PREVIOUSLY ON "THE HAVES AND THE HAVE NOTS"...
I SAW THE PREGNANCY TEST IN THE BATHROOM.
I KNOW WHAT'S COMING
AND I'M WILLING TO PAY FOR THE PROCEDURE.
WHEN I GOT IN THE SAME CAR,
I GOT PULLED OVER AND SAW THE OTHER $50,000 IN A BAG.
IT WAS TAN, LIKE A MAN'S BAG.
HAD LEATHER STRAPS ON IT.
NOW, JIM WAS HAVING AN AFFAIR WITH CANDACE YOUNG.
SHE WAS BLACKMAILING HIM FOR $100,000 AND A CAR.
YOU DELIVERED THAT CAR WITH TWO KILOS OF COCAINE IN IT.
WHO TOLD YOU?
YOU JUST DID.
WELL?
YES, I LIED.
WELL, I KNOW THAT.
I'M SORRY.
BABY.
MNH‐MNH. NO. DON'T.
I AM SORRY.
I WANT HIM OUT OF JAIL TODAY.
TODAY MAY NOT BE POSSIBLE.
MAKE IT HAPPEN.
I'LL TRY.
MNH‐MNH.
YOU DON'T TRY.
YOU DO IT.
NOW, YOU KNOW THAT THIS MAY TAKE SOME TIME.
I DON'T CARE.
LOOK, I'VE ALREADY ARRANGED
FOR A FEW THINGS TO GET TAKEN CARE OF.
I DON'T WANT TO HEAR ABOUT ANY OF THAT.
I DON'T CARE.
I WANT HIM OUT OF JAIL TODAY.
OKAY.
THANK YOU.
YOU CARE TO KNOW WHY?
YOU WANT TO TALK ABOUT THIS?
TALK ABOUT WHAT?
TALK ABOUT THE FACT THAT THE MAN THAT I LOVE...
THE MAN THAT I HAVE A CHILD WITH...
HAVE BEEN THROUGH SO MANY UPS AND DOWNS WITH...
THE MAN THAT'S BEEN BY MY SIDE...
FOR 25 YEARS...
IS A GRACEFUL LIAR.
SWEETHEART.
Shh.
I WOULD HAVE RATHER COME HOME...
TO FIND YOU IN BED WITH ANOTHER WOMAN.
AN AFFAIR.
AN AFFAIR...
I COULD TOUCH, I COULD FEEL.
IT'S TANGIBLE.
BUT A LIE, IT'S INVISIBLE.
IT'S DEADLY.
IT KILLS HOPE AND TRUST.
AND THE FACT THAT A LIE
CAN ROLL OFF OF YOUR LIPS SO EASILY, SO GRACEFULLY,
MAKES ME WONDER IF ANYTHING YOU EVER SAID TO ME
WAS TRUE.
DAVID, I ASKED YOU A DIRECT QUESTION.
AND YOU LOOKED AT ME...
AND YOU LIED...
GRACEFULLY.
I CAN FORGIVE A LOT OF THINGS...
BUT A LIE, I CANNOT SUFFER.
A LIE CAN ROLL OFF OF YOUR LIPS
AS EASILY AS "I LOVE YOU" CAN.
AND I WILL FOREVER WONDER
IF WHAT YOU'RE SAYING TO ME IS THE TRUTH...
OR IS IT A LIE?
BABY...
I DO LOVE YOU.
AND I AM TRULY SORRY.
[ SIGHS ]
THAT WAS GRACEFUL.
[ SIGHS ]
BUT IS IT A LIE?
‐‐Captions by VITAC‐‐ www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS
[ INSECTS CHIRPING ]
[ DOOR OPENS ]
WHAT IS IT?
HOW CAN YOU STAY IN BED ALL DAY AND ALL NIGHT?
I WANTED TO SEE WHAT IT FEELS LIKE TO BE YOU.
WHAT DOES THAT MEAN?
YOU'RE BLONDE, DARLING, BUT YOU'RE NOT SLOW.
WE NEED TO TALK.
UNLESS YOU'RE TELLING ME THAT YOU'RE GONNA BE HIT BY A BUS
IN THE NEXT FEW MINUTES, WE HAVE NOTHING TO TALK ABOUT.
CAN YOU DROP THE SARCASM FOR ONE MINUTE?
WE NEED TO TALK.
WHAT DO YOU WANT?
YOU NEED TO HAVE A CONVERSATION WITH AMANDA.
I'M NOT READY TO TALK TO HER RIGHT NOW.
WHY?
BECAUSE I'M NOT.
KATHERYN, I DIDN'T COME IN HERE TO ARGUE WITH YOU.
THEN WHY ARE YOU IN MY PRESENCE?
THE VERY SIGHT OF YOU MAKES ME WANT TO ARGUE.
BECAUSE YOUR DAUGHTER NEEDS YOU.
AND I HAVE NEEDS, TOO.
HOW CAN YOU BE SO UNBELIEVABLY SELFISH?
THAT HAD TO HURT FALLING FROM YOUR LIPS.
OHH.
CONSIDERING YOU ARE THE MOST SELFISH, SELF‐CENTERED BASTARD
I HAVE EVER HAD THE DISPLEASURE OF KNOWING.
YOUR DAUGHTER IS FALLING APART RIGHT NOW IN THE OTHER ROOM
BECAUSE SHE IS WAITING TO HEAR WHAT YOU ARE THINKING.
