1 00:00:02,667 --> 00:00:04,727 >> PREVIOUSLY ON BLACK INK CREW: 2 00:00:04,733 --> 00:00:05,873 >> WHAT YOU WANT TO DO? 3 00:00:05,867 --> 00:00:06,727 >> MIXXXIES. 4 00:00:06,733 --> 00:00:07,873 BLACK INK GIRLS. 5 00:00:07,867 --> 00:00:08,827 >> POOR BITCH, I OWNED A [bleep] 6 00:00:08,833 --> 00:00:10,903 BARBIE PLAYHOUSE AND [bleep]-- 7 00:00:10,900 --> 00:00:11,570 >> WHOA! WHOA! WHOA! 8 00:00:11,567 --> 00:00:12,827 >> [bleep] YOU. [bleep] YOU. 9 00:00:12,833 --> 00:00:13,503 [bleep]. 10 00:00:13,500 --> 00:00:15,370 >> WE JUST DON'T GET ALONG. 11 00:00:15,367 --> 00:00:16,127 >> THERE'S CUSTOMERS HERE. 12 00:00:16,133 --> 00:00:17,333 THEY DON'T NEED TO SEE THAT. 13 00:00:17,333 --> 00:00:18,673 NOW EVERYBODY WHO'S HERE 14 00:00:18,667 --> 00:00:20,027 GOT SOMETHING TO TALK ABOUT. 15 00:00:20,033 --> 00:00:21,333 >> YOU MY BOSS OR I'M YOUR BOSS? 16 00:00:21,333 --> 00:00:22,933 >> IT DOESN'T [bleep] MATTER! 17 00:00:22,933 --> 00:00:23,673 >> GET YOUR [bleep] AND GET 18 00:00:23,667 --> 00:00:24,367 THE [bleep] OUT OF HERE. 19 00:00:24,367 --> 00:00:25,627 >> WHATEVER, CEASER. 20 00:00:25,633 --> 00:00:26,573 >> OH, TODAY YOU DECIDED 21 00:00:26,567 --> 00:00:28,027 TO BE A [bleep] BOSS? 22 00:00:28,033 --> 00:00:29,573 >> WHO DO YOU THINK YOU ARE, YO? 23 00:00:29,567 --> 00:00:30,267 >> LET HER GET HER [bleep] 24 00:00:30,267 --> 00:00:30,927 AND GO. 25 00:00:30,933 --> 00:00:31,603 >> MAN, GET THAT [bleep] 26 00:00:31,600 --> 00:00:32,530 UP OUT OF HERE, YO. 27 00:00:32,533 --> 00:00:33,203 >> WHERE THE [bleep] 28 00:00:33,200 --> 00:00:33,870 YOU WAS AT, YO? 29 00:00:33,867 --> 00:00:34,797 >> DOCTOR'S OFFICE. 30 00:00:34,800 --> 00:00:35,800 >> YOU HAVING A LITTLE BOY? 31 00:00:35,800 --> 00:00:37,200 >> I'M HAVING A PUMETTE. 32 00:00:37,200 --> 00:00:38,500 >> [gasps] 33 00:00:38,500 --> 00:00:39,830 >> ME AND KWANE ARE HAVING 34 00:00:39,833 --> 00:00:40,973 A LITTLE GIRL. 35 00:00:40,967 --> 00:00:42,097 WHOO! 36 00:00:42,100 --> 00:00:42,770 >> YOU COME IN LATE 37 00:00:42,767 --> 00:00:44,097 ALL THE TIME, YO, AND YOU'RE 38 00:00:44,100 --> 00:00:44,830 MESSING UP WHAT I'M TRYING 39 00:00:44,833 --> 00:00:46,403 TO BUILD HERE AT BLACK INK. 40 00:00:46,400 --> 00:00:47,730 I NEED SOMEBODY WHO-- 41 00:00:47,733 --> 00:00:48,603 TATTOO'S HIS NUMBER 42 00:00:48,600 --> 00:00:49,630 ONE PRIORITY. 43 00:00:49,633 --> 00:00:50,403 >> YO, WHAT DO YOU EXPECT? 44 00:00:50,400 --> 00:00:51,130 I DON'T GOT NO HELP OUT 45 00:00:51,133 --> 00:00:52,173 WITH THE KID. 46 00:00:52,167 --> 00:00:54,197 >> SO HOW WE GONNA DO THIS? 47 00:00:57,067 --> 00:00:58,067 [hip-hop music] 48 00:00:58,067 --> 00:01:06,167 * 49 00:01:29,933 --> 00:01:30,603 >> TALK TO ME. 50 00:01:30,600 --> 00:01:32,070 HOW WE GONNA DO THIS? 51 00:01:32,067 --> 00:01:33,167 >> LIKE, I DIDN'T EVEN KNOW 52 00:01:33,167 --> 00:01:34,867 I HAD AN APPOINTMENT TODAY. 53 00:01:34,867 --> 00:01:36,167 >> HE HAS BEEN COMING IN LATE. 54 00:01:36,167 --> 00:01:38,327 HE'S MESSING UP TATTOOS. 55 00:01:38,333 --> 00:01:40,833 HE HAS BABY MAMA DRAMA. 56 00:01:40,833 --> 00:01:43,233 LIKE, ENOUGH IS ENOUGH, MAN. 57 00:01:43,233 --> 00:01:44,473 IT'S TIME FOR A SHAKE-UP 58 00:01:44,467 --> 00:01:45,427 ON THIS BOAT. 59 00:01:45,433 --> 00:01:48,073 SOMEBODY GOT TO GO OVERBOARD. 60 00:01:48,067 --> 00:01:49,367 [bleep], HOW AM I SUPPOSED 61 00:01:49,367 --> 00:01:51,767 TO RELY ON YOU IF I DON'T KNOW 62 00:01:51,767 --> 00:01:52,467 IF YOU'RE COMING IN. 63 00:01:52,467 --> 00:01:54,127 >> SOMETIMES I CAN'T. 64 00:01:54,133 --> 00:01:55,373 >> I NEED SOMEBODY WHO-- 65 00:01:55,367 --> 00:01:56,467 TATTOO'S HIS NUMBER 66 00:01:56,467 --> 00:01:57,227 ONE PRIORITY. 67 00:01:57,233 --> 00:01:58,403 >> I DO, BUT I ALSO NEED 68 00:01:58,400 --> 00:02:01,300 TO TAKE CARE OF HER. 69 00:02:01,300 --> 00:02:02,800 >> ALEX MAY BE COMING IN LATE 70 00:02:02,800 --> 00:02:04,670 AND HAVE A BAD ATTITUDE, 71 00:02:04,667 --> 00:02:05,897 BUT [bleep]'S COMING IN LATE 72 00:02:05,900 --> 00:02:08,130 AND MESSING UP MY BUSINESS. 73 00:02:08,133 --> 00:02:10,703 YO, LISTEN, HONESTLY, THIS 74 00:02:10,700 --> 00:02:11,700 [bleep] IS NOT GONNA WORK OUT 75 00:02:11,700 --> 00:02:13,730 FOR RIGHT NOW. 76 00:02:18,367 --> 00:02:19,227 RIGHT NOW, I CAN'T DO 77 00:02:19,233 --> 00:02:20,503 WITH THIS. 78 00:02:20,500 --> 00:02:21,630 THIS SITUATION'S GONNA [bleep] 79 00:02:21,633 --> 00:02:22,833 UP OUR FRIENDSHIP. 80 00:02:22,833 --> 00:02:23,933 >> SO YOU'RE SAYING BASICALLY, 81 00:02:23,933 --> 00:02:24,603 YOU JUST WANT ME TO PACK 82 00:02:24,600 --> 00:02:26,200 MY STUFF UP AND GO? 83 00:02:26,200 --> 00:02:28,130 THAT'S IT? 84 00:02:28,133 --> 00:02:28,903 NOT EVEN GONNA LET ME FINISH 85 00:02:28,900 --> 00:02:30,170 THE REST OF THE DAY? 86 00:02:30,167 --> 00:02:30,927 >> YOU MIGHT AS WELL 87 00:02:30,933 --> 00:02:32,503 JUST PACK UP. 88 00:02:32,500 --> 00:02:33,430 >> I JUST DON'T GET IT. 89 00:02:33,433 --> 00:02:34,733 WHY IS IT ME THAT GETS FIRED? 90 00:02:34,733 --> 00:02:35,673 EVERYBODY ELSE LOLLYGAGS 91 00:02:35,667 --> 00:02:36,427 ALL DAY. 92 00:02:36,433 --> 00:02:37,833 I FEEL BETRAYED. 93 00:02:37,833 --> 00:02:38,873 ME AND CEASE GO BACK ABOUT, 94 00:02:38,867 --> 00:02:40,067 LIKE, 15 YEARS. 95 00:02:40,067 --> 00:02:41,067 WE GREW UP AROUND THE SAME 96 00:02:41,067 --> 00:02:42,627 NEIGHBORHOOD IN THE BRONX. 97 00:02:42,633 --> 00:02:43,303 HOW COULD YOU REALLY 98 00:02:43,300 --> 00:02:44,070 DO THIS TO ME? 99 00:02:44,067 --> 00:02:44,897 >> YOU'RE A GOOD DAD. 100 00:02:44,900 --> 00:02:47,470 I KNOW YOU ARE. 101 00:02:47,467 --> 00:02:49,497 >> SOME BULL[bleep]. 102 00:02:52,367 --> 00:02:53,067 >> HEY. 103 00:02:53,067 --> 00:02:53,697 >> WHAT UP? 104 00:02:53,700 --> 00:02:55,070 I'M ABOUT TO GET READY 105 00:02:55,067 --> 00:02:55,867 TO GET OUT OF HERE. 106 00:02:55,867 --> 00:02:57,067 I'M JUST PACKING MY STUFF. 107 00:02:57,067 --> 00:02:58,427 >> YOU'RE NOT GONNA TAT? 108 00:02:58,433 --> 00:02:59,533 >> NAH, NOT TODAY. 109 00:02:59,533 --> 00:03:00,673 >> WHY? 110 00:03:00,667 --> 00:03:02,697 >> 'CAUSE CEASE JUST FIRED ME. 111 00:03:05,733 --> 00:03:08,433 >> THE DECISION TO FIRE [bleep] 112 00:03:08,433 --> 00:03:09,973 WAS ONE OF THE MOST DIFFICULT 113 00:03:09,967 --> 00:03:11,527 DECISIONS I HAD SO FAR 114 00:03:11,533 --> 00:03:12,803 AS A BOSS. 115 00:03:12,800 --> 00:03:13,470 >> IT'S SAD. 116 00:03:13,467 --> 00:03:14,297 IT'S SAD THAT HE'S NOT 117 00:03:14,300 --> 00:03:15,070 GONNA BE THERE. 118 00:03:15,067 --> 00:03:16,097 HE WAS MY CONFIDANT, 119 00:03:16,100 --> 00:03:17,770 AND NOW I FEEL LIKE 120 00:03:17,767 --> 00:03:19,397 I'M ALL BY MYSELF AGAIN. 121 00:03:19,400 --> 00:03:21,570 >> HOW'S YOUR DAY SO FAR? 122 00:03:21,567 --> 00:03:23,697 >> IT'S KIND OF [bleep] UP. 123 00:03:23,700 --> 00:03:25,370 LET ME PUT IT LIKE THIS: 124 00:03:25,367 --> 00:03:28,427 I'M PASSED PISSED OFF AND ALMOST 125 00:03:28,433 --> 00:03:29,503 TO THE POINT THAT I'M READY 126 00:03:29,500 --> 00:03:31,930 TO SNAP. 127 00:03:31,933 --> 00:03:34,173 I'M NOT GONNA BE SITTING HERE 128 00:03:34,167 --> 00:03:35,567 TALKING HOW, "OH, YEAH, I WANT 129 00:03:35,567 --> 00:03:37,367 BLACK INK TO BE NUMBER ONE," 130 00:03:37,367 --> 00:03:38,197 AND ARTISTS CAN'T EVEN COME IN 131 00:03:38,200 --> 00:03:39,170 ON TIME. 132 00:03:39,167 --> 00:03:40,297 THIS IS MY SHOP. 133 00:03:40,300 --> 00:03:41,170 IF YOU DON'T LIKE IT, 134 00:03:41,167 --> 00:03:42,697 GO GET YOUR OWN. 135 00:03:42,700 --> 00:03:43,930 >> YOU DID SNAP. 136 00:03:43,933 --> 00:03:44,873 >> NAH, I DIDN'T SNAP. 137 00:03:44,867 --> 00:03:45,667 >> YES, YOU DID. 138 00:03:45,667 --> 00:03:47,497 YOU FIRED PEOPLE. 139 00:03:47,500 --> 00:03:50,200 >> IT WAS NEEDING TO BE DONE. 140 00:03:50,200 --> 00:03:51,300 I GOT TO LET Y'ALL KNOW, THIS 141 00:03:51,300 --> 00:03:52,800 [bleep] AIN'T HAPPENING NO MORE. 142 00:03:52,800 --> 00:03:54,370 I NEED TO STOP WITH THE 143 00:03:54,367 --> 00:03:55,427 BULL[bleep], SO THE BULL[bleep] 144 00:03:55,433 --> 00:03:56,803 STOPS TODAY. 145 00:03:56,800 --> 00:03:57,930 STRAIGHTEN UP BEFORE 146 00:03:57,933 --> 00:04:00,073 I FIRE YOU TOO. 147 00:04:02,100 --> 00:04:03,530 ANY WAY YOU PUT IT, [bleep]'S 148 00:04:03,533 --> 00:04:05,573 NEVER DOING A TATTOO IN HERE. 149 00:04:09,100 --> 00:04:10,470 >> THAT'S HOW YOU REALLY FEEL? 150 00:04:10,467 --> 00:04:11,967 >> I FEEL LIKE A BASTARD, 151 00:04:11,967 --> 00:04:12,667 BUT AT THE END OF THE DAY, 152 00:04:12,667 --> 00:04:14,227 THIS IS WHAT I GOT TO DO. 153 00:04:14,233 --> 00:04:15,203 YOU'RE NOT GONNA USE YOUR KID 154 00:04:15,200 --> 00:04:16,200 AS AN EXCUSE. 155 00:04:16,200 --> 00:04:18,430 WE ALL--I GOT A DAUGHTER TOO. 156 00:04:18,433 --> 00:04:20,103 >> YOU'RE RIGHT. 157 00:04:20,100 --> 00:04:21,830 >> TRUTHFULLY, I REALLY WANT HIM 158 00:04:21,833 --> 00:04:23,873 TO PACK HIS [bleep] AND GO. 159 00:04:26,800 --> 00:04:28,670 >> COME ON, LULU. 160 00:04:28,667 --> 00:04:30,427 >> I DON'T WANT TO GO. 161 00:04:30,433 --> 00:04:31,173 >> YOU WANT TO STAY WITH ME. 162 00:04:31,167 --> 00:04:31,927 >> I KNOW, YOU WANT TO STAY 163 00:04:31,933 --> 00:04:32,673 HERE, RIGHT? 164 00:04:32,667 --> 00:04:34,767 >> YOU WANT TO STAY WITH ME? 165 00:04:34,767 --> 00:04:36,067 >> YOU GOT TO GO. 166 00:04:36,067 --> 00:04:37,067 YOU GOT TO GO WITH YOUR DAUGHTER 167 00:04:37,067 --> 00:04:37,667 AND WHATNOT. 168 00:04:37,667 --> 00:04:38,397 YOU CAN'T HAVE HER RUNNING 169 00:04:38,400 --> 00:04:39,070 AROUND HERE. 170 00:04:39,067 --> 00:04:39,727 >> COME ON, LULU, 171 00:04:39,733 --> 00:04:40,533 IT'S TIME TO GO. 172 00:04:40,533 --> 00:04:41,203 I DON'T-- 173 00:04:41,200 --> 00:04:42,770 >> I DON'T WANT TO GO HOME. 174 00:04:42,767 --> 00:04:43,427 >> ALL RIGHT, SO WE CAN 175 00:04:43,433 --> 00:04:44,103 GO TO THE PARK. 176 00:04:44,100 --> 00:04:45,770 WE GOT OUR FREE TIME NOW. 177 00:04:45,767 --> 00:04:46,827 I DON'T KNOW WHAT I'M GONNA TELL 178 00:04:46,833 --> 00:04:48,503 MY BABY MAMA. 179 00:04:48,500 --> 00:04:49,730 I DON'T KNOW WHAT IS GONNA 180 00:04:49,733 --> 00:04:51,773 HAPPEN WITH MY FUTURE RIGHT NOW. 181 00:05:01,067 --> 00:05:01,927 >> YOU DIDN'T HAVE TO FIRE HIM 182 00:05:01,933 --> 00:05:03,473 IN FRONT OF HIS BABY. 183 00:05:03,467 --> 00:05:04,197 YOU COULD HAVE WAITED TILL 184 00:05:04,200 --> 00:05:05,100 HE LEAVE AND TEXT MESSAGED HIM 185 00:05:05,100 --> 00:05:05,700 OR CALLED HIM-- 186 00:05:05,700 --> 00:05:06,770 >> PUMA, YOU KNOW HOW MANY TIMES 187 00:05:06,767 --> 00:05:07,597 I CALLED HIM? 188 00:05:07,600 --> 00:05:09,170 >> I DON'T KNOW THE HELL CEASER 189 00:05:09,167 --> 00:05:10,097 FIRED [bleep]. 190 00:05:10,100 --> 00:05:12,270 IT'S LIKE YOU KICKING YOUR-- 191 00:05:12,267 --> 00:05:14,097 YOUR BROTHER OUT OF THE HOUSE. 192 00:05:14,100 --> 00:05:14,900 >> [bleep], THERE'S A CHAIN 193 00:05:14,900 --> 00:05:16,630 OF COMMAND, AND [bleep] 194 00:05:16,633 --> 00:05:18,503 AIN'T FOLLOWING IT. 195 00:05:18,500 --> 00:05:19,230 PEOPLE GET OUT OF ORDER, 196 00:05:19,233 --> 00:05:20,733 IT'S TIME FOR PEOPLE TO GO. 197 00:05:20,733 --> 00:05:21,533 >> CEASER'S TOUGH FOR FIRING 198 00:05:21,533 --> 00:05:22,503 [bleep] WITH HIS DAUGHTER. 