1 00:00:02,419 --> 00:00:04,004 PREVIOUSLY ON "THE 100"... 2 00:00:04,045 --> 00:00:05,964 RUSSELL: NO MORE FIGHTING, CLARKE. 3 00:00:06,006 --> 00:00:08,216 BE AT PEACE, A BETTER PLACE, JUST LIKE YOU SAID YOU WANTED. 4 00:00:08,258 --> 00:00:10,552 JOSEPHINE: NOW, THIS I CAN WORK WITH. 5 00:00:10,593 --> 00:00:13,096 WHO ARE YOU? 6 00:00:13,138 --> 00:00:15,682 JOSEPHINE LIGHTBOURNE. NICE TO MEET YOU. 7 00:00:15,724 --> 00:00:17,058 YOU'RE NOT CLARKE. 8 00:00:17,100 --> 00:00:18,518 ABBY: THAT WOMAN'S A MONSTER. 9 00:00:18,560 --> 00:00:20,061 WHAT'S THE MATTER, LEE-LEE? 10 00:00:20,103 --> 00:00:21,646 YOU DON'T RECOGNIZE YOUR BEST FRIEND? 11 00:00:21,688 --> 00:00:23,815 - JOSEPHINE? - SURPRISE. 12 00:00:23,857 --> 00:00:25,817 YOURS WAS THE LAST FACE I SAW BEFORE I FELL. 13 00:00:25,859 --> 00:00:27,444 NOW WE'RE EVEN. 14 00:00:27,485 --> 00:00:29,446 ECHO: BELLAMY, WHAT'S GOING ON? 15 00:00:29,487 --> 00:00:32,198 CLARKE'S DEAD. 16 00:00:33,867 --> 00:00:35,410 [GASPS] 17 00:00:35,452 --> 00:00:40,540 [ECHOING VOICES] 18 00:00:40,582 --> 00:00:42,542 I BLAME YOU BECAUSE MY FATHER'S DEAD, 19 00:00:42,584 --> 00:00:44,419 AND IT'S MY MOTHER'S FAULT. 20 00:00:44,461 --> 00:00:45,962 - WHO ELSE? - WELCOME BACK. 21 00:00:46,004 --> 00:00:47,589 I DON'T HAVE TO PRETEND ANYMORE. 22 00:00:47,630 --> 00:00:49,591 AAH! 23 00:00:49,632 --> 00:00:51,384 THE TRUTH HURTS. 24 00:00:51,426 --> 00:00:54,846 THIS IS THE ENERGY. 25 00:00:54,888 --> 00:00:57,307 I'M A COMMANDER. 26 00:00:57,348 --> 00:00:59,559 HOW MANY HAVE TO DIE? 27 00:00:59,601 --> 00:01:02,687 [VOICES CONTINUE] 28 00:01:02,729 --> 00:01:05,356 I'M SORRY, LEXA. 29 00:01:05,398 --> 00:01:08,777 IF I WAS WITH BELLAMY, I NEVER WOULD HAVE MET YOU. 30 00:01:08,818 --> 00:01:10,779 [VOICES CONTINUE] 31 00:01:15,658 --> 00:01:19,704 MAN: PRISONER 319, FACE THE WALL. 32 00:01:19,746 --> 00:01:22,290 [VOICES CONTINUE] 33 00:01:29,798 --> 00:01:31,841 THEY'RE ALL TAKING THEM. 34 00:01:31,883 --> 00:01:34,803 JAHA... 35 00:01:55,532 --> 00:01:56,616 HUH. 36 00:01:58,618 --> 00:01:59,452 DAD? 37 00:02:04,707 --> 00:02:06,543 HELLO, SWEETHEART. 38 00:02:06,584 --> 00:02:08,962 HUH...HUH. 39 00:02:15,093 --> 00:02:19,764 HOW IS THIS POSSIBLE? HOW ARE WE HERE? 40 00:02:19,806 --> 00:02:22,225 WHAT'S THE LAST THING YOU REMEMBER? 41 00:02:30,024 --> 00:02:32,360 I DIED. 42 00:02:33,653 --> 00:02:36,614 COME HERE A SECOND. COME ON. 43 00:02:39,826 --> 00:02:42,412 NOW YOU REST. 44 00:02:44,080 --> 00:02:47,208 IT'S OVER. 45 00:02:47,250 --> 00:02:49,711 I'VE BEEN FIGHTING FOR SO LONG. 46 00:02:49,752 --> 00:02:53,131 I KNOW YOU HAVE. 47 00:02:53,173 --> 00:02:55,383 I NEVER THOUGHT I'D SEE YOU AGAIN. 48 00:03:00,138 --> 00:03:02,807 I DIDN'T GET TO SAY GOOD-BYE 49 00:03:02,849 --> 00:03:07,562 TO MADI, TO MOM. 50 00:03:07,604 --> 00:03:10,815 [THUNDER] 51 00:03:10,857 --> 00:03:12,859 WHAT THE HELL? 52 00:03:12,901 --> 00:03:15,653 [RAIN FALLING] 53 00:03:15,695 --> 00:03:17,572 HUH. 54 00:03:17,614 --> 00:03:20,491 IT STARTED WHEN I GOT UPSET. 55 00:03:20,533 --> 00:03:24,954 CLARKE, LISTEN. WHAT DO YOU HEAR? 56 00:03:24,996 --> 00:03:27,624 - RAIN? - HA! I'M SERIOUS. 57 00:03:27,665 --> 00:03:31,461 FOCUS. BETWEEN THE RAINDROPS, 58 00:03:31,502 --> 00:03:33,004 WHAT ELSE DO YOU HEAR? 59 00:03:33,046 --> 00:03:36,674 [HEARTBEAT] 60 00:03:36,716 --> 00:03:40,303 A HEARTBEAT. 61 00:03:43,848 --> 00:03:46,809 I'M STILL ALIVE. 62 00:03:46,851 --> 00:03:49,062 NO. NO. 63 00:03:49,103 --> 00:03:52,649 I SAW IT. HE KILLED ME. 64 00:03:52,690 --> 00:03:53,816 DIDN'T. 65 00:03:56,527 --> 00:03:59,530 YOU'RE JUST IN MY HEAD. 66 00:03:59,572 --> 00:04:02,242 I LOVED BEING HERE WITH MADI, 67 00:04:02,283 --> 00:04:06,371 AND I LOVE YOU, SO HERE YOU ARE. 68 00:04:07,914 --> 00:04:10,541 OH, SWEETHEART... 69 00:04:13,670 --> 00:04:16,214 I DON'T UNDERSTAND. AM I DREAMING? 70 00:04:16,256 --> 00:04:19,300 THIS PLACE IS REACTING TO YOU, 71 00:04:19,342 --> 00:04:23,888 SO WE'RE JUST IN YOUR SUBCONSCIOUS SOMEHOW, 72 00:04:23,930 --> 00:04:26,891 BUT BEYOND THAT, 73 00:04:26,933 --> 00:04:30,144 THERE ARE NO ANSWERS FOR YOU HERE, CLARKE, 74 00:04:30,186 --> 00:04:32,981 SO GO ON. 75 00:04:33,022 --> 00:04:35,566 GO FIGURE THIS OUT. 76 00:04:35,608 --> 00:04:38,486 I'LL BE HERE IF YOU NEED ME. 77 00:04:38,528 --> 00:04:40,571 [KISS] 78 00:04:41,864 --> 00:04:43,866 I LOVE YOU, DAD. 79 00:04:43,908 --> 00:04:46,744 FOREVER. 80 00:04:46,786 --> 00:04:49,497 GO ON. 81 00:05:35,918 --> 00:05:37,170 [DOOR CLOSES] 82 00:05:37,211 --> 00:05:39,589 [GUNSHOTS] 83 00:05:39,630 --> 00:05:42,633 SANCTUM IS MINE! 84 00:05:42,675 --> 00:05:45,053 WHAT THE HELL IS GOING ON? 85 00:05:45,094 --> 00:05:48,014 [DOOR OPENS] 86 00:05:48,056 --> 00:05:50,099 IT IS REACTING TO ME. 87 00:05:56,856 --> 00:05:58,066 [ECHOING VOICES] 88 00:06:03,112 --> 00:06:05,239 HELLO, CLARKE. 89 00:06:05,281 --> 00:06:07,367 NO. 90 00:06:07,408 --> 00:06:10,912 I PULLED THE KILL SWITCH. I DESTROYED YOU. 91 00:06:10,953 --> 00:06:12,955 AND I SAVED YOU. 92 00:06:12,997 --> 00:06:15,041 WHY DO YOU THINK YOU'RE STILL HERE? 93 00:06:15,083 --> 00:06:17,293 I MAY BE GONE, 94 00:06:17,335 --> 00:06:19,087 BUT THIS PRECIOUS DEPOSITORY 95 00:06:19,128 --> 00:06:21,047 OF YOUR MEMORIES IS HERE 96 00:06:21,089 --> 00:06:23,132 BECAUSE OF ME. 97 00:06:23,174 --> 00:06:24,759 YOU'RE WELCOME. 98 00:06:24,801 --> 00:06:26,803 THE NEURAL MESH IS STILL IN MY HEAD. 99 00:06:26,844 --> 00:06:28,262 IT MUST HAVE INTERFERED WITH THE DRUG 100 00:06:28,304 --> 00:06:29,722 THEY USED TO WIPE MY MIND. 101 00:06:29,764 --> 00:06:32,141 CORRECT, AND SO, YOU SEE, 102 00:06:32,183 --> 00:06:35,812 YOU EXIST BECAUSE OF ME, 103 00:06:35,853 --> 00:06:38,147 BUT YOU WON'T IF THEY FIGURE OUT 104 00:06:38,189 --> 00:06:41,818 HOW YOU FREED RAVEN. 