1 00:00:25,030 --> 00:00:26,120 >> Steve: FROM ROCKEFELLER 2 00:00:25,030 --> 00:00:26,120 CENTER IN THE HEART OF 3 00:00:26,120 --> 00:00:28,179 NEW YORK CITY, IT'S 4 00:00:26,120 --> 00:00:28,179 "THE TONIGHT SHOW STARRING 5 00:00:28,179 --> 00:00:30,039 JIMMY FALLON." 6 00:00:28,179 --> 00:00:30,039 TONIGHT JOIN JIMMY AND HIS 7 00:00:30,039 --> 00:00:32,090 GUESTS - 8 00:00:30,039 --> 00:00:32,090 KEANU REEVES AND ALEX WINTER 9 00:00:32,090 --> 00:00:34,289 JOE MANGANIELLO, 10 00:00:32,090 --> 00:00:34,289 MUSICAL GUEST, THE SMASHING 11 00:00:34,289 --> 00:00:36,219 PUMPKINS 12 00:00:34,289 --> 00:00:36,219 AND FEATURING THE LEGENDARY 13 00:00:36,219 --> 00:00:41,280 ROOTS CREW 14 00:00:39,130 --> 00:00:41,280 AND NOW, HERE HE IS, 15 00:00:40,189 --> 00:00:41,280 JIMMY FALLON 16 00:00:46,000 --> 00:00:50,170 ♪ 17 00:00:46,000 --> 00:00:50,170 [ CHEERS AND APPLAUSE 18 00:00:50,170 --> 00:00:55,109 >> Jimmy: THANK YOU VERY MUCH. 19 00:00:50,170 --> 00:00:55,109 PLEASE 20 00:00:55,109 --> 00:01:00,119 OH, MY GOODNESS. 21 00:00:55,109 --> 00:01:00,119 THANK YOU VERY, VERY MUCH. 22 00:01:00,119 --> 00:01:04,260 THANK YOU VERY MUCH, EVERYONE. 23 00:01:00,119 --> 00:01:04,260 FEELS GREAT. 24 00:01:04,260 --> 00:01:06,060 WELCOME EVERYBODY. 25 00:01:04,260 --> 00:01:06,060 WELCOME, WELCOME, WELCOME TO 26 00:01:06,060 --> 00:01:08,230 "THE TONIGHT SHOW. 27 00:01:06,060 --> 00:01:08,230 THANK YOU SO MUCH FOR BEING 28 00:01:08,230 --> 00:01:11,109 HERE 29 00:01:08,230 --> 00:01:11,109 THANK YOU FOR WATCHING 30 00:01:11,109 --> 00:01:14,030 LET'S GET TO THE NEWS AND 31 00:01:11,109 --> 00:01:14,030 JOKES. 32 00:01:14,030 --> 00:01:17,109 WELL GUYS, TODAY IS 33 00:01:14,030 --> 00:01:17,109 DECEMBER 1ST 34 00:01:17,109 --> 00:01:20,000 AND HERE IN NEW YORK, IT WAS A 35 00:01:17,109 --> 00:01:20,000 A SUNNY, 50-DEGREE DAY 36 00:01:20,000 --> 00:01:22,049 YEAH, EVEN THE WEATHER HAS NO 37 00:01:20,000 --> 00:01:22,049 IDEA WHAT MONTH IT IS ANYMORE. 38 00:01:22,049 --> 00:01:23,030 THAT'S RIGHT, IT'S 39 00:01:22,049 --> 00:01:23,030 DECEMBER 1ST, WHICH MEANS 40 00:01:23,030 --> 00:01:24,079 THERE'S ONLY 31 DAYS UNTIL WE 41 00:01:23,030 --> 00:01:24,079 CAN START MAKING JOKES ABOUT 42 00:01:24,079 --> 00:01:34,219 HOW BAD 2021 IS. 43 00:01:24,079 --> 00:01:34,219 [ LIGHT LAUGHTER ] 44 00:01:34,219 --> 00:01:35,250 OF COURSE THIS TIME OF YEAR, 45 00:01:34,219 --> 00:01:35,250 PEOPLE ARE MAKING THEIR 46 00:01:35,250 --> 00:01:37,039 CHRISTMAS LISTS. 47 00:01:35,250 --> 00:01:37,039 FOR EXAMPLE, RUDY GIULIANI IS 48 00:01:37,039 --> 00:01:38,259 ASKING TRUMP FOR A PARDON. 49 00:01:37,039 --> 00:01:38,259 I'M ACTUALLY NOT KIDDING 50 00:01:38,259 --> 00:01:45,009 CHECK OUT WHAT RUDY'S BEEN UP 51 00:01:38,259 --> 00:01:45,009 TO 52 00:01:45,009 --> 00:01:46,069 >> LEAD ATTORNEY, RUDY GIULIANI 53 00:01:45,009 --> 00:01:46,069 HAS REPORTEDLY DISCUSSED A 54 00:01:46,069 --> 00:01:50,240 A PREEMPTIVE PARDON FOR HIMSELF 55 00:01:46,069 --> 00:01:50,240 WITH THE PRESIDENT 56 00:01:50,240 --> 00:01:53,200 >> Jimmy: WHAT 57 00:01:50,240 --> 00:01:53,200 IT'S NOT A GREAT SIGN WHEN YOUR 58 00:01:53,200 --> 00:01:54,270 LAWYER COMES TO YOU LIKE, DUDE, 59 00:01:53,200 --> 00:01:54,270 YOU GOT TO GET ME OUT OF THIS 60 00:01:54,270 --> 00:01:57,270 JAM. 61 00:01:54,270 --> 00:01:57,270 I MEAN, I'M IN REAL DEEP 62 00:01:57,270 --> 00:02:03,109 RUDY MADE A VALID CASE 63 00:01:57,270 --> 00:02:03,109 HE WAS LIKE, "LOOK, WITHOUT ME 64 00:02:03,109 --> 00:02:09,020 YOU'D BE THE MOST EMBARRASSING 65 00:02:03,109 --> 00:02:09,020 PERSON IN YOUR PRESIDENCY. 66 00:02:09,020 --> 00:02:10,210 TRUMP HASN'T SAID YES. 67 00:02:09,020 --> 00:02:10,210 APPARENTLY HE TOLD RUDY, "GET 68 00:02:10,210 --> 00:02:12,069 IN LINE, YOU'RE BEHIND AUNT 69 00:02:10,210 --> 00:02:12,069 BECKY AND A FEW MORE TURKEYS." 70 00:02:12,069 --> 00:02:13,099 RIGHT NOW RUDY IS LIKE, 71 00:02:12,069 --> 00:02:13,099 "SERIOUSLY COME ON, MY HAIR 72 00:02:13,099 --> 00:02:21,090 BLED FOR YOU 73 00:02:13,099 --> 00:02:21,090 MY HAIR BLED FOR YOU 74 00:02:21,090 --> 00:02:23,050 WHAT ELSE DO YOU --" RUDY 75 00:02:21,090 --> 00:02:23,050 HASN'T BEEN CHARGED WITH 76 00:02:23,050 --> 00:02:24,060 ANYTHING YET, SO THEY'RE 77 00:02:23,050 --> 00:02:24,060 CALLING THIS A PREEMPTIVE 78 00:02:24,060 --> 00:02:28,170 PARDON 79 00:02:24,060 --> 00:02:28,170 APPARENTLY HE TOLD TRUMP, 80 00:02:28,170 --> 00:02:31,009 THERE'S A "BORAT 3," AND IT'S 81 00:02:28,170 --> 00:02:31,009 A LOT WORSE. 82 00:02:31,009 --> 00:02:36,180 [ LAUGHTER ] 83 00:02:31,009 --> 00:02:36,180 I KIND OF FEEL BAD FOR TRUMP 84 00:02:36,180 --> 00:02:37,270 I MEAN, JUST IMAGINE STANDING 85 00:02:36,180 --> 00:02:37,270 SIX INCHES AWAY FROM 86 00:02:37,270 --> 00:02:41,060 RUDY GIULIANI WHEN HE SAYS THE 87 00:02:37,270 --> 00:02:41,060 WORDS "PREEMPTIVE PARDON." 88 00:02:41,060 --> 00:02:45,099 "OKAY NOW I'M WEARING A MASK." 89 00:02:41,060 --> 00:02:45,099 THAT'S NOT ALL TRUMP IS DEALING 90 00:02:45,099 --> 00:02:48,030 WITH 91 00:02:45,099 --> 00:02:48,030 LISTEN TO WHAT CAME OUT TODAY. 92 00:02:48,030 --> 00:02:49,030 >> ATTORNEY GENERAL, 93 00:02:48,030 --> 00:02:49,030 WILLIAM BARR, TELLING "THE 94 00:02:49,030 --> 00:02:50,050 ASSOCIATED PRESS" THAT THE 95 00:02:49,030 --> 00:02:50,050 JUSTICE DEPARTMENT HAS NOT 96 00:02:50,050 --> 00:02:51,110 UNCOVERED WIDESPREAD VOTING 97 00:02:50,050 --> 00:02:51,110 FRAUD THAT COULD HAVE CHANGED 98 00:02:51,110 --> 00:03:01,000 2020 ELECTION OUTCOMES 99 00:02:51,110 --> 00:03:01,000 >> Jimmy: WHEN TRUMP HEARD 100 00:03:01,000 --> 00:03:02,090 ABOUT WILLIAM BARR, HE WAS SO 101 00:03:01,000 --> 00:03:02,090 MAD, HE ORDERED WILLIAM BARR TO 102 00:03:02,090 --> 00:03:05,240 PROSECUTE WILLIAM BARR 103 00:03:02,090 --> 00:03:05,240 AT THIS POINT, TRUMP'S LOST 104 00:03:05,240 --> 00:03:10,280 "FOX NEWS," REPUBLICAN 105 00:03:05,240 --> 00:03:10,280 SENATORS, AND NOW BILL BARR. 106 00:03:10,280 --> 00:03:12,069 TODAY HE WAS LIKE, "IF 107 00:03:10,280 --> 00:03:12,069 RANDY QUAID JUMPS SHIP, IT'S 108 00:03:12,069 --> 00:03:16,079 OVER." 109 00:03:12,069 --> 00:03:16,079 HERE'S ANOTHER BIG STORY 110 00:03:16,079 --> 00:03:17,129 TODAY, THE CDC VOTED ON WHO 111 00:03:16,079 --> 00:03:17,129 SHOULD BE THE FIRST TO GET THE 112 00:03:17,129 --> 00:03:21,129 COVID VACCINE. 113 00:03:17,129 --> 00:03:21,129 YEP. 114 00:03:21,129 --> 00:03:24,079 THEY VOTED ON WHO GETS THE 115 00:03:21,129 --> 00:03:24,079 FIRST VACCINES 116 00:03:24,079 --> 00:03:25,150 IT'S THE SAME SYSTEM McDONALD'S 117 00:03:24,079 --> 00:03:25,150 IS USING TO SEE WHO GETS THE 118 00:03:25,150 --> 00:03:29,289 FIRST McRIBS 119 00:03:25,150 --> 00:03:29,289 [ LIGHT LAUGHTER ] 120 00:03:29,289 --> 00:03:31,110 IT WAS WEIRD 121 00:03:29,289 --> 00:03:31,110 THE OFFICIAL WAS LIKE, "THE 122 00:03:31,110 --> 00:03:32,139 FIRST TO RECEIVE THE VACCINE 123 00:03:31,110 --> 00:03:32,139 WILL BE -- ME, AND THEN MY 124 00:03:32,139 --> 00:03:40,170 GIRLFRIEND, CHERYL." 125 00:03:32,139 --> 00:03:40,170 [ LIGHT LAUGHTER ] 126 00:03:40,170 --> 00:03:41,259 WHEN THE CDC ANNOUNCED 127 00:03:40,170 --> 00:03:41,259 FRONTLINE WORKERS AND THE 128 00:03:41,259 --> 00:03:43,020 ELDERLY WILL BE THE FIRST TO 129 00:03:41,259 --> 00:03:43,020 RECEIVE THE VACCINE, TEACHERS 130 00:03:43,020 --> 00:03:44,280 POLITELY CLAPPED LIKE SOMEONE 131 00:03:43,020 --> 00:03:44,280 WHO HAD JUST LOST AN OSCAR 132 00:03:44,280 --> 00:03:53,099 SO HAPPY FOR YOU GUYS. 133 00:03:44,280 --> 00:03:53,099 WELL, UNTIL WE GET A VACCINE, 134 00:03:53,099 --> 00:03:54,099 THINGS ARE GONNA BE PRETTY 135 00:03:53,099 --> 00:03:54,099 DIFFERENT. 136 00:03:54,099 --> 00:03:55,199 JUST CHECK OUT WHAT THE 137 00:03:54,099 --> 00:03:55,199 NEW YORK CITY BALLET IS DOING 138 00:03:55,199 --> 00:04:00,039 THIS YEAR. 139 00:03:55,199 --> 00:04:00,039 >> FOR THE FIRST TIME SINCE ITS 140 00:04:00,039 --> 00:04:01,259 DEBUT, THE NEW YORK CITY BALLET 141 00:04:00,039 --> 00:04:01,259 WILL NOT PERFORM "THE 142 00:04:01,259 --> 00:04:03,210 NUTCRACKER" ON STAGE 143 00:04:01,259 --> 00:04:03,210 >> INSTEAD, THE BALLET'S 144 00:04:03,210 --> 00:04:06,169 2019 PRODUCTION WILL BE 145 00:04:03,210 --> 00:04:06,169 STREAMED ONLINE, BEGINNING NEXT 146 00:04:06,169 --> 00:04:10,090 FRIDAY 147 00:04:06,169 --> 00:04:10,090 >> Jimmy: YEP. 148 00:04:10,090 --> 00:04:11,210 IF YOU WANT TO SEE IT, DO NOT 149 00:04:10,090 --> 00:04:11,210 GOOGLE VIRTUAL NUTCRACKER. 150 00:04:11,210 --> 00:04:16,120 [ LAUGHTER ] 151 00:04:11,210 --> 00:04:16,120 NO, NO, NO, NO 152 00:04:16,120 --> 00:04:17,149 IF YOU WANT TO KEEP YOUR JOB, 153 00:04:16,120 --> 00:04:17,149 DON'T DO IT. 154 00:04:17,149 --> 00:04:21,129 [ LIGHT LAUGHTER ] 155 00:04:17,149 --> 00:04:21,129 YEP, NOW EVERYONE CAN CONTINUE 156 00:04:21,129 --> 00:04:22,170 THE TRADITION OF WATCHING "THE 157 00:04:21,129 --> 00:04:22,170 NUTCRACKER" AND NOT QUITE 158 00:04:22,170 --> 00:04:24,079 UNDERSTANDING WHAT THE HELL IS 159 00:04:22,170 --> 00:04:24,079 GOING ON 160 00:04:24,079 --> 00:04:28,040 [ LIGHT LAUGHTER ] 161 00:04:24,079 --> 00:04:28,040 OKAY, SO THE GUY IS 162 00:04:28,040 --> 00:04:31,189 A NUTCRACKER WHO FIGHTS A RAT? 163 00:04:28,040 --> 00:04:31,189 OKAY 164 00:04:31,189 --> 00:04:33,290 SURE, SURE 165 00:04:31,189 --> 00:04:33,290 MEANWHILE, OVER IN THE U.K., A 166 00:04:33,290 --> 00:04:35,060 A TEQUILA BAR APPLIED TO BECOME 167 00:04:33,290 --> 00:04:35,060 A CHURCH IN ORDER TO STAY OPEN 168 00:04:35,060 --> 00:04:45,209 DURING THE LOCKDOWN. 