>> YOU ARE WILD, DISRESPECTFUL,
AND YOU NEED TO BE PUT IN YOUR
PLACE.
SO, SWEETHEART,
KINDLY PUT HIM IN HIS PLACE.
>> YOU EITHER GONNA APOLOGIZE
FOR THE [bleep] YOU DOING,
OR YOU JUST GET THE [bleep] OUT.
>> IT WAS A PLEASURE, CEASER.
>> PUMA, YOU'RE NOT WELCOME IN
MY SHOP NO MORE.
>> YOU [bleep] WEAK-ASS BITCH.
GET THE [bleep] OUT OF HERE!
>> ALL I EVER NEEDED YOU TO DO
WAS TO FIX THE SITUATION.
YOU TELL EVERYBODY THE TRUTH.
WHICH IS WHAT?
>> THAT YOU MY HOMIE.
>> WHAT GROWN-ASS MAN, FATHER OF
TWO, YOU KNOW, GOES AROUND
TELLING PEOPLE HE SLEPT WITH ME?
>> IF YOU REALLY DON'T BELIEVE I
WANT TO BE WITH YOU BY MY
ACTIONS, THEN LEAVE ME THE
[bleep] ALONE THEN, MAN.
>> YOU THE BOSS.
OH, FOR REAL? CEASE, COME HERE.
>> NO, LOOK, NOTHING--
COME HERE, WHAT?
>> I'M SORRY.
>> YO, NOT ONE THING IS ENOUGH
WITH YO.
SHUSH IT. HOLD ON.
>> JUST GO. GO!
>> WHAT THE [bleep]?
>> GO!
>> MAKE SURE THAT'S OFF.
[hip-hop music]
*
>> * LET'S GO, LET'S GO *
* LET'S GO, LET'S GO *
* NOW WHEN THE FUNK
* GETS STARTED
* AND THE STREETS HEAT UP
* HE CALL MY MAN SANYAM
* 'CAUSE THE BEEF WE EAT UP *
* ALL I'M SAYING'S *
* WHEN THE FUNK
* HITS THE FAN
* YOU WON'T STAND *
* A CHANCE ONCE
* IT GETS OUT OF HAND
>> YO.
>> WHAT'S GOOD, MAN?
>> BRO.
SO WHAT'S GOING ON?
>> YOU SEE WHAT I'M DOING.
>> I THOUGHT WE WERE SUPPOSED TO
BE OPEN ALREADY.
>> IT'S AROUND NOON,
AND CEASER DIDN'T GET THERE ON
TIME TO OPEN UP.
I BEEN HERE FOR LIKE A LITTLE
15 MINUTES.
I'M NO LONGER MANAGER.
I WAS DEMOTED BECAUSE I WAS OUT
GETTING MY NAILS DONE AND ALL
THAT STUFF DURING COMPANY HOURS.
MOTHER [bleep] GOT MAD AT ME
AND TOOK THE KEYS FROM ME SO.
I GUESS WE GOT TO WAIT NOW.
THAT'S HOW HE WANT TO GIVE IT
UP.
>> MAN, I KNOW I GOT MY
APPOINTMENT FOR LATER ON,
'CAUSE--
>> WHAT TIME?
>> PROBABLY ABOUT LIKE 3:00 OR
SO, BUT I STILL GOT TO DO THE
DRAWINGS, AND I GOT TO CLEAN UP
THE ROOM.
CEASE ALWAYS GIVES ME [bleep]
FOR BEING A BAD EMPLOYEE.
BUT HE'S NOT EVEN THERE TO OPEN
THE DOOR FOR ME.
I GOT COURT FEES, LAWYER FEES,
BABY MAMA FEES, BABY FEES,
GIRLFRIEND FEES, COME ON,
I NEED MY MONEY, MAN!
OPEN UP THE SHOP.
NOW, HE'S GONNA FIRE--
>> I DON'T KNOW.
>> YO, YOU GOT SOME DICE
OR SOMETHING?
>> WHERE YOU ARE--LET'S START
ROLLING SOME DICE, SOMETHING.
KNOW WHAT I MEAN?
>> WHY THE [bleep] IS THE SHOP
CLOSED, YO?
>> [bleep] YOU ALL DOING
OUT HERE?
>> WHAT'S GOOD?
>> WELL, I GOT KEYS NOW.
CAN Y'ALL PULL THIS UP FOR ME?
>> WHERE THE [bleep] IS HE AT?
>> MAKES SENSE.
IT'S JUST A LOT GOING ON AT THE
SHOP, AND I DON'T THINK CEASER'S
IN TOTAL CONTROL.
HE'S BEEN RUNNING AROUND WITH
DUTCHESS A LOT, AND I THINK SHE
WANTS TO TURN BLACK INK INTO
DUTCHESS INK.
AS THE BOSS, CEASE NEEDS TO STOP
ACTING LIKE A LITTLE BITCH
AND COME TAKE CARE OF YOUR SHOP.
>> WHAT ARE YOU TATTOOING ON
CHINO TODAY?
>> AH, LIKE A BUDDHA WITH SOME
LOTUS.
I'M GONNA DO A DOPE-ASS TATTOO
FOR CHINO TODAY.
I'M EXCITED.
CHINO'S BEEN, LIKE, MY MOST
LOYAL CUSTOMER EVER SINCE I
STARTED WORKING IN BLACK INK.
I'VE TATTOOED ALMOST OVER HIS
WHOLE BODY.
>> WHERE IS HE GETTING TATTED?
>> HIS THIGH.
>> HE GONNA BE HAVING HIS
MAN PIECE ALL IN YOUR FACE.
YOU'RE LIKE, "I'M READY."
>> NO, HE AIN'T.
>> SO WHAT'S GOING ON?
YOU'RE LOOKING STRESSED.
>> WOMEN PROBLEMS.
SHOP PROBLEMS.
THINGS WITH ME AND DUTCHESS ARE
REAL COMPLICATED RIGHT NOW.
SO I ASKED MY LITTLE SISTER,
TIFFANY, OUT TO LUNCH.
SHE ALWAYS GIVE ME GOOD ADVICE,
PLUS SHE'S FAMILY.
SO I KNOW SHE HAS MY BACK.
EVERYBODY IN THE SHOP THINKS
MY SITUATION WITH DUTCHESS IS
BAD FOR THE SHOP.
AND DUTCHESS THINK EVERYBODY IN
THE SHOP IS BAD FOR BUSINESS.
AND I KNOW WHAT'S BEST FOR ME.
SO I GO TO HER WITH THAT LOGIC
IN HAND AND,
TIFFANY, THAT [bleep] ESCALATED
TO A WHOLE DIFFERENT TYPE OF
SITUATION.
ME AND DUTCHESS' FIGHTS COULD
TURN INTO A MIKE AND HOLYFIELD
FIGHT,
BUT THIS IS A WHOLE DIFFERENT
FEELING.
I REALLY THOUGHT SHE WAS GONNA
HURT HERSELF OR ME.
EVEN THE COPS CAME.
>> WOW.
>> I WAS SCARED.
>> THAT'S NOT GOOD FOR BOTH OF
Y'ALL.
>> I DON'T KNOW WHAT THE [bleep]
TO DO.
I START FIRING ONE [bleep],
IT'S GONNA LOOK LIKE I DID IT
BECAUSE OF HER.
PEOPLE THINK DUTCHESS BEHIND MY
DECISION TO FIRE PUMA,
BUT UNDERSTAND,
THIS IS MY BUSINESS,
AND THIS IS MY DECISION.
I NEED DUTCHESS TO STEP BACK,
SO NOBODY IN THE SHOP THINKS
SHE'S TRYING TO RUN THINGS.
>> YOU GUYS NEED SOME PERSONAL
TIME.
YOU'RE GONNA HAVE TO GO TO
DINNER, TAKE HER OUT,
AND FIND OUT HOW WE'RE GONNA GET
TO THE SAME LINE OF VISION.
>> YOU'RE RIGHT. YOU RIGHT.
MY SISTER'S RIGHT.
I GOT TO TAKE DUTCHESS OUT
AWAY FROM THE SHOP.
SHOW HER OUR RELATIONSHIP IS
MORE THAN JUST BUSINESS.
AND IF THAT DOESN'T WORK,
I HATE TO SAY IT,
I'D HAVE TO FIRE MY GIRLFRIEND.
>> I DON'T--
>> YEAH.