199 00:05:22,500 --> 00:05:24,530 LIKE, YOU GOT BALLS TO DO THAT. 200 00:05:24,533 --> 00:05:27,333 >> SO YOU DON'T NEED NONE OF US? 201 00:05:27,333 --> 00:05:28,433 >> I NEED ALL OF Y'ALL, 202 00:05:28,433 --> 00:05:29,333 BUT AT THE END OF THE DAY, 203 00:05:29,333 --> 00:05:31,103 I NEED Y'ALL PROFESSIONAL. 204 00:05:31,100 --> 00:05:32,270 IF Y'ALL JUST GONNA BE ON SOME 205 00:05:32,267 --> 00:05:33,297 BULL[bleep], COME IN WHEN Y'ALL 206 00:05:33,300 --> 00:05:36,070 WANT TO, Y'ALL CAN HIT THE DOOR. 207 00:05:36,067 --> 00:05:37,367 >> HE HAS A NAME IN HERE, MAN. 208 00:05:37,367 --> 00:05:39,627 >> YO, LISTEN, NOBODY'S PERFECT, 209 00:05:39,633 --> 00:05:41,433 BUT HE WAS THE MOST [bleep] UP 210 00:05:41,433 --> 00:05:42,633 OUT OF ALL OF US. 211 00:05:42,633 --> 00:05:43,533 NOW THAT Y'ALL KNOW THAT [bleep] 212 00:05:43,533 --> 00:05:46,273 AIN'T HERE AND I FIRED HIM, 213 00:05:46,267 --> 00:05:48,297 I'LL FIRE YOU TOO. 214 00:06:05,633 --> 00:06:08,103 >> GOOD MORNING. 215 00:06:08,100 --> 00:06:10,370 LOTTIE, HERE'S YOUR DADDY ON THE 216 00:06:10,367 --> 00:06:12,097 DAY THAT YOU'RE GONNA BE BORN. 217 00:06:12,100 --> 00:06:13,100 >> I BEEN SHELL-SHOCKED-- 218 00:06:13,100 --> 00:06:13,900 >> [giggles] 219 00:06:13,900 --> 00:06:15,200 >> THIS EARLY IN THE MORNING. 220 00:06:15,200 --> 00:06:16,570 >> THIS IS SASSY. 221 00:06:16,567 --> 00:06:18,097 WONDER TWINS ARE CURRENTLY 222 00:06:18,100 --> 00:06:19,270 IN A YELLOW CAB 223 00:06:19,267 --> 00:06:21,167 FROM THE STRIP CLUB. 224 00:06:21,167 --> 00:06:22,897 >> * LOOK AT HOW SHE GO, GALL 225 00:06:22,900 --> 00:06:24,170 * THAT GIRL GOT A BODY 226 00:06:24,167 --> 00:06:25,797 * LIKE, OH, LORD 227 00:06:25,800 --> 00:06:27,370 >> MY GODDAUGHTER, TAMIA LOTTIE 228 00:06:27,367 --> 00:06:29,397 ROBINSON, IS ON HER WAY 229 00:06:29,400 --> 00:06:30,630 AND IS ABOUT TO BE BORN. 230 00:06:30,633 --> 00:06:31,703 >> ME AND SASSY HAPPENED TO GO 231 00:06:31,700 --> 00:06:33,600 OUT THAT NIGHT TO SIN CITY. 232 00:06:33,600 --> 00:06:34,500 NEXT THING YOU KNOW, I'M GETTING 233 00:06:34,500 --> 00:06:35,530 A FREAKING PHONE CALL 234 00:06:35,533 --> 00:06:37,803 THAT MY DAUGHTER'S BEING BORN. 235 00:06:37,800 --> 00:06:38,930 LIKE, WHO THE HELL GETS A PHONE 236 00:06:38,933 --> 00:06:40,333 CALL IN THE STRIP CLUB 237 00:06:40,333 --> 00:06:41,233 KNOWING THAT THEIR CHILD 238 00:06:41,233 --> 00:06:42,073 IS BEING BORN, MAN? 239 00:06:42,067 --> 00:06:45,267 LIKE, IT'S WILD. 240 00:06:45,267 --> 00:06:46,097 BUT REALLY? 241 00:06:46,100 --> 00:06:47,070 YOU JUST HAD TO PICK 242 00:06:47,067 --> 00:06:48,067 RIGHT AFTER I JUST LEFT 243 00:06:48,067 --> 00:06:49,297 THE STRIP CLUB, THOUGH? 244 00:06:49,300 --> 00:06:50,470 AT LEAST I'M NOT RATCHETLY 245 00:06:50,467 --> 00:06:51,297 DRUNK, BUT, I MEAN-- 246 00:06:51,300 --> 00:06:52,300 >> HE DRUNK. 247 00:06:52,300 --> 00:06:53,630 BUT HE'S STILL DRUNK. 248 00:06:53,633 --> 00:06:55,673 TO BE WILING, SMACKING ASS, 249 00:06:55,667 --> 00:06:57,767 THROWING MONEY, POPPING BOTTLES, 250 00:06:57,767 --> 00:06:59,327 HAVING TO LITERALLY GO STRAIGHT 251 00:06:59,333 --> 00:07:01,703 TO THE HOSPITAL TO SEE TAMIA 252 00:07:01,700 --> 00:07:02,370 BE BORN-- 253 00:07:02,367 --> 00:07:03,797 THINGS ARE SO CRAZY RIGHT NOW. 254 00:07:03,800 --> 00:07:05,070 I CAN'T EVEN DEAL. 255 00:07:05,067 --> 00:07:05,897 WE'RE GONNA KEEP YOU POSTED. 256 00:07:05,900 --> 00:07:08,530 STAY TUNED. 257 00:07:08,533 --> 00:07:09,233 >> WHAT FLOOR DOES HE NEED 258 00:07:09,233 --> 00:07:10,273 TO GO TO? 259 00:07:10,267 --> 00:07:12,527 >> OH, I'M SORRY. 260 00:07:12,533 --> 00:07:13,273 >> MAKE A RIGHT. 261 00:07:13,267 --> 00:07:15,067 STRAIGHT DOWN TO THE ELEVATOR. 262 00:07:15,067 --> 00:07:16,497 >> I NEVER THOUGHT ME 263 00:07:16,500 --> 00:07:19,270 OF ALL PEOPLE-- 264 00:07:19,267 --> 00:07:22,167 NOW I HAVE A CHILD. 265 00:07:22,167 --> 00:07:24,067 I'M HAVING YOU, GIRL. 266 00:07:24,067 --> 00:07:25,667 I'M READY TO CRY RIGHT NOW. 267 00:07:25,667 --> 00:07:26,597 >> IS THERE PAIN? 268 00:07:26,600 --> 00:07:28,470 COME ON, HOLD MY HAND. 269 00:07:28,467 --> 00:07:29,397 >> I REALLY FEEL BAD FOR KWANE 270 00:07:29,400 --> 00:07:30,530 BECAUSE THAT LOOKS LIKE SOME 271 00:07:30,533 --> 00:07:31,573 PAINFUL [bleep]. 272 00:07:31,567 --> 00:07:32,827 ALL RIGHT, SASSY, SHE'S ABOUT 273 00:07:32,833 --> 00:07:34,673 TO HAVE HER RIGHT NOW. 274 00:07:34,667 --> 00:07:35,697 >> [gasping] 275 00:07:35,700 --> 00:07:36,470 >> IT'S OKAY, MOM. 276 00:07:36,467 --> 00:07:37,127 >> WITNESSING THE BIRTH 277 00:07:37,133 --> 00:07:38,403 OF MY CHILD HAD TO BE THE MOST 278 00:07:38,400 --> 00:07:41,730 WEIRDEST, CRAZIEST MOMENTS EVER. 279 00:07:41,733 --> 00:07:42,403 IT'S CRAZY. 280 00:07:42,400 --> 00:07:43,770 IF YOU EVER SEE A CHILDBIRTH-- 281 00:07:43,767 --> 00:07:44,727 WHOO! 282 00:07:44,733 --> 00:07:46,503 IT'S WILD. 283 00:07:46,500 --> 00:07:47,430 [baby crying] 284 00:07:47,433 --> 00:07:48,703 SO SHE'S HERE FINALLY. 285 00:07:48,700 --> 00:07:52,200 I'M, LIKE, CRYING, BUT LOOK, 286 00:07:52,200 --> 00:07:54,770 WORLD, THAT'S HER. 287 00:07:54,767 --> 00:07:56,067 YEAH, NO MORE STRIPPERS, 288 00:07:56,067 --> 00:07:57,067 I GUESS. 289 00:07:57,067 --> 00:07:58,397 LIKE CHRIS ROCK SAID, 290 00:07:58,400 --> 00:07:59,470 "KEEP HER OFF THE POLE." 291 00:07:59,467 --> 00:08:00,467 THAT'S, LIKE, MY MISSION 292 00:08:00,467 --> 00:08:01,427 NOW IN LIFE. 293 00:08:01,433 --> 00:08:03,473 YOU'RE BEAUTIFUL, LITTLE GIRL. 294 00:08:05,667 --> 00:08:06,827 I MAY NOT BE PERFECT. 295 00:08:06,833 --> 00:08:08,803 FAR FROM IT, YOU KNOW? 296 00:08:08,800 --> 00:08:10,100 I MAKE MY MISTAKES, BUT I JUST 297 00:08:10,100 --> 00:08:11,900 KNOW I'M GONNA RAISE MY FAMILY, 298 00:08:11,900 --> 00:08:13,270 YOU KNOW WHAT I MEAN? 299 00:08:13,267 --> 00:08:14,597 I'M GONNA MISS PARTYING, BUT 300 00:08:14,600 --> 00:08:16,730 I THINK I CAN STILL DO THAT. 301 00:08:16,733 --> 00:08:18,633 I CAN TRY TO FIT IT IN. 302 00:08:18,633 --> 00:08:19,303 I DON'T THINK I CAN, 303 00:08:19,300 --> 00:08:21,330 BUT I'MA TRY. 304 00:08:27,633 --> 00:08:29,203 >> HOW IS THE BABY? 305 00:08:29,200 --> 00:08:30,330 >> SHE'S SO LIGHT-SKINNED. 306 00:08:30,333 --> 00:08:31,073 >> IS HE GONNA GET 307 00:08:31,067 --> 00:08:32,127 A PATERNITY TEST? 308 00:08:32,133 --> 00:08:32,803 >> WHY WOULD HE NEED 309 00:08:32,800 --> 00:08:34,300 A PATERNITY TEST? 310 00:08:34,300 --> 00:08:35,070 >> I DON'T KNOW. 311 00:08:35,067 --> 00:08:36,427 MAYBE 'CAUSE THEIR BABY KIND 312 00:08:36,433 --> 00:08:37,933 OF LOOKED WHITE AS [bleep]. 313 00:08:37,933 --> 00:08:39,433 [laughter] 314 00:08:39,433 --> 00:08:40,303 >> YEAH, THAT'S BEAUTIFUL. 315 00:08:40,300 --> 00:08:41,170 RIGHT THERE. 316 00:08:41,167 --> 00:08:42,197 >> I'M DEFINITELY IN LOVE 317 00:08:42,200 --> 00:08:43,070 WITH ALEX. 318 00:08:43,067 --> 00:08:43,797 I'M GONNA MARRY HER. 319 00:08:43,800 --> 00:08:45,130 SHE DOESN'T EVEN KNOW IT YET. 320 00:08:45,133 --> 00:08:46,573 >> WHAT DO YOU THINK? 321 00:08:46,567 --> 00:08:47,867 >> CAN I SPEAK FRANKLY? 322 00:08:47,867 --> 00:08:49,227 THIS IS A UGLY GUY. 323 00:08:49,233 --> 00:08:49,903 >> WE GOT SOMETHING 324 00:08:49,900 --> 00:08:50,570 TO TALK ABOUT. 325 00:08:50,567 --> 00:08:51,227 >> SO TALK. 326 00:08:51,233 --> 00:08:52,073 >> WE GONNA FORGET ABOUT 327 00:08:52,067 --> 00:08:52,667 THIS [bleep]? 328 00:08:52,667 --> 00:08:53,327 >> HOW? 329 00:08:53,333 --> 00:08:55,373 >> WHAT DO YOU WANT TO DO? 330 00:09:03,800 --> 00:09:04,730 >> * FLY WITH ME 331 00:09:04,733 --> 00:09:06,073 * TO THE SKY WITH ME 332 00:09:06,067 --> 00:09:06,897 * DON'T BE SURPRISED 333 00:09:06,900 --> 00:09:08,400 * AT THINGS YOU FIND IN ME 334 00:09:08,400 --> 00:09:09,400 * STEREOTYPES 335 00:09:09,400 --> 00:09:10,670 * WE LIVE A STEREO LIFE 336 00:09:10,667 --> 00:09:11,967 * WHERE EVERYONE TRAVELS 337 00:09:11,967 --> 00:09:13,897 * ON A DIGITAL FLIGHT 338 00:09:13,900 --> 00:09:14,570 >> I JUST HOPE THIS 339 00:09:14,567 --> 00:09:15,527 WEATHER STOPS. 340 00:09:15,533 --> 00:09:16,403 LIKE, WHAT'S THE POINT OF DOING 341 00:09:16,400 --> 00:09:17,400 MY HAIR IF IT'S JUST GONNA 342 00:09:17,400 --> 00:09:18,830 GET ALL [bleep] UP? 343 00:09:18,833 --> 00:09:20,073 >> [laughs] 344 00:09:20,067 --> 00:09:20,967 >> SO WITH ALL THE CRAZY 345 00:09:20,967 --> 00:09:22,697 CHAOTIC-NESS THAT'S BEEN GOING 346 00:09:22,700 --> 00:09:24,470 ON, THE LADIES AND I HAVE 347 00:09:24,467 --> 00:09:26,497 DECIDED TO MEET UP FOR BRUNCH. 348 00:09:26,500 --> 00:09:27,870 HOW ARE YOU, BABE? 349 00:09:27,867 --> 00:09:29,597 >> I'M SO TIRED. 350 00:09:29,600 --> 00:09:30,270 >> YOU LOOK LIKE YOU HAD 351 00:09:30,267 --> 00:09:33,597 A EVENTFUL EVENING AND MORNING. 352 00:09:33,600 --> 00:09:34,630 >> EVENING, MORNING, 353 00:09:34,633 --> 00:09:36,133 EARLY AFTERNOON. 354 00:09:36,133 --> 00:09:38,873 I CAN'T EVEN BEGIN TO DESCRIBE 355 00:09:38,867 --> 00:09:40,497 WHAT'S GOING ON. 356 00:09:40,500 --> 00:09:42,730 BABY TAMIA IS HERE! 357 00:09:42,733 --> 00:09:46,533 LAST NIGHT WAS WILD. 358 00:09:46,533 --> 00:09:49,433 PROBABLY ONE OF THE CRAZIEST 359 00:09:49,433 --> 00:09:50,503 DAYS I WILL EVER HAVE 360 00:09:50,500 --> 00:09:51,300 IN MY LIFE. 361 00:09:51,300 --> 00:09:52,770 >> SO HOW IS THE BABY? 362 00:09:52,767 --> 00:09:54,167 >> YOU'RE A AUNTIE! 363 00:09:54,167 --> 00:09:55,427 [laughs] 364 00:09:55,433 --> 00:09:57,733 I NEED TO KNOW, LIKE, DETAILS. 365 00:09:57,733 --> 00:09:58,403 >> WE WERE AT THE SHOP 366 00:09:58,400 --> 00:09:59,070 YESTERDAY. 367 00:09:59,067 --> 00:09:59,827 WE WERE TRYING TO FIGURE OUT 368 00:09:59,833 --> 00:10:00,503 WHAT WE WERE GONNA DO-- 369 00:10:00,500 --> 00:10:02,070 PUMA AND I--AND THEN SOMEHOW 370 00:10:02,067 --> 00:10:03,927 ENDED UP IN SIN CITY, 371 00:10:03,933 --> 00:10:05,873 AND IT WAS JUST BAD. 372 00:10:05,867 --> 00:10:07,567 WE [bleep] UP. 373 00:10:07,567 --> 00:10:09,297 AT THE PEAK OF, LIKE, 374 00:10:09,300 --> 00:10:11,070 [bleep]-UPNESS, 375 00:10:11,067 --> 00:10:12,627 KWANE CALLS MY PHONE. 376 00:10:12,633 --> 00:10:13,533 I GO FIND PUMA. 377 00:10:13,533 --> 00:10:14,773 KWANE'S GOING INTO LABOR. 378 00:10:14,767 --> 00:10:15,797 >> [gasps] 379 00:10:15,800 --> 00:10:17,230 WHILE YOU'RE AT SIN CITY? 380 00:10:17,233 --> 00:10:18,403 >> YEAH. 381 00:10:18,400 --> 00:10:21,230 [laughter] 382 00:10:21,233 --> 00:10:23,433 >> STOP PLAYING. 383 00:10:23,433 --> 00:10:24,403 >> THAT'S, LIKE, SO PUMA. 384 00:10:24,400 --> 00:10:25,730 LIKE, OF COURSE YOU'RE GONNA 385 00:10:25,733 --> 00:10:26,633 BE AT THE STRIP CLUB 386 00:10:26,633 --> 00:10:28,503 WHILE YOUR BABY MOM IS LIKE, 387 00:10:28,500 --> 00:10:31,030 "HEY, MY WATER BROKE." 388 00:10:31,033 --> 00:10:31,703 >> IS SHE CUTE? 389 00:10:31,700 --> 00:10:32,730 >> SHE'S ADORABLE. 390 00:10:32,733 --> 00:10:34,773 SHE'S SO LIGHT-SKINNED. 391 00:10:37,033 --> 00:10:38,273 >> SO SHE DON'T LOOK LIKE PUMA? 392 00:10:38,267 --> 00:10:39,227 >> SHE'S LIGHT-SKINNED. 393 00:10:39,233 --> 00:10:41,803 SHE HAS KWANE'S NOSE AND LIPS. 394 00:10:41,800 --> 00:10:43,630 >> KWANE WAS A FAMILIAR FACE 395 00:10:43,633 --> 00:10:45,033 AS A MIXXXY. 