1
00:00:02,803 --> 00:00:03,703
>> YOU EITHER GONNA APOLOGIZE

2
00:00:03,704 --> 00:00:04,574
FOR THE [bleep] YOU DOING,

3
00:00:04,572 --> 00:00:06,012
OR YOU JUST GET THE [bleep] OUT.

4
00:00:06,006 --> 00:00:07,236
>> DEUCES, BRO.

5
00:00:07,241 --> 00:00:09,141
>> YOU [bleep] WEAK-ASS BITCH.

6
00:00:09,143 --> 00:00:10,843
GET THE [bleep] OUT OF HERE.

7
00:00:10,844 --> 00:00:11,814
>> THINK THERE'S A LITTLE BIT OF

8
00:00:11,812 --> 00:00:13,052
SOMETHING DEEPER GOING ON.

9
00:00:13,047 --> 00:00:15,077
DUTCHESS IS A PUPPET MASTER.

10
00:00:15,083 --> 00:00:16,123
>> WHERE THE [bleep] YOU BEEN,

11
00:00:16,117 --> 00:00:16,777
[bleep]?

12
00:00:16,784 --> 00:00:17,824
>> IN A FEW DAYS, I'M GOING TO

13
00:00:17,818 --> 00:00:19,488
COURT TO FIND OUT WHETHER OR NOT

14
00:00:19,487 --> 00:00:20,517
I'M GOING TO PRISON FOR THIS

15
00:00:20,521 --> 00:00:21,321
GUN CHARGE.

16
00:00:21,322 --> 00:00:22,022
>> LAST CHANCE.

17
00:00:22,022 --> 00:00:23,022
YOU [bleep] UP ONE MORE TIME,

18
00:00:23,023 --> 00:00:23,693
YOU'RE DONE.

19
00:00:23,691 --> 00:00:24,561
>> I DON'T KNOW WHAT TOMORROW'S

20
00:00:24,558 --> 00:00:25,858
GONNA HOLD FOR ME.

21
00:00:25,859 --> 00:00:27,329
I COULD BE IN JAIL.

22
00:00:27,328 --> 00:00:28,598
>> I GET ONE QUESTION, TED.

23
00:00:28,596 --> 00:00:29,996
DID YOU [bleep] SASSY?

24
00:00:29,997 --> 00:00:31,967
SO, TED, IS LESBIAN [bleep]

25
00:00:31,965 --> 00:00:33,125
BETTER THAN REGULAR [bleep]?

26
00:00:33,134 --> 00:00:34,704
'CAUSE THE PEOPLE WANT TO KNOW.

27
00:00:34,702 --> 00:00:36,102
>> I GOT TO TALK TO YOU.

28
00:00:36,104 --> 00:00:37,344
DID YOU [bleep] ME?

29
00:00:37,338 --> 00:00:38,508
>> NO.

30
00:00:38,506 --> 00:00:39,736
>> I QUIT.

31
00:00:39,740 --> 00:00:40,570
GOOD-BYE.

32
00:00:40,574 --> 00:00:41,444
THE DISRESPECT HAS REACHED

33
00:00:41,442 --> 00:00:42,682
A COMPLETELY DIFFERENT PLATEAU.

34
00:00:42,676 --> 00:00:44,276
BLACK INK, I'M OUT.

35
00:00:44,278 --> 00:00:44,948
>> SHE'S ALWAYS BEEN

36
00:00:44,945 --> 00:00:45,645
THE [bleep] OTHER WOMAN.

37
00:00:45,646 --> 00:00:46,306
>> YOU'RE MY GIRL.

38
00:00:46,314 --> 00:00:47,084
WHAT ARE YOU TALKING ABOUT,

39
00:00:47,081 --> 00:00:48,951
SHE'S THE OTHER WOMAN?

40
00:00:48,949 --> 00:00:50,679
>> OH, MY GOD.

41
00:00:50,684 --> 00:00:52,324
>> CHILDREN!

42
00:00:52,320 --> 00:00:53,850
CLEAR OUT!

43
00:00:53,854 --> 00:00:54,864
[hip-hop music]

44
00:00:54,855 --> 00:01:02,895
*

45
00:01:21,515 --> 00:01:22,915
>> * 'CAUSE IT IS WHAT IT IS *

46
00:01:22,916 --> 00:01:24,416
* IT DOES WHAT IT DO

47
00:01:24,418 --> 00:01:25,518
* I LIVE HOW I LIVE

48
00:01:25,519 --> 00:01:26,419
* AND IF I FEEL IT

49
00:01:26,420 --> 00:01:27,090
* IT'S TRUE *

50
00:01:27,087 --> 00:01:27,987
* TELL ME WHAT Y'ALL *

51
00:01:27,988 --> 00:01:29,018
* TALKING ABOUT

52
00:01:29,022 --> 00:01:29,892
* Y'ALL PLAYING *

53
00:01:29,890 --> 00:01:31,160
* DON'T ROLL THAT DICE *

54
00:01:31,159 --> 00:01:31,829
* WITH YOUR LIFE

55
00:01:31,825 --> 00:01:33,825
* LIKE IT'S A GAME *

56
00:01:33,827 --> 00:01:34,757
>> WHAT'S UP WITH YOUR BAIL

57
00:01:34,762 --> 00:01:35,462
BONDSMAN SITUATION?

58
00:01:35,463 --> 00:01:38,503
>> SO HE WAS LIKE, BASICALLY,

59
00:01:38,499 --> 00:01:39,299
ONE MORE TIME, IF I MISS,

60
00:01:39,300 --> 00:01:41,700
I GO TO JAIL.

61
00:01:41,702 --> 00:01:43,342
SO I STILL GOT THIS PENDING GUN

62
00:01:43,337 --> 00:01:45,007
CHARGE HANGING OVER MY HEAD,

63
00:01:45,005 --> 00:01:46,935
AND I DIDN'T KNOW THAT MY BAIL

64
00:01:46,940 --> 00:01:49,280
BONDSMAN HAD TO MARK DOWN EVERY

65
00:01:49,277 --> 00:01:50,507
SINGLE TIME THAT I DIDN'T SHOW

66
00:01:50,511 --> 00:01:53,351
UP AND SEND IT TO THE D.A.

67
00:01:53,347 --> 00:01:54,647
>> YOU GOT TO BE GOOD WITH THESE

68
00:01:54,648 --> 00:01:55,718
PEOPLE WHILE YOU FIGHTING

69
00:01:55,716 --> 00:01:56,676
THIS CASE, MAN.

70
00:01:56,684 --> 00:01:57,554
FOR YOU TO BE PLAYING AROUND

71
00:01:57,551 --> 00:01:58,721
WITH THEM, THEY NOT GONNA PLAY

72
00:01:58,719 --> 00:01:59,649
NO GAMES WITH YOU, MAN.

73
00:01:59,653 --> 00:02:00,393
>> I KNOW.

74
00:02:00,388 --> 00:02:01,158
I THOUGHT THAT BECAUSE THE

75
00:02:01,155 --> 00:02:02,085
SIMPLE FACT THAT I TATTOOED,

76
00:02:02,089 --> 00:02:02,719
HOMEY.

77
00:02:02,723 --> 00:02:03,523
>> HEY, YOU AIN'T TATTOOED

78
00:02:03,524 --> 00:02:04,794
A JUDGE.

79
00:02:04,792 --> 00:02:05,692
[laughs]

80
00:02:05,693 --> 00:02:06,833
THE [bleep] DON'T CARE ABOUT

81
00:02:06,827 --> 00:02:08,827
THAT [bleep], BRO.

82
00:02:11,999 --> 00:02:12,669
>> WHAT'S POPPING?

83
00:02:12,666 --> 00:02:13,396
>> CANDICE, WHAT'S

84
00:02:13,401 --> 00:02:14,071
POPPING, BABY?

85
00:02:14,067 --> 00:02:14,737
HOW ARE YOU?

86
00:02:14,735 --> 00:02:17,405
CANDICE IS AN ADULT ACTRESS,

87
00:02:17,405 --> 00:02:18,835
AND, YOU KNOW, SHE'S DONE A FEW

88
00:02:18,839 --> 00:02:20,469
MOVIES THAT I'VE SEEN BEFORE.

89
00:02:20,474 --> 00:02:21,484
THEY'RE PRETTY AWESOME.

90
00:02:21,475 --> 00:02:22,575
WE WERE OUT ONE DAY, AND WE

91
00:02:22,576 --> 00:02:23,636
KIND OF LINKED UP, AND THEN,

92
00:02:23,644 --> 00:02:24,784
YOU KNOW, I WAS LIKE, "HEY,

93
00:02:24,778 --> 00:02:26,008
YOU SHOULD COME BY BLACK INK

94
00:02:26,013 --> 00:02:27,523
AND GET TATTOOED BY ME."

95
00:02:27,515 --> 00:02:28,215
>> SO WHAT ARE YOU GETTING

96
00:02:28,216 --> 00:02:28,916
DONE TODAY?

97
00:02:28,916 --> 00:02:29,876
>> I WANT MY GRANDMA'S NAME

98
00:02:29,883 --> 00:02:33,393
ON MY BACK.

99
00:02:33,387 --> 00:02:34,917
>> YOU SAY YOUR GRANDMA'S NAME?

100
00:02:34,922 --> 00:02:35,622
>> YEAH.

101
00:02:35,623 --> 00:02:36,763
>> SHE'S A PORN STAR.

102
00:02:36,757 --> 00:02:38,257
I MEAN, LIKE, HOW DOES IT REALLY

103
00:02:38,259 --> 00:02:39,729
WORK IF YOU HAVE YOUR

104
00:02:39,727 --> 00:02:40,927
GRANDMOTHER'S MEMORIAL PIECE

105
00:02:40,928 --> 00:02:42,928
ON YOUR BACK, AND, YOU KNOW,

106
00:02:42,930 --> 00:02:44,230
GUYS ARE GONNA BE BACK THERE

107
00:02:44,232 --> 00:02:45,372
LOOKING AT IT?

108
00:02:45,366 --> 00:02:46,866
>> IN LOVING MEMORY, CONSTANCE.

109
00:02:46,867 --> 00:02:48,337
>> CONSTANCE?

110
00:02:48,336 --> 00:02:49,536
>> IT REALLY WOULDN'T CREEP ME

111
00:02:49,537 --> 00:02:51,337
OUT, BUT SOME GUYS, YEAH.

112
00:02:51,339 --> 00:02:52,539
THEY HAVE, YOU KNOW, HIGHER

113
00:02:52,540 --> 00:02:53,570
STANDARDS THAN I DO.

114
00:02:53,574 --> 00:02:54,714
I'LL TELL YOU THAT MUCH.

115
00:02:54,708 --> 00:02:55,938
YO, GIVE ME, LIKE, FIVE MINUTES.

116
00:02:55,943 --> 00:02:56,913
I'M GONNA GO DRAW THIS UP FOR

117
00:02:56,910 --> 00:02:57,750
YOU; THEN I'M GONNA COME OUT--

118
00:02:57,745 --> 00:02:58,445
>> MAKE IT HOT FOR ME.

119
00:02:58,446 --> 00:02:59,106
>> I AM.

120
00:02:59,112 --> 00:03:01,182
MAKE SURE YOU LOVE IT, THOUGH.

121
00:03:13,427 --> 00:03:14,797
OH, LET'S DO IT.

122
00:03:14,795 --> 00:03:16,095
>> CAN WE TAKE A SHOT BEFORE

123
00:03:16,096 --> 00:03:17,566
I START MY TATTOO?

124
00:03:17,565 --> 00:03:18,325
>> YOU GOT SOME OF THAT JAG

125
00:03:18,332 --> 00:03:19,232
ON YOU?

126
00:03:19,233 --> 00:03:20,333
>> YOU GONNA BE DRINKING OUT OF

127
00:03:20,334 --> 00:03:23,104
MY BOOBIES.

128
00:03:23,103 --> 00:03:24,613
>> FREE BOOBS AND FREE BOOZE.

129
00:03:24,605 --> 00:03:26,505
[laughs]

130
00:03:26,507 --> 00:03:28,377
BOOB SHOT, BOOB SHOT.

131
00:03:28,376 --> 00:03:29,376
I DON'T WANT TO GET IN TROUBLE.

132
00:03:29,377 --> 00:03:30,437
JESUS, TAKE THE WHEEL.

133
00:03:30,444 --> 00:03:31,714
JESUS, TAKE THE WHEEL.

134
00:03:31,712 --> 00:03:32,512
>> [laughs]

135
00:03:32,513 --> 00:03:33,253
>> BLACK INK, THAT'S WHAT

136
00:03:33,247 --> 00:03:33,907
WE KNOWN FOR,

137
00:03:33,914 --> 00:03:34,624
SOME CRAZY [bleep].

138
00:03:34,615 --> 00:03:35,745
IT'S NOTHING NEW WHEN CANDICE

139
00:03:35,749 --> 00:03:36,949
WANTED EVERYBODY TO START TAKING

140
00:03:36,950 --> 00:03:38,590
SHOTS OUT OF HER BOOBS.

141
00:03:38,586 --> 00:03:41,456
>> CANDICE VON, I LOVE YOU.

142
00:03:41,455 --> 00:03:43,415
>> OOH.

143
00:03:45,659 --> 00:03:46,359
>> ALL RIGHT, GET IN THAT

144
00:03:46,360 --> 00:03:47,630
COMFORTABLE POSITION.

145
00:03:47,628 --> 00:03:49,558
>> THAT SOUNDS LIKE A VIBRATOR.

146
00:03:49,563 --> 00:03:50,503
[buzzing]

147
00:03:50,498 --> 00:03:52,868
[moans]

148
00:03:52,866 --> 00:03:55,366
[bleep].

149
00:03:55,369 --> 00:03:58,369
[moaning]

150
00:04:00,674 --> 00:04:01,544
>> TRY NOT TO MOVE WHEN THAT

151
00:04:01,542 --> 00:04:02,212
NEEDLE'S ON YOU.

152
00:04:02,209 --> 00:04:03,379
>> OKAY.

153
00:04:03,377 --> 00:04:04,947
IS IT TURNING YOU ON?

154
00:04:04,945 --> 00:04:06,675
>> [laughs]

155
00:04:06,680 --> 00:04:08,250
I THINK THAT CANDICE WAS TRYING

156
00:04:08,248 --> 00:04:09,478
TO GET A RISE OUT OF ME

157
00:04:09,483 --> 00:04:10,783
WHEN I WAS TATTOOING HER.

158
00:04:10,784 --> 00:04:12,524
>> [moans]

159
00:04:12,520 --> 00:04:14,250
OH!

160
00:04:14,254 --> 00:04:16,024
>> TRYING TO KEEP IT COOL.

161
00:04:16,023 --> 00:04:17,593
>> OH, MY GOD.

162
00:04:17,591 --> 00:04:18,431
>> ALL RIGHT, WE'RE GONNA

163
00:04:18,426 --> 00:04:19,256
WIPE THIS OFF.

164
00:04:19,259 --> 00:04:20,059
I'M GONNA LET YOU TAKE A LOOK

165
00:04:20,060 --> 00:04:24,260
AT IT IN THE MIRROR.

166
00:04:24,264 --> 00:04:25,104
>> I LOVE IT.

167
00:04:25,098 --> 00:04:25,768
IT LOOKS SO GOOD.

168
00:04:25,766 --> 00:04:26,566
>> YEAH?

169
00:04:26,567 --> 00:04:27,227
ALL RIGHT.

170
00:04:27,234 --> 00:04:27,944
CANDICE WAS VERY HAPPY

171
00:04:27,935 --> 00:04:29,565
WITH THE TATTOO.

172
00:04:29,570 --> 00:04:30,470
SHE DEFINITELY SOUNDED LIKE SHE

173
00:04:30,471 --> 00:04:31,411
WAS SATISFIED.

174
00:04:31,405 --> 00:04:32,065
BYE, GIRL.

175
00:04:32,072 --> 00:04:32,742
>> THAT'S SO WONDERFUL.

176
00:04:32,740 --> 00:04:33,870
I'M SO HAPPY. IT LOOKS SO GOOD.

177
00:04:33,874 --> 00:04:34,684
>> YOU KNOW, IT'S ANOTHER DAY

178
00:04:34,675 --> 00:04:37,445
AT THE OFFICE.

179
00:04:41,482 --> 00:04:44,022
>> * OOH

180
00:04:44,017 --> 00:04:46,987
* OH, IF THE GRASS IS GREENER

181
00:04:46,987 --> 00:04:48,417
* ON THE OTHER SIDE

182
00:04:48,422 --> 00:04:50,492
* IF YOU WANT, I'MA TAKE YOU *

183
00:04:50,491 --> 00:04:57,161
* YOU CAN GO

184
00:04:59,099 --> 00:05:00,429
[door buzzes]

185
00:05:00,434 --> 00:05:01,204
>> HI.

186
00:05:01,201 --> 00:05:01,871
>> HI.

187
00:05:01,869 --> 00:05:02,939
>> I'M HERE TO SEE CEASER.

188
00:05:02,936 --> 00:05:04,936
I HAVE AN APPOINTMENT WITH HIM.

189
00:05:06,407 --> 00:05:07,507
>> TIFFANY.

190
00:05:07,508 --> 00:05:08,838
>> WITH O'[bleep] MAYBE GOING TO

191
00:05:08,842 --> 00:05:10,712
JAIL FOR A WHILE AND ME LOSING

192
00:05:10,711 --> 00:05:12,381
ONE OF MY BEST ARTISTS,

193
00:05:12,380 --> 00:05:13,550
I DECIDED TO START LOOKING

194
00:05:13,547 --> 00:05:15,647
FOR TALENT.