SHE IS GOING TO HAVE TO WAIT JUST A LITTLE BIT LONGER.
OH, THAT IS SO YOU.
YES...
AND THAT IS SO YOU.
WHAT DOES THAT EVEN MEAN?
WHAT ARE YOU TALKING ABOUT? WHAT IS SO ME?
YOU COME RUNNING TO ME WITH HELP WITH THE KIDS
WHEN YOU'RE SCARED...
WHEN YOU DON'T KNOW WHAT TO DO OR WHAT TO SAY.
REALLY? YES.
I COME RUNNING TO YOU?
YOU LEAVE THEM IN SHAMBLES,
AND YOU WAIT FOR ME TO PICK UP THE PIECES.
WELL, JIM, RIGHT NOW,
I DON'T HAVE THE STRENGTH TO PICK UP THE PIECES
FOR ANYONE ELSE BUT MYSELF.
WELL, YOU BETTER FIND THE DAMN STRENGTH
TO PICK UP THE PIECES FOR SOMEONE OTHER THAN YOURSELF.
AND YOU BETTER DO IT RIGHT NOW
BECAUSE YOUR DAUGHTER NEEDS YOU RIGHT NOW.
GET OUT OF BED AND GO TALK TO YOUR DAUGHTER.
YOU DON'T GET IT.
WHAT? I DON'T GET WHAT?
THIS IS YOUR FAULT.
MY FAULT?
YES.
YOU ARE SOME PIECE OF WORK, YOU KNOW THAT?
NO, I'M TELLING YOU THE TRUTH.
SO MY DAUGHTER,
SOMEONE THAT I LOVE MORE THAN I LOVE LIFE ITSELF,
TRIES TO KILL HERSELF,
AND SOMEHOW THAT IS MY FAULT?
MY LITTLE GIRL, MY DAUGHTER.
HOW IS THAT, KATHERYN? HOW IS IT?
BECAUSE SEVEN IS SOMEONE'S DAUGHTER.
OH, COME ON!
AND EIGHT... REALLY?
...AND NINE.
WE'RE GONNA TALK ABOUT THIS AGAIN?
THE WAY YOU TREAT THESE GIRLS, JIM ‐‐
THE INS AND THE OUTS,
THE AFFAIRS,
THE DISRESPECT FOR WOMEN ‐‐ [ SCOFFS ]
...IT'S ALL COMING BACK TO HAUNT YOU IN YOUR DAUGHTER'S BEDROOM.
YOU'RE DELUSIONAL.
I'M DELUSIONAL? YES, YOU'RE DELUSIONAL.
I'M DELUSIONAL? YOU DON'T REALIZE IT?
[ BREATHING HEAVILY ]
EVERYTHING THAT YOU ARE DOING OUT THERE
IS COMING BACK TO YOU THROUGH YOUR DAUGHTER,
THROUGH OUR CHILDREN.
AND JUST WHAT THE HELL DO YOU THINK YOU ARE?
THE VIRGIN MOTHER?
YOU THINK YOU HAVEN'T SINNED?
YOU HONESTLY CAN LAY HERE IN THIS BED DAY IN AND DAY OUT
AND TELL ME YOU HAVEN'T DONE ANYTHING
TO BRING ANY OF THIS UPON OUR HOUSEHOLD?
NO, I HAVE DONE NOTHING. REALLY?
I HAVE DONE NOTHING BUT LOVE YOU.
OH!
I'VE TRIED TO BE A GOOD WIFE.
I TRIED TO STAND BY YOUR SIDE.
OH, GEEZ. BUT NO.
I'M SORRY.
I WASN'T GOOD ENOUGH FOR JAMES CRYER.
OH, MY GOODNESS. IT'S TIME FOR A PITY PARTY.
LET ME GET MY HAT. NO, NOT PITY.
THIS IS A PARTY!
I KNOW YOU MARRIED ME FOR MY NAME
AND MY FAMILY'S GOOD STANDING.
OH, I KNOW IT.
AND I KNOW YOU'RE STILL WITH ME, JUST RIDING THAT NAME.
[ SOBS ]
I KNEW IT THEN...
AND I HAVE ENDURED HELL FROM YOU.
BUT I SWEAR TO YOU,
I WILL NOT LET YOU LEAVE
UNTIL YOU HAVE ENDURED AS MUCH HELL FROM ME
AS YOU HAVE GIVEN ME.
DO YOU UNDERSTAND?
I UNDERSTAND LOUD AND CLEAR.
SO, WHILE YOU ARE SITTING AROUND IN YOUR BED, HATING ME,
TRYING TO FIGURE OUT A WAY
TO MAKE ME PLAN MY OWN PERSONAL TRIP TO HELL
WHILE YOUR DAUGHTER IS SITTING IN THE OTHER ROOM
HURTING HERSELF,
I WANT YOU TO REMEMBER ONE THING ‐‐
SHE IS OUR DAUGHTER. SHE NEEDS YOU.
SO, WHEN YOU COME OFF OF YOUR HIGH HORSE,
PLEASE, WHEN YOU HAVE A MOMENT,
GO IN THERE AND HUG YOUR DAUGHTER.
GET OUT OF MY ROOM!
LOVE TO.
[ DOOR CLOSES ]
[ GROANS SOFTLY ]
HI.
YOU WANTED TO SEE ME?
YES. I DIDN'T WANT TO HAVE THIS CONVERSATION OVER THE PHONE.
WHAT IS IT?
