1
00:00:00,363 --> 00:00:04,099
{\an7}\h- Holy moly!
- Oh, my God!
2
00:00:04,099 --> 00:00:06,132
{\an7}- Welcome.
\h\h- Wow!
3
00:00:06,132 --> 00:00:08,726
{\an7}\h\h\h\h\h\h- Y’all New Yorkers,
y’all done got a little spoiled.
4
00:00:08,726 --> 00:00:10,693
{\an7}You know you need to come get
\h\h\h\h\hwith a real (bleep).
5
00:00:10,693 --> 00:00:12,363
{\an7}- And I feel a little
\h\hsexually harassed.
6
00:00:12,363 --> 00:00:15,000
{\an7}- Don’t disrespect me.
\h\h- Hey, what it is?
7
00:00:15,000 --> 00:00:16,198
{\an7}- Are you guys still together?
8
00:00:16,198 --> 00:00:17,495
{\an7}\h- She wants to be
with another (bleep)
9
00:00:17,495 --> 00:00:19,363
{\an7}that’s gonna stick up for her
\h\h\h\hand all that (bleep).
10
00:00:19,363 --> 00:00:22,198
{\an7}- I wanna feel protected.
\h\h\h- Let her be single.
11
00:00:22,198 --> 00:00:23,693
{\an7}That’s what she want.
12
00:00:23,693 --> 00:00:25,198
{\an7}(all cheering)
13
00:00:25,198 --> 00:00:29,660
{\an7}- Happy birthday!
- Thank you, Bae!
14
00:00:29,660 --> 00:00:31,231
{\an7}- Sick!
15
00:00:31,231 --> 00:00:32,297
{\an7}- Fuego.
16
00:00:32,297 --> 00:00:33,033
{\an7}- Whoa!
17
00:00:33,033 --> 00:00:35,759
{\an7}- I can’t give you the station
\hI just gave to the piercers.
18
00:00:35,759 --> 00:00:37,297
{\an7}- Yes, you can.
\h\h\h\h\h- No.
19
00:00:37,297 --> 00:00:39,033
{\an7}- Now, well, fight me.
20
00:00:39,033 --> 00:00:40,462
{\an7}\h\h\h\h- The second
the cameras go down,
21
00:00:40,462 --> 00:00:44,330
{\an7}Donna decided to son me.
\h\h\hIt’s one of these.
22
00:00:44,330 --> 00:00:45,726
{\an7}- I should’ve known.
\h\h\h\h\h\hTatiana.
23
00:00:45,726 --> 00:00:47,363
{\an7}She let them titles
\h\hget to her head.
24
00:00:47,363 --> 00:00:50,462
{\an7}\h\h\h\h\h\h\h\h\h\h- Grow up!
- Hey-- yo, what the (bleep)?
25
00:00:50,462 --> 00:00:51,594
{\an7}(overlapping shouting)
26
00:00:51,594 --> 00:00:53,462
{\an7}- I’ll smack the (bleep)
\h\houtta you, Tatiana.
27
00:00:53,462 --> 00:00:54,495
{\an7}- Y’all chill the (bleep) out.
28
00:00:54,495 --> 00:00:56,231
{\an7}\h\h\h\h\hYo, chill!
Whoa, whoa, whoa...
29
00:00:56,231 --> 00:01:00,099
{\an7}(overlapping shouting)
\h\h\h\h\h\h\h\hStop!
30
00:01:01,561 --> 00:01:05,565
♪♪
31
00:01:15,675 --> 00:01:16,643
- ♪ Drop, drop ♪
32
00:01:16,710 --> 00:01:20,714
♪♪
33
00:01:30,756 --> 00:01:32,647
{\an7}\h- ♪ Whoa, pause,
hold up, breathe ♪
34
00:01:32,647 --> 00:01:35,185
{\an7}♪ Get to that money,
\hthat money, boy ♪
35
00:01:35,185 --> 00:01:36,482
{\an7}♪ Count up cakes ♪
36
00:01:36,482 --> 00:01:39,449
{\an7}♪ Hold up, whoa,
pause, breathe ♪
37
00:01:39,449 --> 00:01:41,416
{\an7}♪ Get to that money,
\hthat money, boy ♪
38
00:01:41,416 --> 00:01:43,954
{\an7}\h\h\h\h\h- Hey, guys.
- What the (bleep) is
\h\h\h\hgoing on here?
39
00:01:43,954 --> 00:01:46,317
{\an7}- How y’all doin’?
\h\h- Hello, team.
40
00:01:46,317 --> 00:01:47,647
{\an7}- What’s up, kid?
\h\h\h- All right.
41
00:01:47,647 --> 00:01:49,954
{\an7}Everybody get settled.
\h\h- I’m charged up.
42
00:01:49,954 --> 00:01:51,350
{\an7}Good pep talk, guys.
\h\h\h\h\h\h(laughs)
43
00:01:51,350 --> 00:01:54,449
{\an7}\h\h\h\h\h\h\h\h\h\h- Hey, guys,
can I talk to you for a minute?
44
00:01:54,449 --> 00:01:57,185
{\an7}\h\h\hI really need to talk
to Ted and Puma about Donna.
45
00:01:57,185 --> 00:01:58,416
{\an7}With how she’s been treating me,
46
00:01:58,416 --> 00:02:00,251
{\an7}\h\h\h\h\hI’m not sure
if I feel comfortable
47
00:02:00,251 --> 00:02:01,416
{\an7}staying at the house with her.
48
00:02:01,416 --> 00:02:02,614
{\an7}- I won’t be joining
\h\h\h\h\hyou guys.
49
00:02:02,614 --> 00:02:04,680
{\an7}\h\h\h\h\h\h\hSome people
might be happy about that.
50
00:02:04,680 --> 00:02:08,020
{\an7}- Yo, that passive-aggressive
\h\h\h\h(bleep) you try to do
51
00:02:08,020 --> 00:02:09,251
{\an7}is (bleep) ridiculous.
52
00:02:09,251 --> 00:02:11,053
{\an7}- And it all started here
\h\h\h\h\h\h\hat the shop.
53
00:02:11,053 --> 00:02:13,317
{\an7}If she keeps showing up
\h\hwhenever she wants,
54
00:02:13,317 --> 00:02:15,383
{\an7}\h\hdisrupting business,
it’s gonna be a problem.
55
00:02:15,383 --> 00:02:19,020
{\an7}\h\hAnd I know Ted and Puma are
gonna be on my side about this.
56
00:02:19,020 --> 00:02:21,350
{\an7}\h\h- I don’t know, man.
That situation is weird.
57
00:02:21,350 --> 00:02:22,680
{\an7}Donna’s gonna have to
\h\h\h\hfigure it out.
58
00:02:22,680 --> 00:02:24,581
{\an7}\h\h\h- It just doesn’t
make sense for business.
59
00:02:24,581 --> 00:02:27,251
{\an7}- That’s not the energy
that we wanna give off.
60
00:02:27,251 --> 00:02:30,416
{\an7}We have to grow.
61
00:02:30,416 --> 00:02:31,680
{\an7}- Hi, guys!
62
00:02:31,680 --> 00:02:32,317
{\an7}- Hey!
63
00:02:32,317 --> 00:02:33,383
{\an7}\h\h\h\h\h\h- Hey.
- What’s up, Bae?
64
00:02:33,383 --> 00:02:35,053
{\an7}- I love this shop.
\h\h\h\h\h\h- Right?
65
00:02:35,053 --> 00:02:36,713
{\an7}- It’s huge.
\h\h\h\hHi!
66
00:02:36,713 --> 00:02:38,020
{\an7}\h\h\h\h\h\h\h- Hey.
- I heard about you.
67
00:02:38,020 --> 00:02:39,515
{\an7}\h\h\h\h\h\h\h\h- I know.
I heard you’re Korean too.
68
00:02:39,515 --> 00:02:41,482
{\an7}\h\hI’m Disciple.
Nice to meet you.
69
00:02:41,482 --> 00:02:43,350
{\an7}\h\h\h- Come on, babe,
let’s get you set up.
70
00:02:43,350 --> 00:02:46,284
{\an7}- Is that Euni?
\h\h\h\h\h- Hey!
71
00:02:46,284 --> 00:02:47,756
{\an7}\h- Hey, babe.
Y’all get up.
72
00:02:47,756 --> 00:02:49,185
{\an7}You gotta go.
See you later.
73
00:02:49,185 --> 00:02:51,515
{\an7}- We have three Koreans!
\h\h\h\h\h\h\hI love it!
74
00:02:51,515 --> 00:02:54,548
{\an7}\h\hWait, Euni, come back!
- No, no, you have to go.
75
00:02:54,548 --> 00:02:56,383
{\an7}- I miss you.
\h- Aw, okay.
76
00:02:56,383 --> 00:02:57,581
{\an7}- When I got to Atlanta,
77
00:02:57,581 --> 00:03:00,251
{\an7}a lot of people looked
\h\h\h\hat me and Niko
78
00:03:00,251 --> 00:03:02,020
{\an7}like we were something dirty.
79
00:03:02,020 --> 00:03:05,987
{\an7}But seeing Disciple and Euni
\h\h\h\h\h\h\h\hat the shop?
80
00:03:05,987 --> 00:03:09,416
{\an7}\h\h\h\h\h\h\h\hIt’s like...
my Korean sisters are here.
81
00:03:09,416 --> 00:03:10,987
{\an7}- All right, see you later.
82
00:03:10,987 --> 00:03:12,119
{\an7}See you later.
\hI love you.
83
00:03:12,119 --> 00:03:14,053
{\an7}\h\h\h\h\h\h\h\h\h\h\h- (laughs)
- I’ve been keeping it a secret
84
00:03:14,053 --> 00:03:15,548
{\an7}that I brought Euni down
to Atlanta ’cause I just
85
00:03:15,548 --> 00:03:18,548
{\an7}\h\h\hdon’t want to deal with
all the questions in the shop.
86
00:03:18,548 --> 00:03:20,020
{\an7}- Why’d you kick her out
\h\h\h\h\h\h\hlike that?
87
00:03:20,020 --> 00:03:21,350
{\an7}\h\h\h\h\h\h- Huh? Nah-nah.
She not supposed to be here.
88
00:03:21,350 --> 00:03:22,756
{\an7}\hI thought she could
come upstairs and run
89
00:03:22,756 --> 00:03:24,482
{\an7}to the bathroom real quick
\h\h\h\hand run back out,
90
00:03:24,482 --> 00:03:27,614
{\an7}\hbut somebody caught her
and I believe it was Puma.
91
00:03:27,614 --> 00:03:28,383
{\an7}Mother(bleep).
92
00:03:28,383 --> 00:03:32,185
{\an7}- Go, baby, go!
\h- (both laugh)
93
00:03:32,185 --> 00:03:34,218
{\an7}- Oh, man.
94
00:03:34,218 --> 00:03:35,482
{\an7}\h\h\hYo.
- What up?
95
00:03:35,482 --> 00:03:36,449
{\an7}- Hey, Uncle Ceas.
96
00:03:36,449 --> 00:03:38,647
{\an7}- What up with y’all?
\h- Same old (bleep).
97
00:03:38,647 --> 00:03:41,416
{\an7}\h- When I told Suzette I wanted
to put our relationship on hold,
98
00:03:41,416 --> 00:03:44,713
{\an7}I meant like we can’t make
\h\h\h\hno major decisions
99
00:03:44,713 --> 00:03:47,789
{\an7}\h\h\huntil this situation
with Cheyenne is resolved.
100
00:03:47,789 --> 00:03:51,152
{\an7}But she’s not really
\h\htaking it well.
101
00:03:51,756 --> 00:03:54,185
{\an7}Can I get some water,
\h\h\h\h\htoo, please?
102
00:03:54,185 --> 00:03:56,251
{\an7}- Ahh.
103
00:03:56,251 --> 00:03:57,218
{\an7}Your fingers ain’t broke.
104
00:03:57,218 --> 00:04:00,713
{\an7}\h\h\h\h\h- But I’ma leave
that Suzette stuff at home
105
00:04:00,713 --> 00:04:02,449
{\an7}and attend to my business.
106
00:04:02,449 --> 00:04:05,086
{\an7}- The boss is here.
\h\h\h\h- What’s up?
107
00:04:05,086 --> 00:04:07,789
{\an7}\h\h\h\h- Tatiana.
- What’s up, boss?
108
00:04:07,789 --> 00:04:09,789
{\an7}I’m glad that you guys
\h\h\h\h\hare all here
109
00:04:09,789 --> 00:04:12,317
{\an7}\hso that we can all
be on the same page.
110
00:04:12,317 --> 00:04:14,647
{\an7}We need to talk about
\hthe Donna situation.
111
00:04:14,647 --> 00:04:16,218
{\an7}She wants to do anything
\hthat she wants to do.
112
00:04:16,218 --> 00:04:19,647
{\an7}\h- What it really, really,
really seems like to me is,
113
00:04:19,647 --> 00:04:22,822
{\an7}\h\h\h\h\h\h"I’ve been around.
I can do what I want (bleep)."
114
00:04:22,822 --> 00:04:24,581
{\an7}Like even the first day,
\h\h\h\h\hwhen you left,
115
00:04:24,581 --> 00:04:27,822
{\an7}she here, whole box of hair
\hin the middle of the shop.
116
00:04:27,822 --> 00:04:30,647
{\an7}- Wow, this is a lot.
\hAre we storing here?
117
00:04:30,647 --> 00:04:32,822
{\an7}- She said she wasn’t
\hgonna sell it here.
118
00:04:32,822 --> 00:04:34,713
{\an7}- So what is it doing here?
119
00:04:34,713 --> 00:04:36,383
{\an7}She should know better
\h\h\h\h\h\hthan that.
120
00:04:36,383 --> 00:04:37,383
{\an7}- It’s like a show of power,
121
00:04:37,383 --> 00:04:38,756
{\an7}\h\h\h\hlike, "I don’t
have to listen to you.
122
00:04:38,756 --> 00:04:39,647
{\an7}I’ma do what I want."
123
00:04:39,647 --> 00:04:42,152
{\an7}- And she does not believe me
\h\h\h\h\hwhen I talk to her.
124
00:04:42,152 --> 00:04:44,383
{\an7}I can’t do my job properly.
125
00:04:44,383 --> 00:04:46,185
{\an7}She wants to fight me
\h\h\h\hall the time,
126
00:04:46,185 --> 00:04:47,119
{\an7}and I’m not fightin’.
127
00:04:47,119 --> 00:04:48,713
{\an7}But I’m not gonna continue
\h\harguing with somebody
128
00:04:48,713 --> 00:04:50,515
{\an7}who doesn’t even work here.
- Let me talk to the fellas
129
00:04:50,515 --> 00:04:53,581
{\an7}about the situation.
