1 00:00:05,273 --> 00:00:05,943 >> YO, WHAT HAPPENED 2 00:00:05,939 --> 00:00:06,609 TO THE LIGHTS? 3 00:00:06,607 --> 00:00:07,277 SO I'M IN THE MIDDLE 4 00:00:07,275 --> 00:00:08,035 OF TATTOOING. 5 00:00:08,042 --> 00:00:08,712 WOULDN'T YOU KNOW, 6 00:00:08,709 --> 00:00:09,779 POWER GOES OUT. 7 00:00:09,777 --> 00:00:11,107 I THOUGHT THAT DUTCHESS HAD ALL 8 00:00:11,112 --> 00:00:12,312 THE POWER AT BLACK INK, BUT 9 00:00:12,313 --> 00:00:13,553 APPARENTLY CON ED'S THE ONE 10 00:00:13,547 --> 00:00:14,677 WHO'S GOT ALL THE POWER. 11 00:00:14,682 --> 00:00:16,052 >> HI. 12 00:00:16,050 --> 00:00:16,680 >> HOW ARE YOU? 13 00:00:16,684 --> 00:00:17,354 >> NICE TO MEET YOU. 14 00:00:17,351 --> 00:00:18,821 >> IT IS VERY NICE TO MEET YOU. 15 00:00:18,819 --> 00:00:19,649 >> THAT'S TIFFANY, 16 00:00:19,653 --> 00:00:20,823 WHO'S CEASER'S SISTER. 17 00:00:20,821 --> 00:00:22,791 AND APPARENTLY CEASER WENT AHEAD 18 00:00:22,790 --> 00:00:23,760 AND HIRED TIFFANY AS THE NEW 19 00:00:23,757 --> 00:00:25,187 MANAGER OF BLACK INK. 20 00:00:25,193 --> 00:00:26,263 >> TOM, WHAT'S GOING ON? 21 00:00:26,260 --> 00:00:26,930 NORM. 22 00:00:26,927 --> 00:00:27,597 >> WHERE THE [bleep] 23 00:00:27,595 --> 00:00:29,025 YOU BEEN AT, [bleep]. 24 00:00:29,029 --> 00:00:29,699 BEEN A MONTH. 25 00:00:29,697 --> 00:00:30,497 IF I HAD THE RIGHT PAPERWORK, 26 00:00:30,498 --> 00:00:31,168 I'D BE TAKING YOU BACK 27 00:00:31,165 --> 00:00:32,725 TO JAIL TONIGHT. 28 00:00:32,733 --> 00:00:33,573 >> I GOT ONE QUESTION, TED. 29 00:00:33,567 --> 00:00:34,497 >> WHAT? 30 00:00:34,502 --> 00:00:36,072 DID YOU [bleep] SASSY? 31 00:00:36,070 --> 00:00:37,170 >> THAT'S A GOOD QUESTION. 32 00:00:37,171 --> 00:00:37,911 TED! 33 00:00:37,905 --> 00:00:39,105 >> IS LESBIAN [bleep] BETTER 34 00:00:39,107 --> 00:00:41,207 THAN REGULAR [bleep]? 35 00:00:41,209 --> 00:00:42,679 >> DID YOU [bleep] ME? 36 00:00:42,676 --> 00:00:46,346 >> NO. 37 00:00:46,347 --> 00:00:47,647 >> GOOD-BYE. 38 00:00:47,648 --> 00:00:49,778 I QUIT. 39 00:00:49,783 --> 00:00:50,453 BLACK INK IS A NEGATIVE 40 00:00:50,451 --> 00:00:52,691 SITUATION IN MY LIFE, SO I JUST 41 00:00:52,686 --> 00:00:55,686 DON'T WANT ANY PARTS OF IT. 42 00:00:55,689 --> 00:00:57,229 BYE. 43 00:00:59,527 --> 00:01:00,557 [hip-hop music] 44 00:01:00,561 --> 00:01:08,641 * 45 00:01:28,489 --> 00:01:29,519 * MY 46 00:01:29,523 --> 00:01:31,233 * NO, AIN'T STEPPIN' ON DREAMS * 47 00:01:31,225 --> 00:01:32,385 * I SEE YOU ON THE GROUND 48 00:01:32,393 --> 00:01:33,393 * BUT YOU GONNA HAVE TO WAIT 49 00:01:33,394 --> 00:01:34,304 * FOR ME 50 00:01:34,295 --> 00:01:35,695 * 'CAUSE THIS IS * 51 00:01:35,696 --> 00:01:36,896 * MY 52 00:01:36,897 --> 00:01:38,367 * MY 53 00:01:38,366 --> 00:01:40,296 >> THERE GOES THE BOSS. 54 00:01:40,301 --> 00:01:41,471 HEY. 55 00:01:41,469 --> 00:01:42,669 >> BABY, YOU JUST MISSED... 56 00:01:42,670 --> 00:01:43,600 >> THE DRAMA. 57 00:01:43,604 --> 00:01:44,674 >> WHAT HAPPENED? 58 00:01:44,672 --> 00:01:46,372 >> UM, SASSY CAME IN. 59 00:01:46,374 --> 00:01:47,744 SHE SAT DOWN NEXT TO TED, 60 00:01:47,741 --> 00:01:49,811 AND SHE WAS LIKE, "UM, 61 00:01:49,810 --> 00:01:50,680 DID I HAVE SEX WITH YOU?" 62 00:01:50,678 --> 00:01:51,548 AND TED WAS LIKE, "NO." 63 00:01:51,545 --> 00:01:55,115 SO SHE STOOD UP--TEARS. 64 00:01:55,115 --> 00:01:56,175 AND SHE WAS LIKE, "OKAY, 65 00:01:56,184 --> 00:01:59,054 I QUIT." 66 00:01:59,052 --> 00:02:00,052 I WAS LIKE, "HAVE A GOOD DAY." 67 00:02:00,053 --> 00:02:00,753 >> WAIT, HOLD ON, HOLD ON. 68 00:02:00,754 --> 00:02:02,194 LET ME SIT DOWN FOR A SECOND. 69 00:02:02,190 --> 00:02:04,260 SASSY QUITS. 70 00:02:04,258 --> 00:02:06,128 BUT... 71 00:02:06,126 --> 00:02:08,326 SHE DIDN'T SEND ME NO MEMO. 72 00:02:08,329 --> 00:02:09,729 NOW HOLD ON, HOLD ON, HOLD ON. 73 00:02:09,730 --> 00:02:11,870 SO SHE GOT MAD OVER A COMMENT 74 00:02:11,865 --> 00:02:15,535 THAT WAS, "A JOKE." 75 00:02:15,536 --> 00:02:16,596 >> AND CRYING. 76 00:02:16,604 --> 00:02:17,274 >> TEARS? 77 00:02:17,271 --> 00:02:18,111 >> TEARS. 78 00:02:18,105 --> 00:02:19,365 >> WAIT, HOLD ON, HOLD ON. 79 00:02:19,373 --> 00:02:20,943 LET ME HOLD BACK MY LAUGHTER. 80 00:02:20,941 --> 00:02:22,081 >> I GUESS YOU CAN DISH IT, BUT 81 00:02:22,075 --> 00:02:23,005 YOU CAN'T TAKE IT. 82 00:02:23,010 --> 00:02:23,840 THAT'S WHAT IT IS. 83 00:02:23,844 --> 00:02:24,814 >> RIGHT, AND IT'S A JOKE. 84 00:02:24,812 --> 00:02:25,582 >> HA. HA. 85 00:02:25,579 --> 00:02:26,279 >> NO, BUT IT WAS A JOKE. 86 00:02:26,280 --> 00:02:27,080 >> HA. HA. 87 00:02:27,080 --> 00:02:28,420 WE JOKE THAT TED AND SASSY 88 00:02:28,416 --> 00:02:29,146 [bleep]. 89 00:02:29,149 --> 00:02:29,819 HA, HA, HA. 90 00:02:29,817 --> 00:02:30,977 IT'S A [bleep] JOKE. 91 00:02:30,984 --> 00:02:31,824 FOR SASSY TO HAVE HER 92 00:02:31,819 --> 00:02:33,319 PANTIES IN A [bleep] UPROAR? 93 00:02:33,321 --> 00:02:35,021 BITCH, SIT DOWN AND TAKE A 94 00:02:35,022 --> 00:02:35,822 CHILL PILL. 95 00:02:35,823 --> 00:02:36,823 IT'S NOT THAT [bleep] SERIOUS. 96 00:02:36,824 --> 00:02:38,564 >> SHE WAS MAKING COMMENTS ABOUT 97 00:02:38,559 --> 00:02:39,589 OUR RELATIONSHIP. 98 00:02:39,593 --> 00:02:41,133 WE SHOULD COMMENT ABOUT HER 99 00:02:41,128 --> 00:02:41,898 BEHAVIOR-- 100 00:02:41,895 --> 00:02:42,555 >> OKAY. 101 00:02:42,563 --> 00:02:43,533 >> AS A GROWN-ASS WOMAN, BUT, 102 00:02:43,531 --> 00:02:44,201 YOU KNOW WHAT I MEAN? 103 00:02:44,198 --> 00:02:44,868 >> I'M JUST SAYING... 104 00:02:44,865 --> 00:02:45,565 >> BUT THAT'S NONE OF MY 105 00:02:45,566 --> 00:02:46,766 BUSINESS NEITHER, YOU KNOW WHAT 106 00:02:46,767 --> 00:02:47,437 I MEAN, LIKE... 107 00:02:47,435 --> 00:02:48,635 HONESTLY, SINCE I HAD TIFFANY 108 00:02:48,636 --> 00:02:50,336 WORKING HERE, I DIDN'T REALLY 109 00:02:50,338 --> 00:02:52,108 NEED SASSY ANY MORE. 110 00:02:52,105 --> 00:02:53,605 PLUS, THE TENSION WITH HER AND 111 00:02:53,607 --> 00:02:56,207 DUTCHESS--IT KIND OF WORKS OUT 112 00:02:56,210 --> 00:02:58,650 WITH A WIN-WIN SITUATION FOR ME. 113 00:02:58,646 --> 00:02:59,446 >> I MEAN, THEY CAN'T KEEP 114 00:02:59,447 --> 00:03:00,447 TALKING [bleep] ABOUT ME AND 115 00:03:00,448 --> 00:03:01,478 THINK THAT MY MAN AIN'T GONNA 116 00:03:01,482 --> 00:03:02,752 SUPPORT MY SIDE. 117 00:03:02,750 --> 00:03:04,320 LIKE, COME ON. 118 00:03:04,318 --> 00:03:06,388 I DON'T GIVE TWO [bleep] 119 00:03:06,387 --> 00:03:07,917 THAT SASSY QUIT. 120 00:03:07,921 --> 00:03:08,961 I FINALLY GOT RID OF THE 121 00:03:08,956 --> 00:03:10,486 DEADWEIGHT, SO NOW I WANT TO 122 00:03:10,491 --> 00:03:11,991 JUST MAKE BLACK INK WHAT IT 123 00:03:11,992 --> 00:03:13,062 NEEDS TO BE, SO WE CAN TAKE OVER 124 00:03:13,060 --> 00:03:14,360 THIS INDUSTRY. 125 00:03:14,362 --> 00:03:18,032 [door buzzing] 126 00:03:18,031 --> 00:03:18,971 >> YOU WAS HERE? 127 00:03:18,966 --> 00:03:20,196 FOR THE CRYING? 128 00:03:20,200 --> 00:03:21,870 >> SHE WAS CRYING, MAN. 129 00:03:21,869 --> 00:03:23,899 >> DANG, WALT, YOU SOUND SAD. 130 00:03:23,904 --> 00:03:24,914 >> IT'S JUST CRAZY, MAN, LIKE... 131 00:03:24,905 --> 00:03:25,735 >> GET THE [bleep] OUT OF HERE. 132 00:03:25,739 --> 00:03:26,409 Y'ALL WANT TO HAVE SOME 133 00:03:26,407 --> 00:03:29,107 SYMPATHY FOR THAT BITCH? 134 00:03:29,109 --> 00:03:31,879 GET THE [bleep] OUT OF HERE. 135 00:03:31,879 --> 00:03:32,949 >> AS OF RIGHT NOW, IT'S REALLY 136 00:03:32,946 --> 00:03:33,946 NOT LOOKING GOOD. 137 00:03:33,947 --> 00:03:36,247 EACH DAY, IT SEEMS LIKE YOU TURN 138 00:03:36,250 --> 00:03:37,390 AROUND AND IT'S LIKE, "NOW YOU 139 00:03:37,385 --> 00:03:38,415 SEE ME; NOW YOU DON'T," WITH THE 140 00:03:38,419 --> 00:03:39,319 PEOPLE HERE AT BLACK INK. 141 00:03:39,320 --> 00:03:39,950 THAT [bleep] IS JUST 142 00:03:39,953 --> 00:03:40,753 UNFORTUNATE, LIKE I SAID, 143 00:03:40,754 --> 00:03:41,424 BECAUSE, LIKE... 144 00:03:41,422 --> 00:03:42,092 >> WHAT? 145 00:03:42,089 --> 00:03:43,589 THAT BITCH TRIED TO DISCREDIT 146 00:03:43,591 --> 00:03:45,731 OUR WHOLE BUSINESS MAINFRAME. 147 00:03:45,726 --> 00:03:46,456 >> AND OUR RELATIONSHIP. 148 00:03:46,460 --> 00:03:47,500 >> AND OUR RELATIONSHIP. 149 00:03:47,495 --> 00:03:49,295 AND WE SAID A JOKE. 150 00:03:49,297 --> 00:03:50,027 YOU WANT TO TAKE [bleep] 151 00:03:50,030 --> 00:03:50,700 TO HEART? 152 00:03:50,698 --> 00:03:52,368 TAKE [bleep] TO HEART, BITCH. 153 00:03:52,366 --> 00:03:53,066 BUT WHEN YOU WAS JOKING 154 00:03:53,066 --> 00:03:54,566 ABOUT ME, [bleep] WASN'T FUNNY. 155 00:03:54,568 --> 00:03:55,838 SO [bleep] YOU AND YOUR JOKES, 156 00:03:55,836 --> 00:03:57,436 'CAUSE NOW I'M LAUGHING. 157 00:03:57,438 --> 00:03:58,638 SASSY IS PISSED BECAUSE SHE'S A 158 00:03:58,639 --> 00:04:00,269 [bleep] KID. 159 00:04:00,274 --> 00:04:01,484 TAKE A [bleep] JOKE, LIKE YOU 160 00:04:01,475 --> 00:04:02,735 PICK ON EVERYBODY ELSE, AND 161 00:04:02,743 --> 00:04:04,483 [bleep] SHUT UP. 162 00:04:04,478 --> 00:04:05,548 IF I'VE BEEN THE [bleep] END OF 163 00:04:05,546 --> 00:04:07,576 A JOKE, YOU CAN TOO. 164 00:04:07,581 --> 00:04:08,451 I DON'T GIVE A [bleep] IF SHE 165 00:04:08,449 --> 00:04:11,079 CRY BLOOD RIGHT NOW. 166 00:04:11,084 --> 00:04:12,224 SASSY CAN'T WHUP MY ASS, 167 00:04:12,219 --> 00:04:13,819 AND I'M NOT SCARED. 168 00:04:13,821 --> 00:04:14,721 SO SHE CAN'T TAKE 169 00:04:14,722 --> 00:04:16,322 A [bleep] JOKE? 170 00:04:16,324 --> 00:04:18,334 WHO GIVES TWO [bleep]? 171 00:04:22,430 --> 00:04:23,430 [hip-hop music] 172 00:04:23,431 --> 00:04:29,071 * 173 00:04:29,069 --> 00:04:29,839 >> THE [bleep] IS GOING ON IN 174 00:04:29,837 --> 00:04:30,767 YOUR PLANET? 175 00:04:30,771 --> 00:04:31,771 >> SO THE OTHER DAY, THEY IN THE 176 00:04:31,772 --> 00:04:34,442 SHOP AND JOKING ABOUT TED 177 00:04:34,442 --> 00:04:35,942 [bleep] ME BECAUSE OF DUTCHESS, 178 00:04:35,943 --> 00:04:36,943 I BELIEVE. 179 00:04:36,944 --> 00:04:38,014 >> REALLY? 180 00:04:38,011 --> 00:04:39,481 >> SO MY FIRST THING, 181 00:04:39,480 --> 00:04:40,310 IMMEDIATELY IS, I NEED TO GO TO 182 00:04:40,314 --> 00:04:41,184 THE SHOP AND FIGURE OUT WHAT THE 183 00:04:41,181 --> 00:04:41,851 [bleep] IS GOING ON. 184 00:04:41,849 --> 00:04:43,219 AND WHEN I GOT THERE, IT WAS TED 185 00:04:43,216 --> 00:04:44,516 AND WALTER SITTING IN THE SHOP. 186 00:04:44,518 --> 00:04:45,488 I WALKED IN THERE, IMMEDIATELY, 187 00:04:45,486 --> 00:04:47,316 "TED, LET ME TALK TO YOU. 188 00:04:47,321 --> 00:04:48,021 HAVE I EVER DISRESPECTED 189 00:04:48,021 --> 00:04:48,721 YOU BEFORE?" 190 00:04:48,722 --> 00:04:49,392 HE WAS LIKE, "NO." 191 00:04:49,390 --> 00:04:50,060 I WAS LIKE, "DID YOU 192 00:04:50,057 --> 00:04:50,717 [bleep] ME?" 193 00:04:50,724 --> 00:04:51,394 HE WAS LIKE, "NO." 194 00:04:51,392 --> 00:04:52,062 I SAY, "THANK YOU." 195 00:04:52,059 --> 00:04:52,859 I SAID, "YOU CAN [bleep] TELL 196 00:04:52,860 --> 00:04:53,690 CEASE THAT I QUIT THIS BITCH." 197 00:04:53,694 --> 00:04:54,364 >> WHAT? 198 00:04:54,362 --> 00:04:55,362 >> IT HAS BEEN RUMORED THAT 199 00:04:55,363 --> 00:04:56,963 DUTCHESS WAS THE ONE TO SAY 200 00:04:56,964 --> 00:05:00,204 ME AND TEDDY RUX HAD SEX. 201 00:05:00,200 --> 00:05:01,540 COME ON, GUYS, LIKE, 202 00:05:01,535 --> 00:05:03,695 LET'S BE REAL. 203 00:05:03,704 --> 00:05:04,414 >> YO, WHAT THE [bleep]'S 204 00:05:04,405 --> 00:05:05,065 HER PROBLEM? 205 00:05:05,072 --> 00:05:06,042 >> I DON'T KNOW, DUDE. 206 00:05:06,039 --> 00:05:06,939 LIKE, I DON'T REALLY DON'T KNOW. 207 00:05:06,940 --> 00:05:07,810 AND I DON'T EVEN KNOW, LIKE, HOW 208 00:05:07,808 --> 00:05:09,108 TO DEAL WITH IT AS OF RIGHT NOW. 209 00:05:09,109 --> 00:05:10,479 LIKE I DON'T--TO THIS-- 210 00:05:10,478 --> 00:05:11,408 EVEN RIGHT NOW, I DON'T KNOW 211 00:05:11,412 --> 00:05:12,252 HOW TO DEAL WITH HER. 212 00:05:12,245 --> 00:05:12,905 >> BUT WAIT. 213 00:05:12,913 --> 00:05:13,583 CAN I MAKE SURE 214 00:05:13,581 --> 00:05:14,311 I UNDERSTAND THIS, RIGHT? 215 00:05:14,314 --> 00:05:15,524 THIS IS THE SAME GIRL 216 00:05:15,516 --> 00:05:16,776 THAT FOUGHT ALEX BECAUSE SHE WAS 217 00:05:16,784 --> 00:05:18,594 A WHAT? 218 00:05:18,586 --> 00:05:19,416 A WHAT? 219 00:05:19,420 --> 00:05:20,090 >> HUH? 220 00:05:20,087 --> 00:05:20,747 >> A FAKE-- 221 00:05:20,754 --> 00:05:21,424 >> A FAKE BITCH? 222 00:05:21,422 --> 00:05:22,062 >> A FAKE BITCH. 223 00:05:22,055 --> 00:05:22,715 >> A FAKE FRIEND? 224 00:05:22,723 --> 00:05:23,493 >> A FAKE FRIEND. 