YOU SHOULD OPEN DISCOVERY ON THE YOUNG CASE.
I ALREADY DID THAT.
HAVE YOU RECEIVED IT ALL FROM THE D. A.?
YES.
HOW DOES THAT CASE LOOK?
LIKE HE WAS FRAMED. LIKE THE "MONA LISA."
IT'S ALL PERFECT.
YOU SHOULD OPEN DISCOVERY.
I JUST SAID I ALREADY DID THAT.
PERSONALLY EXAMINE ALL OF THE EVIDENCE.
IF I EXAMINE ALL OF THIS EVIDENCE
AND I FIND THERE ARE OTHERS INVOLVED,
SHOULD I TURN MY BACK?
NO, DON'T TURN YOUR BACK.
JUST LOOK THE OTHER WAY.
HMM. LOOK THE OTHER WAY?
YES.
AND WHEN I TURN IN THAT DIRECTION,
WOULD I FIND YOU AND JIM?
EXAMINE THE EVIDENCE AND LOOK THE OTHER WAY.
WHAT YOU ARE ASKING ME TO DO IS BEYOND UNETHICAL.
NO, I AM ASKING YOU AS YOUR HUSBAND,
PLEASE, FOR THE SAKE OF THE STATE,
EXAMINE THE EVIDENCE
AND LET THIS BE A BYGONE.
ALL RIGHT.
I WILL EVALUATE THE EVIDENCE.
AND?
AND I WILL LET YOU KNOW WHAT MY NEXT MOVE IS.
SWEETHEART...
I LOVE YOU MORE THAN YOU KNOW,
AND I AM SINCERELY SORRY.
I'LL SEE YOU AT HOME.
YOU LOOK BETTER.
I FEEL BETTER.
GOOD.
HANNA, I'M NEVER GOING TO BE ABLE TO REPAY YOU.
MM. YOU DON'T OWE ME NOTHING.
YEAH, I DO. NO, YOU DON'T.
YOU CAME IN HERE AND TOOK CARE OF ME
LIKE I WAS YOUR VERY OWN.
ARE YOU ALL RIGHT?
YEAH.
YEAH, I'M FINE.
MRS. CRYER, I NEED TO TELL YOU SOMETHING.
WHAT IS IT?
WHEN I STARTED WORKING HERE,
AND THE DAY THAT GIRL, CANDACE...
NINE. ...SHOWED UP...
I'M SORRY?
NINE. I CALL HER NINE.
GO ON.
WELL, I DIDN'T KNOW HOW TO TELL YOU
BECAUSE I DIDN'T WANT TO LOSE MY JOB...
...BUT CANDACE IS MY DAUGHTER.
NINE IS YOUR DAUGHTER?
WHAT?
NEVER MIND.
SHE'S YOUR DAUGHTER?
YEAH.
I WAS SO EMBARRASSED WHEN I FIRST SAW HER.
[ SIGHING ]
SHE'S BECOME SUCH AN AWFUL PERSON.
AND THEN SHE WAS WITH AMANDA,
AND ‐‐ AND SHE WAS TELLING ALL THOSE LIES ABOUT ME,
SAYING I WAS DEAD.
I AM SO SORRY.
I'VE DONE MY BEST WITH HER.
SHE JUST WON'T DO THE RIGHT THING.
PLEASE TRY NOT TO BE TOO MAD WITH ME.
YOU SPILLED A DRINK ON HER.
[ SCOFFS ]
IT WAS ALL I COULD DO NOT TO GET MY HANDS AROUND HER THROAT.
YOU SHOULD HAVE TOLD ME.
WELL, I WANTED TO.
AND I KNOW SHE WAS JUST LOOKING OUT FOR ME,
BUT CELINE SAID NOT TO. FOUR.
WHAT?
FOUR SAID NOT TO.
CELINE?
YES.
THE SAME CELINE THAT WAS SLEEPING WITH MY HUSBAND.
WHAT?
YES, SHE WAS.
AND SHE'S STILL WORKING HERE?
YES.
THEY THINK I DON'T KNOW.
MRS. CRYER.
YES?
WHY WOULD YOU LET HER STAY HERE IN YOUR HOUSE?
BECAUSE I'M ENJOYING IT.
I'M ENJOYING WATCHING HER SUFFER.
JIM DOESN'T GIVE HER A SECOND GLANCE.
SHE'S SO UPSET ABOUT IT.
SHE'S NOT YOUNG ANYMORE.
I ENJOY WATCHING HER GET OLD AND BE MISERABLE.
JIM WON'T EVEN LOOK AT HER,
AND SHE IS DEVASTATED.
OH, I KNOW IT'S WRONG FOR ME TO FEEL THIS WAY,
BUT THIS IS A GIFT.
[ CHUCKLES ]
HOW MANY WOMEN CAN SAY THEY GET TO WATCH
THEIR HUSBAND'S MISTRESSES GO THROUGH HELL?
MM.
SOME OF WHAT YOU'RE SAYING MAKES SENSE.
BUT AIN'T NO WAY IN THE WORLD
I WOULD ALLOW MY HUSBAND'S WHORE TO BE IN MY HOUSE.
WELL...
HE TRIED TO GET RID OF HER.
BUT I WANT HIM TO SEE HIS MISTAKE
EVERY TIME HE WALKS THROUGH THAT DOOR.
SEE, NOW I UNDERSTAND IT ALL.
I BET YOU DO.
AND I DO, TOO.
