1 00:00:07,175 --> 00:00:11,412 [***] 2 00:00:25,193 --> 00:00:27,161 [LAUGHING DERISIVELY] 3 00:00:40,174 --> 00:00:41,242 WE HAVE A FRONT DOOR, YOU KNOW. 4 00:00:41,275 --> 00:00:43,277 WHERE'S THE CHALLENGE IN THAT? 5 00:00:43,311 --> 00:00:44,612 I HAVE BEEN CALLING YOUR CELL ALL NIGHT. 6 00:00:44,645 --> 00:00:46,280 I WAS STUDYING. 7 00:00:46,314 --> 00:00:47,248 SO, IF I DECIDE TO GO ALL PARENTAL ON YOU 8 00:00:47,281 --> 00:00:49,217 AND SEARCH YOUR BAG, WHAT AM I GOING TO FIND? 9 00:00:49,250 --> 00:00:51,619 12 CANS OF SPRAY PAINT. 10 00:00:51,652 --> 00:00:53,287 WES... 11 00:00:53,321 --> 00:00:57,425 PLEASE TELL ME YOU WEREN'T OUT BOMBING THE NEIGHBOURHOOD. 12 00:00:57,458 --> 00:00:59,160 OF COURSE NOT. DO I LIKE A NEWB? 13 00:00:59,193 --> 00:01:00,428 [MAN, UPSTAIRS]: NINA? 14 00:01:00,461 --> 00:01:01,629 DID YOU FIND HIM? 15 00:01:01,662 --> 00:01:02,630 YEAH, YEAH! 16 00:01:02,663 --> 00:01:04,232 HE'S BEEN HERE THE WHOLE TIME! 17 00:01:04,265 --> 00:01:05,133 WHAT'S HE BEEN DOING? 18 00:01:06,200 --> 00:01:07,635 STUDYING! 19 00:01:07,668 --> 00:01:09,203 NOW THAT YOU ARE HOME, 20 00:01:09,237 --> 00:01:11,105 MAYBE YOU CAN START UNPACKING. 21 00:01:11,139 --> 00:01:12,140 UH, YEAH, YEAH. 22 00:01:12,173 --> 00:01:13,174 I'M JUST STILL TRYING TO FEEL OUT 23 00:01:13,207 --> 00:01:14,175 THE FENG SHUI OF THE PLACE. 24 00:01:14,208 --> 00:01:16,444 WE'VE BEEN HERE A WHOLE WEEK. 25 00:01:16,477 --> 00:01:18,112 THE CLUTTER'S DRIVING LANCE NUTS. 26 00:01:20,214 --> 00:01:22,283 I KNOW THIS IS A BIG CHANGE FOR YOU, 27 00:01:22,316 --> 00:01:24,185 BUT I NEED THIS TO WORK. 28 00:01:24,218 --> 00:01:25,553 I'LL TRY TO TRY. 29 00:01:28,522 --> 00:01:30,458 AND I'LL SEE IF I CAN CONVINCE LANCE 30 00:01:30,491 --> 00:01:32,126 TO LET YOU PAINT ONE OF YOUR WALLS. 31 00:01:32,160 --> 00:01:33,494 YOU PULL THAT OFF, 32 00:01:33,527 --> 00:01:35,163 AND I WILL NEVER SNEAK OUT AGAIN. 33 00:01:42,370 --> 00:01:45,273 NO, I'VE NEVER SEEN HER BEFORE. 34 00:01:45,306 --> 00:01:47,508 OKAY. 35 00:01:47,541 --> 00:01:49,510 THANKS FOR MEETING ME SO EARLY. 36 00:01:49,543 --> 00:01:50,878 THAT'S IT? 37 00:01:50,911 --> 00:01:51,912 YEAH, THAT IS IT. 38 00:01:51,945 --> 00:01:54,682 IF YOU TELL ME WHO SHE IS, 39 00:01:54,715 --> 00:01:56,217 I CAN DIG AROUND NEVILLE'S OFFICE, SEE IF-- 40 00:01:56,250 --> 00:01:57,485 ABSOLUTELY NOT. 41 00:01:57,518 --> 00:01:59,287 DO NOT DO THAT. 42 00:02:03,324 --> 00:02:04,225 HOW CAN I MARRY ROBERT 43 00:02:04,258 --> 00:02:07,228 IF HIS FATHER PAID TO HAVE SOMEONE MURDERED? 