1
00:00:01,555 --> 00:00:05,359
- Illusion, the art
of tricking the brain,

2
00:00:05,359 --> 00:00:08,696
distorting the senses,
challenging perception,

3
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you can't trust what you
see even with your own eyes.

4
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Meet the masters of illusion.

5
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(flame exploding)

6
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(audience cheering)

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(dramatic music)

8
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(upbeat music)

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Tonight, prepare
to enter a world

10
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where nothing is as it seems.

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I'm Dean Cain, and this
is "Masters Of Illusion."

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(audience applauding)

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Now there's something about
magic that draws us in,

14
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that makes us want to
believe in the impossible.

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Each trick, each illusion
is a window into a world

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where reality bends and
surprises wait at every turn.

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Hosting the show is definitely
an adventure in itself,

18
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and I can not wait to see
what these amazing magicians

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have in store for us.
- Hey, Dean!

20
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- But Trino's here.
(audience applauding)

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How are you, my friend?

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- I'm good, how are you?

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- Good.
- Great.

24
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- Just opening everything up.

25
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- Amazing.

26
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Dean, do you have a
little bit of money

27
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I could borrow?

28
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- Right now?

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- Yeah.
- Here?

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(audience laughing)

31
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- Just a couple bucks.

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- Of all times?

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- Yeah, I didn't even realize
you were out here, I'm sorry.

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(audience laughing)

35
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- I got 100 bucks.

36
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- Oh, you're doing
well, all right.

37
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That's good.

38
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Dean, we're gonna
take this $100 bill,

39
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we're gonna fold it
up just like this.

40
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- That's always a mistake.

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- Ball it up like
that. (audience laughing)

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If you would, go ahead and
hold your hand out flat for me,

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we're gonna set that
right there on top.

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- Okay, I can see that.

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- Dean, check this out.

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I'm gonna take this cloth,

47
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this goes right
over the top here.

48
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You feel that?

49
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- Yeah, I feel it.
- You can feel the bill

50
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right there, right?

51
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- It's right there.
- Watch.

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(audience exclaiming)

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(audience applauding)

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Completely gone.
- I don't like the trick

55
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very much, Trino.

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- Now watch, Dean.

57
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Just like this, you snap
your fingers, go on try it,

58
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and right inside
here you reach in

59
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and you can pull out-

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- My $100.

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- Your $100 bill.

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(audience applauding)

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- Yes.

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- Thank you so
much for your help.

65
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- Okay, all right.

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I see what he did there.

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Let's get started.

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Let's welcome to the stage
the incredible Adam Wiley.

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(audience applauding)
(upbeat music)

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- In my pocket, I have
one of the scariest,

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most mind-boggling objects
on the planet Earth.

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(tense music)

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A puzzle cube.

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(audience laughing)

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I know, stand back!

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This thing haunts me.

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It scares me, and as a magician,

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you would think that I could
actually do something about it

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and solve this thing,

80
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but to be honest
with you, I can not.

81
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I've always wanted to,

82
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but I really legitimately
don't know how,

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even if I tried, I would not
be able to solve this thing.

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It, in fact, gives
me a lot of anxiety,

85
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which is why I carry
around this paper bag.

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(audience laughing)

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To heal my anxiety.

88
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However, I thought what if

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healing my anxiety
(dramatic music)

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would heal the thing that
causes me the most anxiety?

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Watch.

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Puzzle cube into the bag.

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Just a snap.

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(Adam snaps)

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And it is completely solved.

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(audience laughing)

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Another snap and then
it is back to mixed.

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Thank you so much.

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(audience laughing)

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Thank you, I can't do that.
(audience applauding)

101
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It's impossible.

102
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It is.

103
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But I appreciate you
all believing in me,

104
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that's very, very nice of you.

105
00:04:05,733 --> 00:04:07,134
I will put said cube...

106
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It is, in fact, not solved.

107
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Not solved.

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Thank you so much, great.

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00:04:14,675 --> 00:04:16,810
(audience laughing)

110
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(audience applauding)

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(Adam snaps)

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(bag rustling)

113
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(audience exclaiming)

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(audience applauding)

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With nothing else in the bag.

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Thank you!

117
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Oh no, really, there is
nothing else in the bag.

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It really is just that cube.

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Take that, Naathan Phan.

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I make confetti too.

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(audience applauding)

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- Prepare to be astonished

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by a magician who combines
creativity and precision

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to deliver
unforgettable illusions.

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He's an award-winning performer

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who has taken the world of
close up magic by storm.

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Captivating audiences
everywhere, including right

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here. Let's give a warm welcome
to the extraordinary Dreygon.

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(audience applauding)

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- My favorite type of
magic involves imagination.

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And I wanted to show
just how powerful

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each and every one of
your imaginations are,

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because of that, I've actually
invited two random people

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up here with me.

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What's your name?

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- Michon.

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- [Dreygon] Michon?

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And what's yours?
- Anthony.

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- Anthony.

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Nice to meet you guys.

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I'm gonna have you guys
using your imagination,

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and to do that, I brought
some arts and crafts.

143
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We have a couple
blank slips of paper

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that we will get back to.

145
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As well as that, we have this.

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It's gonna be a
lot of fun later.

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We're gonna leave
that right there.

148
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Now I'm gonna show each
of you guys an image

149
00:06:03,517 --> 00:06:06,687
known as a ink blot test,
or a Rorschach test.

150
00:06:06,687 --> 00:06:08,055
Actually, by round of applause,

151
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how many of you have
heard of an ink blot test?

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(audience applauding)

153
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Yeah, yeah, yeah, okay, okay.

154
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I didn't know this was a group
therapy session, but okay.

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(audience laughing)

156
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But it's my version of it.

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And actually, I don't want
you guys to see this just yet,

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so can you actually
face forward?

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Thank you.

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This is what it looks like.

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I call it a doodle blot,

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because it's a bunch
of scribbly lines

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that they're gonna look into

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until their imagination
sees one clear image

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in the chaos of the lines, okay?

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So I'm gonna have
you go up first.

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Just think of the
first image you see,

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don't overthink it.

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And in fact, can you just
point to whichever image

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you're focusing on.

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Yeah?

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And I want you to paint
whatever image it is

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that you're focusing on
vividly in your mind,

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so you don't forget it.

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You're doing that?

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Okay, perfect.

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And you can face forward.

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Now I'm gonna have
you go up next.

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And I'm gonna give you a
slightly different angle, okay?

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So same thing,
don't overthink it,

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just point to whichever image...

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Okay.

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And just like I said with him,

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I want you to paint it
vividly in your imagination

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so you don't forget it.

186
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- Yep.

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- Okay?

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And then you can
face forward too.

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Now think about it, two people
looked at the same scribbles

190
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and thought of an image.

191
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Maybe they thought
of the same image,

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or maybe two different images.

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I don't know.

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We're gonna try this out.

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We'll try this.

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You guys can face me now.

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This is where we're
gonna use this.

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Now this is a whole
bunch of confetti.

199
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And we're gonna sprinkle these

200
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into these pieces of paper.

201
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So here, get a handful.

202
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There we go.

203
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Sprinkle some in there.

204
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And then I'm gonna have
you do the same thing.

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And sprinkle that in there.

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And this is where it's
gonna get real fun.

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Can you actually, just
with your right hand,

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just pinch right here.

209
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Yep, yeah, yeah,
yeah, just like that.

210
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And then when I tell you to,

211
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you're gonna use your
other hand to open it flat

212
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like a book, okay?

213
00:07:49,990 --> 00:07:51,892
And then I'm gonna have you
do the same exact thing.

214
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So here, take your right hand
and just pinch right here.

215
00:07:55,596 --> 00:07:56,730
Yep.

216
00:07:56,730 --> 00:07:57,898
And then again when
I tell you to...

217
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Yep, with your
index on the bottom.

218
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When I tell you to, you're
gonna use your other hand

219
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to open it flat
like a book, okay?

220
00:08:02,836 --> 00:08:04,838
This is where it's gonna
be really interesting,

221
00:08:04,838 --> 00:08:06,807
because you guys don't
even know what images

222
00:08:06,807 --> 00:08:08,208
they're thinking of, right?

223
00:08:08,208 --> 00:08:10,210
So for the first time,
what image did you go for?

