1 00:00:00,363 --> 00:00:04,099 {\an7}\h- Holy moly! - Oh, my God! 2 00:00:04,099 --> 00:00:06,132 {\an7}- Welcome. \h\h- Wow! 3 00:00:06,132 --> 00:00:08,726 {\an7}\h\h\h\h\h\h- Y’all New Yorkers, y’all done got a little spoiled. 4 00:00:08,726 --> 00:00:10,693 {\an7}You know you need to come get \h\h\h\h\hwith a real (bleep). 5 00:00:10,693 --> 00:00:12,363 {\an7}- And I feel a little \h\hsexually harassed. 6 00:00:12,363 --> 00:00:15,000 {\an7}- Don’t disrespect me. \h\h- Hey, what it is? 7 00:00:15,000 --> 00:00:16,198 {\an7}- Are you guys still together? 8 00:00:16,198 --> 00:00:17,495 {\an7}\h- She wants to be with another (bleep) 9 00:00:17,495 --> 00:00:19,363 {\an7}that’s gonna stick up for her \h\h\h\hand all that (bleep). 10 00:00:19,363 --> 00:00:22,198 {\an7}- I wanna feel protected. \h\h\h- Let her be single. 11 00:00:22,198 --> 00:00:23,693 {\an7}That’s what she want. 12 00:00:23,693 --> 00:00:25,198 {\an7}(all cheering) 13 00:00:25,198 --> 00:00:29,660 {\an7}- Happy birthday! - Thank you, Bae! 14 00:00:29,660 --> 00:00:31,231 {\an7}- Sick! 15 00:00:31,231 --> 00:00:32,297 {\an7}- Fuego. 16 00:00:32,297 --> 00:00:33,033 {\an7}- Whoa! 17 00:00:33,033 --> 00:00:35,759 {\an7}- I can’t give you the station \hI just gave to the piercers. 18 00:00:35,759 --> 00:00:37,297 {\an7}- Yes, you can. \h\h\h\h\h- No. 19 00:00:37,297 --> 00:00:39,033 {\an7}- Now, well, fight me. 20 00:00:39,033 --> 00:00:40,462 {\an7}\h\h\h\h- The second the cameras go down, 21 00:00:40,462 --> 00:00:44,330 {\an7}Donna decided to son me. \h\h\hIt’s one of these. 22 00:00:44,330 --> 00:00:45,726 {\an7}- I should’ve known. \h\h\h\h\h\hTatiana. 23 00:00:45,726 --> 00:00:47,363 {\an7}She let them titles \h\hget to her head. 24 00:00:47,363 --> 00:00:50,462 {\an7}\h\h\h\h\h\h\h\h\h\h- Grow up! - Hey-- yo, what the (bleep)? 25 00:00:50,462 --> 00:00:51,594 {\an7}(overlapping shouting) 26 00:00:51,594 --> 00:00:53,462 {\an7}- I’ll smack the (bleep) \h\houtta you, Tatiana. 27 00:00:53,462 --> 00:00:54,495 {\an7}- Y’all chill the (bleep) out. 28 00:00:54,495 --> 00:00:56,231 {\an7}\h\h\h\h\hYo, chill! Whoa, whoa, whoa... 29 00:00:56,231 --> 00:01:00,099 {\an7}(overlapping shouting) \h\h\h\h\h\h\h\hStop! 30 00:01:01,561 --> 00:01:05,565 ♪♪ 31 00:01:15,675 --> 00:01:16,643 - ♪ Drop, drop ♪ 32 00:01:16,710 --> 00:01:20,714 ♪♪ 33 00:01:30,756 --> 00:01:32,647 {\an7}\h- ♪ Whoa, pause, hold up, breathe ♪ 34 00:01:32,647 --> 00:01:35,185 {\an7}♪ Get to that money, \hthat money, boy ♪ 35 00:01:35,185 --> 00:01:36,482 {\an7}♪ Count up cakes ♪ 36 00:01:36,482 --> 00:01:39,449 {\an7}♪ Hold up, whoa, pause, breathe ♪ 37 00:01:39,449 --> 00:01:41,416 {\an7}♪ Get to that money, \hthat money, boy ♪ 38 00:01:41,416 --> 00:01:43,954 {\an7}\h\h\h\h\h- Hey, guys. - What the (bleep) is \h\h\h\hgoing on here? 39 00:01:43,954 --> 00:01:46,317 {\an7}- How y’all doin’? \h\h- Hello, team. 40 00:01:46,317 --> 00:01:47,647 {\an7}- What’s up, kid? \h\h\h- All right. 41 00:01:47,647 --> 00:01:49,954 {\an7}Everybody get settled. \h\h- I’m charged up. 42 00:01:49,954 --> 00:01:51,350 {\an7}Good pep talk, guys. \h\h\h\h\h\h(laughs) 43 00:01:51,350 --> 00:01:54,449 {\an7}\h\h\h\h\h\h\h\h\h\h- Hey, guys, can I talk to you for a minute? 44 00:01:54,449 --> 00:01:57,185 {\an7}\h\h\hI really need to talk to Ted and Puma about Donna. 45 00:01:57,185 --> 00:01:58,416 {\an7}With how she’s been treating me, 46 00:01:58,416 --> 00:02:00,251 {\an7}\h\h\h\h\hI’m not sure if I feel comfortable 47 00:02:00,251 --> 00:02:01,416 {\an7}staying at the house with her. 48 00:02:01,416 --> 00:02:02,614 {\an7}- I won’t be joining \h\h\h\h\hyou guys. 49 00:02:02,614 --> 00:02:04,680 {\an7}\h\h\h\h\h\h\hSome people might be happy about that. 50 00:02:04,680 --> 00:02:08,020 {\an7}- Yo, that passive-aggressive \h\h\h\h(bleep) you try to do 51 00:02:08,020 --> 00:02:09,251 {\an7}is (bleep) ridiculous. 52 00:02:09,251 --> 00:02:11,053 {\an7}- And it all started here \h\h\h\h\h\h\hat the shop. 53 00:02:11,053 --> 00:02:13,317 {\an7}If she keeps showing up \h\hwhenever she wants, 54 00:02:13,317 --> 00:02:15,383 {\an7}\h\hdisrupting business, it’s gonna be a problem. 55 00:02:15,383 --> 00:02:19,020 {\an7}\h\hAnd I know Ted and Puma are gonna be on my side about this. 56 00:02:19,020 --> 00:02:21,350 {\an7}\h\h- I don’t know, man. That situation is weird. 57 00:02:21,350 --> 00:02:22,680 {\an7}Donna’s gonna have to \h\h\h\hfigure it out. 58 00:02:22,680 --> 00:02:24,581 {\an7}\h\h\h- It just doesn’t make sense for business. 59 00:02:24,581 --> 00:02:27,251 {\an7}- That’s not the energy that we wanna give off. 60 00:02:27,251 --> 00:02:30,416 {\an7}We have to grow. 61 00:02:30,416 --> 00:02:31,680 {\an7}- Hi, guys! 62 00:02:31,680 --> 00:02:32,317 {\an7}- Hey! 63 00:02:32,317 --> 00:02:33,383 {\an7}\h\h\h\h\h\h- Hey. - What’s up, Bae? 64 00:02:33,383 --> 00:02:35,053 {\an7}- I love this shop. \h\h\h\h\h\h- Right? 65 00:02:35,053 --> 00:02:36,713 {\an7}- It’s huge. \h\h\h\hHi! 66 00:02:36,713 --> 00:02:38,020 {\an7}\h\h\h\h\h\h\h- Hey. - I heard about you. 67 00:02:38,020 --> 00:02:39,515 {\an7}\h\h\h\h\h\h\h\h- I know. I heard you’re Korean too. 68 00:02:39,515 --> 00:02:41,482 {\an7}\h\hI’m Disciple. Nice to meet you. 69 00:02:41,482 --> 00:02:43,350 {\an7}\h\h\h- Come on, babe, let’s get you set up. 70 00:02:43,350 --> 00:02:46,284 {\an7}- Is that Euni? \h\h\h\h\h- Hey! 71 00:02:46,284 --> 00:02:47,756 {\an7}\h- Hey, babe. Y’all get up. 72 00:02:47,756 --> 00:02:49,185 {\an7}You gotta go. See you later. 73 00:02:49,185 --> 00:02:51,515 {\an7}- We have three Koreans! \h\h\h\h\h\h\hI love it! 74 00:02:51,515 --> 00:02:54,548 {\an7}\h\hWait, Euni, come back! - No, no, you have to go. 75 00:02:54,548 --> 00:02:56,383 {\an7}- I miss you. \h- Aw, okay. 76 00:02:56,383 --> 00:02:57,581 {\an7}- When I got to Atlanta, 77 00:02:57,581 --> 00:03:00,251 {\an7}a lot of people looked \h\h\h\hat me and Niko 78 00:03:00,251 --> 00:03:02,020 {\an7}like we were something dirty. 79 00:03:02,020 --> 00:03:05,987 {\an7}But seeing Disciple and Euni \h\h\h\h\h\h\h\hat the shop? 80 00:03:05,987 --> 00:03:09,416 {\an7}\h\h\h\h\h\h\h\hIt’s like... my Korean sisters are here. 81 00:03:09,416 --> 00:03:10,987 {\an7}- All right, see you later. 82 00:03:10,987 --> 00:03:12,119 {\an7}See you later. \hI love you. 83 00:03:12,119 --> 00:03:14,053 {\an7}\h\h\h\h\h\h\h\h\h\h\h- (laughs) - I’ve been keeping it a secret 84 00:03:14,053 --> 00:03:15,548 {\an7}that I brought Euni down to Atlanta ’cause I just 85 00:03:15,548 --> 00:03:18,548 {\an7}\h\h\hdon’t want to deal with all the questions in the shop. 86 00:03:18,548 --> 00:03:20,020 {\an7}- Why’d you kick her out \h\h\h\h\h\h\hlike that? 87 00:03:20,020 --> 00:03:21,350 {\an7}\h\h\h\h\h\h- Huh? Nah-nah. She not supposed to be here. 88 00:03:21,350 --> 00:03:22,756 {\an7}\hI thought she could come upstairs and run 89 00:03:22,756 --> 00:03:24,482 {\an7}to the bathroom real quick \h\h\h\hand run back out, 90 00:03:24,482 --> 00:03:27,614 {\an7}\hbut somebody caught her and I believe it was Puma. 91 00:03:27,614 --> 00:03:28,383 {\an7}Mother(bleep). 92 00:03:28,383 --> 00:03:32,185 {\an7}- Go, baby, go! \h- (both laugh) 93 00:03:32,185 --> 00:03:34,218 {\an7}- Oh, man. 94 00:03:34,218 --> 00:03:35,482 {\an7}\h\h\hYo. - What up? 95 00:03:35,482 --> 00:03:36,449 {\an7}- Hey, Uncle Ceas. 96 00:03:36,449 --> 00:03:38,647 {\an7}- What up with y’all? \h- Same old (bleep). 97 00:03:38,647 --> 00:03:41,416 {\an7}\h- When I told Suzette I wanted to put our relationship on hold, 98 00:03:41,416 --> 00:03:44,713 {\an7}I meant like we can’t make \h\h\h\hno major decisions 99 00:03:44,713 --> 00:03:47,789 {\an7}\h\h\huntil this situation with Cheyenne is resolved. 100 00:03:47,789 --> 00:03:51,152 {\an7}But she’s not really \h\htaking it well. 101 00:03:51,756 --> 00:03:54,185 {\an7}Can I get some water, \h\h\h\h\htoo, please? 102 00:03:54,185 --> 00:03:56,251 {\an7}- Ahh. 103 00:03:56,251 --> 00:03:57,218 {\an7}Your fingers ain’t broke. 104 00:03:57,218 --> 00:04:00,713 {\an7}\h\h\h\h\h- But I’ma leave that Suzette stuff at home 105 00:04:00,713 --> 00:04:02,449 {\an7}and attend to my business. 106 00:04:02,449 --> 00:04:05,086 {\an7}- The boss is here. \h\h\h\h- What’s up? 107 00:04:05,086 --> 00:04:07,789 {\an7}\h\h\h\h- Tatiana. - What’s up, boss? 108 00:04:07,789 --> 00:04:09,789 {\an7}I’m glad that you guys \h\h\h\h\hare all here 109 00:04:09,789 --> 00:04:12,317 {\an7}\hso that we can all be on the same page. 110 00:04:12,317 --> 00:04:14,647 {\an7}We need to talk about \hthe Donna situation. 111 00:04:14,647 --> 00:04:16,218 {\an7}She wants to do anything \hthat she wants to do. 112 00:04:16,218 --> 00:04:19,647 {\an7}\h- What it really, really, really seems like to me is, 113 00:04:19,647 --> 00:04:22,822 {\an7}\h\h\h\h\h\h"I’ve been around. I can do what I want (bleep)." 114 00:04:22,822 --> 00:04:24,581 {\an7}Like even the first day, \h\h\h\h\hwhen you left, 115 00:04:24,581 --> 00:04:27,822 {\an7}she here, whole box of hair \hin the middle of the shop. 116 00:04:27,822 --> 00:04:30,647 {\an7}- Wow, this is a lot. \hAre we storing here? 117 00:04:30,647 --> 00:04:32,822 {\an7}- She said she wasn’t \hgonna sell it here. 118 00:04:32,822 --> 00:04:34,713 {\an7}- So what is it doing here? 119 00:04:34,713 --> 00:04:36,383 {\an7}She should know better \h\h\h\h\h\hthan that. 120 00:04:36,383 --> 00:04:37,383 {\an7}- It’s like a show of power, 121 00:04:37,383 --> 00:04:38,756 {\an7}\h\h\h\hlike, "I don’t have to listen to you. 122 00:04:38,756 --> 00:04:39,647 {\an7}I’ma do what I want." 123 00:04:39,647 --> 00:04:42,152 {\an7}- And she does not believe me \h\h\h\h\hwhen I talk to her. 124 00:04:42,152 --> 00:04:44,383 {\an7}I can’t do my job properly. 125 00:04:44,383 --> 00:04:46,185 {\an7}She wants to fight me \h\h\h\hall the time, 126 00:04:46,185 --> 00:04:47,119 {\an7}and I’m not fightin’. 127 00:04:47,119 --> 00:04:48,713 {\an7}But I’m not gonna continue \h\harguing with somebody 128 00:04:48,713 --> 00:04:50,515 {\an7}who doesn’t even work here. - Let me talk to the fellas 129 00:04:50,515 --> 00:04:53,581 {\an7}about the situation. \h\h\h\h- Say less. 130 00:04:53,581 --> 00:04:55,152 {\an7}- Have fun with it. 131 00:04:55,152 --> 00:04:57,822 {\an7}\h\h\h\h\h\h\h\h\h- Okay. What the (bleep) goin’ on? 132 00:04:57,822 --> 00:04:59,416 {\an7}\h\h- (laughs) I don’t know. 133 00:04:59,416 --> 00:05:00,756 {\an7}- Why is Donna goin’ crazy? 