>> I DON'T THINK YOU SHOULD EVEN
GO THAT ROUTE.
>> * THAT WAY, THIS WAY
* WHICH WAY DO I GO?
* WHICH WAY? THAT WAY
* THIS WAY, WHICH WAY
* WHICH WAY DO I WALK?
[phone ringing]
>> GOOD AFTERNOON, BLACK INK.
I DON'T HAVE CEASER AND DUTCHESS
TODAY.
NO PROBLEM AT ALL.
BLACK INK RIGHT NOW IS, LIKE,
ALL OVER THE PLACE.
I GOT A HEADACHE.
>> COME ON, LET ME GIVE YOU
A HUG.
I CAN'T GET IN CONTACT WITH
CEASER OR DUTCHESS.
AND AS THE MANAGER OF BLACK INK,
THAT'S KIND OF RIDICULOUS.
SO I'M DEFINITELY FEELING A LOT
OUT OF THE LOOP RIGHT NOW.
>> I'M GOING TO THE STORE.
>> GOOD AFTERNOON, BLACK INK.
OKAY.
CAN I HELP YOU?
ALL OF A SUDDEN, THERE'S A MAN
WITH A BADGE,
U.S. MARSHAL
AND CON EDISON,
THE POWER COMPANY,
ARE BOTH HERE RIGHT NOW.
HMM.
SO CLEARLY WE DIDN'T PAY OUR
BILL.
>> WHAT?
>> WHAT HAPPENED?
>> YO, WHAT THE [bleep] IS GOING
ON?
YO, WHAT HAPPENED TO THE LIGHTS?
WHO THE [bleep] TURNED OFF THE
POWER?
SO I'M IN THE MIDDLE OF
TATTOOING MY CLIENT,
AND WOULD YOU KNOW,
POWER GOES OUT.
YO.
THIS IS LIKE POVERTY.
WE AIN'T GOT NO LIGHTS.
SOMEBODY IS GETTING FIRED!
>> I HAVE NO CONTROL OVER THIS.
AND I DEFINITELY DON'T HAVE,
HOW MANY DOLLARS?
36,000 OF--3,600 OF THEM?
OVER 3,000?
3,000? THREE.
"TREE" THOUSAND DOLLARS.
I DON'T GOT THAT KIND OF MONEY.
>> THE WAY MY ACCOUNT IS SET...
>> THE WAY MY ACCOUNT IS SET UP
IS THAT--
>> IS THAT, I DON'T GOT THAT
KIND OF CASH.
YO, IT'S A GREAT DAY AT BLACK
INK.
LOOK AT HIM.
HE'S HOLDING THE POWER RIGHT
THERE IN HIS HANDS.
HE HOLDS THE POWER.
SO I THOUGHT THAT DUTCHESS HAD
ALL THE POWER AT BLACK INK,
BUT APPARENTLY IT SEEMS THAT
CON ED'S THE ONE WHO GOT ALL THE
POWER.
AND THEY WALKING OUT OF THE DOOR
WITH IT.
I'M LOSING MONEY THAT I THOUGHT
WAS GONNA BE IN MY POCKET TODAY.
WHERE IS CEASER?
>> YO, I SHOULD CALL HIM NOW.
>> EVERYTHING IS DIFFERENT.
IT AIN'T THE SAME BLACK INK
ANYMORE.
I DON'T KNOW WHAT'S HAPPENING
OVER HERE.
HE BETTER ANSWER HIS PHONE TOO.
>> YOU HAVE REACHED THE SPRINT
VOICE MAILBOX.
>> DOES THIS MEAN WE OFF?
CEASER'S NOT PICKING UP.
I KIND OF FEEL A LITTLE LOST AND
A LITTLE BIT HELPLESS RIGHT NOW.
'CAUSE THERE'S NOTHING I CAN DO.
THERE'S NOT ENOUGH COMMUNICATION
GOING ON.
BEING A MANAGER AT BLACK INK
SUCKS.
>> YOU WANT TO LET WALTER IN?
BUZZ.
>> YOU GONNA BUZZ.
YOU NOTICED THAT IT LOOKS PRETTY
DIM IN HERE, RIGHT?
>> CITY MARSHAL AND CON ED CAME,
AND THEY SHUT OFF ALL THE
LIGHTS.
>> WHY HE AIN'T PAY THE BILL?
LIKE, WHAT THE [bleep] HE BEEN
DOING?
>> OH, MY GOD.
>> $3,600.
>> FOR A CON EDISON BILL?
>> MM-HMM.
>> YOU KNOW WHAT, CEASER?
YOU SOMETHING ELSE.
NEXT THING YOU KNOW,
THEY'RE GONNA COME START TAKING
THE FURNITURE AND [bleep] LIKE
THAT.
TAKING THE SOCKETS.
"Y'ALL DON'T NEED THIS.
"Y'ALL DON'T NEED THESE LIGHTS."
SOMEBODY'S GONNA COME BY WITH
A BIG TRUCK, BACK UP,
YOU KNOW WHAT I MEAN,
LIFT THE SHOP UP AND JUST DRIVE
OFF WITH THAT.
HE NEED TO GET HIS [bleep]
PRIORITIES BACK IN ORDER,
'CAUSE THIS IS NOT COOL.
STOP RUNNING AROUND HERE WITH
YOUR WOMAN, MAN.
LIKE, TELL HER,
"BABY, I LOVE YOU.
"BUT I GOT A BUSINESS TO RUN."
AND WATCH HIM COME IN WITH
A MILLION, BILLION DIFFERENT
EXCUSES OF WHY IT WASN'T
DONE, BUT THE FACT THAT I DIDN'T
TAKE CARE OF IT.
THAT'S WHAT YOU SUPPOSED TO SAY,
CEASE.
BITCHES BE LIKE, "I'M A BOSS.
THIS IS MY SHOP.
THIS IS MY [bleep]."
OH, OH, OH, OH.
HE WENT AND GOT HIS NAILS DONE,
THAT'S WHY HE DIDN'T PAY THE
BILL.
WHAT'S [bleep]--
>> LOOK AT CHINO RIGHT HERE.
>> OH, GOD.
>> WE CAN'T EVEN BUZZ THE DOOR,
MAN.
HI, CHINO.
>> OH, WAIT, HERE WE GO, BUZZ.
>> WHAT'S UP, MAN?
CHINO'S THE LAST PERSON I WANT
TO TURN AWAY BECAUSE HE'S BEEN
WITH ME FOR SO LONG.
AND FOR A REASON LIKE,
WE DON'T HAVE ANY POWER,
THAT'S NOT COOL AT ALL.
>> UH, DEFINITELY GONNA HAVE TO,
LIKE, RESCHEDULE YOUR
APPOINTMENT,
'CAUSE US AT THE SHOP,
WE FELL BEHIND ON THE CON ED
BILL.
>> LIKE, WHENEVER THEY DECIDE TO
SEND OUT THEIR, YOU KNOW,
ENGINEER AND DO ALL THIS STUFF
IS WHEN WE CAN GET BACK TO WORK.
>> I'M SORRY, MY MAN.
LIKE, THIS [bleep] RIGHT HERE IS
LIKE, EMBARRASSING.
CHINO, HOLLER AT ME, MAN.
I'MA HOLLER AT YOU, FOR REAL.
>> ALL RIGHT.
>> YOU BE GOOD, BRO.
>> I REALLY NEEDED THIS MONEY
FROM CHINO'S TATTOO BECAUSE I
HAVE TO GO SEE MY BAIL BONDSMAN,
AND I'M BROKE.
>> I MEAN, AS MANAGER, I FEEL
LIKE I CAN CLOSE THE SHOP DOWN
NOW.
>> I'M GOING--I'M GOING TO SEE
MY BAIL BONDSMAN.
>> GOOD LUCK WITH YOUR BAIL
BONDSMAN, MAN.
>> THANKS. YO, I'M OUTTA HERE.
>> * WHERE THAT WORK AT
* WHERE THAT WORK AT
* TWERK THAT
* GO AHEAD AND JERK THAT
* NOW WORK, WORK, WORK
* SHORTY GOT
>> HEY, TOM.
WHAT'S GOING ON, NORM?
>> WHERE THE [bleep] YOU BEEN,
MAN?
>> I'VE BEEN WORKING
CONSISTENTLY.
>> WHERE THE [bleep] YOU BEEN
[bleep]?
