1
00:00:02,135 --> 00:00:03,970
PREVIOUSLY ON "THE HAVES
AND THE HAVE NOTS"...
2
00:00:03,970 --> 00:00:06,406
HE'S ON LIFE SUPPORT.
LIFE SUPPORT?!
3
00:00:06,406 --> 00:00:08,174
SHE DOES IT ONE MORE TIME,
I'M GONNA HURT HER.
4
00:00:08,174 --> 00:00:09,643
YOU ALREADY DID.
5
00:00:09,643 --> 00:00:11,612
JEFFERY TOLD US HE'S GAY.
6
00:00:11,612 --> 00:00:13,013
EVERYBODY KNOWS, DAVID.
7
00:00:13,013 --> 00:00:15,115
HOW COULD YOU LOSE MY CAR?
WERE YOU THAT HIGH?
8
00:00:15,115 --> 00:00:16,817
HUH?
9
00:00:16,817 --> 00:00:18,685
ANSWER ME!
10
00:00:18,685 --> 00:00:20,253
JEFFERY, I HAD A WRECK.
11
00:00:20,253 --> 00:00:21,755
WHAT?!
12
00:00:21,755 --> 00:00:24,424
I KNOW
YOU'RE ON DIALYSIS, TONY.
13
00:00:24,424 --> 00:00:26,927
YEAH.
HE CAN GIVE ME HIS KIDNEYS.
14
00:00:26,927 --> 00:00:30,030
I WANT YOU TO GO TO HELL.
15
00:00:44,811 --> 00:00:46,780
HI!
HI!
16
00:00:46,780 --> 00:00:49,149
IS THAT JEFFERY
IN THE SHOWER?
17
00:00:49,149 --> 00:00:50,150
YEAH.
18
00:00:50,150 --> 00:00:51,652
YOU KNOW,
I HAVE TO TELL YOU,
19
00:00:51,652 --> 00:00:53,654
IT'S WEIRD HAVING A GUY
LIVE HERE WITH US.
20
00:00:53,654 --> 00:00:55,355
IT'S FINE.
21
00:00:55,355 --> 00:00:57,691
WELL,
WHEN IS HE GONNA LEAVE?
22
00:00:57,691 --> 00:01:01,568
HE'S FIGURING SOME STUFF OUT,
AND THEN HE'LL GO.
23
00:01:01,568 --> 00:01:03,336
GREAT.
24
00:01:03,336 --> 00:01:06,306
YOU MUST HAVE GOTTEN IN
LATE LAST NIGHT.
25
00:01:06,306 --> 00:01:08,407
UH, YEAH.
26
00:01:08,407 --> 00:01:11,244
MM. THANKS.
27
00:01:11,244 --> 00:01:12,846
WHERE'D YOU GO?
28
00:01:12,846 --> 00:01:15,649
UM...
29
00:01:15,649 --> 00:01:17,017
I WENT AND SAW A MOVIE.
30
00:01:17,017 --> 00:01:19,753
OH!
SEE ANYTHING GOOD?
31
00:01:19,753 --> 00:01:22,689
YEAH.
32
00:01:22,689 --> 00:01:25,559
WHAT DID YOU SEE?
[ CHUCKLES ]
33
00:01:28,161 --> 00:01:29,696
WHAT?
34
00:01:29,696 --> 00:01:31,031
NOTHING.
35
00:01:31,031 --> 00:01:33,900
I HAVEN'T HEARD
FROM MY PARENTS.
36
00:01:33,900 --> 00:01:36,937
NO?
NO. NOT A WORD.
37
00:01:36,937 --> 00:01:38,204
WHAT DO YOU THINK
THEY'RE DOING?
38
00:01:38,204 --> 00:01:41,074
TRYING TO FIGURE
THIS LAWSUIT OUT.
39
00:01:41,074 --> 00:01:43,243
WE DRAFTED IT.
DO YOU THINK MY DAD NOTICES?
40
00:01:43,243 --> 00:01:45,478
WELL, IT WASN'T THAT
WE WERE GONNA SUE THEM.
41
00:01:45,478 --> 00:01:47,180
IT WAS THE THREAT
OF THE LAWSUIT
42
00:01:47,180 --> 00:01:49,215
THAT WAS SUPPOSED TO
GET THEM TO REACT.
43
00:01:49,215 --> 00:01:51,718
WELL, HE'S NOT BUYING IT.
44
00:01:51,718 --> 00:01:52,919
HE WILL.
45
00:01:52,919 --> 00:01:54,555
ARE YOU SURE?
MM‐HMM.
46
00:01:54,555 --> 00:01:57,057
WE NEED TO JUST TURN UP
THE HEAT A LITTLE BIT.
47
00:01:57,057 --> 00:01:58,424
HOW?
48
00:01:58,424 --> 00:02:01,267
I HAVE A FEW IDEAS.
49
00:02:01,267 --> 00:02:02,736
MM‐KAY.
YEAH.
50
00:02:02,736 --> 00:02:03,970
WELL, I'LL SEE YOU.
51
00:02:03,970 --> 00:02:05,606
WHERE ARE YOU GOING?
52
00:02:05,606 --> 00:02:08,942
OH. I SAW THIS PLACE ONLINE
I WAS GONNA GO VISIT.
53
00:02:08,942 --> 00:02:10,143
OH.
54
00:02:10,143 --> 00:02:12,178
DESIGN FOR THE ART.
55
00:02:12,178 --> 00:02:14,047
THAT SOUNDS NICE.
56
00:02:14,047 --> 00:02:15,215
YEAH.
57
00:02:15,215 --> 00:02:17,083
YOU SEEM REALLY HAPPY.
58
00:02:17,083 --> 00:02:19,218
YES, I AM.
59
00:02:19,218 --> 00:02:21,221
YOU SEE WHAT
INDEPENDENCE CAN DO.
60
00:02:21,221 --> 00:02:23,790
YEAH. I LOVE IT.
61
00:02:23,790 --> 00:02:25,158
IT'S POWERFUL.
62
00:02:25,158 --> 00:02:27,728
WE GOT TO GET MY PARENTS
TO GIVE ME THAT MONEY.
63
00:02:27,728 --> 00:02:29,162
THEY WILL.
64
00:02:29,162 --> 00:02:30,831
ARE YOU SURE?
65
00:02:30,831 --> 00:02:32,232
YES.
66
00:02:32,232 --> 00:02:35,235
OKAY. I GOT TO GO.
67
00:02:35,235 --> 00:02:37,771
WAIT. AMANDA.
YEAH?
68
00:02:37,771 --> 00:02:41,407
HAVE YOU SEEN
PROFESSOR CANON?
69
00:02:41,407 --> 00:02:43,143
NO.
70
00:02:43,143 --> 00:02:44,811
AMANDA?
71
00:02:44,811 --> 00:02:46,680
NO, I HAVEN'T.
72
00:02:46,680 --> 00:02:48,815
WHY WOULD I SEE HIM
AFTER WHAT HE DID?
73
00:02:48,815 --> 00:02:50,116
OKAY.
74
00:02:50,116 --> 00:02:51,752
WHY?
75
00:02:51,752 --> 00:02:53,954
I WAS JUST WONDERING.
76
00:02:53,954 --> 00:02:56,557
YOU KNOW HE'S...DANGEROUS.
77
00:02:56,557 --> 00:02:58,592
YEAH.
78
00:02:58,592 --> 00:03:00,233
YEAH. OKAY.
79
00:03:01,668 --> 00:03:03,169
OKAY.
80
00:03:03,169 --> 00:03:04,971
ARE YOU ALL RIGHT?
81
00:03:04,971 --> 00:03:08,008
YEAH. FINE.
82
00:03:08,008 --> 00:03:09,710
OKAY.
83
00:03:09,710 --> 00:03:11,111
I'M GONNA GO.
84
00:03:11,111 --> 00:03:13,914
HAVE A GOOD DAY.
85
00:03:21,487 --> 00:03:24,057
[ DOOR CLOSES ]
86
00:03:28,194 --> 00:03:30,831
"DESIGN FOR THE ART."
87
00:03:50,851 --> 00:03:53,086
[ SIGHS ]
88
00:03:53,086 --> 00:03:54,354
BENNY.
89
00:03:54,354 --> 00:03:55,989
COME ON.
90
00:04:06,840 --> 00:04:09,275
CANDACE!
91
00:04:09,275 --> 00:04:11,912
[ SIGHS ] DAMN,
I WISH YOU WERE STRAIGHT.
92
00:04:13,013 --> 00:04:14,615
SORRY.
93
00:04:14,615 --> 00:04:17,217
TAKE YOUR TIME PUTTING
YOUR CLOTHES ON.
94
00:04:22,556 --> 00:04:24,124
DID I HEAR AMANDA?
95
00:04:24,124 --> 00:04:25,425
SHE JUST LEFT.
96
00:04:25,425 --> 00:04:27,193
SHE LEFT?
MM‐HMM.
97
00:04:27,193 --> 00:04:29,329
WHERE'S SHE GOING
SO EARLY IN THE MORNING?
98
00:04:29,329 --> 00:04:30,363
SHE QUIT LAW SCHOOL.
99
00:04:30,363 --> 00:04:32,032
SHE'S FINE.
100
00:04:33,166 --> 00:04:34,968
I'M WORRIED ABOUT HER.
101
00:04:34,968 --> 00:04:36,803
JEFFERY, SHE'S FINE.
102
00:04:36,803 --> 00:04:38,037
NO, SHE'S NOT.
103
00:04:38,037 --> 00:04:39,138
YES, SHE IS.
104
00:04:39,138 --> 00:04:41,775
CANDACE, YOU DON'T KNOW
HOW THIS WORKS.
105
00:04:41,775 --> 00:04:42,943
YOU SLOWLY GET WORSE.
106
00:04:42,943 --> 00:04:44,210
THAT GIRL IS NOT CRAZY.
107
00:04:44,210 --> 00:04:46,880
NO, SHE'S NOT CRAZY.
SHE'S MENTALLY ILL.
108
00:04:46,880 --> 00:04:50,416
SHE HAS SPENT HER ENTIRE LIFE
HOLDING EVERY DAMN THING IN.
109
00:04:50,416 --> 00:04:51,818
SHE'S FINE.
110
00:04:51,818 --> 00:04:53,920
THAT WOULD MAKE ME CRAZY, TOO.
LET HER GET IT OUT.
111
00:04:53,920 --> 00:04:55,321
IT'S NOT THAT SIMPLE,
CANDACE.
112
00:04:55,321 --> 00:04:57,423
YES, IT IS.
113
00:04:57,423 --> 00:05:00,093
[ SIGHS ]
THIS IS ODD.
114
00:05:00,093 --> 00:05:01,434
WHAT?
115
00:05:01,434 --> 00:05:03,970
MY BROTHER'S
NOT ANSWERING MY CALLS.
116
00:05:03,970 --> 00:05:05,739
MAYBE HE'S BUSY.
117
00:05:05,739 --> 00:05:08,408
NO.
SOMETHING'S NOT RIGHT.
118
00:05:08,408 --> 00:05:10,476
WHY DON'T YOU JUST CALL HIM
AT WORK?
119
00:05:10,476 --> 00:05:13,980
HE'S A TOW‐TRUCK DRIVER.
