1 00:00:06,507 --> 00:00:09,043 SO, MONTGOMERY JUST GETS AWAY WITH MURDER? 2 00:00:11,279 --> 00:00:12,246 THAT'S INTERNAL INVESTIGATIONS. 3 00:00:12,280 --> 00:00:13,381 WHAT DO THEY WANT? 4 00:00:13,414 --> 00:00:16,150 IT HAS TO BE ABOUT NEVILLE MONTGOMERY. 5 00:00:16,184 --> 00:00:18,386 INTERNAL INVESTIGATIONS ANSWERS TO THE DEPUTY CHIEF. 6 00:00:18,419 --> 00:00:20,254 THE DEPUTY CHIEF AND NEVILLE ARE CRONIES. 7 00:00:20,288 --> 00:00:22,190 YOU KNOW IF YOU LIE TO ME, YOU'RE VIOLATING THE POLICE ACT. 8 00:00:22,223 --> 00:00:23,791 I'M WELL AWARE OF MY RESPONSIBILITIES 9 00:00:23,824 --> 00:00:24,858 AS A POLICE OFFICER, SERGEANT. 10 00:00:24,892 --> 00:00:28,129 A MONTH AGO, I GOT DIAGNOSED WITH GRAVES DISEASE. 11 00:00:28,162 --> 00:00:31,065 WHY DIDN'T YOU TELL ME SOONER? 12 00:00:36,304 --> 00:00:39,107 I DON'T LIKE WAITING. 13 00:00:39,140 --> 00:00:40,274 WHERE IS MY MODEL? 14 00:00:40,308 --> 00:00:41,375 SHE WON'T COME TO SET. 15 00:00:41,409 --> 00:00:43,277 PARDON? 16 00:00:43,311 --> 00:00:46,147 SHE SAYS SHE'S UNCOMFORTABLE IN HER WARDROBE. 17 00:00:46,180 --> 00:00:48,249 IT'S YOUR JOB TO MAKE HER COMFORTABLE. 18 00:00:48,282 --> 00:00:49,317 A LEAST IT USED TO BE YOUR JOB 19 00:00:49,350 --> 00:00:50,284 TO MAKE HER COMFORTABLE. 20 00:00:50,318 --> 00:00:52,320 YOU'RE FIRED. 21 00:00:52,353 --> 00:00:54,222 NIKA, GO GET HER. 22 00:00:54,255 --> 00:00:56,124 OKAY. 23 00:01:00,894 --> 00:01:02,263 TYLER? IT'S NIKA. 24 00:01:02,296 --> 00:01:03,164 ARE YOU OKAY? 25 00:01:03,197 --> 00:01:04,265 WHERE'S KELLI? 26 00:01:04,298 --> 00:01:06,200 ERIC JUST FIRED HER BECAUSE YOU WOULDN'T COME OUT. 27 00:01:06,234 --> 00:01:08,302 IT'S JUST... 28 00:01:08,336 --> 00:01:09,270 ERIC WANTS ME TOPLESS. 29 00:01:09,303 --> 00:01:10,404 AND... 30 00:01:10,438 --> 00:01:12,306 THERE ARE SO MANY GUYS HERE. 31 00:01:12,340 --> 00:01:13,441 YOU KNOW THAT ERIC CAN MAKE YOUR CAREER 32 00:01:13,474 --> 00:01:15,376 IN A SINGLE SHOT, RIGHT? 33 00:01:15,409 --> 00:01:17,445 THAT'S WHAT MY AGENT SAYS. 34 00:01:17,478 --> 00:01:18,412 WELL, ISN'T THIS WHAT YOU WANT? 35 00:01:18,446 --> 00:01:20,314 IF IT'S NOT, THAT'S COOL. 36 00:01:20,348 --> 00:01:22,183 JUST GET DRESSED AND LEAVE. 37 00:01:22,216 --> 00:01:23,351 BUT IF IT IS, YOU NEED TO STOP WASTING OUR TIME. 38 00:01:24,452 --> 00:01:26,287 OKAY. 39 00:01:26,320 --> 00:01:27,255 OKAY? 40 00:01:27,288 --> 00:01:28,189 OKAY. 41 00:01:28,222 --> 00:01:29,357 GREAT. 42 00:01:29,390 --> 00:01:30,324 AND HERE WE GO! 43 00:01:30,358 --> 00:01:31,392 I DON'T HEAR ANY MUSIC! 44 00:01:31,425 --> 00:01:33,461 HELLO, SWEETHEART. 45 00:01:33,494 --> 00:01:35,463 I AM GOING TO MAKE YOU BEAUTIFUL. 46 00:01:35,496 --> 00:01:36,464 SHE LOOKS LOVELY, LADIES. 47 00:01:36,497 --> 00:01:37,498 THANK YOU VERY MUCH. 48 00:01:39,300 --> 00:01:40,268 EXCELLENT. 49 00:01:40,301 --> 00:01:41,435 YEAH? 50 00:01:41,469 --> 00:01:43,904 WHY DON'T YOU SHOW ME THOSE BEAUTIFUL SHOULDERS, HUH? 51 00:01:43,937 --> 00:01:47,107 OH MY GOD, SWEETHEART, YOU JUST MADE MY DAY. 52 00:01:48,376 --> 00:01:49,377 VERY GOOD. 53 00:01:53,447 --> 00:01:54,715 IT'S TOTALLY FINE 54 00:01:54,748 --> 00:01:56,217 IF YOU BORROW THAT BLAZER AGAIN. 55 00:01:56,250 --> 00:01:57,251 OKAY, I HAVE TO GO, I HAVE TO GO. 56 00:01:59,520 --> 00:02:01,155 GOOD MORNING, BOYS AND GIRLS. 57 00:02:01,189 --> 00:02:02,390 BEST PITCH TODAY GETS A BOTTLE OF BOURBON. 58 00:02:02,423 --> 00:02:03,357 SANCTIONED NEEDLE EXCHANGES. 59 00:02:03,391 --> 00:02:04,525 HELPING OR ENABLING? 60 00:02:04,558 --> 00:02:06,227 THAT'S WHAT WE CALL A "LEAN BACK" ISSUE. 61 00:02:06,260 --> 00:02:07,495 WHAT'S THE SIGN BEHIND ME SAY? 62 00:02:07,528 --> 00:02:08,696 "WICKED CITY." 63 00:02:08,729 --> 00:02:10,198 SALACIOUS SELLS. 64 00:02:10,231 --> 00:02:11,265 GIVE ME SOMETHING OVER THE TOP. 65 00:02:11,299 --> 00:02:13,734 MISS PACIFIC RIM. 66 00:02:13,767 --> 00:02:14,902 SHE ENTERED THE COMPETITION AS A WOMAN, 67 00:02:14,935 --> 00:02:17,271 JUST GOT OUTED AS TRANSGENDER. 68 00:02:17,305 --> 00:02:18,272 THAT'S WHAT I'M TALKING ABOUT. 69 00:02:29,417 --> 00:02:31,519 HEY, GOOD MORNING. 70 00:02:31,552 --> 00:02:32,420 [SIGHS] 71 00:02:32,453 --> 00:02:33,421 READY TO GET STARTED? 72 00:02:33,454 --> 00:02:35,189 YEAH, WANT TO GO IN? 73 00:02:41,329 --> 00:02:42,396 WOW. 74 00:02:42,430 --> 00:02:44,532 THAT LOOKS LIKE QUITE A PARTY. 75 00:02:44,565 --> 00:02:47,235 YEAH, UNIFORMS RESPONDED TO A NOISE COMPLAINT LAST NIGHT. 76 00:02:47,268 --> 00:02:49,337 THEY SHUT IT DOWN AROUND 2:00. 77 00:02:49,370 --> 00:02:51,305 THAT'S ERIC SHARPE AND HIS LAWYER. 78 00:02:51,339 --> 00:02:52,473 ERIC IS A PHOTOGRAPHER. 79 00:02:52,506 --> 00:02:54,508 HE OWNS THE PLACE. 80 00:02:54,542 --> 00:02:56,410 THE VICTIM IS A NIKA REID. 81 00:02:56,444 --> 00:02:57,411 21. 82 00:02:57,445 --> 00:02:58,312 GIRLFRIEND? 83 00:02:58,346 --> 00:02:59,347 NO, ASSISTANT. 84 00:02:59,380 --> 00:03:01,315 ACCORDING TO THE LAWYER, MR. SHARPE WOKE UP IN BED 85 00:03:01,349 --> 00:03:03,417 WITH THE VICTIM NEXT TO HIM 86 00:03:03,451 --> 00:03:04,552 AND, UH, STABBED TO DEATH. 87 00:03:04,585 --> 00:03:06,454 HE HAS NO IDEA HOW SHE GOT THERE. 88 00:03:06,487 --> 00:03:07,421 I DON'T SEE ANY BLOOD ON HIM. 89 00:03:07,455 --> 00:03:08,756 MM-HMM, WELL, 90 00:03:08,789 --> 00:03:11,425 MR. SHARPE TOOK A SHOWER BEFORE WE GOT HERE. 91 00:03:11,459 --> 00:03:12,260 OH, DID HE? 92 00:03:12,293 --> 00:03:14,428 MM-HMM. WANT TO HEAR MY FAVORITE PART? 93 00:03:14,462 --> 00:03:16,764 THE LAWYER GETS HERE BEFORE THE UNIS DID. 94 00:03:16,797 --> 00:03:18,466 WHAT TIME DID HE CALL THE LAWYER? 95 00:03:18,499 --> 00:03:20,000 6:48, LAWYER. 96 00:03:20,033 --> 00:03:22,770 HE CALLS 9-1-1 15 MINUTES LATER-- 97 00:03:22,803 --> 00:03:24,438 THANK YOU, SIR. 98 00:03:24,472 --> 00:03:26,774 --CLAIMS SHARPE WAS TOO SHAKEN UP TO DO IT HIMSELF. 99 00:03:26,807 --> 00:03:27,308 THAT'S ENOUGH TIME TO GET A JUMP ON IT 100 00:03:27,341 --> 00:03:28,609 AND CLEAN HIMSELF UP. 101 00:03:28,642 --> 00:03:29,777 MM-HMM. WE'VE GOT NIKA'S PHONE, 102 00:03:29,810 --> 00:03:31,379 A COUPLE OF CALLS FROM A "STACEY" 103 00:03:31,412 --> 00:03:33,314 EARLIER THIS MORNING. 104 00:03:33,347 --> 00:03:34,582 OKAY. 105 00:03:34,615 --> 00:03:36,317 HEY, BETTS. 106 00:03:36,350 --> 00:03:37,351 HEY. 107 00:03:37,385 --> 00:03:39,520 ONE STAB WOUND TO THE BACK. 108 00:03:39,553 --> 00:03:40,588 NO DEFENSIVE WOUNDS. 109 00:03:40,621 --> 00:03:42,390 SHE DIDN'T SEE IT COMING. 110 00:03:42,423 --> 00:03:43,457 FORENSICS FOUND THE KNIFE BESIDE THE BED. 111 00:03:43,491 --> 00:03:45,793 YES, THEY FOUND A KNIFE. 112 00:03:45,826 --> 00:03:47,595 I'LL CONFIRM IF IT'S THE MURDER WEAPON. 113 00:03:47,628 --> 00:03:49,463 ANY SIGNS OF SEXUAL ACTIVITY? 114 00:03:49,497 --> 00:03:51,031 YES, DEFINITELY, 115 00:03:51,064 --> 00:03:52,600 AND THERE'S SOME RECENT BRUISING ON THE UPPER ARMS. 116 00:03:52,633 --> 00:03:54,368 SO, LIKE SHE WAS HELD DOWN? 117 00:03:54,402 --> 00:03:56,570 UH, YOU'D HAVE TO BE THERE TO KNOW FOR SURE. 118 00:03:56,604 --> 00:03:57,605 MIGHT HAVE BEEN FOREPLAY, 119 00:03:57,638 --> 00:03:58,806 BUT I'LL CALL YOU WITH MY RESULTS. 120 00:03:58,839 --> 00:04:00,608 THANK YOU, BETTY. 121 00:04:00,641 --> 00:04:01,642 YOU'RE WELCOME, OSCAR. 122 00:04:01,675 --> 00:04:03,243 BYE, HONEY. 123 00:04:17,525 --> 00:04:19,493 HEY, NIKA. IT'S ME. 124 00:04:19,527 --> 00:04:21,395 JUST CALL ME AND LET ME KNOW THAT YOU'RE OKAY. 125 00:04:21,429 --> 00:04:23,397 LOVE YOU. 126 00:04:26,434 --> 00:04:28,369 [***] 127 00:04:29,870 --> 00:04:32,373 DETECTIVE ANGIE FLYNN. 128 00:04:32,406 --> 00:04:33,841 I HEAR YOU'RE PRETTY SHAKEN UP, MR. SHARPE. 129 00:04:33,874 --> 00:04:35,042 JULIAN STANCROFT. 130 00:04:35,075 --> 00:04:36,510 I'VE ADVISED MY CLIENT 131 00:04:36,544 --> 00:04:37,445 THAT I'LL RESPOND TO ALL QUESTIONS 132 00:04:37,478 --> 00:04:38,579 ON HIS BEHALF. 133 00:04:38,612 --> 00:04:40,848 -YOU WANT THAT? -HE DOES. 134 00:04:40,881 --> 00:04:41,849 HUH. OKAY, JULIAN. 135 00:04:41,882 --> 00:04:43,484 WELL, IT'S MY DUTY TO INFORM YOU 136 00:04:43,517 --> 00:04:44,585 AS MR. SHARPE'S COUNSEL 137 00:04:44,618 --> 00:04:45,653 THAT HIS REFUSAL TO ANSWER QUESTIONS 138 00:04:45,686 --> 00:04:46,854 MAKES HIM LOOK GUILTY. 139 00:04:46,887 --> 00:04:48,656 WE'RE NOT CONCERNED WITH THAT. 140 00:04:48,689 --> 00:04:49,690 NO, OF COURSE YOU'RE NOT. 141 00:04:49,723 --> 00:04:50,624 IN MY EXPERIENCE, KILLERS, THEY LAWYER UP FAST, 142 00:04:50,658 --> 00:04:53,527 BUT YOUR CLIENT SET A NEW SPEED RECORD. 143 00:04:53,561 --> 00:04:55,062 HE'S ENTITLED TO COUNSEL. 144 00:04:55,095 --> 00:04:55,863 YEAH, YEAH, HE IS, ALL I'M SAYING IS 145 00:04:55,896 --> 00:04:58,466 THAT NIKA REID WAS HIS ASSISTANT, 146 00:04:58,499 --> 00:04:59,700 BUT HE DID NOT CALL 9-1-1 THIS MORNING 147 00:04:59,733 --> 00:05:01,502 TO GET HER MEDICAL ATTENTION 148 00:05:01,535 --> 00:05:03,537 WHEN HE WOKE UP AND FOUND HER COVERED IN BLOOD BESIDE HIM 149 00:05:03,571 --> 00:05:04,672 IN HIS BED. 150 00:05:04,705 --> 00:05:06,407 INSTEAD, HE CALLED HIS LAWYER. 