.
- These guys shot three kids like it was nothing.
- [groans]
[gun shots] No, no, please!
I have a daughter.
[intense music]
- What do you think they're doing to Kim right now?
♪
- Where's Roy Walton?
- Roy tortured and killed Miller's son.
- You find him.
♪
- You need to be there for Makayla.
That little girl's gonna need you.
- [groans]
- You see that? Kim!
We're taking her to Med.
- We're bringing him in, Sarge.
- You knew what to expect when you came here.
Where is Kim Burgess?
- I still ain't gonna do no talking.
- This is what it feels like.
- I'm not you, Sarge.
- Okay, we'll bring him in.
- Drop his weapon.
- You gotta go home now.
- Did you and Voight find any leads?
- I love you, Jay.
♪
Maybe we should get married?
- What? Really?
- I don't want to be without you.
- Hailey, I don't want to be without you.
That doesn't mean-- - I love you...
more than anything.
I want to start a new chapter,
a better chapter...
with you.
[phone buzzes]
[soft tense music]
- We--we really got to get to the hospital.
Um...
- Right.
♪
I'm gonna take a quick shower, okay?
- Okay.
♪
[dramatic music intensifies]
♪
- [sighs]
- Man, it took me forever to find a babysitter.
- She's not out of surgery.
- Well, what about the son of a bitch who shot her?
That Roy? We grab him up?
- He's still in the wind.
- [sighs]
♪
- Hey, we know anything?
- All right.
She made it through surgery.
- Okay, so she's all right.
- She's in stable condition at the moment,
but she suffered extensive injuries.
There's considerable internal trauma,
so we all just need to wait... - No, no, no.
- See how her body reacts. - What the hell does that mean?
- Hey, hey, Adam. - No.
What the hell does that mean? You gotta tell me.
Is she gonna make it or not?
- She's stable for now. We're doing everything we can.
- You and I both know that
that's not the best that you can do.
All right, we need more details.
What are we talking about here? Is it a 50-50 chance?
Better? Worse?
- It's not productive to make predictions.
Like I said, we're doing everything we can.
♪
- Hey, Sam. - How's she doing?
- Hoping for the best.
- What's the update on Roy?
- There isn't one.
- I can't take my foot off this one.
Roy did to my son-- I can't--
I won't be able to breathe until he's in custody.
- I know. We're still working the case.
- I get that, but, given what's happening with Burgess,
I'm gonna have to hand it off to another unit.
Your team is distracted. You want to be here with Kim.
You should be-- - No, Sam, we got this.
- We need to arrest Roy fast,
'cause I cannot stand another minute--
- Sorry for the interruption.
CPIC found Roy's SUV on a traffic cam
near a warehouse on the west side.
Even better, somebody reported hearing gunshots
near that warehouse earlier tonight.
So who knows? Maybe we got lucky
and somebody shot this prick.
- That's good. Thanks, Trudy.
Sam, we're staying on this case.
It's ours, no one else's.
♪
All right, listen up.
Roy's SUV was clocked outside a warehouse at 3:00 p.m.
No camera shows it ever left.
911 call of shots fired came in at 9:12 p.m.,
same location. We're crashing it now.
- Boss, I need to stay with Kim.
- Yeah, you're right. You stay.
- Yeah. - Let's move.
[tense music]
♪
Jay, you cover the front.
- What are we doing? - Stop.
- What the hell are we doing?
- We are following a lead, as simple as that.
You just gotta do your job like any other day,
any other case.
Chicago PD! - [grunts]
[dramatic music]
♪
- All right, we're clear. Let them in, Kev.
- Copy that.
♪
No blood, no body.
Doesn't look like a crime scene to me.
- Well, we got Roy's SUV.
Maybe the shots were unrelated? It's weird.
- All right, let's do a quick search,
then we'll run the perimeter. Let's go.
Work the scene. We need your DNA in here.
♪
- There's zero security cameras in the vicinity.