>> IN A MONTH, YOU HAVEN'T BEEN
HERE.
IN A MONTH.
>> Y'ALL GOTTA GET THIS COVERED.
>> ERICA MENA,
FROM LOVE AND HIP HOP
WANTS TO GET RICH TATTOO
COVERED UP.
RICH, YOUR EX IS HERE.
SHE TRYING TO GET SOMETHING
COVERED UP.
>> OH, MAN!
>> YOU MY BOSS.
BUT ANYTHING THAT NEEDS TO BE
DEALT WITH IS NOW YOU
AND DUTCHESS.
AND NOBODY THINK THAT IT'S FAIR.
>> READ IT TO ME, [bleep].
>> ME AGAINST THE WORLD.
>> HOW DO YOU FORGET THE "S" IN
"AGAINST"?
YOU TRYING TO TELL ME YOU CAN'T
[bleep] SPELL?
YOU STUPID [bleep].
>> WHERE THE [bleep] YOU BEEN,
[bleep]?
>> IN A MONTH, YOU HAVEN'T BEEN
HERE.
IN A MONTH.
>> I THOUGHT THAT EVERYTHING WAS
ALL FINE AND DANDY BECAUSE
I DID A NICE TATTOO FOR HIM.
I WAS LIKE,
"NORM, HE'S MY HOMEBOY."
SO I WAS NERVOUS,
AND, LIKE, SO WHAT EXACTLY IS
GONNA HAPPEN?
>> THE ONLY REASON WHY YOU'RE
NOT IN RIKER'S ISLAND,
IS 'CAUSE OF HIM.
>> SO I REALLY LUCKED UP TODAY,
BECAUSE I COULD HAVE BEEN IN
JAIL RIGHT NOW.
BUT AT THE SAME TIME, I DO WISH
THEY COULD UNDERSTAND
THAT I'M NOT GONNA MAKE ALL MY
APPOINTMENTS, BECAUSE I'M
SO BUSY.
THEY'VE BEEN SCHEDULING A WHOLE
LOT OF APPOINTMENTS ON MY DAYS
OFF.
I GOT THESE KIDS I GOT TO TAKE
CARE OF.
I'M LIKE--
>> YEAH, BUT YOU GONNA SEE YOUR
KIDS IN JAIL?
>> THEY'RE GONNA PULL YOUR BAIL.
ONCE THEY DO THAT, I GOT TO GO
IN FRONT OF A JUDGE AND TELL HIM
WHY.
AND WHEN I SAY,
"JUDGE,
OUT OF THE LAST FIVE MONTHS
HE'S BEEN ON BAIL,
HE MISSED CHECKING IN 23
TIMES."
OR WHATEVER IT IS.
HE'S GONNA GO,
"OKAY, NOW HIS BAIL'S $50,000."
IS THAT WHAT YOU WANT?
>> NO.
>> 'CAUSE THAT'S WHAT HE'S GONNA
DO.
>> I'M TRYING TO GET HERE, IT
JUST COST ME LIKE $100 OR SO--
>> TO GET HERE?
>> YEAH.
>> HOW ABOUT TAKING A TRAIN
OR A BUS?
>> GET THE [bleep] OUT OF HERE,
DUDE.
>> YOU GOT TWO SUBWAY STOPS,
DON'T [bleep] ME, DUDE.
>> YOU DON'T HAVE TO TAKE A CAB.
GET YOUR LAZY ASS UP,
GET ON A TRAIN,
THAT MIGHT BE BENEATH YOU,
BUT IT'S BETTER THAN SITTING IN
RIKER'S ISLAND, BECAUSE I DON'T
THINK YOU'RE GONNA BE DOING INK
FROM THERE.
LAST CHANCE.
YOU [bleep] UP ONE MORE TIME,
YOU'RE DONE.
>> I'LL BE IN HERE TWICE A WEEK
IF I HAVE TO.
I'M NOT TRYING TO BE IN JAIL.
TOMMY--
>> THANK HIM.
THANK THAT BROTHER OVER THERE.
HE'S THE ONE WHO SAVED YOUR ASS.
>> I'MA BE IN HERE EVERY
WEEK, MAN.
I'M TELLING YOU. I'MA BE HERE.
>> * I CAN'T MOVE *
* OUT OF THIS PLACE
* WHERE THERE'S NOTHING IN *
* THIS WORLD THAT CAN SHAKE ME
* BECAUSE I WAS THE ONE THAT
* MADE ME STUCK
>> HEY, GUYS.
DO YOU ALL HAVE ANY QUESTIONS,
OR ANYTHING LIKE THAT?
>> I WANT TO START OFF WITH SOME
DRINKS.
I'M GONNA BE CIVILIZED.
I WANT SOME HENNY AND COKE.
>> HENNY AND COKE.
>> YEAH.
>> AND FOR THE LADY?
>> HENNY AND COKE.
>> HENNY AND COKE. ALL RIGHTY.
>> THIS IS A GOOD TIME
THAT ME AND DUTCHESS GET
A ONE-ON-ONE AWAY FROM THE SHOP.
ALL I'M TRYING TO DO IS MAKE
SURE THAT WE WORK THROUGH THESE
HARD TIMES.
YOU WENT FROM MY BEST FRIEND
TO MY GIRL
TO MY QUEEN.
AND I LOVE YOU.
>> I LOVE YOU TOO, BABY.
>> WHAT'S WRONG?
>> WE AIN'T BEEN GETTING
ALONG THAT GOOD.
I LOVE CEASE, THAT'S MY BABY.
REGARDING THE FIGHT THAT ME
AND CEASE HAD,
IT'S JUST HARD TO DEAL WITH
JUST OUR RELATIONSHIP
WHEN EVERYBODY ELSE GOT THEIR
[bleep] OPINIONS.
>> AIN'T NO MORE FIGHTING.
THIS IS WHY I BROUGHT YOU HERE.
I WANT TO HAVE A GOOD TIME.
NOW, DON'T BE STRESSING ANYTHING
ABOUT THE SHOP.
WE GOT TO STOP LETTING LITTLE
THINGS AFFECT US, YO.
>> THAT'S LITTLE TO YOU?
LIKE I SAID A MILLION TIMES,
"I AM A BUSINESS WOMAN.
AND I AM ABOUT THESE COINS."
SO I AM GOING TO DO WHAT IT
TAKES TO GET THESE COINS.
I CAN'T NOT WORRY ABOUT
SOMETHING THAT I'VE HELPED YOU
BUILD.
>> BABY--
>> I'M NOT GONNA NOT WORRY ABOUT
THAT.
>> WE'RE NOT TALKING ABOUT
BUSINESS.
LET ME TAKE CARE OF THAT SHOP.
>> OKAY.
>> FOR THE SAKE OF OUR
RELATIONSHIP,
SOMETIMES IT'S GOOD TO SEPARATE
BUSINESS AND OUR PERSONAL TIME.
HONESTLY, THIS IS OUR [bleep]
PERSONAL TIME.
WHY THE [bleep] WE TALKING ABOUT
BUSINESS?
LISTEN TO ME.
YOU HELP ME A LOT.
AND I REALLY APPRECIATE
EVERYTHING YOU DO.
YOU GOT TO UNDERSTAND,
THESE DECISIONS THAT I'M MAKING,
YOU AFFECT THEM,
BUT NOT IN THAT TYPE OF WAY.
>> I WANT US BOTH TO BE ON THE
SAME PAGE IN THIS RELATIONSHIP.
IF CEASE WANTS TO BUILD THIS
EMPIRE AND HAVE THIS LIFE THAT
HE SAYS HE WANTS TO HAVE WITH
ME, THEN HE'S GONNA HAVE TO GET
RID OF THE [bleep] GOING ON AT
THE SHOP.
IF YOU'RE NOT A ASSET,
YOU'RE A LIABILITY.
AND DUTCHESS DON'T NEED NO
[bleep] LIABILITY.
BABY, O'[bleep] IS NOT REALLY
SERIOUS ABOUT NOTHING.
SOME THINGS ABOUT WALT, HE
A SNEAKY LITTLE DISRESPECTFUL.
>> WHAT THE HELL THIS WOMAN
THINK, SHE OPRAH?
THIS IS MY GIRLFRIEND, YO.
IT FEEL LIKE I'M TALKING TO
AN INVESTOR.