195
00:05:15,649 --> 00:05:16,749
YOU A TATTOO ARTIST?

196
00:05:16,750 --> 00:05:17,620
>> YES.

197
00:05:17,618 --> 00:05:18,588
>> WHERE YOU TATTOO OUT OF?

198
00:05:18,586 --> 00:05:19,946
>> IN NORTH NEW JERSEY.

199
00:05:19,953 --> 00:05:20,753
>> WHAT, YOU GOT YOUR OWN SHOP

200
00:05:20,754 --> 00:05:21,794
AND WHATNOT?

201
00:05:21,789 --> 00:05:23,789
>> UH, WORKING ON THAT.

202
00:05:23,791 --> 00:05:24,461
>> WHAT YOU WANT TO WORK

203
00:05:24,458 --> 00:05:25,488
FOR ME FOR?

204
00:05:25,493 --> 00:05:27,933
>> MAYBE TO BE ABLE TO TATTOO

205
00:05:27,928 --> 00:05:30,998
MY NEW YORK CLIENTS.

206
00:05:30,998 --> 00:05:31,928
>> SWEETHEART, IF YOU GOT YOUR

207
00:05:31,932 --> 00:05:33,472
OWN SHOP THAT'S IN THE MAKINGS,

208
00:05:33,467 --> 00:05:34,937
I [bleep] WOULDN'T BE CONCERNED

209
00:05:34,935 --> 00:05:36,935
TWO CENTS WORTH OF [bleep] ABOUT

210
00:05:36,937 --> 00:05:39,107
BLACK INK.

211
00:05:39,106 --> 00:05:40,136
>> LET ME SEE YOUR PORTFOLIO.

212
00:05:40,140 --> 00:05:42,140
>> SURE.

213
00:05:52,285 --> 00:05:54,285
HEY, O'[bleep].

214
00:05:56,089 --> 00:05:57,889
WANT TO TAKE A LOOK?

215
00:05:57,891 --> 00:05:58,961
>> OH, SNAP.

216
00:05:58,959 --> 00:06:01,029
LOOK AT THIS.

217
00:06:03,363 --> 00:06:04,903
TIFFANY'S A DOPE ARTIST.

218
00:06:04,898 --> 00:06:05,728
I DON'T KNOW.

219
00:06:05,733 --> 00:06:07,873
I THINK CEASE MIGHT NEED TO HIRE

220
00:06:07,868 --> 00:06:08,998
HER, BUT THEN AGAIN, HE DOESN'T

221
00:06:09,002 --> 00:06:10,172
NEED TO FIRE ME, SO I DON'T KNOW

222
00:06:10,170 --> 00:06:11,740
IF HE NEEDS TO HIRE HER.

223
00:06:11,739 --> 00:06:12,539
>> YOU SEEN HER PORTFOLIO

224
00:06:12,540 --> 00:06:13,310
ALREADY?

225
00:06:13,306 --> 00:06:14,336
>> YEAH, I HAVE AN ISSUE WITH IT

226
00:06:14,341 --> 00:06:15,711
BECAUSE IF YOU WANT TO HAVE YOUR

227
00:06:15,709 --> 00:06:17,779
OWN SHOP, IT'S KIND OF LIKE...

228
00:06:17,778 --> 00:06:20,048
WE TRYING TO BUILD A BUSINESS

229
00:06:20,047 --> 00:06:22,647
THAT'S LOYAL.

230
00:06:22,650 --> 00:06:24,650
>> [laughs]

231
00:06:25,853 --> 00:06:26,523
I'M SORRY.

232
00:06:26,520 --> 00:06:27,150
I'M...

233
00:06:27,154 --> 00:06:27,864
IT MUST HAVE BEEN

234
00:06:27,855 --> 00:06:28,485
SOMETHING I ATE.

235
00:06:28,489 --> 00:06:29,459
I'M SORRY.

236
00:06:29,457 --> 00:06:30,557
I DON'T THINK DUTCHESS REALLY

237
00:06:30,558 --> 00:06:32,788
TOOK TOO WELL TO TIFFANY COMING

238
00:06:32,793 --> 00:06:33,963
IN AND TRYING TO, LIKE, STEP

239
00:06:33,961 --> 00:06:35,131
INTO HER TERRITORY, AND,

240
00:06:35,128 --> 00:06:36,098
YOU KNOW, IT'S ANOTHER WOMAN.

241
00:06:36,096 --> 00:06:37,126
SO JUST THE BATTLE

242
00:06:37,130 --> 00:06:37,800
OF THE VAGINA--

243
00:06:37,798 --> 00:06:39,268
THE VAG WAR THAT'S GOING ON.

244
00:06:39,266 --> 00:06:40,996
[laughs]

245
00:06:41,001 --> 00:06:41,771
>> WE'LL LET YOU COME HERE

246
00:06:41,769 --> 00:06:43,199
AND GET YOUR NEW YORK CLIENTELE

247
00:06:43,203 --> 00:06:43,973
UP SO YOU CAN TAKE

248
00:06:43,971 --> 00:06:45,911
ALL OF THEM TO YOUR SHOP?

249
00:06:45,906 --> 00:06:51,036
THEN WHAT DO WE GET OUT OF IT?

250
00:06:51,044 --> 00:06:52,484
THAT'S SOME BIG COJONES

251
00:06:52,480 --> 00:06:53,280
RIGHT THERE.

252
00:06:53,280 --> 00:06:55,150
I'M GOING TO SHOW YOU I AM

253
00:06:55,148 --> 00:06:57,318
THE [bleep] CAPTAIN OF THE TEAM.

254
00:06:57,317 --> 00:06:58,747
WHY THE [bleep] WOULD I

255
00:06:58,752 --> 00:06:59,922
ENTERTAIN THIS?

256
00:06:59,920 --> 00:07:01,050
I AM DUTCHESS.

257
00:07:01,054 --> 00:07:02,094
LIKE, PEOPLE NEED TO GET THAT

258
00:07:02,089 --> 00:07:02,889
THROUGH THEIR HEAD.

259
00:07:02,890 --> 00:07:04,190
I WOULDN'T GO WORK FOR SOMEBODY

260
00:07:04,191 --> 00:07:05,061
ELSE WHEN I'M GONNA HAVE

261
00:07:05,058 --> 00:07:08,598
MY OWN [bleep].

262
00:07:08,596 --> 00:07:10,596
THAT'S JUST ME PERSONALLY.

263
00:07:12,966 --> 00:07:13,996
>> YOUR WORK IS VERY IMPRESSIVE

264
00:07:14,001 --> 00:07:15,241
AND ALL THAT [bleep], BUT

265
00:07:15,235 --> 00:07:17,705
I CAN'T SAY YES RIGHT NOW.

266
00:07:19,673 --> 00:07:20,543
>> I THINK THAT LITTLE VOICE

267
00:07:20,541 --> 00:07:22,341
IN CEASER'S HEAD HAS DREADS

268
00:07:22,342 --> 00:07:25,152
AND A LITTLE DOWN SOUTH ACCENT.

269
00:07:25,145 --> 00:07:27,245
EVERYTHING DUTCHESS SAYS GOES.

270
00:07:27,247 --> 00:07:29,247
>> NOT EVEN FOR A GUEST SPOT?

271
00:07:32,986 --> 00:07:34,316
>> TIFFANY WORK IS PRETTY

272
00:07:34,321 --> 00:07:36,021
AWESOME, BUT HONESTLY,

273
00:07:36,023 --> 00:07:37,533
WOULD I HIRE HER?

274
00:07:37,525 --> 00:07:38,385
HELLS NO.

275
00:07:38,391 --> 00:07:39,361
DUTCHESS WILL RIP HER [bleep]

276
00:07:39,359 --> 00:07:40,459
HEAD OFF HER [bleep]

277
00:07:40,460 --> 00:07:41,600
FAKE-ASS BODY.

278
00:07:41,595 --> 00:07:42,525
>> I UNDERSTAND.

279
00:07:42,530 --> 00:07:43,200
>> THANKS, TIFF.

280
00:07:43,196 --> 00:07:44,026
>> WELL, THANK YOU FOR

281
00:07:44,031 --> 00:07:44,831
YOUR TIME.

282
00:07:44,832 --> 00:07:46,832
>> ALL RIGHT.

283
00:07:49,436 --> 00:07:50,436
[tense hip-hop music]

284
00:07:50,437 --> 00:07:57,437
*

285
00:07:57,444 --> 00:07:58,384
[door buzzes]

286
00:07:58,378 --> 00:07:59,678
>> OH, HOLD ON.

287
00:07:59,680 --> 00:08:03,050
SHE'S HERE!

288
00:08:03,050 --> 00:08:05,390
>> HI, BABY.

289
00:08:05,385 --> 00:08:06,045
AH!

290
00:08:06,053 --> 00:08:07,863
[laughs] OKAY.

291
00:08:07,855 --> 00:08:09,255
HOW ARE YOU, SWEETHEART?

292
00:08:09,256 --> 00:08:10,616
>> WHAT UP, MOMMY?

293
00:08:10,624 --> 00:08:12,734
>> HI, SWEETHEART.

294
00:08:12,726 --> 00:08:14,386
>> FOR THOSE WHO DON'T KNOW,

295
00:08:14,394 --> 00:08:16,164
MOMMY IS MY MOTHER FROM BROOKLYN

296
00:08:16,163 --> 00:08:17,533
WHO BASICALLY GUIDED ME THROUGH

297
00:08:17,531 --> 00:08:18,931
THE TATTOO INDUSTRY.

298
00:08:18,932 --> 00:08:20,732
>> MOMMY, WHAT BRINGS YOU OUT?

299
00:08:20,734 --> 00:08:22,074
>> WELL, I JUST COME TO GET THAT

300
00:08:22,069 --> 00:08:23,699
FAMILY FEELING, AND I HAVEN'T

301
00:08:23,704 --> 00:08:25,714
SEEN YOUR FACES IN A MINUTE.

302
00:08:26,940 --> 00:08:28,940
WHERE IS EVERYBODY?

303
00:08:31,311 --> 00:08:32,681
>> EVERYBODY'S HERE.

304
00:08:32,680 --> 00:08:33,510
>> I DON'T SEE NOBODY

305
00:08:33,513 --> 00:08:34,783
I RECOGNIZE EXCEPT FOR

306
00:08:34,782 --> 00:08:36,252
THESE TWO RIGHT HERE

307
00:08:36,249 --> 00:08:38,449
AND MY BABY OVER HERE.

308
00:08:38,451 --> 00:08:42,821
WHERE IS PUMA?

309
00:08:42,823 --> 00:08:43,493
WHERE'S SASSY?

310
00:08:43,490 --> 00:08:44,320
>> OH, MOMMY, IF YOU KNEW WHERE

311
00:08:44,324 --> 00:08:45,564
PUMA AND SASSY WAS, YOU WOULD BE

312
00:08:45,559 --> 00:08:46,829
HUNTING THEM DOWN TO BEAT THEY

313
00:08:46,827 --> 00:08:49,657
ASS 'CAUSE YOU WORSE THAN ME.

314
00:08:49,663 --> 00:08:51,533
I AM SO GLAD MOMMY IS HERE.

315
00:08:51,531 --> 00:08:52,801
NOW WE FINALLY GOT A VOICE

316
00:08:52,800 --> 00:08:54,530
OF REASON IN THIS BUILDING.

317
00:08:54,534 --> 00:08:55,504
>> WHAT HAPPENED?

318
00:08:55,502 --> 00:08:56,502
>> RUNNING AROUND TALKING

319
00:08:56,503 --> 00:08:57,173
[bleep].

320
00:08:57,170 --> 00:08:58,070
>> ABOUT THE SHOP?

321
00:08:58,071 --> 00:08:59,741
>> ABOUT US--ME AND CEASE.

322
00:08:59,740 --> 00:09:00,710
AND THEY THOUGHT IT WASN'T GONNA

323
00:09:00,708 --> 00:09:01,468
GET BACK TO US.

324
00:09:01,474 --> 00:09:02,384
THEY THOUGHT THE WORLD WAS

325
00:09:02,375 --> 00:09:04,275
THEIRS AND IT WAS THAT SMALL.

326
00:09:04,277 --> 00:09:05,677
>> PUMA HASN'T HAD A DOLLAR IN

327
00:09:05,679 --> 00:09:06,979
HIS WHOLE [bleep] LIFE.

328
00:09:06,980 --> 00:09:08,050
I BEEN HELPING THIS [bleep]

329
00:09:08,048 --> 00:09:09,048
FOREVER.

330
00:09:09,049 --> 00:09:11,349
WHAT HAPPENED IS, ME AND HIM GOT

331
00:09:11,351 --> 00:09:12,151
INTO A PROBLEM.

332
00:09:12,152 --> 00:09:13,152
>> 'CAUSE HE DON'T REALLY DO

333
00:09:13,153 --> 00:09:13,953
NOTHING.

334
00:09:13,954 --> 00:09:14,594
WHAT DO YOU DO?

335
00:09:14,588 --> 00:09:15,558
>> BRING IN CUSTOMERS.

336
00:09:15,555 --> 00:09:16,715
>> THE CUSTOMERS THAT HE BRING

337
00:09:16,724 --> 00:09:17,894
WASN'T GETTING TATTOOED.

338
00:09:17,891 --> 00:09:18,791
THEY WAS WAITING ON HIM.

339
00:09:18,792 --> 00:09:19,562
>> WAS HE ACTING LIKE

340
00:09:19,559 --> 00:09:20,629
A CONSULTANT?

341
00:09:20,628 --> 00:09:21,698
>> HOW CAN YOU CONSULT WHEN

342
00:09:21,695 --> 00:09:22,455
YOU'VE NEVER HAD YOUR OWN

343
00:09:22,462 --> 00:09:23,132
BUSINESS?

344
00:09:23,130 --> 00:09:25,130
WHAT CAN YOU CONSULT?

345
00:09:27,367 --> 00:09:29,337
>> AND SASSY, THE [bleep] QUIT.

346
00:09:29,336 --> 00:09:30,066
>> YEAH.

347
00:09:30,070 --> 00:09:30,740
>> QUIT?

348
00:09:30,738 --> 00:09:31,538
>> YEAH, THE [bleep] QUIT.

349
00:09:31,538 --> 00:09:32,838
>> WE MADE A JOKE THAT TED

350
00:09:32,840 --> 00:09:36,040
SMASHED SASSY.

351
00:09:36,043 --> 00:09:38,383
>> THAT SHOULDN'T GO ON.

352
00:09:38,378 --> 00:09:40,508
>> WHAT WAS LEFT OUT IS THAT

353
00:09:40,513 --> 00:09:43,053
SOMEBODY TEXT SASSY SAYING TED

354
00:09:43,050 --> 00:09:45,320
IS IN THE SHOP SAYING HE HAD SEX

355
00:09:45,318 --> 00:09:45,988
WITH YOU.

356
00:09:45,986 --> 00:09:47,046
SO THE OTHER DAY, EVERYBODY'S

357
00:09:47,054 --> 00:09:48,264
IN THE SHOP JOKING.

358
00:09:48,255 --> 00:09:49,915
A JOKE TURNED INTO SOMETHING

359
00:09:49,923 --> 00:09:50,663
VERY SERIOUS.

360
00:09:50,658 --> 00:09:52,588
SASSY GOT A TEXT THAT WE WAS

361
00:09:52,592 --> 00:09:53,462
SLEEPING TOGETHER.

362
00:09:53,460 --> 00:09:54,700
IT'S TOTALLY FALSE.

363
00:09:54,695 --> 00:09:56,255
IT'S A [bleep] UP FEELING 'CAUSE

364
00:09:56,263 --> 00:09:57,133
I'M IN THE MIDDLE OF IT,

365
00:09:57,130 --> 00:09:58,770
BUT THE PERSON I AM, I'M GONNA

366
00:09:58,766 --> 00:09:59,766
STEP FORWARD AND TAKE CARE OF IT

367
00:09:59,767 --> 00:10:01,527
BEFORE IT GOES ANY FURTHER.

368
00:10:01,534 --> 00:10:02,604
IT DIDN'T HAVE TO GO AS FAR

369
00:10:02,602 --> 00:10:04,042
AS IT'S GOING NOW.

370
00:10:04,037 --> 00:10:05,437
ONCE A GIRL CAME IN HERE CRYING,

371
00:10:05,438 --> 00:10:06,538
YES, I FEEL SOME TYPE OF WAY,

372
00:10:06,539 --> 00:10:07,679
AND I SHOULDN'T BE STUCK IN

373
00:10:07,675 --> 00:10:08,935
THE MIDDLE OF A [bleep] JOKE

374
00:10:08,942 --> 00:10:10,112
THAT'S NOT TRUE.

375
00:10:10,110 --> 00:10:12,110
>> THAT'S JUST HOW IT GO.

376
00:10:12,112 --> 00:10:13,412
I THOUGHT WE WAS IN HARLEM IN

377
00:10:13,413 --> 00:10:14,883
THE BIG APPLE WHERE [bleep]

378
00:10:14,882 --> 00:10:15,652
IS REAL.

379
00:10:15,649 --> 00:10:17,019
THEY STARTED THIS [bleep] BY

380
00:10:17,017 --> 00:10:17,787
[bleep] WITH MY [bleep]

381
00:10:17,785 --> 00:10:19,345
RELATIONSHIP LIKE IT WAS A JOKE.

382
00:10:19,352 --> 00:10:20,222
SO IT'S FUNNY NOW.

383
00:10:20,220 --> 00:10:21,350
HA, HA, HA, BITCH.

384
00:10:21,354 --> 00:10:23,664
I DON'T CARE.