105 00:06:41,859 --> 00:06:44,445 WE EMP'D THE CHIP 106 00:06:44,487 --> 00:06:48,241 BUT ONLY IN RAVEN AND MOM, NOT ME. 107 00:06:48,282 --> 00:06:51,661 - UH! - AAH! 108 00:06:56,707 --> 00:07:00,711 IF I WERE YOU-- AND, IN A WAY, I AM-- 109 00:07:00,753 --> 00:07:03,798 I'D KEEP THIS MEMORY SAFE. 110 00:07:09,178 --> 00:07:11,013 THANK YOU, BUT FOR THE RECORD, 111 00:07:11,055 --> 00:07:12,723 YOU TRIED TO STEAL 112 00:07:12,765 --> 00:07:14,517 ALL THOSE MEMORIES YOU'RE NOW SAVING. 113 00:07:14,559 --> 00:07:16,853 I TRIED TO SPARE YOU THE PAIN AND HORROR 114 00:07:16,894 --> 00:07:19,730 OF YOUR EXISTENCE. 115 00:07:19,772 --> 00:07:22,066 THERE IS NOT JOY WITHOUT PAIN. 116 00:07:22,108 --> 00:07:24,861 I NEVER DID UNDERSTAND HUMANS. 117 00:07:24,902 --> 00:07:27,822 THOSE PAINFUL MEMORIES AREN'T EVEN HERE. 118 00:07:27,864 --> 00:07:30,283 THEY'RE CAST AWAY DEEP IN YOUR MIND, 119 00:07:30,324 --> 00:07:32,952 WHERE YOU DON'T HAVE TO FACE THEM, 120 00:07:32,994 --> 00:07:35,830 AND YET... 121 00:07:35,872 --> 00:07:37,999 YOU CAN'T LET THEM GO. 122 00:07:38,040 --> 00:07:40,168 WAIT. YOU SAID THIS IS A REPOSITORY 123 00:07:40,209 --> 00:07:42,086 - OF MY MEMORIES... - YES. 124 00:07:42,128 --> 00:07:45,089 BUT THERE'S SOMETHING THERE I'VE NEVER SEEN. 125 00:07:45,131 --> 00:07:48,843 - SANCTUM IS MINE! - COLLISION ALERT. 126 00:07:48,885 --> 00:07:52,138 [GUNSHOTS] 127 00:07:52,180 --> 00:07:55,016 [PEOPLE SCREAMING] 128 00:07:55,057 --> 00:07:57,059 [GUNSHOT] 129 00:07:57,101 --> 00:07:58,811 WOMAN: AAH! 130 00:08:02,148 --> 00:08:05,568 CLARKE GRIFFIN. IT'S NICE TO MEET YOU. 131 00:08:05,610 --> 00:08:07,778 I'VE HEARD SO MANY THINGS, 132 00:08:07,820 --> 00:08:09,655 MOST OF THEM MURDERY, BUT, YOU KNOW, 133 00:08:09,697 --> 00:08:11,324 NO JUDGMENT. 134 00:08:11,365 --> 00:08:13,910 - JOSEPHINE? - IN THE FLESH, 135 00:08:13,951 --> 00:08:15,912 BUT YOU SHOULDN'T HAVE OPENED THAT DOOR. 136 00:08:15,953 --> 00:08:18,998 THIS BODY IS NOT BIG ENOUGH FOR BOTH OF US. 137 00:08:25,713 --> 00:08:28,674 RUSSELL REALLY DID IT. HE STOLE MY BODY. 138 00:08:28,716 --> 00:08:32,053 AND CLEARLY MADE A MESS OF IT. 139 00:08:32,094 --> 00:08:34,931 IT'S BEEN HUNDREDS OF YEARS SINCE A MIND WIPE FAILED, 140 00:08:34,972 --> 00:08:37,475 BUT I GOT TO SAY, THIS ISN'T BAD, 141 00:08:37,517 --> 00:08:39,685 NOT AS ORGANIZED AS MY MINDSPACE, OF COURSE, 142 00:08:39,727 --> 00:08:42,897 BUT MILDLY IMPRESSIVE. 143 00:08:42,939 --> 00:08:45,024 MINDSPACE? 144 00:08:45,066 --> 00:08:46,359 THE BRAIN CREATES THESE CONSTRUCTS 145 00:08:46,400 --> 00:08:48,152 WHEN TWO MINDS SHARE A BODY, 146 00:08:48,194 --> 00:08:50,613 LIKE LUCID DREAMING ONLY NOT AS FUN. 147 00:08:50,655 --> 00:08:52,490 IT'S A SELF-PRESERVATION THING, TRYING TO KEEP 148 00:08:52,532 --> 00:08:55,535 THE MINDS SEPARATE SO THE BODY DOESN'T DIE. 149 00:08:55,576 --> 00:08:57,954 YOU KIND OF MESSED THAT UP WHEN YOU OPENED THE DOOR, 150 00:08:57,995 --> 00:08:59,580 SO, YOU KNOW, THANKS 151 00:08:59,622 --> 00:09:01,707 FOR THE ACCELERATED BRAIN DETERIORATION. 152 00:09:01,749 --> 00:09:03,918 WAIT. YOU'VE BEEN THROUGH THIS BEFORE? 153 00:09:03,960 --> 00:09:05,795 NEVER ANYTHING AS ADVANCED AS THIS, 154 00:09:05,836 --> 00:09:07,797 BUT, YEAH, BACK IN THE DAY 155 00:09:07,838 --> 00:09:09,840 BEFORE GABRIEL PERFECTED THE MIND WIPE, 156 00:09:09,882 --> 00:09:11,759 THERE WERE A FEW MISHAPS. 157 00:09:11,801 --> 00:09:13,261 I GOT JACKED INTO SOME PEOPLE'S MINDS 158 00:09:13,302 --> 00:09:15,096 WHILE THE LIGHTS WERE STILL ON. 159 00:09:15,137 --> 00:09:17,515 - THEY WERE SO AVERAGE. - WHAT HAPPENED? 160 00:09:17,557 --> 00:09:19,600 THE FIRST WAS A 6-MONTH-OLD. 161 00:09:19,642 --> 00:09:22,186 HER MIND WAS UNFORMED, FULL OF CHAOS, 162 00:09:22,228 --> 00:09:23,896 SHAPES AND SOUNDS. 163 00:09:23,938 --> 00:09:25,815 THEN THERE WAS SAVANNAH. 164 00:09:25,856 --> 00:09:29,068 I SWEAR I WAS NOT THAT OBNOXIOUS AT 15. 165 00:09:29,110 --> 00:09:30,528 AND THEN THEY DIED. 166 00:09:30,570 --> 00:09:32,071 BRAIN HEMORRHAGING LEADS TO STROKE, 167 00:09:32,113 --> 00:09:33,573 AND WE ALL FALL DOWN. 168 00:09:33,614 --> 00:09:36,742 IT'S MESSY AND HURTS LIKE A MOTHER, 169 00:09:36,784 --> 00:09:38,411 WOULD NOT RECOMMEND IT. 170 00:09:38,452 --> 00:09:42,123 TWO MINDS, ONE BRAIN NEVER ENDS WELL, 171 00:09:42,164 --> 00:09:46,377 SO THIS, IT'S A PROBLEM. 172 00:09:46,419 --> 00:09:48,504 HOW DID YOU EVEN SURVIVE? 173 00:09:48,546 --> 00:09:50,006 YOU JUST WANT TO KNOW SO YOU 174 00:09:50,047 --> 00:09:51,507 CAN FIGURE OUT HOW TO GET RID OF ME. 175 00:09:51,549 --> 00:09:52,967 OK. WEREN'T YOU LISTENING? 176 00:09:53,009 --> 00:09:55,219 IF WE DON'T DO SOMETHING, THIS BODY DIES. 177 00:09:55,261 --> 00:09:56,929 - THAT WHAT YOU WANT? - OF COURSE NOT. 178 00:09:56,971 --> 00:09:58,472 WHY CAN'T YOU JUST FIND A NEW BODY 179 00:09:58,514 --> 00:10:00,391 AND GIVE MINE BACK? 180 00:10:00,433 --> 00:10:03,477 I COULD, I SUPPOSE, BUT IT'S RISKY. 181 00:10:03,519 --> 00:10:05,896 THE LAST PRIMES WHO WENT ON ICE DIED FOREVER. 182 00:10:05,938 --> 00:10:07,356 I'M NOT REALLY INTO THAT. 183 00:10:07,398 --> 00:10:09,859 BESIDES, POSSESSION IS 9/10 OF THE LAW, 184 00:10:09,900 --> 00:10:12,278 AND, JUST BETWEEN US GIRLS, 185 00:10:12,320 --> 00:10:15,448 I KIND OF LIKE YOUR BODY. 186 00:10:15,489 --> 00:10:17,908 YOU'RE A SOCIOPATH. 187 00:10:17,950 --> 00:10:20,995 JUDGY. BESIDES, LIKE YOU'RE ONE TO TALK, 188 00:10:21,037 --> 00:10:23,664 WANHEDA. 189 00:10:23,706 --> 00:10:27,251 THE WAY I SEE IT, YOU HAVE TWO OPTIONS-- 190 00:10:27,293 --> 00:10:29,962 TELL ME HOW YOU SURVIVED SO I CAN FIX IT, 191 00:10:30,004 --> 00:10:31,380 AND I'LL MAKE SURE YOUR PEOPLE 192 00:10:31,422 --> 00:10:33,966 LIKE HAPPILY EVER AFTER OR DON'T, 193 00:10:34,008 --> 00:10:36,093 AND EVENTUALLY, WE'LL BOTH DIE, ANYWAY. 