169 00:04:35,060 --> 00:04:45,209 [ SCATTERED APPLAUSE ] 170 00:04:45,209 --> 00:04:46,259 ON SUNDAY MORNINGS, GUYS ARE 171 00:04:45,209 --> 00:04:46,259 GOING TO BE LIKE, "OKAY HONEY, 172 00:04:46,259 --> 00:04:48,029 OFF TO CHURCH. 173 00:04:46,259 --> 00:04:48,029 ME AND THE BOYS, WE'LL BE BACK 174 00:04:48,029 --> 00:04:56,090 AROUND MIDNIGHT. 175 00:04:48,029 --> 00:04:56,090 I MEAN THE CONGREGATION. 176 00:04:56,090 --> 00:04:57,170 YEP, IT'S THE ONLY CHURCH WHERE 177 00:04:56,090 --> 00:04:57,170 THE COLLECTION PLATE IS FILLED 178 00:04:57,170 --> 00:04:58,159 WITH MIXED NUTS. 179 00:04:57,170 --> 00:04:58,159 THEY HAVE A CONFESSIONAL, BUT 180 00:04:58,159 --> 00:05:04,290 IT'S REALLY JUST A URINAL 181 00:04:58,159 --> 00:05:04,290 DIVIDER. 182 00:05:04,290 --> 00:05:06,149 AFTER THE BAR CLOSES, EVERYONE 183 00:05:04,290 --> 00:05:06,149 IS LIKE, "ALRIGHT, LET'S FIND 184 00:05:06,149 --> 00:05:10,220 A SYNAGOGUE THAT'S ALSO 185 00:05:06,149 --> 00:05:10,220 A DINER. 186 00:05:10,220 --> 00:05:11,279 WELL, GET THIS, "PROPERTY 187 00:05:10,220 --> 00:05:11,279 BROTHERS" STAR, JONATHAN SCOTT 188 00:05:11,279 --> 00:05:13,040 JUST RELEASED A VIDEO FOR HIS 189 00:05:11,279 --> 00:05:13,040 NEW SONG ABOUT SOLAR ENERGY, 190 00:05:13,040 --> 00:05:20,069 CALLED, "BEING HONEST. 191 00:05:13,040 --> 00:05:20,069 TAKE A LOOK. 192 00:05:20,069 --> 00:05:28,100 ♪ 'CAUSE IF WE'RE BEING HONEST 193 00:05:20,069 --> 00:05:28,100 SOMETHING'S GOT TO CHANG 194 00:05:28,100 --> 00:05:37,090 ENOUGH'S ENOUGH SO WAKE UP 195 00:05:28,100 --> 00:05:37,090 WE'RE ALL BEING PLAYED ♪ 196 00:05:37,090 --> 00:05:39,149 >> Jimmy: IT'S PRETTY CATCHY, 197 00:05:37,090 --> 00:05:39,149 BUT I PREFER BOB VILA'S CALYPSO 198 00:05:39,149 --> 00:05:44,060 ROCK SONG ABOUT ECO-FRIENDLY 199 00:05:39,149 --> 00:05:44,060 SPRINKLERS 200 00:05:44,060 --> 00:05:46,079 YEAH, ONE OF THE "PROPERTY 201 00:05:44,060 --> 00:05:46,079 BROTHERS" HAS A NEW SONG, 202 00:05:46,079 --> 00:05:47,110 MEANWHILE, JACK JOHNSON JUST 203 00:05:46,079 --> 00:05:47,110 RENOVATED A FOUR-BEDROOM, 204 00:05:47,110 --> 00:05:49,129 RANCH-STYLE HOME IN 205 00:05:47,110 --> 00:05:49,129 LAGUNA BEACH 206 00:05:49,129 --> 00:05:53,079 [ LIGHT LAUGHTER ] 207 00:05:49,129 --> 00:05:53,079 I'M NOT SAYING THE FEEDBACK IS 208 00:05:53,079 --> 00:05:57,220 BAD, BUT HE'S ALREADY CLAIMING 209 00:05:53,079 --> 00:05:57,220 IT WAS HIS TWIN BROTHER. 210 00:05:57,220 --> 00:05:59,180 AND FINALLY, HEARD ABOUT THESE 211 00:05:57,220 --> 00:05:59,180 NEW CHRISTMAS ORNAMENTS THAT 212 00:05:59,180 --> 00:06:03,000 YOU CAN FILL WITH WINE, LIQUOR 213 00:05:59,180 --> 00:06:03,000 OR BEER, CALLED "BOOZE BALLS." 214 00:06:03,000 --> 00:06:07,120 CHECK THIS OUT 215 00:06:03,000 --> 00:06:07,120 YEAH 216 00:06:07,120 --> 00:06:08,209 OR YOU COULD SAVE MONEY, AND 217 00:06:07,120 --> 00:06:08,209 JUST TIE A RIBBON AROUND YOUR 218 00:06:08,209 --> 00:06:11,129 VODKA BOTTLE 219 00:06:08,209 --> 00:06:11,129 "THAT'S AN ORNAMENT RIGHT 220 00:06:11,129 --> 00:06:16,069 THERE. 221 00:06:11,129 --> 00:06:16,069 YEP. 222 00:06:16,069 --> 00:06:17,129 BOOZY ORNAMENTS, SO NOW, 223 00:06:16,069 --> 00:06:17,129 INSTEAD OF FINDING PRESENTS 224 00:06:17,129 --> 00:06:18,199 UNDER THE TREE ON CHRISTMAS 225 00:06:17,129 --> 00:06:18,199 MORNING, THE KIDS WILL FIND 226 00:06:18,199 --> 00:06:21,079 UNCLE JEFF 227 00:06:18,199 --> 00:06:21,079 [ SCATTERED APPLAUSE ] 228 00:06:21,079 --> 00:06:22,170 WE HAVE A GREAT SHOW, GIVE IT 229 00:06:21,079 --> 00:06:22,170 UP FOR "THE ROOTS," EVERYBODY. 230 00:06:22,170 --> 00:06:37,100 ♪ 231 00:06:22,170 --> 00:06:37,100 >> Jimmy: HEY! 232 00:06:37,100 --> 00:06:39,290 GUYS, BE SURE TO TUNE IN FRIDAY 233 00:06:37,100 --> 00:06:39,290 NIGHT. 234 00:06:39,290 --> 00:06:41,220 WE HAVE AVERY SPECIAL GUEST 235 00:06:39,290 --> 00:06:41,220 COMING ON THE SHOW 236 00:06:41,220 --> 00:06:46,170 PRESIDENT BARACK OBAMA, WILL BE 237 00:06:41,220 --> 00:06:46,170 ON THE SHOW! 238 00:06:46,170 --> 00:06:52,159 THAT'S RIGHT 239 00:06:46,170 --> 00:06:52,159 WE WILL BE TALKING TO HIM ABOUT 240 00:06:52,159 --> 00:06:53,220 HIS NEW BOOK, ABOUT THE STATE 241 00:06:52,159 --> 00:06:53,220 OF THE COUNTRY, AND WE HAVE 242 00:06:53,220 --> 00:06:58,170 SOME OTHER FUN THINGS PLANNED. 243 00:06:53,220 --> 00:06:58,170 FRIDAY NIGHT, BARACK OBAMA, 244 00:06:58,170 --> 00:07:00,290 IT'S GOING TO BE GOOD! 245 00:06:58,170 --> 00:07:00,290 THAT'S WHAT I'M TALKING ABOUT. 246 00:07:00,290 --> 00:07:03,110 SET YOUR TiVOS 247 00:07:00,290 --> 00:07:03,110 SET YOUR DVRs, EVERYBODY 248 00:07:03,110 --> 00:07:08,050 TELL ALEXA TO RECORD 249 00:07:03,110 --> 00:07:08,050 YEAH 250 00:07:08,050 --> 00:07:11,000 BUT FIRST, WE HAVE A GREAT SHOW 251 00:07:08,050 --> 00:07:11,000 FOR YOU TONIGHT. 252 00:07:11,000 --> 00:07:12,040 THEY'VE REUNITED FOR THE NEW 253 00:07:11,000 --> 00:07:12,040 MOVIE, "BILL & TED FACE THE 254 00:07:12,040 --> 00:07:15,089 MUSIC," KEANU REEVES AND 255 00:07:12,040 --> 00:07:15,089 ALEX WINTER ARE HERE 256 00:07:15,089 --> 00:07:22,019 BILL AND TED 257 00:07:15,089 --> 00:07:22,019 PLUS, FROM THE UPCOMING FILM 258 00:07:22,019 --> 00:07:23,209 "ARCHENEMY", JOE MANGANIELLO IS 259 00:07:22,019 --> 00:07:23,209 HERE 260 00:07:23,209 --> 00:07:32,060 AND WE HAVE GREAT MUSIC FROM, 261 00:07:23,209 --> 00:07:32,060 "SMASHING PUMPKINS!" 262 00:07:32,060 --> 00:07:37,069 [ CHEERS AND APPLAUSE 263 00:07:32,060 --> 00:07:37,069 I LOVE "THE SMASHING PUMPKINS. 264 00:07:37,069 --> 00:07:38,159 GUYS, I WANT TO MENTION THIS 265 00:07:37,069 --> 00:07:38,159 WEEK'S "TONIGHT SHOW" HASHTAG. 266 00:07:38,159 --> 00:07:44,269 IT IS 267 00:07:38,159 --> 00:07:44,269 "#ADDAWORDRUINACHRISTMASSONG." 268 00:07:44,269 --> 00:07:46,019 SO IF YOU WANT TO PLAY ALONG, 269 00:07:44,269 --> 00:07:46,019 JUST GO ON TWITTER AND TWEET 270 00:07:46,019 --> 00:07:47,079 OUT THE TITLE OF A CHRISTMAS 271 00:07:46,019 --> 00:07:47,079 SONG, BUT WITH ONE WORD ADDED 272 00:07:47,079 --> 00:07:51,240 TO CHANGE THE MEANING. 273 00:07:47,079 --> 00:07:51,240 FOR INSTANCE, I SAID, "FELIZ 274 00:07:51,240 --> 00:07:56,250 NAVIDAD-BOD. 275 00:07:51,240 --> 00:07:56,250 [ LIGHT LAUGHTER ] 276 00:07:56,250 --> 00:07:59,159 SO SEND IN YOUR TWEETS, USE THE 277 00:07:56,250 --> 00:07:59,159 HASHTAG, 278 00:07:59,159 --> 00:08:02,149 "#ADDAWORDRUINACHRISTMASSONG," 279 00:07:59,159 --> 00:08:02,149 AND WE'LL PICK OUR FAVORITES 280 00:08:02,149 --> 00:08:03,279 AND PUT THEM ON THE SHOW 281 00:08:02,149 --> 00:08:03,279 IT'LL BE FUN 282 00:08:03,279 --> 00:08:07,290 THANK YOU! 283 00:08:03,279 --> 00:08:07,290 [ APPLAUSE ] 284 00:08:07,290 --> 00:08:09,050 HAVE YOU GUYS WATCHED 285 00:08:07,290 --> 00:08:09,050 TAYLOR SWIFT'S NEW DISNEY PLUS 286 00:08:09,050 --> 00:08:13,259 DOCUMENTARY, "FOLKLORE"? 287 00:08:09,050 --> 00:08:13,259 IT'S FANTASTIC, IT'S ABOUT THE 288 00:08:13,259 --> 00:08:15,279 ALBUM, "FOLKLORE" THAT SHE MADE 289 00:08:13,259 --> 00:08:15,279 DURING QUARANTINE. 290 00:08:15,279 --> 00:08:19,029 AND BASICALLY IT'S TAYLOR, AND 291 00:08:15,279 --> 00:08:19,029 HER PRODUCER, AND MUSICIANS 292 00:08:19,029 --> 00:08:20,060 FROM THE ALBUM, GETTING 293 00:08:19,029 --> 00:08:20,060 TOGETHER FOR THE FIRST TIME -- 294 00:08:20,060 --> 00:08:21,110 SOCIALLY DISTANT AND LISTENING 295 00:08:20,060 --> 00:08:21,110 TO THE ALBUM FOR THE FIRST 296 00:08:21,110 --> 00:08:32,000 TIME 297 00:08:21,110 --> 00:08:32,000 IT'S PRETTY COOL 298 00:08:32,000 --> 00:08:33,049 AND, WELL NOT MANY PEOPLE KNOW 299 00:08:32,000 --> 00:08:33,049 THIS, BUT I ACTUALLY DID 300 00:08:33,049 --> 00:08:36,279 SOMETHING SIMILAR. 301 00:08:33,049 --> 00:08:36,279 IT'S TRUE. 302 00:08:36,279 --> 00:08:38,039 I MADE AN ALBUM WITH "THE 303 00:08:36,279 --> 00:08:38,039 ROOTS" DURING QUARANTINE, AND 304 00:08:38,039 --> 00:08:39,059 WE JUST GOT TOGETHER TO PLAY IT 305 00:08:38,039 --> 00:08:39,059 FOR THE FIRST TIME 306 00:08:39,059 --> 00:08:56,049 CHECK IT OUT 307 00:08:39,059 --> 00:08:56,049 ♪ 308 00:08:56,049 --> 00:08:57,080 >> OKAY, SO IT'S 8:30 IN THE 309 00:08:56,049 --> 00:08:57,080 MORNING. 310 00:08:57,080 --> 00:09:03,220 WHY AM I AWAKE 311 00:08:57,080 --> 00:09:03,220 I SORT OF UNEXPECTEDLY STARTED 312 00:09:03,220 --> 00:09:04,279 WRITING AN ALBUM, AND I JUST 313 00:09:03,220 --> 00:09:04,279 FELT REALLY INSPIRED AND I WENT 314 00:09:04,279 --> 00:09:05,049 WITH IT. 315 00:09:05,049 --> 00:09:24,029 AND I RECORDED AN ENTIRE ALBUM 316 00:09:06,129 --> 00:09:24,029 WITH "THE ROOTS" REMOTELY. 317 00:09:07,039 --> 00:09:24,029 ♪ 318 00:09:26,029 --> 00:09:27,110 YOU KNOW WHEN LOCKDOWN FIRST 319 00:09:26,029 --> 00:09:27,110 STARTED, I HEARD TAYLOR WAS 320 00:09:27,110 --> 00:09:28,159 WRITING SONGS, AND I THOUGHT I 321 00:09:27,110 --> 00:09:28,159 WAS FEELING INSPIRED TOO, SO 322 00:09:28,159 --> 00:09:32,240 MAYBE I SHOULD WRITE SOME 323 00:09:28,159 --> 00:09:32,240 MUSIC. 324 00:09:32,240 --> 00:09:35,190 I REMEMBER I CALLED YOU, TARIQ, 325 00:09:32,240 --> 00:09:35,190 AND ASKED IF YOU'D HELP ME 326 00:09:35,190 --> 00:09:39,070 YOU SAID - 327 00:09:35,190 --> 00:09:39,070 >> "ONLY IF YOU PAY ME A LOT OF 328 00:09:39,070 --> 00:09:43,169 MONEY. 329 00:09:39,070 --> 00:09:43,169 >> EXACTLY 330 00:09:43,169 --> 00:09:45,009 AND QUEST, I TEXTED YOU, AND I 331 00:09:43,169 --> 00:09:45,009 SAID, "HEY, DO YOU WANT TO WORK 332 00:09:45,009 --> 00:09:48,159 ON SOMETHING TOGETHER, AND YOU 333 00:09:45,009 --> 00:09:48,159 SAID - 334 00:09:48,159 --> 00:09:50,110 >> "HOW DID YOU GET THIS 335 00:09:48,159 --> 00:09:50,110 NUMBER." 