1
00:00:00,823 --> 00:00:03,023
(dog barking in distance)

2
00:00:06,056 --> 00:00:08,056
(bus approaching)

3
00:00:37,590 --> 00:00:39,590
♪ ♪

4
00:00:59,390 --> 00:01:01,056
There she is.

5
00:01:01,090 --> 00:01:04,090
Happy birthday, baby girl.

6
00:01:07,523 --> 00:01:11,056
♪ Happy birthday ♪

7
00:01:11,090 --> 00:01:14,190
♪ To you ♪

8
00:01:14,223 --> 00:01:17,223
♪ Happy birthday ♪

9
00:01:17,256 --> 00:01:19,256
♪ To you ♪

10
00:01:20,423 --> 00:01:23,290
♪ Happy birthday ♪

11
00:01:23,323 --> 00:01:27,256
♪ Dear Ethelrida ♪

12
00:01:27,290 --> 00:01:30,123
♪ Happy birthday ♪

13
00:01:30,156 --> 00:01:33,656
♪ To you. ♪

14
00:01:45,623 --> 00:01:47,623
(rhythmic knocking)

15
00:02:01,556 --> 00:02:03,556
(sniffles)

16
00:02:11,823 --> 00:02:14,023
(quick gasp)

17
00:02:30,156 --> 00:02:32,156
(grunting, shouting)

18
00:02:56,390 --> 00:02:57,556
(coughs, inhales)

19
00:03:06,656 --> 00:03:08,023
LOY:
It's okay.

20
00:03:10,620 --> 00:03:13,354
I've been having a bad day, too.

21
00:03:14,187 --> 00:03:15,854
I‐I...

22
00:03:15,887 --> 00:03:17,854
I wasn't...

23
00:03:17,887 --> 00:03:19,854
I didn't call the raid.

24
00:03:19,887 --> 00:03:23,554
It was Josto.
I was following orders. I...

25
00:03:23,587 --> 00:03:26,687
I‐I can get your money back.

26
00:03:26,720 --> 00:03:28,387
Keep it.

27
00:03:28,420 --> 00:03:30,820
I'm losing this war, Odis.

28
00:03:30,854 --> 00:03:33,487
People are being taken from me.
People I trust.

29
00:03:33,520 --> 00:03:36,154
Things I've earned.

30
00:03:36,187 --> 00:03:39,687
You see, I'm not just
fighting a few Italians.

31
00:03:39,720 --> 00:03:42,687
I'm fighting
400 years of history.

32
00:03:42,720 --> 00:03:45,587
I'm fighting a mindset.

33
00:03:51,454 --> 00:03:53,754
You like those dolls, huh?

34
00:03:53,787 --> 00:03:55,787
You collect 'em?

35
00:03:59,820 --> 00:04:01,154
Uh...

36
00:04:01,187 --> 00:04:03,387
How you think they feel?

37
00:04:07,187 --> 00:04:09,387
Being owned.

38
00:04:11,654 --> 00:04:14,554
Imagine if these dolls rose up

39
00:04:14,587 --> 00:04:17,087
and became citizens
of this apartment.

40
00:04:19,454 --> 00:04:22,820
Imagine if they asked
for equal rights.

41
00:04:24,454 --> 00:04:25,954
You might say,

42
00:04:25,987 --> 00:04:27,987
"Man, fuck these dolls.

43
00:04:29,887 --> 00:04:32,420
"I'm gonna crush these dolls.

44
00:04:32,454 --> 00:04:35,054
"Thinking they all human.

45
00:04:35,087 --> 00:04:37,454
Thinking they equal."

46
00:04:38,720 --> 00:04:41,987
'Cause that's your mindset.

47
00:04:42,020 --> 00:04:44,854
And look,

48
00:04:44,887 --> 00:04:48,787
maybe you feel like
these Italians own you.

49
00:04:48,820 --> 00:04:52,687
But you got no idea what it
feels like to be actual owned.

50
00:04:52,720 --> 00:04:55,020
To be property.

51
00:04:56,054 --> 00:04:58,020
Until now.

52
00:04:58,054 --> 00:05:00,420
'Cause I own you.

53
00:05:00,454 --> 00:05:02,054
You're gonna
help me win this war

54
00:05:02,087 --> 00:05:03,920
or I'm gonna
put you in the ground.

55
00:05:03,954 --> 00:05:05,920
You hear me?

56
00:05:05,954 --> 00:05:08,120
Yeah. Yes.

57
00:05:08,154 --> 00:05:09,820
Yes, I hear you.

58
00:05:09,854 --> 00:05:11,654
Good.

59
00:05:11,687 --> 00:05:13,687
We'll be in touch.

60
00:05:29,887 --> 00:05:31,887
♪ ♪

61
00:05:49,954 --> 00:05:51,954
♪ ♪

62
00:06:13,487 --> 00:06:15,487
(opera music playing)

63
00:06:29,420 --> 00:06:30,787
(short chuckle)

64
00:06:38,854 --> 00:06:39,887
Oh.

65
00:06:41,920 --> 00:06:43,054
‐Hey.
‐(car approaches)

66
00:06:43,087 --> 00:06:45,087
(horn honks)

67
00:06:48,187 --> 00:06:50,820
‐(engine stops)
‐(car doors close)

68
00:06:53,687 --> 00:06:54,820
(indistinct conversation)

69
00:07:00,854 --> 00:07:02,854
(speaks Italian)

70
00:07:08,187 --> 00:07:10,387
(man whoops,
whistles in distance)

71
00:07:12,820 --> 00:07:14,487
(man laughs)

72
00:07:16,854 --> 00:07:18,854
(shouting, clattering
in distance)

73
00:07:30,787 --> 00:07:33,487
(door closes)

74
00:07:33,520 --> 00:07:35,520
(record stops)

75
00:07:42,820 --> 00:07:44,520
‐(man shouts)
‐(gunfire)

76
00:07:44,554 --> 00:07:46,554
(shouting, gunfire continuing)

77
00:08:05,720 --> 00:08:07,720
(footsteps approaching)

78
00:08:24,887 --> 00:08:26,454
(gun clatters)

79
00:08:35,754 --> 00:08:37,587
Paolo.

80
00:08:37,620 --> 00:08:39,587
No.

81
00:08:39,620 --> 00:08:41,754
No...

82
00:08:41,787 --> 00:08:43,787
Fuck.