194 00:10:36,135 --> 00:10:38,512 THE DIFFERENCE IS, I'LL BE REBORN IN SOMEONE ELSE, 195 00:10:38,554 --> 00:10:40,139 TELL MY FATHER WHAT HAPPENED, 196 00:10:40,181 --> 00:10:42,350 AND HE'LL KICK YOUR PEOPLE OUT TO DIE IN THE WOODS. 197 00:10:42,391 --> 00:10:44,352 GO FLOAT YOURSELF. 198 00:10:44,393 --> 00:10:46,020 I HAVE NO IDEA WHAT THAT MEANS. 199 00:10:46,062 --> 00:10:48,397 IT MEANS THAT I'M NOT TELLING YOU ANYTHING, 200 00:10:48,439 --> 00:10:51,275 AND I DON'T GO DOWN EASY. 201 00:10:51,317 --> 00:10:55,696 WOW. YOU'RE SELFISH, NOT TO MENTION DUMB. 202 00:10:55,738 --> 00:10:58,699 YOUR MINDSPACE CONTAINS ALL YOUR MEMORIES, 203 00:10:58,741 --> 00:11:02,286 SO TRY NOT TO THINK OF WHERE YOU KEEP THEM. 204 00:11:02,328 --> 00:11:04,121 [DOOR OPENS] 205 00:11:07,041 --> 00:11:08,542 HELLO. 206 00:11:10,127 --> 00:11:12,463 YOU CONTROL YOUR MINDSPACE, CLARKE. 207 00:11:12,505 --> 00:11:15,132 TOO BAD YOU CAN'T CONTROL YOUR THOUGHTS. 208 00:11:15,174 --> 00:11:17,635 [ECHOING VOICES] 209 00:11:17,677 --> 00:11:21,847 I RESCIND MY COMPLIMENTS. THIS IS A DISASTER. 210 00:11:21,889 --> 00:11:23,599 DIDN'T ANYONE EVER TEACH YOU 211 00:11:23,641 --> 00:11:25,226 ABOUT ORGANIZATIONAL STRUCTURE? 212 00:11:25,267 --> 00:11:27,228 GET OUT OF MY HEAD. 213 00:11:27,269 --> 00:11:31,440 NOW, NOW, CLARKE. SHARING IS CARING. 214 00:11:31,482 --> 00:11:33,859 [VOICES CONTINUE] 215 00:11:35,903 --> 00:11:38,155 MADI'S VOICE: CLARKE! WATCH OUT! 216 00:11:38,197 --> 00:11:40,199 AAH! 217 00:11:40,241 --> 00:11:42,827 CLARKE'S VOICE: I WILL NOT LET YOU DIE IN THIS WAR. 218 00:11:42,868 --> 00:11:47,123 CHILD ABUSE DRESSED UP AS PROTECTION. COOL. 219 00:11:47,164 --> 00:11:49,583 - CLARKE, WAIT. - REALLY? 220 00:11:49,625 --> 00:11:52,962 ARE YOU HIDING A MEMORY FROM ME, CLARKE? 221 00:11:53,003 --> 00:11:56,924 - RUDE. - YOU'LL NEVER FIND IT. 222 00:11:56,966 --> 00:12:00,177 YOU KNOW, I STUDY ALL LIFE, BUT INSECTS 223 00:12:00,219 --> 00:12:03,180 ALWAYS FASCINATED ME MOST. 224 00:12:03,222 --> 00:12:06,267 THEY'RE MERCILESS, RUTHLESS. 225 00:12:06,308 --> 00:12:08,185 I RESPECT THAT. 226 00:12:08,227 --> 00:12:13,899 PEOPLE ARE SO MESSY, SO EMOTIONAL. 227 00:12:13,941 --> 00:12:17,236 BECAUSE OF THAT, THEY GIVE THEMSELVES AWAY. 228 00:12:17,278 --> 00:12:19,196 I COULD ALWAYS FIGURE PEOPLE OUT, 229 00:12:19,238 --> 00:12:20,781 EVEN AS A KID. 230 00:12:20,823 --> 00:12:22,241 I COULD TELL WHEN THEY WERE NERVOUS. 231 00:12:22,283 --> 00:12:24,285 THEIR PULSES WOULD BEAT FASTER. 232 00:12:24,326 --> 00:12:26,579 EYES WOULD DART. BREATH WOULD QUICKEN. 233 00:12:26,620 --> 00:12:29,415 IT'S PHYSIOLOGICAL. 234 00:12:29,457 --> 00:12:31,208 YOU KNOW WHAT MY SPIDEY SENSES 235 00:12:31,250 --> 00:12:33,377 ARE TELLING ME ABOUT YOU RIGHT NOW? 236 00:12:33,419 --> 00:12:35,421 THAT I'LL NEVER HELP YOU WIPE MY MIND? 237 00:12:35,463 --> 00:12:36,964 YOU THINK YOU'RE A BADASS, 238 00:12:37,006 --> 00:12:38,841 BUT YOUR BRAVADO COVERS SELF-DOUBT. 239 00:12:38,883 --> 00:12:40,509 YOU HAD TO PHYSICALIZE YOUR SECRET 240 00:12:40,551 --> 00:12:43,262 SO YOU COULD KEEP IT CLOSE, WHERE YOU HAVE CONTROL. 241 00:12:43,304 --> 00:12:47,057 I BET YOU HAVE IT ON YOU RIGHT NOW. 242 00:12:47,099 --> 00:12:49,185 NOW LET ME HAVE IT. 243 00:12:49,226 --> 00:12:51,395 [BOTH GRUNTING] 244 00:13:02,615 --> 00:13:03,824 OH, SH-- 245 00:13:05,117 --> 00:13:06,452 OH! 246 00:13:11,081 --> 00:13:13,000 UH! 247 00:13:20,090 --> 00:13:21,842 [CLARKE PANTING] 248 00:13:24,220 --> 00:13:25,346 [ZAP] 249 00:13:25,387 --> 00:13:28,974 [ALARM SOUNDING] 250 00:13:29,016 --> 00:13:32,520 VOICE: WARNING. COLLISION ALERT. 251 00:13:40,820 --> 00:13:44,073 JOSEPHINE: WE'RE BACK, BITCHES. 252 00:13:44,114 --> 00:13:45,574 - HOW? - COME ON. 253 00:13:45,616 --> 00:13:47,159 YOU'RE SMARTER THAN THAT. 254 00:13:47,201 --> 00:13:48,911 HOW DO YOU THINK WE'RE RESURRECTED? 255 00:13:48,953 --> 00:13:50,955 MY MIND DRIVE BACKS UP MY CONSCIOUSNESS. 256 00:13:50,996 --> 00:13:53,207 I CAN'T DIE IN THE MINDSPACE, 257 00:13:53,249 --> 00:13:55,918 BUT YOU CAN UNLESS WHATEVER FLUKE 258 00:13:55,960 --> 00:13:57,962 KEPT YOU HERE CAN BRING YOU BACK. 259 00:13:58,003 --> 00:14:00,047 YOU, MY FRIEND, ARE PLAYING FOR KEEPS. 260 00:14:00,089 --> 00:14:01,715 I TOOK A SEDATIVE ABOUT AN HOUR AGO, 261 00:14:01,757 --> 00:14:03,509 SO THAT GIVES ME ALL NIGHT 262 00:14:03,551 --> 00:14:05,928 TO KILL YOU IN HERE OR FIND THE MEMORY 263 00:14:05,970 --> 00:14:07,638 OF HOW I CAN KILL YOU OUT THERE. 264 00:14:07,680 --> 00:14:10,891 GOT A PREFERENCE? 265 00:14:13,519 --> 00:14:18,399 EASY OR HARD WAY, CLARKE, EITHER WAY, YOU DIE. 266 00:14:37,501 --> 00:14:39,712 [DOOR OPENS] 267 00:14:39,753 --> 00:14:43,090 WHAT ARE YOU DOING HERE? 268 00:14:43,132 --> 00:14:45,718 I JUST HAVE TO STAY AHEAD OF HER. 269 00:14:45,759 --> 00:14:47,344 - IF I CAN HIDE-- - YOU'RE GOOD AT THAT, 270 00:14:47,386 --> 00:14:51,348 AREN'T YOU, HIDING WHILE OTHER PEOPLE FIGHT. 271 00:14:51,390 --> 00:14:53,058 WHAT? 272 00:14:53,100 --> 00:14:55,394 YOU DID THAT DURING THE CONCLAVE. 273 00:14:55,436 --> 00:14:57,688 WHILE I WAS UP THERE FIGHTING FOR EVERYONE'S LIVES, 274 00:14:57,730 --> 00:15:03,193 YOU WERE DOWN HERE STEALING WHAT I BLED FOR. 275 00:15:03,235 --> 00:15:06,697 WHATEVER. FINE. YOU WROTE ME OFF, 276 00:15:06,739 --> 00:15:10,284 THE CONCLAVE AT TONDC--I GET IT-- 277 00:15:10,326 --> 00:15:13,287 BUT THE THING IS, I REALLY THOUGHT 278 00:15:13,329 --> 00:15:16,373 YOU CARED ABOUT BELLAMY. 279 00:15:16,415 --> 00:15:19,710 I CARE ABOUT BOTH OF YOU. 280 00:15:19,752 --> 00:15:21,795 BUT YOU LEFT HIM IN THE PITS TO DIE, ANYWAY. 281 00:15:21,837 --> 00:15:25,382 I HAD TO, AND HE UNDERSTANDS. 282 00:15:25,424 --> 00:15:27,343 HE FORGAVE ME. 283 00:15:27,384 --> 00:15:31,764 DID HE? 284 00:15:31,805 --> 00:15:34,642 THEN WHY ISN'T HE HERE IN THIS MEMORY? 