1 00:00:06,173 --> 00:00:08,258 I BLAME YOU BECAUSE MY FATHER'S DEAD, 2 00:00:08,300 --> 00:00:10,260 AND IT'S MY MOTHER'S FAULT. 3 00:00:10,302 --> 00:00:11,553 -WHO ELSE? -WELCOME BACK. 4 00:00:11,595 --> 00:00:14,139 I DON'T HAVE TO PRETEND ANYMORE. 5 00:00:14,181 --> 00:00:15,557 AAH! 6 00:00:15,599 --> 00:00:17,392 THE TRUTH HURTS. 7 00:00:17,434 --> 00:00:21,104 THIS IS THE ENERGY. 8 00:00:21,146 --> 00:00:23,273 I'M A COMMANDER. 9 00:00:23,315 --> 00:00:25,484 HOW MANY HAVE TO DIE? 10 00:00:25,526 --> 00:00:28,988 [VOICES CONTINUE] 11 00:00:29,029 --> 00:00:30,823 I'M SORRY, LEXA. 12 00:00:30,865 --> 00:00:34,827 IF I WAS WITH BELLAMY, I NEVER WOULD HAVE MET YOU. 13 00:00:34,869 --> 00:00:37,788 [VOICES CONTINUE] 14 00:00:41,542 --> 00:00:45,754 MAN: PRISONER 319, FACE THE WALL. 15 00:00:45,796 --> 00:00:49,090 [VOICES CONTINUE] 16 00:00:55,556 --> 00:00:58,433 THEY'RE ALL TAKING THEM. 17 00:00:58,475 --> 00:01:01,812 JAHA... 18 00:01:22,123 --> 00:01:23,584 HUH. 19 00:01:24,919 --> 00:01:26,378 DAD? 20 00:01:30,799 --> 00:01:32,801 HELLO, SWEETHEART. 21 00:01:32,843 --> 00:01:36,095 HUH...HUH. 22 00:01:40,809 --> 00:01:45,355 HOW IS THIS POSSIBLE? HOW ARE WE HERE? 23 00:01:45,397 --> 00:01:49,401 WHAT'S THE LAST THING YOU REMEMBER? 24 00:01:56,491 --> 00:01:59,411 I DIED. 25 00:01:59,453 --> 00:02:03,624 COME HERE A SECOND. COME ON. 26 00:02:06,043 --> 00:02:09,379 NOW YOU REST. 27 00:02:10,631 --> 00:02:13,008 IT'S OVER. 28 00:02:13,050 --> 00:02:16,177 I'VE BEEN FIGHTING FOR SO LONG. 29 00:02:16,219 --> 00:02:18,847 I KNOW YOU HAVE. 30 00:02:18,889 --> 00:02:22,350 I NEVER THOUGHT I'D SEE YOU AGAIN. 31 00:02:25,938 --> 00:02:29,357 I DIDN'T GET TO SAY GOOD-BYE 32 00:02:29,399 --> 00:02:34,195 TO MADI, TO MOM. 33 00:02:34,237 --> 00:02:37,407 [THUNDER] 34 00:02:37,449 --> 00:02:39,493 WHAT THE HELL? 35 00:02:39,534 --> 00:02:42,412 [RAIN FALLING] 36 00:02:42,454 --> 00:02:43,413 HUH. 37 00:02:43,455 --> 00:02:46,458 IT STARTED WHEN I GOT UPSET. 38 00:02:46,500 --> 00:02:50,879 CLARKE, LISTEN. WHAT DO YOU HEAR? 39 00:02:50,921 --> 00:02:53,507 -RAIN? -HA! I'M SERIOUS. 40 00:02:53,548 --> 00:02:57,427 FOCUS. BETWEEN THE RAINDROPS, 41 00:02:57,469 --> 00:02:59,429 WHAT ELSE DO YOU HEAR? 42 00:02:59,471 --> 00:03:02,975 [HEARTBEAT] 43 00:03:03,017 --> 00:03:07,562 A HEARTBEAT. 44 00:03:10,315 --> 00:03:13,527 I'M STILL ALIVE. 45 00:03:13,568 --> 00:03:15,445 NO. NO. 46 00:03:15,487 --> 00:03:18,949 I SAW IT. HE KILLED ME. 47 00:03:18,991 --> 00:03:20,951 DIDN'T. 48 00:03:22,619 --> 00:03:25,622 YOU'RE JUST IN MY HEAD. 49 00:03:25,664 --> 00:03:28,249 I LOVED BEING HERE WITH MADI, 50 00:03:28,291 --> 00:03:33,463 AND I LOVE YOU, SO HERE YOU ARE. 51 00:03:34,506 --> 00:03:37,676 OH, SWEETHEART... 52 00:03:39,636 --> 00:03:42,263 I DON'T UNDERSTAND. AM I DREAMING? 53 00:03:42,305 --> 00:03:44,975 THIS PLACE IS REACTING TO YOU, 54 00:03:45,017 --> 00:03:50,522 SO WE'RE JUST IN YOUR SUBCONSCIOUS SOMEHOW, 55 00:03:50,564 --> 00:03:52,607 BUT BEYOND THAT, 56 00:03:52,649 --> 00:03:56,737 THERE ARE NO ANSWERS FOR YOU HERE, CLARKE, 57 00:03:56,778 --> 00:03:59,239 SO GO ON. 58 00:03:59,280 --> 00:04:01,658 GO FIGURE THIS OUT. 59 00:04:01,700 --> 00:04:04,912 I'LL BE HERE IF YOU NEED ME. 60 00:04:04,953 --> 00:04:07,706 [KISS] 61 00:04:08,165 --> 00:04:10,667 I LOVE YOU, DAD. 62 00:04:10,709 --> 00:04:13,253 FOREVER. 63 00:04:13,294 --> 00:04:16,548 GO ON. 64 00:05:02,677 --> 00:05:03,845 [DOOR CLOSES] 65 00:05:03,887 --> 00:05:05,847 [GUNSHOTS] 66 00:05:05,889 --> 00:05:08,683 SANCTUM IS MINE! 67 00:05:08,725 --> 00:05:11,645 WHAT THE HELL IS GOING ON? 68 00:05:11,686 --> 00:05:14,648 [DOOR OPENS] 69 00:05:14,689 --> 00:05:17,442 IT IS REACTING TO ME. 70 00:05:23,240 --> 00:05:25,408 [ECHOING VOICES] 71 00:05:29,746 --> 00:05:32,124 HELLO, CLARKE. 72 00:05:32,166 --> 00:05:33,333 NO. 73 00:05:33,374 --> 00:05:37,378 I PULLED THE KILL SWITCH. I DESTROYED YOU. 74 00:05:37,420 --> 00:05:38,922 AND I SAVED YOU. 75 00:05:38,964 --> 00:05:41,591 WHY DO YOU THINK YOU'RE STILL HERE? 76 00:05:41,633 --> 00:05:43,551 I MAY BE GONE, 77 00:05:43,593 --> 00:05:45,344 BUT THIS PRECIOUS REPOSITORY 78 00:05:45,386 --> 00:05:47,681 OF YOUR MEMORIES IS HERE 79 00:05:47,722 --> 00:05:49,599 BECAUSE OF ME. 80 00:05:49,641 --> 00:05:50,684 YOU'RE WELCOME. 81 00:05:50,725 --> 00:05:52,727 THE NEURAL MESH IS STILL IN MY HEAD. 82 00:05:52,769 --> 00:05:54,521 IT MUST HAVE INTERFERED WITH THE DRUG 83 00:05:54,562 --> 00:05:55,897 THEY USED TO WIPE MY MIND. 84 00:05:55,939 --> 00:05:58,441 CORRECT, AND SO, YOU SEE, 85 00:05:58,483 --> 00:06:01,778 YOU EXIST BECAUSE OF ME, 86 00:06:01,820 --> 00:06:04,614 BUT YOU WON'T IF THEY FIGURE OUT 87 00:06:04,656 --> 00:06:08,160 HOW YOU FREED RAVEN. 88 00:06:08,202 --> 00:06:10,578 WE EMP'D THE CHIP 89 00:06:10,620 --> 00:06:14,875 BUT ONLY IN RAVEN AND MOM, NOT ME. 90 00:06:14,916 --> 00:06:18,962 -UH! -AAH! 91 00:06:22,841 --> 00:06:26,761 IF I WERE YOU-- AND, IN A WAY, I AM-- 92 00:06:26,803 --> 00:06:31,225 I'D KEEP THIS MEMORY SAFE. 93 00:06:35,394 --> 00:06:37,564 THANK YOU, BUT FOR THE RECORD, 94 00:06:37,605 --> 00:06:38,648 YOU TRIED TO STEAL 95 00:06:38,690 --> 00:06:40,650 ALL THOSE MEMORIES YOU'RE NOW SAVING. 96 00:06:40,692 --> 00:06:43,362 I TRIED TO SPARE YOU THE PAIN AND HORROR 97 00:06:43,402 --> 00:06:45,864 OF YOUR EXISTENCE. 98 00:06:45,906 --> 00:06:48,283 THERE IS NOT JOY WITHOUT PAIN. 99 00:06:48,325 --> 00:06:50,744 I NEVER DID UNDERSTAND HUMANS. 