HIS CELL IS HIS JOB.
120
00:05:13,980 --> 00:05:15,015
TOW‐TRUCK DRIVER?
121
00:05:15,015 --> 00:05:17,250
YES.
AND HE LOVES WHAT HE DOES.
122
00:05:17,250 --> 00:05:19,419
I'M GONNA GO CHECK ON HIM.
123
00:05:19,419 --> 00:05:20,854
WOW, YOU'RE THAT WORRIED?
124
00:05:20,854 --> 00:05:23,023
YEAH, THIS IS NOT LIKE HIM.
125
00:05:23,023 --> 00:05:25,125
WANT ME TO GO WITH YOU?
NO.
126
00:05:25,125 --> 00:05:28,261
BUT I HATE TALKING
TO MY MOTHER.
127
00:05:29,663 --> 00:05:30,764
WAIT A MINUTE.
128
00:05:30,764 --> 00:05:32,165
THE MOTHER
THAT WAS MURDERED
129
00:05:32,165 --> 00:05:33,399
AND WAS THE REASON
130
00:05:33,399 --> 00:05:35,502
WHY YOU'RE IN THE
WITNESS‐PROTECTION PROGRAM?
131
00:05:35,502 --> 00:05:37,337
THAT'S WHO
YOU'RE GONNA TALK TO?
132
00:05:37,337 --> 00:05:39,640
MY MOTHER IS HANNA.
133
00:05:39,640 --> 00:05:42,375
WAIT.
THE CRYERS' MAID?
134
00:05:42,375 --> 00:05:43,644
YES.
135
00:05:45,111 --> 00:05:47,480
OH. WOW.
THAT'S YOUR MOTHER?
136
00:05:47,480 --> 00:05:49,516
YES. NOW LET IT GO.
137
00:05:49,516 --> 00:05:50,851
WELL, YOU'RE GONNA
HAVE TO TALK TO HER
138
00:05:50,851 --> 00:05:52,485
IF YOU WANT TO FIGURE OUT
WHERE YOUR BROTHER IS.
139
00:05:52,485 --> 00:05:55,722
YES. I KNOW THAT,
UNFORTUNATELY.
140
00:05:55,722 --> 00:05:58,559
LISTEN, YOU HAVE TO GET OFF
THAT COUCH AND GO GET A JOB.
141
00:05:58,559 --> 00:06:00,834
I'M WORKING ON IT.
142
00:06:00,834 --> 00:06:02,468
GOOD.
143
00:06:02,468 --> 00:06:04,705
OKAY. YOU'RE TIRED OF ME
ALREADY. I GOT IT.
144
00:06:04,705 --> 00:06:07,774
NO, I'M TIRED OF SEEING YOU
IN THOSE SAME CLOTHES.
145
00:06:07,774 --> 00:06:08,875
AH.
146
00:06:08,875 --> 00:06:11,211
AND I THINK YOU SHOULD
GET IN THE FIGHT.
147
00:06:11,211 --> 00:06:13,880
[ SIGHS ] I AM.
148
00:06:13,880 --> 00:06:17,217
GOOD.
BECAUSE I MAY BE MOVING.
149
00:06:17,217 --> 00:06:18,552
MOVING?!
150
00:06:18,552 --> 00:06:19,820
YEAH.
151
00:06:19,820 --> 00:06:23,957
I'M GONNA PASS THE BAR SOON,
152
00:06:23,957 --> 00:06:27,694
AND I'M THINKING ABOUT MOVING
TO ATLANTA TO START OVER.
153
00:06:27,694 --> 00:06:29,896
REALLY?
YEAH.
154
00:06:29,896 --> 00:06:31,932
WOW. THAT SOUNDS GREAT.
155
00:06:31,932 --> 00:06:33,867
YOU SHOULD COME WITH ME.
156
00:06:33,867 --> 00:06:36,469
REALLY?
MM‐HMM.
157
00:06:36,469 --> 00:06:38,872
YEAH,
GET OUT OF THIS PLACE.
158
00:06:38,872 --> 00:06:40,574
MAYBE YOU'RE RIGHT.
159
00:06:40,574 --> 00:06:41,742
I KNOW I AM.
160
00:06:41,742 --> 00:06:44,344
THIS PLACE IS GETTING
TOO SMALL FOR ME.
161
00:06:44,344 --> 00:06:46,279
BUT WHAT ABOUT AMANDA?
162
00:06:46,279 --> 00:06:48,615
SHE'LL COME, TOO.
163
00:06:48,615 --> 00:06:49,950
REALLY?
164
00:06:49,950 --> 00:06:51,752
YEAH.
165
00:06:51,752 --> 00:06:53,987
WE'LL BOTH
KEEP AN EYE ON HER.
166
00:06:53,987 --> 00:06:54,988
OKAY.
167
00:06:54,988 --> 00:06:56,557
ALL RIGHT,
I'LL THINK ABOUT IT.
168
00:06:56,557 --> 00:07:00,026
YOU THINK ABOUT IT.
AND START LOOKING FOR A JOB.
169
00:07:03,136 --> 00:07:04,838
HERE.
170
00:07:04,838 --> 00:07:07,407
THANK YOU.
MM‐HMM.
171
00:07:11,878 --> 00:07:12,879
WOW.
172
00:07:12,879 --> 00:07:14,648
WHAT?
THIS IS SO SAD.
173
00:07:14,648 --> 00:07:17,250
WHAT?
174
00:07:17,250 --> 00:07:20,754
"LITTLE GIRL KILLED
BY A HIT‐AND‐RUN DRIVER."
175
00:07:20,754 --> 00:07:23,256
YEAH,
I HEARD ABOUT THAT.
176
00:07:23,256 --> 00:07:25,291
MAN, SOME PEOPLE
ARE SO CRUEL.
177
00:07:25,291 --> 00:07:27,260
AND THEY JUST LEFT HER
THERE.
178
00:07:27,260 --> 00:07:28,762
I MEAN... [ SCOFFS ]
179
00:07:28,762 --> 00:07:31,331
AND HERE, LOOK, IT SAYS
THEY HIT ANOTHER GUY, TOO.
180
00:07:31,331 --> 00:07:32,398
HMM.
181
00:07:32,398 --> 00:07:34,300
I GOT TO GO CHECK
ON MY BROTHER.
182
00:07:34,300 --> 00:07:35,669
OKAY, ALL RIGHT.
I'LL SEE YOU.
183
00:07:35,669 --> 00:07:37,470
I'LL SEE YOU LATER.
GOOD LUCK.
184
00:07:37,470 --> 00:07:38,772
THANKS.
185
00:07:48,849 --> 00:07:50,617
OH, MY GOD.
186
00:07:53,186 --> 00:07:55,689
BLACK SEDAN.
187
00:08:05,205 --> 00:08:07,407
JIM, I JUST LEFT THE COURTROOM
LOOKING FOR YOU.
188
00:08:07,407 --> 00:08:08,542
MAGGIE'S WAITING ON YOU.
189
00:08:08,542 --> 00:08:10,443
YOU KNOW WHAT I'M GOING
THROUGH, DAVID.
190
00:08:10,443 --> 00:08:11,878
DID YOU GET
THE INFORMATION?
191
00:08:11,878 --> 00:08:13,079
NO.
DAMN IT, DAVID.
192
00:08:13,079 --> 00:08:14,548
LOOK, VERONICA
WOULDN'T GIVE IT TO ME,
193
00:08:14,548 --> 00:08:15,949
AND I HAVEN'T BEEN
ABLE TO FIND IT.
194
00:08:15,949 --> 00:08:17,718
WHAT IS THE MATTER
WITH THAT WIFE OF YOURS?
195
00:08:17,718 --> 00:08:19,019
LEAVE MY WIFE
OUT OF THIS.
196
00:08:19,019 --> 00:08:20,887
YOUR WIFE IS IN THIS.
SHE'S IN THIS UP TO HERE.
197
00:08:20,887 --> 00:08:22,322
WE ALL ARE.
198
00:08:22,322 --> 00:08:25,291
COME ON. MAGGIE'S WAITING
IN YOUR OFFICE.
199
00:08:25,291 --> 00:08:26,760
OKAY.
200
00:08:26,760 --> 00:08:29,229
THANKS.
201
00:08:29,229 --> 00:08:31,331
THERE HE IS.
202
00:08:31,331 --> 00:08:33,166
HI, JIM.
HI, MAGGIE.
203
00:08:33,166 --> 00:08:35,468
YOU'RE LATE.
YES, I'M LATE.
204
00:08:35,468 --> 00:08:37,571
DAVID, YOU SHOULD SIT
NEXT TO THE GOVERNOR.
205
00:08:37,571 --> 00:08:39,272
ALWAYS SIT
NEXT TO THE GOVERNOR.
206
00:08:40,641 --> 00:08:42,676
ARE YOU OKAY?
207
00:08:45,579 --> 00:08:48,014
I'M FINE.
208
00:08:48,014 --> 00:08:49,716
OKAY.
209
00:08:50,817 --> 00:08:52,285
WE HAVE A BIT OF A PROBLEM,
210
00:08:52,285 --> 00:08:55,188
BUT I THINK WE CAN TURN THAT
INTO A GREAT OPPORTUNITY.
211
00:08:55,188 --> 00:08:57,323
WHAT'S THAT?
212
00:08:57,323 --> 00:08:59,860
WELL, I KNOW THAT YOU BOTH
WANTED TO ANNOUNCE IMMEDIATELY,
213
00:08:59,860 --> 00:09:01,935
BUT I THINK WE SHOULD
PUSH IT BACK A FEW DAYS.
214
00:09:01,935 --> 00:09:06,006
WHY? THE OTHER CANDIDATE'S
ALREADY ANNOUNCING.
215
00:09:06,006 --> 00:09:07,741
I KNOW, AND I THINK
THAT'S A MISTAKE.
216
00:09:07,741 --> 00:09:09,209
HOW SO?
217
00:09:09,209 --> 00:09:10,811
THEY'RE MISSING
THE PULSE OF THE PEOPLE.
218
00:09:10,811 --> 00:09:11,912
THERE'S A COMMUNITY UPRISING
219
00:09:11,912 --> 00:09:13,313
OVER THE DEATH
OF THIS LITTLE GIRL,
220
00:09:13,313 --> 00:09:14,615
AND IT'S GONNA ROCK
THIS TOWN.
221
00:09:14,615 --> 00:09:16,583
YOU REALLY THINK IT'S GONNA
BE THAT BIG OF A DEAL?
222
00:09:16,583 --> 00:09:18,284
OH, ABSOLUTELY.
DON'T YOU THINK SO?
223
00:09:18,284 --> 00:09:20,721
NO.
224
00:09:20,721 --> 00:09:22,388
COME ON, JIM.
225
00:09:23,289 --> 00:09:26,359
YOU GUYS NEED TO BE ON THE PULSE
OF WHAT'S GOING ON.
226
00:09:28,461 --> 00:09:30,864
WE'LL BE ON THE PULSE
FOR YOU, OKAY?
227
00:09:30,864 --> 00:09:32,098
WE'RE GONNA MAKE THIS
WORK FOR US.
228
00:09:32,098 --> 00:09:34,668
HOW ARE YOU
GOING TO DO THAT?