285 00:15:34,683 --> 00:15:37,102 I'LL TELL YOU WHY. 286 00:15:37,144 --> 00:15:39,021 BECAUSE YOU'RE TOO AFRAID TO FACE HIM 287 00:15:39,063 --> 00:15:41,357 BECAUSE YOU KNOW HE THINKS YOU'RE A MONSTER 288 00:15:41,398 --> 00:15:43,609 WHO WILL ABANDON ANYONE. 289 00:15:43,651 --> 00:15:45,444 THAT IS NOT WHO I AM. 290 00:15:45,486 --> 00:15:47,821 I DON'T KNOW WHY YOU'RE ARGUING WITH ME, CLARKE. 291 00:15:47,863 --> 00:15:49,698 AFTER ALL, I'M JUST 292 00:15:49,740 --> 00:15:52,159 A SUBCONSCIOUS PROJECTION OF YOU. 293 00:15:52,201 --> 00:15:54,411 VOICE: WARNING. COLLISION ALERT. 294 00:15:54,453 --> 00:15:56,121 [ALARM SOUNDING] 295 00:15:58,832 --> 00:16:02,252 [SCOFFS] 296 00:16:02,294 --> 00:16:05,130 - HELP ME. - THAT'LL HAPPEN. 297 00:16:06,799 --> 00:16:10,552 HA HA! YOU LOOK FUN. 298 00:16:10,594 --> 00:16:14,598 HAVE AT HER. 299 00:16:14,640 --> 00:16:18,102 EVEN YOUR PROJECTIONS HATE YOU, CLARKE. 300 00:16:42,918 --> 00:16:45,504 MAYA? 301 00:16:45,546 --> 00:16:46,630 [EXHALES] 302 00:16:51,677 --> 00:16:53,679 HI, CLARKE. 303 00:16:53,721 --> 00:16:56,640 NO. I DON'T WANT THIS. I DON'T WANT ANY OF THIS. 304 00:16:56,682 --> 00:16:59,601 THAT'S THE THING, CLARKE. 305 00:16:59,643 --> 00:17:01,895 SOME PART OF YOU DOES WANT THIS, 306 00:17:01,937 --> 00:17:03,689 OR I WOULDN'T BE HERE. 307 00:17:03,731 --> 00:17:05,399 I HAVE A QUESTION OF YOU. 308 00:17:05,441 --> 00:17:09,028 WHY ARE YOU FIGHTING SO HARD TO STAY ALIVE? 309 00:17:09,069 --> 00:17:11,947 - I HAVE TO-- - SAVE YOUR PEOPLE. YES. I KNOW. 310 00:17:11,989 --> 00:17:15,951 TOO BAD I WASN'T IN THAT GROUP, HUH? 311 00:17:15,993 --> 00:17:18,704 I NEVER MEANT TO HURT YOU, MAYA. 312 00:17:18,746 --> 00:17:21,749 I'M SORRY. 313 00:17:21,790 --> 00:17:26,712 YOU KEEP SAYING THAT. 314 00:17:26,754 --> 00:17:31,675 TELL ME, ARE YOU SORRY ABOUT JASPER, TOO? 315 00:17:31,717 --> 00:17:33,469 AFTER ALL, KILLING ME IS WHAT SENT HIM 316 00:17:33,510 --> 00:17:35,471 OFF THE DEEP END. 317 00:17:35,512 --> 00:17:37,681 - JASPER MADE HIS CHOICE. - WRONG. 318 00:17:37,723 --> 00:17:40,267 HIS DEATH IS ON YOU, TOO. 319 00:17:40,309 --> 00:17:43,228 YOU DO THINGS, BUT OTHER PEOPLE PAY THE PRICE. 320 00:17:43,270 --> 00:17:44,897 OK. THAT'S ENOUGH. 321 00:17:44,938 --> 00:17:47,524 YOU'VE KILLED MORE PEOPLE THAN YOU'VE SAVED. 322 00:17:47,566 --> 00:17:49,318 DO YOU REALIZE THAT? 323 00:17:49,359 --> 00:17:51,111 IF YOU ACTUALLY CARED 324 00:17:51,153 --> 00:17:53,655 ABOUT SAVING PEOPLE'S LIVES, 325 00:17:53,697 --> 00:17:56,575 YOU'D WALK AWAY. 326 00:17:56,617 --> 00:17:58,368 YOU KNOW WHAT I THINK? 327 00:17:58,410 --> 00:18:00,496 YOU LIKE BEING THE SAVIOR. 328 00:18:00,537 --> 00:18:02,664 YOU LIKE PLAYING GOD. 329 00:18:02,706 --> 00:18:06,543 YOU'RE NOT SO DIFFERENT FROM THE PRIMES, YOU KNOW. 330 00:18:06,585 --> 00:18:09,338 VOICE: RADIATION ALERT. 331 00:18:09,379 --> 00:18:10,881 SHE'S COMING. 332 00:18:10,923 --> 00:18:12,883 WHY DON'T YOU JUST GIVE IN TO HER? 333 00:18:12,925 --> 00:18:14,802 JUST GIVE UP CONTROL FOR ONCE. 334 00:18:14,843 --> 00:18:16,970 [ALARM SOUNDING] 335 00:18:17,012 --> 00:18:19,973 CONTROL. 336 00:18:20,015 --> 00:18:23,268 I'M IN CONTROL. HUH. 337 00:18:26,772 --> 00:18:28,607 I HAVE AN IDEA. 338 00:18:33,862 --> 00:18:35,239 [DOOR OPENS] 339 00:18:39,576 --> 00:18:41,620 WHOA. 340 00:18:41,662 --> 00:18:44,581 YOU HAVE A LITTLE SOMETHING-- 341 00:18:44,623 --> 00:18:47,334 OH. HEH. 342 00:18:47,376 --> 00:18:48,961 SHE HID IT IN THE CAVE. 343 00:18:49,002 --> 00:18:51,463 ARE YOU KIDDING ME? 344 00:18:51,505 --> 00:18:55,509 I MEAN, YOUR PROJECTIONS ARE THE BEST. 345 00:18:55,551 --> 00:18:58,428 - CARE TO TAKE US? - MM-HMM. 346 00:19:01,473 --> 00:19:04,434 JOSEPHINE: THANK YOU, MELTY GIRL. 347 00:19:04,476 --> 00:19:06,979 NICE PARKING SPOT. 348 00:19:09,565 --> 00:19:11,400 [ZAP] 349 00:19:11,441 --> 00:19:13,026 UGH! UHH... 350 00:19:13,068 --> 00:19:14,862 GOTCHA. 351 00:19:14,903 --> 00:19:17,364 YOU HAVE NO CONTROL HERE. THIS IS MY MINDSPACE. 352 00:19:17,406 --> 00:19:19,783 TURNS OUT, I CAN CREATE WHATEVER I WANT, 353 00:19:19,825 --> 00:19:23,579 INCLUDING HER. 354 00:19:23,620 --> 00:19:26,582 CUTE. 355 00:19:26,623 --> 00:19:29,209 I WOULDN'T BOTHER. 356 00:19:29,251 --> 00:19:32,171 THE COLLAR IS GEOTAGGED TO THE CAVE. 357 00:19:32,212 --> 00:19:36,425 OK. WHAT'S YOUR PLAN HERE, STALL UNTIL I WAKE UP? 358 00:19:36,466 --> 00:19:41,388 I'LL JUST TRY AGAIN NIGHT AFTER NIGHT, 359 00:19:41,430 --> 00:19:43,223 AND THE MORE TIME I SPEND HERE, 360 00:19:43,265 --> 00:19:45,684 THE FASTER YOU DIE, AND LET ME TELL YOU, 361 00:19:45,726 --> 00:19:48,228 THAT DEATH AIN'T FUN OR PRETTY. 362 00:19:48,270 --> 00:19:50,397 YOU CAN'T WIN, SO WHY BOTHER? 363 00:19:50,439 --> 00:19:52,608 TO MAKE SURE YOU LOSE. 364 00:19:52,649 --> 00:19:54,776 ME, I'LL FIND A WAY TO SURVIVE. 365 00:19:54,818 --> 00:19:57,070 I ALWAYS DO. 366 00:19:57,112 --> 00:20:01,033 YOU GOT SPUNK. I'LL GIVE YOU THAT. 367 00:20:01,074 --> 00:20:04,453 THINGS WERE DIFFERENT, WE COULD HAVE BEEN FRIENDS, 368 00:20:04,494 --> 00:20:06,580 BUT I'M BORED NOW. 369 00:20:06,622 --> 00:20:07,831 [ZAP] 370 00:20:07,873 --> 00:20:10,876 NNGH! UGH! AAGH! 371 00:20:10,918 --> 00:20:15,589 UGH! AAGH! AAH! 372 00:20:15,631 --> 00:20:17,591 UGH! UGH! 373 00:20:20,010 --> 00:20:22,346 HEY, CLARKE, I MAY NOT BE ABLE 374 00:20:22,387 --> 00:20:24,223 TO CREATE ANYTHING IN YOUR MINDSPACE, 375 00:20:24,264 --> 00:20:25,974 BUT I CAN SURE BRING SOMETHING IN. 376 00:20:26,016 --> 00:20:28,644 LET'S SPLIT UP AND STOP PLAYING GAMES. 377 00:20:28,685 --> 00:20:30,437 YOU'RE NOT A CAT TOYING WITH A MOUSE. 378 00:20:30,479 --> 00:20:33,732 SHE'S DANGEROUS. KILL HER. 379 00:20:51,750 --> 00:20:54,419 RUSSELL: EVER TAKE ZOOLOGY 101, CLARKE-- 380 00:20:54,461 --> 00:20:56,922 HUNTING TACTICS OF PREDATOR SPECIES? 