PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...
Candace: I ONLY KNOW ‐‐ HI.
YOU'RE NOT DRESSED.
LISTEN, I CALLED HIM HERE
'CAUSE I WANT TO TALK. Hanna: HE'S SELFISH.
HE IS A PLAYER, A HO, A LIAR, AN ADULTERER.
ALL RIGHT. MOM. BENNY, YOU ASKED ME.
WHY THE HELL CAN'T YOU KEEP OUR KIDS IN THE HOUSE?
LISTEN, YOU ARROGANT BASTARD.
SHE IS GONE.
ARE YOU SLEEPING WITH OUR CAMPAIGN MANAGER?
NO.
I KNOW THAT HE DID IT,
AND I KNOW THAT YOU ARE TAMPERING WITH EVIDENCE.
THAT'S WHY YOU'RE COVERED UP LIKE THIS?
'CAUSE YOU HIDING FROM THIS MAN?
WHERE IS YOUR BABY, CANDACE?
YOU KNOW HIM AND QUINCY GOT INTO IT BEFORE!
WHERE IS YOUR BABY, CANDACE?
HE'S DEAD!
OH, GOD.
WHAT?
HE'S DEAD, B.
WHAT HAPPENED?
CANDACE, WHAT HAPPENED TO HIM?
CANDACE, TELL US.
UM, REMEMBER THAT...
THAT NIGHT YOU CAME AND FOUND ME...
...AND I WAS BEATEN SO BAD, YOU CAN BARELY RECOGNIZE ME?
[ SOBS ]
[ Crying ] I WAS TRYING TO LEAVE HIM.
QUINCY?
YES.
[ SNIFFLES ]
UM...
[ SOBS ]
HE SAID THAT I CAN GO, BUT...
[ SOBS ]
BUT I COULDN'T TAKE MY SON.
SO YOU LEFT HIM?
NO.
I...
COULDN'T LEAVE HIM.
[ SNIFFLES ]
THEN WHAT HAPPENED?
QUINCY SAID THAT HE WANTED $50,000...
OR HE WOULD KILL HIM.
THAT'S WHY YOU ASKED ME TO MORTGAGE MOMMY'S HOUSE?
[ SOBS ] YEAH.
WHY DIDN'T YOU JUST ASK ME? WHY DIDN'T YOU JUST TELL ME?
BENNY, THE WAY YOU JUST ACTED, I COULDN'T.
CANDACE, WHAT HAPPENED TO MY GRANDBABY?
[ SNIFFLES ]
I GAVE QUINCY THE MONEY.
AND HE TOOK MY SON.
AND HE LEFT.
[ CRYING ]
AND, UM...
...I WAITED.
[ SNIFFLES ]
AND I WAITED.
AND FINALLY, HE CAME BACK.
AND HE TOLD ME THAT HE KILLED HIM.
[ SOBS ]
HE...
HE SAID HE TOOK OUR SON FISHING.
TOLD HIM THAT HE WAS GONNA GO FISHING.
HE...
HE LOVED TO FISH.
AND HE THREW HIM OVER A BRIDGE.
[ SNIFFLES ]
AND HE KILLED HIM.
‐‐Captions by VITAC‐‐ www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS
HE DID THAT?
[ SOBS ]
MM‐HMM.
YEAH.
HE...
YOU KNOW HE'S CRAZY.
LORD HAVE MERCY, CANDACE.
DID YOU TELL THE POLICE?
[ CRYING ]
YES, I DID. AND...
I DID. I TOLD THEM EVERYTHING.
I GAVE HIM UP ON ANOTHER MURDER THAT ‐‐
ANOTHER MURDER THAT HE DID.
[ SNIFFLES ]
YEAH.
AND NOW HE'S LOOKING FOR ME.
[ SNIFFLES ]
AND HE WANTS...
HE WANTS TO KILL ME.
ALL RIGHT.
YOU'RE GONNA STAY HERE.
BENNY.
MAMA, I DON'T WANT TO HEAR IT.
[ SNIFFLES ]
SHE WON'T PUT US IN DANGER AGAIN.
I WON'T HAVE IT.
I'M NOT LETTING HER LEAVE HERE.
NO.
MAMA.
THIS IS THE LIFE SHE CHOSE, BENNY.
THAT BOY IS NOT COMING IN HERE
AND KILLING US ALL TRYING TO GET TO HER.
SO, WHAT ARE YOU GONNA DO? YOU GONNA LET HIM KILL HER?
I DIDN'T SAY THAT.
I GOT A SAFE PLACE TO STAY. I'M SAFE.
CANDACE, YOU'RE NOT LEAVING HERE.
YES, SHE IS.