SOME THINK SEVEN ROUNDS OF CANCER
WILL MAKE YOU RETHINK YOUR LIFE.
WHAT HAVE YOU BEEN RETHINKING?
MISTAKES.
I WANT DO‐OVERS.
WHAT DOES THAT MEAN?
I WAS 20 YESTERDAY.
YOU BEEN SMOKING MORE WEED?
[ CHUCKLES ]
NOW, LISTEN TO ME.
I WAS 20 YESTERDAY, HANNA.
I WAS YOUNG.
I WAS HAPPY.
WHERE'D THE TIME GO, HMM?
LIFE.
I RESENT JIM SO MUCH.
HE STOLE IT FROM ME.
STOLE WHAT?
HE STOLE MY YOUTH...
PRETENDING TO LOVE ME.
I LOVED HIM...
ADORED HIM.
I DOTED ON HIM. I GAVE HIM EVERYTHING.
I WENT TO BAT WITH MY FATHER OVER HIM.
THERE IS NOTHING SADDER THAN BEING IN YOUR 50s
AND REALIZING THE MAN THAT YOU LOVED AND ADORED
WAS A THIEF TO STEAL YOUR YOUTH.
AND WHEN YOU GET OLD...
[ SNIFFLES ]
...HE WOULD TRADE YOU IN FOR SOMEONE ELSE.
SO...
[ LAUGHS ]
[ SNIFFLES ]
...NINE IS YOUR DAUGHTER?
WHAT IS THIS "NINE" BUSINESS?
SHE'S SLEEPING WITH MY HUSBAND.
WHO ‐‐ WHAT?
YES.
CLOSE YOUR MOUTH, HANNA.
[ SIGHS ]
[ SNIFFLES ]
I'M SO SORRY.
I DON'T KNOW WHY YOU'RE UPSET.
I...
[ STUTTERS ]
HOW CAN YOU BE SO CALM?
BECAUSE I INTEND TO LIVE LONG ENOUGH
TO SEE THAT THAT SON OF A BITCH PAYS.
AND DON'T LOOK AT ME LIKE THAT.
I MET HIS MOTHER.
SHE IS A BITCH.
TEA?
[ SIGHS ]
[ GASPS ]
WHAT ARE YOU ‐‐ NO. I WANT TO SPEAK ‐‐
WHAT ARE YOU DOING HERE?
I WANT TO SPEAK TO WYATT.
NO, NO. I'M SORRY.
I WANT TO SPEAK TO HIM NOW!
HE CAN'T. HE CANNOT HAVE THIS ‐‐
I WANT TO SPEAK TO HIM NOW.
WHAT ARE YOU DOING HERE?
I DID NOT DESERVE THAT MESSAGE
THAT YOU LEFT ON MY PHONE.
THAT WAS SO CRUEL.
GET OUT OF HERE. YEAH. YOU HEARD HIM.
GET OUT.
WHY ARE YOU TREATING ME THIS WAY?
WHY AM I TREATING YOU THIS WAY?
WHY ARE YOU TREATING ME THIS WAY?
I DID NOTHING TO YOU, LAURA.
WELL, I DID NOTHING TO YOU.
WHAT?
YOU STOOD ME UP.
YOU WON'T RETURN MY CALLS.
AM I RIGHT?
YES.
AND YOU TOLD ME YOU WEREN'T SEEING ANYONE.
I'M NOT.
YES, YOU ARE.
NO, I'M NOT.
YOU'RE SEEING BRADLEY.
NO, I'M NOT.
YOU'RE LYING TO ME. JEFFREY SAW YOU.
TELL HER, JEFFREY. I'M SORRY.
WHAT IS HE SAYING TO ME?
TELL HER, JEFFREY.
YES, I‐I SAW YOU WITH HIM, AND I‐I TOLD WYATT.
WHAT ARE YOU ‐‐ WHAT ARE YOU EVEN TALKING ABOUT?
BRADLEY HAS BEEN IN MAINE WITH HIS FATHER.
HE'S BEEN THERE FOR YEARS.
WHAT? YEAH.
HE LEFT OUR JUNIOR YEAR IN HIGH SCHOOL.
I HAVEN'T SPOKEN TO HIM SINCE.
OKAY, UM... YOU KNOW WHAT?
JUST ‐‐ JUST LEAVE, LAURA. IT'S TIME FOR YOU TO LEAVE.
HE'S ‐‐ HE'S LYING TO YOU.
HE LIED TO YOU. NO. NO.
YEAH, YOU DID.
NO.
HE TOLD ME NOT TO CALL YOU,
AND THAT HE WAS GONNA TELL YOU
THAT I COULDN'T MAKE IT FOR DINNER.
W‐W‐WHY ARE YOU SAYING THAT?
ARE YOU TRYING TO MAKE ME LOOK LIKE THE LIAR?
WYATT, LISTEN TO ME. HE IS LYING TO YOU.
[ Voice breaking ] HE TOLD ME THAT I'M BAD FOR YOU
AND THAT I SHOULDN'T SEE YOU FOR A WHOLE YEAR.
HE'S TOLD ME TO IGNORE YOU.
ARE YOU REALLY GONNA LIE LIKE THIS?
WYATT, YOU KNOW ME. YOU KNOW I WOULDN'T DO ‐‐
YOU KNOW HOW MUCH I...
YOU ‐‐ I WOULDN'T DO THAT.
LISTEN TO ME.
YOU KNOW ME. YOU KNOW ME.
HE'S LYING TO YOU.