\h\h\h\h- Say less.
130
00:04:53,581 --> 00:04:55,152
{\an7}- Have fun with it.
131
00:04:55,152 --> 00:04:57,822
{\an7}\h\h\h\h\h\h\h\h\h- Okay.
What the (bleep) goin’ on?
132
00:04:57,822 --> 00:04:59,416
{\an7}\h\h- (laughs)
I don’t know.
133
00:04:59,416 --> 00:05:00,756
{\an7}- Why is Donna goin’ crazy?
134
00:05:00,756 --> 00:05:02,218
{\an7}Even though we love her,
135
00:05:02,218 --> 00:05:03,548
{\an7}(bleep) can’t keep happening.
136
00:05:03,548 --> 00:05:05,482
{\an7}\h- Donna has been kinda
making it uncomfortable
137
00:05:05,482 --> 00:05:07,614
{\an7}for everybody at work,
\h\hbut I think I got
138
00:05:07,614 --> 00:05:11,383
{\an7}a brilliant idea that can help
\h\h\hwith the Donna situation
139
00:05:11,383 --> 00:05:12,680
{\an7}and bring the Black Ink Atlanta
140
00:05:12,680 --> 00:05:14,822
{\an7}and Black Ink New York crew
\h\h\h\h\h\h\h\h\htogether.
141
00:05:14,822 --> 00:05:17,317
{\an7}\h\h\h\hA few months ago,
I sent you guys an email.
142
00:05:17,317 --> 00:05:20,317
{\an7}Well, my boy Tyree Smith, man,
\h\h\hhe bought some property
143
00:05:20,317 --> 00:05:23,482
{\an7}\hout here in Georgia
called CHACE Village.
144
00:05:23,482 --> 00:05:27,822
{\an7}\h\hOne of the only Black dudes
with a large amount of farmland.
145
00:05:27,822 --> 00:05:29,756
{\an7}\h\hTyree Smith had
this real big dream
146
00:05:29,756 --> 00:05:32,515
{\an7}of opening up an art village
\h\h\h\h\hfor the community.
147
00:05:32,515 --> 00:05:35,581
{\an7}So I really wanted to go out
\h\hand show the whole team
148
00:05:35,581 --> 00:05:38,515
{\an7}what this man has done
\h\h\hfor not only us
149
00:05:38,515 --> 00:05:39,921
{\an7}but for the whole art community.
150
00:05:39,921 --> 00:05:41,789
{\an7}\h\h- So we gonna
send Donna there?
151
00:05:41,789 --> 00:05:42,822
{\an7}\h\h\h\h\h- No.
We’re gonna have
152
00:05:42,822 --> 00:05:47,218
{\an7}\h\h\h\h\h\h\h\h\ha Black Ink
team activity situation, man.
153
00:05:47,218 --> 00:05:49,284
{\an7}\h\h\h\h- For what?
We got one problem.
154
00:05:49,284 --> 00:05:50,449
{\an7}She ain’t a team.
\h\h\h\hShe’s a--
155
00:05:50,449 --> 00:05:53,647
{\an7}- It’s about Black Ink New York
and Black Ink Atlanta,
156
00:05:53,647 --> 00:05:55,789
{\an7}because they’ve also been,
\h\h\h\h\h\h\hyou know...
157
00:05:55,789 --> 00:05:57,954
{\an7}(clicks tongue)
\h\h\h\h- What?
158
00:05:57,954 --> 00:05:58,888
{\an7}- Yeah, um...
159
00:05:58,888 --> 00:06:03,185
{\an7}\h\hone of the Black Ink Atlanta
artists kind of hit on Krystal.
160
00:06:03,185 --> 00:06:04,548
{\an7}It’s not kumbaya.
161
00:06:04,548 --> 00:06:09,185
{\an7}So I’m thinking that we go to
\h\h\hmy boy’s little village,
162
00:06:09,185 --> 00:06:12,482
{\an7}\hand I think that it’d
really build the morale
163
00:06:12,482 --> 00:06:13,680
{\an7}in this mother(bleep).
\h\h\h\h\h\h- I mean,
164
00:06:13,680 --> 00:06:14,954
{\an7}I don’t see a problem
\h\h\h\h\hdoin’ that.
165
00:06:14,954 --> 00:06:16,449
{\an7}\h\h\h\hI’d like to see
some (bleep) like that.
166
00:06:16,449 --> 00:06:19,548
{\an7}- There’s ATVs and horses
\h\h\h\h\h\h\hand (bleep).
167
00:06:19,548 --> 00:06:21,515
{\an7}\h\h\h\h\h\hYah!
- I like horses.
168
00:06:21,515 --> 00:06:24,449
{\an7}\hI think Puma’s idea
of bringing both teams
169
00:06:24,449 --> 00:06:27,581
{\an7}\h\h\hto CHACE Village,
it’s an excellent idea.
170
00:06:27,581 --> 00:06:30,954
{\an7}\hThat gives me a way
to take care of Donna,
171
00:06:30,954 --> 00:06:35,855
{\an7}\hor at least clear her head
or tire her out, something.
172
00:06:35,855 --> 00:06:41,482
{\an7}- Black Ink team building
\h\hNew York and Atlanta.
173
00:06:41,482 --> 00:06:44,350
{\an7}\h\h- Oh, that (bleep) never
sounds good, but all right.
174
00:06:44,350 --> 00:06:45,713
{\an7}\h- Come on, man,
we been doing good
175
00:06:45,713 --> 00:06:47,020
{\an7}with the Black Ink Cares, man.
176
00:06:47,020 --> 00:06:49,680
{\an7}\h\h\h- I’ma go check
the rest of the shop.
177
00:06:49,680 --> 00:06:52,756
{\an7}- ♪ I just wanna
take some time ♪
178
00:06:52,756 --> 00:06:55,756
{\an7}♪ Step it back and realize ♪
179
00:06:55,756 --> 00:06:58,416
{\an7}♪ That the sun still shines ♪
180
00:06:58,416 --> 00:07:00,756
{\an7}♪ And it’s gonna be all right ♪
181
00:07:00,756 --> 00:07:02,756
{\an7}♪
182
00:07:02,756 --> 00:07:03,647
{\an7}♪ Yeah ♪
183
00:07:03,647 --> 00:07:05,449
{\an7}♪ And it’s gonna be all right ♪
184
00:07:05,449 --> 00:07:08,515
{\an7}- I’m excited for tonight.
\h\h\h\h\h\h- I’m scared.
185
00:07:08,515 --> 00:07:10,647
{\an7}\h\hI’ve heard about these
team building experiences.
186
00:07:10,647 --> 00:07:13,647
{\an7}- This is your first team
\h\h\hbuilding experience?
187
00:07:13,647 --> 00:07:15,284
{\an7}- My first team building
\h\h\h\h\h\hexperience.
188
00:07:15,284 --> 00:07:16,680
{\an7}- Oh, my God.
189
00:07:16,680 --> 00:07:17,954
{\an7}Good morning!
190
00:07:17,954 --> 00:07:19,383
{\an7}\h- Hey, boo.
- Buenos dias.
191
00:07:19,383 --> 00:07:20,581
{\an7}\h\h\h- Hey, boo.
- What’s going on?
192
00:07:20,581 --> 00:07:21,888
{\an7}\h\h- Good morning.
Did you look you up
193
00:07:21,888 --> 00:07:23,713
{\an7}the place that we’re going?
\h\h\h\h\h\h\h\h\h\h\h- No.
194
00:07:23,713 --> 00:07:24,789
{\an7}- It’s nothing but woods.
195
00:07:24,789 --> 00:07:27,789
{\an7}\h\hI’ma head into this
team bonding experience
196
00:07:27,789 --> 00:07:28,789
{\an7}trying to be optimistic.
197
00:07:28,789 --> 00:07:31,383
{\an7}I don’t exactly know
\h\hwhat my plan is
198
00:07:31,383 --> 00:07:32,482
{\an7}on how I’ma handle Tatti,
199
00:07:32,482 --> 00:07:35,680
{\an7}but I think we’ll be okay
\hgettin’ through the day.
200
00:07:35,680 --> 00:07:36,888
{\an7}- Let’s go.
\h\h\h- Oh!
201
00:07:36,888 --> 00:07:39,317
{\an7}Look who just (bleep) made it.
\h\h\h\h\h\h\h\h- Yo, listen.
202
00:07:39,317 --> 00:07:41,822
{\an7}We almost left you, okay?
\h\h\h\h\h\h\h\h\h\h- Yes.
203
00:07:41,822 --> 00:07:43,383
{\an7}- We outta here!
204
00:07:43,383 --> 00:07:44,086
{\an7}(laughter)
205
00:07:44,086 --> 00:07:46,581
{\an7}\h\h\h- All right, well,
cheers to building teams
206
00:07:46,581 --> 00:07:48,680
{\an7}and team building.
\h\h\h\h\h- Hi-oh!
207
00:07:48,680 --> 00:07:49,921
{\an7}\h\h\h- Uncle Ceas,
I wanna go have fun.
208
00:07:49,921 --> 00:07:52,647
{\an7}\h\h\h\h\h\hCan I go play now?
- Listen, go jump in the lake.
209
00:07:52,647 --> 00:07:54,581
{\an7}- Uh-oh, here comes trouble.
210
00:07:54,581 --> 00:07:56,449
{\an7}\h\h\h\h- We here.
- We’re on a farm.
211
00:07:56,449 --> 00:07:57,855
{\an7}- There’s a art village
\h\h\hright here, look.
212
00:07:57,855 --> 00:07:59,713
{\an7}\h\h\h\h\h\h\h\h\h- Look, Rok,
it’s Old MacDonald over there.
213
00:07:59,713 --> 00:08:01,756
{\an7}- Old MacDonald had a farm!
214
00:08:01,756 --> 00:08:03,317
{\an7}- Oh, I see water!
215
00:08:03,317 --> 00:08:05,383
{\an7}- Oh, you see that?
- We ’bout to play.
216
00:08:05,383 --> 00:08:08,053
{\an7}\h\h\h\h- All right,
we outta here, man.
217
00:08:08,053 --> 00:08:08,921
{\an7}- Howdy!
218
00:08:08,921 --> 00:08:09,954
{\an7}- Howdy, partner!
219
00:08:09,954 --> 00:08:11,921
{\an7}\h\h\h\h- Howdy, partner.
- Where everybody at, yo?
220
00:08:11,921 --> 00:08:13,515
{\an7}\hEverybody straggling.
- They taking they time
221
00:08:13,515 --> 00:08:15,383
{\an7}in the car and (bleep).
\h\h- What’s good, bruh?
222
00:08:15,383 --> 00:08:17,416
{\an7}- Chillin’, chillin’.
\h\h- What’s goin’ on?
223
00:08:17,416 --> 00:08:19,515
{\an7}\h\h- Chillin’, chillin’.
- Donna! What’s up, Donna?
224
00:08:19,515 --> 00:08:21,647
{\an7}How you doin’, Donna?
\h\h- Hello, welcome.
225
00:08:21,647 --> 00:08:24,855
{\an7}\h\h- Okay, go ahead, Puma.
- All right, so, everybody,
226
00:08:24,855 --> 00:08:25,647
{\an7}this is Tyree.
227
00:08:25,647 --> 00:08:28,482
{\an7}Please tell them all about
\hCHACE Village, good sir.
228
00:08:28,482 --> 00:08:30,020
{\an7}\h\h\h\h\h\h- Well, um,
CHACE Village stands for
229
00:08:30,020 --> 00:08:32,548
{\an7}Chattahoochee Hills Arts,
\hCulture, and Ecosystem.
230
00:08:32,548 --> 00:08:37,086
{\an7}So I got 73 acres in here,
for creators, by creators.
231
00:08:37,086 --> 00:08:39,515
{\an7}We got fishing.
\h\hWe got ATVs.
232
00:08:39,515 --> 00:08:41,053
{\an7}We got goats.
(goat bleats)
233
00:08:41,053 --> 00:08:43,416
{\an7}\h\h\h\h\h\h\h\h\h\h- Okay.
- I wanna ride a goat today.
234
00:08:43,416 --> 00:08:44,119
{\an7}(goat bleats)
235
00:08:44,119 --> 00:08:46,152
{\an7}- I’m really inspired
\hby Tyree Smith, man.
236
00:08:46,152 --> 00:08:49,647
{\an7}\h\h\h\h\h\h\h\h’Cause look,
it’s a Black man in America
237
00:08:49,647 --> 00:08:51,482
{\an7}with 73 acres of land,
238
00:08:51,482 --> 00:08:53,680
{\an7}\h\h\h\h\hand doing it
for the art community.
239
00:08:53,680 --> 00:08:55,855
{\an7}How (bleep) awesome is that?
240
00:08:55,855 --> 00:08:57,053
{\an7}- We have to understand
241
00:08:57,053 --> 00:08:58,987
{\an7}\h\h\h\h\hthat we can’t be
goin’ against each other.
242
00:08:58,987 --> 00:09:00,548
{\an7}We already got enemies
\h\h\h\h\h\hout there.
243
00:09:00,548 --> 00:09:01,855
{\an7}\h\hIt’s Black Ink
against the world.
244
00:09:01,855 --> 00:09:06,020
{\an7}So we got a string of activities
to get out all the bull(bleep)
245
00:09:06,020 --> 00:09:10,647
{\an7}\h\h\h\h\h\h\hbetween each other
and let the (bleep) finally die.
246
00:09:10,647 --> 00:09:12,086
{\an7}- What’s the first event, bro?
247
00:09:12,086 --> 00:09:13,987
{\an7}- We gon’ do sack races.
\h\h\h\h\h\h\h\h- Okay.
248
00:09:13,987 --> 00:09:15,822
{\an7}\h\h- What?
- All right.
249
00:09:15,822 --> 00:09:17,756
{\an7}Tatti will be captain
\h\h\h\hfor team one.
250
00:09:17,756 --> 00:09:19,680
{\an7}Tro will be the team captain
\h\h\h\h\h\h\h\hfor Atlanta.
251
00:09:19,680 --> 00:09:20,855
{\an7}- Yeah, Tatti!
\h- All right.
252
00:09:20,855 --> 00:09:21,987
{\an7}Let’s get the sack race started!
253
00:09:21,987 --> 00:09:24,789
{\an7}- I don’t sack race, bruh.
\h\h\h- A’ight, bag race.
254
00:09:24,789 --> 00:09:27,449
{\an7}- We’re bag chasing.
255
00:09:27,449 --> 00:09:28,449
{\an7}- Let’s go!
\h\h- Yeah!
256
00:09:28,449 --> 00:09:29,756
{\an7}We ’bout to chase these nuts!
\h\h\h\h\h\h\h\h\h\h\h- Okay.