336 00:09:50,110 --> 00:09:51,210 >> YEAH, BUT ACTUALLY, I WAS 337 00:09:50,110 --> 00:09:51,210 GETTING PRETTY BORED, SO I 338 00:09:51,210 --> 00:09:56,149 SAID, "OKAY. 339 00:09:51,210 --> 00:09:56,149 IT'S JUST A LOT OF THE THEMES 340 00:09:56,149 --> 00:10:00,259 IN MY SONGS ARE HARD TO TALK 341 00:09:56,149 --> 00:10:00,259 ABOUT. 342 00:10:00,259 --> 00:10:02,029 BUT I KNOW OTHER PEOPLE ARE 343 00:10:00,259 --> 00:10:02,029 PROBABLY GOING THROUGH THE SAME 344 00:10:02,029 --> 00:10:05,279 THINGS 345 00:10:02,029 --> 00:10:05,279 >> YEAH. 346 00:10:05,279 --> 00:10:07,039 >> SO MAYBE THE MUSIC WILL 347 00:10:05,279 --> 00:10:07,039 RESONATE WITH THEM 348 00:10:07,039 --> 00:10:17,149 ♪ 349 00:10:07,039 --> 00:10:17,149 ♪ EVERYBODY STARE 350 00:10:17,149 --> 00:10:19,009 AT ME THIS 351 00:10:17,149 --> 00:10:19,009 MOMENT DIDN' 352 00:10:19,009 --> 00:10:21,129 HAVE TO BE ♪ 353 00:10:19,009 --> 00:10:21,129 ♪ BUT I HAD TOO MAN 354 00:10:21,129 --> 00:10:23,049 ICED TEA 355 00:10:21,129 --> 00:10:23,049 AND I PEED ♪ 356 00:10:23,049 --> 00:10:25,070 ♪ MY PANTS IN A 357 00:10:23,049 --> 00:10:25,070 APPLEBEE'S 358 00:10:25,070 --> 00:10:28,159 I SAID WHERE'S ♪ 359 00:10:25,070 --> 00:10:28,159 ♪ THE BATHROOM PLEASE 360 00:10:28,159 --> 00:10:31,009 THE WAITERS AL 361 00:10:28,159 --> 00:10:31,009 LAUGHED AT ME ♪ 362 00:10:31,009 --> 00:10:33,000 ♪ I RUINED MY BES 363 00:10:31,009 --> 00:10:33,000 PAIR OF KHAKIS 364 00:10:33,000 --> 00:10:36,159 WHEN I PEED ♪ 365 00:10:33,000 --> 00:10:36,159 ♪ MY PANTS IN A 366 00:10:36,159 --> 00:10:38,120 APPLEBEE'S 367 00:10:36,159 --> 00:10:38,120 IT'S NOT ALL GOOD IN THE 368 00:10:38,120 --> 00:10:45,009 NEIGHBORHOOD ♪ 369 00:10:38,120 --> 00:10:45,009 >> THIS NEXT TRACK, WHEN YOU 370 00:10:45,009 --> 00:10:49,159 SENT ME THE LYRICS, MAN, I WAS 371 00:10:45,009 --> 00:10:49,159 BLOWN AWAY 372 00:10:49,159 --> 00:10:55,029 I THINK THIS MAY BE ONE OF THE 373 00:10:49,159 --> 00:10:55,029 BEST SONGS YOU'VE EVER WRITTEN 374 00:10:55,029 --> 00:10:56,080 >> IT WAS A DIFFERENT SIDE OF 375 00:10:55,029 --> 00:10:56,080 YOU THAT I REALLY NEVER SEEN 376 00:10:56,080 --> 00:11:00,039 BEFORE 377 00:10:56,080 --> 00:11:00,039 IT WAS DIFFERENT 378 00:11:00,039 --> 00:11:11,120 >> THANK YOU, THANK YOU. 379 00:11:00,039 --> 00:11:11,120 ♪ THERE'S ALMON 380 00:11:11,120 --> 00:11:14,039 AND SOY SKIM 381 00:11:11,120 --> 00:11:14,039 AND TWO PERCEN 382 00:11:14,039 --> 00:11:17,059 COCONUT CATCH ♪ 383 00:11:14,039 --> 00:11:17,059 ♪ YOU ORDINARY BU 384 00:11:17,059 --> 00:11:20,009 I WANT YOU 385 00:11:17,059 --> 00:11:20,009 DOWN DEEP IN ♪ 386 00:11:20,009 --> 00:11:22,000 ♪ MY SOUL YOU'RE 387 00:11:20,009 --> 00:11:22,000 THE ONLY MIL 388 00:11:22,000 --> 00:11:27,000 THAT MAKES ME ♪ 389 00:11:22,000 --> 00:11:27,000 ♪ WHOLE 390 00:11:27,000 --> 00:11:29,029 I PREFER WHOLE MIL 391 00:11:27,000 --> 00:11:29,029 OVER OTHER ♪ 392 00:11:29,029 --> 00:11:30,279 ♪ MILKS AND M 393 00:11:29,029 --> 00:11:30,279 FAVORITE MILK IS 394 00:11:30,279 --> 00:11:34,200 DEF WHOLE MILK ♪ 395 00:11:30,279 --> 00:11:34,200 ♪ IT'S CHOCK 396 00:11:34,200 --> 00:11:37,179 FULL OF VITAMIN 397 00:11:34,200 --> 00:11:37,179 IT'S THE ONLY ♪ 398 00:11:37,179 --> 00:11:39,009 ♪ MILK FOR ME 399 00:11:37,179 --> 00:11:39,009 IT'S THE ONL 400 00:11:39,009 --> 00:11:44,190 MILK FOR ME ♪ 401 00:11:39,009 --> 00:11:44,190 >> YOU KNOW, IN GENERAL, WITH 402 00:11:44,190 --> 00:11:48,169 THIS ALBUM, I LOVE HOW HONEST 403 00:11:44,190 --> 00:11:48,169 YOU WERE ABOUT YOUR LYRICS 404 00:11:48,169 --> 00:11:51,090 >> I FELT LIKE I WAS IN 405 00:11:48,169 --> 00:11:51,090 QUARANTINE WITH YOU. 406 00:11:51,090 --> 00:11:52,159 >> I WAS JUST INSPIRED BY THE 407 00:11:51,090 --> 00:11:52,159 COMMUNAL EXPERIENCE THAT WE'RE 408 00:11:52,159 --> 00:11:53,279 ALL HAVING 409 00:11:52,159 --> 00:11:53,279 ALONE, BUT TOGETHER. 410 00:11:53,279 --> 00:11:58,179 TOGETHER, BUT ALONE. 411 00:11:53,279 --> 00:11:58,179 >> DAMN. 412 00:11:58,179 --> 00:12:13,070 THAT'S DEEP. 413 00:11:58,179 --> 00:12:13,070 ♪ WELL I GOT A SOURDOUGH 414 00:12:13,070 --> 00:12:16,100 STARTER, ADDED 200 MILLIGRAMS 415 00:12:13,070 --> 00:12:16,100 OF WATER ♪ 416 00:12:16,100 --> 00:12:19,179 ♪ I PUT IN THE OVEN 350 DEGREE 417 00:12:16,100 --> 00:12:19,179 LOVING AND WATCHED IT RISE ♪ 418 00:12:19,179 --> 00:12:25,220 ♪ I OFFERED YOU MY FIRST LOAF, 419 00:12:19,179 --> 00:12:25,220 YOU JUST STARED BACK AT ME ♪ 420 00:12:25,220 --> 00:12:26,279 ♪ AND SAID NOPE, BUT I FOLLOWED 421 00:12:25,220 --> 00:12:26,279 THE RECIPE, I KNOW YOU SAY 422 00:12:26,279 --> 00:12:33,100 YOU'RE GLUTEN-FREE ♪ 423 00:12:26,279 --> 00:12:33,100 ♪ YOU BROKE MY SOURDOUGH HEART, 424 00:12:33,100 --> 00:12:49,230 YEAH YOU BROKE MY SOURDOUGH 425 00:12:33,100 --> 00:12:49,230 HEART ♪ 426 00:12:49,230 --> 00:12:51,009 >> YEAH, I WAS HOME WITH TWO 427 00:12:49,230 --> 00:12:51,009 YOUNG DAUGHTERS 24/7 AND EVEN 428 00:12:51,009 --> 00:12:54,269 THAT GAVE ME SOME IDEAS. 429 00:12:51,009 --> 00:12:54,269 I FELT A REAL CONNECTION WITH 430 00:12:54,269 --> 00:12:58,149 THIS NEXT SONG AND I WANTED TO 431 00:12:54,269 --> 00:12:58,149 DO A DUET WITH CHRIS MARTIN, I 432 00:12:58,149 --> 00:13:03,059 DIDN'T THINK HE WOULD EVER DO 433 00:12:58,149 --> 00:13:03,059 IT 434 00:13:03,059 --> 00:13:09,029 BUT WE REACHED OUT TO HIS TEAM 435 00:13:03,059 --> 00:13:09,029 AND INCREDIBLY, HE SAID YES. 436 00:13:09,029 --> 00:13:15,000 >> THREE, TWO, ONE 437 00:13:09,029 --> 00:13:15,000 ♪ 438 00:13:15,000 --> 00:13:17,220 ♪ FUZZY WUZZY WAS A BEAR, FUZZY 439 00:13:15,000 --> 00:13:17,220 WUZZY HAD NO HAIR, FUZZY 440 00:13:17,220 --> 00:13:21,240 WUZZY ♪ 441 00:13:17,220 --> 00:13:21,240 ♪ WASN'T VERY FUZZY WAS HE ♪ 442 00:13:21,240 --> 00:13:25,220 ♪ FUZZY WUZZY WAS A BEAR, FUZZY 443 00:13:21,240 --> 00:13:25,220 WUZZY HAD NO HAIR ♪ 444 00:13:25,220 --> 00:13:27,049 ♪ FUZZY WUZZY WASN'T VERY FUZZY 445 00:13:25,220 --> 00:13:27,049 WAS HE ♪ 446 00:13:27,049 --> 00:13:27,240 ♪ FUZZY WUZZY WAS A BEAR, FUZZY 447 00:13:27,240 --> 00:13:51,240 WUZZY HAD NO HAIR, FUZZY 448 00:13:30,029 --> 00:13:51,240 WUZZY ♪ 449 00:13:34,080 --> 00:13:51,240 ♪ WASN'T VERY FUZZY WAS HE ♪ 450 00:13:56,009 --> 00:13:58,289 WE'VE MANAGED TO PUT TOGETHER. 451 00:13:56,009 --> 00:13:58,289 >> YEAH, I'M EXCITED FOR THIS 452 00:13:58,289 --> 00:14:04,059 DOCUMENTARY TO COME OUT TOO. 453 00:13:58,289 --> 00:14:04,059 >> WHAT DOCUMENTARY? 454 00:14:04,059 --> 00:14:06,250 >> ISN'T THIS GOING TO DISNEY 455 00:14:04,059 --> 00:14:06,250 PLUS LIKE TAYLOR'S 456 00:14:06,250 --> 00:14:08,080 >> OH, NO, DISNEY PLUS DIDN'T 457 00:14:06,250 --> 00:14:08,080 WANT IT. 458 00:14:08,080 --> 00:14:12,250 NEITHER DID NETFLIX, HULU, 459 00:14:08,080 --> 00:14:12,250 AMAZON, PEACOCK -- 460 00:14:12,250 --> 00:14:18,090 >> PEACOCK SAID NO 461 00:14:12,250 --> 00:14:18,090 >> I KNOW, NOT GREAT 462 00:14:18,090 --> 00:14:20,200 BUT LOOK IT'S FINE 463 00:14:18,090 --> 00:14:20,200 WE'RE NOT TAYLOR, SHE'S 464 00:14:20,200 --> 00:14:23,029 A MUSICAL GENIUS, WE CAN'T DO 465 00:14:20,200 --> 00:14:23,029 WHAT SHE DID 466 00:14:23,029 --> 00:14:26,019 BUT WE CAN STILL BE PROUD. 467 00:14:23,029 --> 00:14:26,019 WE MADE SOMETHING BEAUTIFUL. 468 00:14:26,019 --> 00:14:33,289 WE MADE SOMETHING REAL AND 469 00:14:26,019 --> 00:14:33,289 HONEST AND FROM THE HEART. 470 00:14:33,289 --> 00:14:35,240 QUEST? 471 00:14:33,289 --> 00:14:35,240 TREE 472 00:14:35,240 --> 00:14:37,070 GUYS 473 00:14:35,240 --> 00:14:37,070 GUYS 474 00:14:37,070 --> 00:14:47,210 ♪ 475 00:14:37,070 --> 00:14:47,210 ♪ I PEED MY PANTS 476 00:14:47,210 --> 00:14:49,240 IN AN APPLEBEE'S 477 00:14:47,210 --> 00:14:49,240 I PEED MY PANTS IN 478 00:14:49,240 --> 00:14:52,250 AN APPLEBEE'S ♪ 479 00:14:49,240 --> 00:14:52,250 ♪ I PEED MY PANTS 480 00:14:52,250 --> 00:15:10,009 IN AN APPLEBEE'S M♪ 481 00:14:52,250 --> 00:15:10,009 >> Jimmy: THAT WAS SO MUCH FUN 482 00:15:10,009 --> 00:15:11,049 STICK AROUND, WE'LL BE RIGHT 483 00:15:10,009 --> 00:15:11,049 BACK WITH MORE "THE TONIGHT 484 00:15:11,049 --> 00:15:12,129 SHOW." 485 00:15:11,049 --> 00:15:12,129 ♪ 486 00:15:12,129 --> 00:15:32,190 ♪ 487 00:15:12,129 --> 00:15:32,190 >> Jimmy: 30 YEARS AGO, OUR 488 00:15:32,190 --> 00:15:36,039 FIRST GUEST INTRODUCED US TO 489 00:15:32,190 --> 00:15:36,039 BILL AND TED 490 00:15:36,039 --> 00:15:38,259 GOSH, HAS IT BEEN 30 YEARS 491 00:15:36,039 --> 00:15:38,259 WHO WERE TRYING TO PASS THEIR 492 00:15:38,259 --> 00:15:40,019 HISTORY CLASS AND WRITE A SONG 493 00:15:38,259 --> 00:15:40,019 THAT WOULD SAVE THE WORLD. 494 00:15:40,019 --> 00:15:41,070 NOW THEY'VE REUNITED FOR A 495 00:15:40,019 --> 00:15:41,070 A THIRD FILM CALLED "BILL & TED 496 00:15:41,070 --> 00:15:42,110 FACE THE MUSIC," WHICH IS 497 00:15:41,070 --> 00:15:42,110 CURRENTLY AVAILABLE ON DEMAND 498 00:15:42,110 --> 00:15:50,000 AND ON BLU-RAY 499 00:15:42,110 --> 00:15:50,000 HERE ARE KEANU REEVES AND 500 00:15:50,000 --> 00:15:54,279 ALEX WINTER. 501 00:15:50,000 --> 00:15:54,279 YEAH 502 00:15:54,279 --> 00:15:56,070 WELCOME TO THE SHOW. 503 00:15:54,279 --> 00:15:56,070 COME ON. 504 00:15:56,070 --> 00:15:57,059 THIS IS SO COOL TO HAVE YOU 505 00:15:56,070 --> 00:15:57,059 BOTH HERE. 506 00:15:57,059 --> 00:16:03,159 THIS IS AWESOME. 