151 00:05:06,440 --> 00:05:07,675 -SHE WAS ALREADY DEAD. -ERIC, I GOT THIS. 152 00:05:07,708 --> 00:05:09,543 LOOK, 153 00:05:09,577 --> 00:05:10,711 THE LAST THING I REMEMBER IS A COP COMING HERE, 154 00:05:10,744 --> 00:05:12,513 TELLING ME TO TURN DOWN THE MUSIC. 155 00:05:12,546 --> 00:05:13,647 EVERYTHING AFTER THAT IS A BLANK. 156 00:05:13,681 --> 00:05:15,683 SO, YOU EXPECT ME TO BELIEVE 157 00:05:15,716 --> 00:05:16,884 THAT A GIRL WAS MURDERED BESIDE YOU, 158 00:05:16,917 --> 00:05:18,586 AND YOU SLEPT THROUGH IT? 159 00:05:18,619 --> 00:05:20,888 I TAKE SLEEPING PILLS MOST NIGHTS TO KNOCK MYSELF OUT. 160 00:05:20,921 --> 00:05:22,556 DID YOU TAKE ONE LAST NIGHT? 161 00:05:22,590 --> 00:05:23,657 MAYBE. I DON'T REMEMBER. 162 00:05:23,691 --> 00:05:25,659 OKAY, THEN DO A BLOOD TEST, PROVIDE A DNA SAMPLE, 163 00:05:25,693 --> 00:05:26,494 AND GIVE ME A LIST OF ALL THE PEOPLE 164 00:05:26,527 --> 00:05:27,628 WHO WERE AT YOUR PARTY LAST NIGHT. 165 00:05:27,661 --> 00:05:28,562 I'D ADVISE AGAINST THAT. 166 00:05:28,596 --> 00:05:29,730 WHATEVER YOU NEED. 167 00:05:29,763 --> 00:05:30,664 ERIC, WE'VE DISCUSSED THIS-- 168 00:05:30,698 --> 00:05:31,899 YOU'RE FIRED. 169 00:05:31,932 --> 00:05:32,700 I LIKE YOUR NEW ATTITUDE. 170 00:05:32,733 --> 00:05:34,635 ERIC SHARPE, YOU'RE UNDER ARREST 171 00:05:34,668 --> 00:05:35,636 FOR THE MURDER OF NIKA REID. 172 00:05:35,669 --> 00:05:37,538 WHAT? BUT I'M COOPERATING. 173 00:05:37,571 --> 00:05:38,672 YEAH, AND I APPRECIATE THAT. 174 00:05:59,192 --> 00:06:01,361 KEEP THAT FOR THE PRIVATE COLLECTION. 175 00:06:02,630 --> 00:06:04,432 [CELL PHONE CHIMES] 176 00:06:10,003 --> 00:06:10,971 GREAT. 177 00:06:11,004 --> 00:06:12,573 WHAT? 178 00:06:12,606 --> 00:06:14,975 I'M DOUBLE BOOKED FOR GIGS ON THE 14th. 179 00:06:15,008 --> 00:06:16,143 ANYTHING THAT I COULD HELP YOU WITH? 180 00:06:16,176 --> 00:06:17,244 YOU COULDN'T HANDLE IT. 181 00:06:17,277 --> 00:06:19,413 IT'S A FASHION PARTY AT THE ROXY, FOR "THE TIMES." 182 00:06:19,447 --> 00:06:20,548 I COULD TOTALLY DO THAT. 183 00:06:20,581 --> 00:06:22,483 I USED TO SHOOT PARTIES FOR "THE TRIBUNE." 184 00:06:22,516 --> 00:06:23,951 I TOLD YOU THAT IN MY JOB INTERVIEW, REMEMBER? 185 00:06:23,984 --> 00:06:26,454 THE ONLY THING I REMEMBER IS HOW TIGHT YOUR PANTS WERE. 186 00:06:26,487 --> 00:06:28,489 SO, CAN I DO IT? 187 00:06:28,522 --> 00:06:29,557 IF YOU EARN IT. 188 00:06:30,991 --> 00:06:32,793 THERE SHE IS. 189 00:06:34,595 --> 00:06:35,763 SO? 190 00:06:35,796 --> 00:06:37,498 AMAZING. 191 00:06:37,531 --> 00:06:39,967 I TOLD YOU I'D MAKE YOU BEAUTIFUL. 192 00:06:40,000 --> 00:06:41,401 TEQUILA? 193 00:06:42,235 --> 00:06:43,537 MAYBE ONE. 194 00:06:43,571 --> 00:06:46,807 BE A GOOD GIRL AND LOCK UP ON YOUR WAY OUT. 195 00:06:56,850 --> 00:06:58,586 YOU'RE 21, RIGHT? 196 00:07:01,021 --> 00:07:02,422 BACK TO WORK! 197 00:07:06,494 --> 00:07:08,529 UNBELIEVABLE. 198 00:07:08,562 --> 00:07:09,630 I HEARD ERIC SHARPE WAS A SLEAZE, 199 00:07:09,663 --> 00:07:10,798 BUT I NEVER EXPECTED SOMETHING LIKE THIS. 200 00:07:10,831 --> 00:07:12,032 I'M NOT SURPRISED. 201 00:07:12,065 --> 00:07:14,034 THE WAY HE TREATS WOMEN. 202 00:07:14,067 --> 00:07:16,470 I'VE HEARD SOME PRETTY CRAZY STUFF ABOUT HIM. 203 00:07:16,504 --> 00:07:18,572 I WAS AT HIS PARTY LAST NIGHT. 204 00:07:18,606 --> 00:07:20,608 WHAT? 205 00:07:20,641 --> 00:07:24,244 YEAH, MY FRIEND, NIKA, THE ONE WHO INVITED ME, 206 00:07:24,277 --> 00:07:26,514 SHE WAS THE VICTIM. 207 00:07:26,547 --> 00:07:29,483 TALK ABOUT BURYING THE LEDE. 208 00:07:29,517 --> 00:07:31,819 ARE YOU ALL RIGHT? 209 00:07:31,852 --> 00:07:33,587 UH... 210 00:07:33,621 --> 00:07:36,223 I THINK MAYBE I SHOULD GO HOME. 211 00:07:36,256 --> 00:07:38,492 LOOK, I KNOW THIS IS DIFFICULT FOR YOU, 212 00:07:38,526 --> 00:07:40,694 BUT THINK ABOUT THE POTENTIAL. 213 00:07:40,728 --> 00:07:42,062 YOU HAVE A CONNECTION TO THIS STORY 214 00:07:42,095 --> 00:07:43,263 THAT NO ONE ELSE HAS. 215 00:07:43,296 --> 00:07:44,164 YOU HAVE A RELATIONSHIP WITH THE VICTIM AND THE KILLER. 216 00:07:44,197 --> 00:07:46,600 ISN'T IT A BIT OF A CONFLICT OF INTEREST 217 00:07:46,634 --> 00:07:47,501 IF I COVER IT? 218 00:07:47,535 --> 00:07:49,537 WELL, YOU KNOW WE'RE A GOSSIP BLOG, RIGHT, 219 00:07:49,570 --> 00:07:50,671 NOT "THE NEW YORK TIMES"? 220 00:07:50,704 --> 00:07:52,573 IF YOU DO THIS, 221 00:07:52,606 --> 00:07:55,743 YOU CONTROL THE WAY THE STORY IS TOLD. 222 00:07:59,680 --> 00:08:01,515 [FOOTSTEPS APPROACH] 223 00:08:01,549 --> 00:08:02,650 ERIC SHARPE'S TOX SCREEN CAME BACK. 224 00:08:02,683 --> 00:08:05,619 THERE WAS EVIDENCE OF A SLEEPING MEDICATION 225 00:08:05,653 --> 00:08:07,087 IN HIS BLOOD-- ZOLPIDEM. 226 00:08:07,120 --> 00:08:08,722 WELL, THAT MAKES SENSE. 227 00:08:08,756 --> 00:08:09,757 WE FOUND A PRESCRIPTION AT HIS APARTMENT. 228 00:08:09,790 --> 00:08:10,858 WHAT ARE THE SIDE EFFECTS? 229 00:08:10,891 --> 00:08:14,528 UH, MEMORY LOSS IS CHIEF AMONG THEM. 230 00:08:14,562 --> 00:08:15,696 THAT DOESN'T MAKE SENSE, THOUGH. 231 00:08:15,729 --> 00:08:17,565 YOU MURDER A GIRL, 232 00:08:17,598 --> 00:08:18,431 AND THEN YOU TAKE A SLEEPING PILL 233 00:08:18,465 --> 00:08:19,767 TO MAKE SURE YOU GET YOUR EIGHT HOURS? 234 00:08:20,734 --> 00:08:23,704 I'D ARGUE THAT HE TOOK IT TO PARTY. 235 00:08:23,737 --> 00:08:25,606 IF YOU FIGHT THROUGH THE PILL'S SIDE EFFECTS, 236 00:08:25,639 --> 00:08:26,740 STAY AWAKE, 237 00:08:26,774 --> 00:08:29,543 THE SEXUAL DISINHIBITION BECOMES EXTREME. 238 00:08:29,577 --> 00:08:31,979 OH, THIS GUY'S A PIECE OF WORK. 239 00:08:50,898 --> 00:08:53,767 WHEN SAUNDERS INTERVIEWED ME, 240 00:08:53,801 --> 00:08:55,903 HE WANTED TO KNOW... 241 00:08:55,936 --> 00:08:58,772 [CLEARS THROAT] 242 00:08:58,806 --> 00:09:00,674 HE WANTED TO KNOW HOW I GOT FROM JANET WONG 243 00:09:00,708 --> 00:09:01,675 TO HENRY GUENTHER. 244 00:09:01,709 --> 00:09:02,810 THE AUDIO RECORDINGS 245 00:09:02,843 --> 00:09:05,846 BETWEEN GUENTHER AND NEVILLE MONTGOMERY. 246 00:09:05,879 --> 00:09:07,615 NO, CROSS TOLD ME NOT TO BASE MY INVESTIGATION 247 00:09:07,648 --> 00:09:08,682 ON THOSE RECORDINGS. 248 00:09:08,716 --> 00:09:10,584 WHY NOT? 249 00:09:10,618 --> 00:09:13,587 BECAUSE ANYTHING DEPUTY CHIEF HALFORD HEARS, 250 00:09:13,621 --> 00:09:14,688 NEVILLE MONTGOMERY HEARS. 251 00:09:15,856 --> 00:09:18,659 YOU'RE TALKING ABOUT CORRUPTION AND CRIMINAL CONSPIRACY. 252 00:09:18,692 --> 00:09:19,860 YES. 253 00:09:19,893 --> 00:09:21,128 DOES OSCAR KNOW ABOUT ALL THIS? 254 00:09:21,161 --> 00:09:22,730 YES. 255 00:09:24,397 --> 00:09:25,432 SO, IF NEVILLE FOUND OUT 256 00:09:25,465 --> 00:09:27,601 THAT MARIA GAVE ME THAT RECORDING, THEN SHE'S DEAD. 257 00:09:27,635 --> 00:09:30,638 YOU'RE ASKING ME TO HOLD BACK INFORMATION FROM INTERNAL? 258 00:09:30,671 --> 00:09:31,872 NO, I'M NOT ASKING YOU TO DO ANYTHING FOR ME. 259 00:09:31,905 --> 00:09:33,641 I'M JUST SHARING WITH YOU 260 00:09:33,674 --> 00:09:34,808 WHY I DECIDED TO PROTECT A SOURCE. 261 00:09:36,677 --> 00:09:38,712 IT IS ONE THING TO LIE TO A SUSPECT. 262 00:09:39,980 --> 00:09:42,816 THIS IS MY CAREER THAT'S ON THE LINE. 263 00:09:49,723 --> 00:09:50,390 HAVE A SEAT. 264 00:09:50,423 --> 00:09:51,825 I'D RATHER STAND, THANK YOU. 265 00:09:55,729 --> 00:09:56,764 JUST SO WE'RE CLEAR, 266 00:09:56,797 --> 00:09:58,866 YOU'VE WAIVED YOUR RIGHT TO A UNION REP HERE TODAY? 267 00:09:58,899 --> 00:10:00,734 MM-HMM. 268 00:10:02,670 --> 00:10:04,204 I UNDERSTAND YOU'VE HAD SOME HEALTH ISSUES. 269 00:10:04,237 --> 00:10:05,906 THIS ISN'T ABOUT THAT. 270 00:10:05,939 --> 00:10:07,607 OKAY. 271 00:10:08,776 --> 00:10:10,644 HOW LONG HAVE YOU AND DETECTIVE FLYNN BEEN PARTNERS? 272 00:10:10,678 --> 00:10:11,845 THAT SHOULD BE IN THE FILE. 273 00:10:15,215 --> 00:10:16,750 EIGHT YEARS. 274 00:10:16,784 --> 00:10:18,752 YOU MUST HAVE GROWN CLOSE. 275 00:10:18,786 --> 00:10:20,921 I WOULD, UH, I WOULD SAY WE'RE VERY CLOSE, YES. 276 00:10:20,954 --> 00:10:21,855 WELL, YOU SAVED HER LIFE. 277 00:10:21,889 --> 00:10:24,958 I, UM, I SHOT A MAN IN THE LINE OF DUTY 278 00:10:24,992 --> 00:10:25,959 TO PROTECT HER. 279 00:10:25,993 --> 00:10:27,995 SHE'S DONE THE SAME FOR ME. 280 00:10:28,028 --> 00:10:29,830 WE WOULD DO THE SAME FOR YOU. 281 00:10:31,932 --> 00:10:33,834 YOU AND DETECTIVE FLYNN INVESTIGATED JANET WONG 282 00:10:33,867 --> 00:10:34,902 FOR THE MURDER OF DEREK CASTER, CORRECT? 283 00:10:34,935 --> 00:10:36,770 I ASSISTED HER, YES. 284 00:10:36,804 --> 00:10:37,604 AND THIS INVESTIGATION HAPPENED 285 00:10:37,637 --> 00:10:40,774 AFTER AN INMATE NAMED MASON GARVEY 286 00:10:40,808 --> 00:10:41,775 CONFESSED TO KILLING CASTER? 287 00:10:41,809 --> 00:10:42,910 ALSO CORRECT. 288 00:10:42,943 --> 00:10:45,813 SO WHY DID DETECTIVE FLYNN INVESTIGATE A CLOSED CASE? 289 00:10:45,846 --> 00:10:47,247 I THINK THAT'S SOMETHING YOU SHOULD ASK HER, 290 00:10:47,280 --> 00:10:48,749 DON'T YOU THINK? 