1 00:00:09,943 --> 00:00:11,611 Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:11,611 --> 00:00:17,283 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:17,283 --> 00:00:20,053 TONIGHT, JOIN JIMMY AND HIS GUESTS - MICHELLE WILLIAMS, 4 00:00:20,053 --> 00:00:24,391 JOHN STAMOS, MO WILLEMS MUSICAL GUESTS, CHVRCHES 5 00:00:24,391 --> 00:00:33,433 AND FEATURING THE LEGENDARY ROOTS CREW 6 00:00:33,433 --> 00:00:36,002 Questlove: 1828 Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:37,871 --> 00:00:56,823 ♪ ♪ [ CHEERS AND APPLAUSE 8 00:00:56,823 --> 00:01:02,262 Jimmy: OH, COME ON. THAT MAKES ME FEEL GOOD. OH, THANK YOU SO MUCH. 9 00:01:02,262 --> 00:01:05,665 ENJOY YOURSELF THANK YOU VERY MUCH. THANK YOU FOR WATCHING 10 00:01:05,665 --> 00:01:09,069 WELCOME, WELCOME, WELCOME TO "THE TONIGHT SHOW. [ CHEERS AND APPLAUSE 11 00:01:09,069 --> 00:01:12,772 Steve: YEAH Jimmy: YOU'RE HERE. "THE TONIGHT SHOW. 12 00:01:12,772 --> 00:01:15,875 GUYS, IT WAS SUCH A BEAUTIFUL SPRING DAY HERE IN NEW YORK, WASN'T IT GREAT? 13 00:01:15,875 --> 00:01:20,780 ALL-- [ CHEERS AND APPLAUSE ALL OVER THE CITY, TULIPS, 14 00:01:20,780 --> 00:01:25,585 DAFFODILS, POLICE BARRICADES WERE BLOOMING. [ LAUGHTER ] 15 00:01:25,585 --> 00:01:30,924 THAT'S RIGHT, TODAY, AHEAD OF HIS SCHEDULED ARRAIGNMENT, FORMER PRESIDENT TRUMP FLEW 16 00:01:30,924 --> 00:01:34,561 FROM FLORIDA TO NEW YORK AND LANDED AT LaGUARDIA AIRPORT. YEP, HE WAS SMART, NOTHING 17 00:01:34,561 --> 00:01:38,832 HELPS YOU EASE INTO PRISON LIKE SPENDING TIME AT LaGUARDIA [ LAUGHTER ] 18 00:01:38,832 --> 00:01:42,435 I ALWAYS - YEAH, TRUMP FLEW FROM FLORIDA TO NEW YORK, WHERE HE'LL SOON 19 00:01:42,435 --> 00:01:49,109 BE ARRESTED. HE'S - [ CHEERS AND APPLAUSE 20 00:01:49,109 --> 00:01:51,544 HE'S BASICALLY DOING A REVERSE SPRING BREAK [ LAUGHTER ] 21 00:01:51,544 --> 00:01:57,117 IF YOU THINK ABOUT IT. FLORIDA, NEW YORK-- [ LIGHT LAUGHTER ] 22 00:01:57,117 --> 00:01:59,119 OF COURSE, ALL THE NEWS OUTLETS WERE COVERING TRUMP'S EVERY MOVE, EVEN THE DOMINO'S PIZZA 23 00:01:59,119 --> 00:02:03,056 TRACKER WAS FOLLOWING HIM AND-- [ LAUGHTER ] 24 00:02:03,056 --> 00:02:04,758 - THEN AT HIS MOTORCADE-- AS HIS MOTORCADE LEFT MAR-A-LAGO, TRUMP WAS GREETED BY SOME OF 25 00:02:04,758 --> 00:02:11,097 HIS SUPPORTS OUT IN THE STREET HERE THEY ARE. TAKE A LOOK AT THIS. 26 00:02:11,097 --> 00:02:14,567 [ LAUGHTER ] YEAH I SAW-- I SAW MORE PEOPLE 27 00:02:14,567 --> 00:02:20,473 SUPPORTING OJ THAN THIS-- [ LAUGHTER ] "AC, GIVE US A HONK HONK." 28 00:02:20,473 --> 00:02:22,876 [ LAUGHTER ] MEANWHILE, FOX NEWS RELEASED A A VIDEO OF TRUMP SUPPORTERS 29 00:02:22,876 --> 00:02:24,711 WAITING FOR HIM AT THE AIRPORT, AND I THINK IT LOOKED A LITTLE 30 00:02:24,711 --> 00:02:27,480 DIFFERENT THAN EVERYONE ELSE'S ON FOX NEWS. TAKE A LOOK AT THIS. 31 00:02:28,782 --> 00:02:32,819 EXPECTED TO LAND IN NEW YORK ANY MOMENT NOW THERE IS THE LIVE SHOT IN 32 00:02:32,819 --> 00:02:39,125 NEW YORK CITY-- Jimmy: INTERESTING.-- AS THEY WAIT FOR HIS 33 00:02:39,125 --> 00:02:41,728 ARRIVAL. [ LAUGHTER ] Jimmy: I JUST FIND THAT'S 34 00:02:41,728 --> 00:02:44,364 INTERESTING. A LITTLE DIFFERENT YEP, TRUMP WAS THEN DRIVEN FROM 35 00:02:44,364 --> 00:02:46,633 LaGUARDIA TO TRUMP TOWER WHERE HE'S SPENDING THE NIGHT. MEANWHILE, BACK AT MAR-A-LAGO, 36 00:02:46,633 --> 00:02:47,634 HE'S SPENDING THE NIGHT. MEANWHILE, BACK AT MAR-A-LAGO, EVERY STAFFER WAS LIKE - 37 00:02:50,737 --> 00:02:53,506 PARTY GOING. WELL, GET THIS, CONGRESSWOMAN MARJORIE TAYLOR GREENE 38 00:02:53,506 --> 00:02:55,308 ANNOUNCED THAT, TOMORROW, SHE'S COMING TO NEW YORK CITY FOR A PEACEFUL PROTEST OF TRUMP'S 39 00:02:55,308 --> 00:03:05,752 INDICTMENT PEACEFUL, BUT INSANE [ LAUGHTER ] 40 00:03:05,752 --> 00:03:08,621 SPEAKING OF MARJORIE TAYLOR GREENE, LAST 41 00:03:08,621 --> 00:03:09,456 NIGHT SHE WAS ON "60 MINUTES," AND HERE'S HOW THE INTERVIEW STARTED. 42 00:03:11,191 --> 00:03:15,528 HAVE BEEN SAID ABOUT YOU OKAY. "CRAZY. 43 00:03:15,528 --> 00:03:20,934 "Q CLOWN." "LOONEY TUNE." [ LAUGHTER ] 44 00:03:20,934 --> 00:03:24,571 "UNHINGED. "MORON." PRETTY UGLY STUFF. 45 00:03:24,571 --> 00:03:30,076 [ LAUGHTER ] Jimmy: BY THE 20th INSULT, MARJORIE TAYLOR GREENE WAS 46 00:03:30,076 --> 00:03:36,683 LIKE, "POINT MADE, LESLIE! [ LAUGHTER ] AND THIS IS REAL, 47 00:03:36,683 --> 00:03:41,087 MARJORIE TAYLOR GREENE'S INTERVIEW ON "60 MINUTES" WAS WATCHED BY 6.66 MILLION PEOPLE 48 00:03:41,087 --> 00:03:44,391 [ LIGHT LAUGHTER ] Steve: WHOA Jimmy: THEN THE DEVIL WAS 49 00:03:44,391 --> 00:03:47,394 LIKE, "DON'T ASSOCIATE ME WITH THIS I-- HEY." 50 00:03:47,394 --> 00:03:49,162 SWITCHING GEARS, I SAW THAT NETFLIX ANNOUNCED THAT THEY'RE GOING TO START RELEASING FEWER 51 00:03:49,162 --> 00:03:55,702 BUT BETTER MOVIES. [ LIGHT LAUGHTER ] THEN EVERY ACTOR WHO'S EVER 52 00:03:55,702 --> 00:04:00,140 DONE A NETFLIX MOVIE WAS LIKE, "UM, RUDE! [ LAUGHTER ] 53 00:04:00,140 --> 00:04:05,945 WELL, THIS IS WILD, I READ THAT 50 YEARS AGO TODAY, THE FIRST CELL PHONE CALL WAS MADE 54 00:04:05,945 --> 00:04:08,581 [ AUDIENCE OHS ] IT WAS EXCITING AT FIRST, AND THEN TWO MINUTES IN, THEY WERE 55 00:04:08,581 --> 00:04:11,918 LIKE, "WELL, I SHOULD LET YOU GO." [ LAUGHTER ] 56 00:04:11,918 --> 00:04:17,657 FINALLY, GUYS, YOU EVER SEE A PHOTO IN THE NEWS AND THINK THAT HEADLINE SHOULD BE BETTER 57 00:04:17,657 --> 00:04:19,159 WELL, WE'RE GOING TO TAKE CARE OF THAT RIGHT NOW. 58 00:04:19,159 --> 00:04:20,960 IT'S TIME FOR "NEWS AND IMPROVED." HERE WE GO 59 00:04:22,929 --> 00:04:28,335 ♪ NEWS AND IMPROVED ♪ Jimmy: FOR EXAMPLE, CHECK OUT THIS FIRST PHOTO HERE. 60 00:04:28,335 --> 00:04:35,575 THE ORIGINAL HEADLINE WAS, "BORIS JOHNSON APPEARS BEFORE PARLIAMENTARY COMMITTEE. 61 00:04:35,575 --> 00:04:38,478 [ LIGHT LAUGHTER ] THAT HEADLINE CAN DEFINITELY BE IMPROVED, BECAUSE IF YOU ONLY 62 00:04:38,478 --> 00:04:40,080 LOOKED AT THE PHOTO, THE HEADLINE COULD HAVE BEEN, "STUDENT WHO'S BEEN PLAYING 63 00:04:40,080 --> 00:04:46,119 HOOKY FOR THE LAST 50 YEARS FORCED TO RETURN TO SCHOOL." [ LAUGHTER AND APPLAUSE 64 00:04:46,119 --> 00:04:49,956 "HELLO." SEE HOW THIS WORKS SO UP NEXT, THIS HEADLINE SAYS, 65 00:04:49,956 --> 00:04:54,427 "MACRON ATTENDS NATIONAL ROUNDTABLE ON DIPLOMACY. HEADLINE COULD HAVE BEEN, "MAN 66 00:04:54,427 --> 00:05:05,605 DECLARES 'SMIZING' IS CHEUGY, DEBUTS NEW 'FRIZING.'" [ LAUGHTER AND APPLAUSE 67 00:05:05,605 --> 00:05:09,709 NEXT HEADLINE WAS, "KATE MIDDLETON LAUNCHES BUSINESS TASK FORCE. 68 00:05:09,709 --> 00:05:11,878 HEADLINE COULD HAVE BEEN, "FRIENDS TALKING TRASH TRY TO PLAY IT OFF WITH, 'OH, HI, 69 00:05:11,878 --> 00:05:15,782 CARRIE!'" [ LAUGHTER AND APPLAUSE ] "HI! 70 00:05:15,782 --> 00:05:19,052 WOW YOU LOOK GREAT." THIS NEXT HEADLINE WAS, "BRAZILIAN PRESIDENT TO 71 00:05:19,052 --> 00:05:23,256 FINALIZE FISCAL PROPOSAL." HEADLINE COULD HAVE BEEN, "MAN PRETENDS TO BE ON PHONE TO 72 00:05:23,256 --> 00:05:31,097 AVOID SEEING EX. [ LAUGHTER AND APPLAUSE "YEAH, OH, YEAH. 73 00:05:31,097 --> 00:05:37,337 I'LL TEXT YOU THE PHOTO NOW. THIS NEXT HEADLINE WAS, "TURKISH LEADERS MEET AT 74 00:05:37,337 --> 00:05:42,175 PRESIDENTIAL PALACE. HEADLINE COULD HAVE BEEN, "LOCAL MEN CELEBRATE 50th 75 00:05:42,175 --> 00:05:47,714 ANNIVERSARY OF KRAZY GLUE MISHAP." [ LAUGHTER AND APPLAUSE 76 00:05:47,714 --> 00:05:55,155 NEXT HEADLINE WAS, "KLOBUCHAR ATTENDS SENATE DEMOCRAT LUNCH. [ LIGHT LAUGHTER ] 77 00:05:55,155 --> 00:05:56,990 HEADLINE COULD HAVE BEEN, "AUNT IS OBSESSED WITH EVERYTHING AT HOMEGOODS. 