>> YOU HAVE A BUSINESS TO RUN,
BABY, I MEAN, WE HAVE TO WORRY
ABOUT THE WHAT-IFS.
SASSY, PUMA, ANY OF THEM,
THEY'D RATHER DO WHAT THEY WANNA
DO.
SASSY NEEDS TO GO BECAUSE
SHE'S MORE LOYAL TO PUMA THAN
ANYBODY ELSE.
IF YOU [bleep] WITH MY ENEMY,
YOU ARE NOW MY ENEMY TOO.
THE CLOSER WE GET IT TAKEN CARE
OF,
THE CLOSER WE ARE TO JUST BEING
HAPPY.
>> THAT LOOKS GREAT.
>> UH-UH, WE DIDN'T SAY OUR
GRACE.
THANK YOU, LORD, FOR THIS FOOD
WE'RE ABOUT TO SEE...
[mumbling]
>> AMEN.
>> MM-HMM.
>> * SHAKE, SHAKE, SHAKE
>> WHAT THE [bleep]?
>> HI, GUY!
>> YO.
>> WHAT UP, BOSS?
>> SO I GET BACK FROM GETTING
THE POWER TURNED BACK ON,
AND JUST IN TIME,
GUESS WHO'S HERE?
ERICA MENA FROM
LOVE AND HIP HOP.
ERICA IS MY BOY RICH'S EX-GIRL.
>> Y'ALL GOT TO GET THIS
COVERED.
>> WHO THAT?
DUH. YOU SEE THE "R"?
>> BITCH-ASS.
>> ERICA WANTS TO GET RICH
TATTOO COVERED UP.
I'M NOT GETTING IN THIS.
RICH MY MAN, FIRST OF ALL.
I KNOW HIM.
>> I ADMIT, IT WAS A SUCKER
MOVE.
IT WAS A SUCKER MOVE.
>> SO WHAT YOU TRYING TO SAY IS,
NEVER EVER, EVER, EVER GONNA
WORK OUT.
>> NEVER.
>> YOU HEAR WHAT SHE JUST SAID
THOUGH?
>> I'M ANTI-TATTOO.
[bleep] THAT [bleep].
I'M NOT MARKING NO MORE
TERRITORY.
>> SHE WANTS CEASER TO DO THIS
TATTOO.
LIKE, HMM, GOOD LUCK WITH THAT.
CEASER GOT THIS WHOLE [bleep]
YOU KNOW, I MEAN, MASTERPIECE HE
GOT GOING ON HIS HAND DEDICATED
TO DUTCHESS.
LIKE, THE BOY IS IN LOVE.
>> THIS IS NICE.
YOU JUST GOT THIS DONE?
>> IT'S FIRE, RIGHT?
>> HELL YEAH.
>> YEAH, THAT'S DUTCHESS, LOOK!
THEY GOT MATCHING TATTOOS.
>> HE GOT THE KING,
SHE GOT THE QUEEN.
>> YOU'RE IN LOVE.
>> BUT SHE CAN GET HERS
COVERED UP.
YOU CAN'T.
>> YOU CAN'T.
>> IT'S ALL LIKE THAT.
>> WHY WOULD I EVER COVER UP MY
TATTOO?
WE'RE THE KING AND QUEEN.
THE DIFFERENCE BETWEEN ME
AND DUTCHESS'S RELATIONSHIP
AND THEIRS,
DUTCHESS IS NOT RELYING ON ME TO
GET A RECORD CONTRACT.
>> I WANT A SCORPION.
>> YEAH, THAT SOUND LIKE SOME
WOMAN [bleep].
YOU NEED TO GET UP WITH
DUTCHESS.
>> WHERE'S THE BOO DUTCH?
>> GO INSIDE AND WAIT FOR HER,
SHE'LL BE HERE IN A MINUTE.
>> OKAY.
BUT SHE MIGHT NOT EVEN BE
INSPIRED EITHER--
>> YEAH, NAH, NO, NO, NO.
SHE A WOMAN.
YOU KNOW HOW Y'ALL WOMEN STICK
TOGETHER.
>> L-O-V-E LAND, MAN.
>> [bleep]
>> I'M ANTI L-O-V-E RIGHT NOW.
>> WHAT YOU COVERING?
>> UGH.
>> OH, THIS.
YOU GOT TO PUT A LITTLE "T"
RIGHT HERE.
T-R.
TEDDY RUX.
>> RIGHT!
>> NICE.
[bleep]
>> OH, WORD?
>> SHE MADE THEM CAKES?
>> HI.
A BAKER.
>> OH. HOW ARE YOU?
>> NO, NO.
>> BABY.
COME ON.
IF YOU DO THAT, I SWEAR.
>> CEASER AND DUTCHESS WANT TO
BE ALL [bleep] CUTESY, CUTESY
AND [bleep].
>> BABY, LET ME GET YOU.
DON'T GET ME.
>> NOW, YOU GONNA GET IT, GIRL.
>> BABE, EAT THE CAKE.
NO, YOU EAT IT.
I'M GONNA GET YOU.
NO, I'M GONNA GET YOU.
>> OH!
YEAH!
>> YOU KNOW HOW WHEN YOU WAS
YOUNGER, IT WOULD BE LIKE,
"YOU HANG UP FIRST."
"NO, YOU HANG UP FIRST."
THAT'S THE TYPE OF [bleep] THEY
WOULD DO.
IT'S LIKE, UGH.
Y'ALL GROWN.
Y'ALL ACT LIKE YOU'RE LIKE 15
AND [bleep].
>> I DID A SUCKER MOVE.
I GOT IT TO PROVE MY LOYALTY,
AND IT WORKED AGAINST ME, SO--
>> SO WE GONNA GET IT COVERED.
THAT'S WHAT WE GONNA DO.
OF COURSE.
NOTHING BUT LOVE.
>> SEE THIS THE ONLY PERSON THAT
WAS WITH ME ON THIS.
>> DUTCHESS IS WITH IT.
I'M NOT WITH IT.
SO I HAVE TO CALL MY MAN
RICH UP.
>> YO.
>> WHAT'S POPPING, DOG?
YOUR EX IN HERE, SHE TRYING TO
GET SOMETHING COVERED UP.
>> SHE'S JUST SAYING SHE'S
GETTING THAT [bleep] COVERED UP.
IT'S OVER.
ALL RIGHT. BET.
I CAN'T WAIT TO SEE ERICA'S FACE
WHEN MY MAN RICH COMES HERE AND
PUT A STOP TO THIS BULL[bleep].
>> I THINK IF WE DO IT TOO
SMALL,
WE GONNA MISS OUT ON THE
DETAILS.
>> OH, MY. IT'S [bleep] RICH!
[bleep]
>> [bleep]
>> WHAT UP?
>> WHAT UP, BABY GIRL?
>> I WALK INTO THAT SHOP,
AND THE BITCH IS STILL
LINGERING.
JUST FIRE THE BITCH.
YOU RUNNING A BUSINESS, RIGHT?
WELL, LET'S RUN A BUSINESS THEN.
>> WHAT THE [bleep] IS GOING ON
WITH THE SHOP?
LIKE, 'CAUSE WE GOT TO FIGURE
THIS [bleep] OUT.
>> I MIGHT BRING MY SISTER IN.
MIGHT BRING TIFF IN.
>> OOH.
>> OH, MY [bleep] RICH!
[bleep]
WHAT UP?
>> HI.
>> WHAT YOU GETTING?
>> SCORPION.
>> OVER WHAT?
THAT'S MY HAND.
>> YOU DON'T OWN ANYTHING AROUND
THESE PARTS NO MORE, BROTHER.
>> WHAT'S UP?
THOUGHT I WASN'T GONNA KNOW YOU
WAS DOWN HERE GETTING A TAT?
WHAT UP, BABY GIRL?
HOW YOU?
>> I'M GOOD. HOW YOU BEEN?
I HAVEN'T SEEN YOU IN FOREVER.
YEAH.
>> YOU GETTING TATTOOS COVERED
AND [bleep]?
>> ALL THAT ALPHA [bleep] THAT
[bleep] I CAN'T STAND HIM.
>> I'M GETTING IT COVERED.
>> UH-UH.
>> ALL THAT WENT OUT THE DOOR.
>> YO, I GOT TO GO.
BUT FOR REAL, FOR REAL,
DON'T COVER THAT UP.
TUESDAY OF NEXT WEEK,
ME AND MENA APPOINTMENT.