100 00:06:50,785 --> 00:06:53,747 THOSE PAINFUL MEMORIES AREN'T EVEN HERE. 101 00:06:53,788 --> 00:06:56,375 THEY'RE CAST AWAY DEEP IN YOUR MIND, 102 00:06:56,415 --> 00:06:59,627 WHERE YOU DON'T HAVE TO FACE THEM, 103 00:06:59,669 --> 00:07:02,047 AND YET... 104 00:07:02,089 --> 00:07:04,049 YOU CAN'T LET THEM GO. 105 00:07:04,091 --> 00:07:06,467 WAIT. YOU SAID THIS IS A REPOSITORY 106 00:07:06,509 --> 00:07:07,844 -OF MY MEMORIES... -YES. 107 00:07:07,886 --> 00:07:11,181 BUT THERE'S SOMETHING THERE I'VE NEVER SEEN. 108 00:07:11,223 --> 00:07:15,810 -SANCTUM IS MINE! -[VOICE] PROXIMITY ALERT. 109 00:07:15,852 --> 00:07:18,688 [GUNSHOTS] 110 00:07:18,730 --> 00:07:21,775 [PEOPLE SCREAMING] 111 00:07:21,816 --> 00:07:23,735 [GUNSHOT] 112 00:07:23,777 --> 00:07:26,238 WOMAN: AAH! 113 00:07:28,156 --> 00:07:31,743 CLARKE GRIFFIN. IT'S NICE TO MEET YOU. 114 00:07:31,785 --> 00:07:33,870 I'VE HEARD SO MANY THINGS, 115 00:07:33,912 --> 00:07:36,290 MOST OF THEM MURDERY, BUT, YOU KNOW, 116 00:07:36,331 --> 00:07:37,791 NO JUDGMENT. 117 00:07:37,832 --> 00:07:39,876 -JOSEPHINE? -IN THE FLESH, 118 00:07:39,918 --> 00:07:41,920 BUT YOU SHOULDN'T HAVE OPENED THAT DOOR. 119 00:07:41,962 --> 00:07:46,549 THIS BODY IS NOT BIG ENOUGH FOR BOTH OF US. 120 00:07:52,055 --> 00:07:54,849 RUSSELL REALLY DID IT. HE STOLE MY BODY. 121 00:07:54,891 --> 00:07:57,727 AND CLEARLY MADE A MESS OF IT. 122 00:07:57,769 --> 00:08:01,022 IT'S BEEN HUNDREDS OF YEARS SINCE A MIND WIPE FAILED, 123 00:08:01,064 --> 00:08:03,566 BUT I GOT TO SAY, THIS ISN'T BAD, 124 00:08:03,608 --> 00:08:06,111 NOT AS ORGANIZED AS MY MINDSPACE, OF COURSE, 125 00:08:06,153 --> 00:08:09,614 BUT MILDLY IMPRESSIVE. 126 00:08:09,656 --> 00:08:11,199 MINDSPACE? 127 00:08:11,241 --> 00:08:12,826 THE BRAIN CREATES THESE CONSTRUCTS 128 00:08:12,867 --> 00:08:14,328 WHEN TWO MINDS SHARE A BODY, 129 00:08:14,369 --> 00:08:16,579 LIKE LUCID DREAMING ONLY NOT AS FUN. 130 00:08:16,621 --> 00:08:18,498 IT'S A SELF-PRESERVATION THING, TRYING TO KEEP 131 00:08:18,539 --> 00:08:21,460 THE MINDS SEPARATE SO THE BODY DOESN'T DIE. 132 00:08:21,501 --> 00:08:24,504 YOU KIND OF MESSED THAT UP WHEN YOU OPENED THE DOOR, 133 00:08:24,545 --> 00:08:25,755 SO, YOU KNOW, THANKS 134 00:08:25,797 --> 00:08:27,966 FOR THE ACCELERATED BRAIN DETERIORATION. 135 00:08:28,008 --> 00:08:30,135 WAIT. YOU'VE BEEN THROUGH THIS BEFORE? 136 00:08:30,177 --> 00:08:32,179 NEVER ANYTHING AS ADVANCED AS THIS, 137 00:08:32,220 --> 00:08:33,930 BUT, YEAH, BACK IN THE DAY 138 00:08:33,972 --> 00:08:36,266 BEFORE GABRIEL PERFECTED THE MIND WIPE, 139 00:08:36,308 --> 00:08:37,767 THERE WERE A FEW MISHAPS. 140 00:08:37,809 --> 00:08:39,644 I GOT JACKED INTO SOME PEOPLE'S MINDS 141 00:08:39,686 --> 00:08:41,229 WHILE THE LIGHTS WERE STILL ON. 142 00:08:41,271 --> 00:08:43,773 -THEY WERE SO AVERAGE. -WHAT HAPPENED? 143 00:08:43,815 --> 00:08:45,942 THE FIRST WAS A SIX-MONTH-OLD. 144 00:08:45,984 --> 00:08:48,903 HER MIND WAS UNFORMED, FULL OF CHAOS, 145 00:08:48,945 --> 00:08:50,322 SHAPES AND SOUNDS. 146 00:08:50,364 --> 00:08:51,906 THEN THERE WAS SAVANNAH. 147 00:08:51,948 --> 00:08:55,702 I SWEAR I WAS NOT THAT OBNOXIOUS AT 15. 148 00:08:55,743 --> 00:08:56,911 AND THEN THEY DIED. 149 00:08:56,953 --> 00:08:58,663 BRAIN HEMORRHAGING LEADS TO STROKE, 150 00:08:58,705 --> 00:08:59,831 AND WE ALL FALL DOWN. 151 00:08:59,873 --> 00:09:03,126 IT'S MESSY AND HURTS LIKE A MOTHER, 152 00:09:03,168 --> 00:09:04,711 WOULD NOT RECOMMEND IT. 153 00:09:04,752 --> 00:09:08,507 TWO MINDS, ONE BRAIN NEVER ENDS WELL, 154 00:09:08,548 --> 00:09:12,886 SO THIS, IT'S A PROBLEM. 155 00:09:12,927 --> 00:09:15,013 HOW DID YOU EVEN SURVIVE? 156 00:09:15,055 --> 00:09:16,223 YOU JUST WANT TO KNOW SO YOU 157 00:09:16,264 --> 00:09:17,974 CAN FIGURE OUT HOW TO GET RID OF ME. 158 00:09:18,016 --> 00:09:19,100 OK. WEREN'T YOU LISTENING? 159 00:09:19,142 --> 00:09:21,436 IF WE DON'T DO SOMETHING, THIS BODY DIES. 160 00:09:21,478 --> 00:09:23,063 -THAT WHAT YOU WANT? -OF COURSE NOT. 161 00:09:23,104 --> 00:09:25,273 WHY CAN'T YOU JUST FIND A NEW BODY 162 00:09:25,315 --> 00:09:26,607 AND GIVE MINE BACK? 163 00:09:26,649 --> 00:09:29,610 I COULD, I SUPPOSE, BUT IT'S RISKY. 164 00:09:29,652 --> 00:09:32,239 THE LAST PRIMES WHO WENT ON ICE DIED FOREVER. 165 00:09:32,280 --> 00:09:33,573 I'M NOT REALLY INTO THAT. 166 00:09:33,614 --> 00:09:36,201 BESIDES, POSSESSION IS 9/10THS OF THE LAW, 167 00:09:36,243 --> 00:09:38,786 AND, JUST BETWEEN US GIRLS, 168 00:09:38,828 --> 00:09:41,831 I KIND OF LIKE YOUR BODY. 169 00:09:41,873 --> 00:09:43,917 YOU'RE A SOCIOPATH. 170 00:09:43,958 --> 00:09:47,837 JUDGY. BESIDES, LIKE YOU'RE ONE TO TALK, 171 00:09:47,879 --> 00:09:49,923 WANHEDA. 172 00:09:49,964 --> 00:09:53,427 THE WAY I SEE IT, YOU HAVE TWO OPTIONS: 173 00:09:53,468 --> 00:09:56,179 TELL ME HOW YOU SURVIVED SO I CAN FIX IT, 174 00:09:56,221 --> 00:09:57,638 AND I'LL MAKE SURE YOUR PEOPLE 175 00:09:57,680 --> 00:09:59,974 LIKE HAPPILY EVER AFTER OR DON'T, 176 00:10:00,016 --> 00:10:01,809 AND EVENTUALLY, WE'LL BOTH DIE, ANYWAY. 177 00:10:01,851 --> 00:10:04,979 THE DIFFERENCE IS, I'LL BE REBORN IN SOMEONE ELSE, 178 00:10:05,021 --> 00:10:06,314 TELL MY FATHER WHAT HAPPENED, 179 00:10:06,356 --> 00:10:09,067 AND HE'LL KICK YOUR PEOPLE OUT TO DIE IN THE WOODS. 180 00:10:09,109 --> 00:10:10,735 GO FLOAT YOURSELF. 181 00:10:10,777 --> 00:10:11,945 I HAVE NO IDEA WHAT THAT MEANS. 182 00:10:11,986 --> 00:10:14,822 IT MEANS THAT I'M NOT TELLING YOU ANYTHING, 183 00:10:14,864 --> 00:10:17,325 AND I DON'T GO DOWN EASY. 184 00:10:17,367 --> 00:10:21,913 WOW. YOU'RE SELFISH, NOT TO MENTION DUMB. 185 00:10:21,955 --> 00:10:24,874 YOUR MINDSPACE CONTAINS ALL YOUR MEMORIES, 186 00:10:24,916 --> 00:10:28,962 SO TRY NOT TO THINK OF WHERE YOU KEEP THEM. 187 00:10:29,003 --> 00:10:31,798 [DOOR OPENS] 188 00:10:34,008 --> 00:10:36,094 HELLO. 