507 00:15:57,059 --> 00:16:03,159 >> THANK YOU, SIR. 508 00:16:03,159 --> 00:16:04,210 >> Jimmy: PEOPLE HAVE BEEN 509 00:16:03,159 --> 00:16:04,210 WAITING FOR THIS MOVIE FOR SO 510 00:16:04,210 --> 00:16:06,169 LONG 511 00:16:04,210 --> 00:16:06,169 FIRST, IT WAS "BILL AND TED'S 512 00:16:06,169 --> 00:16:07,210 EXCELLENT ADVENTURE," THEN 513 00:16:06,169 --> 00:16:07,210 "BILL AND TED'S BOGUS JOURNEY" 514 00:16:07,210 --> 00:16:08,289 WHICH ENDED WITH THEM HAVING TO 515 00:16:07,210 --> 00:16:08,289 WRITE THE MOST IMPORTANT SONG 516 00:16:08,289 --> 00:16:18,000 IN HISTORY 517 00:16:08,289 --> 00:16:18,000 WHERE DOES THIS ONE PICK UP? 518 00:16:18,000 --> 00:16:19,059 >> WELL, WE HAVEN'T WRITTEN THE 519 00:16:18,000 --> 00:16:19,059 SONG YET, JIMMY. 520 00:16:19,059 --> 00:16:21,279 [ LAUGHTER ] 521 00:16:19,059 --> 00:16:21,279 >> YEAH. 522 00:16:21,279 --> 00:16:24,029 WE KIND OF BLEW IT 523 00:16:21,279 --> 00:16:24,029 >> Jimmy: YEAH, OKAY 524 00:16:24,029 --> 00:16:25,090 >> YOU KNOW, SO IT'S LIKE ALL 525 00:16:24,029 --> 00:16:25,090 OF THOSE YEARS LATER, DECADES 526 00:16:25,090 --> 00:16:26,120 LATER, THEY'RE STILL TRYING TO 527 00:16:25,090 --> 00:16:26,120 WRITE THE SONG, BUT THEY 528 00:16:26,120 --> 00:16:27,169 HAVEN'T WRITTEN THE SONG YET 529 00:16:26,120 --> 00:16:27,169 AND THAT'S PUT SOME PRESSURES 530 00:16:27,169 --> 00:16:40,149 ON THEIR WIVES, THE FAMILY, THE 531 00:16:27,169 --> 00:16:40,149 DAUGHTERS. 532 00:16:40,149 --> 00:16:43,039 AND THEN AT THE SAME TIME, THE 533 00:16:40,149 --> 00:16:43,039 FUTURE COMES BACK AND HAS 534 00:16:43,039 --> 00:16:46,190 A LITTLE WOM-DINGER FOR US 535 00:16:43,039 --> 00:16:46,190 >> YEAH, THEY'RE NOT HAPPY WITH 536 00:16:46,190 --> 00:16:49,240 US IN THE FUTURE ANY MORE. 537 00:16:46,190 --> 00:16:49,240 WE'VE LOST OUR CRED. 538 00:16:49,240 --> 00:16:51,169 >> Jimmy: WOW. 539 00:16:49,240 --> 00:16:51,169 >> AND SO, THEY'VE ASKED US -- 540 00:16:51,169 --> 00:16:53,220 THEY'VE SAID, LIKE, "NOW IT'S 541 00:16:51,169 --> 00:16:53,220 YOU HAVE TO WRITE THE SONG IN 542 00:16:53,220 --> 00:16:55,110 ORDER TO SAVE THE WORLD, AND 543 00:16:53,220 --> 00:16:55,110 ALL OF REALITY AS WE KNOW IT." 544 00:16:55,110 --> 00:17:02,070 [ LAUGHTER ] 545 00:16:55,110 --> 00:17:02,070 BY A CERTAIN AMOUNT -- BY 546 00:17:02,070 --> 00:17:05,130 A CERTAIN MOMENT IN A CERTAIN 547 00:17:02,070 --> 00:17:05,130 LOCATION 548 00:17:05,130 --> 00:17:07,119 >> YEAH. 549 00:17:05,130 --> 00:17:07,119 >> KEANU HAS GOTTEN VERY GOOD 550 00:17:07,119 --> 00:17:11,160 AT THAT ZOOM CLOSEUP BY THE 551 00:17:07,119 --> 00:17:11,160 WAY. 552 00:17:11,160 --> 00:17:13,019 >> Jimmy: YEAH, I CAN'T EVEN DO 553 00:17:11,160 --> 00:17:13,019 THAT 554 00:17:13,019 --> 00:17:14,109 OH, IT'S FANTASTIC 555 00:17:13,019 --> 00:17:14,109 YOU NAILED IT. 556 00:17:14,109 --> 00:17:15,150 I THOUGHT IT WAS SO FUN AND SO 557 00:17:14,109 --> 00:17:15,150 COOL 558 00:17:15,150 --> 00:17:20,029 KRISTEN SCHAAL IS GREAT. 559 00:17:15,150 --> 00:17:20,029 >> THANK YOU 560 00:17:20,029 --> 00:17:21,119 >> Jimmy: HOW DID IT FEEL FOR 561 00:17:20,029 --> 00:17:21,119 YOU GUYS TO GET INTO THE 562 00:17:21,119 --> 00:17:22,190 CHARACTERS AGAIN 563 00:17:21,119 --> 00:17:22,190 DO YOU REMEMBER THE DAY THAT 564 00:17:22,190 --> 00:17:23,269 YOU WERE LIKE -- OFFICIALLY 565 00:17:22,190 --> 00:17:23,269 LIKE, "WE'VE GOT TO DO THE 566 00:17:23,269 --> 00:17:25,240 CHARACTER? 567 00:17:23,269 --> 00:17:25,240 I THINK I'M KIND OF GETTING 568 00:17:25,240 --> 00:17:29,250 INTO IT NOW. 569 00:17:25,240 --> 00:17:29,250 >> KIND OF, YEAH, I MEAN, IT 570 00:17:29,250 --> 00:17:31,039 TOOK A LONG TIME TO GET THE 571 00:17:29,250 --> 00:17:31,039 FILM MADE. 572 00:17:31,039 --> 00:17:32,160 CHRIS MATHESON AND ED SOLOMON 573 00:17:31,039 --> 00:17:32,160 WROTE A DRAFT, WE WORKED ON IT 574 00:17:32,160 --> 00:17:33,220 FOR YEARS, WORKED ON GETTING 575 00:17:32,160 --> 00:17:33,220 FINANCING TOGETHER FOR YEARS, 576 00:17:33,220 --> 00:17:34,240 BRINGING DEAN PARISOT WAS SO 577 00:17:33,220 --> 00:17:34,240 AMAZING ON TO DIRECT AND 578 00:17:34,240 --> 00:17:40,220 SCOTT KROOPF WHO PRODUCED. 579 00:17:34,240 --> 00:17:40,220 IT WAS A LONG PROCESS, AND IN 580 00:17:40,220 --> 00:17:41,279 THAT PROCESS, REHEARSING AND 581 00:17:40,220 --> 00:17:41,279 DOING SCRIPT WORK, AND NEVER 582 00:17:41,279 --> 00:17:50,180 DID WE ACTUALLY DO THE VOICES. 583 00:17:41,279 --> 00:17:50,180 >> YEAH, WE WOULDN'T DO THE 584 00:17:50,180 --> 00:17:54,130 VOICES 585 00:17:50,180 --> 00:17:54,130 WE WOULD WORK ON THE SCRIPT. 586 00:17:54,130 --> 00:17:55,170 AND SO, WE HAD SOME SCRIPT 587 00:17:54,130 --> 00:17:55,170 READINGS AND DEAN THE DIRECTOR 588 00:17:55,170 --> 00:18:00,160 WOULD BE LIKE, SO -- 589 00:17:55,170 --> 00:18:00,160 >> THE WRITERS WOULD BE LOOKING 590 00:18:00,160 --> 00:18:01,119 AT US LIKE, "ARE THEY GOING TO 591 00:18:00,160 --> 00:18:01,119 DO IT? 592 00:18:01,119 --> 00:18:05,170 [ LAUGHTER ] 593 00:18:01,119 --> 00:18:05,170 >> SO KEANU CAME OVER TO MY 594 00:18:05,170 --> 00:18:06,220 HOUSE IN NEW ORLEANS, LIKE 595 00:18:05,170 --> 00:18:06,220 PRETTY MUCH THE NIGHT BEFORE WE 596 00:18:06,220 --> 00:18:11,099 STARTED SHOOTING 597 00:18:06,220 --> 00:18:11,099 AND WE WERE REHEARSING WHICH WE 598 00:18:11,099 --> 00:18:14,019 WOULD DO, AND HE LOOKED AT ME 599 00:18:11,099 --> 00:18:14,019 AS HE WAS ABOUT TO LEAVE 600 00:18:14,019 --> 00:18:17,039 I WAS LIKE, "WHAT? 601 00:18:14,019 --> 00:18:17,039 HE'S LIKE, "DO YOU WANT TO JUST 602 00:18:17,039 --> 00:18:18,099 TRY THE CHARACTERS BEFORE WE 603 00:18:17,039 --> 00:18:18,099 LIKE SHOOT AT 6:00 IN THE 604 00:18:18,099 --> 00:18:22,150 MORNING? 605 00:18:18,099 --> 00:18:22,150 [ LAUGHTER ] 606 00:18:22,150 --> 00:18:24,130 >> Jimmy: IT'S JUST GREAT. 607 00:18:22,150 --> 00:18:24,130 I JUST WAS SO HAPPY TO SEE YOU 608 00:18:24,130 --> 00:18:26,049 GUYS COME BACK TOGETHER. 609 00:18:24,130 --> 00:18:26,049 DID YOU GUYS MEET AUDITIONING 610 00:18:26,049 --> 00:18:32,200 FOR THIS MOVIE OR WERE YOU 611 00:18:26,049 --> 00:18:32,200 FRIENDS BEFORE THIS FILM 612 00:18:32,200 --> 00:18:34,160 >> NO, WE MET ON THE FIRST - 613 00:18:32,200 --> 00:18:34,160 EARLIER AUDITIONS WE MET FOR 614 00:18:34,160 --> 00:18:42,049 THE FIRST TIME AND BECAME 615 00:18:34,160 --> 00:18:42,049 FRIENDS PRETTY INSTANTANEOUSLY 616 00:18:42,049 --> 00:18:43,269 I MEAN, WE BOTH RODE 617 00:18:42,049 --> 00:18:43,269 MOTORCYCLES, SO WE BOTH WALKED 618 00:18:43,269 --> 00:18:46,069 IN WITH MOTORCYCLE HELMETS 619 00:18:43,269 --> 00:18:46,069 AND THE AUDITIONS WENT ON FOR 620 00:18:46,069 --> 00:18:48,140 MONTHS AND MONTHS, AND THEY 621 00:18:46,069 --> 00:18:48,140 KEPT PAIRING US OFF WITH 622 00:18:48,140 --> 00:18:50,240 DIFFERENT PEOPLE AND CHANGING 623 00:18:48,140 --> 00:18:50,240 OUR ROLES. 624 00:18:50,240 --> 00:18:53,190 AND WE BECAME FRIENDS OVER THE 625 00:18:50,240 --> 00:18:53,190 ARDUOUS "BILL AND TED" AUDITION 626 00:18:53,190 --> 00:19:00,000 GAUNTLET WITHOUT ASSUMING WE 627 00:18:53,190 --> 00:19:00,000 WERE ACTUALLY GOING TO BE CAST 628 00:19:00,000 --> 00:19:01,089 >> Jimmy: WOW. 629 00:19:00,000 --> 00:19:01,089 >> AND THEY DID SOMETHING VERY 630 00:19:01,089 --> 00:19:02,119 UNUSUAL, WHERE THEY HAD 631 00:19:01,089 --> 00:19:02,119 DIFFERENT ACTORS, ARTISTS ALL 632 00:19:02,119 --> 00:19:03,170 AUDITIONING, LIKE TEN PEOPLE, 633 00:19:02,119 --> 00:19:03,170 AND TWO WOULD GO INTO A ROOM 634 00:19:03,170 --> 00:19:06,200 AND TWO WOULD COME OUT 635 00:19:03,170 --> 00:19:06,200 AND THEN, ANOTHER TWO WOULD GO 636 00:19:06,200 --> 00:19:10,009 IN 637 00:19:06,200 --> 00:19:10,009 AND THEN, ONE WOULD COME OUT 638 00:19:10,009 --> 00:19:12,230 AND WE WOULD BOTH PLAYING BILL 639 00:19:10,009 --> 00:19:12,230 AND TED. 640 00:19:12,230 --> 00:19:14,000 IT WAS A KIND OF LIKE -- IT WAS 641 00:19:12,230 --> 00:19:14,000 LIKE AN AUDITION GLADIATORIAL 642 00:19:14,000 --> 00:19:18,269 GAUNTLET 643 00:19:14,000 --> 00:19:18,269 >> TORTURE EVENT 644 00:19:18,269 --> 00:19:20,160 >> YES 645 00:19:18,269 --> 00:19:20,160 >> Jimmy: I ALWAYS DISLIKED 646 00:19:20,160 --> 00:19:21,190 AUDITIONING. 647 00:19:20,160 --> 00:19:21,190 IT'S THE WORST PART OF THE 648 00:19:21,190 --> 00:19:27,089 WHOLE BUSINESS 649 00:19:21,190 --> 00:19:27,089 >> YEAH. 650 00:19:27,089 --> 00:19:30,079 THERE'S A FUN TO IT, TOO 651 00:19:27,089 --> 00:19:30,079 LIKE KEANU AND I ACTUALLY HAD 652 00:19:30,079 --> 00:19:34,059 FUN IN THE AUDITIONS PLAYING 653 00:19:30,079 --> 00:19:34,059 THE CHARACTERS 654 00:19:34,059 --> 00:19:36,279 IT WAS FUNNY, BECAUSE WE -- 655 00:19:34,059 --> 00:19:36,279 A LOT OF TIMES GOING BY, WE 656 00:19:36,279 --> 00:19:39,200 FORGOTTEN ABOUT THE EARLY 657 00:19:36,279 --> 00:19:39,200 AUDITIONS AND THE SPECIFICS OF 658 00:19:39,200 --> 00:19:42,279 THEM 659 00:19:39,200 --> 00:19:42,279 AND WE THOUGHT WE BROUGHT ALL 660 00:19:42,279 --> 00:19:44,089 THIS STUFF TO OUR CHARACTERS 661 00:19:42,279 --> 00:19:44,089 WAY LATER ONCE WE HAD TIME TO 662 00:19:44,089 --> 00:19:47,190 REALLY THINK ABOUT IT ON A DEEP 663 00:19:44,089 --> 00:19:47,190 LEVEL. 664 00:19:47,190 --> 00:19:50,009 AND THEN, SOMEONE SHOWED US OUR 665 00:19:47,190 --> 00:19:50,009 AUDITION AND WE LITERALLY 666 00:19:50,009 --> 00:19:51,210 WALKED IN ON DAY ONE AS BILL 667 00:19:50,009 --> 00:19:51,210 AND TED, LIKE, JUST LIKE NO 668 00:19:51,210 --> 00:19:55,089 METHOD 669 00:19:51,210 --> 00:19:55,089 IT'S LIKE, I'VE GOT MY SHIRT 670 00:19:55,089 --> 00:19:56,250 TIED AROUND MY WAIST 671 00:19:55,089 --> 00:19:56,250 LIKE, HE'S GOT SHORTS AND 672 00:19:56,250 --> 00:19:57,279 A JACKET 673 00:19:56,250 --> 00:19:57,279 IT'S LIKE THE WHOLE THING IS 674 00:19:57,279 --> 00:20:03,259 LITERALLY THERE ON DAY ONE 675 00:19:57,279 --> 00:20:03,259 >> IT WAS MEANT TO BE. 676 00:20:03,259 --> 00:20:05,180 [ LAUGHTER ] 677 00:20:03,259 --> 00:20:05,180 >> Jimmy: THERE YOU GO 678 00:20:05,180 --> 00:20:07,099 THAT ZOOM, YOU NAILED IT 679 00:20:05,180 --> 00:20:07,099 IT'S THAT CONFIDENCE, THE 680 00:20:07,099 --> 00:20:11,180 YOUTH. 