381 00:20:56,964 --> 00:20:59,466 NO? HOW ABOUT A QUICK LESSON, THEN? 382 00:20:59,508 --> 00:21:01,051 - THE MOST COMMON... - ...PURSUIT PREDATORS 383 00:21:01,093 --> 00:21:03,720 EXPEND ENERGY RUNNING DOWN SLOWER PREY, 384 00:21:03,762 --> 00:21:06,265 OR THEY PACE THEMSELVES AND LET THEIR PREY TIRE OUT. 385 00:21:06,306 --> 00:21:08,308 I'M PROPOSING A THIRD OPTION-- 386 00:21:08,350 --> 00:21:09,768 JUST SHOW ME WHERE YOU HID IT 387 00:21:09,810 --> 00:21:11,853 SO WE CAN BOTH KICK BACK AND REST. 388 00:21:11,895 --> 00:21:14,564 ALL THIS RUNNING IS PLAIN UNDIGNIFIED. 389 00:21:29,913 --> 00:21:33,750 WHY DID YOU AVOID THIS? 390 00:21:33,792 --> 00:21:36,044 HEH. 391 00:21:36,086 --> 00:21:37,921 "GO FLOAT YOURSELF." 392 00:21:40,132 --> 00:21:43,218 A-PLUS ZOOLOGY 101, CLARKE. 393 00:21:43,260 --> 00:21:45,971 THAT WAS VERY EFFECTIVE DISTRACTION DISPLAY, 394 00:21:46,013 --> 00:21:48,015 BUT I KNOW BETTER. 395 00:21:54,229 --> 00:21:55,814 YAHTZEE. 396 00:22:05,907 --> 00:22:08,076 LET ME GUESS. 397 00:22:09,995 --> 00:22:12,205 CLARKE: GET AWAY FROM THAT. 398 00:22:12,247 --> 00:22:14,166 YOU'RE GONNA BE OK. 399 00:22:16,793 --> 00:22:18,962 OH, HEY, CLARKE. 400 00:22:19,004 --> 00:22:21,340 THIS IS THE PLACE YOU WERE AVOIDING? 401 00:22:21,381 --> 00:22:24,509 IT'S NOT EVEN THAT SCARY. 402 00:22:24,551 --> 00:22:28,055 HUH. IT'S A LITTLE OMINOUS. 403 00:22:28,096 --> 00:22:30,015 YOU SHOULDN'T BE HERE. 404 00:22:30,057 --> 00:22:31,683 IT WAS CLEVER HIDING IT HERE, 405 00:22:31,725 --> 00:22:33,101 THE PLACE YOU WOULDN'T GO 406 00:22:33,143 --> 00:22:34,644 SO THE PLACE I WOULDN'T LOOK. 407 00:22:34,686 --> 00:22:37,272 MEMORY IS FUNNY, YOU KNOW? 408 00:22:37,314 --> 00:22:39,024 THE FORMATIVE STUFF-- THE TRAUMAS, 409 00:22:39,066 --> 00:22:42,069 THE THINGS WE CAN'T MOVE PAST-- 410 00:22:42,110 --> 00:22:44,237 THEY LIVE DEEP IN THE BRAIN STEM. 411 00:22:44,279 --> 00:22:47,157 THESE ARE THE WOUNDS WE PAY SHRINKS NOT TO FIX. 412 00:22:47,199 --> 00:22:49,951 THESE PLACES CONTROL US, 413 00:22:49,993 --> 00:22:52,037 MAKE US WHO WE ARE. 414 00:22:52,079 --> 00:22:54,081 IT'S ACTUALLY CONNECTED TO THE LOWER BRAIN FUNCTION-- 415 00:22:54,122 --> 00:22:56,375 BREATHING, REFLEXES. 416 00:22:56,416 --> 00:22:58,835 IT'S WHY YOU CRY WHEN YOU THINK OF LEXA. 417 00:22:58,877 --> 00:23:00,962 SHUT UP. 418 00:23:01,004 --> 00:23:03,882 ALL OF THIS IS GUILT FOR THE DEATHS YOU'VE CAUSED, 419 00:23:03,924 --> 00:23:06,218 BUT I DON'T GET IT. 420 00:23:06,259 --> 00:23:09,054 WHY ARE YOU SO TORN UP? 421 00:23:09,096 --> 00:23:11,348 EVERYTHING YOU DID WAS TO SAVE YOUR PEOPLE. 422 00:23:11,390 --> 00:23:14,142 - I'D DO THE SAME THING. - A RINGING ENDORSEMENT. 423 00:23:14,184 --> 00:23:18,271 THE THING I DON'T GET IS WHY YOU DON'T CARE 424 00:23:18,313 --> 00:23:20,065 ABOUT SAVING YOUR PEOPLE NOW. 425 00:23:20,107 --> 00:23:21,733 WHAT? 426 00:23:21,775 --> 00:23:23,068 LET'S SAY YOU COULD SOMEHOW FIGHT ME OFF 427 00:23:23,110 --> 00:23:25,362 AND GET YOUR BODY BACK. 428 00:23:25,404 --> 00:23:28,281 WHAT WOULD THAT DO TO YOUR FRIENDS AND FAMILY? 429 00:23:28,323 --> 00:23:31,410 DO YOU THINK MY FATHER WOULD JUST LET ME GO? 430 00:23:31,451 --> 00:23:34,746 WHAT YOU'RE DOING RIGHT NOW 431 00:23:34,788 --> 00:23:37,249 LEADS TO THE GENOCIDE OF YOUR PEOPLE, 432 00:23:37,290 --> 00:23:39,793 WHICH, I GUESS, IS PAR FOR THE COURSE WITH YOU. 433 00:23:39,835 --> 00:23:42,295 - I JUST WANT TO LIVE. - DO YOU, THOUGH? 434 00:23:42,337 --> 00:23:45,882 BECAUSE YOUR MIND SURE DOESN'T SEEM TO. 435 00:23:45,924 --> 00:23:48,718 HAVE YOU EVER EVEN ONCE CONSIDERED THAT 436 00:23:48,760 --> 00:23:51,888 THE SOLUTION IS TO SACRIFICE YOURSELF? 437 00:23:51,930 --> 00:23:56,184 YOUR PEOPLE ARE SAFE. BELLAMY MADE SURE OF IT. 438 00:23:56,226 --> 00:23:58,353 I MEAN, HE TOOK YOUR DEATH HARD, SURE, 439 00:23:58,395 --> 00:24:00,939 BUT HE KNEW THE ONLY THING A LEADER COULD DO 440 00:24:00,981 --> 00:24:03,400 WAS TO STRIKE A DEAL FOR PEACE. 441 00:24:03,442 --> 00:24:05,610 NOW IT'S TIME FOR YOU TO STEP UP. 442 00:24:05,652 --> 00:24:07,779 BOW OUT GRACEFULLY, AND YOUR PEOPLE 443 00:24:07,821 --> 00:24:09,948 GET TO LIVE HAPPILY EVER AFTER. 444 00:24:09,990 --> 00:24:11,575 YOU'RE LYING. 445 00:24:11,616 --> 00:24:14,035 BELLAMY WOULD NEVER MAKE A DEAL LIKE THAT. 446 00:24:14,077 --> 00:24:17,205 THE LACK OF TRUST HURTS ME, CLARKE, 447 00:24:17,247 --> 00:24:20,584 SO THAT'S WHY I BROUGHT THIS. 448 00:24:20,625 --> 00:24:23,170 YOU HAVE DRAWINGS. I HAVE BOOKS. DON'T JUDGE. 449 00:24:23,211 --> 00:24:27,299 HERE. TAKE IT. 450 00:24:27,340 --> 00:24:31,803 IT'S NOT A TRICK. I DON'T PLAY THAT WAY. 451 00:24:37,100 --> 00:24:39,769 I CAN GUARANTEE SAFETY FOR THE REST OF YOUR PEOPLE. 452 00:24:39,811 --> 00:24:41,480 WE'LL SHARE EVERYTHING WE'VE LEARNED 453 00:24:41,521 --> 00:24:43,482 ABOUT SURVIVING ON THIS MOON. 454 00:24:43,523 --> 00:24:47,819 I'LL TAKE YOUR DEAL BECAUSE IT'S THE SMART PLAY 455 00:24:47,861 --> 00:24:49,821 AND IT'S THE MOVE SHE WOULD HAVE MADE. 456 00:24:52,949 --> 00:24:54,284 IT'S TIME FOR YOU TO SACRIFICE 457 00:24:54,326 --> 00:24:56,995 FOR YOUR PEOPLE, CLARKE. 458 00:24:57,037 --> 00:25:00,332 DON'T START ANOTHER WAR THEY'LL HAVE TO FIGHT. 459 00:25:06,254 --> 00:25:08,215 I NEED THEM TO BE OK. 460 00:25:08,256 --> 00:25:10,759 BY MY WORD, YOUR PEOPLE WILL BE SAFE. 461 00:25:10,800 --> 00:25:12,344 BELLAMY IS MEETING WITH MY FATHER 462 00:25:12,385 --> 00:25:13,678 FIRST THING IN THE MORNING 463 00:25:13,720 --> 00:25:15,305 TO DISCUSS BUILDING THEM A COMPOUND. 464 00:25:15,347 --> 00:25:17,807 THEY'LL HAVE A NEW HOME, A NEW LIFE. 465 00:25:17,849 --> 00:25:20,477 MADI CAN GO TO SCHOOL JUST LIKE ANY OTHER KID. 466 00:25:20,519 --> 00:25:22,687 YOUR FRIENDS CAN SETTLE DOWN. 467 00:25:22,729 --> 00:25:26,358 EVERYONE CAN STOP FIGHTING, INCLUDING YOU. 468 00:25:37,327 --> 00:25:39,621 TELL MADI I LOVE HER... 469 00:25:41,122 --> 00:25:42,958 AND TELL ALL OF THEM. 470 00:25:53,885 --> 00:25:55,136 [SOBS] 471 00:25:56,471 --> 00:25:58,306 YOU FORGOT BELLAMY AND RAVEN. 