224
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- The red apple.

225
00:08:11,445 --> 00:08:12,546
- The red apple?

226
00:08:12,546 --> 00:08:14,281
Okay, did you go
for a red apple?

227
00:08:14,281 --> 00:08:15,115
- A red bird.

228
00:08:15,115 --> 00:08:16,383
- Oh, a red bird, okay.

229
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So kind of close, right?
(audience laughing)

230
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Pretty cool.

231
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Hopefully this works.

232
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Can you guys actually
face the audience.

233
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In fact, can you stand up

234
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and do you guys
mind helping me out?

235
00:08:25,125 --> 00:08:28,195
Can you count from three
to two to one with me?

236
00:08:28,195 --> 00:08:29,796
Okay, and hopefully
this will work.

237
00:08:29,796 --> 00:08:30,631
You ready?

238
00:08:30,631 --> 00:08:31,765
Here with me now.

239
00:08:31,765 --> 00:08:33,934
- [Dreygon And Audience]
Three, two, one.

240
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- Open your papers.

241
00:08:34,902 --> 00:08:37,004
That's an apple, that's a bird.

242
00:08:37,004 --> 00:08:37,905
(audience applauding)
(upbeat music)

243
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That's amazing.

244
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Thank you guys so much.

245
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- So cool!

246
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- Thank you so much
for helping out.

247
00:08:44,144 --> 00:08:46,046
Thank you so much
for helping out.

248
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You guys were amazing.

249
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Thank you, guys.

250
00:08:56,456 --> 00:08:57,391
(flame exploding)

251
00:08:57,391 --> 00:08:59,993
- Coming up, Joel Meyers creates

252
00:08:59,993 --> 00:09:04,398
a completely unique magic
experience for one lucky lady.

253
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Plus Jeki Yoo makes
the impossible real

254
00:09:07,768 --> 00:09:09,503
right before your eyes.

255
00:09:11,071 --> 00:09:13,974
(flame exploding)

256
00:09:16,610 --> 00:09:21,682
(upbeat music)
(audience applauding)

257
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Prepare to be
entertained by a magician

258
00:09:26,186 --> 00:09:29,756
who brings energy, charm,
and cutting edge illusions

259
00:09:29,756 --> 00:09:31,258
to the stage.

260
00:09:31,258 --> 00:09:33,794
His fast-paced style and ability
to connect with audiences

261
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makes him one of the
most exciting performers

262
00:09:36,463 --> 00:09:37,698
in magic today.

263
00:09:37,698 --> 00:09:41,301
Let's give a warm
welcome to Joel Meyers.

264
00:09:41,301 --> 00:09:42,836
(upbeat music)
(audience applauding)

265
00:09:42,836 --> 00:09:45,205
- Let's see who we've got.

266
00:09:45,205 --> 00:09:47,140
Hi, what's your name?
- Katherine.

267
00:09:47,140 --> 00:09:48,775
- Katherine, you look fabulous.

268
00:09:48,775 --> 00:09:49,643
Everybody give
Katherine a big hand.

269
00:09:49,643 --> 00:09:50,811
Katherine, come
join me up on stage.

270
00:09:50,811 --> 00:09:51,745
(audience applauding)

271
00:09:51,745 --> 00:09:52,479
Nice to meet you, Katherine.

272
00:09:52,479 --> 00:09:53,747
Watch your step.

273
00:09:53,747 --> 00:09:55,549
Katherine, you're gonna
sit right over here

274
00:09:55,549 --> 00:09:57,217
in the executive
suite over there.

275
00:09:57,217 --> 00:09:59,253
So Katherine, like I said,

276
00:09:59,253 --> 00:10:01,888
I wanted to create a moment
that was very, very unique,

277
00:10:01,888 --> 00:10:04,224
and I actually have
an idea of how I think

278
00:10:04,224 --> 00:10:06,660
that this is going to go
by the end of this, okay?

279
00:10:06,660 --> 00:10:09,563
I have it on a piece
of paper right here.

280
00:10:09,563 --> 00:10:11,131
So Katherine, that is for you.

281
00:10:11,131 --> 00:10:12,532
We're gonna look
at that later on,

282
00:10:12,532 --> 00:10:13,900
but you're gonna
hold on to that.

283
00:10:13,900 --> 00:10:14,568
In fact, you can put
your hand on it right now

284
00:10:14,568 --> 00:10:16,136
if you want to.

285
00:10:16,136 --> 00:10:17,104
If your hand gets tired you
can bring it down, it's fine.

286
00:10:17,104 --> 00:10:18,305
Just keep an eye on the paper,

287
00:10:18,305 --> 00:10:19,306
make sure I don't
get near it, cool?

288
00:10:19,306 --> 00:10:20,707
- Got it.

289
00:10:20,707 --> 00:10:21,975
- Now I've also got some
photographs here, Katherine.

290
00:10:21,975 --> 00:10:23,076
There's a bunch of
different photos here.

291
00:10:23,076 --> 00:10:24,411
They're a bunch
of random things.

292
00:10:24,411 --> 00:10:26,713
Okay, I've got things
like a baseball there,

293
00:10:26,713 --> 00:10:29,983
we got a flamingo,
there's a sword.

294
00:10:29,983 --> 00:10:31,985
Now Katherine, somehow
these photographs,

295
00:10:31,985 --> 00:10:33,553
I'm going to try and
make some of these

296
00:10:33,553 --> 00:10:35,122
mean something to you
by the end of this.

297
00:10:35,122 --> 00:10:36,857
Hopefully, one of
these photographs

298
00:10:36,857 --> 00:10:39,960
will mean something to you
by the time we're done, okay?

299
00:10:39,960 --> 00:10:41,561
So there a bunch of
different random things.

300
00:10:41,561 --> 00:10:43,597
Now Katherine, all of the
faces of these photographs

301
00:10:43,597 --> 00:10:45,032
are totally different.

302
00:10:45,032 --> 00:10:47,968
But the backs are all the
same, can you see that?

303
00:10:47,968 --> 00:10:49,503
So all the faces are different,

304
00:10:49,503 --> 00:10:51,405
but the backs are
all the same, cool?

305
00:10:51,405 --> 00:10:53,640
So I'm gonna try and mix
these up randomly, okay?

306
00:10:53,640 --> 00:10:55,008
Make them all totally random.

307
00:10:55,008 --> 00:10:57,477
We're gonna mix them up
face up and face down

308
00:10:57,477 --> 00:10:58,745
just like this, okay?

309
00:10:58,745 --> 00:11:00,714
You see these face
up, these face down.

310
00:11:00,714 --> 00:11:02,816
And I'm gonna start
mixing these up right now

311
00:11:02,816 --> 00:11:04,184
just like this, Katherine.

312
00:11:04,184 --> 00:11:06,787
This is to make sure that
it's completely a mess.

313
00:11:06,787 --> 00:11:09,690
That these are completely
randomly mixed up.

314
00:11:09,690 --> 00:11:11,658
I'm gonna make it even
more a mess, Katherine.

315
00:11:11,658 --> 00:11:14,428
I'm gonna flip over maybe
like every other one

316
00:11:14,428 --> 00:11:17,431
just to make sure it's
even more of a mess there.

317
00:11:17,431 --> 00:11:18,932
Every other one.

318
00:11:18,932 --> 00:11:20,400
Now Katherine, I wanna get
you involved with this too.

319
00:11:20,400 --> 00:11:22,402
I want you to start making
some decisions here, okay?

320
00:11:22,402 --> 00:11:24,504
So now they're all mixed
up face up, face down,

321
00:11:24,504 --> 00:11:26,073
we're gonna take two
of them like this.

322
00:11:26,073 --> 00:11:28,475
That stop light is
face up right now

323
00:11:28,475 --> 00:11:30,577
and on the other
side is a windowpane.

324
00:11:30,577 --> 00:11:31,812
You tell me right now,

325
00:11:31,812 --> 00:11:32,746
do you want these
to stay up like this

326
00:11:32,746 --> 00:11:34,181
or do you want me to flip them?

327
00:11:34,181 --> 00:11:35,282
Do you want me drop them
as they are or flip them,

328
00:11:35,282 --> 00:11:36,116
it's up to you.