78 00:05:56,990 --> 00:06:02,696 [ LAUGHTER AND APPLAUSE THIS NEXT HEADLINE WAS, "SPAIN RANKS NUMBER ONE IN MEN'S 79 00:06:02,696 --> 00:06:11,838 SINGLES. HEADLINE COULD HAVE BEEN, "GLOBAL WARMING IS REAL AS MAN 80 00:06:11,838 --> 00:06:15,041 FINISHES OFF LAST PIECE OF GREENLAND. [ LAUGHTER AND APPLAUSE 81 00:06:15,041 --> 00:06:17,410 EATING IT. Steve: WOW. Jimmy: WOW. 82 00:06:17,410 --> 00:06:24,818 THIS NEXT HEADLINE WAS, "FEDERAL RESERVE CHAIR TESTIFIES BEFORE THE SENATE. 83 00:06:24,818 --> 00:06:26,553 HEADLINE COULD HAVE BEEN, "OLD BABY REFUSES DINNER DESPITE MOM WAVING SPOON AND MAKING 84 00:06:26,553 --> 00:06:32,058 AIRPLANE SOUNDS. [ LAUGHTER AND APPLAUSE Steve: NO 85 00:06:32,058 --> 00:06:42,902 Jimmy: NEXT HEADLINE WAS, "WISCONSIN CELEBRATES ICE HOCKEY CHAMPIONSHIP. 86 00:06:42,902 --> 00:06:47,640 HEADLINE COULD HAVE BEEN, "12-ON-1 DEFENSE BACKFIRES WHEN PLAYERS REALIZE GOAL IS LEFT 87 00:06:47,640 --> 00:06:49,809 WIDE OPEN. [ LAUGHTER AND APPLAUSE AND FINALLY, THIS HEADLINE WAS, 88 00:06:49,809 --> 00:06:51,644 "SNOOP DOGG PERFORMS IN GLASGOW. HEADLINE COULD HAVE BEEN, "NBC 89 00:06:51,644 --> 00:06:57,917 UNVEILS NEW PEACOCK LOGO." [ LAUGHTER AND APPLAUSE THAT'S ALL WE HAVE FOR "NEWS 90 00:06:57,917 --> 00:07:01,421 AND IMPROVED." WHAT A GREAT SHOW! MICHELLE WILLIAMS IS HERE! 91 00:07:01,421 --> 00:07:06,893 [ CHEERS AND APPLAUSE JOHN STAMOS IS JOINING US! [ CHEERS AND APPLAUSE 92 00:07:06,893 --> 00:07:11,731 MO WILLEMS IS HERE [ CHEERS AND APPLAUSE AND WE GOT GREAT MUSIC FROM 93 00:07:11,731 --> 00:07:13,433 CHVRCHES STICK AROUND, WE'LL BE RIGHT BACK WITH MICHELLE WILLIAMS, 94 00:07:13,433 --> 00:07:16,236 EVERYBODY. COME ON BACK [ CHEERS AND APPLAUSE 95 00:07:16,236 --> 00:07:18,805 ♪ FINALLY, I THOUGHT HE'S GONNA LIKE THAT SHOW, 'CAUSE HE 96 00:07:18,805 --> 00:07:26,613 WATCHES "FULL HOUSE. BUT HE MOCKS ME FOR IT [ LAUGHTER ] 97 00:07:26,613 --> 00:07:28,381 LIKE-- I'D BE LIKE, YEAH, I'D BE LIKE, "UH, YOU KNOW, BILLY, 98 00:07:28,381 --> 00:07:30,950 CAN YOU PUT YOUR TOYS AWAY." HE'D GO, "YOU GOT IT, DUDE." [ LAUGHTER ] 99 00:07:48,168 --> 00:07:56,376 OSCAR-NOMINATED ACTRESS WHO STARS IN THE NEW MOVIE, "SHOWING UP," WHICH IS IN 100 00:07:56,376 --> 00:08:01,081 THEATERS THIS FRIDAY EVERYONE PLEASE WELCOME MICHELLE WILLIAMS! 101 00:08:02,248 --> 00:08:15,395 [ CHEERS AND APPLAUSE ♪ [ CHEERS AND APPLAUSE 102 00:08:15,395 --> 00:08:18,898 Jimmy: YOU LOOK GORGEOUS. ALWAYS GREAT TO SEE YOU, BUD SO NICE TO SEE YOU. 103 00:08:18,898 --> 00:08:23,570 IT HASN'T BEEN THAT LONG Jimmy: HASN'T BEEN THAT LONG 104 00:08:23,570 --> 00:08:26,573 WE SAW EACH OTHER, BIG NIGHT OUT, OPENING NIGHT AT BROADWAY OF "SWEENEY TODD." 105 00:08:26,573 --> 00:08:29,042 WE SAW EACH OTHER, I SAT KIND OF ACROSS FROM YOU I'D LIKE TO THANK YOU FOR 106 00:08:29,042 --> 00:08:35,482 YOUR LAUGHTER. Jimmy: THANK YOU. YOU WERE REALLY VOCAL AND 107 00:08:35,482 --> 00:08:37,083 I-- Jimmy: WAS I LAUGHING TOO HARD 108 00:08:37,083 --> 00:08:39,719 NO, THERE'S NO SUCH THING AS LAUGHING TOO HARD. Jimmy: YOU COULD HEAR ME 109 00:08:39,719 --> 00:08:42,288 LAUGHING OH, YEAH. WE IDENTIFIED YOUR LAUGH 110 00:08:42,288 --> 00:08:46,426 [ LAUGHTER ] BUT IT'S A COMEDY. Jimmy: YEAH, IT IS. 111 00:08:46,426 --> 00:08:48,061 YEAH, AND WHEN YOU LAUGH, YOU ENCOURAGE OTHER PEOPLE AROUND YOU TO LAUGH. 112 00:08:48,061 --> 00:08:50,130 BECAUSE IF YOU THINK IT'S FUNNY, THEN IT MUST BE FUNNY SO, I JUST WANT TO SAY THANK 113 00:08:50,130 --> 00:08:53,099 YOU. Jimmy: BUT NOW, I'M A LITTLE SELF-CONSCIOUS 114 00:08:53,099 --> 00:08:58,071 'CAUSE IT WAS LIKE - NO, KEEP GIVING IT. IT'S REALLY NICE 115 00:08:58,071 --> 00:08:59,873 Jimmy: NOW I'M THINKING I DON'T KNOW WHAT LAUGH I GAVE WAS I-- 116 00:08:59,873 --> 00:09:03,143 [ LAUGHTER ] YOUR HUSBAND, THOMAS KAIL, AMAZING DIRECTOR, AMAZING GUY. 117 00:09:03,143 --> 00:09:04,577 WHAT A SHOW, BY THE WAY, "SWEENEY TODD. YEAH, IT'S REALLY 118 00:09:04,577 --> 00:09:08,748 MAGNIFICENT. Jimmy: EVERYBODY-- JOSH GROBAN, ANNALEIGH ASHFORD, 119 00:09:08,748 --> 00:09:11,184 UNBELIEVABLE GATEN MATARAZZO FROM "STRANGER THINGS"-- YEAH. 120 00:09:11,184 --> 00:09:15,021 [ SCATTERED CHEERS ] YOU'VE GOT TO SEE THIS PLAY. IT'S AMAZING, YEAH. 121 00:09:15,021 --> 00:09:16,222 Jimmy: AND DO YOU GET NERVOUS IF IT'S YOUR HUSBAND'S PLAY 122 00:09:16,222 --> 00:09:19,159 I MEAN, HE'S DIRECTED-- I WAS MORE NERVOUS FOR HIM THAN I EVER HAVE BEEN FOR 123 00:09:19,159 --> 00:09:21,628 MYSELF AT ANY OPENING-- Jimmy: REALLY-- THAT I'VE EVER - 124 00:09:21,628 --> 00:09:28,368 NO, ABSOLUTELY NOT Jimmy: YOU'RE LIKE, "YOU GUYS BETTER LAUGH AT THIS 125 00:09:28,368 --> 00:09:30,337 SCENE. IT'S FUNNY." NO, THAT'S WHY WHEN I KNEW 126 00:09:30,337 --> 00:09:32,038 IT WAS YOU LAUGHING, I WAS LIKE, "I LOVE HIM. Jimmy: YEAH, YEAH 127 00:09:32,038 --> 00:09:34,507 "I LOVE HIM." Jimmy: YEAH, SUPPORT HIM. YEAH, BECAUSE I CAN IMAGINE 128 00:09:34,507 --> 00:09:36,576 THAT BUT THEN, HE GOT UP AT THE END AND ALSO HAD TO DO A BIG 129 00:09:36,576 --> 00:09:38,645 SPEECH AND I WAS LIKE, OH, YOU THINK HE WORKED HARD ENOUGH. 130 00:09:38,645 --> 00:09:41,848 EVEN MORE NERVOUS Jimmy: EVEN MORE NERVOUS. BUT HE WAS GREAT 131 00:09:41,848 --> 00:09:45,251 HE WAS FUNNY HE WAS VERY INTELLIGENT. I WAS LIKE-- BUT I LOOKED OVER 132 00:09:45,251 --> 00:09:47,354 AT YOU FOR A LITTLE BIT. 'CAUSE I WANTED TO SEE HOW YOU WERE WATCHING HIM. 133 00:09:47,354 --> 00:09:48,955 YOU WERE LIKE, "YEP, THAT'S GREAT. SAY THAT 134 00:09:48,955 --> 00:09:51,524 ALL RIGHT. [ LAUGHTER ] "YEAH, JUST LIKE I-- JUST 135 00:09:51,524 --> 00:09:53,660 LIKE WE REHEARSED. Jimmy: "GOOD JOB, HONEY." EXACTLY, "JUST LIKE WE 136 00:09:53,660 --> 00:09:56,963 REHEARSED AT HOME. GOOD JOB, HONEY, TAKE IT HOME. BUT ARE YOU USED TO BROADWAY 137 00:09:56,963 --> 00:10:00,834 NOW THAT YOU GOT - YOU WERE TONY NOMINATED. YOU DID-- WAS IT "CABARET," I 138 00:10:00,834 --> 00:10:10,276 THINK I SAW YOU? I DID "CABARET" AND I DID "BLACKBIRD." 139 00:10:10,276 --> 00:10:13,513 Jimmy: "BLACKBIRD." AND - Jimmy: THAT WAS PHENOMENAL. 140 00:10:13,513 --> 00:10:15,815 YEAH, YEAH, YEAH. Jimmy: DID YOU GROW UP BEING A BROADWAY KID 141 00:10:15,815 --> 00:10:17,951 OR WERE YOU ONE FOR THE THEATER? YOU KNOW, I STARTED-- THE 142 00:10:17,951 --> 00:10:19,452 FIRST THING I EVER DID WAS THEATER, SO IT REALLY IS KIND OF MY FIRST LOVE 143 00:10:19,452 --> 00:10:21,054 AND EVEN SINGING AND DANCING WAS THE FIRST THING I DID, I WAS LIKE A CHORUS KID. 144 00:10:21,054 --> 00:10:22,422 AND YOU KNOW, EVERY PRODUCTON OF EVERY CHILDREN'S THEATER THING. 145 00:10:22,422 --> 00:10:25,158 AND IT'S JUST-- Jimmy: NO WAY YEAH, IT MAKES ME FEEL LIKE 146 00:10:25,158 --> 00:10:28,294 A KID AGAIN WHEN I'M ON STAGE. IT JUST MAKES ME FEEL THERE'S A KIND OF, LIKE, FREEDOM AND 147 00:10:28,294 --> 00:10:30,964 EXPANSIVENESS TO IT THAT YOU REALLY CAN'T GET ANYWHERE ELSE Jimmy: NO 148 00:10:30,964 --> 00:10:33,433 THERE'S NOTHING LIKE IT, TOO AND ALSO TO SEE A BROADWAY SHOW, TOO, I CAN'T HELP IT, NO 149 00:10:33,433 --> 00:10:35,735 MATTER - IT'S SO EXCITING, ISN'T IT? Jimmy: IT'S SO EXCITING 150 00:10:35,735 --> 00:10:38,271 THEY WORK SO HARD, I COULD NEVER DO ANYTHING LIKE THAT AT ALL, WHAT YOU GUYS DO, WHAT 151 00:10:38,271 --> 00:10:42,042 THEY DO. BUT AT THE END, I'M ALWAYS LIKE, WITH THE STANDING 152 00:10:42,042 --> 00:10:45,145 OVATION, I GET SO MISTY AND SO EMOTIONAL LIKE THEY'RE MY KIDS WELL, 'CAUSE-- 153 00:10:45,145 --> 00:10:49,249 [ LAUGHTER ] Jimmy: I'M LIKE, "YES YOU DID A GREAT JOB OUT THERE! 