189 00:10:36,470 --> 00:10:38,679 YOU CONTROL YOUR MINDSPACE, CLARKE. 190 00:10:38,721 --> 00:10:41,933 TOO BAD YOU CAN'T CONTROL YOUR THOUGHTS. 191 00:10:41,975 --> 00:10:43,851 [ECHOING VOICES] 192 00:10:43,893 --> 00:10:48,148 I RESCIND MY COMPLIMENTS. THIS IS A DISASTER. 193 00:10:48,189 --> 00:10:49,899 DIDN'T ANYONE EVER TEACH YOU 194 00:10:49,941 --> 00:10:51,943 ABOUT ORGANIZATIONAL STRUCTURE? 195 00:10:51,985 --> 00:10:53,528 GET OUT OF MY HEAD. 196 00:10:53,570 --> 00:10:58,325 NOW, NOW, CLARKE. SHARING IS CARING. 197 00:10:58,366 --> 00:11:01,495 [VOICES CONTINUE] 198 00:11:02,120 --> 00:11:05,248 MADI'S VOICE: CLARKE! WATCH OUT! 199 00:11:05,290 --> 00:11:06,666 AAH! 200 00:11:06,707 --> 00:11:08,918 CLARKE'S VOICE: I WILL NOT LET YOU DIE IN THIS WAR. 201 00:11:08,960 --> 00:11:13,632 CHILD ABUSE DRESSED UP AS PROTECTION. COOL. 202 00:11:13,672 --> 00:11:15,883 -CLARKE, WAIT. -REALLY? 203 00:11:15,925 --> 00:11:19,220 ARE YOU HIDING A MEMORY FROM ME, CLARKE? 204 00:11:19,262 --> 00:11:23,057 -RUDE. -YOU'LL NEVER FIND IT. 205 00:11:23,099 --> 00:11:26,685 YOU KNOW, I STUDY ALL LIFE, BUT INSECTS 206 00:11:26,727 --> 00:11:29,606 ALWAYS FASCINATED ME MOST. 207 00:11:29,648 --> 00:11:33,151 THEY'RE MERCILESS, RUTHLESS. 208 00:11:33,193 --> 00:11:34,611 I RESPECT THAT. 209 00:11:34,653 --> 00:11:40,033 PEOPLE ARE SO MESSY, SO EMOTIONAL. 210 00:11:40,074 --> 00:11:43,702 BECAUSE OF THAT, THEY GIVE THEMSELVES AWAY. 211 00:11:43,744 --> 00:11:46,122 I COULD ALWAYS FIGURE PEOPLE OUT, 212 00:11:46,164 --> 00:11:47,123 EVEN AS A KID. 213 00:11:47,165 --> 00:11:48,749 I COULD TELL WHEN THEY WERE NERVOUS. 214 00:11:48,791 --> 00:11:50,627 THEIR PULSES WOULD BEAT FASTER. 215 00:11:50,669 --> 00:11:53,463 EYES WOULD DART. BREATH WOULD QUICKEN. 216 00:11:53,505 --> 00:11:55,965 IT'S PHYSIOLOGICAL. 217 00:11:56,007 --> 00:11:57,634 YOU KNOW WHAT MY SPIDEY SENSES 218 00:11:57,676 --> 00:11:59,636 ARE TELLING ME ABOUT YOU RIGHT NOW? 219 00:11:59,678 --> 00:12:01,971 THAT I'LL NEVER HELP YOU WIPE MY MIND? 220 00:12:02,013 --> 00:12:03,306 YOU THINK YOU'RE A BADASS, 221 00:12:03,348 --> 00:12:05,183 BUT YOUR BRAVADO COVERS SELF-DOUBT. 222 00:12:05,225 --> 00:12:06,643 YOU HAD TO PHYSICALIZE YOUR SECRET 223 00:12:06,685 --> 00:12:09,646 SO YOU COULD KEEP IT CLOSE, WHERE YOU HAVE CONTROL. 224 00:12:09,688 --> 00:12:13,816 I BET YOU HAVE IT ON YOU RIGHT NOW. 225 00:12:13,858 --> 00:12:16,069 NOW LET ME HAVE IT. 226 00:12:16,110 --> 00:12:18,946 [BOTH GRUNTING] 227 00:12:29,874 --> 00:12:31,585 OH, SH-- 228 00:12:32,043 --> 00:12:34,128 OH! 229 00:12:38,258 --> 00:12:40,801 UH! 230 00:12:47,016 --> 00:12:49,603 [CLARKE PANTING] 231 00:12:51,104 --> 00:12:52,397 [ZAP] 232 00:12:52,439 --> 00:12:55,525 [ALARM SOUNDING] 233 00:12:55,567 --> 00:13:00,196 VOICE: WARNING. COLLISION ALERT. 234 00:13:07,161 --> 00:13:10,915 JOSEPHINE: WE'RE BACK, BITCHES. 235 00:13:10,957 --> 00:13:12,041 -HOW? -COME ON. 236 00:13:12,083 --> 00:13:13,501 YOU'RE SMARTER THAN THAT. 237 00:13:13,543 --> 00:13:15,211 HOW DO YOU THINK WE'RE RESURRECTED? 238 00:13:15,253 --> 00:13:17,380 MY MIND DRIVE BACKS UP MY CONSCIOUSNESS. 239 00:13:17,422 --> 00:13:19,716 I CAN'T DIE IN THE MINDSPACE, 240 00:13:19,758 --> 00:13:22,343 BUT YOU CAN UNLESS WHATEVER FLUKE 241 00:13:22,385 --> 00:13:24,304 KEPT YOU HERE CAN BRING YOU BACK. 242 00:13:24,345 --> 00:13:26,431 YOU, MY FRIEND, ARE PLAYING FOR KEEPS. 243 00:13:26,473 --> 00:13:28,642 I TOOK A SEDATIVE ABOUT AN HOUR AGO, 244 00:13:28,683 --> 00:13:30,059 SO THAT GIVES ME ALL NIGHT 245 00:13:30,101 --> 00:13:32,479 TO KILL YOU IN HERE OR FIND THE MEMORY 246 00:13:32,520 --> 00:13:34,773 OF HOW I CAN KILL YOU OUT THERE. 247 00:13:34,855 --> 00:13:38,735 GOT A PREFERENCE? 248 00:13:39,902 --> 00:13:43,948 EASY OR HARD WAY, CLARKE, EITHER WAY, YOU DIE. 249 00:14:02,425 --> 00:14:04,678 [DOOR OPENS] 250 00:14:04,719 --> 00:14:07,597 WHAT ARE YOU DOING HERE? 251 00:14:07,639 --> 00:14:10,183 I JUST HAVE TO STAY AHEAD OF HER. 252 00:14:10,224 --> 00:14:11,601 -IF I CAN HIDE-- -YOU'RE GOOD AT THAT, 253 00:14:11,643 --> 00:14:16,648 AREN'T YOU, HIDING WHILE OTHER PEOPLE FIGHT. 254 00:14:16,690 --> 00:14:17,607 WHAT? 255 00:14:17,649 --> 00:14:19,567 YOU DID THAT DURING THE CONCLAVE. 256 00:14:19,609 --> 00:14:22,153 WHILE I WAS UP THERE FIGHTING FOR EVERYONE'S LIVES, 257 00:14:22,195 --> 00:14:27,826 YOU WERE DOWN HERE STEALING WHAT I BLED FOR. 258 00:14:27,867 --> 00:14:31,245 WHATEVER. FINE. YOU WROTE ME OFF, 259 00:14:31,287 --> 00:14:34,915 THE CONCLAVE AT TONDC--I GET IT-- 260 00:14:34,957 --> 00:14:38,127 BUT THE THING IS, I REALLY THOUGHT 261 00:14:38,169 --> 00:14:41,255 YOU CARED ABOUT BELLAMY. 262 00:14:41,297 --> 00:14:44,258 I CARE ABOUT BOTH OF YOU. 263 00:14:44,300 --> 00:14:46,720 BUT YOU LEFT HIM IN THE PITS TO DIE, ANYWAY. 264 00:14:46,761 --> 00:14:50,598 I HAD TO, AND HE UNDERSTANDS. 265 00:14:50,640 --> 00:14:52,684 HE FORGAVE ME. 266 00:14:52,726 --> 00:14:56,312 DID HE? 267 00:14:56,354 --> 00:14:59,774 THEN WHY ISN'T HE HERE IN THIS MEMORY? 268 00:14:59,816 --> 00:15:01,568 I'LL TELL YOU WHY. 269 00:15:01,609 --> 00:15:03,361 BECAUSE YOU'RE TOO AFRAID TO FACE HIM 270 00:15:03,403 --> 00:15:06,239 BECAUSE YOU KNOW HE THINKS YOU'RE A MONSTER 271 00:15:06,280 --> 00:15:08,324 WHO WILL ABANDON ANYONE. 272 00:15:08,366 --> 00:15:09,576 THAT IS NOT WHO I AM. 273 00:15:09,617 --> 00:15:12,620 I DON'T KNOW WHY YOU'RE ARGUING WITH ME, CLARKE. 274 00:15:12,662 --> 00:15:14,247 AFTER ALL, I'M JUST 275 00:15:14,288 --> 00:15:16,875 A SUBCONSCIOUS PROJECTION OF YOU. 276 00:15:16,916 --> 00:15:19,293 VOICE: WARNING. COLLISION ALERT. 