1 00:00:03,237 --> 00:00:04,367 >> YOU ARE WILD, DISRESPECTFUL, 2 00:00:04,372 --> 00:00:05,512 AND YOU NEED TO BE PUT IN YOUR 3 00:00:05,506 --> 00:00:06,166 PLACE. 4 00:00:06,174 --> 00:00:07,384 SO, SWEETHEART, 5 00:00:07,375 --> 00:00:08,805 KINDLY PUT HIM IN HIS PLACE. 6 00:00:08,809 --> 00:00:09,809 >> YOU EITHER GONNA APOLOGIZE 7 00:00:09,810 --> 00:00:11,110 FOR THE [bleep] YOU DOING, 8 00:00:11,112 --> 00:00:12,512 OR YOU JUST GET THE [bleep] OUT. 9 00:00:12,513 --> 00:00:13,553 >> IT WAS A PLEASURE, CEASER. 10 00:00:13,547 --> 00:00:14,677 >> PUMA, YOU'RE NOT WELCOME IN 11 00:00:14,682 --> 00:00:15,752 MY SHOP NO MORE. 12 00:00:15,749 --> 00:00:17,419 >> YOU [bleep] WEAK-ASS BITCH. 13 00:00:17,418 --> 00:00:18,788 GET THE [bleep] OUT OF HERE! 14 00:00:18,786 --> 00:00:20,346 >> ALL I EVER NEEDED YOU TO DO 15 00:00:20,354 --> 00:00:21,924 WAS TO FIX THE SITUATION. 16 00:00:21,922 --> 00:00:23,262 YOU TELL EVERYBODY THE TRUTH. 17 00:00:23,257 --> 00:00:24,327 WHICH IS WHAT? 18 00:00:24,325 --> 00:00:25,155 >> THAT YOU MY HOMIE. 19 00:00:25,159 --> 00:00:26,529 >> WHAT GROWN-ASS MAN, FATHER OF 20 00:00:26,527 --> 00:00:27,657 TWO, YOU KNOW, GOES AROUND 21 00:00:27,661 --> 00:00:29,031 TELLING PEOPLE HE SLEPT WITH ME? 22 00:00:29,029 --> 00:00:30,699 >> IF YOU REALLY DON'T BELIEVE I 23 00:00:30,698 --> 00:00:31,668 WANT TO BE WITH YOU BY MY 24 00:00:31,665 --> 00:00:32,625 ACTIONS, THEN LEAVE ME THE 25 00:00:32,633 --> 00:00:33,703 [bleep] ALONE THEN, MAN. 26 00:00:33,701 --> 00:00:34,841 >> YOU THE BOSS. 27 00:00:34,835 --> 00:00:37,235 OH, FOR REAL? CEASE, COME HERE. 28 00:00:37,238 --> 00:00:38,408 >> NO, LOOK, NOTHING-- 29 00:00:38,406 --> 00:00:39,466 COME HERE, WHAT? 30 00:00:39,473 --> 00:00:40,613 >> I'M SORRY. 31 00:00:40,608 --> 00:00:41,908 >> YO, NOT ONE THING IS ENOUGH 32 00:00:41,909 --> 00:00:42,779 WITH YO. 33 00:00:42,776 --> 00:00:43,876 SHUSH IT. HOLD ON. 34 00:00:43,877 --> 00:00:44,707 >> JUST GO. GO! 35 00:00:44,712 --> 00:00:45,512 >> WHAT THE [bleep]? 36 00:00:45,513 --> 00:00:46,353 >> GO! 37 00:00:46,347 --> 00:00:48,147 >> MAKE SURE THAT'S OFF. 38 00:00:48,149 --> 00:00:49,119 [hip-hop music] 39 00:00:49,117 --> 00:00:57,127 * 40 00:01:18,879 --> 00:01:20,549 >> * LET'S GO, LET'S GO * 41 00:01:20,548 --> 00:01:21,948 * LET'S GO, LET'S GO * 42 00:01:21,949 --> 00:01:22,679 * NOW WHEN THE FUNK 43 00:01:22,683 --> 00:01:23,383 * GETS STARTED 44 00:01:23,384 --> 00:01:24,724 * AND THE STREETS HEAT UP 45 00:01:24,718 --> 00:01:25,688 * HE CALL MY MAN SANYAM 46 00:01:25,686 --> 00:01:27,316 * 'CAUSE THE BEEF WE EAT UP * 47 00:01:27,321 --> 00:01:28,561 * ALL I'M SAYING'S * 48 00:01:28,556 --> 00:01:29,216 * WHEN THE FUNK 49 00:01:29,223 --> 00:01:29,893 * HITS THE FAN 50 00:01:29,890 --> 00:01:30,890 * YOU WON'T STAND * 51 00:01:30,891 --> 00:01:31,631 * A CHANCE ONCE 52 00:01:31,625 --> 00:01:33,625 * IT GETS OUT OF HAND 53 00:01:37,097 --> 00:01:38,227 >> YO. 54 00:01:38,232 --> 00:01:39,172 >> WHAT'S GOOD, MAN? 55 00:01:39,167 --> 00:01:39,897 >> BRO. 56 00:01:39,900 --> 00:01:40,770 SO WHAT'S GOING ON? 57 00:01:40,768 --> 00:01:43,238 >> YOU SEE WHAT I'M DOING. 58 00:01:43,237 --> 00:01:44,097 >> I THOUGHT WE WERE SUPPOSED TO 59 00:01:44,104 --> 00:01:44,874 BE OPEN ALREADY. 60 00:01:44,872 --> 00:01:46,542 >> IT'S AROUND NOON, 61 00:01:46,540 --> 00:01:47,440 AND CEASER DIDN'T GET THERE ON 62 00:01:47,441 --> 00:01:48,781 TIME TO OPEN UP. 63 00:01:48,776 --> 00:01:49,706 I BEEN HERE FOR LIKE A LITTLE 64 00:01:49,710 --> 00:01:50,540 15 MINUTES. 65 00:01:50,544 --> 00:01:51,554 I'M NO LONGER MANAGER. 66 00:01:51,545 --> 00:01:52,505 I WAS DEMOTED BECAUSE I WAS OUT 67 00:01:52,513 --> 00:01:53,853 GETTING MY NAILS DONE AND ALL 68 00:01:53,847 --> 00:01:55,647 THAT STUFF DURING COMPANY HOURS. 69 00:01:55,649 --> 00:01:56,549 MOTHER [bleep] GOT MAD AT ME 70 00:01:56,550 --> 00:01:57,750 AND TOOK THE KEYS FROM ME SO. 71 00:01:57,751 --> 00:01:58,951 I GUESS WE GOT TO WAIT NOW. 72 00:01:58,952 --> 00:01:59,722 THAT'S HOW HE WANT TO GIVE IT 73 00:01:59,720 --> 00:02:00,450 UP. 74 00:02:00,454 --> 00:02:01,294 >> MAN, I KNOW I GOT MY 75 00:02:01,289 --> 00:02:02,759 APPOINTMENT FOR LATER ON, 76 00:02:02,756 --> 00:02:03,686 'CAUSE-- 77 00:02:03,691 --> 00:02:04,791 >> WHAT TIME? 78 00:02:04,792 --> 00:02:05,662 >> PROBABLY ABOUT LIKE 3:00 OR 79 00:02:05,659 --> 00:02:06,389 SO, BUT I STILL GOT TO DO THE 80 00:02:06,394 --> 00:02:07,234 DRAWINGS, AND I GOT TO CLEAN UP 81 00:02:07,228 --> 00:02:08,028 THE ROOM. 82 00:02:08,028 --> 00:02:09,858 CEASE ALWAYS GIVES ME [bleep] 83 00:02:09,863 --> 00:02:11,873 FOR BEING A BAD EMPLOYEE. 84 00:02:11,865 --> 00:02:13,265 BUT HE'S NOT EVEN THERE TO OPEN 85 00:02:13,267 --> 00:02:14,267 THE DOOR FOR ME. 86 00:02:14,268 --> 00:02:15,998 I GOT COURT FEES, LAWYER FEES, 87 00:02:16,003 --> 00:02:18,343 BABY MAMA FEES, BABY FEES, 88 00:02:18,339 --> 00:02:19,769 GIRLFRIEND FEES, COME ON, 89 00:02:19,773 --> 00:02:20,573 I NEED MY MONEY, MAN! 90 00:02:20,574 --> 00:02:21,614 OPEN UP THE SHOP. 91 00:02:21,609 --> 00:02:22,909 NOW, HE'S GONNA FIRE-- 92 00:02:22,910 --> 00:02:24,910 >> I DON'T KNOW. 93 00:02:28,682 --> 00:02:29,352 >> YO, YOU GOT SOME DICE 94 00:02:29,350 --> 00:02:30,020 OR SOMETHING? 95 00:02:30,017 --> 00:02:30,847 >> WHERE YOU ARE--LET'S START 96 00:02:30,851 --> 00:02:31,721 ROLLING SOME DICE, SOMETHING. 97 00:02:31,719 --> 00:02:32,389 KNOW WHAT I MEAN? 98 00:02:32,386 --> 00:02:33,186 >> WHY THE [bleep] IS THE SHOP 99 00:02:33,187 --> 00:02:33,847 CLOSED, YO? 100 00:02:33,854 --> 00:02:34,524 >> [bleep] YOU ALL DOING 101 00:02:34,522 --> 00:02:36,522 OUT HERE? 102 00:02:37,825 --> 00:02:40,025 >> WHAT'S GOOD? 103 00:02:40,027 --> 00:02:41,397 >> WELL, I GOT KEYS NOW. 104 00:02:41,395 --> 00:02:45,625 CAN Y'ALL PULL THIS UP FOR ME? 105 00:02:45,633 --> 00:02:47,643 >> WHERE THE [bleep] IS HE AT? 106 00:02:48,869 --> 00:02:50,169 >> MAKES SENSE. 107 00:02:50,170 --> 00:02:51,340 IT'S JUST A LOT GOING ON AT THE 108 00:02:51,339 --> 00:02:53,139 SHOP, AND I DON'T THINK CEASER'S 109 00:02:53,140 --> 00:02:54,640 IN TOTAL CONTROL. 110 00:02:54,642 --> 00:02:55,942 HE'S BEEN RUNNING AROUND WITH 111 00:02:55,943 --> 00:02:57,613 DUTCHESS A LOT, AND I THINK SHE 112 00:02:57,611 --> 00:02:59,051 WANTS TO TURN BLACK INK INTO 113 00:02:59,046 --> 00:03:00,876 DUTCHESS INK. 114 00:03:00,881 --> 00:03:02,381 AS THE BOSS, CEASE NEEDS TO STOP 115 00:03:02,383 --> 00:03:04,083 ACTING LIKE A LITTLE BITCH 116 00:03:04,084 --> 00:03:05,754 AND COME TAKE CARE OF YOUR SHOP. 117 00:03:05,753 --> 00:03:07,023 >> WHAT ARE YOU TATTOOING ON 118 00:03:07,020 --> 00:03:07,760 CHINO TODAY? 119 00:03:07,755 --> 00:03:09,485 >> AH, LIKE A BUDDHA WITH SOME 120 00:03:09,490 --> 00:03:10,820 LOTUS. 121 00:03:10,824 --> 00:03:12,134 I'M GONNA DO A DOPE-ASS TATTOO 122 00:03:12,125 --> 00:03:13,185 FOR CHINO TODAY. 123 00:03:13,193 --> 00:03:13,893 I'M EXCITED. 124 00:03:13,894 --> 00:03:15,464 CHINO'S BEEN, LIKE, MY MOST 125 00:03:15,463 --> 00:03:16,803 LOYAL CUSTOMER EVER SINCE I 126 00:03:16,797 --> 00:03:17,967 STARTED WORKING IN BLACK INK. 127 00:03:17,965 --> 00:03:18,895 I'VE TATTOOED ALMOST OVER HIS 128 00:03:18,899 --> 00:03:19,929 WHOLE BODY. 129 00:03:19,933 --> 00:03:21,103 >> WHERE IS HE GETTING TATTED? 130 00:03:21,101 --> 00:03:22,001 >> HIS THIGH. 131 00:03:22,002 --> 00:03:23,172 >> HE GONNA BE HAVING HIS 132 00:03:23,170 --> 00:03:24,770 MAN PIECE ALL IN YOUR FACE. 133 00:03:24,772 --> 00:03:27,442 YOU'RE LIKE, "I'M READY." 134 00:03:27,441 --> 00:03:29,681 >> NO, HE AIN'T. 135 00:03:40,220 --> 00:03:41,420 >> SO WHAT'S GOING ON? 136 00:03:41,422 --> 00:03:42,762 YOU'RE LOOKING STRESSED. 137 00:03:42,756 --> 00:03:44,826 >> WOMEN PROBLEMS. 138 00:03:44,825 --> 00:03:45,725 SHOP PROBLEMS. 139 00:03:45,726 --> 00:03:48,096 THINGS WITH ME AND DUTCHESS ARE 140 00:03:48,095 --> 00:03:49,325 REAL COMPLICATED RIGHT NOW. 141 00:03:49,330 --> 00:03:50,660 SO I ASKED MY LITTLE SISTER, 142 00:03:50,664 --> 00:03:52,034 TIFFANY, OUT TO LUNCH. 143 00:03:52,032 --> 00:03:53,532 SHE ALWAYS GIVE ME GOOD ADVICE, 144 00:03:53,534 --> 00:03:55,044 PLUS SHE'S FAMILY. 145 00:03:55,035 --> 00:03:56,565 SO I KNOW SHE HAS MY BACK. 146 00:03:56,570 --> 00:03:57,940 EVERYBODY IN THE SHOP THINKS 147 00:03:57,938 --> 00:03:59,668 MY SITUATION WITH DUTCHESS IS 148 00:03:59,673 --> 00:04:00,813 BAD FOR THE SHOP. 149 00:04:00,808 --> 00:04:02,638 AND DUTCHESS THINK EVERYBODY IN 150 00:04:02,643 --> 00:04:04,953 THE SHOP IS BAD FOR BUSINESS. 151 00:04:04,945 --> 00:04:06,945 AND I KNOW WHAT'S BEST FOR ME. 152 00:04:06,947 --> 00:04:10,617 SO I GO TO HER WITH THAT LOGIC 153 00:04:10,618 --> 00:04:12,018 IN HAND AND, 154 00:04:12,019 --> 00:04:14,489 TIFFANY, THAT [bleep] ESCALATED 155 00:04:14,488 --> 00:04:15,418 TO A WHOLE DIFFERENT TYPE OF 156 00:04:15,423 --> 00:04:16,823 SITUATION. 157 00:04:16,824 --> 00:04:18,564 ME AND DUTCHESS' FIGHTS COULD 158 00:04:18,559 --> 00:04:19,729 TURN INTO A MIKE AND HOLYFIELD 159 00:04:19,727 --> 00:04:20,657 FIGHT, 160 00:04:20,661 --> 00:04:22,201 BUT THIS IS A WHOLE DIFFERENT 161 00:04:22,195 --> 00:04:23,095 FEELING. 162 00:04:23,096 --> 00:04:24,396 I REALLY THOUGHT SHE WAS GONNA 163 00:04:24,398 --> 00:04:25,798 HURT HERSELF OR ME. 164 00:04:25,799 --> 00:04:27,269 EVEN THE COPS CAME. 165 00:04:27,267 --> 00:04:28,437 >> WOW. 166 00:04:28,436 --> 00:04:29,466 >> I WAS SCARED. 167 00:04:29,470 --> 00:04:30,340 >> THAT'S NOT GOOD FOR BOTH OF 168 00:04:30,338 --> 00:04:31,138 Y'ALL. 169 00:04:31,138 --> 00:04:32,068 >> I DON'T KNOW WHAT THE [bleep] 170 00:04:32,072 --> 00:04:33,212 TO DO. 171 00:04:33,206 --> 00:04:34,736 I START FIRING ONE [bleep], 172 00:04:34,742 --> 00:04:36,942 IT'S GONNA LOOK LIKE I DID IT 173 00:04:36,944 --> 00:04:38,114 BECAUSE OF HER. 174 00:04:38,111 --> 00:04:40,311 PEOPLE THINK DUTCHESS BEHIND MY 175 00:04:40,314 --> 00:04:42,024 DECISION TO FIRE PUMA, 176 00:04:42,015 --> 00:04:43,545 BUT UNDERSTAND, 177 00:04:43,551 --> 00:04:45,021 THIS IS MY BUSINESS, 178 00:04:45,018 --> 00:04:46,748 AND THIS IS MY DECISION. 179 00:04:46,754 --> 00:04:48,524 I NEED DUTCHESS TO STEP BACK, 180 00:04:48,522 --> 00:04:50,192 SO NOBODY IN THE SHOP THINKS 181 00:04:50,190 --> 00:04:52,060 SHE'S TRYING TO RUN THINGS. 182 00:04:52,059 --> 00:04:52,929 >> YOU GUYS NEED SOME PERSONAL 183 00:04:52,926 --> 00:04:54,026 TIME. 184 00:04:54,027 --> 00:04:55,297 YOU'RE GONNA HAVE TO GO TO 185 00:04:55,295 --> 00:04:56,195 DINNER, TAKE HER OUT, 186 00:04:56,196 --> 00:04:57,366 AND FIND OUT HOW WE'RE GONNA GET 187 00:04:57,365 --> 00:04:59,665 TO THE SAME LINE OF VISION. 188 00:04:59,667 --> 00:05:00,827 >> YOU'RE RIGHT. YOU RIGHT. 189 00:05:00,834 --> 00:05:01,974 MY SISTER'S RIGHT. 190 00:05:01,969 --> 00:05:03,139 I GOT TO TAKE DUTCHESS OUT 191 00:05:03,136 --> 00:05:05,006 AWAY FROM THE SHOP. 192 00:05:05,005 --> 00:05:06,235 SHOW HER OUR RELATIONSHIP IS 193 00:05:06,239 --> 00:05:07,739 MORE THAN JUST BUSINESS. 194 00:05:07,741 --> 00:05:09,881 AND IF THAT DOESN'T WORK, 195 00:05:09,877 --> 00:05:11,137 I HATE TO SAY IT, 196 00:05:11,144 --> 00:05:12,854 I'D HAVE TO FIRE MY GIRLFRIEND. 197 00:05:12,846 --> 00:05:14,346 >> I DON'T-- 198 00:05:14,348 --> 00:05:15,318 >> YEAH. 199 00:05:15,315 --> 00:05:16,375 >> I DON'T THINK YOU SHOULD EVEN 200 00:05:16,384 --> 00:05:18,394 GO THAT ROUTE. 201 00:05:22,122 --> 00:05:23,592 >> * THAT WAY, THIS WAY 202 00:05:23,591 --> 00:05:25,391 * WHICH WAY DO I GO? 203 00:05:25,393 --> 00:05:27,433 * WHICH WAY? THAT WAY 204 00:05:27,428 --> 00:05:28,958 * THIS WAY, WHICH WAY 205 00:05:28,962 --> 00:05:31,502 * WHICH WAY DO I WALK? 206 00:05:31,499 --> 00:05:33,069 [phone ringing] 207 00:05:33,066 --> 00:05:35,496 >> GOOD AFTERNOON, BLACK INK. 208 00:05:35,503 --> 00:05:36,803 I DON'T HAVE CEASER AND DUTCHESS 209 00:05:36,804 --> 00:05:37,614 TODAY. 