONGWRITING, THE SONGS, THE 1217 00:30:33,300 --> 00:30:43,633 PERFORMING, BUT I THINK, AT 1218 00:30:33,300 --> 00:30:43,633 HEART, IT'S ABOUT THE BROTHERS 1219 00:30:43,633 --> 00:30:44,867 AND THERE IS ONE LINE IN THERE, 1220 00:30:43,633 --> 00:30:44,867 PROBABLY SIR LIAM GALLAGHER, 1221 00:30:44,867 --> 00:30:46,033 BUT NO GALLAGHER HAS THE BEST 1222 00:30:44,867 --> 00:30:46,033 LINE IN THE DOCUMENTARY, I 1223 00:30:46,033 --> 00:30:52,900 THINK. 1224 00:30:46,033 --> 00:30:52,900 HE SAYS, " THE SONG SOUNDS SO 1225 00:30:52,900 --> 00:30:57,933 GREAT BUT THE BROTHERS' HARMONY 1226 00:30:52,900 --> 00:30:57,933 IS SOMETHING YOU CAN'T BUY 1227 00:30:57,933 --> 00:31:01,633 IT IS AN INSTRUMENT THAT YOU 1228 00:30:57,933 --> 00:31:01,633 CANNOT PURCHASE. 1229 00:31:01,633 --> 00:31:04,700 >> THE STRANGEST THING IS THAT 1230 00:31:01,633 --> 00:31:04,700 WE NEVER KNEW WE COULD DO IT 1231 00:31:04,700 --> 00:31:07,433 WE STARTED DOING HARMONIES WHEN 1232 00:31:04,700 --> 00:31:07,433 WE WERE PRETEENS BUT WITHOUT 1233 00:31:07,433 --> 00:31:08,533 ANY KNOWLEDGE OF WHAT HARMONIES 1234 00:31:07,433 --> 00:31:08,533 WERE 1235 00:31:08,533 --> 00:31:12,700 SO IT WAS EXTREMELY ORGANIC. 1236 00:31:08,533 --> 00:31:12,700 >> Jimmy: DO YOU THINK THAT WAS 1237 00:31:12,700 --> 00:31:16,000 PART OF WHY YOU HAVE YOUR SOUND 1238 00:31:12,700 --> 00:31:16,000 BECAUSE YOU WERE NEVER TAUGHT 1239 00:31:16,000 --> 00:31:18,200 LIKE, "OH, THEN GO HERE, THEN 1240 00:31:16,000 --> 00:31:18,200 WRITE THIS PART, THEN WRITE 1241 00:31:18,200 --> 00:31:21,000 THIS PART. 1242 00:31:18,200 --> 00:31:21,000 >> RIGHT, RIGHT, NO. 1243 00:31:21,000 --> 00:31:22,333 WE NEVER GOT INVOLVED IN 1244 00:31:21,000 --> 00:31:22,333 ANYTHING LIKE THAT, WE COULD 1245 00:31:22,333 --> 00:31:26,900 NEVER READ MUSIC 1246 00:31:22,333 --> 00:31:26,900 SO IT WAS JUST SIMPLY, "DO I 1247 00:31:26,900 --> 00:31:31,500 FIT IN HERE? 1248 00:31:26,900 --> 00:31:31,500 OH YEAH, I DO. 1249 00:31:31,500 --> 00:31:33,367 IT IS NOT -- YOU DON'T HAVE 1250 00:31:31,500 --> 00:31:33,367 A NAME FOR EACH HARMONY. 