472 00:26:11,069 --> 00:26:12,404 JAKE: SENIOR ENVIRONMENTAL ENGINEER, 473 00:26:12,445 --> 00:26:14,948 DEPUTY RESOURCE OFFICER. 474 00:26:14,990 --> 00:26:17,659 THAT MEANS I'M IN CHARGE OF THE MACHINES 475 00:26:17,701 --> 00:26:20,245 THAT KEEP OUR WATER SAFE TO DRINK 476 00:26:20,287 --> 00:26:24,207 AND OUR FOOD SAFE TO EAT. 477 00:26:26,167 --> 00:26:29,462 - UH! - AAH! 478 00:26:32,299 --> 00:26:35,010 AN EMP. 479 00:26:35,051 --> 00:26:37,762 COOL. 480 00:26:40,181 --> 00:26:42,726 IT'LL BE OVER SOON.... 481 00:26:45,186 --> 00:26:47,188 I PROMISE. 482 00:27:02,329 --> 00:27:04,372 [SOBS] 483 00:27:06,833 --> 00:27:09,711 [SOBBING] 484 00:27:12,505 --> 00:27:13,882 [SNIFFLES] 485 00:27:29,230 --> 00:27:30,857 [BIRD TWITTERS] 486 00:27:33,234 --> 00:27:35,403 [BIRDS SINGING] 487 00:27:35,445 --> 00:27:37,280 [DOOR OPENS] 488 00:27:39,574 --> 00:27:40,533 [DOOR CLOSES] 489 00:27:40,575 --> 00:27:42,827 DAD? 490 00:27:53,380 --> 00:27:54,881 OH, MONTY... 491 00:27:56,216 --> 00:27:58,510 HEH. 492 00:27:58,551 --> 00:28:00,887 YOU CALL THIS DOING BETTER? 493 00:28:04,724 --> 00:28:07,185 GIVING UP ISN'T BETTER. 494 00:28:07,227 --> 00:28:09,813 THAT'S NOT WHAT I'M-- 495 00:28:09,854 --> 00:28:12,482 I'M DOING THIS FOR THE OTHERS. 496 00:28:12,524 --> 00:28:16,152 - THEY'LL LIVE. - "IT'S ALL FOR MY PEOPLE"? 497 00:28:16,194 --> 00:28:18,113 LOOK. I'VE HEARD THAT BEFORE, CLARKE. 498 00:28:18,154 --> 00:28:19,572 IT'S JUST AN EXCUSE. 499 00:28:19,614 --> 00:28:22,075 YOU'RE THE ONE WHO TOLD ME I'M NOT GOD, 500 00:28:22,117 --> 00:28:25,578 THAT I DON'T GET TO DECIDE WHO LIVES OR DIES. 501 00:28:25,620 --> 00:28:28,248 WELL, YOU GOT YOUR WISH. 502 00:28:28,289 --> 00:28:30,542 I'M NOT DECIDING FOR ANYONE ELSE... 503 00:28:33,962 --> 00:28:36,005 JUST FOR ME. 504 00:28:38,133 --> 00:28:40,301 LOOK. 505 00:28:40,343 --> 00:28:42,512 I GET IT. IT'S BEEN ENDLESS. 506 00:28:42,554 --> 00:28:44,180 BEARING IT SO WE DON'T HAVE TO, 507 00:28:44,222 --> 00:28:46,891 ANYONE WOULD BE TIRED... 508 00:28:48,518 --> 00:28:50,854 BUT ARE YOU REALLY GONNA LEAVE HER? 509 00:28:54,858 --> 00:28:56,651 SHE'S BETTER OFF WITHOUT ME. 510 00:28:56,693 --> 00:28:58,737 I DON'T THINK THAT'S TRUE. 511 00:29:00,780 --> 00:29:03,241 MY MOM WILL TAKE CARE OF HER, 512 00:29:03,283 --> 00:29:05,326 AND BELLAMY ALREADY MADE A DEAL 513 00:29:05,368 --> 00:29:06,870 THAT KEEPS THEM ALL SAFE. 514 00:29:06,911 --> 00:29:09,247 THIS IS ABOUT BEING THE GOOD GUYS. YEAH. 515 00:29:09,289 --> 00:29:11,124 THAT DEAL MEANS OUR SIDE GETS TO LIVE, 516 00:29:11,166 --> 00:29:12,751 BUT AT WHAT COST? 517 00:29:12,792 --> 00:29:14,085 YOU'RE GIVING IN TO PEOPLE WHO 518 00:29:14,127 --> 00:29:15,754 MURDER HUMAN BEINGS TO LIVE FOREVER. 519 00:29:15,795 --> 00:29:18,298 THAT'S EASY TO SAY, BUT IN THE REAL WORLD, 520 00:29:18,339 --> 00:29:22,177 WE HAVE TO DO WHAT'S BEST FOR OUR PEOPLE. 521 00:29:22,218 --> 00:29:24,471 DOING THE WRONG THING IS NEVER WHAT'S BEST. 522 00:29:24,512 --> 00:29:26,097 THE ENDS DON'T JUSTIFY THE MEANS. 523 00:29:26,139 --> 00:29:27,348 YOU KNOW THAT. 524 00:29:27,390 --> 00:29:29,017 WHAT DO YOU WANT FROM ME, MONTY? 525 00:29:29,058 --> 00:29:30,477 IT'S TOO LATE. 526 00:29:30,518 --> 00:29:32,645 JOSEPHINE ALREADY HAS THE MEMORY. 527 00:29:32,687 --> 00:29:34,689 AS SOON AS SHE WAKES UP, 528 00:29:34,731 --> 00:29:36,524 SHE'LL KNOW HOW TO GET ME OUT OF MY HEAD. 529 00:29:38,443 --> 00:29:41,946 IT'S OVER. 530 00:29:46,701 --> 00:29:48,787 WE'LL SEE ABOUT THAT. 531 00:29:56,419 --> 00:29:58,838 [ECHOING VOICES] 532 00:30:03,384 --> 00:30:06,346 CLARKE: THIS IS JOSEPHINE'S MINDSPACE. 533 00:30:06,387 --> 00:30:08,056 SHE CONTROLS IT. 534 00:30:08,097 --> 00:30:10,558 WHAT SHE GONNA DO, KILL YOU? 535 00:30:10,600 --> 00:30:13,520 [VOICES CONTINUE] 536 00:30:16,564 --> 00:30:18,608 [VOICES CONTINUE] 537 00:30:36,751 --> 00:30:39,671 WOW. 538 00:30:39,712 --> 00:30:43,299 230 YEARS OF MEMORIES. 539 00:30:43,341 --> 00:30:45,260 [EXPLOSION] 540 00:30:45,301 --> 00:30:47,554 [RATTLING] 541 00:30:49,472 --> 00:30:51,015 GOOD NEWS IS, 542 00:30:51,057 --> 00:30:52,433 WE CAN AFFECT HER BODY IN HERE. 543 00:30:52,475 --> 00:30:54,143 BAD NEWS IS, 544 00:30:54,185 --> 00:30:55,979 JOSEPHINE SEEMS TO SENSE IT. 545 00:30:56,020 --> 00:30:58,273 COME ON. LET'S FIND SOMETHING WE CAN USE. 546 00:30:58,314 --> 00:31:00,316 [VOICES CONTINUE] 547 00:31:10,034 --> 00:31:12,495 CLARKE: THEY'RE ALL IN CHRONOLOGICAL ORDER. 548 00:31:12,537 --> 00:31:15,373 I LIKE YOUR DRAWINGS BETTER. 549 00:31:24,674 --> 00:31:26,426 LOOK. 550 00:31:26,467 --> 00:31:28,428 THIS MUST BE WHERE SHE KEEPS HER PRIMAL WOUNDS. 551 00:31:28,469 --> 00:31:30,638 SHE SAID THEY CREATE A PHYSICAL RESPONSE. 552 00:31:33,892 --> 00:31:37,145 WE COULD CONTROL MY BODY FROM THERE. 553 00:31:37,186 --> 00:31:40,732 ON IT. THIS'LL TAKE A MINUTE. 554 00:31:40,773 --> 00:31:42,859 FIND OUT WHO SHE IS WHILE I GET THIS OPEN. 555 00:31:42,901 --> 00:31:45,153 RUSSELL'S VOICE: ONE MORE TIME. 556 00:31:45,194 --> 00:31:49,032 JOSEPHINE'S VOICE: B-O-R-N-E-O. 557 00:31:52,285 --> 00:31:54,537 KAYLEE: YOU CAN ADMIT IT, JOSEPHINE. 558 00:31:54,579 --> 00:31:56,497 YOU HAVE A FIXATION. 559 00:31:56,539 --> 00:31:58,249 [CHUCKLES] 560 00:31:58,291 --> 00:32:00,251 IT'S CALLED APPRECIATION. 