I WANT MY NAME ON HER NECK.
>> RIGHT!
THAT'S MY [bleep]!
>> YOU LIKE THAT, THOUGH?
>> ARE YOU READY?
>> OH, GET THE [bleep] OUT OF
HERE.
>> I'M NOT REALLY SURE WHY IN
THE HELL SHE GOT THAT TATTOO.
I JUST WOULDN'T HAVE DONE NO
[bleep] LIKE THAT HE AIN'T GET
NOTHING FOR ME.
LIKE, I'M JUST BEING HONEST.
>> OH, IT'S SO SEXY.
BYE-BYE, "R."
>> OVER.
>> * GOTTA LET YOU GO
>> ARE YOU READY?
>> YEAH, [bleep] YEAH.
LET'S DO IT.
>> * I TRY MY BEST
* TO MAKE IT WORK
* DON'T EVEN KNOW *
* IF THIS IS WORTH
* ALL THAT YOU PUT ME THROUGH
* IT HURTS
* SO I GOT TO LET YOU GO
* I GOT TO LET YOU GO
>> I FEEL SO GANGSTER RIGHT NOW.
>> YOU ARE DONE, MY DEAR.
WE HAVE RIDDED YOU.
>> YES.
THANK YOU, BABY, SO MUCH.
>> YOU GOT TO DO WHAT'S BEST FOR
YOU, BOO.
GOSH, THAT'S WHAT'S UP.
RICH AIN'T GOT A TATTOO.
SO HIS LOYALTY WAS NEVER THERE.
HAVE A GOOD ONE, BABES.
>> * GOOD-BYE, PAIN
* AND FAREWELL TO THE BLUES
* I AM TURNING OVER THE PAGE
* TO GET ME A DIFFERENT VIEW
* GOOD-BYE, PAIN
* OH, OOH
>> CAN I GET TWO SLICES, PLEASE?
HI.
DICE IS A REALLY GOOD FRIEND OF
MINE.
AND DICE IS ACTUALLY THE FIRST
PERSON TO BRING ME INTO BLACK
INK A FEW YEARS AGO.
THANK YOU.
SO I MET UP WITH DICE TO TALK TO
HIM ABOUT GETTING THE TATTOO
THAT O'[bleep] DID COVERED UP.
>> SO WHY YOU GONNA COVER YOUR
TATTOO?
WHAT DO YOU WANT TO COVER IT
WITH?
>> ANYTHING.
>> WHY DO YOU WANT TO COVER IT?
>> JUST BECAUSE.
I'M OVER THE WHOLE O'[bleep]
SITUATION AND WHAT HAPPENED.
>> IT'S NOT BAD, YO.
>> NO, IT'S NOT BAD THAT HE GOES
AROUND TELLING PEOPLE HE SLEPT
WITH ME WHEN HE DIDN'T.
>> NAH.
IT'S A PERIOD IN YOUR LIFE.
IT'S MEMORIES.
THAT'S WHY YOU SHOULD KEEP THEM.
>> I LOVE MY FRIENDS FOR BEING
OPINIONATED, AND I'M LISTENING
TO THEM,
BUT AT THE SAME TIME,
I HAVE TATTOOS BY SOMEONE WHO
BETRAYED ME.
THAT PERSON DOES NOT DESERVE TO
CONTINUE TO HAVE HIS WORK ON MY
LEG.
>> THINK ABOUT IT.
>> DUDE, I THOUGHT ABOUT IT
ENOUGH.
>> THAT [bleep] LOOKS GOOD.
LIKE, ADD ON.
ADD ON. DON'T COVER IT.
>> WHEN DICE GETS AS MANY
TATTOOS AS I HAVE,
HE CAN TALK ALL THE [bleep] HE
WANTS.
UNTIL NOW, NO, I'M GETTING THIS
[bleep] COVERED.
LET ME DESTROY YOU AND SHOW YOU
WHAT I'M GONNA DO WITH THE PIECE
OF [bleep] WORK THAT YOU DID ON
MY LEG.
>> * I KEEP FEELING
* THESE RAINDROPS
* FALLING ON MY HEAD
* I KEEP FEELING
* THESE RAINDROPS
* FALLING ON MY HEAD
* AND I DON'T NEED *
* NO ONE BETTER
* RAIN ON ME
* I'M FINE, I'M FINE *
>> GOOD AFTERNOON.
>> OH, CEASE.
WHAT'S GOOD?
>> I TOLD DUTCHESS,
I'M GONNA RUN THE BUSINESS
HOW I SEE FIT.
I DON'T WANT TO FIRE ALL THESE
PEOPLE.
BUT EVERYBODY GOT TO KNOW,
THEY GOT TO UP THEIR [bleep]
GAME.
WE HAVE A BUSINESS TO RUN.
THERE'S SOMETHING I WANT TO TELL
Y'ALL [bleep].
I'M CHANGING OVER THE SHOP.
IT'S TIME TO PUT A WHOLE BUNCH
OF NEW [bleep] IN HERE.
>> LIKE WHAT?
>> NEW FURNITURE, NEW PAINT.
>> DECORATING?
>> YEAH.
I WANT TO CHANGE EVERYTHING.
>> LIKE, WHAT ELSE YOU THINK
NEED TO BE CHANGED AROUND THE
SHOP?
>> THE WHOLE JOB STRUCTURE OF
THE SHOP.
EVERYBODY JOB DUTIES GOTTA
BE DEFINED NOW.
EVERYBODY RESPONSIBILITIES,
THEY GOT TO TAKE 100% OF THEIR
RESPONSIBILITY.
>> FOR YOU TO BE COMING IN HERE
TALKING TO ME ABOUT DOING MY
JOB IS, LIKE,
SOUNDING LIKE A BUNCH OF HORSE
[bleep] TO ME RIGHT NOW.
BECAUSE, DUDE,
YOU DON'T DO YOUR JOB.
LIKE, UH, BILLS DON'T BE GETTING
PAID AROUND HERE.
>> AIN'T GOING TO BE NO MORE
VEGAS, NO MORE BULL[bleep],
NO MORE.
WE GONNA HAVE TO WORK EVEN
HARDER, KNOW WHAT I MEAN?
>> SO BETWEEN ALL OF THE
NEGATIVE ENERGY THAT'S IN THIS
SHOP RIGHT NOW
AND THE LACK OF COMMUNICATION,
THE LACK OF TRUST THAT'S
HAPPENING IN HERE,
I THINK I'M READY TO HAVE THE
CONVERSATION WITH CEASER WHERE
I DON'T WANT TO BE MANAGER OF
BLACK INK.
YO, YOU WANT TO COME IN THE BACK
WITH ME FOR A MINUTE?
>> ALL RIGHT.
>> I'D RATHER JUST TAKE MY OLD
POSITION AS BEING BLACK INK'S
PR.
I KNOW THAT HE'S AUTOMATICALLY
GONNA ASSUME THAT IT HAS
SOMETHING TO DO WITH PUMA,
AND IT'S NOT THAT.
YOU KNOW, AND I WANT TO MAKE
SURE THAT'S VERY CLEAR.
>> I GOT TO REDO THIS WHOLE
[bleep] PLACE.
>> YES.
>> SO, SASS.
>> SO.
I DON'T THINK I'M READY TO BE
THE MANAGER OF THE SHOP.
I FEEL LIKE IT KIND OF GOT
THROWN AT ME BECAUSE WALT
[bleep] UP.
BUT, LIKE, REALISTICALLY,
I DON'T LIKE THAT WHEN
A CUSTOMER COMES IN AND ASKS ME
HOW MUCH IS A--HOW MUCH IS THIS
GONNA COST?
I CAN'T TELL THEM.
BECAUSE, YOU KNOW, I DON'T KNOW
ENOUGH.
YOU UNDERSTAND WHAT I'M SAYING?
>> THIS BITCH IS TRIPPING.
I'M TRYING TO HELP HER OUT,
AND SHE TALKING ABOUT IT'S TOO
MUCH WORK.
THAT'S PUMA'S LAZY-ASS ATTITUDE
RUBBING OFF ON SASSY.
IS IT THAT YOU'RE STEPPING DOWN
BECAUSE OF WHAT'S GOING ON
BETWEEN ME AND PUMA?
>> NO.
YOU AND, LIKE, I'M HONESTLY
TELLING--YOU SHOULD KNOW THIS
FROM BEFORE.
