>> LISTEN.
I'M GOING AWAY TO NORTH
CAROLINA 'CAUSE I GOT INVITED BY
THIS SPECIAL YOUNG LADY RIGHT
HERE.
>> SO WHO'S RUNNING THE SHOP?
>> I'M LEAVING [bleep] IN
CHARGE.
PLEASE LET ME COME BACK TO MY
[bleep] SHOP IN ONE PIECE.
>> SHE TALKS ABOUT YOU A LOT.
>> WHAT SHE SAYS?
>> "I THINK THIS IS 'THE ONE,'
MA."
>> WHAT'S YOUR INTENTIONS WITH
MY DAUGHTER?
[gunshot]
>> SEEING YOU HANDLE THAT GUN
MAKES ME NOT WANT TO MESS UP.
>> YOU TOLD EVERYONE AT THE SHOP
THAT YOU [bleep] ME.
>> NO, I DIDN'T SAY THAT.
>> [bleep], PLEASE LEAVE.
>> THIS IS THE 46 PRECINCT IN
THE BRONX, CALLING ON BEHALF OF
MR. RICHARD DUNCAN.
HE HAS PLACED UNDER ARREST--
>> IT'S CRAZY.
>> WHO THE [bleep] IS RICHARD
DUNCAN?
>> DUDE, THAT'S [bleep].
THAT'S [bleep]'S REAL NAME.
>> YO.
>> [bleep] WAS DRINKING.
HE GETS PULLED OVER, AND THEY
FOUND A GUN IN THE CAR.
>> WHAT?
[bleep] CAUGHT A GUN CHARGE.
I GOT TO GET BACK TO NEW YORK.
OH, NO.
[hip-hop music]
*
[sirens wailing]
[hip-hop music]
*
>> IT'S A COLD MORNING IN
THE BRONX, AND I'M IN FRONT OF
A [bleep] COURTHOUSE.
>> HEY, PUMA.
>> HEY.
>> HEY, WHAT'S GOING ON?
>> [bleep] IS CRAZY.
>> I KNOW.
>> O'[bleep]'S THUNDER CAT
KAYLIN IS UP FROM DOWN SOUTH,
AND SHE DIDN'T KNOW ABOUT NEW
YORK CITY'S GUN LAWS.
O'[bleep] GOT HIMSELF CAUGHT
WITH THE GUN, AND NOW HE GOT HIS
ASS LOCKED UP.
WHAT THE [bleep] HAPPENED?
>> OH, MY GOD.
WELL, [bleep] TOOK MY KEYS WHILE
I WAS SLEEPING.
>> UH-HUH.
>> YOU KNOW, I GUESS TO GO TO
THE STORE OR WHATEVER, AND ON
HIS WAY COMING BACK,
HE WAS CIRCLING AROUND
THE BLOCK LOOKING FOR PARKING,
AND THEY PULLED HIM OVER
AND, YOU KNOW, HE WAS NICE
AND POLITE OR WHATEVER, AND THEY
JUST LOOKED IN THE CAR, AND
MY GUN WAS IN THE CAR.
IT'S REGISTERED TO ME.
HE DIDN'T KNOW IT WAS IN THERE.
IT WASN'T HIS GUN.
>> WOW.
FEEL LIKE THIS GIRL KAYLIN'S,
LIKE, BAD LUCK.
SHE'S THE GIRL THAT BROUGHT IN
THE CUPCAKES THAT MADE ME
[bleep] UP MY TOOTH AGAIN.
[bleep]'S IN JAIL.
WHAT THE HELL IS GOING ON
WITH THIS GIRL?
>> AND THEY WANTED TO CHARGE ME
WITH RECKLESS ENDANGERMENT, YOU
KNOW, BECAUSE I LET HIM USE
THE CAR.
BUT I DIDN'T KNOW, YOU KNOW?
SO THEY JUST CUT ME A BREAK.
BUT NOW THEY GOT MY CAR.
THEY WON'T EVEN GIVE ME
BACK MY CAR.
>> THEY WON'T GIVE YOU
BACK YOUR CAR?
>> THEY WON'T GIVE ME
BACK MY CAR.
>> SO HOW YOU GONNA GET
BACK HOME?
>> I HAVE NO IDEA HOW I'M GONNA
GET BACK TO SOUTH CAROLINA.
YOU KNOW, I DIDN'T EVEN KNOW
THAT IN NEW YORK YOU'RE NOT
SUPPOSED TO HAVE A GUN.
>> NEW YORK GUN LAWS ARE SO
DIFFERENT FROM DOWN SOUTH
GUN LAWS.
I KNOW, LIKE, DOWN THERE, YOU
GUYS ARE LIKE WILD, WILD WEST.
NEW YORK, THEY DON'T PLAY THAT
[bleep], MAN.
I'M LIKE BUGGIN' THE [bleep] OUT
RIGHT NOW.
IT'S LIKE HE'S ONE OF AMERICA'S
MOST WANTED IN [bleep].
HE COULD REALLY DO SOME MAJOR
TIME.
SO, YEAH, I JUST FINISHED
TALKING TO HIS LAWYER.
HE CAUGHT A SECOND DEGREE
FELONY GUN CHARGE.
YEAH, THIS IS BAD.
HIS BAIL IS AT $20,000.
>> GET OUT OF HERE.
>> YEAH.
>> IF WE PAY THE $20,000, HE
GETS OUT.
IF NOT, HE'S PROBABLY GONNA DO
SOME TIME.
>> THIS CAN'T BE REAL LIFE.
>> YEAH, HE'S PRETTY MUCH
[bleep].
CATCHING A GUN CHARGE IN NEW
YORK STATE IS, LIKE, THE WORST
POSSIBLE CHARGE YOU CAN CATCH.
THEY LOCKED LIL WAYNE UP FOR
THAT [bleep], AND HE'S A
MULTIMILLION DOLLAR [bleep]
RAPPER.
THEY LOCKED PLAXICO BURRESS UP,
AND HE WON THE [bleep]
CHAMPIONSHIP WITH THE NEW YORK
GIANTS.
I THINK THEY MIGHT PUT [bleep]
INTO JAIL.
HE'S JUST A TATTOO ARTIST.
>> * HIP-HOP WITH THE LORD
* AS MY WITNESS
* I BEG FOR FORGIVENESS
* TO END THIS
* NO POINT TO COMPLAIN
* ABOUT WHAT I CAN'T CHANGE
* AND ACT LIKE ME BEING MAD
* THAT THE WORLD AIN'T STRANGE
>> HELLO?
>> YO.
>> ARE YOU OKAY?
>> YEAH, I'M GOOD.
I DECIDED TO CALL ALEX 'CAUSE
PRETTY MUCH NOBODY ELSE AT THE
SHOP REALLY DEALS WITH HER.
AND I KNOW HER AND [bleep] ARE
KIND OF CLOSE, SO I FIGURED I'D
JUST GIVE HER A CALL AND LET HER
KNOW WHAT'S GOING ON.
UM, I KNOW IT'S A LITTLE
AWKWARD, ME CALLING YOU AND
[bleep], BUT DID YOU HEAR--
DID YOU HEAR ABOUT WHAT HAPPENED
WITH [bleep]?
>> WHAT HAPPENED?
>> HE'S LOCKED UP
FOR A GUN CHARGE.
YEAH.
>> I DON'T KNOW WHAT THE [bleep]
IS GOING ON, LIKE, HONESTLY.
LIKE, AT FIRST, I THOUGHT HE'LL
BE RIGHT OUT--
'CAUSE IT WASN'T HIS GUN,
IT WASN'T HIS CAR,
WHATEVER THE CASE MAY BE,
BUT IT'S NOT LOOKING THAT WAY.
>> HIS BAIL IS $20,000.
>> I HAVE NO IDEA.
I WOULDN'T--
I WOULDN'T KNOW THAT MUCH.
>> I JUST KNOW YOU WAS THE LAST
PERSON TO SEE HIM.
WAS EVERYTHING OKAY WHEN--
>> WELL--
>> WHEN HE LEFT YOU?
>> WELL, UM...
>> OH, YEAH?
>> THAT--THAT--
THAT'S CRAZY, BUT, LIKE, THAT'S
A WHOLE NOTHER SUBJECT.
LIKE, I WASN'T REALLY CALLING TO
GET INTO ALL THAT.
DO I SERIOUSLY THINK ALEX IS
CRAZY?
YES.
100% PSYCHO.
LIKE I SAID, I JUST WANT TO LET
YOU KNOW WHAT WAS GOING ON
WITH YOUR HOMEBOY 'CAUSE, LIKE I
SAID, I KNOW YOU WAS THE LAST
PERSON HE WAS GOING TO TALK TO.
