PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...
WHAT IS THIS?
THE MOTHER OF THE LITTLE GIRL SAW THE DRIVER.
Judge: I'M GOING TO SIDE WITH THE FATHER...
PLEASE! PLEASE, DON'T DO THIS!
[ Sobbing ] PLEASE. PLEASE! MOVE.
PLEASE. PLEASE, DON'T DO THIS.
I'M SORRY, HANNA. PLEASE.
PLEASE, GIVE ME SOME MORE TIME. PLEASE. PLEASE!
I'M SORRY. PLEASE.
[ SOBS ]
GET UP. NO! MOVE!
GET UP! GET UP! STOP IT!
LEAVE ME ALONE, CANDACE.
TONY, PLEASE, WAIT. I'M BEGGING YOU.
YOU DO NOT BEG THIS MAN FOR NOTHING!
THIS IS FOR YOUR BROTHER.
COME ON, LET'S GO TO THE HOSPITAL.
TONY, NO. WAIT.
WAIT. WAIT.
PLEASE, PLEASE. PLEASE, JUST LET ME SAY GOODBYE TO HIM.
PLEASE! PLEASE, JUST TAKE ME WITH YOU.
MAMA! CANDY.
GOD, SHUT UP, CANDACE!
COME ON. NO.
I PROMISE YOU...
[ Voice breaking ] I PROMISE YOU, IF YOU DO THIS,
I WILL USE EVERY BIT OF MY POWER TO MAKE YOUR LIFE HELL.
I SWEAR.
IF THERE IS A GOD, I WILL DO IT.
TONY, PLEASE.
PLEASE, WAIT TILL I GET THERE.
[ SOBS ]
MAMA, I'LL TAKE YOU.
I'LL TAKE YOU.
MAMA, WHERE ARE YOU GOING?!
THE PARKING LOT'S THIS WAY!
[ Sobbing ] NO, WAIT, WAIT!
TAXI!
PLEASE, TAXI!
TAXI, PLEASE!
MAMA, I TOLD YOU I WILL TAKE YOU TO THE HOSPITAL.
NO, YOU GO ON. TAXI!
YOU ARE WASTING ‐‐ YOU ARE WASTING TIME.
LOOK, I'M NOT GETTING IN THAT CAR WITH YOU.
IF ‐‐ IF THEY GET THERE BEFORE YOU,
YOU WON'T BE ABLE TO SEE HIM. IS THAT WHAT YOU WANT?
JUST GO ON.
I KNOW YOU HATE ME, BUT IT'S BENNY!
[ Voice breaking ] MAMA...
IT'S BENNY.
FINE.
WAIT, WAIT.
JUST GO AHEAD.
[ CAR PHONE BEEPS ]
[ Ringing ]
Jim: DAMN IT. [ CELLPHONE RINGS ]
WHO KEEPS CALLING YOU?
NOBODY IMPORTANT.
ANSWER IT, JIM.
DAVID, PLEASE.
YOU NEED TO ANSWER YOUR PHONE.
EXCUSE ME.
HELLO.
CANDACE: Jim?
[ CELLPHONE BEEPS ]
THAT THE CRIMINAL?
CAN WE JUST DO THE MARCH, PLEASE?
HAVE YOU NOTICED?
WHAT?
THE T‐SHIRTS, THE BANNERS.
NO, I HAVEN'T NOTICED THE T‐SHIRTS OR THE ‐‐
OF COURSE I'VE NOTICED THE T‐SHIRTS AND THE BANNERS.
REMIND ME AGAIN WHY WE'RE HERE.
MAGGIE.
THIS IS INSANE.
‐‐Captions by VITAC‐‐ www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS
[ CAR PHONE BEEPS ]
JIM?
I KNOW YOU ARE NOT CALLING THAT WOMAN'S HUSBAND.
[ CAR PHONE BEEPS ]
DAMN IT, JIM. ANSWER THE PHONE.
JUST STOP IT, CANDACE. JUST STOP IT.
HE CAN HELP ME WITH THIS.
HE CAN CALL THAT JUDGE AND GET HIM TO DO SOMETHING.
JUST STOP IT.
[ CAR PHONE BEEPS ]
JIM?
[ SIGHS ] I KNOW YOU CAN HEAR ME.
THAT MAN IS NOT GONNA HELP YOU.
DO YOURSELF A FAVOR AND SHUT YOUR MOUTH.
DON'T TALK TO ME LIKE THAT.
AS IF YOU DON'T TALK TO ME LIKE THAT.