229
00:09:37,203 --> 00:09:39,372
THIS LITTLE GIRL
HAS BEEN ON THE FRONT PAGE
230
00:09:39,372 --> 00:09:41,141
OF EVERY NEWSPAPER
IN THIS STATE,
231
00:09:41,141 --> 00:09:43,209
AND IT'S STARTING TO MAKE
NATIONAL NEWS.
232
00:09:43,209 --> 00:09:44,878
YES, I'VE NOTICED.
233
00:09:44,878 --> 00:09:45,879
YEAH, SO YOUR ANNOUNCEMENT
234
00:09:45,879 --> 00:09:47,280
SHOULDN'T COME
IN THE MIDDLE OF THIS.
235
00:09:47,280 --> 00:09:50,584
YOU'RE GONNA LET
THE OTHER GUYS LOOK INSENSITIVE,
236
00:09:50,584 --> 00:09:53,319
AND YOU TWO ‐‐ YOU'RE GONNA
TAKE A DIFFERENT ROUTE.
237
00:09:53,319 --> 00:09:55,589
WHICH ROUTE IS THAT?
238
00:09:55,589 --> 00:10:00,066
YOU'RE GONNA STAND
WITH THE FAMILY.
239
00:10:01,101 --> 00:10:03,136
IS THAT SO?
240
00:10:04,771 --> 00:10:05,839
YES.
241
00:10:05,839 --> 00:10:07,841
IT'S A BRILLIANT MOVE.
DON'T YOU THINK?
242
00:10:07,841 --> 00:10:10,611
[ CHUCKLES ]
YES.
243
00:10:10,611 --> 00:10:12,478
I AGREE.
244
00:10:14,080 --> 00:10:15,882
DO YOU, JUDGE CRYER?
245
00:10:20,486 --> 00:10:22,322
YES. I DO.
246
00:10:23,824 --> 00:10:25,258
GREAT.
247
00:10:25,258 --> 00:10:28,228
I ALSO THINK THAT WE SHOULD
ISSUE A STATEMENT OF SUPPORT
248
00:10:28,228 --> 00:10:29,295
FOR THE POLICE,
249
00:10:29,295 --> 00:10:31,832
MAKING SURE THAT THEY CATCH
THE DRIVER
250
00:10:31,832 --> 00:10:33,366
WHO KILLED
THIS LITTLE GIRL.
251
00:10:33,366 --> 00:10:35,368
I CAN HAVE THE PUBLICIST
DRAFT SOMETHING.
252
00:10:35,368 --> 00:10:36,436
ARE YOU BOTH ON BOARD?
253
00:10:36,436 --> 00:10:37,738
YES, DO IT.
254
00:10:37,738 --> 00:10:40,040
IT NEEDS TO BE
FROM THE BOTH OF YOU.
255
00:10:40,040 --> 00:10:42,008
ARE YOU BOTH ON BOARD?
256
00:10:42,008 --> 00:10:44,044
YEAH. WE CAN DO THAT.
257
00:10:44,044 --> 00:10:45,646
GREAT. AND HER FUNERAL
IS THIS AFTERNOON.
258
00:10:45,646 --> 00:10:47,047
I THINK YOU BOTH
SHOULD BE THERE.
259
00:10:50,083 --> 00:10:51,518
WHAT?
THE FUNERAL.
260
00:10:51,518 --> 00:10:54,287
I THINK YOU SHOULD GO,
SHOW THE COMMUNITY
THAT YOU SUPPORT THEM.
261
00:10:54,287 --> 00:10:56,356
NO, NO. A FUNERAL'S
A VERY PRIVATE MATTER.
262
00:10:56,356 --> 00:10:58,224
I DON'T THINK
THAT WE SHOULD INTRUDE.
263
00:10:58,224 --> 00:11:01,134
OKAY, LISTEN, JIM, YOU HIRED ME
BECAUSE I'M THE BEST, OKAY?
264
00:11:01,134 --> 00:11:02,335
AND THIS IS WHAT
YOU NEED TO DO.
265
00:11:02,335 --> 00:11:03,570
TRUST ME.
266
00:11:03,570 --> 00:11:05,471
YOU NEED TO BE AS OUTRAGED
AS EVERYONE ELSE.
267
00:11:06,940 --> 00:11:09,475
OF COURSE WE ARE.
268
00:11:11,745 --> 00:11:13,413
OKAY. GREAT.
I'LL MAKE THE ARRANGEMENTS.
269
00:11:13,413 --> 00:11:15,015
NOW, THERE'LL BE
A LOT OF PRESS THERE,
270
00:11:15,015 --> 00:11:17,183
SO MAKE SURE THAT YOU KEEP
YOUR ANSWERS SHORT AND PRECISE.
271
00:11:17,183 --> 00:11:19,019
RIGHT.
I'LL CALL YOUR WIVES.
272
00:11:19,019 --> 00:11:21,021
WHAT?
YOUR WIVES.
273
00:11:21,021 --> 00:11:22,656
WHY?
274
00:11:22,656 --> 00:11:25,425
FAMILY, JIM. COME ON.
ALWAYS THINK FAMILY.
275
00:11:25,425 --> 00:11:27,293
CAN YOUR SON GO?
276
00:11:28,895 --> 00:11:31,297
NO.
277
00:11:31,297 --> 00:11:33,534
HOW ABOUT YOUR CHILDREN?
278
00:11:33,534 --> 00:11:35,435
WHAT? NO.
279
00:11:35,435 --> 00:11:37,804
ARE YOU SURE? IT WOULD
BE SO GREAT TO HAVE
THE ENTIRE FAMILY THERE ‐‐
280
00:11:37,804 --> 00:11:39,873
NO, MY CHILDREN ARE NOT
GOING TO THE FUNERAL, MAGGIE.
281
00:11:39,873 --> 00:11:41,007
OKAY.
THEY'RE NOT.
282
00:11:41,007 --> 00:11:42,876
ALL RIGHT, FINE.
I'LL SETTLE FOR YOUR WIVES.
283
00:11:42,876 --> 00:11:45,111
FINE.
284
00:11:45,111 --> 00:11:48,114
MM.
285
00:11:48,114 --> 00:11:51,685
YOU TWO MAKE
A HANDSOME PICTURE.
286
00:11:51,685 --> 00:11:53,787
TRY TO GET NEAR
SOME OF THE NEIGHBORHOOD KIDS.
287
00:11:53,787 --> 00:11:56,990
GREAT PHOTO OPS.
SURE, WE CAN DO THAT.
288
00:11:56,990 --> 00:11:58,792
OKAY, I'LL BE IN TOUCH
WITHIN THE HOUR.
289
00:11:58,792 --> 00:12:01,301
I'M GOING TO LOOK AT A SPACE
TO RUN THIS CAMPAIGN OUT OF.
290
00:12:01,301 --> 00:12:03,469
AND, YOU KNOW, WE NEED TO DO
A FUNDRAISER DINNER
291
00:12:03,469 --> 00:12:04,605
SOONER RATHER THAN LATER.
292
00:12:04,605 --> 00:12:06,006
YOU TWO
ARE A LITTLE BEHIND.
293
00:12:06,006 --> 00:12:07,574
YES.
294
00:12:07,574 --> 00:12:08,675
I'LL SEE YOU LATER.
295
00:12:13,580 --> 00:12:14,615
[ DOOR CLOSES ]
296
00:12:14,615 --> 00:12:16,082
DAVID.
I KNOW.
297
00:12:16,082 --> 00:12:18,552
THE FUNERAL?
298
00:12:18,552 --> 00:12:20,220
I KNOW.
299
00:12:29,362 --> 00:12:31,698
[ TELEPHONE RINGING ]
300
00:12:39,806 --> 00:12:41,307
CRYER RESIDENCE.
301
00:12:41,307 --> 00:12:42,676
HANNA: Celine.
302
00:12:42,676 --> 00:12:43,844
WHO'S THIS?
303
00:12:43,844 --> 00:12:45,111
[ SIGHS ]
304
00:12:45,111 --> 00:12:46,780
THIS IS HANNA.
305
00:12:46,780 --> 00:12:49,550
OH. HI.
HOW ARE YOU?
306
00:12:49,550 --> 00:12:51,752
IS MRS. CRYER THERE?
307
00:12:51,752 --> 00:12:53,954
NO, SHE'S NOT.
308
00:12:53,954 --> 00:12:56,222
ARE YOU GIVING HER
MY MESSAGES?
309
00:12:56,222 --> 00:12:57,591
YES.
310
00:12:57,591 --> 00:12:59,359
ARE YOU SURE YOU'RE GIVING
HER MY MESSAGES?
311
00:12:59,359 --> 00:13:01,134
'CAUSE SHE LEFT ONE FOR ME
ON MY CELLPHONE.
312
00:13:01,134 --> 00:13:02,903
I SAID YES!
313
00:13:02,903 --> 00:13:05,772
LISTEN, CELINE,
MY CELLPHONE IS DEAD.
314
00:13:05,772 --> 00:13:08,675
I'M GET THE CHARGER
IN A LITTLE WHILE,
315
00:13:08,675 --> 00:13:11,377
BUT [SIGHS]
I NEED TO TALK TO HER.
316
00:13:11,377 --> 00:13:12,613
[ SIGHS ] OKAY.
317
00:13:12,613 --> 00:13:14,014
OKAY.
Okay.
318
00:13:14,014 --> 00:13:15,949
How about "Thank you"?
319
00:13:17,083 --> 00:13:18,552
THANK YOU, CELINE.
320
00:13:18,552 --> 00:13:19,986
YOU'RE WELCOME.
321
00:13:19,986 --> 00:13:21,622
Wait.
322
00:13:21,622 --> 00:13:23,256
WHAT?
323
00:13:23,256 --> 00:13:24,591
WHERE ARE YOU?
324
00:13:24,591 --> 00:13:27,961
I TOLD YOU,
I'M HAVING A FAMILY EMERGENCY.
325
00:13:27,961 --> 00:13:29,796
OH.
IS EVERYTHING OKAY?
326
00:13:29,796 --> 00:13:31,565
OH, DON'T ACT LIKE
YOU CARE, CELINE.
327
00:13:31,565 --> 00:13:34,334
HANNA! I DO CARE.
328
00:13:34,334 --> 00:13:35,969
LISTEN, JUST TELL HER
THAT I CALLED
329
00:13:35,969 --> 00:13:37,370
AND IF SHE NEEDS
TO REACH ME
330
00:13:37,370 --> 00:13:39,239
TO CALL ME ON MY CELL
ANYTIME AFTER 4:00.
331
00:13:39,239 --> 00:13:42,576
OF COURSE. IS THAT ALL?
332
00:13:42,576 --> 00:13:46,647
TELL HER I MIGHT NEED
A COUPLE MORE DAYS OFF.
333
00:13:46,647 --> 00:13:48,181
OOH. A COUPLE DAYS?
334
00:13:48,181 --> 00:13:50,784
ARE YOU SURE
EVERYTHING'S OKAY?
335
00:13:50,784 --> 00:13:52,318
Hanna,
you don't sound good.
336
00:13:52,318 --> 00:13:54,788
CELINE, LISTEN, IF YOU DON'T
GIVE HER THE MESSAGES,
337
00:13:54,788 --> 00:13:56,590
YOU KNOW SHE'S GONNA BE
TICKED OFF.