385
00:10:23,657 --> 00:10:24,827
>> SO WHAT, SOMEONE

386
00:10:24,825 --> 00:10:25,485
SAYS SOMETHING?

387
00:10:25,492 --> 00:10:26,562
SO WHAT, SOMEONE

388
00:10:26,559 --> 00:10:27,329
FEELS SOME TYPE OF WAY?

389
00:10:27,327 --> 00:10:31,427
GROW THE [bleep] UP.

390
00:10:31,431 --> 00:10:32,831
WHAT HAPPENS NOW?

391
00:10:32,833 --> 00:10:34,903
THERE'S TOO MUCH DRAMA.

392
00:10:34,902 --> 00:10:35,802
>> I KNOW.

393
00:10:35,803 --> 00:10:36,973
>> YOU RUNNING A BUSINESS.

394
00:10:36,970 --> 00:10:37,670
>> ALL RIGHT.

395
00:10:37,671 --> 00:10:38,941
>> THAT'S YOUR BUSINESS FAMILY.

396
00:10:38,939 --> 00:10:40,169
YOU HAVE A PROBLEM, TAKE THEM IN

397
00:10:40,173 --> 00:10:40,913
THE BACK.

398
00:10:40,908 --> 00:10:42,078
IF YOU GETTING MAD BECAUSE

399
00:10:42,075 --> 00:10:42,975
SOMETHING HAPPENED, DON'T TAKE

400
00:10:42,976 --> 00:10:44,606
IT PERSONAL.

401
00:10:44,611 --> 00:10:45,881
>> IT'S ABOUT TIME SOMEBODY

402
00:10:45,879 --> 00:10:47,279
SPEAKING UP AND TALKING SOME

403
00:10:47,280 --> 00:10:48,180
TRUTH IN THIS SHOP,

404
00:10:48,181 --> 00:10:49,721
'CAUSE THESE TWO [bleep] JUST

405
00:10:49,717 --> 00:10:50,447
DON'T GET IT.

406
00:10:50,450 --> 00:10:52,050
>> FIX IT.

407
00:10:52,052 --> 00:10:52,852
YOU KNOW WHAT I'M SAYING?

408
00:10:52,853 --> 00:10:53,753
LIKE, YOU JUST DON'T LEAVE

409
00:10:53,754 --> 00:10:55,294
THINGS UNDONE LIKE THAT.

410
00:10:55,288 --> 00:10:56,958
YOU HAVE TO FIX IT.

411
00:10:56,957 --> 00:10:58,957
>> IT'S GONNA GET WORSE.

412
00:11:00,728 --> 00:11:03,128
WHAT WE GONNA DO, CEASE?

413
00:11:03,130 --> 00:11:04,130
>> WHAT THE HELL?

414
00:11:04,131 --> 00:11:05,331
MOMMY'S SUPPOSED TO BE ON MY

415
00:11:05,332 --> 00:11:06,832
SIDE, AND TED'S SUPPOSED TO HAVE

416
00:11:06,834 --> 00:11:08,544
MY BACK NO MATTER WHAT.

417
00:11:08,535 --> 00:11:10,365
THIS IS MY FAMILY.

418
00:11:10,370 --> 00:11:12,370
MAN, [bleep] THIS.

419
00:11:17,577 --> 00:11:18,577
I AIN'T TALKING ABOUT THIS

420
00:11:18,578 --> 00:11:20,578
[bleep] NO MORE.

421
00:11:23,917 --> 00:11:26,787
>> I'VE NEVER SEEN ANY FEMALE

422
00:11:26,787 --> 00:11:28,017
GET CEASER THE WAY THIS

423
00:11:28,021 --> 00:11:29,221
BITCH HAS, MAN.

424
00:11:29,222 --> 00:11:30,422
>> WHY EXACTLY DID YOU GO

425
00:11:30,423 --> 00:11:32,063
OFF ON CAITLIN LIKE THAT?

426
00:11:32,059 --> 00:11:33,089
>> SHE DESERVED TO GET HER ASS

427
00:11:33,093 --> 00:11:34,033
WHIPPED BECAUSE SHE TALKED TOO

428
00:11:34,027 --> 00:11:34,687
MUCH [bleep].

429
00:11:34,694 --> 00:11:36,164
SHE'S STILL THE OTHER WOMAN.

430
00:11:36,163 --> 00:11:37,803
>> MY MOM REACHED OUT TO ME.

431
00:11:37,798 --> 00:11:39,168
>> THAT'S CRAZY.

432
00:11:39,166 --> 00:11:40,226
>> I KNOW.

433
00:11:40,233 --> 00:11:41,703
ANYBODY WHO KNOWS NEW YORK CITY

434
00:11:41,701 --> 00:11:43,971
'80s, DRUG EPIDEMIC KILLED

435
00:11:43,971 --> 00:11:44,911
THE BLACK FAMILY.

436
00:11:44,905 --> 00:11:45,935
IT'S A KNOWN FACT.

437
00:11:45,939 --> 00:11:47,209
>> EVERYBODY FELT LIKE ONCE

438
00:11:47,207 --> 00:11:48,307
Y'ALL GOT TOGETHER, IT WAS JUST

439
00:11:48,308 --> 00:11:50,038
Y'ALL AGAINST US.

440
00:11:50,043 --> 00:11:51,183
>> THAT'S WHAT EVERYBODY'S REAL

441
00:11:51,178 --> 00:11:51,948
PROBLEM IS.

442
00:11:51,945 --> 00:11:53,275
THEY THINK THAT I'M THE REASON

443
00:11:53,280 --> 00:11:55,280
FOR EVERYTHING.

444
00:11:59,352 --> 00:12:00,422
[hip-hop music]

445
00:12:00,420 --> 00:12:02,760
*

446
00:12:02,756 --> 00:12:03,756
[heavy hip-hop music]

447
00:12:03,757 --> 00:12:11,767
*

448
00:12:15,568 --> 00:12:16,998
>> ACHILLES.

449
00:12:17,004 --> 00:12:17,774
>> DADDY.

450
00:12:17,771 --> 00:12:18,711
>> WHAT'S UP, MAN?

451
00:12:18,705 --> 00:12:20,705
GIVE ME A HUG.

452
00:12:22,209 --> 00:12:23,239
I MISS YOU.

453
00:12:23,243 --> 00:12:24,443
>> I MISSED YOU TOO.

454
00:12:24,444 --> 00:12:25,484
>> WHAT'S UP, KATH?

455
00:12:25,478 --> 00:12:26,948
>> HI.

456
00:12:26,947 --> 00:12:28,917
>> KATHY IS MY CRAZY BABY MAMA

457
00:12:28,916 --> 00:12:30,576
FROM THE BRONX, AND LAST TIME

458
00:12:30,583 --> 00:12:32,153
I SAW KATHY WAS WHEN SHE WAS

459
00:12:32,152 --> 00:12:33,392
BEATING CAITLIN'S ASS UP

460
00:12:33,386 --> 00:12:34,616
FOR NO REASON.

461
00:12:34,621 --> 00:12:35,461
>> SO WHAT'S UP?

462
00:12:35,455 --> 00:12:36,215
>> NOTHING, NOTHING.

463
00:12:36,223 --> 00:12:36,993
I WAS JUST SEEING

464
00:12:36,990 --> 00:12:37,760
WHAT'S UP WITH YOU

465
00:12:37,757 --> 00:12:38,987
WITH EVERYTHING.

466
00:12:38,992 --> 00:12:39,932
>> BEEN BETTER.

467
00:12:39,927 --> 00:12:41,187
[chuckles]

468
00:12:41,194 --> 00:12:43,404
>> SO WHY EXACTLY DID YOU GO OFF

469
00:12:43,396 --> 00:12:45,266
ON CAITLIN LIKE THAT?

470
00:12:45,265 --> 00:12:46,295
>> IT WAS A LOT TO HANDLE

471
00:12:46,299 --> 00:12:48,499
SEEING, YOU KNOW...

472
00:12:48,501 --> 00:12:49,701
SEEING HER THERE.

473
00:12:49,702 --> 00:12:51,772
[screaming]

474
00:12:51,771 --> 00:12:52,471
>> NO!

475
00:12:52,472 --> 00:12:54,212
>> STOP IT!

476
00:12:54,207 --> 00:12:55,137
>> [bleep].

477
00:12:55,142 --> 00:12:56,282
>> CALL ME CRAZY, BUT IT STILL

478
00:12:56,276 --> 00:12:57,946
SEEMS, LIKE, REAL CHILDISH.

479
00:12:57,945 --> 00:12:58,905
>> I UNDERSTAND WE'RE NOT

480
00:12:58,912 --> 00:13:00,112
TOGETHER AND WE'RE NOT A COUPLE,

481
00:13:00,113 --> 00:13:01,113
BLAH, BLAH, BLAH,

482
00:13:01,114 --> 00:13:02,084
BUT, LIKE, SHE'S STILL

483
00:13:02,082 --> 00:13:02,922
THE OTHER WOMAN.

484
00:13:02,916 --> 00:13:04,016
LIKE, WHY WOULD YOU THINK IT'S

485
00:13:04,017 --> 00:13:05,347
OKAY FOR HER TO BE THERE?

486
00:13:05,352 --> 00:13:06,592
>> BECAUSE THIS IS THE SAME DAY

487
00:13:06,586 --> 00:13:07,816
THAT SHE'S COME--THAT SHE'S

488
00:13:07,821 --> 00:13:08,721
THERE FOR ME AT COURT.

489
00:13:08,721 --> 00:13:09,621
>> SEE, BUT I UNDERSTAND

490
00:13:09,622 --> 00:13:10,562
YOU WERE TRYING TO--

491
00:13:10,557 --> 00:13:11,787
I DON'T KNOW--KISS HER ASS TO

492
00:13:11,791 --> 00:13:13,331
A POINT SO SHE COULD TESTIFY FOR

493
00:13:13,326 --> 00:13:14,896
YOU AND STUFF LIKE THAT.

494
00:13:14,895 --> 00:13:16,095
BUT YOU THINK IT'S OKAY FOR ME

495
00:13:16,096 --> 00:13:17,026
TO JUST BE AROUND ALL YOUR

496
00:13:17,030 --> 00:13:19,170
BITCHES 'CAUSE YOU SUCH

497
00:13:19,166 --> 00:13:22,036
A LADIES' MAN LIKE THAT.

498
00:13:22,035 --> 00:13:23,595
AND I'M SUPPOSED TO HANDLE THIS

499
00:13:23,603 --> 00:13:24,803
WITH GRACE AND...

500
00:13:24,804 --> 00:13:26,074
>> NOPE, YOU'RE SUPPOSED TO DO

501
00:13:26,073 --> 00:13:29,783
EXACTLY WHAT YOU DID, RIGHT?

502
00:13:29,776 --> 00:13:30,906
>> SHE GOT WHAT SHE DESERVED.

503
00:13:30,911 --> 00:13:31,981
SHE DESERVED TO GET HER ASS

504
00:13:31,979 --> 00:13:33,109
WHIPPED BECAUSE SHE TALKED TOO

505
00:13:33,113 --> 00:13:33,883
MUCH [bleep].

506
00:13:33,881 --> 00:13:35,881
ON A HIGHER LEVEL, WHAT I DID

507
00:13:35,883 --> 00:13:37,523
WAS TOTALLY UNCALLED FOR,

508
00:13:37,517 --> 00:13:40,017
BUT ON THE STREET LEVEL...

509
00:13:40,020 --> 00:13:41,520
SHE GOT WHAT SHE DESERVED.

510
00:13:41,521 --> 00:13:43,721
I WAS OVERFLOWING WITH PAIN

511
00:13:43,723 --> 00:13:45,063
THAT DAY,

512
00:13:45,058 --> 00:13:46,128
BUT I'M NOT GONNA SIT HERE

513
00:13:46,126 --> 00:13:47,426
AND BE LIKE, "OH, I WAS TOTALLY

514
00:13:47,427 --> 00:13:48,527
WRONG FOR WHAT I DID."

515
00:13:48,528 --> 00:13:50,698
NO, I HAD MY REASONS.

516
00:13:50,697 --> 00:13:52,997
>> NOW I'M FACING THIS GUN

517
00:13:53,000 --> 00:13:54,940
CHARGE, AND I'M NOT GONNA EVEN

518
00:13:54,935 --> 00:13:55,935
HAVE THE PROPER DEFENSE THAT

519
00:13:55,936 --> 00:13:56,936
I WANT TO BECAUSE SHE CAN'T

520
00:13:56,937 --> 00:13:58,067
TESTIFY FOR ME.

521
00:13:58,071 --> 00:13:59,471
>> YOU CAN BLAME ME FOR THAT

522
00:13:59,472 --> 00:14:01,542
ALL YOU WANT, BUT THE REAL

523
00:14:01,541 --> 00:14:03,111
EXTENT OF HER NOT TESTIFYING IS

524
00:14:03,110 --> 00:14:04,240
BECAUSE YOU DID SOMETHING

525
00:14:04,244 --> 00:14:05,414
TO PISS HER OFF.

526
00:14:05,412 --> 00:14:06,512
>> ONLY WOMAN WHO I'VE REALLY

527
00:14:06,513 --> 00:14:08,523
BEEN PISSING OFF IS YOU.

528
00:14:10,583 --> 00:14:12,853
>> EVERY TIME I TRY TO FOCUS ON

529
00:14:12,852 --> 00:14:14,822
US AND OUR FAMILY,

530
00:14:14,821 --> 00:14:16,791
IT'S ALWAYS ANOTHER GIRL

531
00:14:16,789 --> 00:14:17,459
IN THE MIX.

532
00:14:17,457 --> 00:14:19,027
DESPITE ALL YOUR TROUBLES,

533
00:14:19,026 --> 00:14:21,056
ALL YOUR DRAMA, ALL YOUR CHAOS,

534
00:14:21,061 --> 00:14:22,901
I ACCEPTED YOU FOR WHO YOU ARE,

535
00:14:22,896 --> 00:14:24,696
AND EVEN AS THE MOTHER OF YOUR

536
00:14:24,697 --> 00:14:28,197
CHILD, I FEEL LIKE I'M A NOBODY.

537
00:14:30,570 --> 00:14:31,470
>> I JUST--

538
00:14:31,471 --> 00:14:33,711
I FEEL LIKE I MOVED ON, LIKE...

539
00:14:35,642 --> 00:14:36,412
BUT THAT WAS 'CAUSE THAT WAS

540
00:14:36,409 --> 00:14:37,709
ALSO THE SAME TIME YOU MOVED OUT

541
00:14:37,710 --> 00:14:38,980
THE HOUSE, AND THEN YOU WENT

542
00:14:38,979 --> 00:14:40,379
M.I.A., AND I COULDN'T EVEN

543
00:14:40,380 --> 00:14:41,310
GET IN TOUCH WITH YOU.

544
00:14:41,314 --> 00:14:43,024
>> WHY WOULD I STAY IN A HOUSE

545
00:14:43,016 --> 00:14:44,276
WITH A MAN WHO DOESN'T

546
00:14:44,284 --> 00:14:45,524
RESPECT ME?

547
00:14:45,518 --> 00:14:46,218
>> I RESPECT YOU.

548
00:14:46,219 --> 00:14:46,889
I JUST DIDN'T--

549
00:14:46,886 --> 00:14:47,716
I WASN'T IN LOVE WITH YOU

550
00:14:47,720 --> 00:14:48,990
ANYMORE.

551
00:14:48,989 --> 00:14:50,619
>> IT'S JUST BEEN SO HARD.

552
00:14:50,623 --> 00:14:53,963
LIKE...

553
00:14:53,961 --> 00:14:55,661
>> THE LIVES OF THESE TWO KIDS

554
00:14:55,662 --> 00:14:56,802
AND MINE'S GONNA JUST BE HANGING

555
00:14:56,796 --> 00:14:59,796
IN THE BALANCE SOON.

556
00:15:01,634 --> 00:15:02,704
I MEAN, LIKE, I COULD REALLY

557
00:15:02,702 --> 00:15:03,572
POSSIBLY BEING GOING

558
00:15:03,570 --> 00:15:04,370
TO JAIL NOW.

559
00:15:04,371 --> 00:15:05,511
I KNOW IT'S DEFINITELY KIND OF

560
00:15:05,505 --> 00:15:06,435
HARD TO WORK THINGS OUT WITH

561
00:15:06,439 --> 00:15:08,079
KATHY RIGHT NOW, BUT I BELIEVE

562
00:15:08,075 --> 00:15:09,305
THAT IF WE'RE GONNA TRY AND BE A

563
00:15:09,309 --> 00:15:10,339
FAMILY, WE'RE GONNA HAVE TO LET

564
00:15:10,343 --> 00:15:12,083
GO OF EVERYTHING FROM THE PAST.

565
00:15:12,079 --> 00:15:13,449
BASICALLY, DESTROY AND REBUILD.

566
00:15:13,446 --> 00:15:14,876
THAT'S IT.

567
00:15:14,881 --> 00:15:15,881
[somber hip-hop music]

568
00:15:15,882 --> 00:15:17,122
*

569
00:15:17,117 --> 00:15:19,517
>> * PART OF ME IS SAYING

570
00:15:19,519 --> 00:15:23,489
* HE'S NOT EVEN WORTH THE PAIN *

571
00:15:23,490 --> 00:15:26,060
* PART OF ME KEEPS WISHING

572
00:15:26,059 --> 00:15:30,559
* HE WERE IN MY ARMS AGAIN

573
00:15:30,563 --> 00:15:32,273
* THERE'S A PENDULUM SWINGING *

574
00:15:32,265 --> 00:15:34,125
* IN MY HEART TONIGHT

575
00:15:34,134 --> 00:15:38,814
* I CAN'T STOP THIS PENDULUM *

576
00:15:38,805 --> 00:15:39,965
* YEAH

577
00:15:39,973 --> 00:15:41,243
>> YO, ACHILLES.