83
00:08:46,454 --> 00:08:47,787
(gunshot in distance)

84
00:08:49,720 --> 00:08:51,720
(footsteps approaching)

85
00:09:09,520 --> 00:09:10,820
Oh, shit.

86
00:09:28,720 --> 00:09:31,020
‐You shot him.
‐Well, what was
I supposed to do?

87
00:09:31,054 --> 00:09:32,887
He's the size of a house.

88
00:09:32,920 --> 00:09:36,587
The man said "alive."

89
00:09:36,620 --> 00:09:38,787
Nah, he's still breathing.

90
00:09:45,854 --> 00:09:47,020
(grunts)

91
00:09:49,787 --> 00:09:52,354
You see me struggling here?

92
00:10:01,087 --> 00:10:02,454
(exhales sharply)

93
00:10:04,820 --> 00:10:07,020
Well, now what?

94
00:10:10,920 --> 00:10:12,920
(both grunting)

95
00:10:18,487 --> 00:10:21,787
(Gaetano grunts, panting)

96
00:10:21,820 --> 00:10:23,820
He's awoke.

97
00:10:34,520 --> 00:10:36,520
You ever hear
of Sugar Ray Robinson?

98
00:10:38,854 --> 00:10:41,120
No?

99
00:10:41,154 --> 00:10:43,120
Won his first 40 fights.

100
00:10:43,154 --> 00:10:46,354
We used to call him Willie up in
Harlem, which was his real name.

101
00:10:47,887 --> 00:10:51,054
You see, to get his first fight,

102
00:10:51,087 --> 00:10:53,954
Sugar had to borrow
this other cat's union card.

103
00:10:57,187 --> 00:10:59,120
You know how that story goes.

104
00:10:59,154 --> 00:11:02,820
How a man will do whatever it
takes to get that first break.

105
00:11:08,820 --> 00:11:10,154
(straining)

106
00:11:10,187 --> 00:11:11,720
‐Yeah, yeah.
‐(coughs)

107
00:11:11,754 --> 00:11:14,020
See, there's a part two
to this story.

108
00:11:14,054 --> 00:11:16,920
Now that you got the title...

109
00:11:16,954 --> 00:11:18,920
you got to fight off
all these do‐right daddies

110
00:11:18,954 --> 00:11:21,920
that want to
knock your head off.

111
00:11:23,854 --> 00:11:25,887
My man right here

112
00:11:25,920 --> 00:11:27,854
started off as a flyweight.

113
00:11:29,054 --> 00:11:31,820
Worked himself up to welter.

114
00:11:31,854 --> 00:11:34,487
Now, I know what
you're thinking.

115
00:11:34,520 --> 00:11:35,987
He's skinny.

116
00:11:36,020 --> 00:11:38,754
And you're right.

117
00:11:38,787 --> 00:11:41,654
But he's got reach.

118
00:11:41,687 --> 00:11:42,954
Jack Blackburn said he had

119
00:11:42,987 --> 00:11:44,620
the best right cross
in the business.

120
00:11:44,654 --> 00:11:45,854
‐Ain't that right?
‐Mm‐hmm.

121
00:11:49,187 --> 00:11:51,054
Now, you can say your whole life

122
00:11:51,087 --> 00:11:53,554
is just a series of mistakes.

123
00:11:53,587 --> 00:11:55,754
No big deal.

124
00:11:59,820 --> 00:12:01,820
But Doctor Senator...

125
00:12:04,087 --> 00:12:06,654
Now, that's the one
that got you killed.

126
00:12:11,554 --> 00:12:12,687
(laughing)

127
00:12:27,620 --> 00:12:29,854
Yeah.
Come on, come on.

128
00:12:29,887 --> 00:12:32,887
Come on.
(speaks Italian)

129
00:12:32,920 --> 00:12:34,954
(laughing)

130
00:12:34,987 --> 00:12:36,487
Yeah.

131
00:12:37,520 --> 00:12:38,987
Yeah.

132
00:12:49,554 --> 00:12:51,087
(knocking on door)

133
00:12:53,187 --> 00:12:56,120
‐Beatrice said to come see you.
‐(man moaning in distance)

134
00:12:56,154 --> 00:12:58,120
Can't we shut him up?

135
00:12:58,154 --> 00:13:00,120
I feel like I'm losing my mind.

136
00:13:00,154 --> 00:13:02,954
Oh, poor Mr. Tucker.

137
00:13:02,987 --> 00:13:06,487
Yeah, he's got the gout
something fierce.

138
00:13:06,520 --> 00:13:07,787
There's not much we can do

139
00:13:07,820 --> 00:13:10,087
but wait for the swelling
to go down.

140
00:13:10,120 --> 00:13:12,420
I haven't forgotten,
by the way.

141
00:13:12,454 --> 00:13:14,987
Macaroon?

142
00:13:15,020 --> 00:13:17,754
I received a rather queer letter
about you today.

143
00:13:17,787 --> 00:13:19,787
About me?

144
00:13:27,620 --> 00:13:29,787
Reader's Digest says letter
writing's becoming a lost art.

145
00:13:29,820 --> 00:13:30,987
Ah...

146
00:13:32,954 --> 00:13:36,087
Miss Mayflower,
do you attend the funerals

147
00:13:36,120 --> 00:13:38,120
of your patients?

148
00:13:38,154 --> 00:13:40,887
Of course.

149
00:13:40,920 --> 00:13:43,554
It's the Christian thing to do.

150
00:13:43,587 --> 00:13:47,120
Well, someone has written me
and suggested

151
00:13:47,154 --> 00:13:50,620
that your behavior
at your last posting

152
00:13:50,654 --> 00:13:53,687
deserves further scrutiny.

153
00:13:53,720 --> 00:13:55,487
My behavior?
(short chuckle)

154
00:13:55,520 --> 00:13:56,987
For example,

155
00:13:57,020 --> 00:13:59,154
do you retain keepsakes

156
00:13:59,187 --> 00:14:01,120
from your patients?

157
00:14:01,154 --> 00:14:02,820
Those who've passed.

158
00:14:02,854 --> 00:14:04,554
I'm sure I don't know
what you mean.

159
00:14:04,587 --> 00:14:06,387
Because, of course,
it goes without saying

160
00:14:06,420 --> 00:14:08,920
that confiscating
the possessions of any patient

161
00:14:08,954 --> 00:14:10,654
is a crime.

162
00:14:10,687 --> 00:14:13,354
Dr. Harvard...