I don't think we're gonna find anything private nearby either.
- No doorbell cam.
It must've been the nearest traffic cam
that picked up Roy's SUV.
- Well, that doesn't make sense.
When the 911 caller reported the shots fired,
they practically indicated the warehouse.
- Hell, the shots could've come from
any residence in the neighborhood.
- We got Roy's SUV right here.
So where did he just disappear to all of a sudden
and how if we've got the streets shut down?
- Well, let's--let's work with what we've got.
You two get that SUV processed.
Hailey, let's talk to the witness
who heard the gunshots. Maybe he saw something too.
- I'm telling you, I don't really remember.
It was late when I heard them. - And that's all you heard?
- Yeah, that was all.
- You didn't see anything, anyone?
- Like I said, it was late. I looked out my window.
We don't have good lights around here.
I looked across the street,
I couldn't see nothing but the car over there.
- There was a car? Can you describe it?
- Look, I said all this when I called 911...
which, by the way, took me like 15 minutes
to get through to someone.
- Can you describe the car? Make, model?
- You all should look into that.
You wonder why crime's going up.
- Can you please describe the car?
- Really--you're gonna cop an attitude with me?
I told the lady on the phone.
I told the patrol cops that came.
- Sir, we're just following up, that's all.
Please, just tell us what you saw, too.
- It was a tan car, like an old Toyota
or something. It was idling right outside.
Turned its lights off when it saw me watch.
- You happen to catch the plate?
- Hell no, I didn't catch a plate.
- Okay. Okay.
- Did you know about this car? - No.
No, I did not.
[tense music]
♪
- Thank you.
[somber music]
♪
- Nurse said I could sit with her.
- Yeah.
- She seems okay, right?
- She remains in stable condition,
but she's struggling.
- Doc, please don't do this again, man.
- The patient-- - Her name is Kim.
- Right. I'm sorry.
Your friend Kim has been through hell.
The amount of trauma and blood loss...
- I just need to know what to do.
Her family's on the way.
I'm taking care of her daughter, I mean...
In the event she survives,
what are we--are we talking about life support?
- It's still too early to tell,
but it is a possibility.
- I appreciate you shootin' me straight, Doc.
I do. Thank you.
- Hey, you two. - Yes, ma'am.
Anything new on Burgess? - No.
Still stable, but still nothing.
But I got the vehicle your 911 caller saw.
Info must've gotten lost between patrol and your unit.
I took the liberty.
I found it on the same traffic cam that
clocked Roy's SUV only about six hours later, 9:15 p.m.
Ran the plate, belongs to a Mark Irwin.
- Wait, why does that name sound familiar?
- Mm-hmm, Mark Irwin--he was on that list of associates
that Upton, Voight, and Ruzek hit up.
He's got ties to Roy.
Mark Irwin, he's 52.
He's got three priors for solicitation.
Vice worked him twice on suspected child trafficking.
10-to-1 odds says this guy
was helping Roy traffic the girls in his stable.
- Okay, what's the connection between the two?
- These two were cell mates for eight months in 2007.
- Right, so that explains why Mark was
on Roy's list of last-knowns.
They probably lived with each other
after they got out of prison. I know you all had that list.
Which one of you guys checked him out?
- I-I tried to. - No, he was on my list.
I didn't make contact.
- All right, well, our best guess is
that Roy reached out somehow.
Mark went to the warehouse, picked Roy up,
and now he's trying to help him get out of the city.
- We got a BOLO on his car?
- And an investigative alert. We contacted ISP.
This guy's not gonna get far.
If we find Mark, we're gonna find Roy.
- Right, so I say we just pull up on his house.
He might be dumb enough to take him home.
Try to hide his ass there.
- I want to get started on a warrant.
- Do it, then we move.
- Jay. - Yeah.
- We need to talk now.
I need to understand what the plan is.
- Hailey, we can't-- - No, if we find Mark,
we both go to jail. I know you know that.