HE DON'T CARE ABOUT YOU.
AND THAT MAN IS NOT GONNA HELP YOU.
WE'LL SEE ABOUT THAT.
[ CELLPHONE RINGS ]
CRIMINAL'S ACTING A COMPLETE ASS.
ARE YOU ABLE TO CONTROL HER? YES.
IT'S A LOT OF PHONE CALLS.
IT'S FINE.
ARE YOU SURE?
YES, I'M SURE.
JIM! EXCUSE ME, SORRY. DAVID.
MAGGIE.
I'VE BEEN LOOKING ALL OVER FOR YOU GUYS.
WHAT ARE YOU DOING WAY BACK HERE?
NO ONE CAN SEE YOU. [ CHUCKLES ]
[ SIGHS ] ALL RIGHT, SO THERE'S A LOT OF CAMERAS, JIM.
MAKE SURE THAT YOU'RE ON.
AND, DAVID, TRY AND STAND NEXT TO THE FAMILY IF YOU CAN.
IF I CAN.
OKAY, LET'S GO.
[ INDISTINCT CONVERSATIONS ]
PARDON ME. SORRY, SORRY. PARDON US.
[ EXHALES SHARPLY ]
ALL RIGHT, JIM.
EVERY PHOTO SHOULD HAVE YOU IN IT.
[ SIGHS ] SURE. [ CLEARS THROAT ]
OH, REVEREND WATERS.
OH, YES? HI.
HI, MAGGIE.
YOU KNOW JIM CRYER.
JIM. REVEREND.
HI. HI.
YOU DON'T KNOW WHAT IT MEANS FOR US TO HAVE YOU OUT HERE TODAY.
YOUR WIFE'S FATHER WAS A PILLAR OF THIS STATE.
AND, WELL, YOU RUNNING FOR GOVERNOR?
[ CHUCKLES ] THIS WILL GO A LONG WAY.
I'M SURE IT WILL, REVEREND,
BUT THIS IS NOT ABOUT RUNNING FOR GOVERNOR.
THIS IS ABOUT FINDING JUSTICE.
YES, IT IS. YES.
HAVE YOU MET MICHAEL, THE GRANDFATHER OF THE LITTLE GIRL?
NO. HMM.
MICHAEL, COME.
YES.
THIS HERE IS JIM CRYER, OUR FUTURE GOVERNOR.
HE'S GONNA BE MARCHING WITH US TODAY.
ALL RIGHT.
AND MR. DAVID HARRINGTON, OUR FUTURE LIEUTENANT GOVERNOR.
MICHAEL, HOW ARE YOU?
THANK YOU FOR COMING.
SURE. SURE.
I ONLY WISH IT WERE UNDER BETTER CIRCUMSTANCES.
YEAH, ME, TOO.
HANNA YOUNG TOLD ME SHE WORKED FOR YOU.
SHE DID?
YES.
WELL, YES. YES, SHE DOES.
SHE WORKS FOR ‐‐ SHE WORKS FOR ME, MY FAMILY.
OH, I SEE THIS IS A BIT PERSONAL.
YES, IT IS.
WELL, WE ALL WANT JUSTICE.
OF COURSE WE DO.
THANK YOU.
WOULD YOU WEAR THIS?
WELL, YES, SURE. CERTAINLY.
I SEE YOU HAVE THE DRIVER'S FACE ON ALL THE T‐SHIRTS, BANNERS.
YES. AND HERE'S ONE FOR YOU.
AH, THANK YOU.
WE FIGURE, WITH ALL THE NEWS VANS AND CAMERAS,
WE'LL BE ABLE TO CATCH THIS GUY.
YES, WELL, MAYBE SO.
ALL RIGHT.
PUT THE T‐SHIRTS ON. I'LL SEE YOU AT THE FINISH LINE.
REVEREND.
MICHAEL.
OH, YOU'RE NOT MARCHING WITH US?
[ SIGHS ]
YOU KNOW, THESE HEELS JUST DON'T DO WELL WITH MARCHES.
[ CHUCKLES ]
THANK YOU, THANK YOU.
DAVID...
I CAN'T WEAR THIS.
LOOK, I KNOW. I KNOW. LOOK, I'LL TAKE IT.
YOU CAN'T WEAR YOURS, EITHER.
JIM, I KNOW.
I HANDLED IT.
WHY DON'T I FEEL COMFORTED?
MY PEOPLE!
COME, LET US MARCH!