291 00:10:48,782 --> 00:10:49,817 HAVE YOU EVER HAD REASON TO SUSPECT 292 00:10:49,850 --> 00:10:51,752 A PERSONAL AGENDA DRIVES HER WORK? 293 00:10:51,785 --> 00:10:53,987 I DON'T THINK SHE'S THE ONE WITH THE AGENDA HERE. 294 00:10:56,023 --> 00:10:57,858 [TAPS PEN DELIBERATELY] 295 00:10:58,926 --> 00:11:00,027 IF YOU'RE FOUND TO HAVE LIED 296 00:11:00,060 --> 00:11:02,029 DURING AN INTERNAL INVESTIGATION, 297 00:11:02,062 --> 00:11:04,031 YOU CAN BE DISCHARGED UNDER THE POLICE SERVICES ACT. 298 00:11:04,064 --> 00:11:05,665 DO YOU UNDERSTAND THAT, DETECTIVE? 299 00:11:06,734 --> 00:11:07,835 I DO. 300 00:11:12,806 --> 00:11:13,941 I APPRECIATE YOUR TIME. 301 00:11:15,776 --> 00:11:16,877 THANK YOU. 302 00:11:24,084 --> 00:11:25,919 OH, GOOD, YOU TWO MADE UP. 303 00:11:25,953 --> 00:11:27,921 AN ARREST WILL DO THAT. 304 00:11:27,955 --> 00:11:29,022 DETECTIVE FLYNN. 305 00:11:29,056 --> 00:11:30,791 MM-HMM. 306 00:11:30,824 --> 00:11:32,993 I'VE BEEN GOOGLING YOUR WORK, ERIC. 307 00:11:33,026 --> 00:11:35,829 IT'S VERY IMPRESSIVE. 308 00:11:35,863 --> 00:11:37,798 IS THAT ACCEPTABLE? 309 00:11:37,831 --> 00:11:39,800 CAN HE RESPOND TO A COMPLIMENT? 310 00:11:39,833 --> 00:11:41,735 MY CLIENTS APPRECIATE MY EYE. 311 00:11:41,769 --> 00:11:42,469 YEAH, YEAH, 312 00:11:42,502 --> 00:11:43,804 MOSTLY EDITORIAL, 313 00:11:43,837 --> 00:11:45,072 YOUNG MODELS. 314 00:11:45,105 --> 00:11:47,107 LOTS OF NUDITY. 315 00:11:47,140 --> 00:11:48,976 YOU'VE DEVELOPED QUITE A NAME FOR YOURSELF. 316 00:11:49,009 --> 00:11:51,078 I'M ACTUALLY TRANSITIONING INTO DIRECTING. 317 00:11:51,111 --> 00:11:52,813 I'M GOING TO LEVEL WITH YOU, ERIC. 318 00:11:52,846 --> 00:11:53,914 NO ONE BELIEVES YOUR "I DON'T REMEMBER" STORY. 319 00:11:53,947 --> 00:11:55,816 IT'S THE TRUTH. 320 00:11:55,849 --> 00:11:57,017 I PREFER WHEN ERIC COOPERATES. 321 00:11:57,050 --> 00:11:58,051 HE HAS COOPERATED. 322 00:11:58,085 --> 00:11:59,953 HE'S GIVEN YOU BLOOD AND DNA SAMPLES. 323 00:11:59,987 --> 00:12:01,755 HE ANSWERED ALL YOUR QUESTIONS. 324 00:12:01,789 --> 00:12:02,856 WHAT MORE DO YOU WANT? 325 00:12:02,890 --> 00:12:04,291 I WANT TO KNOW WHY HE SURROUNDS HIMSELF 326 00:12:04,324 --> 00:12:05,826 WITH YOUNG, IMPRESSIONABLE WOMEN, 327 00:12:05,859 --> 00:12:07,127 AND HOW ONE OF THEM ENDED UP DEAD 328 00:12:07,160 --> 00:12:08,962 IN HIS STUDIO. 329 00:12:08,996 --> 00:12:11,331 WHO MY CLIENT WORKS WITH IS IRRELEVANT. 330 00:12:11,364 --> 00:12:13,100 ERIC HAS A STERLING REPUTATION. 331 00:12:13,133 --> 00:12:14,301 OH, REALLY? 332 00:12:14,334 --> 00:12:15,002 SO, GIVE ME NAMES. 333 00:12:15,035 --> 00:12:16,970 PEOPLE WHO CAN VOUCH FOR YOU. 334 00:12:17,004 --> 00:12:19,873 START WITH TYLER CARVER, MY LATEST DISCOVERY. 335 00:12:19,907 --> 00:12:21,008 I LAUNCHED HER. 336 00:12:24,344 --> 00:12:27,114 ERIC MIGHT HAVE A GIG FOR ME. 337 00:12:27,147 --> 00:12:29,082 I BET THAT COMES WITH A PRICE. 338 00:12:29,116 --> 00:12:30,984 WHY DO YOU SAY THAT? 339 00:12:31,018 --> 00:12:32,920 UH, BECAUSE YOU HAVE. 340 00:12:32,953 --> 00:12:34,788 ALL HE SAID WAS THAT I HAVE TO EARN IT. 341 00:12:34,822 --> 00:12:36,123 OKAY, IT'S TIME FOR A NEW JOB. 342 00:12:36,156 --> 00:12:38,125 HE ONLY LIKES MODELS. 343 00:12:38,158 --> 00:12:39,793 WHAT ABOUT ALL THOSE RUMORS? 344 00:12:39,827 --> 00:12:41,895 THIS IS MY BIG BREAK. 345 00:12:41,929 --> 00:12:44,998 IF I DON'T TAKE ADVANTAGE OF IT, A MILLION OTHER PEOPLE WILL. 346 00:12:45,032 --> 00:12:47,968 WOW... ERIC HAS REALLY RUBBED OFF ON YOU. 347 00:12:48,001 --> 00:12:49,336 NOW YOU'RE ALL ABOUT GETTING AHEAD. 348 00:12:49,369 --> 00:12:51,805 WOW, THANK YOU FOR YOUR SUPPORT. 349 00:12:51,839 --> 00:12:53,006 I AM SUPPORTING YOU. 350 00:12:53,040 --> 00:12:53,907 I'M TELLING YOU THAT YOUR BOSS IS A CREEP, 351 00:12:53,941 --> 00:12:56,143 AND YOU DON'T HAVE TO PUT UP WITH IT. 352 00:12:56,176 --> 00:12:59,980 I JUST NEED TO I STICK IT OUT AND GET IN HIS GOOD BOOKS. 353 00:13:00,013 --> 00:13:00,981 OKAY? 354 00:13:01,014 --> 00:13:03,016 THEN I'M SET. 355 00:13:03,050 --> 00:13:05,085 I NEED YOU ON MY SIDE FOR THIS, STACE. 356 00:13:05,118 --> 00:13:06,153 I'M ALWAYS ON YOUR SIDE. 357 00:13:06,186 --> 00:13:07,387 THEN GREAT, 358 00:13:07,420 --> 00:13:09,089 COME TO ERIC'S PARTY TOMORROW NIGHT, 359 00:13:09,122 --> 00:13:10,958 TELL HIM HOW AMAZING YOU THINK I AM, 360 00:13:10,991 --> 00:13:12,359 AND IF HE HEARS IT ENOUGH TIMES, 361 00:13:12,392 --> 00:13:14,027 MAYBE HE'LL BELIEVE IT AND HE'LL GIVE ME THE GIG. 362 00:13:14,061 --> 00:13:15,996 I WILL BE THERE, BUT I AM NOT STAYING LATE. 363 00:13:17,064 --> 00:13:17,998 COOL. 364 00:13:18,031 --> 00:13:20,934 HEY, I NEED TO BORROW YOUR BLACK BLAZER AGAIN. 365 00:13:20,968 --> 00:13:21,935 YOU NEVER GAVE IT BACK. 366 00:13:21,969 --> 00:13:23,136 HUH. 367 00:13:23,170 --> 00:13:25,205 I WONDER WHERE IT IS THEN. 368 00:13:31,411 --> 00:13:32,880 I SPOKE WITH THE VICTIM'S SISTER, DANIELLE. 369 00:13:32,913 --> 00:13:33,881 SHE'S FLYING IN TOMORROW. 370 00:13:33,914 --> 00:13:36,016 HOW ARE YOU MAKING OUT WITH THE PARTY GUESTS? 371 00:13:36,049 --> 00:13:38,051 INTERVIEWS HAVEN'T TURNED UP ANYTHING YET. 372 00:13:38,085 --> 00:13:39,186 OKAY. 373 00:13:39,219 --> 00:13:41,021 [PHONE RINGS] 374 00:13:42,189 --> 00:13:43,390 DETECTIVE FLYNN. 375 00:13:43,423 --> 00:13:45,125 OKAY, SEND HER UP. 376 00:13:45,158 --> 00:13:47,594 ONE OF ERIC'S MODELS, TYLER, 377 00:13:47,627 --> 00:13:48,261 SHE'S ON HER WAY UP. 378 00:13:48,295 --> 00:13:49,029 I'M GOING TO INTERVIEW HER. 379 00:13:49,062 --> 00:13:50,998 VEGA, CAN YOU HELP LUCAS FOLLOW UP 380 00:13:51,031 --> 00:13:52,099 WITH THE GUESTS FROM THE PARTY? 381 00:13:52,132 --> 00:13:53,100 YEAH, SURE. 382 00:13:55,268 --> 00:13:56,103 SO, WHAT DID HE SAY? 383 00:13:56,136 --> 00:13:58,071 I THINK SAUNDERS IS JUST SNIFFING AROUND. 384 00:13:58,105 --> 00:13:59,206 ABOUT MONTGOMERY? 385 00:13:59,239 --> 00:14:00,407 HE DIDN'T SAY A NAME. 386 00:14:00,440 --> 00:14:03,176 WHAT IF THIS ISN'T ABOUT MONTGOMERY? 387 00:14:03,210 --> 00:14:05,078 COME ON, WHY ELSE WOULD THEY BE INVESTIGATING? 388 00:14:05,112 --> 00:14:06,079 WELL, THAT'S THE PROBLEM, I DON'T KNOW. 389 00:14:06,113 --> 00:14:08,949 BRIAN, I, UH... I CAN'T TELL YOU WHAT TO SAY. 390 00:14:12,986 --> 00:14:15,989 SO, TELL ME HOW YOU MET ERIC. 391 00:14:16,023 --> 00:14:17,157 HE DID MY FIRST SHOOT. 392 00:14:17,190 --> 00:14:19,626 HMM. DID IT GO WELL? 393 00:14:19,659 --> 00:14:21,061 DID YOU LIKE HIM? 394 00:14:21,094 --> 00:14:21,962 [HESITANTLY] YEAH. 395 00:14:21,995 --> 00:14:24,264 HE ASKED ME TO STAY FOR A DRINK AFTER. 396 00:14:24,297 --> 00:14:26,133 ERIC IS INFLUENTIAL. 397 00:14:26,166 --> 00:14:29,937 WELL, HE'S ALSO THE PRIME SUSPECT 398 00:14:29,970 --> 00:14:31,104 IN A MURDER INVESTIGATION. 399 00:14:33,240 --> 00:14:35,275 SO, IF YOU HAVE SOMETHING YOU WANT TO SHARE WITH ME, 400 00:14:35,308 --> 00:14:37,077 JUST TELL THE TRUTH. 401 00:14:39,279 --> 00:14:41,681 MY BOOKER SAID IT WAS IMPORTANT TO IMPRESS HIM, 402 00:14:41,714 --> 00:14:46,086 SO WHEN HE GAVE ME TEQUILA, I DRANK IT. 403 00:14:46,119 --> 00:14:47,254 THEN HE GAVE ME A PILL TO RELAX. 404 00:14:47,287 --> 00:14:49,256 DID HE TELL YOU WHAT IT WAS? 405 00:14:49,289 --> 00:14:51,291 NO. 406 00:14:51,324 --> 00:14:54,261 I WANTED HIM TO LIKE ME, SO I PRETENDED TO TAKE IT. 407 00:14:54,294 --> 00:14:55,996 MM-HMM. 408 00:14:56,029 --> 00:14:57,030 WE DRANK SOME MORE, 409 00:14:57,064 --> 00:14:59,967 AND THEN HE STARTED KISSING ME. 410 00:15:00,000 --> 00:15:04,304 AND THEN HE GOT... REALLY AGGRESSIVE. 411 00:15:04,337 --> 00:15:06,940 IT WAS LIKE SOMEONE FLIPPED A SWITCH. 412 00:15:08,008 --> 00:15:09,042 I WANTED TO GET OUT OF THERE. 413 00:15:09,076 --> 00:15:11,478 I THOUGHT HE WAS GOING TO KILL ME. 414 00:15:11,511 --> 00:15:13,313 DID HE HURT YOU? 415 00:15:26,193 --> 00:15:28,195 HONEY, I'M SORRY. 416 00:15:31,398 --> 00:15:32,465 WHY WOULD ERIC SHARPE USE TYLER CARVER 417 00:15:32,499 --> 00:15:34,534 AS A CHARACTER WITNESS? 418 00:15:34,567 --> 00:15:35,602 HE ASSAULTED HER. 419 00:15:35,635 --> 00:15:37,504 MAYBE HE DOESN'T SEE IT AS ASSAULT. 420 00:15:37,537 --> 00:15:39,006 WELL THEN, HE'S INSANE, 421 00:15:39,039 --> 00:15:40,373 BECAUSE YOU SHOULD SEE HER BRUISES. 422 00:15:40,407 --> 00:15:41,408 NO, LOOK, I DON'T LIKE IT EITHER, 423 00:15:41,441 --> 00:15:44,044 BUT THAT'S JUST HOW SOME OF THESE GUYS THINK. 424 00:15:44,077 --> 00:15:45,512 CAN I GET YOU TO TALK TO HIM? 425 00:15:45,545 --> 00:15:46,513 YOU KNOW, IN A SYMPATHETIC WAY. 426 00:15:46,546 --> 00:15:49,016 TRY TO GET HIM TO CONFESS. 427 00:15:49,049 --> 00:15:50,550 PLEASE? 428 00:15:50,583 --> 00:15:52,285 IT'S NOT MY FAVORITE PART OF THE JOB. 429 00:15:52,319 --> 00:15:54,254 NO, BUT YOU'RE SO GOOD AT IT. 430 00:15:54,287 --> 00:15:55,488 YOU KNOW THAT'S NOT A COMPLIMENT, RIGHT? 431 00:15:55,522 --> 00:15:57,524 IT'S SUPPOSED TO BE. 432 00:16:00,693 --> 00:16:03,263 ERIC SHARPE? 433 00:16:03,296 --> 00:16:05,632 HEY, I'M SERGEANT MARK CROSS. 