.
- Hello. - Hi.
- You got in so late, I don't think
I heard you come in.
[soft dramatic music]
How'd things go with Bob?
- Oh, he's stable.
But he didn't know who he was at all last night,
so it was pretty brutal, actually.
It's gonna be months, not years.
- You're a good son, Adam.
- He's a good dad.
[chuckles softly]
- Are you sure you want to go in?
I mean, I know Voight's gonna give you
more time if you need it. - No, I need it.
I need to go in.
I miss it, you know? - I know.
[phones ringing]
Hmm. - It's like a symphony in here.
Hello? - [grunts]
- Yeah, this is Adam.
Yeah, that's the right address.
Well, thank you. OK, yep.
You have a good day. Bye now.
- What was that?
- It's Brighton Academy that--
just double-checking our address.
- Yeah, it was for Mack's application.
I couldn't find it, and I was like, ah,
just send me a new one, you know?
- Well, she hasn't-- she doesn't touch
those other applications in her room.
- Yeah, I know.
- I don't know if she's even looked at them.
- I know that too, Adam.
- She did say it's been better this week with Victoria
and those other girls. They've been nicer.
And Mrs. Winters said the history lesson
went better too, so...
- Yeah, well, better might just mean more PC, so...
- Well, if she moves to another school,
there's always gonna be insensitive teachers
and mean girls. [phone dings]
- I don't know what to tell you.
- You're very popular this morning.
What's going on?
- I have in-service training for newbie OCD officers.
- Today? - Yes, today, I guess--
I don't know, I put it in the calendar wrong.
I don't know if you've noticed, but it's been a little
hectic around here, OK?
I don't even know how it happened.
I gotta find a shirt.
OK.
- I'll go get the kid.
- Thank you. - Yes, ma'am.
- That means your OT paperwork has to be crystal clear.
'cause last year, CPD overtime cost
taxpayers over $273 million.
- No crime solved till overtime.
[laughter]
- You're only getting paid for that overtime
with airtight paperwork.
So if you're working past your regular tour of duty,
document it.
Keep your surveillance logs tight,
notate when your shift starts,
and notate when your shift ends.
- Oh. [clears throat]
- What's your name? - Officer Katy Wilson.
- Katy, CPD keeps what kind of calendar year?
How many days? How many months?
- 13 periods comprising of 28 days each period, ma'am.
- Why does CPD do that?
- To ensure consistent staffing levels,
fairly distributed furlough times,
RDOs, and shifts.
Sorry, I was texting.
That was disrespectful.
Uh, Detective Burgess, are we talking
about the AFSCME article 16 forms
or the C article 10 forms?
- I would say both forms have to be filled out correctly.
OK, um,
turn to page six in your curriculums,
and we'll get into the cultivating of a CI.
- Thanks.
- Officer Burgess, hi, Wilson.
Sorry, I just wanted to apologize again.
- At least you had a good answer.
- It was a paper question. I know paper.
They have me on Administrative Services, so...
- Oh, yeah, where do you want to be?
- Ooh, uh, anywhere else,
Narcotics, Vice,
Gang Enforcement, Asset Forfeiture.
But they told me they want me to move slow, so--
- Oh, slow, why? - Uh, see if I fit.
I had kind of an unconventional start here.
Two years ago, I was in the corps at the Joffrey, so...
Yeah, I get that most of the time.
- You gave up ballet to become a cop?
- Uh-huh. Yeah. Both my parents are artists.
They always loved ballet more than I did.
So I kind of stuck with it for them.
But I always wanted to be police, you know?
Wanted to help. Why'd you join?
Your family police?
- Uh, no, no, far from it, actually.
Good luck. Good luck, officer.
Yeah. - Thanks.
- Hey. - How'd it go?
- Fine. I just wish I'd been better prepared.
- All right, listen up.
We got detail to a roundup tonight.
- Excuse me. How many we rounding up?
- None. We got the short end of the stick.
- Hm. How short this time?
- Midnight babysitting tour.
You'll be spread out across the city
doing fixed surveillance on the target houses
the night before the raid.
- Narcotics will be conducting
simultaneous breaches 0500 hours.