I MEAN, THIS IS YOUR DAUGHTER.
YES, SHE IS.
AND I TOLD HER JUST LIKE I TOLD YOU...
...YOU CAN'T GET AWAY WITH NOTHING IN THIS LIFE.
EVERYTHING YOU DO IS GONNA COME BACK ON YOU.
YOU MAY THINK YOU'RE GONNA GET AWAY WITH IT,
BUT YOU REAP WHAT YOU SOW.
YOU MESS AROUND, AND YOU'LL LOSE IT ALL.
I DON'T KNOW WHY Y'ALL WON'T LISTEN.
DID YOU HEAR HER?
THAT BOY IS A MURDERER!
I GOT TO GO.
CANDACE...
I MEAN IT, ALL RIGHT?
YOU'RE GONNA STAY HERE.
IT'S OKAY.
COME ON.
BENNY...
LET HER GO.
NO. OKAY?
STOP IT.
SHE'S GONNA STAY HERE.
I'M GONNA LEAVE HERE.
CANDACE, DAMN IT. I MEAN IT. ALL RIGHT?
NOW SIT YOUR ASS DOWN.
COME HERE. SIT YOUR ASS DOWN.
NOW, WE'RE FAMILY.
ALL RIGHT?
WE'RE GONNA START ACTING LIKE IT RIGHT DAMN NOW.
LET'S SIT DOWN. COME ON. SIT.
BENNY, DON'T GET UPSET.
YOU REMEMBER WHAT THE DOCTOR SAID, OKAY?
OH, NOW YOU'RE WORRIED ABOUT WHAT THE DOCTOR SAID?
OH, GIRL.
JUST SHUT UP.
[ Voice breaking ] BOTH OF YOU.
[ SNIFFLES ]
NOW WE'RE GONNA SIT HERE. ALL RIGHT?
WE'RE GONNA WATCH SOME TV.
WE'RE GONNA CHILL LIKE A FAMILY.
Man: FORECAST ‐‐ PLENTY OF SUNSHINE TODAY
WITH SEASONAL TEMPERATURES.
TALK TO ME, DAVID.
DAVID: It's done.
ARE YOU SURE?
Yes.
THEN HOW COME I DON'T SEE IT ON THE DAMN TELEVISION?
It's done. They're sending a camera crew there now.
MAKE SURE THAT THEY HURRY, THEY HURRY.
THE POLICE ARE HERE, JIM.
KATHERYN, I WANT YOU TO GO UPSTAIRS,
GET WYATT OUT OF HIS ROOM, AND PUT HIM IN THE KITCHEN.
ARE THEY GOING TO TAKE HIM?
JUST GET HIM OUT OF HIS ROOM, PUT HIM IN THE KITCHEN,
TURN THE TELEVISION ON CHANNEL 17.
BUT ‐‐
I GOT THIS.
[ DOORBELL RINGS ]
CHANNEL 17!
CELINE [SIGHS]
PLEASE LET THE CIRCUS IN THE FRONT DOOR.
YES, SIR.
HERE YOU ARE.
JUDGE WILLA MAPP.
HOW DID I KNOW IT WAS GONNA BE JUDGE WILLA MAPP?
SEARCH THE HOUSE, GUYS.
YOU SHOULD START IN THE KITCHEN.
UPSTAIRS.
BUT HE'S IN THE KITCHEN. WE'LL START UPSTAIRS.
CELINE, WOULD YOU SHOW THE NICE OFFICERS
UPSTAIRS TO WYATT'S ROOM
AND THEN BRING THEM ALL DOWN INTO THE KITCHEN
WHERE I'VE ALREADY TOLD THE D. A. HE IS?
YES, SIR. THIS WAY, PLEASE.
YOU SHOULD TAKE MY ADVICE. IT'S A BIG HOUSE.
NOT AS BIG AS THE HOUSE YOUR SON IS GOING TO.
WHEN YOU'RE DONE UP THERE,
THE SERVANT STEPS LEAD TO THE KITCHEN!
[ FOOTSTEPS APPROACHING ]
DAD, WHAT'S GOING ON?
IT'S ALMOST OVER, SON.
DAMN IT, KATHERYN.
WHY DON'T YOU HAVE THE TELEVISION ON CHANNEL 17?!
I LIFTED IT UP.
I JUST DIDN'T HAVE THE CHANCE TO TURN IT ON YET.
WHAT THE HELL DOES THE TV HAVE TO DO WITH THIS, ANYWAY, JIM?
JUST...QUIET.
OUR SON IS ABOUT TO BE ARRESTED.
WOULD YOU LET ME HANDLE IT? I GOT THIS.
[ CHEERS AND APPLAUSE ]
A FOOTBALL GAME, JIM? REALLY?