257
00:09:29,756 --> 00:09:31,119
{\an7}- But the way we should
\h\h\hreally do this is
258
00:09:31,119 --> 00:09:33,789
{\an7}that you gotta tag
\hthe next person.
- (blows whistle)
259
00:09:33,789 --> 00:09:35,185
{\an7}Tatti, you need to be
\h\h\h\h\hin the back.
260
00:09:35,185 --> 00:09:36,789
{\an7}\h\h\h\h\h\h- Hold on.
We not even there yet.
261
00:09:36,789 --> 00:09:39,888
{\an7}We’re just getting started,
\h\h\h\hand Donna’s already
262
00:09:39,888 --> 00:09:41,822
{\an7}on her power move bull(bleep).
263
00:09:41,822 --> 00:09:43,822
{\an7}She wasn’t even made
\h\h\hteam captain.
264
00:09:43,822 --> 00:09:47,053
{\an7}The way we gonna do this is
\h\hgonna be one at a time.
265
00:09:47,053 --> 00:09:48,888
{\an7}\hSo you gotta go
to the cone, back,
266
00:09:48,888 --> 00:09:50,680
{\an7}and then the next person go,
\h\h\h\h\h’cause otherwise,
267
00:09:50,680 --> 00:09:51,888
{\an7}we gon’ be trippin’
\h\hover each other.
268
00:09:51,888 --> 00:09:53,954
{\an7}Let’s go, blow the whistle.
\h\h\h\h\h- (blows whistle)
269
00:09:53,954 --> 00:09:55,152
{\an7}- Get in your bags!
\h\h\h\h\h- Hey, yo!
270
00:09:55,152 --> 00:09:57,581
{\an7}So everybody’s listening?
\h\h\h\h- (blows whistle)
271
00:09:57,581 --> 00:09:59,152
{\an7}\hTatti, get by your bag.
You’re causing confusion.
272
00:09:59,152 --> 00:10:01,789
{\an7}- It’s not-- we’re not all going
at the same time.
273
00:10:01,789 --> 00:10:04,482
{\an7}- Rok is not on our team.
- That’s what I’m saying!
274
00:10:04,482 --> 00:10:06,647
{\an7}\h\h\h- (blows whistle)
- That’s what I’m trying
\h\h\h\h\hto say to you!
275
00:10:06,647 --> 00:10:08,822
{\an7}\h- It’s not his bag.
- We’re on that side.
276
00:10:08,822 --> 00:10:11,515
{\an7}- You gotta stay on that side.
\h\h\h\h\h\h- (blows whistle)
277
00:10:11,515 --> 00:10:12,581
{\an7}I’m runnin’ this race,
278
00:10:12,581 --> 00:10:14,680
{\an7}\h\h\h\hso everybody
shut the (bleep) up!
279
00:10:14,680 --> 00:10:18,218
{\an7}♪
280
00:10:18,218 --> 00:10:20,119
{\an7}- That’s your horse, Puma.
281
00:10:20,119 --> 00:10:21,680
{\an7}- Ooh, (bleep)!
282
00:10:21,680 --> 00:10:23,822
{\an7}Hi-ho, Silver!
\h\h\h\hAway!
283
00:10:23,822 --> 00:10:27,119
{\an7}\h\h- Puma... I was hopin’ that
(bleep) took off with you, boy.
284
00:10:27,119 --> 00:10:30,185
{\an7}\h- This is why nothin’ good can
ever happen between me and you.
285
00:10:30,185 --> 00:10:31,921
{\an7}You never give me my credit.
286
00:10:31,921 --> 00:10:35,647
{\an7}- You want credit for being
\h\hthe worst tattoo artist
287
00:10:35,647 --> 00:10:37,614
{\an7}in the history of Black Ink!
288
00:10:37,614 --> 00:10:39,614
{\an7}- (bleep) dickhead.
289
00:10:39,614 --> 00:10:40,954
{\an7}- What?
290
00:10:40,954 --> 00:10:42,548
{\an7}\hWhat is the text
you just sent me?
291
00:10:42,548 --> 00:10:46,251
{\an7}\h\h\h- There’s like shootings
that are happening in Atlanta.
292
00:10:46,251 --> 00:10:48,921
{\an7}And they’re still on the loose
\h\h\h\h\h\h\hand it seems like
293
00:10:48,921 --> 00:10:51,218
{\an7}they’re targeting Asian people.
294
00:10:51,218 --> 00:10:54,251
{\an7}- I’m-I’m scared.
\hI’m speechless.
295
00:10:59,401 --> 00:11:00,566
{\an7}- I’m runnin’ this race!
296
00:11:00,566 --> 00:11:02,467
{\an7}\h\hWe doin’ this
in a relay style.
297
00:11:02,467 --> 00:11:03,962
{\an7}- It’s your boy Puma Albert.
298
00:11:03,962 --> 00:11:05,698
{\an7}And we’re here live
299
00:11:05,698 --> 00:11:07,995
{\an7}at the Black Ink sack race.
300
00:11:07,995 --> 00:11:09,599
{\an7}We have Team Tatti
301
00:11:09,599 --> 00:11:10,863
{\an7}and we have Team Tro.
302
00:11:10,863 --> 00:11:14,599
{\an7}\h\hWait, hold on.
We have a change.
303
00:11:14,599 --> 00:11:15,533
{\an7}Team Donna.
304
00:11:15,533 --> 00:11:17,962
{\an7}Team Tatti versus Team Donna.
305
00:11:17,962 --> 00:11:19,137
{\an7}Let’s get it on!
306
00:11:19,137 --> 00:11:20,533
{\an7}- On your marks!
307
00:11:20,533 --> 00:11:23,566
{\an7}- I’ma bust my ass.
\h\h\h\h\h- Get set!
308
00:11:23,566 --> 00:11:25,632
{\an7}- (laughs and snorts)
309
00:11:25,632 --> 00:11:26,764
{\an7}\h\h\h\h\h- Go!
(blows whistle)
310
00:11:26,764 --> 00:11:28,170
{\an7}\h\h- Go! Go, go, go!
- Go, Donna, let’s go!
311
00:11:28,170 --> 00:11:31,566
{\an7}\h\h- And we definitely have
a false start on Team Donna.
312
00:11:31,566 --> 00:11:33,500
{\an7}\h\h- Wait, no, no!
What are you doing?
313
00:11:33,500 --> 00:11:36,698
{\an7}- And that’s a goal
\h\hfor Team Tatti!
314
00:11:36,698 --> 00:11:38,797
{\an7}\h\h\h- But Team Donna
is still in the game.
315
00:11:38,797 --> 00:11:40,797
{\an7}- Go, we winnin’,
\h\h\hwe winnin’.
316
00:11:40,797 --> 00:11:41,929
{\an7}(overlapping shouting)
317
00:11:41,929 --> 00:11:43,104
{\an7}- Go, Tatti!
\h\h\h- Hey!
318
00:11:43,104 --> 00:11:45,104
{\an7}- And that’s a deuce
\h\hfor Team Tatti.
319
00:11:45,104 --> 00:11:48,698
{\an7}(overlapping shouting)
320
00:11:48,698 --> 00:11:50,698
{\an7}- Oh, (bleep)!
Spyder! Wait!
321
00:11:50,698 --> 00:11:51,731
{\an7}- Oh! Oh!
322
00:11:51,731 --> 00:11:54,566
{\an7}\h\h- Spyder was trying
to hold down Team Tatti,
323
00:11:54,566 --> 00:11:56,665
{\an7}but Young Bae wasn’t with it,
324
00:11:56,665 --> 00:11:59,500
{\an7}with the mean hip check.
325
00:11:59,500 --> 00:12:00,467
{\an7}\h- Go!
- Goal!
326
00:12:00,467 --> 00:12:03,137
{\an7}\h\h\h\h\h\h- (bleep)!
(overlapping shouting)
327
00:12:03,137 --> 00:12:05,533
{\an7}- You (bleep) know what
\h\h\hI’m talking about!
328
00:12:05,533 --> 00:12:07,566
{\an7}- And we have a winner!
329
00:12:07,566 --> 00:12:09,929
{\an7}It’s Team Tatti!
\h\h\h(cheering)
330
00:12:09,929 --> 00:12:12,028
{\an7}- This some bull(bleep)!
- ’Cause y’all didn’t--
331
00:12:12,028 --> 00:12:13,962
{\an7}\h\h\h\h\h- Hold up, nah.
We should’ve restart that.
332
00:12:13,962 --> 00:12:16,764
{\an7}- ’Cause y’all cheated!
\h\h\h- (blows whistle)
333
00:12:16,764 --> 00:12:17,632
{\an7}♪
334
00:12:17,632 --> 00:12:19,797
{\an7}- Let’s go!
- All right.
335
00:12:19,797 --> 00:12:23,962
{\an7}♪
336
00:12:23,962 --> 00:12:25,698
{\an7}- Aw, he’s so little and cute.
337
00:12:25,698 --> 00:12:27,962
{\an7}- Look, I got grapes.
\h\h\h\h(goat bleats)
338
00:12:27,962 --> 00:12:28,995
{\an7}I got grapes, cuz.
339
00:12:28,995 --> 00:12:32,137
{\an7}\h\h\h\h\h\h- Puma production.
This does feel a little crazy.
340
00:12:32,137 --> 00:12:35,731
{\an7}Sweet baby Jesus, Lord,
\hthank God that’s over.
341
00:12:35,731 --> 00:12:38,467
{\an7}\h\h’Cause, man, listen,
that was a (bleep) show.
342
00:12:38,467 --> 00:12:40,896
{\an7}And you don’t even wanna know
\h\hhow that tug-of-war went.
343
00:12:40,896 --> 00:12:43,137
{\an7}\h- Stop pulling already.
I feel it, y’all cheatin’.
344
00:12:43,137 --> 00:12:44,632
{\an7}- Let it go a little bit.
\h\h\h\h\h\h\h\h\h\h- Go!
345
00:12:44,632 --> 00:12:47,104
{\an7}- Wait, wait, wait, wait!
\h\h\h\h\hHe wasn’t ready!
346
00:12:47,104 --> 00:12:49,071
{\an7}\h\h- There was no
"ready, set, go"!
347
00:12:49,071 --> 00:12:52,137
{\an7}\h\h\h\h- This is not how
I envisioned today to be.
348
00:12:52,137 --> 00:12:53,071
{\an7}But you know what?
349
00:12:53,071 --> 00:12:55,104
{\an7}This whole Puma production is
\h\h\hgonna get back in order.
350
00:12:55,104 --> 00:12:57,533
{\an7}I’m gonna separate everybody,
\h\h\h\hgive ’em a little time
351
00:12:57,533 --> 00:13:00,302
{\an7}and air to breathe before we get
back into the next activity.
352
00:13:00,302 --> 00:13:03,302
{\an7}\h\h\h\h\h- That’s my goat.
- Look at the little horns.
353
00:13:03,302 --> 00:13:05,533
{\an7}\hHe don’t want it.
- Y’all graped out?
354
00:13:05,533 --> 00:13:07,566
{\an7}That’s how y’all livin’?
\h\h\h\h\h(goat bleats)
355
00:13:07,566 --> 00:13:08,995
{\an7}\h\h\h\h\hHeard you.
It’s all good, man.
356
00:13:08,995 --> 00:13:11,566
{\an7}- Oh, whoa, watch yourself.
\h\h\hYo, this (bleep) Ceas
357
00:13:11,566 --> 00:13:13,104
{\an7}\h\habout to look like
the Old Spice (bleep).
358
00:13:13,104 --> 00:13:16,236
{\an7}\h- We can do this, dude.
- That’s your horse, Puma.
359
00:13:16,236 --> 00:13:17,137
{\an7}- Whoa, (bleep)!
360
00:13:17,137 --> 00:13:19,533
{\an7}- Fishing for me.
\h- Fishing it is!
361
00:13:19,533 --> 00:13:22,170
{\an7}Where’s the fish?
362
00:13:22,170 --> 00:13:23,896
{\an7}- Whoo!
363
00:13:23,896 --> 00:13:26,269
{\an7}- Oh, my God!
\hKing Ceaser!
364
00:13:26,269 --> 00:13:28,137
{\an7}All hail King Ceaser.
365
00:13:28,137 --> 00:13:31,203
{\an7}- Oh, so this is how Spyders
\h\h\h\h\hcatch they dinner?
366
00:13:31,203 --> 00:13:33,599
{\an7}- Hi-ho, Silver!
\h\h\h\h\hAway!
367
00:13:33,599 --> 00:13:35,764
{\an7}- Puma... I was hoping
\h\h\h\h\hthat (bleep)
368
00:13:35,764 --> 00:13:37,764
{\an7}took off with you, boy.
369
00:13:37,764 --> 00:13:40,896
{\an7}- Yeah!
370
00:13:40,896 --> 00:13:42,137
{\an7}Ahh, (bleep).
371
00:13:42,137 --> 00:13:44,302
{\an7}I tried to get in that hole.
372
00:13:44,302 --> 00:13:45,863
{\an7}(engine sputters)
373
00:13:45,863 --> 00:13:47,071
{\an7}Mother(bleep).
374
00:13:47,071 --> 00:13:49,731
{\an7}- Look at this (bleep).
\h\hLook at Spyder, bro.
375
00:13:49,731 --> 00:13:51,599
{\an7}- Yo, Spyder is in the (bleep).
376
00:13:51,599 --> 00:13:53,830
{\an7}\h\hHe’s in it.
He’s determined.
377
00:13:53,830 --> 00:13:54,962
{\an7}He’s focused to catch a fish.
378
00:13:54,962 --> 00:13:57,137
{\an7}\h- It’s definitely
all about patience.
379
00:13:57,137 --> 00:13:59,137
{\an7}\h\hPatience and God.
You know what I mean?
380
00:13:59,137 --> 00:14:02,137
{\an7}\hMatter fact, pray to God
that you have the patience
381
00:14:02,137 --> 00:14:04,236
{\an7}\hto wait for the fish.
How ’bout that (bleep)?
382
00:14:04,236 --> 00:14:08,632
{\an7}- You caught something, Spyder?
Yeah, Spyder!
383
00:14:08,632 --> 00:14:09,863
{\an7}(applause)
384
00:14:09,863 --> 00:14:10,863
{\an7}\h\h\hVictory!
Big-ass Spyder
385
00:14:10,863 --> 00:14:13,203
{\an7}with the little-ass fish.
\h\h\h- That little guppy!
386
00:14:13,203 --> 00:14:16,665
{\an7}\hYou got you a little
fish filet over there.
387
00:14:17,269 --> 00:14:20,632
{\an7}- ♪ Big dog, big dog,
\h\h\h\hcome on, big ♪
388
00:14:20,632 --> 00:14:23,137
{\an7}\h- Um, are you guys ready
for this circle of trust?