YOU--THIS NOT THE FIRST TIME YOU
AND PUMA GOT INTO IT.
>> WHEN I GOT MAD AT PUMA,
I GOT MAD AT YOU TOO.
AND MY HEAD IS
YOU AND PUMA ALWAYS TOGETHER.
>> RIGHT.
>> AND AFTER A WHILE,
YOU KNOW I HAD [bleep].
OH, SASSY MUST BE DOWN WITH THIS
[bleep], MAN.
>> ME HAVING TO PAY FOR PUMA'S
BEEF WITH CEASER IS [bleep] AT
THE END OF THE DAY.
I DON'T GIVE A DAMN.
LET'S SEPARATE THAT.
KEEP THAT [bleep] SEPARATED.
I'M A GROWN-ASS WOMAN.
Y'ALL PROBLEMS DON'T GOT NOTHING
TO DO WITH ME.
>> AS LONG AS IT'S SEPARATED.
>> I CAN DO THAT, AS LONG AS
Y'ALL CAN DO THE SAME, THEN WE
GOOD.
I'M HERE, YO.
I'M HERE EVERY DAY.
LIKE, I'M HERE.
>> I AGREE WITH SASSY.
BUSINESS AND PERSONAL SHOULD
NEVER MIX.
SO, SASSY, YOU ARE FIRED FROM
THE MANAGER POSITION.
>> OH.
>> BUT YOU RETAIN YOUR JOB AS
THE PR AND EVENT PLANNER.
>> OKAY.
>> ALL RIGHT?
>> YES.
IT FELT PRETTY GOOD FOR CEASER
TO REASSURE ME THAT OUR
FRIENDSHIP AND OUR BUSINESS
RELATIONSHIP WOULDN'T CHANGE
JUST BECAUSE HIM AND PUMA HAD
A FALLING OUT.
BUT [bleep] HAS TO CHANGE AT THE
SHOP.
CEASER, AS MY BOSS, I SHOULD BE
ABLE TO COME TO YOU WITHOUT
BEING CONCERNED THAT
YOUR GIRLFRIEND'S GONNA BE MAD
AT ME.
THIS IS MY THING.
IF ME AND YOU HAVE A PROBLEM
WITH SOMETHING, LIKE,
I DON'T WANT IT TO HAVE TO BE
BEEF BETWEEN ME, YOU,
AND DUTCHESS.
ANYTHING THAT NEEDS TO BE DEALT
WITH IS NOW YOU AND DUTCHESS.
AND NOBODY THINK THAT IT'S FAIR.
YOU MY BOSS.
>> MY THING IS,
WHY EVERYBODY SO CONCERNED ABOUT
OUR RELATIONSHIP?
IT'S NOT HURTING ANYBODY.
IT'S NOT HURTING THE BUSINESS,
SO WHAT'S THE PROBLEM?
WE TOO HAPPY?
DUTCHESS AND MY RELATIONSHIP IS
JUST, LIKE, WE'RE JUST MADE FOR
EACH OTHER.
SHE LOVES ME. LOVE ME HARD.
>> OH, YEAH, EVERYBODY KNOW
THAT.
>> I SEEN HER FLIP OUT
AT MCDONALD'S 'CAUSE [bleep]
PUT A PICKLE ON MY CHEESEBURGER,
AND SHE FLIPPED ON HER.
SHE'S JUST LIKE THAT.
BUT AS FAR AS THE TENSION WITH
Y'ALL TWO,
THAT'S SOME FEMALE [bleep].
>> OKAY.
>> Y'ALL GO HAVE A SPA DATE,
WHATEVER, BUT THAT'S SOMETHING
Y'ALL GONNA HAVE TO GET OVER.
>> OH, THERE WILL BE NO SPA
DATES
WITH ME AND ANYONE FROM THE
SHOP.
I RESPECT THAT.
[lock buzzing]
>> I WALK INTO THAT SHOP,
AND THE BITCH IS STILL
LINGERING.
SO I GUESS I'M GONNA HAVE TO
TALK TO CEASE.
JUST FIRE THE BITCH.
GET RID OF THE HO.
>> OH, MY GOD.
I [bleep] SPELLED "AGAINST"
WRONG.
I CAN'T BELIEVE THIS [bleep].
PLEASE DON'T FIRE ME, AGAIN,
THOUGH.
>> I CHECK INSTAGRAM,
THERE'S SASSY TALKING [bleep]
ABOUT ME AND CEASE.
NOW I'M COMING FOR THE JUGULAR.
>> I TALKED TO SASSY.
>> AND?
>> WELL, SHE'S A PR.
SHE'S AN EVENT PLANNER.
>> I'M IMAGINING THIS IS HOW IT
WENT.
"CEASER, LIKE, REALLY, I JUST,
I JUST CAN'T BE THE MANAGER OF
THE SHOP.
LIKE, IT'S TOO MUCH STRESS ON
ME.
I DON'T KNOW HOW I'M GONNA DO
THIS."
BITCH, HOW IS YOU GONNA BE IN
CORPORATE IF YOU CAN'T HANDLE
[bleep] BLACK INK?
I'M SORRY.
WE RUNNING A BUSINESS, RIGHT?
>> WHICH IS TRUE.
>> SO LET'S RUN A BUSINESS,
BABY.
WE DON'T--WE CAN'T HAVE NO TIME
FOR NO SPEED BUMPS.
WE--WE MOVING FULL SPEED AHEAD.
SHE'S GOT TO GO.
WE DON'T STEP ON COCKROACHES
AND LET THEM KEEP SCURRYING,
YOU RAID THEM MOTHER[bleep]
OUT.
YOU KILL THEM COMPLETELY.
CEASE IS GONNA HAVE TO
UNDERSTAND, AS A BUSINESSMAN,
HE'S GONNA HAVE TO CUT SOME
PEOPLE OFF.
AND IF NOT, THEN I'LL HANDLE IT.
AND THAT'S JUST THE REALITY OF
IT.
>> BLACK INK.
WHAT THE [bleep] IS GOING ON
WITH THE SHOP?
LIKE, WITH THE LIGHTS
AND [bleep] GOING OFF?
'CAUSE WE GOT TO FIGURE THIS
[bleep] OUT.
THINGS AREN'T RUNNING SMOOTHLY
AT THE SHOP.
ME AND CEASE, WE HAVEN'T HAD
A TALK IN A VERY LONG TIME.
I THINK IT'S TIME FOR ONE OF
THOSE.
>> THIS WAS STUPID-ASS
MANAGEMENT, AND I'M GONNA TAKE
CARE OF THAT.
BUT IT AIN'T BEEN RIGHT WITH
ALL OF US, B.
>> I KNOW.
>> LIKE, WHEN I CAME HERE,
MY DESIRE WAS THIS [bleep] TO
BE LIKE BROOKLYN.
ALL TOGETHER, [bleep]
GETTING MONEY.
IT'S TOO MUCH BULL[bleep] IN
BLACK INK, YO.
AND IT'S LIKE, ENOUGH IS ENOUGH.
I WANT BLACK INK TO BE A FAMILY.
LIKE IN MY BROOKLYN SHOP,
JUST FELT HONEST.
IT FELT LIKE A CIRCLE OF TRUST.
IT'S ALWAYS GONNA BE BICKERING
AND FIGHTING AMONG YOUR
SIBLINGS,
BUT IT SHOULD HAVE NEVER GOT TO
THIS.
IT'S TIME TO, LIKE, START
CLEARING [bleep], MY [bleep].
I GOT A PERFECT SOLUTION.
>> WHAT'S THAT?
>> I MIGHT BRING MY SISTER IN.
I BRING TIFF IN.
>> OOH.
SHE AIN'T GONNA TAKE NOBODY'S
[bleep].
>> MY SISTER'S THE TYPE OF
PERSON I NEED TO RUN MY
BUSINESS.
SOMEBODY WHO'S GOOD WITH THE
BOOKS
AND HAVE A LITTLE ATTITUDE JUST
LIKE ME
TO KEEP THE FELLAS STRAIGHT.
TIFF WILL ACCEPT THE
APPOINTMENTS, ANSWER THE PHONE.
>> CEASER HAS THE THOUGHT OF
BRINGING HIS SISTER.
I DON'T KNOW HOW THAT'S GONNA
WORK OUT WITH THE DUTCHESS IN
THE SHOP.