210 00:05:37,605 --> 00:05:42,005 NO PROBLEM AT ALL. 211 00:05:42,009 --> 00:05:43,639 BLACK INK RIGHT NOW IS, LIKE, 212 00:05:43,644 --> 00:05:45,984 ALL OVER THE PLACE. 213 00:05:45,979 --> 00:05:46,949 I GOT A HEADACHE. 214 00:05:46,947 --> 00:05:47,877 >> COME ON, LET ME GIVE YOU 215 00:05:47,881 --> 00:05:48,921 A HUG. 216 00:05:48,916 --> 00:05:49,876 I CAN'T GET IN CONTACT WITH 217 00:05:49,883 --> 00:05:51,153 CEASER OR DUTCHESS. 218 00:05:51,151 --> 00:05:52,691 AND AS THE MANAGER OF BLACK INK, 219 00:05:52,686 --> 00:05:54,786 THAT'S KIND OF RIDICULOUS. 220 00:05:54,788 --> 00:05:56,058 SO I'M DEFINITELY FEELING A LOT 221 00:05:56,056 --> 00:05:57,056 OUT OF THE LOOP RIGHT NOW. 222 00:05:57,057 --> 00:05:59,057 >> I'M GOING TO THE STORE. 223 00:06:00,428 --> 00:06:02,098 >> GOOD AFTERNOON, BLACK INK. 224 00:06:02,095 --> 00:06:04,095 OKAY. 225 00:06:08,001 --> 00:06:09,771 CAN I HELP YOU? 226 00:06:09,770 --> 00:06:11,300 ALL OF A SUDDEN, THERE'S A MAN 227 00:06:11,304 --> 00:06:12,844 WITH A BADGE, 228 00:06:12,840 --> 00:06:14,210 U.S. MARSHAL 229 00:06:14,207 --> 00:06:15,107 AND CON EDISON, 230 00:06:15,108 --> 00:06:15,838 THE POWER COMPANY, 231 00:06:15,843 --> 00:06:18,513 ARE BOTH HERE RIGHT NOW. 232 00:06:18,512 --> 00:06:19,552 HMM. 233 00:06:19,547 --> 00:06:20,607 SO CLEARLY WE DIDN'T PAY OUR 234 00:06:20,614 --> 00:06:22,624 BILL. 235 00:06:26,920 --> 00:06:27,720 >> WHAT? 236 00:06:27,721 --> 00:06:28,391 >> WHAT HAPPENED? 237 00:06:28,388 --> 00:06:29,318 >> YO, WHAT THE [bleep] IS GOING 238 00:06:29,322 --> 00:06:30,222 ON? 239 00:06:30,223 --> 00:06:32,563 YO, WHAT HAPPENED TO THE LIGHTS? 240 00:06:32,560 --> 00:06:33,390 WHO THE [bleep] TURNED OFF THE 241 00:06:33,393 --> 00:06:34,433 POWER? 242 00:06:34,428 --> 00:06:35,158 SO I'M IN THE MIDDLE OF 243 00:06:35,162 --> 00:06:36,032 TATTOOING MY CLIENT, 244 00:06:36,029 --> 00:06:37,199 AND WOULD YOU KNOW, 245 00:06:37,197 --> 00:06:38,927 POWER GOES OUT. 246 00:06:38,932 --> 00:06:40,572 YO. 247 00:06:40,568 --> 00:06:41,668 THIS IS LIKE POVERTY. 248 00:06:41,669 --> 00:06:42,999 WE AIN'T GOT NO LIGHTS. 249 00:06:43,003 --> 00:06:46,243 SOMEBODY IS GETTING FIRED! 250 00:06:46,239 --> 00:06:47,779 >> I HAVE NO CONTROL OVER THIS. 251 00:06:47,775 --> 00:06:48,575 AND I DEFINITELY DON'T HAVE, 252 00:06:48,576 --> 00:06:50,806 HOW MANY DOLLARS? 253 00:06:50,811 --> 00:06:54,381 36,000 OF--3,600 OF THEM? 254 00:06:54,381 --> 00:06:55,421 OVER 3,000? 255 00:06:55,415 --> 00:06:57,375 3,000? THREE. 256 00:06:57,384 --> 00:06:59,594 "TREE" THOUSAND DOLLARS. 257 00:06:59,587 --> 00:07:01,087 I DON'T GOT THAT KIND OF MONEY. 258 00:07:01,088 --> 00:07:02,258 >> THE WAY MY ACCOUNT IS SET... 259 00:07:02,255 --> 00:07:03,055 >> THE WAY MY ACCOUNT IS SET UP 260 00:07:03,056 --> 00:07:04,116 IS THAT-- 261 00:07:04,124 --> 00:07:05,264 >> IS THAT, I DON'T GOT THAT 262 00:07:05,258 --> 00:07:06,088 KIND OF CASH. 263 00:07:06,093 --> 00:07:07,963 YO, IT'S A GREAT DAY AT BLACK 264 00:07:07,961 --> 00:07:08,631 INK. 265 00:07:08,629 --> 00:07:09,299 LOOK AT HIM. 266 00:07:09,296 --> 00:07:10,096 HE'S HOLDING THE POWER RIGHT 267 00:07:10,097 --> 00:07:10,957 THERE IN HIS HANDS. 268 00:07:10,964 --> 00:07:11,904 HE HOLDS THE POWER. 269 00:07:11,899 --> 00:07:13,169 SO I THOUGHT THAT DUTCHESS HAD 270 00:07:13,166 --> 00:07:14,696 ALL THE POWER AT BLACK INK, 271 00:07:14,702 --> 00:07:15,742 BUT APPARENTLY IT SEEMS THAT 272 00:07:15,736 --> 00:07:16,796 CON ED'S THE ONE WHO GOT ALL THE 273 00:07:16,804 --> 00:07:17,644 POWER. 274 00:07:17,638 --> 00:07:19,168 AND THEY WALKING OUT OF THE DOOR 275 00:07:19,172 --> 00:07:20,342 WITH IT. 276 00:07:20,340 --> 00:07:21,810 I'M LOSING MONEY THAT I THOUGHT 277 00:07:21,809 --> 00:07:23,239 WAS GONNA BE IN MY POCKET TODAY. 278 00:07:23,243 --> 00:07:24,983 WHERE IS CEASER? 279 00:07:24,978 --> 00:07:26,348 >> YO, I SHOULD CALL HIM NOW. 280 00:07:26,346 --> 00:07:27,306 >> EVERYTHING IS DIFFERENT. 281 00:07:27,314 --> 00:07:28,684 IT AIN'T THE SAME BLACK INK 282 00:07:28,682 --> 00:07:29,352 ANYMORE. 283 00:07:29,349 --> 00:07:30,179 I DON'T KNOW WHAT'S HAPPENING 284 00:07:30,183 --> 00:07:30,983 OVER HERE. 285 00:07:30,984 --> 00:07:33,024 HE BETTER ANSWER HIS PHONE TOO. 286 00:07:36,389 --> 00:07:37,659 >> YOU HAVE REACHED THE SPRINT 287 00:07:37,658 --> 00:07:40,028 VOICE MAILBOX. 288 00:07:40,027 --> 00:07:41,157 >> DOES THIS MEAN WE OFF? 289 00:07:41,161 --> 00:07:43,601 CEASER'S NOT PICKING UP. 290 00:07:43,597 --> 00:07:45,097 I KIND OF FEEL A LITTLE LOST AND 291 00:07:45,098 --> 00:07:46,298 A LITTLE BIT HELPLESS RIGHT NOW. 292 00:07:46,299 --> 00:07:47,229 'CAUSE THERE'S NOTHING I CAN DO. 293 00:07:47,234 --> 00:07:48,874 THERE'S NOT ENOUGH COMMUNICATION 294 00:07:48,869 --> 00:07:49,599 GOING ON. 295 00:07:49,603 --> 00:07:50,373 BEING A MANAGER AT BLACK INK 296 00:07:50,370 --> 00:07:52,510 SUCKS. 297 00:07:52,506 --> 00:07:53,566 >> YOU WANT TO LET WALTER IN? 298 00:07:53,574 --> 00:07:55,314 BUZZ. 299 00:07:55,308 --> 00:07:56,708 >> YOU GONNA BUZZ. 300 00:07:56,710 --> 00:07:57,880 YOU NOTICED THAT IT LOOKS PRETTY 301 00:07:57,878 --> 00:07:58,848 DIM IN HERE, RIGHT? 302 00:07:58,846 --> 00:08:01,076 >> CITY MARSHAL AND CON ED CAME, 303 00:08:01,081 --> 00:08:02,321 AND THEY SHUT OFF ALL THE 304 00:08:02,315 --> 00:08:03,015 LIGHTS. 305 00:08:03,016 --> 00:08:04,046 >> WHY HE AIN'T PAY THE BILL? 306 00:08:04,051 --> 00:08:04,891 LIKE, WHAT THE [bleep] HE BEEN 307 00:08:04,885 --> 00:08:05,545 DOING? 308 00:08:05,553 --> 00:08:07,253 >> OH, MY GOD. 309 00:08:07,254 --> 00:08:08,464 >> $3,600. 310 00:08:08,455 --> 00:08:09,855 >> FOR A CON EDISON BILL? 311 00:08:09,857 --> 00:08:10,617 >> MM-HMM. 312 00:08:10,624 --> 00:08:11,394 >> YOU KNOW WHAT, CEASER? 313 00:08:11,391 --> 00:08:12,061 YOU SOMETHING ELSE. 314 00:08:12,059 --> 00:08:12,929 NEXT THING YOU KNOW, 315 00:08:12,926 --> 00:08:13,826 THEY'RE GONNA COME START TAKING 316 00:08:13,827 --> 00:08:14,727 THE FURNITURE AND [bleep] LIKE 317 00:08:14,728 --> 00:08:15,398 THAT. 318 00:08:15,395 --> 00:08:16,055 TAKING THE SOCKETS. 319 00:08:16,063 --> 00:08:16,803 "Y'ALL DON'T NEED THIS. 320 00:08:16,797 --> 00:08:17,727 "Y'ALL DON'T NEED THESE LIGHTS." 321 00:08:17,731 --> 00:08:18,601 SOMEBODY'S GONNA COME BY WITH 322 00:08:18,599 --> 00:08:19,399 A BIG TRUCK, BACK UP, 323 00:08:19,399 --> 00:08:20,429 YOU KNOW WHAT I MEAN, 324 00:08:20,433 --> 00:08:21,403 LIFT THE SHOP UP AND JUST DRIVE 325 00:08:21,401 --> 00:08:23,401 OFF WITH THAT. 326 00:08:23,403 --> 00:08:24,613 HE NEED TO GET HIS [bleep] 327 00:08:24,605 --> 00:08:25,905 PRIORITIES BACK IN ORDER, 328 00:08:25,906 --> 00:08:27,136 'CAUSE THIS IS NOT COOL. 329 00:08:27,140 --> 00:08:27,980 STOP RUNNING AROUND HERE WITH 330 00:08:27,975 --> 00:08:28,935 YOUR WOMAN, MAN. 331 00:08:28,942 --> 00:08:29,842 LIKE, TELL HER, 332 00:08:29,843 --> 00:08:30,583 "BABY, I LOVE YOU. 333 00:08:30,578 --> 00:08:31,608 "BUT I GOT A BUSINESS TO RUN." 334 00:08:31,612 --> 00:08:33,152 AND WATCH HIM COME IN WITH 335 00:08:33,146 --> 00:08:34,246 A MILLION, BILLION DIFFERENT 336 00:08:34,247 --> 00:08:36,177 EXCUSES OF WHY IT WASN'T 337 00:08:36,183 --> 00:08:37,383 DONE, BUT THE FACT THAT I DIDN'T 338 00:08:37,384 --> 00:08:38,694 TAKE CARE OF IT. 339 00:08:38,686 --> 00:08:39,946 THAT'S WHAT YOU SUPPOSED TO SAY, 340 00:08:39,953 --> 00:08:40,923 CEASE. 341 00:08:40,921 --> 00:08:42,221 BITCHES BE LIKE, "I'M A BOSS. 342 00:08:42,222 --> 00:08:43,692 THIS IS MY SHOP. 343 00:08:43,691 --> 00:08:44,761 THIS IS MY [bleep]." 344 00:08:44,758 --> 00:08:47,558 OH, OH, OH, OH. 345 00:08:47,561 --> 00:08:48,401 HE WENT AND GOT HIS NAILS DONE, 346 00:08:48,395 --> 00:08:49,225 THAT'S WHY HE DIDN'T PAY THE 347 00:08:49,229 --> 00:08:52,529 BILL. 348 00:08:52,532 --> 00:08:53,372 WHAT'S [bleep]-- 349 00:08:53,366 --> 00:08:54,396 >> LOOK AT CHINO RIGHT HERE. 350 00:08:54,401 --> 00:08:55,441 >> OH, GOD. 351 00:08:55,435 --> 00:08:56,565 >> WE CAN'T EVEN BUZZ THE DOOR, 352 00:08:56,570 --> 00:08:58,510 MAN. 353 00:08:58,505 --> 00:08:59,735 HI, CHINO. 354 00:08:59,740 --> 00:09:02,880 >> OH, WAIT, HERE WE GO, BUZZ. 355 00:09:02,876 --> 00:09:03,736 >> WHAT'S UP, MAN? 356 00:09:03,744 --> 00:09:04,884 CHINO'S THE LAST PERSON I WANT 357 00:09:04,878 --> 00:09:06,008 TO TURN AWAY BECAUSE HE'S BEEN 358 00:09:06,013 --> 00:09:07,083 WITH ME FOR SO LONG. 359 00:09:07,080 --> 00:09:08,220 AND FOR A REASON LIKE, 360 00:09:08,215 --> 00:09:09,475 WE DON'T HAVE ANY POWER, 361 00:09:09,482 --> 00:09:10,852 THAT'S NOT COOL AT ALL. 362 00:09:10,851 --> 00:09:12,651 >> UH, DEFINITELY GONNA HAVE TO, 363 00:09:12,653 --> 00:09:13,453 LIKE, RESCHEDULE YOUR 364 00:09:13,453 --> 00:09:14,393 APPOINTMENT, 365 00:09:14,387 --> 00:09:15,157 'CAUSE US AT THE SHOP, 366 00:09:15,155 --> 00:09:16,085 WE FELL BEHIND ON THE CON ED 367 00:09:16,089 --> 00:09:18,289 BILL. 368 00:09:18,291 --> 00:09:19,431 >> LIKE, WHENEVER THEY DECIDE TO 369 00:09:19,426 --> 00:09:21,226 SEND OUT THEIR, YOU KNOW, 370 00:09:21,228 --> 00:09:22,798 ENGINEER AND DO ALL THIS STUFF 371 00:09:22,796 --> 00:09:24,526 IS WHEN WE CAN GET BACK TO WORK. 372 00:09:24,531 --> 00:09:25,631 >> I'M SORRY, MY MAN. 373 00:09:25,633 --> 00:09:26,633 LIKE, THIS [bleep] RIGHT HERE IS 374 00:09:26,634 --> 00:09:27,574 LIKE, EMBARRASSING. 375 00:09:27,567 --> 00:09:28,297 CHINO, HOLLER AT ME, MAN. 376 00:09:28,301 --> 00:09:29,171 I'MA HOLLER AT YOU, FOR REAL. 377 00:09:29,169 --> 00:09:29,839 >> ALL RIGHT. 378 00:09:29,837 --> 00:09:32,467 >> YOU BE GOOD, BRO. 379 00:09:32,472 --> 00:09:34,142 >> I REALLY NEEDED THIS MONEY 380 00:09:34,141 --> 00:09:35,511 FROM CHINO'S TATTOO BECAUSE I 381 00:09:35,508 --> 00:09:36,978 HAVE TO GO SEE MY BAIL BONDSMAN, 382 00:09:36,977 --> 00:09:38,807 AND I'M BROKE. 383 00:09:38,812 --> 00:09:40,452 >> I MEAN, AS MANAGER, I FEEL 384 00:09:40,447 --> 00:09:41,477 LIKE I CAN CLOSE THE SHOP DOWN 385 00:09:41,481 --> 00:09:42,181 NOW. 386 00:09:42,182 --> 00:09:43,282 >> I'M GOING--I'M GOING TO SEE 387 00:09:43,283 --> 00:09:44,083 MY BAIL BONDSMAN. 388 00:09:44,084 --> 00:09:44,824 >> GOOD LUCK WITH YOUR BAIL 389 00:09:44,818 --> 00:09:45,518 BONDSMAN, MAN. 390 00:09:45,518 --> 00:09:47,518 >> THANKS. YO, I'M OUTTA HERE. 391 00:09:57,264 --> 00:09:58,604 >> * WHERE THAT WORK AT 392 00:09:58,598 --> 00:09:59,668 * WHERE THAT WORK AT 393 00:09:59,667 --> 00:10:00,927 * TWERK THAT 394 00:10:00,934 --> 00:10:02,704 * GO AHEAD AND JERK THAT 395 00:10:02,703 --> 00:10:04,743 * NOW WORK, WORK, WORK 396 00:10:04,738 --> 00:10:06,738 * SHORTY GOT 397 00:10:11,478 --> 00:10:12,878 >> HEY, TOM. 398 00:10:12,880 --> 00:10:14,250 WHAT'S GOING ON, NORM? 399 00:10:14,247 --> 00:10:15,077 >> WHERE THE [bleep] YOU BEEN, 400 00:10:15,082 --> 00:10:15,822 MAN? 401 00:10:15,816 --> 00:10:18,116 >> I'VE BEEN WORKING 402 00:10:18,118 --> 00:10:19,118 CONSISTENTLY. 403 00:10:19,119 --> 00:10:19,919 >> WHERE THE [bleep] YOU BEEN 404 00:10:19,920 --> 00:10:20,590 [bleep]? 405 00:10:20,587 --> 00:10:21,417 >> IN A MONTH, YOU HAVEN'T BEEN 406 00:10:21,421 --> 00:10:22,091 HERE. 407 00:10:22,089 --> 00:10:25,459 IN A MONTH. 408 00:10:25,458 --> 00:10:27,088 >> Y'ALL GOTTA GET THIS COVERED. 409 00:10:27,094 --> 00:10:27,934 >> ERICA MENA, 410 00:10:27,928 --> 00:10:28,798 FROM LOVE AND HIP HOP 411 00:10:28,796 --> 00:10:29,896 WANTS TO GET RICH TATTOO 412 00:10:29,897 --> 00:10:31,257 COVERED UP. 413 00:10:31,264 --> 00:10:32,374 RICH, YOUR EX IS HERE. 414 00:10:32,365 --> 00:10:33,365 SHE TRYING TO GET SOMETHING 415 00:10:33,366 --> 00:10:34,096 COVERED UP. 416 00:10:34,101 --> 00:10:36,041 >> OH, MAN! 417 00:10:36,036 --> 00:10:36,866 >> YOU MY BOSS. 418 00:10:36,870 --> 00:10:38,510 BUT ANYTHING THAT NEEDS TO BE 419 00:10:38,505 --> 00:10:39,265 DEALT WITH IS NOW YOU 420 00:10:39,272 --> 00:10:40,012 AND DUTCHESS. 