>> I LOVE WORKING HERE.
THANK YOU FOR GIVING ME
THIS OPPORTUNITY, CEASE.
THIS IS AWESOME.
>> MY LITTLE SISTER TIFFANY
HAD TO GO,
SO I HIRED SKY
TO BRING THAT FEMALE PRESENCE
TO THE SHOP.
PLEASE DON'T HURT NOBODY,
KILL NOBODY ON THIS PREMISES.
>> ALLEGEDLY, TIFF WAS DOING
A LOT OF SNEAKY,
BEHIND-THE-BACK [bleep],
AND I GUESS CEASER
TOOK IT PERSONAL
BECAUSE IT WAS HIS SISTER,
AND IT JUST WENT OFF.
>> WE'RE ABOUT TO GET CRAZY
IN A MOMENT TOO, MAN.
GRAND OPENING.
INK 124.
[cheers]
I REALLY APPRECIATE
ALL OF YOU GUYS COMING OUT, MAN.
THIS IS LIKE LOVE.
>> NOW THAT ME AND DUTCHESS
BACK TOGETHER,
THE MOST IMPORTANT THING
WE HAVE TO WORK ON
IS COMMUNICATION.
>> I WANT TO FEEL LIKE I HAVE
REAL FRIENDS AROUND ME.
>> WHETHER YOU REALIZE IT
OR NOT, DUTCH,
YOU SEPARATED YOURSELF FROM US.
>> I JUST WENT THROUGH
HEART SURGERY.
>> BUT INSTEAD OF--
>> NOT ONE PERSON CALLED
AND SAID, "DUTCHESS,
YOU A'IGHT?"
>> I HAD ABSOLUTELY NO IDEA
YOU WENT INTO SURGERY.
I HAD ABSOLUTELY NOTHING.
>> [sobbing] Y'ALL DIDN'T HAVE
COMPASSION FOR ME.
I'M HURT BY THAT.
[hip-hop music]
*
[energetic hip-hop music]
*
>> * SHE BEST, AND SHE KNOW
* I GOT A HUNDRED WORDS
* TO BLOW
* I LIKE THE WAY
* THAT THING SINK
* WHEN SHE TAKE IT
* TO THE FLOOR
* GONNA SHAKE IT
* SIDE TO SIDE, GIRL
* I LIKE THE WAY YOU SWING
* I WANT TO DO
* SOMETHIN' STRANGE *
* FOR A LITTLE PIECE OF CHANGE
* WHILE YOU RUN
* DOWN THAT FLOOR
* RUN DOWN THAT FLOOR
[door buzzes]
>> HI, YOU GUYS.
>> HEY, HEY.
WHAT UP?
>> WHAT'S UP?
>> HOW YOU DOING, MAN?
>> [laughs]
>> SKY, I GOT A GOOD QUESTION.
>> NO PROBLEM.
>> GIRL, WHAT YOU THINK ABOUT
HOW YOU GONNA DEAL
WITH THE CRAZY MIXXXIES
THAT COME THROUGH?
>> I'M QUEEN OF THE MIXXXIES.
I'LL PROBABLY KNOW
HALF THEM BITCHES.
YOU AIN'T GOT TO WORRY
ABOUT NOTHIN'.
>> WELL, THE ONLY PERSON
WHO REALLY HAS MIXXXIES
IN THIS ROOM IS...
>> THIS GUY RIGHT HERE.
>> THE KING OF THE MIXXXIES.
>> WE GOT ROYALTY...
[laughter]
WE GOT A KING, QUEEN
OF MIXXXIES.
>> I NEVER [bleep] WHERE I EAT,
BESIDES ALEX.
BUT I DON'T KNOW WHAT'S WRONG
WITH CEASE HIRING
THE QUEEN OF THE MIXXXIES
TO WORK AT THE SHOP.
>> COME HERE, TEDDY.
>> NO.
>> DON'T [bleep] PLAY WITH ME.
COME HERE, AND GIVE ME A HUG
WITH YOUR BIG, SEXY ASS.
>> NO.
>> GIVE ME A HUG.
LET ME HUG YOU.
>> ALL RIGHT.
>> KNOW I LOVE YOU.
>> [bleep], STOP, MAN!
>> TODAY--WHAT THAT [bleep]
LOOK LIKE TODAY?
>> LOOK AT THIS [bleep]
TRYIN' TO FEEL ON ME ALREADY,
AND IT'S NOT EVEN LUNCHTIME?
>> NO, BABY, COME HERE!
HEY, TED!
TED, DON'T LEAVE!
[laughter]
TED, DON'T LEAVE!
>> TED!
>> TED, FEEL THESE TITTIES!
>> HEY!
>> TED, COME BACK!
>> HEY!
>> HE DON'T LIKE THESE TITTIES
NO MORE.
[dramatic hip-hop music]
>> * MY POP SOLD HIS SON
* GOT A RANSOM FOR BEING HERE
* SON, DAMN, SON
* YOU A BAG OF CHIPS AND SOME
* MAN UP, STAND DOWN
* HANDS UP, MAN DOWN
* IT'S ALL IN OUR MIND *
* YOU OUT OF YOUR MIND?
>> SO WHERE IS IT,
IN THE BRONX?
>> YEAH.
BRONX CRIMINAL COURT.
I'M GOING TO TRIAL
WHERE I'M GONNA BE FACING
THREE TO FIVE YEARS IN JAIL.
LAST YEAR, I GOT PULLED OVER.
I WAS DRIVING MY EX-GIRLFRIEND
KAYLIN'S CAR.
SHE HAD HER MILITARY-REGISTERED
GUN IN THE GLOVE COMPARTMENT.
I DIDN'T KNOW THAT SHE HAD
A GUN IN THE CAR.
ME BEING A BLACK MAN
IN THE BRONX, OF COURSE
I GET SLAPPED WITH IT.
>> I'M GLAD IT'S NOT IN QUEENS.
>> YEAH, I HATE QUEENS.
>> I LIVED IN QUEENS FOR A YEAR.
I HATED IT ALSO.
>> YOU LIVED IN QUEENS?
>> YEAH.
>> THIS IS SO WEIRD.
HOW COME I'VE NEVER KNOWN THAT?
>> I DON'T KNOW.
WE ALWAYS TALK ABOUT YOU.
[giggles]
>> MY NEW BABY MAMA ANYA,
SHE'S GONNA BE GOING WITH ME
TO COURT.
IT FEELS GOOD TO KNOW
THAT I'M ACTUALLY GONNA HAVE
SOMEBODY WHO'S THERE WITH ME
THROUGHOUT THE WHOLE PROCESS,
NOT JUST WALK ME TO THE DOORS
AND SAY, "HEY, LOOK.
YOU'RE ON YOUR OWN NOW."
I TOLD YOU EVERY SINGLE
DEEP, DARK SECRET ABOUT ME.
>> I DON'T THINK EVERY SINGLE...
THERE'S ONE SITTING RIGHT HERE,
PROBABLY, ON YOUR CHEST.
YOU WANT TO GET IT OFF?
>> ALL RIGHT.
I'VE BEEN ARRESTED A LOT.
>> I DIDN'T KNOW YOU HAD
A RECORD.
>> WHEN I WAS 17,
I WAS ARRESTED TEN TIMES
IN ONE YEAR.
MY MOM'S DYING WORDS WAS,
"STOP GETTING ARRESTED."
>> ALMOST EVERY CRIME
THAT YOU COULD THINK OF...
FROM ROBBERY
TO MANSLAUGHTER.
WHEN THEY CHARGED ME
FOR MANSLAUGHTER,
IT WAS LITERALLY JUST, LIKE,
ME WALKING DOWN THE STREET.
I WAS JUST ALWAYS A KID
WHO WAS AT THE WRONG PLACE
AT THE WRONG TIME.
I GOT ARRESTED,
AND I GET TO THE PRECINCT.
THEY BE LIKE, "YO,
YOU KILLED HIM!"
I'M LIKE, "KILLED WHO?"
I DIDN'T KILL ANYBODY.
I'VE BEAT EVERY SINGLE CASE,
BUT I DON'T KNOW IF THEY'RE
GONNA BRING ALL OF THAT STUFF
UP NOW, BECAUSE, I MEAN, LIKE,
I THOUGHT, LIKE, IF YOU GOT
ARRESTED AS A MINOR, YOU KNOW,
THEY COULDN'T USE THAT STUFF.
>> MY HANDS ARE SWEATY.
MY BELLY'S TURNING.
FEELIN' A LITTLE DIZZY
AND LIGHT-HEADED.
THIS COULD BE IT.
>> I DON'T KNOW HOW TO REALLY
HANDLE ALL OF THE STRESS
RIGHT NOW.