329
00:11:36,116 --> 00:11:36,950
- Drop them.

330
00:11:36,950 --> 00:11:37,851
- Drop them.

331
00:11:37,851 --> 00:11:39,386
Drop them just like that.

332
00:11:39,386 --> 00:11:40,754
So that stop light, that is
face up, it's still face up.

333
00:11:40,754 --> 00:11:41,288
It would've been face down
if you said flip, right?

334
00:11:41,288 --> 00:11:42,689
- Yeah.

335
00:11:42,689 --> 00:11:43,523
- We're gonna do it
again with these two.

336
00:11:43,523 --> 00:11:44,791
The lamp is face up,

337
00:11:44,791 --> 00:11:45,659
do you want me to
drop it or flip it?

338
00:11:45,659 --> 00:11:46,660
- Drop.

339
00:11:46,660 --> 00:11:47,794
- Drop, we're dropping those.

340
00:11:47,794 --> 00:11:48,962
These two, we'll do it quick.
These two, drop or flip?

341
00:11:48,962 --> 00:11:49,863
- [Katherine] Flip.
- Flip.

342
00:11:49,863 --> 00:11:50,897
Drop or flip?
- Drop.

343
00:11:50,897 --> 00:11:52,299
- Drop.

344
00:11:52,299 --> 00:11:54,534
Oh no, you said drop, I
flipped, my bad, okay, sorry.

345
00:11:54,534 --> 00:11:55,502
I'm listening.
(audience laughing)

346
00:11:55,502 --> 00:11:56,236
Okay.

347
00:11:56,236 --> 00:11:57,137
These two, drop or flip?

348
00:11:57,137 --> 00:11:58,071
- Drop.

349
00:11:58,071 --> 00:11:59,005
- Drop, okay, these two?

350
00:11:59,005 --> 00:11:59,806
- [Katherine] Flip.

351
00:11:59,806 --> 00:12:00,507
- [Joel] Flip.

352
00:12:00,507 --> 00:12:01,475
These two?
- Flip.

353
00:12:01,475 --> 00:12:02,409
- [Joel] Flip all right,
they're face up now.

354
00:12:02,409 --> 00:12:03,977
- Flip.
- Flip, there we go.

355
00:12:03,977 --> 00:12:04,745
- [Katherine] Drop.

356
00:12:04,745 --> 00:12:05,679
- Drop.

357
00:12:05,679 --> 00:12:07,013
- Drop.
- Drop, all right.

358
00:12:07,013 --> 00:12:08,548
You made those
decisions, Katherine.

359
00:12:08,548 --> 00:12:10,450
Now here's the deal, some
of these are now face up,

360
00:12:10,450 --> 00:12:13,220
some of them are now face down.

361
00:12:13,220 --> 00:12:15,021
You made those
decisions, Katherine.

362
00:12:15,021 --> 00:12:17,991
You're gonna make one more
decision right now, okay?

363
00:12:17,991 --> 00:12:20,360
There's some that
are closer to me

364
00:12:20,360 --> 00:12:22,596
and then some that are closer
to the audience right now.

365
00:12:22,596 --> 00:12:24,498
I'm gonna flip
over one more pile.

366
00:12:24,498 --> 00:12:27,167
That pile is going to determine
the rest of how this goes.

367
00:12:27,167 --> 00:12:30,303
You're gonna decide, am
I flipping over the pile

368
00:12:30,303 --> 00:12:31,471
that's closer to the audience

369
00:12:31,471 --> 00:12:33,273
or the pile that's closer to
me, which one do you want?

370
00:12:33,273 --> 00:12:34,508
- Audience.

371
00:12:34,508 --> 00:12:35,942
- The one that's closer to the
audience is getting flipped

372
00:12:35,942 --> 00:12:37,377
just like that.

373
00:12:37,377 --> 00:12:38,645
So Katherine, at this point now

374
00:12:38,645 --> 00:12:41,114
you've made all of
these decisions.

375
00:12:41,114 --> 00:12:43,750
Some of these are face up,
some of them are face down.

376
00:12:43,750 --> 00:12:45,619
Katherine, we're only gonna use
the ones that are face down,

377
00:12:45,619 --> 00:12:47,254
so we're not gonna
use that baseball,

378
00:12:47,254 --> 00:12:48,989
we're not gonna
use that flamingo,

379
00:12:48,989 --> 00:12:51,825
we're gonna only use these
ones that are face down.

380
00:12:51,825 --> 00:12:53,527
We're not gonna use
that wrench there,

381
00:12:53,527 --> 00:12:55,796
we're not gonna use the cactus,
or whatever that tool is.

382
00:12:55,796 --> 00:13:00,367
We're gonna use these, we're
not gonna use the lamp,

383
00:13:00,367 --> 00:13:03,570
we're not gonna use the nut
and bolts or that door handle,

384
00:13:03,570 --> 00:13:04,871
only these, cool, Katherine?

385
00:13:04,871 --> 00:13:06,339
- [Katherine] Cool.

386
00:13:06,339 --> 00:13:08,642
- Now Katherine,
here's the deal,

387
00:13:08,642 --> 00:13:11,077
I said I wanted to make some
of these mean something to you,

388
00:13:11,077 --> 00:13:13,680
so let's see what we've
ended up with here.

389
00:13:13,680 --> 00:13:15,515
Katherine, we've got a bunch
of different random ones here.

390
00:13:15,515 --> 00:13:17,851
Katherine, there's
a lighthouse there.

391
00:13:17,851 --> 00:13:19,719
You don't live in a
lighthouse, do you?

392
00:13:19,719 --> 00:13:20,687
- I do not.

393
00:13:20,687 --> 00:13:21,521
- Okay.

394
00:13:21,521 --> 00:13:22,823
(audience laughing)

395
00:13:22,823 --> 00:13:23,490
Have you ever seen a
lighthouse, Katherine?

396
00:13:23,490 --> 00:13:24,391
- I have.

397
00:13:24,391 --> 00:13:25,158
- Amazing, how do I do it?

398
00:13:25,158 --> 00:13:26,460
That was good.

399
00:13:26,460 --> 00:13:27,561
What about this one,
we've got an airplane,

400
00:13:27,561 --> 00:13:28,762
have you ever been
in an airplane?

401
00:13:28,762 --> 00:13:29,729
- Yes.

402
00:13:29,729 --> 00:13:30,864
- Do you have any affiliation

403
00:13:30,864 --> 00:13:31,431
with airplanes
though, Katherine?

404
00:13:31,431 --> 00:13:32,265
- No.

405
00:13:32,265 --> 00:13:33,500
- Nothing?

406
00:13:33,500 --> 00:13:34,401
Okay, books there,
nothing with books.

407
00:13:34,401 --> 00:13:35,202
Do you like to read maybe?

408
00:13:35,202 --> 00:13:36,303
- I do like to read.

409
00:13:36,303 --> 00:13:37,604
- But would you
say that's a hit,

410
00:13:37,604 --> 00:13:38,405
like that's amazing, oh
my gosh, how did he...

411
00:13:38,405 --> 00:13:38,972
No, nothing like...

412
00:13:38,972 --> 00:13:39,773
Okay.

413
00:13:39,773 --> 00:13:41,074
This is going great.

414
00:13:41,074 --> 00:13:42,342
Okay, umbrella there.
(audience laughing)

415
00:13:42,342 --> 00:13:45,612
We've got a stop light,
we've got a window.

416
00:13:45,612 --> 00:13:47,581
So far nothing's really
jumping out at you,

417
00:13:47,581 --> 00:13:49,649
none of this really has any
meaning to you right now?

418
00:13:49,649 --> 00:13:50,617
Okay.

419
00:13:50,617 --> 00:13:51,585
That's okay.

420
00:13:51,585 --> 00:13:52,819
We've got a clothespin there.

421
00:13:52,819 --> 00:13:54,821
And then we've got
a Swiss army knife.

422
00:13:54,821 --> 00:13:57,157
Now Katherine, the truth is,

423
00:13:57,157 --> 00:13:58,592
is I did say I wanted
to end this in a way

424
00:13:58,592 --> 00:13:59,993
that was very unique.