421 00:10:40,007 --> 00:10:43,077 AND NOBODY THINK THAT IT'S FAIR. 422 00:10:43,076 --> 00:10:44,036 >> READ IT TO ME, [bleep]. 423 00:10:44,044 --> 00:10:46,414 >> ME AGAINST THE WORLD. 424 00:10:46,413 --> 00:10:47,983 >> HOW DO YOU FORGET THE "S" IN 425 00:10:47,981 --> 00:10:48,951 "AGAINST"? 426 00:10:48,949 --> 00:10:51,019 YOU TRYING TO TELL ME YOU CAN'T 427 00:10:51,018 --> 00:10:52,048 [bleep] SPELL? 428 00:10:52,052 --> 00:10:54,052 YOU STUPID [bleep]. 429 00:11:03,163 --> 00:11:04,503 >> WHERE THE [bleep] YOU BEEN, 430 00:11:04,497 --> 00:11:05,227 [bleep]? 431 00:11:05,232 --> 00:11:06,072 >> IN A MONTH, YOU HAVEN'T BEEN 432 00:11:06,066 --> 00:11:06,726 HERE. 433 00:11:06,734 --> 00:11:10,274 IN A MONTH. 434 00:11:10,270 --> 00:11:11,400 >> I THOUGHT THAT EVERYTHING WAS 435 00:11:11,404 --> 00:11:12,344 ALL FINE AND DANDY BECAUSE 436 00:11:12,339 --> 00:11:14,139 I DID A NICE TATTOO FOR HIM. 437 00:11:14,141 --> 00:11:14,811 I WAS LIKE, 438 00:11:14,808 --> 00:11:16,078 "NORM, HE'S MY HOMEBOY." 439 00:11:16,076 --> 00:11:17,006 SO I WAS NERVOUS, 440 00:11:17,010 --> 00:11:18,980 AND, LIKE, SO WHAT EXACTLY IS 441 00:11:18,979 --> 00:11:20,049 GONNA HAPPEN? 442 00:11:20,047 --> 00:11:21,107 >> THE ONLY REASON WHY YOU'RE 443 00:11:21,114 --> 00:11:22,284 NOT IN RIKER'S ISLAND, 444 00:11:22,282 --> 00:11:24,352 IS 'CAUSE OF HIM. 445 00:11:24,351 --> 00:11:25,851 >> SO I REALLY LUCKED UP TODAY, 446 00:11:25,853 --> 00:11:26,893 BECAUSE I COULD HAVE BEEN IN 447 00:11:26,887 --> 00:11:27,857 JAIL RIGHT NOW. 448 00:11:27,855 --> 00:11:29,015 BUT AT THE SAME TIME, I DO WISH 449 00:11:29,022 --> 00:11:29,962 THEY COULD UNDERSTAND 450 00:11:29,957 --> 00:11:31,487 THAT I'M NOT GONNA MAKE ALL MY 451 00:11:31,491 --> 00:11:32,261 APPOINTMENTS, BECAUSE I'M 452 00:11:32,259 --> 00:11:33,289 SO BUSY. 453 00:11:33,293 --> 00:11:34,733 THEY'VE BEEN SCHEDULING A WHOLE 454 00:11:34,728 --> 00:11:36,228 LOT OF APPOINTMENTS ON MY DAYS 455 00:11:36,229 --> 00:11:37,159 OFF. 456 00:11:37,164 --> 00:11:38,334 I GOT THESE KIDS I GOT TO TAKE 457 00:11:38,331 --> 00:11:39,201 CARE OF. 458 00:11:39,199 --> 00:11:39,929 I'M LIKE-- 459 00:11:39,933 --> 00:11:41,133 >> YEAH, BUT YOU GONNA SEE YOUR 460 00:11:41,134 --> 00:11:43,144 KIDS IN JAIL? 461 00:11:43,136 --> 00:11:44,806 >> THEY'RE GONNA PULL YOUR BAIL. 462 00:11:44,805 --> 00:11:45,835 ONCE THEY DO THAT, I GOT TO GO 463 00:11:45,839 --> 00:11:46,769 IN FRONT OF A JUDGE AND TELL HIM 464 00:11:46,774 --> 00:11:47,574 WHY. 465 00:11:47,574 --> 00:11:48,544 AND WHEN I SAY, 466 00:11:48,541 --> 00:11:49,211 "JUDGE, 467 00:11:49,209 --> 00:11:50,579 OUT OF THE LAST FIVE MONTHS 468 00:11:50,577 --> 00:11:51,307 HE'S BEEN ON BAIL, 469 00:11:51,311 --> 00:11:53,281 HE MISSED CHECKING IN 23 470 00:11:53,280 --> 00:11:54,010 TIMES." 471 00:11:54,014 --> 00:11:54,684 OR WHATEVER IT IS. 472 00:11:54,681 --> 00:11:55,981 HE'S GONNA GO, 473 00:11:55,983 --> 00:11:57,793 "OKAY, NOW HIS BAIL'S $50,000." 474 00:11:57,785 --> 00:11:58,645 IS THAT WHAT YOU WANT? 475 00:11:58,651 --> 00:11:59,321 >> NO. 476 00:11:59,319 --> 00:12:00,349 >> 'CAUSE THAT'S WHAT HE'S GONNA 477 00:12:00,353 --> 00:12:01,023 DO. 478 00:12:01,021 --> 00:12:02,391 >> I'M TRYING TO GET HERE, IT 479 00:12:02,389 --> 00:12:04,259 JUST COST ME LIKE $100 OR SO-- 480 00:12:04,257 --> 00:12:05,327 >> TO GET HERE? 481 00:12:05,325 --> 00:12:05,985 >> YEAH. 482 00:12:05,993 --> 00:12:06,733 >> HOW ABOUT TAKING A TRAIN 483 00:12:06,726 --> 00:12:07,386 OR A BUS? 484 00:12:07,394 --> 00:12:08,234 >> GET THE [bleep] OUT OF HERE, 485 00:12:08,228 --> 00:12:08,898 DUDE. 486 00:12:08,896 --> 00:12:09,956 >> YOU GOT TWO SUBWAY STOPS, 487 00:12:09,963 --> 00:12:11,003 DON'T [bleep] ME, DUDE. 488 00:12:10,998 --> 00:12:11,998 >> YOU DON'T HAVE TO TAKE A CAB. 489 00:12:11,999 --> 00:12:13,529 GET YOUR LAZY ASS UP, 490 00:12:13,533 --> 00:12:15,243 GET ON A TRAIN, 491 00:12:15,235 --> 00:12:16,635 THAT MIGHT BE BENEATH YOU, 492 00:12:16,636 --> 00:12:18,036 BUT IT'S BETTER THAN SITTING IN 493 00:12:18,038 --> 00:12:19,068 RIKER'S ISLAND, BECAUSE I DON'T 494 00:12:19,072 --> 00:12:19,942 THINK YOU'RE GONNA BE DOING INK 495 00:12:19,940 --> 00:12:20,870 FROM THERE. 496 00:12:20,874 --> 00:12:21,784 LAST CHANCE. 497 00:12:21,775 --> 00:12:22,575 YOU [bleep] UP ONE MORE TIME, 498 00:12:22,575 --> 00:12:24,705 YOU'RE DONE. 499 00:12:24,711 --> 00:12:25,581 >> I'LL BE IN HERE TWICE A WEEK 500 00:12:25,578 --> 00:12:26,508 IF I HAVE TO. 501 00:12:26,513 --> 00:12:28,423 I'M NOT TRYING TO BE IN JAIL. 502 00:12:28,415 --> 00:12:29,375 TOMMY-- 503 00:12:29,382 --> 00:12:30,082 >> THANK HIM. 504 00:12:30,083 --> 00:12:31,153 THANK THAT BROTHER OVER THERE. 505 00:12:31,151 --> 00:12:32,251 HE'S THE ONE WHO SAVED YOUR ASS. 506 00:12:32,252 --> 00:12:33,522 >> I'MA BE IN HERE EVERY 507 00:12:33,520 --> 00:12:34,190 WEEK, MAN. 508 00:12:34,187 --> 00:12:35,517 I'M TELLING YOU. I'MA BE HERE. 509 00:12:35,522 --> 00:12:38,432 >> * I CAN'T MOVE * 510 00:12:38,425 --> 00:12:43,955 * OUT OF THIS PLACE 511 00:12:43,964 --> 00:12:45,334 * WHERE THERE'S NOTHING IN * 512 00:12:45,332 --> 00:12:49,342 * THIS WORLD THAT CAN SHAKE ME 513 00:12:49,336 --> 00:12:51,836 * BECAUSE I WAS THE ONE THAT 514 00:12:51,839 --> 00:12:55,979 * MADE ME STUCK 515 00:13:01,614 --> 00:13:02,454 >> HEY, GUYS. 516 00:13:02,449 --> 00:13:03,279 DO YOU ALL HAVE ANY QUESTIONS, 517 00:13:03,283 --> 00:13:04,323 OR ANYTHING LIKE THAT? 518 00:13:04,317 --> 00:13:05,387 >> I WANT TO START OFF WITH SOME 519 00:13:05,385 --> 00:13:06,185 DRINKS. 520 00:13:06,186 --> 00:13:08,256 I'M GONNA BE CIVILIZED. 521 00:13:08,255 --> 00:13:09,815 I WANT SOME HENNY AND COKE. 522 00:13:09,823 --> 00:13:10,863 >> HENNY AND COKE. 523 00:13:10,858 --> 00:13:11,618 >> YEAH. 524 00:13:11,624 --> 00:13:12,594 >> AND FOR THE LADY? 525 00:13:12,592 --> 00:13:13,532 >> HENNY AND COKE. 526 00:13:13,526 --> 00:13:14,786 >> HENNY AND COKE. ALL RIGHTY. 527 00:13:14,794 --> 00:13:15,734 >> THIS IS A GOOD TIME 528 00:13:15,728 --> 00:13:17,098 THAT ME AND DUTCHESS GET 529 00:13:17,097 --> 00:13:19,197 A ONE-ON-ONE AWAY FROM THE SHOP. 530 00:13:19,199 --> 00:13:21,129 ALL I'M TRYING TO DO IS MAKE 531 00:13:21,134 --> 00:13:22,004 SURE THAT WE WORK THROUGH THESE 532 00:13:22,002 --> 00:13:23,772 HARD TIMES. 533 00:13:23,770 --> 00:13:25,370 YOU WENT FROM MY BEST FRIEND 534 00:13:25,372 --> 00:13:26,872 TO MY GIRL 535 00:13:26,874 --> 00:13:29,744 TO MY QUEEN. 536 00:13:29,742 --> 00:13:31,542 AND I LOVE YOU. 537 00:13:31,544 --> 00:13:35,424 >> I LOVE YOU TOO, BABY. 538 00:13:35,415 --> 00:13:37,945 >> WHAT'S WRONG? 539 00:13:37,951 --> 00:13:39,151 >> WE AIN'T BEEN GETTING 540 00:13:39,152 --> 00:13:41,252 ALONG THAT GOOD. 541 00:13:41,254 --> 00:13:43,264 I LOVE CEASE, THAT'S MY BABY. 542 00:13:43,256 --> 00:13:44,416 REGARDING THE FIGHT THAT ME 543 00:13:44,424 --> 00:13:45,534 AND CEASE HAD, 544 00:13:45,525 --> 00:13:46,785 IT'S JUST HARD TO DEAL WITH 545 00:13:46,793 --> 00:13:48,403 JUST OUR RELATIONSHIP 546 00:13:48,395 --> 00:13:49,355 WHEN EVERYBODY ELSE GOT THEIR 547 00:13:49,362 --> 00:13:50,762 [bleep] OPINIONS. 548 00:13:50,763 --> 00:13:52,473 >> AIN'T NO MORE FIGHTING. 549 00:13:52,465 --> 00:13:53,995 THIS IS WHY I BROUGHT YOU HERE. 550 00:13:54,001 --> 00:13:56,541 I WANT TO HAVE A GOOD TIME. 551 00:13:56,536 --> 00:13:58,366 NOW, DON'T BE STRESSING ANYTHING 552 00:13:58,371 --> 00:13:59,411 ABOUT THE SHOP. 553 00:13:59,406 --> 00:14:00,636 WE GOT TO STOP LETTING LITTLE 554 00:14:00,640 --> 00:14:02,180 THINGS AFFECT US, YO. 555 00:14:02,175 --> 00:14:04,905 >> THAT'S LITTLE TO YOU? 556 00:14:04,912 --> 00:14:07,582 LIKE I SAID A MILLION TIMES, 557 00:14:07,580 --> 00:14:09,080 "I AM A BUSINESS WOMAN. 558 00:14:09,082 --> 00:14:11,922 AND I AM ABOUT THESE COINS." 559 00:14:11,919 --> 00:14:13,249 SO I AM GOING TO DO WHAT IT 560 00:14:13,253 --> 00:14:15,223 TAKES TO GET THESE COINS. 561 00:14:15,222 --> 00:14:16,392 I CAN'T NOT WORRY ABOUT 562 00:14:16,389 --> 00:14:17,559 SOMETHING THAT I'VE HELPED YOU 563 00:14:17,557 --> 00:14:18,357 BUILD. 564 00:14:18,358 --> 00:14:19,158 >> BABY-- 565 00:14:19,159 --> 00:14:20,129 >> I'M NOT GONNA NOT WORRY ABOUT 566 00:14:20,127 --> 00:14:21,087 THAT. 567 00:14:21,094 --> 00:14:22,104 >> WE'RE NOT TALKING ABOUT 568 00:14:22,095 --> 00:14:22,825 BUSINESS. 569 00:14:22,829 --> 00:14:23,959 LET ME TAKE CARE OF THAT SHOP. 570 00:14:23,964 --> 00:14:25,274 >> OKAY. 571 00:14:25,265 --> 00:14:26,295 >> FOR THE SAKE OF OUR 572 00:14:26,299 --> 00:14:27,369 RELATIONSHIP, 573 00:14:27,367 --> 00:14:29,267 SOMETIMES IT'S GOOD TO SEPARATE 574 00:14:29,269 --> 00:14:31,669 BUSINESS AND OUR PERSONAL TIME. 575 00:14:31,671 --> 00:14:33,971 HONESTLY, THIS IS OUR [bleep] 576 00:14:33,974 --> 00:14:35,884 PERSONAL TIME. 577 00:14:35,875 --> 00:14:36,775 WHY THE [bleep] WE TALKING ABOUT 578 00:14:36,776 --> 00:14:37,576 BUSINESS? 579 00:14:37,577 --> 00:14:38,377 LISTEN TO ME. 580 00:14:38,378 --> 00:14:39,678 YOU HELP ME A LOT. 581 00:14:39,679 --> 00:14:40,809 AND I REALLY APPRECIATE 582 00:14:40,813 --> 00:14:42,083 EVERYTHING YOU DO. 583 00:14:42,082 --> 00:14:43,482 YOU GOT TO UNDERSTAND, 584 00:14:43,483 --> 00:14:44,783 THESE DECISIONS THAT I'M MAKING, 585 00:14:44,784 --> 00:14:46,294 YOU AFFECT THEM, 586 00:14:46,286 --> 00:14:48,416 BUT NOT IN THAT TYPE OF WAY. 587 00:14:48,421 --> 00:14:50,161 >> I WANT US BOTH TO BE ON THE 588 00:14:50,157 --> 00:14:51,857 SAME PAGE IN THIS RELATIONSHIP. 589 00:14:51,858 --> 00:14:54,128 IF CEASE WANTS TO BUILD THIS 590 00:14:54,127 --> 00:14:55,627 EMPIRE AND HAVE THIS LIFE THAT 591 00:14:55,628 --> 00:14:56,928 HE SAYS HE WANTS TO HAVE WITH 592 00:14:56,930 --> 00:14:58,530 ME, THEN HE'S GONNA HAVE TO GET 593 00:14:58,531 --> 00:14:59,631 RID OF THE [bleep] GOING ON AT 594 00:14:59,632 --> 00:15:01,132 THE SHOP. 595 00:15:01,134 --> 00:15:02,274 IF YOU'RE NOT A ASSET, 596 00:15:02,269 --> 00:15:03,699 YOU'RE A LIABILITY. 597 00:15:03,703 --> 00:15:06,313 AND DUTCHESS DON'T NEED NO 598 00:15:06,306 --> 00:15:08,676 [bleep] LIABILITY. 599 00:15:08,675 --> 00:15:11,575 BABY, O'[bleep] IS NOT REALLY 600 00:15:11,578 --> 00:15:13,748 SERIOUS ABOUT NOTHING. 601 00:15:13,746 --> 00:15:16,416 SOME THINGS ABOUT WALT, HE 602 00:15:16,416 --> 00:15:20,086 A SNEAKY LITTLE DISRESPECTFUL. 603 00:15:20,087 --> 00:15:21,117 >> WHAT THE HELL THIS WOMAN 604 00:15:21,121 --> 00:15:22,291 THINK, SHE OPRAH? 605 00:15:22,289 --> 00:15:24,019 THIS IS MY GIRLFRIEND, YO. 606 00:15:24,024 --> 00:15:25,434 IT FEEL LIKE I'M TALKING TO 607 00:15:25,425 --> 00:15:26,625 AN INVESTOR. 608 00:15:26,626 --> 00:15:27,756 >> YOU HAVE A BUSINESS TO RUN, 609 00:15:27,760 --> 00:15:29,160 BABY, I MEAN, WE HAVE TO WORRY 610 00:15:29,162 --> 00:15:30,202 ABOUT THE WHAT-IFS. 611 00:15:30,197 --> 00:15:32,527 SASSY, PUMA, ANY OF THEM, 612 00:15:32,532 --> 00:15:33,502 THEY'D RATHER DO WHAT THEY WANNA 613 00:15:33,500 --> 00:15:34,400 DO. 614 00:15:34,401 --> 00:15:36,171 SASSY NEEDS TO GO BECAUSE 615 00:15:36,169 --> 00:15:38,569 SHE'S MORE LOYAL TO PUMA THAN 616 00:15:38,571 --> 00:15:40,311 ANYBODY ELSE. 617 00:15:40,307 --> 00:15:42,037 IF YOU [bleep] WITH MY ENEMY, 618 00:15:42,042 --> 00:15:44,242 YOU ARE NOW MY ENEMY TOO. 619 00:15:44,244 --> 00:15:45,084 THE CLOSER WE GET IT TAKEN CARE 620 00:15:45,078 --> 00:15:46,148 OF, 621 00:15:46,146 --> 00:15:47,776 THE CLOSER WE ARE TO JUST BEING 622 00:15:47,780 --> 00:15:51,650 HAPPY. 623 00:15:51,651 --> 00:15:55,191 >> THAT LOOKS GREAT. 