YOU NEED TO LEAVE, ALL RIGHT?
I TOLD YOU HE CAN'T HAVE VISITORS.
I ONLY HOPE THIS DOESN'T SET HIM BACK.
IF HE DOESN'T GET ANY BETTER,
JUST KNOW THAT THIS IS ALL YOUR FAULT.
IS MY FAULT? MY FAULT?
I DIDN'T COME IN HERE LIKE AN ENRAGED LUNATIC.
YOU DID.
LISTEN, I DON'T KNOW WHAT YOUR PROBLEM IS.
YOU KNOW THAT I LOVE HIM,
AND I DON'T KNOW WHY YOU'RE TRYING TO SABOTAGE THIS,
BUT YOU'RE A MEAN PERSON.
YOU'RE A MEAN, CRUEL PERSON,
AND I DON'T WANT YOU TO EVER SPEAK TO ME EVER AGAIN.
YOU GOT THAT?
GET IT THROUGH YOUR HEAD.
WHAT'S TAKING HER SO LONG?
SHE SAID SHE WAS GONNA MEET WITH THE JUDGE
AND THEN SHE WAS GONNA MEET US HERE.
COME ON, NOW. RELAX, BABY.
WHAT IF HE DOESN'T GIVE HER THE BAIL?
NO, HE WILL.
CALM DOWN.
[ SIGHS ]
ALL RIGHT, LOOK.
IF I GOT TO STAY IN HERE, THEN ‐‐
DON'T TALK LIKE THAT, BENNY.
MAMA, LISTEN TO ME ‐‐
NO, I'M NOT LISTENING TO YOU.
LISTEN TO ME. HEAR ME, ALL RIGHT?
IF I GOT TO STAY IN HERE, YOU'RE GONNA HAVE TO SELL MY TRUCK.
BENNY.
THE TITLE IS IN MY BOTTOM DRAWER
ON THE RIGHT‐HAND SIDE IN MY ROOM.
BENNY, I WILL NOT BE SELLING YOUR TRUCK
BECAUSE YOU'RE GONNA GET OUT OF HERE.
[ SIGHS ] I HOPE YOU'RE RIGHT.
I AM RIGHT.
WHAT HAPPENED?
YOU ARE GOING HOME.
OH, GOD. REALLY?
I AM?
YES. WHEN?
RIGHT NOW.
OH, MY GOD.
THANK YOU SO MUCH.
THANK YOU. THANK YOU, MS. VERONICA.
NO NEED TO THANK ME.
YES, THERE IS. SO, I'M GOING HOME?
YES!
UNLESS YOU WANT TO STAY HERE.
HELL, NO.
NO. [ LAUGHS ]
NOW, IS THIS BAIL?
NO.
ALL CHARGES HAVE BEEN DROPPED.
WHAT?
APPARENTLY, ALL THE EVIDENCE WENT MISSING,
SO THE D. A. HAD TO DROP THE CHARGES.
OH, MY GOD. THANK YOU, JESUS.
[ LAUGHS ] OH!
SO, COME ON.
LET'S GET YOU HOME.
OFFICER, OPEN THIS DOOR PLEASE.
THANK YOU.
[ SQUEALS ] [ CHUCKLES ]
THANK YOU SO MUCH.
AMANDA, IS THAT YOU?
YEAH.
TALK TO ME.
[ SIGHS ]
HI.
ARE YOU FEELING OKAY?
YES. WHY DO YOU ASK?
I HAVEN'T SEEN YOU STAYING IN BED THIS LONG
UNLESS YOU WERE SICK.
I'M FINE. I JUST NEED SOME REST.
I SHOULD BE ASKING YOU, HOW ARE YOU DOING?
I'M FINE.
NO, YOU'RE NOT.
DAD ALREADY TALKED TO ME ABOUT THIS.
DID HE, NOW?
MM‐HMM.
AND WHAT DID DADDY SAY?
BECAUSE I'M CLUELESS.
HE WANTS ME TO SEE A THERAPIST.
WHAT DO YOU WANT?
I DON'T NEED A THERAPIST.
YOU NEED SOMETHING IF YOU'RE GONNA LEARN HOW TO COPE.
SOMETHING LIKE WHAT?
DRUGS?
THAT WOULD BE YOUR BROTHER.
OR MAYBE A WHOLE LOT OF BOURBON THROUGHOUT THE DAY.
IS THAT A REFERENCE TO ME?
MAYBE.
MY, MY, MY.
LOOK WHO CAME OUT OF THE HOSPITAL WITH A BACKBONE.
I WAS JUST STATING THE OBVIOUS.
WHAT'S OBVIOUS TO ME, AMANDA,
IS THAT YOU'RE IN NEED OF SOME SERIOUS HELP.
I HAVE HELP.
DO YOU?
YEAH.
FROM WHOM?
CANDACE.
SHE HELPS ME.
DOES SHE, NOW?
YEAH.
SHE HELPS ME A LOT.
I'M SURE SHE DOES.
SHE'S A GOOD FRIEND.
[ SIGHS ]
YEAH.
WE HAVE AN APARTMENT TOGETHER OFF CAMPUS.
WE'RE ROOMMATES.
THAT SO?
YEAH. AND I'M GETTING OUT OF HERE.
OH, WHEN?
NOW.
I'M GOING HOME.
NO, YOU'RE NOT.
YES, I AM.
NO, YOU'RE NOT.
I'M OVER 21.
YOU CAN'T TELL ME WHAT TO DO ANYMORE.