425
00:13:59,993 --> 00:14:03,563
So beforehand there was
a drawing that was made

426
00:14:03,563 --> 00:14:06,833
and I have two little
twin three year olds,

427
00:14:06,833 --> 00:14:10,704
and one of them drew the
drawing that you're gonna see

428
00:14:10,704 --> 00:14:13,440
and they drew it before
I even came here.

429
00:14:13,440 --> 00:14:15,108
So we're gonna unfold
this, Katherine.

430
00:14:15,108 --> 00:14:16,476
I want you to see, this has
been here the whole time,

431
00:14:16,476 --> 00:14:18,144
your hands have been on
it the entire time, right?

432
00:14:18,144 --> 00:14:19,246
Check this out, Katherine,

433
00:14:19,246 --> 00:14:21,715
this is actually
a drawing of you,

434
00:14:21,715 --> 00:14:23,750
do you see that, Katherine?

435
00:14:23,750 --> 00:14:25,151
But it's not just a
drawing of you, Katherine,

436
00:14:25,151 --> 00:14:26,553
it even says your name there,

437
00:14:26,553 --> 00:14:28,021
and then it has all of
the different items there.

438
00:14:28,021 --> 00:14:29,689
You can see there's
an umbrella there,

439
00:14:29,689 --> 00:14:31,625
you can see there's a
clothespin, a stop light,

440
00:14:31,625 --> 00:14:33,760
there's the train track,
there's some books,

441
00:14:33,760 --> 00:14:35,529
there's a stop light,
there's an airplane,

442
00:14:35,529 --> 00:14:38,031
pocket knife, window.

443
00:14:38,031 --> 00:14:39,566
Everything that
we ended up with.

444
00:14:39,566 --> 00:14:42,369
But Katherine, that's not
even the really amazing part.

445
00:14:42,369 --> 00:14:45,071
The really amazing part is
I said I wanted to end this

446
00:14:45,071 --> 00:14:46,773
in a way that was so unique

447
00:14:46,773 --> 00:14:51,177
that it could only be done
right here, right now,

448
00:14:51,177 --> 00:14:54,681
and only for you, Katherine.

449
00:14:54,681 --> 00:14:57,851
This is what I'm talking about.

450
00:14:59,653 --> 00:15:01,888
(audience exclaiming)

451
00:15:01,888 --> 00:15:03,123
(audience applauding)

452
00:15:03,123 --> 00:15:03,790
Katherine, if you
look really closely,

453
00:15:05,325 --> 00:15:07,294
can you see what
that says, Katherine?

454
00:15:08,962 --> 00:15:09,796
- Oh my god.
- Katherine, if you look at it

455
00:15:09,796 --> 00:15:11,464
it says Katherine.

456
00:15:11,464 --> 00:15:12,299
(audience laughing)

457
00:15:12,299 --> 00:15:13,567
- [Katherine] What?

458
00:15:13,567 --> 00:15:15,168
- [Joel] Just like that
it spells out your name.

459
00:15:15,168 --> 00:15:19,773
- No freaking way.
(audience applauding)

460
00:15:19,773 --> 00:15:23,109
(upbeat music)

461
00:15:23,109 --> 00:15:25,278
- Everybody give Katherine a
big hand, you guys, come on.

462
00:15:25,278 --> 00:15:28,515
(audience applauding)

463
00:15:36,289 --> 00:15:38,058
- This performer is a magician

464
00:15:38,058 --> 00:15:41,127
who has captivated
audiences around the globe

465
00:15:41,127 --> 00:15:45,031
with his innovative
visually stunning magic.

466
00:15:45,031 --> 00:15:48,101
Known for pushing the boundaries
of traditional illusions,

467
00:15:48,101 --> 00:15:50,837
please welcome the
incredible Jeki Yoo.

468
00:15:50,837 --> 00:15:54,140
(audience applauding)

469
00:15:54,140 --> 00:15:58,078
- Yeah, Jeki is back, and my
audience, what's your name?

470
00:15:58,078 --> 00:15:59,212
- Adam.

471
00:15:59,212 --> 00:16:00,080
- Adam, nice to
meet you, I'm Jeki.

472
00:16:00,080 --> 00:16:01,481
(upbeat music)

473
00:16:01,481 --> 00:16:03,416
All right, now I'm gonna
show you some visual magic,

474
00:16:03,416 --> 00:16:05,986
but before that, as you
can see I have a clear bag,

475
00:16:05,986 --> 00:16:07,354
but you can check it out.

476
00:16:07,354 --> 00:16:09,823
See it's there, any holes
or something like that?

477
00:16:09,823 --> 00:16:11,057
Just an ordinary bag, right?

478
00:16:11,057 --> 00:16:11,992
- Ordinary bag.

479
00:16:11,992 --> 00:16:13,259
- Okay, place it right here.

480
00:16:13,259 --> 00:16:15,362
And also I have four
coins in my hand,

481
00:16:15,362 --> 00:16:16,630
see, four coins.

482
00:16:16,630 --> 00:16:18,365
It's American half dollars,

483
00:16:18,365 --> 00:16:20,333
and look closely,
four coins here,

484
00:16:20,333 --> 00:16:22,235
and I put this inside the bag,

485
00:16:22,235 --> 00:16:23,637
but this is a clear bag,

486
00:16:23,637 --> 00:16:25,772
so you can clearly see
they are inside, right?

487
00:16:25,772 --> 00:16:26,773
- [Adam] Mm-hmm, yeah.

488
00:16:26,773 --> 00:16:27,941
- It looks like this.

489
00:16:27,941 --> 00:16:29,342
I gather them here,

490
00:16:29,342 --> 00:16:32,078
but look, if I shake it,
something will happen.

491
00:16:32,078 --> 00:16:33,446
See?

492
00:16:33,446 --> 00:16:37,984
One coin slowly, slowly
pass through the bag, see?

493
00:16:38,685 --> 00:16:39,219
(audience exclaiming)

494
00:16:39,219 --> 00:16:39,786
See?

495
00:16:39,786 --> 00:16:40,620
Oh my!

496
00:16:40,620 --> 00:16:41,454
- Yeah.

497
00:16:41,454 --> 00:16:42,922
- Let's see it again.

498
00:16:42,922 --> 00:16:44,357
But this time, let's make
it even more challenging.

499
00:16:44,357 --> 00:16:47,761
Here, I fold the
bag once and twice,

500
00:16:47,761 --> 00:16:49,896
so now there is no way out, see?

501
00:16:49,896 --> 00:16:51,297
They are inside.

502
00:16:51,297 --> 00:16:53,633
But look carefully,
if I shake it,

503
00:16:56,736 --> 00:16:57,904
and the second one comes out.

504
00:16:57,904 --> 00:16:58,738
(audience exclaiming)

505
00:16:58,738 --> 00:16:59,572
See?

506
00:16:59,572 --> 00:17:01,141
Two coins left.

507
00:17:01,141 --> 00:17:01,975
Let me show you.

508
00:17:04,010 --> 00:17:05,311
See?

509
00:17:05,311 --> 00:17:06,446
One and two.

510
00:17:06,446 --> 00:17:07,580
Look carefully.

511
00:17:10,850 --> 00:17:13,086
And now third one comes out,
(audience exclaiming)

512
00:17:13,086 --> 00:17:15,221
and here's the last.
(audience applauding)

513
00:17:15,221 --> 00:17:18,191
See, here's the last
one, look carefully.

514
00:17:18,191 --> 00:17:23,263
If I pull, one,
two, and three, see?

515
00:17:24,264 --> 00:17:25,699
All four coins pass
through the bag.

516
00:17:25,699 --> 00:17:26,566
(audience applauding)

517
00:17:26,566 --> 00:17:27,567
Thank you so much.

518
00:17:28,635 --> 00:17:30,737
And Adam, this is
a present for you,

519
00:17:30,737 --> 00:17:31,805
thank you so much.

520
00:17:31,805 --> 00:17:32,639
- Thank you.

521
00:17:32,639 --> 00:17:33,807
- Thank you, thank you.

522
00:17:33,807 --> 00:17:35,041
Yeah, big hand for Adam.

523
00:17:35,041 --> 00:17:38,278
(audience applauding)

524
00:17:41,347 --> 00:17:42,749
(flame exploding)

525
00:17:42,749 --> 00:17:45,852
- [Dean] Up next, international
superstar Hans Klok

526
00:17:45,852 --> 00:17:48,288
takes his partner
to new heights.