225 00:05:23,491 --> 00:05:25,031 >> I'M SUPER SURPRISED THAT 226 00:05:25,025 --> 00:05:27,425 SOMEBODY WHO'S A SOUTHERN BELLE 227 00:05:27,428 --> 00:05:28,728 WOULD GO [bleep] STOOP TO THAT 228 00:05:28,729 --> 00:05:29,599 LEVEL TO TRY TO MAKE UP RUMORS 229 00:05:29,597 --> 00:05:31,527 AND LIES ABOUT SOMEBODY. 230 00:05:31,532 --> 00:05:32,372 [bleep] DUTCHESS. 231 00:05:32,366 --> 00:05:33,826 LIKE, WE DON'T PLAY LIKE THAT. 232 00:05:33,834 --> 00:05:34,774 KARMA IS A BITCH. 233 00:05:34,768 --> 00:05:35,438 >> KARMA IS A BITCH. 234 00:05:35,436 --> 00:05:36,296 AND THAT [bleep] IS ALREADY OUT 235 00:05:36,303 --> 00:05:36,973 IN THE UNIVERSE 236 00:05:36,970 --> 00:05:37,640 AND YOU'RE RIGHT. 237 00:05:37,638 --> 00:05:38,308 AND YOU'RE RIGHT, MAN. 238 00:05:38,305 --> 00:05:39,065 >> AND IT'S GONNA COME BACK. 239 00:05:39,072 --> 00:05:40,172 >> BUT HE HIRED HIS SISTER NOW, 240 00:05:40,173 --> 00:05:40,843 AS THE NEW MANAGER. 241 00:05:40,841 --> 00:05:42,111 >> HE HIRED HIS SISTER? 242 00:05:42,109 --> 00:05:42,939 HE'S PROBABLY GONNA FIRE HER. 243 00:05:42,943 --> 00:05:43,643 I WOULDN'T BE SURPRISED. 244 00:05:43,644 --> 00:05:44,484 >> I FEEL LIKE THE REASON WHY HE 245 00:05:44,478 --> 00:05:45,648 HIRED HER WAS BECAUSE HE 246 00:05:45,646 --> 00:05:46,306 COULDN'T BRING IN A 247 00:05:46,313 --> 00:05:47,253 REGULAR--ANOTHER OUTSIDE GIRL. 248 00:05:47,247 --> 00:05:48,247 >> YEAH, BECAUSE NOBODY ELSE 249 00:05:48,248 --> 00:05:48,978 WANTS TO [bleep] WITH HIM. 250 00:05:48,982 --> 00:05:49,682 >> OR BECAUSE OF HER. 251 00:05:49,683 --> 00:05:50,353 >> YEAH. 252 00:05:50,350 --> 00:05:51,020 >> SHE'S NOT GOING TO 253 00:05:51,018 --> 00:05:51,688 LET NOBODY BE IN THERE. 254 00:05:51,685 --> 00:05:52,345 >> YEAH. 255 00:05:52,352 --> 00:05:53,092 BUT SHE PROBABLY GONNA GET 256 00:05:53,086 --> 00:05:53,746 JEALOUS OF HER TOO. 257 00:05:53,754 --> 00:05:54,524 >> THAT'S WHAT I'M SAYING. 258 00:05:54,522 --> 00:05:55,422 DUTCHESS IS THE NEW BOSS OF 259 00:05:55,423 --> 00:05:56,693 BLACK INK. 260 00:05:56,690 --> 00:05:57,760 UNCONFIRMED, BUT I SEE 261 00:05:57,758 --> 00:05:59,388 WHAT'S HAPPENING. 262 00:05:59,393 --> 00:06:00,063 YEAH, BUT... 263 00:06:00,060 --> 00:06:00,760 >> YO, DON'T STRESS THAT 264 00:06:00,761 --> 00:06:01,631 [bleep], MAN. 265 00:06:01,629 --> 00:06:02,429 [bleep] THE BLACK INK. 266 00:06:02,430 --> 00:06:04,230 >> [bleep] BLANK INK. 267 00:06:04,231 --> 00:06:04,901 >> MAN, LISTEN. 268 00:06:04,898 --> 00:06:05,728 YOU DON'T NEED THAT [bleep]. 269 00:06:05,733 --> 00:06:07,003 >> WE GOT IT. WE GOT THIS. 270 00:06:07,000 --> 00:06:08,070 >> SO WONDER TWINS MARKETING, 271 00:06:08,068 --> 00:06:09,398 RIGHT BACK INTO IT. 272 00:06:09,403 --> 00:06:10,943 I GOT TO DO THIS U.F.O. 273 00:06:10,938 --> 00:06:13,168 FASHION SHOW FOR MY BIRTHDAY. 274 00:06:13,173 --> 00:06:14,043 >> FOR STREET FASHION WEEK, NO? 275 00:06:14,041 --> 00:06:15,081 >> YEAH, MAN, YOU ALREADY KNOW 276 00:06:15,075 --> 00:06:15,935 YOU'RE WORKING WITH IT ANYWAY. 277 00:06:15,943 --> 00:06:16,613 I'M NOT, LIKE, 278 00:06:16,610 --> 00:06:17,280 EVEN GONNA ASK YOU. 279 00:06:17,277 --> 00:06:17,947 >> YEAH! 280 00:06:17,945 --> 00:06:19,975 >> I.U.F.O. CLOTHING COMES FROM 281 00:06:19,980 --> 00:06:22,550 ME AND MY TWO CHILDHOOD FRIENDS 282 00:06:22,550 --> 00:06:24,250 COMING TOGETHER AND JUST MAKING 283 00:06:24,251 --> 00:06:26,791 A PRODUCT THAT WE FELT WAS US. 284 00:06:26,787 --> 00:06:28,687 AND A STREET WEAR FASHION SHOW 285 00:06:28,689 --> 00:06:30,359 JUST INVITED I.U.F.O. CLOTHING 286 00:06:30,357 --> 00:06:32,287 TO BE IN IT THIS YEAR, AND 287 00:06:32,292 --> 00:06:33,392 THAT'S REALLY [bleep] AWESOME, 288 00:06:33,393 --> 00:06:34,093 BECAUSE 289 00:06:34,094 --> 00:06:35,804 IT'S OUR FIRST FASHION SHOW. 290 00:06:35,796 --> 00:06:36,596 YOU'RE GONNA COORDINATE THE 291 00:06:36,597 --> 00:06:37,767 MODELS, 'CAUSE, YOU KNOW, 292 00:06:37,765 --> 00:06:39,365 SASSY GOT THE [bleep]. 293 00:06:39,366 --> 00:06:40,766 YOU GONNA DO EVERYTHING. 294 00:06:40,768 --> 00:06:41,668 WELL, NOW THAT SASSY HAS A 295 00:06:41,669 --> 00:06:42,739 LITTLE BIT MORE TIME ON HER 296 00:06:42,736 --> 00:06:44,736 HANDS, I'M GONNA GIVE 297 00:06:44,738 --> 00:06:45,838 HER THAT WORK. 298 00:06:45,839 --> 00:06:47,579 I DON'T WANT HER TO STOP 299 00:06:47,575 --> 00:06:48,235 MAKING MONEY. 300 00:06:48,241 --> 00:06:48,911 >> I'M READY. 301 00:06:48,909 --> 00:06:49,709 [laughs] 302 00:06:49,710 --> 00:06:50,740 >> I'M HOPING THAT THIS IS 303 00:06:50,744 --> 00:06:51,714 ACTUALLY GONNA WORK OUT, 304 00:06:51,712 --> 00:06:52,382 YOU KNOW. 305 00:06:52,379 --> 00:06:54,009 I HOPE I.U.F.O. TAKES OFF, YOU 306 00:06:54,014 --> 00:06:56,224 KNOW, AND HELPS ME 307 00:06:56,216 --> 00:06:57,216 PROVIDE FOR MY FAMILY, MAN. 308 00:06:57,217 --> 00:06:58,417 'CAUSE I'M DOING THIS ALL FOR 309 00:06:58,418 --> 00:06:59,588 TAMIA AND QUANNI. 310 00:06:59,587 --> 00:07:00,247 MY EMOJI FACE. 311 00:07:00,253 --> 00:07:01,093 >> THIS MY--WAIT, WHAT'S MY-- 312 00:07:01,088 --> 00:07:02,118 MY EMOJI IS THIS. 313 00:07:02,122 --> 00:07:03,362 >> YEAH, YEAH, THAT ONE. 314 00:07:03,356 --> 00:07:04,356 MINE IS JUST A... 315 00:07:04,357 --> 00:07:05,227 [growling] 316 00:07:05,225 --> 00:07:06,255 >> [laughs] 317 00:07:06,259 --> 00:07:07,259 [hip-hop music] 318 00:07:07,260 --> 00:07:13,330 * 319 00:07:13,333 --> 00:07:14,333 [door buzzing] 320 00:07:14,334 --> 00:07:15,004 >> YO. 321 00:07:15,002 --> 00:07:15,672 >> HELLO, HOW ARE YOU? 322 00:07:15,669 --> 00:07:16,369 >> CHINO. 323 00:07:16,369 --> 00:07:17,039 >> WHAT'S UP, MAN? 324 00:07:17,037 --> 00:07:19,367 FINALLY GOT THE POWER BACK ON. 325 00:07:19,372 --> 00:07:20,472 >> SO CHINO'S BACK TO FINALLY 326 00:07:20,474 --> 00:07:22,544 GET HIS LEG TATTOO DONE AND HOPE 327 00:07:22,543 --> 00:07:24,013 THE BILLS IS PAID, BECAUSE WE 328 00:07:24,011 --> 00:07:25,211 DEFINITELY GOT TO MAKE SURE 329 00:07:25,212 --> 00:07:26,012 THAT THIS THING ROCKS 330 00:07:26,013 --> 00:07:27,383 SMOOTHLY TODAY. 331 00:07:27,380 --> 00:07:28,080 >> I'M JUST TRYING TO 332 00:07:28,081 --> 00:07:29,451 HAVE IT PIECED TOGETHER WITH THE 333 00:07:29,449 --> 00:07:30,449 BOTTOM PART, THE GEISHA GIRL 334 00:07:30,450 --> 00:07:31,420 YOU DID. 335 00:07:31,418 --> 00:07:32,088 SO TO GIVE IT THAT WHOLE 336 00:07:32,085 --> 00:07:33,285 JAPANESE FEEL. 337 00:07:33,286 --> 00:07:33,946 >> UH, YEAH, THAT SHOULD 338 00:07:33,954 --> 00:07:35,264 DEFINITELY LOOK DOPE. 339 00:07:35,255 --> 00:07:35,915 >> AND HAVE THE FLOWER 340 00:07:35,923 --> 00:07:36,723 WRAP AROUND AT THE BACK 341 00:07:36,724 --> 00:07:37,394 OF THE THIGH. 342 00:07:37,390 --> 00:07:38,160 >> WAIT; SO YOU WANT THE WHOLE 343 00:07:38,158 --> 00:07:38,828 THING TO WRAP AROUND 344 00:07:38,826 --> 00:07:39,486 YOUR WHOLE THIGH? 345 00:07:39,493 --> 00:07:40,363 SO YOU WANT IT BIGGER THAN THIS? 346 00:07:40,360 --> 00:07:41,760 >> YOU SAY HE WANTS IT TO WRAP 347 00:07:41,762 --> 00:07:42,932 AROUND HIS WHOLE THIGH? 348 00:07:42,930 --> 00:07:44,300 [all laughing] 349 00:07:44,297 --> 00:07:45,727 YOU HEARD THAT [bleep] FOOL? 350 00:07:45,733 --> 00:07:46,503 "YOU WANT IT TO WRAP AROUND 351 00:07:46,500 --> 00:07:48,170 YOUR WHOLE THIGH? 352 00:07:48,168 --> 00:07:49,468 YOU WANT IT BIGGER THAN THIS?" 353 00:07:49,469 --> 00:07:50,169 WHAT THE [bleep] Y'ALL 354 00:07:50,170 --> 00:07:51,440 TALKING ABOUT, YO? 355 00:07:51,438 --> 00:07:52,568 [laughter] 356 00:07:52,573 --> 00:07:53,243 >> THIS CONVERSATION 357 00:07:53,240 --> 00:07:54,510 SOUNDS CRAZY. 358 00:07:54,508 --> 00:07:56,278 >> Y'ALL IS JUST STUPID. 359 00:07:56,276 --> 00:07:57,136 >> YEAH, COME ON, LET'S DO THIS. 360 00:07:57,144 --> 00:07:58,814 >> ALL RIGHT. 361 00:07:58,812 --> 00:07:59,752 [hip-hop music] 362 00:07:59,747 --> 00:08:00,847 >> * 'CAUSE I'M ON MY WAY * 363 00:08:00,848 --> 00:08:02,248 * TO THE TOP, THERE'S NO LIMIT * 364 00:08:02,249 --> 00:08:02,979 >> ALL RIGHT, GO AHEAD, 365 00:08:02,983 --> 00:08:03,653 CHECK IT OUT, BOY. 366 00:08:03,651 --> 00:08:04,651 >> * PUSHING THE FIGHT 367 00:08:04,652 --> 00:08:06,392 * TO GO GET IT 368 00:08:06,386 --> 00:08:08,256 >> YEAH, THAT'S GOOD. 369 00:08:08,255 --> 00:08:09,155 I LIKE THAT, YEAH. 370 00:08:09,156 --> 00:08:09,856 >> * BUT I KNOW 371 00:08:09,857 --> 00:08:11,217 * THEY WANNA SEE ME FALL 372 00:08:11,224 --> 00:08:12,694 >> ALL RIGHT, BRO. 373 00:08:12,693 --> 00:08:13,363 I'M GONNA START 374 00:08:13,360 --> 00:08:14,860 RIGHT ON THE KNEECAP. 375 00:08:14,862 --> 00:08:17,032 BLACK INK IS SO CRAZY RIGHT NOW. 376 00:08:17,030 --> 00:08:18,030 IT SEEMS LIKE EVERYTHING'S 377 00:08:18,031 --> 00:08:19,371 BREAKING APART. 378 00:08:19,366 --> 00:08:23,166 ALEX, PUMA, AND SASSY, AND 379 00:08:23,170 --> 00:08:23,900 I MIGHT BE THE NEXT ONE 380 00:08:23,904 --> 00:08:24,814 OUT THE DOOR AGAIN. 381 00:08:24,805 --> 00:08:25,835 SO I'M JUST GONNA KEEP MY HEAD 382 00:08:25,839 --> 00:08:26,709 DOWN AND STAY FOCUSED 383 00:08:26,707 --> 00:08:27,367 ON TATTOOING. 384 00:08:27,374 --> 00:08:28,144 [hip-hop music continues] 385 00:08:28,141 --> 00:08:29,681 >> * UNBREAKABLE 386 00:08:29,677 --> 00:08:30,377 * DON'T YOU KNOW * 387 00:08:30,377 --> 00:08:32,677 * I'M UNBREAKABLE * 388 00:08:32,680 --> 00:08:33,580 * DON'T YOU KNOW * 389 00:08:33,581 --> 00:08:34,821 * I'M UNBREAKABLE * 390 00:08:34,815 --> 00:08:36,315 * AND I'M TAKING OFF * 391 00:08:36,316 --> 00:08:37,816 * AND IT'S PLAIN TO SEE * 392 00:08:37,818 --> 00:08:39,488 * I'M WHAT THEY WAITIN' FOR * 393 00:08:39,486 --> 00:08:41,556 * I'M UNBREAKABLE * 394 00:08:41,555 --> 00:08:44,085 [tattoo needle buzzing] 395 00:08:44,091 --> 00:08:44,761 >> ALL RIGHT. 396 00:08:44,758 --> 00:08:45,858 YO, CHINO, I THINK YOU'RE JUST 397 00:08:45,859 --> 00:08:47,629 ABOUT DONE. 398 00:08:47,628 --> 00:08:49,158 >> YEAH, THIS IS DOPE. 399 00:08:49,162 --> 00:08:49,832 >> YOU LIKE IT? 400 00:08:49,830 --> 00:08:51,030 >> YEAH, IT'S DOPE, BRO. 401 00:08:51,031 --> 00:08:51,901 GOOD LOOKING. 402 00:08:51,899 --> 00:08:52,599 >> YOU READY NOW, BALLER. 403 00:08:52,600 --> 00:08:53,270 I GOT YOU. 404 00:08:53,266 --> 00:08:55,436 >> LET'S TALK. 405 00:08:55,435 --> 00:08:56,095 >> HOW YOU DOING? 406 00:08:56,103 --> 00:08:56,773 >> I KNOW CRYSTAL 407 00:08:56,770 --> 00:08:57,810 FOR A VERY LONG TIME. 408 00:08:57,805 --> 00:08:59,005 AND THE SITUATION THAT 409 00:08:59,006 --> 00:09:00,466 SHE HAS CEASE GOING THROUGH, 410 00:09:00,473 --> 00:09:01,613 I DON'T UNDERSTAND IT. 411 00:09:01,609 --> 00:09:02,439 >> I COULD GOT GET MARRIED TO 412 00:09:02,442 --> 00:09:03,612 ANOTHER [bleep] RIGHT NOW, 413 00:09:03,611 --> 00:09:05,011 AND HE'D BE MORE OF A FATHER 414 00:09:05,012 --> 00:09:06,282 THAN CEASER IS. 415 00:09:06,279 --> 00:09:07,849 >> IT JUST SEEMS LIKE THIS WHOLE 416 00:09:07,848 --> 00:09:11,148 SITUATION IS NOT ABOUT CHEYENNE. 417 00:09:11,151 --> 00:09:12,021 >> Y'ALL [bleep] SITTING HERE 418 00:09:12,019 --> 00:09:14,049 LOOKING AT MY GIRL STRIP? 419 00:09:14,054 --> 00:09:15,294 >> YES, YES, WE ARE. 420 00:09:15,288 --> 00:09:16,218 >> [bleep], WHAT THE [bleep] 421 00:09:16,223 --> 00:09:17,593 IS THAT, YO? 422 00:09:17,591 --> 00:09:19,291 >> IT'S SO INTENSE. 423 00:09:19,292 --> 00:09:20,732 >> PUMA'S HAVING WAY TOO MUCH 424 00:09:20,728 --> 00:09:23,228 FUN RIGHT NOW, AND I FEEL LIKE 425 00:09:23,230 --> 00:09:24,770 THE THOUGHT OF HIM CLEANING HIS 426 00:09:24,765 --> 00:09:25,925 [bleep] UP AND GETTING DADDY 427 00:09:25,933 --> 00:09:27,203 MODE TOGETHER HAS GONE 428 00:09:27,200 --> 00:09:29,200 OUT THE WINDOW. 429 00:09:37,878 --> 00:09:38,878 [hip-hop music] 430 00:09:38,879 --> 00:09:46,689 * 431 00:09:46,687 --> 00:09:48,417 >> OH. 432 00:09:48,421 --> 00:09:51,021 YO, YOU SEE? 433 00:09:51,024 --> 00:09:51,864 >> I MAKE IT LOOK GOOD, THOUGH, 434 00:09:51,859 --> 00:09:53,829 SON. 435 00:09:55,162 --> 00:09:55,832 >> YOU LOOK LIKE 436 00:09:55,829 --> 00:09:56,629 A SUPERHERO [bleep]. 437 00:09:56,630 --> 00:09:57,600 >> LOOK LIKE A REGGAE ARTIST. 438 00:09:57,597 --> 00:10:01,427 [all laughing] 439 00:10:01,434 --> 00:10:02,144 >> YOU DON'T KNOW NOTHING 440 00:10:02,135 --> 00:10:03,395 ABOUT THAT, SON. 441 00:10:03,403 --> 00:10:04,813 WHAT'S A DOPE-ASS, LIKE, 442 00:10:04,805 --> 00:10:06,235 REGGAE ARTIST NAME? 443 00:10:06,239 --> 00:10:08,109 >> MONTERO MADMAN. 444 00:10:08,108 --> 00:10:09,338 >> MONTERO-- 445 00:10:09,342 --> 00:10:10,482 [laughs] 446 00:10:10,477 --> 00:10:11,337 >> YOUR BAIL BONDSMAN BRING IN 447 00:10:11,344 --> 00:10:14,254 ANOTHER CLIENT? 