578
00:15:41,241 --> 00:15:42,041
WE OUT.

579
00:15:42,042 --> 00:15:44,042
DON'T FORGET YOUR HAT.

580
00:15:46,946 --> 00:15:51,446
>> MOMMY, I LOVE YOU.

581
00:15:51,451 --> 00:15:52,451
[electronic hip-hip music]

582
00:15:52,452 --> 00:16:00,492
*

583
00:16:00,493 --> 00:16:02,103
>> PUMA.

584
00:16:02,095 --> 00:16:03,725
>> ALEX.

585
00:16:03,730 --> 00:16:04,700
WHAT UP?

586
00:16:04,697 --> 00:16:05,867
IT'S BEEN A FEW WEEKS SINCE

587
00:16:05,865 --> 00:16:07,365
CEASER FIRED ME FROM BLACK INK,

588
00:16:07,367 --> 00:16:08,567
SO I FIGURED WHO ELSE DOESN'T

589
00:16:08,568 --> 00:16:09,738
KNOW HOW TO BE CASTRATED

590
00:16:09,736 --> 00:16:10,966
AND KICKED OUT OF THE FAMILY

591
00:16:10,970 --> 00:16:12,240
BETTER THAN ALEX?

592
00:16:12,239 --> 00:16:14,269
>> WHAT'S GOING ON IN THE SHOP?

593
00:16:14,274 --> 00:16:15,484
TURNT UP.

594
00:16:15,475 --> 00:16:16,435
I WANT TO KNOW DETAILS.

595
00:16:16,443 --> 00:16:17,783
I DON'T KNOW WHAT HAPPENED.

596
00:16:17,777 --> 00:16:20,007
>> WELL, CEASER OFFICIALLY IS

597
00:16:20,013 --> 00:16:20,953
[bleep] WHIPPED.

598
00:16:20,947 --> 00:16:21,647
>> [laughs]

599
00:16:21,648 --> 00:16:22,378
>> [bleep].

600
00:16:22,382 --> 00:16:23,552
I DON'T WANT IT, BUT IT MUST BE

601
00:16:23,550 --> 00:16:25,220
GOOD THE WAY HE BE ACTING.

602
00:16:25,218 --> 00:16:28,918
I'VE NEVER SEEN ANY FEMALE

603
00:16:28,921 --> 00:16:30,461
GET CEASER THE WAY THIS [bleep]

604
00:16:30,457 --> 00:16:32,057
HAS, MAN.

605
00:16:32,059 --> 00:16:33,759
YOU GOT HER SO WRAPPED AROUND

606
00:16:33,760 --> 00:16:35,260
YOUR BRAIN, YOU FORGOT ABOUT

607
00:16:35,262 --> 00:16:36,762
YOUR ACTUAL BUSINESS.

608
00:16:36,763 --> 00:16:37,463
>> YES.

609
00:16:37,464 --> 00:16:38,934
>> SHE'S STRIPPING RATHER THAN

610
00:16:38,931 --> 00:16:40,031
[bleep] TATTOOING.

611
00:16:40,033 --> 00:16:40,903
>> ARE YOU SHOCKED?

612
00:16:40,900 --> 00:16:41,630
ARE YOU SURPRISED.

613
00:16:41,634 --> 00:16:42,344
>> BUT YOU'RE "RUNNING

614
00:16:42,335 --> 00:16:43,365
A BUSINESS."

615
00:16:43,370 --> 00:16:44,970
"BUT I'M A SOUTHERN BELLE.

616
00:16:44,971 --> 00:16:45,911
I'M COLLEGE EDUCATED."

617
00:16:45,905 --> 00:16:46,965
>> "I HAVE A MASTER'S DEGREE."

618
00:16:46,973 --> 00:16:47,943
>> "I GOT A MASTER'S DEGREE."

619
00:16:47,940 --> 00:16:48,610
I'M GLAD.

620
00:16:48,608 --> 00:16:49,778
YO, THANK GOD I'M AWAY

621
00:16:49,776 --> 00:16:50,706
FROM BLACK INK.

622
00:16:50,710 --> 00:16:51,510
YOU KNOW BLACK INK

623
00:16:51,511 --> 00:16:53,551
FROM WHEN I KNOW BLACK INK.

624
00:16:53,546 --> 00:16:54,876
IT WAS A STAPLE.

625
00:16:54,881 --> 00:16:55,751
IT WAS SOMETHING.

626
00:16:55,748 --> 00:16:56,748
IT WAS DIFFERENT.

627
00:16:56,749 --> 00:16:57,419
>> DO YOU GUYS WANT TO SAVE

628
00:16:57,417 --> 00:16:59,087
THE SHOP?

629
00:16:59,086 --> 00:16:59,786
>> I DON'T WANT TO SAVE

630
00:16:59,786 --> 00:17:01,516
BLACK INK.

631
00:17:01,521 --> 00:17:02,691
I WANT TO CREATE SOMETHING

632
00:17:02,689 --> 00:17:05,559
BIGGER.

633
00:17:05,558 --> 00:17:07,558
I WANT TO OPEN UP MY OWN SHOP.

634
00:17:09,762 --> 00:17:11,262
>> YOU KNOW THE WAR YOU WOULD

635
00:17:11,264 --> 00:17:12,474
START IF YOU WERE TO DO THAT?

636
00:17:12,465 --> 00:17:13,465
>> I DON'T GIVE A [bleep].

637
00:17:13,466 --> 00:17:14,826
>> IF CEASER ACTUALLY TREATED

638
00:17:14,834 --> 00:17:16,544
HIS EMPLOYEES WITH RESPECT,

639
00:17:16,536 --> 00:17:17,936
IT WOULDN'T BE THE WAY IT IS.

640
00:17:17,937 --> 00:17:19,107
KARMA'S A BITCH.

641
00:17:19,106 --> 00:17:20,206
SORRY.

642
00:17:20,207 --> 00:17:21,637
THE ONLY DIFFERENCE IS THAT YOU

643
00:17:21,641 --> 00:17:22,811
ACTUALLY WILL MAKE MONEY.

644
00:17:22,809 --> 00:17:24,709
>> ACTUALLY HAVE GOOD TATTOO

645
00:17:24,711 --> 00:17:26,351
ARTISTS THAT WORK THERE AND WILL

646
00:17:26,346 --> 00:17:27,176
DO ACTUAL WORK AND NOT BE

647
00:17:27,180 --> 00:17:30,180
ON A STRIPPER POLE.

648
00:17:30,183 --> 00:17:31,483
I'VE BEEN AROUND WILD SHOPS.

649
00:17:31,484 --> 00:17:32,754
I'VE BEEN AROUND WILD ARTISTS.

650
00:17:32,752 --> 00:17:33,692
THAT'S THE THING THAT CEASER

651
00:17:33,686 --> 00:17:35,786
FAILED TO REMEMBER.

652
00:17:35,788 --> 00:17:38,428
I KNOW PEOPLE.

653
00:17:38,425 --> 00:17:39,625
CEASER MADE THE BIGGEST MISTAKE

654
00:17:39,626 --> 00:17:41,486
OF HIS LIFE BY LETTING ME GO

655
00:17:41,494 --> 00:17:42,334
FROM THE SHOP.

656
00:17:42,329 --> 00:17:43,159
I'M ABOUT TO [bleep] HIS WHOLE

657
00:17:43,163 --> 00:17:44,103
CAREER UP.

658
00:17:44,097 --> 00:17:45,227
SUCKS TO BE HIM.

659
00:17:45,232 --> 00:17:47,372
>> YOU'RE DEALING WITH

660
00:17:47,367 --> 00:17:49,937
A VERY WEAK INDIVIDUAL.

661
00:17:49,936 --> 00:17:50,836
>> OH, THAT'S WHY I'M GONNA DO

662
00:17:50,837 --> 00:17:51,867
WHAT I DO.

663
00:17:51,871 --> 00:17:53,971
SEE, AT THE END OF THE DAY,

664
00:17:53,973 --> 00:17:55,413
YOU LET STUPID PEOPLE HANG

665
00:17:55,408 --> 00:17:56,208
THEMSELVES.

666
00:17:56,209 --> 00:17:58,109
KARMA COMES AROUND.

667
00:17:58,111 --> 00:17:59,481
I BELIEVE IN THAT [bleep].

668
00:17:59,479 --> 00:18:00,579
I PUT A LOT OF HARD WORK

669
00:18:00,580 --> 00:18:01,710
INTO BLACK INK.

670
00:18:01,714 --> 00:18:03,224
I BEEN THERE.

671
00:18:03,216 --> 00:18:05,046
AND JUST TO SEE SOMEBODY TAKE

672
00:18:05,051 --> 00:18:06,951
A PERSON AND PUSH THEM AWAY--

673
00:18:06,953 --> 00:18:08,023
BUT IT'S COOL, MAN,

674
00:18:08,020 --> 00:18:09,760
'CAUSE RIGHT NOW, ALL MY FOCUS

675
00:18:09,756 --> 00:18:10,516
AND ENERGY IS INTO

676
00:18:10,523 --> 00:18:13,493
COMPETITIVENESS AND WINNING.

677
00:18:13,493 --> 00:18:15,933
THE WALLS WILL CRASH AROUND HIM.

678
00:18:15,928 --> 00:18:17,628
>> [laughs]

679
00:18:17,630 --> 00:18:19,170
>> AND IT WILL ONLY BE HIM

680
00:18:19,166 --> 00:18:21,366
AND HIS QUEEN TO SIT THERE

681
00:18:21,368 --> 00:18:23,568
AND ENJOY THE CRUMBLE.

682
00:18:25,672 --> 00:18:26,772
>> YO, CEASER--CEASER'S GOING

683
00:18:26,773 --> 00:18:28,113
AROUND STEALING CLIENTS NOW?

684
00:18:28,107 --> 00:18:28,777
>> LISTEN.

685
00:18:28,775 --> 00:18:30,475
I AIN'T STEAL YOUR CLIENT.

686
00:18:30,477 --> 00:18:32,577
YOUR CLIENT CHOSE ME, PIMPING.

687
00:18:32,579 --> 00:18:33,349
>> I DON'T WANT TO TELL YOU

688
00:18:33,346 --> 00:18:34,846
TO QUIT, BUT IF I PRESENT

689
00:18:34,847 --> 00:18:36,047
A SITUATION WHERE I CAN

690
00:18:36,048 --> 00:18:38,388
GUARANTEE YOUR KIDS ARE FED...

691
00:18:38,385 --> 00:18:39,345
>> THAT'S A DIFFERENT STORY.

692
00:18:39,352 --> 00:18:41,352
>> SAY NO MORE.

693
00:18:46,626 --> 00:18:47,626
[hip-hop music]

694
00:18:47,627 --> 00:18:49,827
*

695
00:18:49,829 --> 00:18:50,829
[heavy hip-hop music]

696
00:18:50,830 --> 00:18:58,840
*

697
00:19:02,542 --> 00:19:03,882
[indistinct chatter]

698
00:19:03,876 --> 00:19:05,136
>> HELLO, SWEETHEART.

699
00:19:05,144 --> 00:19:06,114
KISS?

700
00:19:06,112 --> 00:19:07,152
>> MWAH.

701
00:19:07,146 --> 00:19:08,346
AFTER MOMMY'S LAST VISIT TO

702
00:19:08,348 --> 00:19:09,448
THE SHOP, SHE CALLED ME UP,

703
00:19:09,449 --> 00:19:11,649
WANTING TO GET UP FOR DINNER.

704
00:19:19,292 --> 00:19:21,362
>> WELL, THAT WAS THE OLD DAYS.

705
00:19:21,361 --> 00:19:23,361
THIS IS THE NEW.

706
00:19:26,666 --> 00:19:28,666
>> ME?

707
00:19:30,069 --> 00:19:30,939
NOW, WAIT.

708
00:19:30,937 --> 00:19:31,937
DON'T YOU DARE.

709
00:19:31,938 --> 00:19:32,868
>> OOH.

710
00:19:32,872 --> 00:19:34,572
>> NOT FOR ANY REASON MORE THAN

711
00:19:34,574 --> 00:19:35,784
THE FACT THAT--LISTEN.

712
00:19:35,775 --> 00:19:37,375
>> ARE YOU [bleep] KIDDING ME?

713
00:19:37,377 --> 00:19:38,607
I BEEN DEALING WITH PUMA'S

714
00:19:38,611 --> 00:19:39,581
[bleep] SINCE WE WAS LITTLE

715
00:19:39,579 --> 00:19:40,879
KIDS.

716
00:19:40,880 --> 00:19:42,110
FIRING PUMA IS PROBABLY

717
00:19:42,114 --> 00:19:43,524
THE BEST BUSINESS DECISION

718
00:19:43,516 --> 00:19:44,746
I'VE EVER MADE.

719
00:19:44,751 --> 00:19:46,751
[bleep] NO.

720
00:19:48,788 --> 00:19:49,458
I DON'T CARE WHAT--

721
00:19:49,456 --> 00:19:50,256
>> SO?

722
00:19:50,257 --> 00:19:51,087
WHAT DO YOU MEAN "SO"?

723
00:19:51,090 --> 00:19:52,360
HE WAS THE MAIN ONE THAT WAS

724
00:19:52,359 --> 00:19:53,729
GIVING FOR ALL THOSE OTHER

725
00:19:53,726 --> 00:19:54,456
PEOPLE THAT ARE THERE NOW.

726
00:19:54,461 --> 00:19:56,461
>> MOMMY--

727
00:20:03,236 --> 00:20:04,166
>> SEE, THIS IS PART OF

728
00:20:04,170 --> 00:20:05,040
THE PROBLEM.

729
00:20:05,037 --> 00:20:05,967
WHAT HAPPENED BETWEEN ME AND

730
00:20:05,972 --> 00:20:09,142
PUMA WAS BUSINESS AND FRIENDSHIP

731
00:20:09,141 --> 00:20:12,111
ENDING AT THE SAME DAMN TIME.

732
00:20:12,111 --> 00:20:14,281
I KNEW HIM OVER 15 YEARS.

733
00:20:14,281 --> 00:20:15,781
WE BEEN THROUGH SO MUCH

734
00:20:15,782 --> 00:20:17,052
TOGETHER.

735
00:20:17,049 --> 00:20:18,219
I HAVE ALWAYS GIVEN HIM MORE

736
00:20:18,217 --> 00:20:20,217
THAN I GOT IN RETURN.

737
00:20:38,170 --> 00:20:41,470
>> I REALLY DON'T WANT TO, MAN.

738
00:20:41,474 --> 00:20:43,814
LIKE...

739
00:20:43,810 --> 00:20:45,810
>> SON...

740
00:20:53,720 --> 00:20:54,920
YOU GONNA ALIENATE YOURSELF

741
00:20:54,921 --> 00:20:57,321
AND BE ALL ALONE.

742
00:20:57,324 --> 00:20:58,734
EVERYBODY'S GONNA ALWAYS BE

743
00:20:58,725 --> 00:20:59,685
SNICKERING AND WHISPERING BEHIND

744
00:20:59,692 --> 00:21:00,692
YOUR BACK BECAUSE YOU'RE WALKING

745
00:21:00,693 --> 00:21:02,363
AROUND BEING THIS MEAN GUY THAT

746
00:21:02,362 --> 00:21:04,602
WE KNOW YOU'RE NOT.

747
00:21:04,597 --> 00:21:05,967
THE PERSON WE'RE TALKING ABOUT

748
00:21:05,965 --> 00:21:07,665
WAS A FRIEND OF YOURS,

749
00:21:07,667 --> 00:21:09,997
A FRIEND.

750
00:21:10,002 --> 00:21:11,042
>> AT THE END OF THE DAY,

751
00:21:11,037 --> 00:21:12,337
I'M A BUSINESSMAN,

752
00:21:12,339 --> 00:21:13,669
AND MOMMY TAUGHT ME EVERYTHING

753
00:21:13,673 --> 00:21:15,113
ABOUT THIS BUSINESS.

754
00:21:15,107 --> 00:21:16,777
EVEN THOUGH I MIGHT BE ONE TO BE

755
00:21:16,776 --> 00:21:18,806
STUBBORN, MOST OF THE TIME,

756
00:21:18,811 --> 00:21:20,251
I LISTEN.

757
00:21:20,246 --> 00:21:23,446
MOM, I'M GONNA LISTEN TO YOU.

758
00:21:23,450 --> 00:21:25,450
I'MA TALK TO HIM.

759
00:21:30,657 --> 00:21:31,687
>> * TAKE OFF

760
00:21:31,691 --> 00:21:32,861
* MY HEART AIN'T BEEN SEEN *

761
00:21:32,859 --> 00:21:34,329
* SINCE I BEEN A TEEN

762
00:21:34,327 --> 00:21:35,627
* A MALE OF MY KIND

763
00:21:35,628 --> 00:21:37,158
* THAT'S SELDOM SEEN *

764
00:21:37,163 --> 00:21:38,003
* MORE SWEAT

765
00:21:37,997 --> 00:21:38,767
* MORE TEARS

766
00:21:38,765 --> 00:21:39,595
* MORE BLOOD

767
00:21:39,599 --> 00:21:41,199
* EVERY SECOND IS A VICTORY

768
00:21:41,200 --> 00:21:44,270
* AND FEELS SO AMAZING

769
00:21:44,270 --> 00:21:45,570
[door buzzes]

770
00:21:45,572 --> 00:21:46,272
>> HOW YOU DOING?

771
00:21:46,272 --> 00:21:46,972
>> HOW ARE YOU?