THERE HE IS.
WYATT CRYER...
...YOU'RE UNDER ARREST.
TOLD YOU HE WAS IN THE KITCHEN.
I GOT HIM...FINALLY. YEAH. YOU GOT HIM.
JIM.
CAUGHT HIM RED‐HANDED. STOP IT!
REMIND ME AGAIN WHAT EVIDENCE YOU HAVE AGAINST MY SON.
BESIDES YOUR MAID'S TESTIMONY?
YEAH. LET'S SEE.
HANNA YOUNG
AND THE EYEWITNESS ACCOUNT OF THE MOTHER OF THE CHILD.
IT'S AIRTIGHT.
MM.
SO WHAT YOU HAVE...
IS A DESCRIPTION.
OH, YES.
AND HIM SHOWING UP AT THE GRAVESITE DIDN'T HELP.
NO.
YOU'RE WRONG.
MY SON SHOWING UP AT THE GRAVESITE
OF A LITTLE GIRL WHO HAD BEEN KILLED
SHOWS HE HAS GREAT CHARACTER.
SAVE IT FOR COURT.
NO. YOU SAVE IT FOR COURT, COUNSELOR.
YOU'RE GONNA NEED IT TO SAVE FACE.
LET'S GO.
[ CELLPHONE BUZZING ] HANG ON A SECOND.
TAKE HIM. IS THAT YOUR PHONE...
JENNIFER?
[ BUZZING CONTINUES ]
[ CELLPHONE BEEPS ]
HELLO?
NO. WE'RE HERE RIGHT NOW.
[ WHISTLE BLOWS ]
[ DRAMATIC MUSIC PLAYS ]
Reporter: WE INTERRUPT THIS GAME
TO BRING YOU THIS BREAKING NEWS.
AUTHORITIES HAVE MADE THE PUBLIC AWARE
THAT THEY HAVE MADE AN ARREST
IN THE LITTLE LIZZIE AND BENNY YOUNG HIT AND RUN.
THE MAN'S NAME IS NORMAN HEWENS.
HE HAS SEVERAL WARRANTS,
AND HE LOOKS JUST LIKE JUDGE CRYER'S SON.
HE CONFESSED TO THE CRIME,
BUT STILL WON'T REVEAL WHERE THE CAR IS,
FROM ALL REPORTS HERE.
WOULD YOU FOLKS LIKE TO HAVE YOUR ICE CREAM NOW
OR AFTER YOU TAKE THE HANDCUFFS OFF MY SON?
OR PERHAPS YOU'D LIKE TO JUST GET OUT OF MY HOUSE?
[ HANDCUFFS CLICKING ]
LET'S GO.
CELINE!
Celine: YES, SIR?
PLEASE SHOW THESE NICE PEOPLE THE FRONT DOOR.
ABSOLUTELY.
THAT IS WHY I WANTED YOU
TO TURN ON THE DAMN TELEVISION.
Reporter: ...IN THE LITTLE LIZZIE
AND BENNY YOUNG HIT AND RUN.
THE MAN'S NAME IS NORMAN HEWENS.
HE HAS SEVERAL WARRANTS,
AND HE LOOKS JUST LIKE JUDGE CRYER'S SON.
HE CONFESSED TO THE CRIME,
BUT STILL WON'T REVEAL WHERE THE CAR IS,
FROM ALL REPORTS HERE.
THE D. A.'s OFFICE WILL BE ISSUING AN APOLOGY
TO THE CRYERS AT SOME POINT LATER THIS EVENING.
BACK TO YOU.
SO, TO RECAP OUR BREAKING NEWS,
POLICE HAVE ARRESTED NORMAN HEWENS,
WHO HAS CONFESSED TO THE HIT AND RUN
OF LITTLE LIZZIE AND BENJAMIN YOUNG.
WE'LL CONTINUE TO FOLLOW THIS STORY AS IT DEVELOPS.
[ DRAMATIC MUSIC PLAYS ]
DAD...
HE LOOKS JUST LIKE ME.
YES, HE DOES.
[ CHEERS AND APPLAUSE ]
BUT HOW?
WYATT...
...IT'S OVER.
LET IT GO.
DAD, I WAS THERE.
WYATT...
IT'S LIKE I SAID ALL ALONG...
YOU DID NOT DO THIS.
WHO IS THIS GUY?
HE'S NOT YOU.
DON'T LIVE IN THE PAST.
LET'S ALL JUST GET ON WITH OUR LIVES.
[ TV CLICKS OFF ]
MOM, HOW DID HE DO THAT?
DO WHAT?
JIM.
HOW DID YOU DO THAT?