134 00:05:00,756 --> 00:05:02,218 {\an7}Even though we love her, 135 00:05:02,218 --> 00:05:03,548 {\an7}(bleep) can’t keep happening. 136 00:05:03,548 --> 00:05:05,482 {\an7}\h- Donna has been kinda making it uncomfortable 137 00:05:05,482 --> 00:05:07,614 {\an7}for everybody at work, \h\hbut I think I got 138 00:05:07,614 --> 00:05:11,383 {\an7}a brilliant idea that can help \h\h\hwith the Donna situation 139 00:05:11,383 --> 00:05:12,680 {\an7}and bring the Black Ink Atlanta 140 00:05:12,680 --> 00:05:14,822 {\an7}and Black Ink New York crew \h\h\h\h\h\h\h\h\htogether. 141 00:05:14,822 --> 00:05:17,317 {\an7}\h\h\h\hA few months ago, I sent you guys an email. 142 00:05:17,317 --> 00:05:20,317 {\an7}Well, my boy Tyree Smith, man, \h\h\hhe bought some property 143 00:05:20,317 --> 00:05:23,482 {\an7}\hout here in Georgia called CHACE Village. 144 00:05:23,482 --> 00:05:27,822 {\an7}\h\hOne of the only Black dudes with a large amount of farmland. 145 00:05:27,822 --> 00:05:29,756 {\an7}\h\hTyree Smith had this real big dream 146 00:05:29,756 --> 00:05:32,515 {\an7}of opening up an art village \h\h\h\h\hfor the community. 147 00:05:32,515 --> 00:05:35,581 {\an7}So I really wanted to go out \h\hand show the whole team 148 00:05:35,581 --> 00:05:38,515 {\an7}what this man has done \h\h\hfor not only us 149 00:05:38,515 --> 00:05:39,921 {\an7}but for the whole art community. 150 00:05:39,921 --> 00:05:41,789 {\an7}\h\h- So we gonna send Donna there? 151 00:05:41,789 --> 00:05:42,822 {\an7}\h\h\h\h\h- No. We’re gonna have 152 00:05:42,822 --> 00:05:47,218 {\an7}\h\h\h\h\h\h\h\h\ha Black Ink team activity situation, man. 153 00:05:47,218 --> 00:05:49,284 {\an7}\h\h\h\h- For what? We got one problem. 154 00:05:49,284 --> 00:05:50,449 {\an7}She ain’t a team. \h\h\h\hShe’s a-- 155 00:05:50,449 --> 00:05:53,647 {\an7}- It’s about Black Ink New York and Black Ink Atlanta, 156 00:05:53,647 --> 00:05:55,789 {\an7}because they’ve also been, \h\h\h\h\h\h\hyou know... 157 00:05:55,789 --> 00:05:57,954 {\an7}(clicks tongue) \h\h\h\h- What? 158 00:05:57,954 --> 00:05:58,888 {\an7}- Yeah, um... 159 00:05:58,888 --> 00:06:03,185 {\an7}\h\hone of the Black Ink Atlanta artists kind of hit on Krystal. 160 00:06:03,185 --> 00:06:04,548 {\an7}It’s not kumbaya. 161 00:06:04,548 --> 00:06:09,185 {\an7}So I’m thinking that we go to \h\h\hmy boy’s little village, 162 00:06:09,185 --> 00:06:12,482 {\an7}\hand I think that it’d really build the morale 163 00:06:12,482 --> 00:06:13,680 {\an7}in this mother(bleep). \h\h\h\h\h\h- I mean, 164 00:06:13,680 --> 00:06:14,954 {\an7}I don’t see a problem \h\h\h\h\hdoin’ that. 165 00:06:14,954 --> 00:06:16,449 {\an7}\h\h\h\hI’d like to see some (bleep) like that. 166 00:06:16,449 --> 00:06:19,548 {\an7}- There’s ATVs and horses \h\h\h\h\h\h\hand (bleep). 167 00:06:19,548 --> 00:06:21,515 {\an7}\h\h\h\h\h\hYah! - I like horses. 168 00:06:21,515 --> 00:06:24,449 {\an7}\hI think Puma’s idea of bringing both teams 169 00:06:24,449 --> 00:06:27,581 {\an7}\h\h\hto CHACE Village, it’s an excellent idea. 170 00:06:27,581 --> 00:06:30,954 {\an7}\hThat gives me a way to take care of Donna, 171 00:06:30,954 --> 00:06:35,855 {\an7}\hor at least clear her head or tire her out, something. 172 00:06:35,855 --> 00:06:41,482 {\an7}- Black Ink team building \h\hNew York and Atlanta. 173 00:06:41,482 --> 00:06:44,350 {\an7}\h\h- Oh, that (bleep) never sounds good, but all right. 174 00:06:44,350 --> 00:06:45,713 {\an7}\h- Come on, man, we been doing good 175 00:06:45,713 --> 00:06:47,020 {\an7}with the Black Ink Cares, man. 176 00:06:47,020 --> 00:06:49,680 {\an7}\h\h\h- I’ma go check the rest of the shop. 177 00:06:49,680 --> 00:06:52,756 {\an7}- ♪ I just wanna take some time ♪ 178 00:06:52,756 --> 00:06:55,756 {\an7}♪ Step it back and realize ♪ 179 00:06:55,756 --> 00:06:58,416 {\an7}♪ That the sun still shines ♪ 180 00:06:58,416 --> 00:07:00,756 {\an7}♪ And it’s gonna be all right ♪ 181 00:07:00,756 --> 00:07:02,756 {\an7}♪ 182 00:07:02,756 --> 00:07:03,647 {\an7}♪ Yeah ♪ 183 00:07:03,647 --> 00:07:05,449 {\an7}♪ And it’s gonna be all right ♪ 184 00:07:05,449 --> 00:07:08,515 {\an7}- I’m excited for tonight. \h\h\h\h\h\h- I’m scared. 185 00:07:08,515 --> 00:07:10,647 {\an7}\h\hI’ve heard about these team building experiences. 186 00:07:10,647 --> 00:07:13,647 {\an7}- This is your first team \h\h\hbuilding experience? 187 00:07:13,647 --> 00:07:15,284 {\an7}- My first team building \h\h\h\h\h\hexperience. 188 00:07:15,284 --> 00:07:16,680 {\an7}- Oh, my God. 189 00:07:16,680 --> 00:07:17,954 {\an7}Good morning! 190 00:07:17,954 --> 00:07:19,383 {\an7}\h- Hey, boo. - Buenos dias. 191 00:07:19,383 --> 00:07:20,581 {\an7}\h\h\h- Hey, boo. - What’s going on? 192 00:07:20,581 --> 00:07:21,888 {\an7}\h\h- Good morning. Did you look you up 193 00:07:21,888 --> 00:07:23,713 {\an7}the place that we’re going? \h\h\h\h\h\h\h\h\h\h\h- No. 194 00:07:23,713 --> 00:07:24,789 {\an7}- It’s nothing but woods. 195 00:07:24,789 --> 00:07:27,789 {\an7}\h\hI’ma head into this team bonding experience 196 00:07:27,789 --> 00:07:28,789 {\an7}trying to be optimistic. 197 00:07:28,789 --> 00:07:31,383 {\an7}I don’t exactly know \h\hwhat my plan is 198 00:07:31,383 --> 00:07:32,482 {\an7}on how I’ma handle Tatti, 199 00:07:32,482 --> 00:07:35,680 {\an7}but I think we’ll be okay \hgettin’ through the day. 200 00:07:35,680 --> 00:07:36,888 {\an7}- Let’s go. \h\h\h- Oh! 201 00:07:36,888 --> 00:07:39,317 {\an7}Look who just (bleep) made it. \h\h\h\h\h\h\h\h- Yo, listen. 202 00:07:39,317 --> 00:07:41,822 {\an7}We almost left you, okay? \h\h\h\h\h\h\h\h\h\h- Yes. 203 00:07:41,822 --> 00:07:43,383 {\an7}- We outta here! 204 00:07:43,383 --> 00:07:44,086 {\an7}(laughter) 205 00:07:44,086 --> 00:07:46,581 {\an7}\h\h\h- All right, well, cheers to building teams 206 00:07:46,581 --> 00:07:48,680 {\an7}and team building. \h\h\h\h\h- Hi-oh! 207 00:07:48,680 --> 00:07:49,921 {\an7}\h\h\h- Uncle Ceas, I wanna go have fun. 208 00:07:49,921 --> 00:07:52,647 {\an7}\h\h\h\h\h\hCan I go play now? - Listen, go jump in the lake. 209 00:07:52,647 --> 00:07:54,581 {\an7}- Uh-oh, here comes trouble. 210 00:07:54,581 --> 00:07:56,449 {\an7}\h\h\h\h- We here. - We’re on a farm. 211 00:07:56,449 --> 00:07:57,855 {\an7}- There’s a art village \h\h\hright here, look. 212 00:07:57,855 --> 00:07:59,713 {\an7}\h\h\h\h\h\h\h\h\h- Look, Rok, it’s Old MacDonald over there. 213 00:07:59,713 --> 00:08:01,756 {\an7}- Old MacDonald had a farm! 214 00:08:01,756 --> 00:08:03,317 {\an7}- Oh, I see water! 215 00:08:03,317 --> 00:08:05,383 {\an7}- Oh, you see that? - We ’bout to play. 216 00:08:05,383 --> 00:08:08,053 {\an7}\h\h\h\h- All right, we outta here, man. 217 00:08:08,053 --> 00:08:08,921 {\an7}- Howdy! 218 00:08:08,921 --> 00:08:09,954 {\an7}- Howdy, partner! 219 00:08:09,954 --> 00:08:11,921 {\an7}\h\h\h\h- Howdy, partner. - Where everybody at, yo? 220 00:08:11,921 --> 00:08:13,515 {\an7}\hEverybody straggling. - They taking they time 221 00:08:13,515 --> 00:08:15,383 {\an7}in the car and (bleep). \h\h- What’s good, bruh? 222 00:08:15,383 --> 00:08:17,416 {\an7}- Chillin’, chillin’. \h\h- What’s goin’ on? 223 00:08:17,416 --> 00:08:19,515 {\an7}\h\h- Chillin’, chillin’. - Donna! What’s up, Donna? 224 00:08:19,515 --> 00:08:21,647 {\an7}How you doin’, Donna? \h\h- Hello, welcome. 225 00:08:21,647 --> 00:08:24,855 {\an7}\h\h- Okay, go ahead, Puma. - All right, so, everybody, 226 00:08:24,855 --> 00:08:25,647 {\an7}this is Tyree. 227 00:08:25,647 --> 00:08:28,482 {\an7}Please tell them all about \hCHACE Village, good sir. 228 00:08:28,482 --> 00:08:30,020 {\an7}\h\h\h\h\h\h- Well, um, CHACE Village stands for 229 00:08:30,020 --> 00:08:32,548 {\an7}Chattahoochee Hills Arts, \hCulture, and Ecosystem. 230 00:08:32,548 --> 00:08:37,086 {\an7}So I got 73 acres in here, for creators, by creators. 231 00:08:37,086 --> 00:08:39,515 {\an7}We got fishing. \h\hWe got ATVs. 232 00:08:39,515 --> 00:08:41,053 {\an7}We got goats. (goat bleats) 233 00:08:41,053 --> 00:08:43,416 {\an7}\h\h\h\h\h\h\h\h\h\h- Okay. - I wanna ride a goat today. 234 00:08:43,416 --> 00:08:44,119 {\an7}(goat bleats) 235 00:08:44,119 --> 00:08:46,152 {\an7}- I’m really inspired \hby Tyree Smith, man. 236 00:08:46,152 --> 00:08:49,647 {\an7}\h\h\h\h\h\h\h\h’Cause look, it’s a Black man in America 237 00:08:49,647 --> 00:08:51,482 {\an7}with 73 acres of land, 238 00:08:51,482 --> 00:08:53,680 {\an7}\h\h\h\h\hand doing it for the art community. 239 00:08:53,680 --> 00:08:55,855 {\an7}How (bleep) awesome is that? 240 00:08:55,855 --> 00:08:57,053 {\an7}- We have to understand 241 00:08:57,053 --> 00:08:58,987 {\an7}\h\h\h\h\hthat we can’t be goin’ against each other. 242 00:08:58,987 --> 00:09:00,548 {\an7}We already got enemies \h\h\h\h\h\hout there. 243 00:09:00,548 --> 00:09:01,855 {\an7}\h\hIt’s Black Ink against the world. 244 00:09:01,855 --> 00:09:06,020 {\an7}So we got a string of activities to get out all the bull(bleep) 245 00:09:06,020 --> 00:09:10,647 {\an7}\h\h\h\h\h\h\hbetween each other and let the (bleep) finally die. 246 00:09:10,647 --> 00:09:12,086 {\an7}- What’s the first event, bro? 247 00:09:12,086 --> 00:09:13,987 {\an7}- We gon’ do sack races. \h\h\h\h\h\h\h\h- Okay. 248 00:09:13,987 --> 00:09:15,822 {\an7}\h\h- What? - All right. 249 00:09:15,822 --> 00:09:17,756 {\an7}Tatti will be captain \h\h\h\hfor team one. 250 00:09:17,756 --> 00:09:19,680 {\an7}Tro will be the team captain \h\h\h\h\h\h\h\hfor Atlanta. 251 00:09:19,680 --> 00:09:20,855 {\an7}- Yeah, Tatti! \h- All right. 252 00:09:20,855 --> 00:09:21,987 {\an7}Let’s get the sack race started! 253 00:09:21,987 --> 00:09:24,789 {\an7}- I don’t sack race, bruh. \h\h\h- A’ight, bag race. 254 00:09:24,789 --> 00:09:27,449 {\an7}- We’re bag chasing. 255 00:09:27,449 --> 00:09:28,449 {\an7}- Let’s go! \h\h- Yeah! 256 00:09:28,449 --> 00:09:29,756 {\an7}We ’bout to chase these nuts! \h\h\h\h\h\h\h\h\h\h\h- Okay. 257 00:09:29,756 --> 00:09:31,119 {\an7}- But the way we should \h\h\hreally do this is 258 00:09:31,119 --> 00:09:33,789 {\an7}that you gotta tag \hthe next person. - (blows whistle) 259 00:09:33,789 --> 00:09:35,185 {\an7}Tatti, you need to be \h\h\h\h\hin the back. 260 00:09:35,185 --> 00:09:36,789 {\an7}\h\h\h\h\h\h- Hold on. We not even there yet. 261 00:09:36,789 --> 00:09:39,888 {\an7}We’re just getting started, \h\h\h\hand Donna’s already 262 00:09:39,888 --> 00:09:41,822 {\an7}on her power move bull(bleep). 263 00:09:41,822 --> 00:09:43,822 {\an7}She wasn’t even made \h\h\hteam captain. 