>> I'MA SIT DOWN WITH [bleep].
IF I HIRE HIM BACK,
THAT [bleep]'S GONNA BE
ON MY TERMS.
YOU'RE GONNA BE ON PROBATION.
AND IF YOU NOT SOBER IN HERE,
IT'S OVER.
>> WELCOME BACK.
>> I HAVEN'T FELT THIS GOOD
IN EVER.
>> AWESOME.
WE'RE GOING TO VEGAS.
I'M SHUFFLING.
>> HELLO?
>> YOU'RE COMPLETELY NAKED
UNDER THAT DRESS, AIN'T YOU?
I GOT TWO BAD ANGELS
ON MY SHOULDER, AND BOTH OF THEM
TELLING ME TO [bleep] HER.
>> ALEX TRIED TO [bleep] YOU.
>> NO.
>> ALEX, GET YOUR ASS OUT
OF THERE.
>> I HAVE NEVER SEEN DUTCHESS
ACT LIKE THIS BEFORE.
>> NEXT THING YOU KNOW, IT WAS
JUST FIGHTS ALL OVER THE PLACE.
>> DO YOU FEEL LIKE YOU SHOULD
COME TO VEGAS?
BECAUSE IT'S TOO [bleep] CRAZY.
>> NONE OF YOU GUYS KNOW HOW TO
PUT TOGETHER WHAT YOU GUYS GOT
TO DO.
I'M GOING TO VEGAS.
>> IT'S A TATTOO CONVENTION,
NOT A [bleep] CONVENTION.
>> WE CAN'T BE GOING AWAY TO
THIS TATTOO CONVENTION
LIKE THIS.
>> I'M [bleep] DONE
WITH THIS [bleep].
[hip-hop music]
*
[airplane engine roaring]
>> PARTY BUS! WHOO!
VEGAS, BITCH!
WE JUST ARRIVED IN VEGAS.
WE GOT A BOOTH AT A HUGE
TATTOO CONVENTION,
AND DUTCHESS AND ALEX GOT
A PHOTO SHOOT WITH URBAN INK?
I'M SO HYPED.
AND 'CAUSE OF ALL THE ALEX
AND DUTCHESS DRAMA,
ALEX IS COMING TOMORROW
FOR THE TATTOO CONVENTION,
WHICH GIVES US TIME TONIGHT
TO PARTY AND BULL[bleep], MAN.
I'M TRYING TO SEE THE BLUE MAN
GROUP, SIEGFRIED & ROY.
>> I WANT TO SEE SOMEBODY
GET THEIR HEAD--
>> MAN, [bleep]
ALL THAT DUMB [bleep] Y'ALL
TALKING ABOUT.
GET ME TO MY HOTEL
SO I CAN HAVE SEX, MAN.
'COURSE ME AND ALEX HASN'T BEEN
DOING OUR ONE-TWO, BUT SHE GETS
ON MY NERVES.
SO I GOT SOMEBODY ELSE FLYING
INTO VEGAS.
>> HEY, WE'RE HERE.
>> RIVIERA.
>> OOH!
[slot machines jingling]
>> A PILLOW FIGHT!
PILLOW FIGHT!
[laughter]
>> AFTER EVERYTHING THAT
HAPPENED WITH ALEX,
I REALLY WASN'T EVEN SURE IF
I WANTED TO COME OUT TO VEGAS.
>> OH!
>> NOW THAT I'M HERE,
I FEEL A LOT BETTER.
I KNOW THIS WEEKEND IS GONNA BE
AMAZING.
>> DUTCHESS, WOULD Y'ALL BE MAD
IF I HAD SEX ON YOUR BALCONY?
>> YOU CAN'T DO IT BEFORE
I DO IT.
>> * BOW, CHICKA, WOW-WOW
* CHICKA, WOW-WOW
>> EVEN THOUGH WE'RE IN VEGAS
AND THIS IS SIN CITY,
WE HAVE TO STAY FOCUSED.
WE GOT A JOB TO DO.
GOOD TIME IN VEGAS, Y'ALL.
LET'S STAY SAFE.
>> TURNT UP.
>> TURNT UP!
TURNT UP, TURNT UP, TURNT UP!
>> all: [groaning]
>> THERE YOU GO.
>> * YEAH, YEAH, YEAH
* TURN THE MUSIC UP, UP
* YEAH, YEAH, YEAH
* TURN THE MUSIC UP
>> * THAT'S RIGHT *
* HOT DAMN, SHE'S FINE *
* IF YOU NEED IT
* YOU CAN HAVE IT
* THAT'S THE BOTTOM LINE *
* I PUT MY THING ON IT
* COME ON, COME ON
* COME ON, I GOT YOU
>> THAT LITTLE TOP
THAT I HAD ON?
>> THIS ONE RIGHT HERE?
>> CORRECT.
>> I'M GONNA BUST THAT ON
RIGHT THERE.
>> TODAY THE WHOLE CREW--
WE GONNA CHILL BY THE POOL,
PARTY IT UP.
YOU KNOW, HAVE SOME FUN BEFORE
WE DO THE CONVENTION TOMORROW.
>> YO.
>> [bleep] IS GOING ON IN HERE?
AH, Y'ALL NAKED!
OH, [bleep].
>> GET OUT.
>> MOVE, MAN, YOU A HATER.
>> GET THE [bleep] OUT THE WAY.
>> WALTER.
>> HEY, YOU JUST TAKE A PICTURE
REAL QUICK.
THERE WE GO, THERE WE GO,
THERE WE GO.
OW, OW, WHOO.
HEY, THERE WE GO.
ALL RIGHT, ONE MORE FLIP.
>> SEND THEM TO [bleep]
PORN SITES.
>> all: OH!
>> GET OUT, GET OUT.
GET OUT.
>> DUTCHESS LOOKING GOOD
IN THAT BIKINI.
I GOT THE IMAGE OF HER ASS
PERMANENTLY ENGRAVED IN MY HEAD,
AND I LIKE IT.
SO WE ALL GOING TO THE POOL?
>> CAN WE GO?
>> YEAH, MY POINT, YES--
>> WHAT'S IN YOUR CUP?
>> HENNY OR HEINEKEN.
>> [bleep], THAT'S IT.
>> HEINEKEN AND HENNY.
>> WHAT IS WRONG WITH YOU?
>> OH, SHUT UP.
>> WHAT YOU GRABBING ME FOR?
>> BECAUSE I WANTED TO TALK
TO YOU.
I WANT TO DO SOMETHING SPECIAL
FOR YOU.
>> WHAT?
>> I DON'T KNOW.
JUST FIGURE WE'D GO OUT TONIGHT
OR SOMETHING.
>> YOU GUYS ARE GOING
TO A STRIP CLUB.
>> YEAH, BEFORE THE STRIP CLUB.
WE'LL GO OUT TO DINNER
OR SOMETHING?
>> YOU SERIOUS?
>> WELL, WHY WOULD I PULL
YOU BACK IF I WASN'T?
>> I HAVE TO APPRECIATE ALEX.
SHE EXPOSED A SITUATION IN
ME AND CEASE.
WE'VE BEEN PUSHING EACH OTHER
AWAY FOR A LONG TIME.
ALL RIGHT.
>> ALL RIGHT.
NOW, GET THE [bleep] OUT.
>> NO, YOU GET THE [bleep] OUT.
YOU IN MY ROOM.
LET'S GO.
>> I KICKED YOU OUT
YOUR OWN ROOM.
THAT'S FLY, RIGHT?
>> NO, YOU AIN'T KICKED ME OUT
OF [bleep].
I'M BRINGING YOUR ASS OUT.
>> I'M EVEN BEING A GENTLEMAN.
HERE, HERE'S THE DOOR.
THERE YOU GO.
OOH, SUCH A BRIEF DAT, BABY.
>> YO, YOU JUST MADE A BUNCH
OF WHITE DUDES BLUSH JUST NOW.
YOU GOT TO STOP.
YO, WHAT'S UP WITH YOU, MAN?
I DON'T KNOW IF I SHOULD SAY
THIS, BUT THEY BOTH WERE KIND OF
TURNING ME ON A LITTLE BIT.
GO AHEAD, DUTCHESS,
LET ME WATCH.
DON'T KILL ME, BUT IN THEM
BATHING SUITS, I'D BE A FOOL
NOT TO BE LOOKING AT Y'ALL.
>> SO WHEN WE WAS
COMING DOWN HERE,
CEASE STOPS ME AND ASKS ME
IF I WANT TO GO OUT TO DINNER
TONIGHT WITH HIM.