624 00:15:55,188 --> 00:15:56,158 >> UH-UH, WE DIDN'T SAY OUR 625 00:15:56,156 --> 00:15:58,156 GRACE. 626 00:16:02,495 --> 00:16:03,425 THANK YOU, LORD, FOR THIS FOOD 627 00:16:03,430 --> 00:16:04,400 WE'RE ABOUT TO SEE... 628 00:16:04,397 --> 00:16:06,727 [mumbling] 629 00:16:06,733 --> 00:16:07,673 >> AMEN. 630 00:16:07,667 --> 00:16:09,667 >> MM-HMM. 631 00:16:13,873 --> 00:16:16,143 >> * SHAKE, SHAKE, SHAKE 632 00:16:18,278 --> 00:16:19,778 >> WHAT THE [bleep]? 633 00:16:19,779 --> 00:16:20,679 >> HI, GUY! 634 00:16:20,680 --> 00:16:21,810 >> YO. 635 00:16:21,814 --> 00:16:23,184 >> WHAT UP, BOSS? 636 00:16:23,183 --> 00:16:24,583 >> SO I GET BACK FROM GETTING 637 00:16:24,584 --> 00:16:25,894 THE POWER TURNED BACK ON, 638 00:16:25,885 --> 00:16:27,415 AND JUST IN TIME, 639 00:16:27,420 --> 00:16:29,120 GUESS WHO'S HERE? 640 00:16:29,122 --> 00:16:29,962 ERICA MENA FROM 641 00:16:29,956 --> 00:16:31,116 LOVE AND HIP HOP. 642 00:16:31,124 --> 00:16:33,764 ERICA IS MY BOY RICH'S EX-GIRL. 643 00:16:33,760 --> 00:16:34,630 >> Y'ALL GOT TO GET THIS 644 00:16:34,627 --> 00:16:35,497 COVERED. 645 00:16:35,495 --> 00:16:36,195 >> WHO THAT? 646 00:16:36,196 --> 00:16:37,756 DUH. YOU SEE THE "R"? 647 00:16:37,764 --> 00:16:41,734 >> BITCH-ASS. 648 00:16:41,734 --> 00:16:43,044 >> ERICA WANTS TO GET RICH 649 00:16:43,036 --> 00:16:45,236 TATTOO COVERED UP. 650 00:16:45,238 --> 00:16:46,468 I'M NOT GETTING IN THIS. 651 00:16:46,473 --> 00:16:48,283 RICH MY MAN, FIRST OF ALL. 652 00:16:48,275 --> 00:16:49,005 I KNOW HIM. 653 00:16:49,008 --> 00:16:49,708 >> I ADMIT, IT WAS A SUCKER 654 00:16:49,709 --> 00:16:50,379 MOVE. 655 00:16:50,377 --> 00:16:52,077 IT WAS A SUCKER MOVE. 656 00:16:52,079 --> 00:16:53,249 >> SO WHAT YOU TRYING TO SAY IS, 657 00:16:53,246 --> 00:16:54,606 NEVER EVER, EVER, EVER GONNA 658 00:16:54,614 --> 00:16:55,484 WORK OUT. 659 00:16:55,482 --> 00:16:56,652 >> NEVER. 660 00:16:56,649 --> 00:16:57,449 >> YOU HEAR WHAT SHE JUST SAID 661 00:16:57,450 --> 00:16:58,120 THOUGH? 662 00:16:58,118 --> 00:16:58,818 >> I'M ANTI-TATTOO. 663 00:16:58,818 --> 00:16:59,948 [bleep] THAT [bleep]. 664 00:16:59,952 --> 00:17:00,722 I'M NOT MARKING NO MORE 665 00:17:00,720 --> 00:17:02,620 TERRITORY. 666 00:17:02,622 --> 00:17:04,092 >> SHE WANTS CEASER TO DO THIS 667 00:17:04,091 --> 00:17:05,191 TATTOO. 668 00:17:05,192 --> 00:17:06,532 LIKE, HMM, GOOD LUCK WITH THAT. 669 00:17:06,526 --> 00:17:07,686 CEASER GOT THIS WHOLE [bleep] 670 00:17:07,694 --> 00:17:09,534 YOU KNOW, I MEAN, MASTERPIECE HE 671 00:17:09,529 --> 00:17:11,359 GOT GOING ON HIS HAND DEDICATED 672 00:17:11,364 --> 00:17:12,274 TO DUTCHESS. 673 00:17:12,265 --> 00:17:13,495 LIKE, THE BOY IS IN LOVE. 674 00:17:13,500 --> 00:17:14,630 >> THIS IS NICE. 675 00:17:14,634 --> 00:17:16,974 YOU JUST GOT THIS DONE? 676 00:17:16,969 --> 00:17:17,999 >> IT'S FIRE, RIGHT? 677 00:17:18,004 --> 00:17:18,914 >> HELL YEAH. 678 00:17:18,905 --> 00:17:21,465 >> YEAH, THAT'S DUTCHESS, LOOK! 679 00:17:21,474 --> 00:17:23,914 THEY GOT MATCHING TATTOOS. 680 00:17:23,910 --> 00:17:25,010 >> HE GOT THE KING, 681 00:17:25,011 --> 00:17:25,981 SHE GOT THE QUEEN. 682 00:17:25,978 --> 00:17:27,108 >> YOU'RE IN LOVE. 683 00:17:27,114 --> 00:17:28,524 >> BUT SHE CAN GET HERS 684 00:17:28,515 --> 00:17:29,245 COVERED UP. 685 00:17:29,249 --> 00:17:30,019 YOU CAN'T. 686 00:17:30,016 --> 00:17:30,876 >> YOU CAN'T. 687 00:17:30,883 --> 00:17:33,123 >> IT'S ALL LIKE THAT. 688 00:17:33,120 --> 00:17:34,750 >> WHY WOULD I EVER COVER UP MY 689 00:17:34,754 --> 00:17:35,624 TATTOO? 690 00:17:35,622 --> 00:17:36,662 WE'RE THE KING AND QUEEN. 691 00:17:36,656 --> 00:17:38,886 THE DIFFERENCE BETWEEN ME 692 00:17:38,891 --> 00:17:40,061 AND DUTCHESS'S RELATIONSHIP 693 00:17:40,059 --> 00:17:41,089 AND THEIRS, 694 00:17:41,094 --> 00:17:42,904 DUTCHESS IS NOT RELYING ON ME TO 695 00:17:42,895 --> 00:17:45,055 GET A RECORD CONTRACT. 696 00:17:45,064 --> 00:17:47,674 >> I WANT A SCORPION. 697 00:17:47,667 --> 00:17:48,467 >> YEAH, THAT SOUND LIKE SOME 698 00:17:48,468 --> 00:17:49,138 WOMAN [bleep]. 699 00:17:49,136 --> 00:17:49,796 YOU NEED TO GET UP WITH 700 00:17:49,802 --> 00:17:50,472 DUTCHESS. 701 00:17:50,470 --> 00:17:52,140 >> WHERE'S THE BOO DUTCH? 702 00:17:52,139 --> 00:17:53,069 >> GO INSIDE AND WAIT FOR HER, 703 00:17:53,072 --> 00:17:53,812 SHE'LL BE HERE IN A MINUTE. 704 00:17:53,806 --> 00:17:54,466 >> OKAY. 705 00:17:54,474 --> 00:17:55,144 BUT SHE MIGHT NOT EVEN BE 706 00:17:55,142 --> 00:17:55,812 INSPIRED EITHER-- 707 00:17:55,808 --> 00:17:56,808 >> YEAH, NAH, NO, NO, NO. 708 00:17:56,809 --> 00:17:58,079 SHE A WOMAN. 709 00:17:58,077 --> 00:17:59,107 YOU KNOW HOW Y'ALL WOMEN STICK 710 00:17:59,112 --> 00:17:59,812 TOGETHER. 711 00:17:59,812 --> 00:18:01,052 >> L-O-V-E LAND, MAN. 712 00:18:01,047 --> 00:18:02,317 >> [bleep] 713 00:18:02,315 --> 00:18:06,015 >> I'M ANTI L-O-V-E RIGHT NOW. 714 00:18:06,018 --> 00:18:06,948 >> WHAT YOU COVERING? 715 00:18:06,953 --> 00:18:08,023 >> UGH. 716 00:18:08,020 --> 00:18:09,320 >> OH, THIS. 717 00:18:09,322 --> 00:18:10,692 YOU GOT TO PUT A LITTLE "T" 718 00:18:10,690 --> 00:18:11,390 RIGHT HERE. 719 00:18:11,391 --> 00:18:12,061 T-R. 720 00:18:12,058 --> 00:18:13,128 TEDDY RUX. 721 00:18:13,126 --> 00:18:14,156 >> RIGHT! 722 00:18:14,161 --> 00:18:15,531 >> NICE. 723 00:18:15,528 --> 00:18:16,598 [bleep] 724 00:18:16,596 --> 00:18:17,526 >> OH, WORD? 725 00:18:17,530 --> 00:18:18,430 >> SHE MADE THEM CAKES? 726 00:18:18,431 --> 00:18:20,301 >> HI. 727 00:18:20,300 --> 00:18:21,400 A BAKER. 728 00:18:21,401 --> 00:18:23,941 >> OH. HOW ARE YOU? 729 00:18:25,805 --> 00:18:26,635 >> NO, NO. 730 00:18:26,639 --> 00:18:28,209 >> BABY. 731 00:18:28,208 --> 00:18:29,308 COME ON. 732 00:18:29,309 --> 00:18:31,079 IF YOU DO THAT, I SWEAR. 733 00:18:31,077 --> 00:18:32,747 >> CEASER AND DUTCHESS WANT TO 734 00:18:32,745 --> 00:18:34,445 BE ALL [bleep] CUTESY, CUTESY 735 00:18:34,447 --> 00:18:35,377 AND [bleep]. 736 00:18:35,382 --> 00:18:36,122 >> BABY, LET ME GET YOU. 737 00:18:36,115 --> 00:18:36,915 DON'T GET ME. 738 00:18:36,916 --> 00:18:38,316 >> NOW, YOU GONNA GET IT, GIRL. 739 00:18:38,318 --> 00:18:39,818 >> BABE, EAT THE CAKE. 740 00:18:39,819 --> 00:18:40,719 NO, YOU EAT IT. 741 00:18:40,720 --> 00:18:42,360 I'M GONNA GET YOU. 742 00:18:42,355 --> 00:18:43,615 NO, I'M GONNA GET YOU. 743 00:18:43,623 --> 00:18:46,433 >> OH! 744 00:18:46,426 --> 00:18:49,926 YEAH! 745 00:18:49,929 --> 00:18:50,659 >> YOU KNOW HOW WHEN YOU WAS 746 00:18:50,663 --> 00:18:51,533 YOUNGER, IT WOULD BE LIKE, 747 00:18:51,531 --> 00:18:52,371 "YOU HANG UP FIRST." 748 00:18:52,365 --> 00:18:53,295 "NO, YOU HANG UP FIRST." 749 00:18:53,300 --> 00:18:54,600 "NO, YOU HANG UP FIRST." 750 00:18:54,601 --> 00:18:55,501 THAT'S THE TYPE OF [bleep] THEY 751 00:18:55,502 --> 00:18:56,472 WOULD DO. 752 00:18:56,469 --> 00:18:57,399 IT'S LIKE, UGH. 753 00:18:57,404 --> 00:18:58,514 Y'ALL GROWN. 754 00:18:58,505 --> 00:18:59,335 Y'ALL ACT LIKE YOU'RE LIKE 15 755 00:18:59,339 --> 00:19:00,539 AND [bleep]. 756 00:19:00,540 --> 00:19:02,010 >> I DID A SUCKER MOVE. 757 00:19:02,008 --> 00:19:03,478 I GOT IT TO PROVE MY LOYALTY, 758 00:19:03,476 --> 00:19:04,836 AND IT WORKED AGAINST ME, SO-- 759 00:19:04,844 --> 00:19:06,284 >> SO WE GONNA GET IT COVERED. 760 00:19:06,279 --> 00:19:07,279 THAT'S WHAT WE GONNA DO. 761 00:19:07,280 --> 00:19:08,220 OF COURSE. 762 00:19:08,215 --> 00:19:09,815 NOTHING BUT LOVE. 763 00:19:09,816 --> 00:19:10,616 NOTHING BUT LOVE. 764 00:19:10,617 --> 00:19:11,477 >> SEE THIS THE ONLY PERSON THAT 765 00:19:11,484 --> 00:19:12,294 WAS WITH ME ON THIS. 766 00:19:12,285 --> 00:19:13,885 >> DUTCHESS IS WITH IT. 767 00:19:13,886 --> 00:19:15,516 I'M NOT WITH IT. 768 00:19:15,522 --> 00:19:16,562 SO I HAVE TO CALL MY MAN 769 00:19:16,556 --> 00:19:17,686 RICH UP. 770 00:19:17,690 --> 00:19:18,360 >> YO. 771 00:19:18,358 --> 00:19:19,028 >> WHAT'S POPPING, DOG? 772 00:19:19,025 --> 00:19:20,285 YOUR EX IN HERE, SHE TRYING TO 773 00:19:20,293 --> 00:19:22,303 GET SOMETHING COVERED UP. 774 00:19:24,364 --> 00:19:25,334 >> SHE'S JUST SAYING SHE'S 775 00:19:25,332 --> 00:19:26,372 GETTING THAT [bleep] COVERED UP. 776 00:19:26,366 --> 00:19:28,096 IT'S OVER. 777 00:19:28,100 --> 00:19:29,040 ALL RIGHT. BET. 778 00:19:29,035 --> 00:19:31,235 I CAN'T WAIT TO SEE ERICA'S FACE 779 00:19:31,238 --> 00:19:33,308 WHEN MY MAN RICH COMES HERE AND 780 00:19:33,306 --> 00:19:35,166 PUT A STOP TO THIS BULL[bleep]. 781 00:19:35,174 --> 00:19:36,384 >> I THINK IF WE DO IT TOO 782 00:19:36,376 --> 00:19:37,076 SMALL, 783 00:19:37,076 --> 00:19:37,776 WE GONNA MISS OUT ON THE 784 00:19:37,777 --> 00:19:38,507 DETAILS. 785 00:19:38,511 --> 00:19:40,811 >> OH, MY. IT'S [bleep] RICH! 786 00:19:40,813 --> 00:19:43,023 [bleep] 787 00:19:43,015 --> 00:19:43,675 >> [bleep] 788 00:19:43,683 --> 00:19:44,353 >> WHAT UP? 789 00:19:44,351 --> 00:19:45,451 >> WHAT UP, BABY GIRL? 790 00:19:45,452 --> 00:19:47,622 >> I WALK INTO THAT SHOP, 791 00:19:47,620 --> 00:19:48,690 AND THE BITCH IS STILL 792 00:19:48,688 --> 00:19:49,488 LINGERING. 793 00:19:49,489 --> 00:19:51,219 JUST FIRE THE BITCH. 794 00:19:51,224 --> 00:19:52,294 YOU RUNNING A BUSINESS, RIGHT? 795 00:19:52,292 --> 00:19:53,362 WELL, LET'S RUN A BUSINESS THEN. 796 00:19:53,360 --> 00:19:54,730 >> WHAT THE [bleep] IS GOING ON 797 00:19:54,727 --> 00:19:55,397 WITH THE SHOP? 798 00:19:55,395 --> 00:19:56,195 LIKE, 'CAUSE WE GOT TO FIGURE 799 00:19:56,195 --> 00:19:56,925 THIS [bleep] OUT. 800 00:19:56,929 --> 00:19:57,859 >> I MIGHT BRING MY SISTER IN. 801 00:19:57,864 --> 00:19:58,904 MIGHT BRING TIFF IN. 802 00:19:58,898 --> 00:20:00,898 >> OOH. 803 00:20:10,142 --> 00:20:12,382 >> OH, MY [bleep] RICH! 804 00:20:12,379 --> 00:20:14,879 [bleep] 805 00:20:14,881 --> 00:20:15,781 WHAT UP? 806 00:20:15,782 --> 00:20:16,482 >> HI. 807 00:20:16,483 --> 00:20:17,283 >> WHAT YOU GETTING? 808 00:20:17,284 --> 00:20:18,124 >> SCORPION. 809 00:20:18,117 --> 00:20:18,947 >> OVER WHAT? 810 00:20:18,951 --> 00:20:20,451 THAT'S MY HAND. 811 00:20:20,453 --> 00:20:22,293 >> YOU DON'T OWN ANYTHING AROUND 812 00:20:22,289 --> 00:20:23,419 THESE PARTS NO MORE, BROTHER. 813 00:20:23,423 --> 00:20:24,093 >> WHAT'S UP? 814 00:20:24,090 --> 00:20:24,960 THOUGHT I WASN'T GONNA KNOW YOU 815 00:20:24,957 --> 00:20:25,827 WAS DOWN HERE GETTING A TAT? 816 00:20:25,825 --> 00:20:27,285 WHAT UP, BABY GIRL? 817 00:20:27,294 --> 00:20:28,734 HOW YOU? 818 00:20:28,728 --> 00:20:30,298 >> I'M GOOD. HOW YOU BEEN? 819 00:20:30,297 --> 00:20:31,127 I HAVEN'T SEEN YOU IN FOREVER. 820 00:20:31,130 --> 00:20:31,800 YEAH. 821 00:20:31,798 --> 00:20:32,668 >> YOU GETTING TATTOOS COVERED 822 00:20:32,665 --> 00:20:33,595 AND [bleep]? 823 00:20:33,600 --> 00:20:35,000 >> ALL THAT ALPHA [bleep] THAT 824 00:20:35,001 --> 00:20:39,741 [bleep] I CAN'T STAND HIM. 825 00:20:39,739 --> 00:20:40,869 >> I'M GETTING IT COVERED. 826 00:20:40,873 --> 00:20:41,743 >> UH-UH. 827 00:20:41,741 --> 00:20:42,641 >> ALL THAT WENT OUT THE DOOR. 828 00:20:42,642 --> 00:20:43,842 >> YO, I GOT TO GO. 829 00:20:43,843 --> 00:20:44,743 BUT FOR REAL, FOR REAL, 830 00:20:44,744 --> 00:20:45,514 DON'T COVER THAT UP. 831 00:20:45,512 --> 00:20:46,912 TUESDAY OF NEXT WEEK, 832 00:20:46,913 --> 00:20:48,183 ME AND MENA APPOINTMENT. 833 00:20:48,180 --> 00:20:50,950 I WANT MY NAME ON HER NECK. 834 00:20:50,950 --> 00:20:52,350 >> RIGHT! 835 00:20:52,352 --> 00:20:53,422 THAT'S MY [bleep]! 836 00:20:53,420 --> 00:20:55,360 THAT'S MY [bleep]! 837 00:20:55,355 --> 00:20:56,855 >> YOU LIKE THAT, THOUGH? 838 00:20:56,856 --> 00:20:59,126 >> ARE YOU READY? 