396 00:10:45,033 --> 00:10:46,033 THAT RAISED THAT QUESTION-- 397 00:10:46,033 --> 00:10:47,133 LIKE, "HOLD UP." 398 00:10:47,133 --> 00:10:47,803 IS HE GONNA GET 399 00:10:47,800 --> 00:10:48,930 A PATERNITY TEST? 400 00:10:48,933 --> 00:10:49,633 >> WHY WOULD HE NEED 401 00:10:49,633 --> 00:10:52,133 A PATERNITY TEST? 402 00:10:52,133 --> 00:10:52,933 >> I DON'T KNOW. 403 00:10:52,933 --> 00:10:54,203 MAYBE 'CAUSE THEY'RE BOTH BLACK, 404 00:10:54,200 --> 00:10:55,770 AND THE BABY KIND OF LOOKED 405 00:10:55,767 --> 00:10:57,497 WHITE AS [bleep]. 406 00:10:57,500 --> 00:10:58,730 >> THERE'S SOME MIXED FEELINGS 407 00:10:58,733 --> 00:11:00,103 GOING AROUND ABOUT OUR LITTLE 408 00:11:00,100 --> 00:11:00,730 BABY GIRL. 409 00:11:00,733 --> 00:11:02,103 I BELIEVE SHE'S PUMA'S. 410 00:11:02,100 --> 00:11:03,230 ALL OF THIS DNA TALK 411 00:11:03,233 --> 00:11:04,673 IS A BUNCH OF BULL[bleep]. 412 00:11:04,667 --> 00:11:06,067 DID YOU GUYS HEAR ABOUT 413 00:11:06,067 --> 00:11:07,597 THE FASHION SHOW? 414 00:11:07,600 --> 00:11:08,800 >> YES, I DID. 415 00:11:08,800 --> 00:11:09,670 IS THAT PUMA'S PEOPLE? 416 00:11:09,667 --> 00:11:10,327 >> YEAH. 417 00:11:10,333 --> 00:11:11,573 >> PUMA PRESENTED THE LADIES 418 00:11:11,567 --> 00:11:13,097 OF BLACK INK WITH A AWESOME 419 00:11:13,100 --> 00:11:15,070 OPPORTUNITY TO COME AND WALK 420 00:11:15,067 --> 00:11:16,867 IN HIS FRIEND'S FASHION SHOW, 421 00:11:16,867 --> 00:11:18,727 AND I AM PUMPED. 422 00:11:18,733 --> 00:11:20,773 HE CALLED ME... 423 00:11:23,467 --> 00:11:25,227 >> WHEN I GOT THE LINK TO IT, 424 00:11:25,233 --> 00:11:26,533 I WAS HYPED, AND THEN I WENT 425 00:11:26,533 --> 00:11:27,703 TO THE WEBSITE, AND I WAS JUST 426 00:11:27,700 --> 00:11:29,330 LIKE, "YOU'RE NOT INVESTING 427 00:11:29,333 --> 00:11:31,503 IN YOUR CRAFT ENOUGH TO MAKE ME 428 00:11:31,500 --> 00:11:33,630 WANT TO GO DO THAT WITH YOU." 429 00:11:33,633 --> 00:11:35,733 IF I GET AN OFFER, RIGHT, TO DO 430 00:11:35,733 --> 00:11:37,433 A RUNWAY SHOW, BUT I GO TO YOUR 431 00:11:37,433 --> 00:11:38,903 WEBSITE, AND YOUR [bleep] IS NOT 432 00:11:38,900 --> 00:11:40,900 EVEN UP TO PAR, WHY WOULD I 433 00:11:40,900 --> 00:11:42,300 PUT MYSELF OUT THERE LIKE THAT? 434 00:11:42,300 --> 00:11:43,930 >> I THINK THE FACT THAT IT'S, 435 00:11:43,933 --> 00:11:45,503 YOU KNOW, PUMA'S PEOPLE 436 00:11:45,500 --> 00:11:46,530 AND STUFF-- 437 00:11:46,533 --> 00:11:47,203 >> YEAH. 438 00:11:47,200 --> 00:11:48,070 >> I'M GONNA DO IT 439 00:11:48,067 --> 00:11:49,367 OFF THE STRENGTH OF THAT. 440 00:11:49,367 --> 00:11:50,467 >> MISS PRISSY PANTS FEELS 441 00:11:50,467 --> 00:11:52,567 LIKE THAT SHE'S TOO GOOD-- 442 00:11:52,567 --> 00:11:53,667 SHE'S TOO MUCH OF 443 00:11:53,667 --> 00:11:55,167 A "PROFESSIONAL MODEL"-- 444 00:11:55,167 --> 00:11:56,627 TO PARTICIPATE IN 445 00:11:56,633 --> 00:11:57,733 THE FASHION SHOW. 446 00:11:57,733 --> 00:11:58,633 SHE'S BEEN IN, LIKE, A COUPLE 447 00:11:58,633 --> 00:12:01,433 TATTOO MAGAZINES, BUT, LIKE, 448 00:12:01,433 --> 00:12:04,073 SHE'S NO ONE SPECIAL. 449 00:12:04,067 --> 00:12:05,197 >> DO YOU FEEL, LIKE, THAT 450 00:12:05,200 --> 00:12:06,930 US DOING THIS IS, LIKE, 451 00:12:06,933 --> 00:12:08,873 A DISRESPECT TO THE FACT 452 00:12:08,867 --> 00:12:11,067 THAT YOU DO IT IN A MORE 453 00:12:11,067 --> 00:12:11,897 PROFESSIONAL-TYPE SENSE 454 00:12:11,900 --> 00:12:13,670 AS OPPOSED TO HOW YOU THINK 455 00:12:13,667 --> 00:12:14,567 WE DO IT? 456 00:12:14,567 --> 00:12:15,897 >> LOOK WHERE WE'RE AT. 457 00:12:15,900 --> 00:12:16,930 WE'RE IN A GENERATION WHERE 458 00:12:16,933 --> 00:12:18,933 EVERYTHING IS TWITTER, 459 00:12:18,933 --> 00:12:20,433 INSTAGRAM, FACEBOOK-- 460 00:12:20,433 --> 00:12:21,803 EVERYBODY'S A MODEL. 461 00:12:21,800 --> 00:12:23,070 I CAN GO INTO THE BATHROOM 462 00:12:23,067 --> 00:12:23,797 AND TAKE THREE PICTURES 463 00:12:23,800 --> 00:12:25,400 OF MYSELF, AND GUESS WHAT. 464 00:12:25,400 --> 00:12:27,230 APPARENTLY, I'M A [bleep] MODEL. 465 00:12:27,233 --> 00:12:29,303 LAST TIME I CHECKED, I DID 466 00:12:29,300 --> 00:12:30,730 THE COVERS FOR THE MAGAZINES. 467 00:12:30,733 --> 00:12:32,433 I'VE BEEN TAKING PICTURES. 468 00:12:32,433 --> 00:12:33,673 I'VE WORKED WITH BRANDS. 469 00:12:33,667 --> 00:12:35,127 NOW, WHEN YOU GUYS GET TO THAT 470 00:12:35,133 --> 00:12:36,533 LEVEL, YOU HAVE EVERY RIGHT 471 00:12:36,533 --> 00:12:38,073 TO PICK AND CHOOSE WHO YOU WANT, 472 00:12:38,067 --> 00:12:39,397 BUT TO SAY, "OH, YOU THINK 473 00:12:39,400 --> 00:12:40,530 YOU'RE BETTER THAN US?" 474 00:12:40,533 --> 00:12:42,473 THAT'S INSECURITY. 475 00:12:42,467 --> 00:12:43,127 YOU KNOW WHAT? 476 00:12:43,133 --> 00:12:44,873 I'LL BE THERE FOR YOU GUYS. 477 00:12:44,867 --> 00:12:46,527 I'M CHOOSING TO DO IT. 478 00:12:46,533 --> 00:12:47,803 >> OKAY. 479 00:12:47,800 --> 00:12:49,930 >> WHAT IF YOU'RE PRESENTED 480 00:12:49,933 --> 00:12:51,273 WITH AN OPPORTUNITY? 481 00:12:51,267 --> 00:12:51,927 >> RIGHT. 482 00:12:51,933 --> 00:12:52,603 >> WOULD YOU THINK 483 00:12:52,600 --> 00:12:54,070 TO INCLUDE US? 484 00:12:54,067 --> 00:12:54,727 >> YES, I WOULD DEFINITELY 485 00:12:54,733 --> 00:12:56,773 INCLUDE YOU GUYS. 486 00:13:10,700 --> 00:13:13,270 >> WHAT HAPPENED, LULU? 487 00:13:13,267 --> 00:13:14,127 >> SHE'S TALKING ABOUT THE NUTS 488 00:13:14,133 --> 00:13:15,073 IN THE TREE. 489 00:13:15,067 --> 00:13:16,067 >> OH, YOU SEE NUTS IN THE TREE? 490 00:13:16,067 --> 00:13:16,727 >> YEAH. 491 00:13:16,733 --> 00:13:17,403 >> YEAH, I KNOW, 492 00:13:17,400 --> 00:13:18,300 YOU'RE SO OBSERVANT. 493 00:13:18,300 --> 00:13:19,400 >> YEAH. 494 00:13:19,400 --> 00:13:20,870 >> I DECIDED TO ASK PUMA 495 00:13:20,867 --> 00:13:21,797 TO MEET UP WITH ME. 496 00:13:21,800 --> 00:13:22,630 I WANT TO SEE HOW EVERYTHING'S 497 00:13:22,633 --> 00:13:23,873 GOING WITH HIM, AND, YOU KNOW, 498 00:13:23,867 --> 00:13:25,067 REALLY GET A CHANCE TO TALK WITH 499 00:13:25,067 --> 00:13:26,797 HIM ABOUT WHAT'S GOING ON. 500 00:13:26,800 --> 00:13:28,700 SEEMS LIKE ONLY YESTERDAY 501 00:13:28,700 --> 00:13:30,470 YOU WAS RUNNING AROUND RAGING. 502 00:13:30,467 --> 00:13:32,297 NOW LOOK AT US. DADS. 503 00:13:32,300 --> 00:13:33,100 >> DADS. 504 00:13:33,100 --> 00:13:33,770 AND OF COURSE, 505 00:13:33,767 --> 00:13:34,667 I HAD TO HAVE A GIRL. 506 00:13:34,667 --> 00:13:35,367 >> OF COURSE YOU WAS GONNA 507 00:13:35,367 --> 00:13:36,067 HAVE A GIRL. 508 00:13:36,067 --> 00:13:36,767 YOU KNOW WHY? 509 00:13:36,767 --> 00:13:38,327 BECAUSE OF YOUR PAST WITH WOMEN. 510 00:13:38,333 --> 00:13:39,403 >> I WAS HORRIBLE. 511 00:13:39,400 --> 00:13:40,300 >> YEAH. 512 00:13:40,300 --> 00:13:42,430 >> DADDY GOES RIGHT HERE, DAD. 513 00:13:42,433 --> 00:13:43,473 >> YOU GOT IT? 514 00:13:43,467 --> 00:13:44,267 >> YEAH. 515 00:13:44,267 --> 00:13:45,297 >> YOU WANT TO GO PLAY? 516 00:13:45,300 --> 00:13:46,470 >> YEAH. 517 00:13:46,467 --> 00:13:47,527 >> GO AHEAD. GO PLAY. 518 00:13:47,533 --> 00:13:49,573 >> OKAY, DAD! 519 00:13:50,833 --> 00:13:51,673 >> SO YOU GOT A PICTURE? 520 00:13:51,667 --> 00:13:54,427 LET ME SEE IT. 521 00:13:54,433 --> 00:13:55,873 UNBELIEVABLE. 522 00:13:55,867 --> 00:13:56,767 >> EXTRA LIGHT-SKINNED. 523 00:13:56,767 --> 00:13:57,567 >> YEAH. 524 00:13:57,567 --> 00:13:58,567 SO WHAT'S HER NAME? 525 00:13:58,567 --> 00:13:59,497 >> TAMIA. 526 00:13:59,500 --> 00:14:00,230 >> THAT'S DOPE. 527 00:14:00,233 --> 00:14:01,833 >> YEAH. 528 00:14:01,833 --> 00:14:02,533 >> ONE THING YOU'RE GONNA 529 00:14:02,533 --> 00:14:03,333 HAVE TO WORRY ABOUT 530 00:14:03,333 --> 00:14:05,133 IS THE BABY MAMA DRAMA. 531 00:14:05,133 --> 00:14:06,133 YOU GOT TO REALLY UNDERSTAND 532 00:14:06,133 --> 00:14:07,703 THAT THINGS ARE GONNA GO FROM 533 00:14:07,700 --> 00:14:09,130 0 TO 60 IN A SECOND, AND 534 00:14:09,133 --> 00:14:10,333 I GUARANTEE YOU, SHE'S GONNA USE 535 00:14:10,333 --> 00:14:12,473 THOSE WORDS THAT CUT YOU DEEP. 536 00:14:12,467 --> 00:14:13,327 >> WHICH ARE? 537 00:14:13,333 --> 00:14:14,173 >> SHE'S GONNA TELL YOU THAT 538 00:14:14,167 --> 00:14:15,097 YOU'RE NOT GONNA BE ABLE TO SEE 539 00:14:15,100 --> 00:14:16,070 YOUR BABY SOMETIMES. 540 00:14:16,067 --> 00:14:17,267 SHE'LL PROBABLY EVEN KICK YOU 541 00:14:17,267 --> 00:14:18,067 OUT THE HOUSE JUST 'CAUSE 542 00:14:18,067 --> 00:14:19,067 SHE WANTS TO BE ALONE. 543 00:14:19,067 --> 00:14:20,227 LIKE, ANYTHING. 544 00:14:20,233 --> 00:14:21,203 >> OH, I'M NOT GONNA DEAL 545 00:14:21,200 --> 00:14:21,870 WITH THAT. 546 00:14:21,867 --> 00:14:22,667 I'M TRYING NOT TO HAVE TO DEAL 547 00:14:22,667 --> 00:14:25,367 WITH THAT, MAN. 548 00:14:25,367 --> 00:14:26,167 >> PUMA THINKS HE HAS HISSELF 549 00:14:26,167 --> 00:14:27,597 A CLAIRE HUXTABLE WHEN HE REALLY 550 00:14:27,600 --> 00:14:29,770 GOT PEGGY BUNDY, SO HE NEEDS 551 00:14:29,767 --> 00:14:31,067 TO GET A REALITY CHECK. 552 00:14:31,067 --> 00:14:32,197 YOU SEEN ME GO THROUGH IT. 553 00:14:32,200 --> 00:14:33,900 YOU SEEN CEASER GO THROUGH IT. 554 00:14:33,900 --> 00:14:34,700 THAT'S PART OF THE REASON WHY 555 00:14:34,700 --> 00:14:35,700 I GOT FIRED WAS 'CAUSE OF ALL 556 00:14:35,700 --> 00:14:37,270 MY BABY MAMA DRAMA. 557 00:14:37,267 --> 00:14:38,067 >> YOU SHOULD COME THROUGH 558 00:14:38,067 --> 00:14:39,067 AND TALK TO CEASER, THOUGH, 559 00:14:39,067 --> 00:14:40,097 AT THE END OF THE DAY. 560 00:14:40,100 --> 00:14:40,770 >> I CAN'T EVEN LIE. 561 00:14:40,767 --> 00:14:42,167 IT HURT MY POCKETS NOT BEING 562 00:14:42,167 --> 00:14:43,097 THERE, AND I KNOW HE'S HURTING 563 00:14:43,100 --> 00:14:44,770 TOO FROM ME NOT BEING THERE 564 00:14:44,767 --> 00:14:45,567 'CAUSE I MADE THAT WHOLE 565 00:14:45,567 --> 00:14:47,067 BUSINESS A LOT OF MONEY. 566 00:14:47,067 --> 00:14:47,827 ALEX WANTS ME TO GO, 567 00:14:47,833 --> 00:14:49,473 BUT WE'LL SEE. 568 00:14:49,467 --> 00:14:50,527 >> WHAT'S UP WITH YOU AND ALEX? 569 00:14:50,533 --> 00:14:52,073 >> WE COOL. 570 00:14:52,067 --> 00:14:52,667 >> OKAY. 571 00:14:52,667 --> 00:14:53,397 THAT'S ALL WE KNOW ABOUT 572 00:14:53,400 --> 00:14:54,130 THE BUSINESS AND PLEASURE 573 00:14:54,133 --> 00:14:54,803 LEVELS, MAN. 574 00:14:54,800 --> 00:14:56,230 >> YEAH, I THINK LULU 575 00:14:56,233 --> 00:14:57,533 GOT IN THE GAME. 576 00:14:57,533 --> 00:14:58,203 YEAH, I KNOW. 577 00:14:58,200 --> 00:14:59,300 BELIEVE ME, I LEARNED. 578 00:14:59,300 --> 00:15:00,270 >> SEEING O'[bleep] IN THE PARK 579 00:15:00,267 --> 00:15:01,327 WITH HIS DAUGHTER--IT REALLY 580 00:15:01,333 --> 00:15:02,703 STARTED ME, LIKE, THINKING, 581 00:15:02,700 --> 00:15:03,800 LIKE, A LOT. 582 00:15:03,800 --> 00:15:04,470 LIKE, I DEFINITELY WANT 583 00:15:04,467 --> 00:15:05,427 TO BE LIKE THAT WITH MY DAUGHTER 584 00:15:05,433 --> 00:15:06,773 ALL THE WAY, MAN. 585 00:15:06,767 --> 00:15:07,697 >> ALL RIGHT, BRO. 586 00:15:07,700 --> 00:15:08,430 I'M ABOUT TO GO DO SOME 587 00:15:08,433 --> 00:15:09,603 DADDY STUFF. 588 00:15:09,600 --> 00:15:10,270 >> GO. 589 00:15:10,267 --> 00:15:11,297 BYE, LULU. 590 00:15:11,300 --> 00:15:12,730 >> BYE! 591 00:15:12,733 --> 00:15:14,773 [laughter] 592 00:15:28,667 --> 00:15:30,367 >> ANY MORE NEW TATTOOS FOR YOU? 593 00:15:30,367 --> 00:15:31,797 OR ARE YOU DONE FOR NOW? 594 00:15:31,800 --> 00:15:32,670 >> I'M PRETTY MUCH DONE, 595 00:15:32,667 --> 00:15:33,927 I THINK. 