They're targeting 26 offenders.
All are members of a meth DTO run by Eric Mosely.
- That's this jagoff.
Smart with the drugs, but a loose cannon with his crew
and on the streets. Makes lots of enemies.
- The goal is for Narcotics to bust co-conspirators,
get 'em to flip.
All we got to do is sit on 'em.
- Ocean, grab a coffee and a bucket just in case.
- I see you're down a soldier. Where's Imani?
- Something with her new apartment.
She's taking a mini furlough.
- Well, it's a big sweep,
and Narcotics is gonna need extra bodies
to fill all the spots, so if you know anyone in OCD
that needs overtime, bring 'em on board.
- Grab your target packs, coordinate with your team.
Let's go. - It's so cool.
- OK, talk to me after you've been sitting
on your ass for five hours.
- Burgess? - Yeah?
- I'm Parker. This is Hara.
- Hey, what's up?
- It looks like we got lucky target house 13.
- Copy here. This is Officer Wilson.
- Hey, glad we can help.
- Radio channel four. We cover the back.
- Sure. - Good.
Now, I'm being punished for beating
my sergeant's team in basketball. You?
- Oh, as far as I know, it's not personal.
- Mm, then you don't know much.
End of shift, breakfast is on this guy.
- Ooh, nice.
- [slurping]
- Wow.
- Gotta stay awake somehow. - Yeah.
- [whispering] Hey, you can take a break.
- No way.
It's like a James Bond movie, you know, 2:00 a.m.?
- Sure. - Can I check in with Narco?
- You should check in with Narco.
- I'm gonna check in with Narco.
Officer Parker, you copy? - Go ahead.
- All quiet in front, sir.
- Copy that, officer.
But we got a big problem back here.
We can't decide who's got the better blueberry pancakes.
Duly's on Madison or Sweet's in Bucktown.
What's your take?
- I'd say Duly's.
I mean, all my experience, I think--
I think I have to make this call.
- We're gonna make a really refined decision
and go with Duly's here.
- Copy that.
- Hey, we-- we got movement.
Targets 18, 19.
Unknown. - Good eye.
Let me see.
- Is that a duffel?
- Yes. Parker, they're cleaning house.
We've got targets 18, 19,
and one unknown loading weighted duffels
into a back of a gray pickup that just pulled up, no plates.
It's got to be either money or product.
- We can't let this go mobile. Take them.
We got your back. - Copy, we're approaching now.
Let's go.
Katy. - Vest.
- Yep, I got it.
[tires squeal]
[suspenseful music]
♪ ♪
- Shut off your vehicle!
- You in the garage, show me your hands!
Show me your hands! Shut off that vehicle!
- Freeze!
Move!
5021 Eddie, I've got a gray pickup fleeing southbound
on 104th towards Damen.
I believe it's carrying narcotics.
Parker. - Burgess.
- We saw the targets go inside. We're breaching.
- Copy, we got the basement.
[gunfire]
10-1, 10-1, shots fired by the police.
Offender down. 10456 Damen.
You good? - Right here, yeah.
- Want you to get that gun. - Got it.
- Clear that corner.
[gunfire]
Get that gun. - I got it.
Gun clear. - You good?
Move, get my right. - All right, crossing.
- Parker. - OK.
- Jesus, Parker.
Katy, Parker's down.
I want you to call it in and stay with him.
Hara, you're with me. - Move!
- All right, 10-1, 10-1 We have an officer shot.
We need an ambo at 10456 Damen.
- Chicago PD, drop that weapon. [gunshots]
Drop-- go, go, go, move.
Clear that weapon.
- He's dead.
- Let's go. Parker, stay with us.
Check that upstairs. Call me as soon as it's clear.
Let's go. - You're gonna be OK.
- You did good, Katy. Talk to me, Parker.
Parker, I want you to stay with me, OK?
You're good. Stay with me, all right?
We're going home tonight, all right?
We're going home.
Come on.
[dramatic music]
.
- Yep, he's in. - OK, thanks.
I want you to secure the house.
No one goes in till IRT and techs arrive.
OK? - Yes, ma'am.
- Nice work.