389
00:14:23,137 --> 00:14:27,104
{\an7}The circle of trust is
\h\h\h\hbasically, yo,
get your (bleep) out.
390
00:14:27,104 --> 00:14:29,028
{\an7}\hLet’s just state what
the (bleep) problem is,
391
00:14:29,028 --> 00:14:33,071
{\an7}address the (bleep) problem,
\h\h\hand solve the problem.
392
00:14:33,071 --> 00:14:35,797
{\an7}\h\h\h\h\h\h\h\h\hSo listen.
This is us gettin’ together
393
00:14:35,797 --> 00:14:37,896
{\an7}and basically gettin’ out
\h\h\hall the aggression.
394
00:14:37,896 --> 00:14:40,830
{\an7}’Cause we all Black Ink
\hat the end of the day.
395
00:14:40,830 --> 00:14:42,665
{\an7}- Does anybody have
\h\hany grievances?
396
00:14:42,665 --> 00:14:45,302
{\an7}\h\h\h\h\h\h\h- I’ma start
with apologies to my girl.
397
00:14:45,302 --> 00:14:46,797
{\an7}- Look at Rok, finally.
398
00:14:46,797 --> 00:14:49,962
{\an7}Look at my man asking Ink Daddy
for the apology.
399
00:14:49,962 --> 00:14:51,797
{\an7}As the (bleep) he should.
400
00:14:51,797 --> 00:14:52,764
{\an7}- I will say it.
401
00:14:52,764 --> 00:14:53,995
{\an7}I apologize to you, Krystal.
402
00:14:53,995 --> 00:14:56,203
{\an7}But I do feel as though...
\h\h\h\h\h\h\h- Oh, mm-mm.
403
00:14:56,203 --> 00:14:58,995
{\an7}\h\h\h- ...you did go
a little bit too far.
404
00:14:58,995 --> 00:15:01,236
{\an7}\h\h\h- I feel like
we all came in here,
405
00:15:01,236 --> 00:15:02,863
{\an7}that we’re all one,
we’re all Black Ink,
406
00:15:02,863 --> 00:15:04,863
{\an7}but you separated yourself
\h\h\h\h\h\hby doin’ that.
407
00:15:04,863 --> 00:15:06,995
{\an7}(bleep) your apology.
\h\hI ain’t taking it.
408
00:15:06,995 --> 00:15:11,665
{\an7}’Cause I feel like Ink Daddy has
a problem with respecting women.
409
00:15:11,665 --> 00:15:12,764
{\an7}That wasn’t even
a real apology.
410
00:15:12,764 --> 00:15:15,830
{\an7}\h\h\h\hRok had to pull
that (bleep) out of you.
411
00:15:15,830 --> 00:15:18,995
{\an7}\h- Uh, anybody else
got anything to say?
412
00:15:18,995 --> 00:15:20,335
{\an7}Any grievances?
413
00:15:20,335 --> 00:15:23,665
{\an7}♪
414
00:15:23,665 --> 00:15:25,896
{\an7}- All right, listen.
All I got to say is,
415
00:15:25,896 --> 00:15:27,731
{\an7}\h\hif anybody got
a problem with me,
416
00:15:27,731 --> 00:15:28,533
{\an7}just say it, simple.
417
00:15:28,533 --> 00:15:31,071
{\an7}’Cause if anybody wanna fight,
\h\h\h\h\h\h\h\hwe can fight.
418
00:15:31,071 --> 00:15:32,269
{\an7}That’s all I got to say.
419
00:15:32,269 --> 00:15:36,995
{\an7}- Donna has physically
threatened me twice...
420
00:15:36,995 --> 00:15:38,137
{\an7}since we’ve been in Atlanta.
421
00:15:38,137 --> 00:15:39,797
{\an7}She did it one time
\h\h\hat the shop...
422
00:15:39,797 --> 00:15:41,962
{\an7}- Okay, me and Tatti
\h\habout to fight.
423
00:15:41,962 --> 00:15:42,995
{\an7}- No, we’re not.
424
00:15:42,995 --> 00:15:43,995
{\an7}...once at the house...
425
00:15:43,995 --> 00:15:45,434
{\an7}- I’ll smack the (bleep)
\h\houtta you, Tatiana.
426
00:15:45,434 --> 00:15:47,929
{\an7}\hStop playing with me.
- ...and she sonned me.
427
00:15:47,929 --> 00:15:50,401
{\an7}Even now, she looks like
she’s ready to pop off.
428
00:15:50,401 --> 00:15:52,929
{\an7}I am the road manager
\h\h\h\h\h\hright now.
429
00:15:52,929 --> 00:15:56,797
{\an7}\h\h- So you should advocate for
your team members from New York.
430
00:15:56,797 --> 00:15:58,467
{\an7}\h\h\h- Yes, for sure.
- You don’t, but okay.
431
00:15:58,467 --> 00:15:59,731
{\an7}- Yes, I do.
- You don’t.
432
00:15:59,731 --> 00:16:02,137
{\an7}\h- I can’t wait to support
all your business endeavors.
433
00:16:02,137 --> 00:16:03,830
{\an7}\hBut when it comes
to having a station,
434
00:16:03,830 --> 00:16:06,071
{\an7}I feel strongly in that we can’t
have a freelance station
435
00:16:06,071 --> 00:16:09,302
{\an7}\h\h\h\h\h\h\h\h\hin the middle
\h\h\h\h\h\hof tattoo stations.
- But how is that your decision
436
00:16:09,302 --> 00:16:11,104
{\an7}if the owner of the shop
\h\h\h\h\h\h\hokayed it?
437
00:16:11,104 --> 00:16:12,830
{\an7}How is that your decision?
438
00:16:12,830 --> 00:16:15,071
{\an7}\h\h- I wasn’t told that he
okayed it, so I don’t know.
439
00:16:15,071 --> 00:16:17,203
{\an7}- I looked in his face and asked
him if it was a problem.
440
00:16:17,203 --> 00:16:19,028
{\an7}\h\h\h\hHe told me no.
- Yeah, I did tell you
441
00:16:19,028 --> 00:16:20,467
{\an7}\h\h\hit was a problem.
You ain’t doin’ nothing.
442
00:16:20,467 --> 00:16:23,137
{\an7}- Listen, I’m not about to go
\h\hback and forth with Ceas.
443
00:16:23,137 --> 00:16:26,962
{\an7}I know what the (bleep) he said
to me several times.
444
00:16:26,962 --> 00:16:29,929
{\an7}I’ma pay you and just let me do
what I do in my space.
445
00:16:29,929 --> 00:16:32,104
{\an7}\h\h- But what you gon’ do
what you do in your space?
446
00:16:32,104 --> 00:16:33,401
{\an7}- I don’t know yet.
\hMaybe some henna.
447
00:16:33,401 --> 00:16:36,302
{\an7}Maybe some eyebrows.
\h- Henna? Eyebrows?
448
00:16:36,302 --> 00:16:38,302
{\an7}- What, you have a problem with
me having a space in the shop?
449
00:16:38,302 --> 00:16:39,830
{\an7}- You’re doin’ what?
What are you doing?
450
00:16:39,830 --> 00:16:41,929
{\an7}\h\h- I don’t know.
I’m finding myself.
451
00:16:41,929 --> 00:16:44,269
{\an7}- In no way in no form
\h\h\h\h\h\hdid I say
452
00:16:44,269 --> 00:16:46,269
{\an7}you could have a spot
\h\h\h\h\hat the shop.
453
00:16:46,269 --> 00:16:49,368
{\an7}Every time I turn around,
she wanna say I said this
454
00:16:49,368 --> 00:16:51,434
{\an7}\h\h\h\h\h\h\h\hand I said that.
I’ve been through this situation
455
00:16:51,434 --> 00:16:52,995
{\an7}too many (bleep) times
\h\h\h\h\h\hwith her.
456
00:16:52,995 --> 00:16:55,071
{\an7}- That corner right there,
\h\h\hmy cooler’s gonna go
457
00:16:55,071 --> 00:16:58,203
{\an7}\h\h\h\h\h\hright there
for my CBD juice, okay?
458
00:16:58,203 --> 00:17:01,170
{\an7}\h\h\h\h\h\h\h- What?
What the hell is this?
459
00:17:01,863 --> 00:17:04,500
{\an7}\h\h\h\h\h\h- That’s super CBD.
- When did we okay this (bleep)?
460
00:17:04,500 --> 00:17:06,269
{\an7}- I don’t give a (bleep)
\habout having a booth.
461
00:17:06,269 --> 00:17:08,533
{\an7}\h\hLike y’all can have
that whole little shop.
462
00:17:08,533 --> 00:17:09,995
{\an7}- You’re talking about
\h\h\h\h\hslapping me,
463
00:17:09,995 --> 00:17:12,434
{\an7}and then you get in my face,
\h\h\h\h\hyou don’t slap me,
464
00:17:12,434 --> 00:17:13,929
{\an7}\h\h\h\hand then you
throw things at me.
465
00:17:13,929 --> 00:17:15,335
{\an7}\h\h\h\h\h\h\hAnd it’s like,
what kind of friend is that?
466
00:17:15,335 --> 00:17:17,071
{\an7}\h- That’s the friend
that didn’t smack you
467
00:17:17,071 --> 00:17:19,830
{\an7}\h\h\h\h\h\hbecause we friends.
- I’m never gonna be okay with,
468
00:17:19,830 --> 00:17:21,434
{\an7}\h\h\h"I’m about to slap
the (bleep) outta you."
469
00:17:21,434 --> 00:17:22,797
{\an7}I’m never gonna be okay
\h\h\h\h\h\h\hwith that.
470
00:17:22,797 --> 00:17:23,797
{\an7}- I cannot (bleep) with you
471
00:17:23,797 --> 00:17:25,995
{\an7}because you think that is me.
472
00:17:25,995 --> 00:17:27,028
{\an7}- Y’all gone too far now.
473
00:17:27,028 --> 00:17:29,137
{\an7}- And if I wanna punch you,
\h\h\hbitch, I’ma punch you.
474
00:17:29,137 --> 00:17:31,401
{\an7}\h\h\h- All right.
- Uh, anybody else
475
00:17:31,401 --> 00:17:32,863
{\an7}got anything to say?
476
00:17:32,863 --> 00:17:35,500
{\an7}\h\h\h\hAny grievances?
- I just have one thing.
477
00:17:35,500 --> 00:17:36,962
{\an7}With the Atlanta crew,
478
00:17:36,962 --> 00:17:40,137
{\an7}I just want more respect
\h\h\h\h\h\h\h\hfor me.
479
00:17:40,137 --> 00:17:42,434
{\an7}\h\h\h\h\h\h\hBecause, Ink,
every time I say one thing,
480
00:17:42,434 --> 00:17:45,236
{\an7}\hit’s a big complaint.
- Did I not communicate
\h\h\hwith you earlier?
481
00:17:45,236 --> 00:17:47,566
{\an7}\h\h\h\h\h\h- Okay, but no--
- That’s the process, right?
482
00:17:47,566 --> 00:17:49,028
{\an7}\h\h\h\h\h\h- All right,
’cause nobody even know
483
00:17:49,028 --> 00:17:51,104
{\an7}what else y’all talking about
\h\h\h\h\h\h\h\hexcept y’all.
484
00:17:51,104 --> 00:17:52,028
{\an7}So just figure it out.
485
00:17:52,028 --> 00:17:54,137
{\an7}But respect the manager
\h\h\h\h\h\hor whatever.
486
00:17:54,137 --> 00:17:57,236
{\an7}\hWhat? Nobody know what
they even talkin’ ’bout.
487
00:17:57,236 --> 00:17:58,863
{\an7}- Donna, shut the (bleep) up.
488
00:17:58,863 --> 00:18:00,137
{\an7}- Y’all (bleep) trippin’, B.
489
00:18:00,137 --> 00:18:02,028
{\an7}- That (bleep) tell you how much
I did not wanna fight with you!
490
00:18:02,028 --> 00:18:04,302
{\an7}- Let me ask if anybody else
\hother than Donna and Tatti
491
00:18:04,302 --> 00:18:06,533
{\an7}have anything else to say--
\h\h\h- Y’all know it’s not!
492
00:18:06,533 --> 00:18:08,170
{\an7}Y’all know nobody else
\hgot nothin’ to say!
493
00:18:08,170 --> 00:18:11,401
{\an7}\h- You got your beats!
- Y’all did this (bleep)
\h\hbecause y’all know.
494
00:18:11,401 --> 00:18:13,929
{\an7}Y’all did this (bleep)
\hbecause y’all know.
495
00:18:13,929 --> 00:18:16,863
{\an7}Who else got something to say?
\h\h\h\h- I got it, I got it.
496
00:18:16,863 --> 00:18:18,533
{\an7}- Who else got something to say?
Nobody.
497
00:18:18,533 --> 00:18:21,137
{\an7}\h\h\h\h\h\h\h- All right.
- What else do y’all want?
498
00:18:21,137 --> 00:18:22,632
{\an7}’Cause y’all don’t want (bleep)
to get physical,
499
00:18:22,632 --> 00:18:26,401
{\an7}but there’s only a certain level
where I can go with the verbal.
500
00:18:26,401 --> 00:18:28,500
{\an7}\h\h\h- Hold on!
When I say about
501
00:18:28,500 --> 00:18:31,269
{\an7}not getting physical,
it’s because I believe
502
00:18:31,269 --> 00:18:33,236
{\an7}that everybody standing
\h\h\h\h\hin this circle
503
00:18:33,236 --> 00:18:36,236
{\an7}\h\h\hhas the intelligence
to be able to communicate.
504
00:18:36,236 --> 00:18:38,302
{\an7}\h\h\hThe importance of this
is to be able to show y’all
505
00:18:38,302 --> 00:18:40,995
{\an7}\h\h\h\h\hin a different way.
- Like ain’t no different way.
506
00:18:40,995 --> 00:18:42,302
{\an7}Me and this bitch is
\h\halways arguing.
507
00:18:42,302 --> 00:18:44,104
{\an7}That’s what happens
\h\h\hevery season.
508
00:18:44,104 --> 00:18:45,500
{\an7}We do this every season.
509
00:18:45,500 --> 00:18:46,368
{\an7}We have a team building
510
00:18:46,368 --> 00:18:48,401
{\an7}where we voice our opinions
\h\h\h\h\h\h\hevery season.
511
00:18:48,401 --> 00:18:50,467
{\an7}\h\hSo that’s not nothing new.
- ...somebody setting you up,
512
00:18:50,467 --> 00:18:52,566
{\an7}and that’s not what I’m trying--
- Thank you, Treiva.