434 00:16:05,665 --> 00:16:08,035 I'M NOT SUPPOSED TO SPEAK WITHOUT MY LAWYER PRESENT. 435 00:16:08,068 --> 00:16:09,502 YEAH, NO, NO PROBLEM. 436 00:16:09,536 --> 00:16:10,670 LOOK, I, UH... 437 00:16:10,703 --> 00:16:13,640 I JUST WANTED TO GIVE YOU AND YOUR ATTORNEY THE HEAD'S UP 438 00:16:13,673 --> 00:16:17,510 THAT TYLER CARVER IS THINKING ABOUT FILING ASSAULT CHARGES. 439 00:16:17,544 --> 00:16:19,379 WHAT? WHAT IS SHE SAYING? 440 00:16:19,412 --> 00:16:22,582 LOOK, MAN, IT'S JUST THE USUAL SEXUAL HARASSMENT STUFF. 441 00:16:22,615 --> 00:16:24,417 YOU KNOW, YOU FORCED HER. SHE DIDN'T WANT TO... 442 00:16:24,451 --> 00:16:26,553 I DON'T NEED TO FORCE A WOMAN TO DO ANYTHING. 443 00:16:27,687 --> 00:16:29,056 NO, I'M GUESSING THAT 444 00:16:29,089 --> 00:16:31,558 FALSE ACCUSATIONS ARE A HAZARD OF YOUR JOB. 445 00:16:31,591 --> 00:16:33,393 IF TYLER'S GOT A PROBLEM WITH ME, 446 00:16:33,426 --> 00:16:35,395 ASK HER WHAT SHE WAS DOING AT MY PARTY LAST NIGHT. 447 00:16:35,428 --> 00:16:36,663 I GOTTA TELL YOU, THOUGH, SHE SAID, UH, 448 00:16:36,696 --> 00:16:39,299 "I WAS AFRAID, 449 00:16:39,332 --> 00:16:40,533 I THOUGHT HE WAS GOING TO KILL ME." 450 00:16:40,567 --> 00:16:41,534 LOOK, RIGHT THERE. 451 00:16:41,568 --> 00:16:42,669 NO, THAT... THAT'S CRAZY. 452 00:16:42,702 --> 00:16:44,404 MAYBE NOT, 453 00:16:44,437 --> 00:16:45,305 CONSIDERING THE LAST WOMAN WHO WAS IN YOUR BED 454 00:16:45,338 --> 00:16:46,506 ENDED UP DEAD. 455 00:16:51,678 --> 00:16:53,580 THAT FIRST PIECE YOU DID ON YOUR FRIEND, THAT WAS GREAT. 456 00:16:53,613 --> 00:16:55,082 POWERFUL. 457 00:16:55,115 --> 00:16:56,216 WHAT ARE YOU WORKING ON NOW? 458 00:16:56,249 --> 00:16:58,351 I'VE BEEN CHASING MODELS, STYLISTS, BOOKING AGENTS. 459 00:16:58,385 --> 00:16:59,286 ANYONE WHO DEALT WITH SHARPE. 460 00:16:59,319 --> 00:17:01,388 ANY HEADWAY? 461 00:17:01,421 --> 00:17:02,689 NO ONE WHO WILL SPEAK ON THE RECORD. 462 00:17:02,722 --> 00:17:03,690 HE'S GOT A LOT OF FRIENDS IN THE INDUSTRY. 463 00:17:03,723 --> 00:17:04,691 WELL, WE'VE GOT TO GET SOMEONE 464 00:17:04,724 --> 00:17:06,293 TO SPEAK ON THE RECORD. 465 00:17:06,326 --> 00:17:07,094 I'M TRYING MY BEST. 466 00:17:07,127 --> 00:17:08,461 TRY BETTER. 467 00:17:10,763 --> 00:17:12,499 [***] 468 00:17:16,136 --> 00:17:17,570 DO YOU KNOW WHERE ASHLEY WENT? 469 00:17:17,604 --> 00:17:18,571 COME ON, LET'S GET A DRINK. 470 00:17:20,507 --> 00:17:23,110 MAKE SURE YOU TELL HIM HOW MUCH YOU LIKE MY PICTURES. 471 00:17:23,143 --> 00:17:24,144 YOU'RE AN AMAZING PHOTOGRAPHER. 472 00:17:24,177 --> 00:17:25,044 HE KNOWS THAT ALREADY, 473 00:17:25,078 --> 00:17:26,713 OTHERWISE HE WOULDN'T HAVE HIRED YOU. 474 00:17:26,746 --> 00:17:28,115 I DON'T THINK THAT'S WHY I GOT THE JOB. 475 00:17:28,148 --> 00:17:29,149 HELLO. 476 00:17:29,182 --> 00:17:30,317 WE HAVEN'T MET YET. 477 00:17:30,350 --> 00:17:31,251 MY NAME IS ERIC SHARPE. 478 00:17:31,284 --> 00:17:33,420 THIS IS MY BEST FRIEND, STACEY LAWFORD. 479 00:17:33,453 --> 00:17:34,687 WHY DOESN'T YOUR BEST FRIEND HAVE A DRINK? 480 00:17:34,721 --> 00:17:36,123 HERE. 481 00:17:36,156 --> 00:17:37,724 TRY THE MALBEC. 482 00:17:37,757 --> 00:17:38,758 [CHUCKLES DUBIOUSLY] 483 00:17:38,791 --> 00:17:40,160 SO, ARE YOU A MODEL? 484 00:17:40,193 --> 00:17:41,161 SHE'S A BLOGGER. 485 00:17:41,194 --> 00:17:42,162 AND NIKA'S BIGGEST FAN. 486 00:17:42,195 --> 00:17:43,062 SHE'S AN AMAZING PHOTOGRAPHER, DON'T YOU THINK? 487 00:17:43,096 --> 00:17:45,632 WELL, CLEARLY, YOU HAVEN'T SEEN MY WORK. 488 00:17:50,703 --> 00:17:52,139 WHAT THE HELL WAS THAT? 489 00:17:52,172 --> 00:17:53,106 I WAS TALKING YOU UP. 490 00:17:53,140 --> 00:17:54,641 IT WAS SO OBVIOUS THAT I PUT YOU UP TO IT, 491 00:17:54,674 --> 00:17:56,676 AND NOW I LOOK LIKE AN IDIOT. 492 00:18:01,514 --> 00:18:02,649 ACCORDING TO EVERYONE 493 00:18:02,682 --> 00:18:03,683 THAT VEGA AND LUCAS HAVE TALKED TO, 494 00:18:03,716 --> 00:18:05,718 NIKA WOULD HAVE DONE ANYTHING TO IMPRESS HER BOSS. 495 00:18:05,752 --> 00:18:07,154 AND HE MILKED IT. 496 00:18:07,187 --> 00:18:08,488 YEAH, TYLER SAYS 497 00:18:08,521 --> 00:18:10,723 THAT HE LIKES TO GET THE GIRLS HIGH 498 00:18:10,757 --> 00:18:12,192 BEFORE HE GETS ROUGH. 499 00:18:12,225 --> 00:18:14,761 SO, MAYBE HE TOOK IT ONE STEP TOO FAR THIS TIME. 500 00:18:14,794 --> 00:18:16,496 ALL RIGHT, SO HE'S LIVING OUT A FANTASY, 501 00:18:16,529 --> 00:18:17,630 AND HE GETS CARRIED AWAY. 502 00:18:17,664 --> 00:18:19,799 WELL, ANYTHING ELSE WE CAN DIG INTO 503 00:18:19,832 --> 00:18:21,434 THAT MIGHT SEW THIS UP? 504 00:18:21,468 --> 00:18:23,403 LUCAS IS WAITING ON DIGITAL FORENSICS 505 00:18:23,436 --> 00:18:25,538 TO GET NIKA'S EMAILS. 506 00:18:25,572 --> 00:18:28,775 I NOTICE YOU'VE BEEN INVESTIGATING THIS CASE SOLO. 507 00:18:28,808 --> 00:18:31,511 I'M JUST RESPECTING EVERYBODY'S SPACE. 508 00:18:33,213 --> 00:18:34,747 DANIELLE... 509 00:18:34,781 --> 00:18:37,717 I AM SO GLAD YOU CALLED. 510 00:18:40,853 --> 00:18:43,190 I CAN'T BELIEVE MY SISTER'S DEAD. 511 00:18:43,223 --> 00:18:45,825 I'M SO SORRY. 512 00:18:49,462 --> 00:18:50,797 NONE OF THIS FEELS REAL. 513 00:18:50,830 --> 00:18:53,666 I GOT ON A PLANE AS SOON AS I COULD. 514 00:18:53,700 --> 00:18:55,202 I HOPE IT'S OKAY I CAME HERE. 515 00:18:55,235 --> 00:18:56,803 OF COURSE IT IS. 516 00:18:56,836 --> 00:18:59,206 THIS MUST BE SO HARD FOR YOU. 517 00:18:59,239 --> 00:19:01,608 YOU TWO WERE SO CLOSE. 518 00:19:04,477 --> 00:19:06,546 YOU SHOULD STAY WITH ME. 519 00:19:06,579 --> 00:19:07,480 LET ME JUST GO GRAB MY BAG, 520 00:19:07,514 --> 00:19:09,682 AND I'LL TAKE YOU HOME. 521 00:19:09,716 --> 00:19:12,219 I HAVE TO GO TO THE POLICE STATION. 522 00:19:12,252 --> 00:19:12,852 WILL YOU COME WITH ME? 523 00:19:14,621 --> 00:19:16,523 OF COURSE. 524 00:19:18,625 --> 00:19:20,560 YOU KNOW THIS IS GONNA HAPPEN TONIGHT. 525 00:19:20,593 --> 00:19:22,795 NOT IF I PLAY HARD TO GET. 526 00:19:22,829 --> 00:19:24,797 EVEN BETTER. 527 00:19:24,831 --> 00:19:25,865 HEY, I GOT ANOTHER CALL 528 00:19:25,898 --> 00:19:27,567 ABOUT THAT GIG AT THE ROXY. 529 00:19:27,600 --> 00:19:28,568 I DON'T KNOW WHAT TO TELL THEM. 530 00:19:28,601 --> 00:19:29,502 YOU SURE YOU WANT TO DO IT? 531 00:19:29,536 --> 00:19:30,837 I CAN'T FIND MY PURSE. 532 00:19:30,870 --> 00:19:32,839 OH, MY GOODNESS, 533 00:19:32,872 --> 00:19:35,242 SOMEONE'S HAMMERED. 534 00:19:35,275 --> 00:19:35,842 OKAY, I SHOULD TAKE HER HOME. 535 00:19:35,875 --> 00:19:37,777 WHY? 536 00:19:37,810 --> 00:19:38,945 COME ON, THIS COULD BE FUN. 537 00:19:45,285 --> 00:19:47,520 HI. I'M DETECTIVE ANGIE FLYNN. 538 00:19:47,554 --> 00:19:49,789 HI. I'M DANIELLE REID, NIKA'S SISTER. 539 00:19:49,822 --> 00:19:51,524 THIS IS STACEY LAWFORD. 540 00:19:51,558 --> 00:19:52,625 SHE WAS NIKA'S BEST FRIEND. 541 00:19:52,659 --> 00:19:53,626 I'M SORRY FOR YOUR LOSS. 542 00:19:53,660 --> 00:19:54,627 THANK YOU. 543 00:19:54,661 --> 00:19:55,862 DO YOU MIND 544 00:19:55,895 --> 00:19:57,630 IF STACEY SITS IN WITH US? 545 00:19:57,664 --> 00:19:59,566 ARE YOU THE STACEY FROM NIKA'S PHONE? 546 00:19:59,599 --> 00:20:01,468 I NOTICED YOU CALLED YESTERDAY. 547 00:20:01,501 --> 00:20:03,603 I BLOG FOR WICKED CITY, 548 00:20:03,636 --> 00:20:04,737 I SAW THE NEWS ABOUT HER BOSS. 549 00:20:04,771 --> 00:20:07,540 I DIDN'T KNOW NIKA THAT WAS HIS VICTIM UNTIL LATER. 550 00:20:07,574 --> 00:20:10,743 WOULD YOU BE WILLING TO SIT WITH A DETECTIVE ALSO? 551 00:20:10,777 --> 00:20:12,812 ANY BACKGROUND INFORMATION WE CAN GET ON NIKA 552 00:20:12,845 --> 00:20:14,847 COULD BE HELPFUL TO THE INVESTIGATION. 553 00:20:14,881 --> 00:20:16,283 ANYTHING I CAN DO TO HELP. 554 00:20:16,316 --> 00:20:17,684 I'LL BE RIGHT BACK. 555 00:20:20,553 --> 00:20:22,489 BRIAN, DO YOU HAVE A SECOND? 556 00:20:22,522 --> 00:20:23,890 IF THIS IS ABOUT INTERNAL... 557 00:20:23,923 --> 00:20:26,559 NO, I NEED YOU TO INTERVIEW NIKA'S FRIEND 558 00:20:26,593 --> 00:20:27,294 WHILE I INTERVIEW THE SISTER. 559 00:20:27,327 --> 00:20:28,928 OH, SURE. 560 00:20:31,331 --> 00:20:32,899 AND YOU SHOULD KNOW THAT I FEEL TERRIBLE 561 00:20:32,932 --> 00:20:33,900 ABOUT INTERNAL, OKAY? 562 00:20:33,933 --> 00:20:38,571 I KNOW YOU DO, BUT... 563 00:20:38,605 --> 00:20:39,539 I CAN'T LIE. 564 00:20:39,572 --> 00:20:40,640 I'VE WORKED TOO HARD 565 00:20:40,673 --> 00:20:41,608 TO MAKE DETECTIVE. 566 00:20:41,641 --> 00:20:42,542 I WANT TO STAY HERE. 567 00:20:42,575 --> 00:20:44,677 YUP, I UNDERSTAND. 568 00:20:46,879 --> 00:20:48,948 STACEY, THIS IS DETECTIVE BRIAN LUCAS. 569 00:20:48,981 --> 00:20:49,782 HE'LL INTERVIEW YOU, 570 00:20:49,816 --> 00:20:52,652 AND DANIELLE, I'LL TAKE YOU THIS WAY. 571 00:20:52,685 --> 00:20:54,321 -STACEY? -YEAH. 572 00:20:54,354 --> 00:20:55,622 -BRIAN. -HI. 573 00:20:55,655 --> 00:20:56,523 WHY DON'T YOU GRAB A SEAT 574 00:20:56,556 --> 00:20:57,390 AND I'LL ASK YOU A FEW QUESTIONS HERE. 575 00:20:57,424 --> 00:21:01,594 NIKA WAS SO EXCITED WHEN ERIC HIRED HER. 576 00:21:01,628 --> 00:21:02,929 SHE SAID WORKING WITH HIM WOULD LAUNCH HER CAREER. 