44 00:02:09,563 --> 00:02:12,132 I'LL BE IN TOUCH, OKAY? 45 00:02:22,943 --> 00:02:24,278 I THOUGHT THIS WAS A HIT AND RUN. 46 00:02:24,312 --> 00:02:25,513 WHERE'S THE BODY? 47 00:02:31,319 --> 00:02:33,153 OH. 48 00:02:56,277 --> 00:02:58,479 [***] 49 00:03:01,582 --> 00:03:04,752 [BETTY]: OKAY, BE GENTLE, NOT TOO FAST. 50 00:03:04,785 --> 00:03:06,487 THAT'S MY BODY, BOYS. 51 00:03:09,257 --> 00:03:10,324 HOW IS IT 52 00:03:10,358 --> 00:03:11,058 THAT WHEN I SHOW UP AT A CRIME SCENE AT 6:00 A.M., 53 00:03:11,091 --> 00:03:13,227 I LOOK LIKE I ROLLED OUT OF BED, 54 00:03:13,261 --> 00:03:14,094 BUT YOU LOOK LIKE THIS? 55 00:03:14,127 --> 00:03:14,762 I HAVEN'T BEEN SLEEPING MUCH ANYWAY. 56 00:03:14,795 --> 00:03:15,763 NO? 57 00:03:15,796 --> 00:03:17,798 NO. 58 00:03:17,831 --> 00:03:19,600 BODY'S ALL YOURS. 59 00:03:21,469 --> 00:03:22,636 THANK YOU. 60 00:03:25,038 --> 00:03:27,341 OKAY. 61 00:03:27,375 --> 00:03:28,776 VICTIM... 62 00:03:28,809 --> 00:03:31,245 LOOKS TO BE IN HIS MID-30s. 63 00:03:31,279 --> 00:03:32,446 MULTIPLE INJURIES. 64 00:03:32,480 --> 00:03:34,448 ARMS AND LEGS BROKEN. 65 00:03:34,482 --> 00:03:37,451 SEVERE FACIAL DAMAGE. 66 00:03:37,485 --> 00:03:39,620 ANY WALLET OR I.D.? 67 00:03:41,054 --> 00:03:42,456 NOPE. 68 00:03:42,490 --> 00:03:44,392 NO I.D. IN THE POCKETS. 69 00:03:44,425 --> 00:03:46,294 WELL, LET'S HOPE HIS PRINTS ARE IN THE SYSTEM. 70 00:03:46,327 --> 00:03:47,995 IS THERE ANY CHANCE 71 00:03:48,028 --> 00:03:49,297 THAT HE WAS HIT SOMEWHERE ELSE, 72 00:03:49,330 --> 00:03:50,298 AND THEN PLACED HERE? 73 00:03:51,399 --> 00:03:53,534 THAT'S A GRIM THOUGHT, 74 00:03:53,567 --> 00:03:55,603 BUT DOUBTFUL, GIVEN HIS INJURIES. 75 00:03:57,505 --> 00:03:58,472 TO GET HIT WHERE HE WAS HANGING, 76 00:03:58,506 --> 00:04:01,241 THAT WOULD HAVE TO BE A TRUCK. 77 00:04:02,075 --> 00:04:03,243 [SIGHING] 78 00:04:07,848 --> 00:04:08,816 HEY. 79 00:04:08,849 --> 00:04:10,284 HEY. 80 00:04:10,318 --> 00:04:11,585 YOU ALL RIGHT? 81 00:04:11,619 --> 00:04:14,054 YEAH, YEAH, JUST A LITTLE LIGHT-HEADED, THAT'S ALL. 82 00:04:14,087 --> 00:04:15,188 DID YOU EAT BREAKFAST? 83 00:04:15,222 --> 00:04:17,491 THAT'S THE MOST IMPORTANT MEAL OF THE DAY, MY FRIEND. 84 00:04:17,525 --> 00:04:18,459 YOU SAY THAT ABOUT EVERY MEAL. 85 00:04:18,492 --> 00:04:20,060 THEY'RE ALL IMPORTANT. 86 00:04:20,093 --> 00:04:21,094 [CHUCKLES] 87 00:04:21,128 --> 00:04:23,597 A STREET ARTIST HANGS OVER THE BRIDGE TO TAG, 88 00:04:23,631 --> 00:04:25,566 AND GETS HIT BY SOMETHING BIG. 89 00:04:25,599 --> 00:04:27,368 YEAH, IT WASN'T A TAG, THOUGH RIGHT? 