561 00:32:00,293 --> 00:32:01,461 OH. 562 00:32:01,502 --> 00:32:04,005 DON'T YOU MISS YOUR FIRST BODY? 563 00:32:04,047 --> 00:32:05,965 I'M ALL ABOUT LIVING IN THE NOW, 564 00:32:06,007 --> 00:32:07,383 FOCUSING ON THE PEOPLE THAT ARE HERE, 565 00:32:07,425 --> 00:32:10,178 NOT THOSE FADED INTO DUST. 566 00:32:10,219 --> 00:32:12,597 MAYBE IT'S TIME FOR YOU TO REFOCUS 567 00:32:12,639 --> 00:32:15,016 ON YOUR OWN KIND. 568 00:32:15,058 --> 00:32:16,601 SOME OF THESE PEOPLE AREN'T WORTH 569 00:32:16,643 --> 00:32:18,019 YOUR ATTENTION, LEE-LEE. 570 00:32:18,061 --> 00:32:21,648 WELL, WHAT CAN I SAY? I AM OPEN-MINDED. 571 00:32:21,689 --> 00:32:24,359 OHH! HUH! 572 00:32:24,400 --> 00:32:28,237 THIS JO JUICE IS REALLY GETTING ME TONIGHT. 573 00:32:28,279 --> 00:32:31,491 IS IT? HMM. 574 00:32:32,867 --> 00:32:35,161 KAYLEE: HUH. 575 00:32:43,002 --> 00:32:46,172 THIS ISN'T JUST J-JUICE. 576 00:32:47,423 --> 00:32:49,968 SHUIMIAN JIANGGUO? 577 00:32:52,553 --> 00:32:55,431 I THOUGHT IT WAS FITTING, GIVEN YOU CATALOGED THEM, 578 00:32:55,473 --> 00:32:57,141 THOUGH I STILL THINK THAT YOU COULD'VE BEAT 579 00:32:57,183 --> 00:32:58,726 "SLEEPING BERRIES." 580 00:32:58,768 --> 00:33:02,105 - HMM. - TELL ME WHY. 581 00:33:04,607 --> 00:33:07,652 YOU HAVE TO UNDERSTAND, LEE-LEE, 582 00:33:07,694 --> 00:33:09,404 ISAAC WAS A THREAT. 583 00:33:09,445 --> 00:33:12,407 HE'D NEVER HURT ANYONE, AND HE WAS MINE. 584 00:33:12,448 --> 00:33:14,409 WHAT, YOU COULDN'T STAND TO SEE ME HAPPY? 585 00:33:14,450 --> 00:33:15,868 HE DEFIED THE WILL OF THE PRIMES. 586 00:33:15,910 --> 00:33:18,121 HE DEFIED OBLATION. 587 00:33:18,162 --> 00:33:19,872 THAT'S NOT THE WILL OF THE PRIMES. 588 00:33:19,914 --> 00:33:21,916 THAT'S JUST YOU. 589 00:33:21,958 --> 00:33:24,919 ONLY TWO HOSTS HAVE BEEN BORN IN THE PAST 20 YEARS. 590 00:33:24,961 --> 00:33:27,380 THE NULLS ARE MUDDYING THE BLOODLINE. 591 00:33:27,422 --> 00:33:30,216 WITHOUT OBLATION, WE GO EXTINCT. 592 00:33:30,258 --> 00:33:33,136 HELL, YOU HELPED ME SPREAD THE WORD 593 00:33:33,177 --> 00:33:36,597 BEFORE YOU DECIDED TO HOP IN THE SACK WITH ISAAC. 594 00:33:36,639 --> 00:33:38,224 NOW YOU'RE SOUNDING LIKE RIKER. 595 00:33:38,266 --> 00:33:39,684 PEOPLE ARE MORE THAN THEIR BLOOD. 596 00:33:39,726 --> 00:33:41,269 I'M TALKING ABOUT THE BIGGER PICTURE HERE. 597 00:33:41,310 --> 00:33:43,146 YOUR ANSWER IS MURDER? 598 00:33:43,187 --> 00:33:45,314 DID YOU THINK I WOULDN'T NOTICE? 599 00:33:45,356 --> 00:33:46,899 I DON'T KNOW WHAT HAPPENED TO YOU, 600 00:33:46,941 --> 00:33:49,110 BUT THIS IS NOT WHO YOU ARE. 601 00:33:49,152 --> 00:33:51,320 I'M GETTING BORED. WHY THE HELL DID YOU DRUG ME? 602 00:33:51,362 --> 00:33:53,322 SO THEY BELIEVE THIS WAS AN ACCIDENT. 603 00:33:53,364 --> 00:33:54,574 LET GO OF ME. UH! 604 00:33:54,615 --> 00:33:56,451 AAH! 605 00:33:56,492 --> 00:34:00,288 [ECHOING VOICES] 606 00:34:03,291 --> 00:34:05,752 [BABY CRYING] 607 00:34:21,726 --> 00:34:24,353 JOSEPHINE: YOU MUST THINK VERY LITTLE OF ME, ISAAC. 608 00:34:27,482 --> 00:34:29,817 DID YOU THINK I WOULDN'T NOTICE 609 00:34:29,859 --> 00:34:31,944 MY OFFERING WAS GOING MISSING? 610 00:34:31,986 --> 00:34:34,238 THE FOREST DOESN'T FEED THAT QUICKLY. 611 00:34:34,280 --> 00:34:35,948 ARE YOU GIVING THEM TO GABRIEL? 612 00:34:35,990 --> 00:34:38,659 ISAAC: JOSEPHINE, I CAN EXPLAIN. 613 00:34:38,701 --> 00:34:40,286 OH, I GET IT. 614 00:34:40,328 --> 00:34:41,996 YOU THINK BECAUSE YOU'RE KAYLEE'S PET, 615 00:34:42,038 --> 00:34:43,831 YOU'RE MORE THAN WHAT YOU ARE. 616 00:34:43,873 --> 00:34:47,210 I AM. WE ALL ARE. 617 00:34:47,251 --> 00:34:48,753 JUST BECAUSE WE CAN'T BEAR A HOST 618 00:34:48,795 --> 00:34:49,754 DOESN'T MEAN WE'RE WORTHLESS. 619 00:34:49,796 --> 00:34:51,547 I AGREE. 620 00:34:51,589 --> 00:34:53,007 REALLY? 621 00:34:53,049 --> 00:34:56,177 WORTHLESS IMPLIES A SORT OF NEUTRALITY, 622 00:34:56,219 --> 00:34:59,055 SOMETHING WITH NO POSITIVE VALUE, 623 00:34:59,097 --> 00:35:02,934 BUT NULLS, YOU ARE LESS THAN USELESS. 624 00:35:02,975 --> 00:35:04,936 YOU DILUTE THE BLOODLINE. 625 00:35:04,977 --> 00:35:06,270 YOU MAKE IT LESS LIKELY 626 00:35:06,312 --> 00:35:07,688 THAT ANYONE WOULD BEAR A HOST. 627 00:35:07,730 --> 00:35:09,357 I CAN'T LET THAT HAPPEN. 628 00:35:09,398 --> 00:35:11,442 I HAVE TO THINK OF MY PEOPLE. 629 00:35:11,484 --> 00:35:14,362 ISAAC: WE ARE YOUR PEOPLE. 630 00:35:14,403 --> 00:35:16,155 WE COULD BE SO MUCH MORE. 631 00:35:16,197 --> 00:35:18,032 WE COULD DO SO MUCH MORE, IF ONLY WE WERE ALLOWED 632 00:35:18,074 --> 00:35:20,243 TO TRULY LIVE, IF YOU WOULD LET US 633 00:35:20,284 --> 00:35:22,578 BE MORE THAN JUST YOUR JANITORS OR GUARDS. 634 00:35:22,620 --> 00:35:24,789 THAT ARGUMENT WOULD CARRY A LOT MORE WEIGHT 635 00:35:24,831 --> 00:35:28,835 IF YOU WEREN'T DELIVERING SOLDIERS TO OUR ENEMIES. 636 00:35:28,876 --> 00:35:31,462 TELL ME, HOW IS GABRIEL? 637 00:35:31,504 --> 00:35:34,549 HIS LATEST HOST MUST BE 95 BY NOW. 638 00:35:34,590 --> 00:35:37,969 I'M JUST TRYING TO KEEP OUR PEOPLE ALIVE. 639 00:35:38,010 --> 00:35:40,346 OBLATION IS WRONG. 640 00:35:40,388 --> 00:35:42,390 WHY SHOULD THIS CHILD BE SACRIFICED? 641 00:35:42,431 --> 00:35:44,350 - HE'S DONE NOTH-- - MM! 642 00:35:44,392 --> 00:35:47,520 [ISAAC GAGGING] 643 00:35:50,064 --> 00:35:52,859 [BABY CRYING] 644 00:35:52,900 --> 00:35:54,318 DON'T WORRY, ISAAC. 645 00:35:54,360 --> 00:35:56,821 YOUR SPIRIT SHALL LIVE ETERNAL. 646 00:36:06,789 --> 00:36:09,834 YOU WERE RIGHT. WE CAN'T LET HER WIN. 647 00:36:09,876 --> 00:36:12,753 ALMOST GOT IT. 648 00:36:12,795 --> 00:36:13,880 [BEEP] 649 00:36:13,921 --> 00:36:15,339 YES! 650 00:36:18,968 --> 00:36:20,803 [BELL RINGS] 651 00:36:20,845 --> 00:36:24,974 WOMAN: ♪ GOD REST YE, MERRY GENTLEMEN ♪ 652 00:36:25,016 --> 00:36:28,227 ♪ LET NOTHING YOU DISMAY ♪ 653 00:36:28,269 --> 00:36:31,480 ♪ REMEMBER, CHRIST OUR SAVIOR... ♪ 654 00:36:31,522 --> 00:36:34,567 CLARKE: EARTH BEFORE THE BOMBS. 655 00:36:34,609 --> 00:36:37,528 HEY, CHECK IT OUT. 656 00:36:40,448 --> 00:36:43,326 NICE PLACE. 