>> ONCE I HEAR SOMETHING, I'LL
KEEP YOU POSTED.
YOU DO THE SAME.
>> OKAY, BYE.
>> LATER.
[clears throat]
[hip-hop music]
*
[phone rings]
>> WHAT'S UP, ROCK STAR?
>> I'M ON THE PHONE WITH
[bleep].
HE'S IN JAIL RIGHT NOW, AND I
REALLY FEEL BAD, 'CAUSE I KNOW
HE'S BEEN TRYING REALLY HARD TO
DO GREAT, AND THIS RIGHT HERE
IS, LIKE, REALLY HITTING HIM
IN THE HEAD.
I CAN HEAR IT IN HIS VOICE.
>> ARE YOU OKAY?
>> THAT [bleep] IS WHACK, YO.
I UNDERSTAND HOW YOU FEEL, MAN.
>> PLEASE KEEP IN TOUCH WITH ME,
OKAY?
>> YO, [bleep], HOLD YOUR
HEAD UP, MAN.
DON'T GET TOO DOWN AND OUT, YOU
KNOW WHAT I MEAN?
ALL RIGHT, NOW.
HE DOESN'T SOUND TOO HAPPY...
>> NO.
>> AT ALL.
>> NO, I FEEL HORRIBLE.
>> I DON'T EVEN KNOW WHAT
TO SAY NOW.
[bleep] IS, LIKE, WHACK.
I DON'T KNOW WHAT TO DO.
[somber electronic music]
*
>> SO WHEN I GET OUT OF JAIL,
I SEE KAYLIN.
I'M LIKE, "YOU'RE HERE.
YOU CAME FOR ME."
>> HEY.
>> WHICH MADE ME FEEL WAY BETTER
ABOUT THE SITUATION
JUST BECAUSE OF THE SIMPLE FACT
THAT IT WAS GOOD TO SMELL
A WOMAN'S SCENT.
>> YOU ALL RIGHT?
>> YEAH, I'M BETTER NOW I AIN'T
IN THIS [bleep].
>> WERE YOU OKAY IN THERE?
>> YEAH, IT WAS GOOD.
AIN'T NOBODY REALLY TRY TO PRESS
ME OR NOTHING.
THE WORST PART--
THEY HAD THIS ONE DUDE--
LIKE, YOU COULD TELL HE'S SO
USED TO BEING IN JAIL.
LIKE, HE JUST GOES IN THERE
AND TAKES A [bleep] IN FRONT OF
EVERYBODY, AND THERE'S NO DOORS.
>> OH, MY GOD.
[laughs]
>> NO COURTESY FLUSH.
I'M JUST LOOKING AT HIM, LIKE,
"DUDE, ARE YOU [bleep]?"
>> I'M JUST GLAD YOU'RE OUT.
>> RIGHT.
YOU'RE TELLING ME.
>> BUT YOU DON'T LOOK BAD FOR
WEARING THE SAME CLOTHES SINCE
SATURDAY, THOUGH.
>> 'CAUSE, YOU KNOW, I DO MY
THING.
>> YEAH, SURE.
AND I WASN'T GONNA LEAVE TOWN,
YOU KNOW, UNTIL YOU GOT OUT.
>> THAT'S WHAT'S UP.
I WANT TO GO SEE WHAT'S GONNA
HAPPEN WHEN I GO TO COURT.
LIKE, I WANT TO SEE WHAT THEY'RE
GONNA SAY.
>> I'M HOPING I DON'T GO TO JAIL
ON FRIDAY, OKAY?
>> YOU'RE NOT GONNA GO TO JAIL.
>> IF I SAY THAT STUFF IN OPEN
COURT...
>> LOOK WHO IT IS.
FANCY SEEING YOU HERE.
>> ME AND DUTCHESS JUST LANDED
FROM NORTH CAROLINA, AND I GET A
CALL FROM [bleep]'S BROTHER
ASKING ME TO PICK HIM UP FROM
JAIL.
>> WHAT UP, BRO?
>> O'[bleep], YOU'RE KILLING ME.
>> MAN, DON'T GET TOO CLOSE.
I SMELL LIKE JAIL RIGHT NOW.
>> YOU SMELL LIKE HORSE'S ASS.
YOU AIN'T WANT TO DROP THE SOAP,
SO THAT'S WHY YOU DIDN'T TAKE
A BATH, HUH?
SO WHAT'D YOUR LAWYER SAY?
>> LAWYER, BASICALLY, HE TOLD ME
HE'S GONNA TRY AND GET IT
DISMISSED, BUT IF HE CAN'T GET
IT DISMISSED, I'M LOOKING, LIKE,
UP TO, LIKE, THREE TO FIVE.
>> UH, WHAT?
>> YEARS?
>> YEAH, MAN.
>> [bleep] OUT OF HERE.
>> OH, YOU KNOW YOU GO IN,
I'M FIRING YOU, RIGHT?
>> I'M NOT EVEN GOING
TO JAIL, MAN!
>> [bleep], YOU JUST GOT OUT.
>> EXACTLY.
>> THIS IS NEW YORK.
THEY GIVE YOU MORE TIME THAN
MOST STATES FOR MANSLAUGHTER
FOR JUST HAVING A GUN.
>> I'M GONNA BEAT IT.
>> [bleep], DO NOT GET IN
NO MORE TROUBLE.
YOU GOT TO WALK A FINE LINE
RIGHT NOW, 'CAUSE IF ANY MORE
[bleep] GET ON YOUR LIST, YOU'RE
GONNA HAVE A PROBLEM, MAN.
>> [laughs]
WHAT ARE YOU TALKING ABOUT,
[bleep]?
>> I KNOW, SO JUST CHILL OUT.
LET'S GET YOU HOME TO A SHOWER.
>> AFTER [bleep] GIVE ME SOME
MONEY FOR DETAILING.
>> MAN, AT LEAST I DON'T SMELL
LIKE LEROY.
>> [laughs]
YOU KIND OF DO SMELL LIKE LEROY
NOW.
>> SO WHAT THE HELL IS WE DOING?
>> DAMN, I'M FEELING KIND OF
PRESSURED RIGHT NOW.
>> IT SOUND LIKE YOU GOT DOUBTS.
>> [sighs]
>> YO, WHY ARE PEOPLE BE TELLING
ME THE SHOP IS CLOSED AT 2:30 IN
THE AFTERNOON?
>> I HAD TO GO MAKE A RUN
REAL QUICK.
>> THAT WHERE YOU WAS TODAY?
>> EARLIER TODAY I TOLD YOU
I'M GONNA GET MY NAILS DONE.
>> OKAY, AND WHAT ABOUT THIS,
NOW?
>> THAT WAS RIGHT AFTER I GOT MY
NAILS DONE.
>> WHO'S DUMB ENOUGH TO SKIP OUT
ON WORK AND THEN POST PICTURES
ON INSTAGRAM?
YOU ARE A IDIOT.
>> I CAME HERE TO LET ALEX KNOW
THAT IT'S OVER.
I'M GONNA BE HONEST WITH YOU.
I'M NOT LOOKING FOR NO
RELATIONSHIPS.
I'M NOT LOOKING FOR
NONE OF THAT.
>> TED, I LIKE YOU.
>> SUCK IT UP.
BITING IS BAD.
YOU KNOW THAT.
SUCK, SUCK.
MM-HMM, MM-HMM.
GET IT ALL.
>> [laughs]
[hip-hop music]
*
[sirens wailing]
>> CEASE FINALLY COME BACK FROM
HIS, UM--
>> HONEYMOON.
>> YEAH.
>> HEY.
>> HEY!
>> HE'S BACK!
>> HI, GUY.
>> LET ME SEE THE RING.
>> YOUR SHOP IS IN ONE PIECE.
>> YEAH.
>> YOUR SHOP IS IN ONE PIECE,
BUT [bleep]'S INCARCERATED
>> OH, YEAH, YEAH.
THAT'S SOME FUNNY [bleep].
HE CAUGHT A GUN CHARGE.
[laughter]
IF I NEVER LEFT HIM IN CHARGE,
HE WOULDN'T THINK HE WAS
A BOSS MAN.
HE GONNA RUN AROUND WITH GUNS.
THIS JUST TOPPED OFF MY
[bleep] WEEKEND.
FIRST OF ALL, NORTH CAROLINA,
I HAVE NEVER SEEN THAT MUCH
TREES.
>> WHAT DID YOU FEEL LIKE HER
PARENTS THOUGHT ABOUT YOU?
>> NO, HER MA'S REAL COOL.