448 00:10:14,247 --> 00:10:16,247 [door buzzing] 449 00:10:17,985 --> 00:10:19,615 >> SO MY BILL BONDSMAN COMES IN, 450 00:10:19,619 --> 00:10:20,649 AND MY HEART STARTED 451 00:10:20,654 --> 00:10:21,594 BEATING FAST. 452 00:10:21,588 --> 00:10:22,688 I THOUGHT I WAS GOING TO JAIL. 453 00:10:22,690 --> 00:10:23,620 >> YO, WHAT UP? 454 00:10:23,623 --> 00:10:25,063 >> I KNEW NORM WAS BRINGING IN 455 00:10:25,058 --> 00:10:26,428 ONE OF HIS CRIMINALS TODAY, 456 00:10:26,426 --> 00:10:27,186 THE RAPPER FRENCHIE, 457 00:10:27,194 --> 00:10:28,904 TO GET TATTED BY CEASER. 458 00:10:28,896 --> 00:10:30,296 [bleep] HILARIOUS. 459 00:10:30,297 --> 00:10:31,127 BUT YOU KNOW WHAT I MEAN? 460 00:10:31,131 --> 00:10:32,001 LIKE, I DON'T THINK 461 00:10:31,999 --> 00:10:33,069 [bleep] FOUND IT FUNNY. 462 00:10:33,066 --> 00:10:34,966 >> I'M SCARED OF TATTOOS, BRO. 463 00:10:34,968 --> 00:10:36,498 I'M SCARED. 464 00:10:36,503 --> 00:10:37,473 >> YOU CAN TELL, CAN'T YOU? 465 00:10:37,470 --> 00:10:38,710 >> [bleep], TALKING ABOUT 466 00:10:38,706 --> 00:10:39,766 YOU SCARED OF TATTOOS? 467 00:10:39,773 --> 00:10:40,913 >> THEY HURT, MAN. 468 00:10:40,908 --> 00:10:41,738 >> LOOK AT THAT [bleep], MAN. 469 00:10:41,742 --> 00:10:42,412 LOOK AT THAT. 470 00:10:42,409 --> 00:10:43,439 >> FRENCHIE, FROM B.S.M. 471 00:10:43,443 --> 00:10:44,913 BRICK SQUAD, HE'S GONNA GET 472 00:10:44,912 --> 00:10:45,712 TATTOOED HERE TODAY. 473 00:10:45,713 --> 00:10:46,583 AND I LOVE IT WHEN RAPPERS GET 474 00:10:46,579 --> 00:10:47,879 TATTOOED AT THE SHOP, BECAUSE IT 475 00:10:47,881 --> 00:10:49,051 ALSO HELPS MY POCKETS, 476 00:10:49,049 --> 00:10:49,919 EVEN IF HE AIN'T GONNA GET 477 00:10:49,917 --> 00:10:51,217 TATTOOED BY ME. 478 00:10:51,218 --> 00:10:52,448 PEOPLE WANT TO COME TO WHERE THE 479 00:10:52,452 --> 00:10:53,592 RAPPERS GO. 480 00:10:53,586 --> 00:10:54,316 >> YEAH, I THOUGHT [bleep] 481 00:10:54,321 --> 00:10:54,991 WAS GOING TO JAIL 482 00:10:54,988 --> 00:10:55,718 WHEN WE SAW YOU WALK IN. 483 00:10:55,723 --> 00:10:57,733 >> HE'S HERE TO TAKE YOU DOWN. 484 00:11:00,393 --> 00:11:01,333 >> THAT WASN'T FUNNY. 485 00:11:01,328 --> 00:11:03,358 >> HE WAS CRYING. 486 00:11:05,398 --> 00:11:06,068 >> HA, HA. 487 00:11:06,066 --> 00:11:07,896 EVERYBODY'S A COMEDIAN. 488 00:11:07,901 --> 00:11:09,141 THEY'RE TAKING MY LIFE LIKE IT'S 489 00:11:09,136 --> 00:11:10,296 A JOKE AND THEY THINKING THAT 490 00:11:10,303 --> 00:11:11,473 I'M SUPPOSED TO BE COOL WITH YOU 491 00:11:11,471 --> 00:11:13,211 MAKING FUN ABOUT MY REAL LIFE 492 00:11:13,206 --> 00:11:14,636 TRIALS AND TRIBULATIONS. 493 00:11:14,641 --> 00:11:15,641 I BET YOU WHEN I GO TO JAIL, 494 00:11:15,642 --> 00:11:16,582 THERE'S NOT GONNA BE 495 00:11:16,576 --> 00:11:18,176 NO MORE LAUGHTER. 496 00:11:18,178 --> 00:11:20,178 >> WHERE THE HELL IS CEASER AT? 497 00:11:22,750 --> 00:11:23,550 >> YOU SUPPOSED TO BE RUNNING 498 00:11:23,550 --> 00:11:25,020 LATE FOR A CEASER APPOINTMENT. 499 00:11:25,018 --> 00:11:26,448 >> OH, MAN. 500 00:11:26,453 --> 00:11:27,863 >> CEASER DON'T DO WHAT HE WANT 501 00:11:27,855 --> 00:11:28,815 TO DO NO MORE, AND HE IS 502 00:11:28,822 --> 00:11:29,562 NOT A BACHELOR. 503 00:11:29,556 --> 00:11:30,256 >> CEASER IS BRICK SQUAD 504 00:11:30,257 --> 00:11:31,187 MONOPOLY NOW. 505 00:11:31,191 --> 00:11:31,861 I SAID IT. 506 00:11:31,859 --> 00:11:32,529 >> YOU WANT HIM TO GET THE 507 00:11:32,525 --> 00:11:34,425 MISSUS' APPROVAL ON THAT, BRO. 508 00:11:34,427 --> 00:11:35,297 THEY GOT MATCHING CHESS 509 00:11:35,295 --> 00:11:36,895 PIECES TATTED ON THEIR HAND, 510 00:11:36,897 --> 00:11:38,167 KING AND QUEEN. 511 00:11:38,165 --> 00:11:39,565 >> EVERYONE FALLS IN LOVE. 512 00:11:39,566 --> 00:11:40,396 >> CEASER'S RUNNING LATE. 513 00:11:40,400 --> 00:11:41,530 MAYBE HE'S WASHING DUTCHESS' 514 00:11:41,534 --> 00:11:42,804 HAIR, PUTTING SOME BEESWAX IN 515 00:11:42,803 --> 00:11:44,073 HER DREADS OR SOMETHING. 516 00:11:44,071 --> 00:11:46,671 [door buzzing] 517 00:11:46,673 --> 00:11:47,343 >> OH. 518 00:11:47,340 --> 00:11:48,010 >> HI, EVERYONE. 519 00:11:48,008 --> 00:11:49,378 >> CEASER AND DUTCHESS. 520 00:11:49,376 --> 00:11:50,136 >> [bleep]. 521 00:11:50,143 --> 00:11:51,783 WHAT UP? 522 00:11:51,779 --> 00:11:55,449 >> WHAT'S UP, BRO? 523 00:11:55,448 --> 00:11:57,148 >> YO, FRENCH, WHAT YOU GETTING? 524 00:11:57,150 --> 00:11:58,920 >> THIS. 525 00:11:58,919 --> 00:11:59,719 >> WHERE? 526 00:11:59,719 --> 00:12:01,289 >> RIGHT ON MY STOMACH. 527 00:12:01,288 --> 00:12:02,288 >> ALL RIGHT, I GOT YOU. 528 00:12:02,289 --> 00:12:03,259 YOU TOUGH. 529 00:12:03,256 --> 00:12:04,316 >> IT HURT? 530 00:12:04,324 --> 00:12:05,434 >> [laughs] 531 00:12:05,425 --> 00:12:06,225 >> FRENCHIE, DON'T BE CRYING 532 00:12:06,226 --> 00:12:06,986 LIKE A BITCH IN THERE, OKAY? 533 00:12:06,994 --> 00:12:07,934 >> I HOPE I DON'T START CRYING, 534 00:12:07,928 --> 00:12:08,928 BECAUSE THESE MOTHER-- 535 00:12:08,929 --> 00:12:09,859 >> I MAKE SURE HE DON'T RUN OUT 536 00:12:09,863 --> 00:12:10,733 THE BACK DOOR, I GOT YOU. 537 00:12:10,730 --> 00:12:11,560 >> YEAH, PLEASE DON'T MAKE ME. 538 00:12:11,564 --> 00:12:15,574 [both laughing] 539 00:12:15,568 --> 00:12:16,798 >> YOU READY? 540 00:12:16,804 --> 00:12:17,544 >> [sighs] 541 00:12:17,537 --> 00:12:18,867 YOU KNOW WHAT? 542 00:12:18,872 --> 00:12:20,372 ALL RIGHT, I'M READY. 543 00:12:20,373 --> 00:12:21,073 >> WAIT, HOLD ON. 544 00:12:21,074 --> 00:12:21,914 WHY IS YOUR BAIL BONDSMAN 545 00:12:21,909 --> 00:12:22,839 WITH YOU? 546 00:12:22,843 --> 00:12:24,583 >> OH MY--KAY. 547 00:12:24,577 --> 00:12:25,647 THE FIRST TIME HE TOLD ME 548 00:12:25,645 --> 00:12:26,645 HE KNEW YOU, 549 00:12:26,646 --> 00:12:28,216 HE'S, "CEASER'S MY MAN, 550 00:12:28,215 --> 00:12:29,445 YOU CRAY? 551 00:12:29,449 --> 00:12:30,449 I'M TELLING YOU, I'M TAKING YOU 552 00:12:30,450 --> 00:12:32,120 TO CEASER, AND HE'S A GOOD GUY." 553 00:12:32,119 --> 00:12:33,319 [laughter] 554 00:12:33,320 --> 00:12:34,320 >> BUT LISTEN, CEASER. 555 00:12:34,321 --> 00:12:37,361 I DONE SEE THAT GUY LOCK UP 556 00:12:37,357 --> 00:12:40,987 MOTHER[bleep]. 557 00:12:40,994 --> 00:12:42,334 EVERY TIME I GO SEE HIM, THERE'S 558 00:12:42,329 --> 00:12:43,459 A MOTHER[bleep] IN HANDCUFFS IN 559 00:12:43,463 --> 00:12:47,033 HIS CHAIR, LIKE THIS. 560 00:12:47,034 --> 00:12:47,774 I BE LIKE, "I DON'T WANT 561 00:12:47,767 --> 00:12:48,567 TO BE THAT." 562 00:12:48,568 --> 00:12:49,398 I WANT BE THE COOLEST PERSON IN 563 00:12:49,402 --> 00:12:50,102 THE WORLD. 564 00:12:50,103 --> 00:12:50,773 >> I BE TELLING [bleep] 565 00:12:50,770 --> 00:12:51,940 TO STOP PLAYING WITH THEM, YO. 566 00:12:51,939 --> 00:12:53,069 HE GONNA LOCK HIS ASS UP. 567 00:12:53,073 --> 00:12:56,683 I CAN'T KEEP SAVING HIM. 568 00:12:56,676 --> 00:12:57,376 >> THAT'S ONE THING I KNOW 569 00:12:57,377 --> 00:12:58,507 ABOUT THAT MAN. 570 00:12:58,511 --> 00:13:02,381 I PROMISE YOU, HE'S NOT PLAYING. 571 00:13:02,382 --> 00:13:03,952 >> DAMN, MAN. 572 00:13:03,951 --> 00:13:05,351 SOMETIMES YOU HAVE TO UNDERSTAND 573 00:13:05,352 --> 00:13:07,252 THAT YOUR ACTIONS ARE 574 00:13:07,254 --> 00:13:09,624 RESPONSIBLE FOR CERTAIN THINGS. 575 00:13:09,622 --> 00:13:11,692 HE DOESN'T UNDERSTAND THAT. 576 00:13:11,691 --> 00:13:13,391 IF O'[bleep] GOES TO JAIL, 577 00:13:13,393 --> 00:13:14,493 HE WON'T BE ABLE TO SUPPORT 578 00:13:14,494 --> 00:13:15,604 HIS TWO KIDS. 579 00:13:15,595 --> 00:13:18,295 WHO REALLY WANTS A DEADBEAT DAD? 580 00:13:18,298 --> 00:13:19,528 HE'S GONNA BE LOCKED UP AND NOT 581 00:13:19,532 --> 00:13:21,232 BE ABLE TO TAKE CARE OF THEM. 582 00:13:21,234 --> 00:13:24,074 >> * TRY TO SAVE THE WORLD 583 00:13:24,071 --> 00:13:24,971 * HEY AY-AY-AY 584 00:13:24,972 --> 00:13:26,712 *HEY AY-AY-AY * 585 00:13:26,706 --> 00:13:29,136 * HEY AY-AY-AY 586 00:13:29,142 --> 00:13:30,812 * I KNOW THAT I CAN'T BE GOD * 587 00:13:30,810 --> 00:13:31,910 * BUT I WISH 588 00:13:31,912 --> 00:13:34,982 * I COULD SAVE THE WORLD 589 00:13:34,982 --> 00:13:37,282 >> * ALL THE PEOPLE DYING 590 00:13:37,284 --> 00:13:39,594 * ALL THE CHILDREN CRYING 591 00:13:39,586 --> 00:13:40,816 >> * I KNOW I CAN'T BE GOD * 592 00:13:40,820 --> 00:13:42,060 * BUT I WISH 593 00:13:42,055 --> 00:13:44,685 * I COULD SAVE THE WORLD 594 00:13:44,691 --> 00:13:45,591 >> WE DONE? 595 00:13:45,592 --> 00:13:47,032 >> MM-HMM. 596 00:13:47,027 --> 00:13:49,257 >> WHOO! 597 00:13:49,262 --> 00:13:50,262 >> GO LOOK AT IT IN THE MIRROR, 598 00:13:50,263 --> 00:13:54,403 TELL ME WHAT YOU THINK. 599 00:13:54,401 --> 00:13:55,701 >> HEY, YO, CEASE. 600 00:13:55,702 --> 00:13:57,272 >> WHAT'S POPPING? 601 00:13:57,270 --> 00:13:59,010 >> I'M FEELING THE TAT, BABY. 602 00:13:59,006 --> 00:13:59,666 >> THAT'S WHAT I'M 603 00:13:59,672 --> 00:14:00,342 TALKING ABOUT. 604 00:14:00,340 --> 00:14:01,010 I THINK I'M GONNA 605 00:14:01,008 --> 00:14:01,668 GET IT TOO, YO. 606 00:14:01,674 --> 00:14:02,514 I WANT TO BE BRICK SQUAD. 607 00:14:02,509 --> 00:14:04,979 >> [laughs] 608 00:14:04,978 --> 00:14:06,478 >> LET ME GET BACK TO WORK. 609 00:14:06,479 --> 00:14:07,709 >> [bleep] GOOD LOOKING, BRO. 610 00:14:07,714 --> 00:14:08,784 >> I'M ABOUT TO MAKE ME A RAPPER 611 00:14:08,781 --> 00:14:09,981 AND [bleep]. 612 00:14:09,983 --> 00:14:11,993 [laughter] 613 00:14:14,421 --> 00:14:15,421 [hip-hop music] 614 00:14:15,422 --> 00:14:20,892 * 615 00:14:20,894 --> 00:14:21,564 >> HEY. 616 00:14:21,561 --> 00:14:22,231 >> WHAT'S UP? 617 00:14:22,229 --> 00:14:23,099 >> HAPPY TO SEE YOU. 618 00:14:23,096 --> 00:14:23,896 >> I'M LIKING THE SKIRT RIGHT 619 00:14:23,897 --> 00:14:24,627 HERE, YOU KNOW WHAT I MEAN? 620 00:14:24,631 --> 00:14:25,301 >> THANK YOU, THANK YOU. 621 00:14:25,298 --> 00:14:26,168 >> SEXY AND [bleep]. 622 00:14:26,166 --> 00:14:26,826 YOU KNOW WHAT I MEAN? 623 00:14:26,833 --> 00:14:27,503 FOR WORK AND... 624 00:14:27,500 --> 00:14:28,270 >> YOU KNOW YOU ALWAYS GOT TO 625 00:14:28,268 --> 00:14:28,938 COME TO BLAKE SO I CAN 626 00:14:28,936 --> 00:14:29,596 GET YOU SEXY. 627 00:14:29,602 --> 00:14:31,242 >> PUMA ASKED ME TO WALK IN HIS 628 00:14:31,238 --> 00:14:32,638 SHOW FOR HIM AND ALL THAT STUFF. 629 00:14:32,639 --> 00:14:33,569 SO I GOT TO FIND ME SOME COOL 630 00:14:33,573 --> 00:14:34,673 PANTS TO WEAR WITH MY 631 00:14:34,674 --> 00:14:35,644 I.U.F.O. SHIRT. 632 00:14:35,642 --> 00:14:36,942 I FIGURE, WHO BETTER TO ASK THAN 633 00:14:36,944 --> 00:14:37,684 ALEX, YOU KNOW WHAT I MEAN? 634 00:14:37,677 --> 00:14:38,477 SINCE HER CHECKS SAY "MODEL" 635 00:14:38,478 --> 00:14:39,408 AND ALL THAT OTHER STUFF. 636 00:14:39,412 --> 00:14:40,082 YOU KNOW WHAT I MEAN? 637 00:14:40,080 --> 00:14:40,750 I JUST WANT TO MAKE SURE 638 00:14:40,747 --> 00:14:42,417 I'M LOOKING GOOD FOR THE RUNWAY. 639 00:14:42,415 --> 00:14:43,075 BUT WHAT'S BEEN GOOD, 640 00:14:43,083 --> 00:14:43,983 THOUGH, MAN? 641 00:14:43,984 --> 00:14:45,924 >> TAKING IT ONE STEP AT A TIME. 642 00:14:45,919 --> 00:14:46,589 >> YEAH. 643 00:14:46,586 --> 00:14:47,516 >> HOW ABOUT YOU? 644 00:14:47,520 --> 00:14:48,490 >> YEAH, THE SHOP, MAN, THAT 645 00:14:48,488 --> 00:14:50,288 [bleep] BEEN LOOKING UGLY. 646 00:14:50,290 --> 00:14:53,090 >> WHAT'S BEEN GOING ON? 647 00:14:53,093 --> 00:14:53,863 >> IF YOU REALLY SIT BACK AND 648 00:14:53,860 --> 00:14:55,230 LOOK AT ALL THIS [bleep] THAT'S 649 00:14:55,228 --> 00:14:56,528 GOING ON WITH EVERYBODY, 650 00:14:56,529 --> 00:14:58,069 WITH YOU, CEASE, PUMA ALL THIS 651 00:14:58,065 --> 00:14:59,465 [bleep], CAN'T EVEN REALLY SAY 652 00:14:59,466 --> 00:15:00,496 THAT THAT [bleep] SUBSTANTIAL 653 00:15:00,500 --> 00:15:01,400 TO WHERE, LIKE, 654 00:15:01,401 --> 00:15:02,701 IT COULD GET TO THIS POINT. 655 00:15:02,702 --> 00:15:03,672 IT'S A LOT GOING ON LATELY 656 00:15:03,670 --> 00:15:04,640 AT BLACK INK, YOU KNOW. 657 00:15:04,637 --> 00:15:05,837 A LOT OF PEOPLE NOT SEEING 658 00:15:05,838 --> 00:15:06,738 EYE TO EYE. 659 00:15:06,739 --> 00:15:07,839 IT'S LIKE, YOU KNOW, BLACK INK 660 00:15:07,840 --> 00:15:08,640 IS JUST GETTING SMALLER AND 661 00:15:08,641 --> 00:15:09,741 SMALLER BY THE MINUTE, 662 00:15:09,742 --> 00:15:10,982 AS FAR AS OUR MEMBERS. 663 00:15:10,978 --> 00:15:12,878 BUT HOPEFULLY, YOU KNOW WHAT I 664 00:15:12,879 --> 00:15:14,279 MEAN, WE'LL BE ABLE TO PULL 665 00:15:14,281 --> 00:15:15,281 THROUGH THIS. 666 00:15:15,282 --> 00:15:17,022 HOW A FRIENDSHIP FOR YEARS 667 00:15:17,017 --> 00:15:18,417 COULD BREAK OFF LIKE THAT... 668 00:15:18,418 --> 00:15:19,248 >> IT'S SOMETHING. 669 00:15:19,252 --> 00:15:20,992 THERE'S A CANCER SOMEWHERE. 