277 00:15:19,335 --> 00:15:22,088 [ALARM SOUNDING] 278 00:15:24,298 --> 00:15:27,009 [SCOFFS] 279 00:15:27,051 --> 00:15:30,847 -HELP ME. -THAT'LL HAPPEN. 280 00:15:31,972 --> 00:15:35,643 HA HA! YOU LOOK FUN. 281 00:15:35,685 --> 00:15:39,272 HAVE AT HER. 282 00:15:39,313 --> 00:15:44,110 EVEN YOUR PROJECTIONS HATE YOU, CLARKE. 283 00:16:08,259 --> 00:16:10,929 MAYA? 284 00:16:10,970 --> 00:16:12,513 [EXHALES] 285 00:16:17,059 --> 00:16:18,269 HI, CLARKE. 286 00:16:18,311 --> 00:16:21,272 NO. I DON'T WANT THIS. I DON'T WANT ANY OF THIS. 287 00:16:21,314 --> 00:16:24,442 THAT'S THE THING, CLARKE. 288 00:16:24,484 --> 00:16:26,736 SOME PART OF YOU DOES WANT THIS, 289 00:16:26,778 --> 00:16:28,488 OR I WOULDN'T BE HERE. 290 00:16:28,529 --> 00:16:30,030 I HAVE A QUESTION OF YOU. 291 00:16:30,072 --> 00:16:33,493 WHY ARE YOU FIGHTING SO HARD TO STAY ALIVE? 292 00:16:33,534 --> 00:16:36,496 -I HAVE TO-- -SAVE YOUR PEOPLE. YES. I KNOW. 293 00:16:36,537 --> 00:16:40,708 TOO BAD I WASN'T IN THAT GROUP, HUH? 294 00:16:40,750 --> 00:16:44,170 I NEVER MEANT TO HURT YOU, MAYA. 295 00:16:44,211 --> 00:16:47,047 I'M SORRY. 296 00:16:47,089 --> 00:16:51,469 YOU KEEP SAYING THAT. 297 00:16:51,511 --> 00:16:56,474 TELL ME, ARE YOU SORRY ABOUT JASPER, TOO? 298 00:16:56,516 --> 00:16:58,476 AFTER ALL, KILLING ME IS WHAT SENT HIM 299 00:16:58,518 --> 00:17:00,311 OFF THE DEEP END. 300 00:17:00,353 --> 00:17:02,480 -JASPER MADE HIS CHOICE. -WRONG. 301 00:17:02,522 --> 00:17:04,774 HIS DEATH IS ON YOU, TOO. 302 00:17:04,816 --> 00:17:08,277 YOU DO THINGS, BUT OTHER PEOPLE PAY THE PRICE. 303 00:17:08,319 --> 00:17:09,445 OK. THAT'S ENOUGH. 304 00:17:09,487 --> 00:17:12,490 YOU'VE KILLED MORE PEOPLE THAN YOU'VE SAVED. 305 00:17:12,532 --> 00:17:14,408 DO YOU REALIZE THAT? 306 00:17:14,450 --> 00:17:15,869 IF YOU ACTUALLY CARED 307 00:17:15,910 --> 00:17:18,955 ABOUT SAVING PEOPLE'S LIVES, 308 00:17:18,997 --> 00:17:21,415 YOU'D WALK AWAY. 309 00:17:21,457 --> 00:17:23,334 YOU KNOW WHAT I THINK? 310 00:17:23,376 --> 00:17:25,419 YOU LIKE BEING THE SAVIOR. 311 00:17:25,461 --> 00:17:26,880 YOU LIKE PLAYING GOD. 312 00:17:26,921 --> 00:17:31,509 YOU'RE NOT SO DIFFERENT FROM THE PRIMES, YOU KNOW. 313 00:17:31,551 --> 00:17:34,387 VOICE: RADIATION ALERT. 314 00:17:34,428 --> 00:17:35,555 SHE'S COMING. 315 00:17:35,596 --> 00:17:37,724 WHY DON'T YOU JUST GIVE IN TO HER? 316 00:17:37,765 --> 00:17:40,309 JUST GIVE UP CONTROL FOR ONCE. 317 00:17:40,351 --> 00:17:42,436 [ALARM SOUNDING] 318 00:17:42,478 --> 00:17:44,939 CONTROL. 319 00:17:44,981 --> 00:17:49,485 I'M IN CONTROL. HUH. 320 00:17:51,946 --> 00:17:54,657 I HAVE AN IDEA. 321 00:17:59,453 --> 00:18:01,414 [DOOR OPENS] 322 00:18:05,209 --> 00:18:06,377 WHOA. 323 00:18:06,419 --> 00:18:09,881 YOU HAVE A LITTLE SOMETHING-- 324 00:18:09,923 --> 00:18:12,425 OH. HEH. 325 00:18:12,466 --> 00:18:14,427 SHE HID IT IN THE CAVE. 326 00:18:14,468 --> 00:18:16,262 ARE YOU KIDDING ME? 327 00:18:16,303 --> 00:18:20,516 I MEAN, YOUR PROJECTIONS ARE THE BEST. 328 00:18:20,558 --> 00:18:24,395 -CARE TO TAKE US? -MM-HMM. 329 00:18:26,480 --> 00:18:29,567 JOSEPHINE: THANK YOU, MELTY GIRL. 330 00:18:29,609 --> 00:18:33,195 NICE PARKING SPOT. 331 00:18:35,281 --> 00:18:36,657 [ZAP] 332 00:18:36,699 --> 00:18:38,576 UGH! UHH... 333 00:18:38,618 --> 00:18:39,827 GOTCHA. 334 00:18:39,869 --> 00:18:42,162 YOU HAVE NO CONTROL HERE. THIS IS MY MINDSPACE. 335 00:18:42,204 --> 00:18:45,374 TURNS OUT, I CAN CREATE WHATEVER I WANT, 336 00:18:45,416 --> 00:18:49,295 INCLUDING HER. 337 00:18:49,336 --> 00:18:51,631 CUTE. 338 00:18:51,672 --> 00:18:54,050 I WOULDN'T BOTHER. 339 00:18:54,092 --> 00:18:56,636 THE COLLAR IS GEOTAGGED TO THE CAVE. 340 00:18:56,677 --> 00:19:01,223 OK. WHAT'S YOUR PLAN HERE, STALL UNTIL I WAKE UP? 341 00:19:01,265 --> 00:19:06,353 I'LL JUST TRY AGAIN NIGHT AFTER NIGHT, 342 00:19:06,395 --> 00:19:07,981 AND THE MORE TIME I SPEND HERE, 343 00:19:08,022 --> 00:19:10,399 THE FASTER YOU DIE, AND LET ME TELL YOU, 344 00:19:10,441 --> 00:19:13,152 THAT DEATH AIN'T FUN OR PRETTY. 345 00:19:13,193 --> 00:19:15,404 YOU CAN'T WIN, SO WHY BOTHER? 346 00:19:15,446 --> 00:19:17,573 TO MAKE SURE YOU LOSE. 347 00:19:17,615 --> 00:19:20,118 ME, I'LL FIND A WAY TO SURVIVE. 348 00:19:20,159 --> 00:19:21,828 I ALWAYS DO. 349 00:19:21,869 --> 00:19:25,539 YOU GOT SPUNK. I'LL GIVE YOU THAT. 350 00:19:25,581 --> 00:19:29,502 THINGS WERE DIFFERENT, WE COULD HAVE BEEN FRIENDS, 351 00:19:29,543 --> 00:19:31,963 BUT I'M BORED NOW. 352 00:19:32,005 --> 00:19:33,089 [ZAP] 353 00:19:33,131 --> 00:19:36,467 NNGH! UGH! AAGH! 354 00:19:36,509 --> 00:19:41,221 UGH! AAGH! AAH! 355 00:19:41,263 --> 00:19:43,683 UGH! UGH! 356 00:19:44,934 --> 00:19:47,227 HEY, CLARKE, I MAY NOT BE ABLE 357 00:19:47,269 --> 00:19:49,105 TO CREATE ANYTHING IN YOUR MINDSPACE, 358 00:19:49,147 --> 00:19:50,648 BUT I CAN SURE BRING SOMETHING IN. 359 00:19:50,690 --> 00:19:53,526 LET'S SPLIT UP AND STOP PLAYING GAMES. 360 00:19:53,567 --> 00:19:55,444 YOU'RE NOT A CAT TOYING WITH A MOUSE. 361 00:19:55,486 --> 00:19:59,866 SHE'S DANGEROUS. KILL HER. 362 00:20:15,631 --> 00:20:18,300 RUSSELL: EVER TAKE ZOOLOGY 101, CLARKE? 363 00:20:18,342 --> 00:20:20,678 HUNTING TACTICS OF PREDATOR SPECIES? 364 00:20:20,720 --> 00:20:23,222 NO? HOW ABOUT A QUICK LESSON, THEN? 365 00:20:23,263 --> 00:20:24,765 -THE MOST COMMON-- -PURSUIT PREDATORS 366 00:20:24,807 --> 00:20:27,101 EXPEND ENERGY RUNNING DOWN SLOWER PREY, 367 00:20:27,143 --> 00:20:30,229 OR THEY PACE THEMSELVES AND LET THEIR PREY TIRE OUT. 368 00:20:30,270 --> 00:20:32,398 I'M PROPOSING A THIRD OPTION. 369 00:20:32,439 --> 00:20:33,607 JUST SHOW ME WHERE YOU HID IT 370 00:20:33,649 --> 00:20:35,651 SO WE CAN BOTH KICK BACK AND REST. 371 00:20:35,693 --> 00:20:39,697 ALL THIS RUNNING IS PLAIN UNDIGNIFIED. 