163
00:14:16,487 --> 00:14:18,687
...I can assure you
Oraetta Mayflower

164
00:14:18,720 --> 00:14:21,887
is a Christian citizen
of the highest character.

165
00:14:21,920 --> 00:14:25,554
I'm unsure, even, of the
spelling of the word "crime."

166
00:14:25,587 --> 00:14:27,120
May I see this letter
for myself?

167
00:14:29,154 --> 00:14:31,120
‐No.
‐Well...

168
00:14:32,854 --> 00:14:34,154
...may I at least

169
00:14:34,187 --> 00:14:37,354
learn the name of the sender?

170
00:14:42,020 --> 00:14:43,487
It's anonymous.

171
00:14:43,520 --> 00:14:45,720
Oh.
Well, there you go.

172
00:14:45,754 --> 00:14:48,054
A cowardly act by a coward.

173
00:14:48,087 --> 00:14:50,920
Possibly some... w‐well,

174
00:14:50,954 --> 00:14:53,620
personal or professional
jealousy.

175
00:14:55,120 --> 00:14:58,054
Indeed.

176
00:14:58,087 --> 00:15:00,420
I've seen plenty
of rivalries in my day.

177
00:15:00,454 --> 00:15:01,820
Oh, well...

178
00:15:01,854 --> 00:15:04,754
None worse than those
between two she‐cats.

179
00:15:04,787 --> 00:15:06,754
I swear, you women,

180
00:15:06,787 --> 00:15:09,620
with your petty squabbles.
A man‐‐

181
00:15:09,654 --> 00:15:10,954
(voice echoing):
a professional man‐‐

182
00:15:10,987 --> 00:15:14,054
would have no time
for such witchiness.

183
00:15:14,087 --> 00:15:17,987
I suspect the snitch
to be a fellow nurse

184
00:15:18,020 --> 00:15:21,554
or candy striper
from your last hospital.

185
00:15:21,587 --> 00:15:24,420
(echoing stops):
As you said‐‐ jealous,

186
00:15:24,454 --> 00:15:27,420
possibly of your
high position here.

187
00:15:30,487 --> 00:15:31,920
Of course, I will have
to show this letter

188
00:15:31,954 --> 00:15:33,787
to our human resources
department.

189
00:15:33,820 --> 00:15:36,354
No, sir, please.

190
00:15:38,120 --> 00:15:41,620
Can you imagine
if this was your reputation?

191
00:15:41,654 --> 00:15:44,487
A baseless claim
delivered anonymously?

192
00:15:44,520 --> 00:15:47,620
When you called Allen Sneet,
did you not check my references?

193
00:15:47,654 --> 00:15:50,820
‐I did.
‐And did he give you
any cause for hesitation?

194
00:15:50,854 --> 00:15:53,820
Did he not report that I was...

195
00:15:53,854 --> 00:15:56,687
exemplary in my vocation?

196
00:15:56,720 --> 00:16:00,387
A‐a regular
Florence Nightingale? (chuckles)

197
00:16:00,420 --> 00:16:02,087
He did.

198
00:16:03,854 --> 00:16:06,387
All right, Nurse Mayflower,
you've convinced me.

199
00:16:06,420 --> 00:16:07,854
I'm convinced.

200
00:16:07,887 --> 00:16:10,054
For now,

201
00:16:10,087 --> 00:16:12,754
we'll just keep this
between us.

202
00:16:19,087 --> 00:16:20,754
Thank you, Doctor.

203
00:16:20,787 --> 00:16:22,787
And I want to apologize
that this matter has taken up

204
00:16:22,820 --> 00:16:25,020
part of your day.
I know how busy you are.

205
00:16:25,054 --> 00:16:27,720
Back to your duties, now.

206
00:16:30,887 --> 00:16:33,720
‐Oh, Nurse Mayflower.
‐Mm‐hmm?

207
00:16:33,754 --> 00:16:35,620
No more funerals.

208
00:16:35,654 --> 00:16:37,654
No.

209
00:17:07,054 --> 00:17:09,054
♪ ♪

210
00:17:24,587 --> 00:17:27,020
Merda, what a flight.

211
00:17:30,187 --> 00:17:33,120
This is Joe Bulo,
out of New York.

212
00:17:33,154 --> 00:17:35,654
Joe Bulo out of New York...

213
00:17:35,687 --> 00:17:37,987
get a drink at the bar.
This doesn't concern you.

214
00:17:38,020 --> 00:17:39,487
Antoon.

215
00:17:50,587 --> 00:17:52,920
So what'd they say?
Are they with me?

216
00:18:02,054 --> 00:18:03,087
Please, take your time.

217
00:18:10,554 --> 00:18:12,554
New York says okay.

218
00:18:13,187 --> 00:18:15,420
On two conditions.

219
00:18:15,454 --> 00:18:17,454
Number one,

220
00:18:17,487 --> 00:18:20,420
we get two weeks to fix
our thing with Cannon.

221
00:18:20,454 --> 00:18:22,720
‐Fix how? Kill him?
‐Fix.

222
00:18:22,754 --> 00:18:25,387
One way or the other.

223
00:18:25,420 --> 00:18:27,620
Well, that's, uh...
what do ya... cryptic, but okay.

224
00:18:27,654 --> 00:18:29,420
‐What's the second one?
‐Boss.

225
00:18:29,454 --> 00:18:32,520
Not now. What's number two‐‐
pull a rabbit out of my ass?

226
00:18:32,554 --> 00:18:33,687
Number two...

227
00:18:33,720 --> 00:18:34,920
‐Boss.
‐Are you kidding me?

228
00:18:34,954 --> 00:18:36,454
They took your brother.

229
00:18:36,487 --> 00:18:38,020
They who?

230
00:18:38,054 --> 00:18:39,687
The mulignan.

231
00:18:41,854 --> 00:18:42,987
They killed Paolo.

232
00:18:58,120 --> 00:19:00,054
So, my brother's dead?

233
00:19:02,087 --> 00:19:03,987
I don't know.

234
00:19:04,020 --> 00:19:06,854
They took him
for the ditsoon doctor.

235
00:19:08,920 --> 00:19:10,520
What happened to the doctor?

236
00:19:14,887 --> 00:19:17,554
Did you order this?

237
00:19:18,854 --> 00:19:20,120
No.
It was Gaetano

238
00:19:20,154 --> 00:19:22,920
and this asshole.