527
00:17:48,288 --> 00:17:52,025
Plus Mike Hammer gets all
wrapped up and put away.

528
00:17:52,025 --> 00:17:54,427
- Hey, I tried to stop
her, but my hands are tied.

529
00:17:54,427 --> 00:17:57,330
(flame exploding)

530
00:17:59,365 --> 00:18:04,070
(upbeat music)
(audience applauding)

531
00:18:04,070 --> 00:18:06,773
- This performer is known
for pushing the limits

532
00:18:06,773 --> 00:18:08,308
of what's possible.

533
00:18:08,308 --> 00:18:12,645
Combining precision, danger,
and elegance in every act.

534
00:18:12,645 --> 00:18:14,114
(audience applauding)

535
00:18:14,114 --> 00:18:16,516
From Holland, here is
probably the best illusionist

536
00:18:16,516 --> 00:18:19,018
in the world, Hans Klok.

537
00:18:19,018 --> 00:18:24,090
(audience applauding)
(dramatic music)

538
00:19:05,999 --> 00:19:08,868
(audience applauding)

539
00:19:08,868 --> 00:19:12,539
(dramatic music continues)

540
00:19:29,189 --> 00:19:32,425
(audience applauding)

541
00:19:54,380 --> 00:19:56,282
(audience exclaiming)

542
00:19:56,282 --> 00:19:59,519
(audience applauding)

543
00:20:17,103 --> 00:20:19,272
Tonight's performer
is a magician

544
00:20:19,272 --> 00:20:22,742
who specializes in the
art of the impossible

545
00:20:22,742 --> 00:20:25,712
with grand illusions
that challenge reality

546
00:20:25,712 --> 00:20:28,681
and escape acts that
flirt with danger.

547
00:20:28,681 --> 00:20:32,085
He has become a crowd
favorite across the globe.

548
00:20:32,085 --> 00:20:35,121
Please welcome the
brilliant Mike Hammer.

549
00:20:35,121 --> 00:20:40,193
(audience applauding)
(dramatic music)

550
00:20:48,067 --> 00:20:51,604
(audience applauding)

551
00:20:51,604 --> 00:20:52,472
- Thank you, guys.

552
00:20:54,474 --> 00:20:57,176
Please, hold your applause
like this guy's doing.

553
00:20:57,176 --> 00:20:58,344
What's wrong with you, sir?

554
00:20:58,344 --> 00:20:59,178
(audience laughing)

555
00:20:59,178 --> 00:21:00,313
Is this your guy?

556
00:21:00,313 --> 00:21:02,015
Small town, not
a lot of options?

557
00:21:02,015 --> 00:21:03,549
Why don't you come
up and help us out?

558
00:21:03,549 --> 00:21:04,550
What's your name?

559
00:21:04,550 --> 00:21:05,852
- Jeffrey.

560
00:21:05,852 --> 00:21:06,686
- Jeffrey, everybody,
give it up for Jeffrey.

561
00:21:06,686 --> 00:21:07,954
And what is your name?

562
00:21:07,954 --> 00:21:08,788
What is it?

563
00:21:08,788 --> 00:21:09,756
- Crystal.

564
00:21:09,756 --> 00:21:10,690
- Crystal, everybody, Crystal.

565
00:21:10,690 --> 00:21:12,225
Yeah, come on.

566
00:21:12,225 --> 00:21:14,627
Come on, you weren't
expecting to come up here.

567
00:21:16,262 --> 00:21:19,933
Oh my god, well,
wake it up. (laughs)

568
00:21:19,933 --> 00:21:21,601
Crystal, everybody, and Jeffrey.

569
00:21:21,601 --> 00:21:24,771
(audience applauding)

570
00:21:24,771 --> 00:21:27,206
Well, we're gonna
use something today

571
00:21:27,206 --> 00:21:29,175
a little more difficult
that a straight jacket.

572
00:21:29,175 --> 00:21:32,312
This, folks, is industrial
strength stretch wrap.

573
00:21:32,312 --> 00:21:34,213
If you're wrapped up in
this, you can not breathe.

574
00:21:34,213 --> 00:21:35,982
Jeffrey, can you breathe?

575
00:21:35,982 --> 00:21:36,816
- (chuckles) No.

576
00:21:36,816 --> 00:21:37,650
(audience laughing)

577
00:21:37,650 --> 00:21:39,052
- All right.

578
00:21:39,052 --> 00:21:40,853
Well, this is usually
used for moving supplies.

579
00:21:40,853 --> 00:21:43,022
You look like you move
around town a lot.

580
00:21:43,022 --> 00:21:43,890
All right, so,

581
00:21:43,890 --> 00:21:45,091
(audience laughing)

582
00:21:45,091 --> 00:21:46,492
Jeffrey, if you
could come over here,

583
00:21:46,492 --> 00:21:47,827
you're gonna start
wrapping this up around me.

584
00:21:47,827 --> 00:21:49,162
Why don't you stay on
this side over here?

585
00:21:49,162 --> 00:21:51,531
Just pull that stretch
wrap, hold the canister.

586
00:21:51,531 --> 00:21:54,934
Crystal, your part's coming
up in a little bit, all right?

587
00:21:54,934 --> 00:21:56,536
All right, so check
it out, folks.

588
00:21:56,536 --> 00:21:58,438
Jeffrey, you start
wrapping me up.

589
00:21:58,438 --> 00:21:59,572
(mellow music)

590
00:21:59,572 --> 00:22:01,607
There you go, just
pull it around.

591
00:22:01,607 --> 00:22:03,076
Looks good, right, ladies, yeah?

592
00:22:03,076 --> 00:22:04,010
(audience laughing)

593
00:22:04,010 --> 00:22:05,211
And you, sir?

594
00:22:05,211 --> 00:22:06,546
All right.

595
00:22:06,546 --> 00:22:09,615
That's good, Jeffrey,
keep going, keep going.

596
00:22:09,615 --> 00:22:11,184
Yeah, just around, there you go.

597
00:22:11,184 --> 00:22:12,785
Crystal, why don't
you walk around,

598
00:22:12,785 --> 00:22:14,954
make sure it's going
around my body.

599
00:22:14,954 --> 00:22:16,556
Yeah, feel free to get involved.

600
00:22:16,556 --> 00:22:18,291
(audience laughing)

601
00:22:18,291 --> 00:22:19,525
Go ahead, Jeffrey,
wherever you want.

602
00:22:19,525 --> 00:22:21,260
Yeah, one more time there, yeah.

603
00:22:21,260 --> 00:22:22,762
What was that all about?

604
00:22:22,762 --> 00:22:23,730
(audience laughing)

605
00:22:23,730 --> 00:22:25,465
Wow, touchy feely, aren't we?

606
00:22:25,465 --> 00:22:26,432
That's good.

607
00:22:26,432 --> 00:22:27,667
If you could just rip that up.

608
00:22:31,337 --> 00:22:32,305
Just pull it.

609
00:22:32,305 --> 00:22:33,873
(audience laughing)

610
00:22:33,873 --> 00:22:36,242
Oh my god, what are you
doing with this guy?

611
00:22:36,242 --> 00:22:38,678
All right, we've
got some package...

612
00:22:38,678 --> 00:22:40,079
Just drop that down,
it doesn't matter.

613
00:22:40,079 --> 00:22:41,347
We've got some package
tape over there,

614
00:22:41,347 --> 00:22:42,715
you see the package tape?

615
00:22:42,715 --> 00:22:44,050
You just go pick it up.

616
00:22:44,050 --> 00:22:45,418
(audience laughing)

617
00:22:45,418 --> 00:22:46,219
You should have applauded
for the other part,

618
00:22:46,219 --> 00:22:47,286
you'd never be up here.

619
00:22:47,286 --> 00:22:48,154
(audience laughing)

620
00:22:48,154 --> 00:22:49,622
This is package tape,

621
00:22:49,622 --> 00:22:51,357
Crystal, we're gonna get
you involved on this one.

622
00:22:51,357 --> 00:22:53,626
Just go ahead, start putting
the tape around my body,

623
00:22:53,626 --> 00:22:54,627
anywhere you like.