577 00:21:02,962 --> 00:21:04,731 HE'S SUPER CONNECTED. 578 00:21:04,764 --> 00:21:07,567 YEAH, HE'S A PRETTY POWERFUL GUY. 579 00:21:07,600 --> 00:21:08,335 HOW DID THE JOB GO? 580 00:21:08,368 --> 00:21:10,670 DID SHE LIKE IT? 581 00:21:10,703 --> 00:21:12,972 IT CHANGED HER. 582 00:21:13,005 --> 00:21:15,875 I MEAN, HER WHOLE LIFE BECAME ABOUT KEEPING ERIC HAPPY. 583 00:21:15,908 --> 00:21:19,679 AND DID THAT EXTEND TO A SEXUAL RELATIONSHIP? 584 00:21:19,712 --> 00:21:21,348 IF IT DID, NIKA NEVER TOLD ME. 585 00:21:21,381 --> 00:21:22,949 STACEY WOULD KNOW. 586 00:21:22,982 --> 00:21:24,984 SHE WAS HER VOICE OF REASON. 587 00:21:25,017 --> 00:21:26,686 BEST FRIENDS SINCE NINTH GRADE. 588 00:21:28,688 --> 00:21:30,623 NIKA DIDN'T HAVE A LOT OF FRIENDS. 589 00:21:30,657 --> 00:21:31,991 SHE COULD BE SELF-INVOLVED. 590 00:21:32,024 --> 00:21:34,594 SO WHY WAS STACEY FRIENDS WITH HER? 591 00:21:34,627 --> 00:21:36,663 STACEY'S AN ONLY CHILD. 592 00:21:36,696 --> 00:21:38,398 SHE LIKES TO FEEL NEEDED. 593 00:21:38,431 --> 00:21:39,366 NIKA WAS NEEDY. 594 00:21:39,399 --> 00:21:41,368 OKAY. 595 00:21:41,401 --> 00:21:41,968 UH, THANK YOU. 596 00:21:42,001 --> 00:21:43,370 THANKS FOR COMING DOWN. 597 00:21:43,403 --> 00:21:44,737 THIS HAS BEEN REALLY HELPFUL. 598 00:21:44,771 --> 00:21:45,772 WHAT HAPPENS NOW? 599 00:21:45,805 --> 00:21:49,376 WE CONTINUE INVESTIGATING. 600 00:21:49,409 --> 00:21:51,644 BUT YOU HAVE ERIC SHARPE IN CUSTODY. 601 00:21:51,678 --> 00:21:55,014 WE'RE BEING AS THOROUGH AS POSSIBLE. 602 00:21:55,047 --> 00:21:58,585 MY ONLY SISTER IS DEAD. 603 00:21:58,618 --> 00:22:00,653 THE MAN RESPONSIBLE NEEDS TO BE PUNISHED. 604 00:22:00,687 --> 00:22:03,623 DID YOU KNOW ERIC SHARPE? 605 00:22:03,656 --> 00:22:06,759 I MET HIM THE OTHER NIGHT AT HIS PARTY. 606 00:22:06,793 --> 00:22:07,660 DID YOU SPEAK WITH HIM? 607 00:22:07,694 --> 00:22:08,795 A BIT. 608 00:22:08,828 --> 00:22:11,731 I LEFT EARLY AND GRABBED A CAB HOME. 609 00:22:11,764 --> 00:22:14,401 WHAT DID YOU TWO TALK ABOUT? 610 00:22:14,434 --> 00:22:15,402 MOSTLY ABOUT HIM. 611 00:22:15,435 --> 00:22:16,869 HIS WORK. 612 00:22:16,903 --> 00:22:20,707 HOW HE LIKED A NICE MALBEC. 613 00:22:23,676 --> 00:22:25,712 AND HOW WAS NIKA BEFORE YOU LEFT? 614 00:22:28,648 --> 00:22:29,816 THIS IS ALL MY FAULT. 615 00:22:29,849 --> 00:22:32,018 WHY WOULD YOU SAY THAT? 616 00:22:32,051 --> 00:22:33,753 BECAUSE ERIC WAS PRESSURING HER FOR SEX. 617 00:22:33,786 --> 00:22:36,789 I NEVER SHOULD HAVE LEFT HER THERE. 618 00:22:36,823 --> 00:22:38,458 YOU DISLIKED HIM EVEN BEFORE ALL OF THIS. 619 00:22:38,491 --> 00:22:39,792 I'D HEARD THE RUMORS ABOUT HIM. 620 00:22:39,826 --> 00:22:41,661 THE GUY'S DISGUSTING. 621 00:22:43,763 --> 00:22:46,032 DID NIKA... WANT TO STAY? 622 00:22:46,065 --> 00:22:48,067 OR DID SHE FEEL LIKE SHE HAD TO STAY? 623 00:22:52,772 --> 00:22:54,907 HE GROOMED HER 624 00:22:54,941 --> 00:22:56,976 FOR A LONG TIME 625 00:22:57,009 --> 00:22:58,911 UNTIL HE FINALLY WORE HER DOWN. 626 00:23:00,847 --> 00:23:02,449 THE OLD NIKA 627 00:23:02,482 --> 00:23:05,852 NEVER WOULD'VE THOUGHT ABOUT SLEEPING WITH THAT GUY. 628 00:23:05,885 --> 00:23:09,055 TIME OF DEATH IS BETWEEN 4:00 AND 6:00 A.M., 629 00:23:09,088 --> 00:23:11,991 AND DNA CONFIRMS... 630 00:23:12,024 --> 00:23:13,493 [CARD LOCK BEEPS] 631 00:23:13,526 --> 00:23:14,961 THAT NIKA HAD INTERCOURSE WITH ERIC SHARPE 632 00:23:14,994 --> 00:23:16,829 BEFORE SHE DIED. 633 00:23:16,863 --> 00:23:18,931 CONSENSUAL, WE THINK? 634 00:23:18,965 --> 00:23:21,033 WELL, THERE'S NO EVIDENCE 635 00:23:21,067 --> 00:23:22,869 OF ANY TEARING OR ABRASIONS, 636 00:23:22,902 --> 00:23:24,070 BUT THERE'S ONLY TWO PEOPLE WHO KNOWS IF THERE WAS CONSENT, 637 00:23:24,103 --> 00:23:26,038 AND ONE OF THEM IS DEAD. 638 00:23:26,072 --> 00:23:27,840 WELL, THE OTHER ONE IS LYING. 639 00:23:27,874 --> 00:23:28,675 WHAT ABOUT HER TOX SCREEN? 640 00:23:28,708 --> 00:23:32,945 YUP, EVIDENCE OF ALCOHOL AND ZOLPIDEM. 641 00:23:32,979 --> 00:23:35,482 ABOUT HALF OF ERIC SHARPE'S DOSAGE. 642 00:23:35,515 --> 00:23:37,817 FORENSICS PULLED A SET OF PRINTS FROM THE KNIFE. 643 00:23:37,850 --> 00:23:39,018 ERIC SHARPE. 644 00:23:39,051 --> 00:23:40,019 EXCEPT... 645 00:23:40,052 --> 00:23:43,089 THE POSITION OF THE PRINTS 646 00:23:43,122 --> 00:23:48,961 SUGGESTS THAT THE KNIFE WAS HELD WITH THE BLADE 647 00:23:48,995 --> 00:23:50,763 ON THE THUMB SIDE OF THE HAND. 648 00:23:50,797 --> 00:23:52,064 SO? 649 00:23:52,098 --> 00:23:55,101 WELL, THE WOUND I EXAMINED... 650 00:23:55,134 --> 00:23:59,105 DOWNWARD STABBING WOULD BE IMPOSSIBLE. 651 00:23:59,138 --> 00:24:01,874 SO, SOMEONE WIPED THIS OFF 652 00:24:01,908 --> 00:24:02,975 AND PUT IT IN HIS HAND. 653 00:24:03,009 --> 00:24:04,944 IT WOULD APPEAR SO. 654 00:24:04,977 --> 00:24:07,714 SO, HE DIDN'T KILL HER? 655 00:24:07,747 --> 00:24:10,817 WELL, THE EVIDENCE DOESN'T SUPPORT THAT THEORY. 656 00:24:10,850 --> 00:24:14,120 WE'VE BEEN LOOKING AT ERIC SHARPE AND WHO HE HURT. 657 00:24:14,153 --> 00:24:17,123 BUT MAYBE THIS ISN'T JUST ABOUT HIM, 658 00:24:17,156 --> 00:24:19,225 MAYBE THIS IS ABOUT WHO NIKA HURT, TOO. 659 00:24:23,195 --> 00:24:24,497 WELL, WHOEVER THE KILLER WAS, 660 00:24:24,531 --> 00:24:25,498 HE USED ERIC'S REPUTATION AGAINST HIM. 661 00:24:25,532 --> 00:24:27,967 HE'S THE PERFECT PATSY. 662 00:24:28,000 --> 00:24:29,168 THIS IS THE GUY WHO THOUGHT A SOLID CHARACTER WITNESS 663 00:24:29,201 --> 00:24:30,537 WAS A WOMAN HE ASSAULTED. 664 00:24:32,271 --> 00:24:34,173 TYLER WAS AT THE SCENE OF THE CRIME. 665 00:24:34,206 --> 00:24:36,175 NIKA HAD LEFT HER ALONE WITH HIM... 666 00:24:36,208 --> 00:24:38,144 I'M NOT FEELING HER FOR THIS. 667 00:24:38,177 --> 00:24:38,978 I'LL RE-INTERVIEW HER, 668 00:24:39,011 --> 00:24:39,979 BUT I'M NOT FEELING HER FOR THIS. 669 00:24:40,012 --> 00:24:42,715 LUCAS HAD DIGITAL FORENSICS COMB NIKA'S LAPTOP. 670 00:24:42,749 --> 00:24:44,517 THERE'S A THREATENING EMAIL THERE TO NIKA 671 00:24:44,551 --> 00:24:46,719 FROM A KELLI... WHAT IS IT, BRADSHAW? 672 00:24:46,753 --> 00:24:48,220 "PAYBACK'S A BITCH." 673 00:24:48,254 --> 00:24:49,188 YEAH, YOU WANT ME TO TALK TO KELLI? 674 00:24:49,221 --> 00:24:50,990 DO YOU MIND? 675 00:24:51,023 --> 00:24:51,490 NO, YOU'RE PRIMARY, YOU TELL ME WHAT YOU WANT ME TO DO. 676 00:24:51,524 --> 00:24:53,292 YES, BRING HER IN. 677 00:24:53,325 --> 00:24:54,561 OKAY. 678 00:24:58,765 --> 00:25:00,199 IF YOU CHANGE YOUR MIND ABOUT SPEAKING ON THE RECORD, 679 00:25:00,232 --> 00:25:01,534 PLEASE CALL ME BACK. 680 00:25:01,568 --> 00:25:03,235 I'LL SUPPORT YOU IN ANY WAY THAT I CAN. 681 00:25:03,269 --> 00:25:04,503 THANK YOU. 682 00:25:10,810 --> 00:25:12,244 THE MORNING AFTER THE NIGHT BEFORE. 683 00:25:12,278 --> 00:25:13,279 [CHUCKLING] 684 00:25:13,312 --> 00:25:14,246 I MISS MY 20s. 685 00:25:14,280 --> 00:25:16,015 MINE AREN'T ALL THEY'RE CRACKED UP TO BE. 686 00:25:16,048 --> 00:25:19,318 THE, UH, POLICE CUT ERIC SHARPE LOOSE. 687 00:25:19,351 --> 00:25:21,220 THAT'S NEWS I SHOULD HAVE HEARD FROM YOU. 688 00:25:21,253 --> 00:25:22,188 THEY LET HIM GO? THAT'S IMPOSSIBLE. 689 00:25:22,221 --> 00:25:24,056 I KNOW, SO THAT MEANS YOUR STORY IS DEAD. 690 00:25:24,090 --> 00:25:25,758 BUT HE DID IT. 691 00:25:25,792 --> 00:25:26,559 YEAH, GOOD LUCK TRYING TO FIND THE EVIDENCE 692 00:25:26,593 --> 00:25:27,594 WHEN THE COPS CAN'T. 693 00:25:35,067 --> 00:25:37,804 I THOUGHT I WAS CLEAR, I DON'T WANT TO PRESS CHARGES. 694 00:25:37,837 --> 00:25:39,038 NO, I UNDERSTAND. 695 00:25:39,071 --> 00:25:41,040 I JUST, UM... GO AHEAD, SIT DOWN. 696 00:25:41,073 --> 00:25:43,776 I HAVE SOME QUESTIONS ABOUT THE NIGHT OF THE PARTY 697 00:25:43,810 --> 00:25:45,978 THAT I HAVE TO ASK. 698 00:25:46,012 --> 00:25:49,682 UH... OKAY. 699 00:25:51,050 --> 00:25:54,120 YOU WERE AT THE PARTY THE NIGHT NIKA DIED. 700 00:25:54,153 --> 00:25:56,055 WHY DID YOU GO? 701 00:25:56,088 --> 00:25:58,290 I WANTED TO STAY ON ERIC'S GOOD SIDE. 702 00:25:58,324 --> 00:26:01,594 HOW WELL DID YOU KNOW NIKA? 703 00:26:01,628 --> 00:26:04,263 WELL ENOUGH THAT I TOLD HER WHAT HE DID TO ME. 704 00:26:04,296 --> 00:26:05,598 YOU TOLD HER AT THE PARTY? 705 00:26:05,632 --> 00:26:07,266 NO, THE DAY BEFORE. 706 00:26:07,299 --> 00:26:08,300 AND HOW DID SHE REACT? 707 00:26:08,334 --> 00:26:09,802 SHE WARNED ME 708 00:26:09,836 --> 00:26:11,804 THAT IF I TOLD ANYONE ELSE ABOUT ERIC, 709 00:26:11,838 --> 00:26:13,806 THEN HE WOULD FIND OUT, AND HE WOULD DESTROY ME. 710 00:26:13,840 --> 00:26:14,941 YOU TOLD ME BEFORE 711 00:26:14,974 --> 00:26:18,611 THAT NIKA LEFT YOU ALONE WITH ERIC WHEN HE ASSAULTED YOU. 712 00:26:18,645 --> 00:26:20,079 WERE YOU ANGRY AT HER? 713 00:26:20,112 --> 00:26:22,615 DID YOU BLAME HER? 714 00:26:22,649 --> 00:26:25,017 AM I A SUSPECT? 715 00:26:25,051 --> 00:26:27,286 I JUST NEED, UM... 716 00:26:27,319 --> 00:26:29,622 I NEED AN ALIBI SO I CAN CLEAR YOU. 717 00:26:29,656 --> 00:26:32,091 WHAT TIME DID YOU LEAVE THE PARTY? 718 00:26:32,124 --> 00:26:34,293 AROUND 11:00. 