239
00:19:22,954 --> 00:19:25,854
But that's...
I'm handling that.

240
00:19:25,887 --> 00:19:27,520
(sighs)

241
00:19:27,554 --> 00:19:31,120
It got ordered, okay?
Let's not focus on by who.

242
00:19:31,154 --> 00:19:33,920
What matters is he's gone.

243
00:19:33,954 --> 00:19:35,987
And now...

244
00:19:36,020 --> 00:19:38,120
so is Gaetano.

245
00:19:40,187 --> 00:19:41,654
What else did New York say?

246
00:19:41,687 --> 00:19:44,054
Boss, we got to go after him.

247
00:19:44,087 --> 00:19:46,854
Shut up. He's gone.

248
00:19:46,887 --> 00:19:49,454
What else did New York say?

249
00:19:51,587 --> 00:19:53,554
They said if you want
to be boss,

250
00:19:53,587 --> 00:19:56,820
you got to make things right
with your brother.

251
00:20:13,031 --> 00:20:15,087
(phone ringing)

252
00:20:17,620 --> 00:20:19,854
LOY:
Do you ever miss New York?

253
00:20:20,357 --> 00:20:22,490
DOCTOR SENATOR:
What I miss most

254
00:20:22,524 --> 00:20:25,124
is being young.

255
00:20:25,157 --> 00:20:28,290
LOY:
A‐men.

256
00:20:30,224 --> 00:20:32,090
LOY:
I got to get my boy back.

257
00:20:32,124 --> 00:20:34,090
He's okay.

258
00:20:34,124 --> 00:20:37,090
He just got his bell rung.

259
00:20:38,357 --> 00:20:40,324
Not that boy.

260
00:20:46,890 --> 00:20:49,457
I'll talk to Ebal.

261
00:20:49,490 --> 00:20:52,157
There must be some way
back from the brink.

262
00:20:54,157 --> 00:20:56,090
One thing's for sure.

263
00:20:57,624 --> 00:21:00,157
You rescind Satchel now...

264
00:21:02,124 --> 00:21:03,590
...it's war.

265
00:21:03,624 --> 00:21:05,924
No escaping.

266
00:21:05,957 --> 00:21:07,257
Plus, they're on high alert.

267
00:21:07,290 --> 00:21:10,590
I don't even see how
we get close to him

268
00:21:10,624 --> 00:21:13,157
without triggering
World War III.

269
00:21:17,357 --> 00:21:19,157
I do.

270
00:21:27,490 --> 00:21:29,524
(grunts)
Hey...

271
00:21:29,557 --> 00:21:31,390
(mumbles)

272
00:21:31,424 --> 00:21:33,624
W‐Would you tell your man
he can't just

273
00:21:33,657 --> 00:21:35,990
ape me off the street
in broad daylight?

274
00:21:36,024 --> 00:21:37,257
I'm the goddamn police.

275
00:21:37,290 --> 00:21:38,557
‐(Gaetano coughs)
‐I...

276
00:21:41,390 --> 00:21:43,257
LOY:
You're gonna
do something for me.

277
00:21:43,290 --> 00:21:45,324
(scoffs)
W...

278
00:21:45,357 --> 00:21:47,224
What do... what do you call
the bruiser in the other room?

279
00:21:47,257 --> 00:21:49,190
‐I served him up to you
on a silver platter.
‐Sir!

280
00:21:49,224 --> 00:21:51,257
‐Hey!
‐Yes, sir.

281
00:21:51,290 --> 00:21:53,590
‐(bell tolling in distance)
‐You hear that?

282
00:21:53,624 --> 00:21:55,590
Time's up.

283
00:21:57,257 --> 00:21:58,624
What time?

284
00:21:58,657 --> 00:22:01,057
Kid‐swapping time.

285
00:22:01,090 --> 00:22:03,390
This Italian wedding
we're having.

286
00:22:03,424 --> 00:22:05,424
Good riddance.

287
00:22:08,357 --> 00:22:10,590
You're gonna drive
over to that house...

288
00:22:12,224 --> 00:22:14,990
...and you're gonna
bring my boy home.

289
00:22:15,024 --> 00:22:16,590
What?
(short chuckle)

290
00:22:16,624 --> 00:22:18,257
No.

291
00:22:18,290 --> 00:22:20,857
I'm gonna kill that fat wop
in the next room

292
00:22:20,890 --> 00:22:22,590
and then I'm gonna
take over this town.

293
00:22:22,624 --> 00:22:25,090
But not until I get my boy back.

294
00:22:25,124 --> 00:22:27,324
How am I supposed to...

295
00:22:27,357 --> 00:22:29,090
You're the law, ain't you?

296
00:22:29,124 --> 00:22:31,157
Just walk in there and grab him.

297
00:22:32,224 --> 00:22:35,324
Badge, gun‐‐ whatever it takes.

298
00:22:35,357 --> 00:22:37,090
That's... It's insane.

299
00:22:37,124 --> 00:22:38,957
‐It's too‐too...
‐I ain't asking.

300
00:22:47,624 --> 00:22:49,157
(grunts)

301
00:22:57,090 --> 00:22:59,324
Shit, shit, shit, shit
shit, shit, shit, shit, shit.

302
00:22:59,357 --> 00:23:00,924
Oh, shit.

303
00:23:00,957 --> 00:23:02,924
(whimpers)

304
00:23:12,957 --> 00:23:14,457
(muttering):
One little, two little,
three little Indians.

305
00:23:14,490 --> 00:23:15,590
Four little, five little, six...

306
00:23:23,624 --> 00:23:25,857
One little, two little,
three little Indians.

307
00:23:25,890 --> 00:23:28,590
Four little, five little,
six little Indians.

308
00:23:28,624 --> 00:23:30,590
Seven little, eight little,
nine little Indians.

309
00:23:32,357 --> 00:23:33,324
Ten little Indian boys.

310
00:23:33,357 --> 00:23:34,924
(sniffles)

311
00:23:34,957 --> 00:23:36,357
One little, two little,
three little Indians.

312
00:23:36,390 --> 00:23:38,590
Four little, five little,
six little Indians.

313
00:23:38,624 --> 00:23:41,057
Seven little, eight little,
nine little Indians.

314
00:23:41,090 --> 00:23:42,624
Ten little Indian boys.