[ FOOTSTEPS APPROACHING ]
EXCUSE ME. DR. LISTEN JUST ARRIVED.
I SHOWED HIM TO THE LANAI.
I'LL GO GET AMANDA.
BRING SOME TEA TO THE LANAI, PLEASE.
YES, MA'AM.
[ KNOCK ON DOOR ]
HEY.
HI.
HOW YOU FEELING, BABY?
GOOD.
AMANDA...
...DR. LISTEN IS HERE.
DO I HAVE TO SPEAK TO HIM?
I REALLY THINK YOU SHOULD, HONEY.
OKAY.
OKAY. COME ON.
[ SIGHS ]
OOH. I LIKE YOUR EARRINGS.
OH, THANKS.
I THINK SHE'S BECOME A DANGER TO HERSELF AND US.
WHY?
WELL, FOR STARTERS,
SHE TOLD SOMEONE THAT SHE WANTS TO KILL US.
REALLY?
YES.
NOW, THAT, UH...
I'LL SPEAK TO HER ABOUT IT.
PLEASE.
FIND OUT WHAT YOU CAN.
VERY DISTURBING.
DR. LISTEN.
HEY. JUDGE CRYER, HOW ARE YOU?
AH, AMANDA.
DON'T YOU LOOK WELL.
I AM.
HONEY, WHY DON'T WE GO INSIDE, GIVE THEM A LITTLE PRIVACY?
WE'LL BE IN THE HOUSE.
THANK YOU.
IT'S GOOD TO SEE YOU.
[ CLEARS THROAT ]
[ SIGHS ]
I HOPE THIS HELPS.
[ SNIFFS ]
I'M SURE IT WILL.
HOW DID YOU DO IT?
DO WHAT?
THE WYATT LOOK‐ALIKE.
YOU CAN THANK ME LATER.
NO.
I THINK I'LL THANK YOU NOW.
[ GRUNTS ]
YOU ARE AN EVIL, SELFISH BASTARD...
AND A HORRIBLE HUSBAND.
YOU MAKE ME UNHAPPY
EVERY DAY I AM IN YOUR PRESENCE.
YOU ARE SELF‐RIGHTEOUS...
A SOCIOPATH...
AND AN ALL‐AROUND SON OF A BITCH.
BUT YOU LOVE YOUR CHILDREN.
YOU WILL DO ANYTHING TO PROTECT THEM,
EVEN IF IT'S TO THEIR OWN DETRIMENT.
I HOPE YOU ARE READY
FOR THE MILLION LITTLE PIECES
THAT THEY ARE BOTH GOING TO FALL INTO.
YOU HAVE PROTECTED THEM...
RIGHT INTO INSANITY.
CONGRATULATIONS.
AND THANK YOU.
[ GLASS THUDS ]
[ LIQUID POURING ]
[ SIGHS ]
YOU'RE WELCOME.
[ TELEPHONE RINGS ]
CARLOS.
YES, SIR.
CAN YOU DELIVER THESE TO JUDGE CRYER'S HOUSE?
HE NEEDS THEM.
JUDGE CRYER'S HOUSE? YES.
HERE IS THE ADDRESS RIGHT HERE.
OKAY.
COOL?
YEAH. OKAY.
[ TELEPHONE RINGING ]
HEY. HI.
MY DAD HERE? YES.
OKAY.
I'M SORRY ABOUT THIS MORNING.
DON'T MENTION IT.
I WANT TO SEE YOU AGAIN.
I DON'T THINK SO.
YES. WELL, I NEED TO CALL YOU BACK.
FINE. THANK YOU.
HEY.
HOW ARE YOU, SON?
I'M GOOD.
SO, YOU WANTED TO SEE ME?
YES, YES.
HAVE A SEAT.
UM...
I'M SORRY ABOUT THIS MORNING.
THAT'S FINE.
WHAT WERE ‐‐ WHAT WERE YOU DOING THERE?
I HAD AN EARLY MEETING WITH MAGGIE.
[ SIGHS ]
WHY WERE YOU IN LANDON'S ROOM?
I MET HIM LAST WEEK, AND HE WAS ‐‐ HE WAS...
HE WAS REALLY NICE TO ME.
BEFORE YOU MET HIM HERE?
YES.
WHERE?
AT A BAR.
GAY BAR.
UH...
I'M SORRY THAT I EMBARRASSED YOU THIS ‐‐ THIS MORNING
IN FRONT OF MS. DAY.
EMBARRASS ME? YEAH.
AND I WON'T GO BACK AGAIN.
YOU THINK YOU EMBARRASS ME?
OF COURSE, AND THAT'S WHY I'M TELLING YOU
THAT I WON'T GO BACK TO THAT GAY BAR AGAIN.