513
00:18:52,566 --> 00:18:54,137
{\an7}\h\h\h\h\h- We do this
every (bleep) season.
514
00:18:54,137 --> 00:18:56,104
{\an7}We do this every season.
\h\hThis is nothing new.
515
00:18:56,104 --> 00:18:58,698
{\an7}- Thank you, somebody that’s
\h\h\hfinally said it real.
516
00:18:58,698 --> 00:19:01,302
{\an7}\h\h\h\hShe’s trying not to
have you look crazy, Donna.
517
00:19:01,302 --> 00:19:04,028
{\an7}- There’s no different way.
\h\h\h\h\h- Yo, wrap it up!
518
00:19:04,028 --> 00:19:05,632
{\an7}Let’s-- Let’s get it!
519
00:19:05,632 --> 00:19:08,599
{\an7}- Looks like we’re
making some magic.
520
00:19:08,599 --> 00:19:10,170
{\an7}♪
521
00:19:10,170 --> 00:19:12,071
{\an7}Damn, I miss being
this close to you.
522
00:19:12,071 --> 00:19:13,929
{\an7}Oh, (bleep)!
\h(laughing)
523
00:19:13,929 --> 00:19:16,104
{\an7}\h\h- We might as well have
this conversation right now.
524
00:19:16,104 --> 00:19:19,028
{\an7}If we can’t get to some type
\h\h\h\h\h\hof agreement...
525
00:19:19,028 --> 00:19:20,203
{\an7}Donna, come here!
526
00:19:20,203 --> 00:19:22,137
{\an7}...it’s gon’ be the end
\h\h\h\h\h\hof the road
527
00:19:22,137 --> 00:19:24,104
{\an7}for her and Alex.
528
00:19:24,104 --> 00:19:27,028
{\an7}- This is not gonna go well.
529
00:19:32,479 --> 00:19:34,083
{\an7}♪
530
00:19:34,083 --> 00:19:36,040
{\an7}- Girl, help me pedal.
531
00:19:36,040 --> 00:19:37,512
{\an7}Go, go, go, go!
532
00:19:37,512 --> 00:19:39,040
{\an7}Oh, my butt is wet.
533
00:19:39,040 --> 00:19:40,314
{\an7}- Mine is too.
534
00:19:40,314 --> 00:19:41,809
{\an7}- Hold on to the sides.
535
00:19:41,809 --> 00:19:42,908
{\an7}- I’m gonna sit right on here.
536
00:19:42,908 --> 00:19:47,512
{\an7}\h\h\h\h\h\h- I was hoping
that everybody understood
537
00:19:47,512 --> 00:19:50,007
{\an7}what the (bleep) we were
\h\h\htrying to achieve,
538
00:19:50,007 --> 00:19:50,941
{\an7}\hbut...
- Donna.
539
00:19:50,941 --> 00:19:53,116
{\an7}\h\h\h\h\h\h\h- Yeah, like,
that (bleep) was crazy, bro.
540
00:19:53,116 --> 00:19:55,446
{\an7}- I’m just tired of (bleep)
\h\h\h\h\h\h\h\hbeing fake.
541
00:19:55,446 --> 00:19:57,215
{\an7}Like Ceas is mad fake.
542
00:19:57,215 --> 00:19:59,380
{\an7}I looked him dead in his face
\h\h\h\h\h\h\h\h\hand I said,
543
00:19:59,380 --> 00:20:03,281
{\an7}"Ceas, do you have a problem
\h\hwith me having a space?"
544
00:20:03,281 --> 00:20:05,908
{\an7}He looked me in my face
\h\h\h\h\h\h\hand said,
545
00:20:05,908 --> 00:20:07,007
{\an7}\h"Nah, Donna.
You go ahead."
546
00:20:07,007 --> 00:20:08,974
{\an7}What, you have a problem with me
having a space in the shop?
547
00:20:08,974 --> 00:20:10,347
{\an7}- You’re doing what?
What are you doing?
548
00:20:10,347 --> 00:20:11,842
{\an7}\h\h- I don’t know.
- When you sit there
549
00:20:11,842 --> 00:20:14,446
{\an7}and tell me what you want to do,
then we figure that out,
550
00:20:14,446 --> 00:20:16,479
{\an7}but all that other (bleep)
\h\h\h\h\h\his irrelevant.
551
00:20:16,479 --> 00:20:18,479
{\an7}\h\h\h\h- Now, today,
in front of everybody,
552
00:20:18,479 --> 00:20:21,347
{\an7}\hyou wanna sit up and say that
you ain’t never say that to me.
553
00:20:21,347 --> 00:20:23,941
{\an7}- I was definitely sitting
\h\h\h\h\h\h\hat the table
554
00:20:23,941 --> 00:20:27,083
{\an7}when Ceas responded
\h\hback to Big Mama
555
00:20:27,083 --> 00:20:28,578
{\an7}about her having a space
\h\h\h\h\h\hat the shop,
556
00:20:28,578 --> 00:20:32,908
{\an7}\hand Ceas said out his mouth,
"Yeah, yeah, okay, whatever."
557
00:20:32,908 --> 00:20:36,083
{\an7}- I’ma pay you and just let me
\h\hdo what I do in my space.
558
00:20:36,083 --> 00:20:38,040
{\an7}- But what you gon’ do
and do in your space?
559
00:20:38,040 --> 00:20:39,512
{\an7}- I don’t know yet.
\hMaybe some henna.
560
00:20:39,512 --> 00:20:42,512
{\an7}Maybe some eyebrows.
\h- Henna? Eyebrows?
561
00:20:42,512 --> 00:20:44,875
{\an7}- Tatti, you, you wanna sit
\h\h\h\hand lie to yourself?
562
00:20:44,875 --> 00:20:46,248
{\an7}\h\hYou can go ahead
and lie to yourself.
563
00:20:46,248 --> 00:20:48,347
{\an7}- There has to be boundaries.
\h\h\h\h\h\h\h\h\hAnd for me,
564
00:20:48,347 --> 00:20:51,446
{\an7}\h\hputting your hands on me is
a boundary that we can’t cross.
565
00:20:51,446 --> 00:20:52,908
{\an7}- It’s almost gotten
\h\h\h\hto the point
566
00:20:52,908 --> 00:20:57,314
{\an7}that I don’t think Donna really
is into growing right now.
567
00:20:57,314 --> 00:20:59,908
{\an7}I think Donna is stuck
\h\h\hon being Donna.
568
00:20:59,908 --> 00:21:03,347
{\an7}- I just think it’s corny
that everybody come to me
569
00:21:03,347 --> 00:21:06,248
{\an7}\h\h\h\h\hwith one thing
and then when it’s time
570
00:21:06,248 --> 00:21:09,116
{\an7}for y’all to stand behind
\h\h\h\h\hhow y’all feel,
571
00:21:09,116 --> 00:21:10,149
{\an7}now (bleep) switchin’.
572
00:21:10,149 --> 00:21:13,248
{\an7}- Well, you know, everybody show
they true colors.
573
00:21:13,248 --> 00:21:16,007
{\an7}\h\hWe’re surrounded by a bunch
of simple-minded mother(bleep).
574
00:21:16,007 --> 00:21:17,908
{\an7}But they don’t really got
\h\h\h\hyour back like...
575
00:21:17,908 --> 00:21:19,248
{\an7}- It’s crazy, right?
\h\h\h\h- For sure.
576
00:21:19,248 --> 00:21:20,908
{\an7}- I done had like
\heverybody’s back
577
00:21:20,908 --> 00:21:22,248
{\an7}through mad (bleep).
\h\h\h\h\h\h- Facts.
578
00:21:22,248 --> 00:21:24,215
{\an7}\h- We need to be like,
be there for each other.
579
00:21:24,215 --> 00:21:25,644
{\an7}\h\h\hLet’s stop playing.
And I know you don’t feel
580
00:21:25,644 --> 00:21:28,644
{\an7}\h\h\h\h\hthat way right now,
but after this corona (bleep),
581
00:21:28,644 --> 00:21:30,512
{\an7}we need to be here
\h\hfor each other
582
00:21:30,512 --> 00:21:31,941
{\an7}because tomorrow
is not promised.
583
00:21:31,941 --> 00:21:38,182
{\an7}\h\hWith all this hate and COVID
and everything that’s happening,
584
00:21:38,182 --> 00:21:39,248
{\an7}us friends, we--
585
00:21:39,248 --> 00:21:41,677
{\an7}we should just stick together
\hand be there for each other.
586
00:21:41,677 --> 00:21:45,248
{\an7}Stop (bleep) fighting
for no (bleep) reason.
587
00:21:45,248 --> 00:21:48,182
{\an7}\h\hI even got a (bleep)
threatening racist note
588
00:21:48,182 --> 00:21:50,248
{\an7}when I got down here.
589
00:21:51,040 --> 00:21:56,347
{\an7}\h\hTo show you guys
this is not a joke.
590
00:21:56,347 --> 00:22:00,710
{\an7}♪
591
00:22:00,710 --> 00:22:01,974
{\an7}I didn’t say anything about it
592
00:22:01,974 --> 00:22:05,545
{\an7}because it’s already like
too much (bleep) going on.
593
00:22:05,545 --> 00:22:10,040
{\an7}\h\h\h\hBut it’s really clear
that tomorrow is not promised.
594
00:22:10,040 --> 00:22:12,215
{\an7}Like you really wanna
\h\hgo out like that?
595
00:22:12,215 --> 00:22:15,248
{\an7}\h\h\hBe there for each other
and let’s be strong together.
596
00:22:15,248 --> 00:22:19,281
{\an7}- I feel like what you’re doing
right now for yourself
597
00:22:19,281 --> 00:22:23,182
{\an7}is what you should’ve been did,
and it’s gon’ get to a point
598
00:22:23,182 --> 00:22:25,545
{\an7}where you don’t even have time
\h\h\h\hto come to Black Ink.
599
00:22:25,545 --> 00:22:27,007
{\an7}\h\h\h\h\hYou just need
to continue on your path
600
00:22:27,007 --> 00:22:30,248
{\an7}\hso that you don’t even have to
deal with none of this (bleep),
601
00:22:30,248 --> 00:22:31,248
{\an7}like for real, for real.
602
00:22:31,248 --> 00:22:34,776
{\an7}- I’ve shown improving
\h\h\h\hso many times.
603
00:22:34,776 --> 00:22:37,182
{\an7}I’ve been in the shop
\h\h\hfrom 11:00 a.m.
604
00:22:37,182 --> 00:22:38,413
{\an7}to 4:00 in the morning before.
605
00:22:38,413 --> 00:22:41,479
{\an7}\h\hIt’s like I missed
my nephews growing up
606
00:22:41,479 --> 00:22:43,149
{\an7}to support you and your dreams.
607
00:22:43,149 --> 00:22:45,446
{\an7}\h\h\h\h\hAnd now it’s time
to support me and my dreams
608
00:22:45,446 --> 00:22:48,116
{\an7}\h\hand nobody,
nobody’s there.
609
00:22:48,116 --> 00:22:50,083
{\an7}- She wanted our help
\h\h\hwith something.
610
00:22:50,083 --> 00:22:51,248
{\an7}\h\h\hIt has to be
something serious.
611
00:22:51,248 --> 00:22:54,677
{\an7}\h\h\h\h\hIt’s time for us
to draw a line somewhere.
612
00:22:54,677 --> 00:22:55,479
{\an7}You feelin’ me?
613
00:22:55,479 --> 00:22:57,281
{\an7}- What if she does not
\h\h\htake that well?
614
00:22:57,281 --> 00:23:00,040
{\an7}- At the end of the day,
\hI don’t need Black Ink
615
00:23:00,040 --> 00:23:01,578
{\an7}to be the facility
\h\h\hfor nothing.
616
00:23:01,578 --> 00:23:06,413
{\an7}I’m losing my focus on what’s
actually goin’ the (bleep) on.
617
00:23:06,413 --> 00:23:08,512
{\an7}\h\h\h- We gon’ have to have
this conversation with her.
618
00:23:08,512 --> 00:23:11,578
{\an7}We might as well have it now
since both of them is here.
619
00:23:11,578 --> 00:23:13,248
{\an7}Look, I’m still willing
\h\h\h\h\hto help Donna
620
00:23:13,248 --> 00:23:16,281
{\an7}and support her blossoming,
\h\h\hbut if we can’t get to
621
00:23:16,281 --> 00:23:19,743
{\an7}some type of agreement, it’s
gonna be the end of the road
622
00:23:19,743 --> 00:23:22,446
{\an7}for her and Alex.
623
00:23:22,446 --> 00:23:24,644
{\an7}Donna, Alex, come here!
624
00:23:24,644 --> 00:23:25,677
{\an7}’Cause at the end of the day,
625
00:23:25,677 --> 00:23:27,611
{\an7}this (bleep) don’t look good
\h\h\h\h\h\h\hfor business.
626
00:23:27,611 --> 00:23:29,578
{\an7}- This is not gonna go well.
627
00:23:29,578 --> 00:23:31,413
{\an7}♪
628
00:23:31,413 --> 00:23:33,611
{\an7}- What’s up, hater?
629
00:23:33,611 --> 00:23:36,116
{\an7}- Who the hater?
\h\h\h\h\h- You.
630
00:23:36,116 --> 00:23:37,281
{\an7}- Okay... listen.
631
00:23:37,281 --> 00:23:39,479
{\an7}This talk is basically
\h\h\h\hto figure out
632
00:23:39,479 --> 00:23:40,776
{\an7}what we’re gonna do
\h\h\hgoing forward.
633
00:23:40,776 --> 00:23:43,809
{\an7}Because all this, you’re gonna
sit here and take this space,
634
00:23:43,809 --> 00:23:45,809
{\an7}we can’t really be doin’ that.
\h\h\h\hWe gotta figure out--
635
00:23:45,809 --> 00:23:47,281
{\an7}- Okay, I don’t need
\h\h\ha space then.
636
00:23:47,281 --> 00:23:48,710
{\an7}\h\h\h\hIf (bleep) don’t--
you know what I’m saying?
637
00:23:48,710 --> 00:23:50,281
{\an7}You don’t want me in the shop,
\h\h\h\h\h\h\h\h\h\hI don’t--
638
00:23:50,281 --> 00:23:52,644
{\an7}\h\h\h- We wanna figure out
what we can do to help you.
639
00:23:52,644 --> 00:23:55,446
{\an7}- You know I got my hair line.
\h\h\hI got my clothing line.
640
00:23:55,446 --> 00:23:59,413
{\an7}\h\h\h\hI’m putting together
a casting call for my models
641
00:23:59,413 --> 00:24:01,215
{\an7}\h\hfor my photo shoot.
- Photo shoot for what?