839 00:20:59,125 --> 00:20:59,885 >> OH, GET THE [bleep] OUT OF 840 00:20:59,892 --> 00:21:01,062 HERE. 841 00:21:01,060 --> 00:21:03,730 >> I'M NOT REALLY SURE WHY IN 842 00:21:03,730 --> 00:21:05,600 THE HELL SHE GOT THAT TATTOO. 843 00:21:05,598 --> 00:21:07,028 I JUST WOULDN'T HAVE DONE NO 844 00:21:07,033 --> 00:21:08,503 [bleep] LIKE THAT HE AIN'T GET 845 00:21:08,501 --> 00:21:10,001 NOTHING FOR ME. 846 00:21:10,002 --> 00:21:11,472 LIKE, I'M JUST BEING HONEST. 847 00:21:11,471 --> 00:21:14,411 >> OH, IT'S SO SEXY. 848 00:21:14,407 --> 00:21:17,207 BYE-BYE, "R." 849 00:21:17,209 --> 00:21:17,879 >> OVER. 850 00:21:17,877 --> 00:21:20,347 >> * GOTTA LET YOU GO 851 00:21:20,347 --> 00:21:21,407 >> ARE YOU READY? 852 00:21:21,414 --> 00:21:22,784 >> YEAH, [bleep] YEAH. 853 00:21:22,782 --> 00:21:26,022 LET'S DO IT. 854 00:21:26,018 --> 00:21:27,818 >> * I TRY MY BEST 855 00:21:27,820 --> 00:21:29,160 * TO MAKE IT WORK 856 00:21:29,155 --> 00:21:30,215 * DON'T EVEN KNOW * 857 00:21:30,222 --> 00:21:31,662 * IF THIS IS WORTH 858 00:21:31,658 --> 00:21:33,628 * ALL THAT YOU PUT ME THROUGH 859 00:21:33,626 --> 00:21:34,886 * IT HURTS 860 00:21:34,894 --> 00:21:36,264 * IT HURTS 861 00:21:36,262 --> 00:21:38,832 * SO I GOT TO LET YOU GO 862 00:21:38,831 --> 00:21:41,601 * I GOT TO LET YOU GO 863 00:21:44,371 --> 00:21:47,771 >> I FEEL SO GANGSTER RIGHT NOW. 864 00:21:47,774 --> 00:21:50,984 >> YOU ARE DONE, MY DEAR. 865 00:21:50,977 --> 00:21:52,547 WE HAVE RIDDED YOU. 866 00:21:52,545 --> 00:21:53,605 >> YES. 867 00:21:53,613 --> 00:21:55,283 THANK YOU, BABY, SO MUCH. 868 00:21:55,281 --> 00:21:56,851 >> YOU GOT TO DO WHAT'S BEST FOR 869 00:21:56,849 --> 00:21:57,679 YOU, BOO. 870 00:21:57,684 --> 00:21:58,854 GOSH, THAT'S WHAT'S UP. 871 00:21:58,851 --> 00:22:00,091 RICH AIN'T GOT A TATTOO. 872 00:22:00,086 --> 00:22:01,816 SO HIS LOYALTY WAS NEVER THERE. 873 00:22:01,821 --> 00:22:03,821 HAVE A GOOD ONE, BABES. 874 00:22:08,127 --> 00:22:10,197 >> * GOOD-BYE, PAIN 875 00:22:10,196 --> 00:22:12,526 * AND FAREWELL TO THE BLUES 876 00:22:12,532 --> 00:22:14,872 * I AM TURNING OVER THE PAGE 877 00:22:14,867 --> 00:22:17,467 * TO GET ME A DIFFERENT VIEW 878 00:22:17,470 --> 00:22:19,870 * GOOD-BYE, PAIN 879 00:22:19,872 --> 00:22:22,212 * OH, OOH 880 00:22:22,208 --> 00:22:24,078 >> CAN I GET TWO SLICES, PLEASE? 881 00:22:24,076 --> 00:22:25,106 HI. 882 00:22:25,111 --> 00:22:26,411 DICE IS A REALLY GOOD FRIEND OF 883 00:22:26,413 --> 00:22:27,083 MINE. 884 00:22:27,079 --> 00:22:27,949 AND DICE IS ACTUALLY THE FIRST 885 00:22:27,947 --> 00:22:28,977 PERSON TO BRING ME INTO BLACK 886 00:22:28,981 --> 00:22:30,351 INK A FEW YEARS AGO. 887 00:22:30,349 --> 00:22:31,749 THANK YOU. 888 00:22:31,751 --> 00:22:34,591 SO I MET UP WITH DICE TO TALK TO 889 00:22:34,587 --> 00:22:36,417 HIM ABOUT GETTING THE TATTOO 890 00:22:36,423 --> 00:22:39,093 THAT O'[bleep] DID COVERED UP. 891 00:22:39,091 --> 00:22:40,231 >> SO WHY YOU GONNA COVER YOUR 892 00:22:40,226 --> 00:22:41,156 TATTOO? 893 00:22:41,160 --> 00:22:42,190 WHAT DO YOU WANT TO COVER IT 894 00:22:42,194 --> 00:22:42,934 WITH? 895 00:22:42,929 --> 00:22:43,759 >> ANYTHING. 896 00:22:43,763 --> 00:22:44,803 >> WHY DO YOU WANT TO COVER IT? 897 00:22:44,797 --> 00:22:46,397 >> JUST BECAUSE. 898 00:22:46,399 --> 00:22:47,499 I'M OVER THE WHOLE O'[bleep] 899 00:22:47,500 --> 00:22:49,400 SITUATION AND WHAT HAPPENED. 900 00:22:49,402 --> 00:22:50,542 >> IT'S NOT BAD, YO. 901 00:22:50,537 --> 00:22:52,267 >> NO, IT'S NOT BAD THAT HE GOES 902 00:22:52,271 --> 00:22:53,211 AROUND TELLING PEOPLE HE SLEPT 903 00:22:53,205 --> 00:22:54,405 WITH ME WHEN HE DIDN'T. 904 00:22:54,407 --> 00:22:55,207 >> NAH. 905 00:22:55,207 --> 00:22:56,277 IT'S A PERIOD IN YOUR LIFE. 906 00:22:56,275 --> 00:22:57,275 IT'S MEMORIES. 907 00:22:57,276 --> 00:22:59,306 THAT'S WHY YOU SHOULD KEEP THEM. 908 00:22:59,311 --> 00:23:00,911 >> I LOVE MY FRIENDS FOR BEING 909 00:23:00,913 --> 00:23:02,983 OPINIONATED, AND I'M LISTENING 910 00:23:02,982 --> 00:23:03,782 TO THEM, 911 00:23:03,783 --> 00:23:04,723 BUT AT THE SAME TIME, 912 00:23:04,717 --> 00:23:07,217 I HAVE TATTOOS BY SOMEONE WHO 913 00:23:07,219 --> 00:23:08,249 BETRAYED ME. 914 00:23:08,254 --> 00:23:11,964 THAT PERSON DOES NOT DESERVE TO 915 00:23:11,958 --> 00:23:14,788 CONTINUE TO HAVE HIS WORK ON MY 916 00:23:14,794 --> 00:23:15,464 LEG. 917 00:23:15,462 --> 00:23:16,632 >> THINK ABOUT IT. 918 00:23:16,629 --> 00:23:17,359 >> DUDE, I THOUGHT ABOUT IT 919 00:23:17,363 --> 00:23:18,363 ENOUGH. 920 00:23:18,364 --> 00:23:19,274 >> THAT [bleep] LOOKS GOOD. 921 00:23:19,265 --> 00:23:20,065 LIKE, ADD ON. 922 00:23:20,066 --> 00:23:21,026 ADD ON. DON'T COVER IT. 923 00:23:21,033 --> 00:23:24,143 >> WHEN DICE GETS AS MANY 924 00:23:24,136 --> 00:23:25,196 TATTOOS AS I HAVE, 925 00:23:25,204 --> 00:23:26,114 HE CAN TALK ALL THE [bleep] HE 926 00:23:26,105 --> 00:23:26,765 WANTS. 927 00:23:26,773 --> 00:23:27,713 UNTIL NOW, NO, I'M GETTING THIS 928 00:23:27,707 --> 00:23:29,237 [bleep] COVERED. 929 00:23:29,241 --> 00:23:30,311 LET ME DESTROY YOU AND SHOW YOU 930 00:23:30,309 --> 00:23:31,579 WHAT I'M GONNA DO WITH THE PIECE 931 00:23:31,578 --> 00:23:32,548 OF [bleep] WORK THAT YOU DID ON 932 00:23:32,545 --> 00:23:35,375 MY LEG. 933 00:23:35,381 --> 00:23:36,581 >> * I KEEP FEELING 934 00:23:36,583 --> 00:23:38,083 * THESE RAINDROPS 935 00:23:38,084 --> 00:23:40,794 * FALLING ON MY HEAD 936 00:23:40,787 --> 00:23:42,287 * I KEEP FEELING 937 00:23:42,288 --> 00:23:43,888 * THESE RAINDROPS 938 00:23:43,890 --> 00:23:46,890 * FALLING ON MY HEAD 939 00:23:46,893 --> 00:23:47,933 * AND I DON'T NEED * 940 00:23:47,927 --> 00:23:49,057 * NO ONE BETTER 941 00:23:49,061 --> 00:23:52,261 * RAIN ON ME 942 00:23:52,264 --> 00:23:54,834 * I'M FINE, I'M FINE * 943 00:23:54,834 --> 00:23:56,174 >> GOOD AFTERNOON. 944 00:23:56,168 --> 00:23:57,138 >> OH, CEASE. 945 00:23:57,136 --> 00:23:58,706 WHAT'S GOOD? 946 00:23:58,705 --> 00:24:00,535 >> I TOLD DUTCHESS, 947 00:24:00,540 --> 00:24:01,670 I'M GONNA RUN THE BUSINESS 948 00:24:01,674 --> 00:24:03,184 HOW I SEE FIT. 949 00:24:03,175 --> 00:24:04,705 I DON'T WANT TO FIRE ALL THESE 950 00:24:04,711 --> 00:24:05,651 PEOPLE. 951 00:24:05,645 --> 00:24:07,175 BUT EVERYBODY GOT TO KNOW, 952 00:24:07,179 --> 00:24:08,449 THEY GOT TO UP THEIR [bleep] 953 00:24:08,447 --> 00:24:09,817 GAME. 954 00:24:09,816 --> 00:24:11,316 WE HAVE A BUSINESS TO RUN. 955 00:24:11,317 --> 00:24:12,587 THERE'S SOMETHING I WANT TO TELL 956 00:24:12,585 --> 00:24:14,115 Y'ALL [bleep]. 957 00:24:14,120 --> 00:24:14,950 I'M CHANGING OVER THE SHOP. 958 00:24:14,954 --> 00:24:16,194 IT'S TIME TO PUT A WHOLE BUNCH 959 00:24:16,188 --> 00:24:17,158 OF NEW [bleep] IN HERE. 960 00:24:17,156 --> 00:24:17,956 >> LIKE WHAT? 961 00:24:17,957 --> 00:24:19,227 >> NEW FURNITURE, NEW PAINT. 962 00:24:19,225 --> 00:24:19,955 >> DECORATING? 963 00:24:19,959 --> 00:24:20,659 >> YEAH. 964 00:24:20,660 --> 00:24:23,060 I WANT TO CHANGE EVERYTHING. 965 00:24:23,062 --> 00:24:23,902 >> LIKE, WHAT ELSE YOU THINK 966 00:24:23,896 --> 00:24:24,696 NEED TO BE CHANGED AROUND THE 967 00:24:24,697 --> 00:24:25,357 SHOP? 968 00:24:25,364 --> 00:24:26,874 >> THE WHOLE JOB STRUCTURE OF 969 00:24:26,866 --> 00:24:27,726 THE SHOP. 970 00:24:27,734 --> 00:24:30,304 EVERYBODY JOB DUTIES GOTTA 971 00:24:30,302 --> 00:24:32,002 BE DEFINED NOW. 972 00:24:32,004 --> 00:24:33,744 EVERYBODY RESPONSIBILITIES, 973 00:24:33,740 --> 00:24:35,010 THEY GOT TO TAKE 100% OF THEIR 974 00:24:35,007 --> 00:24:37,207 RESPONSIBILITY. 975 00:24:37,209 --> 00:24:38,749 >> FOR YOU TO BE COMING IN HERE 976 00:24:38,745 --> 00:24:40,045 TALKING TO ME ABOUT DOING MY 977 00:24:40,046 --> 00:24:41,206 JOB IS, LIKE, 978 00:24:41,213 --> 00:24:42,213 SOUNDING LIKE A BUNCH OF HORSE 979 00:24:42,214 --> 00:24:43,284 [bleep] TO ME RIGHT NOW. 980 00:24:43,282 --> 00:24:44,222 BECAUSE, DUDE, 981 00:24:44,216 --> 00:24:46,846 YOU DON'T DO YOUR JOB. 982 00:24:46,853 --> 00:24:48,763 LIKE, UH, BILLS DON'T BE GETTING 983 00:24:48,755 --> 00:24:50,015 PAID AROUND HERE. 984 00:24:50,022 --> 00:24:50,922 >> AIN'T GOING TO BE NO MORE 985 00:24:50,923 --> 00:24:52,963 VEGAS, NO MORE BULL[bleep], 986 00:24:52,959 --> 00:24:54,189 NO MORE. 987 00:24:54,193 --> 00:24:55,533 WE GONNA HAVE TO WORK EVEN 988 00:24:55,528 --> 00:24:56,858 HARDER, KNOW WHAT I MEAN? 989 00:24:56,863 --> 00:24:58,133 >> SO BETWEEN ALL OF THE 990 00:24:58,130 --> 00:24:59,530 NEGATIVE ENERGY THAT'S IN THIS 991 00:24:59,532 --> 00:25:00,402 SHOP RIGHT NOW 992 00:25:00,399 --> 00:25:01,329 AND THE LACK OF COMMUNICATION, 993 00:25:01,333 --> 00:25:02,403 THE LACK OF TRUST THAT'S 994 00:25:02,401 --> 00:25:03,301 HAPPENING IN HERE, 995 00:25:03,302 --> 00:25:04,442 I THINK I'M READY TO HAVE THE 996 00:25:04,436 --> 00:25:05,636 CONVERSATION WITH CEASER WHERE 997 00:25:05,638 --> 00:25:07,268 I DON'T WANT TO BE MANAGER OF 998 00:25:07,273 --> 00:25:08,213 BLACK INK. 999 00:25:08,207 --> 00:25:09,937 YO, YOU WANT TO COME IN THE BACK 1000 00:25:09,942 --> 00:25:10,912 WITH ME FOR A MINUTE? 1001 00:25:10,910 --> 00:25:13,110 >> ALL RIGHT. 1002 00:25:13,112 --> 00:25:13,982 >> I'D RATHER JUST TAKE MY OLD 1003 00:25:13,980 --> 00:25:14,910 POSITION AS BEING BLACK INK'S 1004 00:25:14,914 --> 00:25:16,084 PR. 1005 00:25:16,082 --> 00:25:17,622 I KNOW THAT HE'S AUTOMATICALLY 1006 00:25:17,617 --> 00:25:18,747 GONNA ASSUME THAT IT HAS 1007 00:25:18,751 --> 00:25:19,791 SOMETHING TO DO WITH PUMA, 1008 00:25:19,786 --> 00:25:20,986 AND IT'S NOT THAT. 1009 00:25:20,987 --> 00:25:21,947 YOU KNOW, AND I WANT TO MAKE 1010 00:25:21,954 --> 00:25:23,224 SURE THAT'S VERY CLEAR. 1011 00:25:23,222 --> 00:25:24,162 >> I GOT TO REDO THIS WHOLE 1012 00:25:24,156 --> 00:25:24,956 [bleep] PLACE. 1013 00:25:24,957 --> 00:25:26,087 >> YES. 1014 00:25:26,092 --> 00:25:28,062 >> SO, SASS. 1015 00:25:28,060 --> 00:25:29,130 >> SO. 1016 00:25:29,128 --> 00:25:31,258 I DON'T THINK I'M READY TO BE 1017 00:25:31,263 --> 00:25:32,533 THE MANAGER OF THE SHOP. 1018 00:25:32,531 --> 00:25:34,931 I FEEL LIKE IT KIND OF GOT 1019 00:25:34,934 --> 00:25:36,844 THROWN AT ME BECAUSE WALT 1020 00:25:36,836 --> 00:25:37,766 [bleep] UP. 1021 00:25:37,770 --> 00:25:38,710 BUT, LIKE, REALISTICALLY, 1022 00:25:38,705 --> 00:25:39,805 I DON'T LIKE THAT WHEN 1023 00:25:39,806 --> 00:25:40,836 A CUSTOMER COMES IN AND ASKS ME 1024 00:25:40,840 --> 00:25:41,910 HOW MUCH IS A--HOW MUCH IS THIS 1025 00:25:41,908 --> 00:25:42,838 GONNA COST? 1026 00:25:42,842 --> 00:25:43,582 I CAN'T TELL THEM. 1027 00:25:43,576 --> 00:25:44,576 BECAUSE, YOU KNOW, I DON'T KNOW 1028 00:25:44,577 --> 00:25:45,277 ENOUGH. 1029 00:25:45,277 --> 00:25:46,177 YOU UNDERSTAND WHAT I'M SAYING? 1030 00:25:46,178 --> 00:25:48,148 >> THIS BITCH IS TRIPPING. 1031 00:25:48,147 --> 00:25:49,977 I'M TRYING TO HELP HER OUT, 1032 00:25:49,982 --> 00:25:51,252 AND SHE TALKING ABOUT IT'S TOO 1033 00:25:51,250 --> 00:25:52,450 MUCH WORK. 1034 00:25:52,451 --> 00:25:53,951 THAT'S PUMA'S LAZY-ASS ATTITUDE 1035 00:25:53,953 --> 00:25:58,663 RUBBING OFF ON SASSY. 1036 00:25:58,658 --> 00:26:00,488 IS IT THAT YOU'RE STEPPING DOWN 1037 00:26:00,492 --> 00:26:02,462 BECAUSE OF WHAT'S GOING ON 1038 00:26:02,461 --> 00:26:03,701 BETWEEN ME AND PUMA? 1039 00:26:03,696 --> 00:26:04,796 >> NO. 1040 00:26:04,797 --> 00:26:06,627 YOU AND, LIKE, I'M HONESTLY 1041 00:26:06,633 --> 00:26:07,503 TELLING--YOU SHOULD KNOW THIS 1042 00:26:07,499 --> 00:26:08,599 FROM BEFORE. 1043 00:26:08,601 --> 00:26:09,501 YOU--THIS NOT THE FIRST TIME YOU 1044 00:26:09,501 --> 00:26:11,641 AND PUMA GOT INTO IT. 1045 00:26:11,638 --> 00:26:13,208 >> WHEN I GOT MAD AT PUMA, 1046 00:26:13,205 --> 00:26:15,805 I GOT MAD AT YOU TOO. 1047 00:26:15,808 --> 00:26:17,078 AND MY HEAD IS 1048 00:26:17,076 --> 00:26:18,906 YOU AND PUMA ALWAYS TOGETHER. 