719 00:26:34,326 --> 00:26:36,295 MY ROOMMATE WAS UP WHEN I GOT HOME. 720 00:26:36,328 --> 00:26:37,596 OKAY. 721 00:26:41,167 --> 00:26:42,301 DETECTIVE FLYNN? 722 00:26:42,334 --> 00:26:43,670 WHY DID YOU RELEASE ERIC SHARPE? 723 00:26:43,703 --> 00:26:44,470 DEPENDS ON WHO'S ASKING, 724 00:26:44,503 --> 00:26:46,873 A CONCERNED FRIEND OR A BLOGGER? 725 00:26:46,906 --> 00:26:48,074 BOTH. 726 00:26:48,107 --> 00:26:49,075 WELL, TO THE BLOGGER, 727 00:26:49,108 --> 00:26:50,109 I'D SAY NO COMMENT. 728 00:26:50,142 --> 00:26:51,844 AND TO THE CONCERNED FRIEND? 729 00:26:51,878 --> 00:26:53,312 I WOULD TELL YOU, I UNDERSTAND HOW YOU FEEL, 730 00:26:53,345 --> 00:26:54,346 AND I WOULD ENCOURAGE YOU 731 00:26:54,380 --> 00:26:55,648 TO GET IN TOUCH WITH VICTIM SERVICES, 732 00:26:55,682 --> 00:26:56,649 WHO CAN HELP YOU. 733 00:26:56,683 --> 00:26:59,318 YOU'RE MAKING A BIG MISTAKE LETTING HIM GO. 734 00:26:59,351 --> 00:27:00,753 I'M SORRY YOU FEEL THAT WAY. 735 00:27:06,158 --> 00:27:08,127 SO, HOW DID YOU KNOW NIKA REID? 736 00:27:08,160 --> 00:27:09,161 WE BOTH WORKED FOR ERIC SHARPE, 737 00:27:09,195 --> 00:27:10,129 UNTIL HE FIRED ME. 738 00:27:11,898 --> 00:27:13,265 ALL RIGHT, WELL, WE HAVE A THREATENING EMAIL 739 00:27:13,299 --> 00:27:15,702 FROM YOU TO NIKA. 740 00:27:15,735 --> 00:27:17,203 "PAYBACK'S A BITCH. 741 00:27:17,236 --> 00:27:19,438 "GOOD LUCK WITH THE CLIMB TO THE TOP. 742 00:27:19,471 --> 00:27:21,207 IT'S NEVER GOING TO HAPPEN FOR YOU." 743 00:27:21,240 --> 00:27:22,208 DOES THAT SOUND FAMILIAR? 744 00:27:22,241 --> 00:27:24,210 YEAH, I WROTE IT, 745 00:27:24,243 --> 00:27:25,678 IF THAT'S WHAT YOU'RE ASKING. 746 00:27:25,712 --> 00:27:27,413 WELL, WHAT DID NIKA DO TO DESERVE SUCH AN EMAIL? 747 00:27:28,915 --> 00:27:30,416 SHE WOULD DO ANYTHING TO HOLD ONTO THE JOB, 748 00:27:30,449 --> 00:27:32,384 THE STUFF I WOULDN'T DO. 749 00:27:32,418 --> 00:27:34,453 SHE'S THE REASON I WAS FIRED. 750 00:27:34,486 --> 00:27:35,354 YOU PROMISED HER PAYBACK 751 00:27:35,387 --> 00:27:37,423 EVEN THOUGH IT WAS ERIC WHO FIRED YOU. 752 00:27:37,456 --> 00:27:39,191 I WAS MAD WHEN I SENT THE EMAIL. 753 00:27:39,225 --> 00:27:41,327 BUT IF YOU'RE ASKING ME IF I KILLED HER, 754 00:27:41,360 --> 00:27:42,328 NO, 755 00:27:42,361 --> 00:27:44,697 OF COURSE NOT. 756 00:27:44,731 --> 00:27:45,932 AND WERE YOU SEXUALLY INVOLVED WITH ERIC? 757 00:27:45,965 --> 00:27:47,233 NO, 758 00:27:47,266 --> 00:27:49,301 I HAVE A GIRLFRIEND. 759 00:27:49,335 --> 00:27:51,470 THAT DIDN'T MATTER TO ERIC. 760 00:27:51,503 --> 00:27:54,774 HE KEPT THREATENING TO CONVERT ME. 761 00:28:02,949 --> 00:28:06,318 THERE'S NO WAY HE'S WAKING UP ANY TIME SOON. 762 00:28:06,352 --> 00:28:07,720 COMING HERE LAST NIGHT 763 00:28:07,754 --> 00:28:11,290 WAS THE BIGGEST MISTAKE OF MY LIFE. 764 00:28:11,323 --> 00:28:12,725 WHAT ARE YOU SO FREAKED OUT ABOUT? 765 00:28:12,759 --> 00:28:14,727 YOU'RE STILL HIGH. 766 00:28:14,761 --> 00:28:16,195 I TOLD YOU NOT TO TAKE ONE OF HIS PILLS. 767 00:28:16,228 --> 00:28:17,496 DON'T JUDGE ME, OKAY? 768 00:28:17,529 --> 00:28:19,298 YOU WERE PRETTY WASTED, TOO. 769 00:28:19,331 --> 00:28:21,934 GET DRESSED, WE NEED TO GO NOW. 770 00:28:21,968 --> 00:28:24,436 YOU ARE MAKING A BIG DEAL OUT OF NOTHING. 771 00:28:24,470 --> 00:28:26,405 WHAT HAPPENED WASN'T NOTHING. 772 00:28:26,438 --> 00:28:27,774 WE NEED TO TALK. 773 00:28:33,545 --> 00:28:36,783 I ALWAYS LOVED THAT PHOTO OF YOU TWO. 774 00:28:38,785 --> 00:28:40,753 WHERE DID YOU GET IT? 775 00:28:40,787 --> 00:28:42,755 I WAS FLIPPING THROUGH YOUR YEARBOOK, AND IT FELL OUT. 776 00:28:42,789 --> 00:28:46,325 I HOPE IT'S OKAY I PUT IT UP. 777 00:28:46,358 --> 00:28:49,161 YOU STILL WANT TO DO THIS? 778 00:28:49,195 --> 00:28:50,729 YEAH. 779 00:28:52,331 --> 00:28:55,367 I'LL SAY WHATEVER I HAVE TO TO CONVICT ERIC SHARPE. 780 00:28:55,401 --> 00:28:58,337 A PUBLIC STATEMENT WILL MEAN A LOT FROM YOU. 781 00:28:58,370 --> 00:29:00,006 IT'LL CONVINCE VICTIMS TO COME FORWARD. 782 00:29:00,039 --> 00:29:01,407 I JUST NEED ONE GIRL ON THE RECORD, 783 00:29:01,440 --> 00:29:02,875 AND THEN I WILL BURY ERIC. 784 00:29:09,281 --> 00:29:10,249 OKAY, WHENEVER YOU'RE READY. 785 00:29:10,282 --> 00:29:13,352 JUST SPEAK FROM THE HEART. 786 00:29:17,423 --> 00:29:22,261 MY NAME IS DANIELLE REID. 787 00:29:22,294 --> 00:29:25,798 MY SISTER, NIKA, WORKED FOR ERIC SHARPE, 788 00:29:25,832 --> 00:29:29,001 AND NOW SHE'S DEAD. 789 00:29:29,035 --> 00:29:30,269 I HAVE LOST THE PERSON 790 00:29:30,302 --> 00:29:33,272 THAT I CARE ABOUT MOST IN THIS WORLD, 791 00:29:33,305 --> 00:29:37,844 WHILE A SEXUAL PREDATOR GOES FREE. 792 00:29:37,877 --> 00:29:41,247 ERIC SHARPE HAS A HISTORY OF VIOLENCE AGAINST WOMEN. 793 00:29:42,514 --> 00:29:45,317 PLEASE, IF YOU OR ANYONE YOU KNOW 794 00:29:45,351 --> 00:29:48,020 HAS EVER BEEN A VICTIM OF ERIC SHARPE'S, 795 00:29:48,054 --> 00:29:49,856 COME FORWARD. 796 00:29:49,889 --> 00:29:53,392 PLEASE DO NOT LET HIM GET AWAY WITH MURDER. 797 00:29:58,564 --> 00:30:00,566 THAT'S GOOD. 798 00:30:01,968 --> 00:30:04,036 DETECTIVE FLYNN CAME TO ME WITH HER THEORY 799 00:30:04,070 --> 00:30:05,004 ABOUT JANET WONG'S INVOLVEMENT 800 00:30:05,037 --> 00:30:06,939 IN THE DEREK CASTER MURDER. 801 00:30:06,973 --> 00:30:09,275 I FELT LIKE THE THEORY HAD MERIT, 802 00:30:09,308 --> 00:30:13,012 SO I GREENLIT THE INVESTIGATION. 803 00:30:13,045 --> 00:30:15,147 YOU'VE KNOWN DETECTIVE FLYNN A LONG TIME. 804 00:30:15,181 --> 00:30:16,916 WE WERE PARTNERS BACK IN THE DAY. 805 00:30:16,949 --> 00:30:18,484 YOU'RE LOYAL TO HER AND SHE'S LOYAL TO YOU. 806 00:30:18,517 --> 00:30:21,287 I BELIEVE I HAVE THE SUPPORT OF MY WHOLE TEAM. 807 00:30:21,320 --> 00:30:24,290 BUT YOU HAD A PERSONAL RELATIONSHIP 808 00:30:24,323 --> 00:30:25,291 WITH DETECTIVE FLYNN, 809 00:30:25,324 --> 00:30:26,525 CORRECT? 810 00:30:26,558 --> 00:30:28,961 THAT WAS A LONG TIME AGO. 811 00:30:28,995 --> 00:30:30,229 SO, YOU WOULDN'T SAY SHE ENJOYS SPECIAL CONSIDERATION, 812 00:30:30,262 --> 00:30:32,965 EVEN, UH, UNINTENTIONALLY? 813 00:30:32,999 --> 00:30:36,068 NO, I WOULDN'T. 814 00:30:36,102 --> 00:30:38,204 ARE YOU HAPPY IN HOMICIDE, SERGEANT CROSS? 815 00:30:38,237 --> 00:30:40,072 THAT WASN'T MEANT AS A THREAT. 816 00:30:40,106 --> 00:30:41,340 NO, I DIDN'T TAKE IT AS ONE. 817 00:30:43,075 --> 00:30:44,243 VERY HAPPY, YES, THANK YOU. 818 00:30:44,276 --> 00:30:47,046 I ONLY ASK BECAUSE I NOTICED 819 00:30:47,079 --> 00:30:49,248 YOU'VE BEEN WORKING IN THE FIELD MORE LATELY. 820 00:30:49,281 --> 00:30:51,050 A LOT MORE. 821 00:30:51,083 --> 00:30:52,952 YOU KNOW, IT'S FUNNY. 822 00:30:52,985 --> 00:30:54,353 WHEN YOU FIRST TOOK OVER THE SECTION, 823 00:30:54,386 --> 00:30:56,923 EVERYONE THOUGHT YOU WERE ANGLING FOR A TOP SPOT. 824 00:30:56,956 --> 00:30:57,924 PRIORITIES CHANGE. 825 00:30:57,957 --> 00:30:59,091 DO THEY? 826 00:30:59,125 --> 00:30:59,992 THAT WAS RHETORICAL. 827 00:31:00,026 --> 00:31:03,963 YOU, UH, YOU DON'T HAVE TO ANSWER THAT. 828 00:31:06,098 --> 00:31:09,535 HEY, SO I TALKED TO KATE IN SEX CRIMES. 829 00:31:09,568 --> 00:31:11,037 SHE'S BEEN HEARING FROM OTHER WOMEN 830 00:31:11,070 --> 00:31:12,538 ABOUT OUR MR. ERIC SHARPE. 831 00:31:12,571 --> 00:31:14,373 BUT NOT ONE SINGLE COMPLAINT UNTIL NOW. 832 00:31:14,406 --> 00:31:17,076 DANIELLE REID'S APPEAL IS REALLY HITTING HOME. 833 00:31:17,109 --> 00:31:20,279 SHE ALSO SAYS THEY'VE ALL BEEN TALKING TO STACEY LAWFORD. 834 00:31:20,312 --> 00:31:21,113 OFF THE RECORD, OF COURSE. 835 00:31:21,147 --> 00:31:22,381 CAN YOU FOLLOW UP ON THEIR ALIBIS? 836 00:31:22,414 --> 00:31:23,983 WILL DO. 837 00:31:27,153 --> 00:31:28,354 SO, YOU CHECKED OUT WICKED CITY IN THE LAST HOUR? 838 00:31:28,387 --> 00:31:29,355 NO. 839 00:31:29,388 --> 00:31:31,390 STACEY LAWFORD JUST TWEETED A LINK TO A STORY 840 00:31:31,423 --> 00:31:32,458 ABOUT A GIRL GOING BY THE NAME "MARCI"... 841 00:31:34,260 --> 00:31:35,561 SAYS ERIC SHARPE TRIED TO KILL HER. 842 00:31:35,594 --> 00:31:37,229 HUH. 843 00:31:37,263 --> 00:31:38,130 "I WAS DRUNK, I TRIED TO GET AWAY, 844 00:31:38,164 --> 00:31:39,598 "HE THREATENED TO KILL ME, 845 00:31:39,631 --> 00:31:40,699 "FORCED ME TO HAVE SEX. 846 00:31:40,732 --> 00:31:41,833 IT WAS THE MOST TERRIFYING EXPERIENCE OF MY LIFE." 847 00:31:41,867 --> 00:31:45,171 THAT'S OUR FIRST STATEMENT WITH AN EXPLICIT DEATH THREAT. 848 00:31:45,204 --> 00:31:46,138 YEAH. I'LL CONTACT WICKED CITY, 849 00:31:46,172 --> 00:31:48,140 SEE IF THEY'LL GIVE ME MARCI'S INFORMATION. 850 00:31:50,276 --> 00:31:52,144 THAT VICTIM QUOTED IN STACEY LAWFORD'S STORY? 851 00:31:52,178 --> 00:31:53,245 MARCI? 852 00:31:53,279 --> 00:31:55,014 SHE SAID ERIC SHARPE TRIED TO KILL HER, 853 00:31:55,047 --> 00:31:56,115 I NEED TO TALK TO HER. 854 00:31:56,148 --> 00:31:57,383 WE PROMISED ANONYMITY. 855 00:31:57,416 --> 00:31:59,051 IF WE SELL OUT OUR SOURCES TO THE COPS, 856 00:31:59,085 --> 00:32:00,219 WE'LL NEVER HEAR FROM ANYONE AGAIN. 