So you will talk to me.
.
- Voight.
Voight! - Not here.
Not yet.
Hailey, you gotta calm down now.
- I'm just trying to understand what the plan is.
I mean, maybe I'm missing it, but chasing Mark,
the one person that can put us away,
doesn't exactly seem like a genius strategy to me.
- Right, so what's the alternative?
Ducking the evidence? Ignoring active leads?
Tipping off Halstead and Atwater
that we're afraid to find him?
- Mark's seen our faces.
He's the one who told us where Roy was hiding.
Now we know he's been to the warehouse.
What if he saw us there?
- Hailey, you have got to stop this here and now,
unless this is too much for you
and you want to confess. If that's the case--
if that's what you really want,
then you have got to let me know right now.
- No, I don't want that. - Okay.
Then you gotta accept what happened,
no matter how bad it tastes.
- Okay. I'm good.
[somber music]
♪
[tense music]
- Chicago PD! - Mark Irwin!
Chicago PD!
♪
- Bedroom's clear.
♪
- Clear.
- It's clear back here too. The house is empty.
♪
The bedroom is a mess. It's like he packed up,
threw his clothes everywhere, and get the hell out of here.
- Well, it makes sense.
All right, let's search the place,
see what we can find. - All right.
- Password protected?
- Yeah. - Mm-hmm.
♪
- Okay, we find any evidence Roy was here past 24 hours?
- Nothing yet, Sarge.
We're checking on surveillance cameras, but so far...
- Okay, what about Mark? Any hits on that BOLO?
- No, sir. - Financials?
Credit cards, debit cards? - That's a negative.
- Well, he's out here somewhere, so let's dig in.
Hey, you got that seized laptop?
- Yeah, I was just about to call the techs.
- I'll take care of it.
I'm heading back to the district.
- No, it's all good, Sarge. - No, I want you guys
out here on the street, going door to door,
talking to neighbors. Maybe somebody saw Roy.
Where is it? - All right, cool.
It's in the trunk. - All right.
- I'm worried about Makayla. I mean, poor kid.
She's already lost one mother. I mean, she can't...
She keeps asking me about Kim,
and I keep just saying that she's at work.
But I gotta, mean, tell her what's going on, right?
- If you think that's best.
- I mean, should I bring her down here to see Kim?
You know, just in case?
Because I feel like Makayla's got a right to see her.
You know, and that it might bring closure in case...
You know?
But it's like the other part of me,
I want to protect her from all of this.
She's finally doing good. She's finally happy.
And I just--I don't know what Kim would want me to do.
- Hey, Adam...
There is no right or wrong answer here.
There just isn't.
[somber music]
♪
- Hey, Stevie, how you been? - Good.
Lost ten pounds. - Ah, nice.
- Ah, cut out red meat, muffins.
Came right off, like nothing.
- Appreciate you doing this.
- Not a problem.
What'd you say the guy's name was?
- Mark Irwin with an I.
[keyboard clacking]
- Hmm, all done.
- That was easy.
- Well, I'm good. - Huh.
Here you go. - Hey, please--
- No, hey, I insist.
- After all you done for me?
You stay safe.
[dramatic music]
♪
- Hailey, it's me. Are you alone?
- I'm with Jay. We got a hit on Mark's car
a block from a chop shop.
Thinking he's gonna trade his car out.
- All right, makes sense.
- Jay ran the owner. He's got priors.
Retagging, PSMV--clearly he likes to sell stolen cars.
- All right, good, check it out.
Found a video on Mark's computer.
It's of two people outside that warehouse last night, 9:24 p.m.
- Okay.
- The video was deleted accidentally.
Matter of fact, the whole hard drive was destroyed,
but if you find this prick,
we need to search him for a cell phone
and we need to bag it.
- Copy that.
- All good?
- Yeah, Voight's just checking in.
- Anything new?
- Nah, he sounds annoyed that we haven't found Roy yet.