642
00:24:01,215 --> 00:24:03,710
{\an7}\h\h\h\h\h- For my website.
- Okay, that ain’t nothin’.
643
00:24:03,710 --> 00:24:05,479
{\an7}How ’bout we take it
outside of Black Ink
644
00:24:05,479 --> 00:24:07,281
{\an7}and get you a nice little space
where you can sit there
645
00:24:07,281 --> 00:24:09,644
{\an7}and operate the whole thing?
\h\h- No, look, look, look,
\h\h\h\h\h\h\h\hlet me say.
646
00:24:09,644 --> 00:24:11,479
{\an7}\h\h\h\h\hMy casting call
is perfect for the space.
647
00:24:11,479 --> 00:24:13,578
{\an7}- No, we takin’ it outside
\h\h\h\h\h\h\hthat space.
648
00:24:13,578 --> 00:24:15,644
{\an7}- Why? Why would you do that
\h\h\h\h\hwhen I can simply
649
00:24:15,644 --> 00:24:17,380
{\an7}\hjust use the space--
- No, I need my space.
650
00:24:17,380 --> 00:24:19,149
{\an7}- Hold on, hold on, hold on.
\h\h\h\h\hSo you telling me,
651
00:24:19,149 --> 00:24:21,776
{\an7}you be rentin’ your space out
\h\h\h\hfor nighttime events,
652
00:24:21,776 --> 00:24:23,842
{\an7}all this other (bleep),
but I can’t use the room
653
00:24:23,842 --> 00:24:26,578
{\an7}\h\h\h\h\h\hthat nobody uses
for two hours out of a day?
654
00:24:26,578 --> 00:24:28,314
{\an7}\h\h\h\h\h\h- Right.
- (bleep) dickhead.
655
00:24:28,314 --> 00:24:31,479
{\an7}- How do you go from saying
\hyou want support and love
656
00:24:31,479 --> 00:24:34,446
{\an7}to shoving a mother(bleep)
and calling him a (bleep)?
657
00:24:34,446 --> 00:24:36,182
{\an7}\h\h\hIt doesn’t make
(bleep) sense at all.
658
00:24:36,182 --> 00:24:37,380
{\an7}None of this (bleep)
\h\h\h\hmakes sense.
659
00:24:37,380 --> 00:24:39,446
{\an7}\h\h- If y’all don’t want me in
the shop, don’t gotta be there.
660
00:24:39,446 --> 00:24:41,578
{\an7}Y’all don’t wanna help me?
\h\hDon’t need your help.
661
00:24:41,578 --> 00:24:42,875
{\an7}- Now you’re turning down
\h\h\h\h\h\h\h\hour help?
662
00:24:42,875 --> 00:24:46,347
{\an7}\h- At the end of the day,
you and you have witnessed
663
00:24:46,347 --> 00:24:48,578
{\an7}everything that I’ve
\h\h\h\hgone through
664
00:24:48,578 --> 00:24:52,578
{\an7}in the past ten (bleep) years
\h\h\h\hdealing with the shop.
665
00:24:52,578 --> 00:24:54,644
{\an7}I deserve some respect
\h\h\h\h\hfrom y’all.
666
00:24:54,644 --> 00:24:55,809
{\an7}I just think it’s (bleep) up
667
00:24:55,809 --> 00:24:59,545
{\an7}that I stand for what is right
\h\h\h\h\h\hevery single time.
668
00:24:59,545 --> 00:25:02,149
{\an7}I’ve tried not to disrespect
\hpeople in the line of it,
669
00:25:02,149 --> 00:25:04,215
{\an7}\h\h\hbut best believe
I will get my respect
670
00:25:04,215 --> 00:25:05,809
{\an7}regardless if you give it
\h\h\h\h\h\hto me or not.
671
00:25:05,809 --> 00:25:08,446
{\an7}\h\h- Hold on, where was you
when we was Black Ink Alley?
672
00:25:08,446 --> 00:25:10,776
{\an7}\hYou don’t even know
the original nothing.
673
00:25:10,776 --> 00:25:12,446
{\an7}This (bleep) been with me
\h\h\h\h\h\hwhen I opened,
674
00:25:12,446 --> 00:25:14,413
{\an7}\hwhen I first started
my first tattoo shop.
675
00:25:14,413 --> 00:25:16,413
{\an7}This (bleep) been with me
\h\h\hthrough high school.
676
00:25:16,413 --> 00:25:18,446
{\an7}\h\h\hThese (bleep)
grew up with me, yo.
677
00:25:18,446 --> 00:25:19,875
{\an7}What are you talking about?
\h\h\h\h\h- I just feel like
678
00:25:19,875 --> 00:25:23,215
{\an7}\hy’all (bleep) don’t give me
the respect I (bleep) deserve.
679
00:25:23,215 --> 00:25:24,611
{\an7}- Respect for what?
What have you done?
680
00:25:24,611 --> 00:25:27,314
{\an7}\h\h- Ran your (bleep) shop.
- And you’re here right now.
681
00:25:27,314 --> 00:25:28,611
{\an7}- I’m here on my own
\h\haccount though.
682
00:25:28,611 --> 00:25:31,215
{\an7}\h\h\h- No, you’re--
’cause of Black Ink!
683
00:25:31,215 --> 00:25:33,842
{\an7}- Even though I’m not currently,
you know, "employed"
684
00:25:33,842 --> 00:25:37,710
{\an7}at Black Ink the tattoo shop,
I am still very much an asset
685
00:25:37,710 --> 00:25:40,611
{\an7}\h\h\h\hon this show and on
the Black Ink team, period.
686
00:25:40,611 --> 00:25:44,281
{\an7}\h\hThis is why nothing good can
ever happen between me and you.
687
00:25:44,281 --> 00:25:45,347
{\an7}You never give me my credit.
688
00:25:45,347 --> 00:25:48,215
{\an7}\h\h\h\h\h\h- You-- hold on.
- You act like that (bleep)
is always peaches and cream.
689
00:25:48,215 --> 00:25:49,545
{\an7}\h\h\h\h\h\h\h\h\hIt’s not.
- You want credit for being
690
00:25:49,545 --> 00:25:53,248
{\an7}\h\hthe worst tattoo artist
in the history of Black Ink?
691
00:25:53,248 --> 00:25:54,644
{\an7}- You’re not the best
\h\h\h\htattoo artist
692
00:25:54,644 --> 00:25:56,281
{\an7}in Black Ink, (bleep).
\h\h- I don’t have to.
693
00:25:56,281 --> 00:25:57,743
{\an7}\h\h\h(bleep) ain’t
the best warrior...
694
00:25:57,743 --> 00:25:58,578
{\an7}- Please, (bleep).
695
00:25:58,578 --> 00:25:59,809
{\an7}\h\h- ...but he runs
his (bleep) empire.
696
00:25:59,809 --> 00:26:01,941
{\an7}\h\h\h\h- Far from the best
tattoo artist in Black Ink.
697
00:26:01,941 --> 00:26:03,479
{\an7}- She ungrateful as (bleep).
698
00:26:03,479 --> 00:26:06,743
{\an7}- And you actually call yourself
a tattoo artist.
699
00:26:06,743 --> 00:26:09,281
{\an7}\h\h\h- This may not be
the conversation to have
700
00:26:09,281 --> 00:26:13,413
{\an7}\h\h\h\hin front of everybody,
but you’re from day one, man.
701
00:26:13,413 --> 00:26:16,842
{\an7}You’re never gonna get
\h\h\h\h\hthe respect.
702
00:26:20,842 --> 00:26:22,941
{\an7}My mom is kinda
already scared,
703
00:26:22,941 --> 00:26:27,677
{\an7}\h\hbut I need to tell her
so she can know the truth.
704
00:26:35,501 --> 00:26:38,930
{\an7}- ♪ Wake up, let’s get it,
\h\h\h\h\h\hlet’s get it ♪
705
00:26:38,930 --> 00:26:40,732
{\an7}♪ Move, move, move ♪
706
00:26:40,732 --> 00:26:43,930
{\an7}- Everybody slept like babies
\h\h\h\h\h\h\hlast night, boy.
707
00:26:43,930 --> 00:26:47,237
{\an7}How you think Donna feel
\h\h\h\hafter yesterday?
708
00:26:47,237 --> 00:26:48,666
{\an7}- Your wifey back
\h\hto bein’ good?
709
00:26:48,666 --> 00:26:51,270
{\an7}\h\hI feel like that that trust
circle just made (bleep) worse.
710
00:26:51,270 --> 00:26:54,600
{\an7}- For me, it’s never been about
like being good.
711
00:26:54,600 --> 00:26:57,369
{\an7}It’s just, don’t touch me.
\h\h\hDon’t disrespect me.
712
00:26:57,369 --> 00:26:58,666
{\an7}And I don’t know why
\hit’s so hard to--
713
00:26:58,666 --> 00:27:00,567
{\an7}\h\h\h\h- But you feel like
you guys resolved the issue?
714
00:27:00,567 --> 00:27:02,666
{\an7}\h\h\h\h\h\h\h\h\h\h\h\h\h- No.
- My biggest issue with Donna is
715
00:27:02,666 --> 00:27:04,534
{\an7}that sense of entitlement
\h\h\h\h\h\h\h\h\hshe has.
716
00:27:04,534 --> 00:27:06,501
{\an7}\h\h\h\hShe keeps talking this,
"I’ve been there from day one."
717
00:27:06,501 --> 00:27:09,501
{\an7}You really haven’t, man.
\h\hLike we could break
\h\h\h\hthe fourth wall.
718
00:27:09,501 --> 00:27:12,270
{\an7}\h\h\hYou googled us when we was
"Black Ink Crew" on television,
719
00:27:12,270 --> 00:27:14,765
{\an7}and that’s what made you decide,
"Oh, it’s an opportunity.
720
00:27:14,765 --> 00:27:16,666
{\an7}\hI’ma leave Cleveland
and go to Black Ink."
721
00:27:16,666 --> 00:27:18,567
{\an7}Know what I’m sayin’?
\h\h- Mm-hmm, mm-hmm.
722
00:27:18,567 --> 00:27:21,336
{\an7}\h\h\h\h- You got what
you came up here for.
723
00:27:21,336 --> 00:27:22,732
{\an7}- It’s not about money then.
724
00:27:22,732 --> 00:27:24,831
{\an7}- It’s the entitlement, bro.
725
00:27:24,831 --> 00:27:26,402
{\an7}\h\h- I’m the noob here.
As far as what I’ve seen
726
00:27:26,402 --> 00:27:29,501
{\an7}or whatever, that’s my people.
\h\h- Hey, what’s up, brother?
727
00:27:29,501 --> 00:27:30,369
{\an7}- You know what I mean?
728
00:27:30,369 --> 00:27:32,468
{\an7}\h\h\h- What’s up, boy?
- What’s goin’ on, boy?
729
00:27:32,468 --> 00:27:34,666
{\an7}♪
730
00:27:34,666 --> 00:27:36,600
{\an7}\h\h\h\h- All right,
I’ma go to the mall.
731
00:27:36,600 --> 00:27:38,897
{\an7}- How you feelin’, my (bleep),
\h\h\h\h\h\h\hafter yesterday?
732
00:27:38,897 --> 00:27:41,501
{\an7}- I feel like yesterday
\h\h\hwas just like, uh,
733
00:27:41,501 --> 00:27:42,468
{\an7}a mix-up of communication.
734
00:27:42,468 --> 00:27:45,534
{\an7}She just don’t feel like she
gettin’ any type of respect.
735
00:27:45,534 --> 00:27:46,864
{\an7}- She wants to feel validated
736
00:27:46,864 --> 00:27:49,930
{\an7}for thinking she’s been around
\h\h\h\h\h\h\h\hfrom day one.
737
00:27:49,930 --> 00:27:52,369
{\an7}You’re far from day one, man.
738
00:27:52,369 --> 00:27:53,930
{\an7}You’re never gonna get
that level of respect.
739
00:27:53,930 --> 00:27:56,006
{\an7}\h\hYes, you did work
in the shop for free.
740
00:27:56,006 --> 00:27:57,633
{\an7}\h\hWalt used to work
for the shop for free.
741
00:27:57,633 --> 00:27:59,666
{\an7}Look at that (bleep).
\h\h\hHe’s a day one.
742
00:27:59,666 --> 00:28:01,864
{\an7}Look what the (bleep)
\h\h\hwe did with him.
743
00:28:01,864 --> 00:28:03,534
{\an7}(laughing)
744
00:28:03,534 --> 00:28:05,798
{\an7}We offered to help Donna
with her side businesses
745
00:28:05,798 --> 00:28:08,435
{\an7}and whatever else she’s doing
\h\h\h\houtside of Black Ink,
746
00:28:08,435 --> 00:28:09,369
{\an7}but that’s not enough.
747
00:28:09,369 --> 00:28:11,534
{\an7}She wants to sit here
\h\hand demand respect
748
00:28:11,534 --> 00:28:13,435
{\an7}\has a "day one"
as she calls it.
749
00:28:13,435 --> 00:28:14,666
{\an7}\hDonna, I’m sorry
to tell you, love,
750
00:28:14,666 --> 00:28:16,270
{\an7}but you haven’t been around
\h\h\h\h\h\h\hfrom day one.
751
00:28:16,270 --> 00:28:18,534
{\an7}\hAnd if you’re not gonna take
the help that we’re offering,
752
00:28:18,534 --> 00:28:20,600
{\an7}and you also don’t tattoo
\h\h\hat the shop no more,
753
00:28:20,600 --> 00:28:22,699
{\an7}\h\hwhat the (bleep)
are you doing here?
754
00:28:22,699 --> 00:28:25,963
{\an7}This may not be the conversation
to have in front of everybody,
755
00:28:25,963 --> 00:28:29,831
{\an7}\h\hbut I’ma ask you, bro.
Like, mentally, she okay?
756
00:28:31,567 --> 00:28:33,864
{\an7}- She’s not okay mentally.
757
00:28:33,864 --> 00:28:35,435
{\an7}♪
758
00:28:35,435 --> 00:28:38,006
{\an7}- So that’s a different--
\h\h\h\h\ha’ight, a’ight.
759
00:28:38,006 --> 00:28:38,864
{\an7}- Yeah, okay.
760
00:28:38,864 --> 00:28:40,864
{\an7}- It makes a little bit
\h\h\h\h\hmore sense now
761
00:28:40,864 --> 00:28:41,963
{\an7}what you were saying.
\h\h\h\h\h\h\h- Right.
762
00:28:41,963 --> 00:28:44,303
{\an7}- Big Mama just got
\h\ha lot going on.
763
00:28:44,303 --> 00:28:46,798
{\an7}She stresses about a lot
of real-life situations.