1251 00:31:33,367 --> 00:31:36,400 AND I FOUND THAT WHEN I WENT TO 1252 00:31:33,367 --> 00:31:36,400 NASHVILLE THAT EVERY HARMONY 1253 00:31:36,400 --> 00:31:39,133 HAS A NUMBER, YOU KNOW, SO I'M 1254 00:31:36,400 --> 00:31:39,133 LEARNING ABOUT MATH. 1255 00:31:39,133 --> 00:31:40,233 I KNEW ABOUT CHORDS, BUT I 1256 00:31:39,133 --> 00:31:40,233 DIDN'T KNOW THAT NOTES HAVE 1257 00:31:40,233 --> 00:31:41,400 NUMBERS, YOU KNOW? >> Jimmy: 1258 00:31:40,233 --> 00:31:41,400 AND ON TOP OF THAT, STYLES ARE 1259 00:31:41,400 --> 00:31:46,167 CHANGING 1260 00:31:41,400 --> 00:31:46,167 YOU CHANGED GENRES OF MUSIC SO 1261 00:31:46,167 --> 00:31:51,933 MANY TIMES 1262 00:31:46,167 --> 00:31:51,933 ALSO, I LOVE THE STORY 1263 00:31:51,933 --> 00:31:53,900 I DIDN'T KNOW ANY OF THESE 1264 00:31:51,933 --> 00:31:53,900 STORIES, HOW DEEP IS YOUR LOVE 1265 00:31:53,900 --> 00:31:55,667 >> YEAH. >> Jimmy: I DIDN'T 1266 00:31:53,900 --> 00:31:55,667 KNOW YOU WROTE A LOT OF THESE 1267 00:31:55,667 --> 00:32:02,433 IN THE STUDIO AS WELL. 1268 00:31:55,667 --> 00:32:02,433 >> YEAH -- YEAH, BOTH. 1269 00:32:02,433 --> 00:32:03,700 ONE OF US WOULD COME IN WITH AN 1270 00:32:02,433 --> 00:32:03,700 IDEA AND WE WOULD DEVELOP THAT 1271 00:32:03,700 --> 00:32:06,567 TOGETHER 1272 00:32:03,700 --> 00:32:06,567 AND SONGS LIKE, "TO LOVE 1273 00:32:06,567 --> 00:32:11,300 SOMEBODY," AND "WORDS," 1274 00:32:06,567 --> 00:32:11,300 "HOLIDAY." 1275 00:32:11,300 --> 00:32:13,233 WE WOULD WALK INTO THE STUDIO 1276 00:32:11,300 --> 00:32:13,233 WITH THAT IDEA 1277 00:32:13,233 --> 00:32:15,967 ONE OF US WOULD. 1278 00:32:13,233 --> 00:32:15,967 AND IF WE DIDN'T HAVE A SONG, 1279 00:32:15,967 --> 00:32:17,700 THEN WE WOULD WRITE THAT SONG 1280 00:32:15,967 --> 00:32:17,700 WHILE WE ARE RECORDING 1281 00:32:17,700 --> 00:32:21,867 SO, IF IT WORKED, IT WORKED. 1282 00:32:17,700 --> 00:32:21,867 SPOT IN THE NAVY, I THINK. >> 1283 00:32:21,867 --> 00:32:27,233 Jimmy: BARRY, IF ALIENS CAME 1284 00:32:21,867 --> 00:32:27,233 VISIT EARTH AND SAID PLAY ME 1285 00:32:27,233 --> 00:32:30,167 ONE TRACK THAT WOULD REPRESENT 1286 00:32:27,233 --> 00:32:30,167 THE BEE GEES, WHAT WOULD YOU 1287 00:32:30,167 --> 00:32:35,067 PLAY THEM? 1288 00:32:30,167 --> 00:32:35,067 THERE'S SO MANY DIFFERENT 1289 00:32:35,067 --> 00:32:36,267 SOUNDS 1290 00:32:35,067 --> 00:32:36,267 >> WELL, I WOULD PLAY THEM "I 1291 00:32:36,267 --> 00:32:37,367 STARTED A JOKE," AND I WOULD 1292 00:32:36,267 --> 00:32:37,367 PLAY THEM, "GOT TO GET A 1293 00:32:37,367 --> 00:32:46,333 A MESSAGE TO YOU" AND I WOULD 1294 00:32:37,367 --> 00:32:46,333 PLAY THEM, "TO LOVE SOMEBODY." 