[ INDISTINCT SHOUTING ]
All: [ Chanting ] JUSTICE.
JUSTICE.
JUSTICE. JUSTICE.
JUSTICE.
[ CRIES ] [ Sobbing ] WHERE HE IS?
OH! WHERE IS HE?
WHERE IS HE? WHERE IS HE? WHERE IS HE?
NO.
NO!
[ CRIES ]
OH!
I DON'T ‐‐
NO.
I TRIED, BENNY.
THEY KILLED HIM.
[ DOOR CLOSES ]
NO.
[ SOBBING ]
MY BABY!
OH!
OH.
HE DIDN'T WAIT FOR ME.
I'M SORRY.
I'M SORRY, BENNY.
[ SOBBING ]
[ ENGINE SHUTS OFF ]
[ CAR DOOR CLOSES ]
[ DOG BARKING IN DISTANCE ]
YOU OKAY, HANNA?
HE KILLED HIM.
WHO?
MY SON IS DEAD.
HANNA.
HE JUST TOOK HIS LIFE.
WHO?
TONY.
HIS TRIFLING‐ASS FATHER JUST TOOK HIM OFF LIFE SUPPORT.
HANNA...
I'M SO SORRY.
MY SON IS DEAD.
HE'S DEAD.
THIS IS SO WRONG.
I CAN'T BELIEVE HE DID THIS.
THAT'S MY SON, BYRON.
[ Sobbing ] NO. NO, NO, NO, NO, NO.
LORD, I CAN'T DO THIS. I WON'T DO THIS.
GOD, GOD, I KNOW YOU HEAR ME.
NO, LORD.
HANNA.
I GOT NOTHING BUT YOU, GOD.
I GOT NOTHING BUT YOU.
OH, HANNA.
IT'S GONNA BE OKAY.
NO.
NO, IT'S NOT.
IT'S NOT.
[ SNIFFLES ]
COME ON.
LET'S GO INSIDE.
HE DIDN'T EVEN LET ME SAY GOODBYE.
NO, WAIT.
I DON'T GET HIS BODY.
NO. COME ON.
I DON'T EVEN GET HIS BODY.
COME ON, HANNA.
WHAT DO I DO?
WE'LL FIGURE IT OUT.
COME ON, INSIDE.
Amanda: [ LAUGHING ]
Jeffery: [ SIGHS ]
AMANDA?
WHAT?
ARE YOU OKAY?
I'M FINE.
LEAVE ME ALONE, JEFFERY.
[ LAUGHING ] [ CELLPHONE RINGS ]
HELLO? HELLO? HELLO?
VERONICA: Hello, son.
[ SIGHS ]
MOM. HI.
I WAS CHECKING TO SEE HOW LONG I SHOULD KEEP THIS PHONE ON.
Oh, I, uh ‐‐
I CONTACTED THE TAILOR,
AND HE SAID YOU HADN'T CONTACTED HIM YET.
NO, I'VE BEEN BUSY.
And you haven't moved back into your apartment.
NO.
WHAT'S GOING ON, JEFFERY?
UH, I ‐‐
If you think I'm playing, that would be a mistake.
[ SIGHS ] NO, I DON'T THINK YOU'RE PLAYING.
THAT'S [SCOFFS] THE SAD PART.
Oh, no, no. Not so flip.
THAT WOULD BE A MISTAKE, AS WELL.
SORRY.
That's better.
Now, your father's having a meeting today
at his campaign office.
ALL OF THE STAFF.
I WANT YOU THERE AT 5:00.
DO YOU UNDERSTAND?
YES, MOM. Okay.
Call the tailor,
make sure he has enough time to make all the alterations.
GO HOME AND GET CLEANED UP.
OKAY. Okay.
I will text you the address.
I LOVE YOU, SON.
Love you too, mom.
[ CHUCKLES ]
[ CELLPHONE BEEPS ]
[ GROANS ]
HEY.
HI.
Amanda: [ LAUGHS ]
AH, YEAH. THIS WOMAN.
AH, WELL, AMANDA'S BEEN IN THE BATHROOM.
SHE WON'T COME OUT.
SHE'S BEEN LAUGHING FOR ABOUT AN HOUR.
WHO'S IN THERE WITH HER?
NO ONE.
[ Chuckling ] WHAT?
IT ISN'T FUNNY.
THAT GIRL IS A NUT.
NO, THIS IS SERIOUS. THIS IS NOT FUNNY.
JEFFERY, YOU KNOW I'M KIDDING.
DO I?
YES.