>> WHAT'D YOU SAY?
YOU SAID, "YEAH."
I CAN SEE IT ALL IN YOUR GLOW.
LOOK, I CAN SEE IT ALL OVER
YOUR CHEEKS.
YOU SAID, "YEAH."
OOH!
>> AND I SAID YEAH.
>> CEASER AND DUTCHESS ARE
TOO CUTE.
WHEN THEY AROUND EACH OTHER,
LOVE IS DEFINITELY IN THE AIR.
LIKE, I FELT LIKE IT WAS BOUND
TO HAPPEN.
'CAUSE I KIND OF FELT THE ENERGY
AND, LIKE, THE TENSION
IN THE AIR, BUT, LIKE,
I'M SHOCKED BECAUSE I JUST KNOW
THAT HE'S NOT THE TYPE THAT
YOU WOULD USUALLY GO FOR.
>> I THINK IT'S GOOD, THOUGH,
JUST BECAUSE AT LEAST I CAN
JUST STEP OUTSIDE OF MYSELF
AND DO SOMETHING DIFFERENT.
>> STEP OUT YOUR COMFORT ZONE.
>> YEAH, MAYBE IT'LL MAKE ME
MORE COMFORTABLE.
>> EXACTLY, YOU DON'T KNOW
WHAT YOU [bleep]--
>> YEAH, YEAH.
I'M KIND OF NERVOUS TO GO
ON THIS DATE WITH CEASE,
BUT I THINK THIS IS A GOOD
OPPORTUNITY JUST TO, YOU KNOW,
TALK ABOUT THINGS AND SEE
WHERE OUR RELATIONSHIP WILL GO.
>> YO, BEFORE WE GET IN THIS
POOL, THOUGH, TOMORROW, YO--
LISTEN.
I AIN'T REALLY WORRYING ABOUT
ALL OF Y'ALL, BUT I JUST NEED
Y'ALL TO BE ON YOUR "A" GAME.
MY WHOLE TRIP OUT HERE, THAT'S
ALL I'M DOING IS
PROMOTING Y'ALL.
LISTEN, BLACK INK, BLACK INK,
BLACK INK.
AT THE CONVENTION, I ALREADY
GOT PEOPLE COMING FOR [bleep],
AND I GOT PEOPLE COMING FOR YOU,
DUTCHESS, YOU HEARD?
TOMORROW.
>> I'M READY.
>> I ALREADY KNOW CEASE
ALREADY BOOKED, BUT I
DEFINITELY GOT PEOPLE COMING--
>> I'M READY.
>> I KNOW WE'RE ALL EXCITED
TO BE OUT HERE FOR VEGAS,
BUT WE'RE OUT HERE FOR A REASON.
TOMORROW IS THE TATTOO
CONVENTION, AND WE HAVE TO MAKE
SURE THAT WE'RE ALL ON
OUR "A" GAME.
I MEAN NO EXCUSES.
>> [bleep], YOU READY
FOR TOMORROW?
LIKE, I'M ON YOUR SIDE FOR
THIS ONE.
I DON'T WANT YOU TO THINK
I'VE BEEN KEEPING SIDES WHEN
IT COME TO THIS TATTOO SHOP,
[bleep].
>> YEAH.
>> I NEED YOU TO DO IT, LIKE,
PLEASE.
[bleep] HAS ONLY BEEN BACK
A COUPLE OF WEEKS.
HE BETTER PROVE HIMSELF
WHILE WE OUT HERE.
I DON'T WANT TO SEE HIM MESS UP
AGAIN.
DO WHAT YOU GOT TO DO.
>> WHAT, YOU EXPECT ME NOT TO
ENJOY VEGAS?
IT'S JUST [bleep].
>> BUT I HAVE A QUESTION,
THOUGH.
>> I'LL TAKE THAT BET.
>> I'M BETTING TEDDY $100.
I KNOW O'[bleep]'S GONNA
[bleep] UP.
I'D BE SURPRISED IF HE EVEN
SHOWS UP TOMORROW.
>> THE BET I GOT GOING ON YOU--
IF YOU SHOW UP TOMORROW,
YOU DON'T GOT TO WORRY ABOUT
NOTHING ELSE WHILE WE IN VEGAS.
WE BE UP.
>> EXACTLY.
>> YO, WORD.
I WANT--I WANT IN ON THAT.
AND THEN, HEY, WE GOOD.
>> I GOT YOUR WORD?
>> YEAH.
>> I DON'T WANT A POUND.
SHAKE MY HAND.
THAT MEANS MORE.
HANDSHAKE?
>> HANDSHAKE.
>> NO ONE KNOWS HOW SERIOUS I AM
ABOUT THIS.
I GOT TO PROVE TO EVERYBODY
THAT I CAN REALLY HOLD MY OWN
OUT HERE.
>> WHAT IF ALEX SHOW UP?
>> WHAT Y'ALL TALKING ABOUT?
>> WHO NOT HERE?
>> IF ALEX DO SHOW UP.
>> MAN, WHY Y'ALL KEEP TALKING
ABOUT IT, MAN.
I'M TRYING TO HAVE A GOOD TIME.
STOP BRINGING UP THE DEVIL'S--
>> STOP MAKING IT SO HOSTILE.
I ASKED A SIMPLE QUESTION.
IT WASN'T THAT--IT WASN'T
SOMETHING TO GET ANGRY ABOUT.
>> IF SHE SHOW UP, THE WAY WE'RE
GONNA DEAL WITH IT IS THE WAY
WE DEALING IT NOW.
WE ENJOYING OURSELF,
AND THAT'S WHAT THE [bleep]
WE GONNA DO REGARDLESS.
WE'RE GONNA IGNORE THAT ASS.
THAT'S IT.
>> WHAT HAPPENED IN NEW YORK
STAYS IN NEW YORK, MAN.
WE'RE IN LAS VEGAS.
THE ALEX [bleep] IS STARTING
TO GET REALLY ANNOYING, MAN.
EVERY TIME PEOPLE MENTION
HER NAMES, EVERYBODY'S ENERGY
JUST CHANGES, MAN.
I NEED POSITIVE ENERGY.
* HUM
>> LOOK, MAN, YOU KNOW I DON'T
GIVE A [bleep] ABOUT THE CHICK,
BUT WHAT ARE YOU GONNA DO IF
THAT [bleep] DECIDES TO POP UP?
>> NOW, WHAT IF SHE COME AND
MAKE A SCENE?
>> OOH, HOO, HOO.
>> THAT'S A GOOD QUESTION.
>> THAT'S WHAT I'M SAYING.
>> I DIDN'T THINK ABOUT THAT.
I GOT SOMEBODY ELSE FLYING
INTO VEGAS.
SO WHEN ALEX DOES SHOW UP,
I'M GONNA HAVE TO WATCH
MY BACK A LITTLE BIT,
JUST A LITTLE BIT.
CEASER, YOU BETTER TAKE CARE
OF YOUR EMPLOYEES.
>> SHE'S NO LONGER AN EMPLOYEE,
THOUGH, TED.
>> [bleep], YOU BETTER TAKE CARE
OF YOUR [bleep].
>> I GOT TO SAY, SHE AIN'T
NO EMPLOYEE NO MORE.
SHE DON'T WORK AT BLACK INK,
AND SHE NEVER WILL AGAIN.
>> I DIDN'T HEAR THIS.
YOU SAID SHE DON'T WORK AT
BLACK INK NO MORE?
>> YOU FIRING PEOPLE AGAIN.
>> DO YOU WANT TO SAY IT, CEASE?
>> THIS IS SOMETHING THE BOSS
MAN SHOULD HANDLE?
>> THIS SEEMED LIKE THIS WAS
CONVERSATION THAT WAS HAD.
>> GROUNDS FOR TERMINATION
IF YOU ASK ME.
NO CALL AND INSUBORDINATION?
LIKE, WHAT THE [bleep] DO WE
NEED HER FOR?
SO BACK TO THE QUESTION.
IS SHE OR IS SHE NOT FIRED?
>> YO, WE NOT TALKING ABOUT THAT
RIGHT NOW.
>> THANK YOU. THANK YOU.
YOU STOOD UP.
IT'S ABOUT [bleep] TIME
YOU STOOD UP.
>> DUTCHESS IS BLOWING MINES
RIGHT NOW.
SHE NEED TO STOP ASKING ME ABOUT
ALEX IN FRONT OF THE WHOLE CREW.
I NEED ALEX FOR VEGAS.
SHE SET UP MOSTLY EVERYTHING.