SPIRITUAL LADY. DOWN-TO-EARTH.
AND DRAGGED ME TO CHURCH
ON SUNDAY.
THEY PUT ME IN THE FIRST ROW--
>> OHH.
>> YOU KNOW WHEN YOU SIT IN THE
FIRST ROW, IT SOUND LIKE THAT
EVERYTHING THE PASTOR'S SAYING
IS DIRECTLY TO YOU?
>> I KNOW!
SHE KEPT LOOKING AT ME!
"SOMEONE NEEDS PRAYER!
I FEEL SOMEBODY NEEDS PRAYER!"
>> HE'S EVEN LOOKING AROUND,
LIKE--
>> HOW'S DUTCHESS' DAD?
>> HE COOL.
I MADE SURE I DID THE POLITE
THING, SO I BROUGHT POPS
1,800, THE BIG BOY JOINT, YOU
KNOW WHAT I MEAN?
SO WE DOWN IN THAT 1,800.
APPARENTLY WHEN I WAS DRUNK,
I AGREE TO GO TO THE GUN RANGE
WITH HER POPS.
>> WAIT, WAIT, WAIT, WHAT?
>> DID YOU NOT HEAR ABOUT WITH
DICK CHENEY SHOOTING HIS RANDOM
FRIEND OUT IN THE WOODS.
>> THAT'S WHY I SAID THE RANGE.
WE WASN'T GOING HUNTING.
SO WE WENT TO THE GUN RANGE,
RIGHT?
I UNDERSTAND IT'S FOR THE
INTIMIDATION, BUT, YOU KNOW WHAT
I MEAN.
POPS RESPECT THE AIM, YOU
KNOW WHAT I MEAN.
HE DID A LITTLE, YOU KNOW WHAT I
MEAN, 50 FEET OUT.
YOU KNOW WHAT I MEAN, I HAVE TO
SHOW HIM, LET'S GO TO HONDO
WITH THE, KNOW WHAT I MEAN,
DIRTY HARRY.
HON.
>> HUH?
>> HE KNOW--HE KNOW WHAT'S UP
NOW, KNOW WHAT I MEAN?
WHAT?
>> SOMETHING'S WRONG WITH YOU.
>> YEAH, WHAT?
>> I DON'T UNDERSTAND WHAT THE
[bleep] YOU JUST SAID.
"I HAD THE HON-HON.
IN THE HONDO.
IT'S IN THE HOOD."
GET THE [bleep] OUT OF HERE,
[bleep].
[laughter]
>> Y'ALL ARE WILD DISRESPECTFUL,
YO.
>> * THIS WORLD IS HEAVY
* ON MY SHOULDERS
* SO I'M SO READY
* MY LIFE IS CHANGING NOW
* IT'S NOT A GAME
* IT'S NOT THE SAME
[knock on door]
>> WHO THE HELL IS THAT?
[door creaks]
>> [laughs]
>> THE HELL YOU PLAYING
MY DAMN DOOR LIKE THAT FOR?
>> 'CAUSE I CAN.
>> MUST NOT KNOW I'M CRAZY.
>> YOU AIN'T CRAZY.
>> WHAT'S WRONG WITH YOU?
>> YOU HAVE FUN IN NORTH
CAROLINA?
>> [laughs]
I HAD FUN.
>> THAT WAS BIG.
THE GOAL IS TO SIT DOWN
AND JUST TALK.
YOU KNOW WHAT I'M SAYING?
WHAT'S THE NEXT STEP.
LIKE, WHAT ARE WE DOING?
WHERE ARE WE AT?
I'M JUST TAKING [bleep] HOME
WITH ME.
>> WHAT'S THAT SUPPOSED TO MEAN?
>> LET'S JUST BIG.
JUST MAKING YOU AWARE.
>> DAMN, I'M FEELING KIND OF
PRESSURED RIGHT NOW.
>> WHAT KIND OF PRESSURE YOU
FEELING?
>> 'CAUSE YOU DON'T REALLY
TAKE GUYS HOME.
>> MY MAMA, SHE JUST--
SHE WANTED TO KNOW WHAT'S--
WHAT'S GOING ON WITH US.
>> AND WHAT DID YOU TELL HER?
>> THAT WE--
WE NEEDED TO TALK ABOUT IT.
SHE NEVER SEEN ME SERIOUS
ABOUT SOMEBODY.
SO...
>> SO...
>> SO WHAT THE HELL IS WE DOING?
>> [laughing]
I LOVE YOUR FEISTINESS, YO.
>> ANSWER THE QUESTION.
WHAT THE HELL IS WE DOING?
I WANT TO KNOW, ARE WE ON THE
SAME PAGE WITH WHAT WE WANT
IN LIFE?
'CAUSE IF WE'RE NOT, THEN
THIS MIGHT NOT WORK.
>> TO BE HONEST WITH YOU,
UH...
I REALLY DO LIKE YOU.
>> SOUND LIKE YOU GOT DOUBTS.
>> [sighs]
NOT REALLY DOUBTS.
>> MM.
>> IT'S KIND OF TRICKY.
>> OKAY?
>> I JUST GOT TO MAKE SURE
YOU'RE NOT BAT[bleep] CRAZY.
AND THEN WE CAN SEE WHERE WE GO
FROM THERE.
>> HMM.
I DEFINITELY COULD SENSE A
SLIGHT UNCOMFORTABLENESS
WITH CEASE.
YOU CAN TAKE A HORSE TO WATER,
BUT YOU CAN'T MAKE HIM DRINK.
>> IT'S OVER.
DEUCES.
>> DON'T DO ME LIKE THAT.
I DON'T LIKE THIS ANYMORE.
NOW WE GOT TO STOP.
>> [laughing]
>> I'MA LET THAT SLIDE.
GET MY ASS OUT OF HERE.
I'LL SEE YOU LATER.
>> * I KNOW THAT IT'S HARD
>> MMM, MMM, MMM.
>> DON'T "MMM, MMM, MMM" ME.
>> * TO BE WHO YOU ARE
>> SHE WANT ME.
>> * YOU'LL GET THERE I'M SURE
* 'CAUSE YOU'VE GOTS
* JUST TOO MUCH TO IGNORE
>> OH, DUNCAN!
[indistinct shouting]
>> LADIES AND GENTLEMEN,
[bleep].
>> WELCOME BACK, [bleep].
[applause]
>> ALL RIGHT.
>> WHAT THE [bleep] HAPPENED?
YOU WAS DOING O.D. GOOD.
>> I WAS, YO.
THAT'S THE SAME THING I WAS
SAYING.
I WAS LIKE, I HAD THE SHOP UNDER
CONTROL.
>> [laughing]
>> I HAD THE SHOP UNDER CONTROL.
[bleep] YOU LAUGHING AT,
[bleep]?
>> WHY THE [bleep] IS YOUR NAME
RICHARD DUNCAN?
>> [laughs]
>> WHO NAMED YOU THAT?
>> TEACHER LOOKED AT US LIKE,
"RICHARD DUNCAN?"
"THAT'S ME."
"OH, [bleep]."
LIKE--
[laughter]
>> ENJOY THE SHOP, [bleep],
'CAUSE YOU GOING TO JAIL.
[laughing]
>> WHAT HAPPENED TO INNOCENT
UNTIL PROVEN GUILTY?
>> [bleep], THIS IS AMERICA,
ALL RIGHT?
YOUR ASS IS GOING DOWN.
[laughter]
>> CHUCKLE UP. THAT'S RIGHT.
GO AHEAD. ENJOY YOURSELVES.
I WANT TO SEE HOW FUNNY IT'S
GONNA BE WHEN [bleep], GOOD
NUMBER ONE EMPLOYEE, [bleep]
GOES TO JAIL, THEN [bleep] GO
UNDER.
WALTER AIN'T GOT NO JOB.
>> [laughing]
>> YEAH, LET'S SEE HOW FUNNY
THAT [bleep] IS THEN.
[laughter]
>> BUT, [bleep], YOU KNOW THIS
[bleep] IS LIKE, FOR REAL,
REALLY SERIOUS?
>> NO [bleep] THIS [bleep] IS
FOR REAL SERIOUS.
>> YOU COOLING LIKE YOU GONNA
GET OFF THE [bleep] WITH THIS
[bleep].
WHAT IF YOU DON'T GET OFF?
>> I GOT TO STAY POSITIVE.
YOU KNOW WHAT, IF I DON'T PUT
THAT POSITIVE ENERGY OUT TO THE
WORLD, THEN WHAT AM I
GONNA GET BACK?
Y'ALL BRINGING ENOUGH NEGATIVITY
TOWARDS ME AS IT IS.