LIKE, I GOT TO SEEM
LIKE I'M JUST FINE,
BUT INSIDE I'M GOING CRAZY.
>> I'VE BEEN WAITING
FOR ALMOST A YEAR
TO FIND OUT IF I'M GONNA BE
INNOCENT OR GUILTY.
I MEAN,
CAN WE JUST GET THIS OVER WITH?
I'M TIRED OF WAITING.
I'M GOING CRAZY,
AND THE MORE THAT THEY PUT THIS
OFF, THE CRAZIER I'M GONNA GET.
IT'S MAKING ME INSANE.
>> * THIS WORLD IS HEAVY
* ON MY SHOULDERS
* THOUGH I'M SO IN IT *
* MY LIFE IS CHANGIN' *
* NOW IT'S NIGHTS *
* THAT IN DAY, NO WAY
* MY LIFE HAS CHANGED
* NOT THE SAME
>> YOU TAKIN' THE FAMILY
OUT FOR DINNER?
>> WHAT?
>> [chuckling]
>> OH, [bleep].
>> MAN!
SO MY MOMS AND MY STEP-POPS
IS IN TOWN FOR THE WEEKEND.
MY MOMS IS LIVING IN FLORIDA
OVER TEN YEARS NOW.
I GUESS THEY JUST COME IN
TO CHECK ON ME 'CAUSE THEY AIN'T
SEEN ME IN A WHILE.
>> HEY, EVERYONE!
>> MAMA AND THEM.
WHAT TIFFANY DOING HERE
RIGHT NOW?
LIKE, IT'S A LITTLE TOO SOON.
LIKE, YOUR BROTHER
JUST FIRED YOU.
HE JUST LET YOU GO.
I UNDERSTAND YOU GOT MOMMY
WITH YOU, BUT THAT AIN'T GONNA
SAVE YOU RIGHT NOW.
YOU KNOW HOW YOUR BROTHER IS.
>> HI, TED.
>> GOOD TO SEE YOU.
>> YOU LOOK GREAT.
HOW ARE YOU?
>> WHAT'S GOING ON, BOSS?
>> LET ME GET OUT YOUR WAY
SO YOU CAN SIT DOWN, MAMA.
>> LOVE YOU, BABY.
>> WALT, WHERE YOU GOING?
>> UH...
I'M GOING TO USE THE BATHROOM.
>> [clears throat]
I THINK I GOT TO GO
TO THE BATHROOM TOO.
WALT, YOU FINISHED?
>> NAH!
YO, I'MA BE HERE FOR A WHILE!
>> TIFF HAS BEEN SLEEPING
WITH FORMER TATTOO ARTISTS
AT BLACK INK.
SHE'S BEEN MISMANAGING MONEY
AT THE SHOP
AND JUST USING THE SHOP
FOR HER OWN GOOD.
AND I KNOW THAT PISSES
CEASE OFF,
'CAUSE CEASER BROUGHT HER IN
BECAUSE IT'S HIS SISTER
AND HE WOULD EXPECT MORE
FROM HIS FAMILY.
>> I CAME SO I COULD TALK
TO YOU.
>> ABOUT?
>> ABOUT FAMILY.
>> WHAT?
>> AND I KNOW THERE IS SOMETHING
GOING ON BETWEEN YOU AND TIFFANY
THAT I REALLY WOULD LIKE
TO ADDRESS.
>> I FIRED TIFFANY 'CAUSE SHE
RAN BLACK INK INTO THE GROUND.
DO YOUR JOB,
AND YOU CAN KEEP YOUR JOB.
TIFFANY MESSED UP,
AND SHE HAD TO GO.
AND NOW SHE ON MY MOTHER[bleep]
NERVE, ACTING ALL TOUGH.
[bleep] HER.
I TOLD HER,
"LISTEN, TIFF.
I KNOW YOU DON'T KNOW NOTHING
ABOUT THIS BUSINESS,
BUT YOU'RE MY SISTER.
I TRUST YOU."
BUT TIFFANY WANTS TO DO
WHAT TIFFANY WANTS TO DO.
I WAS SEVEN YEARS OLDER
THAN TIFFANY.
MY MOMS WAS WORKING
[bleep] 12-HOUR DAYS.
I WAS BASICALLY TIFFANY'S FATHER
WITHOUT BEING HER FATHER.
AND FOR HER TO BETRAY ME...
IT'S ONE OF THE WORST FEELINGS
IN THE WORLD.
BUT I BROUGHT YOU IN TO HELP ME,
AND YOU'RE DOING THE OPPOSITE,
AND YOU'RE PUTTING
MORE STRESS ON ME.
>> YEAH, BUT NOBODY
HAD A CONVERSATION
WITH ME ABOUT THIS.
THIS IS SOMETHING THAT YOU--
>> HOLD ON. HOLD ON.
TIFFANY, TIFFANY...
>> ALWAYS ASSUMED.
>> NO, SEE, THIS IS WHY
I DON'T LIKE--
I HATE WHEN PEOPLE LIE TO ME,
AND I HATE WHEN PEOPLE
INSULT MY INTELLIGENCE.
I DON'T LIKE BEING DISRESPECTED.
THAT'S A BIG THING WITH ME.
THIS IS WHY I'M PUTTIN'
MY DISTANCE,
BECAUSE NO MORE WILL I CARE
FOR SOMEBODY WHO DON'T GIVE
A [bleep] ABOUT MY FEELINGS.
>> NOBODY REALLY CARED ABOUT
MY FEELINGS IN ALL OF THIS.
I WAS AT BLACK INK SEVEN DAYS
A WEEK OPENING THE SHOP.
NOBODY CARED ABOUT THAT.
I WAS HERE.
I BROUGHT IN MARKETING TOOLS.
>> ALL THIS MARKETING TOOL
ARE [bleep] BULL[bleep].
OKAY?
NO ONE GIVES A [bleep]
ABOUT A--
>> BUT--
>> NO, NO, NO.
>> SHH.
DON'T FORGET,
YOU DON'T HAVE TO GET UPSET.
>> LEAVE ME ALONE.
AND 'CAUSE THIS IS WHAT Y'ALL
WANTED FROM ME.
OKAY, IF YOU LOOK
AT MY PROFIT, YOU WOULD KNOW
THAT [bleep] THAT [bleep] FELL
SINCE YOU GOT HERE.
>> CAN WE GET BACK
TO WHAT WE WERE TALKING ABOUT--
>> WHAT?
>> PLEASE?
>> NO, THIS IS WHAT
Y'ALL WANTED.
Y'ALL CAME HERE,
AND ALL OF A SUDDEN--
WHY I DID THIS TO TIFFANY.
>> OH, I WENT OUT,
AND I GAVE OUT FLYERS,
AND I DID MY JOB!
>> SHE'S A [bleep] LIAR.
>> TIME-OUT. TIME-OUT.
>> AND EVERY TIME I TALK
TO THIS BITCH, IT'S LIKE SHE
WANTS TO SIT HERE AND LIE.
>> TIME-OUT.
>> MAN, I AIN'T GONNA SIT HERE
AND LISTEN TO [bleep] THIS.
WHAT ARE YOU DOING NOW, THOUGH?
>> NO, NO.
>> IT DOESN'T MATTER!
MAKING MORE THAN $71
IN [bleep] BLACK INK!
[bleep] YOU!
>> [bleep] YOU TOO, BITCH!
>> CAN I TALK TO YOU?
JUST--I HAVEN'T SPOKEN TO YOU
IN FOREVER.
>> WHY SHE WANTS TO TALK TO ME,
I HAVE NO IDEA.
>> BEING ANGRY AT PEOPLE
DOESN'T HELP YOURSELF.
>> GOOD-BYE, CEASE.
>> YO, I'M OUT OF HERE ANYWAY.
SEE YOU AT HOME.
OUR RELATIONSHIP
IS KIND OF UP IN THE AIR.
HONESTLY, IN TIMES LIKE THIS,
PEOPLE MAKE REALLY STUPID
DECISIONS.
>> CAN WE GET BACK
TO WHAT WE WERE TALKING ABOUT--
>> WHAT?
>> PLEASE?
>> NO, THIS IS WHAT
Y'ALL WANTED.
Y'ALL CAME HERE,
AND ALL OF A SUDDEN--
WHY I DID THIS TO TIFFANY.
>> OH, I WENT OUT,
AND I GAVE OUT FLYERS,
AND I DID MY JOB!
>> SHE'S A [bleep] LIAR.
>> TIME-OUT. TIME-OUT.
>> AND EVERY TIME I TALK
TO THIS BITCH, IT'S LIKE SHE
WANTS TO SIT HERE AND LIE.