IT'S GONNA BE A--
NOT SAY A STRONGER TEST,
BUT MORE OF A TEST TO PROVE HER
POWER.
I'M GONNA SIT BACK AND JUST SEE
HOW THIS TURNS OUT.
>> 'CAUSE SHE FAMILY,
SHE HOLDS OUR BEST INTEREST AT
HEART AT ALL TIMES.
>> HOLY [bleep].
>> YO, CEASE.
>> YOU ALL RIGHT, HOMIE?
>> [bleep] HURTS.
>> IT LOOK LIKE IT HURT.
LOOKING PRETTY GOOD.
I'M JUST TRYING TO READ IT.
READ IT TO ME, O'[bleep].
> ME AGAINST THE WORLD.
>> RIGHT.
UM.
HOW DO YOU FORGET THE "S" IN
"AGAINST"?
>> SO YOU JUST GONNA WATCH ME DO
THIS TATTOO THE WHOLE TIME?
>> [bleep]. [bleep].
"AGAINT"?
WHAT THE [bleep]?
YOU TRYING TO TELL ME YOU CAN'T
[bleep] SPELL, YOU STUPID
[bleep]?
[bleep] WORK IN A TATTOO SHOP
AND CAN'T SPELL.
SPELL THIS: F-I-R-D.
FIRED.
I NEED YOU TO GO IN THAT ROOM
AND LOOK AT THIS [bleep] TATTOO,
AND PLEASE TELL ME
HE DID NOT MISSPELL "AGAINST."
PLEASE, PLEASE, PLEASE?
>> HEY, MAN.
>> I REALLY DON'T LIKE SO MUCH
EYES ON ME WHEN I'M DOING THIS
TATTOO.
SO CAN YOU GUYS PLEASE.
>> HE MISS THE "S"?
HE MISSED IT.
>> OH, MY GOD, I [bleep] SPELLED
"AGAINST" WRONG.
I CAN'T BELIEVE THIS [bleep].
THIS IS THE WORST THING THAT
COULD POSSIBLY HAPPEN IN MY LIFE
RIGHT NOW.
I HAVE TO FIX IT, NOW.
>> HEY, [bleep], HOLD UP.
>> WHEN I'M DONE, COULD I TALK
TO YOU?
>> YEAH, I WANT TO TALK TO YOU
TOO.
>> NO, YOU KNOW WHAT?
LET'S TALK RIGHT NOW.
>> MAN, WHAT'S UP?
HOW DID YOU [bleep] THAT UP?
YES, IT'S YOUR FAULT.
>> I SHOWED IT TO HIM.
HE LOOKED AT IT, BUT THEN--
LOOK, HE'S LIKE, "OKAY."
>> GOOGLE.
ALL YOU HAD TO DO WAS TYPE IT IN
TO THE [bleep] SPELL CORRECT.
YOU TELL HIM YOU [bleep] UP?
>> NO.
>> YOU GOT A TATTOO FROM
A PERSON NAMED O'[bleep].
WHAT THE [bleep] DID YOU REALLY
EXPECT?
>> CEASER, PLEASE DON'T FIRE ME
AGAIN, THOUGH.
>> I'M JUST GONNA GET YOU
ROSETTA STONE.
>> I DON'T READ AT ALL.
MAYBE A LITTLE ART BOOK HERE
OR THERE.
I'M NOT A READER.
I'M NOT THAT [bleep] SMART.
>> I'LL BE BACK [bleep].
>> ALL RIGHT.
YO, I'M GONNA SHOW YOU--YOU GOT
TO LOOK AT THIS WHEN I'M DONE,
DUDE.
>> YEAH. I WILL.
OH, GUARANTEE, I WILL BE LOOKING
AT IT WHEN YOU'RE DONE.
>> YEAH, THANKS, BRO.
>> HE'S GONNA SEE THIS, AND HE'S
GONNA BE LIKE,
"YOU KNOW WHAT?
O'[bleep] DID [bleep] ME UP."
HE'S GONNA COME BACK HERE AND
HE'S GONNA TRY AND THROW LIKE A
FIREBOMB IN HERE.
BUT I WON'T BE HERE.
I MIGHT BE IN JAIL, BITCH.
>> LET ME TAKE A PICTURE.
THAT [bleep] IS DOPE.
YOU REALLY LIKE IT, RIGHT?
>> YEAH, WORD.
PUT THAT ON OUR PORTFOLIO ON OUR
INSTAGRAM.
>> I GOT ONE QUESTION, TED.
DID YOU [bleep] SASSY?
>> THAT'S A GOOD QUESTION.
THERE WE GO!
>> DING, DING, DING, DING.
>> SO SAY IT,
IT LESBIAN [bleep] BETTER THAN
REGULAR [bleep]?
>> * DO YOUR THING
* JUST MAKE IT HOT
* MAKE IT HOT
* MAKE, MAKE, MAKE
* MAKE IT HOT, MAKE IT HOT
* MAKE, MAKE, MAKE
* MAKE IT HOT
* JUST MAKE IT HOT
>> I'M LOOKING FORWARD TO MY
DATE TONIGHT WITH MISS TAMIA.
>> YES, YOU SHOULD HAVE A LOT OF
FUN.
>> WHAT THE HELL? OH, GOD.
>> LOOKS LIKE A AMSTERDAM GOOD
TIME AT WORK.
>> IT'S CRAZY IN HERE RIGHT NOW.
OH, LOOK. THERE'S O'[bleep].
WHAT YOU GOT GOING ON OVER HERE?
>> BOOGERS.
>> CAN YOU GET IT FOR ME?
>> GONNA PICK HIS NOSE FOR HIM?
THAT WOULD HAVE BEEN A LITTLE
TOO MUCH--
>> HE GOT IT.
>> HEY!
HOW ARE YOU?
>> GO HOME, PUMA.
>> HI, TED!
I DON'T THINK I CAN COME THAT
FAR.
I DON'T WANT TO GET ATTACKED.
FOR [bleep] CEASER TO KICK ME,
OF ALL PEOPLE, [bleep] PUMA,
HIS FRIEND FOR 15 [bleep] YEARS,
OUT OF A [bleep] SHOP,
IT'S A LITTLE WEIRD, BRO.
HOLD ON.
THERE, YEAH. WE DID IT.
WE DID IT. ALL RIGHT.
>> PUMA'S THE KIND OF PERSON
THAT YOU MISS AFTER A WHILE.
BECAUSE PUMA BRINGS A LOT OF
LIVELINESS TO BLACK INK.
LIKE, HE CAN WALK THROUGH THE
DOOR, HAVE A MISSING TOOTH.
HE CAN WALK THROUGH THE DOOR
HAVE A MISSING SHOE.
LIKE, YOU NEVER KNOW WHAT YOU
GONNA GET OUT OF PUMA.
WITHOUT PUMA, IT JUST SEEMS
AWKWARD IN THE SHOP NOW.
>> HOLA, EVERYBODY.
SO I DECIDED TO SWING BY THE
SHOP ON MY DAY OFF,
AND I SEE A LITTLE THUNDER CAT.
>> HI.
>> HOW ARE YOU?
>> NICE TO MEET YOU.
>> IT'S VERY NICE TO MEET YOU.
>> SO WE GOT US A NICE LITTLE
LIGHT-SKINNED TENDER.
>> OH, I LIKE THAT.
THAT WORKS.
BUT I COME TO FIND OUT,
THAT'S TIFFANY,
WHO'S CEASER'S SISTER,
AND APPARENTLY,
CEASER WENT AHEAD AND HIRED
TIFFANY AS THE NEW MANAGER OF
BLACK INK.
I'M LOOKING FORWARD TO THE
SHAPE-UP.
>> OH, YEAH, YEAH, YEAH.
>> TO GO ON IN HERE.
>> I'M SITTING IN HERE,
YOU KNOW, ME, FORMER MANAGER.
YOU GOT SASSY, FORMER MANAGER,
I MEAN HOW MANY MANAGERS DOES IT
TAKE TO RUN BLACK INK TYPE OF
[bleep], LIKE THAT.
I DON'T KNOW.
BUT CEASER JUST BE LIKE IN A--
"YOU'RE FIRED. YOU'RE HIRED.
YOU'RE HIRED. YOU'RE FIRED.
YOU? YEAH, COME ON, COME ON.
NOW WAIT A MINUTE, I DON'T LIKE
YOU NO MORE, WAIT."