90 00:04:27,401 --> 00:04:29,570 HE WAS DOING A PIECE. 91 00:04:29,603 --> 00:04:32,373 HUH, I WOULDN'T HAVE PEGGED YOU A FAN OF THIS KIND OF STUFF. 92 00:04:32,406 --> 00:04:33,507 LOVE MY ART. 93 00:04:33,541 --> 00:04:36,510 SO, STENCILS AND CLIMBING GEAR... 94 00:04:36,544 --> 00:04:39,079 YEAH, BUT NO PAINT, 95 00:04:39,112 --> 00:04:41,315 NOTHING TO CARRY IT IN. 96 00:04:41,349 --> 00:04:42,683 RIGHT, HE MUST HAVE HAD A BAG. 97 00:04:42,716 --> 00:04:44,552 WHAT DO YOU THINK, CRIME OF OPPORTUNITY? 98 00:04:44,585 --> 00:04:46,320 MAYBE THEY STOLE IT AFTER THE HIT AND RUN? 99 00:04:46,354 --> 00:04:47,421 I DON'T KNOW. 100 00:04:47,455 --> 00:04:49,390 I MEAN, NO SKID MARKS, RIGHT? 101 00:04:49,423 --> 00:04:51,559 WHATEVER HIT HIM DIDN'T EVEN TRY TO STOP. 102 00:04:53,394 --> 00:04:55,496 CARGO HEADING TO PORT, POSSIBLY. 103 00:04:55,529 --> 00:04:57,431 I'LL GET LUCAS ON IT. 104 00:04:57,465 --> 00:04:58,332 YOU SHOULD EAT SOMETHING. 105 00:04:58,366 --> 00:04:59,533 I WILL. 106 00:05:01,569 --> 00:05:03,337 LET ME GIVE YOU A HAND WITH THAT. 107 00:05:03,371 --> 00:05:05,373 OH, BRIAN, I'M SURE YOU'VE GOT BETTER THINGS TO DO. 108 00:05:05,406 --> 00:05:06,540 I JUST WANT YOU TO BE SAFE. 109 00:05:06,574 --> 00:05:08,342 IT'S BROAD DAYLIGHT. 110 00:05:08,376 --> 00:05:10,411 IT'S A BAD NEIGHBOURHOOD. 111 00:05:10,444 --> 00:05:12,346 SO, WHERE ARE YOU PARKED? 112 00:05:13,581 --> 00:05:16,316 I CAN TAKE CARE OF MYSELF. 113 00:05:22,923 --> 00:05:26,527 OKAY, SO THE VICTIM'S PRINTS ARE NOT IN THE SYSTEM. 114 00:05:26,560 --> 00:05:27,495 WHAT DID YOU SAY? 115 00:05:27,528 --> 00:05:28,596 WHERE ARE YOU? 116 00:05:28,629 --> 00:05:30,698 I'M OVER HERE. 117 00:05:30,731 --> 00:05:31,699 YOU KNOW YOU'RE ACTUALLY MOVING FURTHER AWAY. 118 00:05:31,732 --> 00:05:33,367 WELL, I'M JUST TRYING IT OUT. 119 00:05:33,401 --> 00:05:34,535 NO MATCH. 120 00:05:34,568 --> 00:05:36,136 WELL, THAT'S WEIRD, 121 00:05:36,169 --> 00:05:37,505 BECAUSE STREET ARTISTS USUALLY GET POPPED AT LEAST ONCE, 122 00:05:37,538 --> 00:05:38,572 UNLESS HE'S NEW TO THE SCENE. 123 00:05:38,606 --> 00:05:39,707 YEAH. ONLY ONE WAY TO FIND OUT. 124 00:05:39,740 --> 00:05:41,442 LET'S TALK TO AN EXPERT. 125 00:05:41,475 --> 00:05:42,443 DO YOU KNOW AN EXPERT? 126 00:05:42,476 --> 00:05:44,578 [BREATHING STEADILY] 127 00:05:44,612 --> 00:05:45,813 [TRAIN WHISTLE BLARES] 128 00:06:20,448 --> 00:06:21,715 HELP... 129 00:06:44,004 --> 00:06:44,972 SCORE. 