624
00:22:54,627 --> 00:22:55,995
Yeah, there you go, go around.

625
00:22:55,995 --> 00:22:57,230
Crystal, come over here.

626
00:22:57,230 --> 00:22:58,297
Can you press the tape?

627
00:22:58,297 --> 00:22:59,499
Go ahead, Jeffrey, go ahead.

628
00:22:59,499 --> 00:23:00,533
Where'd she go?

629
00:23:00,533 --> 00:23:01,768
Come over here, Crystal.

630
00:23:01,768 --> 00:23:03,302
(audience laughing)

631
00:23:03,302 --> 00:23:04,837
Oh my god, press that tape
firmly onto the stretch wrap,

632
00:23:04,837 --> 00:23:07,440
just press it on there,
follow Jeffrey around.

633
00:23:07,440 --> 00:23:08,307
Easy with the hands.

634
00:23:08,307 --> 00:23:09,542
Just go ahead.

635
00:23:09,542 --> 00:23:11,010
Go ahead, Jeffrey.
(audience laughing)

636
00:23:11,010 --> 00:23:14,113
Hey, I tried to stop here,
but my hands are tied, so.

637
00:23:14,113 --> 00:23:15,314
Go ahead, Jeffrey.

638
00:23:15,314 --> 00:23:16,349
Yeah, there you go.

639
00:23:19,485 --> 00:23:20,853
All right, just keep going.

640
00:23:20,853 --> 00:23:21,687
(audience laughing)

641
00:23:21,687 --> 00:23:23,156
Jeffrey, lower, lower.

642
00:23:23,156 --> 00:23:23,990
(audience laughing)

643
00:23:23,990 --> 00:23:24,924
No.

644
00:23:24,924 --> 00:23:26,292
Go ahead, Crystal.

645
00:23:26,292 --> 00:23:27,627
This is your girl, whatever.

646
00:23:27,627 --> 00:23:29,062
Yeah, go ahead, go ahead.

647
00:23:29,062 --> 00:23:30,463
That's probably
good right there.

648
00:23:30,463 --> 00:23:32,532
That's probably good unless
you want one more pass,

649
00:23:32,532 --> 00:23:33,499
it's up...

650
00:23:33,499 --> 00:23:34,801
All right.

651
00:23:34,801 --> 00:23:35,968
Good, Jeffrey, you can
just break that off.

652
00:23:35,968 --> 00:23:37,270
Yep.

653
00:23:37,270 --> 00:23:38,871
Crystal, I want you to
stand right over there,

654
00:23:38,871 --> 00:23:41,607
a little to your right, little
to your right, out of danger.

655
00:23:41,607 --> 00:23:42,909
Can you bring this over here,

656
00:23:42,909 --> 00:23:44,444
this big curtain, just
pull that over here.

657
00:23:44,444 --> 00:23:46,412
Ladies and gentlemen, you're
about to witness an escape.

658
00:23:46,412 --> 00:23:47,680
Yeah, just pull it in front.

659
00:23:47,680 --> 00:23:49,182
This escape is so fast
(dramatic music)

660
00:23:49,182 --> 00:23:50,616
you won't believe your eyes.

661
00:23:50,616 --> 00:23:51,684
Or in your case, sir, eye.

662
00:23:51,684 --> 00:23:52,618
What happened?

663
00:23:52,618 --> 00:23:54,187
(audience laughing)

664
00:23:54,187 --> 00:23:56,089
All right, Jeffrey, can
you move this side back

665
00:23:56,089 --> 00:23:58,291
a little bit so the audience
can see me over there.

666
00:23:58,291 --> 00:23:59,959
There you go, all right.

667
00:23:59,959 --> 00:24:01,160
Are you guys ready?

668
00:24:01,160 --> 00:24:02,895
(audience applauding)

669
00:24:02,895 --> 00:24:03,963
Let's do it.

670
00:24:03,963 --> 00:24:05,631
Close it, Jeffrey.

671
00:24:05,631 --> 00:24:06,666
Close it, Jeffrey.

672
00:24:06,666 --> 00:24:07,967
Come back here, Jeffrey!

673
00:24:07,967 --> 00:24:10,236
Come back here, come
here, come here!

674
00:24:10,236 --> 00:24:12,105
Hey, Crystal, check this out.

675
00:24:12,105 --> 00:24:13,039
(audience laughing)

676
00:24:13,039 --> 00:24:13,873
What?

677
00:24:13,873 --> 00:24:15,241
Wait, check it out.

678
00:24:15,241 --> 00:24:16,509
Check this out, folks.

679
00:24:16,509 --> 00:24:17,610
Look at that.

680
00:24:17,610 --> 00:24:20,847
(audience applauding)

681
00:24:26,219 --> 00:24:28,254
Oh, so nice to meet you.

682
00:24:28,254 --> 00:24:29,956
Let's go talk, okay?

683
00:24:29,956 --> 00:24:31,457
Don't worry about him.

684
00:24:31,457 --> 00:24:33,693
All right, Crystal, everybody.

685
00:24:33,693 --> 00:24:36,162
Thank you so much, oh my god.

686
00:24:38,264 --> 00:24:39,899
Good job, good job.

687
00:24:44,504 --> 00:24:45,404
See ya.

688
00:24:50,610 --> 00:24:51,811
(flame exploding)

689
00:24:51,811 --> 00:24:53,546
- [Dean] Up next,
Alexandra Duvivier

690
00:24:53,546 --> 00:24:56,782
brings an international
flare to her business card.

691
00:24:56,782 --> 00:24:58,651
- This is so romantic,
are you French?

692
00:24:58,651 --> 00:25:01,521
(flame exploding)

693
00:25:04,290 --> 00:25:08,261
(audience applauding)
(upbeat music)

694
00:25:08,261 --> 00:25:12,098
- Ladies and gentlemen, please
welcome, Alexandra Duvivier.

695
00:25:12,098 --> 00:25:17,170
(audience applauding)
(upbeat music)

696
00:25:18,004 --> 00:25:19,438
- Okay, you know what,

697
00:25:19,438 --> 00:25:20,907
I would like, my dear,

698
00:25:20,907 --> 00:25:23,342
to make a little, little,
little gift to you.

699
00:25:23,342 --> 00:25:25,311
I would like to give
you my business card,

700
00:25:25,311 --> 00:25:29,015
but just like this, I would
like to make a little dedication

701
00:25:29,015 --> 00:25:30,416
a little note.

702
00:25:31,584 --> 00:25:33,119
Can you please tell
me your name, please?

703
00:25:33,119 --> 00:25:34,453
- Maya.

704
00:25:34,453 --> 00:25:35,354
- Maya?

705
00:25:38,157 --> 00:25:39,759
You know what, Maya,

706
00:25:39,759 --> 00:25:44,297
you may think over there that
I am pretend asking her name,

707
00:25:44,297 --> 00:25:47,466
but in fact, I have previously
asked her name already,

708
00:25:47,466 --> 00:25:49,902
and I have written it on
the card the same way.

709
00:25:50,870 --> 00:25:52,371
Not my style.

710
00:25:52,371 --> 00:25:53,506
(audience laughing)

711
00:25:53,506 --> 00:25:55,441
So to avoid you
from thinking that,

712
00:25:55,441 --> 00:25:57,677
you're going to help me, dear.

713
00:25:57,677 --> 00:25:59,612
Let me finish it.

714
00:26:00,880 --> 00:26:03,316
Can you please write
a little something

715
00:26:03,316 --> 00:26:06,052
to make this card unique?

716
00:26:06,052 --> 00:26:08,921
You just put a happy face,
you put your initials,

717
00:26:08,921 --> 00:26:10,590
you make whatever you want,

718
00:26:10,590 --> 00:26:15,394
but this way it is really
impossible to duplicate.

719
00:26:15,394 --> 00:26:17,296
(gasps) A double heart.

720
00:26:17,296 --> 00:26:19,232
Let me show this.

721
00:26:19,232 --> 00:26:21,267
This is so romantic,
are you French?

722
00:26:21,267 --> 00:26:23,836
(audience laughing)

723
00:26:23,836 --> 00:26:24,770
Of course.

724
00:26:24,770 --> 00:26:27,106
And to make it even more unique,

725
00:26:27,106 --> 00:26:28,774
dear, can you do the same?