670 00:15:20,988 --> 00:15:21,648 I DON'T THINK THE SHOP 671 00:15:21,654 --> 00:15:22,564 IS GOING GOOD. 672 00:15:22,555 --> 00:15:23,485 I THINK THE BEST THING THAT 673 00:15:23,490 --> 00:15:24,390 HAPPENED TO THAT SHOP 674 00:15:24,391 --> 00:15:25,561 WAS WHEN I WAS THERE. 675 00:15:25,558 --> 00:15:26,858 AND THEN ONCE I LEFT, I 676 00:15:26,859 --> 00:15:28,229 FEEL LIKE THE HEAT STARTED 677 00:15:28,228 --> 00:15:30,458 COMING DOWN ON EVERYBODY ELSE. 678 00:15:30,463 --> 00:15:33,303 AND IT'S ALL COMING FROM ONE 679 00:15:33,300 --> 00:15:34,830 PERSON: DUTCHESS. 680 00:15:34,834 --> 00:15:36,804 I DON'T KNOW IF YOUR PHONE 681 00:15:36,803 --> 00:15:37,843 HASN'T BEEN RINGING OFF THE 682 00:15:37,837 --> 00:15:39,667 HOOK, BUT THIS MORNING, 683 00:15:39,672 --> 00:15:41,172 MY [bleep] WAS ON FIRE. 684 00:15:41,174 --> 00:15:42,684 SOMEONE SENT ME A LINK TODAY. 685 00:15:42,675 --> 00:15:43,835 CHECK THIS [bleep] OUT. 686 00:15:43,843 --> 00:15:44,883 "DUTCHESS AT BLACK INK 687 00:15:44,877 --> 00:15:45,647 IS NOW DANCING 688 00:15:45,645 --> 00:15:48,415 AT A POPULAR STRIP CLUB." 689 00:15:48,415 --> 00:15:49,145 >> THIS [bleep] RIGHT HERE 690 00:15:49,149 --> 00:15:50,379 IS CRAZY. 691 00:15:50,383 --> 00:15:51,153 >> LISTEN, I DON'T KNOCK IT. 692 00:15:51,151 --> 00:15:51,821 I DON'T-- 693 00:15:51,818 --> 00:15:52,588 >> I MEAN, SHE ALWAYS HAD THE 694 00:15:52,585 --> 00:15:54,145 POLE DREAMS, MAN. 695 00:15:54,154 --> 00:15:55,494 YO, WAIT TILL THE GUYS SEE THIS 696 00:15:55,488 --> 00:15:56,458 [bleep], 'CAUSE DUTCHESS IS 697 00:15:56,456 --> 00:15:57,616 LOOKING LIKE SHE'S BEEN DOING 698 00:15:57,624 --> 00:15:58,464 THIS FOR A MINUTE, DROPPING IT 699 00:15:58,458 --> 00:16:00,028 LIKE IT'S HOT, SPLITS AND ALL 700 00:16:00,027 --> 00:16:00,957 THAT STUFF. 701 00:16:00,960 --> 00:16:01,630 I MEAN, HEY. 702 00:16:01,628 --> 00:16:02,798 TO EACH HIS OWN, I MEAN... 703 00:16:02,795 --> 00:16:03,725 >> IF THAT'S SOMETHING SHE 704 00:16:03,730 --> 00:16:05,570 WANTED TO DO, SHE WANTED TO DO. 705 00:16:05,565 --> 00:16:06,925 SO I'LL LET HER KNOW, "BOO-BOO, 706 00:16:06,933 --> 00:16:07,733 YOU IN A STRIP CLUB, 707 00:16:07,734 --> 00:16:08,904 WITH CHUCKS ON? 708 00:16:08,901 --> 00:16:10,171 MM-MM, THAT'S NO BUENO. 709 00:16:10,170 --> 00:16:11,140 STRIPPING? 710 00:16:11,138 --> 00:16:12,668 REALLY? 711 00:16:12,672 --> 00:16:13,872 GET YOUR LIFE TOGETHER. 712 00:16:13,873 --> 00:16:14,643 'CAUSE RIGHT NOW, YOU'RE 713 00:16:14,641 --> 00:16:15,681 LOOKING ALL OVER THE PLACE. 714 00:16:15,675 --> 00:16:16,875 ONE MINUTE YOU'RE A TATTOO 715 00:16:16,876 --> 00:16:18,206 ARTIST, THE NEXT MINUTE YOU'RE A 716 00:16:18,211 --> 00:16:19,681 VALEDICTORIAN, THE NEXT 717 00:16:19,679 --> 00:16:20,449 MINUTE YOU'RE A STRIPPER IN 718 00:16:20,447 --> 00:16:22,477 CHUCK TAYLORS... 719 00:16:22,482 --> 00:16:24,022 YEAH. 720 00:16:24,017 --> 00:16:25,117 READY TO TRY ON SOME CLOTHES? 721 00:16:25,118 --> 00:16:25,788 >> TODAY I'M GONNA BE 722 00:16:25,785 --> 00:16:26,785 YOUR MANNEQUIN. 723 00:16:26,786 --> 00:16:27,586 >> YES, YES. 724 00:16:27,587 --> 00:16:28,387 >> I GOT TO STAND LIKE THIS AND 725 00:16:28,388 --> 00:16:29,618 JUST--YOU JUST DRESS ME 726 00:16:29,622 --> 00:16:30,592 UP AND STUFF. 727 00:16:30,590 --> 00:16:31,260 >> I'M NOT. 728 00:16:31,258 --> 00:16:32,188 YOU GOT TO DRESS YOURSELF. 729 00:16:32,192 --> 00:16:34,192 [both laughing] 730 00:16:43,170 --> 00:16:45,040 >> HELLO. 731 00:16:45,038 --> 00:16:45,708 HOW YOU DOING. 732 00:16:45,705 --> 00:16:46,365 >> WHAT'S UP, CRYS? 733 00:16:46,373 --> 00:16:47,543 >> I KNOW CRYSTAL FOR A VERY 734 00:16:47,540 --> 00:16:48,480 LONG TIME. 735 00:16:48,475 --> 00:16:49,275 AND THE SITUATION THAT 736 00:16:49,276 --> 00:16:50,436 SHE HAS CEASE GOING THROUGH, 737 00:16:50,443 --> 00:16:52,583 I DON'T UNDERSTAND IT. 738 00:16:52,579 --> 00:16:54,409 >> YOU'RE NOT GONNA EMBRACE ME, 739 00:16:54,414 --> 00:16:55,354 LIKE YOU DON'T KNOW ME FOR 740 00:16:55,348 --> 00:16:56,648 SO MANY YEARS? 741 00:16:56,649 --> 00:16:57,849 >> SHE'S NOT ALLOWING CEASE TO 742 00:16:57,850 --> 00:16:59,950 SEE CHEYENNE, AND I REALLY WANT 743 00:16:59,952 --> 00:17:01,192 HIM TO SEE HIS DAUGHTER. 744 00:17:01,188 --> 00:17:02,658 SO LET ME GO SPEAK TO CRYSTAL 745 00:17:02,655 --> 00:17:03,485 AND FIND OUT WHAT'S GOING ON ON 746 00:17:03,490 --> 00:17:05,130 BOTH SIDES, AND MAYBE I CAN GET 747 00:17:05,125 --> 00:17:05,955 THROUGH THROUGH THAT THICK 748 00:17:05,958 --> 00:17:07,958 [bleep] SKULL OF HERS. 749 00:17:07,960 --> 00:17:09,760 >> I CAN'T TALK TO CEASE BECAUSE 750 00:17:09,762 --> 00:17:11,602 EVERY TIME I TALK TO HIM, 751 00:17:11,598 --> 00:17:12,668 HE CAN'T BE CORDIAL. 752 00:17:12,665 --> 00:17:14,465 HE WANTS TO FIGHT AND ARGUE. 753 00:17:14,467 --> 00:17:15,837 AND AT THE END OF THE DAY, 754 00:17:15,835 --> 00:17:17,565 A GROWN MAN WOULD HELP OUT 755 00:17:17,570 --> 00:17:21,970 AND GIVE ME SUPPORT FINANCIALLY. 756 00:17:21,974 --> 00:17:22,644 >> HE NEVER PAID? 757 00:17:22,642 --> 00:17:24,612 HE NEVER GAVE YOU A DOLLAR? 758 00:17:24,611 --> 00:17:26,351 >> THIS DUDE DON'T WANT TO MAKE 759 00:17:26,346 --> 00:17:28,006 SURE THAT HIS BABY MOTHER IS 760 00:17:28,014 --> 00:17:28,884 STRAIGHT, BECAUSE HE'S 761 00:17:28,881 --> 00:17:30,921 IN A RELATIONSHIP. 762 00:17:30,917 --> 00:17:32,587 >> IT JUST SEEMS LIKE THIS WHOLE 763 00:17:32,585 --> 00:17:36,715 SITUATION IS NOT ABOUT CHEYENNE. 764 00:17:36,723 --> 00:17:37,793 CRYSTAL ISN'T MAKING ANY SENSE 765 00:17:37,790 --> 00:17:38,890 RIGHT NOW. 766 00:17:38,891 --> 00:17:39,661 IF Y'ALL HAVE YOUR PERSONAL 767 00:17:39,659 --> 00:17:40,529 ISSUES, HASH THEM OUT A 768 00:17:40,527 --> 00:17:41,187 DIFFERENT WAY. 769 00:17:41,194 --> 00:17:42,234 DON'T PUT THE CHILD BETWEEN 770 00:17:42,229 --> 00:17:43,259 THAT, BECAUSE IT JUST MAKES 771 00:17:43,263 --> 00:17:44,233 EVERYTHING WORSE. 772 00:17:44,231 --> 00:17:46,171 >> WHEN YOU GUYS DRINK AND SMOKE 773 00:17:46,166 --> 00:17:48,636 AND DRESS AND PARTY, AT LEAST 774 00:17:48,635 --> 00:17:49,965 YOU COULD GO AND SAY, OH-- 775 00:17:49,969 --> 00:17:50,799 >> HOW YOU KNOW THAT? 776 00:17:50,803 --> 00:17:52,003 HOW YOU KNOW HOW WE DRESS AND 777 00:17:52,004 --> 00:17:53,074 HOW MUCH WE PARTY AND HOW MUCH 778 00:17:53,072 --> 00:17:54,172 HENNESSY AND [bleep] WE DRINK? 779 00:17:54,174 --> 00:17:55,484 >> I LIVE IN HARLEM TOO. 780 00:17:55,475 --> 00:17:57,435 YOU THINK EVERYBODY DON'T KNOW? 781 00:17:57,444 --> 00:17:58,514 THAT'S THE HOTTEST [bleep] OUT 782 00:17:58,511 --> 00:18:02,981 HERE, BLACK INK. 783 00:18:02,982 --> 00:18:03,852 >> RIGHT. 784 00:18:03,850 --> 00:18:04,920 THE FACT THAT THE SHOP IS DOING 785 00:18:04,917 --> 00:18:05,847 WELL, CEASER'S THE OWNER 786 00:18:05,852 --> 00:18:07,352 OF SOMETHING AND SHE THINKS 787 00:18:07,354 --> 00:18:08,794 CEASER'S A MILLIONAIRE FOR SOME 788 00:18:08,788 --> 00:18:10,388 REASON AND SHE WANTS PART OF 789 00:18:10,390 --> 00:18:12,060 THIS ALLEGED MILLION DOLLARS 790 00:18:12,058 --> 00:18:13,058 THAT'S FLOATING AROUND. 791 00:18:13,059 --> 00:18:14,059 >> WELL, YOU WEARING JORDANS 792 00:18:14,060 --> 00:18:17,100 THAT COST $300, $400. 793 00:18:17,096 --> 00:18:18,366 REALLY? 794 00:18:18,365 --> 00:18:20,525 >> I MEAN, TO BE HONEST, LIKE, A 795 00:18:20,533 --> 00:18:21,503 PAIR OF SNEAKERS A [bleep] GOT 796 00:18:21,501 --> 00:18:22,401 ON HIS FEET AIN'T GOT NOTHING 797 00:18:22,402 --> 00:18:23,742 TO DO WITH NOTHING. 798 00:18:23,736 --> 00:18:24,896 >> AND THEN HIM SPREADING RUMORS 799 00:18:24,904 --> 00:18:25,814 ABOUT ME AND ALL THAT STUFF. 800 00:18:25,805 --> 00:18:26,465 YOU TALKING ABOUT 801 00:18:26,473 --> 00:18:27,143 ME IS PERSONAL. 802 00:18:27,140 --> 00:18:27,840 >> THIS SOUNDS LIKE 803 00:18:27,840 --> 00:18:28,510 IT'S MORE ABOUT YOU. 804 00:18:28,508 --> 00:18:29,808 >> THIS IS--WELL, SOMETHING 805 00:18:29,809 --> 00:18:30,679 ABOUT HIM TOO, BECAUSE HE TALKS 806 00:18:30,677 --> 00:18:32,747 [bleep] ABOUT ME ALL THE TIME. 807 00:18:32,745 --> 00:18:34,405 >> AS I'M TALKING TO CRYSTAL, 808 00:18:34,414 --> 00:18:35,984 AKA CHARLIE'S BROWN TEACHER, ALL 809 00:18:35,982 --> 00:18:38,122 I HEAR IS, "WAH WA-WAH WA-WAH 810 00:18:38,117 --> 00:18:39,987 WA-WAH WA-WAH WA-WAH 811 00:18:39,986 --> 00:18:41,986 WA-WAH WA-WAH WA-WAH 812 00:18:41,988 --> 00:18:45,058 WA-WAH WA-WAH WA-WAH WA-WAH." 813 00:18:45,057 --> 00:18:47,457 [laughs] 814 00:18:47,460 --> 00:18:48,660 >> I COULD GO GET MARRIED TO 815 00:18:48,661 --> 00:18:49,531 ANOTHER [bleep] RIGHT NOW, AND 816 00:18:49,529 --> 00:18:51,459 HE'D BE MORE OF A FATHER TO 817 00:18:51,464 --> 00:18:55,604 CHEYENNE THAN CEASER IS. 818 00:18:55,602 --> 00:18:56,572 >> YOU SOUND CRAZY. 819 00:18:56,569 --> 00:18:57,239 >> I SOUND CRAZY. 820 00:18:57,237 --> 00:18:57,997 I DON'T THINK I SOUND CRAZY. 821 00:18:58,004 --> 00:18:58,944 >> YEAH, THERE'S SOMETHING WRONG 822 00:18:58,938 --> 00:18:59,608 WITH YOU. 823 00:18:59,606 --> 00:19:00,366 >> I GUESS THAT'S IT, RIGHT? 824 00:19:00,373 --> 00:19:02,283 BECAUSE NOTHING ELSE TO TALK 825 00:19:02,275 --> 00:19:04,335 ABOUT, RIGHT? 826 00:19:08,648 --> 00:19:09,618 >> NICE HAT. 827 00:19:09,616 --> 00:19:10,516 >> THANK YOU. 828 00:19:10,517 --> 00:19:11,347 IT'S CUTE, RIGHT? 829 00:19:11,351 --> 00:19:13,021 >> YEAH. 830 00:19:13,019 --> 00:19:14,489 THIS CONVERSATION WAS A 831 00:19:14,487 --> 00:19:16,357 ABSOLUTE WASTE OF TIME. 832 00:19:16,356 --> 00:19:17,856 AND AFTER SPEAKING TO HER, I'M 833 00:19:17,857 --> 00:19:19,027 JUST GONNA MIND MY BUSINESS. 834 00:19:19,025 --> 00:19:20,185 >> ENJOY YOUR FRIDAY NIGHT. 835 00:19:20,193 --> 00:19:21,133 >> OKAY, YOU DO THE SAME. 836 00:19:21,127 --> 00:19:21,927 >> TALK TO YOU LATER. 837 00:19:21,928 --> 00:19:22,828 >> CRYSTAL IS VINDICTIVE, AND 838 00:19:22,829 --> 00:19:23,959 IT'S A PERSONAL ISSUE THAT SHE'S 839 00:19:23,963 --> 00:19:24,833 HAVING WITH CEASER. 840 00:19:24,831 --> 00:19:27,471 THAT'S ALL IT IS WITH HER. 841 00:19:27,467 --> 00:19:29,467 THAT GIRL IS CRAZY. 842 00:19:29,469 --> 00:19:31,599 >> WHOO! 843 00:19:31,604 --> 00:19:33,474 >> IT'S SO INTENSE. 844 00:19:33,473 --> 00:19:34,213 >> MAN, NOTHING BETTER 845 00:19:34,207 --> 00:19:36,107 THAN SOME ASS AND HENNY. 846 00:19:36,108 --> 00:19:38,108 HAPPY BIRTHDAY TO ME. 847 00:19:38,110 --> 00:19:38,880 >> YOU'RE ABOUT TO WALK 848 00:19:38,878 --> 00:19:40,048 DOWN THE AISLE WITH THIS MAN, 849 00:19:40,046 --> 00:19:41,146 AND YOU NEED TO KNOW 850 00:19:41,147 --> 00:19:42,877 THAT AT THE END OF ALL OF THIS, 851 00:19:42,882 --> 00:19:44,052 HE'S GONNA HAVE TIME 852 00:19:44,050 --> 00:19:45,080 FOR YOU GUYS. 853 00:19:45,084 --> 00:19:45,754 >> WELL, WELL, WELL. 854 00:19:45,752 --> 00:19:46,822 LOOK AT HERE. 855 00:19:46,819 --> 00:19:48,019 >> I KNOW, I'M SUPER LATE. 856 00:19:48,020 --> 00:19:48,860 >> MAYBE YOU SHOULD TAKE THOSE 857 00:19:48,855 --> 00:19:49,515 SUNGLASSES OFF. 858 00:19:49,522 --> 00:19:50,192 >> OH... 859 00:19:50,189 --> 00:19:51,319 >> HE'S HUNGOVER. 860 00:19:51,324 --> 00:19:52,064 >> I DON'T THINK I CAN DEAL 861 00:19:52,058 --> 00:19:53,258 WITH ALL THIS RIGHT NOW. 862 00:19:53,260 --> 00:19:54,660 IT'S NOT REALLY FUN RIGHT NOW. 863 00:19:54,661 --> 00:19:56,731 NOT ENJOYING MYSELF. 864 00:20:05,705 --> 00:20:06,705 [hip-hop music] 865 00:20:06,706 --> 00:20:11,876 ** 866 00:20:11,878 --> 00:20:12,548 >> COME ON, LADIES. 867 00:20:12,545 --> 00:20:13,505 LET'S HAVE A SEAT. 868 00:20:13,513 --> 00:20:15,823 >> OKAY, WILL DO. 869 00:20:15,815 --> 00:20:16,845 >> SO I'M GETTING OUT OF COURT 870 00:20:16,849 --> 00:20:18,319 TODAY BECAUSE MY GREEDY-ASS BABY 871 00:20:18,318 --> 00:20:20,288 MOTHER WANT TO BRING ME BACK TO 872 00:20:20,287 --> 00:20:21,517 COURT FOR MORE MONEY. 873 00:20:21,521 --> 00:20:23,091 LIKE, HONESTLY. 874 00:20:23,089 --> 00:20:23,859 HOW MUCH MORE MONEY DO YOU 875 00:20:23,856 --> 00:20:25,286 [bleep] NEED, LADY? 876 00:20:25,292 --> 00:20:26,032 >> SO WHAT DO YOU 877 00:20:26,025 --> 00:20:26,755 THINK OF TODAY? 878 00:20:26,759 --> 00:20:27,629 >> I'M HAPPY. 879 00:20:27,627 --> 00:20:28,797 >> I THINK WE HAD A VERY GOOD 880 00:20:28,795 --> 00:20:29,825 DAY IN COURT. 881 00:20:29,829 --> 00:20:30,759 >> I THINK THAT ANY DAY YOU 882 00:20:30,763 --> 00:20:32,433 WALK OUT OF FAMILY COURT WITH 883 00:20:32,432 --> 00:20:33,602 YOUR CHILD SUPPORT STILL AT THE 884 00:20:33,600 --> 00:20:34,370 SAME FIGURE THAT IT WAS 885 00:20:34,367 --> 00:20:35,667 WHEN YOU WALKED IN, 886 00:20:35,668 --> 00:20:36,968 IT'S A GOOD DAY FOR YOU. 887 00:20:36,969 --> 00:20:38,739 >> MY PREVIOUS LAWYER, HE AIN'T 888 00:20:38,738 --> 00:20:39,808 GETTING [bleep] DONE. 889 00:20:39,806 --> 00:20:42,006 SO HE WAS FIRED. 