130 00:06:45,005 --> 00:06:47,741 [SWEATSHOP UNION'S "MAKESHIFT KINGDOM" PLAYS] 131 00:06:47,775 --> 00:06:48,976 * WELCOME TO MY MAKESHIFT KINGDOM * 132 00:06:49,009 --> 00:06:50,611 * SPACESHIP INJUNS 133 00:06:50,644 --> 00:06:52,746 * INCA, MAYA, LAKOTAH T'SIMSHIAN * 134 00:06:52,780 --> 00:06:54,982 * AFRICA RISING MIDDLE EAST CHURNING... * 135 00:06:55,015 --> 00:06:57,785 HEY, HEY, STOP, STOP, STOP, STOP! 136 00:06:57,818 --> 00:06:58,819 WHAT THE HELL DO YOU THINK YOU'RE DOING? 137 00:06:58,852 --> 00:07:00,988 YOU SAID I COULD PAINT THE ROOM. 138 00:07:01,021 --> 00:07:01,822 YEAH, I SAID YOU COULD PAINT, 139 00:07:01,855 --> 00:07:03,591 NOT DESTROY THE PLACE. 140 00:07:03,624 --> 00:07:04,792 HEY, GUYS, WHAT'S GOING... 141 00:07:04,825 --> 00:07:07,561 OH, WES, IT'S BEAUTIFUL. 142 00:07:08,796 --> 00:07:09,663 I CAN'T BELIEVE YOU THOUGHT I WOULD AGREE TO THIS. 143 00:07:09,697 --> 00:07:11,732 YOU KNOW WES IS AN ARTIST. 144 00:07:11,765 --> 00:07:12,766 DO YOU HAVE ANY IDEA 145 00:07:12,800 --> 00:07:13,433 WHAT IT'S GOING TO COST TO CLEAN UP THIS MESS? 146 00:07:13,467 --> 00:07:15,536 HEY, WHOA, IT'S NOT A MESS. 147 00:07:15,569 --> 00:07:17,771 WES, I'M SORRY, IF LANCE WANTS IT GONE... 148 00:07:17,805 --> 00:07:18,672 OKAY... 149 00:07:18,706 --> 00:07:19,707 I'LL PAINT OVER IT. 150 00:07:19,740 --> 00:07:20,608 OH, NO, NO, NO. 151 00:07:20,641 --> 00:07:22,042 I GOTTA GET A PROFESSIONAL TO FIX THIS. 152 00:07:22,075 --> 00:07:23,644 I CAN PAINT A WALL, LANCE. 153 00:07:32,586 --> 00:07:34,555 SORRY, WES. 154 00:07:39,893 --> 00:07:42,830 THIS PIECE WENT UP AT THE POT UNDERPASS LAST NIGHT. 155 00:07:42,863 --> 00:07:44,532 YOU RECOGNIZE IT? 156 00:07:45,633 --> 00:07:46,834 IT'S CLASSIC CONTAGION. 157 00:07:46,867 --> 00:07:49,703 BOLD LINES, METALLICS. 158 00:07:49,737 --> 00:07:50,704 HE'S A KING. 159 00:07:50,738 --> 00:07:52,640 THIS KING HAVE A NAME? 160 00:07:52,673 --> 00:07:54,642 I JUST TOLD YOU, IT'S CONTAGION. 161 00:07:54,675 --> 00:07:55,809 YEAH, BUT I MEAN, LIKE A REAL NAME. 162 00:07:55,843 --> 00:07:57,745 NO ONE KNOWS HIS REAL NAME. 163 00:07:57,778 --> 00:07:59,513 THE DUDE'S LIKE A MIDNIGHT ART NINJA, 164 00:07:59,547 --> 00:08:00,581 GUERILLA-STYLE. 165 00:08:00,614 --> 00:08:01,615 AN ENEMA. 166 00:08:03,116 --> 00:08:04,585 I HOPE SHE MEANT "ENIGMA." 167 00:08:04,618 --> 00:08:06,687 I THINK SHE MEANT "ENEMA." 168 00:08:08,656 --> 00:08:10,724 WHAT'S THE PROBLEM? 