YOU'RE RIGHT.
YOU CAN DO WHATEVER YOU WANT TO DO.
GOOD, BECAUSE I'M LEAVING LAW SCHOOL
AND I'M GOING TO DESIGN SCHOOL, JUST AS I SAID.
OKAY.
OKAY?
THAT'S ALL YOU'RE GONNA SAY?
YES. I'M FINE WITH IT.
JUST GO ON AND LIVE YOUR LIFE.
FINE.
AND, AMANDA, WHILE YOU'RE LIVING YOUR LIFE WITH NINE...
WHAT? WHAT'S NINE?
IT'S THE NAME I HAVE FOR YOUR FRIEND ‐‐ NINE.
WHY DO YOU CALL HER THAT?
WHY DON'T YOU ASK HER?
I WILL.
AND WHILE YOU'RE AT IT,
WHY DON'T YOU ASK HER WHERE SHE CAN GET YOU A JOB...
BECAUSE THE MINUTE YOU WALK OUT THAT DOOR,
YOU ARE OFFICIALLY CUT OFF.
NOT A DIME OF MY MONEY WILL FOLLOW YOU.
YOU CAN'T CONTROL ME WITH MONEY, MOM.
I AM NOT TRYING TO CONTROL YOU, AMANDA.
I'M TRYING TO HELP YOU.
HELP ME. HELP ME HOW?
LITTLE GIRL, YOU HAVE NO IDEA THE DANGER YOU ARE IN.
[ SNIFFS ]
THAT GIRL IS BAD NEWS.
YOU JUST DON'T LIKE HER.
OH... YOU'RE RIGHT ABOUT THAT.
YOU DON'T KNOW HER.
OH, I KNOW HER WELL ENOUGH
TO KNOW THAT SHE IS NOT YOUR FRIEND.
YOU ARE A PAWN, AND YOU DON'T EVEN KNOW IT.
SO YOU THINK I'M STUPID, TOO?
NO.
I THINK YOU'RE NAIVE.
THERE'S A DIFFERENCE.
LET ME TELL YOU HOW SMART I AM.
I KNOW THAT GRANDDAD LEFT ME A TRUST,
AND I SHOULD HAVE HAD IT BY NOW.
SO, IF YOU DON'T GIVE IT TO ME,
I GUESS I'LL JUST HAVE TO GET IT ANOTHER WAY.
SO, YOU REALLY HAVE BEEN HANGING OUT WITH THAT GIRL?
MM, MM, MM.
I CAN SEE IT ALL OVER YOU.
I'M NOT AFRAID OF YOU ANYMORE.
DARLING, YOU DON'T NEED TO BE AFRAID OF ME.
YOU NEED TO BE WORRIED.
GOODBYE, MOTHER.
Hanna: YOU'RE HOME.
[ LAUGHING ]
MY TV!
OH, MOM, IT FEELS SO GOOD TO BE HOME.
I BET IT DOES, BABY. WHOO!
THANK YOU, GOD!
AND THEY DROPPED THE CHARGES.
OH, BENNY, WHAT'D I TELL YOU?
AIN'T GOD GOOD?
GOD IS GREAT.
YES, HE IS.
OH, I'M GOING TO MAKE ALL YOUR FAVORITES TONIGHT.
THANK YOU. I'M STARVING.
OH, I DON'T KNOW WHAT TO DO FIRST.
SHOOT, I DO.
AND WHAT'S THAT?
TAKE A LONG SHOWER. FOR HOW LONG?
LONG ENOUGH TO GET CLEAN.
OH, NO, SIR.
I DON'T KNOW IF I'M GONNA LET YOU OUT OF MY SIGHT.
[ LAUGHING ] OH!
MA, SERIOUSLY, COME ON, I GOT TO TAKE A BATH.
OH! YEAH, YEAH, YEAH.
YOU SURE DO. GO ON! WHAT HAPPENED?
I THOUGHT YOU SAID YOU MISSED ME.
I DID MISS YOU, BUT I AIN'T MISS THEM PITS.
[ Laughing ] GET AWAY FROM ME.
[ LAUGHS ]
WHEW! RUN TO THE WATER.
BENNY: Hello?
BENNY?
I'M OUT.
[ CHUCKLES ] OH, MY GOD.
THAT IS SO GREAT.
Yeah.
UM...
WHEN CAN I SEE YOU?
YOU CAN COME SEE ME TOMORROW.
MAMA'S GOING TO MAKE ME SOME DINNER TONIGHT.
BENNY, I'M SO GLAD YOU'RE OUT.
I WAS WORRIED SICK.
It's all good. Don't even worry about it.
DID YOU MAKE BAIL?
NAH, THEY DROPPED THE CHARGES.
Really? YEAH.
WHAT HAPPENED?
I DON'T KNOW. I GUESS THE D. A. LOST THE EVIDENCE
OR SOMETHING LIKE THAT.
THEY LOST IT?
Yeah.
WOW. OKAY.
WELL, BENNY, THANK YOU FOR CALLING ME TO TELL ME.
I'M SORRY. I WOULD HAVE CALLED YOU SOONER,
BUT, YOU KNOW, MAMA WON'T LET ME OUT OF HER SIGHT NOW.
I UNDERSTAND.
WELL, LOOK, MAMA'S GONNA BE LOOKING FOR ME ANY MINUTE,
ALL RIGHT, SO I'LL GIVE YOU A CALL LATER.