>> I DON'T THINK IT'S
NEGATIVITY.
I THINK IT'S REALITY.
I FEEL LIKE THAT'S A LONG TIME,
AND, LIKE, THAT'S SOMETHING
REAL SERIOUS.
LIKE, YOU NEED TO PREPARE
YOUR FAMILY.
>> I'M TRYING NOT TO THINK ABOUT
THIS [bleep].
LIKE, I'M COMING HERE SO I CAN
TRY AND MAKE SOME MORE MONEY AND
GET BACK IN THE GROOVE OF
THINGS.
LIKE, I DON'T WANT TO HAVE TO
DEAL WITH THIS [bleep].
I'M AT MY TOTAL, ULTIMATE LOW.
IT'S LIKE--
I AIN'T HAVE NOBODY TO SUPPORT
ME.
THIS [bleep] IS [bleep] UP, MAN.
SO THIS IS MY ESCAPE.
[hip-hop music]
*
WHAT MADE YOU WANT TO REALLY GO
AHEAD AND GET THE WHOLE INDIAN
THEME ON YOUR BACK, BRO?
>> BASICALLY, IT'S JUST--
I MEAN, IT JUST REALLY
REPRESENTS ME, MEANING
BEING FREE, 'CAUSE, YOU KNOW,
INDIAN, NATIVE AMERICANS,
THEY USUALLY LIVE FREE AND DID
WHATEVER, BUT ALSO WANTED A
SENSE OF PEACE OF MIND.
>> SO THAT'S WHY YOU ALSO GOT,
LIKE THE PEACEFUL, SERENE
BACKGROUND AND ALL THAT?
>> THEY SEE ME, THEY LIKE,
"THAT FITS HIM."
ANYTIME I'M STEPPING OUT
OF MY CHARACTER, SO...
>> DEFINITELY.
HELL, YEAH, THAT'S WHAT IT IS.
YOU WANT TO DO THIS, LIKE, FULL
COLOR COMPLETELY, RIGHT?
>> YEAH.
>> THE WHOLE THING?
>> YEAH, IN COLOR.
>> SO, UM, JUST GIVE ME A SEC.
JUST TAKE YOUR SHIRT OFF.
WE CAN GET STARTED.
[hip-hop music]
*
REALLY, MY LIFE CAN'T GET ANY
WORSE.
IT'S JUST, LIKE--
I FEEL LIKE I HAVE NOTHING TO
REALLY, LIKE, KEEP ME GROUNDED
BESIDES MY ARTWORK AND MY
TALENT.
IT HELPS ME FORGET ABOUT A LOT
OF THE STRESS THAT'S GOING ON
IN MY MIND.
RIGHT NOW, I'M JUST TRYING TO
FIND LIGHT AT THE END OF THE
TUNNEL.
I'M LITERALLY JUST LIVING MOMENT
BY MOMENT.
>> * TAKE OFF
* MY HEART AIN'T BEEN SEEN
* SINCE I BEEN A TEEN
* A MALE OF MY KIND
* THAT'S SELDOM SEEN
* MY MORE SWEAT, MORE TEARS
* MORE BLOOD
* IS A PERFECT RECIPE
* I CHEFED UP WITH NO GLOVES
* PERSPECTIVE OF A MAN
* EMBODYING THE HUSTLE
* RESPECTED AS A CHAMP
* ALI ON A SHUFFLE
* MOTHER EARTH GAVE BIRTH
* TO A GIFT THAT WOULD CURSE
* STILL IN LAST
* AND FOR THAT SAME REASON
* I'M IN FIRST
* YOU GOT ME
>> MY DAUGHTER IS NOT
GONNA BE ABLE TO SEE ME FOR,
LIKE, THREE YEARS IF I GO TO
JAIL.
>> THAT'S A WHOLE LOT OF MAKING
UP TO DO.
>> YEAH, I KNOW.
>> MY WHOLE LIFE IS JUST, LIKE,
WAY TOO REAL RIGHT NOW.
>> IS THAT THE REAL REASON WHY
YOU HAVE ME HERE?
[hip-hop music]
*
>> GENTLEMEN.
>> HEY.
>> HOW CAN I HELP YOU?
>> MY NAME IS RICHARD DUNCAN
HERE TO CHECK IN.
>> HAVE A CHAIR OVER THERE.
I'LL BE RIGHT WITH YOU,
ALL RIGHT?
>> ALL RIGHT, I'LL DO THAT.
THEY'RE STRICT.
I WAS SO GLAD TO FIND OUT
THAT MY BROTHER BAILED ME OUT.
NORMALLY I'M IN JAIL INSTEAD OF
HAVING TO BAIL SOMEBODY OUT, SO
I DON'T REALLY QUITE KNOW THE
PROCESS.
>> SO WAIT, YOU GOT TO CHECK IN
AND [bleep] LIKE THAT?
>> BASICALLY, I THINK IT'S KIND
OF LIKE PAROLE.
I JUST GOT BAD LUCK.
WE BOTH GOT BAD LUCK.
>> YOU RIGHT.
WE MIGHT BE SHARING A CELL.
>> I KNOW.
>> I RECENTLY GOT SERVED PAPERS
FROM MY DAUGHTER'S MOTHER
FOR CHILD SUPPORT.
AND IF I DO NOT PAY HER THE
MONEY, I COULD GET JAIL TIME,
UP TO SIX MONTHS.
>> WE GONNA OPEN UP A TATTOO
SHOP, TOO, IN OUR BUNK.
>> YEAH, WE CAN'T CALL
IT BLACK INK.
WE GOT TO CALL IT JAIL INK.
>> MM-HMM.
WE COULD GO TO PRISON INK.
>> PRISON INK.
>> MM-HMM.
>> THERE WE GO.
THAT RINGS.
>> MY DAUGHTER IS NOT GONNA BE
ABLE TO SEE ME FOR, LIKE, THREE
YEARS IF I GO TO JAIL.
MY SON'S NOT BE ABLE TO SEE ME
FOR THREE YEARS.
SEE, THAT'S THREE CHRISTMASES.
THAT'S THREE BIRTHDAYS.
>> THAT'S A WHOLE LOT OF MAKING
UP TO DO.
>> YEAH, I KNOW.
>> DAMN.
YOU GOING THROUGH A LOT RIGHT
NOW, MAN.
>> YEAH, I GOT SO MUCH ON MY
BISCUIT, MAN.
MY HEAD HURTING.
>> I THOUGHT I WAS GOING THROUGH
IT.
>> DUNCAN.
>> YEAH.
>> COME ON IN, RIGHT
THROUGH THE WHITE DOOR.
>> MY NAME'S TOM.
>> TOM, PLEASURE TO MEET YOU.
>> CAN I HAVE YOU SIGN YOUR
DOCUMENTS?
I'LL EXPLAIN THE PROGRAM TO YOU.
GOT ANY QUESTIONS, I'LL ANSWER
THEM AS WE GO.
>> ALL RIGHT.
>> WHILE YOU'RE OUT ON BAIL, YOU
CAN'T LEAVE THE STATE OF NEW
YORK UNLESS IT'S FOR WORK,
AND IF IT IS FOR WORK, WE NEED
TO KNOW WHERE YOU'RE GOING AND
WHERE YOU'RE GONNA BE.
>> ALL RIGHT.
>> YOU LOOK TOUGH, YO.
>> YOU'RE, LIKE, THE REAL DOG.
>> NO, DOG IS A PUNK COMPARED TO
YOU, RIGHT?
>> I DON'T KNOW ABOUT THAT, BUT
I KNOWN DUANE FOR A LOT OF
YEARS.
>> OH, YOU SEE THAT?
THAT'S DOPE.
>> DON'T GO NOWHERE, BOY.
HE CONNECTED.
SO, WAIT, HE HAS TO CHECK IN
EVERY DAY?
>> ONCE A WEEK ON TUESDAYS,
BETWEEN THE HOURS OF 9:00 IN THE
MORNING AND 10:00 AT NIGHT.
>> YOU GOT TO TELL THE BAIL
BONDSMAN EVERYTHING ABOUT WHAT
YOU DO:
WHERE YOU AT, LIKE THEY YOUR
GIRL;
WHAT YOU EATING, LIKE YOU TAKING
THEM OUT ON A DATE;
AND WHERE YOU [bleep], LIKE THEY
GOING INTO THE BATHROOM
AFTER YOU.
THEY BUGGIN'.
>> SIGNATURE HERE.
>> OH, YEAH, YOU DEFINITELY
IN TROUBLE.
WHEN YOU GOT TO SIGN THAT MUCH,
YOU IN TROUBLE.