315
00:23:42,657 --> 00:23:44,890
‐(sniffles)
‐(rhythmically toggles
door handle)

316
00:23:47,157 --> 00:23:49,157
(grunts rhythmically)

317
00:23:53,890 --> 00:23:56,224
One little, two little,
three little Indians.

318
00:23:56,257 --> 00:23:57,957
Four little, five little,
six little...

319
00:23:57,990 --> 00:24:00,090
Seven little, eight little,
nine little Indians.

320
00:24:00,124 --> 00:24:01,924
Ten little Indian boys.

321
00:24:04,424 --> 00:24:06,124
I'm, uh... I'm expected.

322
00:24:06,157 --> 00:24:07,424
(door opens)

323
00:24:09,490 --> 00:24:11,590
One little, two little,
three little Indians.

324
00:24:11,624 --> 00:24:14,190
‐SATCHEL:
"There is one kind of prison,
‐Four little, five little,

325
00:24:14,224 --> 00:24:17,324
‐"where the man is behind bars,
‐six little Indians. Seven
little, eight little, nine...

326
00:24:17,357 --> 00:24:20,490
‐"and everything that he desires
‐Ten little Indian boys.

327
00:24:20,524 --> 00:24:22,957
is outside."

328
00:24:22,990 --> 00:24:24,857
One little, two little,
three little Indians.

329
00:24:24,890 --> 00:24:26,157
‐SATCHEL:
"And there is another kind,
‐Four little, five little,

330
00:24:26,190 --> 00:24:28,957
‐"where the things
are behind the bars,
‐six little Indians.

331
00:24:28,990 --> 00:24:32,257
‐and the man is outside."
‐Seven little, eight little,
nine...

332
00:24:32,290 --> 00:24:34,357
Ten little Indian boys.

333
00:24:34,390 --> 00:24:36,457
"When he was down
to his last quarter,"

334
00:24:36,490 --> 00:24:38,924
‐Ten little Indian boys.
‐"Jurgis learned that

335
00:24:38,957 --> 00:24:41,390
‐"before the bake shops closed,
‐Ten little Indian boys.

336
00:24:41,424 --> 00:24:43,624
at night, they sold out
what was left at half price."

337
00:24:43,657 --> 00:24:45,457
Ten little Indian boys.

338
00:24:45,490 --> 00:24:47,124
"And after that,
he would go and get

339
00:24:47,157 --> 00:24:48,957
two loaves of stale bread
for a nickel..."

340
00:24:51,557 --> 00:24:54,590
(grunts)

341
00:24:54,624 --> 00:24:56,057
You're in the wrong place.

342
00:24:56,090 --> 00:24:58,590
ODIS:
What?

343
00:24:58,624 --> 00:25:00,490
Boss wants you at the club.

344
00:25:02,024 --> 00:25:04,057
Says...

345
00:25:04,090 --> 00:25:06,590
bring you in dead or alive.

346
00:25:06,624 --> 00:25:08,824
(short laugh)

347
00:25:11,224 --> 00:25:14,090
Relax.
Is a joke.

348
00:25:14,124 --> 00:25:15,624
I just...

349
00:25:15,657 --> 00:25:18,590
They got Gaetano.
The brown boys.

350
00:25:20,357 --> 00:25:23,557
So now... it's war.

351
00:25:25,357 --> 00:25:27,324
Come on, lady.

352
00:25:27,357 --> 00:25:29,324
(Satchel continues reading
indistinctly)

353
00:25:35,957 --> 00:25:38,957
"...and break them up
and stuff his pockets with them,

354
00:25:38,990 --> 00:25:42,557
munching a bit
from time to time."

355
00:25:47,957 --> 00:25:49,990
One little, two little, three...

356
00:25:50,024 --> 00:25:51,590
Five little, six...

357
00:25:51,624 --> 00:25:53,590
seven little, eight, nine...

358
00:25:55,224 --> 00:25:56,557
Ten little Indian...

359
00:25:59,657 --> 00:26:01,890
One little, two little, three...

360
00:26:05,090 --> 00:26:07,090
(engine starts)

361
00:26:40,490 --> 00:26:41,990
Three o'clock.

362
00:26:43,952 --> 00:26:45,752
To do what?

363
00:26:45,785 --> 00:26:47,285
We trade for your brother.

364
00:26:47,318 --> 00:26:48,785
Trade what?

365
00:26:48,818 --> 00:26:51,452
Territory.
Cash.

366
00:26:51,485 --> 00:26:53,885
Give in?
That's the plan?

367
00:26:53,918 --> 00:26:56,752
‐It's what New York wants.
‐New York.

368
00:26:56,785 --> 00:26:59,152
Those fucking guineas,
what the fuck do they know?

369
00:26:59,185 --> 00:27:01,385
My brother's a tornado.

370
00:27:01,418 --> 00:27:04,152
A tornado crashes by,
you don't run after it.

371
00:27:04,185 --> 00:27:06,785
He's got friends back home.

372
00:27:06,818 --> 00:27:08,185
What about my friends?

373
00:27:08,218 --> 00:27:09,418
I'm the capo.

374
00:27:09,452 --> 00:27:11,418
(rhythmic knocking on door)

375
00:27:20,752 --> 00:27:21,985
Hey.

376
00:27:24,285 --> 00:27:25,852
What happened to your melon?

377
00:27:27,752 --> 00:27:29,185
I got kicked by a donkey.

378
00:27:29,218 --> 00:27:31,385
What is this‐‐ donkey?

379
00:27:31,418 --> 00:27:34,885
A... a... a d...

380
00:27:34,918 --> 00:27:35,918
donkey.

381
00:27:35,952 --> 00:27:38,752
Hee haw.

382
00:27:38,785 --> 00:27:40,252
Here's a true story.

383
00:27:40,285 --> 00:27:43,285
For a dick, you're irregular.

384
00:27:43,318 --> 00:27:44,885
You get rid of that marshal yet?

385
00:27:44,918 --> 00:27:47,285
‐I... I wish.
‐Well, give him the slip.

386
00:27:47,318 --> 00:27:48,718
It's all hands on deck time.

387
00:27:48,752 --> 00:27:50,285
Meaning?

388
00:27:50,318 --> 00:27:52,152
Meaning shut the fuck up
and I'll tell you.

389
00:27:52,185 --> 00:27:54,385
Colored army got my brother.

390
00:27:54,418 --> 00:27:55,785
He‐He's dead?

391
00:27:55,818 --> 00:27:58,152
They got him... somewhere.