681 00:20:07,099 --> 00:20:11,180 I LOVE IT. 682 00:20:11,180 --> 00:20:12,240 OBVIOUSLY, IT EXPLODED, BECAME 683 00:20:11,180 --> 00:20:12,240 PART OF NOT JUST -- I MEAN, 684 00:20:12,240 --> 00:20:17,109 JUST MAKING A MOVIE IS SO HARD 685 00:20:12,240 --> 00:20:17,109 ENOUGH 686 00:20:17,109 --> 00:20:21,220 BUT WHEN THE MOVIE IS A HIT, 687 00:20:17,109 --> 00:20:21,220 THAT'S ANOTHER THING 688 00:20:21,220 --> 00:20:23,019 BUT WHEN IT BECOMES PART OF POP 689 00:20:21,220 --> 00:20:23,019 CULTURE AND PEOPLE START SAYING 690 00:20:23,019 --> 00:20:24,049 BE EXCELLENT AND DOING AIR 691 00:20:23,019 --> 00:20:24,049 GUITAR AND SAYING LIKE, "SAN 692 00:20:24,049 --> 00:20:25,109 DIMAS HIGH SCHOOL FOOTBALL 693 00:20:24,049 --> 00:20:25,109 RULES," AND LIKE, YOU MUST HAVE 694 00:20:25,109 --> 00:20:33,059 BEEN - 695 00:20:25,109 --> 00:20:33,059 >> THAT WAS THE BEST 696 00:20:33,059 --> 00:20:34,119 >> Jimmy: I KNOW, DO PEOPLE 697 00:20:33,059 --> 00:20:34,119 LIKE, I MEAN, YOU'RE PROBABLY 698 00:20:34,119 --> 00:20:35,200 LIKE, "DON'T SAY THAT AGAIN," 699 00:20:34,119 --> 00:20:35,200 THEN PEOPLE YELLING IT TO YOU, 700 00:20:35,200 --> 00:20:37,089 AND YOU'RE LIKE, "OH, MY GOSH. 701 00:20:35,200 --> 00:20:37,089 BUT THEN, YOU BECAME TOYS, 702 00:20:37,089 --> 00:20:39,109 ACTION FIGURES 703 00:20:37,089 --> 00:20:39,109 YOU WERE A CARTOON, YOU WERE A 704 00:20:39,109 --> 00:20:46,140 A VIDEO GAME 705 00:20:39,109 --> 00:20:46,140 IT WAS POP CULTURE AT ITS MOST 706 00:20:46,140 --> 00:20:47,200 WHAT WAS THE CRAZIEST "BILL AND 707 00:20:46,140 --> 00:20:47,200 TED" THING THAT YOU SAW? 708 00:20:47,200 --> 00:20:54,230 COULD IT HAVE BEEN THE 709 00:20:47,200 --> 00:20:54,230 BREAKFAST CEREAL 710 00:20:54,230 --> 00:20:56,150 >> I'VE GOT PTSD NOW 711 00:20:54,230 --> 00:20:56,150 [ LAUGHTER ] 712 00:20:56,150 --> 00:21:01,130 >> WHAT, YOU'VE GOT A CEREAL 713 00:20:56,150 --> 00:21:01,130 WHERE DID YOU GET THAT 714 00:21:01,130 --> 00:21:02,220 >> Jimmy: YEAH 715 00:21:01,130 --> 00:21:02,220 >> WOW 716 00:21:02,220 --> 00:21:03,279 >> Jimmy: CINNAMON OAT SQUARES 717 00:21:02,220 --> 00:21:03,279 AND MARSHMALLOW NOTES. 718 00:21:03,279 --> 00:21:08,130 IT SOUNDS PRETTY GOOD ACTUALLY 719 00:21:03,279 --> 00:21:08,130 >> YEAH, PLEASE DON'T EAT THAT 720 00:21:08,130 --> 00:21:09,259 PLEASE, WE CARE ABOUT YOU. 721 00:21:08,130 --> 00:21:09,259 [ LAUGHTER ] 722 00:21:09,259 --> 00:21:11,089 IT'S VINTAGE, YEAH 723 00:21:09,259 --> 00:21:11,089 I WILL NOT EAT THAT. 724 00:21:11,089 --> 00:21:13,140 BUT HOW COOL IS THAT 725 00:21:11,089 --> 00:21:13,140 YOU WERE A BREAKFAST CEREAL. 726 00:21:13,140 --> 00:21:15,200 >> YEAH, I LIVED IN A WEIRD 727 00:21:13,140 --> 00:21:15,200 PART OF L.A. FOR A WHILE, AND I 728 00:21:15,200 --> 00:21:18,109 REMEMBER WALKING TO THE GROCERY 729 00:21:15,200 --> 00:21:18,109 STORE AT 1:00 IN THE MORNING TO 730 00:21:18,109 --> 00:21:21,170 GET EGGS OR SOMETHING AND 731 00:21:18,109 --> 00:21:21,170 SEEING BOTH OF OUR FACES ON 732 00:21:21,170 --> 00:21:23,119 A CEREAL BOX, BECAUSE THEY 733 00:21:21,170 --> 00:21:23,119 NEVER TOLD US ANYTHING 734 00:21:23,119 --> 00:21:24,180 LIKE, THEY NEVER SAID, "OH, ON 735 00:21:23,119 --> 00:21:24,180 THURSDAY, A CEREAL WILL COME 736 00:21:24,180 --> 00:21:25,230 OUT," THEY DIDN'T PAY US, 737 00:21:24,180 --> 00:21:25,230 EITHER, BUT THEY DIDN'T TELL US 738 00:21:25,230 --> 00:21:29,130 ANY OF THAT STUFF -- 739 00:21:25,230 --> 00:21:29,130 [ LAUGHTER ] 740 00:21:29,130 --> 00:21:31,210 -- SO YOU WOULD FIND OUT ABOUT 741 00:21:29,130 --> 00:21:31,210 IT WHEN EVERYONE ELSE DID. 742 00:21:31,210 --> 00:21:33,269 >> Jimmy: AND SO YOU WALKED 743 00:21:31,210 --> 00:21:33,269 INTO YOUR DELI - 744 00:21:33,269 --> 00:21:35,029 >> SO WHAT WAS THERE IN FRONT 745 00:21:33,269 --> 00:21:35,029 OF YOU WAS A "BILL AND TED" 746 00:21:35,029 --> 00:21:38,140 CEREAL BOX 747 00:21:35,029 --> 00:21:38,140 >> YEAH, IT WAS LIKE 1:00 IN 748 00:21:38,140 --> 00:21:40,069 THE MORNING. 749 00:21:38,140 --> 00:21:40,069 >> WOMP, WOMP. 750 00:21:40,069 --> 00:21:42,230 I THOUGHT IT WAS LIKE, YOU 751 00:21:40,069 --> 00:21:42,230 KNOW - 752 00:21:42,230 --> 00:21:43,289 >> Jimmy: IN THE TWILIGHT ZONE, 753 00:21:42,230 --> 00:21:43,289 YEAH 754 00:21:43,289 --> 00:21:45,029 ROD SERLING IS GOING TO COME 755 00:21:43,289 --> 00:21:45,029 OUT AND BE LIKE, "COULD YOU 756 00:21:45,029 --> 00:21:46,079 IMAGINE. 757 00:21:45,029 --> 00:21:46,079 SPACE IN TIME. 758 00:21:46,079 --> 00:21:49,190 I MEAN, THAT IS SO COOL, MAN 759 00:21:46,079 --> 00:21:49,190 I HAVE TO ASK, BECAUSE I 760 00:21:49,190 --> 00:21:53,000 STARTED WITH COMEDY. 761 00:21:49,190 --> 00:21:53,000 SO GEORGE CARLIN, WHAT WAS IT 762 00:21:53,000 --> 00:21:54,039 LIKE WORKING WITH HIM? 763 00:21:53,000 --> 00:21:54,039 WAS IT -- DID YOU -- WERE YOU 764 00:21:54,039 --> 00:22:03,019 A FAN OF HIS GOING IN? 765 00:21:54,039 --> 00:22:03,019 OBVIOUSLY YOU PROBABLY WERE. 766 00:22:03,019 --> 00:22:07,099 >> LOOK HOW HE'S LOOKING AT US 767 00:22:03,019 --> 00:22:07,099 >> DEEP RESPECT AND ADMIRATION 768 00:22:07,099 --> 00:22:11,180 >> DEEP RESPECT AND ADMIRATION 769 00:22:07,099 --> 00:22:11,180 >> Jimmy: HE'S LIKE, "I'M 770 00:22:11,180 --> 00:22:15,099 EATING LUNCH IN MY TRAILER BY 771 00:22:11,180 --> 00:22:15,099 MYSELF TODAY." 772 00:22:15,099 --> 00:22:17,289 >> I MEAN, FOR BOTH OF US, IT 773 00:22:15,099 --> 00:22:17,289 WAS SUCH AN HONOR. 774 00:22:17,289 --> 00:22:19,079 WE WERE SUCH HUGE FANS OF HIS 775 00:22:17,289 --> 00:22:19,079 AND FAMILIAR WITH HIS WORK 776 00:22:19,079 --> 00:22:20,140 AND THOUGH HE GAVE US THAT 777 00:22:19,079 --> 00:22:20,140 LOOK, HE WAS ACTING. 778 00:22:20,140 --> 00:22:32,019 HE WAS REALLY NICE TO US 779 00:22:20,140 --> 00:22:32,019 >> HE WAS. 780 00:22:32,019 --> 00:22:33,069 HE WAS A MUCH GENTLER PERSON 781 00:22:32,019 --> 00:22:33,069 THAN YOU WOULD EXPECT FROM THE 782 00:22:33,069 --> 00:22:37,279 KIND OF RAZOR, THE BARBED 783 00:22:33,069 --> 00:22:37,279 NATURE OF HIS STANDUP. 784 00:22:37,279 --> 00:22:40,039 WHICH WAS, YOU KNOW, COMING UP 785 00:22:37,279 --> 00:22:40,039 IN OUR ERA, IT WAS IT. 786 00:22:40,039 --> 00:22:42,259 HE WAS A CULTURAL TITAN. 787 00:22:40,039 --> 00:22:42,259 SO WE WERE STARSTRUCK, I THINK 788 00:22:42,259 --> 00:22:45,079 AND GRATEFUL THAT HE WAS AS 789 00:22:42,259 --> 00:22:45,079 SWEET TO US AS HE WAS. 790 00:22:45,079 --> 00:22:48,079 AND, YOU KNOW, HE WAS A GENTLE 791 00:22:45,079 --> 00:22:48,079 GUY. 792 00:22:48,079 --> 00:22:49,119 WE WOULD BUMP INTO HIM EVEN 793 00:22:48,079 --> 00:22:49,119 AFTER THE SECOND MOVIE, YOU 794 00:22:49,119 --> 00:22:55,039 KNOW, OUT AND ABOUT. 795 00:22:49,119 --> 00:22:55,039 HE WAS ALWAYS VERY LOVELY. 796 00:22:55,039 --> 00:22:56,099 >> Jimmy: YEAH, I LOVE IT WHEN 797 00:22:55,039 --> 00:22:56,099 THOSE CAST COME TOGETHER AND 798 00:22:56,099 --> 00:23:00,079 THERE'S NO ONE ELSE THAT COULD 799 00:22:56,099 --> 00:23:00,079 DO IT BESIDES YOU THREE. 800 00:23:00,079 --> 00:23:03,259 >> AMAZING 801 00:23:00,079 --> 00:23:03,259 >> Jimmy: IT JUST WORKED OUT 802 00:23:03,259 --> 00:23:05,079 I WANT TO TALK MORE ABOUT THE 803 00:23:03,259 --> 00:23:05,079 MOVIE WHEN WE COME BACK. 804 00:23:05,079 --> 00:23:07,170 MORE WITH KEANU REEVES AND 805 00:23:05,079 --> 00:23:07,170 ALEX WINTER, EVERYBODY 806 00:23:07,170 --> 00:23:28,029 COME ON BACK 807 00:23:07,170 --> 00:23:28,029 ♪ 808 00:23:28,029 --> 00:23:29,190 >> Jimmy: WELCOME BACK 809 00:23:28,029 --> 00:23:29,190 I'M TALKING TO KEANU REEVES AND 810 00:23:29,190 --> 00:23:32,210 ALEX WINTER ABOUT "BILL & TED 811 00:23:29,190 --> 00:23:32,210 FACE THE MUSIC." 812 00:23:32,210 --> 00:23:35,289 THANKS AGAIN FOR BEING HERE, 813 00:23:32,210 --> 00:23:35,289 GUYS 814 00:23:35,289 --> 00:23:37,049 MUSIC IS OBVIOUSLY SUCH A BIG 815 00:23:35,289 --> 00:23:37,049 PART OF THESE FILMS, THE 816 00:23:37,049 --> 00:23:39,039 SOUNDTRACK 817 00:23:37,049 --> 00:23:39,039 I REMEMBER "GOD GAVE ROCK 'N' 818 00:23:39,039 --> 00:23:40,069 ROLL," THAT WAS LIKE - 819 00:23:39,039 --> 00:23:40,069 I WAS LIKE, THEY KIND OF DID 820 00:23:40,069 --> 00:23:50,019 IT 821 00:23:40,069 --> 00:23:50,019 >> YEAH. 822 00:23:50,019 --> 00:23:52,119 THE BEST 823 00:23:50,019 --> 00:23:52,119 >> Jimmy: THAT ACTUALLY WAS 824 00:23:52,119 --> 00:23:53,170 A REALLY GOOD JAM. 825 00:23:52,119 --> 00:23:53,170 I LOVED IT 826 00:23:53,170 --> 00:23:54,200 BUT THIS SOUNDTRACK JUST GOT 827 00:23:53,170 --> 00:23:54,200 NOMINATED FOR A GRAMMY, SO 828 00:23:54,200 --> 00:23:55,230 CONGRATS 829 00:23:54,200 --> 00:23:55,230 >> IT DID. 830 00:23:55,230 --> 00:23:57,150 >> Jimmy: THAT'S A - 831 00:23:55,230 --> 00:23:57,150 >> LOT OF WORK, A LOT OF -- NOT 832 00:23:57,150 --> 00:23:59,009 BY US. 833 00:23:57,150 --> 00:23:59,009 A LOT OF WORK WENT INTO IT 834 00:23:59,009 --> 00:24:00,200 >> WE WERE THE INSPIRATION 835 00:23:59,009 --> 00:24:00,200 >> THANK YOU 836 00:24:00,200 --> 00:24:02,000 THANK YOU, JIMMY 837 00:24:00,200 --> 00:24:02,000 THANK YOU. 838 00:24:02,000 --> 00:24:03,059 >> YEAH. 839 00:24:02,000 --> 00:24:03,059 >> Jimmy: YOU CAN TAKE A LITTLE 840 00:24:03,059 --> 00:24:04,089 CREDIT FOR IT. 841 00:24:03,059 --> 00:24:04,089 YEAH, OF COURSE. 