- I get it, but we will. - If we don't?
- He shot Burgess, tortured and killed Miller's son.
He murdered three little girls. We're gonna find him.
- If you say so.
- No, been real quiet.
Only person to come in is my cousin.
- What about this guy? You seen him?
- Nah, never seen him.
- No other customers all day?
- I wish.
- All right. Thanks for your time.
Hey, Hailey, it's Mark's car.
Is he in there? Is he in there?
Where is he?
[tense music]
♪
- Chicago PD!
Hey! Stop! [tires screech]
[horns honking]
Chicago PD! Get out of the way.
Chicago PD! Stop.
- 5021 George, we're on a foot pursuit.
I'm going east. - Copy that, 5021 George.
♪
- [yelps]
♪
- You all right? You all right?
5021 Henry, on view carjacking.
Offender fleeing southbound on Damen.
Gray Honda Accord. Union nine Nora 899.
- 5021 George, be advised offender is wanted
on harboring a fugitive. Should be considered armed.
- Copy that, 5021...
.
- Mark hopped into a car and he took off.
There's no way he can get too far.
We locked down a four block radius.
- Was Roy with him? - He wasn't in the car.
Hopefully he's in the area.
- Have you talked to the shop owner?
He know anything? - Now he does.
We threatened him with jail time.
He said Mark came in
looking for a whole paint job on his car,
then he went across the street to wait.
That's when we showed up. - Mm-hmm.
Where's Hailey?
- I'll go find her.
- [coughs]
- Hailey?
What are you doing back here? You okay?
- Yeah, I just needed to catch my breath.
Come on, let's keep moving.
- Hailey-- - I'm fine, Jay, really.
- Hey, how'd Mark get away?
- What?
- You were chasing him and--
I know you're pretty fast and he's pretty old.
- He was weaving in and out of cars, Jay.
I lost line of sight.
Next thing I know he's pulling a woman out of a car.
There were people around. What'd you want me to do?
Just start shooting at tires?
- Slow down. I'm just asking ya.
- Sounds like you're blaming me.
- What the hell is going on?
- I'm sorry.
I'm just thinking about Kim and...
Miller's son and the girls.
[soft dramatic music]
♪
- Voight's waiting for you out front.
- Why? What's he want?
- I don't know.
♪
- Why weren't you on scene when we rolled up?
- [scoffs]
Sarge, you got the whole team out here looking for Mark.
Hell, you just told me that Mark has a video of us,
outside of the warehouse.
Evidence against us.
You can scrub that computer all you want,
but you and I both know how hard it is
to delete something these days.
That video exists. Mark exists and he will talk.
So, what happens when we find him?
- Look, we can't ignore leads.
Look, Hailey, when we encounter a problem,
we will take care of it...
then,
when we know what the actual problem is.
- Hey. - Look, we got this, Sam.
Don't put yourself through this, okay?
If we get any information, then I promise I will tell you.
- No, I need to find him. I need him in handcuffs, Hank.
Or on the pavement with a hollow point in his head.
I need this to end.
- Look, when Justin was killed...
Sam...
I got this-- this noise in my head
and it was really loud.
And I couldn't turn down the volume,
no matter what I did.
No matter how hard I tried.
- How'd you shut it off?
- I didn't.
I still haven't.
Noise just feels normal now.
- Sarge, got a hit on the BOLO.
The car that Mark stole was spotted in Humboldt Park.
[dramatic music]
- 21-12, I'm up and down Ashland.
We've got no visual on this guy.
- All right, get to Ward School, throw down the anchor.
- We got 20 patrol cars flooding the whole district.
There's no way he's getting past us.
♪
- 5021 Ida, I'm in pursuit.
I got a gray Honda heading eastbound on Ashland.
Coming out of 4100 block approaching the 42.
- Copy you, Kev; we're coming around west.
- Just made a move. He's going eastbound on Damen.
- Copy you. We're moving to intercept.