BUT IF ALEX IS GONNA BE HERE,
DUTCHESS IS GONNA HAVE
A [bleep] FIT.
>> SO SHE'S STILL AN EMPLOYEE?
I'M GOING TO THE ROOM.
THAT'S WHAT I'M DOING.
Y'ALL HAVE A GOOD DAY.
I AIN'T GOING TO DINNER
WITH THAT [bleep] EITHER.
>> NOW, WHAT'S UP WITH YOU
AND THAT DUTCHESS SITUATION?
DO YOU LIKE HER?
>> YEAH, I LIKE HER.
>> YOU GOT TO FIGURE THAT OUT.
>> WHAT DO YOU THINK ABOUT THIS?
>> NUMBER ONE CONCERN:
IF SOMETHING HAPPENS AND THEY
BREAK UP, IT COULD BE
A DEVASTATING MOMENT FOR
BLACK INK.
>> I JUST PLUGGED IT IN RIGHT
THERE, AND A SPARK FLEW.
THIS [bleep] WAS SEPARATED.
>> NOT EVEN AT THIS [bleep]
TATTOO CONVENTION FOR
FIVE MINUTES, AND WE ALREADY
HAVING PROBLEMS.
>> WHAT I NEED YOU TO DO
IS TAKE THIS [bleep],
GET IT PRINTED.
>> I DON'T EVEN KNOW WHY
HE GOT ME LOOKING FOR THIS
DAMN PRINTER WHEN IT'S NOT
MY JOB TO DO.
SO YOU KNOW WHAT I'MA DO?
I'LL SEE YOU LATER.
>> HI.
[giggles]
>> I PAID FOR MY [bleep]'S
FLIGHT.
I'M FLYING HER IN.
WE GONNA HAVE FUN IN VEGAS.
I LIKE YOUR GLASSES.
I HOPE ALEX DOESN'T SHOW UP
AND CATCH ME SLIPPING,
WALKING OUT THAT HOTEL,
'CAUSE THIS [bleep] COULD
GET UGLY.
I DON'T BELIEVE I LET YOU
CONVINCE ME TO--
>> HEY, WHAT UP, BOSS?
>> HOW YOU DOING?
>> ALL RIGHT.
>> HEY, WELCOME TO
CELEBRITY CLUB.
>> OH, [bleep]. HELLO, DOLLY.
>> COME ON IN.
>> DON'T WORRY ABOUT IT.
>> YOU ACTING LIKE WAYNE NEWTON.
>> NO, HE LOOKS LIKE ME, MAN.
>> YEAH, EXACTLY.
[laughter]
>> THIS IS CRAZY, MAN.
>> I LIKE HIS ATTITUDE.
ME AND TED BOTH GOT DATES
TONIGHT.
SO WE DECIDED TO GET A LITTLE
CLEANUP AT THE HOTEL BARBERSHOP.
>> ME LOOKING CRAZY.
I GOT THIS HOT DATE TONIGHT.
I WALK INTO THE BARBERSHOP,
AND THERE'S A 6' MEXICAN
THAT LOOKS LIKE WAYNE NEWTON.
I'VE NEVER SEEN A BARBER
LIKE THIS.
I DON'T KNOW IF I FEEL LIKE
GETTING MY HAIR CUT HERE.
>> OH, YEAH.
>> OH, MAN, OH, AND THE SEAT GO
[bleep], MAN?
WHAT THE [bleep]?
>> THAT'S WHAT
I'M TALKING ABOUT.
YOU GOT THE LEOPARD SKIN DR--
OH, HO-HO.
>> DON'T BE AFRAID, BABY.
>> YO, WAYNE, WAYNE.
DON'T [bleep] ME UP, WAYNE.
THIS BARBER AFRAIDS ME.
ALL THIS MAKEUP ON HIS FACE,
LOOK LIKE HE JUST GOT OUT
OF A CASKET AND CAME TO CUT
MY HAIR.
>> YOU NEED TO WORRY ABOUT
THAT BLADE ALEX GONNA PUT
IN YOUR DAMN BACK
WHEN SHE GET HERE.
OH, YOU [bleep] HER UP.
>> IF ALEX SHOWS UP IN VEGAS,
FORGET ABOUT MR. WAYNE.
HE MIGHT AS WELL SLIT MY THROAT
WITH THAT RAZOR.
>> THAT FEEL NICE, MAN?
>> [bleep], MAN.
>> SEE?
>> THAT LOOKS CRAZY.
YOU GOT WHITE IN YOUR BEARD.
>> NOW, WHAT'S UP WITH YOU AND
THAT DUTCHESS SITUATION, THOUGH?
DO YOU LIKE HER?
>> YEAH, I LIKE HER.
>> AS AN EMPLOYEE,
OR DO YOU LIKE HER?
>> SHE A'IGHT.
>> YOU LIKE HER.
>> ALL RIGHT, I LIKE HER.
>> YOU GOT TO FIGURE THAT OUT.
>> FIGURE WHAT OUT?
>> LIKE, THAT WHOLE SITUATION,
LIKE, YOU LIKING HER,
HER BEING AN EMPLOYEE,
AND Y'ALL HAVING Y'ALL WHATEVER
[bleep] GOING ON ON THE SIDE.
IT'S STARTING TO SHOW, LIKE--
>> THIS [bleep] FEELIN' LIKE
A [bleep] RELATIONSHIP.
>> THAT'S WHAT
IT'S LOOKING LIKE.
>> I CAN'T DEAL WITH THE
BULL[bleep].
I DEFINITELY CAN'T DO
THE BULL[bleep].
>> THAT'S ANY FEMALE
IN THE WORLD.
IT'S ALWAYS COOL
AT THE BEGINNING.
BUT ONCE FEELINGS IS MIXED,
IT CHANGES EVERYTHING.
YOU HAVE TO LOOK AT
THE BIGGER PICTURE.
[bleep] ALL THAT.
YOU HAVE A BUSINESS TO RUN.
[laid-back R&B music]
*
>> * YEAH, YEAH
* OOH-OOH
>> LIKE, IF HE'S REALLY TRYING
TO TAKE IT THERE,
THEN ARE YOU TRYING TO DO IT?
>> I DON'T KNOW, SASSY.
I DO THINK IT'S TIME FOR ME
AND CEASE TO FIGURE OUT WHAT
THIS IS, BECAUSE WE ADULTS
AND WE WORK TOGETHER.
SO ALL THIS AWKWARDNESS--
IT GOT TO GET FIGURED OUT.
HE TOLD ME THAT SINCE I'VE BEEN
HERE THAT HE'S BEEN BETTER...
A BETTER TATTOO ARTIST
OR A BETTER BUSINESSMAN.
>> MM-HMM.
>> HE WAS LIKE--I MOTIVATE HIM.
I'M NOT THE EMOTIONAL TYPE,
AND THE FACT THAT I HAVE
AN EMOTIONAL ATTACHMENT TO HIM
WITHOUT US BEING TOGETHER
IS ALREADY A LOT.
>> I AM HOPING THAT THIS DATE
WITH CEASER IS GOING TO BE HER--
[imitates gun zapping]
BREAKOUT POINT.
>> WHAT DO YOU THINK ABOUT THIS?
YOU KNOW CEASE BETTER THAN I DO.
>> WELL, I CAN SEE THE CHANGE
IN, LIKE, HIS ATTITUDE.
AND, LIKE, THE SHOP IS HIS BABY.
YOU UNDERSTAND WHAT I'M SAYING?
LIKE, NUMBER ONE CONCERN
ABOUT DUTCHESS AND CEASER
BEING TOGETHER: BLACK INK.
IF SOMETHING HAPPENS AND THEY
BREAK UP, IT COULD BE, LIKE,
A DEVASTATING MOMENT
FOR BLACK INK.
>> WHY IN THE [bleep] WOULD
I BE NERVOUS?
>> BECAUSE--FIRST, THIS IS NEW.
IT'S LIKE, OOH.
IT'S LIKE YOU GOING ON A DATE.
>> I THINK THIS IS GONNA BE
TIME FOR JUST US AND MAYBE
THAT'LL GIVE HIM THE OPPORTUNITY
TO JUST COMPLETELY LET GO.
>> [chuckles]
KEEP HIM HAPPY.
'CAUSE WHEN HE HAPPY,
EVERYBODY HAPPY.
[knock at door]
MAYBE THAT IS HIM.
>> KNOCKING LIKE A [bleep].
>> [squeals]
HOLD ON.
WAIT A MINUTE.
HOLD ON, GIRL, LOOK OUT HERE
BEFORE YOU COME--OH, MY GOD!
I CAN'T. I CAN'T.