772
00:21:46,973 --> 00:21:47,643
>> WHAT'S GOING ON?

773
00:21:47,640 --> 00:21:48,340
>> WHAT'S UP?

774
00:21:48,341 --> 00:21:49,011
>> OH, WHAT UP, BRO?

775
00:21:49,008 --> 00:21:50,178
>> WHAT'S GOOD, MY DUDE?

776
00:21:50,176 --> 00:21:51,036
>> WHAT'S HAPPENING WITH YOU?

777
00:21:51,043 --> 00:21:51,983
>> I'M GOOD. HOW ARE YOU?

778
00:21:51,978 --> 00:21:52,648
>> I AIN'T SEEN YOU

779
00:21:52,645 --> 00:21:53,345
IN A MINUTE, YO.

780
00:21:53,346 --> 00:21:54,006
>> YOU KNOW ME.

781
00:21:54,013 --> 00:21:54,953
I BEEN WORKING, MAN.

782
00:21:54,947 --> 00:21:55,677
YOU KNOW HOW IT IS,

783
00:21:55,682 --> 00:21:56,782
SEVEN DAYS A WEEK, MAN.

784
00:21:56,783 --> 00:21:57,583
>> LET ME SEE HOW THAT [bleep]

785
00:21:57,584 --> 00:21:58,454
HEALED UP?

786
00:21:58,451 --> 00:21:59,221
THAT [bleep] PRETTY GOOD,

787
00:21:59,218 --> 00:22:00,248
EVEN THOUGH I AIN'T START THAT

788
00:22:00,252 --> 00:22:01,022
[bleep].

789
00:22:01,020 --> 00:22:02,460
MIKE SANTIAGO IS ONE OF

790
00:22:02,455 --> 00:22:03,885
O'[bleep]'S OLD CUSTOMERS THAT

791
00:22:03,890 --> 00:22:05,460
I HAD TO FINISH UP WHEN I FIRED

792
00:22:05,458 --> 00:22:06,688
HIS ASS.

793
00:22:06,693 --> 00:22:07,763
NOW, THE ONLY THING IS,

794
00:22:07,760 --> 00:22:08,760
NOW THAT HE GOT A TASTE

795
00:22:08,761 --> 00:22:11,201
OF SOME REAL QUALITY WORK,

796
00:22:11,197 --> 00:22:13,167
HE'D RATHER ME FINISH HIS TATTOO

797
00:22:13,165 --> 00:22:14,695
THAN O'[bleep].

798
00:22:14,701 --> 00:22:15,541
>> DID O'[bleep] RECOGNIZE

799
00:22:15,535 --> 00:22:18,865
YOUR WORK, [bleep]?

800
00:22:18,871 --> 00:22:19,771
>> YO, WHAT'S GOOD?

801
00:22:19,772 --> 00:22:20,512
>> WHAT'S GOOD, MY DUDE?

802
00:22:20,507 --> 00:22:21,367
>> I'M COOL, MAN. HOW ARE YOU?

803
00:22:21,374 --> 00:22:22,314
>> BEEN A LONG TIME NO SEE.

804
00:22:22,308 --> 00:22:23,108
>> YOU MADE AN APPOINTMENT

805
00:22:23,109 --> 00:22:24,839
FOR TODAY?

806
00:22:24,844 --> 00:22:29,184
>> YEAH, CAME TO SEE MY [bleep].

807
00:22:29,181 --> 00:22:30,051
>> WHAT THE HELL?

808
00:22:30,049 --> 00:22:31,079
CEASER CLAIMS THAT HE'S ALL

809
00:22:31,083 --> 00:22:32,323
ABOUT LOYALTY, BUT HE JUST

810
00:22:32,318 --> 00:22:33,018
STOLE MY CLIENT.

811
00:22:33,019 --> 00:22:36,189
HOW BIG ON LOYALTY IS THAT?

812
00:22:36,188 --> 00:22:37,518
YO, CEASER, SO YOU JUST GOING

813
00:22:37,524 --> 00:22:39,564
AROUND STEALING CLIENTS NOW?

814
00:22:39,559 --> 00:22:40,929
>> I AIN'T STEAL YOUR CLIENT.

815
00:22:40,927 --> 00:22:42,927
YOUR CLIENT CHOSE ME, PIMPING.

816
00:22:42,929 --> 00:22:44,459
I WAS JUST TRYING TO FIX YOUR

817
00:22:44,464 --> 00:22:45,474
[bleep], YOU KNOW WHAT I MEAN?

818
00:22:45,465 --> 00:22:46,425
LIKE, [bleep].

819
00:22:46,433 --> 00:22:49,103
YOU GOT FIRED, [bleep].

820
00:22:49,101 --> 00:22:50,371
>> YOU FIRED ME 'CAUSE OF

821
00:22:50,369 --> 00:22:51,469
BULL[bleep].

822
00:22:51,471 --> 00:22:52,341
>> WHATEVER.

823
00:22:52,338 --> 00:22:53,808
YO, WHAT THE [bleep]?

824
00:22:53,806 --> 00:22:54,866
MAN UP.

825
00:22:54,874 --> 00:22:55,844
HOW THE [bleep] YOU GONNA MAKE

826
00:22:55,842 --> 00:22:56,782
IT THROUGH LIFE ACTING LIKE

827
00:22:56,776 --> 00:22:58,776
A LITTLE SENSITIVE BITCH?

828
00:23:03,516 --> 00:23:04,346
>> YOU TRYING TO EMBARRASS ME

829
00:23:04,350 --> 00:23:05,820
IN FRONT OF MY CLIENTS, AND YOU

830
00:23:05,818 --> 00:23:06,548
TRYING TO TAKE MONEY OUT OF

831
00:23:06,553 --> 00:23:07,793
MY POCKET, AND YOU KNOW I GOT

832
00:23:07,787 --> 00:23:09,257
THESE LAWYER FEES TO PAY?

833
00:23:09,255 --> 00:23:10,685
[bleep] BOTH OF Y'ALL.

834
00:23:10,690 --> 00:23:11,790
>> AW.

835
00:23:11,791 --> 00:23:12,631
>> YEAH, HE TOOK THAT [bleep]

836
00:23:12,625 --> 00:23:13,285
PERSONAL.

837
00:23:13,292 --> 00:23:13,992
>> LISTEN, MAN.

838
00:23:13,993 --> 00:23:14,663
>> HE ALL RIGHT.

839
00:23:14,661 --> 00:23:15,331
>> [laughs]

840
00:23:15,327 --> 00:23:16,327
>> SO WHAT YOU WANT TO DO?

841
00:23:16,328 --> 00:23:17,128
>> BASICALLY I WANT A

842
00:23:17,129 --> 00:23:18,199
CONTINUATION FROM WHERE WE

843
00:23:18,197 --> 00:23:18,867
STARTED, YOU KNOW?

844
00:23:18,865 --> 00:23:19,795
GOING WITH THE NEW YORK CITY

845
00:23:19,799 --> 00:23:20,469
THEME.

846
00:23:20,467 --> 00:23:21,127
>> UH-HUH.

847
00:23:21,133 --> 00:23:22,643
>> MAYBE THROW IN, LIKE, A BUS,

848
00:23:22,635 --> 00:23:23,995
MAYBE THROW IN A TAXI CAB.

849
00:23:24,003 --> 00:23:26,013
>> I WOULD SAY THAT YOU TAKE IT

850
00:23:26,005 --> 00:23:28,305
MORE HOOD--

851
00:23:28,307 --> 00:23:30,637
PINUP GIRL, MONEY, BUILDINGS

852
00:23:30,643 --> 00:23:31,413
TYPE OF THING, YOU FEEL ME?

853
00:23:31,410 --> 00:23:32,280
>> OH, ALL RIGHT.

854
00:23:32,278 --> 00:23:34,248
>> WITH THE TAXI CABS, THOSE

855
00:23:34,246 --> 00:23:35,276
[bleep] DON'T STOP FOR US.

856
00:23:35,281 --> 00:23:36,081
>> YEAH, I'M GONNA SAY NOW,

857
00:23:36,082 --> 00:23:36,952
I'M KEEPING IT 100 WITH YOU.

858
00:23:36,949 --> 00:23:37,719
YEAH, YEAH, I GOT STORIES

859
00:23:37,717 --> 00:23:38,487
ABOUT THAT.

860
00:23:38,485 --> 00:23:39,615
>> I DON'T KNOW WHY HE WANTED ME

861
00:23:39,619 --> 00:23:40,919
TO PUT AN N.Y.C. TOUR GUIDE

862
00:23:40,920 --> 00:23:42,150
ON HIS ASS, BUT WE'RE BOTH

863
00:23:42,154 --> 00:23:42,964
FROM THE HOOD.

864
00:23:42,955 --> 00:23:43,615
HE NEED SOMETHING

865
00:23:43,623 --> 00:23:45,393
TO REPRESENT HIM.

866
00:23:45,391 --> 00:23:47,361
ALL THAT GLITZ, GLAMOUR YOU SEE

867
00:23:47,359 --> 00:23:49,629
ON 42ND STREET AIN'T ON

868
00:23:49,629 --> 00:23:52,569
125TH STREET.

869
00:23:52,565 --> 00:23:53,595
NEW YORK AIN'T ABOUT

870
00:23:53,600 --> 00:23:55,030
THE LANDMARKS AT ALL.

871
00:23:55,034 --> 00:23:56,504
IT'S ABOUT THE HUSTLE.

872
00:23:56,503 --> 00:23:58,343
MONEY...

873
00:23:58,337 --> 00:24:00,137
WOMEN...

874
00:24:00,139 --> 00:24:03,339
AND THE DIRT--DIRT OF THE HOOD.

875
00:24:04,744 --> 00:24:07,754
IT'S ABOUT GETTING OUT.

876
00:24:07,747 --> 00:24:09,047
I NEVER THOUGHT I'D MAKE IT

877
00:24:09,048 --> 00:24:10,318
TO THIS AGE,

878
00:24:10,316 --> 00:24:11,246
ESPECIALLY THE WAY I USED

879
00:24:11,250 --> 00:24:12,450
TO ACT.

880
00:24:12,451 --> 00:24:13,921
I THOUGHT SOMEBODY MIGHT [bleep]

881
00:24:13,920 --> 00:24:15,320
PUT A BULLET IN MY HEAD.

882
00:24:15,321 --> 00:24:17,191
[scoffs]

883
00:24:17,189 --> 00:24:18,929
BUT LOOK AT ME.

884
00:24:18,925 --> 00:24:20,955
I HAD A LITTLE TALENT

885
00:24:20,960 --> 00:24:23,960
AND A LITTLE BRAIN ON MY HEAD.

886
00:24:23,963 --> 00:24:27,003
I GUESS I'M JUST LUCKY.

887
00:24:26,999 --> 00:24:27,699
YO, COME ON, BRO.

888
00:24:27,700 --> 00:24:28,370
YOU READY?

889
00:24:28,367 --> 00:24:30,367
>> YEAH, MAN. LET'S DO IT.

890
00:24:33,005 --> 00:24:34,005
>> WHY YOU AIN'T LET O'[bleep]

891
00:24:34,006 --> 00:24:35,406
FINISH YOUR TATTOO?

892
00:24:35,407 --> 00:24:36,637
>> JUST BUSINESS, MAN.

893
00:24:36,643 --> 00:24:38,343
AIN'T NOTHING PERSONAL.

894
00:24:38,344 --> 00:24:39,614
>> EXACTLY.

895
00:24:39,612 --> 00:24:40,952
IT'S JUST BUSINESS,

896
00:24:40,947 --> 00:24:42,447
MY BUSINESS.

897
00:24:42,448 --> 00:24:43,818
I BUILT THIS SHOP.

898
00:24:43,816 --> 00:24:45,746
I MADE IT WHAT IT IS TODAY.

899
00:24:45,752 --> 00:24:47,822
I REMEMBER WHAT THE BOTTOM IS.

900
00:24:47,820 --> 00:24:49,920
I WILL NEVER HIT BOTTOM AGAIN.

901
00:25:01,568 --> 00:25:03,538
ALL RIGHT, LET'S START THIS TAT.

902
00:25:03,536 --> 00:25:04,366
>> * EVEN WHEN THEY DON'T *

903
00:25:04,370 --> 00:25:05,040
* GOT THE FACTS

904
00:25:05,037 --> 00:25:06,407
*PEOPLE STILL TALK *

905
00:25:06,405 --> 00:25:07,805
* BUT THEY TWO CENTS IN

906
00:25:07,807 --> 00:25:09,377
* LIKE I'M SELLING GUMBALLS *

907
00:25:09,375 --> 00:25:10,475
* THINK THEY GOT ME PEGGED

908
00:25:10,476 --> 00:25:11,636
* LIKE A PIRATE LEG

909
00:25:11,644 --> 00:25:12,514
* HELL NAH

910
00:25:12,511 --> 00:25:13,411
* YOU THE ONLY ONE

911
00:25:13,412 --> 00:25:14,512
* THAT AIN'T GOT A LEG *

912
00:25:14,513 --> 00:25:15,513
* TO STAND ON

913
00:25:15,514 --> 00:25:16,954
* BY ANY MEANS, ANY MEANS

914
00:25:16,949 --> 00:25:19,249
* I'MA DO WHAT I DO BEST *

915
00:25:19,251 --> 00:25:20,891
* OKAY

916
00:25:20,887 --> 00:25:22,517
* BECAUSE IT SAY SOFT KINGS

917
00:25:22,521 --> 00:25:24,191
* WE DO IT SOFTLY, RIGHT

918
00:25:24,190 --> 00:25:25,160
* I KEEP ON TELLING THEM

919
00:25:25,157 --> 00:25:26,027
* WE MUST BE DOING

920
00:25:26,025 --> 00:25:27,255
* SOMETHING RIGHT

921
00:25:27,259 --> 00:25:28,359
* WHOA

922
00:25:28,360 --> 00:25:32,700
>> GO TAKE A LOOK AT IT, YO.

923
00:25:32,699 --> 00:25:35,899
>> TOUGH, MAN.

924
00:25:35,902 --> 00:25:36,672
>> YOU EVER GONNA GO BACK

925
00:25:36,669 --> 00:25:37,899
TO O'[bleep] AFTER THIS?

926
00:25:37,904 --> 00:25:39,914
>> NAH, MAN.

927
00:25:43,743 --> 00:25:45,983
>> * LET'S GO *

928
00:25:45,978 --> 00:25:48,448
* LAST NIGHT WAS CRAZY

929
00:25:48,447 --> 00:25:49,447
* MUSIC THUMPING

930
00:25:49,448 --> 00:25:51,648
* THE CROWD IS LIVE

931
00:25:51,651 --> 00:25:52,591
* YEAH

932
00:25:52,585 --> 00:25:53,585
[electronic hip-hop music]

933
00:25:53,586 --> 00:25:57,286
*

934
00:26:01,728 --> 00:26:03,128
>> YO.

935
00:26:03,129 --> 00:26:03,959
>> WHAT UP, MAN?

936
00:26:03,963 --> 00:26:04,633
>> GOOD, MAN.

937
00:26:04,631 --> 00:26:05,361
HOW ARE YOU?

938
00:26:05,364 --> 00:26:06,274
>> [bleep], ORDER UP SOME DONKEY

939
00:26:06,265 --> 00:26:07,195
PUNCHES.

940
00:26:07,199 --> 00:26:07,869
>> WAIT, SO YOU GOT

941
00:26:07,867 --> 00:26:09,097
YOURSELF TWO.

942
00:26:09,101 --> 00:26:10,471
>> BOY, HEY, YOU TOOK [bleep]--

943
00:26:10,469 --> 00:26:12,499
HEY, I TOLD YOU 9:00.

944
00:26:12,504 --> 00:26:13,974
IT'S 10:05.

945
00:26:13,973 --> 00:26:15,473
I'M TRYING TO CHANGE MY LIFE

946
00:26:15,474 --> 00:26:17,244
AND BE MORE ON TIME FOR [bleep],

947
00:26:17,243 --> 00:26:19,483
RESPONSIBILITIES AND ALL THAT.

948
00:26:19,478 --> 00:26:21,048
>> AFTER ALL THE [bleep] I BEEN

949
00:26:21,047 --> 00:26:22,147
GOING THROUGH WITH COURT AND

950
00:26:22,148 --> 00:26:23,818
THINGS AT THE SHOP, IT'S GOOD TO

951
00:26:23,816 --> 00:26:25,846
FINALLY CHILL OUT AND CHOP IT UP

952
00:26:25,852 --> 00:26:26,922
WITH MY BOY PUMA.

953
00:26:26,919 --> 00:26:28,089
IT'S ALWAYS A CHILL TIME

954
00:26:28,087 --> 00:26:28,987
WITH PUMA.

955
00:26:28,988 --> 00:26:30,918
>> HEY.

956
00:26:30,923 --> 00:26:32,263
>> YO, WE GOT THE SAME EXACT

957
00:26:32,258 --> 00:26:32,928
THING?

958
00:26:32,925 --> 00:26:34,385
DID WE JUST BECOME BEST FRIENDS?

959
00:26:34,393 --> 00:26:35,133
>> DID WE JUST BECOME

960
00:26:35,127 --> 00:26:36,497
BEST FRIENDS JUST NOW?

961
00:26:36,495 --> 00:26:37,595
>> [laughs]

962
00:26:37,596 --> 00:26:38,666
>> HOW'S THE KIDS, MAN?

963
00:26:38,665 --> 00:26:39,895
WHAT'S UP WITH LULU?

964
00:26:39,899 --> 00:26:41,099
>> UH, SHE'S DOING GOOD.