1295 00:32:46,333 --> 00:32:51,700 THEY'RE ALREADY HERE, JIMMY. 1296 00:32:46,333 --> 00:32:51,700 [ LAUGHTER ] 1297 00:32:51,700 --> 00:32:55,400 >> Jimmy: THEY'RE ALREADY HERE 1298 00:32:51,700 --> 00:32:55,400 WHAT AM I TALKING ABOUT? 1299 00:32:55,400 --> 00:33:00,233 [ LAUGHTER ] 1300 00:32:55,400 --> 00:33:00,233 >> Jimmy: I GOT TO SAY IT IS SO 1301 00:33:00,233 --> 00:33:04,800 GREAT AND I SAID I CAN'T WAIT 1302 00:33:00,233 --> 00:33:04,800 TO TALK TO BARRY 1303 00:33:04,800 --> 00:33:06,033 AND THEN SOMEONE TOLD ME THERE 1304 00:33:04,800 --> 00:33:06,033 IS A BIO PICKS IN THE WORK THAT 1305 00:33:06,033 --> 00:33:09,933 STEVEN SPIELBERG MIGHT WANT TO 1306 00:33:06,033 --> 00:33:09,933 BE OR IS INVOLVED? 1307 00:33:09,933 --> 00:33:13,267 >> HE IS INVOLVED. 1308 00:33:09,933 --> 00:33:13,267 YES, HE'S DEFINITELY INVOLVED 1309 00:33:13,267 --> 00:33:14,433 AND PARAMOUNT AND STACEY SNYDER 1310 00:33:13,267 --> 00:33:14,433 AND RAM KING, WHO DID THE 1311 00:33:14,433 --> 00:33:20,433 RAPSODY. 1312 00:33:14,433 --> 00:33:20,433 >> Jimmy: LOOK, I AM JUST 1313 00:33:20,433 --> 00:33:21,667 SAYING IF YOU NEED SOMEBODY TO 1314 00:33:20,433 --> 00:33:21,667 PLAY YOU AND ROBIN, I HAVE AN 1315 00:33:21,667 --> 00:33:27,767 IDEA 1316 00:33:21,667 --> 00:33:27,767 >> YOU CAN'T PLAY BOTH OF US 1317 00:33:27,767 --> 00:33:31,600 [ LAUGHTER ] 1318 00:33:27,767 --> 00:33:31,600 >> Jimmy: I AM JUST SAYING -- I 1319 00:33:31,600 --> 00:33:33,667 WORK CHEAP 1320 00:33:31,600 --> 00:33:33,667 BARRY, I WORK CHEAP BY THE WAY. 1321 00:33:33,667 --> 00:33:36,067 >> JIMMY, PLEASE SEND ME THAT 1322 00:33:33,667 --> 00:33:36,067 PICTURE. 1323 00:33:36,067 --> 00:33:40,867 PLEASE SEND ME THAT PICTURE. I 1324 00:33:36,067 --> 00:33:40,867 HAVE A ROSE GALLERY AND IT'S 1325 00:33:40,867 --> 00:33:44,167 GOT TO BE UP THERE 1326 00:33:40,867 --> 00:33:44,167 >> Jimmy: WITHOUT A DOUBT, I AM 1327 00:33:44,167 --> 00:33:45,833 SENDING IT TO YOU. 1328 00:33:44,167 --> 00:33:45,833 YOU KNOW YOU ARE HANGING ON MY 1329 00:33:45,833 --> 00:33:47,000 WALL EVERY TIME I COME OUT 1330 00:33:45,833 --> 00:33:47,000 BEFORE I DO A SHOW, YOU ARE IN 1331 00:33:47,000 --> 00:33:51,033 