>> TIME-OUT.
>> MAN, I AIN'T GONNA SIT HERE
AND LISTEN TO [bleep] THIS.
>> BUT YOU GAVE ME $71 A DAY,
YOU BROKE-ASS.
PAID ME MINIMUM WAGE.
GET THE [bleep] OUT OF HERE.
>> 'CAUSE YOU DESERVE
MINIMUM WAGE!
GET THE [bleep] OUT OF HERE!
SO WHAT THE [bleep] IS $71?
>> WAIT A MINUTE.
>> WHAT ARE YOU DOING NOW,
THOUGH?
>> NO, NO.
>> IT DOESN'T MATTER!
MAKING MORE THAN $71
IN [bleep] BLACK INK!
[bleep] YOU!
>> I KNOW!
[bleep] YOU TOO, BITCH!
>> NOW JUST STOP IT!
>> MAN, [bleep] THAT!
YO, SHE WENT [bleep]--
>> STOP IT!
>> I DON'T GIVE TWO [bleep]
NEITHER!
>> STOP IT.
>> [bleep] [bleep].
>> CALM DOWN.
>> NO, NO, NO, DON'T
[bleep] CALM ME DOWN NOTHIN'.
MAN, [bleep] THAT BITCH.
THAT'S WHAT SHE WANTED, YO.
>> NOT WHAT WE CAME HERE FOR.
>> NO, BECAUSE YOU [bleep]
SHOULD'VE NEVER BROUGHT
THIS BITCH OVER HERE, YO!
>> HEY, IT'S YOUR SISTER.
>> MAN, [bleep], I AIN'T GOT
NO SISTER.
>> CEASE, CALM--
>> [bleep] HER.
>> I CAN'T BELIEVE HIM.
>> I WENT OUT THERE
TO CALM CEASER DOWN,
BECAUSE THAT IS DISRESPECTFUL,
ESPECIALLY IF YOU GONNA SAY
YOU A BOSS.
A BOSS CAN'T BE WALKING AROUND
HERE DISRESPECTING HIS FAMILY
LIKE THAT.
>> THAT BITCH OUT OF MY SHOP.
>> LET ME SPEAK TO YOU.
>> YO, DON'T TALK TO ME
NOTHIN', MAN.
YO, GO WITH HER, YO.
OKAY, THAT WAS YOUR FAVORITE
CHILD ANY-[bleep]-WAY.
>> NO--
>> I'M TIRED OF [bleep].
>> LISTEN.
>> HEY, CEASER, YEAH...
>> LISTEN.
>> COME IN ANY--
COME IN ANYWAY.
>> NO, LET ME SPEAK TO YOU.
>> NO, WHAT YOU DID WAS,
YOU TRYIN' TO BE INVASIVE.
I DON'T WANT TO TALK NO MORE!
>> LISTEN TO ME.
>> [bleep] IS TRIPPIN'.
Y'ALL JUST BUGGIN', MAN.
I ALWAYS BEEN THE BLACK SHEEP.
WHY SHOULD I NOT GET MAD?
I DON'T WANT TO TALK
ABOUT THIS [bleep] NO MORE.
>> TIFFANY, WAIT.
>> I DON'T WANT TO TALK
ABOUT THIS.
>> NO, THE POINT IS THAT WE CAME
HERE TO SIT DOWN AND TALK.
>> [sobbing] I DON'T CARE.
I DON'T WANT TO DO THAT.
I DON'T CARE.
[crying] I'M TIRED OF IT.
I'M TIRED.
>> DON'T CRY. DON'T CRY.
>> THAT [bleep] IS DRAINING
TO ME.
>> DON'T CRY.
I KNOW, BUT DON'T CRY.
IT'S NOT WORTH IT.
>> [sobs] NO, IT'S NOT.
I HATE THIS PLACE.
I WOULD NEVER BE BOTHERED
WITH BLANK INK.
IT'S A PIECE OF [bleep].
>> OKAY, ALL RIGHT, BUT FOR NOW,
LET'S JUST HOLD ON
AND CALM DOWN.
PLEASE.
[door creaks]
>> I FEEL LIKE I JUST BEEN
[bleep] AMBUSHED
BY MY [bleep] FAMILY.
AND THEN THIS BITCH
SITTIN' THERE LYING
AND SAYING I'M--
TALKIN' ABOUT,
"I HELPED YOUR BUSINESS."
NO, YOU DIDN'T.
YOU HURT IT.
I'M TIRED OF MY MOMS
TRYIN' TO MEND A SITUATION
THAT'S UNMENDABLE.
YOU CAN'T FORCE ME
TO LIKE SOMEBODY THAT
I REALLY DISLIKE NOW.
LIKE, I UNDERSTAND
SHE'S MY SISTER,
BUT WHEN YOUR SISTER DONE
SO MUCH THINGS TO OFFEND YOU
AND DID SO MUCH BEHIND-THE-BACK
[bleep], IT'S LIKE...
[bleep] BEING A SISTER.
YOU TREATIN' ME LIKE A ENEMY.
>> DON'T GIVE IT THE POWER
TO [bleep] WITH YOU LIKE THIS.
CAN'T CHANGE FAMILY,
BUT YOU CAN CHANGE
HOW YOU DEAL WITH 'EM.
SO THAT'S THE ONLY THING
YOU CAN DO.
>> THANKS, DUTCH.
>> YOU CAN TAKE A DAMN HUG.
YOU ACT LIKE YOU SO TOUGH,
YOU DON'T NEED ONE.
CALM DOWN.
[energetic hip-hop music]
>> [rapping indistinctly]
*
>> * YEAH
>> * HEY, YES, MAYBE SO
* ON THESE STREETS
* GOT STRIPES
* LIKE A GENERAL
>> THEY'RE HERE.
OH, YAY!
HOW ARE YOU?
>> I'M GOOD. HOW ARE YOU?
>> APPRECIATE YOU COMING BY.
>> OF COURSE.
>> SO, YOU KNOW, TODAY'S
MY BABY SHOWER
AND ALL THAT STUFF.
ZENOBIA HAS BEEN, LIKE,
REALLY PLANNING THIS
FOR QUITE SOME TIME NOW.
>> HI, ZENOBIA!
>> HI.
>> YOU LOOK SO PRETTY.
>> THANK YOU.
>> OKAY.
>> YOU ALL RIGHT?
>> YEAH.
>> I GOT KIND OF MIXED FEELINGS,
THOUGH, 'CAUSE I'M NOT IN LOVE
WITH ZENOBIA,
BUT, YOU KNOW, I'M STILL TRYING
TO GET EVERYBODY TOGETHER
TODAY, YOU KNOW WHAT I MEAN,
TO CELEBRATE THE NEW BABY COMING
AND ALL THAT STUFF.
>> DO YOU KNOW IF THEY'RE
COMING TODAY?
>> UM...
CEASER SAID HE'S SUPPOSED
TO COME.
I'M NOT SURE IF DUTCHESS
OR WHOEVER, WHATEVER...
>> ODDLY ENOUGH,
QUANI FEELS BAD FOR THIS GIRL
AND WANTS TO TALK TO HER,
HAVE A HEART-TO-HEART WOMAN
TALK WITH HER.
>> WITH WHO?
>> WITH DUTCHESS.
QUANI, SHE MADE THAT UP, NOT ME.
SHE CAME TO ME WITH THAT.
OOH, EARMUFFS.
I PERSONALLY STILL REMEMBER
EVERYTHING.
I HAVE NOT FORGOT.
YOU KNOW, QUANI HAS
A GOOD HEART.
SHE'S BETTER THAN ME.
>> YOU WANT TO HAVE A SIT-DOWN
WITH DUTCHESS.
>> I FEEL LIKE WHEN SHE FIRST
CAME INTO Y'ALL LITTLE CREW,
SHE WAS JUST LIKE
THE SWEETEST PERSON,
AND THEN SOMETHING WENT LEFT.
>> I MEAN, REALITY
OF THE SITUATION WAS, DUDE,
LIKE, SHE SHOWED PEOPLE
THAT SHE WAS ONE WAY,
AND THEN SOME--WHATEVER HAPPENED
JUST REALLY THREW PEOPLE
WAY OFF.
IF I COULD CHOOSE THREE WORDS
TO DESCRIBES DUTCHESS' BEHAVIOR,
I WOULD HAVE TO SAY DISLOYAL,
DISRESPECTFUL,
AND DISGUSTING.
AND AT THE END OF THE DAY, LIKE,
PEOPLE CAN ONLY
JUDGE YOU AND GO...
>> BY WHAT THEY SAY.
>> WITH WHATEVER YOU SHOW THEM.