764
00:28:46,798 --> 00:28:49,831
{\an7}The fact that we don’t have
\h\h\h\h\ha home right now.
765
00:28:49,831 --> 00:28:51,039
{\an7}We’re searching for a home.
766
00:28:51,039 --> 00:28:53,633
{\an7}And the stuff that she’s been
\h\h\h\h\hthrough in the past
767
00:28:53,633 --> 00:28:56,798
{\an7}before me and before Black Ink,
it hinders over her.
768
00:28:56,798 --> 00:28:58,468
{\an7}\h\h\h\h\h\h\h\h\h\hYou feel me?
Especially when she feels she’s
769
00:28:58,468 --> 00:29:00,864
{\an7}not getting the recognition
\h\h\h\hthat she should be,
770
00:29:00,864 --> 00:29:03,765
{\an7}so it kind of messes
\h\hwith her mental.
771
00:29:03,765 --> 00:29:06,072
{\an7}\h\h\h\h\h- Honestly,
I don’t hate the girl.
772
00:29:06,072 --> 00:29:07,699
{\an7}I don’t have a dislike
\h\h\h\h\htowards her.
773
00:29:07,699 --> 00:29:09,897
{\an7}\h\h\h\hThis (bleep) is
confusing at this point.
774
00:29:09,897 --> 00:29:12,633
{\an7}You know what I’m sayin’?
\hShe needs to figure out
775
00:29:12,633 --> 00:29:15,468
{\an7}what she needs and wants to do.
776
00:29:15,468 --> 00:29:17,369
{\an7}- ♪ Yeah, yeah, yeah, yeah ♪
777
00:29:17,369 --> 00:29:19,303
{\an7}♪ Step to the side,
\h\h\h\h\h\hI walk ♪
778
00:29:19,303 --> 00:29:20,633
{\an7}♪ Through my days I walk ♪
779
00:29:20,633 --> 00:29:24,303
{\an7}♪ You ain’t movin’ right,
\h\hyou ain’t got enough ♪
780
00:29:24,303 --> 00:29:26,369
{\an7}- Whoa, you got me a drink?
781
00:29:26,369 --> 00:29:29,567
{\an7}- Yeah, your little thirsty ass.
- Okay.
782
00:29:29,567 --> 00:29:31,534
{\an7}Thank you, babe.
Oh, it’s water?
783
00:29:31,534 --> 00:29:32,501
{\an7}- Yeah.
- Ohh...
784
00:29:32,501 --> 00:29:35,105
{\an7}\h\h\h\h\h\h- Drink some water
with your little thirsty ass.
785
00:29:35,105 --> 00:29:37,501
{\an7}- Oh, it’s Sprite!
786
00:29:37,501 --> 00:29:38,831
{\an7}\h\h\h\h\h\h\h\h\h\hOh!
- Where did I find that?
787
00:29:38,831 --> 00:29:42,732
{\an7}- I thought it was water.
\h\hOkay, thank you, baby.
788
00:29:42,732 --> 00:29:45,666
{\an7}\h\h- Seeing Donna
and Tatti go at it
789
00:29:45,666 --> 00:29:48,633
{\an7}and dealing with all this
\h\h\h\hInk Daddy (bleep)
790
00:29:48,633 --> 00:29:51,468
{\an7}that I been goin’ through
has been really difficult,
791
00:29:51,468 --> 00:29:55,138
{\an7}and it makes me remember how Rok
makes me feel.
792
00:29:55,138 --> 00:29:56,039
{\an7}I really miss Rok.
793
00:29:56,039 --> 00:29:58,699
{\an7}\h\h\h- You a’ight?
- Yeah, I’m a’ight.
794
00:29:58,699 --> 00:30:01,006
{\an7}\h\h\h\h\h\h\hI mean...
- Even after yesterday?
795
00:30:01,006 --> 00:30:04,435
{\an7}- I’m feeling a little better.
\h\h\h\h\h\h\h\h\h- Oh, yeah?
796
00:30:04,435 --> 00:30:06,897
{\an7}- Everyone else is
\h\h(bleep) crazy!
797
00:30:06,897 --> 00:30:09,039
{\an7}\h\h\h\h\h\h\hI just wanna
spend some time with you.
798
00:30:09,039 --> 00:30:11,699
{\an7}Ever since we went
to the strip club
799
00:30:11,699 --> 00:30:13,402
{\an7}and he had that talk
\h\hwith Ink Daddy,
800
00:30:13,402 --> 00:30:14,963
{\an7}\hI feel like now
it’s finally time
801
00:30:14,963 --> 00:30:16,402
{\an7}that I let him out
\h\hthe doghouse.
802
00:30:16,402 --> 00:30:18,666
{\an7}\h\h\h\h’Cause I feel like
our relationship’s bigger
803
00:30:18,666 --> 00:30:19,534
{\an7}than all that nonsense.
804
00:30:19,534 --> 00:30:21,633
{\an7}- I was thinking about getting
\h\h\h\h\h\h\ha tattoo today.
805
00:30:21,633 --> 00:30:23,831
{\an7}- You want to get a tattoo?
\h\h\h\h\h\h\h\h\h- Mm-hmm.
806
00:30:23,831 --> 00:30:25,567
{\an7}- What you gettin’?
807
00:30:25,567 --> 00:30:27,633
{\an7}- Your name.
808
00:30:27,633 --> 00:30:28,864
{\an7}You gon’ get my name?
809
00:30:28,864 --> 00:30:31,369
{\an7}\h\h\h\h\h\hTo be honest,
I think Krystal’s the one.
810
00:30:31,369 --> 00:30:33,633
{\an7}So why not get our letters
\h\h\h\h\h\hon each other?
811
00:30:33,633 --> 00:30:38,501
{\an7}Like just to prove to each other
that we in it to win it.
812
00:30:38,501 --> 00:30:39,633
{\an7}- You know what’d be cool?
813
00:30:39,633 --> 00:30:42,930
{\an7}\h\hIf I tattoo you
while you tattoo me.
814
00:30:42,930 --> 00:30:43,930
{\an7}♪
815
00:30:43,930 --> 00:30:45,138
{\an7}- So we’re sticking
\h\h\h\heach other?
816
00:30:45,138 --> 00:30:47,567
{\an7}- We’re hurting each other
\hat the same time, baby.
817
00:30:47,567 --> 00:30:49,666
{\an7}- Hmm, I like the sound of that.
818
00:30:49,666 --> 00:30:53,732
{\an7}Looks like we’re making
\h\h\h\h\h\hsome magic.
819
00:30:53,732 --> 00:30:55,105
{\an7}Damn, I miss being
this close to you.
820
00:30:55,105 --> 00:30:56,600
{\an7}Oh, (bleep)!
\h(laughing)
821
00:30:56,600 --> 00:30:59,831
{\an7}\h\h\h\h\h\h\h\h\h\h- Krystal!
You get my whole name on you!
822
00:30:59,831 --> 00:31:02,468
{\an7}- Oh, stop!
- (laughing)
823
00:31:02,468 --> 00:31:05,072
{\an7}♪
824
00:31:05,072 --> 00:31:09,633
{\an7}- (groaning, humming)
825
00:31:09,633 --> 00:31:11,072
{\an7}Ah, damn!
Be gentle!
826
00:31:11,072 --> 00:31:14,006
{\an7}\h\h- Are you sure
you can handle me?
827
00:31:14,006 --> 00:31:15,633
{\an7}(laughing)
828
00:31:15,633 --> 00:31:18,039
{\an7}I feel like me and Rok
\hare better together
829
00:31:18,039 --> 00:31:20,699
{\an7}\h\h\hthan we are alone.
I fell in love with him
830
00:31:20,699 --> 00:31:22,831
{\an7}because he’s so calm
\h\hand level-headed
831
00:31:22,831 --> 00:31:24,435
{\an7}\h\hand he makes me
feel so comfortable.
832
00:31:24,435 --> 00:31:26,039
{\an7}So really should I hold that
\h\h\h\h\h\h\h\hagainst him,
833
00:31:26,039 --> 00:31:28,105
{\an7}that he’s just being
\hthe person he is?
834
00:31:28,105 --> 00:31:32,138
{\an7}- ♪ I try anything
to make you move ♪
835
00:31:32,138 --> 00:31:36,105
{\an7}- Deep down, I know Rok is there
for me, just in his own way.
836
00:31:36,105 --> 00:31:39,798
{\an7}And I wouldn’t want either of us
to have to go through life
837
00:31:39,798 --> 00:31:42,237
{\an7}not being who we are.
838
00:31:42,237 --> 00:31:44,039
{\an7}I can’t even feel it.
839
00:31:44,039 --> 00:31:46,798
{\an7}♪
840
00:31:46,798 --> 00:31:48,171
{\an7}\h\h\h- To be honest,
almost losing Krystal
841
00:31:48,171 --> 00:31:50,765
{\an7}was probably one of the worst
\h\h\h\h\hmoments of my life.
842
00:31:50,765 --> 00:31:52,897
{\an7}\h\h\hYou know, gettin’ out
of a ten-year relationship,
843
00:31:52,897 --> 00:31:56,006
{\an7}I never thought I was gon’ find
somebody that would treat me
844
00:31:56,006 --> 00:31:57,171
{\an7}as an equal until I met Krystal.
845
00:31:57,171 --> 00:32:00,666
{\an7}\h\hAnd I know me and Krystal
disagree on a lot of (bleep),
846
00:32:00,666 --> 00:32:02,237
{\an7}but I’m pretty sure,
\h\hwhatever it is,
847
00:32:02,237 --> 00:32:04,534
{\an7}we’ll be able to get
through it together.
848
00:32:04,534 --> 00:32:05,567
{\an7}- Smooth this line out.
849
00:32:05,567 --> 00:32:08,072
{\an7}\h- ♪ Try anything
to make you move ♪
850
00:32:08,072 --> 00:32:13,897
{\an7}♪ ’Cause I only wanna dance
\h\h\h\h\h\h\h\h\hwith you ♪
851
00:32:14,798 --> 00:32:16,138
{\an7}- Damn it, girl!
\h\h\h\h- Damn.
852
00:32:16,138 --> 00:32:18,534
{\an7}\h\h\h\h\h\h\h- All right,
I wanna see this (bleep).
853
00:32:18,534 --> 00:32:19,501
{\an7}- Okay.
854
00:32:19,501 --> 00:32:20,930
{\an7}My (bleep) nice and thick.
855
00:32:20,930 --> 00:32:23,798
{\an7}- Mm-hmm, that’s how
\hyou like it, baby.
856
00:32:23,798 --> 00:32:27,633
{\an7}- Shut up.
(laughing)
857
00:32:27,633 --> 00:32:31,798
{\an7}♪
858
00:32:31,798 --> 00:32:33,567
{\an7}- I’m sorry, baby.
859
00:32:33,567 --> 00:32:36,699
{\an7}This is too big.
\h\h\h\hHold on.
860
00:32:36,699 --> 00:32:38,666
{\an7}Here, baby.
\h\hYou see?
861
00:32:38,666 --> 00:32:39,831
{\an7}Now it’s good.
862
00:32:39,831 --> 00:32:40,600
{\an7}Look, here.
863
00:32:40,600 --> 00:32:44,930
{\an7}\h\h\h\hAfter this crazy day
at Chace Village yesterday,
864
00:32:44,930 --> 00:32:46,831
{\an7}I just can’t wait
to talk to my mom
865
00:32:46,831 --> 00:32:48,171
{\an7}for her birthday and just,
\h\h\h\h\h\h\h\hyou know,
866
00:32:48,171 --> 00:32:52,105
{\an7}sing her "Happy Birthday"
\h\hand just feed my son.
867
00:32:52,105 --> 00:32:53,930
{\an7}Because I am exhausted.
868
00:32:53,930 --> 00:32:55,864
{\an7}(speaking Korean)
869
00:32:55,864 --> 00:32:57,963
{\an7}(phone chimes)
870
00:32:58,567 --> 00:33:00,138
{\an7}What is that?
871
00:33:00,138 --> 00:33:01,204
{\an7}What?
872
00:33:01,204 --> 00:33:03,105
{\an7}- Eight people shot dead
\h\h\h\h\hin Atlanta-area
873
00:33:03,105 --> 00:33:07,006
{\an7}\h\h\h\h\hmassage parlors,
including six Asian women.
874
00:33:07,006 --> 00:33:08,864
{\an7}- One of my good friends,
\h\h\h\h\h\h\h\h\hBrandon,
875
00:33:08,864 --> 00:33:12,732
{\an7}he texted me this thing
\h\h\hfrom a radio show
876
00:33:12,732 --> 00:33:15,567
{\an7}talking about Asian women
\h\h\h\h\hare being killed
877
00:33:15,567 --> 00:33:17,072
{\an7}on the streets of Atlanta.
878
00:33:17,072 --> 00:33:18,666
{\an7}(phone ringing)
\hWhat is that?
879
00:33:18,666 --> 00:33:21,897
{\an7}\h\h\h\h\h\h- What is what? ay
- The text you just sent me.
880
00:33:21,897 --> 00:33:23,303
{\an7}- Where are you? omen
\h\h\h- I’m home.
881
00:33:23,303 --> 00:33:27,930
{\an7}- There’s like shootings that
\h\h\hare happening in Atlanta.
882
00:33:27,930 --> 00:33:30,270
{\an7}In Korean spas there. n
\h\h\h\h\h\h- Really?
883
00:33:30,270 --> 00:33:32,270
{\an7}- They shot a bunch of people,
\h\h\h\h\h\h\hand I think like
884
00:33:32,270 --> 00:33:35,072
{\an7}six people died or seven people
\h\h\h\h\h\h\h\hdied up there.
885
00:33:35,072 --> 00:33:36,699
{\an7}\h\h\h\h\h\h\h- Oh, my God.
- And that was the first one
886
00:33:36,699 --> 00:33:39,204
{\an7}\h\h\h\h\h\h\hthat I sent you.
That was like outside the city.
887
00:33:39,204 --> 00:33:41,039
{\an7}I just sent you this other one,
\h\h\h\h\h\h\h\hthe other link,
888
00:33:41,039 --> 00:33:42,930
{\an7}’cause it just happened.
\h\h\hI got a text alert
889
00:33:42,930 --> 00:33:46,105
{\an7}because it happened right
\h\h\h\hon Piedmont Road.
890
00:33:46,105 --> 00:33:48,336
{\an7}\h\h\h\h\h\h- Where I live?
Where I’m staying right now?
891
00:33:48,336 --> 00:33:50,303
{\an7}- Yes, and they’re still
\h\h\h\h\h\hon the loose.
892
00:33:50,303 --> 00:33:54,402
{\an7}And it seems like they’re
\htargeting Asian people.
893
00:33:54,402 --> 00:33:55,897
{\an7}It’s dangerous as (bleep).