OH, MY GOSH.
>> I'M HERE FOR MY HOT DATE.
HI, HOT DATE.
I GOT THESE FOR YOU TOO.
>> YOU LOOK NICE.
>> THANK YOU.
YOU LOOK NICE TOO,
ALL BEAUTIFUL.
>> I GOT TO TAKE A PICTURE.
>> [chuckles]
>> TAKE A PICTURE OF WHAT?
WHAT THE [bleep] YOU TAKING
A PICTURE OF?
>> YOU BROUGHT ME FLOWERS
FOR REAL?
>> I'M SORRY.
YOU BROUGHT HER FLOWERS.
>> NO, I PICKED THEM OUT
THE GARDEN AND [bleep].
>> [giggles]
>> A COUPLE WEEDS IN THERE,
BUT YOU GOT TO FORGIVE ME.
I AIN'T REALLY GOOD
AT GARDENING.
>> NOBODY NEVER,
EVER BROUGHT ME FLOWERS.
>> Y'ALL ARE TOO CUTE.
>> AW.
>> GET AWAY FROM ME.
>> OH, STOP ACTING LIKE THAT.
COME HERE, GIRL.
DON'T GET NO MAKEUP ON THIS
SPECIAL SWEATER, THOUGH,
OKAY, YEAH.
WHAT?
>> GOD.
>> HAVE A GOOD TIME.
>> HE [bleep] BOUGHT ME FLOWERS.
HE'S STUPID.
I HATE HIM.
I CAN'T BELIEVE CEASE GOT ME
FLOWERS.
IT'S ONE OF THE MOST THOUGHTFUL
THINGS ANY--ANY MAN HAS DONE
FOR ME.
>> OH, SHE'S SUCH A GIRL, GOD.
>> THAT'S SO CUTE--
>> OH, SHUT UP, SHUT UP,
SHUT UP.
[imitating Sassy squealing]
NO, GET OUT OF HERE, BYE.
>> YOU'RE SO CUTE.
>> IT'S THE CUTE [bleep].
>> HE HAS A [bleep] BOUQUET
OF FLOWERS FOR DUTCHESS.
I DON'T KNOW WHAT TO DO.
WAY TOO MUCH FOR MY BISCUIT.
>> ALL RIGHT, LET'S GO.
>> WHY YOU LOOKING AT ME
LIKE THAT?
>> I DON'T KNOW.
I DON'T KNOW.
SURPRISE--YOU JUST SURPRISE ME
SOMETIMES.
BECAUSE OF THE AMOUNT OF TIMES
I'VE BEEN HURT, I'M GOING INTO
THIS VERY CAUTIOUSLY.
WHAT'S YOUR INTENTIONS WITH ME?
>> TODAY'S THE BIG DAY:
THE CONVENTION.
I'M EXPECTING MY WHOLE CREW TO
BE ON POINT TODAY AND KILL IT.
>> SO I DON'T KNOW IF YOU HEARD
ABOUT YOUR HOMEGIRL ALEX.
>> WHAT HAPPENED?
>> HEY, HOW YOU DOING?
>> HOW YOU DOING?
>> I MADE RESERVATIONS FOR TWO.
>> EXCELLENT.
>> SO I'M TAKING DUTCHESS OUT
TO A NICE RESTAURANT TONIGHT
TO SEE WHERE WE STAND.
>> WHY YOU ASK ME TO COME OUT?
>> I WANTED TO TALK TO YOU.
>> OKAY.
>> BUT, HONESTLY, A LITTLE
SMILE NOW.
>> I DON'T WANT TO SMILE.
LEAVE ME ALONE.
>> WHY YOU DON'T WANT TO SMILE?
>> 'CAUSE...
>> 'CAUSE WHAT?
LOOKING PRETTY TONIGHT, THOUGH.
>> THANK YOU.
>> YOU'RE WELCOME.
>> YOU LOOK NICE.
>> SO ARROGANT.
>> HOW AM I ARROGANT?
>> YOU ARE.
>> NO, I'M NOT, NOT REALLY.
>> YOU ARE.
HE TRYING TO BE ALL SUAVE,
BUT I'M STILL LOOKING AT HIM
LIKE, "WHAT THE HELL?"
'CAUSE I REALLY WANT TO KNOW,
"WHAT ARE YOU PLOTTING?"
>> TAKEN CARE OF.
>> OH, THERE ARE DIFFERENT TYPE
OF GLASSES FOR WHITE WINE?
>> YES, YOU HAVE RED AND WHITE.
>> OH, [bleep], CHECK THIS OUT.
I'M USED TO HENNESSY. MY BAD.
>> [chuckles]
>> I AIN'T NEVER DRINK NO WINE
BEFORE UNLESS IT WAS CHURCH.
>> WELL, WE AIN'T AT CHURCH.
>> TRY THAT.
>> WHAT THE HELL IS THAT SHAKE?
WHAT, YOU GONNA MIX IT?
I WAS NEVER, NEVER, EVER
A BIG WINE DRINKER,
BUT WHATEVER DUTCHESS WANT.
BRING ON THE WINE.
>> IT'S NOT SWEET.
>> THIS AIN'T GOT NO KICK TO IT.
I SAW THAT WHOLE DAMN BOTTLE.
I SHOULD'VE GOT SOME HENNY.
I'M NOT A CONNOISSEUR,
BUT THIS WINE TASTES LIKE WATER.
WHERE'S THE HENNY?
>> OH, OF COURSE, THANK YOU.
>> YEAH, PLEASE GIVE HIM THAT.
AH.
SO WHY YOU SO TENSE LATELY?
>> I'M IN A SITUATION THAT
I DON'T WANT TO BE IN.
>> I DON'T UNDERSTAND THAT.
I MEAN, YOU BLEW UP
A COUPLE TIMES UNEXPECTED--
>> YEAH, I BLEW UP BECAUSE
I AM STARTING TO CATCH FEELINGS
THAT I SHOULDN'T BE CATCHING.
BECAUSE OF MY PAST
AND THE AMOUNT OF TIMES
I'VE BEEN HURT, I'M GOING INTO
THIS VERY CAUTIOUSLY.
WHAT'S YOUR INTENTIONS WITH ME?
AS MY FATHER WOULD SAY.
>> I'D BE A FOOL NOT TO EXPLORE
THE POSSIBILITY.
I WANT TO SEE WHERE THIS
[bleep] GO.
>> I'M SCARED OF YOU.
>> WHY?
>> 'CAUSE YOU'RE JUST LIKE ME.
>> ISN'T THAT A GOOD THING?
>> I DON'T KNOW.
>> HOW WOULD YOU EVER KNOW
IF YOU KEEP RUNNING?
>> I LIKE RUNNING.
>> THIS AIN'T TRACK AND FIELD.
YOU'RE A GROWN-ASS WOMAN.
YOU CAN'T RUN FOREVER.
>> AS THIS DATE GOES ON,
HE'S JUST SHOWING ME THAT
HE REALLY WANTS TO, LIKE,
MAKE ME HAPPY.
LIKE, HE WANTS TO BE A PART
OF MY LIFE.
I'M DEFINITELY OPENING MY HEART
TO FALL FOR CEASE.
SO WHAT ARE WE GONNA DO?
>> WE GOING TO A STRIP JOINT
JUST FOR A LITTLE WHILE.
I PROMISE, SCOUT'S HONOR,
PINKIE SWEAR.
OH, YOU GOT TO SEAL IT
WITH A KISS, SO...
>> I HATE YOU.
>> A'IGHT.
YES!
THIS DATE WENT BETTER
THAN I EXPECTED.
I EVEN GOT TO KISS OUT OF IT.
NOW IT'S ONTO THE STRIP CLUB.
>> * BAH, BUH, DUH, BAH, DUH
WE GONNA GO SEE SOME [bleep].
>> I'M A DADDY NOW,
BUT WE'RE IN LAS VEGAS.
I'M HOPING WE SEE SOME
BOOTY TWERKING.
YOU KNOW WHAT I MEAN?
BOUNCE IT ALL AROUND.
>> ARE WE READY TO TURN IT UP,
PLEASE?
>> PUT IT HERE!
>> COME ON, YOU GIVE IT TO ME.
>> * NOTE TO SELF
* THEN SHE GONNA HAVE
* A GOOD TIME
* WHOA, WHOA, WHOA, WHOA
>> WE GONNA MAKE IT, MY [bleep],
LIKE, HEY.
YEAH!
>> * I'VE BEEN WAITING *
* WAY TOO LONG
>> HI, GORGEOUS!