154 00:10:49,249 --> 00:10:51,785 [ LIGHT LAUGHTER ] LIKE, THEY DON'T CARE ABOUT ME IT REALLY IS SO BRAVE, 155 00:10:51,785 --> 00:10:54,621 THOUGH ANYTHING CAN HAPPEN. LIKE, SO MANY THINGS HAVE TO GO 156 00:10:54,621 --> 00:10:58,258 RIGHT TO HAVE A PERFECT SHOW AND SO, YOU THINK, LIKE, YOU JUST THINK ABOUT THE 157 00:10:58,258 --> 00:11:00,126 VULNERABILITY AND THE HEART OF THESE PERFORMERS AND IT'S REALLY ON DISPLAY IN 158 00:11:00,126 --> 00:11:01,761 "SWEENEY TODD. IT'S JUST LIKE-- IT'S SO FUN. IT'S LIKE A ROCK CONCERT FOR 159 00:11:01,761 --> 00:11:03,596 GROWN UPS. Jimmy: IT IS. IT'S MOVING, IT'S EMOTIONAL 160 00:11:03,596 --> 00:11:08,868 AND IT'S JUST INCREDIBLE TO SEE PEOPLE ASSEMBLED IN THIS WAY AND IT'S SUCH A BIG PRODUCTION, 161 00:11:08,868 --> 00:11:10,637 TOO. IT'S A 26-PIECE ORCHESTRA AND THIS ENORMOUS CAST 162 00:11:10,637 --> 00:11:12,972 AND, YOU KNOW, AND PEOPLE ARE FINALLY, LIKE, BROUGHT BACK TOGETHER 163 00:11:12,972 --> 00:11:18,378 AND THE ENERGY IN THE ROOM IS JUST - Jimmy: YEAH 164 00:11:18,378 --> 00:11:22,582 IT WAS WILD. THAT WAS SO MUCH FUN BUT I WAS GOING TO SAY ALSO, 165 00:11:22,582 --> 00:11:24,451 YOU CAN SING AND DANCE WAS IT "THE GREATEST SHOWMAN" THAT I WAS WATCHING. 166 00:11:24,451 --> 00:11:26,586 YOU WERE UNBELIEVABLE IN THAT AS WELL. WOULD YOU EVER DO ANOTHER ONE 167 00:11:26,586 --> 00:11:31,324 OF THOSE 'CAUSE THAT'S A GIANT-- IT WAS A MASSIVE HIT IN MY 168 00:11:31,324 --> 00:11:39,399 HOUSE, AT LEAST. OH, IN MY HOUSE TOO, YEAH Jimmy: YEAH 169 00:11:39,399 --> 00:11:45,005 I THINK THE WORLD LOVED IT, YEAH THE MOST-- 170 00:11:45,005 --> 00:11:48,742 Jimmy: THE MOST-- YEAH, YEAH WOULD YOU EVER - 171 00:11:48,742 --> 00:11:51,177 YEAH, I WOULD ABSOLUTELY. AGAIN, LIKE SINGING AND DANCING, YOU'RE JUST SORT OF SO 172 00:11:51,177 --> 00:11:52,712 TAPPED INTO JOY, AND YOU CAN'T REALLY - YOU CAN'T BE-- YOU CAN'T 173 00:11:52,712 --> 00:11:54,414 REGRET ANYTHING WHILE YOU'RE SINGING AND DANCING. YOU CAN'T REALLY, LIKE, GO 174 00:11:54,414 --> 00:12:00,787 BACKWARDS IN TIME, YOU KNOW? Jimmy: NO, YOU'RE DOING IT. BECAUSE YOU'RE SO CAUGHT UP 175 00:12:00,787 --> 00:12:02,489 IN WHAT YOU'RE DOING AND THE THING IS MOVING SO QUICKLY SO, YOU DON'T REALLY HAVE TIME 176 00:12:02,489 --> 00:12:04,257 TO BE LIKE, "WAS THAT A GOOD WAY TO SAY THE LINE? Jimmy: YEAH 177 00:12:04,257 --> 00:12:06,059 DO-- WHEN YOU'RE ON STAGE, ARE YOU THINKING ABOUT ANYTHING ELSE, OR ARE YOU JUST GOING, 178 00:12:06,059 --> 00:12:07,360 "I'M DOING MY THING. IT'S-- IT'S KIND OF AN AMAZING-- 179 00:12:07,360 --> 00:12:08,862 IT'S AN AMAZING WAY TO-- IT'S AN AMAZING KIND OF CONCENTRATION TO FIND. 180 00:12:08,862 --> 00:12:10,397 AND-- BECAUSE, YOU KNOW, BECAUSE YOU CAN'T STOP IT, IT'S UNSTOPPABLE. 181 00:12:10,397 --> 00:12:13,066 Jimmy: NO UNLIKE A TAKE WHERE YOU SAY, "OH, HANG ON, HANG ON. 182 00:12:13,066 --> 00:12:16,436 I'M SORRY, I'M SORRY." Jimmy: "LET ME TRY IT AGAIN, EVERYBODY. 183 00:12:16,436 --> 00:12:18,772 YEAH, YEAH, YEAH "CAN WE START WITH THE FIRST-- NO, THANK YOU, YEAH. 184 00:12:18,772 --> 00:12:20,774 SO, IT'S JUST THIS THING THAT-- IT'S LIKE A TRAIN THAT YOU CAN'T GET OFF OF 185 00:12:20,774 --> 00:12:22,676 AND SO IT'S REALLY EXHILARATING, BECAUSE YOU KNOW, LIKE, EVEN IF YOU FEEL LIKE YOU 186 00:12:22,676 --> 00:12:24,444 MISSED A MOMENT, OR YOU SLIPPED SOMETHING UP, YOU DON'T HAVE A A CHOICE BUT TO KEEP GOING 187 00:12:24,444 --> 00:12:26,312 AND SO, IT'S ACTUALLY LIKE-- IT'S VERY ENLIVENING Jimmy: CONGRATS ON YOUR 188 00:12:26,312 --> 00:12:29,215 FIFTH OSCAR NOMINATION, BY THE WAY. THANK YOU 189 00:12:29,215 --> 00:12:32,085 [ CHEERS AND APPLAUSE Jimmy: FIFTH. WELL DONE. 190 00:12:32,085 --> 00:12:34,721 THANK YOU Jimmy: COME ON, YOU'RE DOING IT 191 00:12:34,721 --> 00:12:37,390 YOU'RE DOING IT PRETTY GREAT THANK YOU Jimmy: IMAGINE THAT-- 192 00:12:37,390 --> 00:12:39,592 YOU'RE DOING IT. THIS IS YOUR FIFTH OSCAR NOMINATION 193 00:12:39,592 --> 00:12:40,927 AND YOU'RE ACTING-- STEVEN SPIELBERG IS DIRECTING YOU. 194 00:12:40,927 --> 00:12:43,630 AND YOU'RE PLAYING A CHARACTER BASED ON HIS MOM TALK ABOUT PRESSURE. 195 00:12:43,630 --> 00:12:48,501 I KNOW. Jimmy: I MEAN, WHAT FORGET ABOUT SINGING AND 196 00:12:48,501 --> 00:12:50,804 DANCING, THIS IS LIKE, "DID I DO IT RIGHT, STEVEN? IS THIS WHAT--" 197 00:12:50,804 --> 00:12:54,007 I MEAN, IT'S HIS MOM WELL, HE'LL-- HE CAN TELL YOU. 198 00:12:54,007 --> 00:12:56,676 Jimmy: YEAH HE'S THE WORLD'S LEADING AUTHORITY, SO-- 199 00:12:56,676 --> 00:13:00,180 Jimmy: ON HIS MOM, YEAH I GUESS SO, YEAH WHEN YOU - 200 00:13:00,180 --> 00:13:02,515 SO, IF HE'S HAPPY, THEN YOU CAN, LIKE, YOU CAN - Jimmy: HOW IS THAT CALL 201 00:13:02,515 --> 00:13:04,484 DID YOU GET THE CALL FROM STEVEN SPIELBERG, LIKE, "HEY--" 202 00:13:04,484 --> 00:13:10,457 YEAH, I DIDN'T KNOW WHY HE WANTED TO TALK TO ME I COULD NOT HAVE IMAGINED-- 203 00:13:10,457 --> 00:13:12,692 Jimmy: WHEN WAS IT?-- THAT HE WANTED ME TO ACT IN A MOVIE 204 00:13:12,692 --> 00:13:14,194 I THOUGHT HE WANTED TO, LIKE, KNOW WHERE TO EAT IN BROOKLYN OR SOMETHING 205 00:13:14,194 --> 00:13:16,396 [ LAUGHTER ] Jimmy: YOU CAN HELP HIM WITH THAT, TOO, YEAH. 206 00:13:16,396 --> 00:13:18,331 YEAH, IT'S STILL, LIKE, HALFWAY INTO THE ZOOM WHEN WE GOT ON THIS THING. 207 00:13:18,331 --> 00:13:20,100 I STILL DIDN'T KNOW WHAT I WAS DOING THERE, OR WHAT HE COULD POSSIBLY HAVE WANTED TO ZOOM 208 00:13:20,100 --> 00:13:21,568 WITH ME FOR. AND THEN IT SORT OF WENT OFF LIKE A, BING, IN MY HEAD 209 00:13:21,568 --> 00:13:25,772 AND I HAD TO SORT OF JUST STOP AND ASK HIM, LIKE, "JUST SO WE'RE SUPER CLEAR, ARE YOU - 210 00:13:25,772 --> 00:13:29,943 YOU WANT ME TO BE YOUR MOM?" [ LAUGHTER ] "AND YOU-- AND YOU LOVED HER? 211 00:13:29,943 --> 00:13:32,479 YES, OKAY. [ LAUGHTER ] "GREAT." 212 00:13:32,479 --> 00:13:37,384 Jimmy: IS THAT-- YEAH. "I JUST WANT TO MAKE SURE WE'RE CLEAR, THAT WE'RE BOTH HAVING 213 00:13:37,384 --> 00:13:42,989 THE SAME CONVERSATION. YEAH. >> Jimmy: "YOU WANT ME TO BE YOUR MOM?" 214 00:13:42,989 --> 00:13:45,725 "'CAUSE I THINK YOU JUST ASKED ME TO BE YOUR MOM. [ LAUGHTER ] 215 00:13:45,725 --> 00:13:48,094 "AND THAT WOULD BE JUST TOO CRAZY. Jimmy: IT WAS PHENOMENAL-- 216 00:13:48,094 --> 00:13:51,898 THE MOVIE, THE WHOLE STORY IT WAS JUST FASCINATING. EVERYONE DID A GREAT JOB OF 217 00:13:51,898 --> 00:13:54,267 THIS BUT I WANTED TO ASK YOU-- IF WE CAN EVEN ZOOM IN 218 00:13:54,267 --> 00:13:56,603 WHAT'S IT LIKE WORKING WITH THAT MONKEY? [ LAUGHTER ] 219 00:13:56,603 --> 00:14:00,306 I THOUGHT THAT WAS - I THOUGHT THAT WAS-- I WOULD ALWAYS-- OH, I REALLY WANT TO 220 00:14:00,306 --> 00:14:02,308 ACT WITH A MONKEY. HAVE YOU EVER WORKED WITH A A MONKEY 221 00:14:02,308 --> 00:14:04,511 Jimmy: I WISH I WOULD LOVE TO WORK WITH A MONKEY 222 00:14:04,511 --> 00:14:05,945 YOU SHOULD HAVE HER ON THE SHOW Jimmy: I WOULD-- YEAH, I'LL 223 00:14:05,945 --> 00:14:08,281 BOOK THE MONKEY TOMORROW YEAH, LET'S GO [ LAUGHTER ] 224 00:14:08,281 --> 00:14:10,050 YOU SHOULD BOOK THE MONKEY AS LIKE A RECURRING-- Jimmy: WHAT'S THE MONKEY'S 225 00:14:10,050 --> 00:14:14,621 NAME THEY ALWAYS HAVE FUN NAMES CRYSTAL 226 00:14:14,621 --> 00:14:17,457 Jimmy: CRYSTAL THE MONKEY YEAH. [ LIGHT LAUGHTER ] 227 00:14:17,457 --> 00:14:19,059 Jimmy: FANTASTIC. AND DID CRYSTAL GET-- IS IT HE OR SHE 228 00:14:19,059 --> 00:14:21,628 SHE Jimmy: SHE. DOES SHE GET HER OWN DRESSING 229 00:14:21,628 --> 00:14:23,863 ROOM, CRYSTAL? SHE HAS, LIKE, HER OWN-- YOU NEVER EVEN SEE - 230 00:14:23,863 --> 00:14:26,166 Jimmy: WORLD. YEAH, SHE HAS HER OWN WORLD YOU NEVER SEE. 231 00:14:26,166 --> 00:14:28,168 Jimmy: LIKE, DOES SHE COME IN A DIFFERENT OUTFIT AND THEN GET CHANGED FOR THE MOVIE? 