SO SOMETHING WAS 'CAUSING YOU
TO FLIP THE [bleep] OUT
LIKE THAT EVERY TIME OR,
YOU KNOW, WHATEVER THE SITUATION
IS, BUT MY THING IS THAT SHE
DEFINITELY NEEDS TO BE HELD
ACCOUNTABLE.
IF I COME TO DUTCHESS
AND TELL YOU, "DUTCHESS,
I HAVE A PROBLEM WITH THIS,"
IS SHE GONNA BE LIKE,
"YOU KNOW WHAT, SASS?
I APOLOGIZE THAT I MADE YOU
FEEL THAT WAY"?
NO.
IT'S GONNA GO,
"I DIDN'T DO THAT.
I DIDN'T SAY THAT.
SHE DID IT. HE SAID IT.
HE DID IT, AND THEY DID IT."
AND THEN THAT'S IT.
LIKE, I REALLY DO WANT TO GO
THERE, BUT SHE'S ALWAYS TURNT UP
AND TALKIN' [bleep],
LIKE, MAKIN' [bleep] WORSE.
>> HEY.
>> WHY THE HELL DID DUTCH
BRING HER MOMS
TO MY BABY SHOWER
AND ALL THIS STUFF?
WHAT, DOES SHE THINK SHE NEED
PROTECTION AGAINST US HERE,
IF, LIKE--
IS HER POPS SOMEWHERE
UP IN A TREE RIGHT NOW
WITH THE SNIPER RIFLE
OR SOMETHING?
'CAUSE THIS IS JUST
MY BABY SHOWER.
WE DON'T WANT NO--IT'S NOT WAR.
I DON'T WANT NO PROBLEMS HERE.
>> [laughs] YEAH.
[indistinct chatter]
>> OH, YEAH, I DID.
>> LITTLE TOAST TO YOU.
>> I JUST APPRECIATE YOU ALL
COMING THROUGH.
>> CONGRATULATIONS, WALT.
>> CONGRATS AGAIN.
>> I DON'T CARE
IF THEY DON'T LIKE ME.
RIGHT NOW, I HAVE A WALL
BUILT UP TO THE WORLD.
I'M SUPPOSED TO HAVE
THESE WALLS BUILT UP.
THEY LAID THE FOUNDATION DOWN
FOR ME A LONG TIME AGO.
ALL I DID WAS LAY THE BRICKS.
[indistinct chatter]
>> CAN I TALK TO YOU?
JUST--I HAVEN'T SPOKEN TO YOU
IN FOREVER.
>> WHY SHE WANTS TO TALK TO ME,
I HAVE NO IDEA.
SHE DIDN'T WANT ME
AT HER WEDDING, SO WHAT YOU
WANT TO TALK TO ME FOR?
I'M A LITTLE BIT CONFUSED
MYSELF.
>> HOW HAVE YOU BEEN?
LIKE, HOW'S EVERYTHING
GOING FOR YOU?
>> IT'S CRAZY.
EVERYBODY FEELS LIKE
I'M THE REASON FOR EVERYTHING
TO BE GOING SO CRAZY.
ANYTHING THAT WAS GOING ON
WITH CEASE WAS DUTCHESS' FAULT.
>> BUT THAT'S BECAUSE
EVERYBODY JUST FEELS
LIKE YOUR ATTITUDE HAS CHANGED.
BEING ANGRY AT PEOPLE
DOESN'T HELP YOURSELF.
>> NO, I WASN'T BEING ANGRY.
I THINK EVERYBODY MISPLACED
MY SILENCE FOR ANGER.
>> WHEN YOU'RE ANGRY,
IT'S JUST FULL-BLOWN--
RAH.
>> FOR ME, I FELT JUDGED
WITHOUT EVEN BEING GIVEN
THE OPPORTUNITY
TO GET TO KNOW ME.
AND I'M ALWAYS THE ONE
TO LOOK LIKE THE VILLAIN.
>> THAT'S BECAUSE THEY FEEL LIKE
YOU'RE AGAINST THEM.
YOU UNDERSTAND?
YOU GUYS ALL HAD FRIENDSHIPS
BEFORE YOU AND CEASER'S
RELATIONSHIP.
>> EXACTLY, AND THAT'S
WHAT I DON'T UNDERSTAND.
IT'S LIKE BECAUSE WE'RE
IN A RELATIONSHIP,
NOW I CAN'T BE FRIENDS
WITH EVERYBODY.
>> IF YOU WANT GENUINE FRIENDS,
YOU HAVE TO BE GENUINE
TOWARDS THEM.
>> YEAH, BUT GOING--
>> I JUST--JUST KNOW--
>> AH--MM.
EVERYONE BLAMES ME
FOR EVERYTHING THAT GOES WRONG
WITH THE CREW.
I AM EVERYONE'S SCAPEGOAT.
THIS IS WHY I JUST FEEL
LIKE WASHING MY HANDS, THOUGH.
I REALLY DON'T WANT
TO DO THIS NO MORE.
[sobbing] I'M SORRY.
>> NO, DON'T CRY, PLEASE.
[indistinct chatter, laughter]
>> DON'T THINK THAT YOU'RE THE
ONLY ONE GOING THROUGH STUFF.
>> NO, AND I'M NOT,
BUT THE THINGS THAT I WAS
GOING THROUGH WAS GOING THROUGH
BY MYSELF.
>> YOU LOST IT, MAN.
>> [sobbing] I'M NOT BAD.
I JUST BEEN HURT.
>> DID I KNOW THAT YOU'D BE OUT
PARTYING WITHOUT TAKING
MY CALLS WHEN I'M PREGNANT?
HELL, NO.
IF I KNEW THAT,
I WOULDN'T BE PREGNANT.
>> [sobbing] I'M SORRY.
>> NO, DON'T CRY, PLEASE.
[indistinct chatter, laughter]
THERE WERE SOME THINGS SAID
ABOUT ME THAT WEREN'T TRUE.
AND I SAID, "YOU KNOW WHAT?
I'M NOT FEELING DUTCHESS.
I DON'T FEEL AS THOUGH
SHE HAS RESPECT FOR PEOPLE."
THAT WAS MY BIGGEST PROBLEM
WITH YOU.
>> [sobs]
YOU SHOULDN'T FEEL
LIKE I JUDGED YOU,
BECAUSE I DIDN'T.
>> IT'S OKAY. THE--
>> THE ONLY THINGS THAT I KNEW
ABOUT YOU WERE THE THINGS
THAT THEY SAID.
>> WHAT PEOPLE SAID, AND--
>> AND I SHOULD'VE TOOK
THE TIME TO GET TO KNOW YOU
MYSELF TO MAKE MY OWN JUDGMENT.
>> IT'S OKAY. JUST--
I'M LETTING THAT GO.
>> AND THEY TELL ME
THAT YOU DIDN'T WANT ME
AT YOUR WEDDING, AND I TOLD THEM
I DO NOT WANT TO GO.
>> I FELT LIKE IF YOU DON'T HAVE
RESPECT FOR OUR RELATIONSHIP,
THEN WHO ARE YOU TO SEE US,
YOU KNOW, GET MARRIED?
>> I'M SORRY, QUANI.
>> IT'S OKAY, MAMA.
>> I DIDN'T WANT TO HURT
ANYBODY.
I'M SO DEFENSIVE BECAUSE
OF HOW HARD ON MYSELF I AM,
SO I DON'T LET PEOPLE IN.
I HURT, SO I'VE HURT PEOPLE.
BUT...
[sobbing] I'M NOT BAD.
[sniffles]
I JUST BEEN HURT.
>> STOP CRYING. STOP CRYING.
NO, STOP CRY--
QUIT RUNNING FROM EVERYTHING.
YOU HAVE A LOT
OF BLESSINGS WITH YOU.
YOU HAVE A LOT GOING ON
WITH YOU.
JUST GET TO YOURSELF,
AND REMEMBER WHO YOU WERE.
>> I HAVE A LOT OF CHANGING
TO DO.
IT'S NOT GONNA BE EASY.
IT'S NOT GONNA BE GIVEN.
IT'S GONNA BE SOMETHING
THAT I HAVE TO WORK HARD FOR,
BECAUSE IT'S ALL ABOUT
WHAT YOU GIVE IT,
BECAUSE THAT'S WHAT
YOU GONNA GET.
>> I THINK THAT YOU WILL FEEL
BETTER WHEN YOU--
WHEN YOU TALK TO EVERYBODY
AND YOU SEE THAT THEY DON'T--
THAT THEY DON'T LOOK AT YOU
AS THE VILLAIN THAT YOU THINK
THAT THEY DO.
COME ON, LET'S JUST GO.
>> LET'S GO.
>> COME ON.
>> QUIT CRYING.