1049 00:26:18,911 --> 00:26:19,651 >> RIGHT. 1050 00:26:19,646 --> 00:26:20,546 >> AND AFTER A WHILE, 1051 00:26:20,546 --> 00:26:21,346 YOU KNOW I HAD [bleep]. 1052 00:26:21,347 --> 00:26:22,747 OH, SASSY MUST BE DOWN WITH THIS 1053 00:26:22,749 --> 00:26:23,819 [bleep], MAN. 1054 00:26:23,816 --> 00:26:25,316 >> ME HAVING TO PAY FOR PUMA'S 1055 00:26:25,317 --> 00:26:27,747 BEEF WITH CEASER IS [bleep] AT 1056 00:26:27,754 --> 00:26:28,894 THE END OF THE DAY. 1057 00:26:28,888 --> 00:26:29,658 I DON'T GIVE A DAMN. 1058 00:26:29,656 --> 00:26:30,356 LET'S SEPARATE THAT. 1059 00:26:30,356 --> 00:26:31,286 KEEP THAT [bleep] SEPARATED. 1060 00:26:31,290 --> 00:26:32,460 I'M A GROWN-ASS WOMAN. 1061 00:26:32,458 --> 00:26:33,388 Y'ALL PROBLEMS DON'T GOT NOTHING 1062 00:26:33,392 --> 00:26:34,062 TO DO WITH ME. 1063 00:26:34,060 --> 00:26:34,860 >> AS LONG AS IT'S SEPARATED. 1064 00:26:34,861 --> 00:26:35,661 >> I CAN DO THAT, AS LONG AS 1065 00:26:35,662 --> 00:26:36,602 Y'ALL CAN DO THE SAME, THEN WE 1066 00:26:36,595 --> 00:26:37,555 GOOD. 1067 00:26:37,563 --> 00:26:38,233 I'M HERE, YO. 1068 00:26:38,230 --> 00:26:38,900 I'M HERE EVERY DAY. 1069 00:26:38,898 --> 00:26:39,768 LIKE, I'M HERE. 1070 00:26:39,766 --> 00:26:41,926 >> I AGREE WITH SASSY. 1071 00:26:41,934 --> 00:26:43,504 BUSINESS AND PERSONAL SHOULD 1072 00:26:43,502 --> 00:26:44,642 NEVER MIX. 1073 00:26:44,637 --> 00:26:47,337 SO, SASSY, YOU ARE FIRED FROM 1074 00:26:47,339 --> 00:26:48,779 THE MANAGER POSITION. 1075 00:26:48,775 --> 00:26:49,835 >> OH. 1076 00:26:49,842 --> 00:26:51,442 >> BUT YOU RETAIN YOUR JOB AS 1077 00:26:51,443 --> 00:26:53,113 THE PR AND EVENT PLANNER. 1078 00:26:53,112 --> 00:26:54,052 >> OKAY. 1079 00:26:54,046 --> 00:26:54,846 >> ALL RIGHT? 1080 00:26:54,847 --> 00:26:55,547 >> YES. 1081 00:26:55,547 --> 00:26:56,577 IT FELT PRETTY GOOD FOR CEASER 1082 00:26:56,582 --> 00:26:57,752 TO REASSURE ME THAT OUR 1083 00:26:57,750 --> 00:26:59,290 FRIENDSHIP AND OUR BUSINESS 1084 00:26:59,285 --> 00:27:00,415 RELATIONSHIP WOULDN'T CHANGE 1085 00:27:00,419 --> 00:27:02,019 JUST BECAUSE HIM AND PUMA HAD 1086 00:27:02,021 --> 00:27:03,061 A FALLING OUT. 1087 00:27:03,055 --> 00:27:04,415 BUT [bleep] HAS TO CHANGE AT THE 1088 00:27:04,423 --> 00:27:05,263 SHOP. 1089 00:27:05,257 --> 00:27:06,887 CEASER, AS MY BOSS, I SHOULD BE 1090 00:27:06,893 --> 00:27:08,233 ABLE TO COME TO YOU WITHOUT 1091 00:27:08,227 --> 00:27:09,327 BEING CONCERNED THAT 1092 00:27:09,328 --> 00:27:11,898 YOUR GIRLFRIEND'S GONNA BE MAD 1093 00:27:11,898 --> 00:27:12,998 AT ME. 1094 00:27:12,999 --> 00:27:13,929 THIS IS MY THING. 1095 00:27:13,933 --> 00:27:15,233 IF ME AND YOU HAVE A PROBLEM 1096 00:27:15,234 --> 00:27:16,004 WITH SOMETHING, LIKE, 1097 00:27:16,002 --> 00:27:16,772 I DON'T WANT IT TO HAVE TO BE 1098 00:27:16,769 --> 00:27:17,539 BEEF BETWEEN ME, YOU, 1099 00:27:17,536 --> 00:27:18,296 AND DUTCHESS. 1100 00:27:18,304 --> 00:27:19,974 ANYTHING THAT NEEDS TO BE DEALT 1101 00:27:19,972 --> 00:27:21,172 WITH IS NOW YOU AND DUTCHESS. 1102 00:27:21,173 --> 00:27:22,683 AND NOBODY THINK THAT IT'S FAIR. 1103 00:27:22,675 --> 00:27:23,635 YOU MY BOSS. 1104 00:27:23,642 --> 00:27:24,742 >> MY THING IS, 1105 00:27:24,744 --> 00:27:26,084 WHY EVERYBODY SO CONCERNED ABOUT 1106 00:27:26,078 --> 00:27:27,248 OUR RELATIONSHIP? 1107 00:27:27,246 --> 00:27:29,276 IT'S NOT HURTING ANYBODY. 1108 00:27:29,281 --> 00:27:30,581 IT'S NOT HURTING THE BUSINESS, 1109 00:27:30,582 --> 00:27:32,452 SO WHAT'S THE PROBLEM? 1110 00:27:32,451 --> 00:27:33,991 WE TOO HAPPY? 1111 00:27:33,986 --> 00:27:36,456 DUTCHESS AND MY RELATIONSHIP IS 1112 00:27:36,455 --> 00:27:38,415 JUST, LIKE, WE'RE JUST MADE FOR 1113 00:27:38,424 --> 00:27:39,364 EACH OTHER. 1114 00:27:39,358 --> 00:27:41,358 SHE LOVES ME. LOVE ME HARD. 1115 00:27:41,360 --> 00:27:42,560 >> OH, YEAH, EVERYBODY KNOW 1116 00:27:42,561 --> 00:27:43,261 THAT. 1117 00:27:43,262 --> 00:27:44,132 >> I SEEN HER FLIP OUT 1118 00:27:44,130 --> 00:27:45,130 AT MCDONALD'S 'CAUSE [bleep] 1119 00:27:45,131 --> 00:27:47,231 PUT A PICKLE ON MY CHEESEBURGER, 1120 00:27:47,233 --> 00:27:48,273 AND SHE FLIPPED ON HER. 1121 00:27:48,267 --> 00:27:49,297 SHE'S JUST LIKE THAT. 1122 00:27:49,301 --> 00:27:52,201 BUT AS FAR AS THE TENSION WITH 1123 00:27:52,204 --> 00:27:53,214 Y'ALL TWO, 1124 00:27:53,205 --> 00:27:56,275 THAT'S SOME FEMALE [bleep]. 1125 00:27:56,275 --> 00:27:57,105 >> OKAY. 1126 00:27:57,109 --> 00:27:59,909 >> Y'ALL GO HAVE A SPA DATE, 1127 00:27:59,912 --> 00:28:00,882 WHATEVER, BUT THAT'S SOMETHING 1128 00:28:00,880 --> 00:28:02,150 Y'ALL GONNA HAVE TO GET OVER. 1129 00:28:02,148 --> 00:28:03,078 >> OH, THERE WILL BE NO SPA 1130 00:28:03,082 --> 00:28:03,782 DATES 1131 00:28:03,783 --> 00:28:04,823 WITH ME AND ANYONE FROM THE 1132 00:28:04,817 --> 00:28:05,547 SHOP. 1133 00:28:05,551 --> 00:28:07,551 I RESPECT THAT. 1134 00:28:10,322 --> 00:28:12,622 [lock buzzing] 1135 00:28:13,625 --> 00:28:14,985 >> I WALK INTO THAT SHOP, 1136 00:28:14,994 --> 00:28:16,134 AND THE BITCH IS STILL 1137 00:28:16,128 --> 00:28:16,858 LINGERING. 1138 00:28:16,863 --> 00:28:18,563 SO I GUESS I'M GONNA HAVE TO 1139 00:28:18,564 --> 00:28:19,504 TALK TO CEASE. 1140 00:28:19,498 --> 00:28:21,228 JUST FIRE THE BITCH. 1141 00:28:21,233 --> 00:28:25,143 GET RID OF THE HO. 1142 00:28:25,137 --> 00:28:26,207 >> OH, MY GOD. 1143 00:28:26,205 --> 00:28:27,405 I [bleep] SPELLED "AGAINST" 1144 00:28:27,406 --> 00:28:28,066 WRONG. 1145 00:28:28,074 --> 00:28:29,114 I CAN'T BELIEVE THIS [bleep]. 1146 00:28:29,108 --> 00:28:30,038 PLEASE DON'T FIRE ME, AGAIN, 1147 00:28:30,042 --> 00:28:30,782 THOUGH. 1148 00:28:30,777 --> 00:28:32,107 >> I CHECK INSTAGRAM, 1149 00:28:32,111 --> 00:28:33,311 THERE'S SASSY TALKING [bleep] 1150 00:28:33,312 --> 00:28:34,952 ABOUT ME AND CEASE. 1151 00:28:34,947 --> 00:28:37,947 NOW I'M COMING FOR THE JUGULAR. 1152 00:28:47,760 --> 00:28:48,930 >> I TALKED TO SASSY. 1153 00:28:48,928 --> 00:28:50,028 >> AND? 1154 00:28:50,029 --> 00:28:51,099 >> WELL, SHE'S A PR. 1155 00:28:51,097 --> 00:28:52,927 SHE'S AN EVENT PLANNER. 1156 00:28:52,932 --> 00:28:55,032 >> I'M IMAGINING THIS IS HOW IT 1157 00:28:55,034 --> 00:28:55,804 WENT. 1158 00:28:55,802 --> 00:28:57,172 "CEASER, LIKE, REALLY, I JUST, 1159 00:28:57,169 --> 00:28:58,869 I JUST CAN'T BE THE MANAGER OF 1160 00:28:58,871 --> 00:28:59,541 THE SHOP. 1161 00:28:59,538 --> 00:29:00,408 LIKE, IT'S TOO MUCH STRESS ON 1162 00:29:00,406 --> 00:29:01,066 ME. 1163 00:29:01,073 --> 00:29:01,943 I DON'T KNOW HOW I'M GONNA DO 1164 00:29:01,941 --> 00:29:02,611 THIS." 1165 00:29:02,608 --> 00:29:03,638 BITCH, HOW IS YOU GONNA BE IN 1166 00:29:03,642 --> 00:29:04,612 CORPORATE IF YOU CAN'T HANDLE 1167 00:29:04,610 --> 00:29:05,640 [bleep] BLACK INK? 1168 00:29:05,644 --> 00:29:06,514 I'M SORRY. 1169 00:29:06,512 --> 00:29:08,252 WE RUNNING A BUSINESS, RIGHT? 1170 00:29:08,247 --> 00:29:09,617 >> WHICH IS TRUE. 1171 00:29:09,615 --> 00:29:10,615 >> SO LET'S RUN A BUSINESS, 1172 00:29:10,616 --> 00:29:11,346 BABY. 1173 00:29:11,350 --> 00:29:12,520 WE DON'T--WE CAN'T HAVE NO TIME 1174 00:29:12,518 --> 00:29:14,788 FOR NO SPEED BUMPS. 1175 00:29:14,787 --> 00:29:16,617 WE--WE MOVING FULL SPEED AHEAD. 1176 00:29:16,622 --> 00:29:18,322 SHE'S GOT TO GO. 1177 00:29:18,324 --> 00:29:20,094 WE DON'T STEP ON COCKROACHES 1178 00:29:20,092 --> 00:29:21,362 AND LET THEM KEEP SCURRYING, 1179 00:29:21,360 --> 00:29:22,960 YOU RAID THEM MOTHER[bleep] 1180 00:29:22,962 --> 00:29:23,632 OUT. 1181 00:29:23,629 --> 00:29:24,859 YOU KILL THEM COMPLETELY. 1182 00:29:24,864 --> 00:29:26,004 CEASE IS GONNA HAVE TO 1183 00:29:25,998 --> 00:29:27,298 UNDERSTAND, AS A BUSINESSMAN, 1184 00:29:27,299 --> 00:29:28,599 HE'S GONNA HAVE TO CUT SOME 1185 00:29:28,600 --> 00:29:29,900 PEOPLE OFF. 1186 00:29:29,902 --> 00:29:31,502 AND IF NOT, THEN I'LL HANDLE IT. 1187 00:29:31,503 --> 00:29:32,403 AND THAT'S JUST THE REALITY OF 1188 00:29:32,404 --> 00:29:34,414 IT. 1189 00:29:42,181 --> 00:29:43,251 >> BLACK INK. 1190 00:29:43,249 --> 00:29:44,249 WHAT THE [bleep] IS GOING ON 1191 00:29:44,250 --> 00:29:45,180 WITH THE SHOP? 1192 00:29:45,184 --> 00:29:45,854 LIKE, WITH THE LIGHTS 1193 00:29:45,852 --> 00:29:46,522 AND [bleep] GOING OFF? 1194 00:29:46,518 --> 00:29:47,288 'CAUSE WE GOT TO FIGURE THIS 1195 00:29:47,286 --> 00:29:47,946 [bleep] OUT. 1196 00:29:47,954 --> 00:29:49,524 THINGS AREN'T RUNNING SMOOTHLY 1197 00:29:49,521 --> 00:29:50,261 AT THE SHOP. 1198 00:29:50,256 --> 00:29:51,516 ME AND CEASE, WE HAVEN'T HAD 1199 00:29:51,523 --> 00:29:53,193 A TALK IN A VERY LONG TIME. 1200 00:29:53,192 --> 00:29:54,062 I THINK IT'S TIME FOR ONE OF 1201 00:29:54,060 --> 00:29:54,830 THOSE. 1202 00:29:54,827 --> 00:29:57,497 >> THIS WAS STUPID-ASS 1203 00:29:57,496 --> 00:29:59,126 MANAGEMENT, AND I'M GONNA TAKE 1204 00:29:59,131 --> 00:29:59,801 CARE OF THAT. 1205 00:29:59,798 --> 00:30:01,928 BUT IT AIN'T BEEN RIGHT WITH 1206 00:30:01,934 --> 00:30:02,944 ALL OF US, B. 1207 00:30:02,935 --> 00:30:03,695 >> I KNOW. 1208 00:30:03,702 --> 00:30:04,572 >> LIKE, WHEN I CAME HERE, 1209 00:30:04,570 --> 00:30:06,210 MY DESIRE WAS THIS [bleep] TO 1210 00:30:06,205 --> 00:30:07,105 BE LIKE BROOKLYN. 1211 00:30:07,106 --> 00:30:09,436 ALL TOGETHER, [bleep] 1212 00:30:09,441 --> 00:30:10,481 GETTING MONEY. 1213 00:30:10,476 --> 00:30:12,236 IT'S TOO MUCH BULL[bleep] IN 1214 00:30:12,244 --> 00:30:13,054 BLACK INK, YO. 1215 00:30:13,045 --> 00:30:16,475 AND IT'S LIKE, ENOUGH IS ENOUGH. 1216 00:30:16,482 --> 00:30:18,822 I WANT BLACK INK TO BE A FAMILY. 1217 00:30:18,817 --> 00:30:20,417 LIKE IN MY BROOKLYN SHOP, 1218 00:30:20,419 --> 00:30:22,749 JUST FELT HONEST. 1219 00:30:22,754 --> 00:30:24,564 IT FELT LIKE A CIRCLE OF TRUST. 1220 00:30:24,556 --> 00:30:26,686 IT'S ALWAYS GONNA BE BICKERING 1221 00:30:26,692 --> 00:30:28,362 AND FIGHTING AMONG YOUR 1222 00:30:28,360 --> 00:30:29,260 SIBLINGS, 1223 00:30:29,261 --> 00:30:31,501 BUT IT SHOULD HAVE NEVER GOT TO 1224 00:30:31,497 --> 00:30:32,557 THIS. 1225 00:30:32,564 --> 00:30:33,334 IT'S TIME TO, LIKE, START 1226 00:30:33,332 --> 00:30:36,002 CLEARING [bleep], MY [bleep]. 1227 00:30:36,002 --> 00:30:37,302 I GOT A PERFECT SOLUTION. 1228 00:30:37,303 --> 00:30:38,043 >> WHAT'S THAT? 1229 00:30:38,037 --> 00:30:39,437 >> I MIGHT BRING MY SISTER IN. 1230 00:30:39,438 --> 00:30:40,538 I BRING TIFF IN. 1231 00:30:40,539 --> 00:30:41,639 >> OOH. 1232 00:30:41,640 --> 00:30:43,610 SHE AIN'T GONNA TAKE NOBODY'S 1233 00:30:43,609 --> 00:30:44,509 [bleep]. 1234 00:30:44,510 --> 00:30:45,440 >> MY SISTER'S THE TYPE OF 1235 00:30:45,444 --> 00:30:46,284 PERSON I NEED TO RUN MY 1236 00:30:46,278 --> 00:30:47,208 BUSINESS. 1237 00:30:47,213 --> 00:30:48,583 SOMEBODY WHO'S GOOD WITH THE 1238 00:30:48,580 --> 00:30:49,280 BOOKS 1239 00:30:49,281 --> 00:30:50,521 AND HAVE A LITTLE ATTITUDE JUST 1240 00:30:50,516 --> 00:30:51,916 LIKE ME 1241 00:30:51,918 --> 00:30:53,348 TO KEEP THE FELLAS STRAIGHT. 1242 00:30:53,352 --> 00:30:54,222 TIFF WILL ACCEPT THE 1243 00:30:54,220 --> 00:30:55,150 APPOINTMENTS, ANSWER THE PHONE. 1244 00:30:55,154 --> 00:30:57,124 >> CEASER HAS THE THOUGHT OF 1245 00:30:57,123 --> 00:30:58,523 BRINGING HIS SISTER. 1246 00:30:58,524 --> 00:30:59,694 I DON'T KNOW HOW THAT'S GONNA 1247 00:30:59,691 --> 00:31:00,631 WORK OUT WITH THE DUTCHESS IN 1248 00:31:00,626 --> 00:31:01,656 THE SHOP. 1249 00:31:01,660 --> 00:31:02,460 IT'S GONNA BE A-- 1250 00:31:02,461 --> 00:31:04,931 NOT SAY A STRONGER TEST, 1251 00:31:04,931 --> 00:31:05,731 BUT MORE OF A TEST TO PROVE HER 1252 00:31:05,731 --> 00:31:06,831 POWER. 