392
00:27:58,185 --> 00:28:00,018
And you're gonna find out where.

393
00:28:00,052 --> 00:28:02,452
You're gonna find out...

394
00:28:02,485 --> 00:28:05,018
or I'm gonna
turn you into a house plant.

395
00:28:05,052 --> 00:28:07,018
Boss, there's no time.

396
00:28:07,052 --> 00:28:08,418
We meet at 3:00.

397
00:28:08,452 --> 00:28:10,018
No, you meet at 3:00.

398
00:28:10,052 --> 00:28:11,152
If the plan is just to lie down

399
00:28:11,185 --> 00:28:13,285
and roll over, I ain't going.

400
00:28:16,185 --> 00:28:17,418
I mean...

401
00:28:25,352 --> 00:28:26,852
What?

402
00:28:28,785 --> 00:28:30,718
Speak American.

403
00:28:30,752 --> 00:28:33,052
You‐‐ you've got until 2:30

404
00:28:33,085 --> 00:28:34,418
to find my brother.
Now scram.

405
00:28:44,818 --> 00:28:46,252
You understand, Ebal?

406
00:28:50,785 --> 00:28:52,352
That's the point!

407
00:28:55,318 --> 00:28:56,385
Whose side are you on?

408
00:28:57,485 --> 00:28:58,985
What?

409
00:29:00,018 --> 00:29:01,785
Whose side are you on?

410
00:29:01,818 --> 00:29:03,185
It's a simple question.

411
00:29:03,218 --> 00:29:05,718
Last time I checked,
I'm the boss.

412
00:29:07,085 --> 00:29:08,852
Except, every time
I turn around,

413
00:29:08,885 --> 00:29:10,852
you're following
someone else's orders,

414
00:29:10,885 --> 00:29:12,985
so I got the right to wonder...

415
00:29:13,018 --> 00:29:14,785
am I your boss

416
00:29:14,818 --> 00:29:16,885
or are you his boy?

417
00:29:16,918 --> 00:29:18,818
(scoffs)

418
00:29:20,918 --> 00:29:22,152
Boss, come on.

419
00:29:23,818 --> 00:29:25,785
I know you
from when you are a baby.

420
00:29:25,818 --> 00:29:27,852
Do I look like a baby to you?

421
00:29:33,418 --> 00:29:35,385
Get him out of here.

422
00:29:35,418 --> 00:29:37,385
Remind him how loyalty works.

423
00:29:38,885 --> 00:29:40,852
And, uh...

424
00:29:40,885 --> 00:29:42,318
send in Antoon.

425
00:29:42,352 --> 00:29:43,818
Now.

426
00:30:02,885 --> 00:30:04,852
♪ ♪

427
00:30:11,785 --> 00:30:13,018
(knocking)

428
00:30:18,918 --> 00:30:20,185
Boss?

429
00:30:20,218 --> 00:30:22,852
Go to the house.

430
00:30:22,885 --> 00:30:24,352
Tell Rabbi to come see me.

431
00:30:26,185 --> 00:30:27,752
Then take the kid for a drive.

432
00:30:27,785 --> 00:30:29,085
The kid?

433
00:30:32,052 --> 00:30:33,985
Loy's kid.

434
00:30:36,918 --> 00:30:38,885
The hostage.

435
00:30:38,918 --> 00:30:40,885
Take him somewhere.

436
00:30:40,918 --> 00:30:42,152
Boss...

437
00:30:42,185 --> 00:30:43,452
Do I have to
spell it out for you?

438
00:30:43,485 --> 00:30:45,352
Playtime is over.

439
00:30:46,452 --> 00:30:48,318
But boss...

440
00:30:48,352 --> 00:30:50,285
they will kill your brother.

441
00:30:51,818 --> 00:30:54,085
Yeah, and that'd be a tragedy.

442
00:30:55,085 --> 00:30:56,852
They will kill Zero.

443
00:30:58,052 --> 00:30:59,352
Maybe.

444
00:31:00,318 --> 00:31:01,752
Maybe not.

445
00:31:01,785 --> 00:31:04,185
(clears throat)
I'll talk to them.

446
00:31:04,218 --> 00:31:06,285
What about New York?

447
00:31:06,318 --> 00:31:09,252
They say you got to work it out
with your brother.

448
00:31:09,285 --> 00:31:11,385
Try.
They said try.

449
00:31:11,418 --> 00:31:12,852
Which I am.

450
00:31:12,885 --> 00:31:15,852
I can't help it if Calamita

451
00:31:15,885 --> 00:31:18,385
had a loyalty
to the wrong horse.

452
00:31:18,418 --> 00:31:21,918
You know, if... if he kills
their kid to queer the deal.

453
00:31:21,952 --> 00:31:23,385
Calamita?

454
00:31:23,418 --> 00:31:26,385
Wha...
I‐I thought you said...

455
00:31:26,418 --> 00:31:29,918
Dumini... you think too much.

456
00:31:29,952 --> 00:31:32,385
Go to the house,
send me Milligan,

457
00:31:32,418 --> 00:31:35,385
take the kid for a ride,
leave the rest to me.

458
00:31:58,185 --> 00:32:00,218
♪ ♪

459
00:32:08,452 --> 00:32:11,418
NANEEDA:
He was supposed
to get his own territory.

460
00:32:11,452 --> 00:32:14,318
Pop told him.
And now nothing.

461
00:32:14,352 --> 00:32:16,385
He's a good earner.
My Antoon.

462
00:32:16,418 --> 00:32:18,018
No, maybe not the roughest,

463
00:32:18,052 --> 00:32:20,985
but what he says he delivers,
he delivers.

464
00:32:21,018 --> 00:32:23,885
I just...
Maybe you can talk to Josto.

465
00:32:23,918 --> 00:32:25,152
He listens to you.

466
00:32:25,185 --> 00:32:28,252
Remind him.
I think...

467
00:32:29,152 --> 00:32:30,385
What's this?

468
00:32:30,418 --> 00:32:33,385
We're talking.
What do you care?

469
00:32:33,418 --> 00:32:37,018
Boss wants you at the club.

470
00:32:37,052 --> 00:32:40,118
‐Kid?
‐No. Just you.

471
00:32:40,152 --> 00:32:41,885
He said specific.

472
00:32:45,352 --> 00:32:47,252
I got to go out for a while.
If I don't come back...

473
00:32:47,285 --> 00:32:48,718
I know.