264 00:09:43,822 --> 00:09:47,053 {\an7}The way we gonna do this is \h\hgonna be one at a time. 265 00:09:47,053 --> 00:09:48,888 {\an7}\hSo you gotta go to the cone, back, 266 00:09:48,888 --> 00:09:50,680 {\an7}and then the next person go, \h\h\h\h\h’cause otherwise, 267 00:09:50,680 --> 00:09:51,888 {\an7}we gon’ be trippin’ \h\hover each other. 268 00:09:51,888 --> 00:09:53,954 {\an7}Let’s go, blow the whistle. \h\h\h\h\h- (blows whistle) 269 00:09:53,954 --> 00:09:55,152 {\an7}- Get in your bags! \h\h\h\h\h- Hey, yo! 270 00:09:55,152 --> 00:09:57,581 {\an7}So everybody’s listening? \h\h\h\h- (blows whistle) 271 00:09:57,581 --> 00:09:59,152 {\an7}\hTatti, get by your bag. You’re causing confusion. 272 00:09:59,152 --> 00:10:01,789 {\an7}- It’s not-- we’re not all going at the same time. 273 00:10:01,789 --> 00:10:04,482 {\an7}- Rok is not on our team. - That’s what I’m saying! 274 00:10:04,482 --> 00:10:06,647 {\an7}\h\h\h- (blows whistle) - That’s what I’m trying \h\h\h\h\hto say to you! 275 00:10:06,647 --> 00:10:08,822 {\an7}\h- It’s not his bag. - We’re on that side. 276 00:10:08,822 --> 00:10:11,515 {\an7}- You gotta stay on that side. \h\h\h\h\h\h- (blows whistle) 277 00:10:11,515 --> 00:10:12,581 {\an7}I’m runnin’ this race, 278 00:10:12,581 --> 00:10:14,680 {\an7}\h\h\h\hso everybody shut the (bleep) up! 279 00:10:14,680 --> 00:10:18,218 {\an7}♪ 280 00:10:18,218 --> 00:10:20,119 {\an7}- That’s your horse, Puma. 281 00:10:20,119 --> 00:10:21,680 {\an7}- Ooh, (bleep)! 282 00:10:21,680 --> 00:10:23,822 {\an7}Hi-ho, Silver! \h\h\h\hAway! 283 00:10:23,822 --> 00:10:27,119 {\an7}\h\h- Puma... I was hopin’ that (bleep) took off with you, boy. 284 00:10:27,119 --> 00:10:30,185 {\an7}\h- This is why nothin’ good can ever happen between me and you. 285 00:10:30,185 --> 00:10:31,921 {\an7}You never give me my credit. 286 00:10:31,921 --> 00:10:35,647 {\an7}- You want credit for being \h\hthe worst tattoo artist 287 00:10:35,647 --> 00:10:37,614 {\an7}in the history of Black Ink! 288 00:10:37,614 --> 00:10:39,614 {\an7}- (bleep) dickhead. 289 00:10:39,614 --> 00:10:40,954 {\an7}- What? 290 00:10:40,954 --> 00:10:42,548 {\an7}\hWhat is the text you just sent me? 291 00:10:42,548 --> 00:10:46,251 {\an7}\h\h\h- There’s like shootings that are happening in Atlanta. 292 00:10:46,251 --> 00:10:48,921 {\an7}And they’re still on the loose \h\h\h\h\h\h\hand it seems like 293 00:10:48,921 --> 00:10:51,218 {\an7}they’re targeting Asian people. 294 00:10:51,218 --> 00:10:54,251 {\an7}- I’m-I’m scared. \hI’m speechless. 295 00:10:59,401 --> 00:11:00,566 {\an7}- I’m runnin’ this race! 296 00:11:00,566 --> 00:11:02,467 {\an7}\h\hWe doin’ this in a relay style. 297 00:11:02,467 --> 00:11:03,962 {\an7}- It’s your boy Puma Albert. 298 00:11:03,962 --> 00:11:05,698 {\an7}And we’re here live 299 00:11:05,698 --> 00:11:07,995 {\an7}at the Black Ink sack race. 300 00:11:07,995 --> 00:11:09,599 {\an7}We have Team Tatti 301 00:11:09,599 --> 00:11:10,863 {\an7}and we have Team Tro. 302 00:11:10,863 --> 00:11:14,599 {\an7}\h\hWait, hold on. We have a change. 303 00:11:14,599 --> 00:11:15,533 {\an7}Team Donna. 304 00:11:15,533 --> 00:11:17,962 {\an7}Team Tatti versus Team Donna. 305 00:11:17,962 --> 00:11:19,137 {\an7}Let’s get it on! 306 00:11:19,137 --> 00:11:20,533 {\an7}- On your marks! 307 00:11:20,533 --> 00:11:23,566 {\an7}- I’ma bust my ass. \h\h\h\h\h- Get set! 308 00:11:23,566 --> 00:11:25,632 {\an7}- (laughs and snorts) 309 00:11:25,632 --> 00:11:26,764 {\an7}\h\h\h\h\h- Go! (blows whistle) 310 00:11:26,764 --> 00:11:28,170 {\an7}\h\h- Go! Go, go, go! - Go, Donna, let’s go! 311 00:11:28,170 --> 00:11:31,566 {\an7}\h\h- And we definitely have a false start on Team Donna. 312 00:11:31,566 --> 00:11:33,500 {\an7}\h\h- Wait, no, no! What are you doing? 313 00:11:33,500 --> 00:11:36,698 {\an7}- And that’s a goal \h\hfor Team Tatti! 314 00:11:36,698 --> 00:11:38,797 {\an7}\h\h\h- But Team Donna is still in the game. 315 00:11:38,797 --> 00:11:40,797 {\an7}- Go, we winnin’, \h\h\hwe winnin’. 316 00:11:40,797 --> 00:11:41,929 {\an7}(overlapping shouting) 317 00:11:41,929 --> 00:11:43,104 {\an7}- Go, Tatti! \h\h\h- Hey! 318 00:11:43,104 --> 00:11:45,104 {\an7}- And that’s a deuce \h\hfor Team Tatti. 319 00:11:45,104 --> 00:11:48,698 {\an7}(overlapping shouting) 320 00:11:48,698 --> 00:11:50,698 {\an7}- Oh, (bleep)! Spyder! Wait! 321 00:11:50,698 --> 00:11:51,731 {\an7}- Oh! Oh! 322 00:11:51,731 --> 00:11:54,566 {\an7}\h\h- Spyder was trying to hold down Team Tatti, 323 00:11:54,566 --> 00:11:56,665 {\an7}but Young Bae wasn’t with it, 324 00:11:56,665 --> 00:11:59,500 {\an7}with the mean hip check. 325 00:11:59,500 --> 00:12:00,467 {\an7}\h- Go! - Goal! 326 00:12:00,467 --> 00:12:03,137 {\an7}\h\h\h\h\h\h- (bleep)! (overlapping shouting) 327 00:12:03,137 --> 00:12:05,533 {\an7}- You (bleep) know what \h\h\hI’m talking about! 328 00:12:05,533 --> 00:12:07,566 {\an7}- And we have a winner! 329 00:12:07,566 --> 00:12:09,929 {\an7}It’s Team Tatti! \h\h\h(cheering) 330 00:12:09,929 --> 00:12:12,028 {\an7}- This some bull(bleep)! - ’Cause y’all didn’t-- 331 00:12:12,028 --> 00:12:13,962 {\an7}\h\h\h\h\h- Hold up, nah. We should’ve restart that. 332 00:12:13,962 --> 00:12:16,764 {\an7}- ’Cause y’all cheated! \h\h\h- (blows whistle) 333 00:12:16,764 --> 00:12:17,632 {\an7}♪ 334 00:12:17,632 --> 00:12:19,797 {\an7}- Let’s go! - All right. 335 00:12:19,797 --> 00:12:23,962 {\an7}♪ 336 00:12:23,962 --> 00:12:25,698 {\an7}- Aw, he’s so little and cute. 337 00:12:25,698 --> 00:12:27,962 {\an7}- Look, I got grapes. \h\h\h\h(goat bleats) 338 00:12:27,962 --> 00:12:28,995 {\an7}I got grapes, cuz. 339 00:12:28,995 --> 00:12:32,137 {\an7}\h\h\h\h\h\h- Puma production. This does feel a little crazy. 340 00:12:32,137 --> 00:12:35,731 {\an7}Sweet baby Jesus, Lord, \hthank God that’s over. 341 00:12:35,731 --> 00:12:38,467 {\an7}\h\h’Cause, man, listen, that was a (bleep) show. 342 00:12:38,467 --> 00:12:40,896 {\an7}And you don’t even wanna know \h\hhow that tug-of-war went. 343 00:12:40,896 --> 00:12:43,137 {\an7}\h- Stop pulling already. I feel it, y’all cheatin’. 344 00:12:43,137 --> 00:12:44,632 {\an7}- Let it go a little bit. \h\h\h\h\h\h\h\h\h\h- Go! 345 00:12:44,632 --> 00:12:47,104 {\an7}- Wait, wait, wait, wait! \h\h\h\h\hHe wasn’t ready! 346 00:12:47,104 --> 00:12:49,071 {\an7}\h\h- There was no "ready, set, go"! 347 00:12:49,071 --> 00:12:52,137 {\an7}\h\h\h\h- This is not how I envisioned today to be. 348 00:12:52,137 --> 00:12:53,071 {\an7}But you know what? 349 00:12:53,071 --> 00:12:55,104 {\an7}This whole Puma production is \h\h\hgonna get back in order. 350 00:12:55,104 --> 00:12:57,533 {\an7}I’m gonna separate everybody, \h\h\h\hgive ’em a little time 351 00:12:57,533 --> 00:13:00,302 {\an7}and air to breathe before we get back into the next activity. 352 00:13:00,302 --> 00:13:03,302 {\an7}\h\h\h\h\h- That’s my goat. - Look at the little horns. 353 00:13:03,302 --> 00:13:05,533 {\an7}\hHe don’t want it. - Y’all graped out? 354 00:13:05,533 --> 00:13:07,566 {\an7}That’s how y’all livin’? \h\h\h\h\h(goat bleats) 355 00:13:07,566 --> 00:13:08,995 {\an7}\h\h\h\h\hHeard you. It’s all good, man. 356 00:13:08,995 --> 00:13:11,566 {\an7}- Oh, whoa, watch yourself. \h\h\hYo, this (bleep) Ceas 357 00:13:11,566 --> 00:13:13,104 {\an7}\h\habout to look like the Old Spice (bleep). 358 00:13:13,104 --> 00:13:16,236 {\an7}\h- We can do this, dude. - That’s your horse, Puma. 359 00:13:16,236 --> 00:13:17,137 {\an7}- Whoa, (bleep)! 360 00:13:17,137 --> 00:13:19,533 {\an7}- Fishing for me. \h- Fishing it is! 361 00:13:19,533 --> 00:13:22,170 {\an7}Where’s the fish? 362 00:13:22,170 --> 00:13:23,896 {\an7}- Whoo! 363 00:13:23,896 --> 00:13:26,269 {\an7}- Oh, my God! \hKing Ceaser! 364 00:13:26,269 --> 00:13:28,137 {\an7}All hail King Ceaser. 365 00:13:28,137 --> 00:13:31,203 {\an7}- Oh, so this is how Spyders \h\h\h\h\hcatch they dinner? 366 00:13:31,203 --> 00:13:33,599 {\an7}- Hi-ho, Silver! \h\h\h\h\hAway! 367 00:13:33,599 --> 00:13:35,764 {\an7}- Puma... I was hoping \h\h\h\h\hthat (bleep) 368 00:13:35,764 --> 00:13:37,764 {\an7}took off with you, boy. 369 00:13:37,764 --> 00:13:40,896 {\an7}- Yeah! 370 00:13:40,896 --> 00:13:42,137 {\an7}Ahh, (bleep). 371 00:13:42,137 --> 00:13:44,302 {\an7}I tried to get in that hole. 372 00:13:44,302 --> 00:13:45,863 {\an7}(engine sputters) 373 00:13:45,863 --> 00:13:47,071 {\an7}Mother(bleep). 374 00:13:47,071 --> 00:13:49,731 {\an7}- Look at this (bleep). \h\hLook at Spyder, bro. 375 00:13:49,731 --> 00:13:51,599 {\an7}- Yo, Spyder is in the (bleep). 376 00:13:51,599 --> 00:13:53,830 {\an7}\h\hHe’s in it. He’s determined. 377 00:13:53,830 --> 00:13:54,962 {\an7}He’s focused to catch a fish. 378 00:13:54,962 --> 00:13:57,137 {\an7}\h- It’s definitely all about patience. 379 00:13:57,137 --> 00:13:59,137 {\an7}\h\hPatience and God. You know what I mean? 380 00:13:59,137 --> 00:14:02,137 {\an7}\hMatter fact, pray to God that you have the patience 381 00:14:02,137 --> 00:14:04,236 {\an7}\hto wait for the fish. How ’bout that (bleep)? 382 00:14:04,236 --> 00:14:08,632 {\an7}- You caught something, Spyder? Yeah, Spyder! 383 00:14:08,632 --> 00:14:09,863 {\an7}(applause) 384 00:14:09,863 --> 00:14:10,863 {\an7}\h\h\hVictory! Big-ass Spyder 385 00:14:10,863 --> 00:14:13,203 {\an7}with the little-ass fish. \h\h\h- That little guppy! 386 00:14:13,203 --> 00:14:16,665 {\an7}\hYou got you a little fish filet over there. 387 00:14:17,269 --> 00:14:20,632 {\an7}- ♪ Big dog, big dog, \h\h\h\hcome on, big ♪ 388 00:14:20,632 --> 00:14:23,137 {\an7}\h- Um, are you guys ready for this circle of trust? 389 00:14:23,137 --> 00:14:27,104 {\an7}The circle of trust is \h\h\h\hbasically, yo, get your (bleep) out. 390 00:14:27,104 --> 00:14:29,028 {\an7}\hLet’s just state what the (bleep) problem is, 391 00:14:29,028 --> 00:14:33,071 {\an7}address the (bleep) problem, \h\h\hand solve the problem. 392 00:14:33,071 --> 00:14:35,797 {\an7}\h\h\h\h\h\h\h\h\hSo listen. This is us gettin’ together 393 00:14:35,797 --> 00:14:37,896 {\an7}and basically gettin’ out \h\h\hall the aggression. 394 00:14:37,896 --> 00:14:40,830 {\an7}’Cause we all Black Ink \hat the end of the day. 395 00:14:40,830 --> 00:14:42,665 {\an7}- Does anybody have \h\hany grievances? 396 00:14:42,665 --> 00:14:45,302 {\an7}\h\h\h\h\h\h\h- I’ma start with apologies to my girl. 397 00:14:45,302 --> 00:14:46,797 {\an7}- Look at Rok, finally. 