WHY NOT?
I KNOW YOU'RE NOT HAPPY ABOUT THIS.
[ SIGHS ]
YOU'RE MISTAKEN.
COME ON, DAD. YOU DON'T HAVE TO PRETEND.
I...
I KNOW.
I'M A BIG DISAPPOINTMENT TO YOU.
YOU ARE WRONG.
NOW, YOU LISTEN TO ME, SON.
YOU ARE A GROWN MAN.
YOU ARE NOT AN EMBARRASSMENT.
I LOVE YOU VERY MUCH.
NOW, TO ME,
THE FACT THAT YOU ARE GAY...
IS...IT'S LIKE YOUR HAIR BEING BLACK
OR YOU'RE 6 FEET TALL
OR YOUR EYES ARE DARK BROWN.
THEY...
THEY ARE YOUR CHARACTERISTICS
THAT MAKE YOU WHO YOU ARE.
YOU ARE MY SON.
YOU DO NOT EMBARRASS ME,
AND I DON'T WANT YOU TO BE EMBARRASSED
THAT YOU ARE GAY BECAUSE I LOVE YOU.
SO...
I MEAN, YOU DON'T CARE THAT I WAS IN THE ROOM WITH LANDON?
I DON'T WANT TO KNOW THE DETAILS.
[ CHUCKLES ] NO. WE DIDN'T DO ANYTHING.
OKAY.
WELL...
I SUPPOSE I SHOULD MAKE AN EFFORT
TO GET TO KNOW HIM.
[ CHUCKLES ]
IT'S ‐‐ IT'S NOT LIKE THAT.
I MEAN, HE'S JUST A FRIEND.
OKAY.
THAT'S GOOD.
SO YOU DON'T CARE?
I CARE ABOUT YOU.
I DON'T CARE THAT YOU'RE GAY.
I WANT YOU TO BE HAPPY AND FREE
BECAUSE I LOVE YOU.
[ CHUCKLES ]
WELL, MOM SURE DOES CARE.
YES.
[ SIGHS ]
WE JUST...
WE NEED TO GIVE YOUR MOTHER SOME TIME.
SHE DOESN'T WANT ME TO BE FREE, DAD.
I'LL TALK TO HER.
NO. SHE'S NOT GONNA CHANGE HER MIND.
SHE HAS THE CAR.
SHE'S GONNA TURN ME IN IF I DON'T DO WHAT SHE WANTS.
SHE IS NOT GOING TO TURN YOU IN.
DAD, DAD, SHE WILL.
NO, SHE WON'T.
I WILL TALK TO HER AGAIN.
I WANT YOU TO BE FREE.
YOU'LL GET THE CAR?
I AM TRYING. I WILL GET IT.
UNTIL YOU DO...
I CAN'T BE FREE.
YEAH.
[ SIGHS ]
NO AGITATION?
SOME.
WHY DO YOU THINK THAT IS?
NO ONE WILL LEAVE ME ALONE.
WHO?
MY MOM AND DAD.
WHAT WOULD YOU LIKE THEM TO DO?
GO AWAY.
HOW SO?
I JUST WANT THEM TO LEAVE ME ALONE.
YOU WANT THEM OUT OF THE PICTURE?
YES.
HOW FAR AWAY?
FAR ENOUGH AWAY THAT I CAN BE BY MYSELF...
LIVE MY OWN LIFE.
YOU KNOW, SOMETIMES PEOPLE'S PARENTS DIE,
AND THEY REGRET ‐‐
I DON'T WANT THEM TO DIE.
THAT'S INSANE.
YOU DON'T?
NO.
OKAY.
GOOD.
TAKING YOUR MEDS? YES.
HEARING ANY VOICES? NO.
HOW ARE YOU SLEEPING?
FINE.
OKAY.
I'M TELLING EVERYONE I'M GOOD,
BUT I JUST WANT THEM TO LEAVE ME ALONE.
I'LL TALK TO YOUR PARENTS.
PLEASE.
DAMN IT!
[ DOOR OPENS ]
WHAT ARE YOU DOING?
AMANDA.
WHY ARE YOU IN HERE?
YOU KNOW I ALWAYS CHECK UP ON CELINE.
FOR WHAT?
TO MAKE SURE SHE'S DOING HER JOB.
GET OUT OF MY ROOM, PLEASE.
OKAY.
NOW!
IS DR. LISTEN DOWNSTAIRS?
YES.
WELL, WHAT DID HE SAY?
I'M FINE, MEENIE.
WHAT'S "MEENIE"?
YOU.
IS THAT A NEW NICKNAME?
MM‐HMM.
OKAY.
GET OUT.
BYE, MOM.