338
00:13:56,590 --> 00:13:58,992
I KNOW. WITH YOU.
339
00:13:58,992 --> 00:14:01,001
NO. YOU.
340
00:14:01,001 --> 00:14:02,869
HANNA, LOOK,
I ALREADY TOLD YOU.
341
00:14:02,869 --> 00:14:04,170
I GAVE HER THE MESSAGES.
342
00:14:04,170 --> 00:14:07,373
JUST MAKE SURE YOU GIVE HER
THE MESSAGE.
343
00:14:07,373 --> 00:14:12,646
OR WHAT? ARE YOU GOING TO FIRE
ME, MISS CHIEF OF STAFF?
344
00:14:12,646 --> 00:14:14,815
WE WEAR THE SAME
MAID'S UNIFORM, YOU KNOW.
345
00:14:14,815 --> 00:14:16,149
GIVE HER THE MESSAGES,
OR ELSE SHE ‐‐
346
00:14:16,149 --> 00:14:18,619
OH, PLEASE.
YOU CAN'T FIRE ME.
347
00:14:18,619 --> 00:14:19,786
NO, BUT SHE CAN.
348
00:14:19,786 --> 00:14:22,789
[ CHUCKLES ]
IT'S NOT THAT SIMPLE, DARLING.
349
00:14:22,789 --> 00:14:25,125
YOU KNOW I DON'T HAVE TIME
FOR THIS.
350
00:14:25,125 --> 00:14:26,292
THANK YOU.
351
00:14:33,466 --> 00:14:35,736
[ SPEAKS SPANISH ]
352
00:14:48,915 --> 00:14:50,717
SO, THIS IS IT.
353
00:14:50,717 --> 00:14:52,519
IT'S REALLY NICE.
354
00:14:52,519 --> 00:14:54,988
I'LL MAKE SURE TO TELL
THE LANDLORD YOU THINK SO.
355
00:14:56,590 --> 00:14:58,692
THIS CAN BE JIM'S OFFICE.
356
00:14:58,692 --> 00:15:01,735
AND WE CAN USE
THIS ONE FOR DAVID.
357
00:15:01,735 --> 00:15:03,904
ARE THERE
ANY OTHER OFFICES?
358
00:15:03,904 --> 00:15:05,572
YEAH, YEAH, THERE'S SEVERAL MORE
RIGHT THROUGH THERE.
359
00:15:05,572 --> 00:15:06,940
YEAH?
YEAH.
360
00:15:06,940 --> 00:15:09,776
OH, THIS IS GREAT. YEAH, WE
COULD TOTALLY WORK WITH THIS.
361
00:15:09,776 --> 00:15:11,545
IF YOU DON'T MIND ME ASKING,
362
00:15:11,545 --> 00:15:14,180
WHAT ARE YOU GUYS
USING THE OFFICES FOR?
363
00:15:14,180 --> 00:15:16,683
WELL, JUDGE JIM CRYER
AND DAVID HARRINGTON
364
00:15:16,683 --> 00:15:19,786
ARE RUNNING FOR GOVERNOR, SO
WE NEED CAMPAIGN HEADQUARTERS.
365
00:15:19,786 --> 00:15:20,921
REALLY?
366
00:15:20,921 --> 00:15:24,891
YEAH. AND I THINK
THIS COULD BE THE PLACE.
367
00:15:24,891 --> 00:15:26,292
JIM CRYER?
368
00:15:26,292 --> 00:15:27,528
YES.
369
00:15:27,528 --> 00:15:29,630
SO, HE'LL BE HERE?
370
00:15:29,630 --> 00:15:31,431
YES.
371
00:15:31,431 --> 00:15:32,799
WOW, WELL, I‐I REALLY HOPE
372
00:15:32,799 --> 00:15:35,268
THAT MY BOSS RENTS
THIS PLACE OUT TO YOU GUYS.
373
00:15:35,268 --> 00:15:37,871
I'M SURE HE WILL.
374
00:15:37,871 --> 00:15:40,841
LISTEN, IF ‐‐ IF I WANTED TO
GET INVOLVED IN YOUR CAMPAIGN,
375
00:15:40,841 --> 00:15:42,643
HOW WOULD I GO ABOUT
DOING THAT?
376
00:15:42,643 --> 00:15:44,377
WELL,
YOU COULD VOLUNTEER.
377
00:15:44,377 --> 00:15:45,879
I JUST VOLUNTEER?
THAT'S IT.
378
00:15:45,879 --> 00:15:48,381
OH, ABSOLUTELY.
WE CAN ALWAYS USE VOLUNTEERS.
379
00:15:48,381 --> 00:15:51,117
OKAY.
I'LL LOOK INTO THAT.
380
00:15:51,117 --> 00:15:53,019
WELL, HELP US
GET THE BUILDING FIRST,
381
00:15:53,019 --> 00:15:54,821
AND THEN WE'LL TAKE IT
FROM THERE.
382
00:15:54,821 --> 00:15:56,957
OH, I'LL MAKE SURE
YOU GUYS GET THE BUILDING.
383
00:15:56,957 --> 00:15:58,625
[ CELLPHONE RINGS ]
OH, GOD, I'M SORRY.
384
00:15:58,625 --> 00:16:00,293
EXCUSE ME ONE MOMENT.
HELLO.
385
00:16:00,293 --> 00:16:02,803
YOU PHONED, MAGGIE?
386
00:16:02,803 --> 00:16:04,605
YES, HI, KATHERYN.
I'M SORRY TO BOTHER YOU,
387
00:16:04,605 --> 00:16:05,872
BUT I WANTED TO
LET YOU KNOW
388
00:16:05,872 --> 00:16:07,340
I SPOKE TO JIM AND DAVID
EARLIER,
389
00:16:07,340 --> 00:16:09,342
AND I TOLD THEM THAT
THE FAMILY SHOULD BE PRESENT
390
00:16:09,342 --> 00:16:10,811
AT THE FUNERAL
OF LIZZIE CASTILLE.
391
00:16:10,811 --> 00:16:12,278
YOU KNOW,
THE LITTLE GIRL ‐‐
392
00:16:12,278 --> 00:16:13,313
YES. I KNOW.
393
00:16:13,313 --> 00:16:14,515
Right.
394
00:16:14,515 --> 00:16:17,083
Well, you and your children
should come.
395
00:16:17,083 --> 00:16:18,685
EXCUSE ME?
396
00:16:18,685 --> 00:16:20,854
I SPOKE TO JIM EARLIER.
397
00:16:20,854 --> 00:16:22,188
[ SCOFFS ]
398
00:16:22,188 --> 00:16:24,224
HE SAID IT WAS OKAY
TO BRING THE CHILDREN?
399
00:16:25,759 --> 00:16:27,160
YES.
400
00:16:27,160 --> 00:16:28,294
I don't think so.
401
00:16:28,294 --> 00:16:29,563
NO? WHY NOT?
402
00:16:30,731 --> 00:16:33,867
WYATT AND AMANDA WILL NOT BE
SUBJECT TO A FUNERAL, MAGGIE.
403
00:16:33,867 --> 00:16:35,368
Do you understand?
404
00:16:35,368 --> 00:16:36,570
I'm sorry.
405
00:16:36,570 --> 00:16:38,304
OKAY.
WELL, YOU NEED TO BE THERE.
406
00:16:38,304 --> 00:16:39,840
ME?
407
00:16:39,840 --> 00:16:41,474
YES.
YOU SHOULD ACCOMPANY JIM.
408
00:16:42,543 --> 00:16:43,677
MAGGIE, I ‐‐
409
00:16:43,677 --> 00:16:44,878
LISTEN,
WE'RE IN THE CAMPAIGN
410
00:16:44,878 --> 00:16:46,346
EVEN THOUGH WE HAVEN'T
ANNOUNCED YET.
411
00:16:46,346 --> 00:16:48,949
You really should be
by his side.
412
00:16:50,483 --> 00:16:51,752
ALL RIGHT.
413
00:16:51,752 --> 00:16:53,419
Good. Thank you.
414
00:16:55,055 --> 00:16:58,324
OH, AND CAN YOU CALL
MRS. HARRINGTON?
415
00:16:58,324 --> 00:17:00,126
She should be there,
as well.
416
00:17:00,126 --> 00:17:01,535
OH, I WILL.
417
00:17:10,176 --> 00:17:12,078
WHAT ARE YOU DOING
IN MY OFFICE?
418
00:17:12,078 --> 00:17:14,047
YOU DON'T RETURN
PHONE CALLS.
419
00:17:14,047 --> 00:17:15,481
I DON'T HAVE TIME
FOR THIS, CANDACE.
420
00:17:15,481 --> 00:17:17,751
YOU DIDN'T RESPOND
TO THE LAWSUIT.
421
00:17:17,751 --> 00:17:19,520
NICE TRY.
I'LL GIVE YOU A "B."
422
00:17:19,520 --> 00:17:21,187
WHAT DO YOU MEAN?
423
00:17:21,187 --> 00:17:23,156
YOU'RE A LAW STUDENT,
CANDACE,
424
00:17:23,156 --> 00:17:26,026
TRYING TO PLAY ALL BIG GIRL
BY FILING A LAWSUIT.
425
00:17:26,026 --> 00:17:28,562
YOU ACTUALLY HAVE TO PASS THE
BAR BEFORE YOU CAN TRY A CASE.
426
00:17:28,562 --> 00:17:30,330
I'M CLOSER TO THAT
THAN YOU THINK.
427
00:17:30,330 --> 00:17:31,698
GET OUT. GO ON.
428
00:17:31,698 --> 00:17:34,500
[ SIGHS ]
DON'T YOU MISS ME?
429
00:17:34,500 --> 00:17:36,236
NOW. LEAVE.
430
00:17:36,236 --> 00:17:37,738
WE MISS YOU.
431
00:17:37,738 --> 00:17:39,472
WHO'S WE?
432
00:17:39,472 --> 00:17:41,107
THE THREE OF US.
433
00:17:41,107 --> 00:17:43,376
WHAT ARE YOU
TALKING ABOUT?
434
00:17:43,376 --> 00:17:45,712
ME...
435
00:17:45,712 --> 00:17:47,748
MY BODY...
436
00:17:47,748 --> 00:17:49,516
THE BABY.
437
00:17:49,516 --> 00:17:53,186
I'M GONNA TELL YOU THIS
ONE MORE DAMN TIME.
438
00:17:53,186 --> 00:17:56,056
YOU GET OUT OF MY OFFICE,
AND YOU GET OUT OF HERE NOW.
439
00:17:56,056 --> 00:17:57,591
YOU KNOW YOU WANT ME.
440
00:18:01,401 --> 00:18:02,435
WOW.
441
00:18:02,435 --> 00:18:03,770
"WOW."
442
00:18:03,770 --> 00:18:07,173
THAT'S A FIRST.
EVERYTHING OKAY?
443
00:18:07,173 --> 00:18:09,309
DO YOU NEED
SOME LITTLE BLUE PILLS?
444
00:18:09,309 --> 00:18:13,046
YOU DON'T BELIEVE ME WHEN
I TELL YOU THAT WE ARE DONE.
445
00:18:16,817 --> 00:18:18,418
SO, YOU FOUND NUMBER 10.