ALL RIGHT, LOVE YOU.
I LOVE YOU MORE, B.
Okay, bye.
BYE.
HEY. YOU MISSED DINNER.
I'M NOT HUNGRY.
WELL, I‐I LEFT IT IN THE OVEN FOR YOU.
WHY?
[ CHUCKLES ] BECAUSE YOU NEED TO EAT.
WHAT I NEED IS TO GET OUT OF HERE, JEFFREY.
WELL, SOON ENOUGH.
I MEAN, YOU'RE DOING A LOT BETTER.
I HAVE NOT WANTED TO USE AS MUCH AS I DO NOW.
WELL, THAT'S NOT GOOD.
WE SHOULD TALK ABOUT THAT.
JEFFREY, ARE YOU LYING TO ME?
WHAT? NO.
COME ON, WYATT. I WOULDN'T DO THAT.
WHY WOULD SHE?
I DON'T KNOW.
DID YOU TALK TO HER?
[ SCOFFS ] NO, WYATT.
BUT LET'S ‐‐ LET'S TALK ABOUT YOUR ‐‐
WELL, YOU SAYING THAT YOU WANT TO USE.
I MEAN...
LET'S TALK ABOUT WHERE YOU WENT
WHEN YOU LEFT THE HOSPITAL.
I JUST...
DID YOU SEE HER?
DID...YOU SEE HER?
YES, I DID, WYATT.
SO YOU LIED TO ME?
YES.
I'M SORRY. I WAS TRYING TO PROTECT YOU.
DON'T YOU KNOW HOW MUCH I WANT YOU TO MAKE IT?
WHY?
YOU'RE MY CLOSEST FRIEND, WYATT.
YOUR CLOSEST...FRIEND?
YES.
DO YOU KNOW WHAT THE HARDEST PART
ABOUT BEING HERE IS, JEFFREY?
WHAT'S THAT?
THE LONELINESS.
WELL, YOU HAVE ME.
DO I?
YEAH, WYATT.
DO YOU EVER GET LONELY?
DON'T ‐‐ DON'T WE ALL?
DO YOU EVER WANT TO SLEEP WITH ME?
WHAT?
W‐WHY ARE YOU SAYING THAT TO ME, WYATT?
BECAUSE I WAS HOPING YOU DID.
UH...
WYATT, I, UM...
I DON'T ‐‐ I DON'T ‐‐ I DON'T...
I DON'T ‐‐ I...
DO YOU WANT TO KNOW THE TRUTH?
HMM?
WHOA.
SORRY. YEAH.
I‐I‐I DO.
JEFFREY...
...I'M IN LOVE WITH YOU.
I DON'T KNOW HOW TO SAY IT.
AH.
WYATT, UM...
[ SIGHS ]
I WAS HOPING THAT YOU FELT THE SAME WAY.
I‐I‐I'M SORRY, I‐I‐I DON'T.
REALLY?
HMM?
IT'S OKAY.
JEFFREY, YOU CAN TELL ME.
JEFFREY?
[ STUTTERS ]
YOU'LL FIND YOUR WAY.
WHY ARE YOU STILL TOUCHING MY LEG?
I KNOW.
W‐WYATT, I...
DOES THIS MAKE YOU UNCOMFORTABLE?
HMM?
NO, BUT THIS IS INAPPROPRIATE.
I‐I ‐‐ WHOA, NO, NO.
A KISS WOULD BE INAPPROPRIATE.
KISS ME.
[ SIGHS ]
WYATT, I'M NOT GAY.
WHAT'S THAT BULGE?
IT'S OKAY.
I'VE BEEN WATCHING YOU.
I KNOW YOU WANT ME, JEFFREY. IT'S OKAY.
I DON'T. I DON'T.
YES, YOU DO.
I KNOW YOU DO.
PLEASE... TAKE YOUR HAND OFF ME.
NO.
WYATT...
WHY DON'T YOU JUST TELL ME, OKAY?
JUST TELL ME THAT YOU WANT ME,
AND WE CAN HAVE EACH OTHER.
JUST TELL ME THAT YOU'RE GAY.
I CAN'T. I CAN'T. I CAN'T.
YES, YOU CAN.
YOU DON'T UNDERSTAND.
HEY, HEY.
HELP ME UNDERSTAND, OKAY?
HELP ME...UNDERSTAND.
MY ‐‐ MY PARENTS...
THEY'RE NOT HERE.
[ SIGHS ]
MY MOM ‐‐ HEY.
SHE'S NOT HERE, EITHER.
JEFFREY, LOOK AT ME.
JUST TELL ME.
YES.
I'M GAY.
IT'S OKAY. RELAX. IT'S OKAY.
ARE YOU IN LOVE WITH ME?
[ BREATHES UNEVENLY ]
YES.
I‐I DON'T KNOW WHEN IT HAPPENED.
I...
I SAW YOU ONE DAY,
AND I JUST LOOKED AT YOU DIFFERENTLY.
EVERYTHING ‐‐ EVERYTHING CHANGED.
EVERYTHING...
EVERY TIME I'M AROUND YOU I GET BUTTERFLIES.
MM.
I JUST ‐‐ I JUST...
LIKE NOW?
YES.
SEE, WAS THAT SO HARD?
[ CHUCKLES ]
[ SIGHS ]
NO.
[ SNIFFLES ]
[ SIGHS ]
I FEEL BETTER.
I FEEL ‐‐ I FEEL AFRAID, BUT BETTER.