726
00:26:28,774 --> 00:26:32,678
Just come on here and
make a little note too.

727
00:26:32,678 --> 00:26:36,015
A little something
that make it so...

728
00:26:36,015 --> 00:26:38,684
Oh, la, la.

729
00:26:38,684 --> 00:26:40,386
I can't believe my crowd.

730
00:26:41,454 --> 00:26:43,055
Oh, you put your
number, that's great.

731
00:26:43,055 --> 00:26:45,258
(audience laughing)

732
00:26:45,258 --> 00:26:47,293
Oh yeah, wait.

733
00:26:48,427 --> 00:26:49,729
This is very unique,

734
00:26:49,729 --> 00:26:52,698
because I have two
helpers there helping me

735
00:26:52,698 --> 00:26:53,933
making this card unique.

736
00:26:53,933 --> 00:26:55,901
So I would like you
to have one answer

737
00:26:55,901 --> 00:26:57,270
and one answer only.

738
00:26:57,270 --> 00:27:00,273
Do we agree that
this card is unique

739
00:27:00,273 --> 00:27:02,575
in the whole wide world?

740
00:27:02,575 --> 00:27:04,410
(audience applauding)

741
00:27:04,410 --> 00:27:05,778
Thank you.

742
00:27:05,778 --> 00:27:07,413
Oh yeah, that's my best
effort, thank you so much.

743
00:27:08,714 --> 00:27:13,719
So now watch, I just put
this card around the middle.

744
00:27:16,022 --> 00:27:17,290
Let me show you.

745
00:27:17,290 --> 00:27:18,691
I said around the middle,

746
00:27:18,691 --> 00:27:20,226
because when I
say in the middle,

747
00:27:20,226 --> 00:27:21,427
some people tell me, wait,

748
00:27:21,427 --> 00:27:23,896
but it's not completely
in the middle.

749
00:27:23,896 --> 00:27:24,730
(audience laughing)

750
00:27:24,730 --> 00:27:26,766
So I say near or by...

751
00:27:26,766 --> 00:27:28,668
You were thinking about that.

752
00:27:28,668 --> 00:27:29,502
(audience laughing)

753
00:27:29,502 --> 00:27:31,037
Of course.

754
00:27:31,037 --> 00:27:33,239
So it's now by the middle.

755
00:27:33,239 --> 00:27:35,675
Now I would like you, my
dear, can you help me?

756
00:27:35,675 --> 00:27:37,043
Can you stay here?

757
00:27:37,043 --> 00:27:40,446
Can you please insert the
card all the way inside?

758
00:27:41,847 --> 00:27:43,282
Good, good, good.

759
00:27:43,282 --> 00:27:44,116
All the way.

760
00:27:44,116 --> 00:27:45,451
You do it so well.

761
00:27:45,451 --> 00:27:47,753
So now do we agree
(audience laughing)

762
00:27:47,753 --> 00:27:51,057
that I only turn the deck down?

763
00:27:51,057 --> 00:27:53,459
It's really important
for the rest.

764
00:27:53,459 --> 00:27:54,293
- [Audience Member] Oui.

765
00:27:54,293 --> 00:27:55,194
- Oui!

766
00:27:55,194 --> 00:27:56,028
(audience laughing)

767
00:27:56,028 --> 00:27:57,029
But you speak French?

768
00:27:58,197 --> 00:28:01,033
But why do I do the
show in English then?

769
00:28:01,033 --> 00:28:02,768
(audience laughing)

770
00:28:02,768 --> 00:28:04,203
What's the point?

771
00:28:04,203 --> 00:28:07,206
So do we agree that
I take the top card?

772
00:28:08,808 --> 00:28:10,343
Is it clear?

773
00:28:10,343 --> 00:28:12,745
Yeah, this is
important for the rest.

774
00:28:12,745 --> 00:28:15,047
So let's sum up.

775
00:28:16,716 --> 00:28:19,485
I have written a
little word for Maya,

776
00:28:19,485 --> 00:28:22,722
you have made this card
very unique, both of you,

777
00:28:22,722 --> 00:28:24,890
and I put it around the middle.

778
00:28:24,890 --> 00:28:26,359
Around the middle.

779
00:28:26,359 --> 00:28:30,262
And if now this card that
we just took from the top,

780
00:28:30,262 --> 00:28:34,233
if this is the unique card,
this is not a good trick,

781
00:28:34,233 --> 00:28:36,769
this is a miracle, isn't it?

782
00:28:36,769 --> 00:28:38,170
(audience laughing)

783
00:28:38,170 --> 00:28:39,038
Okay, you know what?

784
00:28:39,038 --> 00:28:40,439
Oui, merci.

785
00:28:40,439 --> 00:28:43,642
So let's check, let's see
if it's a real miracle.

786
00:28:43,642 --> 00:28:44,877
(drum rolling)

787
00:28:44,877 --> 00:28:46,145
It has worked!

788
00:28:46,145 --> 00:28:48,180
Look at the card!
(audience applauding)

789
00:28:48,180 --> 00:28:49,782
Look, look, look!

790
00:28:49,782 --> 00:28:51,283
Look at the card!

791
00:28:55,254 --> 00:28:57,123
Ooh, la, la, this is amazing.

792
00:28:57,123 --> 00:28:59,191
This is for you, dear, Maya.

793
00:28:59,191 --> 00:29:00,593
You are amazing.

794
00:29:09,969 --> 00:29:11,470
- She travels around the globe,

795
00:29:11,470 --> 00:29:13,439
amazing audiences along the way,

796
00:29:13,439 --> 00:29:16,008
and tonight, she's here with us.

797
00:29:16,008 --> 00:29:19,145
Please welcome the
incredible My Uyen.

798
00:29:19,145 --> 00:29:24,216
(audience applauding)
(upbeat music)

799
00:29:51,310 --> 00:29:54,814
(upbeat music continues)

800
00:30:11,697 --> 00:30:14,767
(audience laughing)

801
00:30:22,908 --> 00:30:25,211
(audience exclaiming)

802
00:30:25,211 --> 00:30:28,447
(audience applauding)

803
00:30:29,982 --> 00:30:33,486
(upbeat music continues)

804
00:31:17,329 --> 00:31:20,399
(audience laughing)

805
00:31:35,915 --> 00:31:38,317
(audience exclaiming)

806
00:31:38,317 --> 00:31:41,554
(audience applauding)

807
00:31:45,491 --> 00:31:48,460
(audience cheering)

808
00:31:52,398 --> 00:31:54,133
(flame exploding)

809
00:31:54,133 --> 00:31:57,236
- Up next, high tech
magic with Keelan Laser

810
00:31:57,236 --> 00:31:58,971
and Matt Daniel Baker.

811
00:31:58,971 --> 00:32:01,640
Plus, The Alchemist
creates magical art

812
00:32:01,640 --> 00:32:03,142
like you've never seen.

813
00:32:03,142 --> 00:32:06,045
(flame exploding)

814
00:32:08,647 --> 00:32:13,719
(upbeat music)
(audience applauding)

815
00:32:15,888 --> 00:32:18,824
Get ready to witness
the magic of tomorrow.

816
00:32:18,824 --> 00:32:19,992
(upbeat music)

817
00:32:19,992 --> 00:32:20,826
From London,
(audience applauding)

818
00:32:20,826 --> 00:32:22,127
here are Keelan Laser-

819
00:32:22,127 --> 00:32:23,128
- Thank you very much.

820
00:32:23,128 --> 00:32:24,863
- [Dean] And Matt Daniel Baker.

821
00:32:24,863 --> 00:32:27,833
- Ladies and gentlemen,
advanced technology

822
00:32:27,833 --> 00:32:30,636
may seem like magic,

823
00:32:30,636 --> 00:32:34,106
but the reality
may surprise you.

824
00:32:34,106 --> 00:32:35,474
(audience applauding)

825
00:32:35,474 --> 00:32:38,877
- So we thought we'd take
a traditional card trick

826
00:32:38,877 --> 00:32:43,215
and using technology,
bring it, bang, up to date.

827
00:32:44,450 --> 00:32:46,752
For this, we're gonna need
a couple of volunteers.

828
00:32:47,586 --> 00:32:49,321
Oh, show of hands, wonderful.