657 00:36:46,204 --> 00:36:48,497 WHY WOULD SHE KEEP THIS MEMORY LOCKED AWAY? 658 00:36:48,539 --> 00:36:50,124 MORE IMPORTANTLY, 659 00:36:50,166 --> 00:36:52,251 HOW DO WE GET CONTROL FROM HERE? 660 00:36:59,592 --> 00:37:01,844 COME ON. 661 00:37:03,804 --> 00:37:06,641 JOSEPHINE: UGH, I SWEAR, I'M TAKING HANLEN NEXT SEMESTER. 662 00:37:06,682 --> 00:37:08,976 I CAN'T DEAL WITH SILVESTRI ANYMORE. 663 00:37:09,018 --> 00:37:10,728 WOMAN: DOES THAT MEAN YOU'RE NOT GOING 664 00:37:10,770 --> 00:37:13,022 ON YOUR LITTLE, SECRET FAMILY PROJECT? 665 00:37:13,064 --> 00:37:15,316 I TOLD THEM NO. 666 00:37:15,358 --> 00:37:17,735 WELL, IF YOUR SIGNING UP FOR HANLEN, 667 00:37:17,777 --> 00:37:19,779 PULL OUT YOUR MINISKIRTS. 668 00:37:19,820 --> 00:37:22,073 HE GIVES A HALF-GRADE BUMP TO GIRLS HE LIKES TO LOOK AT. 669 00:37:22,114 --> 00:37:23,741 OH... 670 00:37:23,783 --> 00:37:25,451 [WIND WHISTLES] 671 00:37:25,493 --> 00:37:26,619 [DOOR CLOSES] 672 00:37:26,661 --> 00:37:28,037 HEY. 673 00:37:32,083 --> 00:37:34,043 I WAS LOOKING FOR YOU 674 00:37:34,085 --> 00:37:36,379 AT THE WATER RATIONING PROTEST, 675 00:37:36,420 --> 00:37:38,256 THOUGHT YOU POSTED SOMETHING ABOUT GOING. 676 00:37:41,259 --> 00:37:44,220 TOO MANY PEOPLE, YOU KNOW. 677 00:37:44,262 --> 00:37:47,431 AND IT'S REALLY DUSTY OUTSIDE. 678 00:37:48,891 --> 00:37:50,351 YEAH. SURE. 679 00:37:52,561 --> 00:37:55,314 UH, I ASKED, AND THERE'S PLENTY OF ROOM 680 00:37:55,356 --> 00:37:56,774 AT THE COMPARATIVE LINGUISTICS THING 681 00:37:56,816 --> 00:37:58,651 IF YOU WANT TO GO. 682 00:37:58,693 --> 00:38:00,278 I DON'T KNOW. 683 00:38:00,319 --> 00:38:03,447 I'M NOT REALLY FEELING THAT SOCIAL LATELY. 684 00:38:03,489 --> 00:38:04,949 HEH. 685 00:38:08,619 --> 00:38:12,456 YOU STILL THINK YOU'RE TOO GOOD FOR ME, HUH? 686 00:38:13,916 --> 00:38:16,836 - THAT'S NOT WHAT I-- - DON'T LIE. 687 00:38:16,877 --> 00:38:19,380 JUST ADMIT IT. 688 00:38:19,422 --> 00:38:22,466 STOP TOYING WITH ME AND JUST ADMIT WHAT YOU ARE. 689 00:38:22,508 --> 00:38:24,051 I--I DON'T-- 690 00:38:24,093 --> 00:38:26,345 I MEAN, I TRIED-- CALLS, TEXTS, 691 00:38:26,387 --> 00:38:29,974 YOU KNOW, BEING THOUGHTFUL. 692 00:38:30,016 --> 00:38:33,561 WHAT DO I GET? 693 00:38:33,602 --> 00:38:35,813 [GASPS] 694 00:38:35,855 --> 00:38:39,025 NOTHING. 695 00:38:39,066 --> 00:38:40,568 WHAT ARE YOU DOING? 696 00:38:40,609 --> 00:38:42,737 THINKING YOU SHOULD SHUT THE HELL UP. 697 00:38:42,778 --> 00:38:45,239 MESSAGE RECEIVED, YOU STUCK-UP BITCH. 698 00:38:45,281 --> 00:38:47,783 YOU DON'T WANT TO SEE ME. 699 00:38:47,825 --> 00:38:49,744 YOU CAN SEE THIS. 700 00:38:49,785 --> 00:38:51,162 [GUNSHOT] 701 00:38:51,203 --> 00:38:54,999 [PEOPLE SCREAM] 702 00:38:56,584 --> 00:38:59,003 MAN: LET'S GET OUT OF HERE! 703 00:38:59,045 --> 00:39:02,048 THIS IS THE THING SHE COULDN'T FACE. 704 00:39:02,089 --> 00:39:05,051 NO WONDER SHE CHANGED HER MIND ABOUT LEAVING. 705 00:39:05,092 --> 00:39:08,763 WE NEED TO USE IT TO CONTROL YOUR BODY. 706 00:39:08,804 --> 00:39:09,889 I HAVE AN IDEA. 707 00:39:09,930 --> 00:39:11,766 [SIREN] 708 00:39:11,807 --> 00:39:12,850 WOMAN ON P.A.: ALERT. INCOMING BOMBSHELLS. 709 00:39:12,892 --> 00:39:15,644 TAKE COVER IMMEDIATELY. 710 00:39:15,686 --> 00:39:18,230 QUICK, HIDE. 711 00:39:22,735 --> 00:39:24,904 YOU NEVER SHOULD HAVE COME HERE! 712 00:39:24,945 --> 00:39:27,573 GET OUT! 713 00:39:28,866 --> 00:39:31,452 [DOOR OPENS] 714 00:39:31,494 --> 00:39:34,914 AAH! I GAVE YOU THE CHANCE TO GO QUIETLY. 715 00:39:34,955 --> 00:39:36,916 I SAID I'D HELP YOUR PEOPLE. 716 00:39:36,957 --> 00:39:39,752 DEAL'S OFF. 717 00:39:39,794 --> 00:39:42,755 [GASPING] 718 00:39:42,797 --> 00:39:45,633 [COUGHS] 719 00:39:45,674 --> 00:39:48,010 SHE'S AWAKE. 720 00:39:52,723 --> 00:39:54,558 [CHUCKLES] 721 00:39:57,603 --> 00:39:58,771 I WIN. 722 00:39:58,813 --> 00:40:00,898 BELLAMY: ALL RIGHT. 723 00:40:00,940 --> 00:40:02,942 IN EXCHANGE FOR IGNORING THAT YOU MURDERED CLARKE... 724 00:40:02,983 --> 00:40:05,152 [DOOR CLOSES] 725 00:40:05,194 --> 00:40:07,863 YOU BUILD US A COMPOUND. 726 00:40:10,699 --> 00:40:13,035 WHAT ABOUT THE MOTHER AND CHILD? WILL THEY AGREE? 727 00:40:13,077 --> 00:40:15,579 I'LL HANDLE OUR PEOPLE. 728 00:40:15,621 --> 00:40:16,914 HOW LONG WILL IT TAKE TO BUILD? 729 00:40:16,956 --> 00:40:18,207 [CLEARS THROAT] 730 00:40:18,249 --> 00:40:20,668 JUST A MOMENT, SWEETHEART. 731 00:40:20,709 --> 00:40:22,670 WITH ALL OF OUR PEOPLE HELPING YOU, 732 00:40:22,711 --> 00:40:24,547 IT WILL GO MUCH FASTER. 733 00:40:24,588 --> 00:40:26,465 TALK TO RIKER ABOUT A WORK SCHEDULE, 734 00:40:26,507 --> 00:40:28,926 AND YOU'LL NEED A DETAIL OF ABOUT 50 OF YOUR OWN PEOPLE. 735 00:40:28,968 --> 00:40:30,761 YOU'LL BUILD A WALL THAT-- 736 00:40:50,030 --> 00:40:52,700 RUSSELL: BELLAMY. 737 00:40:54,660 --> 00:40:57,037 BELLAMY, ARE WE AGREED? 738 00:40:58,247 --> 00:41:00,791 YEAH. 739 00:41:00,833 --> 00:41:03,878 WE'RE GOOD FOR NOW. 740 00:41:03,919 --> 00:41:06,130 I'LL ORDER CONSTRUCTION TO BEGIN. 741 00:41:06,172 --> 00:41:07,506 LET'S GO. 742 00:41:10,759 --> 00:41:13,762 [DOOR OPENS] 743 00:41:17,391 --> 00:41:19,560 JOSIE... 744 00:41:19,602 --> 00:41:21,937 DID SOMETHING GO WRONG WITH THE TRANSFER? 745 00:41:21,979 --> 00:41:23,814 YOU COULD SAY THAT. 746 00:41:23,856 --> 00:41:27,443 SHE'S STILL IN MY HEAD, BUT DON'T WORRY. 747 00:41:27,485 --> 00:41:31,322 I KNOW HOW TO KILL HER ONCE AND FOR ALL. 748 00:41:31,363 --> 00:41:36,702 HEY, REMEMBER WHEN PIKE TAUGHT US MORSE CODE? 749 00:41:36,744 --> 00:41:39,288 I SLEPT THROUGH MOST OF EARTH SKILLS, SO-- 750 00:41:39,330 --> 00:41:42,917 OK. JOSEPHINE WAS TAPPING OUT MORSE CODE 751 00:41:42,958 --> 00:41:45,044 ON HER ARM. 752 00:41:49,340 --> 00:41:51,634 WHAT DOES IT MEAN? 753 00:41:51,675 --> 00:41:55,262 IT MEANS CLARKE'S ALIVE, AND WE'RE GONNA GET HER BACK. 9999 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net