1253 00:31:06,832 --> 00:31:08,732 I'M GONNA SIT BACK AND JUST SEE 1254 00:31:08,734 --> 00:31:09,804 HOW THIS TURNS OUT. 1255 00:31:09,801 --> 00:31:10,971 >> 'CAUSE SHE FAMILY, 1256 00:31:10,970 --> 00:31:12,200 SHE HOLDS OUR BEST INTEREST AT 1257 00:31:12,204 --> 00:31:14,214 HEART AT ALL TIMES. 1258 00:31:23,715 --> 00:31:25,375 >> HOLY [bleep]. 1259 00:31:25,384 --> 00:31:26,324 >> YO, CEASE. 1260 00:31:26,318 --> 00:31:27,388 >> YOU ALL RIGHT, HOMIE? 1261 00:31:27,386 --> 00:31:28,516 >> [bleep] HURTS. 1262 00:31:28,520 --> 00:31:29,560 >> IT LOOK LIKE IT HURT. 1263 00:31:29,555 --> 00:31:30,615 LOOKING PRETTY GOOD. 1264 00:31:30,622 --> 00:31:31,992 I'M JUST TRYING TO READ IT. 1265 00:31:31,991 --> 00:31:33,231 READ IT TO ME, O'[bleep]. 1266 00:31:33,225 --> 00:31:36,555 > ME AGAINST THE WORLD. 1267 00:31:36,562 --> 00:31:37,362 >> RIGHT. 1268 00:31:37,363 --> 00:31:40,003 UM. 1269 00:31:39,999 --> 00:31:41,569 HOW DO YOU FORGET THE "S" IN 1270 00:31:41,567 --> 00:31:44,267 "AGAINST"? 1271 00:31:44,270 --> 00:31:45,540 >> SO YOU JUST GONNA WATCH ME DO 1272 00:31:45,537 --> 00:31:48,507 THIS TATTOO THE WHOLE TIME? 1273 00:31:48,507 --> 00:31:50,507 >> [bleep]. [bleep]. 1274 00:31:54,346 --> 00:31:55,306 "AGAINT"? 1275 00:31:55,314 --> 00:31:57,024 WHAT THE [bleep]? 1276 00:31:57,016 --> 00:31:59,216 YOU TRYING TO TELL ME YOU CAN'T 1277 00:31:59,218 --> 00:32:00,888 [bleep] SPELL, YOU STUPID 1278 00:32:00,886 --> 00:32:04,116 [bleep]? 1279 00:32:04,123 --> 00:32:05,863 [bleep] WORK IN A TATTOO SHOP 1280 00:32:05,857 --> 00:32:06,987 AND CAN'T SPELL. 1281 00:32:06,993 --> 00:32:10,063 SPELL THIS: F-I-R-D. 1282 00:32:10,062 --> 00:32:11,062 FIRED. 1283 00:32:11,063 --> 00:32:12,333 I NEED YOU TO GO IN THAT ROOM 1284 00:32:12,331 --> 00:32:13,871 AND LOOK AT THIS [bleep] TATTOO, 1285 00:32:13,865 --> 00:32:15,865 AND PLEASE TELL ME 1286 00:32:15,867 --> 00:32:18,167 HE DID NOT MISSPELL "AGAINST." 1287 00:32:18,170 --> 00:32:22,010 PLEASE, PLEASE, PLEASE? 1288 00:32:22,008 --> 00:32:22,668 >> HEY, MAN. 1289 00:32:22,674 --> 00:32:23,644 >> I REALLY DON'T LIKE SO MUCH 1290 00:32:23,642 --> 00:32:24,612 EYES ON ME WHEN I'M DOING THIS 1291 00:32:24,610 --> 00:32:25,240 TATTOO. 1292 00:32:25,244 --> 00:32:26,414 SO CAN YOU GUYS PLEASE. 1293 00:32:26,412 --> 00:32:27,552 >> HE MISS THE "S"? 1294 00:32:27,546 --> 00:32:31,516 HE MISSED IT. 1295 00:32:31,517 --> 00:32:33,147 >> OH, MY GOD, I [bleep] SPELLED 1296 00:32:33,152 --> 00:32:34,092 "AGAINST" WRONG. 1297 00:32:34,086 --> 00:32:35,246 I CAN'T BELIEVE THIS [bleep]. 1298 00:32:35,254 --> 00:32:36,164 THIS IS THE WORST THING THAT 1299 00:32:36,155 --> 00:32:37,215 COULD POSSIBLY HAPPEN IN MY LIFE 1300 00:32:37,223 --> 00:32:38,163 RIGHT NOW. 1301 00:32:38,157 --> 00:32:39,787 I HAVE TO FIX IT, NOW. 1302 00:32:39,791 --> 00:32:41,231 >> HEY, [bleep], HOLD UP. 1303 00:32:41,227 --> 00:32:43,357 >> WHEN I'M DONE, COULD I TALK 1304 00:32:43,362 --> 00:32:44,032 TO YOU? 1305 00:32:44,030 --> 00:32:44,800 >> YEAH, I WANT TO TALK TO YOU 1306 00:32:44,796 --> 00:32:45,526 TOO. 1307 00:32:45,531 --> 00:32:46,201 >> NO, YOU KNOW WHAT? 1308 00:32:46,198 --> 00:32:46,998 LET'S TALK RIGHT NOW. 1309 00:32:46,999 --> 00:32:47,799 >> MAN, WHAT'S UP? 1310 00:32:47,799 --> 00:32:51,399 HOW DID YOU [bleep] THAT UP? 1311 00:32:51,403 --> 00:32:52,403 YES, IT'S YOUR FAULT. 1312 00:32:52,404 --> 00:32:53,074 >> I SHOWED IT TO HIM. 1313 00:32:53,072 --> 00:32:53,812 HE LOOKED AT IT, BUT THEN-- 1314 00:32:53,805 --> 00:32:54,735 LOOK, HE'S LIKE, "OKAY." 1315 00:32:54,740 --> 00:32:55,410 >> GOOGLE. 1316 00:32:55,407 --> 00:32:56,777 ALL YOU HAD TO DO WAS TYPE IT IN 1317 00:32:56,775 --> 00:32:58,135 TO THE [bleep] SPELL CORRECT. 1318 00:32:58,144 --> 00:32:59,414 YOU TELL HIM YOU [bleep] UP? 1319 00:32:59,411 --> 00:33:01,481 >> NO. 1320 00:33:03,315 --> 00:33:04,675 >> YOU GOT A TATTOO FROM 1321 00:33:04,683 --> 00:33:06,293 A PERSON NAMED O'[bleep]. 1322 00:33:06,285 --> 00:33:07,315 WHAT THE [bleep] DID YOU REALLY 1323 00:33:07,319 --> 00:33:08,249 EXPECT? 1324 00:33:08,254 --> 00:33:09,994 >> CEASER, PLEASE DON'T FIRE ME 1325 00:33:09,988 --> 00:33:10,758 AGAIN, THOUGH. 1326 00:33:10,756 --> 00:33:11,886 >> I'M JUST GONNA GET YOU 1327 00:33:11,890 --> 00:33:12,860 ROSETTA STONE. 1328 00:33:12,858 --> 00:33:14,088 >> I DON'T READ AT ALL. 1329 00:33:14,093 --> 00:33:14,863 MAYBE A LITTLE ART BOOK HERE 1330 00:33:14,860 --> 00:33:15,530 OR THERE. 1331 00:33:15,527 --> 00:33:16,527 I'M NOT A READER. 1332 00:33:16,528 --> 00:33:18,158 I'M NOT THAT [bleep] SMART. 1333 00:33:18,164 --> 00:33:19,604 >> I'LL BE BACK [bleep]. 1334 00:33:19,598 --> 00:33:20,528 >> ALL RIGHT. 1335 00:33:20,532 --> 00:33:21,572 YO, I'M GONNA SHOW YOU--YOU GOT 1336 00:33:21,567 --> 00:33:22,597 TO LOOK AT THIS WHEN I'M DONE, 1337 00:33:22,601 --> 00:33:23,271 DUDE. 1338 00:33:23,269 --> 00:33:24,099 >> YEAH. I WILL. 1339 00:33:24,103 --> 00:33:25,043 OH, GUARANTEE, I WILL BE LOOKING 1340 00:33:25,037 --> 00:33:27,037 AT IT WHEN YOU'RE DONE. 1341 00:33:34,646 --> 00:33:36,716 >> YEAH, THANKS, BRO. 1342 00:33:36,715 --> 00:33:37,815 >> HE'S GONNA SEE THIS, AND HE'S 1343 00:33:37,816 --> 00:33:38,546 GONNA BE LIKE, 1344 00:33:38,550 --> 00:33:39,320 "YOU KNOW WHAT? 1345 00:33:39,318 --> 00:33:40,988 O'[bleep] DID [bleep] ME UP." 1346 00:33:40,986 --> 00:33:42,246 HE'S GONNA COME BACK HERE AND 1347 00:33:42,254 --> 00:33:43,424 HE'S GONNA TRY AND THROW LIKE A 1348 00:33:43,422 --> 00:33:44,562 FIREBOMB IN HERE. 1349 00:33:44,556 --> 00:33:45,256 BUT I WON'T BE HERE. 1350 00:33:45,257 --> 00:33:46,287 I MIGHT BE IN JAIL, BITCH. 1351 00:33:46,292 --> 00:33:47,592 >> LET ME TAKE A PICTURE. 1352 00:33:47,593 --> 00:33:48,463 THAT [bleep] IS DOPE. 1353 00:33:48,460 --> 00:33:50,460 YOU REALLY LIKE IT, RIGHT? 1354 00:33:51,097 --> 00:33:52,127 >> YEAH, WORD. 1355 00:33:52,131 --> 00:33:53,331 PUT THAT ON OUR PORTFOLIO ON OUR 1356 00:33:53,332 --> 00:33:55,332 INSTAGRAM. 1357 00:33:57,703 --> 00:33:58,973 >> I GOT ONE QUESTION, TED. 1358 00:33:58,970 --> 00:34:00,370 DID YOU [bleep] SASSY? 1359 00:34:00,372 --> 00:34:01,242 >> THAT'S A GOOD QUESTION. 1360 00:34:01,240 --> 00:34:02,140 THERE WE GO! 1361 00:34:02,141 --> 00:34:03,111 >> DING, DING, DING, DING. 1362 00:34:03,109 --> 00:34:04,139 >> SO SAY IT, 1363 00:34:04,143 --> 00:34:05,643 IT LESBIAN [bleep] BETTER THAN 1364 00:34:05,644 --> 00:34:07,784 REGULAR [bleep]? 1365 00:34:16,622 --> 00:34:17,862 >> * DO YOUR THING 1366 00:34:17,856 --> 00:34:18,916 * JUST MAKE IT HOT 1367 00:34:18,924 --> 00:34:19,834 * MAKE IT HOT 1368 00:34:19,825 --> 00:34:20,985 * MAKE, MAKE, MAKE 1369 00:34:20,992 --> 00:34:21,832 * MAKE IT HOT, MAKE IT HOT 1370 00:34:21,827 --> 00:34:23,127 * MAKE, MAKE, MAKE 1371 00:34:23,129 --> 00:34:23,799 * MAKE IT HOT 1372 00:34:23,795 --> 00:34:24,825 * JUST MAKE IT HOT 1373 00:34:24,830 --> 00:34:25,960 >> I'M LOOKING FORWARD TO MY 1374 00:34:25,964 --> 00:34:27,434 DATE TONIGHT WITH MISS TAMIA. 1375 00:34:27,433 --> 00:34:28,433 >> YES, YOU SHOULD HAVE A LOT OF 1376 00:34:28,434 --> 00:34:29,104 FUN. 1377 00:34:29,101 --> 00:34:30,771 >> WHAT THE HELL? OH, GOD. 1378 00:34:30,769 --> 00:34:31,599 >> LOOKS LIKE A AMSTERDAM GOOD 1379 00:34:31,603 --> 00:34:32,603 TIME AT WORK. 1380 00:34:32,604 --> 00:34:33,544 >> IT'S CRAZY IN HERE RIGHT NOW. 1381 00:34:33,539 --> 00:34:34,369 OH, LOOK. THERE'S O'[bleep]. 1382 00:34:34,373 --> 00:34:35,413 WHAT YOU GOT GOING ON OVER HERE? 1383 00:34:35,407 --> 00:34:36,307 >> BOOGERS. 1384 00:34:36,308 --> 00:34:37,138 >> CAN YOU GET IT FOR ME? 1385 00:34:37,143 --> 00:34:38,413 >> GONNA PICK HIS NOSE FOR HIM? 1386 00:34:38,410 --> 00:34:39,210 THAT WOULD HAVE BEEN A LITTLE 1387 00:34:39,211 --> 00:34:39,951 TOO MUCH-- 1388 00:34:39,945 --> 00:34:40,705 >> HE GOT IT. 1389 00:34:40,712 --> 00:34:41,582 >> HEY! 1390 00:34:41,580 --> 00:34:42,710 HOW ARE YOU? 1391 00:34:42,714 --> 00:34:43,954 >> GO HOME, PUMA. 1392 00:34:43,949 --> 00:34:44,649 >> HI, TED! 1393 00:34:44,650 --> 00:34:45,450 I DON'T THINK I CAN COME THAT 1394 00:34:45,451 --> 00:34:46,121 FAR. 1395 00:34:46,118 --> 00:34:46,918 I DON'T WANT TO GET ATTACKED. 1396 00:34:46,918 --> 00:34:48,818 FOR [bleep] CEASER TO KICK ME, 1397 00:34:48,820 --> 00:34:50,220 OF ALL PEOPLE, [bleep] PUMA, 1398 00:34:50,222 --> 00:34:51,692 HIS FRIEND FOR 15 [bleep] YEARS, 1399 00:34:51,690 --> 00:34:52,890 OUT OF A [bleep] SHOP, 1400 00:34:52,891 --> 00:34:55,961 IT'S A LITTLE WEIRD, BRO. 1401 00:34:55,961 --> 00:34:57,361 HOLD ON. 1402 00:34:57,363 --> 00:34:58,863 THERE, YEAH. WE DID IT. 1403 00:34:58,864 --> 00:34:59,934 WE DID IT. ALL RIGHT. 1404 00:34:59,931 --> 00:35:01,131 >> PUMA'S THE KIND OF PERSON 1405 00:35:01,133 --> 00:35:02,633 THAT YOU MISS AFTER A WHILE. 1406 00:35:02,634 --> 00:35:03,944 BECAUSE PUMA BRINGS A LOT OF 1407 00:35:03,935 --> 00:35:05,165 LIVELINESS TO BLACK INK. 1408 00:35:05,171 --> 00:35:06,071 LIKE, HE CAN WALK THROUGH THE 1409 00:35:06,071 --> 00:35:07,011 DOOR, HAVE A MISSING TOOTH. 1410 00:35:07,005 --> 00:35:07,935 HE CAN WALK THROUGH THE DOOR 1411 00:35:07,939 --> 00:35:08,669 HAVE A MISSING SHOE. 1412 00:35:08,674 --> 00:35:09,484 LIKE, YOU NEVER KNOW WHAT YOU 1413 00:35:09,475 --> 00:35:10,305 GONNA GET OUT OF PUMA. 1414 00:35:10,309 --> 00:35:11,879 WITHOUT PUMA, IT JUST SEEMS 1415 00:35:11,877 --> 00:35:13,307 AWKWARD IN THE SHOP NOW. 1416 00:35:13,312 --> 00:35:14,782 >> HOLA, EVERYBODY. 1417 00:35:14,780 --> 00:35:15,950 SO I DECIDED TO SWING BY THE 1418 00:35:15,947 --> 00:35:17,117 SHOP ON MY DAY OFF, 1419 00:35:17,115 --> 00:35:19,015 AND I SEE A LITTLE THUNDER CAT. 1420 00:35:19,017 --> 00:35:20,347 >> HI. 1421 00:35:20,352 --> 00:35:21,152 >> HOW ARE YOU? 1422 00:35:21,153 --> 00:35:21,893 >> NICE TO MEET YOU. 1423 00:35:21,887 --> 00:35:23,387 >> IT'S VERY NICE TO MEET YOU. 1424 00:35:23,389 --> 00:35:24,489 >> SO WE GOT US A NICE LITTLE 1425 00:35:24,490 --> 00:35:25,520 LIGHT-SKINNED TENDER. 1426 00:35:25,524 --> 00:35:26,794 >> OH, I LIKE THAT. 1427 00:35:26,792 --> 00:35:28,662 THAT WORKS. 1428 00:35:28,660 --> 00:35:29,830 BUT I COME TO FIND OUT, 1429 00:35:29,828 --> 00:35:30,798 THAT'S TIFFANY, 1430 00:35:30,796 --> 00:35:31,896 WHO'S CEASER'S SISTER, 1431 00:35:31,897 --> 00:35:33,127 AND APPARENTLY, 1432 00:35:33,131 --> 00:35:34,471 CEASER WENT AHEAD AND HIRED 1433 00:35:34,466 --> 00:35:35,526 TIFFANY AS THE NEW MANAGER OF 1434 00:35:35,534 --> 00:35:36,344 BLACK INK. 1435 00:35:36,335 --> 00:35:37,595 I'M LOOKING FORWARD TO THE 1436 00:35:37,603 --> 00:35:38,273 SHAPE-UP. 1437 00:35:38,270 --> 00:35:39,210 >> OH, YEAH, YEAH, YEAH. 1438 00:35:39,205 --> 00:35:40,135 >> TO GO ON IN HERE. 1439 00:35:40,138 --> 00:35:40,868 >> I'M SITTING IN HERE, 1440 00:35:40,872 --> 00:35:42,242 YOU KNOW, ME, FORMER MANAGER. 1441 00:35:42,241 --> 00:35:44,811 YOU GOT SASSY, FORMER MANAGER, 1442 00:35:44,810 --> 00:35:46,310 I MEAN HOW MANY MANAGERS DOES IT 1443 00:35:46,312 --> 00:35:47,382 TAKE TO RUN BLACK INK TYPE OF 1444 00:35:47,379 --> 00:35:48,049 [bleep], LIKE THAT. 1445 00:35:48,046 --> 00:35:48,706 I DON'T KNOW. 1446 00:35:48,714 --> 00:35:49,584 BUT CEASER JUST BE LIKE IN A-- 1447 00:35:49,581 --> 00:35:50,551 "YOU'RE FIRED. YOU'RE HIRED. 1448 00:35:50,549 --> 00:35:51,679 YOU'RE HIRED. YOU'RE FIRED. 1449 00:35:51,683 --> 00:35:52,453 YOU? YEAH, COME ON, COME ON. 1450 00:35:52,451 --> 00:35:53,291 NOW WAIT A MINUTE, I DON'T LIKE 1451 00:35:53,285 --> 00:35:53,945 YOU NO MORE, WAIT." 1452 00:35:53,952 --> 00:35:54,692 WE DEFINITELY WANT TO MAKE 1453 00:35:54,686 --> 00:35:55,346 SURE-- 1454 00:35:55,354 --> 00:35:56,224 >> THAT'S WHAT YOU ABOUT? OKAY. 1455 00:35:56,222 --> 00:35:57,122 >> NEED PROFESSIONALISM, AND WE 1456 00:35:57,122 --> 00:35:58,662 NEED THIS PLACE CLEAN, SPOTLESS, 1457 00:35:58,657 --> 00:35:59,957 AND--YEAH, THEY HATE ME ALREADY. 