829
00:32:49,321 --> 00:32:50,623
We'll use you just here.

830
00:32:50,623 --> 00:32:52,558
Will you say stop
for me somewhere?

831
00:32:52,558 --> 00:32:54,093
- Stop.

832
00:32:54,093 --> 00:32:55,294
- Excellent, take the card,
don't look at it just yet

833
00:32:55,294 --> 00:32:56,261
and we'll come
around to this side.

834
00:32:56,261 --> 00:32:57,096
What's your name?

835
00:32:57,096 --> 00:32:57,930
- Chris.

836
00:32:57,930 --> 00:32:58,864
- Chris, good name.

837
00:32:58,864 --> 00:33:00,099
Can I borrow you quickly?

838
00:33:00,099 --> 00:33:01,133
Would you say stop?

839
00:33:01,133 --> 00:33:02,067
- Stop.
- Stop, good choice.

840
00:33:02,067 --> 00:33:03,302
What's your name?
- Ellie.

841
00:33:03,302 --> 00:33:04,570
- Ellie.

842
00:33:04,570 --> 00:33:07,106
Chris and Ellie, have a
quick peak at your cards

843
00:33:08,140 --> 00:33:10,175
as I make my way
back up to the stage.

844
00:33:10,175 --> 00:33:12,411
Hold the cards up, so
the camera can see,

845
00:33:12,411 --> 00:33:14,513
as Keelan and myself
will look at the floor.

846
00:33:14,513 --> 00:33:18,851
- Okay, Chris, I'm
going to draw something

847
00:33:18,851 --> 00:33:21,687
on this tablet.

848
00:33:22,855 --> 00:33:24,790
And I would like you
to stare at it for me.

849
00:33:25,991 --> 00:33:27,993
Good, now I'm going
to finish it off

850
00:33:27,993 --> 00:33:30,329
by drawing a playing card.

851
00:33:30,329 --> 00:33:31,930
In a loud, clear voice, Chris,

852
00:33:31,930 --> 00:33:33,966
could you name your card?

853
00:33:33,966 --> 00:33:34,800
- Queen of hearts.

854
00:33:34,800 --> 00:33:35,801
- Very good.

855
00:33:35,801 --> 00:33:37,202
He said the queen of hearts.

856
00:33:37,202 --> 00:33:40,439
(audience applauding)

857
00:33:41,674 --> 00:33:43,575
That's okay, I know
what you're thinking,

858
00:33:43,575 --> 00:33:46,278
I'm a magician and
finding the card

859
00:33:46,278 --> 00:33:47,613
is a bit easy for a magician.

860
00:33:47,613 --> 00:33:49,481
It would be better if, Chris,

861
00:33:49,481 --> 00:33:51,717
you found Ellie's selected card.

862
00:33:51,717 --> 00:33:53,952
- Okay, Chris, the way
that this is gonna work

863
00:33:53,952 --> 00:33:57,690
is that I'm gonna draw a very
quick picture of you, okay?

864
00:33:58,757 --> 00:33:59,958
So sit nice and still.

865
00:33:59,958 --> 00:34:01,560
Sit up, that's right,
you're on telly.

866
00:34:01,560 --> 00:34:02,394
(audience laughing)

867
00:34:02,394 --> 00:34:03,762
Good man.

868
00:34:03,762 --> 00:34:05,064
And Ellie, you don't get
off the hook that easily.

869
00:34:05,064 --> 00:34:06,732
I'm gonna do a quick
sketch of you as well.

870
00:34:06,732 --> 00:34:08,901
Nice big smile, please.
(audience laughing)

871
00:34:08,901 --> 00:34:12,237
I think I've got your
hair just about right.

872
00:34:13,205 --> 00:34:14,873
Wonderful, there you.

873
00:34:14,873 --> 00:34:16,341
(audience laughing)

874
00:34:16,341 --> 00:34:17,309
Chris, you'll be pleased,

875
00:34:17,309 --> 00:34:19,244
Ellie, probably not so pleased.

876
00:34:19,244 --> 00:34:20,546
But there's a picture of you.

877
00:34:20,546 --> 00:34:22,748
So Chris, you're gonna
go on a little adventure

878
00:34:22,748 --> 00:34:25,517
to try and find Ellie's card.

879
00:34:25,517 --> 00:34:27,953
So we have Ellie, we have Chris.

880
00:34:27,953 --> 00:34:29,354
- We have a pack of cards,

881
00:34:29,354 --> 00:34:32,424
all we need now is
some dramatic music.

882
00:34:32,424 --> 00:34:34,293
(dramatic music)

883
00:34:34,293 --> 00:34:39,364
- [Speaker] Five, four, three,
two, one, mission accepted.

884
00:34:43,102 --> 00:34:45,671
Access granted.

885
00:34:45,671 --> 00:34:48,340
(bell ringing)

886
00:34:50,142 --> 00:34:52,711
(tense music)

887
00:35:02,221 --> 00:35:03,989
(character yelling)

888
00:35:03,989 --> 00:35:06,024
(audience exclaiming)

889
00:35:06,024 --> 00:35:09,261
(audience applauding)

890
00:35:13,031 --> 00:35:15,934
(water splashing)

891
00:35:17,703 --> 00:35:20,939
(audience applauding)

892
00:35:38,323 --> 00:35:41,059
(audience laughing)

893
00:35:41,059 --> 00:35:44,296
(audience applauding)

894
00:35:53,172 --> 00:35:55,407
Ellie, was that your card?

895
00:36:07,319 --> 00:36:09,188
(audience exclaiming)

896
00:36:09,188 --> 00:36:12,224
(audience applauding)
(upbeat music)

897
00:36:12,224 --> 00:36:15,394
- Thank you, Chris,
thank you, Ellie.

898
00:36:17,996 --> 00:36:19,264
(flame exploding)

899
00:36:19,264 --> 00:36:21,433
- Up next, The Alchemist
creates magical art

900
00:36:21,433 --> 00:36:22,634
like you've never seen.

901
00:36:23,969 --> 00:36:26,872
(flame exploding)

902
00:36:29,341 --> 00:36:31,343
(upbeat music)
(audience applauding)

903
00:36:35,447 --> 00:36:36,949
Prepare to be
amazed by a magician

904
00:36:36,949 --> 00:36:40,886
whose breathtaking illusions
have left millions in awe.

905
00:36:40,886 --> 00:36:42,154
(audience applauding)

906
00:36:42,154 --> 00:36:44,623
From South Korea,
here is The Alchemist.

907
00:36:44,623 --> 00:36:47,459
(dramatic music)

908
00:37:16,755 --> 00:37:20,392
(dramatic music continues)

909
00:37:28,367 --> 00:37:30,903
(audience exclaiming)

910
00:37:30,903 --> 00:37:34,139
(audience applauding)

911
00:37:41,747 --> 00:37:44,316
(tense music)

912
00:37:52,691 --> 00:37:54,426
(audience exclaiming)

913
00:37:54,426 --> 00:37:57,663
(audience applauding)

914
00:38:01,099 --> 00:38:04,436
(tense music continues)

915
00:38:31,430 --> 00:38:34,666
(audience applauding)

916
00:38:41,139 --> 00:38:44,543
(tense music continues)

917
00:38:56,755 --> 00:38:59,992
(audience applauding)

918
00:39:48,306 --> 00:39:49,908
(audience exclaiming)

919
00:39:49,908 --> 00:39:54,980
(audience applauding)
(dramatic music)

920
00:40:23,341 --> 00:40:26,578
(audience applauding)

921
00:40:44,229 --> 00:40:47,999
(audience exclaiming)

922
00:40:47,999 --> 00:40:51,136
(audience applauding)

923
00:41:12,824 --> 00:41:16,061
(audience applauding)

924
00:41:34,579 --> 00:41:37,315
Tonight has been a
celebration of the impossible

925
00:41:37,315 --> 00:41:40,752
and we hope you've loved
every moment of it.

926
00:41:40,752 --> 00:41:44,189
I'm Dean Cain and we can't wait
to share more magic with you

927
00:41:44,189 --> 00:41:48,960
next time right here on
"Masters Of Illusion."

928
00:41:48,960 --> 00:41:50,962
(audience applauding)
(upbeat music)