AMANDA!
HI.
I'LL BE OUT IN A SECOND.
OKAY.
I THINK WE NEED TO GET HER CHECKED INTO A FACILITY,
BECAUSE SHE'S ONLY GETTING WORSE.
SHE'S FINE.
NO. SHE IS.
NO, SHE'S NOT.
[ DOOR OPENS ]
HI.
HEY.
JEFFERY THINKS YOUR CRAZY. WHOA, WAIT ‐‐
WHAT? I NEVER SAID "CRAZY."
HE SAID YOU'VE BEEN IN THE BATHROOM, LAUGHING FOR HOURS.
THAT IS NOT TRUE.
[ EXHALES SHARPLY ]
AMANDA.
WHAT ARE YOU STILL DOING HERE?
I'M ‐‐ LISTEN, I'M ONLY CONCERNED.
JEFFERY, NO ONE IS EVER GONNA TELL ME WHAT TO DO AGAIN, OKAY?
YOU'RE NOT MY PARENTS, SO STOP ACTING LIKE IT.
PEOPLE HAVE TO GO SOMETIMES. THAT'S WHAT HUMAN BEINGS DO.
THAT'S IT, AMANDA.
STAND UP FOR YOURSELF.
YOU SEE, JEFFERY.
THAT'S WHAT PEOPLE DO.
THEY COME, AND THEY GO.
THEY LIVE, AND THEY DIE.
DIE?
ARE YOU OKAY?
MY BROTHER IS DEAD.
[ SIGHS ]
I'M SORRY, CANDACE.
OH, MAN.
I DIDN'T EVEN GET A CHANCE TO SAY GOODBYE,
BUT THAT'S MY LIFE, RIGHT?
[ SCOFFS ]
ARE YOU GONNA BE OKAY?
[ SNIFFLES ]
DO I LOOK OKAY?
PEOPLE DIE.
YEAH, THIS ISN'T HEALTHY.
IT'S OKAY TO LET IT GO.
LET GO OF WHAT?
WHATEVER EMOTION YOU HAVE CONNECTED TO LOSING HIM.
I'VE ONLY GOT ONE EMOTION, JEFFERY.
JUST ONE.
AND WHAT'S THAT?
RAGE.
FOR WHOEVER DID THIS.
AND FOR WHOEVER DIDN'T HELP HIM.
[ Sighing ] OH, MAN.
I HOPE SHE'S GONNA BE OKAY.
YEAH, ME, TOO.
OH.
OH, I CAN SMELL HIM.
LORD JESUS, YOU'RE GONNA HAVE TO HELP ME.
BUT NONETHELESS, LORD...
...YOUR WILL BE DONE.
YOUR FAITH IS INSPIRING TO ME, HANNA.
YOU OKAY? YOU WANT TO LAY DOWN?
I WANT MY SON.
I KNOW.
I'M SORRY.
[ SNIFFLES ]
HE WAS SUCH A GOOD BOY.
OH.
[ SIGHS ]
FROM THE TIME HE WAS BORN,
HE WOULD WAKE ME UP AND HUG ME.
[ CHUCKLES ]
MM.
I REMEMBER BEING SO STRESSED OUT WITH WORK,
SO TIRED.
MY BABY.
MM, MY BABY.
WHEN HE WAS 5,
HE USED THE STOVE AND BURNED HIS LITTLE ARM.
AND I ‐‐ I WAS ABOUT TO FUSS OR SCREAM AT HIM OR SOMETHING.
[ Voice breaking ] AND HE ‐‐ AND HE CAME TO ME,
AND HE SAID, "MAMA,
I WAS TRYING TO MAKE YOU SOME BREAKFAST
SO YOU WOULDN'T HAVE TO DO IT FOR ME."
"WHEN I GET BIG, I'M GONNA BE RICH.
AND I'M GONNA TAKE CARE OF YOU.
AND YOU WON'T HAVE TO WORK THIS HARD."
EVERYDAY, I SEE HIM DRIVING THAT TRUCK,
TRYING TO HELP ME OUT.
I FEEL SO BAD,
JUST SO BAD
THAT HE WAS CHAINED TO TRYING TO MAKE MY LIFE BETTER.
I WANTED BETTER FOR HIM.
[ CELLPHONE RINGS ]
OH.
[ SIGHS ]
MY BOSS.
MY EX‐BOSS.
YOU GONNA GET IT? NO.
I GUESS SHE'S HEARD.
I GUESS SHE HEARD.