[indistinct chatter]
- How bad?
- Got shot just under the vest, lots of bleeding.
- All right, bring me up to speed.
- We got a BOLO out on that truck.
No hits yet, two dead targets inside.
- Yeah, well, I spoke to Narcotics.
They think the targets were tipped off.
Could be a rogue CI. Could be one of their own.
There's a lot of finger pointing.
Ivory tower is pissed. - We're taking over.
- Yeah. - Good.
- So get the team back to the district.
Start digging into the two dead offender's phones.
Find anything that connects them to Mosely.
Let's bury this prick.
- Thanks for the update. That was Med.
Officer Parker's out of surgery.
Stabilized, looking good. - Good.
All right, where are we?
- All right, our dead offenders are
Tony Ellis and Marissa Hall. Marissa was a driver.
Ellis was a mid-level dealer.
- OCD lab dumped both of their phones.
Neither one of them connected to Mosely today.
- All right, anything on that pickup truck with the product?
- It was abandoned and torched at La Villa Park.
We ran the VIN, came back to a fictitious owner.
- I got something.
I drove by a bar Mosely owned.
Saw some of his guys selling nearby.
- So Mosely's already back in business.
- One guy popped, Karl Nash.
Narcotics briefed me. They got him documented.
He sells a little but also recruits
the female drivers for Moseley, one of them being Marissa Hall.
Nash is a bit of a mess.
He gambles, he's always in debt,
and he's been beefing with Mosely about getting
a bigger cut for the girls.
- OK, well, he could be ripe for a flip.
- Yeah, Mosely is down a driver.
- Narcotics says Mosely is very specific.
He likes his girls really young, white,
early 20s, innocent looking.
- Officer Wilson fits that bill.
She did good last night.
- She ever been under? - No.
But if she does good, we have a fast in.
- Just run it by her sergeant.
If she's in, give her a crash course.
- Yeah.
- All right, I got eyes on Officer Ruzek.
Now what?
- Now you watch Ruzek's every move.
So the key to undercover work is blending in.
You got to feel like you belong.
You have to talk the talk.
So what's an eighth called? - Slice.
Eight ball. - A quarter ounce?
- Quad. - Half an ounce?
- Half a zip. - Keep looking at the screen.
- Sorry.
- Thank you. Keep the change.
'Sup, Karl?
Hey, man, I need 100 worth of ice.
- Do I know you?
- Really, we got to do this every time?
Man, I took, like, three Ls to get here.
Come on, man. Why do I do that?
'Cause your candy takes me to a very happy place.
Ooh, bullseye.
This is the part where you tell me to meet you
out back in five minutes.
- Now we see if Nash bites.
- Ten minutes.
- My man.
- He's good.
[tense music]
♪ ♪
- All right?
- This makes me feel very positive.
- Relax. Money. - I just get a little--
- I know, I know. Money first.
Thank you. - Boom.
- Whoa-- - In you go.
- What the hell? - Lay down.
Go.
♪ ♪
- And now we try and flip him.
- Look, I already told you,
I ain't never heard of no Mosely.
I'm freelance. - Karl, please stop talking.
Please.
This police officer was shot.
We know one of Mosely's crew shot him.
We also know that you are part of Mosely's crew.
Now, who do you think is going down for shooting that cop?
- What? - Yep.
- No, no, no. I'm no killer, man.
I'm in it for the ladies a-and t-the Benjamins, man.
No, I didn't shoot no cop. That ain't me.
- Then who are you?
- I'm just a dude that gives Mosely girls to drive.
Look, he don't even pay me right.
- Oh, no, so you want to get paid?
- What? - Let's do a little math.
If you work for us as a confidential informant,
help us bust Mosely,
we will seize product.
You will get $1,000
for every pound of product that we seize.
So if we seize 20 pounds of product,
what does that come to?
- 20 Gs. - And how does that sound?
- Like it ain't true. - Mm-hmm.
- You're telling me I'm gonna make 20 Gs
for sticking it to Mosely? - Maybe more.
- Ah, what about my charges?
- You work them off too.
- Again. - I'm Krissy.
I went to high school with Nash.