169 00:08:10,758 --> 00:08:11,859 WHAT TIME DID YOU ARRIVE AT PORT THIS MORNING, SIR? 170 00:08:11,892 --> 00:08:14,662 ABOUT 3:45 A.M. 171 00:08:14,695 --> 00:08:16,730 YOUR ROUTE TAKE YOU UNDER THE OVERPASS? 172 00:08:16,764 --> 00:08:17,831 YEAH, ME AND 10 OTHER RIGS. 173 00:08:17,865 --> 00:08:19,066 CAN YOU PLEASE STEP OUT OF THE VEHICLE? 174 00:08:19,099 --> 00:08:19,867 WE'LL NEED TO SEE YOUR LOG BOOK, 175 00:08:19,900 --> 00:08:22,269 AND WE'LL NEED A BLOOD TEST, TOO. 176 00:08:22,302 --> 00:08:23,904 LOOK, INSTEAD OF HARASSING ME, 177 00:08:23,937 --> 00:08:25,773 WHY DON'T YOU GO AFTER THOSE JOKERS 178 00:08:25,806 --> 00:08:26,874 WHO WERE ON THE OVERPASS LAST NIGHT? 179 00:08:26,907 --> 00:08:28,075 WHAT, YOU SAW SOMEONE ON THE BRIDGE? 180 00:08:28,108 --> 00:08:28,876 YEAH, TWO GUYS, 181 00:08:28,909 --> 00:08:30,678 THEY THREW SOMETHING AT MY TRUCK. 182 00:08:30,711 --> 00:08:31,712 DID YOU SEE WHAT THEY THREW? 183 00:08:31,745 --> 00:08:32,580 NO, I... 184 00:08:32,613 --> 00:08:33,914 WHEN I DROVE UNDER, I HEARD THE THUD. 185 00:08:33,947 --> 00:08:35,649 A THUD, AND YOU DIDN'T STOP? 186 00:08:35,683 --> 00:08:36,817 I HAD TO GET TO THE PORT BY 4:00. 187 00:08:36,850 --> 00:08:38,852 I'VE HAD ROCKS, BOWLING BALLS, 188 00:08:38,886 --> 00:08:42,856 HELL, ONE TIME A FOOL THREW A WATERMELON AT MY TRUCK. 189 00:08:42,890 --> 00:08:45,092 YEAH, THIS ISN'T A WATERMELON. 190 00:08:45,125 --> 00:08:46,827 ROY BIGGS, YOU'RE UNDER ARREST. 191 00:08:46,860 --> 00:08:48,762 FOR WHAT? 192 00:08:48,796 --> 00:08:49,897 WE'LL START WITH HIT AND RUN CAUSING DEATH 193 00:08:49,930 --> 00:08:50,598 AND WE'LL SEE WHERE WE GO FROM THERE. 194 00:08:50,631 --> 00:08:52,733 NO, NO, NO, THIS IS A MISTAKE. 195 00:08:52,766 --> 00:08:54,735 HEY. HEY, HEY, HEY, NO! 196 00:08:54,768 --> 00:08:55,703 AH! COME ON. 197 00:09:03,877 --> 00:09:05,913 BAD MOVE, KID. 198 00:09:05,946 --> 00:09:07,948 YOU GO OVER ANOTHER ARTIST'S TAG, 199 00:09:07,981 --> 00:09:09,783 YOU'RE BOUND TO GET YOUR ASS KICKED. 200 00:09:09,817 --> 00:09:11,952 YEAH, I'M NOT DISSING, AND THIS ISN'T A TAG. 201 00:09:11,985 --> 00:09:12,920 IT'S A PIECE. 202 00:09:12,953 --> 00:09:15,589 ARE YOU SAYING YOU'RE TRICKY? 203 00:09:15,623 --> 00:09:16,957 YEAH. 204 00:09:20,160 --> 00:09:20,961 NOT BAD. 205 00:09:20,994 --> 00:09:22,896 TRICKY. 206 00:09:22,930 --> 00:09:24,732 YOU GOT SKILLS, KID. 207 00:09:24,765 --> 00:09:26,834 THANKS. 