I CAN'T TALK TO HER.
I CAN'T.
I KNOW WHO DID THIS.
WHO, HANNA?
HER SON, WYATT CRYER...
JUDGE CRYER'S SON.
[ BIRDS CHIRPING ]
HANNA, IT IS ME.
PLEASE, PLEASE CALL ME.
I KNOW YOU'RE ANGRY.
I KNOW YOU'RE UPSET.
BUT IT IS IMPERATIVE THAT I TALK TO YOU.
I HAVE SOMETHING VERY IMPORTANT TO TELL YOU.
IF YOU DON'T CALL ME BACK, I'M COMING TO YOUR HOUSE.
DO YOU HEAR ME?
[ SIGHS ] I'VE BEEN CALLING YOU ALL MORNING.
[ KNOCK ON DOOR ] PLEASE CALL ME.
GOODBYE.
[ CELLPHONE BEEPS ] COME IN.
[ DOOR OPENS ]
JEFFERY.
HI.
HOW ARE YOU?
I'M GOOD.
GOOD.
IS WYATT HOME?
MM‐HMM. HE'S IN HIS ROOM.
I CAN SEE HIM? MM‐HMM.
OKAY.
UH, YOU KNOW WHAT?
MISS CRYER... MM‐HMM.
...CAN I TALK TO YOU FOR A SECOND?
WELL, YEAH.
IT'S ‐‐ IT'S ABOUT AMANDA.
WHAT ABOUT HER?
I THINK SHE MAY BE HAVING A BREAK.
A BREAK?
YES.
WHAT KIND OF BREAK?
DISSOCIATIVE.
AND YOU WOULD KNOW THIS HOW?
WELL, I'VE BEEN SPENDING TIME WITH HER.
WHERE?
AT THEIR APARTMENT.
SHE AND NINE.
NINE?
THAT GIRL.
CANDACE?
ONE AND THE SAME.
YEAH. YEAH.
WHAT IS AMANDA DOING?
WELL, SHE'S NOT SLEEPING.
SHE'S ‐‐ SHE HAS ERRATIC BEHAVIORS,
DISASSOCIATING, NIGHTMARES,
LEAVING AT ALL HOURS OF THE NIGHT.
AND THEN, WHEN I ASK HER WHERE SHE'S GOING, SHE NEVER SAYS.
NIGHT SWEATS ‐‐ ALL THE SAME THINGS AS BEFORE.
BUT BEFORE, IT WAS...
BEFORE, JEFFERY, IT WAS AFTER A TRAUMA.
HAS SHE SAID IF ANYTHING'S HAPPENED?
OTHER THAN SUING YOU?
YOU KNOW ABOUT THAT?
YES.
IS SHE REALLY SERIOUSLY ABOUT IT?
WHERE SHE STANDS IN PSYCHOSIS, ANYTHING'S POSSIBLE.
OF COURSE IT IS, WITH A PUPPET MASTER LIKE THAT GIRL.
SHE'S NOT INVOLVED, MISS CRYER.
TELL THAT TO SOMEONE ELSE.
LOOK, I DIDN'T TELL YOU THIS TO BLAME CANDACE.
IT'S REALLY ABOUT AMANDA.
WELL, WHAT DO YOU PROPOSE I DO?
GET HER SOME HELP.
SHE HAS TO WANT IT, JEFFERY.
WELL, MISS CRYER, IN THIS CASE,
I THINK YOU MAY WANT TO FORCE IT ON HER.
YOU THINK IT'S THAT BAD?
SHE ASKED ME WHERE SHE COULD GET A GUN.
A GUN?
YES.
[ EXHALES SHARPLY ] WHAT ON EARTH FOR?
WELL...
TELL ME.
SHE ‐‐
IS SHE THINKING ABOUT TAKING HER OWN LIFE?
NO. NO, IT'S NOT THAT.
[ SIGHS ]
WELL, THEN, WHAT DOES SHE NEED A GUN FOR?
SHE WANTED IT FOR YOU, MR. CRYER, AND WYATT.
US?
I DON'T UNDERSTAND.
SHE WANTED TO KILL YOU.
OH.
[ SIGHS ]
YEAH.
THAT'S NEW.
YEAH, BUT THEN, IN THE NEXT BREATH,
SHE SAYS SHE WAS JUST KIDDING.
SO I DON'T KNOW.
I JUST THINK THE WHOLE THING NEEDS TO BE TAKEN SERIOUSLY.
YEAH.
IT SHOULD.