398 00:14:46,797 --> 00:14:49,962 {\an7}Look at my man asking Ink Daddy for the apology. 399 00:14:49,962 --> 00:14:51,797 {\an7}As the (bleep) he should. 400 00:14:51,797 --> 00:14:52,764 {\an7}- I will say it. 401 00:14:52,764 --> 00:14:53,995 {\an7}I apologize to you, Krystal. 402 00:14:53,995 --> 00:14:56,203 {\an7}But I do feel as though... \h\h\h\h\h\h\h- Oh, mm-mm. 403 00:14:56,203 --> 00:14:58,995 {\an7}\h\h\h- ...you did go a little bit too far. 404 00:14:58,995 --> 00:15:01,236 {\an7}\h\h\h- I feel like we all came in here, 405 00:15:01,236 --> 00:15:02,863 {\an7}that we’re all one, we’re all Black Ink, 406 00:15:02,863 --> 00:15:04,863 {\an7}but you separated yourself \h\h\h\h\h\hby doin’ that. 407 00:15:04,863 --> 00:15:06,995 {\an7}(bleep) your apology. \h\hI ain’t taking it. 408 00:15:06,995 --> 00:15:11,665 {\an7}’Cause I feel like Ink Daddy has a problem with respecting women. 409 00:15:11,665 --> 00:15:12,764 {\an7}That wasn’t even a real apology. 410 00:15:12,764 --> 00:15:15,830 {\an7}\h\h\h\hRok had to pull that (bleep) out of you. 411 00:15:15,830 --> 00:15:18,995 {\an7}\h- Uh, anybody else got anything to say? 412 00:15:18,995 --> 00:15:20,335 {\an7}Any grievances? 413 00:15:20,335 --> 00:15:23,665 {\an7}♪ 414 00:15:23,665 --> 00:15:25,896 {\an7}- All right, listen. All I got to say is, 415 00:15:25,896 --> 00:15:27,731 {\an7}\h\hif anybody got a problem with me, 416 00:15:27,731 --> 00:15:28,533 {\an7}just say it, simple. 417 00:15:28,533 --> 00:15:31,071 {\an7}’Cause if anybody wanna fight, \h\h\h\h\h\h\h\hwe can fight. 418 00:15:31,071 --> 00:15:32,269 {\an7}That’s all I got to say. 419 00:15:32,269 --> 00:15:36,995 {\an7}- Donna has physically threatened me twice... 420 00:15:36,995 --> 00:15:38,137 {\an7}since we’ve been in Atlanta. 421 00:15:38,137 --> 00:15:39,797 {\an7}She did it one time \h\h\hat the shop... 422 00:15:39,797 --> 00:15:41,962 {\an7}- Okay, me and Tatti \h\habout to fight. 423 00:15:41,962 --> 00:15:42,995 {\an7}- No, we’re not. 424 00:15:42,995 --> 00:15:43,995 {\an7}...once at the house... 425 00:15:43,995 --> 00:15:45,434 {\an7}- I’ll smack the (bleep) \h\houtta you, Tatiana. 426 00:15:45,434 --> 00:15:47,929 {\an7}\hStop playing with me. - ...and she sonned me. 427 00:15:47,929 --> 00:15:50,401 {\an7}Even now, she looks like she’s ready to pop off. 428 00:15:50,401 --> 00:15:52,929 {\an7}I am the road manager \h\h\h\h\h\hright now. 429 00:15:52,929 --> 00:15:56,797 {\an7}\h\h- So you should advocate for your team members from New York. 430 00:15:56,797 --> 00:15:58,467 {\an7}\h\h\h- Yes, for sure. - You don’t, but okay. 431 00:15:58,467 --> 00:15:59,731 {\an7}- Yes, I do. - You don’t. 432 00:15:59,731 --> 00:16:02,137 {\an7}\h- I can’t wait to support all your business endeavors. 433 00:16:02,137 --> 00:16:03,830 {\an7}\hBut when it comes to having a station, 434 00:16:03,830 --> 00:16:06,071 {\an7}I feel strongly in that we can’t have a freelance station 435 00:16:06,071 --> 00:16:09,302 {\an7}\h\h\h\h\h\h\h\h\hin the middle \h\h\h\h\h\hof tattoo stations. - But how is that your decision 436 00:16:09,302 --> 00:16:11,104 {\an7}if the owner of the shop \h\h\h\h\h\h\hokayed it? 437 00:16:11,104 --> 00:16:12,830 {\an7}How is that your decision? 438 00:16:12,830 --> 00:16:15,071 {\an7}\h\h- I wasn’t told that he okayed it, so I don’t know. 439 00:16:15,071 --> 00:16:17,203 {\an7}- I looked in his face and asked him if it was a problem. 440 00:16:17,203 --> 00:16:19,028 {\an7}\h\h\h\hHe told me no. - Yeah, I did tell you 441 00:16:19,028 --> 00:16:20,467 {\an7}\h\h\hit was a problem. You ain’t doin’ nothing. 442 00:16:20,467 --> 00:16:23,137 {\an7}- Listen, I’m not about to go \h\hback and forth with Ceas. 443 00:16:23,137 --> 00:16:26,962 {\an7}I know what the (bleep) he said to me several times. 444 00:16:26,962 --> 00:16:29,929 {\an7}I’ma pay you and just let me do what I do in my space. 445 00:16:29,929 --> 00:16:32,104 {\an7}\h\h- But what you gon’ do what you do in your space? 446 00:16:32,104 --> 00:16:33,401 {\an7}- I don’t know yet. \hMaybe some henna. 447 00:16:33,401 --> 00:16:36,302 {\an7}Maybe some eyebrows. \h- Henna? Eyebrows? 448 00:16:36,302 --> 00:16:38,302 {\an7}- What, you have a problem with me having a space in the shop? 449 00:16:38,302 --> 00:16:39,830 {\an7}- You’re doin’ what? What are you doing? 450 00:16:39,830 --> 00:16:41,929 {\an7}\h\h- I don’t know. I’m finding myself. 451 00:16:41,929 --> 00:16:44,269 {\an7}- In no way in no form \h\h\h\h\h\hdid I say 452 00:16:44,269 --> 00:16:46,269 {\an7}you could have a spot \h\h\h\h\hat the shop. 453 00:16:46,269 --> 00:16:49,368 {\an7}Every time I turn around, she wanna say I said this 454 00:16:49,368 --> 00:16:51,434 {\an7}\h\h\h\h\h\h\h\hand I said that. I’ve been through this situation 455 00:16:51,434 --> 00:16:52,995 {\an7}too many (bleep) times \h\h\h\h\h\hwith her. 456 00:16:52,995 --> 00:16:55,071 {\an7}- That corner right there, \h\h\hmy cooler’s gonna go 457 00:16:55,071 --> 00:16:58,203 {\an7}\h\h\h\h\h\hright there for my CBD juice, okay? 458 00:16:58,203 --> 00:17:01,170 {\an7}\h\h\h\h\h\h\h- What? What the hell is this? 459 00:17:01,863 --> 00:17:04,500 {\an7}\h\h\h\h\h\h- That’s super CBD. - When did we okay this (bleep)? 460 00:17:04,500 --> 00:17:06,269 {\an7}- I don’t give a (bleep) \habout having a booth. 461 00:17:06,269 --> 00:17:08,533 {\an7}\h\hLike y’all can have that whole little shop. 462 00:17:08,533 --> 00:17:09,995 {\an7}- You’re talking about \h\h\h\h\hslapping me, 463 00:17:09,995 --> 00:17:12,434 {\an7}and then you get in my face, \h\h\h\h\hyou don’t slap me, 464 00:17:12,434 --> 00:17:13,929 {\an7}\h\h\h\hand then you throw things at me. 465 00:17:13,929 --> 00:17:15,335 {\an7}\h\h\h\h\h\h\hAnd it’s like, what kind of friend is that? 466 00:17:15,335 --> 00:17:17,071 {\an7}\h- That’s the friend that didn’t smack you 467 00:17:17,071 --> 00:17:19,830 {\an7}\h\h\h\h\h\hbecause we friends. - I’m never gonna be okay with, 468 00:17:19,830 --> 00:17:21,434 {\an7}\h\h\h"I’m about to slap the (bleep) outta you." 469 00:17:21,434 --> 00:17:22,797 {\an7}I’m never gonna be okay \h\h\h\h\h\h\hwith that. 470 00:17:22,797 --> 00:17:23,797 {\an7}- I cannot (bleep) with you 471 00:17:23,797 --> 00:17:25,995 {\an7}because you think that is me. 472 00:17:25,995 --> 00:17:27,028 {\an7}- Y’all gone too far now. 473 00:17:27,028 --> 00:17:29,137 {\an7}- And if I wanna punch you, \h\h\hbitch, I’ma punch you. 474 00:17:29,137 --> 00:17:31,401 {\an7}\h\h\h- All right. - Uh, anybody else 475 00:17:31,401 --> 00:17:32,863 {\an7}got anything to say? 476 00:17:32,863 --> 00:17:35,500 {\an7}\h\h\h\hAny grievances? - I just have one thing. 477 00:17:35,500 --> 00:17:36,962 {\an7}With the Atlanta crew, 478 00:17:36,962 --> 00:17:40,137 {\an7}I just want more respect \h\h\h\h\h\h\h\hfor me. 479 00:17:40,137 --> 00:17:42,434 {\an7}\h\h\h\h\h\h\hBecause, Ink, every time I say one thing, 480 00:17:42,434 --> 00:17:45,236 {\an7}\hit’s a big complaint. - Did I not communicate \h\h\hwith you earlier? 481 00:17:45,236 --> 00:17:47,566 {\an7}\h\h\h\h\h\h- Okay, but no-- - That’s the process, right? 482 00:17:47,566 --> 00:17:49,028 {\an7}\h\h\h\h\h\h- All right, ’cause nobody even know 483 00:17:49,028 --> 00:17:51,104 {\an7}what else y’all talking about \h\h\h\h\h\h\h\hexcept y’all. 484 00:17:51,104 --> 00:17:52,028 {\an7}So just figure it out. 485 00:17:52,028 --> 00:17:54,137 {\an7}But respect the manager \h\h\h\h\h\hor whatever. 486 00:17:54,137 --> 00:17:57,236 {\an7}\hWhat? Nobody know what they even talkin’ ’bout. 487 00:17:57,236 --> 00:17:58,863 {\an7}- Donna, shut the (bleep) up. 488 00:17:58,863 --> 00:18:00,137 {\an7}- Y’all (bleep) trippin’, B. 489 00:18:00,137 --> 00:18:02,028 {\an7}- That (bleep) tell you how much I did not wanna fight with you! 490 00:18:02,028 --> 00:18:04,302 {\an7}- Let me ask if anybody else \hother than Donna and Tatti 491 00:18:04,302 --> 00:18:06,533 {\an7}have anything else to say-- \h\h\h- Y’all know it’s not! 492 00:18:06,533 --> 00:18:08,170 {\an7}Y’all know nobody else \hgot nothin’ to say! 493 00:18:08,170 --> 00:18:11,401 {\an7}\h- You got your beats! - Y’all did this (bleep) \h\hbecause y’all know. 494 00:18:11,401 --> 00:18:13,929 {\an7}Y’all did this (bleep) \hbecause y’all know. 495 00:18:13,929 --> 00:18:16,863 {\an7}Who else got something to say? \h\h\h\h- I got it, I got it. 496 00:18:16,863 --> 00:18:18,533 {\an7}- Who else got something to say? Nobody. 497 00:18:18,533 --> 00:18:21,137 {\an7}\h\h\h\h\h\h\h- All right. - What else do y’all want? 498 00:18:21,137 --> 00:18:22,632 {\an7}’Cause y’all don’t want (bleep) to get physical, 499 00:18:22,632 --> 00:18:26,401 {\an7}but there’s only a certain level where I can go with the verbal. 500 00:18:26,401 --> 00:18:28,500 {\an7}\h\h\h- Hold on! When I say about 501 00:18:28,500 --> 00:18:31,269 {\an7}not getting physical, it’s because I believe 502 00:18:31,269 --> 00:18:33,236 {\an7}that everybody standing \h\h\h\h\hin this circle 503 00:18:33,236 --> 00:18:36,236 {\an7}\h\h\hhas the intelligence to be able to communicate. 504 00:18:36,236 --> 00:18:38,302 {\an7}\h\h\hThe importance of this is to be able to show y’all 505 00:18:38,302 --> 00:18:40,995 {\an7}\h\h\h\h\hin a different way. - Like ain’t no different way. 506 00:18:40,995 --> 00:18:42,302 {\an7}Me and this bitch is \h\halways arguing. 507 00:18:42,302 --> 00:18:44,104 {\an7}That’s what happens \h\h\hevery season. 508 00:18:44,104 --> 00:18:45,500 {\an7}We do this every season. 509 00:18:45,500 --> 00:18:46,368 {\an7}We have a team building 510 00:18:46,368 --> 00:18:48,401 {\an7}where we voice our opinions \h\h\h\h\h\h\hevery season. 511 00:18:48,401 --> 00:18:50,467 {\an7}\h\hSo that’s not nothing new. - ...somebody setting you up, 512 00:18:50,467 --> 00:18:52,566 {\an7}and that’s not what I’m trying-- - Thank you, Treiva. 513 00:18:52,566 --> 00:18:54,137 {\an7}\h\h\h\h\h- We do this every (bleep) season. 514 00:18:54,137 --> 00:18:56,104 {\an7}We do this every season. \h\hThis is nothing new. 515 00:18:56,104 --> 00:18:58,698 {\an7}- Thank you, somebody that’s \h\h\hfinally said it real. 516 00:18:58,698 --> 00:19:01,302 {\an7}\h\h\h\hShe’s trying not to have you look crazy, Donna. 517 00:19:01,302 --> 00:19:04,028 {\an7}- There’s no different way. \h\h\h\h\h- Yo, wrap it up! 518 00:19:04,028 --> 00:19:05,632 {\an7}Let’s-- Let’s get it! 519 00:19:05,632 --> 00:19:08,599 {\an7}- Looks like we’re making some magic. 