>> I TURNED AROUND
AND SEE MISS TANYELLE,
AND MY WHOLE INSIDES LITERALLY
MELT AND GET ALL GOOEY.
HI.
>> HI.
>> I MET TANYELLE WORKING FOR
A CLOTHING STORE A COUPLE YEARS
BACK WHEN SHE WAS LIVING IN
NEW YORK, AND WE KIND OF ENDED
UP FALLING FOR EACH OTHER.
BUT THEN SHE ENDED UP MOVING
TO VEGAS TO KIND OF GO OPEN UP
HER OWN STORE OVER THERE.
I HAVEN'T SEEN HER IN A WHILE,
AND THE LAST TIME THAT I DID
SEE HER WAS VERY, VERY
HIGH TENSIONS, AND SHE LEFT,
AND I JUST DIDN'T EVEN GET
THE OPPORTUNITY TO SAY
GOOD-BYE TO HER.
SO MAYBE SHE NEEDS TO COME BACK
TO NEW YORK.
>> PUMA, PUMA, PUMA!
>> I THINK I JUST DIED AND WENT
TO LAP DANCE HEAVEN.
[chuckles]
>> OH, HEY, HEY.
YES, YEAH, BABY, SHAKE IT.
OH, YEAH.
WHEN THE STRIPPER WAS
ON TOP OF HER,
THAT WAS A GREAT DAY IN AMERICA.
[chuckles]
I'LL ROCK A LITTLE.
ALL I GOT TO SAY IS,
ME, DUTCHESS, AND THE STRIPPER
AT THE SAME DAMN TIME.
WHOO!
OH, THANK YOU.
HEY, WHAT'S--OH, [bleep].
>> I WAS LIKE, "[bleep] IT.
I'MA TAKE CEASE, AND
I'MA GIVE HIM A PRIVATE DANCE."
>> MMM.
I NEVER THOUGHT DUTCHESS WOULD
HAVE IT IN HER TO GET UP ON
THE POLE IN FRONT OF ME?
AYE, DROP IT LOW, DROP IT LOW,
HEY, HEY, HEY, YEAH.
>> WHAT GOES ON IN VEGAS
STAYS IN VEGAS,
OR AT LEAST WE HOPE SO.
>> ONCE SHE HIT MY LAP,
MY THOUGHTS IS,
"IT WAS TIME TO GO."
[both moaning softly]
>> ALL RIGHT, COME ON.
>> LET'S GET IT.
>> TODAY'S THE BIG DAY
OF THE CONVENTION.
THIS IS THE BIGGEST OPPORTUNITY
FOR BLACK INK TO TAKE OUR
BUSINESS TO THE NEXT LEVEL
INTERNATIONALLY.
I'M EXPECTING MY WHOLE CREW TO
BE ON POINT TODAY AND KILL IT.
>> YOU GOT IT, BABY.
>> THIS [bleep] [bleep] AWESOME.
EVERYBODY GOT THEY BOOTHS
SET UP.
EVERYBODY'S GETTING TATTED.
I'M REALLY EXCITED THAT WE GET
TO EXPOSE OUR BUSINESS
AND OUR WORK TO PEOPLE
ON THE WEST COAST, MAN.
>> ALL RIGHT, THIS OUR BOOTH
RIGHT HERE.
LET'S GET IT POPPING.
>> PUT ONE UP THERE
AND PUT ONE DOWN HERE.
>> WE'VE WORKED VERY HARD
TO GET HERE.
WE FAIL, YOU KNOW, WE MAY NOT
GET THIS OPPORTUNITY AGAIN.
SO WE GOT TO MAKE SURE THAT
EVERYTHING GOES RIGHT.
>> WHAT YOU DOING ABOUT
[bleep], JUST LET HIM ROCK?
SEE WHAT HAPPENS?
>> I MIGHT SEE WHAT HAPPEN.
YO, I'LL LET [bleep]
HANG HIMSELVES.
THERE'S NO WAY [bleep]'S GONNA
PERFORM TODAY.
I GUARANTEE IN AN HOUR
HE HAVE A DRINK IN HIS HAND.
>> SO I DON'T KNOW IF YOU HEARD
ABOUT YOUR HOMEGIRL ALEX.
>> WHAT HAPPENED?
>> SHE DIDN'T MAKE HER FLIGHT.
SHE SAID SHE WAS WORKING
AT THE CLUB, WHICH I DON'T
UNDERSTAND WHY YOU WANT TO WORK
AT A CLUB WHEN WE'RE GOING
TO VEGAS AND YOU KNOW THAT
WE HAVE AN IMPORTANT SITUATION
THAT WE GOT TO TAKE CARE OF.
SO I JUST GOT OFF THE PHONE
WITH ALEX.
SHE BLEW OFF HER FLIGHT TO WORK
SOME CLUB GIG.
THIS [bleep] IS WACK
BECAUSE SHE'S FLAKING ON US ON
THE BOOTH, AND SHE'S NOT GONNA
BE ABLE TO GET TO THE URBAN INK
SHOOT WITH DUTCHESS.
NOT FEELING THIS [bleep].
YOU SEE ALL THESE PEOPLE, MAN?
THIS IS, LIKE, A MOMENT
WHERE YOU'RE MAKING YOURSELF
INTERNATIONAL.
>> WAIT, DOESN'T SHE HAVE
OUR PORTFOLIOS TOO?
>> YEAH, THAT WAS HER JOB.
SO ALL THE PORTFOLIOS ARE STILL
IN NEW YORK CITY, MAN.
>> ALEX GOT BLACK INK'S
PORTFOLIOS.
AND WITHOUT OUR PORTFOLIOS,
NOBODY CAN SEE THE WORK THAT
WE COULD DO.
THIS IS TOTALLY UNPROFESSIONAL.
>> THIS IS, LIKE, AN OPPORTUNITY
THAT EVERYBODY SUPPOSED TO BE
HERE, BRO, AND SHE DIDN'T
SHOW UP.
SHE, LIKE, MADE US LOOK BAD.
MADE YOU LOOK BAD,
MADE TED LOOK BAD,
MADE ME LOOK BAD.
>> WE'LL TAKE CARE OF THAT
WHEN WE GET BACK TO NEW YORK.
IT'S OBVIOUS BLACK INK IS NOT
HIGH PRIORITY TO ALEX.
I GOT TO FIGURE OUT HOW I'M
GONNA DEAL WITH THIS [bleep].
>> WHAT?
LOOK AT THIS [bleep].
I JUST PLUGGED IT IN RIGHT
THERE, AND A SPARK FLEW.
AND WHEN I LOOKED DOWN,
THIS WAS SEPARATED.
>> IT'S ALWAYS SOMETHING.
NOT EVEN AT THIS [bleep] TATTOO
CONVENTION FOR FIVE MINUTES,
AND WE ALREADY HAVING PROBLEMS.
THE PRINTER CORD SHORTS OUT.
WE CAN'T PRINT.
THERE'S NO STENCILS.
NO STENCILS MEANS NO TATTOOS.
WHAT THE [bleep] ARE WE AT
THIS CONVENTION FOR IF WE CAN'T
DO TATTOOS?
>> I GOT TO GO BUY ANOTHER CORD.
THAT [bleep] JUST BLEW
MY [bleep] OFF.
>> IT'S NOT DUTCHESS' JOB
TO GET A POWER CORD.
THAT'S ALEX'S JOB.
BUT ALEX AIN'T SHOW UP.
OUR SUPPLIES ARE MISSING.
OUR [bleep] POWER CORD GOES OUT.
SEEMS LIKE WE'VE BEEN CURSED
FROM THE START.
>> SO I'M TRYING TO STILL DO
THIS PHOTO SHOOT EVEN THOUGH
ALEX ISN'T COMING.
>> WE GOT A SLIGHT PROBLEM.
>> I DON'T KNOW WHERE
THE INK CAPS ARE.
>> THIS IS A GROUP EFFORT.
EVERYBODY [bleep] UP.
>> OH, YOU OFF OF THE SET TOO,
SASSY?
>> YES.
>> EVERYBODY ELSE IS SO HYPED
ABOUT BEING IN VEGAS THAT
THEY LEFT ME OUT TO DRY.
>> HEY.
>> HEY, YOU GUYS READY TO SHOOT
LATER OR WHAT?
>> WE APPROACHED THE URBAN INK
BOOTH, AND WE SEE PAUL.
SO I'M TRYING TO, YOU KNOW,
HOPE THAT WE CAN STILL DO
THIS PHOTO SHOOT EVEN THOUGH
ALEX ISN'T COMING.