THANK YOU, JEFFERY.
YES, MA'AM.
I KNOW NINE IS ALL OVER THIS.
WHO IS NINE?
NO ONE IMPORTANT.
GO ON UP.
WE SHALL SEE.
[ KNOCK ON DOOR ] COME IN.
HEY.
HI.
HOW ARE YOU?
GOOD.
WHAT'S GOING ON?
[ CLEARS THROAT ]
CANDACE'S BROTHER DIED.
OH, NO.
HE DIED?
MM‐HMM.
BUT THAT'S NOT IT.
WHAT?
WHAT MORE, JEFFERY?
MY MOM HAS THE CAR.
WHAT?
YES.
WHY?
SHE'S HOLDING IT AGAINST ME.
SHE'S USING IT HOSTAGE.
I'M CONFUSED.
WHAT ‐‐ I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
SHE WANTS ME TO GO BACK TO THE WAY I WAS,
OR SHE SAID SHE WILL TURN ME IN.
JEFFERY, TURN YOU IN FOR WHAT?
HELPING YOU, WYATT.
[ SCOFFS ]
HELPING ME?
YEAH.
JEFFERY, YOU DIDN'T DO ANYTHING.
I KNOW THAT.
IF SHE TURNS YOU IN, SHE'S TURNING ME IN, TOO.
I KNOW.
BUT WHAT DOES SHE WANT?
I TOLD YOU.
SHE WANTS ME TO GO BACK TO THE WAY THAT I WAS.
AND WHAT DOES THAT MEAN, JEFFERY?
[ SIGHS ]
SHE WANTS ME TO LIVE AT THE FACILITY,
TO GO BACK TO THE LIFE WITH THE PATIENTS AND THE CLIENTS,
GET A GIRLFRIEND,
PRETEND TO BE SOMETHING I'M NOT.
PRETEND TO BE STRAIGHT,
LIVE IN THE CLOSET.
JEFFERY, SHE'S TALKING ABOUT SENDING YOU TO PRISON.
WYATT, I HAVE BEEN IN PRISON ALL MY LIFE.
AND NOW I COME OUT.
[ SIGHS ] AND I GOT TO TELL YOU, THIS WEEK HAS BEEN SO FREEING.
I FEEL GOOD.
AND I DON'T WANT TO GO BACK TO THAT.
NO. SHE CAN'T ASK ME TO DO THAT.
[ SIGHS ]
MM.
JEFFERY, THIS IS OUR FREEDOM.
THIS IS YOUR FREEDOM.
EITHER WAY, I'M NOT FREE.
[ SIGHS ]
SO, WHAT ARE YOU GONNA DO?
I DON'T KNOW.
YOU REALLY THINK SHE'S GONNA TURN US IN IF YOU DON'T DO IT?
YOU KNOW MY MOTHER.
[ SIGHS ]
THEN I SHOULD TELL MY DAD THAT SHE HAS THE CAR.
SHE WON'T CARE.
THEN TELL YOUR DAD.
SHE WON'T GIVE UP, MAN.
SHE HAS ME RIGHT WHERE SHE WANTS ME.
THIS IS THAT IMPORTANT TO HER?
SHE DOESN'T WANT ME TO BE WHO I AM.
IT IS THAT IMPORTANT TO HER.
[ SIGHS ]
SO, WHAT ARE YOU GONNA DO?
WHAT I HAVE TO.
WHAT'S THAT?
LIVE MY LIFE. I'M NOT GOING BACK.
JEFFERY.
THIS IS ME TOO, MAN.
I KNOW.
YOU CAN'T DO THAT.
TAKE YOUR CLOTHES OFF.
WHAT?
TAKE YOUR CLOTHES OFF.
JEFFERY.
YOU KNOW I WANT YOU.
I'M NOT DOING THAT.
[ SLAPS KNEE ]
OKAY.
THEN I GUESS YOU'VE MADE MY DECISION FOR ME.
JEFFERY, YOU CAN'T DO THAT TO ME.
OH?
OKAY. WELL, MAYBE THAT WAS A LITTLE TOO MUCH.
WE'LL START WITH A KISS.
KISS ME.
JEFFERY.
KISS ME.
[ EXHALES SHARPLY ]
SEE HOW AWFUL THIS IS...
...TO FOOL SOMEONE...
...TO MAKE THEM FEEL WORTHLESS...
...TO USE THEM FOR YOUR OWN SAKE?
IF I WAS RUTHLESS LIKE CANDACE OR MY MOTHER,
YOU WOULD BE DOING ANYTHING I ASKED YOU TO DO.