1458 00:35:59,958 --> 00:36:02,688 >> WELL, THAT'S WHAT BLACK INK 1459 00:36:02,694 --> 00:36:03,664 NEEDS, SO-- 1460 00:36:03,662 --> 00:36:05,162 TIFFANY WILL BE THE MANAGER OF 1461 00:36:05,163 --> 00:36:06,273 BLACK INK AS LONG AS DUTCHESS 1462 00:36:06,265 --> 00:36:07,195 WANTS HER AT THE SHOP. 1463 00:36:07,199 --> 00:36:09,669 I'LL GIVE HER TWO WEEKS, TOPS, 1464 00:36:09,668 --> 00:36:12,298 MAYBE. 1465 00:36:12,304 --> 00:36:13,144 GOOD LUCK. 1466 00:36:13,138 --> 00:36:13,808 >> THANK YOU. 1467 00:36:13,805 --> 00:36:16,275 >> * HEY, GOT TO PAY TO PLAY 1468 00:36:16,275 --> 00:36:17,235 * COME RIGHT THIS WAY 1469 00:36:17,243 --> 00:36:19,083 * AND HAVE A NICE DAY 1470 00:36:19,077 --> 00:36:19,907 * HEY 1471 00:36:19,911 --> 00:36:20,851 * YOU GOT SOMETHING TO SAY 1472 00:36:20,846 --> 00:36:21,976 * COME RIGHT THIS WAY 1473 00:36:21,980 --> 00:36:23,620 * AND HAVE A NICE DAY 1474 00:36:23,615 --> 00:36:25,245 * THIS IS HOW WE 'BOUT TO DO * 1475 00:36:25,251 --> 00:36:25,921 * DAMN 1476 00:36:25,917 --> 00:36:26,787 * THIS IS HOW 1477 00:36:26,785 --> 00:36:28,185 * WE TAKE ON THE TOWN 1478 00:36:28,186 --> 00:36:31,586 * THIS IS HOW WE BLAST OFF 1479 00:36:31,590 --> 00:36:32,990 >> COME ON IN, MR. RUX. 1480 00:36:32,991 --> 00:36:33,831 WE HAVE A DEBATE THAT WE WANT 1481 00:36:33,825 --> 00:36:34,855 YOU TO BE A PART OF. 1482 00:36:34,860 --> 00:36:36,600 I'M GETTING OUT OF MY BED, 1483 00:36:36,595 --> 00:36:38,455 YOU KNOW, AND I CHECK INSTAGRAM, 1484 00:36:38,464 --> 00:36:40,334 IT'S SASSY TALKING [bleep] ABOUT 1485 00:36:40,332 --> 00:36:41,872 ME AND CEASE. 1486 00:36:41,867 --> 00:36:43,437 SHE SAID ME AND CEASE ARE LIKE 1487 00:36:43,435 --> 00:36:44,595 OIL AND VINEGAR. 1488 00:36:44,603 --> 00:36:45,743 I'M TEARING BLACK INK DOWN 1489 00:36:45,737 --> 00:36:47,407 AND CEASE DON'T KNOW WHAT HE 1490 00:36:47,406 --> 00:36:48,206 DOING. 1491 00:36:48,206 --> 00:36:49,236 WHY IS YOU EVEN POSTING 1492 00:36:49,241 --> 00:36:50,281 SOMETHING ON YOUR INSTAGRAM 1493 00:36:50,276 --> 00:36:51,776 RIGHT NOW ABOUT BLACK INK 1494 00:36:51,777 --> 00:36:53,747 AND YOU AIN'T EVEN IN HERE? 1495 00:36:53,745 --> 00:36:55,175 >> I JUST TALKED TO SASSY THE 1496 00:36:55,180 --> 00:36:56,780 OTHER DAY ABOUT SEPARATING 1497 00:36:56,782 --> 00:36:58,322 BUSINESS AND FRIENDSHIP. 1498 00:36:58,317 --> 00:36:59,487 WHAT THE [bleep] IS THIS GIRL'S 1499 00:36:59,485 --> 00:37:00,545 PROBLEM? 1500 00:37:00,552 --> 00:37:02,052 THAT BITCH IS TRIPPING. 1501 00:37:02,053 --> 00:37:03,153 WALT, YOU KNOW ANYTHING ABOUT 1502 00:37:03,154 --> 00:37:04,064 THIS [bleep]? 1503 00:37:04,055 --> 00:37:04,885 >> YOU JUST HEARD ME SAY 1504 00:37:04,890 --> 00:37:05,820 I CAN'T CALL IT, RIGHT? 1505 00:37:05,824 --> 00:37:06,764 'CAUSE I DON'T. 1506 00:37:06,758 --> 00:37:07,828 >> YO, UM, TED. 1507 00:37:07,826 --> 00:37:10,926 >> I'M READING IT NOW. 1508 00:37:10,929 --> 00:37:12,399 IN MY EYES, 1509 00:37:12,398 --> 00:37:17,368 IT'S NOT THAT BIG OF A DEAL. 1510 00:37:17,369 --> 00:37:18,569 >> WHAT THE HELL IS TED SO 1511 00:37:18,570 --> 00:37:20,040 DEFENSIVE FOR IF HE AIN'T 1512 00:37:20,038 --> 00:37:21,268 [bleep] THE BITCH? 1513 00:37:21,273 --> 00:37:23,783 HEY, THAT'S MR. LOVER-MAN RIGHT 1514 00:37:23,775 --> 00:37:24,505 THERE. 1515 00:37:24,510 --> 00:37:26,180 SO WE LIKE, UM, 1516 00:37:26,177 --> 00:37:27,407 WHAT'S UP, LOVER BOY? 1517 00:37:27,413 --> 00:37:28,483 I GOT ONE QUESTION, TED. 1518 00:37:28,480 --> 00:37:29,180 >> WHAT? 1519 00:37:29,180 --> 00:37:30,420 >> DID YOU [bleep] SASSY? 1520 00:37:30,416 --> 00:37:31,716 >> THAT'S A GOOD QUESTION. 1521 00:37:31,717 --> 00:37:32,547 TED! 1522 00:37:32,551 --> 00:37:33,591 >> DING, DING, DING, DING. 1523 00:37:33,585 --> 00:37:34,485 >> THERE WE GO, [bleep]. 1524 00:37:34,486 --> 00:37:35,316 THERE WE GO. 1525 00:37:35,321 --> 00:37:36,921 >> SO, TED, JUST TELL ME. 1526 00:37:36,922 --> 00:37:39,292 IS LESBIAN [bleep] BETTER THAN 1527 00:37:39,291 --> 00:37:40,691 REGULAR [bleep]? 1528 00:37:40,692 --> 00:37:42,492 'CAUSE THE PEOPLE WANT TO KNOW. 1529 00:37:42,494 --> 00:37:43,534 >> YO, WHAT'S WRONG WITH Y'ALL? 1530 00:37:43,529 --> 00:37:44,199 >> IS THAT WHY SHE GOT THE 1531 00:37:44,195 --> 00:37:44,855 JUICE? 1532 00:37:44,863 --> 00:37:45,633 YOU GUYS ON A DAMN BLACK INK 1533 00:37:45,631 --> 00:37:46,301 JUICE? 1534 00:37:46,298 --> 00:37:46,928 >> NO. 1535 00:37:46,932 --> 00:37:47,772 >> I PREDICTED IT THAT NIGHT. 1536 00:37:47,766 --> 00:37:48,566 >> YOU KISSED SASSY ON 1537 00:37:48,567 --> 00:37:49,367 HER MOUTH. 1538 00:37:49,368 --> 00:37:50,468 >> AND SHE KISSED YOU BACK. 1539 00:37:50,469 --> 00:37:51,999 SO SASSY WANTS TO START RUMORS, 1540 00:37:52,003 --> 00:37:53,343 ABOUT MY RELATIONSHIP. 1541 00:37:53,339 --> 00:37:54,909 NOW THE JOKES ON YOU, BITCH. 1542 00:37:54,906 --> 00:37:55,836 HA-HA. 1543 00:37:55,841 --> 00:37:56,881 BECAUSE NOW 1544 00:37:56,875 --> 00:37:59,545 I'M COMING FOR THE JUGULAR. 1545 00:37:59,545 --> 00:38:00,705 >> WAIT, HOLD ON, HOLD ON. 1546 00:38:00,712 --> 00:38:02,452 IS SASSY CALLING YOU PAPI? 1547 00:38:02,448 --> 00:38:03,718 >> YOU PAPI. 1548 00:38:03,715 --> 00:38:04,845 >> ARE YOU MAKING BREAKFAST WITH 1549 00:38:04,850 --> 00:38:06,150 SASSY BUTT-ASS NAKED? 1550 00:38:06,151 --> 00:38:08,651 >> Y'ALL ARE CRAZY, YO. 1551 00:38:08,654 --> 00:38:09,924 >> YES, BABY. 1552 00:38:09,921 --> 00:38:11,461 >> [bleep] IS GOING TOO FAR. 1553 00:38:11,457 --> 00:38:13,857 THIS A JOKE, 1554 00:38:13,859 --> 00:38:18,699 BUT IT'S NOT FUNNY. 1555 00:38:18,697 --> 00:38:19,927 ANYBODY NEED SOME WATER FROM THE 1556 00:38:19,931 --> 00:38:20,731 STORE? 1557 00:38:20,732 --> 00:38:21,602 >> WHERE YOU GOING, TED? 1558 00:38:21,600 --> 00:38:22,530 >> TED'S LIKE, "NO THAT [bleep] 1559 00:38:22,534 --> 00:38:23,234 AIN'T FUNNY." 1560 00:38:23,234 --> 00:38:23,944 DON'T LEAVE, TED. 1561 00:38:23,935 --> 00:38:24,765 I WANT TO KNOW THE FACTS. 1562 00:38:24,770 --> 00:38:27,010 BUT, UM, IT'S STILL FUNNY TO ME. 1563 00:38:27,005 --> 00:38:27,805 WE GOT MORE JOKES. 1564 00:38:27,806 --> 00:38:28,606 OH, I CAN'T WAIT. 1565 00:38:28,607 --> 00:38:29,737 IT'S GONNA BE COMEDY CENTRAL OUT 1566 00:38:29,741 --> 00:38:30,781 THIS BITCH. 1567 00:38:30,776 --> 00:38:32,776 >> AH HA HA HA HA. 1568 00:38:34,880 --> 00:38:35,780 >> I DON'T CARE IF IT'S TRUE 1569 00:38:35,781 --> 00:38:36,721 OR NOT NO MORE. 1570 00:38:36,715 --> 00:38:38,245 'CAUSE I'M GONNA MAKE IT FEEL 1571 00:38:38,249 --> 00:38:39,719 TRUE. 1572 00:38:39,718 --> 00:38:42,118 [laughter] 1573 00:38:42,120 --> 00:38:44,420 >> LET ME TALK TO YOU. 1574 00:38:44,423 --> 00:38:46,433 DID YOU [bleep] ME? 1575 00:38:57,803 --> 00:38:59,773 >> SO I GET A TEXT 1576 00:38:59,771 --> 00:39:01,141 FROM SOMEONE AT THE SHOP WHO 1577 00:39:01,139 --> 00:39:02,969 SHALL REMAIN NAMELESS. 1578 00:39:02,974 --> 00:39:06,814 TEDDY RUX AND SEX. 1579 00:39:06,812 --> 00:39:08,182 THAT'S THE ONLY WORDS THAT 1580 00:39:08,179 --> 00:39:09,719 NEEDED TO STICK IN MY BRAIN, 1581 00:39:09,715 --> 00:39:10,875 AND THAT IT WAS BEING TALKED 1582 00:39:10,882 --> 00:39:11,822 ABOUT AT THE SHOP. 1583 00:39:11,817 --> 00:39:12,617 >> HEY, WELCOME. 1584 00:39:12,618 --> 00:39:13,548 >> HI, WHAT UP? 1585 00:39:13,552 --> 00:39:14,322 >> HOW ARE YOU, BOO? 1586 00:39:14,319 --> 00:39:15,189 >> SASSY WITH THE CLOAK. 1587 00:39:15,186 --> 00:39:17,886 >> LET ME TALK TO YOU. 1588 00:39:17,889 --> 00:39:18,789 THE DISRESPECT HAS REACHED 1589 00:39:18,790 --> 00:39:20,190 A COMPLETELY DIFFERENT PLATEAU. 1590 00:39:20,191 --> 00:39:21,161 I'VE NEVER DISRESPECTED YOU, 1591 00:39:21,159 --> 00:39:21,829 RIGHT? 1592 00:39:21,827 --> 00:39:22,487 >> NO. 1593 00:39:22,494 --> 00:39:24,364 >> NO. 1594 00:39:24,362 --> 00:39:26,362 >> NO. 1595 00:39:32,838 --> 00:39:33,808 >> LIKE, I REALLY JUST NEED MY 1596 00:39:33,805 --> 00:39:34,705 SPACE FROM EVERYBODY IN THE 1597 00:39:34,706 --> 00:39:35,566 SHOP. 1598 00:39:35,574 --> 00:39:36,484 LIKE, EVERYBODY. 1599 00:39:36,475 --> 00:39:37,975 GOOD-BYE. 1600 00:39:37,976 --> 00:39:39,106 I QUIT. 1601 00:39:39,110 --> 00:39:42,080 SO YOU CAN SPREAD THAT MESSAGE 1602 00:39:42,080 --> 00:39:42,880 ALONG. 1603 00:39:42,881 --> 00:39:44,881 GOOD LUCK WITH EVERYTHING HERE. 1604 00:39:47,218 --> 00:39:48,648 >> WHOEVER SENT THE TEXT 1605 00:39:48,654 --> 00:39:51,924 HAD NOTHING BUT EVIL INTENTIONS. 1606 00:39:51,923 --> 00:39:53,893 >> BYE. 1607 00:39:57,629 --> 00:39:58,359 BLACK INK IS A NEGATIVE 1608 00:39:58,363 --> 00:39:59,603 SITUATION IN MY LIFE. 1609 00:39:59,598 --> 00:40:01,068 SO I JUST DON'T WANT ANY PARTS 1610 00:40:01,066 --> 00:40:03,066 OF IT. 1611 00:40:07,939 --> 00:40:09,539 I DON'T KNOW WHO ANYONE IS HERE 1612 00:40:09,541 --> 00:40:11,881 ANYMORE. 1613 00:40:11,877 --> 00:40:13,977 JUST A COUPLE WEEKS AGO, 1614 00:40:13,979 --> 00:40:15,179 WE WERE ALL SO HAPPY. 1615 00:40:15,180 --> 00:40:16,920 SO FOR ANYBODY TO GO FROM THERE 1616 00:40:16,915 --> 00:40:18,545 TO NOW, 1617 00:40:18,550 --> 00:40:20,190 EVERYBODY'S RIPPED APART. 1618 00:40:20,185 --> 00:40:21,345 WHATEVER IT WAS THAT WE WAS, 1619 00:40:21,352 --> 00:40:23,252 WE JUST AREN'T THAT ANYMORE. 1620 00:40:23,254 --> 00:40:26,864 >> * A FUTURE MEMORY 1621 00:40:26,858 --> 00:40:27,928 >> SO [bleep] BLACK INK. 1622 00:40:27,926 --> 00:40:30,096 I'M OUT. 1623 00:40:30,095 --> 00:40:38,095 * 1624 00:40:47,412 --> 00:40:48,312 >> THAT BITCH TRIED TO DISCREDIT 1625 00:40:48,313 --> 00:40:49,353 OUR WHOLE BUSINESS 1626 00:40:49,347 --> 00:40:50,347 AND OUR RELATIONSHIP. 1627 00:40:50,348 --> 00:40:51,378 AND WE SAID A JOKE. 1628 00:40:51,382 --> 00:40:52,752 SASSY IS PISSED BECAUSE SHE'S 1629 00:40:52,751 --> 00:40:54,021 A [bleep] KID. 1630 00:40:54,019 --> 00:40:54,749 SHE CAN'T TAKE A JOKE? 1631 00:40:54,753 --> 00:40:56,563 WHO GIVES TWO [bleep]? 1632 00:40:56,555 --> 00:40:57,855 >> A GROWN MAN WILL HELP OUT 1633 00:40:57,856 --> 00:40:58,756 FINANCIALLY. 1634 00:40:58,757 --> 00:40:59,587 >> IT JUST SEEMS LIKE THIS WHOLE 1635 00:40:59,591 --> 00:41:02,491 SITUATION IS NOT ABOUT CHEYENNE. 1636 00:41:04,496 --> 00:41:05,396 >> WE'RE GONNA HAVE FUN TONIGHT, 1637 00:41:05,396 --> 00:41:06,096 MAN. 1638 00:41:06,097 --> 00:41:07,267 OOH. 1639 00:41:07,265 --> 00:41:08,565 >> PUMA IS OUT TONIGHT. 1640 00:41:08,567 --> 00:41:09,537 [bleep] CRAZY. 1641 00:41:09,535 --> 00:41:11,495 >> IMAGINE TAMIA IN THE FUTURE, 1642 00:41:11,503 --> 00:41:13,243 HER GUYS COMING IN AT 6:00 1643 00:41:13,238 --> 00:41:13,908 IN THE MORNING, 1644 00:41:13,905 --> 00:41:14,805 AND SHE'S CALLING YOU CRYING 1645 00:41:14,806 --> 00:41:16,806 ABOUT IT. 1646 00:41:23,949 --> 00:41:24,949 >> PISSED BECAUSE SHE'S 1647 00:41:24,950 --> 00:41:25,950 A [bleep] KID. 1648 00:41:25,951 --> 00:41:26,951 SHE CAN'T TAKE A JOKE? 1649 00:41:26,952 --> 00:41:27,952 WHO GIVES TWO [bleep]? 1650 00:41:27,953 --> 00:41:28,953 >> A GROWN MAN WILL HELP OUT 1651 00:41:28,954 --> 00:41:29,964 FINANCIALLY. 1652 00:41:29,955 --> 00:41:31,085 >> IT JUST SEEMS LIKE THIS WHOLE 1653 00:41:31,089 --> 00:41:35,429 SITUATION IS NOT ABOUT CHEYENNE. 1654 00:41:35,426 --> 00:41:36,426 >> WE'RE GONNA HAVE FUN TONIGHT, 1655 00:41:36,427 --> 00:41:37,097 MAN. 1656 00:41:37,095 --> 00:41:38,155 OOH. 1657 00:41:38,163 --> 00:41:39,673 >> PUMA IS OUT TONIGHT. 1658 00:41:39,665 --> 00:41:41,225 [bleep] CRAZY. 1659 00:41:41,232 --> 00:41:42,902 >> IMAGINE TAMIA IN THE FUTURE, 1660 00:41:42,901 --> 00:41:44,201 HER GUYS COMING IN AT 6:00 1661 00:41:44,202 --> 00:41:44,872 IN THE MORNING, 1662 00:41:44,870 --> 00:41:45,670 AND SHE'S CALLING YOU CRYING 1663 00:41:45,671 --> 00:41:47,671 ABOUT IT.