WE DEFINITELY WANT TO MAKE
SURE--
>> THAT'S WHAT YOU ABOUT? OKAY.
>> NEED PROFESSIONALISM, AND WE
NEED THIS PLACE CLEAN, SPOTLESS,
AND--YEAH, THEY HATE ME ALREADY.
>> WELL, THAT'S WHAT BLACK INK
NEEDS, SO--
TIFFANY WILL BE THE MANAGER OF
BLACK INK AS LONG AS DUTCHESS
WANTS HER AT THE SHOP.
I'LL GIVE HER TWO WEEKS, TOPS,
MAYBE.
GOOD LUCK.
>> THANK YOU.
>> * HEY, GOT TO PAY TO PLAY
* COME RIGHT THIS WAY
* AND HAVE A NICE DAY
* HEY
* YOU GOT SOMETHING TO SAY
* COME RIGHT THIS WAY
* AND HAVE A NICE DAY
* THIS IS HOW WE 'BOUT TO DO *
* DAMN
* THIS IS HOW
* WE TAKE ON THE TOWN
* THIS IS HOW WE BLAST OFF
>> COME ON IN, MR. RUX.
WE HAVE A DEBATE THAT WE WANT
YOU TO BE A PART OF.
I'M GETTING OUT OF MY BED,
YOU KNOW, AND I CHECK INSTAGRAM,
IT'S SASSY TALKING [bleep] ABOUT
ME AND CEASE.
SHE SAID ME AND CEASE ARE LIKE
OIL AND VINEGAR.
I'M TEARING BLACK INK DOWN
AND CEASE DON'T KNOW WHAT HE
DOING.
WHY IS YOU EVEN POSTING
SOMETHING ON YOUR INSTAGRAM
RIGHT NOW ABOUT BLACK INK
AND YOU AIN'T EVEN IN HERE?
>> I JUST TALKED TO SASSY THE
OTHER DAY ABOUT SEPARATING
BUSINESS AND FRIENDSHIP.
WHAT THE [bleep] IS THIS GIRL'S
PROBLEM?
THAT BITCH IS TRIPPING.
WALT, YOU KNOW ANYTHING ABOUT
THIS [bleep]?
>> YOU JUST HEARD ME SAY
I CAN'T CALL IT, RIGHT?
'CAUSE I DON'T.
>> YO, UM, TED.
>> I'M READING IT NOW.
IN MY EYES,
IT'S NOT THAT BIG OF A DEAL.
>> WHAT THE HELL IS TED SO
DEFENSIVE FOR IF HE AIN'T
[bleep] THE BITCH?
HEY, THAT'S MR. LOVER-MAN RIGHT
THERE.
SO WE LIKE, UM,
WHAT'S UP, LOVER BOY?
I GOT ONE QUESTION, TED.
>> WHAT?
>> DID YOU [bleep] SASSY?
>> THAT'S A GOOD QUESTION.
TED!
>> DING, DING, DING, DING.
>> THERE WE GO, [bleep].
THERE WE GO.
>> SO, TED, JUST TELL ME.
IS LESBIAN [bleep] BETTER THAN
REGULAR [bleep]?
'CAUSE THE PEOPLE WANT TO KNOW.
>> YO, WHAT'S WRONG WITH Y'ALL?
>> IS THAT WHY SHE GOT THE
JUICE?
YOU GUYS ON A DAMN BLACK INK
JUICE?
>> NO.
>> I PREDICTED IT THAT NIGHT.
>> YOU KISSED SASSY ON
HER MOUTH.
>> AND SHE KISSED YOU BACK.
SO SASSY WANTS TO START RUMORS,
ABOUT MY RELATIONSHIP.
NOW THE JOKES ON YOU, BITCH.
HA-HA.
BECAUSE NOW
I'M COMING FOR THE JUGULAR.
>> WAIT, HOLD ON, HOLD ON.
IS SASSY CALLING YOU PAPI?
>> YOU PAPI.
>> ARE YOU MAKING BREAKFAST WITH
SASSY BUTT-ASS NAKED?
>> Y'ALL ARE CRAZY, YO.
>> YES, BABY.
>> [bleep] IS GOING TOO FAR.
THIS A JOKE,
BUT IT'S NOT FUNNY.
ANYBODY NEED SOME WATER FROM THE
STORE?
>> WHERE YOU GOING, TED?
>> TED'S LIKE, "NO THAT [bleep]
AIN'T FUNNY."
DON'T LEAVE, TED.
I WANT TO KNOW THE FACTS.
BUT, UM, IT'S STILL FUNNY TO ME.
WE GOT MORE JOKES.
OH, I CAN'T WAIT.
IT'S GONNA BE COMEDY CENTRAL OUT
THIS BITCH.
>> AH HA HA HA HA.
>> I DON'T CARE IF IT'S TRUE
OR NOT NO MORE.
'CAUSE I'M GONNA MAKE IT FEEL
TRUE.
[laughter]
>> LET ME TALK TO YOU.
DID YOU [bleep] ME?
>> SO I GET A TEXT
FROM SOMEONE AT THE SHOP WHO
SHALL REMAIN NAMELESS.
TEDDY RUX AND SEX.
THAT'S THE ONLY WORDS THAT
NEEDED TO STICK IN MY BRAIN,
AND THAT IT WAS BEING TALKED
ABOUT AT THE SHOP.
>> HEY, WELCOME.
>> HI, WHAT UP?
>> HOW ARE YOU, BOO?
>> SASSY WITH THE CLOAK.
>> LET ME TALK TO YOU.
THE DISRESPECT HAS REACHED
A COMPLETELY DIFFERENT PLATEAU.
I'VE NEVER DISRESPECTED YOU,
RIGHT?
>> NO.
>> LIKE, I REALLY JUST NEED MY
SPACE FROM EVERYBODY IN THE
SHOP.
LIKE, EVERYBODY.
GOOD-BYE.
I QUIT.
SO YOU CAN SPREAD THAT MESSAGE
ALONG.
GOOD LUCK WITH EVERYTHING HERE.
>> WHOEVER SENT THE TEXT
HAD NOTHING BUT EVIL INTENTIONS.
>> BYE.
BLACK INK IS A NEGATIVE
SITUATION IN MY LIFE.
SO I JUST DON'T WANT ANY PARTS
OF IT.
I DON'T KNOW WHO ANYONE IS HERE
ANYMORE.
JUST A COUPLE WEEKS AGO,
WE WERE ALL SO HAPPY.
SO FOR ANYBODY TO GO FROM THERE
TO NOW,
EVERYBODY'S RIPPED APART.
WHATEVER IT WAS THAT WE WAS,
WE JUST AREN'T THAT ANYMORE.
>> * A FUTURE MEMORY
>> SO [bleep] BLACK INK.
I'M OUT.
*
>> THAT BITCH TRIED TO DISCREDIT
OUR WHOLE BUSINESS
AND OUR RELATIONSHIP.
AND WE SAID A JOKE.
SASSY IS PISSED BECAUSE SHE'S
A [bleep] KID.
SHE CAN'T TAKE A JOKE?
WHO GIVES TWO [bleep]?
>> A GROWN MAN WILL HELP OUT
FINANCIALLY.
>> IT JUST SEEMS LIKE THIS WHOLE
SITUATION IS NOT ABOUT CHEYENNE.
>> WE'RE GONNA HAVE FUN TONIGHT,
MAN.
OOH.
>> PUMA IS OUT TONIGHT.
[bleep] CRAZY.
>> IMAGINE TAMIA IN THE FUTURE,
HER GUYS COMING IN AT 6:00
IN THE MORNING,
AND SHE'S CALLING YOU CRYING
ABOUT IT.
>> PISSED BECAUSE SHE'S
A [bleep] KID.
SHE CAN'T TAKE A JOKE?
WHO GIVES TWO [bleep]?
>> A GROWN MAN WILL HELP OUT
FINANCIALLY.
>> IT JUST SEEMS LIKE THIS WHOLE
SITUATION IS NOT ABOUT CHEYENNE.
>> WE'RE GONNA HAVE FUN TONIGHT,
MAN.
OOH.
>> PUMA IS OUT TONIGHT.
[bleep] CRAZY.
>> IMAGINE TAMIA IN THE FUTURE,
HER GUYS COMING IN AT 6:00
IN THE MORNING,
AND SHE'S CALLING YOU CRYING
ABOUT IT.