596 00:15:33,933 --> 00:15:35,833 I HAVE AN URBAN INK PHOTO SHOOT. 597 00:15:35,833 --> 00:15:37,373 THE LAST ISSUE THAT I WAS ON 598 00:15:37,367 --> 00:15:39,067 THE COVER FOR WAS ONE OF THEIR 599 00:15:39,067 --> 00:15:40,467 HIGHEST SELLING, SO I'M EXCITED 600 00:15:40,467 --> 00:15:42,227 TO WORK WITH THEM AGAIN. 601 00:15:42,233 --> 00:15:42,903 >> HEY, ALEX. 602 00:15:42,900 --> 00:15:44,300 WELCOME BACK TO URBAN INK. 603 00:15:44,300 --> 00:15:45,070 >> HI. 604 00:15:45,067 --> 00:15:45,797 THANK YOU FOR HAVING ME. 605 00:15:45,800 --> 00:15:46,800 >> WELL, IT'S ALWAYS A PLEASURE 606 00:15:46,800 --> 00:15:47,530 TO HAVE YOU. 607 00:15:47,533 --> 00:15:48,333 I HEARD YOU EVEN HAVE 608 00:15:48,333 --> 00:15:49,503 MORE INK THIS TIME. 609 00:15:49,500 --> 00:15:50,570 >> I DO. 610 00:15:50,567 --> 00:15:51,367 >> I DON'T THINK ANYONE'S 611 00:15:51,367 --> 00:15:52,067 SEEN IT YET. 612 00:15:52,067 --> 00:15:52,697 >> YOU GUYS ARE GONNA GET 613 00:15:52,700 --> 00:15:53,370 THE FIRST SHOTS. 614 00:15:53,367 --> 00:15:54,527 [laughs] 615 00:15:54,533 --> 00:15:55,373 >> WHO DID THE NEW WORK? 616 00:15:55,367 --> 00:15:56,267 >> A REALLY DOPE ARTIST 617 00:15:56,267 --> 00:15:58,067 BY THE NAME OF O'[bleep]. 618 00:15:58,067 --> 00:15:59,527 >> WE ACTUALLY RAN O'[bleep]-- 619 00:15:59,533 --> 00:16:01,503 A PIECE OF HIS. 620 00:16:01,500 --> 00:16:02,170 >> REALLY? 621 00:16:02,167 --> 00:16:02,827 >> YEAH, A WHILE AGO. 622 00:16:02,833 --> 00:16:04,603 HE'S AN AWESOME ARTIST. 623 00:16:04,600 --> 00:16:05,800 IS HE GONNA BE HERE TODAY? 624 00:16:05,800 --> 00:16:06,470 >> YEAH, HE'S GONNA 625 00:16:06,467 --> 00:16:07,127 STOP BY TODAY. 626 00:16:07,133 --> 00:16:07,873 >> OH, THAT WOULD BE GREAT. 627 00:16:07,867 --> 00:16:08,797 SO MAYBE, YOU KNOW, WE MIGHT 628 00:16:08,800 --> 00:16:10,300 EVEN BE ABLE TO DO A COUPLE 629 00:16:10,300 --> 00:16:11,070 SHOTS ON THE SIDE 630 00:16:11,067 --> 00:16:12,067 OF YOU WITH THE PIECE. 631 00:16:12,067 --> 00:16:13,427 THE NEW PIECE IS BY HIM, 632 00:16:13,433 --> 00:16:14,103 SO, YEAH, WE'LL-- 633 00:16:14,100 --> 00:16:14,770 >> OKAY. 634 00:16:14,767 --> 00:16:16,697 I FEEL LIKE THE BEST THING 635 00:16:16,700 --> 00:16:18,100 FOR ME TO DO WOULD BE 636 00:16:18,100 --> 00:16:19,070 TO INVITE [bleep]. 637 00:16:19,067 --> 00:16:20,197 HE JUST LOST HIS JOB. 638 00:16:20,200 --> 00:16:22,070 HE DID MY TATTOOS. 639 00:16:22,067 --> 00:16:23,067 IT JUST MAKES SENSE TO HAVE 640 00:16:23,067 --> 00:16:24,097 [bleep] THERE. 641 00:16:24,100 --> 00:16:25,500 I'M NOT GONNA INVITE GIRLS TO MY 642 00:16:25,500 --> 00:16:27,070 SHOOT THAT WANT TO DO THE SAME 643 00:16:27,067 --> 00:16:28,167 THING THAT I'M DOING. 644 00:16:28,167 --> 00:16:29,727 DO IT ON YOUR OWN. 645 00:16:29,733 --> 00:16:31,073 >> HEY, ALEX. 646 00:16:31,067 --> 00:16:32,797 >> OH, MY GOD! 647 00:16:32,800 --> 00:16:35,130 [bleep]! 648 00:16:35,133 --> 00:16:36,873 OOH! 649 00:16:36,867 --> 00:16:37,767 [laughs] 650 00:16:37,767 --> 00:16:38,627 >> WHAT'S GOING ON? 651 00:16:38,633 --> 00:16:39,303 >> TALK TO ME. 652 00:16:39,300 --> 00:16:40,230 >> SO YOU TALK TO ME. 653 00:16:40,233 --> 00:16:41,303 WHAT YOU GOT GOING ON HERE? 654 00:16:41,300 --> 00:16:42,230 MY LIFE IS PRETTY BORING 655 00:16:42,233 --> 00:16:43,533 RIGHT NOW. 656 00:16:43,533 --> 00:16:44,303 >> NO ONE'S EVER CAME 657 00:16:44,300 --> 00:16:46,070 TO SEE ME AT A PHOTO SHOOT. 658 00:16:46,067 --> 00:16:46,667 >> REALLY? 659 00:16:46,667 --> 00:16:47,427 >> I'M REALLY EXCITED. 660 00:16:47,433 --> 00:16:48,273 I'M HAPPY THAT YOU'RE HERE. 661 00:16:48,267 --> 00:16:48,927 >> OF COURSE. 662 00:16:48,933 --> 00:16:50,073 YOU KNEW IT HAD TO BE ME. 663 00:16:50,067 --> 00:16:51,167 >> TELL ME HOW YOU'VE BEEN. 664 00:16:51,167 --> 00:16:53,167 >> I'VE BEEN GOING CRAZY. 665 00:16:53,167 --> 00:16:54,097 LIKE, STIR-CRAZY. 666 00:16:54,100 --> 00:16:55,130 LIKE, I HAVEN'T BEEN DOING 667 00:16:55,133 --> 00:16:56,103 NO TATTOOS. 668 00:16:56,100 --> 00:16:57,070 >> CEASER'S GOT EVERYBODY 669 00:16:57,067 --> 00:16:58,767 ON THEIR TOES, SERIOUSLY. 670 00:16:58,767 --> 00:16:59,767 >> YEAH, EVERYBODY THINKS 671 00:16:59,767 --> 00:17:00,767 THEY'RE GONNA GET FIRED NOW 672 00:17:00,767 --> 00:17:02,327 AFTER HE PUT ME OUT. 673 00:17:02,333 --> 00:17:05,833 >> DO YOU REMEMBER THE FIRST 674 00:17:05,833 --> 00:17:07,573 TIME I WALKED INTO THE SHOP? 675 00:17:07,567 --> 00:17:09,497 ME AND YOU HITTING IT OFF AND-- 676 00:17:09,500 --> 00:17:11,600 >> LIKE, I THOUGHT THAT, YO-- 677 00:17:11,600 --> 00:17:12,530 IT WAS SO CRAZY THE WAY THAT 678 00:17:12,533 --> 00:17:13,773 WE JUST CONNECTED LIKE THAT. 679 00:17:13,767 --> 00:17:14,627 LIKE, WE JUST CLICKED. 680 00:17:14,633 --> 00:17:15,473 I WAS JUST LIKE, "WHAT?" 681 00:17:15,467 --> 00:17:16,227 I WAS LIKE, "YOU KNOW WHAT? 682 00:17:16,233 --> 00:17:19,133 I DIG THIS CHICK." 683 00:17:19,133 --> 00:17:19,833 >> WE GOT TO FIGURE OUT HOW 684 00:17:19,833 --> 00:17:21,433 TO BRING YOU BACK TO THE SHOP. 685 00:17:21,433 --> 00:17:22,103 >> THAT'S WHAT WE GOT 686 00:17:22,100 --> 00:17:23,130 TO FIGURE OUT. 687 00:17:23,133 --> 00:17:23,903 JUST LIKE YOU'RE THE BATMAN 688 00:17:23,900 --> 00:17:25,070 TO MY ROBIN, BABY. 689 00:17:25,067 --> 00:17:26,927 >> YEAH. 690 00:17:26,933 --> 00:17:27,603 >> I'MA LET YOU GET 691 00:17:27,600 --> 00:17:28,270 FINISHED UP HERE. 692 00:17:28,267 --> 00:17:28,927 I'MA GO OUTSIDE, 693 00:17:28,933 --> 00:17:29,903 AND I'LL SEE YOU LATER. 694 00:17:29,900 --> 00:17:30,570 BYE, BABY. 695 00:17:30,567 --> 00:17:31,227 YOU LOOK AMAZING. 696 00:17:31,233 --> 00:17:31,903 >> THANK YOU. 697 00:17:31,900 --> 00:17:32,570 >> ALL RIGHT. 698 00:17:32,567 --> 00:17:33,327 >> THANK YOU FOR BEING HERE. 699 00:17:33,333 --> 00:17:34,073 >> OF COURSE. 700 00:17:34,067 --> 00:17:36,667 >> FINALLY, THE DAY HAS COME. 701 00:17:36,667 --> 00:17:37,597 [laughs] 702 00:17:37,600 --> 00:17:38,930 I GET TO SHOW OFF MY NEW 703 00:17:38,933 --> 00:17:41,103 WORKPIECE, SO I'M EXCITED. 704 00:17:41,100 --> 00:17:42,370 >> SHE LOOKS GREAT. 705 00:17:42,367 --> 00:17:43,067 >> NOW WE GET TO SHOW 706 00:17:43,067 --> 00:17:44,197 MY ARTWORK. 707 00:17:44,200 --> 00:17:44,870 >> OKAY, LET'S GET 708 00:17:44,867 --> 00:17:45,527 THIS THING STARTED. 709 00:17:45,533 --> 00:17:46,203 >> YOU GOT IT. 710 00:17:46,200 --> 00:17:47,870 [camera shutter clicking] 711 00:17:47,867 --> 00:17:48,697 >> YEAH, THAT'S BEAUTIFUL. 712 00:17:48,700 --> 00:17:49,830 RIGHT THERE. 713 00:17:49,833 --> 00:17:50,503 THERE YOU GO. 714 00:17:50,500 --> 00:17:51,170 THAT'S GOOD. 715 00:17:51,167 --> 00:17:51,827 THAT'S IT! 716 00:17:51,833 --> 00:17:53,503 THAT'S IT. 717 00:17:53,500 --> 00:17:55,130 >> * SEE THAT YOU WANT ME 718 00:17:55,133 --> 00:17:56,073 * BUT I DON'T KNOW 719 00:17:56,067 --> 00:17:57,627 * IF YOU'RE READY FOR ME 720 00:17:57,633 --> 00:17:58,773 * I GUESS WE'LL FIND OUT 721 00:17:58,767 --> 00:18:01,367 * IF IT'S ALL A LOVE STORY 722 00:18:01,367 --> 00:18:03,597 >> ALEX'S BODY IS BANGING. 723 00:18:03,600 --> 00:18:05,800 SHE GOT THEM TIG OL' BITTIES. 724 00:18:05,800 --> 00:18:07,070 SHE GOT THEM HIPS. 725 00:18:07,067 --> 00:18:08,097 OH, I JUST LOVE IT. 726 00:18:08,100 --> 00:18:09,670 >> NICE! 727 00:18:09,667 --> 00:18:10,467 >> I DEFINITELY WANT TO BRING 728 00:18:10,467 --> 00:18:12,097 YOU IN WHEN WE FOCUS IN ON THAT 729 00:18:12,100 --> 00:18:13,630 LAST PIECE THAT YOU DID. 730 00:18:13,633 --> 00:18:14,803 WE DEFINITELY WANT TO, YOU KNOW, 731 00:18:14,800 --> 00:18:16,500 HAVE YOU LINKED UP DIRECTLY 732 00:18:16,500 --> 00:18:17,670 WITH IT IN THIS, ALL RIGHT? 733 00:18:17,667 --> 00:18:18,497 >> YEAH, THAT'S WHAT I WANTED 734 00:18:18,500 --> 00:18:20,530 TO BE A PART OF. 735 00:18:20,533 --> 00:18:21,503 >> BEFORE WE GO, O'[bleep]'S 736 00:18:21,500 --> 00:18:22,300 GONNA COME IN. 737 00:18:22,300 --> 00:18:26,070 >> COOL, THAT WORKS FOR ME. 738 00:18:26,067 --> 00:18:26,697 >> THERE YOU GO. 739 00:18:26,700 --> 00:18:28,830 THAT'S ACTUALLY REALLY GOOD. 740 00:18:28,833 --> 00:18:30,173 >> ALEX PUT HER CHEEKS RIGHT 741 00:18:30,167 --> 00:18:31,067 NEXT TO MY FACE. 742 00:18:31,067 --> 00:18:32,397 IT WAS KIND OF WEIRD BECAUSE 743 00:18:32,400 --> 00:18:34,400 I DON'T LIKE STUFF LIKE THAT 744 00:18:34,400 --> 00:18:35,070 IN FRONT OF CAMERA. 745 00:18:35,067 --> 00:18:36,397 I LIKE TO DO, LIKE, CHEEKS IN MY 746 00:18:36,400 --> 00:18:38,330 FACE IN THE PRIVATE, SO IT KIND 747 00:18:38,333 --> 00:18:40,373 OF MADE ME BLUSH A LITTLE BIT. 748 00:18:42,433 --> 00:18:44,773 >> THERE YOU GO. 749 00:18:44,767 --> 00:18:45,827 THAT'S IT. 750 00:18:45,833 --> 00:18:46,703 >> I HAD SO MUCH FUN. 751 00:18:46,700 --> 00:18:48,070 >> THANK YOU SO MUCH FOR COMING 752 00:18:48,067 --> 00:18:48,797 TO SEE ME. 753 00:18:48,800 --> 00:18:49,600 >> WELL, YOU LOOKED AMAZING. 754 00:18:49,600 --> 00:18:50,430 YOU KNOW, I HAD FUN SEEING YOU 755 00:18:50,433 --> 00:18:51,673 DO ALL YOUR THINGS. 756 00:18:51,667 --> 00:18:52,497 YOU KNOW, YOU'RE LOOKING ALL 757 00:18:52,500 --> 00:18:53,630 BEAUTIFUL AND STUFF. 758 00:18:53,633 --> 00:18:54,473 I'M DEFINITELY IN LOVE 759 00:18:54,467 --> 00:18:56,467 WITH ALEX. 760 00:18:56,467 --> 00:18:57,627 I'M GONNA MARRY HER. 761 00:18:57,633 --> 00:18:59,773 SHE DOESN'T EVEN KNOW IT YET. 762 00:18:59,767 --> 00:19:00,667 >> THANK YOU SO MUCH, [bleep]. 763 00:19:00,667 --> 00:19:02,697 BYE! 764 00:19:07,767 --> 00:19:08,427 >> YOU'RE SURE ABOUT 765 00:19:08,433 --> 00:19:09,103 THIS, RIGHT? 766 00:19:09,100 --> 00:19:09,770 >> YES. 767 00:19:09,767 --> 00:19:10,627 COME ON, LEROY. 768 00:19:10,633 --> 00:19:13,073 >> LEROY IS MY DOG FROM 769 00:19:13,067 --> 00:19:15,327 A PREVIOUS RELATIONSHIP. 770 00:19:15,333 --> 00:19:17,203 SIX MONTHS LATER, SHE BRINGS 771 00:19:17,200 --> 00:19:18,930 LEROY TO THE SHOP DOOR. 772 00:19:18,933 --> 00:19:20,533 LIKE, "YO, TELL CEASER TO TAKE 773 00:19:20,533 --> 00:19:21,533 HIS [bleep] DOG. 774 00:19:21,533 --> 00:19:22,603 THIS [bleep] ATE MY LOUIS 775 00:19:22,600 --> 00:19:26,230 VUITTON SHOES AND MY PRADA BAG." 776 00:19:26,233 --> 00:19:26,933 ALL RIGHT, WHERE YOU WANT 777 00:19:26,933 --> 00:19:27,633 TO GO, BOY? 778 00:19:27,633 --> 00:19:28,773 >> RIGHT, SINCE YOU LET HIM DO 779 00:19:28,767 --> 00:19:30,267 WHATEVER HE WANTS TO, CLEARLY. 780 00:19:30,267 --> 00:19:31,127 >> THAT'S WHAT YOU'RE SUPPOSED 781 00:19:31,133 --> 00:19:31,873 TO LET A DOG DO. 782 00:19:31,867 --> 00:19:32,527 >> YOU'RE SUPPOSED 783 00:19:32,533 --> 00:19:33,673 TO TRAIN A DOG. 784 00:19:33,667 --> 00:19:34,627 TEACH A DOG. 785 00:19:34,633 --> 00:19:36,103 IT'S A PART OF YOUR TRAINING 786 00:19:36,100 --> 00:19:37,870 THAT WAS MISSED OUT. 787 00:19:37,867 --> 00:19:39,727 CEASER'S THE TYPE OF MAN THAT-- 788 00:19:39,733 --> 00:19:40,733 YOU CAN ADMIRE HIM FROM A 789 00:19:40,733 --> 00:19:42,233 DISTANCE, BUT HE'S NOT SOMETHING 790 00:19:42,233 --> 00:19:43,673 THAT I WOULD WANT TO TAKE HOME. 791 00:19:43,667 --> 00:19:45,527 SO ALEX WASN'T AT WORK. 792 00:19:45,533 --> 00:19:46,573 >> MM-HMM. 793 00:19:46,567 --> 00:19:48,797 >> [bleep]'S M.I.A. 794 00:19:48,800 --> 00:19:50,130 HE'S GONE. 795 00:19:50,133 --> 00:19:52,103 YOU THINK SHE WAS WITH HIM? 796 00:19:52,100 --> 00:19:52,770 >> MORE THAN LIKELY. 