965
00:26:41,100 --> 00:26:42,230
SHE'S SUPPOSED TO BE COMING

966
00:26:42,234 --> 00:26:43,674
INTO THE CITY SOON TOO.

967
00:26:43,670 --> 00:26:45,340
IT'S STILL VERY HARD BECAUSE

968
00:26:45,337 --> 00:26:47,467
KOLI DOESN'T WANT LULU TO SEE

969
00:26:47,473 --> 00:26:48,743
KATHY ANYMORE.

970
00:26:48,741 --> 00:26:49,711
SO, I MEAN, LIKE, IT'S GONNA BE

971
00:26:49,709 --> 00:26:50,979
HARD FOR ACHILLES AND LULU

972
00:26:50,977 --> 00:26:51,637
TO BE TOGETHER NOW.

973
00:26:51,644 --> 00:26:52,444
>> THAT'S WHAT I'M SAYING.

974
00:26:52,444 --> 00:26:53,114
AT THE END OF THE DAY--

975
00:26:53,112 --> 00:26:53,782
>> IT'S GONNA BE CRAZY.

976
00:26:53,780 --> 00:26:54,980
>> I WISH THEY WOULD REALIZE

977
00:26:54,981 --> 00:26:56,951
THAT IT'S BIGGER THAN THEM.

978
00:26:56,949 --> 00:26:58,949
THAT'S A BROTHER AND SISTER THAT

979
00:26:58,951 --> 00:27:00,391
REALLY NEED TO KNOW WHO EACH

980
00:27:00,386 --> 00:27:02,086
OTHER ARE, YOU KNOW WHAT I MEAN?

981
00:27:02,088 --> 00:27:03,188
YOU GOT TO PUT THE BULL[bleep]

982
00:27:03,189 --> 00:27:04,719
ASIDE, YOU KNOW WHAT I MEAN?

983
00:27:04,724 --> 00:27:05,594
ESPECIALLY WHEN THERE'S KIDS

984
00:27:05,591 --> 00:27:06,531
INVOLVED, YOU KNOW?

985
00:27:06,525 --> 00:27:08,555
SO, YOU KNOW, SPEAKING OF, LIKE,

986
00:27:08,560 --> 00:27:11,060
KIDS AND, LIKE, SITUATIONS,

987
00:27:11,063 --> 00:27:14,173
MY MOM REACHED OUT TO ME.

988
00:27:14,166 --> 00:27:16,196
SHE HASN'T SEEN MY DAUGHTER YET.

989
00:27:16,202 --> 00:27:17,102
>> THAT'S CRAZY.

990
00:27:17,103 --> 00:27:18,813
>> I KNOW.

991
00:27:18,805 --> 00:27:19,935
I JUST RECENTLY TALKED TO MY

992
00:27:19,939 --> 00:27:22,469
MOTHER FOR THE FIRST TIME...

993
00:27:22,474 --> 00:27:24,344
IN A COUPLE OF [bleep] YEARS.

994
00:27:24,343 --> 00:27:25,953
SHE HIT ME UP ON FACEBOOK.

995
00:27:25,945 --> 00:27:27,345
SHE'S SEEN PICTURES OF MY CHILD.

996
00:27:27,346 --> 00:27:28,716
IT'S LIKE, "YOU SEE THIS LITTLE

997
00:27:28,715 --> 00:27:29,875
GIRL NOW, AND NOW YOU WANT TO BE

998
00:27:29,882 --> 00:27:30,882
IN HER LIFE,

999
00:27:30,883 --> 00:27:32,083
BUT YOU WASN'T EVEN IN MINE,

1000
00:27:32,084 --> 00:27:34,454
SO WHY SHOULD I LET YOU?"

1001
00:27:34,453 --> 00:27:35,253
I DON'T KNOW.

1002
00:27:35,254 --> 00:27:36,294
ME AND HER DIDN'T HAVE, LIKE,

1003
00:27:36,288 --> 00:27:37,288
THE CLOSEST RELATIONSHIP

1004
00:27:37,289 --> 00:27:38,829
IN THE PLANET.

1005
00:27:38,825 --> 00:27:40,055
AND I FEEL LIKE I CAME OUT

1006
00:27:40,059 --> 00:27:42,089
PRETTY COOL, BUT, LIKE,

1007
00:27:42,094 --> 00:27:43,964
SOMETIMES I KIND OF, LIKE, WISH

1008
00:27:43,963 --> 00:27:45,333
IT WAS DIFFERENT.

1009
00:27:45,331 --> 00:27:46,871
ANYBODY WHO KNOWS NEW YORK CITY

1010
00:27:46,866 --> 00:27:49,066
'80s, DRUG EPIDEMIC KILLED

1011
00:27:49,068 --> 00:27:50,168
THE BLACK FAMILY.

1012
00:27:50,169 --> 00:27:52,299
IT'S A KNOWN FACT.

1013
00:27:52,304 --> 00:27:53,244
MY MOTHER WAS ONE OF THOSE

1014
00:27:53,239 --> 00:27:55,269
PEOPLE THAT GOT CAUGHT INTO IT.

1015
00:27:55,274 --> 00:27:56,584
AND I MEAN--AND SHE GAVE UP

1016
00:27:56,575 --> 00:27:57,605
QUICK.

1017
00:27:57,609 --> 00:27:59,979
ABOUT SEVEN YEARS OLD, I GOT

1018
00:27:59,979 --> 00:28:02,719
SHIPPED OFF THE FIRST TIME.

1019
00:28:02,715 --> 00:28:03,475
[bleep] WHAT HAPPENED WITH

1020
00:28:03,482 --> 00:28:04,152
ME AND MY MOTHER.

1021
00:28:04,150 --> 00:28:06,490
I FEEL LIKE MY DAUGHTER DESERVES

1022
00:28:06,485 --> 00:28:07,615
JUST TO MEET HER GRANDMOTHER,

1023
00:28:07,619 --> 00:28:08,289
YOU KNOW WHAT I MEAN?

1024
00:28:08,287 --> 00:28:09,187
>> YEAH.

1025
00:28:09,188 --> 00:28:10,118
DEFINITELY.

1026
00:28:10,122 --> 00:28:11,192
>> DO YOU BE A GOOD PERSON

1027
00:28:11,190 --> 00:28:12,020
'CAUSE THAT'S YOUR MOTHER,

1028
00:28:12,024 --> 00:28:12,964
THE PERSON THAT BIRTHED YOU INTO

1029
00:28:12,959 --> 00:28:14,459
THIS PLANET?

1030
00:28:14,460 --> 00:28:15,730
OR DO YOU BE AS BAD AS HER

1031
00:28:15,728 --> 00:28:19,468
AND JUST NOT ASSOCIATE?

1032
00:28:19,465 --> 00:28:21,295
>> I SAY LET HER MEET HER.

1033
00:28:21,300 --> 00:28:22,700
WHATEVER HAPPENS AFTER THAT...

1034
00:28:22,701 --> 00:28:23,401
>> LET IT JUST HAPPEN.

1035
00:28:23,402 --> 00:28:24,802
>> YEAH, LET EVERYTHING

1036
00:28:24,804 --> 00:28:26,274
TAKE ITS COURSE.

1037
00:28:26,272 --> 00:28:27,242
>> LIFE--

1038
00:28:27,239 --> 00:28:27,969
YOU JUST GOT TO ROLL WITH

1039
00:28:27,974 --> 00:28:29,114
THE PUNCHES.

1040
00:28:29,108 --> 00:28:30,408
IF IT KNOCKS YOU DOWN, THOUGH,

1041
00:28:30,409 --> 00:28:32,139
GET THE [bleep] BACK UP.

1042
00:28:32,144 --> 00:28:33,114
I KNOW WHAT IT IS FOR PEOPLE

1043
00:28:33,112 --> 00:28:35,482
TO PUT YOU DOWN AND NOT BELIEVE.

1044
00:28:35,481 --> 00:28:36,651
AND SOME PEOPLE JUST CRASH

1045
00:28:36,648 --> 00:28:37,778
AND FALL FROM THAT MOMENT,

1046
00:28:37,784 --> 00:28:40,024
AND SOME PEOPLE RISE.

1047
00:28:40,019 --> 00:28:42,089
IT'S FUNNY HOW PEOPLE ALWAYS

1048
00:28:42,088 --> 00:28:44,158
UNDERESTIMATE ME, MAN,

1049
00:28:44,156 --> 00:28:45,386
AND I FEEL LIKE CEASER

1050
00:28:45,391 --> 00:28:46,691
UNDERESTIMATED ME.

1051
00:28:46,692 --> 00:28:48,432
BUT YOU CAN'T UNDERESTIMATE

1052
00:28:48,427 --> 00:28:50,857
ANYBODY, 'CAUSE YOU NEVER KNOW.

1053
00:28:50,863 --> 00:28:51,833
LET ME ASK YOU A QUESTION.

1054
00:28:51,831 --> 00:28:52,501
>> YEAH.

1055
00:28:52,498 --> 00:28:54,298
>> ARE YOU [bleep] HAPPY

1056
00:28:54,300 --> 00:28:56,700
AT BLACK INK RIGHT NOW?

1057
00:28:56,702 --> 00:28:58,372
>> I MEAN, THINGS CHANGED A LOT.

1058
00:28:58,370 --> 00:28:59,140
IT'S LIKE--IT'S NOT

1059
00:28:59,138 --> 00:29:01,638
THE BLACK INK THAT I'M USED TO.

1060
00:29:01,640 --> 00:29:03,080
>> I FEEL LIKE CEASER'S REIGN

1061
00:29:03,075 --> 00:29:04,105
IS BRINGING, LIKE, SADNESS

1062
00:29:04,110 --> 00:29:05,950
AMONGST THE [bleep] LAND.

1063
00:29:05,945 --> 00:29:07,145
>> YEAH, IT IS.

1064
00:29:07,146 --> 00:29:08,876
LIKE, HE'S MY BOSS.

1065
00:29:08,881 --> 00:29:10,621
HE'S NOT REALLY, LIKE, MY FRIEND

1066
00:29:10,616 --> 00:29:11,276
ANYMORE.

1067
00:29:11,283 --> 00:29:11,953
>> YEAH.

1068
00:29:11,951 --> 00:29:14,021
I DON'T LIKE THAT [bleep].

1069
00:29:14,020 --> 00:29:15,890
HAPPINESS.

1070
00:29:15,888 --> 00:29:18,258
WHAT IF

1071
00:29:18,257 --> 00:29:20,987
I WAS ABLE TO BRING THAT?

1072
00:29:20,993 --> 00:29:22,033
I DON'T WANT TO SPILL

1073
00:29:22,028 --> 00:29:23,558
THE [bleep] BEANS YET, BUT I

1074
00:29:23,562 --> 00:29:24,702
HAVE SOMETHING REALLY, REALLY

1075
00:29:24,696 --> 00:29:26,196
[bleep] MAJOR IN THE WORKS.

1076
00:29:26,198 --> 00:29:26,928
I DON'T WANT TO TELL

1077
00:29:26,933 --> 00:29:27,603
YOU TO QUIT.

1078
00:29:27,599 --> 00:29:28,569
THAT'S NOT WHAT I'M TELLING YOU

1079
00:29:28,567 --> 00:29:31,537
TO DO, BUT IF I PRESENT

1080
00:29:31,537 --> 00:29:32,437
A SITUATION WHERE I CAN

1081
00:29:32,438 --> 00:29:35,978
GUARANTEE YOUR KIDS ARE FED...

1082
00:29:35,975 --> 00:29:38,005
>> THAT'S A DIFFERENT STORY.

1083
00:29:38,010 --> 00:29:39,980
>> SAY NO MORE.

1084
00:29:41,013 --> 00:29:42,053
>> CEASER'S MY FRIEND, BUT WITH

1085
00:29:42,048 --> 00:29:43,018
EVERYTHING THAT'S GOING ON

1086
00:29:43,015 --> 00:29:44,845
RIGHT NOW AT BLACK INK,

1087
00:29:44,851 --> 00:29:45,781
I DON'T KNOW WHAT TO EXPECT

1088
00:29:45,784 --> 00:29:47,224
IN THE FUTURE.

1089
00:29:47,219 --> 00:29:48,349
I GOT TWO KIDS TO FEED,

1090
00:29:48,354 --> 00:29:49,424
AND I GOT LAWYER FEES.

1091
00:29:49,421 --> 00:29:50,321
I'M GONNA MAKE THE SMART

1092
00:29:50,322 --> 00:29:51,922
DECISION.

1093
00:29:51,924 --> 00:29:52,934
>> I GOT YOU.

1094
00:29:52,925 --> 00:29:53,585
>> I KNOW.

1095
00:29:53,592 --> 00:29:55,062
>> DON'T WORRY.

1096
00:29:55,061 --> 00:29:57,461
IN PUMA, WE TRUST.

1097
00:29:57,463 --> 00:29:58,363
WHERE'S THAT GIRL?

1098
00:29:58,364 --> 00:29:59,804
I NEED ANOTHER DONKEY PUNCH.

1099
00:29:59,798 --> 00:30:00,598
THIS [bleep] GOOD.

1100
00:30:00,599 --> 00:30:01,269
>> [laughs]

1101
00:30:01,267 --> 00:30:02,797
>> DONKEY PUNCHES.

1102
00:30:02,801 --> 00:30:04,041
>> AND A JOKE WENT TOO FAR.

1103
00:30:04,036 --> 00:30:06,036
IT'S GONNA HAVE TO BE SOME TYPE

1104
00:30:06,038 --> 00:30:07,138
OF RESOLUTION.

1105
00:30:07,139 --> 00:30:09,179
>> IN WAR, THERE ARE CASUALTIES.

1106
00:30:09,175 --> 00:30:10,835
>> MY MOM IS ON HER WAY

1107
00:30:10,843 --> 00:30:11,843
TO MY APARTMENT.

1108
00:30:11,844 --> 00:30:12,744
I HAVEN'T SEEN HER IN QUITE

1109
00:30:12,744 --> 00:30:14,184
A LONG TIME, AND

1110
00:30:14,180 --> 00:30:16,720
I'M A LITTLE NERVOUS.

1111
00:30:25,457 --> 00:30:27,057
[smooth jazzy music]

1112
00:30:27,059 --> 00:30:29,329
>> * YEAH

1113
00:30:29,328 --> 00:30:31,428
* MM, THROW YOUR HANDS UP

1114
00:30:31,430 --> 00:30:33,600
* MM

1115
00:30:33,599 --> 00:30:35,599
* YEAH

1116
00:30:37,703 --> 00:30:38,943
>> RIGHT NOW, MY MOM IS

1117
00:30:38,938 --> 00:30:40,568
ON HER WAY TO MY APARTMENT.

1118
00:30:40,572 --> 00:30:41,642
I HAVEN'T SEEN HER IN QUITE

1119
00:30:41,640 --> 00:30:43,210
A LONG TIME, AND IT'S HER FIRST

1120
00:30:43,209 --> 00:30:44,139
TIME MEETING MY DAUGHTER,

1121
00:30:44,143 --> 00:30:45,283
WHICH IS GONNA BE AN EXPERIENCE

1122
00:30:45,277 --> 00:30:46,107
IN ITSELF.

1123
00:30:46,112 --> 00:30:47,552
I'M, LIKE, EXTREMELY [bleep]

1124
00:30:47,546 --> 00:30:48,576
NERVOUS, MAN.

1125
00:30:48,580 --> 00:30:49,250
THIS IS HUGE.

1126
00:30:49,248 --> 00:30:51,248
[doorbell rings and knocking]

1127
00:30:55,454 --> 00:30:57,024
>> HI.

1128
00:30:57,023 --> 00:31:00,993
[laughs]

1129
00:31:00,993 --> 00:31:01,763
LOOK AT YOU.

1130
00:31:01,760 --> 00:31:03,300
>> MY HAIR LONGER THAN YOURS.

1131
00:31:03,295 --> 00:31:04,225
>> WHAT'S GOING ON?

1132
00:31:04,230 --> 00:31:04,900
>> A LITTLE EXTRA ROOM

1133
00:31:04,897 --> 00:31:05,557
OVER HERE.

1134
00:31:05,564 --> 00:31:06,234
I FELT IT WAS ONLY RIGHT

1135
00:31:06,232 --> 00:31:07,272
FOR ME TO MEET UP WITH MY MOM

1136
00:31:07,266 --> 00:31:08,766
JUST BECAUSE I DIDN'T WANT TO BE

1137
00:31:08,767 --> 00:31:10,997
SELFISH AND DENY MY DAUGHTER

1138
00:31:11,003 --> 00:31:15,043
HER GRANDMOTHER.

1139
00:31:15,041 --> 00:31:17,841
>> SO WHAT'S GOING ON?

1140
00:31:17,843 --> 00:31:18,883
>> I'M ABOUT TO, LIKE, OPEN UP

1141
00:31:18,877 --> 00:31:19,947
MY OWN BUSINESS NOW.

1142
00:31:19,946 --> 00:31:20,746
>> [gasps]

1143
00:31:20,746 --> 00:31:22,846
WOW.

1144
00:31:22,848 --> 00:31:24,518
>> I'M TRYING.

1145
00:31:24,516 --> 00:31:27,446
>> AS LONG AS YOU KEEP FAMILY...

1146
00:31:27,453 --> 00:31:31,193
YOU KNOW, IN YOUR LIFE.

1147
00:31:31,190 --> 00:31:32,460
>> IT'S AMAZING HOW YOU CAN WAIT

1148
00:31:32,458 --> 00:31:34,088
FOR A MOMENT YOUR WHOLE LIFE,

1149
00:31:34,093 --> 00:31:34,963
AND THEN WHEN THE MOMENT IS

1150
00:31:34,961 --> 00:31:36,931
ACTUALLY THERE, YOU DON'T KNOW

1151
00:31:36,929 --> 00:31:39,699
WHAT THE [bleep] TO SAY OR DO.