890 00:20:42,008 --> 00:20:42,938 I LIKE HOW YOU KICKED HER 891 00:20:42,942 --> 00:20:45,212 LAWYER'S ASS. 892 00:20:45,211 --> 00:20:46,811 >> THAT'S ONE WAY OF PUTTING IT. 893 00:20:46,813 --> 00:20:48,113 >> I WANT TO ASK YOU A QUESTION. 894 00:20:48,114 --> 00:20:49,224 AND THIS IS JUST SOMETHING I WAS 895 00:20:49,215 --> 00:20:50,815 JUST PONDERING THE OTHER DAY. 896 00:20:50,817 --> 00:20:51,817 I WANT MY DAUGHTER. 897 00:20:51,818 --> 00:20:55,888 I WANT CUSTODY OF CHEYENNE. 898 00:20:55,888 --> 00:20:56,958 >> THAT'S GONNA BE A DIFFICULT 899 00:20:56,956 --> 00:20:58,386 THING, BECAUSE IF YOU'RE ONLY 900 00:20:58,391 --> 00:20:59,661 SEEING YOUR DAUGHTER EVERY OTHER 901 00:20:59,659 --> 00:21:01,559 WEEKEND, THEY'RE NOT GONNA JUMP 902 00:21:01,561 --> 00:21:04,431 FROM EVERY OTHER WEEKEND TO FULL 903 00:21:04,431 --> 00:21:05,871 LIVING WITH HER EVERY DAY. 904 00:21:05,865 --> 00:21:07,095 >> EVER SINCE THAT LAST COURT 905 00:21:07,099 --> 00:21:07,799 DATE, SHE WOULDN'T LET 906 00:21:07,800 --> 00:21:08,500 ME SEE HER. 907 00:21:08,501 --> 00:21:09,641 >> I THINK SHE'S USING YOUR 908 00:21:09,636 --> 00:21:11,466 DAUGHTER AT THIS POINT AS A WAY 909 00:21:11,471 --> 00:21:12,141 OF PUNISHING YOU... 910 00:21:12,138 --> 00:21:13,568 >> YEP. 911 00:21:13,573 --> 00:21:14,473 >> FOR, YOU KNOW, NOT GIVING 912 00:21:14,474 --> 00:21:15,684 HER THE ADDITIONAL MONEY THAT 913 00:21:15,675 --> 00:21:17,205 SHE WANTS FOR SUPPORT. 914 00:21:17,209 --> 00:21:18,039 AND THAT, BASICALLY, IS A 915 00:21:18,044 --> 00:21:19,184 VIOLATION OF THE ORDER 916 00:21:19,178 --> 00:21:19,848 FOR VISITATION. 917 00:21:19,846 --> 00:21:20,506 >> EXACTLY, THE ORDER. 918 00:21:20,513 --> 00:21:21,183 EXACTLY. 919 00:21:21,180 --> 00:21:22,520 IT REALLY BOTHERS ME THAT CEASE 920 00:21:22,515 --> 00:21:24,115 HAS TO DEAL WITH, YOU KNOW, THE 921 00:21:24,116 --> 00:21:25,416 SITUATION WITH CRYSTAL. 922 00:21:25,418 --> 00:21:28,318 BITTER BITCHES ARE THE WORST 923 00:21:28,321 --> 00:21:29,991 BITCHES TO HAVE KIDS WITH. 924 00:21:29,989 --> 00:21:31,119 LIKE, FOR REAL. 925 00:21:31,123 --> 00:21:31,793 >> IS THERE ANY WAY 926 00:21:31,791 --> 00:21:32,531 TO FIX THIS? 927 00:21:32,525 --> 00:21:33,655 >> YEP, WE GOT TO FILE A 928 00:21:33,660 --> 00:21:35,430 PETITION FOR VIOLATION, AND THEN 929 00:21:35,428 --> 00:21:37,228 WORK OUR WAY TOWARDS ENLARGING 930 00:21:37,229 --> 00:21:38,899 THE VISITATION SCHEDULE TO 931 00:21:38,898 --> 00:21:39,998 PERHAPS DOING SOMETHING 932 00:21:39,999 --> 00:21:41,329 EVERY WEEKEND. 933 00:21:41,334 --> 00:21:42,374 >> HOPEFULLY NOW, I CAN 934 00:21:42,369 --> 00:21:43,469 SEE MY CHILD. 935 00:21:43,470 --> 00:21:45,510 I CAN'T SEE MY LIFE WITHOUT HER. 936 00:21:45,505 --> 00:21:46,865 THEY ABOUT TO KICK MY ASS 937 00:21:46,873 --> 00:21:48,343 SOME MORE. 938 00:21:48,341 --> 00:21:49,411 >> I'LL PROTECT YOUR ASS. 939 00:21:49,409 --> 00:21:50,079 [laughs] 940 00:21:50,076 --> 00:21:52,206 THAT'S WHAT YOU HIRED ME FOR. 941 00:21:52,211 --> 00:21:52,881 YOU GOT TO GO FOR IT. 942 00:21:52,879 --> 00:21:53,709 >> AH, MY NEW LAWYER. 943 00:21:53,713 --> 00:21:55,953 >> [laughs] 944 00:21:55,948 --> 00:21:57,118 I'M A GOOD [bleep] PROTECTOR. 945 00:21:57,116 --> 00:21:58,846 >> YEAH. 946 00:21:58,851 --> 00:21:59,851 [hip-hop music] 947 00:21:59,852 --> 00:22:01,152 >> * A NIGHT LIKE THIS 948 00:22:01,153 --> 00:22:03,163 * NO MONEY LIKE THAT 949 00:22:03,155 --> 00:22:04,085 * THERE'S GON' BE * 950 00:22:04,090 --> 00:22:05,630 * A FANCY SONG 951 00:22:05,625 --> 00:22:08,055 >> YO. 952 00:22:08,060 --> 00:22:09,060 Y'ALL [bleep] HEARD ABOUT 953 00:22:09,061 --> 00:22:10,601 THIS [bleep]? 954 00:22:10,597 --> 00:22:13,427 DUTCHESS STRIPPING AT K.O.D? 955 00:22:13,433 --> 00:22:16,173 >> [laughing] 956 00:22:16,168 --> 00:22:16,938 >> YES! 957 00:22:16,936 --> 00:22:17,866 WHEN ALEX SHOWED ME DUTCHESS 958 00:22:17,870 --> 00:22:19,270 STRIPPING, THE ONLY THING I 959 00:22:19,271 --> 00:22:20,571 COULD THINK ABOUT IS, "YO, WAIT 960 00:22:20,573 --> 00:22:21,913 TILL THESE DUDES GET A LOAD OF 961 00:22:21,908 --> 00:22:23,378 THIS, LIKE, FOR REAL FOR REAL. 962 00:22:23,376 --> 00:22:24,136 I NEED TO SHOW THEM THIS 963 00:22:24,143 --> 00:22:25,183 IMMEDIATELY." 964 00:22:25,177 --> 00:22:25,907 >> [bleep], PRESS PLAY. 965 00:22:25,912 --> 00:22:27,382 WHAT THE [bleep] IS THAT? 966 00:22:27,380 --> 00:22:29,050 YO, THAT'S DUTCHESS. 967 00:22:29,048 --> 00:22:30,418 >> NICE. 968 00:22:30,417 --> 00:22:32,347 OH, SHE'S GETTING IT LOW TOO. 969 00:22:32,351 --> 00:22:33,091 [laughs] 970 00:22:33,085 --> 00:22:33,815 >> I THINK I MIGHT LOOK AT 971 00:22:33,820 --> 00:22:34,890 DUTCHESS A LITTLE DIFFERENT 972 00:22:34,887 --> 00:22:35,917 AFTER THIS VIDEO. 973 00:22:35,922 --> 00:22:37,592 NOT GONNA LIE, LOOKING AT 974 00:22:37,590 --> 00:22:39,030 DUTCHESS STRIP ON CAMERA, 975 00:22:39,025 --> 00:22:40,255 I KIND OF SEE WHY CEASER'S 976 00:22:40,259 --> 00:22:41,389 LOSING HIS MIND. 977 00:22:41,394 --> 00:22:42,064 THAT [bleep] LOOKS 978 00:22:42,061 --> 00:22:44,961 ALL RIGHT, MAN. 979 00:22:44,964 --> 00:22:45,834 >> Y'ALL [bleep] SITTING HERE 980 00:22:45,832 --> 00:22:48,572 LOOKING AT MY GIRL STRIP? 981 00:22:48,568 --> 00:22:49,568 >> YES, YES, WE ARE. 982 00:22:49,569 --> 00:22:50,239 >> [laughs] 983 00:22:50,236 --> 00:22:50,936 >> WHAT THE [bleep] IS YOU 984 00:22:50,937 --> 00:22:51,597 TALKING ABOUT? 985 00:22:51,604 --> 00:22:52,474 >> SAY, WHERE'D YOU [bleep] 986 00:22:52,472 --> 00:22:53,112 AT, YO? 987 00:22:53,105 --> 00:22:53,835 >> [bleep] THAT [bleep] ON 988 00:22:53,840 --> 00:22:54,910 THE INTERNET, BRO. 989 00:22:54,907 --> 00:22:55,577 >> YEAH. 990 00:22:55,575 --> 00:22:57,505 >> KING OF DIAMONDS IS THE MECCA 991 00:22:57,510 --> 00:22:59,180 OF ALL STRIP CLUBS. 992 00:22:59,178 --> 00:23:00,208 AND DUTCHESS DECIDES TO HAVE A 993 00:23:00,212 --> 00:23:01,752 LITTLE CHARITY JOINT THERE. 994 00:23:01,748 --> 00:23:04,418 AND SHE DECIDES TO HIT THE POLE. 995 00:23:04,417 --> 00:23:05,647 >> WHERE YOU WAS AT? 996 00:23:05,652 --> 00:23:06,522 >> SEE ME RIGHT THERE? 997 00:23:06,519 --> 00:23:07,819 >> WHAT? 998 00:23:07,820 --> 00:23:08,560 YOU WAS THERE? 999 00:23:08,555 --> 00:23:10,185 >> I'M RIGHT THERE. 1000 00:23:10,189 --> 00:23:11,559 >> SHE BEEN IN LESS CLOTHES IN 1001 00:23:11,558 --> 00:23:12,758 PHOTO SHOOTS. 1002 00:23:12,759 --> 00:23:14,259 SO, FOR THEM TO EVEN TAKE IT 1003 00:23:14,260 --> 00:23:15,530 LIKE, "OH, DUTCHESS IS 1004 00:23:15,528 --> 00:23:16,228 STRIPPING"-- 1005 00:23:16,228 --> 00:23:17,858 SHE WASN'T STRIPPING. 1006 00:23:17,864 --> 00:23:19,204 SHE ONLY KNOWS, LIKE, 1007 00:23:19,198 --> 00:23:21,328 TWO GOOD WOMEN MOVES--YOU POP 1008 00:23:21,333 --> 00:23:22,803 YOUR ASS OUT, AND THAT'S 1009 00:23:22,802 --> 00:23:23,702 ABOUT IT. 1010 00:23:23,703 --> 00:23:24,373 >> NO. 1011 00:23:24,370 --> 00:23:25,140 >> AW, SHE'S TRYING TO DO THE 1012 00:23:25,137 --> 00:23:26,207 SPLIT--NICE! 1013 00:23:26,205 --> 00:23:26,965 DUTCHESS MOTHER[bleep] 1014 00:23:26,973 --> 00:23:28,043 HIT A SPLIT. 1015 00:23:28,040 --> 00:23:29,680 YO, YOU DON'T UNDERSTAND, 1016 00:23:29,676 --> 00:23:30,806 LIKE, SHE DEFINITELY HIT A SPLIT 1017 00:23:30,810 --> 00:23:31,880 AND BOUNCED ON THAT [bleep]. 1018 00:23:31,878 --> 00:23:33,108 I WAS LIKE, "OKAY, SHE'S 1019 00:23:33,112 --> 00:23:35,012 STRUGGLING A LITTLE BIT AT 1020 00:23:35,014 --> 00:23:36,254 FIRST, BUT THEN SHE GOT DOWN AND 1021 00:23:36,248 --> 00:23:37,278 LIKE, 'HA HA, TOLD YOU 1022 00:23:37,283 --> 00:23:38,183 I COULD DO IT.'" 1023 00:23:38,184 --> 00:23:38,854 >> [laughs] 1024 00:23:38,851 --> 00:23:39,751 >> HEY, Y'ALL GOT [bleep] TOO 1025 00:23:39,752 --> 00:23:40,722 MUCH INFORMATION RIGHT NOW. 1026 00:23:40,720 --> 00:23:41,390 Y'ALL TRIPPING. 1027 00:23:41,387 --> 00:23:42,717 GET THE [...] OUT OF HERE, B. 1028 00:23:42,722 --> 00:23:44,062 >> OH, [bleep]. 1029 00:23:44,056 --> 00:23:44,816 >> YO, PLAY THAT BACK. 1030 00:23:44,824 --> 00:23:45,664 >> [bleep] YOU TALKING ABOUT 1031 00:23:45,658 --> 00:23:46,328 "PLAY THAT BACK"? 1032 00:23:46,325 --> 00:23:46,985 GET THE [bleep] OUT 1033 00:23:46,993 --> 00:23:47,733 OF HERE, YO. 1034 00:23:47,727 --> 00:23:48,497 YOU MOTHER[bleep] IS 1035 00:23:48,495 --> 00:23:49,655 [bleep] PERVERTS. 1036 00:23:49,662 --> 00:23:51,562 BUT, I COULD UNDERSTAND. 1037 00:23:51,564 --> 00:23:52,574 IF Y'ALL HAD A GIRL THAT COULD 1038 00:23:52,565 --> 00:23:54,525 BUST IT WIDE OPEN LIKE THAT, I'D 1039 00:23:54,534 --> 00:23:55,844 BE WATCHING HER TOO. 1040 00:23:55,835 --> 00:23:56,895 >> I CAN PUT THAT ON MY PHONE? 1041 00:23:56,903 --> 00:23:57,573 >> YOU COULD PUT THAT 1042 00:23:57,570 --> 00:23:58,240 ON YOUR PHONE. 1043 00:23:58,237 --> 00:23:58,907 >> I'M ABOUT TO GO 1044 00:23:58,905 --> 00:23:59,535 TO THE BATHROOM. 1045 00:23:59,539 --> 00:24:00,239 >> [bleep]. 1046 00:24:00,239 --> 00:24:01,769 >> IF DUTCHESS WASN'T CEASER'S 1047 00:24:01,774 --> 00:24:03,044 GIRL, I'D BE PULLING 1048 00:24:03,042 --> 00:24:03,942 ALL ON THEM DREADS. 1049 00:24:03,943 --> 00:24:04,983 >> CEASER, YOU NEXT. 1050 00:24:04,977 --> 00:24:05,647 [grunts] 1051 00:24:05,645 --> 00:24:06,775 >> WHAT? 1052 00:24:06,779 --> 00:24:07,979 >> THE [bleep] IS THAT? 1053 00:24:07,980 --> 00:24:09,520 [all laughing] 1054 00:24:09,516 --> 00:24:10,176 >> WHERE THE [bleep] 1055 00:24:10,182 --> 00:24:12,282 BOW TIE FROM? 1056 00:24:12,284 --> 00:24:13,824 WHAT THE [bleep] IS THIS, YO? 1057 00:24:13,820 --> 00:24:14,520 YO, WHERE THE [bleep] YOU 1058 00:24:14,521 --> 00:24:16,921 GET--I'M OUT OF HERE, MAN. 1059 00:24:16,923 --> 00:24:18,093 [bleep] TRIPPING, YO. 1060 00:24:18,090 --> 00:24:19,290 >> I THREW THE BOWTIE AT CEASER 1061 00:24:19,291 --> 00:24:20,631 BECAUSE I KNEW CEASER'S GONNA 1062 00:24:20,627 --> 00:24:22,127 HAVE TO REDEEM HIMSELF, BECAUSE 1063 00:24:22,128 --> 00:24:23,428 HE CAN'T HAVE HIS LADY DANCING. 1064 00:24:23,429 --> 00:24:24,599 HE'S GONNA HAVE TO DO SOME 1065 00:24:24,597 --> 00:24:25,797 CHIPPENDALES WORK. 1066 00:24:25,798 --> 00:24:28,798 [all laughing] 1067 00:24:32,872 --> 00:24:33,872 [hip-hop music] 1068 00:24:33,873 --> 00:24:41,613 * 1069 00:24:41,614 --> 00:24:42,954 >> GOT TO GET GOING, MAN. 1070 00:24:42,949 --> 00:24:43,979 >> YOU HYPED TO BE WALKING? 1071 00:24:43,983 --> 00:24:44,653 ABOUT TO GET YOUR 1072 00:24:44,651 --> 00:24:45,321 LITTLE MODEL ON. 1073 00:24:45,317 --> 00:24:46,047 >> YEAH, MAN, YOU KNOW, I'M 1074 00:24:46,052 --> 00:24:46,922 ABOUT TO GET MY FAKE TYSON ON. 1075 00:24:46,919 --> 00:24:48,249 STOP AND POSE, 1076 00:24:48,254 --> 00:24:49,694 THREE STEPS, TURN. 1077 00:24:49,689 --> 00:24:50,859 >> I LEGIT JUST QUIT BLANK INK, 1078 00:24:50,857 --> 00:24:52,187 AND ALREADY, PUMA HAS 1079 00:24:52,191 --> 00:24:53,361 A JOB FOR ME. 1080 00:24:53,359 --> 00:24:54,329 HE'S GIVING ME THE OPPORTUNITY 1081 00:24:54,326 --> 00:24:55,996 TO TAKE COMPLETE CREATIVE 1082 00:24:55,995 --> 00:24:57,295 CONTROL OVER HIS U.F.O. FASHION 1083 00:24:57,296 --> 00:24:58,426 SHOW FOR STREET FASHION WEEK. 1084 00:24:58,430 --> 00:24:59,100 >> I THINK THIS IS IT 1085 00:24:59,098 --> 00:24:59,828 RIGHT HERE. 1086 00:24:59,832 --> 00:25:01,172 >> HE STARTED THIS U.F.O. BRAND 1087 00:25:01,167 --> 00:25:01,997 LAST YEAR. 1088 00:25:02,001 --> 00:25:03,341 BUT NOW HE NEEDS TO STEP IT UP 1089 00:25:03,335 --> 00:25:04,635 SO HE CAN SUPPORT 1090 00:25:04,637 --> 00:25:05,467 QUANNI AND TAMIA. 1091 00:25:05,471 --> 00:25:06,311 >> WHAT'S GOOD, BABY? 1092 00:25:06,305 --> 00:25:06,965 >> WHAT'S UP, BRO? 1093 00:25:06,973 --> 00:25:08,173 >> CHILLING. 1094 00:25:08,174 --> 00:25:09,984 PUMA ASKED ME TO WALK FOR HIM IN 1095 00:25:09,976 --> 00:25:11,306 HIS I.U.F.O. FASHION SHOW. 1096 00:25:11,310 --> 00:25:12,280 I'M A LITTLE EXCITED. 1097 00:25:12,278 --> 00:25:13,248 I JUST HOPE, YOU KNOW, I MEAN, 1098 00:25:13,245 --> 00:25:13,975 THEY GET MY GOOD SIDE 1099 00:25:13,980 --> 00:25:14,750 AND ALL THAT STUFF. 1100 00:25:14,747 --> 00:25:16,277 >> DO YOU KNOW WHERE THE 1101 00:25:16,282 --> 00:25:16,952 U.F.O... 1102 00:25:16,949 --> 00:25:18,249 >> OKAY, YOU WANT TO GO SEE--I 1103 00:25:18,250 --> 00:25:19,090 THINK YOU GUYS GOT MODELS 1104 00:25:19,085 --> 00:25:19,915 TOO IN BACK--YOU WANT 1105 00:25:19,919 --> 00:25:20,589 TO GO CHECK... 1106 00:25:20,587 --> 00:25:21,247 >> YEAH, THAT'S WHERE 1107 00:25:21,253 --> 00:25:21,923 I NEED TO BE. 1108 00:25:21,921 --> 00:25:22,791 I COULDN'T BE MORE EXCITED, BUT 1109 00:25:22,789 --> 00:25:23,619 I'M DEFINITELY A LITTLE BIT 1110 00:25:23,623 --> 00:25:24,593 NERVOUS RIGHT NOW. 1111 00:25:24,591 --> 00:25:25,491 PUMA DIDN'T PUT ALL THIS 1112 00:25:25,491 --> 00:25:26,561 PRESSURE ON ME FOR NO REASON. 