>> EITHER IT'S BAD OR IT'S
REALLY GOOD.
>> YOU'RE NOT GETTING A CHECK,
SO...
>> HE AIN'T GETTING A CHECK, SO
IT'S BAD.
>> ALL RIGHT, SO YOU'RE ALL SET.
YOU GOT ANY QUESTIONS, GIVE ME A
RING, MY BROTHER.
>> ALL RIGHT, SURELY WILL.
>> ALL RIGHT, NICE MEETING
YOU GUYS.
>> YOU TOO.
>> MR. DUNCAN, YOU DO COVER-UPS?
>> I SURELY DO.
>> I HAVE A DRAGON WITH A
WIZARD, WHICH I WANT TO COVER
UP.
>> LET'S TAKE A LOOK AT IT.
>> THE DOUCHE BAG THAT DID IT
[bleep] THE LINES TO AN EXTREME.
>> OH.
>> BUTCHERED THE [bleep]
OUT OF IT.
>> I WANT TO DEFINITELY DO THE
BAIL BONDSMAN'S TATTOO, BUT YOU
KNOW WHAT?
THAT LITTLE FEE THAT YOU WAS
GONNA TAKE OUT, DON'T WORRY
ABOUT THAT.
I'LL GIVE YOU THAT TATTOO--
HEY, FREE TATTOOS ALL YEAR LONG
IF YOU WANT.
THAT'S DEFINITELY FIXABLE.
BY NEXT TUESDAY WHEN I COME,
I CAN DRAW SOME STUFF OUT.
>> MUCH LOVE, I'LL SEE YOU
TUESDAY.
>> ALL RIGHT, SEE YOU TUESDAY.
>> BRING YOUR STUFF.
YOU CAN DO IT RIGHT HERE.
>> OH, RIGHT?
[laughs]
ALL RIGHT, TAKE IT EASY, BRO.
>> LATER, MAN.
[hip-hop music]
*
>> YOU GOT YOUR OWN ROOM NOW,
LITTLE GIRL.
YOU POPPING.
I FINALLY GOT A NEW APARTMENT
FOR ME AND MY FAMILY.
IT'S PRETTY GOOD RIGHT NOW, MAN.
I'M ON THE UP-AND-UP.
I'M LIVING THAT, LIKE, COSBY
LIFE RIGHT NOW, AND IT'S PRETTY
AWESOME.
I'M JUST GONNA MAKE THAT WHOLE
FAMILY THING WORK REGARDLESS
OF ANYTHING.
YOU GOT A NICE VIEW OF
THE BRONX.
IT'S SO PLEASANT.
YEAH, SEE.
YOU WANT TO GO TO THAT LADY?
'CAUSE WE GOT TO START TAKING
STUFF OUT THE BOXES.
>> LET'S LAY DOWN.
*
>> AREN'T YOU HAPPY?
LOOK, WE FINALLY GOT A PLACE.
>> YEAH.
SO WHAT'S GOING ON WITH
O'[bleep]?
>> UM, YEAH.
HE CAUGHT A GUN CHARGE.
IT WASN'T HIS CAR OR HIS GUN.
HE JUST HAPPENED TO BE IN THE
CAR WITH THE GUN.
>> THAT SOUNDS STUPID.
>> IT'S A LITTLE STUPID.
YOU KNOW, KIND OF A BLACK MAN
PROBLEM.
>> YOU SEE THE TROUBLE THAT
[bleep] HAS GOTTEN HIMSELF INTO.
>> TRUE.
>> DON'T GET ALL BIG-HEADED
AND THINK YOU WANT TO DO
SOMETHING DUMB.
>> NO.
>> WE DON'T NEED MIA GROWING UP
SAYING, "MY DAD HAS BEEN
ARRESTED."
>> IT'S ACTUALLY PRETTY
AWESOME...
>> NO, I DON'T WANT--
>> FOR THESE LITTLE YOUNG--
LITTLE YOUNG [bleep] COMING TO
MY DAUGHTER KNOW THAT--
THAT POPS HAS BEEN IN JAIL.
>> NO, YOU'VE BEEN IN JAIL FOR
GETTING DRUNK AND BEING STUPID.
NO, THAT'S NOT GONNA INTIMIDATE
ANYONE.
>> I KNOW.
[laughs] NO.
>> YOU HAVE TO BE GOOD.
>> YEAH, I KNOW.
>> THANK YOU.
>> NO PROBLEM.
CAN I HAVE SOME SUGAR?
>> MMM.
>> MWAH.
SHE'S CHANGED ME, MAN.
I'LL BE CHILLING.
>> OKAY.
>> I GOT THIS.
>> CHECKING ON MIA?
>> YEP.
>> * GRIP THE WHEEL TIGHT
* IT JUST FEELS RIGHT
* AND SEE IT'S JUST A CIRCLE
* A CYCLE, A PLANET, PATTERN
* AND THIS LITTLE
* VICIOUS CIRCLE IS CHANGING
* IT'S NEVER HAPPENED
[funky music]
>> I LOVE THE HAIR.
CAN'T LIE.
YOU LOOK LIKE A BARBIE DOLL.
>> THANK YOU.
>> I'M GOING TO GO DOWNTOWN
TO MEET UP WITH ALEX SO WE CAN
TRY AND REALLY SMOOTH THINGS
OVER AND BECOME FRIENDS AGAIN.
SO I DON'T KNOW IF YOU HEARD.
YOU KNOW, I ACTUALLY--
LIKE, THE LAST NIGHT THAT I SEEN
YOU, YOU KNOW I [bleep] GOT
ARRESTED.
AND NOT EVEN, LIKE, ON NO
[bleep] PETTY [bleep].
LIKE, I ACTUALLY CAUGHT, LIKE,
A GUN CHARGE.
IN A FEW DAYS, I'M GONNA FIND
OUT WHETHER OR NOT I'M GONNA BE
DOING, LIKE, THREE YEARS IN JAIL
OR NOT.
MY WHOLE LIFE IS JUST, LIKE, WAY
TOO REAL RIGHT NOW.
>> IS THAT THE REAL REASON WHY
YOU HAVE ME HERE?
>> I MEAN, LIKE, I WANT SOME
FEEDBACK WHEN I'M OUT.
LIKE--
>> IT'S ALL ABOUT YOU.
>> IT'S ALL ABOUT ME?
>> OKAY, SO THIS [bleep] LIES
ON HIS [bleep].
DOESN'T WANT TO ADMIT IT TO ME
IN PERSON.
GETS MAD AT ME, LIKE, IF I'M
THE ONE THAT LIED.
NO WONDER HE GOT THAT NAME.
IT GOES GREAT WITH HIM.
WHY?
YOU'RE A PIECE OF [bleep].
YOU DON'T EVEN WANT TO BRING UP
WHAT WE'RE SUPPOSED TO REALLY
TALK ABOUT.
SO WHAT'S THE POINT?
I REALLY HOPE THAT EVERYTHING
WORKS OUT FOR YOU.
>> ALEX, I DO HAVE SOMETHING
THAT I DEFINITELY NEED TO
APOLOGIZE ABOUT, I KNOW.
NOT GONNA LIE, I DEFINITELY TOLD
PUMA THAT WE [bleep] BEFORE.
I DEFINITELY DIDN'T MEAN TO
DISRESPECT YOU IN ANY
KIND OF WAY.
YOU'RE A BEAUTIFUL WOMAN.
YOU'RE MY BEST FRIEND IN
THE WORLD.
>> THAT'S ALL YOU HAD TO SAY.
THAT'S ALL YOU HAD TO SAY.
'CAUSE YOU KNOW THAT NEVER
HAPPENED BETWEEN ME AND YOU.
>> ALEX IS DELUSIONAL.
I DON'T KNOW WHAT SHE'S
TALKING ABOUT.
WE DID SLEEP TOGETHER.
I WAS JUST APOLOGIZING FOR
TELLING EVERYBODY AT THE SHOP.
>> I GET IT.
PEOPLE LIE ABOUT [bleep]
ALL THE TIME.
>> NO, LOOK, IT'S NOT EVEN
ABOUT THAT, BUT NOW--
>> I GET IT.
WHATEVER SATISFACTION HE GOT
OUT OF TELLING PEOPLE THAT HE
[bleep] ME, I HOPE YOU GOT IT,
BECAUSE AT THE END OF THE DAY,
YOU LOST, LIKE, ONE OF THE
DOPEST, COOLEST FRIENDSHIPS
YOU WOULD EVER HAVE.
THAT'S ALL I WANTED YOU TO SAY.
>> EXIT STAGE RIGHT.