520 00:19:08,599 --> 00:19:10,170 {\an7}♪ 521 00:19:10,170 --> 00:19:12,071 {\an7}Damn, I miss being this close to you. 522 00:19:12,071 --> 00:19:13,929 {\an7}Oh, (bleep)! \h(laughing) 523 00:19:13,929 --> 00:19:16,104 {\an7}\h\h- We might as well have this conversation right now. 524 00:19:16,104 --> 00:19:19,028 {\an7}If we can’t get to some type \h\h\h\h\h\hof agreement... 525 00:19:19,028 --> 00:19:20,203 {\an7}Donna, come here! 526 00:19:20,203 --> 00:19:22,137 {\an7}...it’s gon’ be the end \h\h\h\h\h\hof the road 527 00:19:22,137 --> 00:19:24,104 {\an7}for her and Alex. 528 00:19:24,104 --> 00:19:27,028 {\an7}- This is not gonna go well. 529 00:19:32,479 --> 00:19:34,083 {\an7}♪ 530 00:19:34,083 --> 00:19:36,040 {\an7}- Girl, help me pedal. 531 00:19:36,040 --> 00:19:37,512 {\an7}Go, go, go, go! 532 00:19:37,512 --> 00:19:39,040 {\an7}Oh, my butt is wet. 533 00:19:39,040 --> 00:19:40,314 {\an7}- Mine is too. 534 00:19:40,314 --> 00:19:41,809 {\an7}- Hold on to the sides. 535 00:19:41,809 --> 00:19:42,908 {\an7}- I’m gonna sit right on here. 536 00:19:42,908 --> 00:19:47,512 {\an7}\h\h\h\h\h\h- I was hoping that everybody understood 537 00:19:47,512 --> 00:19:50,007 {\an7}what the (bleep) we were \h\h\htrying to achieve, 538 00:19:50,007 --> 00:19:50,941 {\an7}\hbut... - Donna. 539 00:19:50,941 --> 00:19:53,116 {\an7}\h\h\h\h\h\h\h- Yeah, like, that (bleep) was crazy, bro. 540 00:19:53,116 --> 00:19:55,446 {\an7}- I’m just tired of (bleep) \h\h\h\h\h\h\h\hbeing fake. 541 00:19:55,446 --> 00:19:57,215 {\an7}Like Ceas is mad fake. 542 00:19:57,215 --> 00:19:59,380 {\an7}I looked him dead in his face \h\h\h\h\h\h\h\h\hand I said, 543 00:19:59,380 --> 00:20:03,281 {\an7}"Ceas, do you have a problem \h\hwith me having a space?" 544 00:20:03,281 --> 00:20:05,908 {\an7}He looked me in my face \h\h\h\h\h\h\hand said, 545 00:20:05,908 --> 00:20:07,007 {\an7}\h"Nah, Donna. You go ahead." 546 00:20:07,007 --> 00:20:08,974 {\an7}What, you have a problem with me having a space in the shop? 547 00:20:08,974 --> 00:20:10,347 {\an7}- You’re doing what? What are you doing? 548 00:20:10,347 --> 00:20:11,842 {\an7}\h\h- I don’t know. - When you sit there 549 00:20:11,842 --> 00:20:14,446 {\an7}and tell me what you want to do, then we figure that out, 550 00:20:14,446 --> 00:20:16,479 {\an7}but all that other (bleep) \h\h\h\h\h\his irrelevant. 551 00:20:16,479 --> 00:20:18,479 {\an7}\h\h\h\h- Now, today, in front of everybody, 552 00:20:18,479 --> 00:20:21,347 {\an7}\hyou wanna sit up and say that you ain’t never say that to me. 553 00:20:21,347 --> 00:20:23,941 {\an7}- I was definitely sitting \h\h\h\h\h\h\hat the table 554 00:20:23,941 --> 00:20:27,083 {\an7}when Ceas responded \h\hback to Big Mama 555 00:20:27,083 --> 00:20:28,578 {\an7}about her having a space \h\h\h\h\h\hat the shop, 556 00:20:28,578 --> 00:20:32,908 {\an7}\hand Ceas said out his mouth, "Yeah, yeah, okay, whatever." 557 00:20:32,908 --> 00:20:36,083 {\an7}- I’ma pay you and just let me \h\hdo what I do in my space. 558 00:20:36,083 --> 00:20:38,040 {\an7}- But what you gon’ do and do in your space? 559 00:20:38,040 --> 00:20:39,512 {\an7}- I don’t know yet. \hMaybe some henna. 560 00:20:39,512 --> 00:20:42,512 {\an7}Maybe some eyebrows. \h- Henna? Eyebrows? 561 00:20:42,512 --> 00:20:44,875 {\an7}- Tatti, you, you wanna sit \h\h\h\hand lie to yourself? 562 00:20:44,875 --> 00:20:46,248 {\an7}\h\hYou can go ahead and lie to yourself. 563 00:20:46,248 --> 00:20:48,347 {\an7}- There has to be boundaries. \h\h\h\h\h\h\h\h\hAnd for me, 564 00:20:48,347 --> 00:20:51,446 {\an7}\h\hputting your hands on me is a boundary that we can’t cross. 565 00:20:51,446 --> 00:20:52,908 {\an7}- It’s almost gotten \h\h\h\hto the point 566 00:20:52,908 --> 00:20:57,314 {\an7}that I don’t think Donna really is into growing right now. 567 00:20:57,314 --> 00:20:59,908 {\an7}I think Donna is stuck \h\h\hon being Donna. 568 00:20:59,908 --> 00:21:03,347 {\an7}- I just think it’s corny that everybody come to me 569 00:21:03,347 --> 00:21:06,248 {\an7}\h\h\h\h\hwith one thing and then when it’s time 570 00:21:06,248 --> 00:21:09,116 {\an7}for y’all to stand behind \h\h\h\h\hhow y’all feel, 571 00:21:09,116 --> 00:21:10,149 {\an7}now (bleep) switchin’. 572 00:21:10,149 --> 00:21:13,248 {\an7}- Well, you know, everybody show they true colors. 573 00:21:13,248 --> 00:21:16,007 {\an7}\h\hWe’re surrounded by a bunch of simple-minded mother(bleep). 574 00:21:16,007 --> 00:21:17,908 {\an7}But they don’t really got \h\h\h\hyour back like... 575 00:21:17,908 --> 00:21:19,248 {\an7}- It’s crazy, right? \h\h\h\h- For sure. 576 00:21:19,248 --> 00:21:20,908 {\an7}- I done had like \heverybody’s back 577 00:21:20,908 --> 00:21:22,248 {\an7}through mad (bleep). \h\h\h\h\h\h- Facts. 578 00:21:22,248 --> 00:21:24,215 {\an7}\h- We need to be like, be there for each other. 579 00:21:24,215 --> 00:21:25,644 {\an7}\h\h\hLet’s stop playing. And I know you don’t feel 580 00:21:25,644 --> 00:21:28,644 {\an7}\h\h\h\h\hthat way right now, but after this corona (bleep), 581 00:21:28,644 --> 00:21:30,512 {\an7}we need to be here \h\hfor each other 582 00:21:30,512 --> 00:21:31,941 {\an7}because tomorrow is not promised. 583 00:21:31,941 --> 00:21:38,182 {\an7}\h\hWith all this hate and COVID and everything that’s happening, 584 00:21:38,182 --> 00:21:39,248 {\an7}us friends, we-- 585 00:21:39,248 --> 00:21:41,677 {\an7}we should just stick together \hand be there for each other. 586 00:21:41,677 --> 00:21:45,248 {\an7}Stop (bleep) fighting for no (bleep) reason. 587 00:21:45,248 --> 00:21:48,182 {\an7}\h\hI even got a (bleep) threatening racist note 588 00:21:48,182 --> 00:21:50,248 {\an7}when I got down here. 589 00:21:51,040 --> 00:21:56,347 {\an7}\h\hTo show you guys this is not a joke. 590 00:21:56,347 --> 00:22:00,710 {\an7}♪ 591 00:22:00,710 --> 00:22:01,974 {\an7}I didn’t say anything about it 592 00:22:01,974 --> 00:22:05,545 {\an7}because it’s already like too much (bleep) going on. 593 00:22:05,545 --> 00:22:10,040 {\an7}\h\h\h\hBut it’s really clear that tomorrow is not promised. 594 00:22:10,040 --> 00:22:12,215 {\an7}Like you really wanna \h\hgo out like that? 595 00:22:12,215 --> 00:22:15,248 {\an7}\h\h\hBe there for each other and let’s be strong together. 596 00:22:15,248 --> 00:22:19,281 {\an7}- I feel like what you’re doing right now for yourself 597 00:22:19,281 --> 00:22:23,182 {\an7}is what you should’ve been did, and it’s gon’ get to a point 598 00:22:23,182 --> 00:22:25,545 {\an7}where you don’t even have time \h\h\h\hto come to Black Ink. 599 00:22:25,545 --> 00:22:27,007 {\an7}\h\h\h\h\hYou just need to continue on your path 600 00:22:27,007 --> 00:22:30,248 {\an7}\hso that you don’t even have to deal with none of this (bleep), 601 00:22:30,248 --> 00:22:31,248 {\an7}like for real, for real. 602 00:22:31,248 --> 00:22:34,776 {\an7}- I’ve shown improving \h\h\h\hso many times. 603 00:22:34,776 --> 00:22:37,182 {\an7}I’ve been in the shop \h\h\hfrom 11:00 a.m. 604 00:22:37,182 --> 00:22:38,413 {\an7}to 4:00 in the morning before. 605 00:22:38,413 --> 00:22:41,479 {\an7}\h\hIt’s like I missed my nephews growing up 606 00:22:41,479 --> 00:22:43,149 {\an7}to support you and your dreams. 607 00:22:43,149 --> 00:22:45,446 {\an7}\h\h\h\h\hAnd now it’s time to support me and my dreams 608 00:22:45,446 --> 00:22:48,116 {\an7}\h\hand nobody, nobody’s there. 609 00:22:48,116 --> 00:22:50,083 {\an7}- She wanted our help \h\h\hwith something. 610 00:22:50,083 --> 00:22:51,248 {\an7}\h\h\hIt has to be something serious. 611 00:22:51,248 --> 00:22:54,677 {\an7}\h\h\h\h\hIt’s time for us to draw a line somewhere. 612 00:22:54,677 --> 00:22:55,479 {\an7}You feelin’ me? 613 00:22:55,479 --> 00:22:57,281 {\an7}- What if she does not \h\h\htake that well? 614 00:22:57,281 --> 00:23:00,040 {\an7}- At the end of the day, \hI don’t need Black Ink 615 00:23:00,040 --> 00:23:01,578 {\an7}to be the facility \h\h\hfor nothing. 616 00:23:01,578 --> 00:23:06,413 {\an7}I’m losing my focus on what’s actually goin’ the (bleep) on. 617 00:23:06,413 --> 00:23:08,512 {\an7}\h\h\h- We gon’ have to have this conversation with her. 618 00:23:08,512 --> 00:23:11,578 {\an7}We might as well have it now since both of them is here. 619 00:23:11,578 --> 00:23:13,248 {\an7}Look, I’m still willing \h\h\h\h\hto help Donna 620 00:23:13,248 --> 00:23:16,281 {\an7}and support her blossoming, \h\h\hbut if we can’t get to 621 00:23:16,281 --> 00:23:19,743 {\an7}some type of agreement, it’s gonna be the end of the road 622 00:23:19,743 --> 00:23:22,446 {\an7}for her and Alex. 623 00:23:22,446 --> 00:23:24,644 {\an7}Donna, Alex, come here! 624 00:23:24,644 --> 00:23:25,677 {\an7}’Cause at the end of the day, 625 00:23:25,677 --> 00:23:27,611 {\an7}this (bleep) don’t look good \h\h\h\h\h\h\hfor business. 626 00:23:27,611 --> 00:23:29,578 {\an7}- This is not gonna go well. 627 00:23:29,578 --> 00:23:31,413 {\an7}♪ 628 00:23:31,413 --> 00:23:33,611 {\an7}- What’s up, hater? 629 00:23:33,611 --> 00:23:36,116 {\an7}- Who the hater? \h\h\h\h\h- You. 630 00:23:36,116 --> 00:23:37,281 {\an7}- Okay... listen. 631 00:23:37,281 --> 00:23:39,479 {\an7}This talk is basically \h\h\h\hto figure out 632 00:23:39,479 --> 00:23:40,776 {\an7}what we’re gonna do \h\h\hgoing forward. 633 00:23:40,776 --> 00:23:43,809 {\an7}Because all this, you’re gonna sit here and take this space, 634 00:23:43,809 --> 00:23:45,809 {\an7}we can’t really be doin’ that. \h\h\h\hWe gotta figure out-- 635 00:23:45,809 --> 00:23:47,281 {\an7}- Okay, I don’t need \h\h\ha space then. 636 00:23:47,281 --> 00:23:48,710 {\an7}\h\h\h\hIf (bleep) don’t-- you know what I’m saying? 637 00:23:48,710 --> 00:23:50,281 {\an7}You don’t want me in the shop, \h\h\h\h\h\h\h\h\h\hI don’t-- 638 00:23:50,281 --> 00:23:52,644 {\an7}\h\h\h- We wanna figure out what we can do to help you. 639 00:23:52,644 --> 00:23:55,446 {\an7}- You know I got my hair line. \h\h\hI got my clothing line. 640 00:23:55,446 --> 00:23:59,413 {\an7}\h\h\h\hI’m putting together a casting call for my models 641 00:23:59,413 --> 00:24:01,215 {\an7}\h\hfor my photo shoot. - Photo shoot for what? 642 00:24:01,215 --> 00:24:03,710 {\an7}\h\h\h\h\h- For my website. - Okay, that ain’t nothin’. 643 00:24:03,710 --> 00:24:05,479 {\an7}How ’bout we take it outside of Black Ink 644 00:24:05,479 --> 00:24:07,281 {\an7}and get you a nice little space where you can sit there 645 00:24:07,281 --> 00:24:09,644 {\an7}and operate the whole thing? \h\h- No, look, look, look, \h\h\h\h\h\h\h\hlet me say. 646 00:24:09,644 --> 00:24:11,479 {\an7}\h\h\h\h\hMy casting call is perfect for the space. 