1152
00:31:39,698 --> 00:31:40,828
WELL, THAT'S WHAT I'M TRYING

1153
00:31:40,832 --> 00:31:41,532
TO DO, MAN.

1154
00:31:41,533 --> 00:31:42,703
EVERYBODY JUST BEEN SO SEPARATE

1155
00:31:42,701 --> 00:31:44,071
AND DISTANT.

1156
00:31:44,070 --> 00:31:45,100
EVERYBODY ELSE WAS SO DISTANT,

1157
00:31:45,104 --> 00:31:46,544
IT MADE ME DISTANT,

1158
00:31:46,538 --> 00:31:47,608
SO I'M JUST TRYING TO KEEP IT

1159
00:31:47,606 --> 00:31:48,866
TOGETHER NOW.

1160
00:31:48,874 --> 00:31:49,884
THAT'S HOW THE GAME GOES,

1161
00:31:49,875 --> 00:31:51,105
I GUESS.

1162
00:31:51,110 --> 00:31:52,140
>> NOT DISTANT.

1163
00:31:52,144 --> 00:31:53,284
LIKE YOU SAID, EVERYBODY HAS

1164
00:31:53,279 --> 00:31:54,249
THEIR DIFFERENT LIVES.

1165
00:31:54,246 --> 00:31:56,716
YOU DOING YOUR THING.

1166
00:31:56,715 --> 00:31:57,815
>> WE NEVER WAS REALLY USED TO

1167
00:31:57,816 --> 00:31:59,846
THE CONCEPT OF FAMILY.

1168
00:31:59,851 --> 00:32:00,591
WE DIDN'T HAVE, LIKE,

1169
00:32:00,586 --> 00:32:01,986
THE GREATEST RELATIONSHIP

1170
00:32:01,988 --> 00:32:04,318
IN THE PLANET, US TWO.

1171
00:32:04,323 --> 00:32:05,363
>> I THINK--WELL, WE'RE NOT

1172
00:32:05,357 --> 00:32:06,357
GONNA GO THERE.

1173
00:32:06,358 --> 00:32:07,088
>> YOU KNOW, THERE'S A LOT

1174
00:32:07,093 --> 00:32:08,593
OF ANIMOSITY THAT NEVER WAS

1175
00:32:08,594 --> 00:32:10,404
CLEARED, BUT YOU GOT TO, LIKE,

1176
00:32:10,396 --> 00:32:11,696
FORGIVE AND FORGET, I GUESS,

1177
00:32:11,697 --> 00:32:14,497
AS THEY SAY.

1178
00:32:14,500 --> 00:32:15,230
IT'S ROUGH, THOUGH,

1179
00:32:15,234 --> 00:32:16,744
BUT, YOU KNOW, I'M DOING IT.

1180
00:32:16,735 --> 00:32:17,535
>> LET'S START ANEW.

1181
00:32:17,536 --> 00:32:18,196
>> YEAH.

1182
00:32:18,204 --> 00:32:18,874
>> OKAY?

1183
00:32:18,870 --> 00:32:19,540
>> THAT'S THE BEST WAY

1184
00:32:19,538 --> 00:32:20,208
OF DOING IT.

1185
00:32:20,206 --> 00:32:21,966
>> OKAY.

1186
00:32:21,974 --> 00:32:22,914
>> I LOVE YOU, THOUGH.

1187
00:32:22,908 --> 00:32:25,178
>> I LOVE YOU TOO.

1188
00:32:25,177 --> 00:32:27,477
I'M GLAD TO SEE YOU.

1189
00:32:27,479 --> 00:32:28,349
PROUD OF YOU.

1190
00:32:28,347 --> 00:32:29,047
>> THANK YOU.

1191
00:32:29,048 --> 00:32:29,978
>> YOU'RE WELCOME.

1192
00:32:29,982 --> 00:32:30,682
>> APPRECIATE IT.

1193
00:32:30,682 --> 00:32:31,352
>> [laughs]

1194
00:32:31,350 --> 00:32:32,580
>> LET ME GO SEE IF SHE'S

1195
00:32:32,584 --> 00:32:33,254
EVEN UP.

1196
00:32:33,252 --> 00:32:34,392
>> YEAH, IS SHE--SHE'S UP?

1197
00:32:34,386 --> 00:32:35,216
>> I THINK SO.

1198
00:32:35,221 --> 00:32:36,391
I KIND OF DON'T WANT TO DWELL ON

1199
00:32:36,388 --> 00:32:37,058
"IT'S YOUR FAULT,"

1200
00:32:37,056 --> 00:32:38,516
"IT'S MY FAULT,"

1201
00:32:38,524 --> 00:32:39,264
WHERE AT THE END OF THE DAY,

1202
00:32:39,258 --> 00:32:40,528
IT'S ALL ABOUT REBUILDING

1203
00:32:40,526 --> 00:32:42,156
WHAT WE LOST, YOU KNOW?

1204
00:32:42,161 --> 00:32:42,831
HI, GRANDMA.

1205
00:32:42,828 --> 00:32:43,898
>> HI!

1206
00:32:43,895 --> 00:32:46,065
[laughs]

1207
00:32:46,065 --> 00:32:48,025
HELLO.

1208
00:32:48,034 --> 00:32:49,344
HOW ARE YOU?

1209
00:32:49,335 --> 00:32:50,235
>> SAY, "HI, GRANDMA."

1210
00:32:50,236 --> 00:32:51,836
>> IT'S SO NICE TO MEET YOU.

1211
00:32:51,837 --> 00:32:53,307
[laughs]

1212
00:32:53,305 --> 00:32:53,965
>> HER NEW THING IS,

1213
00:32:53,972 --> 00:32:55,272
SHE'S TOUCHING TEETH.

1214
00:32:55,274 --> 00:32:56,314
>> HELLO.

1215
00:32:56,308 --> 00:32:56,978
>> THAT'S QUANNI.

1216
00:32:56,975 --> 00:32:57,835
>> HELLO, DENISE.

1217
00:32:57,843 --> 00:32:58,713
>> HI.

1218
00:32:58,710 --> 00:33:00,780
>> NICE TO MEET YOU.

1219
00:33:01,880 --> 00:33:02,810
>> I MEAN, I DON'T KNOW WHAT THE

1220
00:33:02,814 --> 00:33:05,324
FUTURE HOLDS, MAN, BUT I REALLY

1221
00:33:05,317 --> 00:33:06,417
LIKE WHERE THIS RELATIONSHIP IS

1222
00:33:06,418 --> 00:33:07,618
GOING NOW WITH MY MOTHER, AND,

1223
00:33:07,619 --> 00:33:09,259
YOU KNOW, I'M PROUD OF HER NOW,

1224
00:33:09,255 --> 00:33:09,985
'CAUSE, YOU KNOW, I MEAN,

1225
00:33:09,988 --> 00:33:13,128
SHE'S GROWN, AND, YOU KNOW...

1226
00:33:13,125 --> 00:33:14,755
SHE'S IN A BETTER PLACE NOW.

1227
00:33:14,760 --> 00:33:15,960
>> GOOD-BYE.

1228
00:33:15,961 --> 00:33:16,761
I LOVE YOU.

1229
00:33:16,762 --> 00:33:17,502
>> I LOVE YOU TOO.

1230
00:33:17,496 --> 00:33:18,156
I'LL BE SEEING YOU.

1231
00:33:18,164 --> 00:33:19,034
>> ALL RIGHT, YOU TOO.

1232
00:33:19,031 --> 00:33:19,831
>> ALL RIGHT.

1233
00:33:19,831 --> 00:33:21,831
>> BE GOOD.

1234
00:33:34,813 --> 00:33:36,013
>> EVERYBODY IS FAKE.

1235
00:33:36,014 --> 00:33:37,024
LIKE, THIS [bleep] IS FUNNY

1236
00:33:37,015 --> 00:33:39,345
TO ME.

1237
00:33:39,351 --> 00:33:41,591
WHOEVER TOLD SASSY WHATEVER THEY

1238
00:33:41,587 --> 00:33:43,657
TOLD HER GAVE HER A HELL

1239
00:33:43,655 --> 00:33:45,455
OF A EMBELLISHED STORY.

1240
00:33:45,457 --> 00:33:46,657
>> ALL RIGHT.

1241
00:33:46,658 --> 00:33:48,258
AND A JOKE WENT TOO FAR.

1242
00:33:48,260 --> 00:33:50,400
SASSY GOT UP AND [bleep] QUIT.

1243
00:33:50,396 --> 00:33:52,026
>> AND THAT'S WHOSE FAULT?

1244
00:33:52,030 --> 00:33:53,130
>> SOMEBODY STARTED A RUMOR

1245
00:33:53,132 --> 00:33:54,332
A COUPLE WEEKS AGO

1246
00:33:54,333 --> 00:33:55,503
WHERE SASSY AND TED

1247
00:33:55,501 --> 00:33:57,101
WERE FRIENDS WITH BENEFITS.

1248
00:33:57,103 --> 00:33:58,503
EVEN THOUGH IT WAS FUNNY AT

1249
00:33:58,504 --> 00:34:00,274
THE TIME, I NEED TO TALK TO HER

1250
00:34:00,272 --> 00:34:01,412
ABOUT SMOOTHING THINGS OVER

1251
00:34:01,407 --> 00:34:02,167
WITH SASSY.

1252
00:34:02,174 --> 00:34:02,844
AT THE END OF THE DAY,

1253
00:34:02,841 --> 00:34:04,681
IT'S GONNA HAVE TO BE SOME TYPE

1254
00:34:04,676 --> 00:34:07,246
OF [bleep] RESOLUTION.

1255
00:34:07,246 --> 00:34:09,246
>> NO, THAT'S NOT GONNA HAPPEN.

1256
00:34:10,416 --> 00:34:11,116
WHY YOU SO PERPLEXED

1257
00:34:11,117 --> 00:34:12,817
IF [bleep] IS [bleep] NOTHING?

1258
00:34:12,818 --> 00:34:13,888
>> I NEVER THOUGHT I WOULD SAY

1259
00:34:13,885 --> 00:34:15,315
THIS, BUT SHE'S ACTING LIKE

1260
00:34:15,321 --> 00:34:16,821
A [bleep].

1261
00:34:16,822 --> 00:34:18,122
>> TED WAS THE ONE WHO STARTED

1262
00:34:18,124 --> 00:34:19,134
THE WHOLE [bleep].

1263
00:34:19,125 --> 00:34:20,855
HE TOOK THAT JOKE WAY TOO FAR,

1264
00:34:20,859 --> 00:34:21,959
SASSY.

1265
00:34:21,960 --> 00:34:23,960
>> HMM.

1266
00:34:32,204 --> 00:34:33,214
[edgy hip-hop music]

1267
00:34:33,205 --> 00:34:38,375
*

1268
00:34:38,377 --> 00:34:40,377
>> I'MA BE HONEST WITH YOU.

1269
00:34:40,379 --> 00:34:41,909
THE ONLY PERSON IN THIS SHOP

1270
00:34:41,913 --> 00:34:42,983
THAT REALLY [bleep] WITH SASSY

1271
00:34:42,981 --> 00:34:45,121
LIKE THAT WOULD BE...

1272
00:34:45,117 --> 00:34:46,077
TED.

1273
00:34:46,084 --> 00:34:47,154
AND HE LET IT GET THERE

1274
00:34:47,153 --> 00:34:47,853
BY TRYING TO PLAY

1275
00:34:47,853 --> 00:34:49,263
THE DEVIL'S ADVOCATE.

1276
00:34:49,255 --> 00:34:50,055
>> WHO ARE YOU TALKING TO

1277
00:34:50,055 --> 00:34:52,055
RIGHT NOW?

1278
00:34:52,758 --> 00:34:54,458
BUT THE TRUTH IS THE TRUTH.

1279
00:34:54,460 --> 00:34:55,360
>> ALL RIGHT.

1280
00:34:55,361 --> 00:34:56,861
AND A JOKE WENT TOO FAR.

1281
00:34:56,862 --> 00:34:57,732
>> IN WAR, THERE ARE

1282
00:34:57,729 --> 00:34:58,659
CAUSALITIES.

1283
00:34:58,664 --> 00:34:59,774
THE PROBLEM IS,

1284
00:34:59,765 --> 00:35:01,825
WE'RE NOT IN WAR.

1285
00:35:04,536 --> 00:35:08,036
THESE ARE MINIONS.

1286
00:35:08,039 --> 00:35:09,639
THERE'S NOTHING THAT SASSY COULD

1287
00:35:09,641 --> 00:35:10,881
DO THAT COULD REALLY [bleep]

1288
00:35:10,876 --> 00:35:12,276
BOTHER US LIKE THAT.

1289
00:35:12,278 --> 00:35:13,808
>> WE BOTH KNOW THAT.

1290
00:35:13,812 --> 00:35:15,612
BUT AT THE END OF THE DAY,

1291
00:35:15,614 --> 00:35:16,954
CERTAIN [bleep] GONNA HAVE TO BE

1292
00:35:16,948 --> 00:35:17,618
ADDRESSED.

1293
00:35:17,616 --> 00:35:19,186
>> THIS [bleep] CRAZY.

1294
00:35:19,185 --> 00:35:21,015
I LAUGHED. I EGGED IT ON.

1295
00:35:21,019 --> 00:35:21,989
IT WAS FUNNY.

1296
00:35:21,987 --> 00:35:24,117
SO [bleep] WHAT?

1297
00:35:24,122 --> 00:35:25,462
IT WAS A [bleep] JOKE.

1298
00:35:25,457 --> 00:35:26,117
WHY YOU SO PERPLEXED

1299
00:35:26,124 --> 00:35:28,734
IF [bleep] IS [bleep] NOTHING?

1300
00:35:28,727 --> 00:35:30,597
>> HONESTLY, I NEVER THOUGHT I

1301
00:35:30,596 --> 00:35:32,056
WOULD SAY THIS ABOUT DUTCHESS OR

1302
00:35:32,063 --> 00:35:34,273
USE THIS WORD, BUT SHE'S ACTING

1303
00:35:34,266 --> 00:35:35,696
LIKE A [bleep].

1304
00:35:35,701 --> 00:35:38,371
>> [bleep] LET IT GO THEN.

1305
00:35:38,370 --> 00:35:39,470
[bleep].

1306
00:35:39,471 --> 00:35:40,841
>> DUTCHESS, WHAT THE HELL

1307
00:35:40,839 --> 00:35:41,639
IS WRONG WITH YOU?

1308
00:35:41,640 --> 00:35:43,240
I CAN'T FIGURE YOU OUT.

1309
00:35:43,242 --> 00:35:44,142
>> [bleep] DWELLING ON

1310
00:35:44,142 --> 00:35:45,512
[bleep] FOR?

1311
00:35:45,511 --> 00:35:46,181
>> YOU KNOW WHAT?

1312
00:35:46,178 --> 00:35:48,308
I'M DONE TALKING ABOUT THIS.

1313
00:35:48,314 --> 00:35:50,324
>> SUE ME FOR [bleep] LAUGHING.

1314
00:36:06,898 --> 00:36:07,828
HOW ARE YOU?

1315
00:36:07,833 --> 00:36:08,703
>> I'M GOOD.

1316
00:36:08,700 --> 00:36:10,400
SO I GET A PHONE CALL FROM

1317
00:36:10,402 --> 00:36:12,042
DUTCHESS, AND I'M THINKING,

1318
00:36:12,037 --> 00:36:12,697
"YOU KNOW WHAT?

1319
00:36:12,704 --> 00:36:13,574
WE FINALLY GONNA GET ALL THIS

1320
00:36:13,572 --> 00:36:14,242
[bleep] OUT OF THE AIR.

1321
00:36:14,240 --> 00:36:14,910
SHE'S GONNA CONFESS

1322
00:36:14,906 --> 00:36:15,566
WHATEVER IT IS,

1323
00:36:15,574 --> 00:36:17,514
OWN UP TO ALL THE [bleep]."

1324
00:36:17,509 --> 00:36:18,309
ALL I WANT TO HEAR:

1325
00:36:18,310 --> 00:36:20,850
"SASSY, I'M SORRY."

1326
00:36:20,846 --> 00:36:24,576
>> DO YOU WANT TO TALK FIRST?

1327
00:36:24,583 --> 00:36:25,553
>> OKAY.

1328
00:36:25,551 --> 00:36:26,421
I COULD TALK FIRST.

1329
00:36:26,418 --> 00:36:28,018
UM...

1330
00:36:28,019 --> 00:36:30,559
WE WAS COOL, AND THEN THE LAST

1331
00:36:30,556 --> 00:36:31,456
TIME I SAW YOU, YOU WALKED

1332
00:36:31,457 --> 00:36:33,117
RIGHT BY ME.

1333
00:36:33,124 --> 00:36:34,394
AND THEN [bleep] BEEN, LIKE,

1334
00:36:34,393 --> 00:36:35,963
A BEEF.

1335
00:36:35,961 --> 00:36:37,501
>> LIKE YOU SAID, IT WAS GOOD.

1336
00:36:37,496 --> 00:36:39,666
SO TO SEE THAT INSTAGRAM WAS,

1337
00:36:39,665 --> 00:36:42,465
LIKE--THAT HURT ME.

1338
00:36:42,468 --> 00:36:44,338
HOW ARE YOU COMMENTATING

1339
00:36:44,336 --> 00:36:46,606
ON A RELATIONSHIP THAT YOU KNOW

1340
00:36:46,605 --> 00:36:48,405
NOTHING ABOUT, NUMBER ONE,

1341
00:36:48,407 --> 00:36:50,307
AND NUMBER TWO, SINCE WHEN DID

1342
00:36:50,309 --> 00:36:51,139
YOU BECOME A [bleep]

1343
00:36:51,142 --> 00:36:53,212
RELATIONSHIP COUNSELOR?