>> WHAT UP, YO?
>> WHAT UP?
>> NIGEL'S COMING IN TO GET HIS
TATTOO FINISHED.
>> YOU KNOW I'M HARD TO PLEASE.
>> YEAH.
>> I'M NOT LOOKING FORWARD TO
THIS TATTOO.
>> I GET A TEXT FROM A CUSTOMER
SAYING MY SHOP IS CLOSED AT
3:00 IN THE AFTERNOON.
YO, I GOT TO GO.
WHAT THE [bleep] IS GOING ON?
[hip-hop music]
*
>> YOUR BOY COMING BACK TODAY
TO FINISH THAT TAT?
>> OH, BOY, WOW.
YES.
SO NIGEL'S COMING IN TODAY
TO GET HIS TATTOO FINISHED.
HE IS SO HARD TO PLEASE.
>> ALL RIGHT, DUTCHESS IS DOING
YOUR TATTOO.
>> SHE COOL. SHE DOPE.
>> YOU SURE?
GOT NOTHING TO WORRY ABOUT?
>> NAH.
>> I AM NOT LOOKING FORWARD
TO HAVING TO DO THIS TATTOO.
>> LAST TIME, YOU KNOW WHAT
I MEAN...
>> HE DROVE ME THROUGH
THE RINGER.
>> AFTER ABOUT 50 MILLION YEARS,
YOU DIDN'T EVEN GET STARTED WITH
ALL HIS--
>> PERCENTS.
>> YOU KNOW, "I SEE IT.
I SEE A 63%, BUT NOW I'M TRYING
TO GET TO--
I'M TRYING TO GET TO 89."
YOU KNOW WHAT I'M SAYING?
IT DIDN'T IMPROVE.
>> HE WAS A LITTLE DIFFICULT TO
DEAL WITH.
THIS IS WHAT MY LIFE IS GONNA
BE LIKE TODAY?
I JUST PUT ON MY BIG GIRL
PANTIES AND DEAL WITH IT.
>> YOU GONNA ACTUALLY LOOK AT
HIS MAN PECS FOR ABOUT A HOUR
BEFORE YOU EVEN START TO TATTOO.
HE GONNA BE LIKE--
THAT'S SOME FUNNY [bleep].
>> HE MADE ME FEEL LIKE THE WAY
I LOOK IN THE MIRROR AIN'T
CORRECT.
IT'S PRIME TIME.
>> THERE YOU GO, SPEAKING OF.
WHAT UP, YO?
>> WHAT UP?
>> SEE HERE, YO, IT'S GOOD.
>> BLACK INK.
>> WHAT'S GOOD WITH YOU, MAN?
WE WAS TALKING ABOUT YOUR, UM...
>> HOW YOU DOING?
>> PERCENTAGE RATES.
LAST TIME, IT WAS LIKE, WHERE
YOU AT NOW?
>> WELL, I CAN SAY THIS, I'VE
BEEN GETTING SOME VERY, VERY
GREAT COMPLIMENTS ON YOUR WORK
THUS FAR.
>> THUS FAR, THAT'S WHAT'S UP.
THAT MEANS A LOT.
>> WE BETWEEN, 80, YOU KNOW...
>> YEAH, YEAH.
>> 87 AND 89.
>> PERCENTAGE WENT UP
WITH THEM COMPLIMENTS.
>> IT'S A GOOD NUMBER.
>> OH, YOU LIKE THAT?
WE'RE TRYING TO LURE YOU OUT
HERE SO YOU'RE IN THE MID-90s
OR SO.
>> I WANT TO GET, LIKE, TO, LIKE
98.
>> YEAH.
>> SOMETHING LIKE THAT.
>> 'CAUSE WHEN HE SEE IT,
IT'S GONNA BE HERE.
>> 'CAUSE YOU KNOW I'M HARD
TO PLEASE.
>> YEAH, I KNOW YOU'RE HARD TO
PLEASE.
>> YOU READY?
>> YEAH, VERY.
>> ALL THE WAY READY?
>> LET'S GET IT POPPIN'.
>> PAIN, HERE COMES THE PAIN.
>> ALL RIGHT, BRO.
>> LOOK, WALT, IF YOU HEAR HIM
CRYING...
>> NO, WE DON'T REALLY DO THAT.
WE STAND UP WHEN WE PEE, BABY.
>> REMEMBER 98%.
>> I MEAN, I'M GONNA BE HONEST
WITH YOU.
I'M GONNA MOVE HOW I WANT TO
MOVE.
>> WHAT'S THAT MEAN?
>> NOW THAT THE OUTLINE IS DONE,
THAT'S THE STRUCTURE PART OF IT.
NOW I CAN LITERALLY BE FREE TO
DO HOW I WANT TO DO.
LIKE, IT GIVES ME MY CREATIVE
FREEDOM.
>> OKAY.
I JUST WANT TO BE A PART OF
THE PROCESS, THOUGH.
>> NO, YOU ARE V--
YOU'RE HERE.
[dramatic hip-hop music]
*
>> THAT HURTS LIKE
A MOTHER[bleep].
>> YOU A MAN. YOU GOT THIS.
EVERYTHING WE DO WE DON'T, YOU
KNOW, NECESSARILY HAVE TO LOVE.
SOME THINGS IS FOR THE JOURNEY.
>> * I'M FEELING BAKED
* AH-AH-AH
* I'M FEELING GOOD
* OH-OH-OH
* I'M FEELING BAKED
* AH-AH-AH
* I'M FEELING GOOD
* OH-OH-OH
* WHOA, WHOA, WHOA, WHOA
>> ALL RIGHT, BABE, WE DONE.
>> [groans]
SHEESH.
>> LONG JOURNEY, BUT YOU--
YOU MADE IT THROUGH.
AND IT LOOKS GOOD.
>> CAN I BE THE JUDGE OF THAT?
>> YES, YOU CAN.
YOU SURE CAN.
>> DAMN.
>> YOU LIKE IT?
>> WELL, RIGHT NOW I'M AT 99.9.
>> THAT'S WHAT'S UP. I'M GLAD.
>> 99.8.
>> I'M GLAD. I'M GLAD. I'M GLAD.
I'M GLAD.
>> YEAH, I'M VERY HAPPY.
>> IT LOOKS REALLY GOOD.
>> BOTH OF YA.
[lively hip-hop music]
*
>> YO, WALT, I NEED YOU TO WATCH
THE FRONT FOR ME TOMORROW.
I'M GOING OUT WITH, UM,
DUTCHESS.
>> WHAT DO YOU MEAN, YOU'RE
GOING OUT WITH DUTCHESS?
>> LET ME CLEAR THIS UP.
I'M GOING TO A INKED PHOTO SHOOT
WITH HER TOMORROW.
I'M VERY PROUD OF DUTCHESS.
SHE ONLY BEEN IN NEW YORK, LIKE,
A MINUTE, AND SHE'S ALREADY
BOOKING PHOTO SHOOTS WITH
INKED MAGAZINE.
HOMEGIRL'S GETTING HER GROOVE ON
IN NEW YORK.
>> Y'ALL ABOUT TO MOVE IN
TOGETHER OR SOMETHING?
>> WHAT?
YOU'RE ASKING ME WAY TOO MUCH
QUESTIONS, YO.
>> IT'S COOL, THOUGH, MAN.
THAT'S A BEAUTIFUL THING, MAN.
JUST EMBRACE IT, MAN.
I DON'T KNOW WHAT DUTCHESS DID
TO HIM, BUT, UM--
IT'S LOOKING LIKE, YOU KNOW
WHAT I MEAN, SHE GOT HIM A
LITTLE WHIPPED.
>> YOU DON'T WORRY ABOUT THAT.
YOU WORRY ABOUT OPENING UP THE
SHOP, MOTHER[bleep].
>> YEAH, YEAH, YEAH.
>> AND WHAT YOU LAUGHING ABOUT?
WHO YOU ON THE PHONE WITH?
>> YOU KNOW, I'M A LITTLE NOSY.
>> GET THE [bleep] OUT.
I TOLD YOU KRAZY BITCH WAS ABOUT
TO TEXT YOU.
>> YOU [bleep] UP.
SHE WON'T LEAVE YOU ALONE NOW,
RIGHT?
>> SHE GONNA KILL YOU.
AND TELL HER ABOUT ALL YOUR
OTHER BITCHES.
>> THE BITCH IS GONNA
KILL ME ANYWAY.
>> SHE THINK Y'ALL IN
A RELATIONSHIP.
SHE THINK YOU'RE HUSBY.
>> SO WHAT?
CAN'T LET THIS HAPPEN.