MY DRESSING ROOM FOR WHEN YOU 1332 00:33:47,000 --> 00:33:51,033 AND ROBIN STOP BY. 1333 00:33:51,033 --> 00:33:52,900 >> THAT'S THE ONLY SIGNATURE 1334 00:33:51,033 --> 00:33:52,900 I SCREWED UP THE SIGNATURE AND 1335 00:33:52,900 --> 00:33:54,733 I THOUGHT "IT ALREADY GOT 1336 00:33:52,900 --> 00:33:54,733 SENT," YOU KNOW. 1337 00:33:54,733 --> 00:33:57,833 I REMEMBER, I REMEMBER 1338 00:33:54,733 --> 00:33:57,833 [ LAUGHTER ] 1339 00:33:57,833 --> 00:33:59,267 >> Jimmy: NO, IT'S MY FAVORITE 1340 00:33:57,833 --> 00:33:59,267 I LOVE IT, I LOOK AT IT EVERY 1341 00:33:59,267 --> 00:34:02,233 SINGLE DAY 1342 00:33:59,267 --> 00:34:02,233 LET'S TALK ABOUT THE NEW 1343 00:34:02,233 --> 00:34:06,267 RECORD. I LOVE YOU DOING THIS. 1344 00:34:02,233 --> 00:34:06,267 "GREENFIELDS." 1345 00:34:06,267 --> 00:34:08,433 NOW THIS IS, LIKE, IT IS A 1346 00:34:06,267 --> 00:34:08,433 A DIFFERENT MOVE FOR YOU 1347 00:34:08,433 --> 00:34:12,367 YET AGAIN, ANOTHER -- >> I JUST 1348 00:34:08,433 --> 00:34:12,367 FOLLOWED ANOTHER DREAM, WHICH 1349 00:34:12,367 --> 00:34:13,600 WAS TO GET THE COUNTRY ARTIST I 1350 00:34:12,367 --> 00:34:13,600 MOST ADMIRE TO SING ONE OUR 1351 00:34:13,600 --> 00:34:18,933 SONGS. 1352 00:34:13,600 --> 00:34:18,933 AND THE GREATEST THING THAT 1353 00:34:18,933 --> 00:34:21,767 COULD HAVE HAPPENED WAS THAT -- 1354 00:34:18,933 --> 00:34:21,767 A LOT OF THESE PEOPLE SAID YES 1355 00:34:21,767 --> 00:34:24,600 [ LAUGHTER ] 1356 00:34:21,767 --> 00:34:24,600 DOLLY PARTON IN PARTICULAR, SHE 1357 00:34:24,600 --> 00:34:28,000 WAS WONDERFUL AND 1358 00:34:24,600 --> 00:34:28,000 BRANDY CARLISLE. 1359 00:34:28,000 --> 00:34:29,433 >> Jimmy: BRANDY CARLISLE DOING 1360 00:34:28,000 --> 00:34:29,433 A RUN TO ME. 1361 00:34:29,433 --> 00:34:34,567 LITTLE BIG TOWN. 1362 00:34:29,433 --> 00:34:34,567 SHERYL CROW. 1363 00:34:34,567 --> 00:34:39,067 THIS IS GOING TO BE FANTASTIC. 1364 00:34:34,567 --> 00:34:39,067 CONGRATS ON THIS AND PLEASE 1365 00:34:39,067 --> 00:34:41,567 COME BACK IF YOU WANT TO PLAY 1366 00:34:39,067 --> 00:34:41,567 ANYTHING, YOU KNOW, OPEN 1367 00:34:41,567 --> 00:34:44,300 INVITATION TO EVERYONE TO COME 1368 00:34:41,567 --> 00:34:44,300 TO US. 1369 00:34:44,300 --> 00:34:45,500 >> THANK YOU, JIMMY. >> Jimmy: 1370 00:34:44,300 --> 00:34:45,500 I WANT TO SHOW A CLIP, HERE IS 1371 00:34:45,500 --> 00:34:46,000 A PEEK AT THE BEE GEES, 1372 00:34:46,000 --> 00:34:50,600 "HOW CAN YOU MEND 1373 00:34:46,400 --> 00:34:50,600 A BROKEN HEART." 