1113 00:25:26,559 --> 00:25:27,829 HE KNEW I CAN HANDLE IT, I GOT 1114 00:25:27,827 --> 00:25:28,957 TO PROVE HIM RIGHT. 1115 00:25:28,961 --> 00:25:29,631 >> TO WALK? 1116 00:25:29,629 --> 00:25:30,299 'CAUSE YOU WEARING 1117 00:25:30,296 --> 00:25:30,956 THE OTHER ONE, RIGHT? 1118 00:25:30,963 --> 00:25:32,133 >> I'MA WEAR THE OTHER ONE. 1119 00:25:32,131 --> 00:25:33,431 SASSY JUST TAKES OVER AND 1120 00:25:33,432 --> 00:25:34,302 JUST REALLY STARTS TAKING CARE 1121 00:25:34,300 --> 00:25:35,970 OF BUSINESS, HANDLING THINGS 1122 00:25:35,968 --> 00:25:38,198 AND STUFF LIKE THAT. 1123 00:25:38,204 --> 00:25:39,244 >> NO, I'D RATHER YOU DO CARLA, 1124 00:25:39,238 --> 00:25:40,468 THE OTHER MODEL, AND I'LL GO 1125 00:25:40,472 --> 00:25:41,142 LAST, IF ANYTHING. 1126 00:25:41,140 --> 00:25:41,770 YEAH. 1127 00:25:41,774 --> 00:25:42,544 >> JUST COME TO SEE, LIKE, IF 1128 00:25:42,541 --> 00:25:43,411 YOU NEED ANY HELP WITH ANYTHING 1129 00:25:43,409 --> 00:25:44,079 OR WHATEVER. 1130 00:25:44,076 --> 00:25:44,936 >> ONCE SHE'S DONE, MAKE SURE 1131 00:25:44,944 --> 00:25:46,084 SHE GETS IN THAT CHAIR SO SHE 1132 00:25:46,078 --> 00:25:47,178 CAN GET HER STUFF DONE. 1133 00:25:47,179 --> 00:25:48,479 AND I FEEL LIKE, 1134 00:25:48,480 --> 00:25:49,180 JUST LET THEM START 1135 00:25:49,181 --> 00:25:52,651 GETTING DRESSED. 1136 00:25:52,652 --> 00:25:53,322 >> WHAT'S GOOD, LOVE? 1137 00:25:53,319 --> 00:25:54,489 >> HOW ARE YOU? 1138 00:25:54,486 --> 00:25:55,146 >> HOW ARE YOU? 1139 00:25:55,154 --> 00:25:55,824 >> GOOD. 1140 00:25:55,822 --> 00:25:57,662 PUMA ASKED ME TO WALK 1141 00:25:57,657 --> 00:25:58,887 IN HIS FASHION SHOW. 1142 00:25:58,891 --> 00:26:00,091 YOU KNOW, I'LL SUPPORT PUMA IN 1143 00:26:00,092 --> 00:26:01,232 ANYTHING HE WANTS, BECAUSE IT 1144 00:26:01,227 --> 00:26:02,087 SHOWS PUMA WHO HIS 1145 00:26:02,094 --> 00:26:03,604 REAL FRIENDS ARE. 1146 00:26:03,596 --> 00:26:05,226 HI, SASSY. 1147 00:26:05,231 --> 00:26:05,901 >> HOLA, MAMI. 1148 00:26:05,898 --> 00:26:07,128 >> JUST WANTED TO THANK YOU, 1149 00:26:07,133 --> 00:26:09,143 ONCE AGAIN, FOR LETTING ME WALK. 1150 00:26:09,135 --> 00:26:10,235 >> OF COURSE. 1151 00:26:10,236 --> 00:26:11,596 THANK YOU FOR DOING IT. 1152 00:26:11,604 --> 00:26:13,174 >> WELL, YEAH, PUMA ASKED ME. 1153 00:26:13,172 --> 00:26:15,142 >> I WAS HAPPY THAT PUMA DID 1154 00:26:15,141 --> 00:26:16,181 INVITE ALEX TO COME AND WALK IN 1155 00:26:16,175 --> 00:26:16,805 THE SHOW. 1156 00:26:16,809 --> 00:26:18,139 SO SHOUT-OUT TO YOU ALEX, 1157 00:26:18,144 --> 00:26:19,054 FOR SHOWING UP. 1158 00:26:19,045 --> 00:26:19,875 IT WAS COOL. 1159 00:26:19,879 --> 00:26:20,609 >> I'LL LET YOU GET BACK TO 1160 00:26:20,613 --> 00:26:21,283 YOUR MAKEUP. 1161 00:26:21,280 --> 00:26:21,950 I'LL SEE YOU IN FRONT. 1162 00:26:21,948 --> 00:26:22,618 >> ALL RIGHT, THANK YOU. 1163 00:26:22,615 --> 00:26:23,275 >> THANK YOU, BABE. 1164 00:26:23,282 --> 00:26:25,482 >> OF COURSE, OF COURSE. 1165 00:26:25,484 --> 00:26:27,454 [hip-hop music] 1166 00:26:27,453 --> 00:26:28,623 >> WHERE'S SASSY AT? 1167 00:26:28,621 --> 00:26:30,561 HEY, SORRY I'M SO LATE, MAN. 1168 00:26:30,556 --> 00:26:31,216 I'VE BEEN DEALING WITH 1169 00:26:31,223 --> 00:26:32,163 A LOT IN AMERICA. 1170 00:26:32,158 --> 00:26:33,258 >> HAPPY [bleep] B-DAY, MAN. 1171 00:26:33,259 --> 00:26:34,089 >> THANK YOU, MAN. 1172 00:26:34,093 --> 00:26:35,233 SO I'VE BEEN A LITTLE DISTRACTED 1173 00:26:35,227 --> 00:26:36,227 WITH IT BEING MY BIRTHDAY AND 1174 00:26:36,228 --> 00:26:37,158 ALL, YOU KNOW. 1175 00:26:37,163 --> 00:26:38,633 I'VE BEEN PARTYING AND [bleep]. 1176 00:26:38,631 --> 00:26:40,001 BUT SASSY'S GOT MY BACK, SO I'M 1177 00:26:39,999 --> 00:26:41,169 NOT WORRIED ABOUT NOTHING. 1178 00:26:41,167 --> 00:26:42,027 >> EVERYBODY'S ALREADY READY. 1179 00:26:42,034 --> 00:26:43,374 >> THAT'S--THAT'S, YEAH. 1180 00:26:43,369 --> 00:26:44,039 >> THEY'RE DRESSED. 1181 00:26:44,036 --> 00:26:44,696 THEY READY TO GO. 1182 00:26:44,704 --> 00:26:45,604 >> YEAH. 1183 00:26:45,604 --> 00:26:47,074 >> WE ARE ABOUT TO GO ON. 1184 00:26:47,073 --> 00:26:48,683 I GOT ALL THE GIRLS READY, 1185 00:26:48,675 --> 00:26:50,075 AND PUMA SHOWS UP RIGHT BEFORE 1186 00:26:50,076 --> 00:26:51,236 WE STARTED, SO IT'S GONNA 1187 00:26:51,243 --> 00:26:53,213 BE SMOOTH SAILING. 1188 00:26:53,212 --> 00:26:54,012 HEY, GUYS, LISTEN. 1189 00:26:54,013 --> 00:26:55,283 HEY, LISTEN. 1190 00:26:55,281 --> 00:26:56,521 YOU GET OUT THERE, YOU BETTER 1191 00:26:56,515 --> 00:26:59,015 TURN THE [bleep] UP, BECAUSE WE 1192 00:26:59,018 --> 00:26:59,788 ARE LITERALLY IN [bleep] 1193 00:26:59,786 --> 00:27:00,616 MANHATTAN, LIKE IN NEW YORK 1194 00:27:00,619 --> 00:27:01,949 CITY AT STREET FASHION WEEK. 1195 00:27:01,954 --> 00:27:03,894 LIKE, Y'ALL ROCK OUT HOW 1196 00:27:03,890 --> 00:27:05,060 THE [bleep]--IF Y'ALL WAS OUT 1197 00:27:05,057 --> 00:27:06,487 WEARING THIS, WHAT WOULD YOU DO? 1198 00:27:06,492 --> 00:27:07,232 LIKE, YOU KNOW? 1199 00:27:07,226 --> 00:27:08,086 >> GIVE THEM THE CREAM PUFF. 1200 00:27:08,094 --> 00:27:08,904 >> RIGHT? 1201 00:27:08,895 --> 00:27:10,825 [all laughing] 1202 00:27:10,830 --> 00:27:11,700 >> I'MA SHUT THIS [bleep] DOWN. 1203 00:27:11,698 --> 00:27:12,358 I'MA SHOW YOU HOW 1204 00:27:12,364 --> 00:27:14,004 TO DO THIS, SON. 1205 00:27:14,000 --> 00:27:15,630 [laughs] 1206 00:27:15,634 --> 00:27:16,374 >> HI, EVERYBODY. 1207 00:27:16,368 --> 00:27:18,498 WITHOUT FURTHER ADO, COMING TO 1208 00:27:18,504 --> 00:27:22,414 THE STAGE IS I.U.F.O. N.Y. 1209 00:27:22,408 --> 00:27:23,608 I.U.F.O. CLOTHING. 1210 00:27:23,609 --> 00:27:25,179 [cheers and applause] 1211 00:27:25,177 --> 00:27:26,947 >> YEAH, YEAH, YEAH! 1212 00:27:26,946 --> 00:27:28,246 [hip-hop music] 1213 00:27:28,247 --> 00:27:29,077 >> * NEVER GONE BACK 1214 00:27:29,081 --> 00:27:29,921 * BUT I'M WILLING TO TRY * 1215 00:27:29,916 --> 00:27:30,976 * STICK TO THE PARTY 1216 00:27:30,983 --> 00:27:32,053 *DRINKS WHEN IT ALL SEEMS BAD * 1217 00:27:32,051 --> 00:27:32,791 * WHEN I MAKE A BIG DEAL 1218 00:27:32,785 --> 00:27:33,485 * OUT OF SMALL THINGS 1219 00:27:33,485 --> 00:27:34,145 >> * SHE'S THE * 1220 00:27:34,153 --> 00:27:35,023 * BELLE OF THE BALL 1221 00:27:35,021 --> 00:27:36,161 * CREAM OF THE CROP 1222 00:27:36,155 --> 00:27:37,615 * MIRRORS ALL OVER THE WALL 1223 00:27:37,623 --> 00:27:38,733 * AND NOW THE LIGHTS 1224 00:27:38,725 --> 00:27:39,485 * ARE FLASHING 1225 00:27:39,491 --> 00:27:42,661 * AND ALL THE PEOPLE DANCING 1226 00:27:42,661 --> 00:27:45,261 * I CAN'T LET GO * 1227 00:27:45,264 --> 00:27:46,534 * IT'S NEVER BEEN EASY FOR ME * 1228 00:27:46,532 --> 00:27:50,602 * BABY, THAT'S JUST A WARNING * 1229 00:27:50,602 --> 00:27:51,402 >> TO HAVE YOUR FIRST FASHION 1230 00:27:51,403 --> 00:27:53,613 SHOW, MAN, AND IT TO ACTUALLY BE 1231 00:27:53,605 --> 00:27:54,665 A SUCCESS-- 1232 00:27:54,673 --> 00:27:56,383 I'M REALLY PROUD. 1233 00:27:56,375 --> 00:27:57,275 AND IT'S REALLY SHOWING THAT I'M 1234 00:27:57,276 --> 00:27:59,576 DOING HARD WORK TO REALLY DO 1235 00:27:59,578 --> 00:28:00,248 WHAT I HAVE TO DO FOR MY 1236 00:28:00,246 --> 00:28:01,746 FAMILY'S FUTURE. 1237 00:28:01,748 --> 00:28:02,678 AND THAT'S WHAT IT'S ALL ABOUT, 1238 00:28:02,681 --> 00:28:03,481 RIGHT NOW. 1239 00:28:03,482 --> 00:28:04,352 >> THANK YOU, THANK YOU. 1240 00:28:04,350 --> 00:28:05,020 AND YOU LOOK SO CUTE. 1241 00:28:05,017 --> 00:28:05,677 THANK YOU FOR BEING 1242 00:28:05,684 --> 00:28:07,054 MY BABY MODEL. 1243 00:28:07,053 --> 00:28:08,493 THANK YOU SO MUCH. 1244 00:28:08,487 --> 00:28:09,487 >> AND YOU TOTALLY CAME THROUGH 1245 00:28:09,488 --> 00:28:10,558 IN THE CLUTCH FOR ME, YO. 1246 00:28:10,556 --> 00:28:11,216 TONIGHT TURNED OUT 1247 00:28:11,223 --> 00:28:12,423 REALLY GREAT, MAN. 1248 00:28:12,424 --> 00:28:13,234 I REALLY COULDN'T DO IT 1249 00:28:13,225 --> 00:28:15,455 WITHOUT SASSY, ALEX, AND WALT. 1250 00:28:15,461 --> 00:28:16,331 THEY REALLY KIND OF STEPPED UP 1251 00:28:16,328 --> 00:28:17,658 TO THE PLATE IN THE CLUTCH, 1252 00:28:17,663 --> 00:28:18,603 YOU KNOW? 1253 00:28:18,597 --> 00:28:19,927 I'M REALLY HAPPY. 1254 00:28:19,932 --> 00:28:21,502 BUT, YET, DUTCHESS AND CEASER 1255 00:28:21,500 --> 00:28:22,400 DIDN'T COME. 1256 00:28:22,401 --> 00:28:23,341 BUT, YOU KNOW, IT'S ALL GOOD. 1257 00:28:23,335 --> 00:28:24,535 SEE HOW FAR FRIENDSHIP GOES 1258 00:28:24,536 --> 00:28:25,736 AFTER 15 YEARS. 1259 00:28:25,738 --> 00:28:26,408 >> I'M HAPPY TODAY 1260 00:28:26,405 --> 00:28:27,535 WORKED OUT, SO-- 1261 00:28:27,539 --> 00:28:28,209 >> YEAH. 1262 00:28:28,207 --> 00:28:30,037 >> YOU DID YOUR THING. 1263 00:28:30,042 --> 00:28:30,882 WE GONNA GO TURN UP. 1264 00:28:30,877 --> 00:28:31,677 GO GET HER ASS HOME. 1265 00:28:31,677 --> 00:28:32,577 >> NAH, THAT'S ALL READY... 1266 00:28:32,578 --> 00:28:34,108 >> AND WE GONNA GET DRUNK. 1267 00:28:34,113 --> 00:28:35,553 >> BUT NOW IT'S MY BIRTHDAY, 1268 00:28:35,547 --> 00:28:36,817 SO IT'S TIME TO PARTY. 1269 00:28:36,816 --> 00:28:38,376 PARTING THE WAY, MOSES. 1270 00:28:38,384 --> 00:28:40,294 >> HAPPY BIRTHDAY, YAY! 1271 00:28:40,286 --> 00:28:42,186 HAPPY BIRTHDAY. 1272 00:28:42,188 --> 00:28:43,118 >> [groans] 1273 00:28:43,122 --> 00:28:43,922 >> HAPPY BIRTHDAY! 1274 00:28:43,923 --> 00:28:46,293 >> [groans] 1275 00:28:46,292 --> 00:28:47,692 >> HIM GETTING DADDY MODE 1276 00:28:47,693 --> 00:28:48,533 TOGETHER HAS GONE 1277 00:28:48,527 --> 00:28:49,527 OUT THE WINDOW. 1278 00:28:49,528 --> 00:28:51,528 >> I'M DRUNK. 1279 00:28:59,638 --> 00:29:00,638 [hip-hop music] 1280 00:29:00,639 --> 00:29:08,409 * 1281 00:29:08,414 --> 00:29:09,954 >> [laughs] 1282 00:29:09,949 --> 00:29:10,749 >> SCRIPPERS. 1283 00:29:10,749 --> 00:29:11,579 >> SCRIPPERS. 1284 00:29:11,583 --> 00:29:12,283 I'M ABOUT TO THROW 1285 00:29:12,284 --> 00:29:13,254 ALL THIS [bleep]. 1286 00:29:13,252 --> 00:29:13,922 >> LET'S GO THROW IT 1287 00:29:13,920 --> 00:29:14,590 AT ONE STRIPPER. 1288 00:29:14,586 --> 00:29:15,246 >> I'M A JUST THROW IT. 1289 00:29:15,254 --> 00:29:17,624 >> YOU DON'T HAVE NO JOB, BUT 1290 00:29:17,623 --> 00:29:19,093 HOW DO YOU STAY WITH ALL THIS 1291 00:29:19,091 --> 00:29:20,191 MONEY, MAN? 1292 00:29:20,192 --> 00:29:21,292 >> I GOT A JOB. 1293 00:29:21,293 --> 00:29:22,363 >> [laughing] 1294 00:29:22,361 --> 00:29:24,101 >> I WORK FOR AMERICA. 1295 00:29:24,096 --> 00:29:25,756 >> I'M HERE TO SUPPORT MY BOY, 1296 00:29:25,764 --> 00:29:27,104 PUMA ON HIS BIRTHDAY, 1297 00:29:27,099 --> 00:29:28,469 BECAUSE HE'S MY REAL FRIEND. 1298 00:29:28,467 --> 00:29:29,597 HE WAS MY FRIEND BEFORE CEASER 1299 00:29:29,601 --> 00:29:33,371 WAS EVEN MY FRIEND. 1300 00:29:33,372 --> 00:29:34,372 [hip-hop music] 1301 00:29:34,373 --> 00:29:42,353 * 1302 00:29:46,052 --> 00:29:48,862 >> THAT'S HOT. 1303 00:29:48,855 --> 00:29:50,215 >> WHOO! 1304 00:29:50,222 --> 00:29:51,322 WHOO! 1305 00:29:51,323 --> 00:29:52,763 >> SO WE'VE ONLY BEEN HERE 1306 00:29:52,758 --> 00:29:53,588 FOR TEN MINUTES, 1307 00:29:53,592 --> 00:29:54,692 AND PUMA HAS ALREADY 1308 00:29:54,693 --> 00:29:56,533 GONE THROUGH HIS DAMN SINGLES. 1309 00:29:56,528 --> 00:29:58,098 BUT LUCKILY, WONDER TWIN IS HERE 1310 00:29:58,097 --> 00:29:59,527 TO SAVE THE DAY. 1311 00:29:59,531 --> 00:30:02,771 AND I GOT MORE DOLLARS, THOUGH. 1312 00:30:02,768 --> 00:30:03,638 >> MAN, THERE'S NOTHING BETTER 1313 00:30:03,635 --> 00:30:05,595 THAN SOME ASS AND HENNY. 1314 00:30:05,604 --> 00:30:07,614 HAPPY BIRTHDAY TO ME. 1315 00:30:11,443 --> 00:30:13,453 >> I'M DRUNK. 1316 00:30:20,252 --> 00:30:21,252 [hip-hop music] 1317 00:30:21,253 --> 00:30:22,353 * 1318 00:30:22,354 --> 00:30:24,364 IT'S SO INTENSE! 1319 00:30:25,591 --> 00:30:27,261 >> * OOH, I SHOULD, COULD 1320 00:30:27,259 --> 00:30:28,689 * I WISH YOU WOULD, GIRLS 1321 00:30:28,694 --> 00:30:30,304 * 'CAUSE I GOT SOME * 1322 00:30:30,296 --> 00:30:31,856 >> PUMA'S HAVING WAY TOO MUCH 1323 00:30:31,864 --> 00:30:34,574 FUN RIGHT NOW, AND I FEEL LIKE 1324 00:30:34,566 --> 00:30:35,936 THE THOUGHT OF HIM CLEANING HIS 1325 00:30:35,935 --> 00:30:36,965 [bleep] UP AND GETTING DADDY 1326 00:30:36,969 --> 00:30:38,269 MODE TOGETHER HAS GONE 1327 00:30:38,270 --> 00:30:40,010 OUT THE WINDOW. 1328 00:30:40,006 --> 00:30:40,936 >> THERE'S LIKE A LITTLE RAGER 1329 00:30:40,940 --> 00:30:42,440 PUMA IN ME THAT JUST BE LIKE, 1330 00:30:42,441 --> 00:30:43,281 "GO DO THAT. 1331 00:30:43,275 --> 00:30:44,475 ENJOY. 