647 00:24:11,479 --> 00:24:13,578 {\an7}- No, we takin’ it outside \h\h\h\h\h\h\hthat space. 648 00:24:13,578 --> 00:24:15,644 {\an7}- Why? Why would you do that \h\h\h\h\hwhen I can simply 649 00:24:15,644 --> 00:24:17,380 {\an7}\hjust use the space-- - No, I need my space. 650 00:24:17,380 --> 00:24:19,149 {\an7}- Hold on, hold on, hold on. \h\h\h\h\hSo you telling me, 651 00:24:19,149 --> 00:24:21,776 {\an7}you be rentin’ your space out \h\h\h\hfor nighttime events, 652 00:24:21,776 --> 00:24:23,842 {\an7}all this other (bleep), but I can’t use the room 653 00:24:23,842 --> 00:24:26,578 {\an7}\h\h\h\h\h\hthat nobody uses for two hours out of a day? 654 00:24:26,578 --> 00:24:28,314 {\an7}\h\h\h\h\h\h- Right. - (bleep) dickhead. 655 00:24:28,314 --> 00:24:31,479 {\an7}- How do you go from saying \hyou want support and love 656 00:24:31,479 --> 00:24:34,446 {\an7}to shoving a mother(bleep) and calling him a (bleep)? 657 00:24:34,446 --> 00:24:36,182 {\an7}\h\h\hIt doesn’t make (bleep) sense at all. 658 00:24:36,182 --> 00:24:37,380 {\an7}None of this (bleep) \h\h\h\hmakes sense. 659 00:24:37,380 --> 00:24:39,446 {\an7}\h\h- If y’all don’t want me in the shop, don’t gotta be there. 660 00:24:39,446 --> 00:24:41,578 {\an7}Y’all don’t wanna help me? \h\hDon’t need your help. 661 00:24:41,578 --> 00:24:42,875 {\an7}- Now you’re turning down \h\h\h\h\h\h\h\hour help? 662 00:24:42,875 --> 00:24:46,347 {\an7}\h- At the end of the day, you and you have witnessed 663 00:24:46,347 --> 00:24:48,578 {\an7}everything that I’ve \h\h\h\hgone through 664 00:24:48,578 --> 00:24:52,578 {\an7}in the past ten (bleep) years \h\h\h\hdealing with the shop. 665 00:24:52,578 --> 00:24:54,644 {\an7}I deserve some respect \h\h\h\h\hfrom y’all. 666 00:24:54,644 --> 00:24:55,809 {\an7}I just think it’s (bleep) up 667 00:24:55,809 --> 00:24:59,545 {\an7}that I stand for what is right \h\h\h\h\h\hevery single time. 668 00:24:59,545 --> 00:25:02,149 {\an7}I’ve tried not to disrespect \hpeople in the line of it, 669 00:25:02,149 --> 00:25:04,215 {\an7}\h\h\hbut best believe I will get my respect 670 00:25:04,215 --> 00:25:05,809 {\an7}regardless if you give it \h\h\h\h\h\hto me or not. 671 00:25:05,809 --> 00:25:08,446 {\an7}\h\h- Hold on, where was you when we was Black Ink Alley? 672 00:25:08,446 --> 00:25:10,776 {\an7}\hYou don’t even know the original nothing. 673 00:25:10,776 --> 00:25:12,446 {\an7}This (bleep) been with me \h\h\h\h\h\hwhen I opened, 674 00:25:12,446 --> 00:25:14,413 {\an7}\hwhen I first started my first tattoo shop. 675 00:25:14,413 --> 00:25:16,413 {\an7}This (bleep) been with me \h\h\hthrough high school. 676 00:25:16,413 --> 00:25:18,446 {\an7}\h\h\hThese (bleep) grew up with me, yo. 677 00:25:18,446 --> 00:25:19,875 {\an7}What are you talking about? \h\h\h\h\h- I just feel like 678 00:25:19,875 --> 00:25:23,215 {\an7}\hy’all (bleep) don’t give me the respect I (bleep) deserve. 679 00:25:23,215 --> 00:25:24,611 {\an7}- Respect for what? What have you done? 680 00:25:24,611 --> 00:25:27,314 {\an7}\h\h- Ran your (bleep) shop. - And you’re here right now. 681 00:25:27,314 --> 00:25:28,611 {\an7}- I’m here on my own \h\haccount though. 682 00:25:28,611 --> 00:25:31,215 {\an7}\h\h\h- No, you’re-- ’cause of Black Ink! 683 00:25:31,215 --> 00:25:33,842 {\an7}- Even though I’m not currently, you know, "employed" 684 00:25:33,842 --> 00:25:37,710 {\an7}at Black Ink the tattoo shop, I am still very much an asset 685 00:25:37,710 --> 00:25:40,611 {\an7}\h\h\h\hon this show and on the Black Ink team, period. 686 00:25:40,611 --> 00:25:44,281 {\an7}\h\hThis is why nothing good can ever happen between me and you. 687 00:25:44,281 --> 00:25:45,347 {\an7}You never give me my credit. 688 00:25:45,347 --> 00:25:48,215 {\an7}\h\h\h\h\h\h- You-- hold on. - You act like that (bleep) is always peaches and cream. 689 00:25:48,215 --> 00:25:49,545 {\an7}\h\h\h\h\h\h\h\h\hIt’s not. - You want credit for being 690 00:25:49,545 --> 00:25:53,248 {\an7}\h\hthe worst tattoo artist in the history of Black Ink? 691 00:25:53,248 --> 00:25:54,644 {\an7}- You’re not the best \h\h\h\htattoo artist 692 00:25:54,644 --> 00:25:56,281 {\an7}in Black Ink, (bleep). \h\h- I don’t have to. 693 00:25:56,281 --> 00:25:57,743 {\an7}\h\h\h(bleep) ain’t the best warrior... 694 00:25:57,743 --> 00:25:58,578 {\an7}- Please, (bleep). 695 00:25:58,578 --> 00:25:59,809 {\an7}\h\h- ...but he runs his (bleep) empire. 696 00:25:59,809 --> 00:26:01,941 {\an7}\h\h\h\h- Far from the best tattoo artist in Black Ink. 697 00:26:01,941 --> 00:26:03,479 {\an7}- She ungrateful as (bleep). 698 00:26:03,479 --> 00:26:06,743 {\an7}- And you actually call yourself a tattoo artist. 699 00:26:06,743 --> 00:26:09,281 {\an7}\h\h\h- This may not be the conversation to have 700 00:26:09,281 --> 00:26:13,413 {\an7}\h\h\h\hin front of everybody, but you’re from day one, man. 701 00:26:13,413 --> 00:26:16,842 {\an7}You’re never gonna get \h\h\h\h\hthe respect. 702 00:26:20,842 --> 00:26:22,941 {\an7}My mom is kinda already scared, 703 00:26:22,941 --> 00:26:27,677 {\an7}\h\hbut I need to tell her so she can know the truth. 704 00:26:35,501 --> 00:26:38,930 {\an7}- ♪ Wake up, let’s get it, \h\h\h\h\h\hlet’s get it ♪ 705 00:26:38,930 --> 00:26:40,732 {\an7}♪ Move, move, move ♪ 706 00:26:40,732 --> 00:26:43,930 {\an7}- Everybody slept like babies \h\h\h\h\h\h\hlast night, boy. 707 00:26:43,930 --> 00:26:47,237 {\an7}How you think Donna feel \h\h\h\hafter yesterday? 708 00:26:47,237 --> 00:26:48,666 {\an7}- Your wifey back \h\hto bein’ good? 709 00:26:48,666 --> 00:26:51,270 {\an7}\h\hI feel like that that trust circle just made (bleep) worse. 710 00:26:51,270 --> 00:26:54,600 {\an7}- For me, it’s never been about like being good. 711 00:26:54,600 --> 00:26:57,369 {\an7}It’s just, don’t touch me. \h\h\hDon’t disrespect me. 712 00:26:57,369 --> 00:26:58,666 {\an7}And I don’t know why \hit’s so hard to-- 713 00:26:58,666 --> 00:27:00,567 {\an7}\h\h\h\h- But you feel like you guys resolved the issue? 714 00:27:00,567 --> 00:27:02,666 {\an7}\h\h\h\h\h\h\h\h\h\h\h\h\h- No. - My biggest issue with Donna is 715 00:27:02,666 --> 00:27:04,534 {\an7}that sense of entitlement \h\h\h\h\h\h\h\h\hshe has. 716 00:27:04,534 --> 00:27:06,501 {\an7}\h\h\h\hShe keeps talking this, "I’ve been there from day one." 717 00:27:06,501 --> 00:27:09,501 {\an7}You really haven’t, man. \h\hLike we could break \h\h\h\hthe fourth wall. 718 00:27:09,501 --> 00:27:12,270 {\an7}\h\h\hYou googled us when we was "Black Ink Crew" on television, 719 00:27:12,270 --> 00:27:14,765 {\an7}and that’s what made you decide, "Oh, it’s an opportunity. 720 00:27:14,765 --> 00:27:16,666 {\an7}\hI’ma leave Cleveland and go to Black Ink." 721 00:27:16,666 --> 00:27:18,567 {\an7}Know what I’m sayin’? \h\h- Mm-hmm, mm-hmm. 722 00:27:18,567 --> 00:27:21,336 {\an7}\h\h\h\h- You got what you came up here for. 723 00:27:21,336 --> 00:27:22,732 {\an7}- It’s not about money then. 724 00:27:22,732 --> 00:27:24,831 {\an7}- It’s the entitlement, bro. 725 00:27:24,831 --> 00:27:26,402 {\an7}\h\h- I’m the noob here. As far as what I’ve seen 726 00:27:26,402 --> 00:27:29,501 {\an7}or whatever, that’s my people. \h\h- Hey, what’s up, brother? 727 00:27:29,501 --> 00:27:30,369 {\an7}- You know what I mean? 728 00:27:30,369 --> 00:27:32,468 {\an7}\h\h\h- What’s up, boy? - What’s goin’ on, boy? 729 00:27:32,468 --> 00:27:34,666 {\an7}♪ 730 00:27:34,666 --> 00:27:36,600 {\an7}\h\h\h\h- All right, I’ma go to the mall. 731 00:27:36,600 --> 00:27:38,897 {\an7}- How you feelin’, my (bleep), \h\h\h\h\h\h\hafter yesterday? 732 00:27:38,897 --> 00:27:41,501 {\an7}- I feel like yesterday \h\h\hwas just like, uh, 733 00:27:41,501 --> 00:27:42,468 {\an7}a mix-up of communication. 734 00:27:42,468 --> 00:27:45,534 {\an7}She just don’t feel like she gettin’ any type of respect. 735 00:27:45,534 --> 00:27:46,864 {\an7}- She wants to feel validated 736 00:27:46,864 --> 00:27:49,930 {\an7}for thinking she’s been around \h\h\h\h\h\h\h\hfrom day one. 737 00:27:49,930 --> 00:27:52,369 {\an7}You’re far from day one, man. 738 00:27:52,369 --> 00:27:53,930 {\an7}You’re never gonna get that level of respect. 739 00:27:53,930 --> 00:27:56,006 {\an7}\h\hYes, you did work in the shop for free. 740 00:27:56,006 --> 00:27:57,633 {\an7}\h\hWalt used to work for the shop for free. 741 00:27:57,633 --> 00:27:59,666 {\an7}Look at that (bleep). \h\h\hHe’s a day one. 742 00:27:59,666 --> 00:28:01,864 {\an7}Look what the (bleep) \h\h\hwe did with him. 743 00:28:01,864 --> 00:28:03,534 {\an7}(laughing) 744 00:28:03,534 --> 00:28:05,798 {\an7}We offered to help Donna with her side businesses 745 00:28:05,798 --> 00:28:08,435 {\an7}and whatever else she’s doing \h\h\h\houtside of Black Ink, 746 00:28:08,435 --> 00:28:09,369 {\an7}but that’s not enough. 747 00:28:09,369 --> 00:28:11,534 {\an7}She wants to sit here \h\hand demand respect 748 00:28:11,534 --> 00:28:13,435 {\an7}\has a "day one" as she calls it. 749 00:28:13,435 --> 00:28:14,666 {\an7}\hDonna, I’m sorry to tell you, love, 750 00:28:14,666 --> 00:28:16,270 {\an7}but you haven’t been around \h\h\h\h\h\h\hfrom day one. 751 00:28:16,270 --> 00:28:18,534 {\an7}\hAnd if you’re not gonna take the help that we’re offering, 752 00:28:18,534 --> 00:28:20,600 {\an7}and you also don’t tattoo \h\h\hat the shop no more, 753 00:28:20,600 --> 00:28:22,699 {\an7}\h\hwhat the (bleep) are you doing here? 754 00:28:22,699 --> 00:28:25,963 {\an7}This may not be the conversation to have in front of everybody, 755 00:28:25,963 --> 00:28:29,831 {\an7}\h\hbut I’ma ask you, bro. Like, mentally, she okay? 756 00:28:31,567 --> 00:28:33,864 {\an7}- She’s not okay mentally. 757 00:28:33,864 --> 00:28:35,435 {\an7}♪ 758 00:28:35,435 --> 00:28:38,006 {\an7}- So that’s a different-- \h\h\h\h\ha’ight, a’ight. 759 00:28:38,006 --> 00:28:38,864 {\an7}- Yeah, okay. 760 00:28:38,864 --> 00:28:40,864 {\an7}- It makes a little bit \h\h\h\h\hmore sense now 761 00:28:40,864 --> 00:28:41,963 {\an7}what you were saying. \h\h\h\h\h\h\h- Right. 762 00:28:41,963 --> 00:28:44,303 {\an7}- Big Mama just got \h\ha lot going on. 763 00:28:44,303 --> 00:28:46,798 {\an7}She stresses about a lot of real-life situations. 