1374 00:34:48,667 --> 00:34:50,600 TAKE A LOOK AT THIS. 1375 00:34:52,367 --> 00:34:53,500 >> EVERYBODY KNEW WHEN YOU 1376 00:34:52,367 --> 00:34:53,500 HEARD THAT SONG, THAT'S THE 1377 00:34:53,500 --> 00:34:58,167 BEE GEES 1378 00:34:53,500 --> 00:34:58,167 >> WHEN WE SING SONGS LIKE ♪ 1379 00:34:58,167 --> 00:35:02,900 ♪ YOU KNOW HOW 1380 00:34:58,167 --> 00:35:02,900 EASY IT IS ♪ 1381 00:35:02,900 --> 00:35:09,800 ♪ IT IS TO HURT ME ♪ 1382 00:35:02,900 --> 00:35:09,800 IT'S BETTER THAN SINGING IN 1383 00:35:09,800 --> 00:35:11,000 USE, BUT THEY MESH TOGETHER SO 1384 00:35:09,800 --> 00:35:11,000 WELL, BUT IT SOUNDS LIKE ONE 1385 00:35:11,000 --> 00:35:18,733 VOICE, BUT IT IS A DIFFERENT 1386 00:35:11,000 --> 00:35:18,733 VOICE FROM THEM SEPARATELY 1387 00:35:18,733 --> 00:35:24,867 ♪ 1388 00:35:18,733 --> 00:35:24,867 >> Jimmy: BARRY GIBB, 1389 00:35:24,867 --> 00:35:27,033 EVERYBODY. 1390 00:35:24,867 --> 00:35:27,033 BEE GEES', "HOW CAN YOU MEND A 1391 00:35:27,033 --> 00:35:30,200 A BROKEN HEART," IS STREAMING 1392 00:35:27,033 --> 00:35:30,200 ON HBO MAX. CHECK OUT HIS NEW 1393 00:35:30,200 --> 00:35:32,800 ALBUM "GREENFIELDS," OUT 1394 00:35:30,200 --> 00:35:32,800 JANUARY 8th. 1395 00:35:32,800 --> 00:35:36,567 BARRY, THANK YOU SO MUCH FOR 1396 00:35:32,800 --> 00:35:36,567 COMING ON OUR SHOW 1397 00:35:36,567 --> 00:35:39,067 >> THANK YOU, JIMMY, AND PLEASE 1398 00:35:36,567 --> 00:35:39,067 GIVE MY LOVE TO THE ROOTS. 1399 00:35:39,067 --> 00:35:41,700 >> Jimmy: I WILL TELL THEM 1400 00:35:39,067 --> 00:35:41,700 THEY'RE HERE 1401 00:35:41,700 --> 00:35:42,900 I'LL TELL THEM RIGHT NOW, 1402 00:35:41,700 --> 00:35:42,900 YOU'RE THE GREATEST, BUDDY 1403 00:35:42,900 --> 00:35:44,133 AND TO EVERYONE ELSE THERE, I 1404 00:35:42,900 --> 00:35:44,133 LOOK FORWARD TO SEE YOU AGAIN 1405 00:35:44,133 --> 00:35:48,467 IN PERSON. 1406 00:35:44,133 --> 00:35:48,467 IN PERSON. >> Jimmy: IN PERSON 1407 00:35:48,467 --> 00:35:52,067 OH, THAT WOULD BE FANTASTIC. 