446
00:18:18,418 --> 00:18:20,654
YES, I FOUND NUMBER 10.
HER NAME IS AMANDA.
447
00:18:20,654 --> 00:18:22,322
SHE HAPPENS TO BE
MY DAUGHTER,
448
00:18:22,322 --> 00:18:25,225
AND AS SOON AS YOU GOT YOUR
CLUTCHES INTO HER, YOU LOST ME.
449
00:18:25,225 --> 00:18:28,061
YOU REALLY LOVE HER.
THAT'S BEAUTIFUL.
450
00:18:28,061 --> 00:18:30,597
DADDY'S LOVE.
[ SIGHS ]
451
00:18:30,597 --> 00:18:32,432
MAYBE IF YOU
ACTUALLY HAD ONE,
452
00:18:32,432 --> 00:18:34,300
YOU WOULDN'T BE
SO SCREWED UP.
453
00:18:34,300 --> 00:18:37,938
WELL, YOUR KIDS
ARE SO GREAT.
454
00:18:37,938 --> 00:18:43,677
YOU AND THAT...BEAST DID
A FANTASTIC JOB RAISING THEM.
455
00:18:43,677 --> 00:18:46,179
WHILE YOU WERE BOTH TRYING TO
SHIELD THEM FROM THE WORLD,
456
00:18:46,179 --> 00:18:48,582
YOU DIDN'T GIVE THEM
THE SKILLS THEY NEED
457
00:18:48,582 --> 00:18:50,884
TO LIVE IN A WORLD
WITH PEOPLE LIKE ME.
458
00:18:50,884 --> 00:18:52,118
JIM, THIS IS SO EASY.
459
00:18:52,118 --> 00:18:54,621
IF YOU THINK THAT YOU ARE
GOING TO GET A DIME
460
00:18:54,621 --> 00:18:57,490
OF MY DAUGHTER'S INHERITANCE,
YOU ARE SADLY MISTAKEN.
461
00:18:57,490 --> 00:18:59,192
AND IF YOU THINK I WON'T,
THEN YOU'RE WRONG.
462
00:18:59,192 --> 00:19:00,226
THERE IS NO MONEY!
463
00:19:00,226 --> 00:19:02,168
SHE IS GETTING NO MONEY,
CANDACE!
464
00:19:02,168 --> 00:19:03,203
NO?
NO.
465
00:19:03,203 --> 00:19:05,071
SHE'S MENTALLY UNSTABLE.
466
00:19:05,071 --> 00:19:07,708
THERE'S NOT A JUDGE
IN THE WORLD
467
00:19:07,708 --> 00:19:10,611
THAT WOULD GRANT MY DAUGHTER
A DIME.
468
00:19:10,611 --> 00:19:11,712
SAYS WHO?
469
00:19:11,712 --> 00:19:14,280
SAYS EVERY JUDGE
AND DOCTOR IN THIS STATE.
470
00:19:14,280 --> 00:19:16,049
AND I DO HAPPEN
TO KNOW A FEW.
471
00:19:16,049 --> 00:19:19,119
I KNOW A LOT OF DOCTORS WHO
WILL SAY, "SHE'S JUST FINE."
472
00:19:19,119 --> 00:19:20,987
GET OUT OF MY OFFICE
RIGHT NOW.
473
00:19:20,987 --> 00:19:22,355
PLEASE.
474
00:19:22,355 --> 00:19:24,791
WE ACTUALLY HAVE
A BABY TO DISCUSS.
475
00:19:24,791 --> 00:19:27,961
NOW, CANDACE.
IT'S YOUR FINAL WARNING.
476
00:19:27,961 --> 00:19:29,062
GET OUT!
477
00:19:29,062 --> 00:19:30,531
I COULD STILL GO
TO THE PRESS WITH THIS.
478
00:19:30,531 --> 00:19:33,399
YOU GO TO THE DAMN PRESS.
YOU GO. YOU DO IT.
479
00:19:33,399 --> 00:19:34,968
YOU'VE BEEN THREATENING
LONG ENOUGH.
480
00:19:34,968 --> 00:19:37,037
IT'S TIRED, IT'S OLD,
IT'S PATHETIC, JUST LIKE YOU.
481
00:19:37,037 --> 00:19:38,739
YOU ARE PATHETIC.
YOU HAVE NO POWER.
482
00:19:38,739 --> 00:19:40,006
GO TO THE PRESS,
483
00:19:40,006 --> 00:19:42,543
BUT GET OUT OF MY OFFICE NOW
BEFORE I THROW YOU OUT!
484
00:19:42,543 --> 00:19:44,811
YOU WOULDN'T DARE.
485
00:19:44,811 --> 00:19:48,715
GET OUT
OF MY OFFICE NOW!
486
00:19:48,715 --> 00:19:49,950
GET OUT OF HERE!
487
00:19:51,752 --> 00:19:53,086
YOU'RE A JOKE!
488
00:19:53,086 --> 00:19:55,188
GET OFF OF ME!
489
00:19:55,188 --> 00:19:57,691
GET YOUR PATHETIC, SORRY ASS
OUT OF MY OFFICE, CANDACE!
490
00:19:57,691 --> 00:19:58,725
GET OUT!
491
00:19:58,725 --> 00:20:00,093
OKAY.
492
00:20:00,093 --> 00:20:02,135
OKAY, JIM.
493
00:20:02,135 --> 00:20:04,204
GO TO HELL!
494
00:20:12,646 --> 00:20:14,114
CELINE.
495
00:20:15,649 --> 00:20:16,950
IS WYATT HOME?
496
00:20:16,950 --> 00:20:18,985
YES.
I THINK HE'S IN HIS ROOM.
497
00:20:18,985 --> 00:20:20,687
THANKS.
498
00:20:20,687 --> 00:20:24,424
HMM.
WONDER WHAT THAT'S ABOUT.
499
00:20:26,259 --> 00:20:27,594
WYATT.
500
00:20:27,594 --> 00:20:29,863
[ DOOR CLOSES ]
HEY.
501
00:20:29,863 --> 00:20:31,665
HI.
502
00:20:31,665 --> 00:20:34,000
I KNEW YOU'D COME.
503
00:20:34,000 --> 00:20:35,969
WHAT?
504
00:20:37,838 --> 00:20:40,140
WHEN YOU LEFT, I...
505
00:20:41,942 --> 00:20:44,310
...I KNEW
THAT YOU STILL CARED.
506
00:20:47,814 --> 00:20:49,650
YOU WOULD BE WRONG.
507
00:20:49,650 --> 00:20:51,652
THEN WHY ARE YOU HERE?
508
00:20:55,556 --> 00:20:56,857
DID YOU DO THIS?
509
00:20:56,857 --> 00:20:59,826
HUH?
510
00:21:02,468 --> 00:21:04,470
ANSWER ME.
511
00:21:07,107 --> 00:21:08,341
I DON'T KNOW.
512
00:21:08,341 --> 00:21:10,243
WYATT,
DON'T GIVE ME THAT.
513
00:21:10,243 --> 00:21:12,045
JEFFERY.
514
00:21:15,949 --> 00:21:17,651
IS THIS MY CAR?
515
00:21:21,522 --> 00:21:23,657
YEAH.
516
00:21:23,657 --> 00:21:25,626
WHERE IS IT?
517
00:21:33,634 --> 00:21:35,602
I DON'T KNOW.
518
00:21:35,602 --> 00:21:38,138
WYATT, THEY HAVE
A PARTIAL PLATE NUMBER
519
00:21:38,138 --> 00:21:39,540
THAT IS PARTIALLY MINE
520
00:21:39,540 --> 00:21:43,510
AND A DESCRIPTION OF A GUY
THAT SOUNDS A LOT LIKE YOU.
521
00:21:46,479 --> 00:21:47,748
I KNOW.
522
00:21:47,748 --> 00:21:49,516
JEFFERY, WAIT.
523
00:21:49,516 --> 00:21:51,451
YOU CAN'T TURN ME IN.
524
00:21:51,451 --> 00:21:53,854
PLEASE, MAN.
525
00:21:53,854 --> 00:21:57,423
JEFFERY...
YOU CAN'T DO THAT TO ME.
526
00:21:58,959 --> 00:22:00,460
WHAT ARE
YOU TALKING ABOUT?
527
00:22:00,460 --> 00:22:03,069
I KNOW I'VE BEEN AN ASS.
528
00:22:03,069 --> 00:22:05,238
I'M SORRY.
529
00:22:06,873 --> 00:22:09,142
PLEASE DON'T TURN ME IN.
530
00:22:10,343 --> 00:22:12,646
WYATT...
531
00:22:12,646 --> 00:22:15,882
JEFFERY, I MADE A LOT
OF MISTAKES.
532
00:22:18,484 --> 00:22:20,420
BUT THIS ONE ‐‐
533
00:22:20,420 --> 00:22:24,057
I MEAN, JEFFERY,
I KILLED THAT GIRL.
534
00:22:24,057 --> 00:22:25,926
[ Voice breaking ] I...
535
00:22:28,962 --> 00:22:30,931
I'M SORRY, MAN.
536
00:22:30,931 --> 00:22:32,799
I'M SORRY.
537
00:22:38,772 --> 00:22:41,675
IT'S ALL RIGHT.
538
00:22:41,675 --> 00:22:43,744
IT'S OKAY.
539
00:22:44,745 --> 00:22:46,780
OKAY, MAN.
540
00:22:46,780 --> 00:22:49,049
[ SNIFFLES ]
541
00:22:51,351 --> 00:22:52,986
[ SIGHS ]
542
00:23:01,167 --> 00:23:03,303
I'M SORRY.
543
00:23:05,405 --> 00:23:08,141
IF I COULD HAVE
THAT NIGHT BACK,
544
00:23:08,141 --> 00:23:11,311
I WOULD TAKE
THAT NIGHT BACK.
545
00:23:11,311 --> 00:23:12,946
DO YOUR PARENTS KNOW?
546
00:23:12,946 --> 00:23:14,781
YES.
547
00:23:14,781 --> 00:23:17,250
WHAT DID THEY SAY?
548
00:23:19,920 --> 00:23:21,822
JUST SAID
NOT TO TELL ANYBODY.
549
00:23:23,223 --> 00:23:26,693
HAVE YOU SAID ANYTHING
TO ANYBODY?
550
00:23:29,295 --> 00:23:30,931
NO.
551
00:23:34,034 --> 00:23:35,168
OKAY.
552
00:23:35,168 --> 00:23:36,870
JEFFERY...
553
00:23:38,171 --> 00:23:40,674
...PLEASE DON'T TURN ME IN,
OKAY?
554
00:23:42,475 --> 00:23:45,045
I'M NOT GONNA TURN YOU IN,
WYATT.
555
00:23:48,414 --> 00:23:50,551
I WON'T.
556
00:23:50,551 --> 00:23:52,919
THANK YOU, JEFFERY.
557
00:23:52,919 --> 00:23:54,988
YEAH.
THANK YOU.
558
00:23:58,625 --> 00:24:00,466
AND I HIT
THAT TOW‐TRUCK DRIVER.
559
00:24:04,437 --> 00:24:06,973
"TOW‐TRUCK DRIVER"?
560
00:24:11,612 --> 00:24:13,780
I DIDN'T MEAN TO.