797 00:19:52,767 --> 00:19:54,627 THEY ALWAYS TOGETHER. 798 00:19:54,633 --> 00:19:56,073 >> YEAH, SHE IS CRAZY. 799 00:19:56,067 --> 00:19:56,697 >> SEE? 800 00:19:56,700 --> 00:19:58,630 YOU GOT TO OPEN YOUR EYES. 801 00:19:58,633 --> 00:20:00,273 YOU TALKING ABOUT TRAINING 802 00:20:00,267 --> 00:20:02,267 A DOG, AND YOU DON'T SEE WHAT'S 803 00:20:02,267 --> 00:20:03,297 GOING ON AROUND YOU. 804 00:20:03,300 --> 00:20:04,630 I DON'T KNOW. 805 00:20:04,633 --> 00:20:05,773 >> AFTER I GET LEROY TRAINED, 806 00:20:05,767 --> 00:20:07,427 THEN I'M GONNA COME TO YOU. 807 00:20:07,433 --> 00:20:08,103 PART TWO. 808 00:20:08,100 --> 00:20:08,900 >> I GIVE YOU ANOTHER 20 YEARS 809 00:20:08,900 --> 00:20:09,900 WITH LEROY. 810 00:20:09,900 --> 00:20:11,770 >> I NEED TWO WEEKS WITH LEROY. 811 00:20:11,767 --> 00:20:12,897 TWO MONTHS WITH YOU. 812 00:20:12,900 --> 00:20:14,230 >> HA! 813 00:20:14,233 --> 00:20:15,073 GOOD LUCK. 814 00:20:15,067 --> 00:20:16,467 YOU NEED 100 YEARS WITH ME. 815 00:20:16,467 --> 00:20:17,567 >> THAT'S ALL I NEED. 816 00:20:17,567 --> 00:20:18,227 >> YOU KEEP TALKING 817 00:20:18,233 --> 00:20:18,933 THAT DUMB [bleep]. 818 00:20:18,933 --> 00:20:19,833 >> THAT'S ALL I NEED. 819 00:20:19,833 --> 00:20:20,503 >> SOUND LIKE YOU NEED 820 00:20:20,500 --> 00:20:21,500 SOME TRAINING. 821 00:20:21,500 --> 00:20:22,170 >> THAT'S IT. 822 00:20:22,167 --> 00:20:23,297 YOU ALWAYS GOT A MUTUAL RESPECT 823 00:20:23,300 --> 00:20:24,030 FOR DUTCHESS. 824 00:20:24,033 --> 00:20:25,033 SHE'S A GREAT ARTIST. 825 00:20:25,033 --> 00:20:27,473 HER ARTWORK IS GREAT, 826 00:20:27,467 --> 00:20:29,497 AND HER BODY'S EVEN GREATER. 827 00:20:35,400 --> 00:20:36,300 >> YO. 828 00:20:36,300 --> 00:20:37,100 >> WHAT UP, BOY? 829 00:20:37,100 --> 00:20:38,030 >> I HEARD DUTCHESS IS DOING 830 00:20:38,033 --> 00:20:38,633 YOUR TATTOO. 831 00:20:38,633 --> 00:20:39,333 >> YOU KNOW, I'M A LITTLE 832 00:20:39,333 --> 00:20:41,103 NERVOUS 'CAUSE IT'S A FEMALE. 833 00:20:41,100 --> 00:20:42,200 >> CHECK IT OUT REAL QUICK. 834 00:20:42,200 --> 00:20:43,500 >> I CAN'T HARDLY SEE IT. 835 00:20:43,500 --> 00:20:44,670 STILL FEELS EMPTY. 836 00:20:44,667 --> 00:20:45,797 >> IT SOUNDS LIKE I JUST LOST 837 00:20:45,800 --> 00:20:47,830 A REALLY, REALLY GOOD CUSTOMER. 838 00:20:55,633 --> 00:20:56,403 >> * I'M SUCH A EAST 839 00:20:56,400 --> 00:20:57,400 * COAST SPITTA 840 00:20:57,400 --> 00:20:58,470 * MY TEAM'S SO ILLA 841 00:20:58,467 --> 00:21:00,497 * FOLLOW ME IN THE STREETS 842 00:21:00,500 --> 00:21:01,200 * NO TWITTER 843 00:21:01,200 --> 00:21:02,430 * IT'S MO' MONEY, MONEY 844 00:21:02,433 --> 00:21:04,103 * WE GONNA GET THAT DOUGH 845 00:21:04,100 --> 00:21:05,770 * FOR SURE 846 00:21:05,767 --> 00:21:08,427 >> OH, [bleep] IS DEEP. 847 00:21:08,433 --> 00:21:09,403 >> YO. 848 00:21:09,400 --> 00:21:10,100 >> WHAT UP, BOY? 849 00:21:10,100 --> 00:21:10,770 >> IT'S VADO. 850 00:21:10,767 --> 00:21:12,327 >> VADO. 851 00:21:12,333 --> 00:21:13,433 >> WHAT'S GOING ON, BABY? 852 00:21:13,433 --> 00:21:14,333 >> TODAY SUPPOSED TO BE KIND 853 00:21:14,333 --> 00:21:15,533 OF BUSY TODAY AT BLACK INK. 854 00:21:15,533 --> 00:21:16,733 WE GOTS THESE LOCAL DUDES. 855 00:21:16,733 --> 00:21:17,503 MY MAN VADO. 856 00:21:17,500 --> 00:21:18,730 MY HOMEBOY NIGE, WHO'S, LIKE, 857 00:21:18,733 --> 00:21:20,103 HEAVY IN THE BEHIND-THE-SCENES 858 00:21:20,100 --> 00:21:20,930 IN THE MUSIC THING. 859 00:21:20,933 --> 00:21:21,733 >> I HEARD DUTCHESS IS DOING 860 00:21:21,733 --> 00:21:22,903 YOUR TATTOO. 861 00:21:22,900 --> 00:21:23,600 >> SHE COOL. SHE DOPE. 862 00:21:23,600 --> 00:21:24,270 >> YOU SURE? 863 00:21:24,267 --> 00:21:25,527 I GOT NOTHING TO WORRY ABOUT? 864 00:21:25,533 --> 00:21:26,233 >> WHAT YOU SUPPOSED TO BE 865 00:21:26,233 --> 00:21:26,903 GETTING DONE TODAY? 866 00:21:26,900 --> 00:21:28,270 >> IT'S A SAMURAI. 867 00:21:28,267 --> 00:21:29,127 THERE'S TWO SIDES OF ME. 868 00:21:29,133 --> 00:21:30,373 I GOT, LIKE, MY SPIRITUAL SIDE 869 00:21:30,367 --> 00:21:31,927 AND MY WARRIOR SIDE, SO I NEED 870 00:21:31,933 --> 00:21:32,773 TO MAKE SURE SHE CAN PULL 871 00:21:32,767 --> 00:21:34,797 THAT [bleep] OFF. 872 00:21:40,067 --> 00:21:40,897 >> WELL, I'M PRETTY SURE YOU 873 00:21:40,900 --> 00:21:41,870 AIN'T GOT TO LOOK NO MORE. 874 00:21:41,867 --> 00:21:42,727 PEOPLE DON'T GET HIRED HERE 875 00:21:42,733 --> 00:21:43,403 UNLESS THEY DOPE. 876 00:21:43,400 --> 00:21:44,230 >> SHE DON'T EVEN KNOW WHAT SHE 877 00:21:44,233 --> 00:21:44,903 ABOUT TO DEAL WITH 878 00:21:44,900 --> 00:21:45,570 WITH NIGEL, MAN. 879 00:21:45,567 --> 00:21:47,297 NIGEL IS VERY PARTICULAR 880 00:21:47,300 --> 00:21:51,200 ON THIS [bleep]. 881 00:21:51,200 --> 00:21:51,870 >> WHAT UP, DUTCH? 882 00:21:51,867 --> 00:21:55,667 WHAT YOU GOT, DUTCH? 883 00:21:55,667 --> 00:21:56,767 >> WHAT YOU THINK? 884 00:21:56,767 --> 00:21:58,897 >> HMM. 885 00:21:58,900 --> 00:22:00,100 CAN I SPEAK FRANKLY? 886 00:22:00,100 --> 00:22:00,970 >> YES. 887 00:22:00,967 --> 00:22:03,327 >> THIS IS A UGLY GUY. 888 00:22:03,333 --> 00:22:05,673 HIS FACE IS A LITTLE TOO EVIL. 889 00:22:05,667 --> 00:22:07,097 I WANT IT TO LOOK MORE LIKE 890 00:22:07,100 --> 00:22:07,730 HE'S STRONG. 891 00:22:07,733 --> 00:22:08,903 THIS LOOKS LIKE ANGRY VERSUS 892 00:22:08,900 --> 00:22:10,730 IT BEING STRONG. 893 00:22:10,733 --> 00:22:12,633 >> SO LET ME GO TO THE DRAWING 894 00:22:12,633 --> 00:22:14,733 BOARD AND DO A LITTLE FACIAL 895 00:22:14,733 --> 00:22:15,873 RECONSTRUCTION. 896 00:22:15,867 --> 00:22:17,197 >> LET'S GET THIS RIGHT. 897 00:22:17,200 --> 00:22:18,430 >> NIGEL'S GIVING ME A HARD TIME 898 00:22:18,433 --> 00:22:19,803 BECAUSE I'M A WOMAN, AND HE'S 899 00:22:19,800 --> 00:22:21,270 NOT USED TO A FEMALE DOING 900 00:22:21,267 --> 00:22:23,597 HIS TATTOO WORK, BUT WE GOOD. 901 00:22:23,600 --> 00:22:25,100 MY CONFIDENCE IS WHAT'S GONNA 902 00:22:25,100 --> 00:22:26,670 GET ME THROUGH. 903 00:22:26,667 --> 00:22:27,327 >> WHAT UP, [bleep]? 904 00:22:27,333 --> 00:22:28,373 I AIN'T SEEN YOU IN A MINUTE. 905 00:22:28,367 --> 00:22:29,827 HOW THAT MUSIC [bleep] GOING ON? 906 00:22:29,833 --> 00:22:30,633 >> GOOD MONEY. GOOD MONEY. 907 00:22:30,633 --> 00:22:31,703 YEAH, SLIME FLU 3 COME OUT 908 00:22:31,700 --> 00:22:32,770 END OF THE MONTH. 909 00:22:32,767 --> 00:22:36,727 >> WHOO! MUY BAD! 910 00:22:36,733 --> 00:22:38,073 YOU HAD A FILL-IN SPOT, RIGHT? 911 00:22:38,067 --> 00:22:39,427 LET ME SEE. 912 00:22:39,433 --> 00:22:40,133 CLOSE THIS WHOLE [bleep] 913 00:22:40,133 --> 00:22:40,803 FOR YOU? 914 00:22:40,800 --> 00:22:41,470 >> YEAH. 915 00:22:41,467 --> 00:22:42,267 >> I'MA TRY TO FIX THAT UP. 916 00:22:42,267 --> 00:22:43,927 WHAT YOU WANT TO DO? 917 00:22:43,933 --> 00:22:45,233 >> WHAT ABOUT THIS? 918 00:22:45,233 --> 00:22:46,403 >> OH, YEAH, THAT'S KIND OF HOT. 919 00:22:46,400 --> 00:22:47,070 RIGHT ON. 920 00:22:47,067 --> 00:22:47,897 LET ME DRAW THAT [bleep]. 921 00:22:47,900 --> 00:22:49,300 GIVE ME, LIKE, A HALF. 922 00:22:49,300 --> 00:22:50,270 WHAT YOU GETTING? 923 00:22:50,267 --> 00:22:51,467 >> A SAMURAI. 924 00:22:51,467 --> 00:22:52,127 >> ON THE CHEST? 925 00:22:52,133 --> 00:22:53,633 >> SO IT'S GONNA COME RIGHT HERE 926 00:22:53,633 --> 00:22:54,303 LIKE THAT. 927 00:22:54,300 --> 00:22:56,130 >> NIGEL IS A BUSINESSMAN. 928 00:22:56,133 --> 00:22:57,503 HE KNOW WHAT HE WANT, 929 00:22:57,500 --> 00:22:58,900 AND HE GETS WHAT HE WANTS. 930 00:22:58,900 --> 00:22:59,600 >> YOU KNOW, I'M A LITTLE 931 00:22:59,600 --> 00:23:01,370 NERVOUS 'CAUSE IT'S A FEMALE. 932 00:23:01,367 --> 00:23:02,397 >> YEAH. 933 00:23:02,400 --> 00:23:03,800 DUTCHESS IS A NEW FACE 934 00:23:03,800 --> 00:23:05,230 AS FAR AS TATTOO ARTISTS. 935 00:23:05,233 --> 00:23:06,403 THEY DON'T KNOW EACH OTHER. 936 00:23:06,400 --> 00:23:07,100 SHE GOT HER WORK 937 00:23:07,100 --> 00:23:10,830 CUT OUT FOR HER. 938 00:23:10,833 --> 00:23:12,573 >> LET'S SEE WHAT YOU HAVE. 939 00:23:12,567 --> 00:23:13,367 IF I HAD TO GIVE IT A 940 00:23:13,367 --> 00:23:18,127 PERCENTILE, THIS IS, LIKE, 75. 941 00:23:18,133 --> 00:23:19,473 HIS FACE IS A MILLION PERCENT 942 00:23:19,467 --> 00:23:21,767 BETTER NOW. 943 00:23:21,767 --> 00:23:22,497 I DON'T KNOW IF I LOVE 944 00:23:22,500 --> 00:23:23,370 THESE LITTLE CLOUDS. 945 00:23:23,367 --> 00:23:24,097 I'M CONFUSED. 946 00:23:24,100 --> 00:23:24,730 IS HE FLOATING. 947 00:23:24,733 --> 00:23:25,903 >> WELL, THIS IS THE THING-- 948 00:23:25,900 --> 00:23:26,600 >> I DON'T KNOW SAMURAIS 949 00:23:26,600 --> 00:23:28,200 THAT FLOAT. 950 00:23:28,200 --> 00:23:29,630 >> NIGEL'S DRIVING ME CRAZY. 951 00:23:29,633 --> 00:23:30,833 HE WAS BEING A ASS[bleep]. 952 00:23:30,833 --> 00:23:32,103 >> IT'S VERY CLOSE, THOUGH. 953 00:23:32,100 --> 00:23:33,370 >> SO MAYBE IF WE CAN JUST 954 00:23:33,367 --> 00:23:34,567 MANIPULATE THESE TWO 955 00:23:34,567 --> 00:23:35,227 A LITTLE BIT. 956 00:23:35,233 --> 00:23:35,903 >> YEAH. 957 00:23:35,900 --> 00:23:36,630 >> OKAY, SO THAT'S WHAT 958 00:23:36,633 --> 00:23:39,373 I'M GONNA DO. 959 00:23:39,367 --> 00:23:43,327 >> YOU GONNA LEAVE ME HANGING? 960 00:23:43,333 --> 00:23:44,503 >> WE ONLY GOT ONE CHANCE 961 00:23:44,500 --> 00:23:48,200 TO GET EVERYTHING RIGHT. 962 00:23:48,200 --> 00:23:49,300 * STARING IN THE MIRROR 963 00:23:49,300 --> 00:23:50,130 * IT'S LIKE LOOKING 964 00:23:50,133 --> 00:23:52,373 * THROUGH THE EYES OF A TIGER 965 00:23:52,367 --> 00:23:54,067 * I AM A MONSTER 966 00:23:54,067 --> 00:23:54,827 * WIRED 967 00:23:54,833 --> 00:23:56,073 * FIGHTING PLENTY DEMONS 968 00:23:56,067 --> 00:23:57,467 * EVERY DAY ANY WAY 969 00:23:57,467 --> 00:23:58,767 * THEY SOMEHOW ALWAYS SEEM 970 00:23:58,767 --> 00:24:00,597 * TO BE OFF IN MY FACE 971 00:24:00,600 --> 00:24:02,070 >> CEASE, I NEED YOU TO HELP ME. 972 00:24:02,067 --> 00:24:03,197 I DON'T EVEN KNOW IF NIGEL GONNA 973 00:24:03,200 --> 00:24:04,170 GO THROUGH WITH IT. 974 00:24:04,167 --> 00:24:05,067 >> I'LL COME OUT THERE AND HELP 975 00:24:05,067 --> 00:24:06,167 YOU IN, LIKE, TWO MINUTES. 976 00:24:06,167 --> 00:24:08,197 I'M ALMOST FINISHED WITH VADO. 977 00:24:23,100 --> 00:24:24,130 >> HE PROBABLY IN THE FRONT. 978 00:24:24,133 --> 00:24:26,133 HE PROBABLY HEARD YOU TOO. 979 00:24:26,133 --> 00:24:26,833 >> JUST GO BACK OUT THERE 980 00:24:26,833 --> 00:24:30,233 AND SHOW HIM THE NEW SKETCH. 981 00:24:30,233 --> 00:24:31,233 >> SO I GOT THIS SKETCH 982 00:24:31,233 --> 00:24:33,103 FINISHED UP. 983 00:24:33,100 --> 00:24:35,500 HAPPY WITH IT FOR LIFE? 984 00:24:35,500 --> 00:24:37,730 >> 97%. 985 00:24:37,733 --> 00:24:38,933 >> SO THE OTHER THREE? 