232 00:14:28,168 --> 00:14:30,737 WELL, SHE DOES WEAR A A DIAPER Jimmy: SHE DOES 233 00:14:30,737 --> 00:14:33,073 THAT'S SO CUTE, COME ON. [ LIGHT LAUGHTER ] I WOULD-- I WOULD LOVE IT IF 234 00:14:33,073 --> 00:14:36,209 THE MONKEY SHOWED UP, LIKE, DRESSED AS A A LITTLE DETECTIVE OR SOMETHING 235 00:14:36,209 --> 00:14:38,878 [ LIGHT LAUGHTER ] WELL, SHE HAS AN INCREDIBLE WARDROBE 236 00:14:38,878 --> 00:14:44,718 YOU SHOULD - Jimmy: SHE DOES YOU SHOULD CHECK HER OUT. 237 00:14:44,718 --> 00:14:46,686 Jimmy: I DO WANT TO HAVE HER COME ON. SHE HAS RED CARPET LOOKS 238 00:14:46,686 --> 00:14:48,221 ALSO Jimmy: SHE HAS RED CARPET LOOKS TOO? 239 00:14:48,221 --> 00:14:49,923 DID YOU SEE CRYSTAL IN OUTFITS OH YEAH, YOU COULD-- SHE'S-- 240 00:14:49,923 --> 00:14:52,959 I'M NOT KIDDING. YOU REALLY SHOULD HAVE THE MONKEY ON THE SHOW 241 00:14:52,959 --> 00:14:54,527 SHE'S-- AND SHE CAN LEARN ANYTHING THERE'S LIKE NOTHING THAT SHE 242 00:14:54,527 --> 00:14:58,865 HAS BEEN - THERE'S NOTHING THAT SHE'S BEEN ASKED TO DO THAT SHE'S BEEN 243 00:14:58,865 --> 00:15:02,435 UNABLE TO DO SHE, LIKE, FOR THIS MOVIE, SHE LEARNED HOW TO DISMANTLE A 244 00:15:02,435 --> 00:15:04,070 A CHANDELIER AND THROW LIGHT BULBS. [ LIGHT LAUGHTER ] 245 00:15:04,070 --> 00:15:06,473 Jimmy: AND THAT WASN'T EVEN ON HER RESUME. [ LAUGHTER ] 246 00:15:06,473 --> 00:15:08,208 THE ONLY THING THAT'S HARD ABOUT WORKING WITH A MONKEY IS, LIKE, YOU CAN REALLY GET 247 00:15:08,208 --> 00:15:11,611 UPSTAGED Jimmy: OH, YEAH YEAH, YOU GO, "OH, PLEASE. 248 00:15:11,611 --> 00:15:14,047 YOU'RE CHEWING THE SCENERY, HERE." "OUT OF HERE. 249 00:15:14,047 --> 00:15:16,216 OUT OF HERE," YEAH Jimmy: YEAH, GIVE ME MY MOMENT 250 00:15:16,216 --> 00:15:21,588 YOU DON'T WANT TO DO A DRAMATIC SCENE WITH A MONKEY Jimmy: "I'M GOING FOR AN 251 00:15:21,588 --> 00:15:23,256 OSCAR HERE," YEAH. YEAH, YEAH. Jimmy: THIS IS HER SIXTH 252 00:15:23,256 --> 00:15:26,893 NOMINATION FOR AN OSCAR. POOR CRYSTAL, SHE'S SO LUCKY BUT I THINK, LIKE, I WOULD BE 253 00:15:26,893 --> 00:15:28,595 A LITTLE AFRAID TO, LIKE - I FEEL LIKE MONKEYS CAN, LIKE, FEEL YOUR EMOTIONS OR 254 00:15:28,595 --> 00:15:36,369 SOMETHING. SO, IF I GET NERVOUS, I WOULD MAKE HER NERVOUS 255 00:15:36,369 --> 00:15:39,873 AND THEN, MAYBE WOULD SHE ATTACK ME OR SOMETHING NO, NO. 256 00:15:39,873 --> 00:15:41,775 [ LIGHT LAUGHTER ] BUT THEY DO-- THE MONKEY-- HER TRAINER SAID THAT SHE 257 00:15:41,775 --> 00:15:43,209 DOES-- SHE LIKES TO KNOW-- SHE KNOWS INSTINCTIVELY WHO'S IN CHARGE. 258 00:15:43,209 --> 00:15:46,613 Jimmy: OOH. AND SHE BEFRIENDS THEM. Jimmy: WOW. 259 00:15:46,613 --> 00:15:48,815 SHE CAN FEEL IT. SO, SHE KNEW WHICH ONE WAS STEVEN SPIELBERG 260 00:15:48,815 --> 00:15:51,251 [ LIGHT LAUGHTER ] Jimmy: SHE'S LIKE, "YEAH, WE GOT THAT TAKE, RIGHT, STEVEN 261 00:15:51,251 --> 00:15:55,822 ALL RIGHT, THANK YOU, PERFECT. [ LAUGHTER ] "I APPRECIATE THAT 262 00:15:55,822 --> 00:15:58,558 THANKS A LOT READY FOR TAKE TWO I USUALLY DON'T DO TWO TAKES 263 00:15:58,558 --> 00:16:04,130 ALL RIGHT. HERE WE GO." LET'S TALK ABOUT YOUR NEW 264 00:16:04,130 --> 00:16:06,266 MOVIE, "SHOWING UP." CONGRATS, YOU'RE GETTING GREAT REVIEWS ON THIS. 265 00:16:06,266 --> 00:16:12,038 IT'S A COMEDY. HOW DO WE SET UP THIS FILM SO, THIS IS THE FOURTH MOVIE 266 00:16:12,038 --> 00:16:18,511 I'VE MADE WITH MY FRIEND, KELLY REICHARDT. Jimmy: YEAH, YOU GUYS ARE 267 00:16:18,511 --> 00:16:20,113 GREAT TOGETHER YEAH, WE'VE WORKED TOGETHER FOR 15 YEARS 268 00:16:20,113 --> 00:16:22,082 THE FIRST MOVIE THAT WE MADE, "WENDY AND LUCY" WAS A CREW OF 13. 269 00:16:22,082 --> 00:16:24,484 AND SO, THIS, FOR US, IS A MUCH BIGGER MOVIE Jimmy: WOW, 13 PEOPLE ON THE 270 00:16:24,484 --> 00:16:26,686 WHOLE SET? YEAH, 13 PEOPLE ON THE WHOLE SET MADE A MOVIE 271 00:16:26,686 --> 00:16:32,759 Jimmy: ISN'T THAT GREAT, THOUGH, TO DO THAT THAT THAT'S POSSIBLE, YEAH. 272 00:16:32,759 --> 00:16:35,929 Jimmy: THAT'S POSSIBLE TO MAKE A MOVIE-- WE'RE MAKING A A MOVIE. 273 00:16:35,929 --> 00:16:38,198 YEAH, IT REALLY IS. SO, I THINK, LIKE, THAT'S ALWAYS THE CORE OF THE WORK 274 00:16:38,198 --> 00:16:42,202 THAT WE DO YOU KNOW, WE'VE SORT OF-- WE'VE TRUSTED EACH OTHER 275 00:16:42,202 --> 00:16:44,838 WE'VE RESPECTED EACH OTHER FOR SUCH A LONG TIME AND THIS MOVIE-- ACTUALLY, 276 00:16:44,838 --> 00:16:50,677 JUDD HIRSCH, HONG CHAU AND MYSELF - I KNOW, I KNOW 277 00:16:50,677 --> 00:16:52,879 SO SHE'S, YOU KNOW, THREE OSCAR-- THREE RECENT OSCAR NOMINEES IN THIS MOVIE 278 00:16:52,879 --> 00:16:55,081 Jimmy: THAT'S RIGHT "THE WHALE," AND JUDD HIRSCH, "THE FABLEMANS." 279 00:16:55,081 --> 00:16:57,484 "FABLEMANS," YEAH Jimmy: OH, MY GOSH. CAN WE SET UP WHAT IS THE FILM 280 00:16:57,484 --> 00:17:00,286 ABOUT? SO, IT'S REALLY ABOUT-- IT'S ABOUT BEING AN ARTIST 281 00:17:00,286 --> 00:17:02,088 AND IT'S ABOUT EVERYTHING THAT HAS TO HAPPEN BEFORE YOU CAN JUST SIT DOWN AT YOUR TABLE AND 282 00:17:02,088 --> 00:17:03,490 MAKE WORK. AND IS IT-- ARE THEY THINGS THAT WE DO TO OUR OURSELVES? 283 00:17:03,490 --> 00:17:07,027 OR IS IT REALLY JUST CIRCUMSTANCES THAT ARE BEYOND OUR CONTROL? 284 00:17:07,027 --> 00:17:11,164 AND ACTUALLY, ARE THEY PART OF THE CREATIVE PROCESS IT'S ABOUT-- IT'S ABOUT HOW 285 00:17:11,164 --> 00:17:13,166 LIFE GETS IN THE WAY OR MAYBE IS A PART OF ART MAKING 286 00:17:13,166 --> 00:17:15,935 Jimmy: MM, THERE WE GO. I WANT TO SHOW A CLIP. 287 00:17:15,935 --> 00:17:17,504 HERE'S MICHELLE WILLIAMS IN "SHOWING UP. TAKE A LOOK AT THIS. 288 00:17:19,139 --> 00:17:23,443 YOUR BROTHER WHEN YOU SEE HIM AGAIN? FOR FIVE YEARS, HE LIVED IN 289 00:17:23,443 --> 00:17:30,417 THAT JACKET. I MEAN, IT WAS MINE, BUT HE TOOK POSSESSION. 290 00:17:30,417 --> 00:17:34,254 HE MIGHT LIKE IT AGAIN YEAH, I REMEMBER THIS YEAH. 291 00:17:34,254 --> 00:17:40,260 HAVE YOU TALKED TO SEAN I TALK TO HIM ALL THE TIME. COME ON, LET'S GO. 292 00:17:40,260 --> 00:17:42,662 WHEN'S-- WHEN'S THE LAST TIME YOU TALKED TO HIM HE BROUGHT A DELICIOUS 293 00:17:42,662 --> 00:17:46,966 STUFFING FOR THANKSGIVING. IT WAS RAVISHING LET'S GO 294 00:17:46,966 --> 00:17:50,103 DAD DAD, THAT WAS SIX MONTHS AGO WELL, HE WAS GREAT SIX 295 00:17:50,103 --> 00:17:55,075 MONTHS AGO AND HIS STUFFING WAS SUPERB. Jimmy: MICHELLE WILLIAMS, 296 00:17:55,075 --> 00:17:58,244 EVERYBODY. [ CHEERS AND APPLAUSE "SHOWING UP" IS IN THEATERS 297 00:17:58,244 --> 00:17:59,813 FRIDAY WE'LL BE RIGHT BACK WITH JOHN STAMOS. 298 00:17:59,813 --> 00:18:09,522 STICK AROUND, EVERYBODY. [ CHEERS AND APPLAUSE ♪ 299 00:18:10,657 --> 00:18:14,828 PUT IT SIDEWAYS - Jimmy: THERE YOU GO THAT'S A PIGEON RIGHT THERE. 300 00:18:14,828 --> 00:18:19,032 COME ON, AUDIENCE. [ CHEERS ] LET'S SEE THE PIGEONS 301 00:18:19,032 --> 00:18:23,903 HOLD THEM UP PIGEONS. LOOK AT THAT! 302 00:18:23,903 --> 00:18:28,742 LOOK AT THAT [ DINGING Jimmy: THAT'S FANTASTIC 303 00:18:32,145 --> 00:18:37,484 Jimmy: I MEAN, JUST LOOK AT THIS GUY JUST-- JUST LOOK AT HOW GOOD 304 00:18:37,484 --> 00:18:42,489 LOOKING THIS MAN IS. [ CHEERS AND APPLAUSE HE'S AN EMMY-NOMINATED TV ICON 305 00:18:42,489 --> 00:18:48,261 GIVE IT UP FOR JOHN STAMOS, EVERYBODY. OH, MY GOSH. 306 00:18:48,895 --> 00:18:59,139 [ CHEERS AND APPLAUSE ♪ ♪ 307 00:18:59,139 --> 00:19:01,441 [ CHEERS AND APPLAUSE Jimmy: THEY LOVE YOU. THEY LOVE YOU. 308 00:19:01,441 --> 00:19:04,310 WE LOVE YOU. I LOVE YOU I LOVE YOU. 309 00:19:04,310 --> 00:19:08,014 Jimmy: COME ON. JIMMY, I LOVE YOU SO MUCH HI, GUYS 310 00:19:08,014 --> 00:19:11,184 Jimmy: JOHN STAMOS IN THE HOUSE. CAN I START BY SAYING - 311 00:19:11,184 --> 00:19:17,424 [ CHEERS AND APPLAUSE CAN I JUST SAY, I LOVE YOU SO MUCH 312 00:19:17,424 --> 00:19:19,192 YOU BRING SO MUCH-- YOU PROBABLY-- YOU NEED TO HEAR THIS 313 00:19:19,192 --> 00:19:21,828 YOU BRING SO MUCH JOY TO THIS WORLD. YOU MAKE PEOPLE SO HAPPY, 314 00:19:21,828 --> 00:19:24,898 ESPECIALLY ME, SO GOD BLESS YOU AND THANK YOU. THANK YOU. 315 00:19:24,898 --> 00:19:28,034 [ CHEERS AND APPLAUSE Jimmy: OH, MY-- COME ON, YOU DIDN'T HAVE TO SAY THAT. 316 00:19:28,034 --> 00:19:31,905 ISN'T HE THE BEST I COMPARE YOU TO, LIKE, THE GREATS LIKE SINATRA, 317 00:19:31,905 --> 00:19:34,107 SAMMY DAVIS, ELVIS YOU COMMIT 100% TO EVERYTHING YOU DO, EVERY SHOW, EVERY 318 00:19:34,107 --> 00:19:39,946 SEGMENT, EVERY GAME SHOW YOU DO Jimmy: I WAS GOING TO SAY 319 00:19:39,946 --> 00:19:43,383 THE SAME ABOUT YOU, BUT NOW IT'S GOING TO SEEM FAKE. IT'D BE WEIRD 320 00:19:43,383 --> 00:19:46,052 YEAH [ LAUGHTER ] Jimmy: BUT I REALLY-- I 321 00:19:46,052 --> 00:19:48,054 LOVED WORKING WITH YOU ON "THAT'S MY JAM." THAT WAS GREAT. 