>> WE GOT A SLIGHT PROBLEM.
>> PROB--WHAT'S THE PROBLEM?
WE'RE READY TO GO, RIGHT?
>> ONE OF THE--
>> WE'RE READY TO GO.
>> THE THING IS,
ALEX AIN'T HERE.
SHE NEVER MADE HER PLANE.
>> SHE NEVER MADE IT TO VEGAS?
WHEN WE SHOT HER BACK IN
NEW YORK, SHE SAID SHE WOULD
BE HERE FOR THIS, THOUGH, RIGHT?
>> SHE SAID A LOT OF THINGS
THAT--WE HAVEN'T REALLY EVEN
SPOKEN TO HER.
SO WE DON'T KNOW WHAT'S GOING ON
WITH HER.
>> YEAH.
>> WE'RE ALL READY TO SHOOT
AT 3:00.
WE HAVE--THE MAKEUP'S GONNA BE
THERE, HAIR, STYLING.
IT'S ALL READY TO--
PERMITS ARE IN, EVERYTHING.
>> BUT, LOOK, IF ME AND SASSY--
IF YOU WANT US.
WE'RE ACTUALLY THE ORIGINAL
FAMILY OF BLACK INK ANYWAY.
SO IT WORKS OUT.
>> ALL RIGHT, WE'RE GOOD.
WE'LL MAKE IT WORK, THEN.
>> OH, GOOD.
GOOD TO SEE YOU GUYS AGAIN.
>> THANKS A LOT.
>> I'D SAY PROBABLY, LIKE,
WITHIN THE NEXT TEN MINUTES,
YOU'LL DEFINITELY BE IN
THE CHAIR GETTING TATTED.
>> ALL RIGHT.
>> YOU HAVE A S--
>> YO, YEAH, THERE'S A LOT
OF STUFF THAT I STILL DON'T KNOW
WHERE IT'S AT.
I DON'T KNOW WHERE THE INK CAPS
ARE.
>> SET UP WHAT YOU CAN.
I'LL FIND EVERYTHING ELSE.
SET UP WHAT YOU CAN.
>> PRETTY MUCH JUST, BASICALLY
WHAT I NEED, YEAH.
I HAD MY ONE TATTOO TO DO.
AND I'M LIKE, "ALL RIGHT,
FINALLY, I GET THE CHANCE
TO SHOWCASE MY TALENT
IN FRONT OF EVERYBODY,"
AND EVERYTHING WAS MISSING.
I'M OVER HERE TRYING TO COME OUT
WITH A BANG, AND IT WAS MORE
LIKE A POOF.
THIS IS CRAZY, MAN.
EVERYTHING IS [bleep] GOING
WRONG TODAY.
>> HEY, MAN.
>> YO, DAWG.
>> I'M ABOUT TO DISAPPEAR.
>> OH, I FIGURED YOU WAS.
I DON'T KNOW WHAT IS GOING ON
THROUGH EVERYBODY'S MIND.
WELL, ARE YOU OFF OF THE SET
TOO, SASSY?
>> YES.
>> ALL RIGHT.
>> GOOD LUCK WITH YOUR TATTOO.
>> EVERYBODY ELSE IS SO HYPED
ABOUT BEING IN VEGAS AND TRYING
TO LIVE THAT HANGOVER LIFE
THAT THEY LEFT ME OUT TO DRY.
I DON'T EVEN FEEL LIKE DOING
THIS TATTOO RIGHT NOW.
LIKE, THERE'S NOT EVEN
AN ARM BRACE.
LIKE, SHE GONNA HAVE TO PUT HER
ARM ON THE TABLE.
>> YEAH, THIS IS WHAT
I'M SAYING.
LIKE, IT LOOKS LIKE NOBODY KNEW
WHAT THE HELL WAS GOING ON.
>> EVERYBODY WANTS TO GO OFF
AND RUN AND DO THEY OWN THING.
>> WHATEVER IT IS THAT WE HAVE
TO DO, BRO, WE'RE GONNA HAVE
TO DO IT.
>> SO I SEE WALT RUNNING AROUND
DOING WHAT HE GOT TO DO TO GET
THE CLIENTS IN...
>> PATIENCE AND TIME, THAT'S
WHAT IT'S ALL ABOUT, RIGHT?
>> BUT SHORTY COMES IN,
AND SHE'S LIKE,
"YO, I WANT TO GET A TAT."
WE CAN'T DO IT.
I'M GONNA HAVE TO TELL HER
TO COME BACK TO MAKE SURE THAT
WE HAVE THE PROPER SUPPLIES
TO ACCOMMODATE HER.
I BASICALLY GOT TO WAIT TILL
I CAN FIND SOMEBODY WHO TELLS ME
WHERE THE REST OF THIS [bleep]
IS AT.
>> WHY YOU MOVING SO SLOW?
>> 'CAUSE I'M--I DON'T KNOW
WHERE YOU TAKING ME.
>> YOU DON'T LIKE IT?
>> ANOTHER SURPRISE.
>> YEAH.
CARL, WHAT UP?
>> WHAT UP?
>> I BROUGHT HER.
>> OH, MY GOD.
SO CEASE--HE IS BEING CEASER,
AND HE GETS ME A TATTOO
APPOINTMENT WITH MY FAVORITE
TATTOO ARTIST, CARL GRACE.
>> THIS IS YOUR FAVORITE
TATTOO ARTIST.
>> BESIDES YOU.
>> FORGET ME.
OKAY.
CARL GRACE IS A WORLD-RENOWNED
TATTOO ARTIST.
HIS SPECIALTY IS BLACK
AND GRAY.
JUST TO TALK WITH HIM IS $250.
SO YOU KNOW WHAT TYPE OF STRINGS
I HAVE TO PULL?
PLEASE TAKE CARE OF HER.
>> ALL RIGHT, THANK YOU.
>> GOOD-LOOKING, BRO.
>> I'LL TAKE CARE OF IT.
>> ALL RIGHT.
>> THIS IS DEFINITELY ONE OF
THE MOST THOUGHTFUL THINGS
ANYBODY HAS EVER DONE FOR ME.
>> YOU READY?
>> WELL, I'M NERVOUS!
>> HELL YEAH.
>> A LOT OF WHITE TATTOO ARTISTS
DON'T LIKE TATTOOING BLACK SKIN,
AND CARL GRACE IS LIKE
THE TYPE OF TATTOO ARTIST WHO--
HE'LL TATTOO ON ANYTHING,
BECAUSE HE KNOWS WHAT
HE'S CAPABLE OF.
>> HEY, YOU KNOW HOW I WORK.
I DRAW ON THE SKIN.
>> RIGHT.
>> SO I GOT SOME PENS AND
MARKERS.
I WANT TO DRAW--GOT, LIKE,
A NICE LITTLE CAMEO FOR
THE CENTER OF THE CHEST,
AND THEN I'M THINKING ABOUT
MAYBE HAVING, LIKE, SOME--
SOME, LIKE, TWO-DIMENSIONAL--
MAYBE, LIKE, BUTTERFLIES
FLYING OUT INTO, LIKE,
A THREE-DIMENSIONAL CAMEO,
WHICH I THINK YOU'RE GONNA LOVE.
>> I'M GONNA LOSE IT.
>> YEAH.
>> MY GRANDMOTHER GAVE ME
A CAMEO NECKLACE.
THE ACTUAL VIGNETTE RESEMBLED
AN AFRICAN WOMAN.
SO IT KIND OF JUST EMBODIES
A ASPECT OF A LADY THAT
I ALWAYS WANT TO KEEP WITH ME.
>> CEASER'S YOUR MAN, OR WHAT?
>> YEAH.
>> THAT'S RIGHT.
HE'S THE OWNER OF THE SHOP TOO?
>> HE'S MY MAN AND MY FAVORITE
TATTOO ARTIST TO YOU AND
MY MENTOR AND...
I REALLY CARE ABOUT THAT MAN.
>> GOOD.
DIG THAT.
BUT I THINK IT'S GONNA BE SICK.
>> CARL GRACE IS ONE OF THE
MOST AMAZING TATTOO ARTISTS
IN THE WORLD.
I CAN ONLY IMAGINE WHAT THAT MAN
VISUALIZES IN HIS MIND,
BECAUSE HIS ARTWORK IS JUST
THAT AMAZING.
IT MAKES YOU WONDER.
IT LEAVES YOU AT THE EDGE
OF YOUR SEAT.
[squeals]
>> I LIKE THAT.
COULD YOU SEND THAT TO ME?
>> YEAH.