1332 00:30:44,476 --> 00:30:45,946 LOOK AT HER [bleep]." 1333 00:30:45,945 --> 00:30:47,005 >> * SHOW ME SOMETHING 1334 00:30:47,013 --> 00:30:47,683 * PROVE IT TO ME 1335 00:30:47,679 --> 00:30:48,309 * PROVE IT TO ME 1336 00:30:48,314 --> 00:30:49,054 * SHOW ME SOMETHING 1337 00:30:49,048 --> 00:30:49,718 * SHOW ME SOMETHING 1338 00:30:49,715 --> 00:30:50,615 *I AIN'T TRIPPIN' * 1339 00:30:50,616 --> 00:30:53,086 [laughter] 1340 00:30:53,085 --> 00:30:54,415 [hip-hop music] 1341 00:30:54,420 --> 00:30:59,790 * 1342 00:30:59,791 --> 00:31:00,891 >> DADDY IS LATE, LATE, LATE, 1343 00:31:00,893 --> 00:31:02,133 LATE, LATE, AND GRANDMA'S GONNA 1344 00:31:02,128 --> 00:31:03,698 SPANK HIM. 1345 00:31:03,695 --> 00:31:05,225 >> HE WAS OUT LAST NIGHT. 1346 00:31:05,231 --> 00:31:06,071 HE HAD TO HOST AN EVENT. 1347 00:31:06,065 --> 00:31:07,565 >> SO WE MAY BE WAITING ALL DAY 1348 00:31:07,566 --> 00:31:08,966 FOR THIS? 1349 00:31:08,968 --> 00:31:09,968 BECAUSE YOU'RE ABOUT TO WALK 1350 00:31:09,969 --> 00:31:11,439 DOWN THE ISLE WITH THIS MAN, 1351 00:31:11,437 --> 00:31:13,307 AND YOU NEED TO KNOW WHEN THE 1352 00:31:13,305 --> 00:31:14,305 WEDDING IS OVER--YES, 1353 00:31:14,306 --> 00:31:15,706 I'M TALKING ABOUT YOUR DADDY-- 1354 00:31:15,707 --> 00:31:17,077 YOU NEED TO KNOW 1355 00:31:17,076 --> 00:31:18,536 THAT AT THE END OF ALL OF THIS, 1356 00:31:18,544 --> 00:31:19,554 HE'S GONNA HAVE TIME 1357 00:31:19,545 --> 00:31:22,175 FOR YOU GUYS. 1358 00:31:22,181 --> 00:31:22,851 SO LET'S TALK ABOUT 1359 00:31:22,848 --> 00:31:23,518 THE WEDDING. 1360 00:31:23,515 --> 00:31:25,645 WHAT'S GONNA HAPPEN? 1361 00:31:25,651 --> 00:31:26,721 >> HE SEEMS TO REALLY WANT 1362 00:31:26,718 --> 00:31:27,818 A DESTINATION WEDDING. 1363 00:31:27,819 --> 00:31:29,959 I'M GOING ALONG WITH IT, BUT I 1364 00:31:29,956 --> 00:31:30,986 NEED SOME INPUT ON 1365 00:31:30,990 --> 00:31:31,920 WHAT'S HAPPENING. 1366 00:31:31,924 --> 00:31:33,134 HE'S NOT GIVING ME THAT 1367 00:31:33,125 --> 00:31:33,785 AT THE MOMENT, 1368 00:31:33,792 --> 00:31:34,492 AND I'M GETTING A LOT OF, 1369 00:31:34,493 --> 00:31:35,193 "I'M BUSY. 1370 00:31:35,194 --> 00:31:37,434 I'M WORKING." 1371 00:31:37,429 --> 00:31:38,099 >> WELL, WELL, WELL. 1372 00:31:38,097 --> 00:31:39,027 LOOK AT HERE. 1373 00:31:39,031 --> 00:31:40,071 >> I KNOW. 1374 00:31:40,066 --> 00:31:40,826 I'M SUPER LATE. 1375 00:31:40,832 --> 00:31:41,672 >> MAYBE YOU SHOULD TAKE THOSE 1376 00:31:41,667 --> 00:31:42,867 SUNGLASSES OFF. 1377 00:31:42,868 --> 00:31:44,098 >> HE'S HUNGOVER. 1378 00:31:44,103 --> 00:31:45,703 >> SO I'M REALLY STILL FEELING 1379 00:31:45,704 --> 00:31:46,944 THIS HANGOVER FROM LAST NIGHT 1380 00:31:46,939 --> 00:31:48,509 RIGHT NOW, MAN. 1381 00:31:48,507 --> 00:31:50,277 I DEFINITELY NEED SOMETHING, 1382 00:31:50,276 --> 00:31:53,046 A WATER, ANYTHING RIGHT NOW 1383 00:31:53,045 --> 00:31:54,075 'CAUSE I KNOW I'M ABOUT TO HEAR 1384 00:31:54,080 --> 00:31:54,950 IT BETWEEN QUANNI 1385 00:31:54,947 --> 00:31:55,907 AND HER MOTHER. 1386 00:31:55,914 --> 00:31:57,754 >> HOW WAS YOUR NIGHT? 1387 00:31:57,749 --> 00:32:00,289 >> TIRING. 1388 00:32:00,286 --> 00:32:01,086 >> WE WERE JUST TALKING ABOUT 1389 00:32:01,087 --> 00:32:04,057 THE WEDDING. 1390 00:32:04,056 --> 00:32:04,756 >> YEAH. 1391 00:32:04,756 --> 00:32:05,986 >> SO QUANNI TELLS ME THAT THE 1392 00:32:05,992 --> 00:32:07,462 WEDDING IS GONNA BE IN JAMAICA. 1393 00:32:07,459 --> 00:32:08,129 THAT'S PRETTY FAR AWAY 1394 00:32:08,127 --> 00:32:09,527 FROM NEW YORK. 1395 00:32:09,528 --> 00:32:10,398 >> YEAH. 1396 00:32:10,396 --> 00:32:11,426 >> PRETTY FAR AWAY FROM A LOT OF 1397 00:32:11,430 --> 00:32:12,800 HER FAMILY AND FRIENDS. 1398 00:32:12,798 --> 00:32:13,528 >> I KIND OF WANTED TO DO 1399 00:32:13,532 --> 00:32:14,672 SOMETHING DIFFERENT. 1400 00:32:14,666 --> 00:32:15,766 A REALLY SACRED MOMENT LIKE 1401 00:32:15,767 --> 00:32:16,767 THIS, MAN. 1402 00:32:16,768 --> 00:32:17,698 I WANT TO DO IT SOMEWHERE I'VE 1403 00:32:17,703 --> 00:32:19,773 NEVER BEEN BEFORE. 1404 00:32:19,771 --> 00:32:20,471 AND I THOUGHT WE THOUGHT A 1405 00:32:20,472 --> 00:32:21,272 DESTINATION WEDDING WAS 1406 00:32:21,273 --> 00:32:22,573 KIND OF COOL. 1407 00:32:22,574 --> 00:32:23,314 I MEAN, AT THE END OF THE DAY 1408 00:32:23,309 --> 00:32:24,879 THIS IS ME AND QUANNI'S WEDDING, 1409 00:32:24,876 --> 00:32:26,576 SO I GUESS WE'RE JUST GONNA HAVE 1410 00:32:26,578 --> 00:32:27,748 TO FIGURE THIS OUT. 1411 00:32:27,746 --> 00:32:28,676 I'M JUST TRYING NOT TO HEAR TOO 1412 00:32:28,680 --> 00:32:30,850 MANY OF THE OTHER OPINIONS. 1413 00:32:30,849 --> 00:32:32,719 YOU KNOW, GO, "WAH, WAH, 1414 00:32:32,718 --> 00:32:34,418 WA-WA-WAH." 1415 00:32:34,420 --> 00:32:35,320 THE LIFE. 1416 00:32:35,321 --> 00:32:36,691 >> BUT IT WOULD'VE BEEN NICE IF 1417 00:32:36,688 --> 00:32:38,658 IT WAS IN NEW YORK BECAUSE MORE 1418 00:32:38,657 --> 00:32:39,587 OF HER FAMILY WOULD BE ABLE TO 1419 00:32:39,591 --> 00:32:41,491 SHOW UP. 1420 00:32:41,493 --> 00:32:42,463 JUST TRUST ME, THAT'S ALL YOU 1421 00:32:42,461 --> 00:32:43,131 GOT TO DO. 1422 00:32:43,129 --> 00:32:44,259 I GOT YOU. 1423 00:32:44,263 --> 00:32:45,163 >> SO DO YOU THINK THAT WE'LL 1424 00:32:45,164 --> 00:32:47,004 HAVE, LIKE, A REAL SCHEDULE 1425 00:32:46,999 --> 00:32:48,129 SOMETIME SOON? 1426 00:32:48,134 --> 00:32:48,804 >> NO. 1427 00:32:48,800 --> 00:32:50,070 >> WHERE YOU'LL... 1428 00:32:50,069 --> 00:32:51,269 >> THERE'S NO STRUCTURE TO THE 1429 00:32:51,270 --> 00:32:53,540 MADNESS RIGHT NOW, I'M SORRY. 1430 00:32:53,539 --> 00:32:54,769 I GOT A LOT GOING ON RIGHT NOW. 1431 00:32:54,773 --> 00:32:55,643 >> IT IS, BUT THERE'S LIKE SO 1432 00:32:55,641 --> 00:32:56,611 MUCH GOING ON THAT 1433 00:32:56,608 --> 00:32:57,408 YOU GOT TO THINK ABOUT 1434 00:32:57,409 --> 00:32:58,279 WHEN IT COMES TO A WEDDING. 1435 00:32:58,277 --> 00:32:58,937 LIKE, I DON'T HAVE MY 1436 00:32:58,944 --> 00:33:00,214 LIST WITH ME. 1437 00:33:00,212 --> 00:33:01,412 >> YOU HAVE A LIST? 1438 00:33:01,413 --> 00:33:02,283 >> THERE'S A LIST OF THINGS THAT 1439 00:33:02,281 --> 00:33:03,621 NEED TO BE DONE. 1440 00:33:03,615 --> 00:33:05,115 JUST GIVE ME YOUR DEBIT CARD. 1441 00:33:05,117 --> 00:33:05,917 >> NO. 1442 00:33:05,917 --> 00:33:09,087 [laughs] 1443 00:33:09,088 --> 00:33:10,218 >> ME AND YOU HAVE NOT ALWAYS 1444 00:33:10,222 --> 00:33:11,862 BEEN ON THE SAME PAGE. 1445 00:33:11,857 --> 00:33:13,487 WE'RE STILL A WORK IN PROGRESS. 1446 00:33:13,492 --> 00:33:15,792 BUT I WANT YOU TO KNOW THAT 1447 00:33:15,794 --> 00:33:16,804 SHE'S MY EVERYTHING-- 1448 00:33:16,795 --> 00:33:17,455 >> I KNOW. 1449 00:33:17,463 --> 00:33:18,263 >> YOU UNDERSTAND? 1450 00:33:18,264 --> 00:33:19,174 >> MM-HMM. 1451 00:33:19,165 --> 00:33:19,995 >> BECAUSE YOU THINK I'M 1452 00:33:19,998 --> 00:33:21,798 MEDDLESOME NOW... 1453 00:33:21,800 --> 00:33:23,300 >> YEAH. 1454 00:33:23,302 --> 00:33:24,072 I DON'T THINK I CAN DEAL WITH 1455 00:33:24,070 --> 00:33:24,900 ALL THIS RIGHT NOW. 1456 00:33:24,903 --> 00:33:27,443 BETWEEN BOTH OF THEM, AND THEN 1457 00:33:27,439 --> 00:33:29,239 THAT LITTLE GUY CALLED 1458 00:33:29,241 --> 00:33:30,841 HANGOVER, KICKING ME IN MY BRAIN 1459 00:33:30,842 --> 00:33:31,942 LIKE THAT. 1460 00:33:31,943 --> 00:33:33,513 IT'S NOT REALLY FUN RIGHT NOW. 1461 00:33:33,512 --> 00:33:36,012 NOT ENJOYING MYSELF. 1462 00:33:36,014 --> 00:33:38,084 OH, GOD. 1463 00:33:42,221 --> 00:33:43,021 >> YO, I KNOW A DANCER 1464 00:33:43,021 --> 00:33:44,261 THAT'S A NURSE. 1465 00:33:44,256 --> 00:33:45,056 I KNOW A DANCER THAT'S 1466 00:33:45,057 --> 00:33:47,257 A REAL ESTATE AGENT. 1467 00:33:47,259 --> 00:33:48,289 >> WE GOT DUTCHESS, WHO'S THE 1468 00:33:48,294 --> 00:33:49,534 STRIPPER WITH A MASTER'S DEGREE. 1469 00:33:49,528 --> 00:33:50,958 WE GOT ANOTHER STRIPPER WHO 1470 00:33:50,962 --> 00:33:51,832 WANTS TO WRITE A BOOK. 1471 00:33:51,830 --> 00:33:52,660 WHAT THE [bleep] ARE YOU GONNA 1472 00:33:52,664 --> 00:33:53,334 HAVE NEXT, 1473 00:33:53,332 --> 00:33:55,332 A STRIPPER FOR PRESIDENT? 1474 00:34:03,175 --> 00:34:04,175 [hip-hop music] 1475 00:34:04,176 --> 00:34:07,846 * 1476 00:34:07,846 --> 00:34:08,976 [door buzzing] 1477 00:34:08,980 --> 00:34:10,020 >> WAL-ET-AYE. 1478 00:34:10,015 --> 00:34:11,645 >> [laughs] 1479 00:34:11,650 --> 00:34:12,520 Y'ALL LOOK LIKE Y'ALL JUST CAME 1480 00:34:12,518 --> 00:34:13,748 FROM THE AFTER, AFTER, 1481 00:34:13,752 --> 00:34:14,722 AFTER HOUR... 1482 00:34:14,720 --> 00:34:15,490 >> SHH... 1483 00:34:15,487 --> 00:34:16,517 INDIA, WALT. 1484 00:34:16,522 --> 00:34:17,292 >> HI. 1485 00:34:17,289 --> 00:34:18,219 INDIA, BABY, NICE MEETING YOU. 1486 00:34:18,224 --> 00:34:19,294 >> MY HOMEGIRL, SHE CAME 1487 00:34:19,291 --> 00:34:20,691 TO GET TATTOOED BY DUTCHESS. 1488 00:34:20,692 --> 00:34:21,532 >> JUST GIVE HER A SECOND, SHE 1489 00:34:21,527 --> 00:34:22,187 GONNA BE UP HERE. 1490 00:34:22,194 --> 00:34:22,864 >> NICE. 1491 00:34:22,861 --> 00:34:23,631 >> WHAT YOU GETTING TATTED? 1492 00:34:23,629 --> 00:34:24,299 >> SOME SCRIPTS... 1493 00:34:24,296 --> 00:34:24,956 >> SCRIPTS. 1494 00:34:24,963 --> 00:34:26,433 >> ON DOWN THE SPINE OF MY BACK. 1495 00:34:26,432 --> 00:34:27,102 >> OH, OKAY. 1496 00:34:27,099 --> 00:34:27,769 >> HEY, GIRL. 1497 00:34:27,766 --> 00:34:30,136 [laughs] 1498 00:34:30,136 --> 00:34:31,836 YES, I LOVE HER. 1499 00:34:31,837 --> 00:34:34,407 >> SO, UM, I'M NOTICING 1500 00:34:34,406 --> 00:34:35,406 YOU GOT YOUR HOV ON 1501 00:34:35,407 --> 00:34:36,207 WITH THIS QUOTE. 1502 00:34:36,208 --> 00:34:36,878 >> I LIKE IT. 1503 00:34:36,875 --> 00:34:37,705 >> WHAT'S THE SIGNIFICANCE 1504 00:34:37,709 --> 00:34:38,439 BEHIND THAT? 1505 00:34:38,444 --> 00:34:40,184 >> UM, IT'S JUST THAT, WHERE I'M 1506 00:34:40,179 --> 00:34:41,679 FROM, I DIDN'T HAVE THE POSITIVE 1507 00:34:41,680 --> 00:34:43,480 SUPPORT, SO IT JUST 1508 00:34:43,482 --> 00:34:44,652 KEPT ME STRONG. 1509 00:34:44,650 --> 00:34:45,680 SO I WANT IT ON MY BACK, LIKE, 1510 00:34:45,684 --> 00:34:47,194 GOING DOWN MY BACKBONE. 1511 00:34:47,186 --> 00:34:48,986 >> SHE WANTS TO GET A JAY Z 1512 00:34:48,987 --> 00:34:51,917 LYRIC THAT SAYS, "THE MOTIVATION 1513 00:34:51,923 --> 00:34:53,633 FOR ME IS THEM TELLING ME WHAT I 1514 00:34:53,625 --> 00:34:54,685 CANNOT BE." 1515 00:34:54,693 --> 00:34:55,533 >> LIKE, WHAT WOULD BE THE BEST 1516 00:34:55,527 --> 00:34:56,557 WAY TO GET IT, 1517 00:34:56,562 --> 00:34:59,932 GOING LIKE, FROM HERE TO HERE? 1518 00:34:59,931 --> 00:35:01,571 SIDEWAYS, OR MORE... 1519 00:35:01,567 --> 00:35:02,867 >> I WOULD DO IT SIDEWAYS. 1520 00:35:02,868 --> 00:35:03,668 >> GOING FROM LIKE, THE TOP TO 1521 00:35:03,669 --> 00:35:04,339 THE BOTTOM? 1522 00:35:04,336 --> 00:35:06,806 OR GOING FROM THE BOTTOM UP? 1523 00:35:06,805 --> 00:35:07,805 >> YOU'RE STANDING BEHIND HER, 1524 00:35:07,806 --> 00:35:08,936 LIKE THIS, I WOULD WANT TO READ 1525 00:35:08,940 --> 00:35:09,910 IT FROM HERE TO HERE. 1526 00:35:09,908 --> 00:35:10,938 >> FROM THE TOP TO THE BOTTOM? 1527 00:35:10,942 --> 00:35:11,612 >> YEAH, THIS WAY. 1528 00:35:11,610 --> 00:35:12,380 BECAUSE YOU DON'T WANT TO-- 1529 00:35:12,378 --> 00:35:13,308 >> YOU GOT TO-- 1530 00:35:13,312 --> 00:35:14,252 >> YOU DON'T WANT TO BE... 1531 00:35:14,246 --> 00:35:15,746 [all laughing] 1532 00:35:15,747 --> 00:35:16,777 >> MY MAN, TED, HIS FRIEND 1533 00:35:16,782 --> 00:35:18,082 INDIA--YOU KNOW WHAT I MEAN? 1534 00:35:18,083 --> 00:35:18,783 THAT'S WHAT THEY WANT TO 1535 00:35:18,784 --> 00:35:19,424 CALL HER, "FRIEND." 1536 00:35:19,418 --> 00:35:20,688 SHE'S GETTING, LIKE, A JAY Z 1537 00:35:20,686 --> 00:35:21,616 QUOTE FROM ONE OF HIS SONGS ON 1538 00:35:21,620 --> 00:35:22,320 HER BACK, 1539 00:35:22,321 --> 00:35:23,621 TALKING ABOUT "IT'S INSPIRATION" 1540 00:35:23,622 --> 00:35:24,422 AND ALL THIS OTHER CRAP. 1541 00:35:24,423 --> 00:35:25,323 STRIVING FOR SUCCESS, 1542 00:35:25,324 --> 00:35:25,994 I DON'T KNOW. 1543 00:35:25,991 --> 00:35:26,961 RIGHT NOW, WHY EXACTLY, LIKE, 1544 00:35:26,958 --> 00:35:28,388 ARE YOU DOING, AS FAR-- 1545 00:35:28,394 --> 00:35:29,904 >> I JUST WROTE A BOOK CALLED 1546 00:35:29,895 --> 00:35:33,325 THE MASTERMIND OF A STRIPPER. 1547 00:35:33,332 --> 00:35:34,132 >> MASTERMIND OF A STRIPPER? 1548 00:35:34,132 --> 00:35:34,802 THAT'S WHAT-- 1549 00:35:34,800 --> 00:35:35,830 YOU'VE DANCED BEFORE? 1550 00:35:35,834 --> 00:35:37,374 >> YES, I STILL DANCE. 