My life sucks. I left an abusive relationship.
I'm hard up for cash. I know the game.
I just want a chance to prove myself.
- Good.
Nervous?
- Honestly, yeah.
- And that's OK.
Overconfident cops have short careers.
- Burgess.
Officer Wilson, someone would like to meet you.
This is Jamie Parker.
- Hi, I'm Don Parker's wife.
The surgeons told me that if you hadn't moved so fast,
then we would have lost him.
- Jamie, we were just doing our jobs--
- Yeah, no, please spare me.
Don told me it was really bad in there.
- So he's coming around?
- Oh, he'll spend a few more days at Med,
but he's out of the woods.
Look, I know you're in it.
I just want to say thanks.
Now go get the scumbag who started this mess.
- We will. - We'll go out this way.
- I'm telling you, it was great.
Poker till sunrise, flush on the flop.
I nearly soaked the bottom of the table.
There's nothing like winning. You should have been there.
- Yeah, I've been kind of busy.
You know, in case you haven't noticed,
I got some disloyal crew on my hands.
- They're just antsy.
Everyone who was playing was in a good mood.
- This Nash dude needs to get to the point.
- She'll press.
- And at one point, I'm sitting across from this guy.
I got pocket queens--
- All right, are we really gonna talk poker for hours?
- How'd you two meet?
- Oh, high school. - Hmm.
- Both dropped out.
And then I bailed on Chicago.
For some stupid reason, I thought
Cleveland was the answer. - Cleveland?
- Yeah, it's not.
No, not the city,
not the man, not the football team.
So I came back, like, last month.
- Where are you staying?
- My friend's got this place in Garfield Park.
It's a rat hole.
So trying to get some quick cash going,
get my own place.
- Hm.
[tense music]
- Look,
I know what's up.
I'm ready for anything.
- She's got a license, no sheet.
When she puts her hair up,
she looks like one of the cheerleaders at the ball.
I'm telling you, this is the girl.
- Hey, what high school did you go to?
- Milton, or as we like to call it,
hope you don't get killed in.
- Mm. - Mm.
[phone buzzing]
- I gotta go.
♪ ♪
- All right.
- I don't know, just like, maybe I talked too much.
Maybe-- maybe I talked too much,
and I should have let Nash lead more.
- Why?
- But then again, he wouldn't shut up.
- Nash would have talked about poker all night.
[phone buzzing] You did good.
- He would have talked about--
- You gotta trust your instincts.
What?
- "Delivery tomorrow. Are you free?"
Am I free?
[laughter] Am I free?
- Yeah, you're free. [phone chimes]
OK, text back. I mean, you're in.
It's gotta be Mosely, right? - Yeah.
This is Burgess.
Yeah, it's perfect.
OK.
[somber music]
♪ ♪
That was Med.
Officer Parker relapsed.
He suffered a septic shock.
He's dead.
♪ ♪
.
- It's never easy losing one of our own.
Parker died protecting the city he loved.
So to honor his legacy, we work.
All right, we know Tony Ellis shot him,
but we also know that he was just
a lowlife following orders.
This is the prick who really killed him.
All right, Kim, where are we?
- Looking good with Katy,
standing by for pickup location.
- All right, and Nash? - He's on the streets.
[phone buzzing] Mosely still trusts him,
so we're good.
- All right, here we go.
Mosely just reached out to Katy.
Parking lot on Jackson, one hour.
- Let's move.
[keys jingle]
- For real?
She was a ballet dancer?
- Do not be judging a book by its cover, Kev.
Mm-mmm.
She's just--
she's green, that's all.
- OK.
[door shuts]
[zipper whirs]
- Burgess.
- Go.
- I got it.
- OK, now confirm what you're carrying.
We can't be delivering dope.
- Copy, stand by.
OK.
Uh, it's definitely cash.
[phone buzzes]
Wait, I got a text coming in.
"West Adams and 91st, red cap."
- OK, perfect. Head over there.
We've got you covered. - Copy
- OK, good job. - Mm-hmm.
Sarge, Katy just arrived on Adams.
- Copy. Any sign of Mosely?
- No. No sign of anyone.
Here we go. Here we go.