>> MY FIRST CLIENT OF THE DAY
IS HERE, AND THE PRINTER
IS DOWN.
I CAN'T PRINT OUT THE STENCIL
RIGHT NOW, AND THIS IMAGE
IS TOO DETAILED TO DRAW BY HAND.
IF Y'ALL WANT, Y'ALL GO GET
A DRINK OR SOMETHING, GIVE ME,
LIKE, 20 MINUTES TO A HALF.
THAT'S COOL?
A'IGHT, SEE YOU LATER.
A'IGHT, BRO.
I'M TRYING TO BUY SOME TIME.
BUT I'M LOOKING AROUND
THE BLACK INK BOOTH,
AND IT LOOKS PRETTY EMPTY.
WHERE IS EVERYBODY?
[bleep].
HALF OF THIS CREW IS MISSING.
WE HAVE NO PRINTER.
EVERYTHING'S ALEX FAULT.
>> NO, NO, I KNOW.
>> RIGHT NOW,
WE GOT TO GET IT TOGETHER
OR THIS CONVENTION'S
GONNA BE A COMPLETE
WASTE OF TIME AND MONEY.
LISTEN, WHAT I NEED YOU TO DO
IS TAKE THIS, GET IT PRINTED.
>> WHERE THE HELL DID EVERYBODY
GO, THOUGH, YO?
THIS IS CRAZY, MAN.
>> I AIN'T GOT TIME TO THINK
ABOUT THAT.
>> [bleep] CRAZY, MAN.
LIKE, I CAN'T DO THIS.
>> I'MA GO CHECK AND SEE
WHAT'S UP WITH DUTCHESS.
>> THIS IS A GROUP EFFORT.
EVERYBODY'S [bleep] UP.
I DON'T EVEN KNOW HE GOT ME
LOOKING FOR THIS DAMN PRINTER
WHEN IT'S NOT MY JOB TO DO.
SO YOU KNOW WHAT I'MA DO?
I'LL SEE YOU LATER.
>> IT'S A VERY PAINFUL PROCESS,
BUT THE PAIN FADES AWAY.
THE TATTOO WILL LAST FOREVER.
I THOUGHT CEASER WAS GONNA
BE MAD.
>> ABOUT WHAT?
>> 'CAUSE I TOLD HIM I WOULD
NEVER LET ANOTHER MAN TATTOO ME.
>> REALLY?
>> I REALLY LOVE HIM.
>> OF COURSE YOU DO.
>> LIKE, WE STAY UP TILL
6:00 IN THE MORNING DRAWING.
WHO ELSE COULD I DO THAT WITH?
I'VE NEVER BEEN WITH SOMEBODY
I COULD DO THAT WITH.
HE ACTUALLY TOOK A INTEREST
IN SOMETHING THAT I RESPECT
TO A VERY HIGH STANDARD,
AND I REALLY, REALLY, REALLY
APPRECIATE THAT.
THAT SHOWS TO ME THAT HE PAYS
ATTENTION TO THE SIMPLE THINGS
I SAY.
>> HEY, GUESS WHAT.
>> WHAT?
>> WE DONE.
>> AHH.
>> YOU WANT TO SEE IT?
>> YES.
OH, MY GOD.
IT MADE ME FEEL VERY GOOD
TO KNOW THAT CEASE SET THAT UP,
BECAUSE IT'S LIKE--
I'M STARTING TO NOTICE THAT
HE PAYS ATTENTION TO THE SIMPLE
THINGS THAT MATTER TO ME.
YO, I LOVE IT.
THANK YOU SO MUCH, CARL.
>> YOU'RE WELCOME.
>> AND THANK YOU, BABY.
MY NEW TATTOO IS AMAZING.
IT'S BEYOND WHAT I EXPECTED IT
TO BE.
THIS IS A [bleep]
AMAZING TATTOO.
NOW I GOT TO GIVE YOU
A SURPRISE.
>> I HAVE A CLIENT HERE WAITING
FOR FOUR HOURS.
WALT WENT TO GO PRINT
THEY DAMN TATTOO UP.
I'VE BEEN TRYING TO REACH HIM
FOR THE LAST FOUR HOURS,
AND I CAN'T GET AHOLD OF HIM.
WHAT THE [bleep] IS WRONG
WITH YOU, WALTER?
I DON'T KNOW WHAT THE HELL
TO DO.
>> DUDE, WHAT'S GOING ON, MAN?
>> UM...
>> IT'S SERIOUSLY BEEN, LIKE,
FOUR HOURS WE'VE BEEN STANDING
HERE WALKING BACK AND FORTH.
>> IT TAKES YOU FOUR HOURS
TO PRINT A TATTOO UP?
THAT LOOKS REAL PROFESSIONAL,
HUH, WALTER?
EVERYBODY [bleep]
VANISHED ON ME.
PUMA, WALT--NONE OF THEM
[bleep] IS HERE.
I'MA TAKE BLAME,
'CAUSE I'M THE BOSS.
I SHOULD'VE NEVER BROUGHT
Y'ALL MOTHER[bleep]S OUT HERE.
>> I HAVE A CLIENT HERE WAITING
FOR FOUR HOURS.
I STILL CAN'T PRINT THIS
STENCIL OUT, AND THIS IMAGE
IS WAY TOO DIFFICULT
TO DRAW BY HAND.
I SENT ONE OF MY EMPLOYEES
TO GO GET YOUR IMAGE,
AND HE NEVER CAME BACK.
>> SO WE'RE NOT DOING IT.
>> THERE'S NO WAY I'M GONNA
BE ABLE TO DO THAT [bleep]
WITHOUT THE IMAGE.
I'M SO SORRY.
>> THAT--THAT'S IT?
DUDE, I CALLED INTO WORK
AND EVERYTHING, MAN,
TO BE HERE FOR IT.
>> UM...
>> IT'S SERIOUSLY BEEN, LIKE,
FOUR HOURS WE'VE BEEN STANDING
HERE WALKING BACK AND FORTH.
>> AND IT TAKES YOU FOUR HOURS
TO PRINT A TATTOO UP?
THAT LOOKS REAL PROFESSIONAL,
HUH, WALTER?
WHAT I'M ABOUT TO DO IS GIVE
Y'ALL SOME T-SHIRTS OR...
A WHATCHAMACALLIT.
>> NO, IT'S ALL GOOD, MAN.
YOU TA--TAKE CARE, DUDE.
TAKE CARE, MAN.
IT'S ALL GOOD, MAN.
IT'S ALL GOOD.
COME ON. LET'S GO.
>> THIS IS JUST PLAIN
EMBARRASSING.
I'M NOT HAPPY RIGHT NOW AT ALL.
>> WHAT THE [bleep]
THEY MAD ABOUT?
>> THEY HAD BEEN WAITING FOR
A LONG TIME, AND EVERYBODY
[bleep] VANISHED ON ME.
SO NOW IT LOOK LIKE I'M [bleep]
UNPROFESSIONAL
WHEN OTHER PEOPLE AROUND ME
THAT I'M TELLING TO DO [bleep]
FOR ME IS NOT DOING IT.
>> I DON'T GOT TIME ALL DAY
TO WAIT FOR A PRINTER.
I HAVE TO PROVE TO CEASE,
EVERYBODY HERE, AND TO MYSELF
THAT I REALLY DO BELONG HERE,
'CAUSE THIS IS MY PLACE.
I AM BLACK INK.
HER TAT IS DEFINITELY NOT HARD.
SO I'MA JUST HAVE TO DRAW THIS
STENCIL FREEHAND.
[bleep] IT.
ALL RIGHT, YOU READY?
>> YES, ARE YOU READY?
>> OH, YEAH, I'M READY.
EVEN THOUGH WE WENT THROUGH
ALL THE MADNESS OF THE DAY,
I'M GLAD I GOT A CHANCE
TO REALLY DO A GOOD TATTOO.
CUSTOMER WAS HAPPY.
AT THE END OF THE DAY,
I CAME HERE TO GET THE JOB DONE,
REPRESENT BLACK INK,
AND I FEEL LIKE I DID
A GOOD JOB.
>> I AM MAD HYPE RIGHT NOW.
I GOT PICKED TO DO
THE URBAN INK PHOTO SHOOT
BECAUSE ALEX DECIDED NOT
TO SHOW UP.
DUTCHESS AND I ARE ABOUT
TO KILL IT.
[camera shutter clicking]
>> SASSY, JUST LIKE THAT.
MOVE BACK A BIT.
I MEAN--THERE YOU GO.
THAT'S REAL NICE.
AND NOW, DUTCHESS,
LEAD WITH YOUR LEFT HIP.