1551 00:35:37,369 --> 00:35:38,839 >> HER IDEA OF SUCCESS IS 1552 00:35:38,837 --> 00:35:43,907 WRITING A BOOK ABOUT STRIPPING. 1553 00:35:43,909 --> 00:35:45,079 >> THEY KNOW I WAS AT K.O.D., 1554 00:35:45,076 --> 00:35:46,276 SO... 1555 00:35:46,278 --> 00:35:47,548 SO I WAS STRIPPING AT A BIG-TIME 1556 00:35:47,546 --> 00:35:49,006 STRIP CLUB IN MIAMI CALLED 1557 00:35:49,014 --> 00:35:51,554 KING OF DIAMONDS, AKA K.O.D. 1558 00:35:51,550 --> 00:35:52,520 >> WHAT MADE YOU DECIDE TO DO 1559 00:35:52,518 --> 00:35:53,448 THAT THOUGH, LIKE, SERIOUSLY? 1560 00:35:53,452 --> 00:35:54,592 >> BECAUSE I FEEL LIKE PEOPLE 1561 00:35:54,586 --> 00:35:55,886 SHOULD JUST--IF THAT'S WHAT YOU 1562 00:35:55,887 --> 00:35:56,917 WANT TO DO... 1563 00:35:56,922 --> 00:35:57,922 >> MY THING IS LIKE, YOU JUST 1564 00:35:57,923 --> 00:35:59,693 GOT TO BE CAREFUL, LIKE, BECAUSE 1565 00:35:59,691 --> 00:36:01,661 OF THE FACT THAT YOU ARE WHO YOU 1566 00:36:01,660 --> 00:36:02,790 ARE NOW. 1567 00:36:02,794 --> 00:36:04,064 >> JUST BECAUSE DANCERS ARE OPEN 1568 00:36:04,062 --> 00:36:05,002 TO DIFFERENT THINGS, A LOT OF 1569 00:36:04,996 --> 00:36:06,096 REGULAR WOMEN FEEL LIKE THEY 1570 00:36:06,097 --> 00:36:07,397 TOO GOOD TO DO CERTAIN THINGS. 1571 00:36:07,399 --> 00:36:08,429 >> YO, I KNOW A DANCER THAT'S A 1572 00:36:08,434 --> 00:36:10,174 NURSE, I KNOW A DANCER THAT'S A 1573 00:36:10,168 --> 00:36:12,368 REAL ESTATE AGENT... 1574 00:36:12,371 --> 00:36:13,471 >> WE GOT DUTCHESS, WHO'S A 1575 00:36:13,472 --> 00:36:15,242 STRIPPER WITH A MASTER'S DEGREE. 1576 00:36:15,241 --> 00:36:16,171 WE GOT ANOTHER STRIPPER WHO 1577 00:36:16,174 --> 00:36:17,414 WANTS TO WRITE A BOOK. 1578 00:36:17,409 --> 00:36:18,279 THE [bleep] WE GONNA HAVE NEXT, 1579 00:36:18,277 --> 00:36:19,507 A STRIPPER FOR PRESIDENT? 1580 00:36:19,511 --> 00:36:20,551 >> I'MA PROBABLY FREEHAND IT 1581 00:36:20,546 --> 00:36:21,446 ON YOU, SO... 1582 00:36:21,447 --> 00:36:22,107 >> OKAY. 1583 00:36:22,113 --> 00:36:22,783 >> YEAH, LET'S GET THIS 1584 00:36:22,781 --> 00:36:23,451 TATTOO POPPING. 1585 00:36:23,449 --> 00:36:26,119 >> LET'S GET THIS TATTOO GOING. 1586 00:36:26,117 --> 00:36:26,847 >> GIRL, I AIN'T SEEN YOU A 1587 00:36:26,852 --> 00:36:27,752 WHILE SINCE THE LAST TIME 1588 00:36:27,753 --> 00:36:28,423 I SEEN YOU. 1589 00:36:28,420 --> 00:36:29,790 >> I KNOW. 1590 00:36:29,788 --> 00:36:31,058 AIN'T YOU FROM DOWN SOUTH? 1591 00:36:31,056 --> 00:36:32,516 >> YEAH, I'M FROM CHARLOTTE. 1592 00:36:32,524 --> 00:36:33,764 >> YOU LIKE NEW YORK? 1593 00:36:33,759 --> 00:36:34,629 >> I'M STARTING TO GET USED TO 1594 00:36:34,626 --> 00:36:36,026 THE CITY AFTER BEING HERE FOR 1595 00:36:36,027 --> 00:36:36,997 TWO YEARS. 1596 00:36:36,995 --> 00:36:39,865 BUT I MISS PARTS OF HOME. 1597 00:36:39,865 --> 00:36:40,995 NEW YORK IS COOL, BUT AIN'T 1598 00:36:40,999 --> 00:36:42,969 NOTHING LIKE HOME. 1599 00:36:42,968 --> 00:36:45,168 ALL RIGHT, BABE, LET'S LAY IT 1600 00:36:45,170 --> 00:36:46,170 DOWN AND GET IT STARTED. 1601 00:36:46,171 --> 00:36:47,441 WELL, I GUESS WITH INDIA, 1602 00:36:47,439 --> 00:36:48,439 YOU KNOW, REMINISCING AND 1603 00:36:48,440 --> 00:36:50,140 TELLING ME ALL THE THINGS THAT 1604 00:36:50,141 --> 00:36:51,311 I'M MISSING IN THE SOUTH, IT 1605 00:36:51,310 --> 00:36:53,250 KIND OF MADE ME THINK ABOUT IT. 1606 00:36:53,245 --> 00:36:54,675 BUT, I DON'T REALLY THINK 1607 00:36:54,680 --> 00:36:56,250 I'M HOMESICK. 1608 00:36:56,248 --> 00:36:58,118 I'M JUST RELATING TO HOME 1609 00:36:58,116 --> 00:36:59,246 RIGHT NOW. 1610 00:36:59,251 --> 00:37:00,051 WELL, LET'S GET IT POPPING. 1611 00:37:00,051 --> 00:37:01,321 >> OKAY. 1612 00:37:01,320 --> 00:37:02,320 [hip-hop music] 1613 00:37:02,321 --> 00:37:08,731 * 1614 00:37:08,727 --> 00:37:10,127 >> NEW YORK IS DEFINITELY 1615 00:37:10,128 --> 00:37:11,358 A PLACE THAT HAS CHANGED ME. 1616 00:37:11,363 --> 00:37:12,963 IT IS DEFINITELY MAKING ME MORE 1617 00:37:12,964 --> 00:37:14,704 AGGRESSIVE, A LITTLE TOUGHER, 1618 00:37:14,700 --> 00:37:16,900 AND I'M TRYING TO JUST BE A 1619 00:37:16,902 --> 00:37:18,272 BETTER DUTCHESS. 1620 00:37:18,270 --> 00:37:19,270 [hip-hop music] 1621 00:37:19,271 --> 00:37:23,011 * 1622 00:37:23,008 --> 00:37:26,508 [tattoo needle buzzing] 1623 00:37:26,512 --> 00:37:27,252 ALL RIGHT, BABY DOLL, 1624 00:37:27,245 --> 00:37:28,675 I THINK WE DONE. 1625 00:37:28,680 --> 00:37:29,350 >> THANK YOU. 1626 00:37:29,348 --> 00:37:30,148 >> I CAN LET YOU CHECK IT OUT 1627 00:37:30,148 --> 00:37:31,148 IN THE MIRROR. 1628 00:37:31,149 --> 00:37:32,249 >> OKAY. 1629 00:37:32,250 --> 00:37:36,150 WHERE'S THE MIRROR? 1630 00:37:36,154 --> 00:37:41,234 I LIKE IT. 1631 00:37:41,226 --> 00:37:41,926 >> YOU LIKE IT? 1632 00:37:41,927 --> 00:37:43,027 >> IT LOOKS SO NICE. 1633 00:37:43,028 --> 00:37:45,728 THANK YOU. 1634 00:37:45,731 --> 00:37:46,901 THANK YOU. 1635 00:37:46,898 --> 00:37:47,798 >> I HOPE YOU LIKE IT. 1636 00:37:47,799 --> 00:37:48,669 >> I DO. 1637 00:37:48,667 --> 00:37:51,667 IT LOOKS SO NICE. 1638 00:37:51,670 --> 00:37:52,570 >> I CAN EITHER STAY HOME 1639 00:37:52,571 --> 00:37:53,941 AND WE BE BROKE, OR I CAN GO 1640 00:37:53,939 --> 00:37:54,909 OUT AND MAKE THIS MONEY. 1641 00:37:54,906 --> 00:37:55,736 >> IF YOU OUT WORKING, THEN YOU 1642 00:37:55,741 --> 00:37:58,081 DON'T NEED TO GET TOTALLY WASTED 1643 00:37:58,076 --> 00:38:00,176 AND RAGE AND CROWD SURF 1644 00:38:00,178 --> 00:38:02,178 THROUGH A STRIP CLUB. 1645 00:38:11,757 --> 00:38:12,757 [hip-hop music] 1646 00:38:12,758 --> 00:38:20,768 * 1647 00:38:23,201 --> 00:38:25,141 >> WHAT'S UP, MIA? 1648 00:38:25,136 --> 00:38:27,066 DID YOU JUST THROW UP ON ME? 1649 00:38:27,072 --> 00:38:27,742 >> I'MA GO GET A WIPE. 1650 00:38:27,739 --> 00:38:29,539 >> THAT'S AWESOME. 1651 00:38:29,541 --> 00:38:31,441 AH, THE LIFE OF A BABY. 1652 00:38:31,443 --> 00:38:32,913 YOU CAN THROW UP ON PEOPLE. 1653 00:38:32,911 --> 00:38:33,611 >> MIA, WHY DID YOU 1654 00:38:33,612 --> 00:38:36,082 WIPE IT ON HIM? 1655 00:38:36,081 --> 00:38:37,351 >> SO I KNOW YOU'VE BEEN A 1656 00:38:37,349 --> 00:38:39,889 LITTLE UPSET LATELY. 1657 00:38:39,885 --> 00:38:41,715 >> A LITTLE UPSET? 1658 00:38:41,720 --> 00:38:42,390 >> THAT'S-- 1659 00:38:42,388 --> 00:38:43,048 >> AN UNDERSTATEMENT. 1660 00:38:43,054 --> 00:38:43,824 >> UNDERSTATEMENT. 1661 00:38:43,822 --> 00:38:45,722 >> YES. 1662 00:38:45,724 --> 00:38:46,564 >> QUANNI'S NOT TOO HAPPY WITH 1663 00:38:46,558 --> 00:38:47,658 ME RIGHT NOW, MAN, BECAUSE I'VE 1664 00:38:47,659 --> 00:38:49,159 BEEN WORKING MY ASS OFF AND ALSO 1665 00:38:49,160 --> 00:38:51,600 PARTYING MY ASS OFF, AND MY 1666 00:38:51,597 --> 00:38:52,427 LIFESTYLE IS KIND OF 1667 00:38:52,431 --> 00:38:54,001 CATCHING UP. 1668 00:38:53,999 --> 00:38:55,029 NOT GOOD. 1669 00:38:55,033 --> 00:38:55,773 >> LIKE I SAID, YOU'VE BEEN 1670 00:38:55,767 --> 00:38:58,267 DOING A LOT OF B.S. 1671 00:38:58,269 --> 00:38:58,939 >> NOT REALLY. 1672 00:38:58,937 --> 00:38:59,607 >> YOU HAVE. 1673 00:38:59,605 --> 00:39:00,405 IT'S JUST, YOU HAVEN'T GOT 1674 00:39:00,406 --> 00:39:02,166 CAUGHT WITH IT YET. 1675 00:39:02,173 --> 00:39:04,013 IMAGINE TAMIA IN THE FUTURE, IN 1676 00:39:04,009 --> 00:39:05,809 A RELATIONSHIP, AND HER GUY IS 1677 00:39:05,811 --> 00:39:06,751 COMING IN AT 6:00 IN THE 1678 00:39:06,745 --> 00:39:08,245 MORNING AND SHE'S CALLING YOU, 1679 00:39:08,246 --> 00:39:11,776 CRYING ABOUT IT. 1680 00:39:11,783 --> 00:39:12,853 >> WHY YOU GOT TO TAKE IT THERE? 1681 00:39:12,851 --> 00:39:13,751 >> YEAH, I'M GONNA TAKE IT THERE 1682 00:39:13,752 --> 00:39:14,852 BECAUSE YOU WANT TO DO RIGHT BY 1683 00:39:14,853 --> 00:39:16,823 TAMIA, BUT YOU NEED TO DO RIGHT 1684 00:39:16,822 --> 00:39:20,762 BY MOMMY ALSO. 1685 00:39:20,759 --> 00:39:21,489 >> QUANNI SAYS I'VE BEEN 1686 00:39:21,493 --> 00:39:23,063 PARTYING A LITTLE TOO HARD. 1687 00:39:23,061 --> 00:39:24,431 IT'S JUST HARD, BECAUSE PARTYING 1688 00:39:24,430 --> 00:39:26,400 IS PART OF MY BUSINESS. 1689 00:39:26,398 --> 00:39:27,068 JUST TRYING TO GET 1690 00:39:27,065 --> 00:39:30,235 THE BALANCE OF BOTH. 1691 00:39:30,235 --> 00:39:30,935 IT'S HARD. 1692 00:39:30,936 --> 00:39:32,266 >> WHAT YOU NEED TO DO NOW IS 1693 00:39:32,270 --> 00:39:33,670 YOU NEED TO FOCUS ON WHAT'S 1694 00:39:33,672 --> 00:39:34,812 HAPPENING HERE, RIGHT NOW. 1695 00:39:34,806 --> 00:39:35,636 >> BUT THAT'S WHAT I'M DOING. 1696 00:39:35,641 --> 00:39:36,481 AND THAT'S WHAT I HAVE TO DO. 1697 00:39:36,475 --> 00:39:37,335 >> BUT THAT'S NOT WHAT YOU'RE 1698 00:39:37,342 --> 00:39:38,312 DOING IF YOU'RE OUT DOING 1699 00:39:38,309 --> 00:39:41,409 [bleep], PUMA. 1700 00:39:41,413 --> 00:39:42,513 >> I CAN EITHER STAY HOME AND WE 1701 00:39:42,514 --> 00:39:43,824 BE BROKE, OR I CAN GO OUT AND 1702 00:39:43,815 --> 00:39:44,475 MAKE THIS MONEY. 1703 00:39:44,483 --> 00:39:45,323 >> YOU SAY IT TO ME LIKE I DON'T 1704 00:39:45,316 --> 00:39:46,516 KNOW, LIKE, WHAT HAPPENS WHEN 1705 00:39:46,518 --> 00:39:47,748 YOU GO OUT. 1706 00:39:47,753 --> 00:39:48,623 IF YOU'RE OUT WORKING, THEN YOU 1707 00:39:48,620 --> 00:39:50,620 DON'T NEED TO GET TOTALLY WASTED 1708 00:39:50,622 --> 00:39:53,062 AND RAGE AND CROWD SURF THROUGH 1709 00:39:53,058 --> 00:39:56,558 A STRIP CLUB. 1710 00:39:56,562 --> 00:39:57,602 >> THIS IS TRUE. 1711 00:39:57,596 --> 00:39:58,996 IF I'M GONNA PULL THIS OFF, MAN, 1712 00:39:58,997 --> 00:40:01,127 I GOT TO COME UP WITH SOMETHING 1713 00:40:01,132 --> 00:40:02,472 REALLY, REALLY BIG. 1714 00:40:02,468 --> 00:40:03,638 >> IT'S LIKE I--ALL I HEAR IS 1715 00:40:03,635 --> 00:40:04,895 EXCUSES ALL THE TIME. 1716 00:40:04,903 --> 00:40:06,773 >> OH, BOY. 1717 00:40:06,772 --> 00:40:09,482 ALL RIGHT, I'M GONNA GO PUT HER 1718 00:40:09,475 --> 00:40:11,475 IN THE ROOM. 1719 00:40:17,248 --> 00:40:18,478 JESUS, TAKE THE WHEEL! 1720 00:40:18,484 --> 00:40:19,154 >> [laughs] 1721 00:40:19,150 --> 00:40:19,850 >> BLACK INK, THAT'S WHAT 1722 00:40:19,851 --> 00:40:22,391 KNOWN FOR, SOME CRAZY [bleep]. 1723 00:40:22,387 --> 00:40:24,157 >> WHERE IS EVERYBODY? 1724 00:40:24,155 --> 00:40:24,955 >> SASSY QUIT. 1725 00:40:24,956 --> 00:40:25,616 >> QUIT? 1726 00:40:25,624 --> 00:40:26,294 >> WE MADE A JOKE 1727 00:40:26,291 --> 00:40:27,961 THAT TED SMASHED SASSY. 1728 00:40:27,959 --> 00:40:30,699 >> YOU DON'T DO THAT. 1729 00:40:30,696 --> 00:40:32,926 GROW THE [bleep] UP. 1730 00:40:32,931 --> 00:40:34,601 >> WHY EXACTLY DID YOU GO OFF ON 1731 00:40:34,600 --> 00:40:35,630 CAITLIN LIKE THAT? 1732 00:40:35,634 --> 00:40:36,434 >> SHE DESERVED TO GET HER ASS 1733 00:40:36,434 --> 00:40:37,774 WHUPPED, BECAUSE SHE TALKED TOO 1734 00:40:37,769 --> 00:40:38,469 MUCH [bleep]. 1735 00:40:38,470 --> 00:40:39,970 SHE'S STILL THE OTHER WOMAN. 1736 00:40:39,971 --> 00:40:40,811 I DON'T WANT TO TELL YOU TO 1737 00:40:40,806 --> 00:40:42,336 QUIT, BUT IF I PRESENT A 1738 00:40:42,340 --> 00:40:43,480 SITUATION WHERE I CAN GUARANTEE 1739 00:40:43,475 --> 00:40:44,875 YOUR KIDS ARE FED... 1740 00:40:44,876 --> 00:40:46,506 >> THAT'S A DIFFERENT STORY. 1741 00:40:46,512 --> 00:40:47,512 >> I WANT YOU TO GO 1742 00:40:47,513 --> 00:40:48,883 TALK TO SASSY. 1743 00:40:48,880 --> 00:40:49,550 >> NO. 1744 00:40:49,548 --> 00:40:52,348 IN WAR, THERE ARE CASUALTIES. 1745 00:40:52,350 --> 00:40:54,290 HOW ARE YOU? 1746 00:40:54,285 --> 00:40:56,015 DO YOU WANT TO TALK FIRST? 1747 00:40:56,021 --> 00:40:57,361 >> EVERYBODY FELT LIKE, ONCE YOU 1748 00:40:57,355 --> 00:40:58,485 Y'ALL GOT TOGETHER, IT WAS JUST 1749 00:40:58,490 --> 00:41:00,030 Y'ALL AGAINST US. 1750 00:41:00,025 --> 00:41:01,255 >> I'M SICK OF PEOPLE THINKING 1751 00:41:01,259 --> 00:41:02,759 THAT I AM SOME LITTLE [bleep] 1752 00:41:02,761 --> 00:41:04,831 MINION, CEASER'S PUPPET BITCH 1753 00:41:04,830 --> 00:41:06,260 THAT DOES WHAT HE SAYS. 1754 00:41:06,264 --> 00:41:07,204 I DON'T. 1755 00:41:07,198 --> 00:41:09,198 I AM A GROWN-ASS WOMAN. 1756 00:41:23,414 --> 00:41:25,524 HOW ARE YOU? 1757 00:41:25,517 --> 00:41:27,187 DO YOU WANT TO TALK FIRST? 1758 00:41:27,185 --> 00:41:28,215 >> EVERYBODY FELT LIKE, 1759 00:41:28,219 --> 00:41:29,219 ONCE Y'ALL GOT TOGETHER, 1760 00:41:29,220 --> 00:41:31,290 IT WAS JUST Y'ALL AGAINST US. 1761 00:41:31,289 --> 00:41:32,419 >> I'M SICK OF PEOPLE THINKING 1762 00:41:32,423 --> 00:41:33,863 THAT I AM SOME LITTLE [bleep] 1763 00:41:33,859 --> 00:41:36,189 MINION, CEASER'S PUPPET BITCH 1764 00:41:36,194 --> 00:41:37,434 THAT DOES WHAT HE SAYS. 1765 00:41:37,428 --> 00:41:38,428 I DON'T. 1766 00:41:38,429 --> 00:41:40,429 I AM A GROWN-ASS WOMAN.