♪
[sirens blare]
- Drop the weapon.
- Don't move. - [screams]
- 21 Damen. Shots fired at the police
outside of a building on Amherst.
- Get these people back now. - Get back, get back.
- The fugitive just took a hostage inside the building.
I repeat, we have a female hostage.
- Hailey and I'll move in here. Kev, find another way in.
- Okay, what's going on?
- Mark just took a woman inside, Sarge.
We're moving in now. - No.
- What do you mean no? - No.
No, I say we let him settle. Let him calm down.
It's a better chance of saving the hostage.
Get some backup out here. We set up a containment.
Once he's boxed in, we talk to him.
Convince him to let the young woman go,
but the only thing that matters now is saving her life.
You understand me?
.
- We'll use every available officer
to clear these buildings.
I want our team on the immediate perimeter.
- So it's just Mark?
He's the one who took the hostage?
- Correct. Still no word on Roy.
- We've been checking on surveillance.
There's no sign of Mark or Roy together at all.
- Well, he's gonna know where Roy is.
That's why he's running, so we're gonna do
everything we can to end this with him alive.
- Blueprints are coming in from the city.
The building's empty--it was foreclosed on five months ago.
- All right, kill any remaining power to that building.
Jam any cell phones signals. - Wait.
How do you want to open a line of communication to Mark?
Wouldn't a cell phone make it easier?
- I don't want him talking to the media.
- Well, then get a radio in there.
Just one straight direct line to us.
- Listen, I want this quick, easy, and controlled.
Our best shot at deescalating this
is physical communication.
Just him and us. Trust me.
Come on, Hailey, just you and me.
- Hank...
give him anything he wants.
Just save that woman and get him to talk.
- What's up?
- I want you to get on the roof.
You get a line of sight. Radios are gonna be dark.
If things escalate and you get a shot,
you take it. You hear me?
Another innocent woman is not gonna die because of this.
- All right.
♪
- What are we really gonna do?
- We're gonna save the hostage. That's the whole plan, Hailey.
[dramatic music]
♪
- Keep patrol back. One block out,
that's the minimum. - I want the police chief.
I want to talk to the boss.
- Where is he?
- Window on the second floor.
- I got information.
♪
I want to talk.
I tell you what I know, then I let her go.
I promise you I'll let her go as long as I get the boss
and I'm protected. I give you five minutes.
- Deputy? Deputy, what are you doing?
- The man has valuable information.
He wants to speak to the person in charge.
- I get it.
Voight and Upton are already inside.
Radios are dark. There's no communication.
You can't go inside; it's too dangerous.
- Well, then let's go in there together.
You and me.
- All due respect, that's a bad idea.
- Maybe it is, so let's do our best not to get shot.
- Mark? - [shrieks]
- We're coming in, Mark. - I know you two.
- Just so we can talk. Just relax.
Okay? We're not coming any closer,
but you gotta calm down.
- I want the media. I want your boss.
I want everyone to hear everything I got to say.
- Okay, that's okay. We can talk about all of that,
but not when you got a gun to that woman's head.
Okay?
Now you gotta let her come to me now.
- You think I'm an idiot? Bring me the media now.
- Whoa, whoa. Listen, listen, I get it.
You want to tell your story.
You want the information out there
and you want to be set free. I can make that happen.
Okay? I can do you one better.
I'll tell the whole world what happened.
You let her go and I will tell everyone everything.
Okay?
It's got nothing to do with her.
It's me, him, and you. That's it.
♪
Just let her go.
Let her go and I will get you a deal.
- You think I believe you? - Mark, I promise you--
- You come any closer, I'll shoot this bitch.
I'll shoot you. - No, no, no, no, no, no.
- I'm not dying here. - You won't.
We'll work this out.
- [yelps]
- It's okay.
- [strained breathing] - No, no!
♪
- You're okay, you're okay. Come on.
♪
Chicago PD!