842 00:24:04,089 --> 00:24:05,109 YEAH 843 00:24:04,089 --> 00:24:05,109 OF COURSE. 844 00:24:05,109 --> 00:24:06,210 IT'S ALL YOU 845 00:24:05,109 --> 00:24:06,210 ACTUALLY, I WAS GOING TO ASK 846 00:24:06,210 --> 00:24:07,269 YOU ABOUT THIS, BECAUSE THE 847 00:24:06,210 --> 00:24:07,269 MOVIE STARTS WITH BILL AND TED 848 00:24:07,269 --> 00:24:08,250 PLAYING EXPERIMENTAL MUSIC IN 849 00:24:07,269 --> 00:24:08,250 A WEDDING BAND 850 00:24:08,250 --> 00:24:09,250 AND I HEARD THAT YOU GUYS 851 00:24:08,250 --> 00:24:09,250 ACTUALLY TOOK LESSONS. 852 00:24:09,250 --> 00:24:10,250 YOU TOOK SINGING LESSONS 853 00:24:09,250 --> 00:24:10,250 YOU -- 854 00:24:10,250 --> 00:24:20,170 KEANU, YOU LEARNED THE 855 00:24:10,250 --> 00:24:20,170 THEREMIN 856 00:24:20,170 --> 00:24:24,019 >> YEAH, WE WERE TRYING TO 857 00:24:20,170 --> 00:24:24,019 THINK OF - 858 00:24:24,019 --> 00:24:26,039 THE FILM OPENS UP WITH MISSY 859 00:24:24,019 --> 00:24:26,039 MARRYING MY BROTHER DEACON 860 00:24:26,039 --> 00:24:27,069 AND SO WE'RE PLAYING THE 861 00:24:26,039 --> 00:24:27,069 WEDDING SONG AND WE FIGURED, 862 00:24:27,069 --> 00:24:30,089 WHAT COULD WE PLAY THAT WAS 863 00:24:27,069 --> 00:24:30,089 KIND OF LIKE - 864 00:24:30,089 --> 00:24:32,119 >> TRIPPY. 865 00:24:30,089 --> 00:24:32,119 YEAH 866 00:24:32,119 --> 00:24:33,170 >> YOU KNOW, THAT WOULD TELL 867 00:24:32,119 --> 00:24:33,170 THE STORY THAT WE HAVEN'T 868 00:24:33,170 --> 00:24:37,059 WRITTEN A SONG THAT WILL SAVE 869 00:24:33,170 --> 00:24:37,059 THE WORLD, BUT WE'RE TRYING. 870 00:24:37,059 --> 00:24:39,109 >> YEAH. 871 00:24:37,059 --> 00:24:39,109 A LOT. 872 00:24:39,109 --> 00:24:41,230 >> SO, WE CAME UP WITH -- WHAT 873 00:24:39,109 --> 00:24:41,230 IF WE PLAYED THEREMIN. 874 00:24:41,230 --> 00:24:43,119 LIKE WE DID THIS KIND OF FUGUE, 875 00:24:41,230 --> 00:24:43,119 THIS MASTERPIECE 876 00:24:43,119 --> 00:24:44,220 AND SO, THE INSTRUMENTS THAT 877 00:24:43,119 --> 00:24:44,220 WERE CHOSEN WERE A THEREMIN, 878 00:24:44,220 --> 00:24:50,019 BAGPIPES, TRUMPET -- 879 00:24:44,220 --> 00:24:50,019 >> THROAT SINGING. 880 00:24:50,019 --> 00:24:51,210 >> THROAT SINGING. 881 00:24:50,019 --> 00:24:51,210 >> PERCUSSION. 882 00:24:51,210 --> 00:24:53,200 >> PERCUSSION. 883 00:24:51,210 --> 00:24:53,200 >> YEAH. 884 00:24:53,200 --> 00:24:55,000 AND SO BEING THE ACTORS AND 885 00:24:53,200 --> 00:24:55,000 THESPIANS THAT WE ARE, WE 886 00:24:55,000 --> 00:24:57,220 REALLY WANTED TO DO THAT 887 00:24:55,000 --> 00:24:57,220 >> YES 888 00:24:57,220 --> 00:24:59,009 YEAH, I LEARNED HOW TO THROAT 889 00:24:57,220 --> 00:24:59,009 SING WELL ENOUGH TO FAKE IT, 890 00:24:59,009 --> 00:25:04,029 BUT ACTUALLY TRASHED MY THROAT 891 00:24:59,009 --> 00:25:04,029 PRETTY GOOD. 892 00:25:04,029 --> 00:25:05,190 >> Jimmy: REALLY 893 00:25:04,029 --> 00:25:05,190 >> KEANU ACTUALLY LEARNED -- 894 00:25:05,190 --> 00:25:06,250 ACTUALLY LEARNED EVERY 895 00:25:05,190 --> 00:25:06,250 INSTRUMENT HE PLAYED, INCLUDING 896 00:25:06,250 --> 00:25:07,279 THE BAGPIPES, WHICH WAS 897 00:25:06,250 --> 00:25:07,279 HILARIOUS TO WATCH THAT HAPPEN 898 00:25:07,279 --> 00:25:14,009 >> I COULD PLAY ONE NOTE ON ALL 899 00:25:07,279 --> 00:25:14,009 OF THESE INSTRUMENTS 900 00:25:14,009 --> 00:25:15,259 >> NO, HE COULD PLAY 901 00:25:14,009 --> 00:25:15,259 >> Jimmy: I FEEL LIKE A BAGPIPE 902 00:25:15,259 --> 00:25:18,279 IS ACTUALLY -- IT ONLY IS ONE 903 00:25:15,259 --> 00:25:18,279 NOTE KIND OF 904 00:25:18,279 --> 00:25:21,099 >> IT'S INSANELY LARGE 905 00:25:18,279 --> 00:25:21,099 >> WELL, I MEAN, IT'S ALL IN 906 00:25:21,099 --> 00:25:24,089 "A" BUT IT DOESN'T HAVE TO BE. 907 00:25:21,099 --> 00:25:24,089 YEAH 908 00:25:24,089 --> 00:25:25,140 >> Jimmy: I ACTUALLY DID A -- I 909 00:25:24,089 --> 00:25:25,140 DID A POLAR PLUNGE ONCE IN 910 00:25:25,140 --> 00:25:26,190 CHICAGO, THE MAYOR DARED ME TO 911 00:25:25,140 --> 00:25:26,190 DO THE POLAR PLUNGE AND YOU 912 00:25:26,190 --> 00:25:28,200 JUMPED INTO LAKE MICHIGAN. 913 00:25:26,190 --> 00:25:28,200 AND SO I JUMPED INTO LAKE 914 00:25:28,200 --> 00:25:31,119 MICHIGAN 915 00:25:28,200 --> 00:25:31,119 IT WAS FREEZING COLD 916 00:25:31,119 --> 00:25:35,170 IT WAS BEYOND. 917 00:25:31,119 --> 00:25:35,170 YOU'RE UNDER ICE AND YOU COME 918 00:25:35,170 --> 00:25:37,099 BACK OUT 919 00:25:35,170 --> 00:25:37,099 AND I CAME OUT AND I HEARD 920 00:25:37,099 --> 00:25:43,099 BAGPIPES 921 00:25:37,099 --> 00:25:43,099 AND I GO, OH MY GOSH, I DIED 922 00:25:43,099 --> 00:25:46,019 >> YEAH. 923 00:25:43,099 --> 00:25:46,019 >> Jimmy: BECAUSE I'M ASSUMING 924 00:25:46,019 --> 00:25:47,089 THAT'S WHAT IRISH PEOPLE - 925 00:25:46,019 --> 00:25:47,089 THAT'S WHAT YOU HEAR WHEN YOU 926 00:25:47,089 --> 00:25:50,089 DIE, YOU PROBABLY JUST HEAR 927 00:25:47,089 --> 00:25:50,089 BAGPIPES 928 00:25:50,089 --> 00:25:51,150 >> I THOUGHT I DIED A FEW TIMES 929 00:25:50,089 --> 00:25:51,150 WHEN KEANU WAS PLAYING THE 930 00:25:51,150 --> 00:25:52,279 BAGPIPES 931 00:25:51,150 --> 00:25:52,279 [ LAUGHTER ] 932 00:25:52,279 --> 00:25:56,099 COME TO THINK OF IT. 933 00:25:52,279 --> 00:25:56,099 >> Jimmy: NICE, NICE, NICE 934 00:25:56,099 --> 00:25:57,289 >> AND I'M NOT EVEN IRISH, 935 00:25:56,099 --> 00:25:57,289 SO - 936 00:25:57,289 --> 00:26:00,210 >> Jimmy: I WANT TO SHOW 937 00:25:57,289 --> 00:26:00,210 EVERYONE A CLIP. 938 00:26:00,210 --> 00:26:01,069 HERE ARE KEANU REEVES AND 939 00:26:01,069 --> 00:26:04,210 ALEX WINTER IN "BILL & TED FACE 940 00:26:01,259 --> 00:26:04,210 THE MUSIC. 941 00:26:02,059 --> 00:26:04,210 TAKE A LOOK. 942 00:26:06,240 --> 00:26:09,069 >> GREETINGS, MY EXCELLENT 943 00:26:06,240 --> 00:26:09,069 FRIENDS. 944 00:26:09,069 --> 00:26:14,140 >> DO WE KNOW YOU? 945 00:26:09,069 --> 00:26:14,140 >> I'M KELLY 946 00:26:14,140 --> 00:26:16,099 >> WAIT, YOU'RE RUFUS' 947 00:26:14,140 --> 00:26:16,099 DAUGHTER 948 00:26:16,099 --> 00:26:18,140 >> I AM. 949 00:26:16,099 --> 00:26:18,140 AND I'VE BEEN WANTING TO MEET 950 00:26:18,140 --> 00:26:20,009 YOU MY WHOLE LIFE. 951 00:26:18,140 --> 00:26:20,009 >> IT MUST BE VERY 952 00:26:20,009 --> 00:26:23,259 DISAPPOINTING. 953 00:26:20,009 --> 00:26:23,259 >> NOT AT ALL. 954 00:26:23,259 --> 00:26:25,049 WE HAVE A PROBLEM, GENTLEMEN, 955 00:26:23,259 --> 00:26:25,049 POTENTIALLY, A VERY SERIOUS 956 00:26:25,049 --> 00:26:30,089 PROBLEM. 957 00:26:25,049 --> 00:26:30,089 >> ABOUT THE MUSIC 958 00:26:30,089 --> 00:26:35,200 >> ABOUT THE MUSIC 959 00:26:30,089 --> 00:26:35,200 THEY JUST WANT TO TALK TO YOU. 960 00:26:35,200 --> 00:26:37,289 >> DUDE, I GOT A VERY BAD 961 00:26:35,200 --> 00:26:37,289 FEELING ABOUT THIS 962 00:26:37,289 --> 00:26:40,119 >> IT WILL BE FINE, TED. 963 00:26:37,289 --> 00:26:40,119 THEY TOTALLY LOVE US IN THE 964 00:26:40,119 --> 00:26:51,170 FUTURE, DUDE 965 00:26:40,119 --> 00:26:51,170 >> WHOA. 966 00:26:51,170 --> 00:26:55,079 DUDE, OUR DADS ARE TOTALLY IN 967 00:26:51,170 --> 00:26:55,079 TROUBLE. 968 00:26:55,079 --> 00:26:57,200 >> Jimmy: KEANU REEVES AND 969 00:26:55,079 --> 00:26:57,200 ALEX WINTER. 970 00:26:57,200 --> 00:26:58,259 "BILL & TED FACE THE MUSIC" IS 971 00:26:57,200 --> 00:26:58,259 AVAILABLE ON DEMAND AND ON 972 00:26:58,259 --> 00:27:00,259 BLU-RAY RIGHT NOW. 973 00:26:58,259 --> 00:27:00,259 GOSH, WE NEED MOVIES LIKE THIS 974 00:27:00,259 --> 00:27:02,109 AND I REALLY APPRECIATE YOU 975 00:27:00,259 --> 00:27:02,109 GUYS COMING ON THE SHOW. 976 00:27:02,109 --> 00:27:04,099 THANK YOU. 977 00:27:02,109 --> 00:27:04,099 THANK YOU SO MUCH. 978 00:27:04,099 --> 00:27:06,089 BE SAFE. 979 00:27:04,099 --> 00:27:06,089 >> THANK YOU 980 00:27:06,089 --> 00:27:08,039 >> THANKS JIMMY. 981 00:27:06,089 --> 00:27:08,039 THANKS EVERYONE. 982 00:27:08,039 --> 00:27:09,190 >> GOOD TO SEE YOU 983 00:27:08,039 --> 00:27:09,190 >> Jimmy: WE'LL BE RIGHT BACK 984 00:27:09,190 --> 00:27:10,130 WITH MORE "TONIGHT SHOW," 985 00:27:09,190 --> 00:27:10,130 EVERYBODY. 986 00:27:10,130 --> 00:27:34,019 STICK AROUND 987 00:27:10,130 --> 00:27:34,019 ♪ 988 00:27:34,019 --> 00:27:38,029 >> Jimmy: OUR NEXT GUEST IS 989 00:27:34,019 --> 00:27:38,029 A GREAT ACTOR WHO STARS IN AND 990 00:27:38,029 --> 00:27:39,259 PRODUCED THE NEW MOVIE, 991 00:27:38,029 --> 00:27:39,259 "ARCHENEMY," WHICH IS IN 992 00:27:39,259 --> 00:27:41,150 THEATERS, ON DEMAND, AND ON 993 00:27:39,259 --> 00:27:41,150 DIGITAL, NEXT FRIDAY 994 00:27:41,150 --> 00:27:44,130 HERE IS JOE MANGANIELLO. 995 00:27:41,150 --> 00:27:44,130 YO, WOW! 996 00:27:44,130 --> 00:27:47,119 >> HEY, JIM. 997 00:27:44,130 --> 00:27:47,119 >> Jimmy: LOOKING GOOD 998 00:27:47,119 --> 00:27:51,200 WHOA, WHOA, WHOA, IS THAT REAL 999 00:27:47,119 --> 00:27:51,200 >> THIS IS REAL. 1000 00:27:51,200 --> 00:27:53,289 THIS IS FRESHLY SHAVED AS OF 1001 00:27:51,200 --> 00:27:53,289 THIS MORNING 1002 00:27:53,289 --> 00:27:58,200 >> Jimmy: WOW. 1003 00:27:53,289 --> 00:27:58,200 NO MORE MOHAWK 1004 00:27:58,200 --> 00:27:59,259 >> NO MORE MOHAWK, BUT IT'S 1005 00:27:58,200 --> 00:27:59,259 AMAZING HOW MUCH A MOHAWK IS 1006 00:27:59,259 --> 00:28:04,039 THAT MUCH HAIR BUT YOU TAKE IT 1007 00:27:59,259 --> 00:28:04,039 OFF AND YOU'RE FREEZING. 1008 00:28:04,039 --> 00:28:06,130 >> Jimmy: JOE, WHAT AM I SEEING 1009 00:28:04,039 --> 00:28:06,130 IN THE CORNER OF THE SCREEN, IS 1010 00:28:06,130 --> 00:28:14,089 THERE A SPECIAL GUEST? 