I GOT TO DO SOMETHING ABOUT ME
AND ALEX.
>> I THINK YOU SHOULD LEAVE HER
ALONE, FIVE.
YOU BUGGIN'.
>> HE'S TRYING TO GET YOU TO
STOP WHILE YOU STILL CAN,
'CAUSE HE'S ALREADY IN TOO DEEP.
>> HER GAUGE OF CRAZY IS, LIKE,
RIGHT HERE.
YOUR [bleep], THAT'S LIKE
RIGHT HERE, YOU KNOW WHAT I
MEAN?
THAT'S FLAT LINE.
>> [bleep] GONNA STAB YOU
UNTIL YOU--
LIKE, "YOU DON'T UNDERSTAND.
I WILL DO ANYTHING FOR..."
>> ANYTHING!
>> THERE'S NOTHING I WOULDN'T
DO FOR YOU!
[hip-hop music]
*
>> IT'S COLD AS HELL IN
CHINATOWN, YO.
>> LOOK AT THIS AT [bleep].
>> NOTHING LIKE HARLEM.
HARLEM'S DEFINITELY WARMER.
SOUNDS STUPID, BUT...
>> NO, YOU'RE RIGHT.
>> IT FEELS SO TRUE.
>> HELLO.
>> HOW YOU DOING?
>> IT'S GOOD TO SEE YOU AGAIN.
>> I WENT TO MY GO-SEE AT INKED
MAGAZINE A MONTH AGO.
THEY LOVED ME.
>> ARE YOU EXCITED?
>> I'M EXCITED, BUT I'M NERVOUS.
THEY WERE LIKE, "WE WANT TO USE
YOU AS PART OF OUR SPREAD,
POSSIBLY EVEN THE COVER."
SO TODAY'S A BIG DAY.
>> SO WE'RE DOING SOMETHING
THAT'S, LIKE, SOFT AND SEXY
AND FEMININE AND INTIMATE.
>> FOR ME TO BE IN INKED
MAGAZINE, THAT MEANS A LOT.
SINCE THEIR FIRST PUBLICATION,
THAT'S WHEN I FIRST STARTED
DRAWING TO EVEN THINK THAT I WAS
GONNA BE A TATTOO ARTIST.
>> OKAY, LET'S GET YOUR HAIR
AND MAKEUP DONE.
[upbeat electronic music]
*
>> HOW MANY GUYS CAN SAY, "MY
GIRL WAS IN INKED MAGAZINE"?
PSSH, MAN.
I GOT BRAGGING RIGHTS NOW.
READY FOR IT? READY FOR IT?
>> YOU READY?
>> THERE YOU GO, WHOO!
THERE WE GO.
>> HE'S SO STUPID.
>> DO THAT COY THING.
*
>> SEE, I'M SITTING HERE WITH MY
GIRL AT THIS DAMN PHOTO SHOOT,
AND WHAT DO I GET?
A TEXT FROM A CUSTOMER SAYING
MY SHOP IS CLOSED AT 3:00
IN THE AFTERNOON.
WHAT THE [bleep] IS GOING ON?
YO, I GOT TO GO.
LIKE, I CAN'T GO AWAY FOR A
MINUTE AND SOMETHING NOT
[bleep] UP.
[bleep] IS RIDICULOUS.
>> SO I'M IN THE MIDDLE OF MY
SHOOT, AND OUT OF NOWHERE, CEASE
JUST DISAPPEARS.
HE JUST UP AND LEFT.
HE DIDN'T EVEN SAY GOOD-BYE.
I DON'T KNOW WHAT'S HAPPENING.
>> YO, WHY ARE PEOPLE CALLING ME
TELLING ME THE SHOP IS CLOSED AT
2:30 IN THE AFTERNOON?
>> OH, BECAUSE I HAD TO GO MAKE
A RUN REAL QUICK.
>> BUT YOU UNDERSTAND THAT'S
A MISTAKE THAT COSTING ME
MONEY RIGHT NOW.
>> BUT NOBODY WAS HERE!
>> WELL--
>> THAT'S WHY I LEFT, BECAUSE
NOBODY WAS HERE!
>> LOOK, I'M NOT DEALING
WITH [bleep].
GIVE ME MY KEYS, MAN.
GIVE ME MY KEYS.
THIS IS WHAT'S GONNA HAPPEN!
THIS IS MY SHOP!
[hip-hop music]
*
>> YO, WHY ARE BE PEOPLE BE
TELLING ME THE SHOP IS CLOSED AT
2:30 IN THE AFTERNOON?
>> OH, BECAUSE I HAD TO GO MAKE
A RUN REAL QUICK OR WHATEVER,
AND NOBODY WAS HERE, SO I'M
LIKE, "I'LL BE RIGHT BACK."
>> AND THE RUN WAS THAT
IMPORTANT?
>> BRO, I WAS BACK, LIKE,
WITHIN 15 MINUTES.
>> NO, YOU WASN'T.
>> YOU SAID, LIKE, AROUND 2:30.
I WAS BACK BEFORE IT EVEN HIT
3:00.
>> WALT, SOMEBODY SAID THEY
CALLED THREE TIMES.
I CAN SHOW YOU THE TEXT.
>> YEAH, AND I UNDERSTAND THAT
WHEN I'M TALKING TO YOU, BUT
WHEN YOU TALKING ABOUT I WAS
GONE FOREVER--
I WASN'T GONE FOREVER.
I CAME RIGHT BACK.
>> HOW DOES IT LOOK IF THE SHOP
IS CLOSED AT 2:30 AND BOTH
THE GATES IS DOWN?
TELL ME,
FOR A AVERAGE CUSTOMER THAT'S
WALKING BY.
>> THAT WAS MY MISTAKE.
I JUST AIN'T WANT TO LEAVE
THE DOOR OPEN AND SOMEBODY--
>> BUT YOU UNDERSTAND THAT'S A
MISTAKE THAT COSTING ME MONEY
RIGHT NOW.
>> CEASE IS THE TYPE THAT, YOU
KNOW WHAT I MEAN, IT DOESN'T
MATTER WHAT YOU DO, HE ONLY SEES
THE [bleep] THAT YOU DON'T DO.
>> IF YOU WAS GONNA LEAVE, YOU
SHOULD'VE LEFT A SIGN OR
SOMETHING.
THAT WOULD'VE BEEN A RESPONSIBLE
THING TO DO.
>> BUT THEN HOW THE [bleep] THIS
[bleep] SHOP IS GETTING GOING?
HOW EVERYTHING IS KEEPING GOING,
BY WALT.
I HAD TO GO MAKE A RUN
REAL QUICK.
LIKE I SAID, I TAKE
RESPONSIBILITY.
THAT WAS--THAT WAS MY FAULT.
>> WHAT WAS YOUR RUN?
>> I HAD TO GO PICK UP SOME
PAPERS.
>> WALTER--
IT'S TO THE POINT THAT IT FEELS
LIKE HE DON'T CARE.
LIKE, I GOT TO PUT PEOPLE IN
THEIR PLACE.
I JUST LIKE THE PICTURE OF
YOURS, YO.
THAT WHERE YOU WAS TODAY?
>> YEAH, EARLIER TODAY.
>> THAT'S JUST, LIKE, TWO HOURS
AGO.
>> EARLIER TODAY I TOLD YOU I'M
GONNA GET MY NAILS DONE.
>> OKAY, AND WHAT ABOUT
THIS NOW?
>> THAT WAS RIGHT AFTER
I GOT MY NAILS DONE.
>> WHO'S DUMB ENOUGH TO SKIP OUT
ON WORK AND THEN POST PICTURES
ON INSTAGRAM?
YOU ARE A IDIOT.
I DON'T KNOW WHAT THE [bleep]
YOU THINKING.
I AIN'T NO DUMMY OR NOTHING
LIKE THAT.
>> YOU WAS DEFINITELY TOLD
I'M GOING TO GET MY NAILS DONE,
AND I'M GOING TO SEE AN EXHIBIT.
YEAH, YOUR REPLY WAS, "HEY,
I'M THINKING ABOUT GOING TO GET
MY NAILS DONE TOO."
>> YO, MY [bleep], YOU ARE
TRIPPING, YO.
>> NOBODY WAS HERE. I HAD NO--
>> YO, WALT, WALT--
>> YOU HAD YOUR SHOOT, SO I WAS,
LIKE, YOU GOT NOBODY AROUND.
>> I WAS ALL THE WAY DOWNTOWN.
>> EXACTLY.
>> I HAD TO TAKE TWO [bleep]
TRAINS TO COME UP HERE.
>> I DON'T KNOW WHY, BECAUSE
I WASN'T--
YOUR SHOP WAS GOING.