Red cap.
- Yo.
Yo, in here.
You deaf, woman? Get in here.
- Come on, Katy, you got to go in.
- You talk to your mom like that?
Just waiting for a little respect.
Joke's on me, I guess.
Lead the way.
- We know who that is?
- I got him.
Yo, Sarge.
Katy was just waved in by Jose Delgado.
He's a known money launderer
for the Estrada-Iglasias Cartel.
- Let it play. This is all about Mosely.
- Copy you.
- Bitch, why are you staring?
I'd run your lily white ass along now if I was you.
- All right. [chuckles]
- The ballerina's a good book, Burgess.
[phone buzzes]
You did good.
What's up?
- Val Holt at the ME's office,
she wants to meet with me privately.
- Yeah, why?
- She didn't say.
[engine turns over, car starts]
Val?
- Detective Burgess. - Hey.
How you been?
- This is the ballistics report of the slug we removed
from Officer Parker's abdomen.
- OK?
- The lands and grooves are identical to bullets
fired from Officer Katy Wilson's service weapon.
- What? Wait, what did you--
no, that's actually impossible.
- Eh, Kim-- - What?
- You know this is as conclusive as a fingerprint.
I wish there was another explanation,
but Officer Wilson shot Officer Parker.
[soft dramatic music]
- Just give me a second.
♪ ♪
Oh, my God.
It was friendly fire.
- I'm sorry, Kim.
I'm obligated to inform the officer involved
as soon as possible.
I thought since you brought her in, you might wanna--
- Yeah, I will tell her.
♪ ♪
.
[knocks]
- My heart is beating... - Hey.
- Like, a mile a minute right now. Like, I can't--
How do you usually, like, come down from something like this?
- Slowly, usually.
We need to talk.
- Mm.
Yeah, what's up? - Um...
Katy, the bullets that were recovered
from Officer Parker's body came from your service weapon.
- That's impossible.
- It's not.
I saw the ballistics report.
♪ ♪
- OK, but we saw Ellis shooting at Parker.
- No.
We saw Ellis running from Parker's direction.
I think Parker was already down at that point.
And you--
you probably hit Parker
during that initial firefight.
[tense music]
♪ ♪
Katy...
I'm sorry.
- Oh--
oh my God.
- It was dark, and it was really chaotic.
OK, that is not your fault. It's--it's--
it's--it's friendly fire. It happens in the military.
It happens on this job.
It happened--
♪ ♪
The FOP and the CPD,
they are supportive of officers in this situation, OK?
As long as you didn't lie about what happened,
you're good.
You give IAD a statement, but that's it.
♪ ♪
- [sighs]
- I was right next to you, Katy.
You did nothing wrong.
- You--
♪ ♪
- Next step, we talk to Mosely.
We tell him you had to go back to Cleveland.
- No, hey-- no, we're not doing that.
We're not doing that. - Katy.
- No, we need to keep moving.
We're so close.
No, I'm not doing that.
♪ ♪
- I don't know. Are you sure?
- Yeah.
Absolutely.
♪ ♪
- OK. - OK.
♪ ♪
- How's Katy doing?
- [clears throat]
She's saying all the right things.
Tower make a statement?
- Not yet.
This gets out, Mosely will go dark.
The team knows.
- Parker's widow?
- Yeah.
- Christ.
- It is not just talk.
Mosely might as well have pulled that trigger.
- Yeah. - We stay focused.
[phone buzzes]
We get this prick off the street.
- I got an email.
Trap and trace alert from Katy's UC phone.
- What did you tell Katy?
- She did nothing wrong. - Neither did you.
- Here we go, text from a burner.
It's got to be from Mosely.
"You ready for delivery tomorrow?"
All right.
Give him a simple yes, Katy.
- Come on.
All right, try her work phone.
- Straight to voicemail.
Her burner just shut off.
What is going on?
Should we text Mosely back?
- No, he could be watching her. Could be a test.
- Right.
- Wait, where's her UC car?
[tense music]
♪ ♪
- Still parked at her UC apartment.
- All right, get back over there.
Find her.
♪ ♪
- Come on, come on, come on.