986 00:24:38,933 --> 00:24:39,773 >> THE OTHER THREE YOU CAN WORK 987 00:24:39,767 --> 00:24:40,567 OUT WITH YOUR SHADING 988 00:24:40,567 --> 00:24:41,267 AND ALL THAT. 989 00:24:41,267 --> 00:24:43,097 >> YEAH, 'CAUSE YOU CAN SEE WHAT 990 00:24:43,100 --> 00:24:44,430 YOU SEE, BUT I CAN'T REALLY 991 00:24:44,433 --> 00:24:45,103 SEE WHAT YOU SEE. 992 00:24:45,100 --> 00:24:45,770 >> MM-HMM. 993 00:24:45,767 --> 00:24:46,527 >> I NEED TO LOVE IT UP THERE 994 00:24:46,533 --> 00:24:47,273 FIRST, THOUGH. 995 00:24:47,267 --> 00:24:48,067 >> YOU WILL. 996 00:24:48,067 --> 00:24:48,727 >> YOU SURE? 997 00:24:48,733 --> 00:24:49,403 >> YEAH. 998 00:24:49,400 --> 00:24:51,800 ALL RIGHT, YOU READY TO GO? 999 00:24:51,800 --> 00:24:52,600 >> THINK SO. 1000 00:24:52,600 --> 00:24:54,200 >> LET'S GET IT STARTED. 1001 00:24:54,200 --> 00:24:55,070 >> ALL RIGHT, MAN. 1002 00:24:55,067 --> 00:24:57,067 >> SEE YOU. 1003 00:25:02,200 --> 00:25:04,130 >> STAY FOCUSED, YOU HEAR ME? 1004 00:25:04,133 --> 00:25:05,103 >> I AM. 1005 00:25:05,100 --> 00:25:05,930 >> THAT'S GONNA HURT LIKE HELL 1006 00:25:05,933 --> 00:25:06,903 ON MY COLLARBONE. 1007 00:25:06,900 --> 00:25:08,270 I'M NOT LOOKING FORWARD TO THAT. 1008 00:25:08,267 --> 00:25:09,527 >> YOU'RE A MAN. 1009 00:25:09,533 --> 00:25:11,103 >> WHAT'S THAT SUPPOSED TO MEAN? 1010 00:25:11,100 --> 00:25:11,870 SO YOU'RE GONNA GO EXTRA HARD 1011 00:25:11,867 --> 00:25:12,597 ON ME 'CAUSE I'M A MAN? 1012 00:25:12,600 --> 00:25:13,970 YOU GONNA TAKE OUT ALL THE PAIN 1013 00:25:13,967 --> 00:25:14,927 AND SUFFERING THESE OTHER GUYS 1014 00:25:14,933 --> 00:25:15,773 CAUSED YOU OUT ON ME? 1015 00:25:15,767 --> 00:25:16,797 >> NO, BUT BECAUSE YOU'RE A MAN, 1016 00:25:16,800 --> 00:25:18,470 I EXPECT YOU TO BE ABLE TO GRIN 1017 00:25:18,467 --> 00:25:19,467 AND BEAR IT. 1018 00:25:19,467 --> 00:25:21,267 >> DUTCH, I STAND UP WHEN I PEE. 1019 00:25:21,267 --> 00:25:21,927 >> OKAY. 1020 00:25:21,933 --> 00:25:22,933 >> NIGEL'S TALKING ALL THIS 1021 00:25:22,933 --> 00:25:23,933 [bleep] ABOUT BEING SUCH 1022 00:25:23,933 --> 00:25:25,673 A BIG MAN. 1023 00:25:25,667 --> 00:25:26,767 WAIT TILL I PUT THAT NEEDLE 1024 00:25:26,767 --> 00:25:27,767 ON HIS ASS. 1025 00:25:27,767 --> 00:25:28,627 WATCH HIM BITCH UP. 1026 00:25:28,633 --> 00:25:29,733 >> COME ON, LET'S PRAY TOGETHER. 1027 00:25:29,733 --> 00:25:31,103 >> [laughs] 1028 00:25:31,100 --> 00:25:33,230 >> FATHER IN HEAVEN, WATCH OVER 1029 00:25:33,233 --> 00:25:34,803 DUTCHESS' LOVELY HAND. 1030 00:25:34,800 --> 00:25:36,100 KEEP HER STEADY. 1031 00:25:36,100 --> 00:25:37,100 MAKE SURE SHE GETS THROUGH THIS 1032 00:25:37,100 --> 00:25:38,930 RIGHT BECAUSE I DON'T WANT 1033 00:25:38,933 --> 00:25:40,073 TO HURT SOMEBODY THAT SHE LOVES, 1034 00:25:40,067 --> 00:25:41,127 'CAUSE I CAN'T HURT HER. 1035 00:25:41,133 --> 00:25:41,803 AMEN. 1036 00:25:41,800 --> 00:25:44,900 >> AMEN. 1037 00:25:44,900 --> 00:25:47,170 YOUR ASS IS CRAZY. 1038 00:25:47,167 --> 00:25:49,067 ALL RIGHT, GET THIS SHOW 1039 00:25:49,067 --> 00:25:51,067 ON THE ROAD. 1040 00:26:07,233 --> 00:26:08,873 >> GO ALONG, MAMA. 1041 00:26:08,867 --> 00:26:10,367 >> COMFORTABLE? 1042 00:26:10,367 --> 00:26:11,097 >> I DON'T KNOW 1043 00:26:11,100 --> 00:26:12,230 IF I'M COMFORTABLE YET. 1044 00:26:12,233 --> 00:26:14,273 >> WELL, THAT'S WHAT I NEED. 1045 00:26:14,267 --> 00:26:15,127 >> JUST LET ME KNOW WHEN YOU'RE 1046 00:26:15,133 --> 00:26:16,503 GONNA START BY MY COLLARBONE, 1047 00:26:16,500 --> 00:26:17,670 'CAUSE I DON'T LIKE IT. 1048 00:26:17,667 --> 00:26:18,827 >> I WILL DEFINITELY MAKE SURE 1049 00:26:18,833 --> 00:26:20,473 I DO THAT. 1050 00:26:20,467 --> 00:26:22,167 >> * ONE, TWO, DO-SI-DO 1051 00:26:22,167 --> 00:26:22,867 * DROP THAT THING 1052 00:26:22,867 --> 00:26:24,067 * THEN YOU HIT THE FLOOR 1053 00:26:24,067 --> 00:26:25,897 * NOW ALL AROUND THE WORLD 1054 00:26:25,900 --> 00:26:27,700 * THIS IS HOW WE WORK 1055 00:26:27,700 --> 00:26:31,470 * OHH, WORK IT OUT 1056 00:26:31,467 --> 00:26:32,427 * SPINNING ROUND 1057 00:26:32,433 --> 00:26:33,373 * AND ROUND YOU GO 1058 00:26:33,367 --> 00:26:34,127 * SPINNING ROUND 1059 00:26:34,133 --> 00:26:37,733 * AND ROUND I GO 1060 00:26:37,733 --> 00:26:38,573 >> ALL RIGHT, SO I'M GONNA LET 1061 00:26:38,567 --> 00:26:40,527 YOU CHECK IT OUT REAL QUICK. 1062 00:26:40,533 --> 00:26:42,573 >> ALL RIGHT, LET'S GET TO IT. 1063 00:26:48,167 --> 00:26:50,867 I CAN'T REALLY SEE IT. 1064 00:26:50,867 --> 00:26:51,527 I'M JUST--I'M JUST-- 1065 00:26:51,533 --> 00:26:52,703 YOU KNOW, THIS STILL 1066 00:26:52,700 --> 00:26:53,600 FEELS EMPTY. 1067 00:26:53,600 --> 00:26:54,700 I JUST FEEL LIKE YOU CAN'T 1068 00:26:54,700 --> 00:26:56,070 REALLY SEE IT. 1069 00:26:56,067 --> 00:26:56,667 >> BUT I THINK, WITH THE 1070 00:26:56,667 --> 00:26:58,097 SHADING, IT'S GONNA GIVE IT THE 1071 00:26:58,100 --> 00:26:59,770 EFFECT THAT YOU'RE LOOKING FOR. 1072 00:26:59,767 --> 00:27:00,697 >> WHAT YOU CAN SEE AND WHAT 1073 00:27:00,700 --> 00:27:01,900 I SEE ARE TWO DIFFERENT THINGS. 1074 00:27:01,900 --> 00:27:02,870 >> IT SOUNDS LIKE I JUST LOST 1075 00:27:02,867 --> 00:27:06,227 A REALLY GOOD CUSTOMER. 1076 00:27:06,233 --> 00:27:07,473 NO MORE TOUGH CLIENTS 1077 00:27:07,467 --> 00:27:09,497 FOR DUTCHESS. 1078 00:27:14,200 --> 00:27:15,100 I HOPE TO GOD HE COMES BACK 1079 00:27:15,100 --> 00:27:16,330 AND FINISH THAT DAMN TATTOO, 1080 00:27:16,333 --> 00:27:17,973 AT LEAST FOR DUTCHESS' SAKE. 1081 00:27:17,967 --> 00:27:19,097 IF HE DOESN'T, WE HAVE 1082 00:27:19,100 --> 00:27:21,070 A PROBLEM. 1083 00:27:23,600 --> 00:27:24,430 >> THINK WE SHOULD HAVE, LIKE, 1084 00:27:24,433 --> 00:27:25,803 A LITTLE CELEBRATION PARTY. 1085 00:27:25,800 --> 00:27:26,770 "CONGRATULATIONS, PUMA, 1086 00:27:26,767 --> 00:27:28,097 YOU A DADDY NOW." 1087 00:27:28,100 --> 00:27:28,730 >> I HAVEN'T GOT DRUNK 1088 00:27:28,733 --> 00:27:29,533 IN A WHILE. 1089 00:27:29,533 --> 00:27:32,333 LET'S DO IT. 1090 00:27:32,333 --> 00:27:33,233 >> WHAT THE [bleep]? 1091 00:27:33,233 --> 00:27:34,103 >> WHAT ARE YOU DOING? 1092 00:27:34,100 --> 00:27:34,800 >> I'M STARTING TO RETHINK 1093 00:27:34,800 --> 00:27:36,500 THIS WHOLE COMING DOWN HERE 1094 00:27:36,500 --> 00:27:37,400 TO APOLOGIZE. 1095 00:27:37,400 --> 00:27:38,200 THIS MIGHT BE THE LAST TIME 1096 00:27:38,200 --> 00:27:39,100 I EVER STEP FOOT 1097 00:27:39,100 --> 00:27:41,130 IN BLACK INK TONIGHT. 1098 00:27:58,767 --> 00:27:59,497 >> CEASER. 1099 00:27:59,500 --> 00:28:00,400 >> YES? 1100 00:28:00,400 --> 00:28:01,470 >> I NEED A FAVOR. 1101 00:28:01,467 --> 00:28:02,597 >> I AIN'T GOT NO MONEY. 1102 00:28:02,600 --> 00:28:03,270 >> I DON'T NEED NONE 1103 00:28:03,267 --> 00:28:04,097 OF YOUR MONEY. 1104 00:28:04,100 --> 00:28:05,530 >> ALL RIGHT, WHAT YOU WANT? 1105 00:28:05,533 --> 00:28:06,403 >> I THINK WE SHOULD HAVE, LIKE, 1106 00:28:06,400 --> 00:28:07,430 A LITTLE CELEBRATION PARTY. 1107 00:28:07,433 --> 00:28:08,503 LIKE, "WELCOME, TAMIA. 1108 00:28:08,500 --> 00:28:09,530 CONGRATULATIONS, PUMA, 1109 00:28:09,533 --> 00:28:11,573 YOU A DADDY NOW." 1110 00:28:12,733 --> 00:28:14,133 >> SHUT THE [bleep] UP, 1111 00:28:14,133 --> 00:28:15,403 TEDDY RUX. 1112 00:28:15,400 --> 00:28:17,430 I'M GONNA KICK YOUR ASS. 1113 00:28:17,433 --> 00:28:18,703 PLEASE? 1114 00:28:18,700 --> 00:28:19,370 YOU DON'T GOT TO WORRY 1115 00:28:19,367 --> 00:28:20,067 ABOUT NOTHING. 1116 00:28:20,067 --> 00:28:20,867 I GOT IT. I GOT THE PEOPLE. 1117 00:28:20,867 --> 00:28:21,697 I GOT THE FOOD. 1118 00:28:21,700 --> 00:28:23,070 I'LL GET SOMEBODY TO COME COOK. 1119 00:28:23,067 --> 00:28:24,167 LIKE, I GOT EVERYTHING IF YOU 1120 00:28:24,167 --> 00:28:25,497 JUST TELL ME, "YES, IT'S OKAY." 1121 00:28:25,500 --> 00:28:26,830 PLEASE. 1122 00:28:26,833 --> 00:28:27,803 PLEASE LET ME. 1123 00:28:27,800 --> 00:28:28,900 PLEASE. 1124 00:28:28,900 --> 00:28:30,300 >> HELLO. 1125 00:28:30,300 --> 00:28:31,570 >> HOW CUTE. 1126 00:28:31,567 --> 00:28:34,397 >> HI, LITTLE BABY. 1127 00:28:34,400 --> 00:28:36,530 I FEEL LIKE TAMIA IS EXACTLY 1128 00:28:36,533 --> 00:28:38,403 WHAT BLACK INK NEEDED RIGHT NOW. 1129 00:28:38,400 --> 00:28:39,400 LIKE, SHE MAKES EVERYONE REALIZE 1130 00:28:39,400 --> 00:28:41,170 THAT LIFE IS JUST NOT ABOUT 1131 00:28:41,167 --> 00:28:41,827 THE BULL[bleep]. 1132 00:28:41,833 --> 00:28:42,503 >> I WANT TO SEE. 1133 00:28:42,500 --> 00:28:43,500 >> SORRY YOU JUST WALKED IN, BUT 1134 00:28:43,500 --> 00:28:47,230 YOU WALKED IN PERFECT TIMING. 1135 00:28:47,233 --> 00:28:48,473 SHE'S AMAZING. 1136 00:28:48,467 --> 00:28:50,197 SHE'S A LITTLE ANGEL. 1137 00:28:50,200 --> 00:28:51,430 I THINK WE SHOULD HAVE A LITTLE 1138 00:28:51,433 --> 00:28:52,473 GET-TOGETHER HERE. 1139 00:28:52,467 --> 00:28:53,527 YOU GOOD WITH THAT? 1140 00:28:53,533 --> 00:28:54,203 YOU WANT TO HAVE A LITTLE 1141 00:28:54,200 --> 00:28:54,870 PARTY HERE? 1142 00:28:54,867 --> 00:28:55,527 >> I HAVEN'T GOT DRUNK 1143 00:28:55,533 --> 00:28:56,203 IN A WHILE. 1144 00:28:56,200 --> 00:28:56,870 LET'S DO IT. 1145 00:28:56,867 --> 00:28:58,197 >> PLEASE SAY YES, CEASE. 1146 00:28:58,200 --> 00:28:58,930 >> THIS IS SO NOT FAIR. 1147 00:28:58,933 --> 00:28:59,873 >> ALL RIGHT. 1148 00:28:59,867 --> 00:29:00,597 >> YES? 1149 00:29:00,600 --> 00:29:01,270 >> YEAH. 1150 00:29:01,267 --> 00:29:02,797 >> THANK YOU, CEASE. 1151 00:29:02,800 --> 00:29:04,100 >> IT'S LIKE A BABY SHOWER FOR 1152 00:29:04,100 --> 00:29:05,970 A GUY, BUT WE SHOULD CELEBRATE 1153 00:29:05,967 --> 00:29:07,597 SOMEBODY NEW TO COMING TOWARDS 1154 00:29:07,600 --> 00:29:09,930 OUR FAMILY, SO... 1155 00:29:09,933 --> 00:29:10,933 I GOT TO STOP BEING A [bleep] 1156 00:29:10,933 --> 00:29:11,603 AND LET THEM HAVE 1157 00:29:11,600 --> 00:29:12,530 THAT PARTY. 1158 00:29:12,533 --> 00:29:14,233 >> BEFORE IT GETS COLD AND DARK 1159 00:29:14,233 --> 00:29:15,633 AND RAINY, LET'S GO HOME 1160 00:29:15,633 --> 00:29:16,503 AND CHANGE. 1161 00:29:16,500 --> 00:29:17,970 TONIGHT'S, LIKE, THE LAST NIGHT 1162 00:29:17,967 --> 00:29:19,427 THAT I GET TO PARTY. 1163 00:29:19,433 --> 00:29:20,303 IT'S FREAKING AWESOME. 1164 00:29:20,300 --> 00:29:21,170 I JUST HAD MY DAUGHTER. 1165 00:29:21,167 --> 00:29:22,627 WHOO! 1166 00:29:22,633 --> 00:29:24,103 SO EXCITED. 1167 00:29:24,100 --> 00:29:25,130 THIS IS GONNA BE ONE OF MY LAST 1168 00:29:25,133 --> 00:29:26,573 LITTLE MOMENTS BEFORE I HAVE 1169 00:29:26,567 --> 00:29:29,397 TO BE, YOU KNOW, BILL COSBY 1170 00:29:29,400 --> 00:29:30,770 AND BE ON MY DADDY [bleep]. 1171 00:29:30,767 --> 00:29:31,767 LOVE YOU. 1172 00:29:31,767 --> 00:29:32,727 >> LOVE YOU TOO. 1173 00:29:32,733 --> 00:29:36,833 >> BYE, YOU. 1174 00:29:36,833 --> 00:29:37,773 >> I THINK THAT BABY 1175 00:29:37,767 --> 00:29:39,527 LOOKS CRAZY LIGHT. 1176 00:29:39,533 --> 00:29:41,473 >> [bleep] OUT OF HERE. 1177 00:29:41,467 --> 00:29:42,667 SHE'S GETTING DARKER. 1178 00:29:42,667 --> 00:29:43,797 >> THAT IS NOT PUMA'S BABY. 1179 00:29:43,800 --> 00:29:45,100 >> [laughs] 1180 00:29:45,100 --> 00:29:47,130 >> I WATCH MAURY EVERY DAY. 1181 00:29:47,133 --> 00:29:48,173 >> [laughs] 1182 00:29:48,167 --> 00:29:49,667 >> AND SHE GOT GOOD HAIR. 1183 00:29:49,667 --> 00:29:51,097 PUMA AIN'T GOT NO GOOD HAIR. 1184 00:29:51,100 --> 00:29:52,400 >> LISTEN! 1185 00:29:52,400 --> 00:29:53,270 >> HE'S NOT THE FATHER. 