857 00:32:00,252 --> 00:32:02,154 WELL, I UNDERSTAND, 858 00:32:02,188 --> 00:32:05,124 BUT THERE MUST BE SOME KIND OF COMPROMISE 859 00:32:05,157 --> 00:32:06,425 THAT YOU CAN LIVE WITH. 860 00:32:06,458 --> 00:32:09,061 WHAT DO YOU HAVE IN MIND? 861 00:32:09,095 --> 00:32:11,130 WHAT IF I GIVE YOU A HALF-HOUR JUMP ON YOUR COMPETITION 862 00:32:11,163 --> 00:32:13,099 WHEN I MAKE THE ARREST? 863 00:32:13,132 --> 00:32:15,401 FOR THAT, I COULD GIVE YOU THE RAW AUDIO 864 00:32:15,434 --> 00:32:17,136 OF MARCI'S INTERVIEW. 865 00:32:17,169 --> 00:32:18,104 WELL, THAT WORKS FOR ME. 866 00:32:18,137 --> 00:32:20,239 I'LL HAVE STACEY MAKE A COPY WHEN SHE COMES IN. 867 00:32:20,272 --> 00:32:21,640 GREAT, SHE CAN EMAIL ME. 868 00:32:21,673 --> 00:32:23,642 I CAN'T BELIEVE YOU AGREED TO THAT. 869 00:32:23,675 --> 00:32:25,277 THAT'S A COMPROMISE I CAN LIVE WITH. 870 00:32:25,311 --> 00:32:26,378 WELL, I'M NOT GIVING UP MY SOURCE, 871 00:32:26,412 --> 00:32:27,413 AND I WON'T GIVE UP MY FILES. 872 00:32:27,446 --> 00:32:28,414 THEY'RE NOT YOUR FILES. 873 00:32:28,447 --> 00:32:30,016 THEY BELONG TO THE COMPANY. 874 00:32:30,049 --> 00:32:31,417 WHAT ABOUT JOURNALISTIC PRINCIPLES? 875 00:32:31,450 --> 00:32:35,287 CONSIDER THE GREATER GOOD, STACEY. 876 00:32:41,160 --> 00:32:43,195 DETECTIVE BRIAN LUCAS, HELLO. 877 00:32:43,229 --> 00:32:45,097 I'VE HEARD GREAT THINGS ABOUT YOU 878 00:32:45,131 --> 00:32:46,198 FROM MY FRIENDS IN FINANCIAL CRIME. 879 00:32:46,232 --> 00:32:47,266 [CHUCKLES] 880 00:32:47,299 --> 00:32:48,267 YOU TOO, SERGEANT. 881 00:32:48,300 --> 00:32:50,202 YOU'RE A LEGEND. 882 00:32:50,236 --> 00:32:52,671 SO, YOU, UH, YOU LIKE HOMICIDE? 883 00:32:52,704 --> 00:32:55,107 I DO, VERY MUCH. 884 00:32:55,141 --> 00:32:57,209 GOOD. 885 00:32:57,243 --> 00:32:59,345 HOW DID DETECTIVE FLYNN REACT WHEN YOU STEPPED UP TO PRIMARY? 886 00:33:00,679 --> 00:33:02,148 THERE WAS NO ISSUE. 887 00:33:02,181 --> 00:33:03,349 SO, SHE FOLLOWED YOUR LEAD? 888 00:33:03,382 --> 00:33:06,052 TOOK ALL YOUR INSTRUCTIONS? 889 00:33:06,085 --> 00:33:09,188 LOOK, NO OFFENSE, SERGEANT, 890 00:33:09,221 --> 00:33:13,325 BUT IS THERE A POINT TO ALL OF THESE QUESTIONS? 891 00:33:13,359 --> 00:33:16,062 SOUNDS LIKE YOU HAVE A THEORY. 892 00:33:16,095 --> 00:33:18,697 WELL, SOMEONE HIGH UP MIGHT HAVE AN AXE TO GRIND 893 00:33:18,730 --> 00:33:21,133 ON BEHALF OF NEVILLE MONTGOMERY. 894 00:33:21,167 --> 00:33:22,134 AND WHY WOULD THAT BE? 895 00:33:22,168 --> 00:33:23,269 [CHUCKLES] 896 00:33:23,302 --> 00:33:26,205 YOU'D HAVE TO ASK THEM. 897 00:33:26,238 --> 00:33:28,207 ALL I CAN SEE IS 898 00:33:28,240 --> 00:33:31,143 INTERNAL INVESTIGATIONS OPENS A FILE ON DETECTIVE FLYNN 899 00:33:31,177 --> 00:33:33,312 AFTER SHE INSULTED NEVILLE MONTGOMERY'S LAWYER. 900 00:33:33,345 --> 00:33:35,281 SO, YOU THINK INTERNAL DOES NEVILLE MONTGOMERY'S DIRTY WORK? 901 00:33:37,216 --> 00:33:40,152 I KNOW THAT NEVILLE MONTGOMERY AND DEPUTY CHIEF HALFORD 902 00:33:40,186 --> 00:33:41,253 ARE FRIENDS. 903 00:33:43,255 --> 00:33:45,491 [SIGHS HEAVILY] 904 00:33:45,524 --> 00:33:48,127 MY BOSS MADE A DEAL WITH THE COPS. 905 00:33:48,160 --> 00:33:49,228 HE WANTS ME TO GIVE UP MARCI, 906 00:33:49,261 --> 00:33:50,262 BUT I WON'T DO IT. 907 00:33:50,296 --> 00:33:52,698 SHE SHOULDN'T HAVE TO TALK IF SHE DOESN'T WANT TO. 908 00:33:52,731 --> 00:33:54,300 SHE DESERVES HER PRIVACY. 909 00:33:54,333 --> 00:33:55,234 WHAT ABOUT ERIC SHARPE GOING FREE 910 00:33:55,267 --> 00:33:57,236 WITH ALL OF THESE WOMEN COMING FORWARD? 911 00:33:57,269 --> 00:33:58,304 THAT'S INSANE. 912 00:33:58,337 --> 00:34:00,306 HE DRUGGED YOUR SISTER, 913 00:34:00,339 --> 00:34:01,173 AND THEN HE KILLED HER. 914 00:34:01,207 --> 00:34:03,375 SHE WAS IN HIS BED, FOR GOD'S SAKE. 915 00:34:03,409 --> 00:34:04,743 THERE'S GOT TO BE SOMETHING WE CAN DO. 916 00:34:04,776 --> 00:34:07,613 I WON'T LET HIM GET AWAY WITH KILLING MY SISTER. 917 00:34:13,352 --> 00:34:15,187 ERIC SHARPE? 918 00:34:15,221 --> 00:34:17,123 DO I KNOW YOU? 919 00:34:17,156 --> 00:34:18,224 NO, BUT I KNOW YOU. 920 00:34:19,358 --> 00:34:20,459 YOU KILLED MY SISTER. 921 00:34:20,492 --> 00:34:22,194 [SHOT CRACKS, ERIC SCREAMS] 922 00:34:24,263 --> 00:34:26,298 OH, GOD! 923 00:34:26,332 --> 00:34:28,167 OH, GOD! OH, GOD! OH, GOD! 924 00:34:30,169 --> 00:34:31,270 OH, GOD! 925 00:34:33,472 --> 00:34:35,674 SO, ERIC IS IN STABLE CONDITION. 926 00:34:35,707 --> 00:34:37,143 ANOTHER INCH, YOU WOULD HAVE HIT AN ARTERY. 927 00:34:37,176 --> 00:34:39,778 I WASN'T AIMING FOR AN ARTERY. 928 00:34:39,811 --> 00:34:40,746 YOU REALIZE THAT'S A CONFESSION. 929 00:34:40,779 --> 00:34:42,814 I KNOW. 930 00:34:42,848 --> 00:34:44,716 YOU'RE LOOKING AT AN ATTEMPTED MURDER CHARGE. 931 00:34:44,750 --> 00:34:47,219 IF I HAD WANTED HIM DEAD, I WOULD HAVE AIMED HIGHER. 932 00:34:48,920 --> 00:34:50,789 WAS IT WORTH IT? 933 00:34:50,822 --> 00:34:52,124 EXCUSE ME? 934 00:34:52,158 --> 00:34:52,891 I'M JUST CURIOUS, I'M ASKING. 935 00:34:52,924 --> 00:34:54,493 I MEAN, CONSERVATIVELY, 936 00:34:54,526 --> 00:34:56,762 YOU'RE LOOKING AT GIVING UP 10 YEARS OF YOUR LIFE. 937 00:34:56,795 --> 00:34:58,130 WAS IT WORTH IT? 938 00:34:58,164 --> 00:35:00,299 [SCOFFS] THAT'S JUSTICE. 939 00:35:00,332 --> 00:35:02,834 ERIC MURDERS MY SISTER, ASSAULTS ALL THOSE WOMEN, 940 00:35:02,868 --> 00:35:03,902 AND I GO TO JAIL. 941 00:35:03,935 --> 00:35:06,705 YOU KNOW, NOW THAT THE WITNESSES HAVE COME FORWARD, 942 00:35:06,738 --> 00:35:09,141 ERIC IS LOOKING AT MULTIPLE CHARGES OF SEXUAL ASSAULT. 943 00:35:09,175 --> 00:35:10,709 BUT NOTHING FOR KILLING NIKA. 944 00:35:10,742 --> 00:35:13,879 FORENSIC EVIDENCE PROVES THAT ERIC DID NOT KILL NIKA. 945 00:35:13,912 --> 00:35:16,148 WHO ELSE COULD'VE DONE IT? 946 00:35:16,182 --> 00:35:17,816 HE DRUGGED MY SISTER. 947 00:35:17,849 --> 00:35:19,251 SHE WAS FOUND IN HIS BED. 948 00:35:19,285 --> 00:35:20,752 AND WHERE DID YOU GET THAT INFORMATION? 949 00:35:20,786 --> 00:35:22,721 STACEY TOLD ME. 950 00:35:27,859 --> 00:35:28,794 DETECTIVE? 951 00:35:28,827 --> 00:35:30,262 YEAH? 952 00:35:30,296 --> 00:35:32,931 YOU ASKED ME IF IT WAS WORTH IT? 953 00:35:32,964 --> 00:35:34,200 IT WAS. 954 00:35:38,204 --> 00:35:40,172 DANIELLE SHOT ERIC BECAUSE OF WHAT YOU SAID TO HER. 955 00:35:40,206 --> 00:35:41,173 I NEVER TOLD HER TO SHOOT ERIC. 956 00:35:41,207 --> 00:35:42,174 NOT IN SO MANY WORDS. 957 00:35:42,208 --> 00:35:43,709 NOT IN ANY WORDS. 958 00:35:43,742 --> 00:35:46,178 YOU TOLD HER THAT HE DRUGGED NIKA AND KILLED HER. 959 00:35:46,212 --> 00:35:47,313 THAT INCITED HER TO KILL HIM. 960 00:35:47,346 --> 00:35:49,248 I FAIL TO SEE HOW THAT IMPLICATES ME IN THE SHOOTING. 961 00:35:49,281 --> 00:35:50,716 HOW DID YOU KNOW ABOUT THE DRUGS? 962 00:35:50,749 --> 00:35:51,950 I JUST ASSUMED IT FROM ALL THAT I'VE HEARD ABOUT ERIC. 963 00:35:51,983 --> 00:35:53,285 IT'S HIS M.O. 964 00:35:53,319 --> 00:35:55,187 HOW DID YOU KNOW SHE WAS FOUND IN HIS BED? 965 00:35:55,221 --> 00:35:57,189 WHERE ELSE WOULD SHE BE? 966 00:35:57,223 --> 00:35:59,525 SHE TOLD ME SHE WAS GOING TO SLEEP WITH HIM. 967 00:35:59,558 --> 00:36:01,327 I'M STILL WAITING ON THOSE AUDIO RECORDINGS 968 00:36:01,360 --> 00:36:02,828 OF YOUR INTERVIEW WITH MARCI. 969 00:36:02,861 --> 00:36:03,829 WHERE ARE THEY? 970 00:36:03,862 --> 00:36:04,930 I WON'T GIVE UP MY SOURCE. 971 00:36:04,963 --> 00:36:06,031 YOU CAN THROW ME IN JAIL, BUT I WON'T GIVE HER UP. 972 00:36:06,064 --> 00:36:07,933 WELL, IT'S GOOD TO KNOW THAT JAIL'S AN OPTION FOR YOU. 973 00:36:10,236 --> 00:36:11,803 ONE LAST THING, WHEN'S THE LAST TIME YOU SAW NIKA? 974 00:36:13,272 --> 00:36:14,206 I HAD A FEW DRINKS AT ERIC'S PARTY 975 00:36:14,240 --> 00:36:15,207 AND I GRABBED A CAB. 976 00:36:15,241 --> 00:36:16,275 OKAY, THANKS. 977 00:36:21,847 --> 00:36:23,949 SO THE BEST FRIEND GRADUATES TO PRIME SUSPECT? 978 00:36:23,982 --> 00:36:24,983 YUP, SHE HAD INFORMATION 979 00:36:25,016 --> 00:36:26,885 ONLY WE AND THE KILLER KNEW. 980 00:36:26,918 --> 00:36:29,255 STACEY KILLS NIKA, 981 00:36:29,288 --> 00:36:31,223 CAPITALIZES ON ERIC'S BAD REPUTATION, 982 00:36:31,257 --> 00:36:32,224 THEN HIDES OUT IN PLAIN SIGHT. 983 00:36:32,258 --> 00:36:32,924 YEAH. 984 00:36:32,958 --> 00:36:34,893 NO MOTIVE. 985 00:36:34,926 --> 00:36:36,995 WELL, SHE SAID SHE WAS DRINKING THAT NIGHT. 986 00:36:37,028 --> 00:36:38,830 NIKA'S TOX SCREEN DEFINITELY CAME BACK 987 00:36:38,864 --> 00:36:39,865 WITH DRUGS AND ALCOHOL. 988 00:36:39,898 --> 00:36:41,867 WE COULD RE-INTERVIEW ERIC'S PARTY GUESTS, RIGHT? 989 00:36:41,900 --> 00:36:43,001 MAYBE SOMEONE COULD SHED SOME LIGHT 990 00:36:43,034 --> 00:36:44,836 ON STACEY'S STATE OF MIND. 991 00:36:44,870 --> 00:36:46,938 SHE SAID SHE TOOK A CAB HOME FROM ERIC'S PARTY, 992 00:36:46,972 --> 00:36:49,275 SO I'LL TRACK THE CABS FROM HIS PLACE THAT NIGHT. 993 00:36:51,943 --> 00:36:53,211 HEY. 994 00:36:56,315 --> 00:36:57,816 SO, HOW DID IT GO WITH SAUNDERS? 995 00:36:59,318 --> 00:37:00,386 NOTHING HAPPENED. 996 00:37:00,419 --> 00:37:01,920 LOBBED A FEW SOFTBALLS. 