- Burgess, you got ears?
- What's up, Kev?
- I ran what you asked.
Got a hit on Katy's personal vehicle.
It's parked on Randolph and Wabash.
That mean anything to you?
- Maybe.
I think I know where she is.
- Need me to start heading that way?
- I got it.
- Good night. - OK. Thank you.
- You're Tyler, right?
You are friends with Katy Wilson?
- Yep.
You sitting at the bar tonight?
- No. T-thanks.
- Mm-hmm.
[upbeat pop music playing]
♪ ♪
- Katy
- Oh, my God.
I'm sorry. I was just taking a break.
I promise I was just taking a break--
- That's fine. You took a break.
But Mosely texted. We need to respond.
I want you to do it. - OK.
- Give me that.
- [sighs, mutters indistinctly]
Thumbs up. He said thumbs up, he said.
- Good, we're still in it.
That's good.
- She, uh-- she called me.
- Who called you?
- Parker's widow.
She said that, um,
that I knew that I shot him.
She called me a murderer. - Katy.
- Said I was a coward.
And that's what I am, right?
- No. - I'm a coward.
- Hey, you're not a coward, OK?
Parker's widow is grieving and really angry.
She needs to put that somewhere.
- Yeah. - OK? That's all.
- Yeah.
- Can we get out of here?
- Please.
.
- Hey. - You let me sleep in.
- Yeah, you had a late one.
- Yeah. - Mack made the bus.
She only forgot three things this time.
How was Katy?
- Holding up.
- Keeping her in play? - Hopefully.
I'm gonna see how she's feeling this morning.
You know? - I don't know.
It's tough to come back from. - Yeah.
- Not everyone's good in the mess.
- How was Mack last night?
- Well, she got an A on her history test.
- That's awesome.
Did she fill out any of those school applications?
- No.
- What? - I sat with her.
I tried to help. She was not interested.
It's like pulling teeth.
I'll try again tonight.
I don't know, maybe she's good where she's at.
She keeps saying she still likes her school.
- She doesn't know any different.
We talked about this, Adam. We agreed.
- Yeah, well, we did.
You know, she's got her own thoughts.
- You can't--you can't let a kid have a final say.
She's 12.
She--she doesn't know what's right for herself.
- Yeah.
- Look--
look, I know that this is a hard time with your dad.
Like, I know it's not perfect timing here, but--
- Hey. We're gonna figure it out.
You and I, we're good in the mess, right?
- Yeah.
It is such a mess, isn't it?
Like, how do we have this much stuff?
- [chuckles]
[phone buzzes]
- Adam, it's Katy. She's in.
This is it. - All right.
- We got eyes on Katy coming your way.
- Copy.
[distant train horn sounding]
[knocking on door]
- Follow me. - Hey. Yeah.
- You're here.
- Yeah. Yeah, yeah.
- Hey, wait a second.
- Yeah, whenever you're ready.
- Jesus.
- That's gotta be, like, 30 or 40 pounds of meth,
super class X felony. We could take him now.
Kev, Torres, we're good to go.
As soon as Katy's out of there, we move.
- Copy you. Standing by.
- What the hell is this?
- I don't know.
[tense music]
I think I recognize them. They were in the target pack.
♪ ♪
All right, two of Mosely's guys just showed up.
We got number 14, Mickey Gregory.
Number 20, Richie Bertucci.
- Gun, we gotta move, move.
- Let's go. Let's go.
- Mosely!
How long you been sitting on this, huh?
- Whoa, whoa, whoa. - This was promised to me,
and you're giving it to the 5th Street Crew?
- Slow down, all right? Drop your weapons.
- Slow down? I got people that prepaid already,
- I bought this. - OK, I ain't taking nothing
without permission.
Everyone drop your damn guns, OK?
- Chicago PD! Drop the guns! Get down on the ground.
- Get down! Get down!
- On the wall! On the wall!
- Hands! Hands! - Hug the wall right now!
- Hey! You got him?
- You want to go to jail?
[indistinct shouting]
- Stop!
[suspenseful music]
♪ ♪
Hands behind your back.
♪ ♪
[gunfire]
- Katy, let's move.