BUT I'M NOT.
YOU HURT ME, WYATT.
BUT I STILL LOVE YOU,
AND I'M STILL YOUR FRIEND.
JEFFERY.
LISTEN, I'M SORRY.
DON'T WORRY ABOUT IT.
NOW WE'RE EVEN.
[ SIGHS ]
OKAY. SO...
SO, WHAT ARE YOU GONNA DO?
I'M GONNA DO WHAT I HAVE TO.
I HAVE TO PROTECT YOU AND ME.
I'M SORRY.
BUT THANK YOU.
[ LOCK CLICKS ]
WHO ARE YOU?
VERONICA.
DO I KNOW YOU?
NO, YOU DON'T.
WHAT DO YOU WANT?
DO YOU KNOW A YOUNG LADY BY THE NAME OF CANDACE YOUNG?
WHY?
BECAUSE I'D LIKE TO KNOW.
NO, NO, NO, NO. WHY YOU WANT TO KNOW?
OH, YOU'RE ONE OF THEM.
ONE OF WHAT?
"NO SNITCH" OR WHATEVER THAT GHETTO CRAP IS YOU GUYS SAY.
WHAT DO YOU WANT, LADY?
DO YOU WANT TO BE IN HERE FOR THE REST OF YOUR LIFE?
WHAT CAN YOU DO ABOUT IT?
MAYBE I CAN HELP YOU GET OUT.
HOW?
BY YOU ANSWERING MY QUESTION. SO YOU KNOW CANDACE YOUNG?
SUPPOSE I DO.
IS SHE THE MOTHER OF YOUR CHILD?
MAYBE.
IS SHE, OR IS SHE NOT?
HOW YOU GONNA GET ME OUT OF HERE?
I AM A VERY POWERFUL WOMAN,
AND I CAN MAKE THINGS HAPPEN VERY QUICKLY.
NOW, IS SHE?
MAYBE.
WHEN IS THE LAST TIME YOU SPOKE WITH HER?
YOU GOT TO TELL ME SOMETHING.
SHE HAS MADE SOME VERY POWERFUL ENEMIES,
AND THEY WOULD LIKE TO SEE YOU GET OUT
AND SPEND SOME TIME WITH HER, PUTTING HER IN LINE,
LIKE YOU SEEM TO HAVE DONE SO DELICATELY IN THE PAST.
SHE FELL.
OH, SO YOU DO KNOW CANDACE YOUNG.
AND SHE MUST HAVE FALLEN FROM A SKYSCRAPER.
NOW, WHEN'S THE LAST TIME YOU SPOKE WITH HER?
[ SIGHS ]
TWO YEAR AGO.
WHY SO LONG?
LOOK, I'M NOT GIVING HER UP ON ANYTHING,
SO IF YOU WANT ME TO SNITCH, IT AIN'T HAPPENING.
[ CHUCKLES ] IT'S FUNNY THAT YOU WOULD BE SO LOYAL TO HER
WHEN SHE DROPPED DIME ON YOU, GAVE YOU UP.
SHE WOULDN'T DO THAT.
HOW DO YOU THINK THEY KNEW SO MUCH ABOUT YOU,
THINGS THAT YOU ONLY TOLD HER?
COME ON, QUINCY. YOU'RE NOT THAT SLOW.
I CAN'T LET MYSELF THINK SHE'D DO THAT TO ME.
DON'T LET YOURSELF THINK IT. KNOW IT.
HERE. HERE'S THE FILE.
SHE ‐‐
SHE LOVES ME.
SHE LOATHED YOU. SHE HATED YOU.
SHE'S LIVING IT UP, AND YOU'RE IN HERE.
YOU DON'T SEEM TO WANT TO GET OUT.
WHAT DO I HAVE TO DO?
TO GET OUT?
YES.
HANDLE YOUR BUSINESS.
ISN'T THAT WHAT YOU GUYS SAY?
I'LL BE IN TOUCH WITH YOU.
YOU...
...ARE ABOUT TO RECEIVE A PAROLE HEARING.
[ CHUCKLES ]
THANK YOU. YOU'RE VERY WELCOME.
IT'S THE LEAST WE COULD DO.
I HAD SOMEONE BRING YOUR CAR AROUND.
OH. THANK YOU.
WE'RE ON ALL THE NATIONAL NETWORKS.
HIS PICTURE WENT EVERYWHERE. WE'RE GONNA CATCH THIS GUY.