372 00:20:54,003 --> 00:20:58,298 WHY DID YOU AVOID THIS? 373 00:20:58,340 --> 00:21:00,342 HEH. 374 00:21:00,384 --> 00:21:03,137 "GO FLOAT YOURSELF." 375 00:21:04,555 --> 00:21:06,974 A-PLUS ZOOLOGY 101, CLARKE. 376 00:21:07,016 --> 00:21:10,603 THAT WAS VERY EFFECTIVE DISTRACTION DISPLAY, 377 00:21:10,644 --> 00:21:13,272 BUT I KNOW BETTER. 378 00:21:18,861 --> 00:21:21,030 YAHTZEE. 379 00:21:30,330 --> 00:21:33,417 LET ME GUESS. 380 00:21:34,085 --> 00:21:36,587 CLARKE: GET AWAY FROM THAT. 381 00:21:36,629 --> 00:21:39,548 YOU'RE GONNA BE OK. 382 00:21:41,175 --> 00:21:42,885 OH, HEY, CLARKE. 383 00:21:42,927 --> 00:21:45,471 THIS IS THE PLACE YOU WERE AVOIDING? 384 00:21:45,512 --> 00:21:48,682 IT'S NOT EVEN THAT SCARY. 385 00:21:48,724 --> 00:21:52,270 HUH. IT'S A LITTLE OMINOUS. 386 00:21:52,311 --> 00:21:54,063 YOU SHOULDN'T BE HERE. 387 00:21:54,105 --> 00:21:55,648 IT WAS CLEVER HIDING IT HERE, 388 00:21:55,689 --> 00:21:57,108 THE PLACE YOU WOULDN'T GO 389 00:21:57,150 --> 00:21:58,692 SO THE PLACE I WOULDN'T LOOK. 390 00:21:58,734 --> 00:22:01,320 MEMORY IS FUNNY, YOU KNOW? 391 00:22:01,361 --> 00:22:02,947 THE FORMATIVE STUFF; THE TRAUMAS, 392 00:22:02,989 --> 00:22:06,075 THE THINGS WE CAN'T MOVE PAST, 393 00:22:06,117 --> 00:22:07,952 THEY LIVE DEEP IN THE BRAIN STEM. 394 00:22:07,994 --> 00:22:11,455 THESE ARE THE WOUNDS WE PAY SHRINKS NOT TO FIX. 395 00:22:11,497 --> 00:22:14,583 THESE PLACES CONTROL US, 396 00:22:14,625 --> 00:22:16,002 MAKE US WHO WE ARE. 397 00:22:16,043 --> 00:22:18,420 IT'S ACTUALLY CONNECTED TO THE LOWER BRAIN FUNCTION; 398 00:22:18,462 --> 00:22:20,214 BREATHING, REFLEXES. 399 00:22:20,256 --> 00:22:23,676 IT'S WHY YOU CRY WHEN YOU THINK OF LEXA. 400 00:22:23,717 --> 00:22:24,969 SHUT UP. 401 00:22:25,011 --> 00:22:28,181 ALL OF THIS IS GUILT FOR THE DEATHS YOU'VE CAUSED, 402 00:22:28,222 --> 00:22:30,683 BUT I DON'T GET IT. 403 00:22:30,724 --> 00:22:32,935 WHY ARE YOU SO TORN UP? 404 00:22:32,977 --> 00:22:35,104 EVERYTHING YOU DID WAS TO SAVE YOUR PEOPLE. 405 00:22:35,146 --> 00:22:37,857 -I'D DO THE SAME THING. -A RINGING ENDORSEMENT. 406 00:22:37,898 --> 00:22:42,486 THE THING I DON'T GET IS WHY YOU DON'T CARE 407 00:22:42,528 --> 00:22:44,864 ABOUT SAVING YOUR PEOPLE NOW. 408 00:22:44,905 --> 00:22:45,948 WHAT? 409 00:22:45,990 --> 00:22:47,741 LET'S SAY YOU COULD SOMEHOW FIGHT ME OFF 410 00:22:47,783 --> 00:22:49,243 AND GET YOUR BODY BACK. 411 00:22:49,285 --> 00:22:52,163 WHAT WOULD THAT DO TO YOUR FRIENDS AND FAMILY? 412 00:22:52,205 --> 00:22:55,582 DO YOU THINK MY FATHER WOULD JUST LET ME GO? 413 00:22:55,624 --> 00:22:58,627 WHAT YOU'RE DOING RIGHT NOW 414 00:22:58,669 --> 00:23:01,088 LEADS TO THE GENOCIDE OF YOUR PEOPLE, 415 00:23:01,130 --> 00:23:03,632 WHICH, I GUESS, IS PAR FOR THE COURSE WITH YOU. 416 00:23:03,674 --> 00:23:06,177 -I JUST WANT TO LIVE. -DO YOU, THOUGH? 417 00:23:06,219 --> 00:23:09,763 BECAUSE YOUR MIND SURE DOESN'T SEEM TO. 418 00:23:09,805 --> 00:23:12,850 HAVE YOU EVER EVEN ONCE CONSIDERED THAT 419 00:23:12,892 --> 00:23:15,644 THE SOLUTION IS TO SACRIFICE YOURSELF? 420 00:23:15,686 --> 00:23:20,191 YOUR PEOPLE ARE SAFE. BELLAMY MADE SURE OF IT. 421 00:23:20,233 --> 00:23:22,276 I MEAN, HE TOOK YOUR DEATH HARD, SURE, 422 00:23:22,318 --> 00:23:24,987 BUT HE KNEW THE ONLY THING A LEADER COULD DO 423 00:23:25,029 --> 00:23:27,531 WAS TO STRIKE A DEAL FOR PEACE. 424 00:23:27,573 --> 00:23:29,825 NOW IT'S TIME FOR YOU TO STEP UP. 425 00:23:29,867 --> 00:23:31,869 BOW OUT GRACEFULLY, AND YOUR PEOPLE 426 00:23:31,911 --> 00:23:34,454 GET TO LIVE HAPPILY EVER AFTER. 427 00:23:34,496 --> 00:23:35,664 YOU'RE LYING. 428 00:23:35,706 --> 00:23:38,125 BELLAMY WOULD NEVER MAKE A DEAL LIKE THAT. 429 00:23:38,167 --> 00:23:41,379 THE LACK OF TRUST HURTS ME, CLARKE, 430 00:23:41,419 --> 00:23:44,548 SO THAT'S WHY I BROUGHT THIS. 431 00:23:44,590 --> 00:23:47,885 YOU HAVE DRAWINGS. I HAVE BOOKS. DON'T JUDGE. 432 00:23:47,927 --> 00:23:51,180 HERE. TAKE IT. 433 00:23:51,222 --> 00:23:57,228 IT'S NOT A TRICK. I DON'T PLAY THAT WAY. 434 00:24:00,898 --> 00:24:03,817 I CAN GUARANTEE SAFETY FOR THE REST OF YOUR PEOPLE. 435 00:24:03,859 --> 00:24:05,778 WE'LL SHARE EVERYTHING WE'VE LEARNED 436 00:24:05,819 --> 00:24:07,238 ABOUT SURVIVING ON THIS MOON. 437 00:24:07,280 --> 00:24:11,700 I'LL TAKE YOUR DEAL BECAUSE IT'S THE SMART PLAY 438 00:24:11,742 --> 00:24:15,246 AND IT'S THE MOVE SHE WOULD HAVE MADE. 439 00:24:17,039 --> 00:24:18,707 IT'S TIME FOR YOU TO SACRIFICE 440 00:24:18,749 --> 00:24:20,876 FOR YOUR PEOPLE, CLARKE. 441 00:24:20,918 --> 00:24:25,881 DON'T START ANOTHER WAR THEY'LL HAVE TO FIGHT. 442 00:24:30,803 --> 00:24:32,346 I NEED THEM TO BE OK. 443 00:24:32,388 --> 00:24:34,932 BY MY WORD, YOUR PEOPLE WILL BE SAFE. 444 00:24:34,974 --> 00:24:36,767 BELLAMY IS MEETING WITH MY FATHER 445 00:24:36,809 --> 00:24:37,768 FIRST THING IN THE MORNING 446 00:24:37,810 --> 00:24:39,395 TO DISCUSS BUILDING THEM A COMPOUND. 447 00:24:39,437 --> 00:24:41,939 THEY'LL HAVE A NEW HOME, A NEW LIFE. 448 00:24:41,981 --> 00:24:44,900 MADI CAN GO TO SCHOOL JUST LIKE ANY OTHER KID. 449 00:24:44,942 --> 00:24:46,860 YOUR FRIENDS CAN SETTLE DOWN. 450 00:24:46,902 --> 00:24:51,740 EVERYONE CAN STOP FIGHTING, INCLUDING YOU. 451 00:25:01,875 --> 00:25:05,045 TELL MADI I LOVE HER... 452 00:25:05,587 --> 00:25:08,466 AND TELL ALL OF THEM. 453 00:25:17,641 --> 00:25:20,853 [SCOFFS] 454 00:25:20,894 --> 00:25:23,897 YOU FORGOT BELLAMY AND RAVEN. 455 00:25:35,284 --> 00:25:37,119 JAKE: SENIOR ENVIRONMENTAL ENGINEER, 456 00:25:37,161 --> 00:25:38,912 DEPUTY RESOURCE OFFICER. 