561
00:24:18,251 --> 00:24:21,555
I CAN'T GO TO JAIL, MAN.
I CAN'T.
562
00:24:21,555 --> 00:24:25,225
I CAN'T.
YOU'RE ALL RIGHT.
563
00:24:25,225 --> 00:24:27,561
[ SIGHS ]
564
00:24:34,868 --> 00:24:37,871
THANK YOU.
565
00:25:04,170 --> 00:25:06,306
[ KNOCK ON DOOR ]
566
00:25:09,843 --> 00:25:11,978
[ KNOCKING CONTINUES ]
567
00:25:43,744 --> 00:25:45,411
WHAT DO YOU WANT?
568
00:25:45,411 --> 00:25:47,480
WHERE IS BENNY?
569
00:25:47,480 --> 00:25:49,015
HE'S NOT HERE.
570
00:25:49,015 --> 00:25:50,617
I CAN SEE THAT.
571
00:25:50,617 --> 00:25:52,152
WHERE IS HE?
572
00:25:52,152 --> 00:25:54,087
WHY?
573
00:25:55,421 --> 00:25:57,958
I DON'T KNOW IF YOU KNOW THIS,
BUT WE TALK EVERY DAY.
574
00:25:57,958 --> 00:25:59,826
WELL, HE'S NOT HERE.
575
00:25:59,826 --> 00:26:02,302
YOU'VE SAID THAT.
WHERE IS HE?
576
00:26:02,302 --> 00:26:03,469
WHERE IS YOUR BABY?
577
00:26:03,469 --> 00:26:04,971
I'M NOT PLAYING
THESE GAMES WITH YOU.
578
00:26:04,971 --> 00:26:06,239
THEN GET ON OUT OF HERE.
579
00:26:07,808 --> 00:26:09,309
DID SOMETHING HAPPEN
TO HIM?
580
00:26:09,309 --> 00:26:10,611
WHY?
581
00:26:10,611 --> 00:26:11,845
WHAT THE HELL
DO YOU MEAN, WHY?
582
00:26:11,845 --> 00:26:13,346
WHO YOU TALKING TO?
WAIT A MINUTE.
583
00:26:13,346 --> 00:26:15,148
WATCH YOUR MOUTH.
I'M TALKING TO YOU.
584
00:26:15,148 --> 00:26:16,983
UNH‐UNH.
585
00:26:16,983 --> 00:26:18,519
DID SOMEBODY
DO SOMETHING TO HIM?
586
00:26:18,519 --> 00:26:20,453
WHAT MAKES YOU THINK THAT?
587
00:26:20,453 --> 00:26:22,188
DID YOU DO SOMETHING
TO SOMEBODY ELSE
588
00:26:22,188 --> 00:26:25,526
THAT MIGHT MAKE THEM WANT
TO RETALIATE AGAINST
YOUR BROTHER AGAIN?
589
00:26:25,526 --> 00:26:28,028
WHAT ARE YOU TALKING
ABOUT?
590
00:26:28,028 --> 00:26:30,163
YOU AND YOUR WHORISH WAYS.
591
00:26:30,163 --> 00:26:32,298
MAMA.
592
00:26:32,298 --> 00:26:34,801
ARE YOU SCREWING
THAT WOMAN'S HUSBAND?
593
00:26:34,801 --> 00:26:36,570
WHICH WOMAN?
594
00:26:38,204 --> 00:26:39,640
IS IT REALLY
THAT MANY, CANDACE?
595
00:26:39,640 --> 00:26:41,041
YES. MM‐HMM.
596
00:26:41,041 --> 00:26:43,476
KATHERYN.
597
00:26:43,476 --> 00:26:45,879
"THE BEAST"?
598
00:26:45,879 --> 00:26:47,480
YES. I AM.
599
00:26:47,480 --> 00:26:50,651
I'M SCREWING HER HUSBAND
ALL THE WAY TO THE BANK.
600
00:26:50,651 --> 00:26:53,253
[ SIGHS ]
601
00:26:53,253 --> 00:26:55,088
LITTLE GIRL.
602
00:26:56,623 --> 00:26:58,224
WHERE IS BENNY?
603
00:26:58,224 --> 00:26:59,926
WHERE IS YOUR BABY?
604
00:27:01,802 --> 00:27:03,369
WITH HIS FATHER.
605
00:27:03,369 --> 00:27:05,471
QUINCY?
606
00:27:05,471 --> 00:27:07,874
YES. QUINCY.
607
00:27:07,874 --> 00:27:09,475
YOU'RE LYING.
NO, I'M NOT.
608
00:27:09,475 --> 00:27:10,977
WHERE IS QUINCY?
609
00:27:10,977 --> 00:27:13,046
IN TEXAS.
610
00:27:13,046 --> 00:27:14,581
WHAT'S HE DOING IN TEXAS?
611
00:27:14,581 --> 00:27:16,683
LOOK...
612
00:27:16,683 --> 00:27:19,485
ARE YOU GONNA TELL ME
WHERE BENNY IS OR NOT?
613
00:27:19,485 --> 00:27:21,855
AS SOON AS YOU TELL ME
WHERE YOUR BABY IS.
614
00:27:23,724 --> 00:27:26,026
THIS IS B. S.
615
00:27:26,026 --> 00:27:28,995
YES, IT IS.
GET ON OUT OF HERE, THEN.
616
00:27:28,995 --> 00:27:31,464
THANK YOU.
617
00:27:40,373 --> 00:27:42,509
[ ENGINE TURNS OVER ]
618
00:28:00,293 --> 00:28:02,468
[ WATER RUNNING ]
619
00:28:21,722 --> 00:28:24,057
AH, THOUGHT YOU
WERE GOING TO WORK.
620
00:28:25,792 --> 00:28:28,061
YOU OKAY?
621
00:28:28,061 --> 00:28:30,564
GET THE HELL
OUT OF MY HOUSE.
622
00:28:30,564 --> 00:28:32,265
GET THE HELL
OUT OF MY HOUSE.
623
00:28:32,265 --> 00:28:33,800
Shh!
Woman: HONEY, ARE YOU OKAY?
624
00:28:37,170 --> 00:28:38,238
HONEY?
625
00:28:38,238 --> 00:28:40,306
YEAH, I'M FINE.
[ COUGHS ] FINE.
626
00:28:40,306 --> 00:28:41,842
I HEARD A NOISE.
627
00:28:41,842 --> 00:28:44,410
[ Laughing ] YEAH, I'M A DORK.
I SLIPPED IN THE TUB.
628
00:28:44,410 --> 00:28:46,112
I'M COMING IN.
NO, I'M FINE. I'M FINE.
629
00:28:46,112 --> 00:28:47,347
NO, I'M FINE. EVERYTHING'S ‐‐
I'M FINE.
630
00:28:47,347 --> 00:28:48,615
JUST GO TO WORK.
YOU'RE GONNA BE LATE.
631
00:28:48,615 --> 00:28:50,150
I PROMISE, ALL GOOD.
ARE YOU SURE?
632
00:28:50,150 --> 00:28:51,284
ABSOLUTELY.
I'M GREAT.
633
00:28:51,284 --> 00:28:52,686
HONEY, I GOT
A LITTLE SPOOKED.
634
00:28:52,686 --> 00:28:55,021
THE FRONT DOOR
AND THE BACK DOOR ARE OPEN.
635
00:28:55,021 --> 00:28:57,524
I‐I LEFT THEM OPEN JUST FOR ‐‐
I NEEDED A BREEZE.
636
00:28:57,524 --> 00:29:00,360
OH. OKAY.
637
00:29:00,360 --> 00:29:02,102
WELL, DON'T BE LATE
FOR DINNER TONIGHT ‐‐
638
00:29:02,102 --> 00:29:03,469
MY FATHER'S BIRTHDAY.
I WON'T.
639
00:29:03,469 --> 00:29:04,938
AT MANDOLINO'S?
640
00:29:04,938 --> 00:29:06,172
MMM, I LOVE MANDOLINO'S.
641
00:29:06,172 --> 00:29:07,473
8:00.
DON'T BE LATE.
642
00:29:07,473 --> 00:29:09,009
OKEYDOKEY. I WON'T.
643
00:29:09,009 --> 00:29:10,310
OKAY. BYE.
644
00:29:10,310 --> 00:29:11,311
I LOVE YOU.
645
00:29:11,311 --> 00:29:12,613
LOVE YOU, TOO.
646
00:29:14,948 --> 00:29:17,718
Shh!
Come on, stop it.
647
00:29:17,718 --> 00:29:19,219
I GIVE.
YOU WIN. YOU WIN.
648
00:29:19,219 --> 00:29:21,888
JUST...WHAT DO I GOT TO DO TO
GET YOU TO STOP THIS?
649
00:29:21,888 --> 00:29:23,389
DIE.
650
00:29:23,389 --> 00:29:25,626
COME ON, AMANDA.
PLEASE.
651
00:29:25,626 --> 00:29:26,660
BE SERIOUS.
652
00:29:26,660 --> 00:29:28,194
YOU HAVE TO DIE
AT MY HANDS.
653
00:29:35,368 --> 00:29:37,704
AMANDA.
LOOK AT YOU.
654
00:29:37,704 --> 00:29:40,707
YOU'RE AS SCARED AS I WAS.
655
00:29:40,707 --> 00:29:42,342
HOW DOES IT FEEL?
656
00:29:44,010 --> 00:29:46,513
NOT GOOD. NOT GOOD.
657
00:29:46,513 --> 00:29:47,681
NO, IT'S TERRIBLE.
658
00:29:47,681 --> 00:29:48,715
I KNOW. I KNOW.
659
00:29:48,715 --> 00:29:49,883
DO YOU?
660
00:29:49,883 --> 00:29:51,885
YEAH, I‐I DO. I KNOW.
I GET IT. I GET IT.
661
00:29:51,885 --> 00:29:53,720
YOU WANT ME TO KNOW
HOW MUCH IT HURTS YOU.
662
00:29:53,720 --> 00:29:54,721
I GET IT. I DO.
663
00:29:54,721 --> 00:29:56,356
YOU'RE GETTING IT.
664
00:29:56,356 --> 00:29:59,593
I'M GETTING IT.
665
00:29:59,593 --> 00:30:01,167
YOU KNOW ALREADY.
666
00:30:01,167 --> 00:30:03,269
I DO. I REALLY DO.
667
00:30:03,269 --> 00:30:04,505
NO, YOU DON'T.
668
00:30:04,505 --> 00:30:06,773
I DO. I SWEAR TO GOD, I DO.
I GET IT.
669
00:30:06,773 --> 00:30:08,174
TELL ME.
670
00:30:08,174 --> 00:30:11,612
TELL YOU WHAT?
I DON'T ‐‐ WHAT?
671
00:30:11,612 --> 00:30:14,648
HOW I FELT
AFTER YOU RAPED ME.
672
00:30:16,917 --> 00:30:20,286
YOU KNOW, UH...CONFUSED.
673
00:30:20,286 --> 00:30:22,488
YEAH.
YEAH.
674
00:30:23,489 --> 00:30:24,490
HURT.
675
00:30:24,490 --> 00:30:27,193
YEAH.
676
00:30:28,061 --> 00:30:29,062
EMBARRASSED.