1344
00:36:53,211 --> 00:36:55,051
YOU COULD HAVE TALKED TO US

1345
00:36:55,046 --> 00:36:56,416
INSTEAD OF IT BEING PLAYED OUT

1346
00:36:56,415 --> 00:36:57,445
TO THE WORLD LIKE

1347
00:36:57,449 --> 00:36:59,519
OUR RELATIONSHIP IS A JOKE.

1348
00:36:59,518 --> 00:37:00,918
>> THE REASON WHY I DIDN'T COME

1349
00:37:00,919 --> 00:37:02,249
TO YOU WAS BECAUSE I NEVER FELT

1350
00:37:02,254 --> 00:37:03,464
LIKE THAT I EVER SAID ANYTHING

1351
00:37:03,455 --> 00:37:04,655
THAT I DIDN'T SAY TO YOU.

1352
00:37:04,656 --> 00:37:06,526
THAT'S WHAT IT WAS.

1353
00:37:06,525 --> 00:37:08,125
CONVERSATION THAT WE DEFINITELY

1354
00:37:08,126 --> 00:37:09,526
HAD WHEN YOU AND CEASE FIRST

1355
00:37:09,528 --> 00:37:10,528
DECIDED Y'ALL WAS GONNA TAKE IT

1356
00:37:10,529 --> 00:37:11,659
TO THAT NEXT STEP,

1357
00:37:11,663 --> 00:37:12,833
I SAID TO YOU, "DUTCHESS,

1358
00:37:12,831 --> 00:37:14,101
GONNA BE A PROBLEM BETWEEN

1359
00:37:14,099 --> 00:37:15,399
MIXING BUSINESS AND PLEASURE."

1360
00:37:15,401 --> 00:37:16,671
THERE WAS NOTHING FURTHERMORE

1361
00:37:16,668 --> 00:37:18,238
SAID THAT WAS DAMAGING TO YOU,

1362
00:37:18,236 --> 00:37:20,036
TO CEASER FROM OUT OF MY MOUTH--

1363
00:37:20,038 --> 00:37:20,708
>> THAT BLACK INK

1364
00:37:20,706 --> 00:37:22,436
WAS GONNA FAIL,

1365
00:37:22,441 --> 00:37:24,181
THAT OUR RELATIONSHIP

1366
00:37:24,175 --> 00:37:26,035
WAS GONNA BE A BIG FACTOR

1367
00:37:26,044 --> 00:37:28,114
IN BLACK INK FAILING.

1368
00:37:28,113 --> 00:37:28,983
>> AND IT COULD BE.

1369
00:37:28,980 --> 00:37:30,820
>> IN REGARDS TO THAT,

1370
00:37:30,816 --> 00:37:32,616
YOU WERE WRONG.

1371
00:37:32,618 --> 00:37:34,148
>> I SAID IT COULD BE A POSITIVE

1372
00:37:34,152 --> 00:37:35,322
OR A NEGATIVE ON THE SHOP.

1373
00:37:35,321 --> 00:37:36,721
EVERYBODY FELT LIKE ONCE Y'ALL

1374
00:37:36,722 --> 00:37:37,892
GOT TOGETHER, IT WAS JUST Y'ALL

1375
00:37:37,889 --> 00:37:39,329
AGAINST US.

1376
00:37:39,325 --> 00:37:40,125
>> THAT'S WHAT EVERYBODY'S

1377
00:37:40,125 --> 00:37:41,485
REAL PROBLEM IS.

1378
00:37:41,493 --> 00:37:42,533
THEY THINK THAT I'M THE REASON

1379
00:37:42,528 --> 00:37:43,658
FOR EVERYTHING, JUST LIKE THE

1380
00:37:43,662 --> 00:37:45,032
OTHER SITUATION THAT I WANTED

1381
00:37:45,030 --> 00:37:45,930
TO TALK TO YOU ABOUT

1382
00:37:45,931 --> 00:37:47,931
PERTAINING TO TEDDY.

1383
00:37:49,368 --> 00:37:50,238
>> I DON'T KNOW IF YOU'VE HEARD

1384
00:37:50,235 --> 00:37:51,865
ABOUT PUMA.

1385
00:37:51,870 --> 00:37:53,140
HE'S OPENING UP A SHOP.

1386
00:37:53,138 --> 00:37:54,108
>> HE GOT TO BASICALLY GET

1387
00:37:54,105 --> 00:37:55,005
PRESSURE WASHED

1388
00:37:55,006 --> 00:37:56,836
BEFORE HE TRY TO DO ANYTHING

1389
00:37:56,842 --> 00:37:58,842
BUSINESS-WISE.

1390
00:38:08,286 --> 00:38:09,286
[upbeat hip-hop]

1391
00:38:09,287 --> 00:38:17,297
*

1392
00:38:18,296 --> 00:38:19,126
>> THE OTHER SITUATION THAT

1393
00:38:19,130 --> 00:38:20,470
I WANTED TO TALK TO YOU ABOUT

1394
00:38:20,466 --> 00:38:21,666
PERTAINING TO TEDDY.

1395
00:38:21,667 --> 00:38:22,727
I'M VERY PISSED OFF

1396
00:38:22,734 --> 00:38:23,544
AT HOW THIS PLAYED,

1397
00:38:23,535 --> 00:38:24,865
BECAUSE FROM MY UNDERSTANDING,

1398
00:38:24,870 --> 00:38:28,470
IT'S ALL MY FAULT.

1399
00:38:28,474 --> 00:38:29,514
>> THAT WAS MY UNDERSTANDING

1400
00:38:29,508 --> 00:38:30,908
FROM EVERY SINGLE PERSON

1401
00:38:30,909 --> 00:38:31,979
THAT HAS ANYTHING TO DO

1402
00:38:31,977 --> 00:38:32,637
WITH BLACK INK.

1403
00:38:32,644 --> 00:38:34,254
>> NO, IT WAS NOT LIKE THAT.

1404
00:38:34,245 --> 00:38:35,905
TED WAS THE ONE WHO STARTED

1405
00:38:35,914 --> 00:38:37,424
THE WHOLE [bleep].

1406
00:38:37,416 --> 00:38:38,616
>> RIGHT NOW, I AM HAVING

1407
00:38:38,617 --> 00:38:40,687
AN EXTREMELY DIFFICULT TIME

1408
00:38:40,686 --> 00:38:41,816
BELIEVING ANYTHING THAT'S COMING

1409
00:38:41,820 --> 00:38:42,920
OUT OF DUTCHESS' MOUTH.

1410
00:38:42,921 --> 00:38:44,191
FOR YOU TO JUST SIT THERE

1411
00:38:44,189 --> 00:38:44,989
AND THE VERY FIRST THING YOU

1412
00:38:44,990 --> 00:38:46,020
WANT TO DO IS PLAY THE BLAME

1413
00:38:46,024 --> 00:38:47,794
GAME JUST LETS ME KNOW THAT THIS

1414
00:38:47,793 --> 00:38:48,793
CONVERSATION REALLY ISN'T WHAT

1415
00:38:48,794 --> 00:38:50,504
I THOUGHT IT WAS GONNA BE.

1416
00:38:50,496 --> 00:38:51,926
>> I ADMIT TO ALL MY FLAWS.

1417
00:38:51,930 --> 00:38:53,130
I DON'T HAVE TO HIDE BEHIND

1418
00:38:53,131 --> 00:38:54,431
ANYTHING,

1419
00:38:54,433 --> 00:38:55,773
SO IT DOESN'T BENEFIT ME

1420
00:38:55,767 --> 00:38:57,737
TO SAY THAT.

1421
00:38:57,736 --> 00:38:59,406
HE TOOK THAT JOKE WAY TOO FAR,

1422
00:38:59,405 --> 00:39:02,205
SASSY.

1423
00:39:02,207 --> 00:39:02,937
AND THAT'S BASICALLY WHAT

1424
00:39:02,941 --> 00:39:04,141
HAPPENED WITH IT.

1425
00:39:04,142 --> 00:39:05,382
THE REALITY OF IT IS,

1426
00:39:05,377 --> 00:39:07,207
I DON'T CARE IF SHE BELIEVES ME.

1427
00:39:07,212 --> 00:39:08,412
THIS IS SOMETHING THAT CEASE

1428
00:39:08,414 --> 00:39:09,284
WANTED ME TO DO,

1429
00:39:09,280 --> 00:39:11,050
AND I'M SICK OF PEOPLE THINKING

1430
00:39:11,049 --> 00:39:12,379
THAT I AM SOME LITTLE

1431
00:39:12,384 --> 00:39:14,624
[bleep] MINION, CEASER'S PUPPET

1432
00:39:14,620 --> 00:39:16,350
BITCH THAT DOES WHAT HE SAYS.

1433
00:39:16,354 --> 00:39:17,124
I DON'T.

1434
00:39:17,122 --> 00:39:20,562
I AM A GROWN-ASS [bleep] WOMAN.

1435
00:39:20,559 --> 00:39:21,659
>> I DON'T KNOW, MAN.

1436
00:39:21,660 --> 00:39:24,100
I'M SO ANNOYED, BECAUSE I REALLY

1437
00:39:24,095 --> 00:39:25,095
BELIEVED AT THIS MOMENT,

1438
00:39:25,096 --> 00:39:26,326
SHE WAS READY TO STEP UP,

1439
00:39:26,331 --> 00:39:27,471
OWN UP TO THE BULL[bleep],

1440
00:39:27,466 --> 00:39:29,096
TELL ME THAT SHE WAS SORRY.

1441
00:39:29,100 --> 00:39:31,870
IT WAS FIXABLE AT ONE TIME

1442
00:39:31,870 --> 00:39:33,510
VERY EASILY,

1443
00:39:33,505 --> 00:39:36,575
BUT NOW I'M DONE.

1444
00:39:36,575 --> 00:39:38,335
HMM.

1445
00:39:38,343 --> 00:39:39,143
I DON'T KNOW IF YOU'VE HEARD

1446
00:39:39,144 --> 00:39:40,854
ABOUT PUMA.

1447
00:39:40,846 --> 00:39:43,816
HE'S OPENING UP A SHOP.

1448
00:39:43,815 --> 00:39:44,915
I'M GONNA BE THERE WITH HIM.

1449
00:39:44,916 --> 00:39:46,916
>> OH, OKAY, SO DO THAT.

1450
00:39:46,918 --> 00:39:48,088
[bleep] IS YOU THINKING?

1451
00:39:48,086 --> 00:39:49,556
HE GOT TO BASICALLY GET PRESSURE

1452
00:39:49,555 --> 00:39:51,155
WASHED BEFORE HE TRY TO DO

1453
00:39:51,156 --> 00:39:52,986
ANYTHING BUSINESS-WISE,

1454
00:39:52,991 --> 00:39:53,831
'CAUSE NOBODY'S GONNA TAKE

1455
00:39:53,825 --> 00:39:54,925
HIS ASS SERIOUSLY.

1456
00:39:54,926 --> 00:39:56,386
[smooches]

1457
00:39:56,394 --> 00:39:57,604
YOU ARE THE WEAKEST LINK.

1458
00:39:57,596 --> 00:39:58,456
GOOD-BYE.

1459
00:39:58,464 --> 00:39:59,164
THAT'S WHAT I HAVE TO SAY

1460
00:39:59,164 --> 00:39:59,874
TO PUMA.

1461
00:39:59,865 --> 00:40:01,095
ALL RIGHT, BABES.

1462
00:40:01,099 --> 00:40:03,839
SO I'M GLAD I GOT TO SEE YOU.

1463
00:40:10,141 --> 00:40:10,981
>> ME AND MY MAN PUMA,

1464
00:40:10,976 --> 00:40:12,036
WE HAD A FALLING OUT.

1465
00:40:12,043 --> 00:40:13,283
>> MM.

1466
00:40:13,278 --> 00:40:15,408
Y'ALL GOT TO WORK THAT OUT.

1467
00:40:15,413 --> 00:40:17,253
IT'S NEVER GONNA BE RIGHT IF YOU

1468
00:40:17,248 --> 00:40:18,518
DON'T DISAGREE OR HAVE

1469
00:40:18,517 --> 00:40:19,217
FALLOUTS.

1470
00:40:19,217 --> 00:40:19,917
>> YOU KNOW, I'M NOT ONE

1471
00:40:19,918 --> 00:40:20,918
OF YOUR [bleep], SO I DO

1472
00:40:20,919 --> 00:40:22,149
WHAT I WANT TO DO.

1473
00:40:22,153 --> 00:40:23,893
I'M NOT LOOKING FOR NOTHING.

1474
00:40:23,889 --> 00:40:25,159
IF ANYTHING, THIS WON'T BE

1475
00:40:25,156 --> 00:40:28,456
NOTHING BUT SEX.

1476
00:40:28,460 --> 00:40:30,830
I'M GONNA GO TO THE BATHROOM.

1477
00:40:30,829 --> 00:40:31,699
YOU'RE MORE THAN WELCOME

1478
00:40:31,697 --> 00:40:32,557
TO JOIN ME.

1479
00:40:32,564 --> 00:40:33,234
>> I NO LONGER WORK

1480
00:40:33,231 --> 00:40:34,801
AT BLACK INK,

1481
00:40:34,800 --> 00:40:36,000
BUT I'M OPENING UP A NEW

1482
00:40:36,001 --> 00:40:38,771
TATTOO SHOP BOUTIQUE ON 124TH

1483
00:40:38,770 --> 00:40:40,510
BETWEEN LEX AND 3RD.

1484
00:40:40,506 --> 00:40:42,836
>> LITTLE SNEAKY BASTARD.

1485
00:40:42,841 --> 00:40:43,511
>> DO NOT TAKE ALL

1486
00:40:43,509 --> 00:40:44,209
YOUR CLOTHES OFF.

1487
00:40:44,209 --> 00:40:44,879
>> SHUT UP.

1488
00:40:44,876 --> 00:40:45,976
DON'T TELL ME WHAT TO DO!

1489
00:40:45,977 --> 00:40:48,477
[laughter]

1490
00:40:48,480 --> 00:40:49,880
>> TED [bleep] HAS A SITUATION.

1491
00:40:49,881 --> 00:40:50,851
HE GOT THREE BITCHES.

1492
00:40:50,849 --> 00:40:51,549
>> INTRODUCE ME,

1493
00:40:51,550 --> 00:40:53,020
OR I'LL INTRODUCE MYSELF.

1494
00:40:53,018 --> 00:40:53,918
>> IT'S MATING SEASON.

1495
00:40:53,919 --> 00:40:54,789
>> IT'S MATING SEASON.

1496
00:40:54,786 --> 00:40:55,886
[both cawing]

1497
00:40:55,887 --> 00:40:56,887
>> I'M NOT GONNA LIE.

1498
00:40:56,888 --> 00:40:58,558
TO HAVE THREE GIRLS IN ONE PLACE

1499
00:40:58,557 --> 00:40:59,417
FIGHTING OVER YOU,

1500
00:40:59,424 --> 00:41:01,394
THAT'S SUPER DOPE FOR ANY DUDE.

1501
00:41:01,392 --> 00:41:02,592
>> OPEN THE [...].

1502
00:41:02,594 --> 00:41:03,904
>> OKAY, WATCH YOUR HAND.

1503
00:41:03,895 --> 00:41:04,955
WATCH YOUR HAND.

1504
00:41:04,963 --> 00:41:05,633
>> THIS IS LIKE

1505
00:41:05,631 --> 00:41:07,631
DISCOVERY CHANNEL.

1506
00:41:14,773 --> 00:41:15,413
>> DO NOT TAKE ALL

1507
00:41:15,406 --> 00:41:16,066
YOUR CLOTHES OFF.

1508
00:41:16,074 --> 00:41:16,744
>> SHUT UP.

1509
00:41:16,742 --> 00:41:17,442
DON'T TELL ME WHAT TO DO!

1510
00:41:17,442 --> 00:41:19,612
[laughter]

1511
00:41:19,611 --> 00:41:21,011
>> TED [bleep] HAS A SITUATION.

1512
00:41:21,012 --> 00:41:22,012
HE GOT THREE BITCHES.

1513
00:41:22,013 --> 00:41:22,683
>> INTRODUCE ME,

1514
00:41:22,681 --> 00:41:24,051
OR I'LL INTRODUCE MYSELF.

1515
00:41:24,049 --> 00:41:25,019
>> IT'S MATING SEASON.

1516
00:41:25,016 --> 00:41:25,776
>> IT'S MATING SEASON.

1517
00:41:25,784 --> 00:41:27,094
[both cawing]

1518
00:41:27,085 --> 00:41:27,885
>> I'M NOT GONNA LIE.

1519
00:41:27,886 --> 00:41:29,786
TO HAVE THREE GIRLS IN ONE PLACE

1520
00:41:29,788 --> 00:41:30,518
FIGHTING OVER YOU,

1521
00:41:30,522 --> 00:41:32,292
THAT'S SUPER DOPE FOR ANY DUDE.

1522
00:41:32,290 --> 00:41:33,660
>> OPEN THE [...].

1523
00:41:33,659 --> 00:41:34,929
>> OKAY, WATCH YOUR HAND.

1524
00:41:34,926 --> 00:41:35,986
WATCH YOUR HAND.

1525
00:41:35,994 --> 00:41:36,664
>> THIS IS LIKE

1526
00:41:36,662 --> 00:41:38,662
DISCOVERY CHANNEL.