[ GUN COCKS ]
♪♪ EENIE, MEENIE, MINEY, MOE ♪♪
WHAT I'M MOST CONCERNED ABOUT
IS THIS WHOLE...
BOYFRIEND THING.
WHAT'S UP WITH THE WHOLE BOYFRIEND THING?
AH, SHE NEVER MENTIONED IT TO ME.
AND YOU DIDN'T ASK HER?
I DIDN'T KNOW ANYTHING ABOUT IT.
WHY DO YOU THINK SHE WOULDN'T MENTION THAT TO YOU?
SOMETIMES PATIENTS LIKE TO KEEP THINGS TO THEMSELVES.
IT'S HUMAN NATURE.
HOW CAN A...
HOW CAN A FATHER
KNOW WHEN HIS DAUGHTER'S KEEPING SOMETHING FROM HIM?
SHE NEVER KEEPS THE DARK THINGS FROM ME.
SHE'S FINE. SHE REALLY IS.
REALLY?
YES, YES. SHE'S FINE.
THANKS, DOC. I'LL TELL KATHERYN.
[ DOOR OPENS ] GOOD.
TELL ME WHAT?
OH. OH.
AMANDA'S FINE.
IS SHE? YES. SHE IS.
I WAS TALKING TO THE DOCTOR, JIM.
YES. SHE SEEMS FINE.
ARE YOU SURE?
YES. BUT I AM GONNA UP HER ANXIETY MEDS,
AND I'M GONNA PRESCRIBE SOMETHING FOR HER TO SLEEP.
SHE SAYS SHE'S SLEEPING FINE, BUT I THINK SHE LOOKS TIRED.
YEAH. YEAH.
WELL, DO ALL YOU CAN FOR HER. I APPRECIATE IT.
I CERTAINLY WILL.
THANK YOU. PLEASURE.
THANK YOU, THANK YOU. THANK YOU.
WE'LL TAKE CARE OF IT. YEAH.
AS I TOLD YOU, AMANDA IS FINE.
WELL, SOMETIMES ‐‐ IT'S GUN SMOKE.
IT ‐‐
HELLO.
WHAT IN THE HELL ARE YOU DOING ON MY PROPERTY?
I KNOW YOU SAID YOU WON'T ACCEPT MY APOLOGY,
AND I UNDERSTAND THAT, BUT I NEED TO.
I'M SORRY.
DO YOU HAVE ANY IDEA
HOW MUCH TROUBLE YOU CAUSED MY SON?
ANY AT ALL? I KNOW.
OH. YOU KNOW?
YOU NEED TO LEAVE, HANNA.
YOU NEED TO LEAVE NOW. I KNOW YOU SAID
YOU WON'T ACCEPT MY APOLOGY, AND I ACCEPT THAT.
GOOD.
I WILL NOT ACCEPT YOUR APOLOGY.
BUT I ‐‐ YOU NEED TO LEAVE, HANNA.
YOU NEED TO LEAVE NOW. HANNA.
OH, KATHERYN. PLEASE, DON'T, NO. REALLY?
STOP IT.
[ GROANS ]
MRS. CRYER, I'M SORRY.
I AM SO SORRY.
HANNA, IT IS SO GOOD TO SEE YOU.
NO. PLEASE.
PLEASE LET ME JUST SAY THIS.
I, UH...
I WAS JUST SO BOTHERED BY WHAT HAPPENED WITH BENNY
AND ALL OF THIS, I COULDN'T EVEN THINK STRAIGHT.
WE HEAR YOU, HANNA. YOU NEED TO LEAVE.
I NEED TO APOLOGIZE TO WYATT.
NO. YOU DO NOT NEED TO SPEAK TO WYATT.
YOU NEED TO LEAVE THE PROPERTY NOW!
BUT IT RUINED HIS LIFE. HANNA, PLEASE.
IT IS FINE.
I AM SO SORRY.
I WAS BLINDED BY ALL OF THIS.
I'M JUST SO SORRY.
I WAS BLINDED BY EVERYTHING.
KATHERYN, IT IS NOT FINE.
WE HEAR YOU, HANNA.
CAN YOU LEAVE NOW?
PLEASE.
JIM, JUST STOP IT, OKAY?
LOOK, MRS. CRYER ‐‐
WHAT THE HELL IS IT WITH YOU? I DON'T UNDERSTAND.
GO IN THE DAMN HOUSE. I'M GOING IN THE DAMN HOUSE.
NOW!
YOU NEED TO GET OFF MY PROPERTY.
[ DOOR CLOSES ] MRS. CRYER,
I DON'T WANT TO BE A PROBLEM FOR YOU AND YOUR HUSBAND.