677
00:30:29,062 --> 00:30:31,131
YES.
678
00:30:31,131 --> 00:30:33,366
PAIN.
679
00:30:33,366 --> 00:30:34,701
YES.
680
00:30:34,701 --> 00:30:36,136
WHAT ELSE?
681
00:30:38,271 --> 00:30:39,472
YOU WERE AFRAID.
682
00:30:39,472 --> 00:30:41,274
[ CHUCKLES ]
683
00:30:41,274 --> 00:30:43,209
THAT'S GOOD.
YEAH.
684
00:30:43,209 --> 00:30:46,012
BUT YOU'RE MISSING A FEW.
685
00:30:46,012 --> 00:30:47,213
WHAT? WHAT? TELL ME.
686
00:30:47,213 --> 00:30:48,815
TELL ME. WHAT?
ANYTHING.
687
00:30:48,815 --> 00:30:51,051
YOU'LL LEARN.
688
00:30:51,051 --> 00:30:54,688
I'M GONNA MAKE SURE YOU
EXPERIENCE ALL OF THEM.
689
00:30:54,688 --> 00:30:55,722
OH, COME ON.
690
00:30:55,722 --> 00:30:56,523
ALL OF THEM.
691
00:30:56,523 --> 00:30:57,891
Shh! PLEASE. COME ON.
692
00:30:57,891 --> 00:31:00,393
DON'T TOUCH ME!!
693
00:31:00,393 --> 00:31:01,835
HONEY, YOU GONE?
YOU STILL HERE?
694
00:31:01,835 --> 00:31:04,104
HONEY, YOU GONE?
695
00:31:12,679 --> 00:31:14,715
[ ORGAN PLAYS INTRO ]
696
00:31:26,326 --> 00:31:33,233
♪♪ AMAZING GRACE ♪♪
697
00:31:33,233 --> 00:31:40,541
♪♪ HOW SWEET THE SOUND ♪♪
698
00:31:40,541 --> 00:31:44,010
♪♪ THAT SAVED ♪♪
699
00:31:44,010 --> 00:31:47,581
♪♪ A WRETCH ♪♪
700
00:31:47,581 --> 00:31:53,353
♪♪ LIKE ME ♪♪
701
00:31:54,688 --> 00:32:02,603
♪♪ I ONCE WAS LOST ♪♪
702
00:32:02,603 --> 00:32:07,941
♪♪ BUT NOW I'M FOUND ♪♪
703
00:32:07,941 --> 00:32:12,979
♪♪ WAS BLIND ♪♪
704
00:32:12,979 --> 00:32:15,882
♪♪ BUT NOW I SEE... ♪♪
705
00:32:15,882 --> 00:32:17,718
IS THAT HANNA?
706
00:32:17,718 --> 00:32:19,786
WHAT? WHERE?
707
00:32:19,786 --> 00:32:22,756
YES.
708
00:32:23,790 --> 00:32:26,026
JIM?
709
00:32:26,026 --> 00:32:27,193
YEAH?
710
00:32:27,193 --> 00:32:28,629
THERE'S HANNA.
711
00:32:28,629 --> 00:32:33,667
♪♪ ...GRACE, HOW SWEET... ♪♪
712
00:32:33,667 --> 00:32:36,069
WHAT IS SHE DOING HERE?
713
00:32:36,069 --> 00:32:38,839
I DON'T KNOW.
714
00:32:38,839 --> 00:32:40,607
DID SHE CONTACT YOU?
715
00:32:40,607 --> 00:32:41,742
NO.
716
00:32:41,742 --> 00:32:48,615
♪♪ ...THAT SAVED
A WRETCH LIKE ME ♪♪
717
00:32:48,615 --> 00:32:49,783
THIS EXPLAINS IT.
718
00:32:49,783 --> 00:32:52,318
♪♪ YES ♪♪
719
00:32:52,318 --> 00:32:54,487
♪♪ I ONCE WAS LOST ♪♪
720
00:32:54,487 --> 00:32:56,857
SHE KNOWS.
721
00:32:56,857 --> 00:33:00,326
SHE KNOWS.
I'M SURE OF IT. LOOK AT HER.
722
00:33:00,326 --> 00:33:04,370
♪♪ BUT NOW AM FOUND ♪♪
723
00:33:04,370 --> 00:33:06,006
JIM.
Shh.
724
00:33:06,006 --> 00:33:09,776
♪♪ WAS BLIND ♪♪
725
00:33:09,776 --> 00:33:15,148
♪♪ OH, BUT NOW I ♪♪
726
00:33:15,148 --> 00:33:17,618
♪♪ I SEE ♪♪
727
00:33:17,618 --> 00:33:19,786
♪♪ OH, YES, OH, YES, OH, YES ♪♪
728
00:33:27,127 --> 00:33:34,500
WE ARE HERE TODAY UNDER THE MOST
UNFORTUNATE CIRCUMSTANCES,
729
00:33:34,500 --> 00:33:38,839
TO BURY A CHILD,
730
00:33:38,839 --> 00:33:41,842
OUR CHILD,
731
00:33:41,842 --> 00:33:45,679
THIS CITY'S BABY,
732
00:33:45,679 --> 00:33:48,549
THIS NATION'S BABY.
733
00:33:48,549 --> 00:33:56,356
WE ARE TIRED OF THESE FOLKS
COMING INTO OUR NEIGHBORHOODS,
734
00:33:56,356 --> 00:34:00,360
BUYING DRUGS, GETTING HIGH,
735
00:34:00,360 --> 00:34:02,335
AND KILLING OUR KIDS.
736
00:34:02,335 --> 00:34:06,472
WE ARE TIRED
OF THE ENDLESS FIGHTS
737
00:34:06,472 --> 00:34:10,110
TRYING TO KEEP
OUR CHILDREN SAFE.
738
00:34:10,110 --> 00:34:15,649
WE NEED TO TAKE
OUR NEIGHBORHOODS BACK.
739
00:34:15,649 --> 00:34:17,918
BY GOD, TAKE IT BACK!
740
00:34:17,918 --> 00:34:20,353
HOW DO WE START?
741
00:34:20,353 --> 00:34:26,392
BY TRACKING DOWN THIS HEATHEN
AND BRINGING HIM TO JUSTICE.
742
00:34:26,392 --> 00:34:29,730
FOR THE SAKE OF LITTLE LIZZIE,
743
00:34:29,730 --> 00:34:34,400
FOR THE SAKE OF HER GRANDFATHER,
AND HER MOTHER.
744
00:34:34,400 --> 00:34:37,538
THE KINGDOMS SUFFER VIOLENCE,
745
00:34:37,538 --> 00:34:40,541
AND THE VIOLENCE
TAKES IT BY FORCE.
746
00:34:40,541 --> 00:34:44,144
AND WE NEED TO TAKE
OUR NEIGHBORHOODS BACK
747
00:34:44,144 --> 00:34:46,813
AND TAKE IT BACK BY FORCE.
748
00:34:46,813 --> 00:34:50,150
I AM TIRED OF GOING
TO THE FUNERALS
749
00:34:50,150 --> 00:34:55,455
OF LITTLE BLACK BOYS AND LITTLE
BLACK GIRLS BECAUSE OF DRUGS.
750
00:34:55,455 --> 00:34:59,125
WE NEED TO TAKE
OUR NEIGHBORHOODS BACK!
751
00:34:59,125 --> 00:35:01,568
BY GOD, WE NEED TO TAKE IT BACK!
752
00:35:01,568 --> 00:35:04,037
[ APPLAUSE ]
HALLELUJAH!
753
00:35:06,773 --> 00:35:08,775
MISS HANNA...
754
00:35:08,775 --> 00:35:11,778
I KNOW YOU'RE GOING THROUGH
SOME HARD TIMES RIGHT NOW.
755
00:35:11,778 --> 00:35:16,349
HER SON
LIES UP IN THAT HOSPITAL,
756
00:35:16,349 --> 00:35:19,285
CLINGING TO LIFE,
757
00:35:19,285 --> 00:35:22,222
BUT SHE DECIDED TO BE HERE
758
00:35:22,222 --> 00:35:26,593
TO SHOW HER SUPPORT FOR THIS
FAMILY, IN SPITE OF HER GRIEF.
759
00:35:26,593 --> 00:35:28,595
AMEN.
760
00:35:28,595 --> 00:35:34,334
PASTOR HENDERSON SAID THAT SHE
IS A MEMBER OF THIS CHURCH.
761
00:35:34,334 --> 00:35:36,469
WELL, SHE NEEDS YOUR SUPPORT.
762
00:35:36,469 --> 00:35:38,171
SHE NEEDS YOUR PRAYERS.
763
00:35:38,171 --> 00:35:41,274
BENNY NEEDS YOUR PRAYERS.
764
00:35:41,274 --> 00:35:44,177
MISS HANNA, WOULD YOU STAND?
765
00:35:50,617 --> 00:35:56,540
MISS HANNA'S SON
WAS RAN OVER BY THE SAME MAN
766
00:35:56,957 --> 00:35:59,492
WHO WAS DRIVING
THE SAME BLACK SEDAN!
767
00:35:59,492 --> 00:36:01,835
OH, MY GOD. JIM.
768
00:36:01,835 --> 00:36:04,037
OH, MY GOD.
Shh! Shh!
769
00:36:04,037 --> 00:36:06,439
WOULD YOU LIKE TO HAVE
SOME WORDS, MISS HANNA?
770
00:36:12,412 --> 00:36:15,148
NO, THANK YOU, REVEREND.
771
00:36:15,148 --> 00:36:18,519
SHE DOESN'T WANT TO TALK
RIGHT NOW, SO LET US PRAY.
772
00:36:22,355 --> 00:36:24,725
HEAVENLY FATHER,
773
00:36:24,725 --> 00:36:30,184
WE COME HERE TODAY,
ASKING FOR YOUR WILL...
774
00:36:32,899 --> 00:36:35,035
...ASKING FOR YOUR JUSTICE...
775
00:36:37,203 --> 00:36:39,472
...ASKING FOR YOUR MERCY.
776
00:36:41,608 --> 00:36:46,680
WE ASK THIS AS WE HUMBLY PRAY.
777
00:36:46,680 --> 00:36:48,582
AMEN.
778
00:36:48,582 --> 00:36:49,716
Guests: AMEN.
779
00:36:52,285 --> 00:36:56,089
LET US ALL STAND.
780
00:36:56,089 --> 00:36:59,425
♪♪ TALKIN' 'BOUT A CHILD ♪♪
781
00:36:59,425 --> 00:37:02,836
♪♪ THAT DO LOVE JESUS ♪♪
782
00:37:02,836 --> 00:37:06,272
♪♪ HERE'S ONE ♪♪
783
00:37:06,272 --> 00:37:09,776
♪♪ TALKIN' 'BOUT A CHILD ♪♪
784
00:37:09,776 --> 00:37:12,979
♪♪ THAT DO LOVE JESUS ♪♪
785
00:37:12,979 --> 00:37:16,149
♪♪ HERE'S ONE ♪♪
786
00:37:16,149 --> 00:37:20,754
♪♪ TALKIN' 'BOUT A CHILD ♪♪
787
00:37:20,754 --> 00:37:24,424
♪♪ THAT DO LOVE JESUS ♪♪
788
00:37:24,424 --> 00:37:27,460
♪♪ TALKIN' 'BOUT A CHILD ♪♪
789
00:37:27,460 --> 00:37:31,532
♪♪ DO LOVE JESUS ♪♪
790
00:37:31,532 --> 00:37:35,602
♪♪ TALKIN' 'BOUT A CHILD... ♪♪
791
00:37:35,602 --> 00:37:36,603
HANNA.