>> YOU KNOW HOW STRONG YOU ARE.
LET'S DO THIS.
[indistinct chatter]
>> I DON'T THINK
THEY WANT TO PLAY.
>> I FEEL QUANI
HAS BEEN GENUINE.
FOR HER TO COME TO ME
AND TO BE AS COMPASSIONATE
AS SHE IS IN THIS MOMENT,
IT REALLY IS ALLOWING ME
TO LET DOWN MY GUARD
AND TO JUST BE MORE OPEN
AND BE MORE WILLING
TO MAKE AMENDS WITH EVERYONE
AT BLACK INK.
PUMA, I WANT TO MAKE PEACE.
I'M TIRED OF FIGHTING.
THIS NEEDS TO END.
>> I DON'T KNOW WHAT HAPPENED
WITH YOU, MAN.
>> I'M GETTIN' BACK TO ME.
>> I'M GLAD,
'CAUSE YOU WERE A LITTLE LOST.
LIKE, YOU KNOW,
PEOPLE WORRY ABOUT YOU.
YOU--YOU LOST IT, MAN...
A LITTLE BIT.
>> IF YOU KNEW ALL THE THINGS
I'VE BEEN THROUGH, YOU WOULD--
>> DON'T THINK THAT YOU'RE
THE ONLY ONE GOING
THROUGH STUFF, TRUST ME.
>> NO, AND I'M NOT,
BUT THE THINGS THAT I WAS GOING
THROUGH WAS GOING THROUGH
BY MYSELF.
AND ME SHUTTING EVERYONE OUT WAS
NOT THE RIGHT WAY OF DOING IT.
THAT'S WHY I'M TRYING TO MAKE IT
RIGHT NOW.
>> I NEVER THOUGHT A DAY
IN MY [bleep] LIFE
I WOULD SEE THE QUEEN
OF THE DUTCHESS,
DUTCHESS OF INK,
ACTUALLY BOW THE [bleep] DOWN
AND ACTUALLY SHOW EMOTIONS.
HOLY [bleep],
IT MUST BE COLD IN HERE.
I GUESS HELL HAVE FROZED OVER.
>> THIS IS THE FIRST STEP.
>> I KNOW.
IT'S HARD TO TAKE [bleep]
ON YOUR OWN.
REMEMBER WHEN YOU FIRST MET ME.
DID I EVER LET YOU TAKE [bleep]
ON YOUR OWN?
>> NO.
>> I USED TO TALK TO YOU
EVERY DAY EVERY TIME
YOU WENT THROUGH--
>> I KNOW.
I MISS YOU AS A FRIEND.
THAT HURT ME THAT WE WASN'T,
AND I JUST WANT TO GO BACK
TO THAT.
>> DON'T CRY.
YOU'LL BE ALL RIGHT, MAN.
>> I DON'T KNOW IF ME AND PUMA
WILL BE FRIENDS.
THAT'S SOMETHING THAT TIME
WILL HAVE TO TELL.
BUT I'M HAPPY THAT WE'RE
MAKING THE FIRST STEPS.
>> I'M THE ONLY PERSON THAT'S
SUPPOSED TO BE CRYING HERE.
>> COME ON, GROUP HUG IT.
>> GROUP HUG IT.
>> COME ON.
>> YEAH, YOU NEED HUGGIN'.
>> COME ON, GROUP HUG IT.
GROUP HUG IT OUT.
>> HERE WE ARE AT WALT'S
BABY SHOWER,
AND DUTCHESS SEEMS TO FIND
SOME WAY TO MAKE IT ABOUT HER.
>> I FEEL A LITTLE TOO CLOSE
TO YOU RIGHT NOW.
[all laughing]
>> YO-OH, TURN THE BEAT ON!
[upbeat hip-hop music]
*
>> * NO, NO
* THEY SITTIN' ON 26-MANS *
* BUT, AH, NAH
* THEY'RE PRODUCIN' *
* LIKE A SIX-MAN
* "G"s ON THE GAMBLE
* AFTER FOUR, FIVE, SIX, MAN
* GOT TO FOUR, FIVE IT, OR SIX
* JUST CLAP
[echoing clap]
[downbeat hip-hop music]
*
>> I DON'T WANT TO GO
TO WALTER'S BABY SHOWER.
WHAT AM I CELEBRATING?
THERE'S NOTHING TO CELEBRATE.
I MIGHT BE GOING TO JAIL.
I'VE BEEN DEPRESSED
FOR A VERY LONG TIME,
AND RIGHT NOW,
THIS IS THE MOST DEPRESSED
I'VE BEEN
PRETTY MUCH IN MY WHOLE LIFE.
DEALING WITH THIS COURT CASE
HAS BEEN DRAINING ON ME.
LIKE, I'VE BEEN DOING THIS
FOR OVER A YEAR NOW,
I HATE NOT KNOWING
WHAT'S GONNA HAPPEN.
LIKE, I WANT TO KNOW.
>> DUTCHESS ABOUT TO TAT
A RAPPER NAMED PRECIOUS PARIS.
SHE DOWN WITH G-UNIT.
>> THAT'S CRAZY.
SO 50 COMIN' WITH HER?
>> I DON'T THINK
THAT'S HAPPENING.
>> HELLO.
>> HEY! OW!
HOW ARE YOU?
>> WHAT'S UP?
>> PRECIOUS PARIS
IS MY HOMEGIRL.
SHE IS THE FIRST LADY OF G-UNIT.
SHE'S NOT REALLY JUST A RAPPER.
SHE'S AN ARTIST.
>> SHE DON'T WANT NO GLOATIN'
[bleep], WALT.
LEAVE HER ALONE.
>> YEAH, RIGHT, RIGHT, RIGHT?
>> [chortling] NO BROKE...
>> SHE DON'T WANT
NO BROKE [bleep].
>> I DON'T CARE.
THIS IS MY WHOLE POINT:
HE DON'T HAVE TO BE RICH
AS LONG AS I DON'T GOT
TO TAKE CARE OF HIM.
>> PARIS IS A VERY
STRONG-WILLED WOMAN.
SHE'S VERY DETERMINED.
SHE'S VERY INDEPENDENT.
SHE'S JUST LIKE ME
IN THAT SENSE.
>> I'MA TAKE CHARGE, BABY...
>> I LIKE THAT.
>> 'CAUSE I'M A BOSS BITCH.
>> HEY, WAIT. WAIT. WAIT.
HOLD ON. HOLD ON. HOLD ON.
WHAT'S THE DEFINITION
OF A BOSS BITCH TO YOU?
>> I GOT MY OWN MONEY.
I HAVE MY OWN BUSINESS.
I HAVE MY OWN PEOPLE
THAT WORK UNDER ME.
WELL, I HAVE EMPLOYEES.
THERE'S NOBODY OVER ME
EXCEPT FOR MY BOSS, 50 CENT.
>> IT TAKES A SPECIAL TYPE
OF MAN TO BE WITH
A STRONG WOMAN,
BECAUSE MEN ARE VERY INTIMIDATED
BY WOMEN.
I KNOW FOR SURE THAT CEASER'S
THREATENED BY MY AMBITION.
IT'S CLEAR.
>> WELL, IT WAS NICE
MEETING Y'ALL.
SEE YOU LATER.
THEY ARE CRAZY.
>> GIRL, BEYOND.
I'M IN THE SAME SITUATION
THAT YOU ARE KIND OF IN,
BEING AROUND, YOU KNOW,
A BUNCH OF MALES,
A MALE-DOMINATED INDUSTRY.
>> IT'S NOT EASY.
>> AND WE STILL HAVE TO BUST
OUR ASS BECAUSE WE WANT
TO OUTSHINE--
>> YOU HAVE TO BUST YOUR ASS
HARDER.
>> EXACTLY, WE WANT TO OUTSHINE
THEM AND MAKE SURE THAT PEOPLE
RECOGNIZE US FOR WHAT WE DO TOO.
>> I FEEL LIKE I'VE KNOWN YOU
FOREVER.
YOU UNDERSTAND--
YOU GET IT.
>> PARIS, SHE'S IN THE RAP GAME.
I'M IN THE TATTOO GAME.
SHE'S SURROUNDED BY MEN.
I'M SURROUNDED BY MEN.
AND WE'RE IN A CONSTANT
STRUGGLE, A CONSTANT BATTLE,
TO PROVE OURSELVES WORTHY
OF BEING IN THE POSITIONS
THAT WE ARE IN.
YOU HAVE EVERYTHING FIGHTING
AGAINST YOU,
WHICH MADE ME MORE AGGRESSIVE,
A LITTLE TOUGHER,
A LITTLE HARDER TO GET THROUGH.