HANNA, MY PROBLEM STARTED AT "I DO."
[ CHUCKLES ]
[ BREATHES DEEPLY ]
I AM SO SORRY.
HOW'S BENNY?
[ Chuckling ] OH.
YOU PROBABLY KNOW THIS ALREADY, BUT...
HE'S AWAKE.
OH.
[ Voice breaking ] HE'S WALKING.
HE'S FINE.
HE'S AT HOME.
HE'S REALLY GOOD.
I'M SO HAPPY.
YEAH. BUT...
[ SIGHS ]
I'M THROWING A SURPRISE PARTY FOR HIM TONIGHT,
AND HE DOESN'T EVEN KNOW IT.
[ BOTH LAUGH ]
BUT I COULDN'T LET THE SUN GO DOWN
WITHOUT ASKING YOU TO FORGIVE ME.
THERE'S NO NEED FOR THAT.
PLEASE.
PLEASE FORGIVE ME.
ALL IS FORGIVEN, HANNA.
[ CHUCKLES ]
I JUST WANT TO PUT ALL OF THIS BEHIND US.
HOW'S WYATT?
HE'S GOOD.
CAN WE TALK WHEN YOU COME BACK TO WORK?
WHAT?
PLEASE.
YOU WANT TO GIVE ME MY JOB BACK.
MRS. CRYER, I DON'T EVEN KNOW HOW TO REPAY YOU.
YOU MOVED BENNY, YOU TOOK CARE OF HIS BILL,
AND YOU WANT TO GIVE ME MY JOB BACK.
MM, MM, MM.
[ EXHALES SHARPLY ]
THANK YOU. [ CHUCKLES ]
DON'T MENTION IT. [ CHUCKLES ]
BUT WHAT ABOUT MR. CRYER?
I CAN HANDLE HIM.
[ LAUGHS ]
ARE YOU SURE ABOUT THIS?
YES.
NOW...
WHEN CAN YOU START BACK?
[ LAUGHS ]
WHEN DO YOU WANT ME BACK?
WELL...
GET BENNY SETTLED.
YEAH.
AND WHEN YOU'RE READY, COME BACK AFTER THAT.
CELINE IS DRIVING ME INSANE.
[ LAUGHS ]
[ CHUCKLES ]
OKAY. [ LAUGHS ]
AND YOU KNOW WHAT?
YOU SHOULD COME BY TO BENNY'S PARTY TONIGHT.
I WANT YOU TO MEET HIM.
REALLY?
YEAH.
COULD YOU DO THAT?
I'D LIKE THAT VERY MUCH.
[ LAUGHS ]
TEXT ME THE ADDRESS.
I WILL.
THANK YOU.
[ CHUCKLES ]
OH, SORRY.
[ LAUGHS ]
SEE YOU LATER.
TAKE CARE. YES.
IF YOU THINK FOR ONE MINUTE THAT THAT WOMAN
IS EVER STEPPING A FOOT IN THIS HOUSE AGAIN,
YOU ARE SORELY MISTAKEN.
OH, SHE'S STEPPING A FOOT
IN THIS HOUSE, ALL RIGHT,
BECAUSE SHE'S COMING BACK TO WORK.
WHAT IN THE HELL IS IT WITH YOU TWO?
SHE IS A FRIEND.
SHE'S A FRIEND? YES.
A FRIEND WHO TURNED IN YOUR SON.
WELL, YOU HANDLED THAT, NOW, DIDN'T YOU?
YES, I DID! I HANDLED IT FINE.
I HANDLED IT WITHOUT YOU,
AND I CERTAINLY HANDLED IT WITHOUT HER.
SHE'S COMING BACK TO WORK.
SHE COMES BACK TO WORK, AND I PROMISE YOU,
I WILL MAKE EVERY MOMENT SHE IS HERE A LIVING HELL.
WELL, THEN WHY DON'T YOU START
WITH THAT WHORE IN THE KITCHEN FIRST?
OH, REALLY?
YES. BECAUSE IF I CAN'T FIRE THAT WHORE,
THEN YOU CAN'T FIRE HANNA. WATCH ME.
THEN YOU BETTER CONTROL THAT WHORE IN THE KITCHEN
BECAUSE THERE'LL BE ONE HELL OF A FIRE TO PUT OUT
IF SHE GOES OFF THE RAILS.
AND...
IF SHE CONTINUES TO DISRESPECT ME IN MY HOME,
NO ARRANGEMENT WILL MATTER.
YOU THINK THESE WHORES ARE A PROBLEM FOR YOU?
THAT'S BECAUSE YOU'VE NEVER HAD AN EX‐WIFE.
AND I MEAN IT.