322 00:19:48,054 --> 00:19:49,622 Jimmy: WE'LL GET INTO ALL OF THAT OKAY. 323 00:19:49,622 --> 00:19:52,392 Jimmy: I WANT TO TALK ABOUT THE MEMOIR SURE. 324 00:19:52,392 --> 00:19:54,427 Jimmy: "IF YOU WOULD HAVE TOLD ME. YES, THAT'S - 325 00:19:54,427 --> 00:19:56,429 Jimmy: "IF YOU WOULD HAVE TOLD ME. I MEAN - 326 00:19:56,429 --> 00:19:58,331 RIGHT Jimmy: IS IT ABOUT IF YOU WOULD HAVE TOLD ME THAT I WOULD 327 00:19:58,331 --> 00:19:59,666 BE THIS-- I'D BE HERE WITH JIMMY FALLON, I WOULD-- NEVER 328 00:19:59,666 --> 00:20:01,634 WOULD'VE BELIEVED IT SERIOUSLY. [ LAUGHTER ] 329 00:20:01,634 --> 00:20:04,437 Jimmy: AM I IN THE BOOK YES Jimmy: NOW YOU HAVE TO ADD 330 00:20:04,437 --> 00:20:05,905 IT NOW I TALK ABOUT LOSING MY VIRGINITY. 331 00:20:05,905 --> 00:20:07,707 [ LAUGHTER ] Jimmy: SAVE IT FOR THAT OH, YOU KNOW WHAT 332 00:20:07,707 --> 00:20:10,010 NO, YOU KNOW WHAT'S INTERESTING, THE-- MY MOTHER-IN-LAW, WHO I LOVE, YOU 333 00:20:10,010 --> 00:20:12,012 KNOW Jimmy: YEAH AND SHE'S BEEN IN EDUCATION 334 00:20:12,012 --> 00:20:16,649 FOR 30 YEARS SHE'S-- SHE GOT A DEGREE IN JOURNALISM 335 00:20:16,649 --> 00:20:18,218 I SAID, "WELL, TAKE A LOOK AT THE FIRST THREE CHAPTERS FOR ME." 336 00:20:18,218 --> 00:20:23,223 "OKAY, OKAY. AND I TOLD CAITLIN, MY WIFE. AND SHE SAID, "NO! 337 00:20:23,223 --> 00:20:25,692 I GO, "WHAT? SHE GOES, "THE END OF CHAPTER THREE, YOU TALK ABOUT LOSING 338 00:20:25,692 --> 00:20:28,161 YOUR VIRGINITY - [ LIGHT LAUGHTER ] GRAPHICALLY! 339 00:20:28,161 --> 00:20:30,930 I'M LIKE, "OH, GOSH. [ LAUGHTER ] Jimmy: OH, MY GOD 340 00:20:30,930 --> 00:20:33,500 AND SO, I CALLED HER, AND I SAID, "HI, LEILANI." Jimmy: "HOW FAR ARE YOU IN 341 00:20:33,500 --> 00:20:35,301 THE BOOK?" WELL, YEAH, EXACTLY YEAH, I SAID HI. 342 00:20:35,301 --> 00:20:38,438 SHE SAID, "HELLO, JOHN." [ LIGHT LAUGHTER ] SO, I SAID, "OH, GOD." 343 00:20:38,438 --> 00:20:40,940 I SAID, "YOU KNOW AT THE END OF THAT CHAPTER--" "YES, YOU KNOW, YOU'RE MARRIED 344 00:20:40,940 --> 00:20:43,243 TO MY DAUGHTER I-- I KNOW. Jimmy: OH, MY GOD 345 00:20:43,243 --> 00:20:46,846 SHE SAID, "YOU KNOW, MY GRANDSON-- I KNOW, I KNOW." "LISTEN, I'M SORRY, THEY WANTED 346 00:20:46,846 --> 00:20:48,214 ME TO PUT SOME SEX STUFF IN THERE, AND IT'S THROUGHOUT THE BOOK." 347 00:20:48,214 --> 00:20:51,551 AND SHE SAYS, "WHAT? OH, NO, YOU'RE JOHN STAMOS OF COURSE YOU'RE GOING TO TALK 348 00:20:51,551 --> 00:20:55,889 ABOUT SEX. YOUR GRAMMAR IS TERRIBLE." [ LAUGHTER ] 349 00:20:55,889 --> 00:21:00,427 Jimmy: THAT'S A TEACHER RIGHT THERE. THAT'S A GOOD TEACHER. 350 00:21:00,427 --> 00:21:02,829 [ CHEERS AND APPLAUSE THAT IS EXACTLY RIGHT. "GET YOUR HEAD OUT OF THE 351 00:21:02,829 --> 00:21:05,298 GUTTER YOUR GRAMMAR IS TERRIBLE." YEAH, EXACTLY 352 00:21:05,298 --> 00:21:07,701 Jimmy: YOU KNOW, I CAN'T HELP THINK ABOUT, BUT WHO WOULD HAVE LAUGHED AT THAT IS OUR-- 353 00:21:07,701 --> 00:21:10,603 BOB Jimmy:-- YOUR PAL BOB SAGET, WHO JUST HAD AN 354 00:21:10,603 --> 00:21:12,872 UNBELIEVABLE SENSE OF HUMOR. AND I'M SURE HE'S A BIG PART OF THIS BOOK. 355 00:21:12,872 --> 00:21:16,776 HE IS YEAH, I TALK ABOUT HIM AT THE BEGINNING AND SORT OF ALL THE 356 00:21:16,776 --> 00:21:19,079 WAY THROUGH. AND YOU WERE SO KIND TO SEND MEA NICE NOTE WHEN HE PASSED 357 00:21:19,079 --> 00:21:22,682 AWAY YOU KNOW, I JUST FEEL AWFUL THAT HE DIDN'T KNOW HOW LOVED 358 00:21:22,682 --> 00:21:28,421 HE WAS BECAUSE THE WORLD-- BOY, WHEN HE DIED, COULD YOU BELIEVE THE 359 00:21:28,421 --> 00:21:33,793 TSUNAMI OF LOVE THAT CAME OUT? IT'S THE FIRST TIME I WAS EVER JEALOUS OF HIM 360 00:21:33,793 --> 00:21:37,864 [ LAUGHTER ] I'M KIDDING. I-- IT BREAKS MY HEART THAT HE 361 00:21:37,864 --> 00:21:40,266 DIDN'T KNOW, BECAUSE HE DIDN'T BUT HE NEVER LEFT ANYTHING ON THE TABLE, YOU KNOW THAT 362 00:21:40,266 --> 00:21:44,204 AND SO IF HE LOVED YOU, HE SAID, "I LOVE YOU AND I'M PROUD OF YOU." 363 00:21:44,204 --> 00:21:47,173 SO LET'S-- LET'S KEEP HIS LEGACY ALIVE BY DOING IT IF YOU LOVE-- YOU'RE WITH 364 00:21:47,173 --> 00:21:48,775 SOMEBODY, SAY "I LOVE YOU, I'M PROUD OF YOU, GOD BLESS YOU," THAT KIND OF STUFF 365 00:21:48,775 --> 00:21:55,815 Jimmy: YEAH, WHY NOT? EVERYONE JUST LOOK AT EACH OTHER AND SAY IT 366 00:21:55,815 --> 00:21:58,818 [ CHEERS AND APPLAUSE I LOVE YOU. Jimmy: SAY IT AS MUCH AS YOU 367 00:21:58,818 --> 00:22:00,620 CAN. I LOVE YOU I LOVE YOU. 368 00:22:00,620 --> 00:22:04,391 Jimmy: I LOVE YOU, ROOTS. I LOVE QUEST BEST Jimmy: YEAH 369 00:22:04,391 --> 00:22:07,160 [ LIGHT LAUGHTER ] HERE'S YOU BY THE WAY, AT THE DRUM SET HERE. 370 00:22:07,160 --> 00:22:10,330 YOU PLAYED-- YOU PERFORMED WITH THE BEACH BOYS. YES 371 00:22:10,330 --> 00:22:12,932 Jimmy: THAT'S A BIG-- THAT'S AMAZING IT'S THE THRILL OF MY LIFE. 372 00:22:12,932 --> 00:22:15,835 Jimmy: AND THEN LOOK AT THIS THRILL OF YOUR LIFE RIGHT HERE YEAH. 373 00:22:15,835 --> 00:22:17,437 Jimmy: HOW OLD-- HOW OLD IS BILLY? HE'S GOING TO BE FIVE NEXT 374 00:22:17,437 --> 00:22:19,839 WEEK [ AUDIENCE AWS ] AND THAT'S JUST ONE OTHER KID 375 00:22:19,839 --> 00:22:24,611 UPSTAGING ME IN MY LIFE AND CAREER [ LAUGHTER ] 376 00:22:24,611 --> 00:22:28,648 RIGHT? Jimmy: IS IT THE BEST THING IT'S THE BEST 377 00:22:28,648 --> 00:22:31,851 YOU HAVE TWO DAUGHTERS Jimmy: YEAH HOW OLD ARE THEY? 378 00:22:31,851 --> 00:22:34,220 Jimmy: NINE AND EIGHT OH, I SAW THEM ON THE SHOW, QUITE A BIT ON YOUR SHOW 379 00:22:34,220 --> 00:22:36,256 WHEN-- DURING COVID Jimmy: THEY DIDN'T KNOW THAT THEY WERE ON THE SHOW. 380 00:22:36,256 --> 00:22:38,091 THIS WAS COVID TIME, THEY DIDN'T EVEN KNOW WHAT WAS HAPPENING. 