1186 00:29:53,267 --> 00:29:54,397 >> THAT IS HIS DAMN BABY. 1187 00:29:54,400 --> 00:29:55,100 SHUT UP. 1188 00:29:55,100 --> 00:29:56,430 AND SHE'S GONNA GET DARKER. 1189 00:29:56,433 --> 00:29:57,173 >> YOU HAD A DNA TEST 1190 00:29:57,167 --> 00:29:57,827 ON YOUR CHILD? 1191 00:29:57,833 --> 00:29:59,433 >> YES, I DID. 1192 00:29:59,433 --> 00:30:00,733 >> DO YOU THINK SHE'S HIS? 1193 00:30:00,733 --> 00:30:02,003 >> I DON'T KNOW. 1194 00:30:02,000 --> 00:30:03,530 I JUST THINK THAT EVERYBODY 1195 00:30:03,533 --> 00:30:05,103 SHOULD GET A PATERNITY TEST. 1196 00:30:05,100 --> 00:30:06,730 SCIENCE. QUANTIFICATIONS. 1197 00:30:06,733 --> 00:30:07,933 ALL OF THAT. 1198 00:30:07,933 --> 00:30:08,903 THAT [bleep] IS REAL. 1199 00:30:08,900 --> 00:30:09,700 IT DON'T LIE. 1200 00:30:09,700 --> 00:30:10,530 >> MATTER OF FACT, WE'RE GONNA 1201 00:30:10,533 --> 00:30:11,203 JUST CALL IT BLANKET 1202 00:30:11,200 --> 00:30:11,870 FROM NOW ON. 1203 00:30:11,867 --> 00:30:13,897 [laughter] 1204 00:30:20,867 --> 00:30:21,867 [hip-hop music] 1205 00:30:21,867 --> 00:30:26,027 * 1206 00:30:26,033 --> 00:30:27,233 >> [laughs] 1207 00:30:27,233 --> 00:30:28,903 I THREW PUMA A PARTY FOR BABY 1208 00:30:28,900 --> 00:30:30,070 TAMIA, WELCOMING HER 1209 00:30:30,067 --> 00:30:31,227 INTO THE WORLD. 1210 00:30:31,233 --> 00:30:32,773 IT WAS JUST ALL OF US GETTING 1211 00:30:32,767 --> 00:30:36,027 RATCHET DRUNK. 1212 00:30:36,033 --> 00:30:37,133 >> WHERE I'M FROM, THEY 1213 00:30:37,133 --> 00:30:39,473 DO THINGS LIKE A BABY SHOWER. 1214 00:30:39,467 --> 00:30:40,267 YOU COULD HAVE BOUGHT 1215 00:30:40,267 --> 00:30:41,567 AT LEAST A PAMPER. 1216 00:30:41,567 --> 00:30:42,627 A BOTTLE? 1217 00:30:42,633 --> 00:30:43,773 A PACIFIER? 1218 00:30:43,767 --> 00:30:44,767 NOTHING? 1219 00:30:44,767 --> 00:30:46,567 LIKE, THE BABY CAN'T DRINK 1220 00:30:46,567 --> 00:30:48,597 NO [bleep] HENNESSY. 1221 00:30:50,900 --> 00:30:51,570 >> YOU GOT TO MAKE SURE 1222 00:30:51,567 --> 00:30:52,227 THAT YOU'RE MY MUSCLE. 1223 00:30:52,233 --> 00:30:53,233 MAKE SURE THAT NOTHING HAPPENS 1224 00:30:53,233 --> 00:30:54,473 TO ME WHEN I GO IN THERE. 1225 00:30:54,467 --> 00:30:55,827 MAKE SURE THEY DON'T AMBUSH ME. 1226 00:30:55,833 --> 00:30:57,073 >> OH, HOW ABOUT THIS? 1227 00:30:57,067 --> 00:30:57,897 I WON'T SAY IT. 1228 00:30:57,900 --> 00:30:58,800 I'LL JUST DO IT. 1229 00:30:58,800 --> 00:31:00,930 CEASER IS STILL EXTREMELY 1230 00:31:00,933 --> 00:31:02,873 ADAMANT ABOUT HOW HE FEELS. 1231 00:31:02,867 --> 00:31:03,927 HE DOESN'T WANT [bleep] TO WORK 1232 00:31:03,933 --> 00:31:05,333 AT THE SHOP ANYMORE. 1233 00:31:05,333 --> 00:31:06,433 ARE YOU NERVOUS? 1234 00:31:06,433 --> 00:31:07,173 >> YEAH, I AM A LITTLE 1235 00:31:07,167 --> 00:31:08,227 BIT NERVOUS. 1236 00:31:08,233 --> 00:31:09,573 I REALIZE I MESSED UP AND I DO 1237 00:31:09,567 --> 00:31:11,197 OWE CEASER A APOLOGY, SO I'M 1238 00:31:11,200 --> 00:31:12,400 DEFINITELY GONNA DO THAT AND SEE 1239 00:31:12,400 --> 00:31:14,200 IF I CAN WORK ON GETTING MY JOB 1240 00:31:14,200 --> 00:31:16,070 AND OUR FRIENDSHIP BACK INTACT. 1241 00:31:16,067 --> 00:31:17,067 [hip-hop music] 1242 00:31:17,067 --> 00:31:25,067 * 1243 00:31:27,400 --> 00:31:29,200 >> HI! 1244 00:31:29,200 --> 00:31:31,230 >> WHAT THE [bleep]? 1245 00:31:35,067 --> 00:31:36,327 WHAT ARE YOU DOING? 1246 00:31:36,333 --> 00:31:37,103 >> WE GONNA MOVE FORWARD 1247 00:31:37,100 --> 00:31:38,630 AND FORGET ABOUT THIS [bleep]. 1248 00:31:38,633 --> 00:31:39,603 >> HE'S BUGGING OUT. 1249 00:31:39,600 --> 00:31:40,800 HE WANTS TO SHOW UP TO A PARTY 1250 00:31:40,800 --> 00:31:43,200 KNOWING I MIGHT WHOOP HIS ASS. 1251 00:31:43,200 --> 00:31:44,130 >> WHAT DO YOU WANT TO DO? 1252 00:31:44,133 --> 00:31:45,173 IF YOU CAN'T SEE MY LOGIC, 1253 00:31:45,167 --> 00:31:46,467 THEN FORGET ABOUT IT. 1254 00:31:46,467 --> 00:31:47,127 >> NAH, NAH, NAH. 1255 00:31:47,133 --> 00:31:47,903 >> FORGET IT, MAN. 1256 00:31:47,900 --> 00:31:50,070 LET HIM GO. 1257 00:32:03,633 --> 00:32:05,903 >> ALEX SHOWING UP AND BRINGING 1258 00:32:05,900 --> 00:32:08,070 O'[bleep] TO PUMA'S PARTY-- 1259 00:32:08,067 --> 00:32:09,797 IF THAT'S NOT ANOTHER CLEAR SIGN 1260 00:32:09,800 --> 00:32:11,100 THAT OBVIOUSLY SOMETHING'S GOING 1261 00:32:11,100 --> 00:32:12,370 ON BETWEEN THEM, THEN I DON'T 1262 00:32:12,367 --> 00:32:13,467 KNOW WHAT IS. 1263 00:32:13,467 --> 00:32:15,927 WHY ELSE WOULD YOU DO THAT? 1264 00:32:15,933 --> 00:32:16,773 >> [bleep]. 1265 00:32:16,767 --> 00:32:17,797 >> WHAT THE [bleep]? 1266 00:32:17,800 --> 00:32:19,570 >> ALL I SEE IS, LIKE, CEASER 1267 00:32:19,567 --> 00:32:21,867 GIVING ME THE DAGGER EYES. 1268 00:32:21,867 --> 00:32:22,897 THOSE. 1269 00:32:22,900 --> 00:32:24,070 >> SO NOW THAT I SEE CEASER'S 1270 00:32:24,067 --> 00:32:25,767 FACE, I'M STARTING TO RETHINK 1271 00:32:25,767 --> 00:32:27,297 THIS WHOLE COMING DOWN HERE 1272 00:32:27,300 --> 00:32:29,070 TO APOLOGIZE. 1273 00:32:29,067 --> 00:32:30,067 >> WHAT ARE YOU DOING? 1274 00:32:30,067 --> 00:32:31,067 >> I'M HERE TO SHOW MY MAN LOVE 1275 00:32:31,067 --> 00:32:31,667 ON HIS DAY. 1276 00:32:31,667 --> 00:32:32,827 WE DO GOT SOMETHING TO TALK 1277 00:32:32,833 --> 00:32:33,633 ABOUT, SO WE SHOULD GO INSIDE 1278 00:32:33,633 --> 00:32:34,433 AND TALK ABOUT IT. 1279 00:32:34,433 --> 00:32:35,103 >> WHOA. 1280 00:32:35,100 --> 00:32:35,770 >> WE CAN TALK ABOUT IT 1281 00:32:35,767 --> 00:32:36,527 RIGHT NOW, YO. 1282 00:32:36,533 --> 00:32:37,973 I DON'T KNOW WHO THE [bleep] 1283 00:32:37,967 --> 00:32:40,397 TOLD HIM THAT HE COULD SHOW UP 1284 00:32:40,400 --> 00:32:41,630 TO THAT DAMN PARTY. 1285 00:32:41,633 --> 00:32:42,603 HE HAD SOME NERVE. 1286 00:32:42,600 --> 00:32:43,500 >> THIS IS GETTING BETTER 1287 00:32:43,500 --> 00:32:44,170 AND BETTER. 1288 00:32:44,167 --> 00:32:45,867 >> IT'S A CELEBRATION RIGHT NOW. 1289 00:32:45,867 --> 00:32:46,867 >> IT'S A CELEBRATION. 1290 00:32:46,867 --> 00:32:48,327 >> WE CELEBRATING. 1291 00:32:48,333 --> 00:32:49,073 >> I WANT TO KNOW WHAT WE GOT 1292 00:32:49,067 --> 00:32:49,727 TO TALK ABOUT. 1293 00:32:49,733 --> 00:32:50,403 TALK. 1294 00:32:50,400 --> 00:32:51,830 >> I APOLOGIZE, BUT I DON'T WANT 1295 00:32:51,833 --> 00:32:52,733 TO HAVE THAT CONVERSATION 1296 00:32:52,733 --> 00:32:53,403 IN FRONT OF EVERYBODY. 1297 00:32:53,400 --> 00:32:54,200 >> SEE, HE APOLOGIZED. 1298 00:32:54,200 --> 00:32:55,570 >> WHOA, CHILL, LET HIM TALK. 1299 00:32:55,567 --> 00:32:56,227 >> I'M JUST SAYING. 1300 00:32:56,233 --> 00:32:57,073 HE JUST SAID HE APOLOGIZED. 1301 00:32:57,067 --> 00:32:57,967 >> WELL, HOLD ON, HOW LONG DOES 1302 00:32:57,967 --> 00:32:58,967 THIS TAKE? 1303 00:32:58,967 --> 00:33:00,227 IT TOOK YOUR CELEBRATION 1304 00:33:00,233 --> 00:33:00,933 FOR HIM TO COME AND I GET 1305 00:33:00,933 --> 00:33:01,833 AN APOLOGY. 1306 00:33:01,833 --> 00:33:02,633 >> MAYBE THAT'S WHAT IT TAKES 1307 00:33:02,633 --> 00:33:03,503 SOMETIMES, MAN. 1308 00:33:03,500 --> 00:33:04,630 IT TAKES SOME LOVE 1309 00:33:04,633 --> 00:33:06,303 AND TENDERNESS. 1310 00:33:06,300 --> 00:33:07,730 LOVE AND TENDERNESS. 1311 00:33:07,733 --> 00:33:09,333 THE WHOLE ENERGY CHANGED, AND IT 1312 00:33:09,333 --> 00:33:11,633 WENT TO, LIKE, A NEGATIVE PLACE. 1313 00:33:11,633 --> 00:33:12,733 IT WAS ABOUT BABY TAMIA, 1314 00:33:12,733 --> 00:33:13,503 AND THEY WERE MORE WORRIED 1315 00:33:13,500 --> 00:33:15,570 ABOUT STUPID DRAMA. 1316 00:33:15,567 --> 00:33:16,597 YES, IT HURT MY FEELINGS. 1317 00:33:16,600 --> 00:33:17,500 >> JUST GO TALK TO HIM 1318 00:33:17,500 --> 00:33:18,270 'CAUSE YOU OUGHT TO. 1319 00:33:18,267 --> 00:33:19,467 >> WHY WE CAN'T TALK RIGHT HERE? 1320 00:33:19,467 --> 00:33:20,567 >> BECAUSE THIS IS NOBODY'S 1321 00:33:20,567 --> 00:33:22,097 [bleep] BUSINESS OUT HERE. 1322 00:33:22,100 --> 00:33:22,770 >> I DON'T KNOW IF THIS 1323 00:33:22,767 --> 00:33:24,227 IS A GOOD TIME FOR THEM TO TALK 1324 00:33:24,233 --> 00:33:25,633 BECAUSE THEY'RE NOT REALLY 1325 00:33:25,633 --> 00:33:27,733 GETTING ALONG AT ALL. 1326 00:33:27,733 --> 00:33:28,833 IT'S UGLY. 1327 00:33:28,833 --> 00:33:29,673 >> AIN'T WE ALL SUPPOSED TO BE 1328 00:33:29,667 --> 00:33:31,127 FAMILY AND ALL THAT [bleep]? 1329 00:33:31,133 --> 00:33:31,803 CERTAIN [bleep] 1330 00:33:31,800 --> 00:33:32,770 GOT TO BE ADDRESSED. 1331 00:33:32,767 --> 00:33:34,197 >> WE GONNA MOVE FORWARD 1332 00:33:34,200 --> 00:33:35,100 AND FORGET ABOUT THE [bleep]. 1333 00:33:35,100 --> 00:33:35,800 >> HOW? 1334 00:33:35,800 --> 00:33:36,600 >> IF YOU CAN'T SEE MY LOGIC, 1335 00:33:36,600 --> 00:33:37,730 THEN FORGET ABOUT IT. 1336 00:33:37,733 --> 00:33:38,803 >> HE'S BUGGING OUT. 1337 00:33:38,800 --> 00:33:39,870 HE WANTS TO SHOW UP TO A PARTY 1338 00:33:39,867 --> 00:33:42,397 KNOWING I MIGHT WHOOP HIS ASS. 1339 00:33:42,400 --> 00:33:43,230 >> THAT'S NOT GONNA END-- 1340 00:33:43,233 --> 00:33:44,133 NAH, NAH, NAH, NAH, NAH. 1341 00:33:44,133 --> 00:33:46,403 THAT'S NOT GONNA END THAT FAST. 1342 00:33:46,400 --> 00:33:47,100 >> [bleep]. 1343 00:33:47,100 --> 00:33:47,800 >> IT'S NOT GONNA BE OVER 1344 00:33:47,800 --> 00:33:48,470 THAT FAST. 1345 00:33:48,467 --> 00:33:49,327 LIKE, YOU'RE NOT GONNA SAY WHAT 1346 00:33:49,333 --> 00:33:50,203 YOU WANT AND WALK OFF, 1347 00:33:50,200 --> 00:33:51,100 AND IT'S OVER THAT FAST. 1348 00:33:51,100 --> 00:33:52,270 LIKE, WE GOT TO COME TO SOME 1349 00:33:52,267 --> 00:33:53,167 TYPE OF CONCLUSION RIGHT HERE. 1350 00:33:53,167 --> 00:33:53,827 >> I DID! 1351 00:33:53,833 --> 00:33:54,573 >> 'CAUSE NOW YOU JUST MADE 1352 00:33:54,567 --> 00:33:55,967 IT UNCOMFORTABLE FOR EVERYBODY. 1353 00:33:55,967 --> 00:33:57,167 >> YOU AIN'T IN MY SHOES. 1354 00:33:57,167 --> 00:33:58,067 THAT'S WHAT I'M FEELING. 1355 00:33:58,067 --> 00:33:59,527 IT IRRITATES ME THAT TED GETS 1356 00:33:59,533 --> 00:34:00,533 IN THE WAY AND TRIES TO, 1357 00:34:00,533 --> 00:34:02,233 YOU KNOW, BE CEASER'S DEFENDER, 1358 00:34:02,233 --> 00:34:03,073 BECAUSE CEASER'S 1359 00:34:03,067 --> 00:34:03,827 A GROWN-ASS MAN. 1360 00:34:03,833 --> 00:34:05,273 HE CAN HANDLE HIS OWN PROBLEMS, 1361 00:34:05,267 --> 00:34:06,397 BUT I ALREADY KNOW THAT THE WAY 1362 00:34:06,400 --> 00:34:07,470 THAT THEY ARE. 1363 00:34:07,467 --> 00:34:08,367 LIKE, IF YOU MESS WITH ONE, 1364 00:34:08,367 --> 00:34:09,267 YOU GOT TO MESS WITH THE OTHER. 1365 00:34:09,267 --> 00:34:10,897 >> LISTEN, IT MAY HAVE NOTHING-- 1366 00:34:10,900 --> 00:34:11,870 LISTEN, IT DON'T GOT NOTHING 1367 00:34:11,867 --> 00:34:12,527 TO DO WITH YOU. 1368 00:34:12,533 --> 00:34:13,203 IT DON'T GOT NOTHING 1369 00:34:13,200 --> 00:34:13,870 TO DO WITH YOU. 1370 00:34:13,867 --> 00:34:14,527 >> SASSY, IT DOES. 1371 00:34:14,533 --> 00:34:15,203 IT HAS SOMETHING TO DO 1372 00:34:15,200 --> 00:34:15,870 WITH CEASER. 1373 00:34:15,867 --> 00:34:16,627 >> THEN WHEN THE [bleep] YOU 1374 00:34:16,633 --> 00:34:17,303 WANT TO DO? 1375 00:34:17,300 --> 00:34:18,370 >> BOTTOM LINE IS, HOWEVER CEASE 1376 00:34:18,367 --> 00:34:19,327 FEEL IS HOW I FEEL. 1377 00:34:19,333 --> 00:34:20,203 >> WHAT DO YOU WANT TO DO? 1378 00:34:20,200 --> 00:34:22,430 >> WE CAN'T MOVE FORWARD. 