208 00:09:26,867 --> 00:09:28,836 THIS GUY, ON THE OTHER HAND... 209 00:09:28,869 --> 00:09:30,370 LOOK, IF YOU'RE GONNA SPRAY GEMS, 210 00:09:30,403 --> 00:09:31,605 DON'T DO THEM SO LOW. 211 00:09:31,639 --> 00:09:32,906 OTHERWISE, 212 00:09:32,940 --> 00:09:36,977 SOME JERK WILL GO OVER THEM. 213 00:09:48,856 --> 00:09:51,992 CONTAGION. 214 00:09:54,662 --> 00:09:57,397 UH, YOU'RE CONTAGION? 215 00:09:57,430 --> 00:09:59,667 HEY, LOOK, I LOVE YOUR STUFF, MAN. 216 00:09:59,700 --> 00:10:00,701 IT'S SICK. 217 00:10:00,734 --> 00:10:02,803 ARE YOU WORKING TONIGHT? 218 00:10:02,836 --> 00:10:03,871 CAN I WATCH? 219 00:10:05,038 --> 00:10:07,040 IF YOU CAN KEEP UP. 220 00:10:14,915 --> 00:10:16,416 HEY. 221 00:10:16,449 --> 00:10:18,218 HEY. SO, THE BLOOD ON ROY BIGGS'S TRUCK 222 00:10:18,251 --> 00:10:19,419 MATCHES YOUR VICTIM. 223 00:10:19,452 --> 00:10:20,788 OH, THAT'S NOT GOOD FOR MR. BIGGS. 224 00:10:20,821 --> 00:10:21,889 NO, IT'S NOT, 225 00:10:21,922 --> 00:10:23,390 AND HERE'S HIS TOX SCREEN. 226 00:10:23,423 --> 00:10:26,026 ROY BIGGS HAS SHOCKING LEVELS OF CAFFEINE IN HIS BLOOD. 227 00:10:26,059 --> 00:10:28,228 SO DO I. 228 00:10:28,261 --> 00:10:29,196 BUT NO DRUGS. AND HE'S STICKING TO HIS STORY 229 00:10:29,229 --> 00:10:30,664 THAT SOMEONE THREW SOMETHING AT HIS TRUCK. 230 00:10:30,698 --> 00:10:31,464 WHAT, LIKE OUR VICTIM? 231 00:10:31,498 --> 00:10:33,033 -ANY LUCK WITH THE I.D. YET? -NO. 232 00:10:33,066 --> 00:10:34,234 BASED ON THE PIECE AT THE BRIDGE, 233 00:10:34,267 --> 00:10:36,003 WE THINK THAT THE VICTIM MAY BE A STREET ARTIST 234 00:10:36,036 --> 00:10:36,837 KNOWN AS CONTAGION. 235 00:10:36,870 --> 00:10:37,805 YEAH, WE TALKED TO YOUTH SERVICES, 236 00:10:37,838 --> 00:10:38,872 AND THE CONSTABLE RUNNING THE GRAFFITI UNIT, 237 00:10:38,906 --> 00:10:41,975 OTHER STREET ARTISTS, NOBODY KNOWS THIS GUY'S NAME. 238 00:10:42,009 --> 00:10:45,045 BUT THERE IS A WEBSITE DEVOTED TO CONTAGION'S ARTWORK. 239 00:10:45,078 --> 00:10:46,013 HE POSTED THAT YESTERDAY. 240 00:10:47,915 --> 00:10:49,449 "604-212." 241 00:10:49,482 --> 00:10:50,951 212 IS NEW YORK'S AREA CODE. 242 00:10:50,984 --> 00:10:52,252 YEAH, HE'S PLANNING TO LEAVE TOWN. 243 00:10:52,285 --> 00:10:53,854 DIDN'T GET FAR, DID HE? 244 00:10:55,255 --> 00:10:58,225 HEY, GOT THE FOOTAGE FROM ROY BIGGS'S DASH CAM. 245 00:10:58,258 --> 00:11:00,894 THAT IS NOT A GOOD SHOT OF THE OVERPASS. 246 00:11:00,928 --> 00:11:04,231 AND THERE'S NO FOOTAGE OF THE IMPACT ITSELF, BUT... 247 00:11:04,264 --> 00:11:05,899 [DULL THUD] 248 00:11:05,933 --> 00:11:06,967 CONTAGION MUST HAVE FALLEN RIGHT ON TOP OF THE CONTAINER. 