5021 David. - No, no, no, no, no, no.
- Shots fired by the police. I got one down.
Give me an ambo right now.
- Where's Roy? Where'd you take him?
He's got a pulse. He can still make it.
Where's Roy, Mark? Tell me where he is.
♪
- This is car two.
I need a hospital detail to Med.
I want every street cleared and shut down now.
- Copy that.
♪
.
- Oh, you're right. Pink is my color.
Hey, Mak,
I want to talk to you about Kim real quick, okay?
- Okay.
[somber music]
- So, listen the reason that she hasn't been here
is she got hurt at work.
- She's hurt?
- Yeah, but she's in the hospital
trying really hard to get better.
And listen, kid, the thing is,
is seeing the people you know at the hospital,
it can be kind of scary.
So I don't really know if I should
bring you there to see her.
- But I want to see her. She's my best friend.
She'd want to see me.
- Well, she most certainly would.
Okay, so go get your jacket. Let's go see her.
♪
- Gunshot victim. GSW to the throat.
Pulse shallow but steady. - Get him into Baghdad.
[dramatic music]
♪
- Two, three.
♪
- He's gone.
- Hey, come here.
- Ladies first.
- Hi. - Hi.
You look so pretty.
- Thank you. - Yes.
- Mak brought you something. Didn't you?
- I brought my platypus for you.
♪
- [whispering] He's your favorite.
Thank you.
- Hank. Hank!
Tell me you got something else.
Tell me we got a different lead on Roy.
We saw his car, his ATM card.
- We don't have any leads, Sam.
Doesn't look like Roy was with Mark.
I mean, not in the last six hours anyway.
Our best guess
is Mark helped Roy get out of town late last night
before we caught wind of his involvement.
- Okay.
Okay, well, then we start back from zero.
Retrace his steps. Hit every LKA.
- We already did all of that. - Well, then hit them again.
We're finding this son of a bitch.
- Okay, well, I can start back over if that's what you want,
but we got new cases, Sam. Cases we can solve.
- I'll call the feds. Maybe they can help.
♪
- Hey.
Welcome back. How do you feel?
- Did you find him?
- What?
- I couldn't ask Ruzek, not with Makayla in the room.
Did you find Roy?
[tense music]
♪
- No.
No, Kim, we didn't.
- Hey.
You had us going for a while.
- You look better than you probably feel.
- Yeah. - Yeah.
[indistinct chatter]
- Hey.
Great news about Kim. - Yeah.
This case is closed.
And we're done. It's over.
Miller called in the feds and they'll--
they'll put his face on a wall.
Monitor his ID, credit cards.
But they will never see or hear a thing.
- Like it never happened. - That's exactly right.
And now you--
now you got to make peace with the fact that...
you're never gonna be able to make peace.
You know what I'm saying?
- Yeah.
I'll do my best.
- They're where they belong.
And after everything Roy did,
I'm not sorry about that.
You saved me.
Let that be enough.
Okay?
- Hey.
Did you get to see her?
- Yeah, I think right after you and Ruzek left.
She looks good. - Yeah.
Why'd you propose?
- Because I wanna be with you.
I want us.
I want to know that I can have normalcy
and stability in my life.
That no matter how bad things feel,
at the end of the day, I know they'll be okay
because I'll have you.
- Are you sure that it wasn't just Kim?
You saw what happened to her-- - I don't know.
Maybe.
[soft dramatic music]
But why does that matter?
I love you...
more than I ever thought possible.
And maybe it took
Kim getting shot to give me the courage to tell you that.
♪
I don't know. - Yes.
- What?
♪
- I love you.
[gentle music]
And I've known since--
I've known for years that I want it
to be you and me always.
♪
Hailey, will you marry me?
- You don't have to do that.
I already did the proposal part.
- Well, I'm old-fashioned, okay?
- [laughs]
♪
Yes.
Yes, I will.
♪
.
[dramatic music]
♪
[wolf howls]