1379 00:34:22,433 --> 00:34:23,403 WE CAN'T FORGET ABOUT THIS 1380 00:34:23,400 --> 00:34:24,170 [bleep]. 1381 00:34:24,167 --> 00:34:25,767 JUST GO AHEAD, MAN. 1382 00:34:25,767 --> 00:34:27,397 [bleep] BASICALLY GAVE ME A 1383 00:34:27,400 --> 00:34:29,430 BULL[bleep] APOLOGY AND SAID I 1384 00:34:29,433 --> 00:34:30,873 COULD TAKE HIS APOLOGY OR I 1385 00:34:30,867 --> 00:34:32,127 COULD LEAVE IT. 1386 00:34:32,133 --> 00:34:34,873 GO AHEAD. 1387 00:34:34,867 --> 00:34:36,767 SO I LEFT HIS [bleep] APOLOGY. 1388 00:34:36,767 --> 00:34:39,727 NAH, LET HIM GO. 1389 00:34:39,733 --> 00:34:40,873 WE CAN'T FORGET ABOUT THIS 1390 00:34:40,867 --> 00:34:42,297 [bleep]. 1391 00:34:42,300 --> 00:34:44,100 >> CEASER WASN'T EVEN LISTENING 1392 00:34:44,100 --> 00:34:45,230 TO MY APOLOGY. 1393 00:34:45,233 --> 00:34:47,303 CEASER'S JUST JUST GENERALLY AN 1394 00:34:47,300 --> 00:34:52,800 ASS[bleep]. 1395 00:34:52,800 --> 00:34:53,770 >> IF I WOULD HAVE KNOWN ALL 1396 00:34:53,767 --> 00:34:54,667 THOSE PEOPLE WERE GONNA BE 1397 00:34:54,667 --> 00:34:56,197 THERE, I WOULD HAVE NEVER 1398 00:34:56,200 --> 00:34:58,270 BROUGHT [bleep] TO THAT SHOP. 1399 00:34:58,267 --> 00:34:59,327 I FELT BAD. 1400 00:34:59,333 --> 00:35:00,903 YOU DID THE RIGHT THING. 1401 00:35:00,900 --> 00:35:02,400 THEY'RE EXTREMELY HOTHEADED. 1402 00:35:02,400 --> 00:35:03,900 GIVE THEM A LITTLE TIME TO JUST 1403 00:35:03,900 --> 00:35:05,100 COOL DOWN. 1404 00:35:05,100 --> 00:35:06,070 >> I NEED SOME TIME TO COOL OFF 1405 00:35:06,067 --> 00:35:06,867 TOO. 1406 00:35:06,867 --> 00:35:08,627 I CAME HERE TO APOLOGIZE, AND 1407 00:35:08,633 --> 00:35:09,573 CEASER'S ACTING LIKE WE HAVEN'T 1408 00:35:09,567 --> 00:35:10,827 KNOWN EACH OTHER FOR YEARS. 1409 00:35:10,833 --> 00:35:13,903 LIKE, WE WASN'T LIKE BROTHERS. 1410 00:35:13,900 --> 00:35:19,700 BUT WHAT AM I SUPPOSED TO DO? 1411 00:35:19,700 --> 00:35:21,900 I DON'T THINK I'LL EVER RETURN 1412 00:35:21,900 --> 00:35:22,870 TO BLACK INK. 1413 00:35:22,867 --> 00:35:24,127 ALL OF THIS RIGHT NOW IS WAY 1414 00:35:24,133 --> 00:35:26,603 TOO MUCH. 1415 00:35:26,600 --> 00:35:29,070 I JUST NEED TO GO HOME. 1416 00:35:29,067 --> 00:35:30,067 [somber piano music] 1417 00:35:30,067 --> 00:35:39,597 * 1418 00:35:39,600 --> 00:35:40,600 [moody hip-hop music] 1419 00:35:40,600 --> 00:35:48,630 * 1420 00:36:06,600 --> 00:36:07,470 >> COME HERE, MAN. 1421 00:36:07,467 --> 00:36:08,627 >> WHAT UP? 1422 00:36:08,633 --> 00:36:09,533 >> YO, COME TO MY OFFICE. 1423 00:36:09,533 --> 00:36:11,073 COME ON, MAN. 1424 00:36:11,067 --> 00:36:12,067 ALL OF THIS FIGHTING IS TEARING 1425 00:36:12,067 --> 00:36:13,467 BLACK INK APART. 1426 00:36:13,467 --> 00:36:15,627 I PULLED CEASER TO THE SIDE 1427 00:36:15,633 --> 00:36:17,233 'CAUSE I FEEL LIKE HE NEEDED TO, 1428 00:36:17,233 --> 00:36:19,073 I GUESS, HEAR FROM MY SIDE. 1429 00:36:19,067 --> 00:36:19,727 LIKE, YOU KNOW WHAT I MEAN? 1430 00:36:19,733 --> 00:36:20,573 I FEEL LIKE SOMETIMES 1431 00:36:20,567 --> 00:36:22,397 I'M LIKE YODA. 1432 00:36:22,400 --> 00:36:24,800 LIKE, THE WISE ONE. 1433 00:36:24,800 --> 00:36:25,730 NEW POWER SUCKS, 1434 00:36:25,733 --> 00:36:27,803 DOESN'T IT, HUH? 1435 00:36:27,800 --> 00:36:29,070 YOU'RE IN CHARGE NOW. 1436 00:36:29,067 --> 00:36:30,097 YOU'RE THE GUY. 1437 00:36:30,100 --> 00:36:31,600 >> THIS [bleep] IS HELL. 1438 00:36:31,600 --> 00:36:32,500 >> SO WHEN [bleep] LIKE THAT 1439 00:36:32,500 --> 00:36:33,730 HAPPENS--WHEN IT GETS HEATED-- 1440 00:36:33,733 --> 00:36:34,503 YOU SUPPOSED TO BE THE GUY 1441 00:36:34,500 --> 00:36:36,830 THAT BE LIKE, "YOU KNOW WHAT? 1442 00:36:36,833 --> 00:36:38,273 CHILL." 1443 00:36:38,267 --> 00:36:39,467 >> LIKE, TRUE STORY, PUMA. 1444 00:36:39,467 --> 00:36:40,267 WE FROM THE BRONX. 1445 00:36:40,267 --> 00:36:40,967 >> I KNOW. 1446 00:36:40,967 --> 00:36:41,767 HE'S FROM THE BRONX. 1447 00:36:41,767 --> 00:36:43,427 >> EXACTLY, SO ANY DAY-- 1448 00:36:43,433 --> 00:36:45,173 OTHER--OTHERWISE-- 1449 00:36:45,167 --> 00:36:46,067 WE IN THE STREETS, 1450 00:36:46,067 --> 00:36:47,067 THAT'S FIGHTING TALK. 1451 00:36:47,067 --> 00:36:48,467 I'M NOT SURPRISED PUMA'S TRYING 1452 00:36:48,467 --> 00:36:50,267 TO DEFEND [bleep] 'CAUSE PUMA IS 1453 00:36:50,267 --> 00:36:52,327 A NATURAL [bleep]-UP, SO FOR ME 1454 00:36:52,333 --> 00:36:53,833 TO TAKE ADVICE FROM A [bleep]-UP 1455 00:36:53,833 --> 00:36:57,433 ABOUT [bleep]? 1456 00:36:57,433 --> 00:36:58,473 I DON'T THINK SO. 1457 00:36:58,467 --> 00:36:59,327 >> YOU DO THAT, 1458 00:36:59,333 --> 00:37:00,633 AND THEN WHAT HAPPENS? 1459 00:37:00,633 --> 00:37:01,573 YOU CAUSE A RUCKUS. 1460 00:37:01,567 --> 00:37:02,367 YOU HAVE POLICE COME. 1461 00:37:02,367 --> 00:37:03,867 WE LOOK LIKE TYPICAL [bleep], 1462 00:37:03,867 --> 00:37:04,827 AND THEN, WHAT, WE LOSE 1463 00:37:04,833 --> 00:37:06,273 OUR BUSINESS. 1464 00:37:06,267 --> 00:37:08,067 BRONX [bleep]. 1465 00:37:08,067 --> 00:37:09,327 WE GOT TO THINK BIGGER, BRO. 1466 00:37:09,333 --> 00:37:10,103 WE GOT TO THINK, LIKE, 1467 00:37:10,100 --> 00:37:11,230 THE BIGGER PICTURE. 1468 00:37:11,233 --> 00:37:12,503 YOU GOT A BABY GIRL. 1469 00:37:12,500 --> 00:37:13,770 I GOT A BABY GIRL NOW. 1470 00:37:13,767 --> 00:37:14,827 EVERYBODY GOT A LITTLE 1471 00:37:14,833 --> 00:37:15,503 SOMETHING. 1472 00:37:15,500 --> 00:37:17,070 WE CAN'T BE FIGHTING OVER 1473 00:37:17,067 --> 00:37:18,367 LITTLE [bleep]. 1474 00:37:18,367 --> 00:37:19,867 NOT NO MORE. 1475 00:37:19,867 --> 00:37:22,367 >> IF I'M SUPPOSED 1476 00:37:22,367 --> 00:37:23,727 TO SAY "FORGET IT," 1477 00:37:23,733 --> 00:37:25,303 HOW WE MOVING FORWARD? 1478 00:37:25,300 --> 00:37:26,400 LIKE, HE DON'T REALLY 1479 00:37:26,400 --> 00:37:28,430 HAVE NO REMORSE. 1480 00:37:28,433 --> 00:37:30,303 >> THIS IS HIS HOME. 1481 00:37:30,300 --> 00:37:32,530 HE'S BUILT A NAME HERE. 1482 00:37:32,533 --> 00:37:33,903 >> HE'S [bleep] UP. 1483 00:37:33,900 --> 00:37:34,730 >> I KNOW HE'S [bleep] UP. 1484 00:37:34,733 --> 00:37:35,403 YO, TRUST ME-- 1485 00:37:35,400 --> 00:37:38,430 >> PUMA. PUMA, LISTEN TO ME. 1486 00:37:38,433 --> 00:37:41,073 THIS IS THE LAST STRAW. 1487 00:37:41,067 --> 00:37:43,167 UNDERSTAND ME, PUMA. 1488 00:37:43,167 --> 00:37:45,067 HE PLAY ME AGAIN, I'M PUTTING 1489 00:37:45,067 --> 00:37:47,067 HANDS AND FEET ON HIM. 1490 00:37:47,067 --> 00:37:48,597 I CAN'T TELL YOU RIGHT NOW 1491 00:37:48,600 --> 00:37:52,170 OFFHAND IF OR WHEN WE EVER 1492 00:37:52,167 --> 00:37:55,667 BE FRIENDS AGAIN. 1493 00:37:55,667 --> 00:37:57,827 >> HAVE EITHER OF YOU SEEN ALEX? 1494 00:37:57,833 --> 00:38:01,933 NO ONE CAN SEEM TO FIND ALEX. 1495 00:38:01,933 --> 00:38:02,773 AND NO ONE CAN SEEM 1496 00:38:02,767 --> 00:38:04,667 TO FIND TEDDY RUX. 1497 00:38:04,667 --> 00:38:06,827 SOMETHING'S GOING ON. 1498 00:38:11,667 --> 00:38:29,297 >> * ALL OF THIS PRESSURE 1499 00:38:29,300 --> 00:38:30,530 >> I WANTED TO TALK TO ALEX 1500 00:38:30,533 --> 00:38:32,133 AND ASK HER WHAT HER REASONING 1501 00:38:32,133 --> 00:38:33,203 OF BRINGING [bleep] 1502 00:38:33,200 --> 00:38:36,700 TO THE PARTY WAS. 1503 00:38:36,700 --> 00:38:37,830 SO I GO UP TO THE FRONT AND ASK 1504 00:38:37,833 --> 00:38:39,633 EVERYONE IF ANYONE'S SEEN ALEX. 1505 00:38:39,633 --> 00:38:41,773 HAVE EITHER OF YOU SEEN ALEX? 1506 00:38:41,767 --> 00:38:42,497 AND NO ONE CAN SEEM 1507 00:38:42,500 --> 00:38:44,530 TO FIND ALEX. 1508 00:38:52,233 --> 00:38:52,933 AND NO ONE CAN SEEM 1509 00:38:52,933 --> 00:38:55,073 TO FIND TEDDY RUX. 1510 00:38:59,067 --> 00:39:01,167 SOMETHING'S GOING ON. 1511 00:39:06,400 --> 00:39:07,430 I DON'T UNDERSTAND WHY [bleep] 1512 00:39:07,433 --> 00:39:09,573 WOULD CALL YOU AND HAVE YOU WALK 1513 00:39:09,567 --> 00:39:11,427 HIM THROUGH THE DOOR, LIKE... 1514 00:39:11,433 --> 00:39:12,903 >> WELL, BECAUSE WE-- 1515 00:39:12,900 --> 00:39:13,570 WE'RE CLOSE. 1516 00:39:13,567 --> 00:39:14,397 WE HAVE THAT BOND. 1517 00:39:14,400 --> 00:39:15,070 LIKE, WE-- 1518 00:39:15,067 --> 00:39:16,267 HE JUST TATTOOED BOTH OF MY 1519 00:39:16,267 --> 00:39:18,897 THIGHS, AND WE HAD, LIKE, NOT-- 1520 00:39:18,900 --> 00:39:20,170 AND HE DIDN'T BANG THAT OUT 1521 00:39:20,167 --> 00:39:21,097 IN ONE DAY, TED. 1522 00:39:21,100 --> 00:39:22,130 LIKE, THAT WAS SESSIONS. 1523 00:39:22,133 --> 00:39:23,303 THAT WAS, LIKE, NIGHTS. 1524 00:39:23,300 --> 00:39:24,700 SO HE JUST FELT MORE COMFORTABLE 1525 00:39:24,700 --> 00:39:26,730 REACHING OUT TO ME-- 1526 00:39:28,133 --> 00:39:29,703 >> OUR NIGHT SESSIONS DIDN'T 1527 00:39:29,700 --> 00:39:31,600 BRING US CLOSER. 1528 00:39:31,600 --> 00:39:34,330 I BEEN BUSY TRYING TO FIGURE OUT 1529 00:39:34,333 --> 00:39:35,533 WHAT'S GOING ON WITH ME 1530 00:39:35,533 --> 00:39:36,533 AND TEDDY. 1531 00:39:36,533 --> 00:39:38,603 THE UNIVERSE SOMEHOW SEEMS 1532 00:39:38,600 --> 00:39:42,070 TO JUST PUT US RIGHT TOGETHER, 1533 00:39:42,067 --> 00:39:45,527 EVEN WHEN WE LEAST EXPECT IT. 1534 00:39:45,533 --> 00:39:46,203 YOU KNOW I DON'T WANT 1535 00:39:46,200 --> 00:39:47,370 TO SIT HERE. 1536 00:39:47,367 --> 00:39:48,127 [laughs] 1537 00:39:48,133 --> 00:39:50,173 YOU KNOW THAT FOR A FACT. 1538 00:40:04,367 --> 00:40:05,227 >> NEXT TIME, ON BLACK INK CREW: 1539 00:40:05,233 --> 00:40:06,173 >> WHAT'S THIS I HEARD YOU 1540 00:40:06,167 --> 00:40:07,367 LOOKING FOR A JOB? 1541 00:40:07,367 --> 00:40:08,827 >> SASSY'S GROWING UP 1542 00:40:08,833 --> 00:40:10,173 AND IS BECOMING A WOMAN. 1543 00:40:10,167 --> 00:40:11,027 >> OH, YOU DON'T WANT TO BE PART 1544 00:40:11,033 --> 00:40:13,033 OF THE CREW NO MORE? 1545 00:40:15,733 --> 00:40:16,803 >> I CAN'T BELIEVE ALEX 1546 00:40:16,800 --> 00:40:17,470 AIN'T GONNA BE INVOLVED 1547 00:40:17,467 --> 00:40:18,497 IN THE FASHION SHOW. 1548 00:40:18,500 --> 00:40:19,170 >> I JUST FELT LIKE 1549 00:40:19,167 --> 00:40:21,197 NOT DOING IT. 1550 00:40:22,167 --> 00:40:24,167 ONCE YOU'RE MAKING YOUR WAY UP, 1551 00:40:24,167 --> 00:40:27,227 YOU DON'T LOOK BACK. 1552 00:40:27,233 --> 00:40:29,033 >> LOOKING REAL NICE. 1553 00:40:29,033 --> 00:40:30,033 YEAH, I'M SEXY. 1554 00:40:30,033 --> 00:40:31,103 DUTCHESS WANTS ME. 1555 00:40:31,100 --> 00:40:31,770 >> YOU PUTTING ON 1556 00:40:31,767 --> 00:40:32,897 A FEMALE'S SHOE. 1557 00:40:32,900 --> 00:40:34,370 IS THIS HAPPENING RIGHT NOW? 1558 00:40:34,367 --> 00:40:35,597 >> DUTCHESS AND CEASER ARE 1559 00:40:35,600 --> 00:40:36,600 LUSTY. 1560 00:40:36,600 --> 00:40:37,670 >> ALEX ASKED ME WHAT WAS 1561 00:40:37,667 --> 00:40:41,767 I DOING AFTER THE FASHION SHOW. 1562 00:40:41,767 --> 00:40:42,597 >> HEY, WHAT UP? 1563 00:40:42,600 --> 00:40:43,270 >> DAVID EMANUEL? 1564 00:40:43,267 --> 00:40:43,967 >> YEAH. 1565 00:40:43,967 --> 00:40:45,067 WHAT MAGAZINE YOU FROM? 1566 00:40:45,067 --> 00:40:46,297 >> YOU'VE BEEN SERVED. 1567 00:40:46,300 --> 00:40:47,730 >> WHAT THE [bleep] IS THIS? 1568 00:40:47,733 --> 00:40:49,133 THIS IS [bleep] CHILD SUPPORT. 1569 00:40:49,133 --> 00:40:50,473 I'M GETTING CHARGED WITH 1570 00:40:50,467 --> 00:40:52,127 BACK PAY OF CHILD SUPPORT, 1571 00:40:52,133 --> 00:40:53,733 AND IF IT'S NOT PAID UP, 1572 00:40:53,733 --> 00:40:55,773 I COULD LOSE EVERYTHING.