474
00:32:48,752 --> 00:32:50,718
Dead or in jail.

475
00:32:51,885 --> 00:32:53,452
Go to the room.

476
00:32:53,485 --> 00:32:56,052
Stay out of the way.

477
00:32:56,085 --> 00:32:59,018
‐Can I finish the show?
‐Of course you can.

478
00:32:59,052 --> 00:33:00,952
I'll make sure
he gets upstairs after.

479
00:33:10,152 --> 00:33:11,985
What's wrong?

480
00:33:12,018 --> 00:33:13,985
Who said something is wrong?

481
00:33:16,785 --> 00:33:19,752
You ever wonder
what would've happened

482
00:33:19,785 --> 00:33:22,118
if they sent me back?

483
00:33:27,085 --> 00:33:29,285
‐(toy guns clicking)
‐(boys whooshing)

484
00:33:29,318 --> 00:33:30,718
‐Get your coat.
‐SATCHEL: What?

485
00:33:30,752 --> 00:33:33,118
‐Daddy!
‐Hi. (chuckles)

486
00:33:33,152 --> 00:33:34,785
(kids chattering)

487
00:33:34,818 --> 00:33:36,452
We're gonna go for a drive.

488
00:33:36,485 --> 00:33:38,718
I want to go for a drive.

489
00:33:38,752 --> 00:33:40,885
‐ANTOON: I didn't ask you.
‐NANEEDA: Be nice.

490
00:33:40,918 --> 00:33:43,152
They never see you during
the day. They're excited.

491
00:33:43,185 --> 00:33:45,885
Well, they're not going.
Get your coat.

492
00:33:45,918 --> 00:33:48,018
It's okay, eh?
Watch your show.

493
00:33:48,052 --> 00:33:50,885
We'll go driving this weekend.

494
00:33:50,918 --> 00:33:53,752
‐What's the matter with you?
‐Nothing.

495
00:33:53,785 --> 00:33:55,818
I'm working.

496
00:34:04,052 --> 00:34:06,985
(whispers):
Holy Mother Mary.

497
00:34:09,918 --> 00:34:11,218
(speaks Italian)

498
00:34:12,918 --> 00:34:14,952
Don't wait up.

499
00:34:32,285 --> 00:34:34,918
(groaning)

500
00:34:34,952 --> 00:34:38,018
HARVARD:
I received a rather queer
letter about you today.

501
00:34:38,052 --> 00:34:40,752
ORAETTA:
About me?

502
00:34:40,785 --> 00:34:44,052
HARVARD:
Someone has written me and
suggested that your behavior

503
00:34:44,085 --> 00:34:46,285
at your last posting

504
00:34:46,318 --> 00:34:48,785
deserves further scrutiny.

505
00:34:48,818 --> 00:34:51,385
(continues groaning)

506
00:35:28,318 --> 00:35:30,285
Boss.

507
00:35:30,318 --> 00:35:32,285
Yeah.

508
00:35:32,318 --> 00:35:34,318
‐Goddamn it.
‐Here.

509
00:35:41,885 --> 00:35:44,718
You're back in the game.
Go see Ebal upstairs.

510
00:35:44,752 --> 00:35:48,252
‐He'll tell you where to go.
‐What about the kid?

511
00:35:48,285 --> 00:35:50,252
The kid's done.

512
00:35:51,918 --> 00:35:53,252
(engine starts)

513
00:36:10,152 --> 00:36:11,318
Kid!

514
00:36:14,052 --> 00:36:15,218
Kid!

515
00:36:23,452 --> 00:36:25,418
‐Where is he?
‐I...

516
00:36:25,452 --> 00:36:27,118
Where?!

517
00:36:27,152 --> 00:36:28,418
You're‐you're‐you...

518
00:36:28,452 --> 00:36:30,352
‐you're hurting me.
‐Where did they go?

519
00:36:30,385 --> 00:36:31,952
MAN:
Hey!

520
00:36:32,985 --> 00:36:34,385
Oh!
(whimpers)

521
00:36:36,118 --> 00:36:37,385
Where?

522
00:36:54,318 --> 00:36:56,352
(engine stops)

523
00:36:58,118 --> 00:37:00,652
Mister?

524
00:37:02,252 --> 00:37:03,852
Come on.

525
00:37:17,752 --> 00:37:19,885
The Americans,

526
00:37:19,918 --> 00:37:22,018
when they capture me,

527
00:37:22,052 --> 00:37:24,285
I was cooking my belt.

528
00:37:24,318 --> 00:37:26,352
SATCHEL:
Your belt?

529
00:37:26,385 --> 00:37:28,852
ANTOON:
I already eat my shoes.

530
00:37:30,452 --> 00:37:33,118
Monte Cassino.

531
00:37:33,152 --> 00:37:37,718
They send me here, to Kansas.

532
00:37:37,752 --> 00:37:40,652
Did you know they
bring war prisoners here?

533
00:37:42,385 --> 00:37:45,718
I think I was dead.

534
00:37:45,752 --> 00:37:48,385
A corpse, they shipped.

535
00:37:48,418 --> 00:37:51,085
A skeleton.

536
00:37:51,118 --> 00:37:54,418
It was the food, the smell,

537
00:37:54,452 --> 00:37:56,018
that bring me back.

538
00:37:56,052 --> 00:37:58,018
Fields of corn.

539
00:37:58,052 --> 00:38:01,752
Bread for every meal.

540
00:38:01,785 --> 00:38:03,952
Land of plenty.

541
00:38:03,985 --> 00:38:05,985
That's in the Constitution.

542
00:38:08,285 --> 00:38:11,118
Every day the sun come out.

543
00:38:11,152 --> 00:38:14,852
That big yellow American sun.

544
00:38:14,885 --> 00:38:17,752
It make me grow again,

545
00:38:17,785 --> 00:38:20,018
like a winter weed.

546
00:38:20,052 --> 00:38:21,752
And then,

547
00:38:21,785 --> 00:38:24,218
I am alive again.

548
00:38:24,252 --> 00:38:26,352
I took the blood oath,

549
00:38:26,385 --> 00:38:29,185
carve my name
on the stone there.

550
00:38:30,452 --> 00:38:33,952
"Antoon Dumini,

551
00:38:33,985 --> 00:38:35,352
American."

552
00:38:36,852 --> 00:38:39,952
This I would become.