1011 00:28:06,130 --> 00:28:14,089 >> YEAH, THIS IS MY SIDEKICK 1012 00:28:14,089 --> 00:28:17,170 >> Jimmy: YES! 1013 00:28:14,089 --> 00:28:17,170 OH, NO 1014 00:28:17,170 --> 00:28:20,250 >> THIS IS BUBBLES 1015 00:28:17,170 --> 00:28:20,250 >> Jimmy: BUBBLES, HI, BUBBLES 1016 00:28:20,250 --> 00:28:21,279 THANK YOU SO MUCH FOR COMING ON 1017 00:28:20,250 --> 00:28:21,279 THE SHOW 1018 00:28:21,279 --> 00:28:23,079 I APPRECIATE IT. 1019 00:28:21,279 --> 00:28:23,079 OH, MY GOSH. 1020 00:28:23,079 --> 00:28:28,150 HOW CUTE IS THAT 1021 00:28:23,079 --> 00:28:28,150 >> THIS IS BUBBLES' FIRST 1022 00:28:28,150 --> 00:28:31,039 APPEARANCE ON "THE TONIGHT 1023 00:28:28,150 --> 00:28:31,039 SHOW." 1024 00:28:31,039 --> 00:28:33,130 >> Jimmy: AND WILL NOT BE HER 1025 00:28:31,039 --> 00:28:33,130 LAST 1026 00:28:33,130 --> 00:28:36,049 OH, BUBBLES, YOU'RE ALLOWED 1027 00:28:33,130 --> 00:28:36,049 BACK WHENEVER. 1028 00:28:36,049 --> 00:28:37,109 JOE, THERE'S A TON OF STUFF I 1029 00:28:36,049 --> 00:28:37,109 WANT TO TALK TO YOU ABOUT. 1030 00:28:37,109 --> 00:28:39,160 BUT FIRST, CONGRATS. 1031 00:28:37,109 --> 00:28:39,160 I KNOW YOU JUST CELEBRATED YOUR 1032 00:28:39,160 --> 00:28:40,180 FIVE-YEAR WEDDING ANNIVERSARY, 1033 00:28:39,160 --> 00:28:40,180 WITH YOUR LOVELY WIFE, 1034 00:28:40,180 --> 00:28:46,059 SOFIA VERGARA. 1035 00:28:40,180 --> 00:28:46,059 CONGRATS ON THAT 1036 00:28:46,059 --> 00:28:48,119 WE'VE TALKED BEFORE ABOUT HOW 1037 00:28:46,059 --> 00:28:48,119 YOU AND SOFIA STARTED DATING 1038 00:28:48,119 --> 00:28:50,039 BUT WERE YOU ALWAYS SMOOTH WHEN 1039 00:28:48,119 --> 00:28:50,039 IT CAME TO DATING? 1040 00:28:50,039 --> 00:29:00,029 BECAUSE I WANT TO KNOW ABOUT 1041 00:28:50,039 --> 00:29:00,029 THIS GUY 1042 00:29:00,029 --> 00:29:01,089 >> THAT GUY, NOT SO SMOOTH WITH 1043 00:29:00,029 --> 00:29:01,089 THE DATING, JIMMY. 1044 00:29:01,089 --> 00:29:04,039 YEAH, NOT SO SMOOTH. 1045 00:29:01,089 --> 00:29:04,039 >> Jimmy: LOOK AT THE ARMS, 1046 00:29:04,039 --> 00:29:06,230 BUD. 1047 00:29:04,039 --> 00:29:06,230 OH, MY GOSH. 1048 00:29:06,230 --> 00:29:18,170 DUDE, WHEN DID IT CHANGE 1049 00:29:06,230 --> 00:29:18,170 >> IT CHANGED AROUND AGE 16. 1050 00:29:18,170 --> 00:29:21,019 THEN I GOT CONTACT LENSES AND 1051 00:29:18,170 --> 00:29:21,019 THE WORKING OUT WAS STARTING TO 1052 00:29:21,019 --> 00:29:24,009 HAPPEN, ALL THE PROTEIN SHAKES 1053 00:29:21,019 --> 00:29:24,009 WERE STARTING TO TAKE EFFECT 1054 00:29:24,009 --> 00:29:28,049 AND I ALSO -- I GOT A PHONE 1055 00:29:24,009 --> 00:29:28,049 CALL FROM A FRIEND OF MINE WHO 1056 00:29:28,049 --> 00:29:33,000 SAID, YOU KNOW, HOW WOULD YOU 1057 00:29:28,049 --> 00:29:33,000 LIKE TO MAKE $25 AN HOUR AT 1058 00:29:33,000 --> 00:29:37,150 AGE 16 1059 00:29:33,000 --> 00:29:37,150 YOU SAY, SURE, WHAT DO I HAVE 1060 00:29:37,150 --> 00:29:39,269 TO DO? 1061 00:29:37,150 --> 00:29:39,269 THEY SAID, JUST COME DOWN TO 1062 00:29:39,269 --> 00:29:41,190 OUR OFFICE, WHATEVER ANYBODY 1063 00:29:39,269 --> 00:29:41,190 SAYS TO YOU, WHATEVER THEY ASK, 1064 00:29:41,190 --> 00:29:43,200 JUST SAY YOU'RE 21 1065 00:29:41,190 --> 00:29:43,200 AND I DIDN'T HAVE A LICENSE AT 1066 00:29:43,200 --> 00:29:45,009 THE TIME, SO I HAD TO HAVE MY 1067 00:29:43,200 --> 00:29:45,009 MOTHER DROP ME OFF AT THEIR 1068 00:29:45,009 --> 00:29:51,269 OFFICE 1069 00:29:45,009 --> 00:29:51,269 THERE WAS A BUNCH OF ADULTS. 1070 00:29:51,269 --> 00:29:53,029 AND THEY SAID, YOU KNOW, I 1071 00:29:51,269 --> 00:29:53,029 WALKED IN AND SAID YOU'RE THE 1072 00:29:53,029 --> 00:29:54,059 GUY? 1073 00:29:53,029 --> 00:29:54,059 I SAID, YEAH 1074 00:29:54,059 --> 00:29:57,140 THEY SAID, HOW OLD ARE YOU 1075 00:29:54,059 --> 00:29:57,140 I SAID, 21 1076 00:29:57,140 --> 00:29:59,069 THEY GO, GREAT, PUT THIS ON. 1077 00:29:57,140 --> 00:29:59,069 THEY HANDED ME THIS PIRATE SUIT 1078 00:29:59,069 --> 00:30:00,180 WITH THE CAPE AND THE EYE PATCH 1079 00:29:59,069 --> 00:30:00,180 AND THE WIG, AND THE RUFFLES, 1080 00:30:00,180 --> 00:30:05,049 THE HAT. 1081 00:30:00,180 --> 00:30:05,049 I HAD A SWORD. 1082 00:30:05,049 --> 00:30:06,109 I HAD A PISTOLA, THE LITTLE 1083 00:30:05,049 --> 00:30:06,109 FAKE BOOTIES THAT GO OVER YOUR 1084 00:30:06,109 --> 00:30:13,230 SHOES THAT MAKE THEM LOOK LIKE 1085 00:30:06,109 --> 00:30:13,230 THEY'RE REAL BOOTS 1086 00:30:13,230 --> 00:30:15,160 >> Jimmy: YEAH 1087 00:30:13,230 --> 00:30:15,160 WHAT WERE YOU? 1088 00:30:15,160 --> 00:30:16,250 >> I WAS GOING TO BE CAPTAIN 1089 00:30:15,160 --> 00:30:16,250 MORGAN AT A BUNCH OF BARS IN 1090 00:30:16,250 --> 00:30:21,000 PITTSBURGH 1091 00:30:16,250 --> 00:30:21,000 >> Jimmy: WOW. 1092 00:30:21,000 --> 00:30:22,089 >> AND THEY GAVE ME A BACKPACK 1093 00:30:21,000 --> 00:30:22,089 THAT WAS A TANK WITH A TAP ON 1094 00:30:22,089 --> 00:30:25,240 IT, FULL OF RUM. 1095 00:30:22,089 --> 00:30:25,240 >> Jimmy: OH MY GOD. 1096 00:30:25,240 --> 00:30:28,289 DO YOU STILL HAVE THAT 1097 00:30:25,240 --> 00:30:28,289 >> I USED TO GO GET EVERYONE 1098 00:30:28,289 --> 00:30:33,130 DRUNK. 1099 00:30:28,289 --> 00:30:33,130 SO THAT LED TO, LIKE, PROBABLY 1100 00:30:33,130 --> 00:30:40,069 THE NEXT DECADE, I WORKED IN 1101 00:30:33,130 --> 00:30:40,069 BARS 1102 00:30:40,069 --> 00:30:41,160 THAT'S HOW I WORKED UNTIL LIKE 1103 00:30:40,069 --> 00:30:41,160 ACTING TOOK OFF WHERE I COULD 1104 00:30:41,160 --> 00:30:45,140 PAY MY BILLS THAT WAY. 1105 00:30:41,160 --> 00:30:45,140 AS AN ARTIST, I WAS WORKING IN 1106 00:30:45,140 --> 00:30:48,000 CLUBS. 1107 00:30:45,140 --> 00:30:48,000 SO LIKE THAT CAPTAIN MORGAN JOB 1108 00:30:48,000 --> 00:30:49,059 THEN WHEN I WAS -- I WORKED AS 1109 00:30:48,000 --> 00:30:49,059 CAPTAIN MORGAN IN PITTSBURGH 1110 00:30:49,059 --> 00:30:52,170 FROM 16 TO 21. 1111 00:30:49,059 --> 00:30:52,170 THEN WHEN I WAS 21, I GOT A JOB 1112 00:30:52,170 --> 00:30:53,210 WORKING FOR FINLANDIA VODKA, 1113 00:30:52,170 --> 00:30:53,210 WHERE I WOULD GO OUT ON U2'S 1114 00:30:53,210 --> 00:30:54,259 OLD TOUR BUS FULL OF VODKA 1115 00:30:53,210 --> 00:30:54,259 WE WOULD DRIVE TO EVERY MAJOR 1116 00:30:54,259 --> 00:30:59,140 CITY IN AMERICA. 1117 00:30:54,259 --> 00:30:59,140 I WAS IN A TUXEDO THIS TIME. 1118 00:30:59,140 --> 00:31:06,250 IT WAS A LITTLE CLASSIER 1119 00:30:59,140 --> 00:31:06,250 >> Jimmy: YEAH, YOU UPPED YOUR 1120 00:31:06,250 --> 00:31:08,170 GAME 1121 00:31:06,250 --> 00:31:08,170 >> GET EVERYBODY DRUNK 1122 00:31:08,170 --> 00:31:12,019 IT WAS JUST NON-STOP, 1123 00:31:08,170 --> 00:31:12,019 WALL-TO-WALL BAR JOBS. 1124 00:31:12,019 --> 00:31:13,220 BUT THE POINT IS, CIRCLING BACK 1125 00:31:12,019 --> 00:31:13,220 IS THAT WAS THE BEST EDUCATION 1126 00:31:13,220 --> 00:31:20,019 IN MEN AND WOMEN AND DATING. 1127 00:31:13,220 --> 00:31:20,019 WHEN YOU ARE IN A CLUB NIGHT 1128 00:31:20,019 --> 00:31:21,210 AFTER NIGHT, WATCHING THE 1129 00:31:20,019 --> 00:31:21,210 ANIMALS HUNT IN THE WILD, YOU 1130 00:31:21,210 --> 00:31:25,150 LEARN A LOT. 1131 00:31:21,210 --> 00:31:25,150 SO THAT SCRAWNY KID REALLY GOT 1132 00:31:25,150 --> 00:31:26,210 HIS, YOU KNOW, HIS FORMAL 1133 00:31:25,150 --> 00:31:26,210 EDUCATION IN WOMEN AND MEN AND 1134 00:31:26,210 --> 00:31:37,289 DATING AND THE WHOLE THING 1135 00:31:26,210 --> 00:31:37,289 >> Jimmy: AND LOOK AT YOU NOW. 1136 00:31:37,289 --> 00:31:39,079 I MEAN, COME ON. 1137 00:31:37,289 --> 00:31:39,079 WE KNOW YOU AS THIS GIANT MOVIE 1138 00:31:39,079 --> 00:31:41,109 STAR 1139 00:31:39,079 --> 00:31:41,109 I KNOW THAT GROWING UP, WASN'T 1140 00:31:41,109 --> 00:31:48,180 YOUR ORIGINAL DREAM TO ALSO BE 1141 00:31:41,109 --> 00:31:48,180 A WRITER AND DIRECTOR? 1142 00:31:48,180 --> 00:31:53,079 >> WELL, YEAH, AS A KID, THAT'S 1143 00:31:48,180 --> 00:31:53,079 ACTUALLY HOW I GOT INTO ACTING 1144 00:31:53,079 --> 00:31:55,269 I MADE ALL MY OWN MOVIES 1145 00:31:53,079 --> 00:31:55,269 WE WOULD DO LIKE MAFIA, MARTIAL 1146 00:31:55,269 --> 00:31:57,039 ARTS MOVIES WITH LIKE GUNSHOTS 1147 00:31:55,269 --> 00:31:57,039 AND WE MADE HOMEMADE SQUIBS 1148 00:31:57,039 --> 00:32:05,269 WHEN WE WERE KIDS. 1149 00:31:57,039 --> 00:32:05,269 >> Jimmy: YOU MADE A HOMEMADE 1150 00:32:05,269 --> 00:32:08,269 SQUIB? LIKE A BLOOD EXPLOSION 1151 00:32:05,269 --> 00:32:08,269 SQUIB? 1152 00:32:08,269 --> 00:32:11,190 >> YEAH, SO WE WOULD TAKE 1153 00:32:08,269 --> 00:32:11,190 A FIRECRACKER, AND THEN YOU 1154 00:32:11,190 --> 00:32:14,210 WOULD TAKE A CONDOM AND YOU 1155 00:32:11,190 --> 00:32:14,210 WOULD FILL THE CONDOM WITH KARO 1156 00:32:14,210 --> 00:32:17,130 SYRUP AND RED FOOD COLORING. 1157 00:32:14,210 --> 00:32:17,130 YOU WOULD TIE IT UP. 1158 00:32:17,130 --> 00:32:19,269 THEN YOU GET A COOKIE TIN. 1159 00:32:17,130 --> 00:32:19,269 IF YOU GOT REALLY BRAVE, YOU'D 1160 00:32:19,269 --> 00:32:21,019 PUT THE COOKIE TIN OVER YOUR 1161 00:32:19,269 --> 00:32:21,019 HEART, SO WE CUT THE SHIRT A 1162 00:32:21,019 --> 00:32:26,220 A LITTLE BIT SO THE WICK WOULD 1163 00:32:21,019 --> 00:32:26,220 COME OUT 1164 00:32:26,220 --> 00:32:31,099 AND THEN YOU HAD TO TURN THE 1165 00:32:26,220 --> 00:32:31,099 CAMERA ON. 1166 00:32:31,099 --> 00:32:34,079 SOMEONE'S HAND HAD TO COME IN 1167 00:32:31,099 --> 00:32:34,079 AND LIGHT THE LIGHTER OF THE 1168 00:32:34,079 --> 00:32:35,119 WICK, AND THEN GET YOUR HAND 1169 00:32:34,079 --> 00:32:35,119 OUT SO THAT WE COULD GET THE 1170 00:32:35,119 --> 00:32:40,210 SHOT 1171 00:32:35,119 --> 00:32:40,210 AND, OH! 1172 00:32:40,210 --> 00:32:42,009 YOU'D FALL OVER AND YOU WOULD 1173 00:32:40,210 --> 00:32:42,009 HAVE THIS FLAP OF SKIN AND 1174 00:32:42,009 --> 00:32:45,190 BLOOD WOULD GUSH OUT 1175 00:32:42,009 --> 00:32:45,190 EVERYWHERE 1176 00:32:45,190 --> 00:32:46,220 >> Jimmy: JOE, THAT WAS 1177 00:32:45,190 --> 00:32:46,220 PROBABLY A FLAP OF REAL SKIN 1178 00:32:46,220 --> 00:32:48,069 YOU LIT A FIRECRACKER ON 1179 00:32:46,220 --> 00:32:48,069 SOMEONE'S CHEST. 