249 00:11:07,000 --> 00:11:08,235 THERE'S NO WAY 250 00:11:08,268 --> 00:11:10,904 THAT BIGGS COULD HAVE STOPPED HIS RIG IN TIME. 251 00:11:10,938 --> 00:11:11,839 HE WAS RIGHT ABOUT ONE THING. 252 00:11:12,806 --> 00:11:15,042 THERE IS CONTAGION. 253 00:11:15,075 --> 00:11:17,044 YEAH, BUT WHO'S THAT? 254 00:11:21,915 --> 00:11:23,717 HEY. HOW ARE THE PUZZLES? 255 00:11:23,751 --> 00:11:25,218 I WAS WONDERING 256 00:11:25,252 --> 00:11:26,219 WHAT CONTAGION'S COMPLETED DESIGN WOULD'VE LOOKED LIKE, 257 00:11:26,253 --> 00:11:28,255 SO I HAD TECH MOCK UP REPOS OF THE STENCILS 258 00:11:28,288 --> 00:11:29,189 FROM THE OVERPASS. 259 00:11:29,222 --> 00:11:30,423 THESE ARE OVERLAYS. 260 00:11:30,457 --> 00:11:33,226 "XENITH... 261 00:11:33,260 --> 00:11:34,895 VODKA." 262 00:11:34,928 --> 00:11:36,263 THIS IS ADVERTISING. 263 00:11:36,296 --> 00:11:37,230 I TALKED TO THE CITY. 264 00:11:37,264 --> 00:11:39,232 CONTAGION HAD PERMISSION TO PAINT THE OVERPASS. 265 00:11:39,266 --> 00:11:41,268 NEWLAND FALCONER ADVERTISING PAID FOR THE PERMITS. 266 00:11:41,301 --> 00:11:44,271 HUH, SO THE FAMED REBEL ARTIST CONTAGION 267 00:11:44,304 --> 00:11:45,372 WAS A SELL-OUT. 268 00:11:56,216 --> 00:11:57,484 IT'S GOOD. 269 00:11:57,517 --> 00:12:00,287 IT IS. 270 00:12:00,320 --> 00:12:01,454 BUT YOU WANT TO BE GREAT. 271 00:12:02,956 --> 00:12:04,424 COME ON. COME WITH ME. 272 00:12:06,226 --> 00:12:07,527 COME ON. 273 00:12:07,560 --> 00:12:08,762 COME ON... 274 00:12:09,997 --> 00:12:11,431 OKAY, CHECK IT OUT. 275 00:12:11,464 --> 00:12:13,400 YOU SEE THAT, HUH? 276 00:12:13,433 --> 00:12:14,401 [LAUGHING] 277 00:12:14,434 --> 00:12:15,535 WHOO-WHEE! 278 00:12:15,568 --> 00:12:16,436 PURE HEAVEN. 279 00:12:18,338 --> 00:12:19,372 YOU GOING TO WASTE A SPACE LIKE THAT 280 00:12:19,406 --> 00:12:20,540 WITH SOMETHING THAT'S "GOOD"? 281 00:12:20,573 --> 00:12:22,542 I'M GUESSING THE ANSWER IS "NO." 282 00:12:22,575 --> 00:12:24,411 THE ANSWER IS "HELL, NO," MAN. 283 00:12:24,444 --> 00:12:25,545 YOU DON'T TRY SOMETHING LIKE THAT 284 00:12:25,578 --> 00:12:27,480 UNTIL YOU'VE GOT SOMETHING TO SAY. 285 00:12:29,449 --> 00:12:30,550 YEAH. 286 00:12:30,583 --> 00:12:32,452 MY SON IS MISSING. 287 00:12:32,485 --> 00:12:35,455 SORRY, LADY, I HAVEN'T SEEN HIM AROUND. 288 00:12:35,488 --> 00:12:36,423 HE'S 14. 289 00:12:36,456 --> 00:12:37,424 HE'S INTO GRAFFITI. 290 00:12:37,457 --> 00:12:38,425 HE'S BEEN MISSING FOR TWO DAYS. 291 00:12:38,458 --> 00:12:39,960 YEAH, IF I SEE HIM... 292 00:12:39,993 --> 00:12:42,329 THANKS. MY NUMBER'S ON THE BOTTOM. 