THAT'S HOW THIS INDUSTRY IS.
>> SO I KIND OF TALKED TO YOU
A LITTLE BIT ON THE PHONE
ABOUT WHAT I WANTED
FOR MY MOM'S MEMORIAL.
>> RIGHT.
>> SO HER NAME IS DIANA PARIS.
RIGHT?
BUT I WANT IT TO SAY,
"REST IN PEACE, MOMMY DEAREST."
>> SO WHY DON'T YOU MAKE IT
LIKE A NOTE TO HER.
>> I LOVE IT.
>> THIS IS, LIKE, SO DEAR
TO MY HEART, BECAUSE I CAN'T
CALL HER AND BE LIKE,
"MA, TURN ON THE TELEVISION,"
OR, "MA"--
THAT HURTS ME,
BECAUSE I'VE WORKED SO HARD
JUST SO SHE COULD SEE THAT.
[chuckles]
IF SHE COULD HEAR ME
RIGHT NOW...
[voice breaking] I JUST HOPE
SHE'S PROUD.
>> SHE IS, I'M SURE.
>> I HOPE SO.
>> PARIS, SHE'S GONE THROUGH
A LOT, AND SHE'S STILL STANDING
DESPITE ALL OF THE THINGS
THAT HAVE ATTEMPTED TO KNOCK
HER DOWN IN HER LIFE.
SHE'S STILL PURSUING HER DREAMS
AND GOING HARD
FOR WHAT SHE WANTS
AND WITHOUT BUILDING UP
THIS WALL OF DEFENSE.
YOU READY?
>> * ABOUT THAT LIFE
* I'M ABOUT THAT LIFE *
* ABOUT THAT LIFE
* I'M ABOUT THAT LIFE *
* LIVING FAST
* I'M ABOUT THAT LIFE *
* GETTING CASH
* I'M ABOUT THAT LIFE *
* EATING GOOD
* I'M ABOUT THAT LIFE *
* GUCCI BAGS
* I'M ABOUT THAT LIFE *
* TAKING TRIPS
* I'M ABOUT THAT LIFE *
* BOARDING PASS
* I'M ABOUT THAT LIFE *
* DOING ME
* I'M ABOUT THAT LIFE *
* MAKING HATERS MAD
* I'M ABOUT THAT LIFE *
>> PARIS TOLD ME THAT
I DON'T HAVE TO KEEP BEING
AGGRESSIVE AND DEFENSIVE
WITH THESE PEOPLE.
I CAN LET MY GUARD DOWN
AND STILL BE HAPPY,
STILL BE SUCCESSFUL,
AND JUST BE ME.
LOOK LIKE WE DONE, BOO.
>> YAY.
>> LET'S GO CHECK IT OUT.
>> LET'S SEE WHAT WE GOT HERE.
*
"SLEEP IN PEACE,
MOMMY DEAREST."
I LOVE IT.
THANK YOU.
>> YOU LIKE IT?
>> YEAH, I LOVE IT.
THANK YOU SO MUCH.
I'M NEVER GONNA FORGET
THIS TATTOO.
>> I AM SO GLAD THAT I COULD BE
THE ONE TO DO IT.
>> I HAVE EXPECTATIONS.
WHEN YOU MAKE PROMISES TO ME,
I EXPECT YOU TO LIVE
BY YOUR WORD.
AND THAT'S THE MINIMUM.
>> I DIDN'T--
>> FORGET IT, RICHARD.
LET'S JUST STOP.
>> [grunts]
IS THIS...
>> YEAH, THEY SAY IT'S
GOOD LUCK, BUT FOR ME,
IT IS NOT.
IT'S BEEN A FEW DAYS
SINCE I'VE SEEN ANYA,
SO I KNOW I JUST GOT TO SHOW
FACE TO HER AND LET HER KNOW
WHAT'S UP.
>> THIS HOW YOU GREET ME,
WITH A HEAD NOD?
>> I WAS JUST SAYING, "WHAT UP?"
YOU WASN'T OVER HERE YET.
COME ON.
>> HMM.
THANK YOU.
WHAT'S UP?
>> I'M NOT FEELING WELL.
>> MAYBE IT'S FROM ALL
THAT PARTYING.
>> YEAH, WHY YOU BRINGIN' UP
OLD [bleep]?
AND THERE WASN'T THAT MUCH
PARTYING.
>> WHEN WE FIRST MET,
YOU WOULD BE AT WORK,
AND WHEN YOU HAD FREE TIME,
YOU'D EITHER TEXT ME OR CALL ME.
THE MINUTE YOU FOUND OUT
THAT I WAS PREGNANT,
THINGS CHANGED.
>> THAT'S NOT THE CASE AT ALL.
>> ARE WE GONNA BE HONEST
WITH EACH OTHER, OR ARE WE GONNA
JUST PLAY THIS GAME?
BECAUSE I'LL PLAY.
YOU WENT MISSING ON THE FIRST.
YOU WENT MISSING ON THE SECOND.
YOU WERE MISSING ON THE THIRD.
UNLESS I CALL YOU OR TEXT YOU
AND DEMAND THAT YOU RESPOND,
I WOULDN'T GET ANYTHING
FROM YOU.
>> I'M A GROWN-ASS MAN.
DON'T THINK THAT YOU'RE GONNA
COME TO MY LIFE AND THEN JUST
TRY AND CHANGE ME.
I AM WHO I AM.
I'VE BEEN THIS WAY
FOR 30 YEARS ALMOST.
DEAL WITH IT.
BABY, AT THE END OF THE DAY,
YOU ALREADY KNOW, LIKE, YO,
I'M NOT GONNA BE PERFECT.
ALL RIGHT, YOU GOT MY [bleep]
[bleep] WITH ME,
AND I GOT A WHOLE LOT OF [bleep]
I GOT TO DEAL WITH.
I'M A WORK IN PROGRESS.
I MEAN, LIKE, YOU KNEW WHAT YOU
WAS GETTIN' INTO WHEN YOU
STARTED DEALIN' WITH ME.
>> OF COURSE I DID
WHEN IT COMES TO THAT PART,
BUT DID I KNOW THAT YOU'D BE OUT
PARTYING WITHOUT TAKING MY CALLS
WHEN I'M PREGNANT?
HELL, NO.
IF I KNEW THAT,
I WOULDN'T BE PREGNANT.
I HAVE EXPECTATIONS.
WHEN YOU MAKE PROMISES TO ME,
I EXPECT YOU TO LIVE
BY YOUR WORD.
AND THAT'S THE MINIMUM.
SO IF YOU CAN'T DO THAT,
GO UP TO THE BRONX.
HANG OUT WITH YOUR FRIENDS.
DO WHATEVER YOU LIKE.
>> I DIDN'T--
>> FORGET IT, RICHARD.
LET'S JUST STOP.
SERIOUSLY.
JUST ENJOY YOUR TIME.
I'LL ENJOY MINE,
BECAUSE I'M GOOD.
[energetic R&B music]
*
>> * IF YOU REALLY WANT IT
* YOU CAN COME AND GET IT
* YOU CAN ALMOST HAVE IT
* ONLY IF YOU WILLIN' *
* LOVE
* WHAT I'M SAYIN' IS TRUE *
* 'CAUSE I CAN'T STOP THINKIN' *
* ABOUT YOU
>> YO, O'[bleep]...
I GOT THIS CHICK WAVY
COMING THROUGH FOR HIM.
>> [bleep], WHAT SHE GETTING?
>> SHE WANTS SOME, LIKE,
WAVES AND ALL THE OTHER [bleep].
>> SHE GOT TO TAKE
HER CLOTHES OFF?
>> YEAH, SHE GOT TO GET NAKED.
I'MA BE LIKE, "HEY, O'[bleep],
DO YOU NEED ANYTHING?
YOU NEED SOME HELP?
DON'T WORRY.
YOU JUST SQUEEZE
IF YOU FEEL ANY PAIN, BABY."
>> LET ME SEE THAT TATTOO
RIGHT THERE.
>> YEAH, LET ME SEE.
OH, THERE GO WAVY RIGHT THERE.
WHAT'S UP?
>> HI, GUYS.
>> WAVY.
>> WHAT'S UP?
>> WE WAS JUST TALKIN'
A LOT OF [bleep] ABOUT YOU.
>> REALLY?
>> YEAH, I WAS TELLING 'EM
I CAN'T WAIT FOR YOU TO TAKE
YOUR CLOTHES OFF
SO I CAN WATCH YOU GET
YOUR TATTOO.
>> [laughing]
>> MY HOMEGIRL WAVY'S COMING IN
TO GET TATTED.
SHE ALWAYS BEEN TALKING ABOUT
WANTING TO GET SOME TATTOO.