1408 00:35:48,467 --> 00:35:52,067 I LOVE YOU, BUD, WE'LL BE RIGHT 1409 00:35:52,067 --> 00:35:53,200 BACK WITH PERFORMANCE WITH 1410 00:35:52,067 --> 00:35:53,200 JHENE AIKO WITH SPECIAL GUEST, 1411 00:35:53,200 --> 00:35:55,133 NAS. 1412 00:35:53,200 --> 00:35:55,133 STICK AROUND EVERYBODY 1413 00:35:55,133 --> 00:36:11,900 ♪ 1414 00:35:55,133 --> 00:36:11,900 ♪ 1415 00:36:11,900 --> 00:36:13,100 >> Jimmy: HER ALBUM "CHILOMBO" 1416 00:36:11,900 --> 00:36:13,100 IS NOMMINATED FOR A GRAMMY 1417 00:36:13,100 --> 00:36:16,933 ALBUM OF THE YEAR. 1418 00:36:16,933 --> 00:36:21,467 PERFORMING "10K HOURS" WITH 1419 00:36:17,567 --> 00:36:21,467 SPECIAL GUEST NAS, HE'S 1420 00:36:18,233 --> 00:36:21,467 JHENE AIKO 1421 00:36:23,033 --> 00:36:34,067 [ CHEERS AND APPLAUSE 1422 00:36:23,033 --> 00:36:34,067 ♪ 1423 00:36:34,067 --> 00:36:50,800 ♪ 1424 00:36:34,067 --> 00:36:50,800 ♪ I KNOW WHAT IT' 1425 00:36:50,800 --> 00:36:55,400 LIKE TO LOSE 1426 00:36:50,800 --> 00:36:55,400 DO YOU DO YO 1427 00:36:55,400 --> 00:36:59,767 HAVE YOU EVER ♪ 1428 00:36:55,400 --> 00:36:59,767 ♪ LOVED SOMEONE 1429 00:36:59,767 --> 00:37:02,267 THEN LOST THAT ONE 1430 00:36:59,767 --> 00:37:02,267 YOU CAN'T EVEN 1431 00:37:02,267 --> 00:37:06,300 CALL THEY PHONE ♪ 1432 00:37:02,267 --> 00:37:06,300 ♪ YOU CAN'T EVEN AS 1433 00:37:06,300 --> 00:37:10,233 HOW THEY DAY WAS 1434 00:37:06,300 --> 00:37:10,233 NOTHING IN LIFE'S GUARANTEED 1435 00:37:10,233 --> 00:37:16,933 YOU'LL SEE ♪ 1436 00:37:10,233 --> 00:37:16,933 ♪ I'M NOT BEING DIFFICULT 1437 00:37:16,933 --> 00:37:23,067 I JUST SEE THINGS DIFFERENTL 1438 00:37:16,933 --> 00:37:23,067 WHEN I SAY I WANNA SEE YOU 1439 00:37:23,067 --> 00:37:29,067 THAT MEANS SOMETHING ♪ 1440 00:37:23,067 --> 00:37:29,067 ♪ DEEPER TO M 1441 00:37:29,067 --> 00:37:36,800 TEN THOUSAND HOURS 1442 00:37:29,067 --> 00:37:36,800 I CANNOT LET G 1443 00:37:36,800 --> 00:37:43,900 WAY TOO MANY MEMORIES ♪ 1444 00:37:36,800 --> 00:37:43,900 ♪ TEN THOUSAND HOUR 1445 00:37:43,900 --> 00:37:53,333 I CANNOT I CANNOT LET GO 1446 00:37:43,900 --> 00:37:53,333 HAVE YOU EVER LOVED SOMEON 1447 00:37:53,333 --> 00:37:58,200 THEN LOST THAT ONE ♪ 1448 00:37:53,333 --> 00:37:58,200 ♪ HAVE YOU EVER 1449 00:37:58,200 --> 00:38:02,200 MISSED SOMEONE THA 1450 00:37:58,200 --> 00:38:02,200 AIN'T COMING BAC 1451 00:38:02,200 --> 00:38:05,467 YOU CAN'T EVEN TELL ♪ 1452 00:38:02,200 --> 00:38:05,467 ♪ THAT ONE 'CAUSE THEY'RE 1453 00:38:05,467 --> 00:38:10,033 NOT HERE TO HEAR I 1454 00:38:05,467 --> 00:38:10,033 DO YOU HEAR ME 1455 00:38:10,033 --> 00:38:13,967 NOTHING IN LIFE'S ♪ 1456 00:38:10,033 --> 00:38:13,967 ♪ GUARANTEED YOU'LL SEE 1457 00:38:13,967 --> 00:38:20,300 I'M NOT BEING DIFFICUL 1458 00:38:13,967 --> 00:38:20,300 I JUST SEE THINGS DIFFERENTL 1459 00:38:20,300 --> 00:38:27,767 YOU DON'T SEE THE URGENCY ♪ 1460 00:38:20,300 --> 00:38:27,767 ♪ THAT REALLY WORRIES M 1461 00:38:27,767 --> 00:38:29,733 THE PROBLEM IS THAT WE THINK 1462 00:38:27,767 --> 00:38:29,733 NATURALLY WE HAVE TIME 1463 00:38:29,733 --> 00:38:34,767 BUT YOU'LL FIND ♪ 1464 00:38:29,733 --> 00:38:34,767 ♪ ANYTHING CAN HAPPEN 1465 00:38:34,767 --> 00:38:40,000 DON'T TAKE IT FOR GRANTE 1466 00:38:34,767 --> 00:38:40,000 I'VE BEEN MISSING YO 1467 00:38:40,000 --> 00:38:50,933 FOR TEN THOUSAND HOURS ♪ 1468 00:38:40,000 --> 00:38:50,933 ♪ I CANNOT LET GO 1469 00:38:50,933 --> 00:38:57,067 I'VE BEEN MISSING YO 1470 00:38:50,933 --> 00:38:57,067 FOR TEN THOUSAND HOURS 1471 00:38:57,067 --> 00:39:02,300 I CANNOT I CANNOT LET GO ♪ 1472 00:38:57,067 --> 00:39:02,300 ♪ I CANNOT LET GO 1473 00:39:02,300 --> 00:39:03,833 THINKING BACK ON 1474 00:39:02,300 --> 00:39:03,833 SOME GOOD TIME 1475 00:39:03,833 --> 00:39:05,600 WE HAVE WITH SOME ♪ 1476 00:39:03,833 --> 00:39:05,600 ♪ BAD PEOPLE LIKE 1477 00:39:05,600 --> 00:39:07,567 I SHOULDA SAW SHE WA 1478 00:39:05,600 --> 00:39:07,567 SEE THROUGH OR 1479 00:39:07,567 --> 00:39:09,533 HE WAS EVIL LIKE ♪ 1480 00:39:07,567 --> 00:39:09,533 ♪ I WASTED MY GOO 1481 00:39:09,533 --> 00:39:11,167 EXPERIENCE WITH THES 1482 00:39:09,533 --> 00:39:11,167 PEOPLE LIK 1483 00:39:11,167 --> 00:39:14,533 GUESS IT WAS MEANT TO BE ♪ 1484 00:39:11,167 --> 00:39:14,533 ♪ THEY WAS TEACHING ME LIFE 1485 00:39:14,533 --> 00:39:18,067 SO ONLY HALF THA 1486 00:39:14,533 --> 00:39:18,067 MEMORY'S WORTHWHIL 1487 00:39:18,067 --> 00:39:20,133 WE HAD BEEF BUT AT LEAST ♪ 1488 00:39:18,067 --> 00:39:20,133 ♪ THERE'S A BIRTH OF A CHIL 1489 00:39:20,133 --> 00:39:22,300 COOLED AND FLIPPED I 1490 00:39:20,133 --> 00:39:22,300 REMINISCING BAD TIMES WITH 1491 00:39:22,300 --> 00:39:24,800 GOOD PEOPLE'S TERRIFIC ♪ 1492 00:39:22,300 --> 00:39:24,800 ♪ BEAUTIFULLY DIFFERENT 1493 