764 00:28:46,798 --> 00:28:49,831 {\an7}The fact that we don’t have \h\h\h\h\ha home right now. 765 00:28:49,831 --> 00:28:51,039 {\an7}We’re searching for a home. 766 00:28:51,039 --> 00:28:53,633 {\an7}And the stuff that she’s been \h\h\h\h\hthrough in the past 767 00:28:53,633 --> 00:28:56,798 {\an7}before me and before Black Ink, it hinders over her. 768 00:28:56,798 --> 00:28:58,468 {\an7}\h\h\h\h\h\h\h\h\h\hYou feel me? Especially when she feels she’s 769 00:28:58,468 --> 00:29:00,864 {\an7}not getting the recognition \h\h\h\hthat she should be, 770 00:29:00,864 --> 00:29:03,765 {\an7}so it kind of messes \h\hwith her mental. 771 00:29:03,765 --> 00:29:06,072 {\an7}\h\h\h\h\h- Honestly, I don’t hate the girl. 772 00:29:06,072 --> 00:29:07,699 {\an7}I don’t have a dislike \h\h\h\h\htowards her. 773 00:29:07,699 --> 00:29:09,897 {\an7}\h\h\h\hThis (bleep) is confusing at this point. 774 00:29:09,897 --> 00:29:12,633 {\an7}You know what I’m sayin’? \hShe needs to figure out 775 00:29:12,633 --> 00:29:15,468 {\an7}what she needs and wants to do. 776 00:29:15,468 --> 00:29:17,369 {\an7}- ♪ Yeah, yeah, yeah, yeah ♪ 777 00:29:17,369 --> 00:29:19,303 {\an7}♪ Step to the side, \h\h\h\h\h\hI walk ♪ 778 00:29:19,303 --> 00:29:20,633 {\an7}♪ Through my days I walk ♪ 779 00:29:20,633 --> 00:29:24,303 {\an7}♪ You ain’t movin’ right, \h\hyou ain’t got enough ♪ 780 00:29:24,303 --> 00:29:26,369 {\an7}- Whoa, you got me a drink? 781 00:29:26,369 --> 00:29:29,567 {\an7}- Yeah, your little thirsty ass. - Okay. 782 00:29:29,567 --> 00:29:31,534 {\an7}Thank you, babe. Oh, it’s water? 783 00:29:31,534 --> 00:29:32,501 {\an7}- Yeah. - Ohh... 784 00:29:32,501 --> 00:29:35,105 {\an7}\h\h\h\h\h\h- Drink some water with your little thirsty ass. 785 00:29:35,105 --> 00:29:37,501 {\an7}- Oh, it’s Sprite! 786 00:29:37,501 --> 00:29:38,831 {\an7}\h\h\h\h\h\h\h\h\h\hOh! - Where did I find that? 787 00:29:38,831 --> 00:29:42,732 {\an7}- I thought it was water. \h\hOkay, thank you, baby. 788 00:29:42,732 --> 00:29:45,666 {\an7}\h\h- Seeing Donna and Tatti go at it 789 00:29:45,666 --> 00:29:48,633 {\an7}and dealing with all this \h\h\h\hInk Daddy (bleep) 790 00:29:48,633 --> 00:29:51,468 {\an7}that I been goin’ through has been really difficult, 791 00:29:51,468 --> 00:29:55,138 {\an7}and it makes me remember how Rok makes me feel. 792 00:29:55,138 --> 00:29:56,039 {\an7}I really miss Rok. 793 00:29:56,039 --> 00:29:58,699 {\an7}\h\h\h- You a’ight? - Yeah, I’m a’ight. 794 00:29:58,699 --> 00:30:01,006 {\an7}\h\h\h\h\h\h\hI mean... - Even after yesterday? 795 00:30:01,006 --> 00:30:04,435 {\an7}- I’m feeling a little better. \h\h\h\h\h\h\h\h\h- Oh, yeah? 796 00:30:04,435 --> 00:30:06,897 {\an7}- Everyone else is \h\h(bleep) crazy! 797 00:30:06,897 --> 00:30:09,039 {\an7}\h\h\h\h\h\h\hI just wanna spend some time with you. 798 00:30:09,039 --> 00:30:11,699 {\an7}Ever since we went to the strip club 799 00:30:11,699 --> 00:30:13,402 {\an7}and he had that talk \h\hwith Ink Daddy, 800 00:30:13,402 --> 00:30:14,963 {\an7}\hI feel like now it’s finally time 801 00:30:14,963 --> 00:30:16,402 {\an7}that I let him out \h\hthe doghouse. 802 00:30:16,402 --> 00:30:18,666 {\an7}\h\h\h\h’Cause I feel like our relationship’s bigger 803 00:30:18,666 --> 00:30:19,534 {\an7}than all that nonsense. 804 00:30:19,534 --> 00:30:21,633 {\an7}- I was thinking about getting \h\h\h\h\h\h\ha tattoo today. 805 00:30:21,633 --> 00:30:23,831 {\an7}- You want to get a tattoo? \h\h\h\h\h\h\h\h\h- Mm-hmm. 806 00:30:23,831 --> 00:30:25,567 {\an7}- What you gettin’? 807 00:30:25,567 --> 00:30:27,633 {\an7}- Your name. 808 00:30:27,633 --> 00:30:28,864 {\an7}You gon’ get my name? 809 00:30:28,864 --> 00:30:31,369 {\an7}\h\h\h\h\h\hTo be honest, I think Krystal’s the one. 810 00:30:31,369 --> 00:30:33,633 {\an7}So why not get our letters \h\h\h\h\h\hon each other? 811 00:30:33,633 --> 00:30:38,501 {\an7}Like just to prove to each other that we in it to win it. 812 00:30:38,501 --> 00:30:39,633 {\an7}- You know what’d be cool? 813 00:30:39,633 --> 00:30:42,930 {\an7}\h\hIf I tattoo you while you tattoo me. 814 00:30:42,930 --> 00:30:43,930 {\an7}♪ 815 00:30:43,930 --> 00:30:45,138 {\an7}- So we’re sticking \h\h\h\heach other? 816 00:30:45,138 --> 00:30:47,567 {\an7}- We’re hurting each other \hat the same time, baby. 817 00:30:47,567 --> 00:30:49,666 {\an7}- Hmm, I like the sound of that. 818 00:30:49,666 --> 00:30:53,732 {\an7}Looks like we’re making \h\h\h\h\h\hsome magic. 819 00:30:53,732 --> 00:30:55,105 {\an7}Damn, I miss being this close to you. 820 00:30:55,105 --> 00:30:56,600 {\an7}Oh, (bleep)! \h(laughing) 821 00:30:56,600 --> 00:30:59,831 {\an7}\h\h\h\h\h\h\h\h\h\h- Krystal! You get my whole name on you! 822 00:30:59,831 --> 00:31:02,468 {\an7}- Oh, stop! - (laughing) 823 00:31:02,468 --> 00:31:05,072 {\an7}♪ 824 00:31:05,072 --> 00:31:09,633 {\an7}- (groaning, humming) 825 00:31:09,633 --> 00:31:11,072 {\an7}Ah, damn! Be gentle! 826 00:31:11,072 --> 00:31:14,006 {\an7}\h\h- Are you sure you can handle me? 827 00:31:14,006 --> 00:31:15,633 {\an7}(laughing) 828 00:31:15,633 --> 00:31:18,039 {\an7}I feel like me and Rok \hare better together 829 00:31:18,039 --> 00:31:20,699 {\an7}\h\h\hthan we are alone. I fell in love with him 830 00:31:20,699 --> 00:31:22,831 {\an7}because he’s so calm \h\hand level-headed 831 00:31:22,831 --> 00:31:24,435 {\an7}\h\hand he makes me feel so comfortable. 832 00:31:24,435 --> 00:31:26,039 {\an7}So really should I hold that \h\h\h\h\h\h\h\hagainst him, 833 00:31:26,039 --> 00:31:28,105 {\an7}that he’s just being \hthe person he is? 834 00:31:28,105 --> 00:31:32,138 {\an7}- ♪ I try anything to make you move ♪ 835 00:31:32,138 --> 00:31:36,105 {\an7}- Deep down, I know Rok is there for me, just in his own way. 836 00:31:36,105 --> 00:31:39,798 {\an7}And I wouldn’t want either of us to have to go through life 837 00:31:39,798 --> 00:31:42,237 {\an7}not being who we are. 838 00:31:42,237 --> 00:31:44,039 {\an7}I can’t even feel it. 839 00:31:44,039 --> 00:31:46,798 {\an7}♪ 840 00:31:46,798 --> 00:31:48,171 {\an7}\h\h\h- To be honest, almost losing Krystal 841 00:31:48,171 --> 00:31:50,765 {\an7}was probably one of the worst \h\h\h\h\hmoments of my life. 842 00:31:50,765 --> 00:31:52,897 {\an7}\h\h\hYou know, gettin’ out of a ten-year relationship, 843 00:31:52,897 --> 00:31:56,006 {\an7}I never thought I was gon’ find somebody that would treat me 844 00:31:56,006 --> 00:31:57,171 {\an7}as an equal until I met Krystal. 845 00:31:57,171 --> 00:32:00,666 {\an7}\h\hAnd I know me and Krystal disagree on a lot of (bleep), 846 00:32:00,666 --> 00:32:02,237 {\an7}but I’m pretty sure, \h\hwhatever it is, 847 00:32:02,237 --> 00:32:04,534 {\an7}we’ll be able to get through it together. 848 00:32:04,534 --> 00:32:05,567 {\an7}- Smooth this line out. 849 00:32:05,567 --> 00:32:08,072 {\an7}\h- ♪ Try anything to make you move ♪ 850 00:32:08,072 --> 00:32:13,897 {\an7}♪ ’Cause I only wanna dance \h\h\h\h\h\h\h\h\hwith you ♪ 851 00:32:14,798 --> 00:32:16,138 {\an7}- Damn it, girl! \h\h\h\h- Damn. 852 00:32:16,138 --> 00:32:18,534 {\an7}\h\h\h\h\h\h\h- All right, I wanna see this (bleep). 853 00:32:18,534 --> 00:32:19,501 {\an7}- Okay. 854 00:32:19,501 --> 00:32:20,930 {\an7}My (bleep) nice and thick. 855 00:32:20,930 --> 00:32:23,798 {\an7}- Mm-hmm, that’s how \hyou like it, baby. 856 00:32:23,798 --> 00:32:27,633 {\an7}- Shut up. (laughing) 857 00:32:27,633 --> 00:32:31,798 {\an7}♪ 858 00:32:31,798 --> 00:32:33,567 {\an7}- I’m sorry, baby. 859 00:32:33,567 --> 00:32:36,699 {\an7}This is too big. \h\h\h\hHold on. 860 00:32:36,699 --> 00:32:38,666 {\an7}Here, baby. \h\hYou see? 861 00:32:38,666 --> 00:32:39,831 {\an7}Now it’s good. 862 00:32:39,831 --> 00:32:40,600 {\an7}Look, here. 863 00:32:40,600 --> 00:32:44,930 {\an7}\h\h\h\hAfter this crazy day at Chace Village yesterday, 864 00:32:44,930 --> 00:32:46,831 {\an7}I just can’t wait to talk to my mom 865 00:32:46,831 --> 00:32:48,171 {\an7}for her birthday and just, \h\h\h\h\h\h\h\hyou know, 866 00:32:48,171 --> 00:32:52,105 {\an7}sing her "Happy Birthday" \h\hand just feed my son. 867 00:32:52,105 --> 00:32:53,930 {\an7}Because I am exhausted. 868 00:32:53,930 --> 00:32:55,864 {\an7}(speaking Korean) 869 00:32:55,864 --> 00:32:57,963 {\an7}(phone chimes) 870 00:32:58,567 --> 00:33:00,138 {\an7}What is that? 871 00:33:00,138 --> 00:33:01,204 {\an7}What? 872 00:33:01,204 --> 00:33:03,105 {\an7}- Eight people shot dead \h\h\h\h\hin Atlanta-area 873 00:33:03,105 --> 00:33:07,006 {\an7}\h\h\h\h\hmassage parlors, including six Asian women. 874 00:33:07,006 --> 00:33:08,864 {\an7}- One of my good friends, \h\h\h\h\h\h\h\h\hBrandon, 875 00:33:08,864 --> 00:33:12,732 {\an7}he texted me this thing \h\h\hfrom a radio show 876 00:33:12,732 --> 00:33:15,567 {\an7}talking about Asian women \h\h\h\h\hare being killed 877 00:33:15,567 --> 00:33:17,072 {\an7}on the streets of Atlanta. 878 00:33:17,072 --> 00:33:18,666 {\an7}(phone ringing) \hWhat is that? 879 00:33:18,666 --> 00:33:21,897 {\an7}\h\h\h\h\h\h- What is what? ay - The text you just sent me. 880 00:33:21,897 --> 00:33:23,303 {\an7}- Where are you? omen \h\h\h- I’m home. 881 00:33:23,303 --> 00:33:27,930 {\an7}- There’s like shootings that \h\h\hare happening in Atlanta. 882 00:33:27,930 --> 00:33:30,270 {\an7}In Korean spas there. n \h\h\h\h\h\h- Really? 883 00:33:30,270 --> 00:33:32,270 {\an7}- They shot a bunch of people, \h\h\h\h\h\h\hand I think like 884 00:33:32,270 --> 00:33:35,072 {\an7}six people died or seven people \h\h\h\h\h\h\h\hdied up there. 885 00:33:35,072 --> 00:33:36,699 {\an7}\h\h\h\h\h\h\h- Oh, my God. - And that was the first one 886 00:33:36,699 --> 00:33:39,204 {\an7}\h\h\h\h\h\h\hthat I sent you. That was like outside the city. 887 00:33:39,204 --> 00:33:41,039 {\an7}I just sent you this other one, \h\h\h\h\h\h\h\hthe other link, 888 00:33:41,039 --> 00:33:42,930 {\an7}’cause it just happened. \h\h\hI got a text alert 889 00:33:42,930 --> 00:33:46,105 {\an7}because it happened right \h\h\h\hon Piedmont Road. 890 00:33:46,105 --> 00:33:48,336 {\an7}\h\h\h\h\h\h- Where I live? Where I’m staying right now? 891 00:33:48,336 --> 00:33:50,303 {\an7}- Yes, and they’re still \h\h\h\h\h\hon the loose. 892 00:33:50,303 --> 00:33:54,402 {\an7}And it seems like they’re \htargeting Asian people. 893 00:33:54,402 --> 00:33:55,897 {\an7}It’s dangerous as (bleep). 894 00:33:55,897 --> 00:33:57,699 {\an7}- I’ve been dealing \hwith extra racism 895 00:33:57,699 --> 00:34:00,138 {\an7}ever since I got here. \h\h\h\h\hIt’s crazy. 