FINALLY, SHE'S COMING IN TODAY
AND GET TATTED BY O'[bleep].
YO, [bleep], YOU ALMOST DONE
WITH THE DRAWING?
>> DRAWING'S ALREADY DONE.
IT'S RIGHT HERE.
WAVY'S GETTING, LIKE,
THIS BIG CIRCULAR WAVE
KIND OF LIKE TSUNAMI
ON HER THIGH,
LIKE, FULL OF COLORS.
IT'S SOMETHING
THAT I WANT TO DO.
I RARELY GET A CHANCE
TO REALLY UTILIZE
MY WHOLE COLOR PALETTE,
SO I'M KIND OF EXCITED.
>> YOU SCARED?
>> NO.
>> A'IGHT.
WE'LL SEE.
>> YOU KNOW, WHEN A TATTOO
IS THAT CLOSE TO THE VAGINA,
IT MAY CAUSE YOU TO CLIMAX.
>> [giggling]
>> YES!
[laughter]
>> SKY HAS NO BOUNDARIES.
LIKE, YOU NEVER KNOW WHAT'S
GONNA COME OUT HER MOUTH,
NEVER KNOW WHAT'S GONNA COME
FROM UNDER HER SHIRT,
NEVER KNOW WHEN SHE'S GONNA
PULL HER PANTS DOWN.
YOU JUST NEVER KNOW
WITH THAT GIRL.
>> IT'S BEEN A PROVEN FACT.
JUST DON'T BE AFRAID OF IT.
IF IT COMES, JUST LET IT GO.
>> WE MIGHT HAVE TO PUT
SOMETHING UNDER HER, THEN,
TO MAKE SURE WE DON'T MESS UP
THE BED.
[laughter]
>> THANK YOU, BOO.
>> YOU'RE WELCOME, WAVY.
>> AW, I LOVE YOU ALREADY.
>> THANK YOU.
LOVE YOU BACK.
>> WHY DON'T Y'ALL KISS
AND MAKE UP?
>> WHY DON'T Y'ALL JUST KISS
AND GET IT OVER WITH?
>> THAT'S WHY YOU'RE OVER THERE
RUBBIN' HIS FOOT.
>> OH, MY GOD, THAT'S HIS SPOT!
[laughter]
>> ALL RIGHT, SO Y'ALL KISS
AND MAKE UP, YO.
>> WHAT? FOR WHAT?
>> [bleep] STARTED RUBBIN'
HIS FOOT HARDER.
LOOK AT THIS LITTLE PERV.
WHAT'S WRONG WITH YOU, YO?
>> [bleep] KISS AND MAKE UP!
>> OH.
OH!
>> [laughing]
>> LET ME WALK YOU TO THE BACK,
'CAUSE I'M ABOUT TO RUN PAST
AND JUST GO SMACK!
>> [bleep]!
[laughter]
>> OH, GET THE [bleep] OFF ME!
>> THAT'S THE WAY I ROLL!
>> THIS BITCH JUST SMACKED ME.
>> [yells indistinctly]
>> THIS BITCH JUST SMACKED
THE [bleep] OUT OF ME.
>> SKY'S JUST BUGGED OUT.
CEASE DON'T BE DOING
BACKGROUND CHECKS
ON HIS EMPLOYEES.
HE NEEDS TO.
>> SO I WANT YOU TO STAND LIKE
RIGHT HERE IN FRONT OF ME.
ALL RIGHT, I'M GONNA JUST
STENCIL THIS PART ON RIGHT HERE.
THEN I'M GONNA DRAW ON THE REST.
>> YOU HAVE A GIRL, O'[bleep]?
>> YEAH, I GOT A GIRL
I'VE BEEN DEALING WITH
FOR A LITTLE BIT.
>> YEAH?
>> YEAH, I GOT A GIRL.
I HAVE [bleep] UP WITH ANYA,
BUT I REALIZE,
I REALLY DO LOVE HER.
SHE'S LIKE THE BEST THING
TO HAPPEN TO ME,
AND SHE INSPIRES ME
TO BE A BETTER MAN.
SHE INSPIRES ME TO BE
A BETTER FATHER.
I DON'T WANT TO LOSE HER.
I NEED TO CHANGE.
NOTHING ELSE
IS GONNA HELP ME BUT HER.
>> YOU'RE GONNA GET IT TOGETHER.
>> IT IS A PROBLEM,
AND I KNOW THAT,
AND I'M READY TO CHANGE.
PEOPLE GONNA LEARN
AT THEIR OWN PACE AND TIME.
LET THEM DO WHAT THEY DO.
>> I WISH YOU THE BEST, YO.
>> I APPRECIATE THAT.
I NEED THAT.
ALL RIGHT, YOU READY TO, UM...
>> I'M READY.
>> GET THIS TATTOO STARTED?
[mid-tempo R&B music]
*
>> * PEOPLE ALWAYS SAY
* THAT I'M A FOOL *
* BECAUSE I'M LOVING YOU *
* AND I DEAL WITH YOU
* WITH YOUR ATTITUDE
* OH, OH
>> SOMETIMES YOU HAVE TO
GO THROUGH SOME BAD [bleep]
JUST TO REALLY REALIZE
WHAT YOU REALLY HAVE IN LIFE.
YOU CAN JUST LAY THERE
AND GIVE UP, OR YOU PUT
YOUR BIG-BOY PANTS ON AND,
YOU KNOW, KEEP PUSHING FORWARD
AND JUST DEAL WHAT YOU
GOT TO DEAL WITH.
AND I FEEL LIKE THAT'S THE KIND
OF PLACE I'M IN RIGHT NOW.
IF I'M NOT TAKING CONTROL
OF MY LIFE AND TRYING TO GET
THINGS IN ORDER, THEN, YOU KNOW,
I'M JUST LETTING EVERYTHING
BEAT ME UP.
I NEED TO DEFINITELY
CHANGE THAT.
ALL RIGHT, YO, WAVY,
IT LOOKS LIKE WE ALL DONE.
YOU WANT TO GO TAKE A LOOK
AT IT?
>> MM.
>> YEAH, I SEE YOUR LEG
SHAKING.
>> I WAS TWERKING OVER HERE.
OH, I LOVE IT.
THAT TATTOO IS CRAZY.
I LOVE IT, [bleep].
>> YEAH, YOU LIKE THAT [bleep]?
>> I LOVE IT, [bleep].
>> THAT'S WHAT'S UP.
>> GOOD-BYE, CEASE.
>> YO, I'M OUT OF HERE ANYWAY.
SEE YOU AT HOME.
HONESTLY, IN TIMES LIKE THIS,
PEOPLE MAKE REALLY STUPID
DECISIONS.
[energetic pop music]
*
>> * IT'S A MAD, MAD WORLD *
* AND YOU CAN'T BREAK FREE *
* CHANGE GONNA COME
* IT'S A MAD, MAD WORLD *
*
>> YOU--OH, YOU FOUND IT?
>> THAT'S ANTIGUA, RIGHT?
>> THE HAITIAN COAT OF ARMS.
>> OH, YOU KNOW I'M HAITIAN TOO.
>> WHAT?
>> THAT'S CRAZY.
>> YOU HAITIAN?
WHAT ELSE ARE YOU, SKY?
>> NO, YOU KNOW WHAT?
THAT'S CRAZY.
ME AND HIM GOT SOMETHING
IN COMMON.
I HOPE HE SPEAKS FRENCH,
BECAUSE...
>> I DON'T KNOW.
>> I'MA BE LIKE, "SAK PASE."
>> WHO Y'ALL TALKING ABOUT?
>> DJ WHOO KID.
>> HE MARRIED, THOUGH, RIGHT?
>> NO, HE'S NOT MARRIED.
HE BE TRAVELING THE WORLD.
>> OH.
>> YOU DON'T EVEN KNOW
WHO HE IS.
YOU WANT TO GET WITH SOME
[bleep].
>> SHUT THE [bleep] UP.
WHY ARE YOU SO WORRIED
ABOUT WHAT THE [bleep]
IN MY [bleep]?
>> WE IN THE HOOD.
>> YO!
>> DJ WHOO KID
IS AN INTERNATIONAL DJ WHO WAS
SIGNED TO SHADY/AFTERMATH.
HE WANTS TO GET THE HAITIAN
COAT OF ARMS ON HIS BACK,
SO HE'S KIND OF GETTING
HIS CERTIFIED STAMP SO PEOPLE
KNOW THAT HE'S HAITIAN-BORN.
>> LOOK, I'M [bleep]
EVERY WAYS, YO.
I'M ABOUT TO GET THIS TAT.
I'M SCARED OUT OF MY MIND.