894
00:33:55,897 --> 00:33:57,699
{\an7}- I’ve been dealing
\hwith extra racism
895
00:33:57,699 --> 00:34:00,138
{\an7}ever since I got here.
\h\h\h\h\hIt’s crazy.
896
00:34:00,138 --> 00:34:04,006
{\an7}When I was in New York,
\h\h\hI knew in my heart
897
00:34:04,006 --> 00:34:05,732
{\an7}that I had more support.
898
00:34:05,732 --> 00:34:09,039
{\an7}New York is a melting pot.
\h\h\h\h\hBut in Atlanta,
899
00:34:09,039 --> 00:34:11,732
{\an7}\h\h\h\hI feel alone
and I feel attacked.
900
00:34:11,732 --> 00:34:14,765
{\an7}I’m-I’m-I’m scared.
\h\hI’m speechless.
901
00:34:14,765 --> 00:34:17,237
{\an7}And I just wanna go back home.
902
00:34:17,237 --> 00:34:19,237
{\an7}\h\h\h\h\h\h\h\h\h\hI’m scared
and I don’t wanna sound scared
903
00:34:19,237 --> 00:34:22,303
{\an7}because I don’t want Niko
\h\h\h\h\h\hto feel that.
904
00:34:22,303 --> 00:34:24,237
{\an7}- Yeah, I know, I know...
905
00:34:24,237 --> 00:34:27,402
{\an7}- I’m so-- oh, sweetie.
\hI’m not scared, baby.
906
00:34:27,402 --> 00:34:29,336
{\an7}I’m not scared.
\hWho’s scared?
907
00:34:29,336 --> 00:34:31,633
{\an7}\h\h\h\hNobody.
I’m not scared.
908
00:34:31,633 --> 00:34:32,765
{\an7}- Hug, Mommy, hug.
909
00:34:32,765 --> 00:34:35,237
{\an7}- He want me to hug him now.
\h\h\h\h\h\h\h\hOh, my God.
910
00:34:35,237 --> 00:34:38,765
{\an7}\h\h\h\h\h- Listen, call me.
Call me if you need anything.
911
00:34:38,765 --> 00:34:40,336
{\an7}- Okay, bye.
912
00:34:41,798 --> 00:34:44,204
{\an7}Oh, my God, Niko.
913
00:34:44,204 --> 00:34:46,864
{\an7}\h\h\h\h- It’s so quiet.
Are Donna and Alex here?
914
00:34:46,864 --> 00:34:48,864
{\an7}- I haven’t heard from them--
\h\h- That’s what I’m saying.
915
00:34:48,864 --> 00:34:52,303
{\an7}Like I don’t hear no dogs.
\h\hI don’t hear (bleep).
916
00:34:58,835 --> 00:35:02,769
{\an7}♪
917
00:35:02,769 --> 00:35:07,099
{\an7}- ♪ Take me from all the pain ♪
918
00:35:07,099 --> 00:35:12,099
{\an7}\h\h\h\h\h\h\h\h\h♪ Help me,
would you please explain? ♪
919
00:35:12,099 --> 00:35:14,703
{\an7}♪
920
00:35:16,736 --> 00:35:20,637
{\an7}- After that call from Brandon,
I really wanna call my mom.
921
00:35:20,637 --> 00:35:23,340
{\an7}Like I don’t want to give out
\h\h\h\h\h\h\hthat bad energy.
922
00:35:23,340 --> 00:35:26,198
{\an7}Like... it’s my mom’s birthday.
923
00:35:26,198 --> 00:35:30,066
{\an7}\h\h\h\hBut at the same time,
my mom is expecting our calls.
924
00:35:30,066 --> 00:35:32,198
{\an7}I’m just gonna have to
\h\hkeep it together.
925
00:35:32,198 --> 00:35:35,033
{\an7}(all speaking Korean)
926
00:35:52,033 --> 00:35:55,132
{\an7}\h- It’s really hard for me to
tell her all this crazy stuff,
927
00:35:55,132 --> 00:35:59,198
{\an7}\h\hbecause my mom is
kinda already scared.
928
00:35:59,198 --> 00:36:01,033
{\an7}I don’t want to ruin
\h\h\hher birthday,
929
00:36:01,033 --> 00:36:02,934
{\an7}but I kinda have to.
930
00:36:02,934 --> 00:36:07,066
{\an7}\h\h\h\hI need to tell her
so she can know the truth.
931
00:36:20,373 --> 00:36:22,033
{\an7}This whole pandemic situation
932
00:36:22,033 --> 00:36:24,297
{\an7}is just like so crazy
\h\h\h\h\hand deadly.
933
00:36:24,297 --> 00:36:27,802
{\an7}\h\h\h\hBut even if we
survive that (bleep),
934
00:36:27,802 --> 00:36:33,967
{\an7}my mom can’t even like come here
and feel safe about it.
935
00:37:09,132 --> 00:37:10,967
{\an7}- (Niko squeals)
936
00:37:13,340 --> 00:37:15,835
{\an7}- Happy birthday!
937
00:37:16,868 --> 00:37:19,340
{\an7}- I’m very scared for me,
\h\h\h\h\h\h\hfor my son,
938
00:37:19,340 --> 00:37:21,297
{\an7}\h\hand even for my mom
and she’s not even here.
939
00:37:21,297 --> 00:37:24,868
{\an7}I just know that I have to
\h\h\hget myself together
940
00:37:24,868 --> 00:37:26,297
{\an7}and be strong for all of them.
941
00:37:26,297 --> 00:37:28,099
{\an7}I don’t know how,
\h\h\hbut I will.
942
00:37:28,099 --> 00:37:30,099
{\an7}\h\h\h\h\hNiko...
(speaking Korean)
943
00:37:30,099 --> 00:37:34,373
{\an7}- (Niko babbling)
944
00:37:34,373 --> 00:37:36,297
{\an7}- Yeah.
945
00:37:52,282 --> 00:37:54,984
- ♪Take it back,
take it all back ♪
946
00:37:55,051 --> 00:37:57,854
♪ Bring it back,
bring it all back ♪
947
00:37:57,921 --> 00:38:00,523
♪Take it back,
take it all back, yeah ♪
948
00:38:00,590 --> 00:38:02,859
- Yerf!
- Morning, my guy.
949
00:38:02,926 --> 00:38:04,494
- It's so quit.
- Yes, it's super quiet.
950
00:38:04,561 --> 00:38:07,130
- It's peaceful today, yo.
- Are Donna and Alex here?
951
00:38:07,197 --> 00:38:08,898
- I haven't heard from them--
- That's what I'm saying.
952
00:38:08,965 --> 00:38:10,900
Like I don't hear no dogs.
I don't hear--
953
00:38:10,967 --> 00:38:12,502
- They probably not.
They probably not here.
954
00:38:12,569 --> 00:38:15,205
- Smoky!
(barking)
955
00:38:15,271 --> 00:38:18,374
- Wait, who did that?
- That was her.
956
00:38:18,441 --> 00:38:20,777
You sounded just like Smoky!
- Wait, I'm over here like...
957
00:38:20,843 --> 00:38:22,745
- That is stupid, yo.
- I said, Smoky here!
958
00:38:22,812 --> 00:38:24,480
- Wait, wait, wait.
- Yo.
959
00:38:26,816 --> 00:38:28,785
- It's not open?
- They're not there.
960
00:38:28,852 --> 00:38:30,653
- I didn't even see them
leave though.
961
00:38:30,720 --> 00:38:32,121
- Is she not lettin' us in?
962
00:38:32,188 --> 00:38:33,756
- There's nobody in there.
963
00:38:33,823 --> 00:38:35,391
- No?
- Legit, and the--
964
00:38:35,458 --> 00:38:37,694
- Oh, you looked underneath?
- Yeah, look, this right here.
965
00:38:37,760 --> 00:38:40,163
The bed is made.
The doors are locked.
966
00:38:40,230 --> 00:38:42,098
- She's not here, for real?
- I know that there's
967
00:38:42,165 --> 00:38:44,400
a secret door to get in here.
- A secret door?
968
00:38:44,467 --> 00:38:45,735
- Yeah.
- Oh, (bleep).
969
00:38:45,802 --> 00:38:47,103
- There's a secret door?
- Wait.
970
00:38:47,170 --> 00:38:48,938
- I may have done
a little snooping
971
00:38:49,005 --> 00:38:50,740
when we first got
to the mansion,
972
00:38:50,807 --> 00:38:53,042
and best believe
I found a secret door
973
00:38:53,109 --> 00:38:56,112
that's on the opposite side
of Donna and Alex's room.
974
00:38:56,179 --> 00:38:59,115
So I'ma go check it out
and see if they even in there.
975
00:38:59,182 --> 00:39:01,751
I forget if it was
a push or a slide.
976
00:39:01,751 --> 00:39:03,453
- Think it's a slide
that way, no?
977
00:39:03,520 --> 00:39:05,154
- This way?
978
00:39:05,221 --> 00:39:07,357
- Yeah!
- Oh, (bleep).
979
00:39:07,423 --> 00:39:08,925
I think they got in.
980
00:39:08,992 --> 00:39:12,028
(knock at door)
981
00:39:12,095 --> 00:39:14,464
- How the (bleep)
y'all did that?
982
00:39:14,531 --> 00:39:15,999
- How you open this?
983
00:39:16,065 --> 00:39:17,767
- We opened the secret door.
984
00:39:17,800 --> 00:39:20,103
- Oh.
This is breaking and entering.
985
00:39:20,169 --> 00:39:22,171
- Nah, yo, y'all--
- Yeah, I'm not
touching nothing.
986
00:39:22,238 --> 00:39:23,773
Let me out of here.
- Y'all buggin'.
987
00:39:23,806 --> 00:39:25,241
- With Alex saying
that Donna is having
988
00:39:25,308 --> 00:39:27,310
some type of mental issues,
it kind of sheds
989
00:39:27,377 --> 00:39:29,679
a little bit of light
on how she's been acting.
990
00:39:29,779 --> 00:39:33,016
So if Donna did leave,
I would not at all be surprised.
991
00:39:33,082 --> 00:39:35,218
- She's gone.
There's no Smoky.
992
00:39:35,285 --> 00:39:36,819
There's no Donna.
There's no Alex.
993
00:39:36,886 --> 00:39:39,455
There ain't (bleep)
in that room.
994
00:39:39,522 --> 00:39:42,192
- Damn.
Did they go back to New York?
995
00:39:42,258 --> 00:39:44,227
- I don't know.
Let me check my Instagram.
996
00:39:44,294 --> 00:39:46,796
- Yeah, check her page,
see what she doin'.
997
00:39:46,829 --> 00:39:49,265
- I'm blocked!
- She blocked you?
998
00:39:49,332 --> 00:39:50,967
Let me see.
- Where's your--
999
00:39:51,034 --> 00:39:52,902
- Let me look.
1000
00:39:52,969 --> 00:39:54,971
She unfollowed me!
1001
00:39:55,038 --> 00:39:56,306
- Tatti!
- What?
1002
00:39:56,372 --> 00:39:57,840
- Did you get blocked
on Instagram?
1003
00:39:57,907 --> 00:39:59,142
- Spyder.
- Yo?
1004
00:39:59,209 --> 00:40:00,577
- Donna block you?
- Hold on.
1005
00:40:00,643 --> 00:40:02,111
Hold on.
Hold the (bleep) up.
1006
00:40:02,178 --> 00:40:03,746
- Yeah.
1007
00:40:03,780 --> 00:40:06,082
- I got blocked.
- She blocked everybody.
1008
00:40:06,149 --> 00:40:07,383
Maybe she really
not coming back.
1009
00:40:07,450 --> 00:40:09,252
- This is you
quitting Black Ink?
1010
00:40:09,319 --> 00:40:11,321
Good.
I know that she's not great
1011
00:40:11,387 --> 00:40:13,957
right now, so I hope
she can find peace,
1012
00:40:14,023 --> 00:40:15,525
because I know I sure will.
1013
00:40:15,592 --> 00:40:17,393
- I think she really gone.
1014
00:40:17,460 --> 00:40:18,528
- This is crazy.
1015
00:40:18,595 --> 00:40:21,364
♪♪
1016
00:40:21,431 --> 00:40:22,765
- Oh, my God, who's cooking?
- I prepped this food
1017
00:40:23,897 --> 00:40:25,864
{\an7}from this (bleep) morning
\h\h\h\h\h\hto feed y’all.
1018
00:40:25,864 --> 00:40:28,458
{\an7}I just wanted to share
my culture with them.
1019
00:40:28,458 --> 00:40:30,194
{\an7}\h- What’s that?
- Supposed to be
1020
00:40:30,194 --> 00:40:32,227
{\an7}an aphrodisiac, guys, so...
1021
00:40:32,227 --> 00:40:34,897
{\an7}\h\h\h\h\h\h- This (bleep)
makes me wanna try tricks.
1022
00:40:34,897 --> 00:40:36,095
{\an7}(bones crunching)
1023
00:40:36,095 --> 00:40:38,996
{\an7}- Listen, honey, a lot of things
have been weird between us,
1024
00:40:38,996 --> 00:40:41,359
{\an7}but at the end of the day,
\h\h\hI don’t want to keep
1025
00:40:41,359 --> 00:40:45,831
{\an7}\h\hour (bleep) on the shelf
because of what’s happened.
1026
00:40:45,831 --> 00:40:48,996
{\an7}- I love you, but...
1027
00:40:48,996 --> 00:40:50,161
{\an7}- And we’ve talked
\hseveral times...
1028
00:40:50,161 --> 00:40:52,260
{\an7}\h\h\h\h\h\h- Several times.
- ...about this lead artist
\h\h\h\h\h\h\h\h\hsituation.
1029
00:40:52,260 --> 00:40:53,996
{\an7}- Over and over.
\h- I feel like
1030
00:40:53,996 --> 00:40:57,227
{\an7}a tattoo challenge
\h\his a-brewing.
1031
00:40:57,227 --> 00:40:59,798
{\an7}\h- It sounds like
Black Ink Battle!
1032
00:40:59,798 --> 00:41:02,798
{\an7}\h\h- Let’s give ’em
a round of applause.
1033
00:41:02,798 --> 00:41:07,227
{\an7}- You got two hours
and ticking, y’all!
1034
00:41:07,227 --> 00:41:08,524
{\an7}- Don’t get nervous.
1035
00:41:08,524 --> 00:41:10,260
{\an7}- Cut the tension
\h\hwith a knife.
1036
00:41:10,260 --> 00:41:15,227
{\an7}- Who’s gonna get this money?
\h\h\h\h\h\h\h\h\h\h\h- Time!
1037
00:41:29,306 --> 00:41:30,474
- ♪ Drop, drop ♪