1180 00:32:48,069 --> 00:32:54,220 OH, MY GOSH. 1181 00:32:48,069 --> 00:32:54,220 >> YEAH, IT WAS PAINFUL. 1182 00:32:54,220 --> 00:32:59,029 >> Jimmy: OH, MY GOSH. 1183 00:32:54,220 --> 00:32:59,029 THAT IS UNBELIEVABLE, DUDE 1184 00:32:59,029 --> 00:33:00,279 I WANT TO TALK ABOUT YOUR NEW 1185 00:32:59,029 --> 00:33:00,279 MOVIE, IT'S CALLED "ARCHENEMY. 1186 00:33:00,279 --> 00:33:02,079 I LOVE THE PREMISE 1187 00:33:00,279 --> 00:33:02,079 I'VE NEVER SEEN A MOVIE LIKE 1188 00:33:02,079 --> 00:33:09,269 THIS 1189 00:33:02,079 --> 00:33:09,269 I WOULD SAY IT'S A SUPERHERO 1190 00:33:09,269 --> 00:33:11,000 MOVIE BUT IT'S MORE THAN A 1191 00:33:09,269 --> 00:33:11,000 A SUPERHERO MOVIE. 1192 00:33:11,000 --> 00:33:16,079 IT'S A TRICKIER PLOT 1193 00:33:11,000 --> 00:33:16,079 BASICALLY, DO YOU WANT ME TO 1194 00:33:16,079 --> 00:33:17,220 SET IT UP? 1195 00:33:16,079 --> 00:33:17,220 YOU BASICALLY LAND ON A PLANET 1196 00:33:17,220 --> 00:33:25,210 AND YOU'RE LIKE, "ON EARTH, I'M 1197 00:33:17,220 --> 00:33:25,210 A SUPERHERO. 1198 00:33:25,210 --> 00:33:28,119 >> WELL, MAYBE 1199 00:33:25,210 --> 00:33:28,119 YOU DON'T KNOW 1200 00:33:28,119 --> 00:33:29,160 THAT'S THE THING, IS LIKE 1201 00:33:28,119 --> 00:33:29,160 EVERYTHING THAT YOU JUST SAID 1202 00:33:29,160 --> 00:33:33,130 IS ABSOLUTELY TRUE, BUT IS IT 1203 00:33:29,160 --> 00:33:33,130 A SUPERHERO MOVIE OR IS IT NOT 1204 00:33:33,130 --> 00:33:34,200 BECAUSE REALLY THE BULK OF IT 1205 00:33:33,130 --> 00:33:34,200 IS -- I PLAY A MAYBE BORDERLINE 1206 00:33:34,200 --> 00:33:37,240 SCHIZOPHRENIC CHARACTER WHO IS 1207 00:33:34,200 --> 00:33:37,240 ALSO ADDICTED TO 1208 00:33:37,240 --> 00:33:39,009 METHAMPHETAMINE AND ALCOHOL AND 1209 00:33:37,240 --> 00:33:39,009 LIVES IN A TENT UNDER A BRIDGE 1210 00:33:39,009 --> 00:33:40,089 AND BABBLES ON AND ON AND ON TO 1211 00:33:39,009 --> 00:33:40,089 ANYBODY WHO WILL LISTEN TO HIM 1212 00:33:40,089 --> 00:33:41,130 ABOUT BEING SOME SORT OF 1213 00:33:40,089 --> 00:33:41,130 CHAMPION OR SUPERMAN, SUPERHERO 1214 00:33:41,130 --> 00:33:52,059 FROM ANOTHER DIMENSION 1215 00:33:41,130 --> 00:33:52,059 SO REALLY THE FILM IS AN 1216 00:33:52,059 --> 00:33:53,119 EXPLORATION ABOUT, YOU KNOW, 1217 00:33:52,059 --> 00:33:53,119 WHETHER OR NOT HE'S CRAZY OR IS 1218 00:33:53,119 --> 00:34:11,019 IT ACTUALLY TRUE 1219 00:33:53,119 --> 00:34:11,019 >> Jimmy: AGAIN, I DON'T LIKE 1220 00:34:11,019 --> 00:34:12,000 TO SPOIL ANYTHING, BUT IT'S 1221 00:34:11,019 --> 00:34:12,000 GREAT. 1222 00:34:12,000 --> 00:34:13,059 I WANT TO SHOW EVERYONE A CLIP 1223 00:34:13,059 --> 00:34:15,139 HERE'S JOE MANGANIELLO IN 1224 00:34:13,230 --> 00:34:15,139 "ARCHENEMY." 1225 00:34:14,119 --> 00:34:15,139 TAKE A LOOK. 1226 00:34:18,139 --> 00:34:22,050 >> YOU CANNOT RUN. 1227 00:34:18,139 --> 00:34:22,050 I DON'T CARE WHAT YOU DO, YOU 1228 00:34:22,050 --> 00:34:24,170 MAKE BAD CHOICES, YOU LIVE WITH 1229 00:34:22,050 --> 00:34:24,170 THEM, THAT'S FINE. 1230 00:34:24,170 --> 00:34:28,179 BUT THE KID DESERVES HIS OWN 1231 00:34:24,170 --> 00:34:28,179 CHANCE 1232 00:34:28,179 --> 00:34:32,239 IF YOU RUN, THEY WILL FIND YOU 1233 00:34:28,179 --> 00:34:32,239 AND THEY WILL KILL HIM 1234 00:34:32,239 --> 00:34:36,179 >> SO WHAT ARE WE SUPPOSED TO 1235 00:34:32,239 --> 00:34:36,179 DO 1236 00:34:36,179 --> 00:34:38,170 >> YOU STAY AND YOU FIGHT THE 1237 00:34:36,179 --> 00:34:38,170 WAR. 1238 00:34:38,170 --> 00:34:40,099 >> HAMSTER, DON'T ENGAGE WITH 1239 00:34:38,170 --> 00:34:40,099 THE TROLL. 1240 00:34:40,099 --> 00:34:45,250 >> FIGHT THE WAR 1241 00:34:40,099 --> 00:34:45,250 HOW ARE WE SUPPOSED TO DO THAT 1242 00:34:45,250 --> 00:34:47,099 >> DON'T UNDERSELL YOURSELF. 1243 00:34:45,250 --> 00:34:47,099 I'M HERE WITH YOU. 1244 00:34:47,099 --> 00:34:48,159 I FELL THROUGH A BLACK HOLE TO 1245 00:34:47,099 --> 00:34:48,159 GET HERE AND I NEVER KNEW WHY 1246 00:34:48,159 --> 00:34:50,010 UNTIL NOW. 1247 00:34:48,159 --> 00:34:50,010 SO I CAN HELP YOU. 1248 00:34:50,010 --> 00:35:06,010 BOTH OF YOU. 1249 00:34:50,010 --> 00:35:06,010 >> Jimmy: WHAT DID YOU THINK, 1250 00:35:06,010 --> 00:35:08,230 BUDDY? 1251 00:35:06,010 --> 00:35:08,230 HE LOVED IT. HE LOVED IT 1252 00:35:08,230 --> 00:35:12,039 JOE MANGANIELLO, EVERYBODY 1253 00:35:08,230 --> 00:35:12,039 "ARCHENEMY" IS IN THEATERS, ON 1254 00:35:12,039 --> 00:35:13,039 DEMAND AND ON DIGITAL, STARTING 1255 00:35:12,039 --> 00:35:13,039 DECEMBER 11th. 1256 00:35:13,039 --> 00:35:18,110 THANK YOU SO MUCH FOR COMING 1257 00:35:13,039 --> 00:35:18,110 ON, BUD. 1258 00:35:18,110 --> 00:35:21,130 IT'S ALWAYS GREAT TO SEE YOU 1259 00:35:18,110 --> 00:35:21,130 >> HEY, MAN, THANK YOU SO MUCH 1260 00:35:21,130 --> 00:35:25,070 I LOVE BEING HERE. 1261 00:35:21,130 --> 00:35:25,070 IT'S SO GREAT. 1262 00:35:25,070 --> 00:35:26,170 >> Jimmy: STAY SAFE. 1263 00:35:25,070 --> 00:35:26,170 WE'LL BE RIGHT BACK WITH A 1264 00:35:26,170 --> 00:35:28,090 A PERFORMANCE FROM THE SMASHING 1265 00:35:26,170 --> 00:35:28,090 PUMPKINS 1266 00:35:28,090 --> 00:35:45,030 COME ON BACK, EVERYBODY. 1267 00:35:28,090 --> 00:35:45,030 ♪ 1268 00:35:45,030 --> 00:35:45,289 >> Jimmy: PERFORMING THE TITLE 1269 00:35:45,289 --> 00:35:51,019 TRACK TO THEIR NEW ALBUM "CYR," 1270 00:35:46,280 --> 00:35:51,019 HERE ARE THE SMASHING PUMPKINS 1271 00:35:47,239 --> 00:35:51,019 [ CHEERS AND APPLAUSE 1272 00:35:52,090 --> 00:36:09,110 ♪ 1273 00:36:30,230 --> 00:36:41,050 SHADOWS HOLD THE MIS 1274 00:36:30,230 --> 00:36:41,050 FRACTURED AS THIS WISH 1275 00:36:41,050 --> 00:36:49,150 SHATTERED I RESIGN ♪ 1276 00:36:41,050 --> 00:36:49,150 ♪ WE'RE ON THE VERG 1277 00:36:49,150 --> 00:36:57,039 WE'RE ON THE VERGE 1278 00:36:49,150 --> 00:36:57,039 OF SACRED DAWNIN 1279 00:36:57,039 --> 00:36:58,239 AND SLOE-SLOE EYES ♪ 1280 00:36:57,039 --> 00:36:58,239 ♪ SAY I DONE TOLD YOU 1281 00:36:58,239 --> 00:37:06,159 SAY HOW I TRIED TO 1282 00:36:58,239 --> 00:37:06,159 WHERE YOU'VE WROUGHT 1283 00:37:06,159 --> 00:37:15,179 FROM CREATION'S CROWN ♪ 1284 00:37:06,159 --> 00:37:15,179 ♪ SAY DIRE WARNIN 1285 00:37:15,179 --> 00:37:19,239 STARE DOWN YOUR MASTERS ♪ 1286 00:37:15,179 --> 00:37:19,239 ♪ WITH THE PROMISE OF 1287 00:37:19,239 --> 00:37:28,090 ONE AND WHAT YOU ARE 1288 00:37:19,239 --> 00:37:28,090 WE'RE ON THE VERGE ♪ 1289 00:37:28,090 --> 00:37:45,199 ♪ 1290 00:37:28,090 --> 00:37:45,199 ♪ TANGENTS VEX THE WHOR 1291 00:37:45,199 --> 00:37:52,179 THE VOID ARRIVES 1292 00:37:45,199 --> 00:37:52,179 THEN LEAVE 1293 00:37:52,179 --> 00:37:56,090 RETURNING RETURNING A KISS ♪ 1294 00:37:52,179 --> 00:37:56,090 ♪ FOR LOVERS BUILT THE DREA 1295 00:37:56,090 --> 00:38:01,030 SAY I DONE TOLD YO 1296 00:37:56,090 --> 00:38:01,030 SAY HOW I TRIED TO 1297 00:38:01,030 --> 00:38:12,139 WHERE YOU'VE WROUGHT ♪ 1298 00:38:01,030 --> 00:38:12,139 ♪ FROM CREATION'S CROWN 1299 00:38:12,139 --> 00:38:18,139 SAY DIRE WARNING 1300 00:38:12,139 --> 00:38:18,139 STARE DOWN YOUR MASTER 1301 00:38:18,139 --> 00:38:22,199 WITH THE PROMISE OF ♪ 1302 00:38:18,139 --> 00:38:22,199 ♪ ONE AND WHAT YOU AR 1303 00:38:22,199 --> 00:38:30,250 WE'RE ON THE VERGE 1304 00:38:22,199 --> 00:38:30,250 DID THE TIMES WIND 1305 00:38:30,250 --> 00:38:32,280 DID THE CROWD KIND ♪ 1306 00:38:30,250 --> 00:38:32,280 ♪ APING YOUTH WIS 1307 00:38:32,280 --> 00:38:35,260 EVER LOST IDES 1308 00:38:32,280 --> 00:38:35,260 'MIDST THE CHAFF AS MEEK 1309 00:38:35,260 --> 00:38:39,139 AND IS WEAK AS SAND ♪ 1310 00:38:35,260 --> 00:38:39,139 ♪ TURNING GLASS UPSIDE DOWN 1311 00:38:39,139 --> 00:38:41,230 FOR THE HOURS SHOULD 1312 00:38:39,139 --> 00:38:41,230 THEY PAS 1313 00:38:41,230 --> 00:38:48,059 SAY I DONE TOLD YOU ♪ 1314 00:38:41,230 --> 00:38:48,059 ♪ SAY HOW I TRIED TOO 1315 00:38:48,059 --> 00:38:57,289 WHERE YOU'VE WROUGHT 1316 00:38:48,059 --> 00:38:57,289 FROM CREATION'S CROW 1317 00:38:57,289 --> 00:39:01,099 WE'RE ON THE VERGE ♪ 1318 00:38:57,289 --> 00:39:01,099 ♪ SAY DIRE WARNIN 1319 00:39:01,099 --> 00:39:03,289 STARE DOWN YOUR MASTER 1320 00:39:01,099 --> 00:39:03,289 WITH THE PROMISE O 1321 00:39:03,289 --> 00:39:12,159 ONE AND WHAT YOU ARE ♪ 1322 00:39:03,289 --> 00:39:12,159 ♪ WE'RE ON THE VERG 1323 00:39:12,159 --> 00:39:15,000 WE'RE ON THE VERGE 1324 00:39:12,159 --> 00:39:15,000 WE'RE ON THE VERGE 1325 00:39:15,000 --> 00:39:44,030 WE'RE ON THE VERGE ♪ 1326 00:39:15,000 --> 00:39:44,030 ♪ 1327 00:39:44,030 --> 00:39:46,250 [ CHEERS AND APPLAUSE 1328 00:39:44,030 --> 00:39:46,250 >> Jimmy: THANK YOU TO THE 1329 00:39:46,250 --> 00:39:48,079 SMASHING PUMPKINS! 1330 00:39:46,250 --> 00:39:48,079 MORE "TONIGHT SHOW" WHEN WE 1331 00:39:48,079 --> 00:40:10,030 COME BACK. 1332 00:39:48,079 --> 00:40:10,030 ♪ 1333 00:40:10,030 --> 00:40:13,159 >> Jimmy: THANK YOU ALL FOR 1334 00:40:10,030 --> 00:40:13,159 WATCHING 1335 00:40:13,159 --> 00:40:14,250 STAY SAFE OUT THERE. 1336 00:40:13,159 --> 00:40:14,250 WEAR A MASK. 1337 00:40:14,250 --> 00:40:16,079 WASH YOUR HANDS. 1338 00:40:14,250 --> 00:40:16,079 DON'T TOUCH YOUR FACE. 1339 00:40:16,079 --> 00:40:17,239 STAY TUNED FOR "LATE NIGHT WITH 1340 00:40:16,079 --> 00:40:17,239 SETH MEYERS. 1341 00:40:17,239 --> 00:40:50,090 GOODNIGHT, EVERYBODY