381 00:22:38,091 --> 00:22:40,126 THEY THOUGHT IT WAS ON THE PHONE. THEY DIDN'T KNOW WE WERE AIRING 382 00:22:40,126 --> 00:22:41,628 ANYTHING REALLY? Jimmy: SO I THINK THEY WOULD 383 00:22:41,628 --> 00:22:42,996 BE SHY IF I BROUGHT 'EM OUT OR ANYTHING THEY WERE-- THEY'RE SO 384 00:22:42,996 --> 00:22:44,597 CUTE HE-- HE'S-- YEAH, HE DOESN'T LIKE - 385 00:22:44,597 --> 00:22:47,434 AND I SAY, "DO YOU WANT TO WATCH-- OH, "THAT'S MY JAM." 386 00:22:47,434 --> 00:22:49,135 I SAID, OH, FINALLY I THOUGHT HE'S GOING TO LIKE THAT SHOW BECAUSE HE WATCHES 387 00:22:49,135 --> 00:22:51,905 "FULL HOUSE," BUT HE MOCKS ME FOR IT LIKE - 388 00:22:51,905 --> 00:22:55,108 [ LIGHT LAUGHTER ] I'D BE LIKE, YEAH, JUST LIKE, YOU KNOW, "BILLY, CAN YOU PUT 389 00:22:55,108 --> 00:22:58,645 YOUR TOYS AWAY?" HE'LL GO, "YOU GOT IT, DUDE. [ LAUGHTER ] 390 00:22:58,645 --> 00:23:01,247 LIKE A - SERIOUSLY. [ APPLAUSE ] 391 00:23:01,247 --> 00:23:03,650 Jimmy: I LOVE THIS KID! HE-- HE'LL-- YEAH Jimmy: I LOVE THIS KID. 392 00:23:03,650 --> 00:23:05,685 BUT SO, I THOUGHT HE WOULD REALLY LIKE "THAT'S MY JAM." SO WE PUT IT ON, HE WATCHED IT 393 00:23:05,685 --> 00:23:08,755 HE GOES, "YOU'RE CHEATING. I'M LIKE, "I'M NOT CHEATING. Jimmy: YEAH, YOU WERE, 394 00:23:08,755 --> 00:23:10,323 THOUGH WHICH, I WAS NOT. Jimmy: YEAH YOU WERE. 395 00:23:10,323 --> 00:23:12,559 NO, I WASN'T. Jimmy: YEAH, HE'S RIGHT WHEN-- WHAT? 396 00:23:12,559 --> 00:23:14,227 Jimmy: YOU CHEATED. NO, I DIDN'T. Jimmy: YEAH 397 00:23:14,227 --> 00:23:16,763 I DID Jimmy: YEAH WHERE 398 00:23:16,763 --> 00:23:19,065 Jimmy: I ACTUALLY HAVE A PICTURE OF YOU CHEATING. NO. 399 00:23:19,065 --> 00:23:24,471 [ LAUGHTER ] Jimmy: WELL THIS IS - LET'S SEE 400 00:23:24,471 --> 00:23:26,206 Jimmy: WELL, THE IDEA OF THE GAME IS SOMEONE'S DOING CHARADES WHILE THE WALL SPINS 401 00:23:26,206 --> 00:23:27,607 AROUND YEAH? Jimmy: SO YOU'RE NOT 402 00:23:27,607 --> 00:23:29,142 SUPPOSED TO SEE WHAT THEY'RE SEEING BUT HERE'S YOU ACTUALLY PEEKING 403 00:23:29,142 --> 00:23:31,077 AROUND THE WALL. OH. Jimmy: AND CHEATING 404 00:23:31,077 --> 00:23:33,179 [ LAUGHTER ] Jimmy: YOU'RE NOT SUPPOSED TO DO THAT 405 00:23:33,179 --> 00:23:40,120 YOU ARE SO FUNNY AND CHARMING AND TALENTED ON THIS SHOW. CAN I JUST SAY THIS? 406 00:23:40,120 --> 00:23:41,888 YOU CAN PLUG YOUR EARS ABOUT THIS, BUT MAN, OH, MAN, IT WAS CHARMING-- EVERYTHING I JUST 407 00:23:41,888 --> 00:23:45,558 SAID YOU DID THIS ONE GAME WHERE WE HAD RANDOM INSTRUMENTS, AND YOU 408 00:23:45,558 --> 00:23:47,360 HAVE TO PICK UP AND YOU HAVE TO TRY TO PLAY OUT THE NOTE OF A SONG, OR SOMEHOW GET SOMEONE 409 00:23:47,360 --> 00:23:50,363 TO GUESS THE SONG. RIGHT Jimmy: AND WE DON'T RIG IT. 410 00:23:50,363 --> 00:23:51,898 WE DON'T-- YOU DON'T KNOW WHAT SONGS YOU'RE GETTING OR ANYTHING 411 00:23:51,898 --> 00:23:56,336 YOU PICKED UP THIS, LIKE, BASS UKULELE. I DON'T KNOW WHAT THAT WAS. 412 00:23:56,336 --> 00:23:58,538 Jimmy: AND PLAYED "PLAY THAT FUNKY MUSIC WHITE BOY. AND YOU PICKED IT UP AND YOU 413 00:23:58,538 --> 00:24:02,509 WERE LIKE-- [ VOCALIZING ] AND IT WAS LIKE, 414 00:24:02,509 --> 00:24:05,545 PROFESSIONALLY YEAH. PEOPLE WENT NUTS 415 00:24:05,545 --> 00:24:06,946 QUINTA SAID, "HE'S ACTUALLY A WHITE BOY PLAYING THAT FUNKY MUSIC. 416 00:24:06,946 --> 00:24:11,851 [ LAUGHTER ] Jimmy: IT ACTUALLY DID HAPPEN 417 00:24:11,851 --> 00:24:13,553 WHITE BOY WAS PLAYING THE FUNKY MUSIC. ADAM BLACKSTONE, EVERYONE-- 418 00:24:13,553 --> 00:24:15,555 THE WHOLE BAND WAS LOOKING, LIKE, "YO, THIS GUY CAN PLAY, MAN. 419 00:24:15,555 --> 00:24:18,458 AND WE WON. I WAS HAPPY TO BE NOMINATED, BUT WE WON 420 00:24:18,458 --> 00:24:24,130 Jimmy: YEAH EXACTLY. YOU DID WIN, YOU AND TARAJI. 421 00:24:24,130 --> 00:24:29,102 [ CHEERS AND APPLAUSE WINNING TEAM BUDDY, I WILL DO ANYTHING WITH 422 00:24:29,102 --> 00:24:31,571 YOU AND ANY IDEA YOU COME UP WITH OR ANYTHING REALLY? 423 00:24:31,571 --> 00:24:34,207 OKAY Jimmy: I'D LOVE YOU-- YOU'RE - 424 00:24:34,207 --> 00:24:36,209 I LOVE YOU TOO. I MEAN, I REALLY DO. I'VE JUST BEEN SUCH A BIG FAN 425 00:24:36,209 --> 00:24:40,613 OF YOU FOR SO LONG [ AUDIENCE AWS ] Jimmy: SUCH A LOVELY-- BUT 426 00:24:40,613 --> 00:24:42,215 EVERY TIME YOU COME ON THE SHOW, YOU'VE DONE BITS WITH BOB, YOU'VE DONE BITS BY 427 00:24:42,215 --> 00:24:43,416 YOURSELF AND "THAT'S MY JAM," IF YOU-- HONESTLY - 428 00:24:43,416 --> 00:24:49,622 WHAT ABOUT THAT SONG I SANG ON THERE WILL YOU DO THAT WITH ME 429 00:24:49,622 --> 00:24:52,759 THE-- HE HAD ME DOING WEIRD LYRICS TO "YMCA. BUT IT WAS LIKE I SHARED AN 430 00:24:52,759 --> 00:24:55,261 UBER WITH TIM CHALAMET - Jimmy: YEAH WHICH-- YOU'LL GET IT STUCK, 431 00:24:55,261 --> 00:24:56,930 IT'S AN EARWIG AND MY WIFE HAS BEEN SINGING IT IN BED, WHICH, YOU KNOW-- 432 00:24:56,930 --> 00:24:59,099 Jimmy: I TOOK AN UBER WITH - ♪ TIM CHALAMET ♪ 433 00:24:59,099 --> 00:25:05,238 YEAH NOT THE ACTOR, JUST SOME-- ♪ GUY FROM L.A. ♪ 434 00:25:05,238 --> 00:25:07,140 Jimmy: YEAH WHAT-- AGAIN, YOU DON'T KNOW WHAT THOSE LYRICS ARE GOING TO 435 00:25:07,140 --> 00:25:08,875 BE NO, I DIDN'T. Jimmy: NONE OF THESE-- 436 00:25:08,875 --> 00:25:10,343 SO, YOU'RE READING THE TELEPROMPTER FOR THE FIRST TIME 437 00:25:10,343 --> 00:25:13,680 YOU HELPED ME Jimmy: WE ACTUALLY HAVE A A CLIP 438 00:25:13,680 --> 00:25:16,816 HERE'S JOHN STAMOS - OH, GOD 439 00:25:16,816 --> 00:25:18,518 Jimmy:-- SINGING "NONSENSE KARAOKE" ON "THAT'S MY JAM." TAKE A LOOK AT THIS. 440 00:25:20,286 --> 00:25:23,156 CAN'T WEAR GLOVE WHEN IT SNOWS ♪ ♪ I WATCH C-SPA 441 00:25:23,156 --> 00:25:26,726 WITH A GRAPE UP MY NOS MY EX-GIRLFRIEND LOOKS LIKE OPTIMUS PRIME ♪ 442 00:25:26,726 --> 00:25:32,432 ♪ HOLD ON CRAIG WANTS ME TO FACETIME ♪ 443 00:25:32,432 --> 00:25:37,771 ♪ ♪ I SPLIT AN UBER WITH TIM CHALAME 444 00:25:37,771 --> 00:25:42,542 NOT THE ACTO JUST SOME GUY FROM L.A. ♪ [ CHEERS AND APPLAUSE 445 00:25:42,542 --> 00:25:44,577 Jimmy: LOOK AT-- I CAN'T GET THAT OUT OF MY MIND 446 00:25:44,577 --> 00:25:47,981 [ CHEERS AND APPLAUSE Jimmy:-- OUR BEARDS. YOU LOOKED GOOD THOUGH. 447 00:25:47,981 --> 00:25:50,083 Jimmy: THAT WAS GOOD. YOU LOOK GOOD WITH A BEARD YOU TOO 448 00:25:50,083 --> 00:25:51,851 Jimmy: THAT'S FOR A MOVIE, RIGHT? IT WAS, YEAH. 449 00:25:51,851 --> 00:25:53,453 Jimmy: ALL RIGHT, WHEN THAT MOVIE COMES OUT, PLEASE COME BACK 450 00:25:53,453 --> 00:25:55,355 I WOULD LOVE TO, THANK YOU. Jimmy: YOU'RE MORE THAN WELCOME. 451 00:25:55,355 --> 00:25:57,590 WE LOVE YOU EVERY SINGLE - YOU COME-- DON'T EVEN LEAVE STAY THE WHOLE WEEK. 452 00:25:57,590 --> 00:25:59,426 OKAY, I WILL. Jimmy: IT'S JOHN STAMOS WEEK HERE AT "THE TONIGHT SHOW. 453 00:25:59,426 --> 00:26:03,029 [ CHEERS AND APPLAUSE CHECK OUT-- CHECK OUT "THAT'S MY JAM." 454 00:26:03,029 --> 00:26:05,265 BUT ALSO PRE-ORDER HIS MEMOIR. [ CHEERS AND APPLAUSE "IF YOU WOULD HAVE TOLD ME." 455 00:26:05,265 --> 00:26:09,102 PRE-ORDER IT RIGHT NOW [ CHEERS AND APPLAUSE WHEN WE COME BACK, MO WILLEMS 456 00:26:09,102 --> 00:26:12,038 WILL BE HERE COME ON BACK, EVERYBODY. JOHN STAMOS! 457 00:26:12,038 --> 00:26:19,045 [ CHEERS AND APPLAUSE ♪ WE CAN STAY AT TH Y-M-C- 458 00:26:34,361 --> 00:26:40,567 Jimmy: OUR NEXT GUEST IS A NEW YORK TIMES BEST SELLING AUTHOR AND ILLUSTRATOR 459 00:26:40,567 --> 00:26:43,303 HE HAS TWO NEW BOOKS THAT ARE BOTH OUT NOW, "BE THE BUS," AND THE 20th ANNIVERSARY EDITION OF 460 00:26:43,303 --> 00:26:45,672 "DON'T LET THE PIGEON DRIVE THE BUS! [ AUDIENCE AWS ] 461 00:26:45,672 --> 00:26:48,375 I KNOW AND THIS ONE HAS A BOARD GAME IN THE BACK, BY THE WAY, IF 462 00:26:48,375 --> 00:26:49,909 YOU-- IT'S LIKE HE'S ALWAYS THINKING THIS GUY'S THE BEST. 463 00:26:49,909 --> 00:26:54,080 PLEASE WELCOME, MO WILLEMS, EVERYBODY. COME ON! 464 00:26:54,748 --> 00:27:07,027 [ CHEERS AND APPLAUSE 465 00:27:07,027 --> 00:27:13,600 ♪ [ CHEERS AND APPLAUSE Jimmy: THAT'S HOW YOU MAKE 466 00:27:13,600 --> 00:27:15,068 AN ENTRANCE. HELLO Jimmy: THAT'S HOW YOU DO IT 467 00:27:15,068 --> 00:27:18,438 THAT'S HOW YOU MAKE AN ENTRANCE, RIGHT THERE. THANK YOU, THANK YOU. 468 00:27:18,438 --> 00:27:20,707 Jimmy: WELCOME BACK TO THE SHOW OH, MY GOODNESS 469 00:27:20,707 --> 00:27:22,575 Jimmy: I-- I LOVE HAVING YOU ON I WANT TO TALK ABOUT 470 00:27:22,575 --> 00:27:29,616 EVERYTHING I DON'T EVEN KNOW REALLY WHERE TO START, BECAUSE WE-- WE HAVE 471 00:27:29,616 --> 00:27:33,820 THIS NEW BOOK HERE THAT IS KIND OF NOT FOR CHILDREN REALLY NO, IT'S MY-- WELL, IT'S 472 00:27:33,820 --> 00:27:42,195 NOT MY BOOK EVEN Jimmy: NO, IT'S NOT IT'S THE PIGEON'S BOOK, I'M 473 00:27:42,195 --> 00:27:45,098 JUST A TRANSLATOR. Jimmy: AH [ LAUGHTER ] 474 00:27:45,098 --> 00:27:47,267 SO THE PIGEON IS-- IS WHAT, IT'S JUST FED UP, FINALLY? PIGEON JUST DISCOVERED THAT 475 00:27:47,267 --> 00:27:49,135 HE WORKS IN BOOKS. [ LAUGHTER ] Jimmy: AND SAY-- ARE YOU 476 00:27:49,135 --> 00:27:56,376 KIDDING ME AND HE'S NOT HAPPY ABOUT THE ENDING 477 00:27:56,376 --> 00:27:58,845 Jimmy: YEAH RIGHT HE NEVER GETS WHAT HE WANTS IN 478 00:27:58,845 --> 00:28:01,147 THE BOOKS. Jimmy: NO AND YOU ARE LAUGHING AT HIM 479 00:28:01,147 --> 00:28:03,416 [ LAUGHTER ] Jimmy: YES. AND HE DOES NOT-- YEAH, HE 480 00:28:03,416 --> 00:28:05,085 WANTS TO BE RESPECTED. HE'S NOT HAPPY ABOUT THAT EITHER 481 00:28:05,085 --> 00:28:06,319 Jimmy: HE WANTS TO BE RESPECTED. RIGHT 482 00:28:06,319 --> 00:28:08,621 AND LIKE ALL NEW YORK CITY PIGEONS, HE'S A PHILOSOPHER. [ LAUGHTER ] 483 00:28:08,621 --> 00:28:11,024 Jimmy: YEAH, HE IS. SO, THIS IS HIS LOST AND PROFOUND WISDOM. 