>> YOU'RE NOT ABOUT TO CRY
ON ME.
>> I'M GONNA CRY.
I'M SCARED OF PEOPLE.
I'M SCARED OF BLACK PEOPLE,
SCARED OF DEATH AND BLOOD, SO...
>> LIKE, YOU SOUND SCARED
OF BLACK PEOPLE, DEFINITELY...
>> [laughs]
>> SCARED OF BLACK PEOPLE?
LIKE, SERIOUSLY, BRO, LIKE...
I DON'T KNOW WHAT THEY TOLD YOU,
BUT EVERYTHING ABOUT US
IS BLACK--BLACK INK,
BLACK-OWNED.
WE IN THE BLACK NEIGHBORHOOD.
YOU SEE US BLACK FOLKS.
LIKE, YEAH,
YOU MUST BE REAL NERVOUS, THEN,
IF THAT'S THE CASE.
>> I'M GONNA GET, LIKE,
THE HAITIAN INTERIOR OF THE FLAG
ON MY WHOLE BACK.
>> SHE'S HAITIAN.
>> DOES SHE DO VOODOO ON PEOPLE
UP HERE?
>> THAT'S WHAT THAT--
>> SHE GOT A DOLL
OF YOU [bleep]...
>> WHAT?
>> WITH YOUR HEAD.
[laughter]
AH, [bleep].
>> THEY GOT THIS THING
WHERE THEY BURNED, LIKE,
HOMIES' PUBIC HAIRS,
AND YOU JUST WAKE UP, LIKE,
SCREAMING, LIKE...
CRAZY.
>> YOU SOUND LIKE YOU BEEN
THROUGH THAT BEFORE.
>> YEAH, I HAVE.
[laughter]
THAT'S WHY I DON'T--THAT'S WHY
I DON'T MESS WITH THEM, MAN.
THEY CRAZY.
>> SKY'S ALWAYS TALKING
THIS CREOLE [bleep],
SO THAT MIGHT BE WHAT
SHE'S DOING TO TED.
SHE MIGHT HAVE A FEW
OF HIS CURLY HAIRS
ON A LITTLE DOLL,
HOME SOMEWHERE, LIKE,
[bleep] WITH IT,
SO HE MAY HAVE--
IT'S A LITTLE CRAZY,
BUT HE MIGHT HAVE SOMETHING
GOING WITH THIS.
>> YOU GONNA GET THIS,
THE COAT OF ARMS?
>> IS IT TOO MUCH DETAIL?
>> THAT IS PERFECT, MY [bleep].
>> YOU THINK I SHOULD JUST GET,
LIKE, A STAR OR SOMETHING?
OH, WHAT ARE YOU THINKING?
NOBODY NEVER--
NOBODY NEVER [bleep] OUT?
>> HAS ANYBODY EVER [bleep] OUT
ON A TATTOO IN BLACK INK?
NO.
BUT YOU SOUND LIKE YOU
ABOUT TO BE THE FIRST.
[cell phone buzzes]
>> TAKE YOUR SHIRT OFF.
>> I FEEL LIKE I'M AT A DOCTOR
OR SOMETHING.
>> YOU ARE.
>> YEAH?
>> I'M ABOUT TO CHANGE YOUR LIFE
FOR THE REST OF YOUR LIFE.
>> YO, YOU AIN'T STARTED YET?
>> WHAT DO YOU THINK?
>> MAN, IT AIN'T
GONNA HURT, MAN.
>> I THINK I'M JUST SCARED
ALREADY, READY TO BE
OUT OF HERE, YO.
>> I HATE TO HEAR
A GROWN MAN CRY.
>> GOOD-BYE, CEASE.
>> WHAT? OH.
>> I GOT TO DO THIS.
>> YO, I'M OUT OF HERE ANYWAY.
SEE YOU AT HOME.
>> TATTOO'S FEELING GOOD
RIGHT NOW.
>> AIN'T STARTED IT.
>> AH, MAN.
I THOUGHT IT STARTED--
THOUGHT YOU WERE DOING IT NOW.
AH, [bleep].
>> THIS IS JUST YOUR OUTLINE.
PEOPLE DON'T UNDERSTAND,
GETTING BACK TATTOOS,
YOUR CENTRAL NERVOUS SYSTEM
MEETS IN YOUR CERVICAL
VERTEBRAE, SO HE MIGHT FEEL IT
IN HIS FOOT,
BUT I'M GONNA BE, LIKE,
RIGHT HERE ON HIS BACK.
SO HE'S GONNA GO
THROUGH SOME [bleep].
[laughter, indistinct yelling]
PHYSICAL PAIN IS SOMETHING
THAT YOU CAN JUST
MENTALLY ENDURE.
EMOTIONAL PAIN IS SOMETHING
THAT YOU CAN'T REALLY
TAKE YOURSELF OUT OF.
[laughter, indistinct yelling]
>> RIGHT NOW, I GOT A LOT
OF THINGS ON MY MIND.
MY SHOP AIN'T DOING
WHAT IT'S SUPPOSED TO BE,
AND MY RELATIONSHIP
IS KIND OF UP IN THE AIR.
HONESTLY, IN TIMES LIKE THIS,
PEOPLE MAKE REALLY STUPID
DECISIONS.
>> I'M READY TO START NOW.
>> OH, GOD.
>> TO ME,
PHYSICAL PAIN IS SOMETHING
THAT YOU CAN JUST
MENTALLY ENDURE.
EMOTIONAL PAIN IS SOMETHING
THAT YOU CAN'T REALLY
TAKE YOURSELF OUT OF.
THE EMOTIONAL STRESS
THAT I'VE GONE THROUGH HAS TAKEN
A TOLL ON EVERYTHING FOR ME.
MY MISCARRIAGE WAS LIKE
A NATURAL DISASTER IN MY LIFE.
AND THEN CEASE BROKE UP WITH ME.
AND I LOST MYSELF.
AND WHEN I LOST MYSELF,
I LOST EVERYTHING FOR MYSELF.
I CANNOT DO THAT.
>> MAN, IT'S FINALLY OVER.
>> GO TAKE A LOOK AT IT.
>> LET'S CHECK IT OUT, MAN.
>> I AM SLOWLY BUT SURELY
GROWING INTO BEING
A BETTER PERSON
AND TO BE A BETTER WOMAN.
>> YO, THAT [bleep] LOOKS ILL.
>> WE GOT TO ADD MORE
FOR YOU TO BE
A HAITIAN MEAT MEAL.
>> WHAT?
>> LIKE, WHAT THE [bleep]?
I'M SO PISSED RIGHT NOW.
[cage rattling]
SO I NEED TO CALL THE POLICE NOW
BECAUSE HE'S ON HIS WAY HERE.
>> I'M INTO SOME [bleep]
RIGHT NOW, YO.
I NEED YOUR HELP.
I WAS CAUGHT RED-HANDED
WITH THE KNIFE IN MY HAND.
THE GLOVE FIT.
I FELL ASLEEP,
AND I WOKE UP TO DUTCHESS
ON HER PHONE.
>> THAT'S A LITTLE PICKLE THERE,
CHAMP.
>> YOU ARE VERY DISRESPECTFUL,
AND YOU WAS IN THAT BED
WITH HER.
GET OUT OF MY HOUSE!
>> LET ME ASK YOU A QUESTION.
>> NO, GET OUT OF MY HOUSE!
>> WHO--HOLD ON.
>> I DON'T WANT TO TALK TO YOU.
GET OUT! GET OUT!
YOU TALKIN' TO THE WRONG PERSON.
>> I KNOW.
>> GET OUT.
>> ANYA, WILL YOU MARRY ME?
>> JUST LET ME SAY THIS:
LIKE, I GOT TO BE ABLE TO KNOW
THAT NEXT TIME THAT YOU MAD
AT ME THAT I DON'T GOT TO WORRY
ABOUT YOU [bleep] FLIPPING OUT
LIKE YOU DID ON ME.
I'M STILL FEELIN' A WAY,
AND SHE NEEDS TO KNOW
HOW I'M FEELING.
>> I DON'T WANT TO TALK TO YOU.
GET OUT! GET OUT!
YOU TALKIN' TO THE WRONG PERSON.
>> I KNOW.
>> GET OUT.
>> ANYA, WILL YOU MARRY ME?
>> JUST LET ME SAY THIS:
LIKE, I GOT TO BE ABLE TO KNOW
THAT NEXT TIME THAT YOU MAD
AT ME THAT I DON'T GOT TO WORRY
ABOUT YOU [bleep] FLIPPING OUT
LIKE YOU DID ON ME.
I'M STILL FEELIN' A WAY,
AND SHE NEEDS TO KNOW
HOW I'M FEELING.