792
00:37:36,603 --> 00:37:37,771
KATHERYN.
Move!
793
00:37:37,771 --> 00:37:39,940
♪♪ ...HERE'S ONE ♪♪
794
00:37:39,940 --> 00:37:41,808
HANNA, I'M SO SORRY.
795
00:37:41,808 --> 00:37:43,376
MRS. CRYER.
796
00:37:43,376 --> 00:37:46,246
♪♪ TALKIN' 'BOUT A CHILD ♪♪
797
00:37:46,246 --> 00:37:47,581
I'LL CALL YOU.
798
00:37:47,581 --> 00:37:49,983
♪♪ THAT DO LOVE JESUS ♪♪
799
00:37:49,983 --> 00:37:53,486
♪♪ HERE'S ONE ♪♪
PLEASE.
800
00:37:53,486 --> 00:37:56,990
♪♪ TALKIN' 'BOUT A CHILD ♪♪
SHE KNOWS.
801
00:37:56,990 --> 00:37:59,292
♪♪ THAT DO LOVE JESUS ♪♪
802
00:37:59,292 --> 00:38:00,934
SHE KNOWS.
803
00:38:00,934 --> 00:38:04,538
♪♪ HERE'S ONE ♪♪
804
00:38:04,538 --> 00:38:08,308
♪♪ TALKIN' 'BOUT A CHILD ♪♪
805
00:38:08,308 --> 00:38:11,645
♪♪ THAT DO LOVE JESUS ♪♪
806
00:38:11,645 --> 00:38:15,749
♪♪ TALKIN' 'BOUT A CHILD ♪♪
807
00:38:15,749 --> 00:38:18,552
♪♪ DO LOVE JESUS ♪♪
808
00:38:18,552 --> 00:38:20,320
EXCUSE ME. IF I COULD
JUST GET ONE STATE‐‐
809
00:38:20,320 --> 00:38:21,555
NO QUESTIONS.
NO QUESTIONS.
810
00:38:21,555 --> 00:38:23,223
JUST A‐A STATEMENT FOR ‐‐
NO QUESTIONS.
811
00:38:23,223 --> 00:38:26,492
HANNA. COME ON.
812
00:38:26,492 --> 00:38:28,762
MISS YOUNG,
HOW'S YOUR SON?
813
00:38:28,762 --> 00:38:29,996
NO QUESTIONS, PLEASE.
814
00:38:29,996 --> 00:38:33,299
ARE THE POLICE ANY CLOSER
TO FINDING OUT WHO DID THIS?
815
00:38:33,299 --> 00:38:34,367
NO QUESTIONS.
816
00:38:34,367 --> 00:38:35,401
WILL THE POLICE BE
RELEASING A SKETCH
817
00:38:35,401 --> 00:38:36,637
OF THE DRIVER
OF THE VEHICLE?
818
00:38:36,637 --> 00:38:39,339
ARE YOU ALL PLANNING
ON SUING THE STATE?
819
00:38:39,339 --> 00:38:40,641
DO YOU THINK
THAT THE POLICE
820
00:38:40,641 --> 00:38:42,676
ARE GIVING THIS
THE ATTENTION THAT IT NEEDS?
821
00:38:46,613 --> 00:38:47,848
JUDGE CRYER.
822
00:38:47,848 --> 00:38:49,550
PLEASE KEEP YOUR QUESTIONS
TO A MINIMUM.
823
00:38:49,550 --> 00:38:51,652
WHY DID YOU FEEL
THE NEED TO BE HERE?
824
00:38:51,652 --> 00:38:54,320
WELL, OBVIOUSLY, IT'S A VERY SAD
TIME IN OUR CITY,
825
00:38:54,320 --> 00:38:56,056
IN OUR STATE,
IN OUR COUNTRY.
826
00:38:56,056 --> 00:38:57,290
ARE YOU HELPING THIS FAMILY
827
00:38:57,290 --> 00:38:59,259
PUT PRESSURE ON THE POLICE
TO SOLVE THIS?
828
00:38:59,259 --> 00:39:01,134
NO, I THINK THE POLICE
DEPARTMENT HAS TAKEN THIS
829
00:39:01,134 --> 00:39:03,036
JUST AS SERIOUSLY AS I WOULD
IF I WERE GOVERNOR.
830
00:39:03,036 --> 00:39:04,505
NOT SO AGGRESSIVE.
831
00:39:04,505 --> 00:39:05,706
WAIT. DOES THAT MEAN
YOU'RE RUNNING?
832
00:39:05,706 --> 00:39:07,340
NO. NO, NO.
833
00:39:07,340 --> 00:39:09,876
THIS IS REALLY NOT A TIME
FOR A POLITICAL SPEECH.
834
00:39:09,876 --> 00:39:12,713
THIS IS A TIME
TO SUPPORT THE FAMILIES.
835
00:39:12,713 --> 00:39:14,615
WELL, YOU HAVE A REPUTATION
IN THIS TOWN
836
00:39:14,615 --> 00:39:16,216
OF BEING EXTREMELY HARD
ON CRIME.
837
00:39:16,216 --> 00:39:18,051
THEN YOU CAN UNDERSTAND
WHY MY WIFE AND I
838
00:39:18,051 --> 00:39:20,621
ARE STANDING BEHIND THE YOUNG
AND CASTILLE FAMILY, CAN'T YOU?
839
00:39:20,621 --> 00:39:22,923
WHAT DO YOU THINK SHOULD HAPPEN
TO THE DRIVER OF THE CAR?
840
00:39:22,923 --> 00:39:24,891
I BELIEVE THAT THE DRIVER
OF THE CAR
841
00:39:24,891 --> 00:39:26,527
SHOULD BE BROUGHT
TO JUSTICE,
842
00:39:26,527 --> 00:39:28,361
REGARDLESS OF WHAT
THAT MAY MEAN.
843
00:39:28,361 --> 00:39:30,997
MRS. CRYER, YOUR FATHER WAS
A PILLAR OF THE COMMUNITY
844
00:39:30,997 --> 00:39:32,999
AND A PROPONENT
OF CAPITAL PUNISHMENT.
845
00:39:32,999 --> 00:39:34,535
HOW DO YOU FEEL
ABOUT THAT?
846
00:39:34,535 --> 00:39:36,637
MY WIFE IS TAKEN ABACK
BY TODAY'S EVENTS.
847
00:39:36,637 --> 00:39:38,304
THERE'LL BE
NO MORE QUESTIONS.
848
00:39:38,304 --> 00:39:39,973
BUT I JUST NEED ‐‐
NO, NO MORE QUESTIONS.
849
00:39:39,973 --> 00:39:41,975
Maggie: I'M SORRY.
THAT'S ALL WE HAVE TIME FOR.
850
00:39:41,975 --> 00:39:44,144
MR. CRYER, OVER HERE.
WAIT. WAIT, WAIT, WAIT.
851
00:39:44,144 --> 00:39:45,679
MR. CRYER. MR. CRYER.
852
00:39:45,679 --> 00:39:47,914
MR. CRYER,
ONE MORE QUESTION.
853
00:39:47,914 --> 00:39:51,785
[ INDISTINCT TALKING ]
854
00:39:51,785 --> 00:39:53,587
NO.
NO MORE QUESTIONS.
855
00:40:24,791 --> 00:40:27,761
[ Phone ringing ]
COME ON, BENNY.
856
00:40:31,231 --> 00:40:33,266
CANDACE?
857
00:40:41,241 --> 00:40:42,909
CANDACE?
858
00:40:42,909 --> 00:40:44,978
COME IN.
859
00:40:44,978 --> 00:40:48,615
COME ON, BENNY.
860
00:40:48,615 --> 00:40:50,717
PICK UP YOUR PHONE.
861
00:40:50,717 --> 00:40:53,419
[ Phone ringing ]
862
00:40:55,355 --> 00:40:58,291
WHAT?
WHAT IS THAT LOOK FOR?
863
00:40:58,291 --> 00:41:00,734
CANDACE,
I GOT SOME BAD NEWS.
864
00:41:00,734 --> 00:41:02,503
WHAT?
865
00:41:02,503 --> 00:41:04,404
IT'S YOUR BROTHER.
866
00:41:04,404 --> 00:41:06,940
WHAT ABOUT HIM?
867
00:41:06,940 --> 00:41:09,576
HE WAS IN A CAR WRECK,
CANDACE.
868
00:41:09,576 --> 00:41:12,178
IS HE ALL RIGHT?
869
00:41:12,178 --> 00:41:14,515
I DON'T KNOW.
870
00:41:14,515 --> 00:41:16,149
WHERE IS HE?
871
00:41:16,149 --> 00:41:18,151
I DON'T ‐‐ I DON'T KNOW.
HOW DO YOU KNOW THIS?
872
00:41:18,151 --> 00:41:20,286
HE WAS HIT BY THE GUY
WHO KILLED THE LITTLE GIRL.
873
00:41:20,286 --> 00:41:22,523
WHAT?!
YEAH.
874
00:41:23,957 --> 00:41:25,826
HE'S GOT TO BE IN COUNTY.
875
00:41:31,464 --> 00:41:33,767
NEXT WEEK ON "THE HAVES
AND THE HAVE NOTS"...
876
00:41:33,767 --> 00:41:35,669
WHY DIDN'T YOU JUST
SAY SOMETHING?
877
00:41:35,669 --> 00:41:38,004
I WAS HOPING I COULD KEEP
YOU OUT OF THIS MESS.
878
00:41:38,004 --> 00:41:39,773
I AM ALREADY IN THIS MESS!
879
00:41:39,773 --> 00:41:41,307
I STILL HAVEN'T GOTTEN
THAT CHECK.
880
00:41:41,307 --> 00:41:43,209
YEAH, I'LL GET IT TO YOU
FIRST THING IN THE MORNING.
881
00:41:43,209 --> 00:41:44,611
DON'T TOUCH ME.
HEY. HEY.
882
00:41:44,611 --> 00:41:45,979
THIS IS YOUR FAULT!
883
00:41:45,979 --> 00:41:47,447
I AM SORRY
ABOUT YOUR BROTHER.
884
00:41:47,447 --> 00:41:49,049
GO AND FIND THE DOCTOR.
885
00:41:49,049 --> 00:41:51,518
OH, IN THE NAME OF JESUS,
COME ON, NOW.
886
00:41:51,518 --> 00:41:53,787
YOU NEED TO LEAVE
THIS OFFICE.
887
00:41:53,787 --> 00:41:55,388
DON'T TOUCH ME.
888
00:41:55,388 --> 00:41:57,390
WHY DO YOU NEED A GUN?
NEVER MIND.
889
00:41:57,390 --> 00:41:59,159
WHERE IS THE CAR, BOY?
890
00:41:59,159 --> 00:42:01,102
MOM, I REALLY DON'T KNOW
WHERE IT IS.