Katy, we gotta move. - [groaning]
- Mosely's in the basement.
I need backup. - Get up.
Copy you. We're on the way.
- Katy, listen to me. OK, you are fine.
You were born for this. You were born to be police.
So you get up, and you have my six.
- Yeah. - On my shoulder.
Three, two, one, go.
♪ ♪
Crossing.
Move.
♪ ♪
[gunshots]
We move as one. Three, two, one, go.
Show me your hands! Put your hands up!
Put your hands up right now! Move.
♪ ♪
- Chicago Police!
- Hey, take him. Kev.
- We got runners and shots fired.
Hold this down. - You got it.
♪ ♪
- Hold.
Move.
[gunfire]
Katy, you good? - Yeah, I'm here.
- Move. - All right.
[gunfire]
- He's down.
- Mosely's down.
Adam, you copy?
Adam, do you copy?
Adam?
♪ ♪
- Kim.
You all right?
- He's gone.
[soft dramatic music]
Yeah.
♪ ♪
- 5021 David, shots fired by the offender and the police.
The offender's down. Roll the crime lab.
- Copy.
[indistinct radio chatter]
.
- Hey, I'm sorry I froze in there.
I don't know what happened.
I just, like, couldn't move, you know?
Has that ever happened to you?
- Have I ever been scared? Yes, of course.
- That's not what I'm asking.
Have you-- I froze.
- And then you moved. That's what matters.
- I read a lot of incident reports.
A lot of paper in Administrative Services.
I can read between the lines.
There's a difference between being afraid
and being a coward.
- No, Katy.
We're not robots here.
We're just-- we're just people.
We should be afraid.
It's scary.
That piece of it's all normal.
- Yeah.
- It is.
- Yeah.
OK.
- You good? - Yeah.
Just finishing up the Mosely paper.
- All right. Good night.
- Hey... - Mm.
- When Katy hesitated,
I include that in the report?
- It happened.
- Yeah, but it could derail her career
before it ever really started.
- Hm.
- I mean, she's just young and raw.
She could be good police.
- It's your call.
- Right.
I'm not gonna include it.
- Good night, Kim. - Good night.
Hey, Sergeant,
Detective Burgess, Intelligence.
I'm really sorry to bother you so late.
Thanks. No, I was just--
I'm trying to track down a report
officer Katy Wilson made regarding the Moseley bust,
and I thought maybe she slipped it to you.
She what?
No, I-I didn't.
[soft dramatic music]
Um, no, that's OK,
but thanks.
♪ ♪
You turned in your badge?
- Yeah.
I, um--
I really thought I knew what I wanted.
I thought that I was meant to be police.
When I hesitated, you know what I was thinking of?
All the stuff I thought I hated,
you know, the classes, the dancers talking crap
about the sore muscles, and the bad stage lights,
the laughing,
all this stuff I thought was frivolous,
I missed it.
But I mostly just missed feeling safe.
Look, I appreciate everything that you've done for me,
but I'm not cut out for this.
I don't want this.
And I'm sorry.
I probably should have said something--
- It's your life, Katy.
- Yeah.
- OK, um, well,
if you need anything...
- Thank you.
♪ ♪
- How'd it go with Katy?
- She made up her mind. She's quitting.
- That's too bad.
Well, listen, hey, go check the desk there.
The young lady's been very busy.
She filled them out herself.
I didn't even have to ask.
She had them done right after dinner.
- "If you could go back in time, where would you go?
Tell me a story about it."
"If I could go back in time, I would go back to my old home
"and try and stop the bad things
"that happened to my birth parents.
"And when they were safe, I would hug them,
"and then I'd introduce them to my other parents
in Canaryville."
What does that mean, Adam?
W-what does that mean?
Does she want to go? Does she want to stay?
- I got no idea.
♪ ♪
- God.
♪ ♪
- I always knew, you know?
I always knew, like, so concretely,
what was right for me,
when I joined the police,
when I met you, Mack.
So why is it so damn hard to know
what's right for your kid?
- Yeah, I don't know.
I don't know.
But it is.
♪ ♪
[wolf howls]
[dramatic music]
♪ ♪