THANK YOU SO MUCH.
SURE.
DO YOU HAVE TIME TO TALK TO CNN?
UH...
SORRY, REVEREND. WE REALLY DO HAVE TO GO.
WELL, IT'LL ONLY TAKE A SECOND.
NO. WE HAVE TIME.
THIS IS FOR THE VICTIMS IN THIS CASE, REVEREND.
I'M SORRY. IT'S NOT A GOOD TIME FOR A POLITICAL SPEECH.
WELL, I RESPECT THAT.
WHAT YOU HAVE DONE WILL GO A LONG WAY.
THANK YOU. YOU'RE VERY WELCOME.
LET'S GO ON. LET'S GET IN.
WHAT THE HELL WAS THAT?
WHAT?
WE HAD AN IN. THAT WAS CNN.
WELL, WE HAD TO TAKE A PASS. WE'RE TIRED.
CUT THE CRAP. WHAT IS GOING ON HERE?
I'LL TELL YOU AT THE OFFICE.
[ CELLPHONE RINGS, BEEPS ]
YOU BETTER. YOU BETTER HAVE SOME ANSWERS FOR ME.
I WILL, AT THE OFFICE.
YEAH.
REALLY?
OKAY.
[ CELLPHONE BEEPS ]
WHAT WAS THAT?
HANNA.
WHAT ABOUT HER?
SHE JUST MADE THE FIRST MOVE.
MM‐HMM.
COME ON.
I MADE US LUNCH.
[ SIGHS ]
I'M SO SORRY, CANDACE.
IT'S FINE.
PEOPLE DIE.
HOW CAN YOU BE SO STRONG?
IT'S MY LIFE.
PEOPLE DIE.
MEN DIE.
BABIES DIE.
PEOPLE JUST DIE.
BABIES?
JEFFERY, WHERE ARE YOU GOING?
I'M OFF TO CAMPAIGN HEADQUARTERS FOR MY DAD.
AND YOU NEED A SUITCASE FOR THAT?
WELL, THEN I'M MOVING BACK INTO MY PLACE.
SO THANK YOU FOR ALL OF YOUR HOSPITALITY.
WHERE ARE YOU GOING?
WHEREVER HE'S GOING, JUST LET HIM GO.
I'M MOVING BACK INTO MY APARTMENT.
OH, SO YOUR MOM CAME AROUND.
YES.
NO, SHE DIDN'T.
HOW DID SHE DO IT?
IS IT MONEY?
NO.
THAT'S NOT IT.
WHAT DID SHE DO TO YOU?
I JUST ‐‐ I HAVE TO.
WHAT DID SHE DO TO YOU, JEFFERY?
I'M SORRY.
FINE.
GO ON TO YOUR LITTLE CAMPAIGN HEADQUARTERS.
NEED TO TEACH YOU TWO BITCHES HOW TO BE RUTHLESS.
I'M NOT A BITCH.
THAT'S THE PROBLEM.
GO ON.
GO.
WELL, THANKS FOR EVERYTHING.
[ SCOFFS ]
YEAH, WHATEVER.
[ DOOR OPENS ]
[ DOOR CLOSES ]
WHAT'S GONNA HAPPEN TO HIM?
WYATT CRYER?
YEAH.
I'M NOT SURE, BUT HE WILL DEFINITELY GO TO JAIL.
[ KNOCK ON DOOR ]
YES? WE'RE LOOKING FOR HANNA YOUNG.
WHAT DO YOU WANT WITH HER?
WE HAVE A WARRANT FOR HER ARREST, SIR.
FOR WHAT?
LET ME SEE THAT.
IS SHE HERE?
HANNA YOUNG?
Hanna: YES.
HANNA YOUNG, YOU'RE UNDER ARREST.
FOR WHAT?
SHE DOESN'T NEED THE CUFFS.
SORRY, SIR. SHE HAS TO COME WITH US.
BYRON. PLEASE.
I'M THERE, HANNA.
I'M THERE.
OH.
[ HANDCUFFS CLICK ]
[ CAR DOOR OPENS ]
[ DOOR CLOSES ]
[ ENGINE TURNS OVER ]
NEXT WEEK ON "THE HAVES AND THE HAVE NOTS"...
YOU HAVE JUST OFFICIALLY BECOME MY ENEMY.
YOU CAN'T AFFORD ME AS AN ENEMY.
WHAT IS GOING ON?
HOW DO YOU WANT TO HANDLE THE PROBLEM NOW?