896 00:34:00,138 --> 00:34:04,006 {\an7}When I was in New York, \h\h\hI knew in my heart 897 00:34:04,006 --> 00:34:05,732 {\an7}that I had more support. 898 00:34:05,732 --> 00:34:09,039 {\an7}New York is a melting pot. \h\h\h\h\hBut in Atlanta, 899 00:34:09,039 --> 00:34:11,732 {\an7}\h\h\h\hI feel alone and I feel attacked. 900 00:34:11,732 --> 00:34:14,765 {\an7}I’m-I’m-I’m scared. \h\hI’m speechless. 901 00:34:14,765 --> 00:34:17,237 {\an7}And I just wanna go back home. 902 00:34:17,237 --> 00:34:19,237 {\an7}\h\h\h\h\h\h\h\h\h\hI’m scared and I don’t wanna sound scared 903 00:34:19,237 --> 00:34:22,303 {\an7}because I don’t want Niko \h\h\h\h\h\hto feel that. 904 00:34:22,303 --> 00:34:24,237 {\an7}- Yeah, I know, I know... 905 00:34:24,237 --> 00:34:27,402 {\an7}- I’m so-- oh, sweetie. \hI’m not scared, baby. 906 00:34:27,402 --> 00:34:29,336 {\an7}I’m not scared. \hWho’s scared? 907 00:34:29,336 --> 00:34:31,633 {\an7}\h\h\h\hNobody. I’m not scared. 908 00:34:31,633 --> 00:34:32,765 {\an7}- Hug, Mommy, hug. 909 00:34:32,765 --> 00:34:35,237 {\an7}- He want me to hug him now. \h\h\h\h\h\h\h\hOh, my God. 910 00:34:35,237 --> 00:34:38,765 {\an7}\h\h\h\h\h- Listen, call me. Call me if you need anything. 911 00:34:38,765 --> 00:34:40,336 {\an7}- Okay, bye. 912 00:34:41,798 --> 00:34:44,204 {\an7}Oh, my God, Niko. 913 00:34:44,204 --> 00:34:46,864 {\an7}\h\h\h\h- It’s so quiet. Are Donna and Alex here? 914 00:34:46,864 --> 00:34:48,864 {\an7}- I haven’t heard from them-- \h\h- That’s what I’m saying. 915 00:34:48,864 --> 00:34:52,303 {\an7}Like I don’t hear no dogs. \h\hI don’t hear (bleep). 916 00:34:58,835 --> 00:35:02,769 {\an7}♪ 917 00:35:02,769 --> 00:35:07,099 {\an7}- ♪ Take me from all the pain ♪ 918 00:35:07,099 --> 00:35:12,099 {\an7}\h\h\h\h\h\h\h\h\h♪ Help me, would you please explain? ♪ 919 00:35:12,099 --> 00:35:14,703 {\an7}♪ 920 00:35:16,736 --> 00:35:20,637 {\an7}- After that call from Brandon, I really wanna call my mom. 921 00:35:20,637 --> 00:35:23,340 {\an7}Like I don’t want to give out \h\h\h\h\h\h\hthat bad energy. 922 00:35:23,340 --> 00:35:26,198 {\an7}Like... it’s my mom’s birthday. 923 00:35:26,198 --> 00:35:30,066 {\an7}\h\h\h\hBut at the same time, my mom is expecting our calls. 924 00:35:30,066 --> 00:35:32,198 {\an7}I’m just gonna have to \h\hkeep it together. 925 00:35:32,198 --> 00:35:35,033 {\an7}(all speaking Korean) 926 00:35:52,033 --> 00:35:55,132 {\an7}\h- It’s really hard for me to tell her all this crazy stuff, 927 00:35:55,132 --> 00:35:59,198 {\an7}\h\hbecause my mom is kinda already scared. 928 00:35:59,198 --> 00:36:01,033 {\an7}I don’t want to ruin \h\h\hher birthday, 929 00:36:01,033 --> 00:36:02,934 {\an7}but I kinda have to. 930 00:36:02,934 --> 00:36:07,066 {\an7}\h\h\h\hI need to tell her so she can know the truth. 931 00:36:20,373 --> 00:36:22,033 {\an7}This whole pandemic situation 932 00:36:22,033 --> 00:36:24,297 {\an7}is just like so crazy \h\h\h\h\hand deadly. 933 00:36:24,297 --> 00:36:27,802 {\an7}\h\h\h\hBut even if we survive that (bleep), 934 00:36:27,802 --> 00:36:33,967 {\an7}my mom can’t even like come here and feel safe about it. 935 00:37:09,132 --> 00:37:10,967 {\an7}- (Niko squeals) 936 00:37:13,340 --> 00:37:15,835 {\an7}- Happy birthday! 937 00:37:16,868 --> 00:37:19,340 {\an7}- I’m very scared for me, \h\h\h\h\h\h\hfor my son, 938 00:37:19,340 --> 00:37:21,297 {\an7}\h\hand even for my mom and she’s not even here. 939 00:37:21,297 --> 00:37:24,868 {\an7}I just know that I have to \h\h\hget myself together 940 00:37:24,868 --> 00:37:26,297 {\an7}and be strong for all of them. 941 00:37:26,297 --> 00:37:28,099 {\an7}I don’t know how, \h\h\hbut I will. 942 00:37:28,099 --> 00:37:30,099 {\an7}\h\h\h\h\hNiko... (speaking Korean) 943 00:37:30,099 --> 00:37:34,373 {\an7}- (Niko babbling) 944 00:37:34,373 --> 00:37:36,297 {\an7}- Yeah. 945 00:37:52,282 --> 00:37:54,984 - ♪Take it back, take it all back ♪ 946 00:37:55,051 --> 00:37:57,854 ♪ Bring it back, bring it all back ♪ 947 00:37:57,921 --> 00:38:00,523 ♪Take it back, take it all back, yeah ♪ 948 00:38:00,590 --> 00:38:02,859 - Yerf! - Morning, my guy. 949 00:38:02,926 --> 00:38:04,494 - It's so quit. - Yes, it's super quiet. 950 00:38:04,561 --> 00:38:07,130 - It's peaceful today, yo. - Are Donna and Alex here? 951 00:38:07,197 --> 00:38:08,898 - I haven't heard from them-- - That's what I'm saying. 952 00:38:08,965 --> 00:38:10,900 Like I don't hear no dogs. I don't hear-- 953 00:38:10,967 --> 00:38:12,502 - They probably not. They probably not here. 954 00:38:12,569 --> 00:38:15,205 - Smoky! (barking) 955 00:38:15,271 --> 00:38:18,374 - Wait, who did that? - That was her. 956 00:38:18,441 --> 00:38:20,777 You sounded just like Smoky! - Wait, I'm over here like... 957 00:38:20,843 --> 00:38:22,745 - That is stupid, yo. - I said, Smoky here! 958 00:38:22,812 --> 00:38:24,480 - Wait, wait, wait. - Yo. 959 00:38:26,816 --> 00:38:28,785 - It's not open? - They're not there. 960 00:38:28,852 --> 00:38:30,653 - I didn't even see them leave though. 961 00:38:30,720 --> 00:38:32,121 - Is she not lettin' us in? 962 00:38:32,188 --> 00:38:33,756 - There's nobody in there. 963 00:38:33,823 --> 00:38:35,391 - No? - Legit, and the-- 964 00:38:35,458 --> 00:38:37,694 - Oh, you looked underneath? - Yeah, look, this right here. 965 00:38:37,760 --> 00:38:40,163 The bed is made. The doors are locked. 966 00:38:40,230 --> 00:38:42,098 - She's not here, for real? - I know that there's 967 00:38:42,165 --> 00:38:44,400 a secret door to get in here. - A secret door? 968 00:38:44,467 --> 00:38:45,735 - Yeah. - Oh, (bleep). 969 00:38:45,802 --> 00:38:47,103 - There's a secret door? - Wait. 970 00:38:47,170 --> 00:38:48,938 - I may have done a little snooping 971 00:38:49,005 --> 00:38:50,740 when we first got to the mansion, 972 00:38:50,807 --> 00:38:53,042 and best believe I found a secret door 973 00:38:53,109 --> 00:38:56,112 that's on the opposite side of Donna and Alex's room. 974 00:38:56,179 --> 00:38:59,115 So I'ma go check it out and see if they even in there. 975 00:38:59,182 --> 00:39:01,751 I forget if it was a push or a slide. 976 00:39:01,751 --> 00:39:03,453 - Think it's a slide that way, no? 977 00:39:03,520 --> 00:39:05,154 - This way? 978 00:39:05,221 --> 00:39:07,357 - Yeah! - Oh, (bleep). 979 00:39:07,423 --> 00:39:08,925 I think they got in. 980 00:39:08,992 --> 00:39:12,028 (knock at door) 981 00:39:12,095 --> 00:39:14,464 - How the (bleep) y'all did that? 982 00:39:14,531 --> 00:39:15,999 - How you open this? 983 00:39:16,065 --> 00:39:17,767 - We opened the secret door. 984 00:39:17,800 --> 00:39:20,103 - Oh. This is breaking and entering. 985 00:39:20,169 --> 00:39:22,171 - Nah, yo, y'all-- - Yeah, I'm not touching nothing. 986 00:39:22,238 --> 00:39:23,773 Let me out of here. - Y'all buggin'. 987 00:39:23,806 --> 00:39:25,241 - With Alex saying that Donna is having 988 00:39:25,308 --> 00:39:27,310 some type of mental issues, it kind of sheds 989 00:39:27,377 --> 00:39:29,679 a little bit of light on how she's been acting. 990 00:39:29,779 --> 00:39:33,016 So if Donna did leave, I would not at all be surprised. 991 00:39:33,082 --> 00:39:35,218 - She's gone. There's no Smoky. 992 00:39:35,285 --> 00:39:36,819 There's no Donna. There's no Alex. 993 00:39:36,886 --> 00:39:39,455 There ain't (bleep) in that room. 994 00:39:39,522 --> 00:39:42,192 - Damn. Did they go back to New York? 995 00:39:42,258 --> 00:39:44,227 - I don't know. Let me check my Instagram. 996 00:39:44,294 --> 00:39:46,796 - Yeah, check her page, see what she doin'. 997 00:39:46,829 --> 00:39:49,265 - I'm blocked! - She blocked you? 998 00:39:49,332 --> 00:39:50,967 Let me see. - Where's your-- 999 00:39:51,034 --> 00:39:52,902 - Let me look. 1000 00:39:52,969 --> 00:39:54,971 She unfollowed me! 1001 00:39:55,038 --> 00:39:56,306 - Tatti! - What? 1002 00:39:56,372 --> 00:39:57,840 - Did you get blocked on Instagram? 1003 00:39:57,907 --> 00:39:59,142 - Spyder. - Yo? 1004 00:39:59,209 --> 00:40:00,577 - Donna block you? - Hold on. 1005 00:40:00,643 --> 00:40:02,111 Hold on. Hold the (bleep) up. 1006 00:40:02,178 --> 00:40:03,746 - Yeah. 1007 00:40:03,780 --> 00:40:06,082 - I got blocked. - She blocked everybody. 1008 00:40:06,149 --> 00:40:07,383 Maybe she really not coming back. 1009 00:40:07,450 --> 00:40:09,252 - This is you quitting Black Ink? 1010 00:40:09,319 --> 00:40:11,321 Good. I know that she's not great 1011 00:40:11,387 --> 00:40:13,957 right now, so I hope she can find peace, 1012 00:40:14,023 --> 00:40:15,525 because I know I sure will. 1013 00:40:15,592 --> 00:40:17,393 - I think she really gone. 1014 00:40:17,460 --> 00:40:18,528 - This is crazy. 1015 00:40:18,595 --> 00:40:21,364 ♪♪ 1016 00:40:21,431 --> 00:40:22,765 - Oh, my God, who's cooking? - I prepped this food 1017 00:40:23,897 --> 00:40:25,864 {\an7}from this (bleep) morning \h\h\h\h\h\hto feed y’all. 1018 00:40:25,864 --> 00:40:28,458 {\an7}I just wanted to share my culture with them. 1019 00:40:28,458 --> 00:40:30,194 {\an7}\h- What’s that? - Supposed to be 1020 00:40:30,194 --> 00:40:32,227 {\an7}an aphrodisiac, guys, so... 1021 00:40:32,227 --> 00:40:34,897 {\an7}\h\h\h\h\h\h- This (bleep) makes me wanna try tricks. 1022 00:40:34,897 --> 00:40:36,095 {\an7}(bones crunching) 1023 00:40:36,095 --> 00:40:38,996 {\an7}- Listen, honey, a lot of things have been weird between us, 1024 00:40:38,996 --> 00:40:41,359 {\an7}but at the end of the day, \h\h\hI don’t want to keep 1025 00:40:41,359 --> 00:40:45,831 {\an7}\h\hour (bleep) on the shelf because of what’s happened. 1026 00:40:45,831 --> 00:40:48,996 {\an7}- I love you, but... 1027 00:40:48,996 --> 00:40:50,161 {\an7}- And we’ve talked \hseveral times... 1028 00:40:50,161 --> 00:40:52,260 {\an7}\h\h\h\h\h\h- Several times. - ...about this lead artist \h\h\h\h\h\h\h\h\hsituation. 1029 00:40:52,260 --> 00:40:53,996 {\an7}- Over and over. \h- I feel like 1030 00:40:53,996 --> 00:40:57,227 {\an7}a tattoo challenge \h\his a-brewing. 1031 00:40:57,227 --> 00:40:59,798 {\an7}\h- It sounds like Black Ink Battle! 1032 00:40:59,798 --> 00:41:02,798 {\an7}\h\h- Let’s give ’em a round of applause. 1033 00:41:02,798 --> 00:41:07,227 {\an7}- You got two hours and ticking, y’all! 1034 00:41:07,227 --> 00:41:08,524 {\an7}- Don’t get nervous. 1035 00:41:08,524 --> 00:41:10,260 {\an7}- Cut the tension \h\hwith a knife. 1036 00:41:10,260 --> 00:41:15,227 {\an7}- Who’s gonna get this money? \h\h\h\h\h\h\h\h\h\h\h- Time! 1037 00:41:29,306 --> 00:41:30,474 - ♪ Drop, drop ♪