>> ME AND MY BITCH KILLED
THIS SHOOT.
MY CHEMISTRY WAS ON FIRE.
HER CHEMISTRY ON FIRE.
TOGETHER, THAT [bleep] IS FIRE.
>> YOU GOT IT?
>> EVERYBODY VANISHED ON ME.
PUMA, WALT--NONE OF THEM
[bleep] IS HERE.
I'MA TAKE BLAME,
'CAUSE I'M THE BOSS.
I SHOULD'VE NEVER BROUGHT Y'ALL
MOTHER[bleep]S OUT HERE.
>> SO YOU DIDN'T GET TO DO
NO TATTOOS?
>> NO, I'M JUST SITTING ON
THE COMPUTER LOOKING AT [bleep].
>> TOTAL WASTE OF [bleep] TIME.
>> I'M DISAPPOINTED IN
BLACK INK'S PERFORMANCE TODAY.
IT'S A DAMN SHAME.
>> AND THIS [bleep]
WASN'T CHEAP.
>> CHEAP?
[bleep] WAS EXPENSIVE
AS [bleep], AND I DIDN'T MAKE
NO MONEY BACK.
I JUST THREW THOUSANDS
OF DOLLARS DOWN THE TOILET.
THIS IS SOME BULL[bleep].
SOMEBODY HAS TO GO.
>> YOU WANT TO KNOW WHAT'S
SO CRAZY?
YOU OWE ME $100,
BUT I THOUGHT [bleep] WOULD BE
THE ONE THAT DISAPPEARED.
>> ALL I KNOW IS, I'M PROUD
OF WHAT I DID TODAY.
I CAN'T SPEAK FOR EVERYBODY
ELSE, BUT I KNOW THAT I GOT SOME
SECURITY OUT OF THIS [bleep].
>> I WAS ROOTING FOR YOU
THE WHOLE TIME, [bleep].
[bleep] [bleep] STEPPED IT UP.
I KNOW CEASER'S PROBABLY PISSED,
BUT I'M HAPPY AS [bleep].
I CAN'T WAIT TO GET THIS
HOT HUNDO FROM HIM.
>> [bleep] GONNA GET
STRAIGHTENED OUT.
YO, I'M DONE WITH THIS
CONVENTION.
I NEED TO TALK TO THIS CREW
RIGHT NOW.
I CAN'T WAIT TO SEE TO THESE
[bleep] LATER.
ONE PERSON DID A [bleep] TATTOO,
AND EVERYBODY ELSE
JUST DISBANDS?
YOU, WALT, YOU [bleep] LEAVE.
PUMA, I DON'T KNOW WHERE
THE [bleep] YOU WAS.
YOU KNOW WHAT HURTS THE MOST?
THIS SUPPOSED TO BE MY FAMILY.
WE'RE SUPPOSED TO BE SITTING
THERE SUPPORTING EACH OTHER.
WE ALL FRIENDS HERE,
BUT AFTER TODAY,
THIS [bleep] IS DONE.
>> IT'S NOT LOOKING GOOD.
>> I'M READY, READY, READY.
>> WHAT'S POPPING?
WHAT UP?
HOW Y'ALL DOING?
>> I DON'T KNOW.
>> YOU LOOK HIGHLY UPSET.
>> YEAH, I AM.
I WANT TO TALK TO Y'ALL.
>> CEASER WALKS IN.
HE'S DEFINITELY UPSET.
YOU ALREADY SEE IT IN HIS FACE.
LIKE, YOU DON'T EVEN GOT
TO ASK THAT.
>> BEFORE I EVEN START
THE CONVERSATION,
I WANT TO THANK YOU, [bleep],
AND COMMEND YOU ON A WELL--
WELL-DONE JOB.
I DOUBTED YOU,
AND THAT'S MY FAULT.
I SHOULD'VE BELIEVED IN YOU
A LITTLE BIT MORE.
>> IT WAS GOOD TO FINALLY GET
SOME RECOGNITION AND NOT BE
THE BOZO ALL THE TIME.
>> THIS IS SOME BULL[bleep]
THAT WENT ON TODAY.
THERE'S NO WAY--HOLD ON.
[bleep] JUST BEING EMPLOYEES.
AS FRIENDS, AS MY [bleep],
AIN'T NO WAY SOMEBODY SHOULD'VE
LEFT ME IN THAT BOOTH BY MYSELF
WITH JUST ME AND [bleep],
AND EVERYBODY DISAPPEARED.
ONE PERSON DID A [bleep] TATTOO,
AND WHAT, AND EVERYBODY ELSE
JUST DISBANDS?
AN EMPTY BOOTH?
THAT [bleep] THREE [bleep]
BOOTHS, YOU KNOW HOW
EXPENSIVE THAT [bleep] IS?
THIS WHOLE WEEKEND IS GONE, B.
EVERYBODY WAS [bleep] GONE,
YO.
PUMA, I DON'T KNOW WHERE
THE [bleep] YOU WAS.
YOU, WALT, YOU [bleep] LEAVE
AFTER YOU KNOW THIS [bleep]
DIDN'T SHOW UP.
>> I WAS TIRED OF IT.
I COULDN'T TAKE IT ANYMORE.
HE SHOULD BE LUCKY I LEFT.
YOU KNOW WHAT I MEAN?
'CAUSE IF I WOULD'VE STAYED
IT PROBABLY WOULD HAVE REALLY
BEEN SOMETHING UGLY.
>> DO YOU UNDERSTAND THIS IS
THE FIRST TIME WE EVER BEEN
TO A BIG-ASS [bleep] CONVENTION
LIKE THIS?
ONE PERSON [bleep] FILLS IN IT--
EVERYBODY ELSE DON'T PICK UP
THE SLACK.
SO TELL ME, HOW THE [bleep]
AM I GONNA RUN EVERYTHING?
I AM NOT.
YOU KNOW WHAT HURTS THE MOST?
BESIDES JUST MY WORKING CREW,
THIS SUPPOSED TO BE MY FAMILY.
WE'RE SUPPOSED TO BE SITTING
THERE SUPPORTING EACH OTHER.
AT THE END OF THE DAY,
WE ALL FRIENDS HERE,
BUT AFTER TODAY,
THIS [bleep] IS DONE.
IF NOBODY LIKES HOW I'M TALKING
TO THEM OR HOW I'M FEELING,
[bleep] WALK OUT
THE [bleep] DOOR, B.
I AIN'T HEARING THIS [bleep]
NO MORE.
FRIENDSHIP OR NOT,
I'LL [bleep] FIRE [bleep].
>> CAN YOU BUZZ THAT MAN IN,
WALTER?
>> YEAH, DO YOUR [bleep] JOB.
BUZZ SOMEBODY IN.
>> DO YOUR DAMN JOB.
DO YOUR [bleep] JOB.
YOUR ONLY [bleep] JOB,
HOW ABOUT THAT?
BUZZ, BUZZ, BUZZ!
>> I WAS GONNA GO TO VEGAS.
>> AND WHAT HAPPENED?
>> A FAMILY EMERGENCY CAME UP.
>> AND YOU DIDN'T KNOW TO CALL--
>> BUT YOU DIDN'T HAVE TO--
WHY DO I HAVE TO CALL YOU?
>> SHE AIN'T SHOW UP TO VEGAS,
AND I'M SUPPOSED TO CALL HER?
[scoffs]
[bleep].
>> I WAS NEVER TRYING TO GET
AT CEASE.
>> NO, I'M NOT MAD ABOUT CEASER.
I'M MAD ABOUT YOU BEING
A FAKE-ASS FRIEND.
THERE ARE NO MORE [bleep] HERE
FOR YOU TO [bleep], ALEX.
>> [bleep] JOB, HOW ABOUT THAT?
BUZZ, BUZZ, BUZZ!
>> I WAS GONNA GO TO VEGAS.
>> AND WHAT HAPPENED?
>> A FAMILY EMERGENCY CAME UP.
>> AND YOU DIDN'T KNOW TO CALL--
>> BUT YOU DIDN'T HAVE TO--
WHY DO I HAVE TO CALL YOU?
>> SHE AIN'T SHOW UP TO VEGAS,
AND I'M SUPPOSED TO CALL HER?
[scoffs]
[bleep].
>> I WAS NEVER TRYING TO GET
AT CEASE.
>> NO, I'M NOT MAD ABOUT CEASER.
I'M MAD ABOUT YOU BEING
A FAKE-ASS FRIEND.
THERE ARE NO MORE [bleep] HERE
FOR YOU TO [bleep], ALEX.