457 00:25:38,954 --> 00:25:41,832 THAT MEANS I'M IN CHARGE OF THE MACHINES 458 00:25:41,874 --> 00:25:44,793 THAT KEEP OUR WATER SAFE TO DRINK 459 00:25:44,835 --> 00:25:49,840 AND OUR FOOD SAFE TO EAT. 460 00:25:50,966 --> 00:25:54,928 -UH! -AAH! 461 00:25:57,306 --> 00:25:59,975 AN EMP. 462 00:26:00,017 --> 00:26:02,978 COOL. 463 00:26:04,562 --> 00:26:08,234 IT'LL BE OVER SOON... 464 00:26:10,027 --> 00:26:12,821 I PROMISE. 465 00:26:27,461 --> 00:26:29,880 [SOBS] 466 00:26:31,673 --> 00:26:35,302 [SOBBING] 467 00:26:37,595 --> 00:26:39,515 [SNIFFLES] 468 00:26:52,027 --> 00:26:54,488 [BIRD TWITTERS] 469 00:26:56,031 --> 00:26:58,409 [BIRDS SINGING] 470 00:26:58,451 --> 00:27:00,994 [DOOR OPENS] 471 00:27:02,580 --> 00:27:03,747 [DOOR CLOSES] 472 00:27:03,789 --> 00:27:06,125 DAD? 473 00:27:16,385 --> 00:27:18,512 OH, MONTY... 474 00:27:19,346 --> 00:27:21,140 HEH. 475 00:27:21,181 --> 00:27:24,518 YOU CALL THIS DOING BETTER? 476 00:27:27,146 --> 00:27:29,689 GIVING UP ISN'T BETTER. 477 00:27:29,731 --> 00:27:32,151 THAT'S NOT WHAT I'M-- 478 00:27:32,192 --> 00:27:34,612 I'M DOING THIS FOR THE OTHERS. 479 00:27:34,652 --> 00:27:38,407 -THEY'LL LIVE. -"IT'S ALL FOR MY PEOPLE"? 480 00:27:38,449 --> 00:27:40,784 LOOK. I'VE HEARD THAT BEFORE, CLARKE. 481 00:27:40,826 --> 00:27:41,827 IT'S JUST AN EXCUSE. 482 00:27:41,868 --> 00:27:44,121 YOU'RE THE ONE WHO TOLD ME I'M NOT GOD, 483 00:27:44,163 --> 00:27:48,375 THAT I DON'T GET TO DECIDE WHO LIVES OR DIES. 484 00:27:48,417 --> 00:27:50,586 WELL, YOU GOT YOUR WISH. 485 00:27:50,628 --> 00:27:54,173 I'M NOT DECIDING FOR ANYONE ELSE... 486 00:27:56,842 --> 00:27:59,719 JUST FOR ME. 487 00:28:01,263 --> 00:28:02,764 LOOK. 488 00:28:02,806 --> 00:28:04,975 I GET IT. IT'S BEEN ENDLESS. 489 00:28:05,017 --> 00:28:06,810 BEARING IT SO WE DON'T HAVE TO, 490 00:28:06,852 --> 00:28:10,272 ANYONE WOULD BE TIRED... 491 00:28:11,023 --> 00:28:14,527 BUT ARE YOU REALLY GONNA LEAVE HER? 492 00:28:17,237 --> 00:28:19,156 SHE'S BETTER OFF WITHOUT ME. 493 00:28:19,198 --> 00:28:22,409 I DON'T THINK THAT'S TRUE. 494 00:28:23,160 --> 00:28:25,787 MY MOM WILL TAKE CARE OF HER, 495 00:28:25,829 --> 00:28:28,040 AND BELLAMY ALREADY MADE A DEAL 496 00:28:28,081 --> 00:28:29,166 THAT KEEPS THEM ALL SAFE. 497 00:28:29,208 --> 00:28:31,669 THIS IS ABOUT BEING THE GOOD GUYS. YEAH. 498 00:28:31,709 --> 00:28:34,004 THAT DEAL MEANS OUR SIDE GETS TO LIVE, 499 00:28:34,046 --> 00:28:35,130 BUT AT WHAT COST? 500 00:28:35,172 --> 00:28:36,507 YOU'RE GIVING IN TO PEOPLE WHO 501 00:28:36,549 --> 00:28:38,133 MURDER HUMAN BEINGS TO LIVE FOREVER. 502 00:28:38,175 --> 00:28:40,553 THAT'S EASY TO SAY, BUT IN THE REAL WORLD, 503 00:28:40,594 --> 00:28:44,056 WE HAVE TO DO WHAT'S BEST FOR OUR PEOPLE. 504 00:28:44,097 --> 00:28:46,933 DOING THE WRONG THING IS NEVER WHAT'S BEST. 505 00:28:46,975 --> 00:28:49,061 THE ENDS DON'T JUSTIFY THE MEANS. 506 00:28:49,102 --> 00:28:49,978 YOU KNOW THAT. 507 00:28:50,020 --> 00:28:51,855 WHAT DO YOU WANT FROM ME, MONTY? 508 00:28:51,897 --> 00:28:53,023 IT'S TOO LATE. 509 00:28:53,065 --> 00:28:55,526 JOSEPHINE ALREADY HAS THE MEMORY. 510 00:28:55,568 --> 00:28:57,110 AS SOON AS SHE WAKES UP, 511 00:28:57,152 --> 00:29:00,197 SHE'LL KNOW HOW TO GET ME OUT OF MY HEAD. 512 00:29:01,490 --> 00:29:05,411 IT'S OVER. 513 00:29:09,623 --> 00:29:12,543 WE'LL SEE ABOUT THAT. 514 00:29:19,174 --> 00:29:22,595 [ECHOING VOICES] 515 00:29:25,723 --> 00:29:29,059 CLARKE: THIS IS JOSEPHINE'S MINDSPACE. 516 00:29:29,101 --> 00:29:30,644 SHE CONTROLS IT. 517 00:29:30,686 --> 00:29:33,313 WHAT SHE GONNA DO, KILL YOU? 518 00:29:33,355 --> 00:29:37,192 [VOICES CONTINUE] 519 00:29:39,278 --> 00:29:42,281 [VOICES CONTINUE] 520 00:30:00,132 --> 00:30:02,259 WOW. 521 00:30:02,301 --> 00:30:06,096 230 YEARS OF MEMORIES. 522 00:30:06,138 --> 00:30:08,390 [EXPLOSION] 523 00:30:08,432 --> 00:30:11,226 [RATTLING] 524 00:30:12,269 --> 00:30:13,479 GOOD NEWS IS, 525 00:30:13,520 --> 00:30:15,564 WE CAN AFFECT HER BODY IN HERE. 526 00:30:15,606 --> 00:30:16,732 BAD NEWS IS, 527 00:30:16,774 --> 00:30:18,150 JOSEPHINE SEEMS TO SENSE IT. 528 00:30:18,191 --> 00:30:21,194 COME ON. LET'S FIND SOMETHING WE CAN USE. 529 00:30:21,236 --> 00:30:24,156 [VOICES CONTINUE] 530 00:30:32,247 --> 00:30:35,250 CLARKE: THEY'RE ALL IN CHRONOLOGICAL ORDER. 531 00:30:35,292 --> 00:30:39,087 I LIKE YOUR DRAWINGS BETTER. 532 00:30:48,054 --> 00:30:49,222 LOOK. 533 00:30:49,264 --> 00:30:50,890 THIS MUST BE WHERE SHE KEEPS HER PRIMAL WOUNDS. 534 00:30:50,932 --> 00:30:54,394 SHE SAID THEY CREATE A PHYSICAL RESPONSE. 535 00:30:56,313 --> 00:30:59,733 WE COULD CONTROL MY BODY FROM THERE. 536 00:30:59,775 --> 00:31:03,236 ON IT. THIS'LL TAKE A MINUTE. 537 00:31:03,278 --> 00:31:05,322 FIND OUT WHO SHE IS WHILE I GET THIS OPEN. 538 00:31:05,364 --> 00:31:07,700 RUSSELL'S VOICE: ONE MORE TIME. 539 00:31:07,741 --> 00:31:12,871 JOSEPHINE'S VOICE: B-O-R-N-E-O. 540 00:31:14,790 --> 00:31:17,584 KAYLEE: YOU CAN ADMIT IT, JOSEPHINE. 541 00:31:17,626 --> 00:31:19,461 YOU HAVE A FIXATION. 542 00:31:19,503 --> 00:31:20,879 [CHUCKLES] 543 00:31:20,920 --> 00:31:23,256 IT'S CALLED APPRECIATION. 544 00:31:23,298 --> 00:31:24,132 OH. 545 00:31:24,174 --> 00:31:26,552 DON'T YOU MISS YOUR FIRST BODY? 546 00:31:26,593 --> 00:31:28,470 I'M ALL ABOUT LIVING IN THE NOW, 547 00:31:28,512 --> 00:31:30,222 FOCUSING ON THE PEOPLE THAT ARE HERE, 548 00:31:30,263 --> 00:31:32,725 NOT THOSE FADED INTO DUST. 549 00:31:32,766 --> 00:31:35,811 MAYBE IT'S TIME FOR YOU TO REFOCUS 550 00:31:35,853 --> 00:31:37,521 ON YOUR OWN KIND. 551 00:31:37,563 --> 00:31:39,272 SOME OF THESE PEOPLE AREN'T WORTH 552 00:31:39,314 --> 00:31:40,482 YOUR ATTENTION, LEE-LEE. 553 00:31:40,524 --> 00:31:45,028 WELL, WHAT CAN I SAY? I AM OPEN-MINDED. 