WHEN YOU LEFT THIS MORNING,
I WAS HERE.
>> WE'RE LOSING MONEY.
WE'RE LOSING ALL TYPE OF
[bleep].
THAT GATE SHOULDN'T OF
WENT DOWN.
I UNDERSTAND YOU FRUSTRATED,
BRO, BUT YOU NEED TO REALLY,
LIKE--POINT THAT IN THE RIGHT
DIRECTION.
I'M DEMOTING WALT'S ASS.
HE'S NO LONGER GONNA BE
A MANAGER AT BLACK INK.
[mellow hip-hop music]
*
[knocking at door]
>> HEY.
HEY.
>> WHAT'S UP?
>> YO, WHAT HAPPENED, BABY?
YOU LEFT THE PHOTO SHOOT.
>> WALTER PISSED ME OFF.
>> WHAT HAPPENED?
>> SO, YEAH, WE WAS SITTING
THERE, WAS CHILLING, KICKING IT,
RIGHT?
WATCHING YOUR SHOOT, RIGHT.
SOMEONE TEXT ME, LIKE, "YO,
I'VE BEEN TRYING TO CALL
THE SHOP."
>> OH, NOBODY WAS HERE?
>> RIGHT.
>> AND HE'S ON INSTAGRAM PUTTING
UP PICTURES OF HIM GETTING HIS
[bleep] NAILS DONE AT 1:30.
>> SO WHAT'S UP?
WHAT YOU GONNA DO?
>> I WAS THINKING ABOUT HIRING
YOU AS A MANAGER.
>> OKAY, LOOK, WE GOT TO DISCUSS
WHAT'S GONNA HAPPEN IN ORDER FOR
ME TO GET HIRED HERE, BECAUSE...
>> CONTRACT TIME?
[laughter]
>> YEAH, CONTRACT TIME.
>> WE CAN TALK AND NEGOTIATE
THAT.
>> OKAY. YES.
>> NOW YOU HAPPY NOW?
>> YES.
>> ALL RIGHT.
>> I MEAN, I SHOULD BE HERE.
I'M SUPPOSED TO BE HERE.
I MEAN, I'M NOT REALLY HAPPY
BEING BEHIND THE DESK.
I'VE BEEN DOUBLE-DIPPING WITH
BLACK INK.
I TOOK A CORPORATE JOB THAT IS
PRETTY MUCH FULL-TIME.
BUT I DON'T KNOW IF THE
CORPORATE LIFE IS FOR ME.
>> IT'S TIME FOR YOU TO COME ON
BACK TO THE FUN LIFE.
>> ALL RIGHT, THIS IS WHAT
IT IS.
I'M NOT LOOKING FOR NO
COMMITMENTS.
I'M NOT LOOKING FOR NONE OF
THAT.
>> THERE IS THAT CHEMISTRY
THERE.
PUT ME AND TEDDY IN A ROOM
ALONE, SOMETHING'S GONNA HAPPEN.
I LIKE YOU, TED.
>> YOU ARE CRAZY, YO.
[dramatic hip-hop music]
*
>> HEY.
[laughs]
>> [indistinct]
>> HI.
>> WHAT'S UP?
MM, HOW YOU DOING?
>> MM, I'M COLD.
>> I CAME HERE TO LET ALEX KNOW
THAT IT'S OVER.
WE CAN'T DO ANYTHING NO MORE.
I DON'T WANT ANYTHING TO DO
WITH YOU.
I THINK IT'S GONE TOO FAR, AND I
NEED TO LET HER KNOW THAT
THERE'S NOTHING BETWEEN US AND
THERE IS NEVER GONNA BE ANYTHING
BETWEEN US.
>> TED.
>> YES?
>> I LIKE YOU.
LOOK AT ME.
I LIKE YOU, TED.
THERE IS THAT CHEMISTRY THERE.
LOOK, YO, YOU CAN DENY IT.
HE CAN DENY IT.
I'LL PUT MONEY ON THE TABLE
RIGHT NOW, YOU PUT ME AND TEDDY
IN A ROOM ALONE, SOMETHING'S
GONNA HAPPEN.
>> ALL RIGHT, THIS IS WHAT
IT IS.
LIKE--
I'M GONNA BE HONEST WITH YOU.
>> I WAS HOPING YOU WAS HONEST
THE WHOLE TIME.
>> WHATEVER YOU WANT TO DO
IS ON YOU.
I'M NOT LOOKING FOR NO
COMMITMENTS.
I'M NOT LOOKING FOR NO
RELATIONSHIPS.
I'M NOT LOOKING FOR
NONE OF THAT.
LIKE, YOU'RE COOL.
SOMETIMES YOU'RE A GENUINE
SWEETHEART.
LIKE, YOU'RE VERY DOWN-TO-EARTH,
BUT THEN YOU HAVE THESE TIMES
WHERE YOU CAN BE CRAZY AND YOU
CAN BE VERY, YOU KNOW--
ON ANOTHER LEVEL.
THE ONLY BOND WE DO HAVE IS SEX.
LIKE, IT'S NOTHING PAST THAT,
AS OF NOW.
>> THE FACT THAT YOU WANT TO SIT
HERE AND HAVE DINNER WITH ME AND
STILL PLAY IT OFF LIKE I WAS
SOME CRAZY BITCH--
LIKE, REALLY?
'CAUSE SOME CRAZY BITCH WOULD'VE
HAD SEX WITH YOU THE
FIRST NIGHT.
>> YOU HAD SEX WITH ME
THE SECOND NIGHT.
>> I LOVE HOW YOU TIMED IT.
HIGH-FIVE TO THAT.
THIS IS YOUR FORTE RIGHT HERE.
>> YOU NEVER TRIED THEM?
>> I NEVER TRIED MUSSELS.
FEED ME.
>> HUH?
>> GONNA FEED ME ONE?
>> SHOULDN'T I AS THE GENTLEMAN
THAT I AM?
SOMETIMES?
>> IS THAT SOMETHING YOU WANT
TO DO?
I'M NOT FORCING YOU, ALL RIGHT.
I'M NOT GOING CRAZY, HERE,
RIGHT?
YOU ACTUALLY WANT TO FEED ME,
RIGHT?
>> SUCK IT UP.
>> SHOULD I BITE INTO THIS?
>> NO, BITING IS BAD,
YOU KNOW THAT.
YOU GOT TO SUCK IT UP. HERE.
>> YOU ALWAYS FIND A WAY.
[laughs]
>> SUCK, SUCK.
MM-HMM, MM-HMM.
GET IT ALL.
I WAS FEEDING ALEX MUSSELS
'CAUSE, YOU KNOW, ALL MY FLIRTY,
SEXY [bleep].
I FEED ALL MY [bleep].
WHAT ARE YOU DOING FOR THE REST
OF THE NIGHT?
>> WHAT MAKES ME HAPPY.
>> I CAN'T WAIT TO SEE WHAT
MAKES YOU HAPPY.
>> I CAN'T WAIT TO SEE WHAT
MAKES YOU HAPPY.
AT THIS POINT, I'M GONNA HAVE MY
FUN AND NOT GIVE A [bleep].
THANK YOU.
>> IT'S A POSSIBILITY WE MIGHT
SEE EACH OTHER LATER.
>> THAT'S 'CAUSE YOU WANT
TO SEE ME.
>> ALL RIGHT, I CAME TO LET ALEX
KNOW I DON'T WANT ANY TEXT
MESSAGES, NOTHING FROM YOU.
BUT WHAT I SEEN IN THAT RED
DRESS, I THOUGHT TO MYSELF,
"ON MORE LAST TIME."
KISS MY CHEEK.
>> KISS MY CHEEK.
>> NO, I ASKED FOR ONE FIRST.
>> NO, NO, NO, WAIT, WAIT, WAIT.
>> [laughs]
COME HERE.
MMM.
>> MORE BALLS THAN YOU, CEASER.
>> HE AIN'T GOT NO BALLS.
>> THAT'S WHAT THEY'RE TRYING
TO SAY, CEASER.
>> I WANTED TO TALK TO YOU
ABOUT THE UNDENIABLE ATTRACTION
THAT THERE IS GOING ON BETWEEN
YOU AND I.
>> YOU THINK WE MOVING TOO FAST?
>> SO DO YOU WANT TO END THIS
NOW?
>> I JUST ASKED YOU A QUESTION.
DUTCHESS IS MAD BECAUSE I ASKED
IF WE'RE MOVING TOO FAST.
I MEAN IT'S JUST A GENERAL
QUESTION.
>> FEEL LIKE WE MOVING TOO FAST?