00:39:24,800 --> 00:39:27,867 'CAUSE WE STILL KICK I 1494 00:39:24,800 --> 00:39:27,867 YOU SAID WE CAN'T BE INTIMAT 1495 00:39:27,867 --> 00:39:29,333 YOU SAID WE ♪ 1496 00:39:27,867 --> 00:39:29,333 ♪ CAN'T GO THER 1497 00:39:29,333 --> 00:39:32,033 IF THIS THING IS GOING 1498 00:39:29,333 --> 00:39:32,033 NOWHERE IT'S SO WEIR 1499 00:39:32,033 --> 00:39:33,800 NOW IT'S COLD ♪ 1500 00:39:32,033 --> 00:39:33,800 ♪ THOUGHT I HAD CONTROL 1501 00:39:33,800 --> 00:39:36,300 THOUGHT I TOOK YOUR SOUL 1502 00:39:33,800 --> 00:39:36,300 NAH I TOOK YOUR MIND 1503 00:39:36,300 --> 00:39:39,267 AND GRAVE BY NAME ♪ 1504 00:39:36,300 --> 00:39:39,267 ♪ YOU TOLD ME THAT MY MIN 1505 00:39:39,267 --> 00:39:41,100 IS YOUR FAVORITE 1506 00:39:39,267 --> 00:39:41,100 PLACE TO HAN 1507 00:39:41,100 --> 00:39:42,633 TEN THOUSAND HOURS TURNED ♪ 1508 00:39:41,100 --> 00:39:42,633 ♪ TO TEN THOUSAND 1509 00:39:42,633 --> 00:39:44,833 BRIDAL FLOWERS 1510 00:39:42,633 --> 00:39:44,833 WHAT WAS MINE IS OUR 1511 00:39:44,833 --> 00:39:47,900 HOW MANY SOULMATES WE GET ♪ 1512 00:39:44,833 --> 00:39:47,900 ♪ IN THE LIFETIME 1513 00:39:47,900 --> 00:39:50,467 RIGHT NOW'S THE RIGHT TIME 1514 00:39:47,900 --> 00:39:50,467 YOU THE WIFE KIN 1515 00:39:50,467 --> 00:39:53,167 YOU COULD SEARCH YOUR ♪ 1516 00:39:50,467 --> 00:39:53,167 ♪ WHOLE LIFE TRYNA FIND 1517 00:39:53,167 --> 00:39:59,967 A LOVE AS GOOD AS TH 1518 00:39:53,167 --> 00:39:59,967 TIME WE HAD WE HAD 1519 00:39:59,967 --> 00:40:07,067 EVERY PERSON THAT ♪ 1520 00:39:59,967 --> 00:40:07,067 ♪ COMES IN YOUR LIF 1521 00:40:07,067 --> 00:40:10,467 HERE FOR ALL THE 1522 00:40:07,067 --> 00:40:10,467 MUDDY TIMES ♪ 1523 00:40:10,467 --> 00:40:19,633 ♪ SO BE FAI 1524 00:40:10,467 --> 00:40:19,633 BE THERE YEAH ♪ 1525 00:40:19,633 --> 00:40:25,633 >> THANK YOU 1526 00:40:19,633 --> 00:40:25,633 [ CHEERS AND APPLAUSE 1527 00:40:25,633 --> 00:40:26,500 >> Jimmy: THANK YOU ALL FOR 1528 00:40:25,633 --> 00:40:26,500 WATCHING 1529 00:40:26,500 --> 00:40:28,267 STAY SAFE OUT THERE. 1530 00:40:26,500 --> 00:40:28,267 WEAR A MASK. 1531 00:40:28,267 --> 00:40:30,633 WASH YOUR HANDS. 1532 00:40:28,267 --> 00:40:30,633 STAY TUNED FOR "LATE NIGHT WITH 1533 00:40:30,633 --> 00:40:55,233 SETH MEYERS. 1534 00:40:30,633 --> 00:40:55,233 GOOD NIGHT, EVERYBODY!