554 00:31:45,070 --> 00:31:46,822 OHH! HUH! 555 00:31:46,864 --> 00:31:51,159 THIS JO JUICE IS REALLY GETTING ME TONIGHT. 556 00:31:51,201 --> 00:31:55,288 IS IT? HMM. 557 00:31:56,248 --> 00:31:58,792 KAYLEE: HUH. 558 00:32:05,716 --> 00:32:09,803 THIS ISN'T JUST J-JUICE. 559 00:32:10,262 --> 00:32:13,891 SHUIMIAN JIANGGUO? 560 00:32:14,850 --> 00:32:17,477 I THOUGHT IT WAS FITTING, GIVEN YOU CATALOGED THEM, 561 00:32:17,519 --> 00:32:20,105 THOUGH I STILL THINK THAT YOU COULD'VE BEAT 562 00:32:20,146 --> 00:32:21,815 "SLEEPING BERRIES." 563 00:32:21,857 --> 00:32:26,111 -HMM. -TELL ME WHY. 564 00:32:27,446 --> 00:32:30,574 YOU HAVE TO UNDERSTAND, LEE-LEE, 565 00:32:30,616 --> 00:32:31,950 ISAAC WAS A THREAT. 566 00:32:31,991 --> 00:32:34,912 HE'D NEVER HURT ANYONE, AND HE WAS MINE. 567 00:32:34,953 --> 00:32:37,205 WHAT, YOU COULDN'T STAND TO SEE ME HAPPY? 568 00:32:37,247 --> 00:32:39,165 HE DEFIED THE WILL OF THE PRIMES. 569 00:32:39,207 --> 00:32:40,709 HE DEFIED OBLATION. 570 00:32:40,751 --> 00:32:43,128 THAT'S NOT THE WILL OF THE PRIMES. 571 00:32:43,169 --> 00:32:44,421 THAT'S JUST YOU. 572 00:32:44,463 --> 00:32:47,507 ONLY TWO HOSTS HAVE BEEN BORN IN THE PAST 20 YEARS. 573 00:32:47,549 --> 00:32:50,135 THE NULLS ARE MUDDYING THE BLOODLINE. 574 00:32:50,176 --> 00:32:52,846 WITHOUT OBLATION, WE GO EXTINCT. 575 00:32:52,888 --> 00:32:55,474 HELL, YOU HELPED ME SPREAD THE WORD 576 00:32:55,515 --> 00:32:59,352 BEFORE YOU DECIDED TO HOP IN THE SACK WITH ISAAC. 577 00:32:59,394 --> 00:33:00,896 NOW YOU'RE SOUNDING LIKE RIKER. 578 00:33:00,938 --> 00:33:02,230 PEOPLE ARE MORE THAN THEIR BLOOD. 579 00:33:02,272 --> 00:33:04,232 I'M TALKING ABOUT THE BIGGER PICTURE HERE. 580 00:33:04,274 --> 00:33:05,734 YOUR ANSWER IS MURDER? 581 00:33:05,776 --> 00:33:07,945 DID YOU THINK I WOULDN'T NOTICE? 582 00:33:07,986 --> 00:33:09,613 I DON'T KNOW WHAT HAPPENED TO YOU, 583 00:33:09,655 --> 00:33:11,406 BUT THIS IS NOT WHO YOU ARE. 584 00:33:11,448 --> 00:33:13,992 I'M GETTING BORED. WHY THE HELL DID YOU DRUG ME? 585 00:33:14,033 --> 00:33:16,453 SO THEY BELIEVE THIS WAS AN ACCIDENT. 586 00:33:16,495 --> 00:33:18,121 LET GO OF ME. UH! 587 00:33:18,163 --> 00:33:19,414 AAH! 588 00:33:19,456 --> 00:33:24,336 [ECHOING VOICES] 589 00:33:26,296 --> 00:33:29,758 [BABY CRYING] 590 00:33:44,230 --> 00:33:48,234 JOSEPHINE: YOU MUST THINK VERY LITTLE OF ME, ISAAC. 591 00:33:50,236 --> 00:33:52,572 DID YOU THINK I WOULDN'T NOTICE 592 00:33:52,614 --> 00:33:54,449 MY OFFERING WAS GOING MISSING? 593 00:33:54,491 --> 00:33:57,035 THE FOREST DOESN'T FEED THAT QUICKLY. 594 00:33:57,076 --> 00:33:58,662 ARE YOU GIVING THEM TO GABRIEL? 595 00:33:58,704 --> 00:34:02,081 ISAAC: JOSEPHINE, I CAN EXPLAIN. 596 00:34:02,123 --> 00:34:03,124 OH, I GET IT. 597 00:34:03,166 --> 00:34:04,710 YOU THINK BECAUSE YOU'RE KAYLEE'S PET, 598 00:34:04,751 --> 00:34:06,837 YOU'RE MORE THAN WHAT YOU ARE. 599 00:34:06,879 --> 00:34:09,882 I AM. WE ALL ARE. 600 00:34:09,923 --> 00:34:11,299 JUST BECAUSE WE CAN'T BEAR A HOST 601 00:34:11,341 --> 00:34:13,343 DOESN'T MEAN WE'RE WORTHLESS. 602 00:34:13,385 --> 00:34:14,761 I AGREE. 603 00:34:14,803 --> 00:34:15,846 REALLY? 604 00:34:15,888 --> 00:34:18,932 WORTHLESS IMPLIES A SORT OF NEUTRALITY, 605 00:34:18,974 --> 00:34:21,727 SOMETHING WITH NO POSITIVE VALUE, 606 00:34:21,768 --> 00:34:26,231 BUT NULLS, YOU ARE LESS THAN USELESS. 607 00:34:26,272 --> 00:34:27,983 YOU DILUTE THE BLOODLINE. 608 00:34:28,025 --> 00:34:29,192 YOU MAKE IT LESS LIKELY 609 00:34:29,234 --> 00:34:30,527 THAT ANYONE WOULD BEAR A HOST. 610 00:34:30,569 --> 00:34:32,320 I CAN'T LET THAT HAPPEN. 611 00:34:32,362 --> 00:34:34,489 I HAVE TO THINK OF MY PEOPLE. 612 00:34:34,531 --> 00:34:37,450 ISAAC: WE ARE YOUR PEOPLE. 613 00:34:37,492 --> 00:34:38,744 WE COULD BE SO MUCH MORE. 614 00:34:38,785 --> 00:34:40,829 WE COULD DO SO MUCH MORE, IF ONLY WE WERE ALLOWED 615 00:34:40,871 --> 00:34:42,915 TO TRULY LIVE, IF YOU WOULD LET US 616 00:34:42,956 --> 00:34:45,291 BE MORE THAN JUST YOUR JANITORS OR GUARDS. 617 00:34:45,333 --> 00:34:47,335 THAT ARGUMENT WOULD CARRY A LOT MORE WEIGHT 618 00:34:47,377 --> 00:34:51,757 IF YOU WEREN'T DELIVERING SOLDIERS TO OUR ENEMIES. 619 00:34:51,798 --> 00:34:54,342 TELL ME, HOW IS GABRIEL? 620 00:34:54,384 --> 00:34:57,262 HIS LATEST HOST MUST BE 95 BY NOW. 621 00:34:57,303 --> 00:35:01,474 I'M JUST TRYING TO KEEP OUR PEOPLE ALIVE. 622 00:35:01,516 --> 00:35:03,142 OBLATION IS WRONG. 623 00:35:03,184 --> 00:35:05,353 WHY SHOULD THIS CHILD BE SACRIFICED? 624 00:35:05,395 --> 00:35:07,397 -HE'S DONE NOTH-- -MM! 625 00:35:07,439 --> 00:35:11,526 [ISAAC GAGGING] 626 00:35:13,403 --> 00:35:15,864 [BABY CRYING] 627 00:35:15,906 --> 00:35:17,198 DON'T WORRY, ISAAC. 628 00:35:17,240 --> 00:35:20,911 YOUR SPIRIT SHALL LIVE ETERNAL. 629 00:35:27,584 --> 00:35:32,505 YOU WERE RIGHT. WE CAN'T LET HER WIN. 630 00:35:32,547 --> 00:35:34,883 ALMOST GOT IT. 631 00:35:34,925 --> 00:35:36,093 [BEEP] 632 00:35:36,134 --> 00:35:38,011 YES! 633 00:35:41,014 --> 00:35:42,307 [BELL RINGS] 634 00:35:42,348 --> 00:35:46,561 WOMAN: ♪ GOD REST YE, MERRY GENTLEMEN ♪ 635 00:35:46,603 --> 00:35:49,606 ♪ LET NOTHING YOU DISMAY ♪ 636 00:35:49,648 --> 00:35:52,859 ♪ REMEMBER, CHRIST OUR SAVIOR... ♪ 637 00:35:52,901 --> 00:35:56,321 CLARKE: EARTH BEFORE THE BOMBS. 638 00:35:56,362 --> 00:36:00,241 HEY, CHECK IT OUT. 639 00:36:02,285 --> 00:36:05,956 NICE PLACE. 640 00:36:07,540 --> 00:36:10,251 WHY WOULD SHE KEEP THIS MEMORY LOCKED AWAY? 641 00:36:10,293 --> 00:36:11,419 MORE IMPORTANTLY, 642 00:36:11,461 --> 00:36:14,881 HOW DO WE GET CONTROL FROM HERE? 643 00:36:21,638 --> 00:36:24,432 COME ON. 644 00:36:24,724 --> 00:36:27,978 JOSEPHINE: UGH, I SWEAR, I'M TAKING HANLEN NEXT SEMESTER. 