[ ENGINE SHUTS OFF ]
[ CAR DOOR OPENS ]
[ DOORBELL RINGS ]
[ CHUCKLES ]
[ LAUGHS ]
I CAN'T BELIEVE THIS.
YEAH?
HI.
I'M SORRY. I'M HERE FROM JUDGE CRYER'S CAMPAIGN OFFICE.
I HAVE A DELIVERY FOR HIM.
SURE. DO I NEED TO SIGN FOR IT?
N‐NO. ACTUALLY, I WAS TOLD I HAVE TO PUT IT IN HIS HANDS.
SURE.
COME ON IN.
DAD!
Jim: YEAH?
WHERE ARE YOU?
IN MY OFFICE.
YOU HAVE A DELIVERY.
JUST RIGHT THROUGH THERE.
THANK YOU. BRING IT IN.
OFFICE RIGHT THERE, YEAH.
ALL RIGHT.
YEAH. JUST PUT IT ON THE COFFEE TABLE.
THANK YOU.
WHAT'S GOING ON?
CELINE, WHAT ARE YOU DOING HERE?
I'M ‐‐ I'M JUST...
WHAT ‐‐ UM...
I'M GETTING A DELIVERY FROM MY OFFICE,
BUT I DON'T SEE HOW THAT'S ANY BUSINESS OF YOURS.
WELL, NO. NO, SIR.
I JU‐‐ I WAS JUST WONDERING ‐‐
THEN JUST WONDER SOMEWHERE ELSE.
GET OUT OF MY OFFICE.
CELINE, GO ON. WHAT? Carlos: HEY, HEY. HEY. HEY.
DON'T TALK TO MY MOTHER LIKE THAT.
YOUR MOTHER?
[ SPEAKS SPANISH ]
YOU DON'T RECOGNIZE ME?
YOU'RE SOME SNOT‐NOSED LITTLE KID
THAT USED TO VOLUNTEER AT MY CAMPAIGN OFFICE.
WHY THE HELL ELSE SHOULD I RECOGNIZE YOU?
I'M YOUR SON.
SAY THAT AGAIN.
I'M YOUR SON.
CARLOS.
HEY. HEY!
ENGLISH.
PLEASE.
CARLOS.
I SAW YOU ON THE NEWS DEFENDING YOUR SON.
YOU TALKED ABOUT HOW MUCH YOU LOVE YOUR FAMILY
AND HOW MUCH YOU LOVE YOUR SON.
I'M YOUR SON.
I'M YOUR SON, TOO. WHAT ABOUT ME?
HMM? WHAT ABOUT ME?
IS THAT THE TYPE OF MAN THAT YOU ARE?
YOU'RE NOT LISTENING TO ME, PLEASE!
NO, I'M NOT LISTENING TO YOU ANYMORE, MOM.
I'VE SAT, AND I'VE WAITED.
AND I'VE WAITED FOR YOU...
...BECAUSE SHE TOLD ME YOU WERE COMING BACK.
THAT WAS A LONG TIME AGO.
LET IT GO. PLEASE.
YEAH.
PLEASE.
AND I'M STILL WAITING.
LET IT GO.
JUST GO. PLEASE.
JIM.
¿QUé, MAMá?
I HAD TO COME!
WHY? I TOLD YOU! WHY? BECAUSE.
BECAUSE YOU'RE NOT GONNA MAKE A MOVE, I'M GONNA DO IT.
MAMá, I'M TIRED WITH IT. I'M DONE.
I CAN'T KEEP LIVING THIS LIE.
BUT YOU SHOULD HAVE ASKED ME. ASKED YOU? FOR WHAT?
THEY ARE NOT LIES, CARLOS! HUH?
MAMá...
I LOVE YOU,
BUT I CAN'T KEEP LIVING THIS LIE.
CARLOS.
[ SIGHS ]
[ ENGINE TURNS OVER ]
NEXT ON "THE HAVES AND THE HAVE NOTS"...
HOW DID HE KNOW I WAS HIS FATHER?
Celine: LOOK AT HIM, JIM.
DO YOU THINK HE'S STUPID?
I DID NOT SLEEP WITH HER.
I DON'T BELIEVE YOU.
THAT BOY DIDN'T KILL THAT BABY.
THEN WHERE IS HE?
WHERE IS SHE? I DON'T CARE.
[ GRUNTING ]
WHAT HAPPENED? ASK YOUR DADDY
WHY HE'S BEEN SCREWING MY GIRL.
WHAT?!
I WANT YOU TO FIND OUT
EVERYTHING YOU CAN ABOUT THAT BASTARD.
I'M ON IT.
AND IF HE WAS IN PRISON FOR MURDER,
HOW THE HELL DID HE GET OUT?!