997 00:37:01,953 --> 00:37:02,954 IT'S ALL GOOD. 998 00:37:02,988 --> 00:37:03,822 THERE YOU GO. 999 00:37:03,855 --> 00:37:04,956 YEAH. 1000 00:37:06,892 --> 00:37:07,859 [GAVIN]: TALK TO YOU LATER. 1001 00:37:07,893 --> 00:37:09,961 DETECTIVE FLYNN. 1002 00:37:09,995 --> 00:37:12,298 OH, HELLO, GAVIN. 1003 00:37:12,331 --> 00:37:13,265 I ASSUME YOU HEARD THE NEWS. 1004 00:37:13,299 --> 00:37:14,266 I DID. 1005 00:37:14,300 --> 00:37:15,401 SHOULD I BE PLEASED? 1006 00:37:16,968 --> 00:37:18,404 YOUR TEAM IS TIGHT, I'LL GIVE YOU THAT. 1007 00:37:18,437 --> 00:37:19,405 YEAH. 1008 00:37:19,438 --> 00:37:21,006 THEY'RE SOME OF THE GOOD ONES. 1009 00:37:27,313 --> 00:37:29,281 YOU SURE THAT'S THE GIRL FROM YOUR CAB? 1010 00:37:29,315 --> 00:37:30,282 YOU PICKED HER UP AT THAT ADDRESS, 1011 00:37:30,316 --> 00:37:31,283 YOU DROVE HER HOME. 1012 00:37:31,317 --> 00:37:33,952 HER BOYFRIEND, TOO. 1013 00:37:33,985 --> 00:37:35,287 HMM, BOYFRIEND? 1014 00:37:35,321 --> 00:37:36,355 COULDN'T KEEP HIS HANDS OFF HER. 1015 00:37:36,388 --> 00:37:37,989 YOU SEE IT ALL IN THIS JOB. 1016 00:37:38,023 --> 00:37:39,425 CAN YOU DESCRIBE HIM? 1017 00:37:39,458 --> 00:37:42,027 UH, WHITE GUY. 20s. 1018 00:37:42,060 --> 00:37:43,495 DARK HAIR? 1019 00:37:44,996 --> 00:37:45,831 HEIGHT? BUILD? 1020 00:37:45,864 --> 00:37:48,434 IT'S HARD TO TELL WHEN HE'S SITTING. 1021 00:37:48,467 --> 00:37:49,935 YOUR CAB'S GOT A SECURITY CAM. 1022 00:37:49,968 --> 00:37:51,069 YEAH. IT'S CRAP. 1023 00:37:51,102 --> 00:37:53,305 OKAY, I'M GOING TO NEED YOU TO COME DOWN TO THE STATION 1024 00:37:53,339 --> 00:37:55,006 AND WORK WITH A SKETCH ARTIST, OKAY? 1025 00:38:01,480 --> 00:38:03,315 I GOT A CALL FROM DETECTIVE FLYNN. 1026 00:38:03,349 --> 00:38:05,451 HOW COME YOU DIDN'T SEND THE INTERVIEW WITH MARCI? 1027 00:38:05,484 --> 00:38:07,453 BECAUSE I PROMISED I'D PROTECT HER. 1028 00:38:07,486 --> 00:38:08,954 PLAY IT FOR ME. 1029 00:38:08,987 --> 00:38:11,022 NO, I'M NOT GIVING HER UP. 1030 00:38:11,056 --> 00:38:12,891 YOU FABRICATED HER, DIDN'T YOU? 1031 00:38:13,992 --> 00:38:15,327 THAT'S WHY YOU WON'T PRODUCE THE AUDIO. 1032 00:38:15,361 --> 00:38:17,463 I'M NOT INTERRUPTING, AM I? 1033 00:38:17,496 --> 00:38:18,229 LOOKS LIKE I AM. 1034 00:38:18,263 --> 00:38:21,032 WHAT CAN WE DO FOR YOU, DETECTIVE? 1035 00:38:21,066 --> 00:38:22,468 I'M HERE TO TAKE STACEY DOWN TO THE STATION 1036 00:38:22,501 --> 00:38:23,969 FOR SOME QUESTIONING. 1037 00:38:24,002 --> 00:38:25,471 I DON'T HAVE TO GO. I KNOW MY RIGHTS. 1038 00:38:25,504 --> 00:38:27,673 ARE YOU REFUSING TO COME WITH ME? 1039 00:38:27,706 --> 00:38:29,007 THEN I HAVE NO CHOICE BUT TO ARREST YOU. 1040 00:38:29,040 --> 00:38:30,442 ON WHAT CHARGE? 1041 00:38:30,476 --> 00:38:32,043 FOR THE MURDER OF NIKA REID. STAND UP, PLEASE. 1042 00:38:38,517 --> 00:38:41,953 [CONFUSED MURMURS GROWING] 1043 00:38:44,923 --> 00:38:47,926 DANIELLE SAID THAT NIKA CHANGED 1044 00:38:47,959 --> 00:38:52,631 ONCE SHE STARTED WORKING FOR ERIC. 1045 00:38:52,664 --> 00:38:56,735 SHE WANTED TO BE A PART OF THAT WORLD SO MUCH. 1046 00:38:56,768 --> 00:38:59,004 BUT YOU REALLY STUCK BY HER, EVEN WHEN SHE CHANGED. 1047 00:38:59,037 --> 00:39:01,873 THAT'S WHAT FRIENDS DO. 1048 00:39:01,907 --> 00:39:03,842 YOU SHOW UP FOR EACH OTHER, NO MATTER WHAT. 1049 00:39:03,875 --> 00:39:06,812 THAT'S IF YOU'RE A GOOD FRIEND. 1050 00:39:06,845 --> 00:39:09,815 BUT MAYBE NIKA WASN'T. 1051 00:39:14,453 --> 00:39:15,854 WHERE IS THE TAXI? 1052 00:39:15,887 --> 00:39:16,988 IT'S TAKING FOREVER. IT'S FREEZING. 1053 00:39:18,424 --> 00:39:20,759 I CAN'T BELIEVE YOU GOT THIS DRUNK. 1054 00:39:20,792 --> 00:39:21,760 HEY, DON'T BE MAD. 1055 00:39:21,793 --> 00:39:22,761 LET'S GO FOR NACHOS! 1056 00:39:22,794 --> 00:39:24,763 NO, I CAN'T. 1057 00:39:24,796 --> 00:39:25,831 [WHINING IN DISAPPOINTMENT] 1058 00:39:25,864 --> 00:39:27,899 ERIC IS ALREADY MAD THAT I'M OUT HERE WITH YOU. 1059 00:39:27,933 --> 00:39:29,868 YOU CAN DO BETTER THAN THAT CREEP. 1060 00:39:29,901 --> 00:39:31,737 I THINK YOU SHOULD QUIT THAT JOB 1061 00:39:31,770 --> 00:39:32,771 AND TAKE YOUR OWN PICTURES. 1062 00:39:32,804 --> 00:39:33,839 AND DO WHAT FOR MONEY? 1063 00:39:33,872 --> 00:39:35,006 STACEY, YOU DON'T GET IT. 1064 00:39:35,040 --> 00:39:36,775 I HAVE TO DO WHAT HE WANTS. 1065 00:39:36,808 --> 00:39:37,809 YOU ARE SO TALENTED. 1066 00:39:37,843 --> 00:39:39,745 YOU CAN GET ANOTHER JOB. 1067 00:39:39,778 --> 00:39:40,812 ERIC IS MY ONE SHOT. 1068 00:39:40,846 --> 00:39:42,848 [HORN HONKS] 1069 00:39:42,881 --> 00:39:44,750 -OH, FINALLY. -OH, HERE! 1070 00:39:44,783 --> 00:39:46,418 BE CAREFUL. 1071 00:39:46,452 --> 00:39:47,018 [YELPS AND GIGGLES] 1072 00:39:48,820 --> 00:39:50,956 HEY, THAT'S MY TAXI. 1073 00:39:50,989 --> 00:39:51,990 HE'S HOT. 1074 00:39:52,023 --> 00:39:53,224 YOU HAVE GREAT HAIR. 1075 00:39:53,258 --> 00:39:55,026 LOOK, MY FRIEND IS SUPER DRUNK. JUST LET HER TAKE THE CAB. 1076 00:39:55,060 --> 00:39:56,828 WHERE'S SHE GOING? 1077 00:39:56,862 --> 00:39:57,896 UH, THE WEST SIDE. 1078 00:39:57,929 --> 00:39:59,030 ME TOO. DO YOU MIND IF WE SPLIT IT? 1079 00:39:59,064 --> 00:40:02,067 I'LL DROP HER OFF FIRST. 1080 00:40:02,100 --> 00:40:04,035 UH... OKAY. 1081 00:40:04,069 --> 00:40:06,037 YEAH? THANK YOU. 1082 00:40:09,808 --> 00:40:10,876 THE CAB DRIVER SAYS 1083 00:40:10,909 --> 00:40:14,045 THAT YOUR BOYFRIEND HELPED YOU INTO YOUR BUILDING. 1084 00:40:14,079 --> 00:40:16,882 I DON'T HAVE A BOYFRIEND. 1085 00:40:18,984 --> 00:40:20,085 OH. 1086 00:40:20,118 --> 00:40:25,924 SO, WHO WAS THE MAN IN THE CAB WITH YOU? 1087 00:40:25,957 --> 00:40:28,093 I DON'T KNOW. 1088 00:40:30,896 --> 00:40:33,098 I SHOULDN'T HAVE HAD SO MUCH TO DRINK. 1089 00:40:33,131 --> 00:40:36,868 I JUST LOST TRACK OF HOW MUCH I'D HAD. 1090 00:40:36,902 --> 00:40:38,670 STACEY, THERE'S NOTHING WRONG WITH HAVING A GOOD TIME. 1091 00:40:38,704 --> 00:40:39,971 NO, I SHOULDN'T HAVE HAD SO MUCH TO DRINK. 1092 00:40:40,005 --> 00:40:42,508 THE ONE TIME THAT I NEEDED HER... 1093 00:40:42,541 --> 00:40:44,743 YOU WANT TO TELL ME YOUR STORY? 1094 00:40:44,776 --> 00:40:46,912 I'LL LISTEN. 1095 00:40:50,115 --> 00:40:52,951 WHO WAS THE GUY YOU PUT ME IN THE TAXI WITH? 1096 00:40:52,984 --> 00:40:55,954 MM, I DON'T KNOW. 1097 00:40:55,987 --> 00:40:57,523 I DIDN'T GET HIS NAME. 1098 00:40:57,556 --> 00:40:58,857 YOU DIDN'T KNOW HIM? 1099 00:40:58,890 --> 00:40:59,925 NO. 1100 00:40:59,958 --> 00:41:00,959 YOU STOLE HIS CAB. 1101 00:41:00,992 --> 00:41:02,494 I WAS DRUNK, 1102 00:41:02,528 --> 00:41:04,863 AND YOU PUT ME IN A CAB WITH A TOTAL STRANGER. 1103 00:41:04,896 --> 00:41:06,698 YOU THOUGHT HE WAS CUTE. 1104 00:41:06,732 --> 00:41:07,899 WHAT ARE YOU SO MAD ABOUT? DID HE STICK YOU WITH HIS FARE? 1105 00:41:07,933 --> 00:41:09,868 HE RAPED ME, NIKA. 1106 00:41:14,072 --> 00:41:16,508 I-I CAN'T DO THIS RIGHT NOW. 1107 00:41:16,542 --> 00:41:18,076 WHAT HAS HAPPENED TO YOU? 1108 00:41:18,109 --> 00:41:20,045 I HAVE ALWAYS BEEN THERE FOR YOU, 1109 00:41:20,078 --> 00:41:21,780 AND YOU SERVED ME UP TO A RAPIST 1110 00:41:21,813 --> 00:41:23,014 BECAUSE YOU COULDN'T WAIT TO JUMP INTO BED WITH ERIC! 1111 00:41:23,048 --> 00:41:24,015 OH, SO I'M A SLUT NOW? 1112 00:41:24,049 --> 00:41:26,117 THIS ISN'T ABOUT YOU, NIKA! 1113 00:41:26,151 --> 00:41:27,953 LET YOURSELF OUT. 1114 00:41:31,590 --> 00:41:32,924 YOU STUPID, SELFISH BITCH! 1115 00:41:32,958 --> 00:41:33,925 [NIKA SCREAMS] 1116 00:41:33,959 --> 00:41:36,161 [CHOKING GASPS] 1117 00:41:41,800 --> 00:41:43,234 [STACEY PANTING IN HORROR] 1118 00:41:53,812 --> 00:41:57,549 I JUST SNAPPED. 1119 00:41:57,583 --> 00:41:59,918 I DIDN'T MEAN TO KILL NIKA. 1120 00:41:59,951 --> 00:42:02,821 I LOVED HER, AND... 1121 00:42:02,854 --> 00:42:07,826 ONCE I REALIZED WHAT I'D DONE, I... 1122 00:42:07,859 --> 00:42:09,761 YOU DECIDED TO FRAME ERIC. 1123 00:42:09,795 --> 00:42:12,998 HE'S HURT A LOT OF WOMEN. 1124 00:42:13,031 --> 00:42:15,567 INCLUDING NIKA. 1125 00:42:15,601 --> 00:42:17,168 I KNOW. 1126 00:42:17,202 --> 00:42:21,172 BUT YOU DESERVE JUSTICE, TOO, STACEY. 1127 00:42:21,206 --> 00:42:23,809 WHO IS THAT? 1128 00:42:23,842 --> 00:42:25,210 IT'S THE MAN THAT WAS IN THE TAXI WITH YOU. 1129 00:42:25,243 --> 00:42:29,247 THE CABBIE GAVE A DESCRIPTION. 1130 00:42:32,083 --> 00:42:33,284 I DON'T RECOGNIZE HIM. 1131 00:42:33,318 --> 00:42:35,821 YOU CAN STILL FILE A REPORT WITH THE SEXUAL ASSAULT UNIT. 1132 00:42:35,854 --> 00:42:36,922 THEY'LL INVESTIGATE IT. 1133 00:42:36,955 --> 00:42:39,791 AND WHAT CHANCE DO I HAVE WITH A JURY? 1134 00:42:39,825 --> 00:42:41,159 I WAS DRUNK, 1135 00:42:41,192 --> 00:42:42,928 AND I GOT IN A CAB WITH HIM. 1136 00:42:42,961 --> 00:42:44,930 IT'S HIS WORD AGAINST MINE. 1137 00:42:44,963 --> 00:42:47,198 AND MY BEST FRIEND DIDN'T EVEN BELIEVE ME. 1138 00:43:01,680 --> 00:43:04,182 CAN I HELP YOU? 1139 00:43:04,215 --> 00:43:07,052 NICE CAR, ISN'T IT? 1140 00:43:08,253 --> 00:43:10,088 DO YOU NEED SOMETHING?