645 00:36:28,020 --> 00:36:30,355 I CAN'T DEAL WITH SILVESTRI ANYMORE. 646 00:36:30,396 --> 00:36:32,107 WOMAN: DOES THAT MEAN YOU'RE NOT GOING 647 00:36:32,149 --> 00:36:35,068 ON YOUR LITTLE, SECRET FAMILY PROJECT? 648 00:36:35,110 --> 00:36:36,653 I TOLD THEM NO. 649 00:36:36,695 --> 00:36:39,405 WELL, IF YOUR SIGNING UP FOR HANLEN, 650 00:36:39,447 --> 00:36:40,824 PULL OUT YOUR MINISKIRTS. 651 00:36:40,866 --> 00:36:44,369 HE GIVES A HALF-GRADE BUMP TO GIRLS HE LIKES TO LOOK AT. 652 00:36:44,410 --> 00:36:45,662 OH... 653 00:36:45,704 --> 00:36:47,330 [WIND WHISTLES] 654 00:36:47,372 --> 00:36:48,498 [DOOR CLOSES] 655 00:36:48,540 --> 00:36:50,667 HEY. 656 00:36:53,920 --> 00:36:55,672 I WAS LOOKING FOR YOU 657 00:36:55,714 --> 00:36:57,632 AT THE WATER RATIONING PROTEST, 658 00:36:57,674 --> 00:37:00,969 THOUGHT YOU POSTED SOMETHING ABOUT GOING. 659 00:37:02,762 --> 00:37:05,557 TOO MANY PEOPLE, YOU KNOW. 660 00:37:05,598 --> 00:37:10,187 AND IT'S REALLY DUSTY OUTSIDE. 661 00:37:10,687 --> 00:37:13,065 YEAH. SURE. 662 00:37:13,815 --> 00:37:16,609 UH, I ASKED, AND THERE'S PLENTY OF ROOM 663 00:37:16,651 --> 00:37:18,653 AT THE COMPARATIVE LINGUISTICS THING 664 00:37:18,695 --> 00:37:20,488 IF YOU WANT TO GO. 665 00:37:20,530 --> 00:37:21,614 I DON'T KNOW. 666 00:37:21,656 --> 00:37:25,618 I'M NOT REALLY FEELING THAT SOCIAL LATELY. 667 00:37:25,660 --> 00:37:27,662 HEH. 668 00:37:29,831 --> 00:37:34,961 YOU STILL THINK YOU'RE TOO GOOD FOR ME, HUH? 669 00:37:35,336 --> 00:37:38,965 -THAT'S NOT WHAT I-- -DON'T LIE. 670 00:37:39,007 --> 00:37:40,550 JUST ADMIT IT. 671 00:37:40,592 --> 00:37:44,345 STOP TOYING WITH ME AND JUST ADMIT WHAT YOU ARE. 672 00:37:44,387 --> 00:37:45,722 I--I DON'T-- 673 00:37:45,764 --> 00:37:47,891 I MEAN, I TRIED; CALLS, TEXTS, 674 00:37:47,933 --> 00:37:51,811 YOU KNOW, BEING THOUGHTFUL. 675 00:37:51,853 --> 00:37:55,690 WHAT DO I GET? 676 00:37:55,732 --> 00:37:57,734 [GASPS] 677 00:37:57,776 --> 00:38:00,737 NOTHING. 678 00:38:00,779 --> 00:38:01,988 WHAT ARE YOU DOING? 679 00:38:02,030 --> 00:38:04,199 THINKING YOU SHOULD SHUT THE HELL UP. 680 00:38:04,241 --> 00:38:06,785 MESSAGE RECEIVED, YOU STUCK-UP BITCH. 681 00:38:06,826 --> 00:38:09,746 YOU DON'T WANT TO SEE ME. 682 00:38:09,788 --> 00:38:11,623 YOU CAN SEE THIS. 683 00:38:11,664 --> 00:38:13,332 [GUNSHOT] 684 00:38:13,374 --> 00:38:17,712 [PEOPLE SCREAM] 685 00:38:18,088 --> 00:38:20,423 MAN: LET'S GET OUT OF HERE! 686 00:38:20,465 --> 00:38:23,468 THIS IS THE THING SHE COULDN'T FACE. 687 00:38:23,509 --> 00:38:26,596 NO WONDER SHE CHANGED HER MIND ABOUT LEAVING. 688 00:38:26,638 --> 00:38:30,600 WE NEED TO USE IT TO CONTROL YOUR BODY. 689 00:38:30,642 --> 00:38:32,227 I HAVE AN IDEA. 690 00:38:32,269 --> 00:38:33,603 [SIREN] 691 00:38:33,645 --> 00:38:34,771 WOMAN ON P.A.: ALERT. INCOMING BOMBSHELLS. 692 00:38:34,813 --> 00:38:37,774 TAKE COVER IMMEDIATELY. 693 00:38:37,816 --> 00:38:41,069 QUICK, HIDE. 694 00:38:44,363 --> 00:38:46,908 YOU NEVER SHOULD HAVE COME HERE! 695 00:38:46,950 --> 00:38:50,162 GET OUT! 696 00:38:50,787 --> 00:38:52,831 [DOOR OPENS] 697 00:38:52,872 --> 00:38:56,584 AAH! I GAVE YOU THE CHANCE TO GO QUIETLY. 698 00:38:56,626 --> 00:38:59,087 I SAID I'D HELP YOUR PEOPLE. 699 00:38:59,129 --> 00:39:01,673 DEAL'S OFF. 700 00:39:01,714 --> 00:39:04,717 [GASPING] 701 00:39:04,759 --> 00:39:07,679 [COUGHS] 702 00:39:07,720 --> 00:39:10,765 SHE'S AWAKE. 703 00:39:14,644 --> 00:39:17,147 [CHUCKLES] 704 00:39:18,231 --> 00:39:20,233 I WIN. 705 00:39:20,775 --> 00:39:22,068 BELLAMY: ALL RIGHT. 706 00:39:22,110 --> 00:39:24,821 IN EXCHANGE FOR IGNORING THAT YOU MURDERED CLARKE... 707 00:39:24,863 --> 00:39:27,115 [DOOR CLOSES] 708 00:39:27,157 --> 00:39:30,576 YOU BUILD US A COMPOUND. 709 00:39:31,995 --> 00:39:34,831 WHAT ABOUT THE MOTHER AND CHILD? WILL THEY AGREE? 710 00:39:34,873 --> 00:39:37,209 I'LL HANDLE OUR PEOPLE. 711 00:39:37,250 --> 00:39:39,085 HOW LONG WILL IT TAKE TO BUILD? 712 00:39:39,127 --> 00:39:40,128 [CLEARS THROAT] 713 00:39:40,170 --> 00:39:42,255 JUST A MOMENT, SWEETHEART. 714 00:39:42,297 --> 00:39:44,549 WITH ALL OF OUR PEOPLE HELPING YOU, 715 00:39:44,590 --> 00:39:46,051 IT WILL GO MUCH FASTER. 716 00:39:46,092 --> 00:39:47,677 TALK TO RIKER ABOUT A WORK SCHEDULE, 717 00:39:47,719 --> 00:39:50,722 AND YOU'LL NEED A DETAIL OF ABOUT 50 OF YOUR OWN PEOPLE. 718 00:39:50,763 --> 00:39:53,725 YOU'LL BUILD A WALL THAT-- 719 00:40:11,826 --> 00:40:15,621 RUSSELL: BELLAMY. 720 00:40:16,455 --> 00:40:19,792 BELLAMY, ARE WE AGREED? 721 00:40:20,668 --> 00:40:22,670 YEAH. 722 00:40:22,712 --> 00:40:25,506 WE'RE GOOD FOR NOW. 723 00:40:25,548 --> 00:40:28,467 I'LL ORDER CONSTRUCTION TO BEGIN. 724 00:40:28,509 --> 00:40:30,469 LET'S GO. 725 00:40:32,722 --> 00:40:36,768 [DOOR OPENS] 726 00:40:39,896 --> 00:40:41,064 JOSIE... 727 00:40:41,106 --> 00:40:43,775 DID SOMETHING GO WRONG WITH THE TRANSFER? 728 00:40:43,816 --> 00:40:45,193 YOU COULD SAY THAT. 729 00:40:45,235 --> 00:40:48,905 SHE'S STILL IN MY HEAD, BUT DON'T WORRY. 730 00:40:48,947 --> 00:40:52,867 I KNOW HOW TO KILL HER ONCE AND FOR ALL. 731 00:40:52,909 --> 00:40:58,164 HEY, REMEMBER WHEN PIKE TAUGHT US MORSE CODE? 732 00:40:58,206 --> 00:41:00,708 I SLEPT THROUGH MOST OF EARTH SKILLS, SO-- 733 00:41:00,750 --> 00:41:05,213 OK. JOSEPHINE WAS TAPPING OUT MORSE CODE 734 00:41:05,255 --> 00:41:07,882 ON HER ARM. 735 00:41:11,594 --> 00:41:12,929 WHAT DOES IT MEAN? 736 00:41:12,971 --> 00:41:18,143 IT MEANS CLARKE'S ALIVE, AND WE'RE GONNA GET HER BACK.