484 00:28:11,024 --> 00:28:13,293 Jimmy: YEAH THE PECKINGS OF A BIRDBRAIN Jimmy: THIS ONE I LOVE, IT 485 00:28:13,293 --> 00:28:19,032 SAYS, "SUCCESS IS 99% PERSPIRATION AND-- AND 5% APPROXIMATION. 486 00:28:19,032 --> 00:28:24,337 [ LAUGHTER ] UH, UH, DID YOU KNOW THAT THE PIGEON WAS GOING TO TAKE OFF, 487 00:28:24,337 --> 00:28:32,145 WHEN YOU FIRST - NO, I-- I DIDN'T BASICALLY 'CAUSE EVERYBODY TOLD 488 00:28:32,145 --> 00:28:34,647 ME IT WOULDN'T SO I CREATE-- I DO A LITTLE SKETCHBOOK EVERY YEAR FOR MY 489 00:28:34,647 --> 00:28:39,386 CLIENTS AND FRIENDS, I'VE DONE IT FOR 30 YEARS. AND ONE YEAR, I DID ONE, IT WAS 490 00:28:39,386 --> 00:28:48,361 CALLED "DON'T LET THE PIGEON DRIVE THE BUS. AND I THOUGHT IT WAS A FUNNY, 491 00:28:48,361 --> 00:28:50,163 WEIRD LITTLE THING AND MY WIFE AT THE TIME, WHO'S STILL MY WIFE-- 492 00:28:50,163 --> 00:28:53,566 Jimmy: WOW. [ LAUGHTER ] OKAY-- WOW. 493 00:28:53,566 --> 00:28:55,935 HAPPILY Jimmy: I WAS LIKE, "WHO DID I JUST-- WHO DID I SAY 'HELLO' 494 00:28:55,935 --> 00:28:58,638 TO." WOW! 495 00:28:58,638 --> 00:29:03,810 THAT COULD HAVE BEEN ROUGH YEAH, YEAH, YEAH YET, AT THE TIME, WAS 496 00:29:03,810 --> 00:29:05,478 WORKING AS A LOWER SCHOOL LIBRARIAN, AND SHE BROUGHT THE SKETCH BOOK-- I ACTUALLY 497 00:29:05,478 --> 00:29:09,582 BROUGHT A COPY THIS IS THE ORIGINAL IT'S A LITTLE SKETCHBOOK 498 00:29:09,582 --> 00:29:13,353 Jimmy: OH, MY - I DID FOR CLIENTS AND FRIENDS. 499 00:29:13,353 --> 00:29:15,055 AND SHE BROUGHT THIS AND READ IT TO THE KIDS AND SAID, "I THINK THIS IS A CHILDREN'S 500 00:29:15,055 --> 00:29:20,927 BOOK." AND I SAID, "OH, YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 501 00:29:20,927 --> 00:29:26,199 Jimmy: YEAH NO-- THAT'S OBVIOUSLY, IT'S NOT-- IT'S JUST A LITTLE 502 00:29:26,199 --> 00:29:27,934 SKETCHBOOK IT'S A LITTLE THING FOR FRIENDS AND WHATEVER 503 00:29:27,934 --> 00:29:29,669 YEAH, THAT'S IT. Jimmy: AND THIS TURNED INTO - 504 00:29:29,669 --> 00:29:31,371 WELL, SO WHAT I DID, WAS I WENT TO EVERY PUBLISHER IN NEW YORK AND THEY SAID, "WE 505 00:29:31,371 --> 00:29:40,046 AGREE WITH YOU IT ISN'T A BOOK. YOUR WIFE IS WRONG." 506 00:29:40,046 --> 00:29:44,184 [ LAUGHTER ] Jimmy: REALLY, THEY-- THIS IS NOT - 507 00:29:44,184 --> 00:29:48,121 THEY SAID ONE WORD. IT'S "UNUSUAL. AND I FINALLY FOUND A PUBLISHER 508 00:29:48,121 --> 00:29:49,956 THAT SAID, "UNUSUAL IS NOT PEJORATIVE." Jimmy: WOW. 509 00:29:49,956 --> 00:29:54,160 AND THEN THEY PUBLISHED IT. Jimmy: WOW. SO THERE YOU GO 510 00:29:54,160 --> 00:29:57,063 AND THAT WAS 20 YEARS AGO. 20 YEARS AGO Jimmy: I MEAN, IS THAT WILD 511 00:29:57,063 --> 00:30:01,601 [ CHEERS AND APPLAUSE YEAH, YEAH. Jimmy: THAT'S AMAZING TO 512 00:30:01,601 --> 00:30:04,971 LOOK WHAT YOU'VE DONE, BECAUSE NOW YOU'VE - AND THAT'S FOR YOU. 513 00:30:04,971 --> 00:30:08,341 THAT'S MY GIFT FOR YOU YEAH [ AUDIENCE AWS ] 514 00:30:08,341 --> 00:30:11,011 Jimmy: AN ORIGINAL? YEAH, THAT'S IT, YEAH Jimmy: ARE YOU KIDDING ME 515 00:30:11,011 --> 00:30:13,213 ABSOLUTELY. Jimmy: I-- NO, I'M NOT KIDDING YOU 516 00:30:13,213 --> 00:30:16,249 I'M ABSOLUTELY NOT KIDDING YOU Jimmy: I-- I-- I-- YOU KNOW I'M THE BIGGEST FAN OF 517 00:30:16,249 --> 00:30:18,885 YOURS. THIS MEANS A LOT TO ME THAT'S-- THAT'S GOOD 518 00:30:18,885 --> 00:30:20,520 Jimmy: YOU ARE A HERO IN OUR HOUSE, BY THE WAY. WE READ EVERY ONE OF "ELEPHANT 519 00:30:20,520 --> 00:30:22,288 AND PIGGIE" BOOKS. WE HAVE EVERYTHING AND WE READ THEM-- I LOVE YOUR 520 00:30:22,288 --> 00:30:23,823 BOOKS. I WANT TO READ THEM WITHOUT THE KIDS 521 00:30:23,823 --> 00:30:25,759 [ LAUGHTER ] RIGHT WELL, IF YOU READ 'EM, WHAT YOU 522 00:30:25,759 --> 00:30:27,360 REALLY SHOULD DO, IF YOU LOVE YOURS KIDS, EVERY TIME IT SHOULD BE A FRESH COPY 523 00:30:27,360 --> 00:30:34,701 [ LAUGHTER ] Jimmy: SEE, HE'S A GENIUS HE'S A GENIUS AS WELL, YEAH. 524 00:30:34,701 --> 00:30:38,605 WELL I LOVE THAT INTIMACY I MEAN LIKE, I LOVE THE IDEA OF PARENTS AND KIDS DOING THIS 525 00:30:38,605 --> 00:30:41,808 TOGETHER, YOU KNOW Jimmy: YEAH SO PART OF WHAT I WANT TO DO 526 00:30:41,808 --> 00:30:46,012 IN MY BOOKS IS, I WANT MY BOOKS NOT TO JUST BE BOOKS, I WANT THEM TO BE SPARKS. 527 00:30:46,012 --> 00:30:49,582 I WANT MY BOOKS TO BE PLAYED SO THAT'S WHY EVERY CHARACTER IS EASY TO DRAW, BUT I ALSO 528 00:30:49,582 --> 00:30:57,323 WANT FOR THE GROWN-UPS, I WANT TO GIVE THEM A SHAME-ECTOMY. Jimmy: A SHAME-ECTOMY 529 00:30:57,323 --> 00:31:01,327 YEAH. BECAUSE HERE'S YOUR CHANCE TO BE RIDICULOUS. 530 00:31:01,327 --> 00:31:04,597 HERE'S YOUR CHANCE TO YELL, "NO! LET ME DRIVE THE BUS." 531 00:31:04,597 --> 00:31:10,070 Jimmy: YEAH, YES. AND-- AND BEING ASHAMED IS A LEARNED DISEASE, RIGHT 532 00:31:10,070 --> 00:31:15,408 Jimmy: YEAH MILLIONS OF TEENAGERS ARE DYING OF SHAME EVERY DAY, 533 00:31:15,408 --> 00:31:20,080 RIGHT? Jimmy: SEE-- I-- I'M ONE OF THEM, YEAH. 534 00:31:20,080 --> 00:31:23,183 EMBARRASSMENT, EMBARRASSMENT. Jimmy: OF COURSE. 535 00:31:23,183 --> 00:31:25,352 SO WHAT I'M HOPING TO DO IS BRING THAT MOMENT TOGETHER IT'S NOT JUST ABOUT THE KIDS, 536 00:31:25,352 --> 00:31:27,620 BUT IT'S ABOUT THE KIDS SEEING THE PARENTS OR THEIR GROWN-UPS IN THEIR LIVES BEING SILLY, 537 00:31:27,620 --> 00:31:29,422 WHICH ALLOWS THEM TO BE MORE SILLY, WHICH ALLOWS THE KIDS TO FEEL THAT THEIR SILLINESS HAS 538 00:31:29,422 --> 00:31:36,096 VALIDITY Jimmy: YEAH, AND YOU CAN BE SILLY. 539 00:31:36,096 --> 00:31:38,631 IT'S FINE TO BE SILLY. ABSOLUTELY. Jimmy: IT'S FUN TO BE SILLY 540 00:31:38,631 --> 00:31:40,900 ABSOLUTELY. Jimmy: DO-- DOES IT-- DOES IT BLOW YOUR BRAINS TO THINK 541 00:31:40,900 --> 00:31:42,435 THAT YOU'RE TEACHING SO MANY KIDS HOW TO READ OH. 542 00:31:42,435 --> 00:31:47,207 Jimmy: LIKE WHEN-- WHEN PARENTS COME UP TO YOU AND GO, "YOU TAUGHT MY KID HOW TO 543 00:31:47,207 --> 00:31:53,847 READ." I MEAN THAT'S-- OUR KIDS LEARNED ON YOUR BOOKS. 544 00:31:53,847 --> 00:31:58,118 THAT'S VERY, VERY SWEET, BUT I THINK THAT I REALLY ONLY PUT 49% OF THE BOOK ON THE PAGE. 545 00:31:58,118 --> 00:32:01,755 IT IS THE GROWN-UPS AND THE KIDS AND THE WAY THEY STRIVE AND THEY CREATE THAT MAKES 546 00:32:01,755 --> 00:32:04,057 THESE THINGS SPECIAL AND I WANT TO MAKE SURE THAT I CREATE ENOUGH SPACE FOR THEM TO 547 00:32:04,057 --> 00:32:09,162 MAKE THE STORIES PART OF THEMSELVES Jimmy: WOW, YES, THEY ARE 548 00:32:09,162 --> 00:32:14,434 THAT'S IT Jimmy: I TOTALLY AGREE. AND YOU DO IT EVERY TIME 549 00:32:14,434 --> 00:32:16,870 THANK YOU, THANK YOU, THANK YOU. THANK YOU. 550 00:32:16,870 --> 00:32:20,707 [ CHEERS AND APPLAUSE Jimmy: IT IS SO-- IT'S SO CLEVER-- IT'S-- YOUR BOOKS 551 00:32:20,707 --> 00:32:25,845 ARE-- ARE SIMPLE IN THE BEST WAY, BUT SO CLEVER ALSO. WELL, SIMPLE AND EASY ARE 552 00:32:25,845 --> 00:32:33,319 OPPOSITES. Jimmy: YEAH RIGHT 553 00:32:33,319 --> 00:32:37,457 SO WRITING A PICTURE BOOK IS AS EASY AS DESCRIBING THE HISTORY OF BYZANTIUM IN THREE WORDS. 