553
00:38:41,152 --> 00:38:43,985
Go ahead, look.
Look.

554
00:39:05,385 --> 00:39:06,718
SATCHEL:
Cool.

555
00:39:23,185 --> 00:39:25,952
KIDS:
Daddy! Daddy!

556
00:39:25,985 --> 00:39:28,385
‐(singsongy): Daddy!
‐(kids chattering)

557
00:39:30,385 --> 00:39:32,352
GIRL:
I want to go for a drive.

558
00:39:35,252 --> 00:39:37,218
‐(gunshot)
‐(grunts)

559
00:39:41,418 --> 00:39:43,718
You hurt?

560
00:39:43,752 --> 00:39:45,352
No.

561
00:39:45,385 --> 00:39:48,918
I‐Is he dead?

562
00:39:51,052 --> 00:39:53,985
Yes.
Don't look away.

563
00:39:54,018 --> 00:39:57,852
This is what men do.
Snap out of it.

564
00:39:57,885 --> 00:39:59,818
We have to go.

565
00:40:00,852 --> 00:40:02,685
It's war now, for real.

566
00:40:02,718 --> 00:40:05,018
You're not safe here.

567
00:40:05,052 --> 00:40:06,985
Home?

568
00:40:08,018 --> 00:40:09,985
You're not safe there, either.

569
00:40:17,185 --> 00:40:18,852
You trust me?

570
00:40:25,185 --> 00:40:27,152
I never got to choose.

571
00:40:27,185 --> 00:40:29,752
A child soldier‐‐
that's what they made me.

572
00:40:29,785 --> 00:40:31,352
But that's not gonna
happen to you.

573
00:40:31,385 --> 00:40:32,952
Understand?

574
00:40:32,985 --> 00:40:35,152
I think so.

575
00:40:35,185 --> 00:40:37,718
So we're gonna
find someplace quiet,

576
00:40:37,752 --> 00:40:39,085
wait till the dust settles.

577
00:40:39,118 --> 00:40:41,085
And then,
if you want to go home‐‐

578
00:40:41,118 --> 00:40:43,018
if that's your choice‐‐

579
00:40:43,052 --> 00:40:45,852
I'll take you home.

580
00:40:45,885 --> 00:40:47,152
Understand?

581
00:40:47,185 --> 00:40:50,085
I'm scared.

582
00:40:52,452 --> 00:40:53,985
Me too.

583
00:41:13,918 --> 00:41:15,952
(man groaning)

584
00:41:37,252 --> 00:41:39,252
(groaning continuing)

585
00:41:46,052 --> 00:41:48,285
(groaning stops)

586
00:41:48,318 --> 00:41:50,352
(grunts)

587
00:42:04,918 --> 00:42:06,118
♪ Pass it on ♪

588
00:42:07,452 --> 00:42:10,285
♪ Pass it on ♪

589
00:42:10,318 --> 00:42:14,152
♪ When you get that happy
feeling, pass it on ♪

590
00:42:14,185 --> 00:42:16,152
♪ Pass it on ♪

591
00:42:16,185 --> 00:42:19,818
♪ And if you want to keep
that feeling, pass it on ♪

592
00:42:19,852 --> 00:42:21,385
♪ Pass it on ♪

593
00:42:21,418 --> 00:42:24,385
♪ Chase away
your neighbor's sadness ♪

594
00:42:24,418 --> 00:42:27,085
♪ And it'll fill your heart
with gladness ♪

595
00:42:27,118 --> 00:42:30,985
♪ So when you get that
happy feeling, pass it on ♪

596
00:42:31,018 --> 00:42:32,718
♪ Pass it on ♪

597
00:42:32,752 --> 00:42:35,152
♪ What a world this would be ♪

598
00:42:35,185 --> 00:42:38,118
♪ With a smile on every face ♪

599
00:42:38,152 --> 00:42:39,752
♪ The bells would be ringing ♪

600
00:42:39,785 --> 00:42:41,352
♪ And the people
would be singing ♪

601
00:42:41,385 --> 00:42:43,385
♪ All over the place ♪

602
00:42:43,418 --> 00:42:46,718
♪ So when your heart
is full of laughter ♪

603
00:42:46,752 --> 00:42:49,352
‐♪ Pass it on ♪
‐♪ Pass it on ♪

604
00:42:49,385 --> 00:42:53,352
♪ And if it's happiness
you're after, pass it on ♪

605
00:42:53,385 --> 00:42:55,252
♪ Pass it on ♪

606
00:42:55,285 --> 00:42:57,985
♪ Just be glad
that you can spare it ♪

607
00:42:58,018 --> 00:43:00,685
♪ Because it's more fun
when you share it ♪

608
00:43:00,718 --> 00:43:04,152
♪ So when your heart is full
of laughter, pass it on ♪

609
00:43:04,185 --> 00:43:06,152
♪ Pass it on ♪

610
00:43:06,185 --> 00:43:09,018
♪ What a world this could be ♪

611
00:43:09,052 --> 00:43:12,252
♪ With a smile on every face ♪

612
00:43:12,285 --> 00:43:15,118
‐♪ Bells would be ringing ♪
‐♪ And people would be singing ♪

613
00:43:15,152 --> 00:43:17,218
♪ This must be the place ♪

614
00:43:17,252 --> 00:43:21,118
♪ So when your heart is full
of laughter, pass it on ♪

615
00:43:21,152 --> 00:43:23,118
♪ Pass it on ♪

616
00:43:23,152 --> 00:43:26,752
♪ And if it's happiness
you're after, pass it on ♪

617
00:43:26,785 --> 00:43:28,952
♪ Pass it on ♪

618
00:43:28,985 --> 00:43:31,718
♪ Just be glad
that you can spare it ♪

619
00:43:31,752 --> 00:43:34,152
♪ Because it's more fun
when you share it ♪

620
00:43:34,185 --> 00:43:36,985
♪ So when your heart
is full of laughter ♪

621
00:43:37,018 --> 00:43:39,952
♪ And when your cup
is running over ♪

622
00:43:39,985 --> 00:43:42,752
♪ And when you get
that happy feeling ♪

623
00:43:42,785 --> 00:43:46,352
♪ Pass it on ♪

624
00:43:46,385 --> 00:43:47,852
♪ Pass it on. ♪

625
00:44:40,252 --> 00:44:41,785
MAN:
Now I get it.

626
00:44:41,818 --> 00:44:43,218
(rooster crows)