WHAT ARE YOU AFRAID OF?
THIS IS INAPPROPRIATE.
I'M ‐‐ I'M TRYING TO HELP YOU.
IT'S ALL RIGHT.
I'M SO GLAD YOU SAID THAT.
I MEAN, I‐I THOUGHT THAT YOU WERE.
I MEAN, I FELT THAT YOU WANTED ME, TOO.
YOU THOUGHT WHAT?
THAT YOU'RE GAY.
I'M NOT.
YOU'RE ‐‐ YOU'RE NOT?
NO.
ARE YOU...BISEXUAL?
NO.
I'M ONLY ATTRACTED TO WOMEN.
WHY ARE YOU DOING THIS TO ME?
I WANTED TO SEE HOW FAR YOU'D TAKE THIS, JEFFREY.
I WANTED TO SEE HOW GULLIBLE YOU ARE,
HOW NAIVE YOU ARE.
I'VE BEEN WATCHING YOU LICKING YOUR LIPS,
THINKING I WAS ASLEEP,
HOPPING IN THE SAME BED WITH ME.
JEFFREY, YOU WENT TO HER AND YOU LIED TO HER.
THEN YOU CAME TO ME AND YOU LIED TO ME.
JEFFREY, YOU ARE PATHETIC.
NOBODY HAS EVER DONE ANYTHING LIKE THIS TO ME.
IT'S GET‐EVEN TIME.
CAN'T WAIT UNTIL YOUR MOTHER FINDS OUT.
WAIT, WAIT, WAIT, WYATT. PLEASE DON'T.
YOU ARE PATHETIC, JEFFREY.
WYATT, THIS IS SO WRONG.
GIVE ME YOUR KEYS.
WYATT, I'M NOT GIVING YOU MY KEYS.
GIVE ME YOUR KEYS. WHERE ARE YOU GONNA GO?
DON'T WORRY ABOUT IT. WYATT, PLEASE DON'T DO THIS.
GIVE ME YOUR DAMN KEYS. PLEASE DON'T DO THIS.
NO, NO, NO. I'M NOT ‐‐
[ GRUNTS ]
WHERE ARE THEY?
GIVE THEM TO ME.
GET AWAY FROM ME, WYATT.
NO, I'M NOT LETTING YOU ‐‐
GIVE ME YOUR KEYS RIGHT NOW.
WYATT, PLEASE, NO. I LOVE YOU. PLEASE JUST ‐‐
OKAY, FINE. I'M GONNA CALL YOUR MOM RIGHT NOW.
NO. WHERE ARE YOU GONNA GO?
DON'T WORRY ABOUT IT. COME ON. DON'T.
WYATT. PLEASE. GIVE ME THE DAMN KEYS.
NO, I'M NOT GIVING YOU ‐‐
JUST TELL ME ‐‐
WYATT, DON'T.
WYATT. YOU'RE NOT GOING ‐‐
WAIT. WAIT.
WYATT. OKAY.
[ KNOCK ON DOOR ]
COME IN.
THANK YOU.
YOU'RE WELCOME.
FOR WHAT?
HELPING MY BROTHER.
OH.
I DIDN'T HAVE ANYTHING TO DO WITH THAT.
WELL, HE'S FREE FOR SOME REASON,
AND I... I THOUGHT YOU DID.
GLAD HE'S OUT, BUT IT WASN'T ME.
OKAY.
LISTEN, I'M SO SORRY FOR ALL OF THIS.
I'M GONNA HONOR YOUR WISHES AND NEVER BOTHER YOU AGAIN.
[ CLEARS THROAT ]
CANDACE, ARE YOU SURE
THAT THAT WOULD BE HONORING MY WISHES?
WELL, IT DOESN'T MATTER NOW
BECAUSE ‐‐ BECAUSE THEY'RE MY WISHES.
MM.
I MISSED YOU.
JIM.
I DID.
[ SIGHS ]
THERE ARE A LOT OF GIRLS YOU CAN CALL.
YEAH. A LOT OF GIRLS I CAN CALL,
BUT NOT ONE OF THEM ‐‐ NOT ONE ‐‐ IS LIKE YOU.
NOT ONE.
SO, WHY DON'T YOU LOCK THE DOOR?
NO.
NO?
NO.
NO, THIS HAS GOTTEN TOO COMPLICATED AND TOO TENSE.
TOO COMPLICATED?
YES. NO, NO.
IT'S NOT COMPLICATED. STOP IT.
IT'S FUN.
JIM.
YOU KNOW YOU WANT TO.
YOU DO. STOP IT.
STOP.
[ DOOR OPENS ] WHAT DO YOU MEAN, STOP?
Candace: JIM ‐‐
I DON'T WANT TO STOP YOU.
WHAT? NO.
NEXT ON "THE HAVES AND THE HAVE NOTS"...
DARLING, YOU CAN'T GET AHEAD BY GIVING IT.
YOU WANT TO BET?
AS LONG AS YOU'RE BY MY SIDE, I'LL TELL MY MOTHER.
DOESN'T MATTER, WYATT.
I'M NOT GAY!
SO, THERE'S NO MONEY. WE'RE DONE?
YOU ARE FREE AND CLEAR.
I KNOW.
WYATT. I DIDN'T SEE HIM.
KILLED WHO? I THINK I KILLED HIM.
KILLED WHO? WHAT ARE YOU TALKING ABOUT?
MOM, DAD...
I NEED TO TELL YOU SOMETHING.