554 00:32:37,457 --> 00:32:39,926 Jimmy: YEAH YEAH, PROBABLY CAN'T DO IT, YEAH 555 00:32:39,926 --> 00:32:47,467 RIGHT Jimmy: BUT IT-- IT'S BRILLIANTLY DONE, AND I-- I 556 00:32:47,467 --> 00:32:49,869 WAS ASKING YOU ABOUT THIS LAST TIME WHEN WE WERE TALKING ABOUT HOW YOU DRAW THE-- THE PIGEON 557 00:32:49,869 --> 00:32:54,574 AND YOU HAVE AN IDEA, YOU HAVE SOMETHING FUN YOU WANT US TO TRY TONIGHT. 558 00:32:54,574 --> 00:32:57,610 YEAH, YEAH. SO, LOOK, I-- I LOVE DRAWING, AND THIS IS-- THIS IS WHY I 559 00:32:57,610 --> 00:32:59,346 LOVE DRAWING FOR EVERYONE, NOT JUST FOR ARTISTS BUT LIKE WHEN THE BAND IS 560 00:32:59,346 --> 00:33:05,085 PLAYING, MUSIC IS PHYSICALIZED EMOTION. THEIR BODY IS CREATING EMOTION, 561 00:33:05,085 --> 00:33:11,524 AND IT COMES OUT AS MUSIC. WELL DRAWING IS PHYSICALIZED EMPATHY. 562 00:33:11,524 --> 00:33:13,126 WHEN YOU ARE DRAWING SOMETHING, YOU ARE THINKING ABOUT THAT THING, AND YOU ARE 563 00:33:13,126 --> 00:33:16,730 UNDERSTANDING THAT THING DEEPER SO, I MAKE SURE THAT EVERYONE 564 00:33:16,730 --> 00:33:22,068 OF MY CHARACTERS IS EASY ENOUGH FOR A 5-YEAR-OLD TO DRAW I THINK YOU HAVE THE DRAWING 565 00:33:22,068 --> 00:33:25,105 ABILITY OF A 5-YEAR-OLD. Jimmy: THANK YOU. [ LAUGHTER AND APPLAUSE 566 00:33:25,105 --> 00:33:26,406 I THINK THE BAND HAS THE DRAWING ABILITY OF A A 5-YEAR-OLD 567 00:33:26,406 --> 00:33:35,849 Jimmy: THERE YOU GO OF SEVERAL 5-YEAR-OLDS. AND I THINK YOU, THE AUDIENCE 568 00:33:35,849 --> 00:33:37,784 AS WELL, RIGHT [ CHEERS AND APPLAUSE Jimmy: EVERYONE, LOOK UNDER 569 00:33:37,784 --> 00:33:43,089 YOUR SEATS EVERYONE HAS A CLIPBOARD AND A A MARKER 570 00:33:43,089 --> 00:33:49,696 MO, YOU'VE DRAWN THE PIGEON THOUSANDS OF TIMES YES 571 00:33:49,696 --> 00:33:51,831 Jimmy: CAN YOU TEACH 200 PEOPLE HERE HOW TO DRAW A PIGEON 572 00:33:51,831 --> 00:33:53,233 I'M GOING TO TRY AND TEACH 200 PEOPLE HOW TO DRAW A A PIGEON 573 00:33:53,233 --> 00:33:56,903 ALL RIGHT, HERE WE GO. [ LIGHT LAUGHTER ] YOU'RE ABOUT TO DRAW A CARTOON 574 00:33:56,903 --> 00:33:59,272 Jimmy: YOU'RE-- WOW! ALL YOU HAVE TO KNOW TO DRAW A CARTOON, IS HOW TO WRITE YOUR 575 00:33:59,272 --> 00:34:04,911 NAME, BECAUSE YOUR NAME IS A A BUNCH OF LETTERS PUT TOGETHER IN THE RIGHT ORDER 576 00:34:04,911 --> 00:34:13,186 AND A CARTOON IS A BUNCH OF SHAPES PUT TOGETHER IN THE RIGHT ORDER. 577 00:34:13,186 --> 00:34:15,822 I'M GOING TO MAKE IT EASIER. WE'RE GOING TO DRAW THE PIGEON'S HEAD, YOU ONLY HAVE TO 578 00:34:15,822 --> 00:34:17,924 KNOW HOW TO WRITE MY NAME, MO, AND YOU WILL DRAW THE PIGEON'S HEAD 579 00:34:17,924 --> 00:34:20,660 SO WE'RE GOING TO DO A CALL AND REPEAT, RIGHT? CALL AND RESPONSE, READY 580 00:34:20,660 --> 00:34:24,698 Jimmy: CALL AND-- YEP. YOU GUYS GOT YOUR PENS? LET'S SEE 'EM. 581 00:34:24,698 --> 00:34:27,867 YOU GOT YOUR PAPER ALL RIGHT. FROM THE "O," HERE WE GO 582 00:34:27,867 --> 00:34:31,838 REPEAT AFTER ME. BIG "O." Jimmy: BIG "O." 583 00:34:31,838 --> 00:34:38,078 MIDDLE "O." Jimmy: MIDDLE "O. LITTLE "O." 584 00:34:38,078 --> 00:34:43,783 Jimmy: LITTLE "O. DARKEN IT IN. Jimmy: DARKEN IT IN 585 00:34:43,783 --> 00:34:49,389 "M" HAT Audience: "M" HAT Jimmy: "M" HAT. 586 00:34:49,389 --> 00:34:54,794 GOT IT? PUT IT SIDEWAYS. Jimmy: THERE YOU GO 587 00:34:54,794 --> 00:35:00,667 THAT'S PIGEON RIGHT THERE. COME ON, AUDIENCE. LET'S SEE YOUR PIGEONS. 588 00:35:00,667 --> 00:35:04,471 HOLD 'EM UP! Jimmy: LET ME SEE YOUR-- LET'S SEE YOUR PIGEONS! 589 00:35:04,471 --> 00:35:07,707 LOOK AT THAT [ BELL DINGING ] Jimmy: THAT'S FANTASTIC 590 00:35:07,707 --> 00:35:09,542 I LOVE IT Jimmy: LOOK AT THAT, ISN'T THAT AMAZING 591 00:35:09,542 --> 00:35:11,644 MO WILLEMS, EVERYBODY. THAT'S HOW YOU DO IT [ CHEERS AND APPLAUSE 592 00:35:11,644 --> 00:35:13,346 BOTH OF HIS BOOKS ARE AVAILABLE NOW. WE'LL BE RIGHT BACK WITH MORE 593 00:35:13,346 --> 00:35:48,715 "TONIGHT SHOW. STICK AROUND [ CHEERS AND APPLAUSE 594 00:35:48,715 --> 00:35:54,487 Jimmy: PERFORMING THEIR NEW 595 00:35:54,487 --> 00:35:56,790 SINGLE "OVER," PLEASE WELCOME CHVRCHES [ CHEERS AND APPLAUSE 596 00:36:04,030 --> 00:36:10,170 'TIL THE NIGHT TURNS OFF MY MIND ♪ ♪ I'M PASSING CAR 597 00:36:10,170 --> 00:36:19,112 AND CROWDED BARS NEVER KNOW UNTIL I GO TOO FAR ♪ 598 00:36:19,112 --> 00:36:23,483 ♪ CONFUSING FAITH AND FEA PAINT A SMIL FROM EAR TO EAR ♪ 599 00:36:23,483 --> 00:36:29,456 ♪ 'CAUSE IF I BLINK I START TO THINK I FEEL NOTHING 600 00:36:29,456 --> 00:36:35,962 I FEEL EVERYTHING ♪ ♪ I TRY MY BEST TO TURN DOWN THE NOISE 601 00:36:35,962 --> 00:36:40,300 AND I TELL MYSEL THAT BOYS WILL BE BOYS ♪ ♪ IT'S GETTIN 602 00:36:40,300 --> 00:36:46,072 HARDER TO BREATH SO BABY PUT ME TO SLEE 'TIL IT GETS BETTER ♪ 603 00:36:46,072 --> 00:36:50,910 ♪ SO WAKE ME UP WHEN IT'S OVER ♪ [ CHEERS AND APPLAUSE 604 00:36:50,910 --> 00:37:02,055 ♪ IT'S OVER WHEN IT'S OVER TELL ME IT WAS ALL 605 00:37:02,055 --> 00:37:07,827 JUST A DREAM ♪ ♪ AND WAKE ME U WHEN IT'S OVER 606 00:37:07,827 --> 00:37:15,035 OVER ♪ ♪ IT'S OVER OVER ♪ 607 00:37:15,035 --> 00:37:18,371 WHEN IT'S OVER ♪ ♪ TELL ME IT WA ALL JUST A DREAM 608 00:37:18,371 --> 00:37:28,481 AND I'LL BELIEVE IT ♪ ♪ KEEP ME IN THE DARK THEN FAST-FORWARD TO THE PAR 609 00:37:28,481 --> 00:37:34,521 WITH ENDLESS NIGHT AND NEON LIGHTS ♪ ♪ I'LL BE BEAUTIFUL 610 00:37:34,521 --> 00:37:38,958 AND STARRY-EYED ♪ ♪ I TRY MY BEST TO TURN DOWN THE NOISE 611 00:37:38,958 --> 00:37:43,930 AND I TELL MYSEL THAT BOYS WILL BE BOYS ♪ ♪ IT'S GETTIN 612 00:37:43,930 --> 00:37:49,803 HARDER TO BREATH SO BABY PUT ME TO SLEE 'TIL IT GETS BETTER ♪ 613 00:37:49,803 --> 00:37:54,474 ♪ SO WAKE ME UP WHEN IT'S OVER ♪ [ CHEERS AND APPLAUSE 614 00:37:54,474 --> 00:38:04,384 ♪ IT'S OVER WHEN IT'S OVER TELL ME IT WAS ALL 615 00:38:04,384 --> 00:38:09,022 JUST A DREAM ♪ ♪ AND WAKE ME U WHEN IT'S OVER 616 00:38:09,022 --> 00:38:13,793 OVER ♪ ♪ IT'S OVER OVER 617 00:38:13,793 --> 00:38:23,036 WHEN IT'S OVER ♪ ♪ TELL ME IT WA ALL JUST A DREAM 618 00:38:23,036 --> 00:38:35,615 AND I'LL BELIEVE IT ♪ ♪ [ CHEERS AND APPLAUSE 619 00:38:35,615 --> 00:38:46,092 ♪ ♪ SOMETIMES I JUST DRIV WHEN I CAN'T 620 00:38:46,092 --> 00:38:52,766 TURN OFF MY MIND ♪ ♪ I DON'T KNOW WHER I'LL MEET YOU THER 621 00:38:52,766 --> 00:38:59,172 SOMEDAY ♪ ♪ SO WAKE ME UP WHEN IT'S OVER ♪ 622 00:38:59,172 --> 00:39:07,313 IT'S OVER ♪ ♪ WHEN IT'S OVE TELL ME IT WAS ALL 623 00:39:07,313 --> 00:39:14,320 JUST A DREAM ♪ ♪ AND WAKE ME U WHEN IT'S OVER 624 00:39:14,320 --> 00:39:21,361 OVER ♪ ♪ IT'S OVER OVER 625 00:39:21,361 --> 00:39:23,697 WHEN IT'S OVER ♪ ♪ TELL ME IT WA ALL JUST A DREAM 626 00:39:23,697 --> 00:39:33,206 AND I'LL BELIEVE IT ♪ [ CHEERS AND APPLAUSE Jimmy: CHVRCHES 627 00:39:33,206 --> 00:39:39,212 [ CHEERS AND APPLAUSE "OVER" IS OUT NOW. WE'LL BE RIGHT BACK, EVERYBODY 628 00:39:39,212 --> 00:40:01,267 [ CHEERS AND APPLAUSE OH MY GOD. [ CHEERS AND APPLAUSE 629 00:40:01,267 --> 00:40:04,170 Jimmy: MY THANKS TO MICHELLE WILLIAMS, JOHN STAMOS, MO WILLEMS, CHVRCHES, ONCE 630 00:40:04,170 --> 00:40:11,378 AGAIN! [ CHEERS AND APPLAUSE "OVER. 631 00:40:11,378 --> 00:40:13,680 AND THE ROOTS, RIGHT THERE, FROM PHILADELPHIA, PENNSYLVANIA 632 00:40:13,680 --> 00:40:16,383 [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH 633 00:40:16,383 --> 00:40:18,785 SETH MEYERS. GOODNIGHT, EVERYBODY 634 00:40:18,785 --> 00:40:33,199 [ CHEERS AND APPLAUSE ♪ ♪