293 00:12:47,534 --> 00:12:50,971 SO, JANET WONG IS A GUARD AT THE REMAND CENTRE. 294 00:12:51,004 --> 00:12:52,439 YEAH, SHE WAS ON DUTY 295 00:12:52,472 --> 00:12:54,441 THE NIGHT THAT DEREK CASTER WAS KILLED. 296 00:12:54,474 --> 00:12:56,409 WE THINK SHE'S THE ONE WHO ARRANGED HIS MURDER-- 297 00:12:56,443 --> 00:12:58,445 WE? "WE," AS IN YOU AND VEGA. 298 00:12:58,478 --> 00:13:01,348 YEAH, UNLESS IT'S A PROBLEM, IN WHICH CASE, IT'S JUST ME. 299 00:13:03,616 --> 00:13:06,386 WE THINK NEVILLE MONTGOMERY PAID HER $50,000 TO DO IT. 300 00:13:06,419 --> 00:13:07,821 BUT YOU WOULD NEVER INVESTIGATE MONTGOMERY 301 00:13:07,855 --> 00:13:09,489 WITH ANYTHING LESS THAN DEFINITIVE PROOF. 302 00:13:09,522 --> 00:13:11,358 I WOULD NOT. 303 00:13:11,391 --> 00:13:13,226 RIGHT, SO WHAT YOU'RE ACTUALLY INVESTIGATING THEN 304 00:13:13,260 --> 00:13:15,362 IS HOW CASTER ENDED UP IN A JAIL CELL 305 00:13:15,395 --> 00:13:16,596 WITH A VIOLENT OFFENDER LIKE GARVEY. 306 00:13:16,629 --> 00:13:18,999 YES. YES. 307 00:13:19,032 --> 00:13:21,468 VEGA AND I ARE GOING TO GO RATTLE JANET WONG'S CAGE, 308 00:13:21,501 --> 00:13:22,602 SEE HOW SHE REACTS. 309 00:13:22,635 --> 00:13:25,839 KEEP ME POSTED. 310 00:13:25,873 --> 00:13:27,040 [SIGHS HEAVILY] 311 00:13:27,074 --> 00:13:28,475 SO, MARK IS ON BOARD NOW, 312 00:13:28,508 --> 00:13:30,543 BUT HE WANTS US TO REBUILD THE INVESTIGATION 313 00:13:30,577 --> 00:13:31,611 STARTING WITH JANET WONG. 314 00:13:31,644 --> 00:13:33,346 THAT MAKES SENSE. 315 00:13:33,380 --> 00:13:35,015 IT'S GOING TO SLOW US DOWN. 316 00:13:35,048 --> 00:13:36,449 WELL, IF HE'S GUILTY, WE'LL GET HIM. 317 00:13:36,483 --> 00:13:38,451 IT'S NOT A QUESTION OF "IF," MY FRIEND. 318 00:13:38,485 --> 00:13:42,389 LAURA GRISHOLM, THANKS FOR WAITING. 319 00:13:42,422 --> 00:13:43,556 OH, MY GOD. 320 00:13:45,058 --> 00:13:47,494 I WONDER IF THE AGENCY IS LIABLE FOR THIS. 321 00:13:47,527 --> 00:13:48,161 I'VE GOT TO CHECK CONTAGION'S CONTRACT. 322 00:13:48,195 --> 00:13:50,430 MAKE SURE WE'RE INDEMNIFIED. 323 00:13:50,463 --> 00:13:51,464 WE'RE GOING TO NEED TO SEE 324 00:13:51,498 --> 00:13:52,299 A COPY OF THAT CONTRACT AS WELL. 325 00:13:52,332 --> 00:13:54,501 I'M VERY PROTECTIVE OF MY ARTISTS. 326 00:13:54,534 --> 00:13:55,602 YOU KNOW, THE WORD "WARRANT," 327 00:13:55,635 --> 00:13:57,470 IT GETS THROWN AROUND SO MUCH. 328 00:14:01,674 --> 00:14:02,542 THANKS. 329 00:14:07,114 --> 00:14:08,481 CONTAGION'S REAL NAME IS PERRY DOYLE. 330 00:14:08,515 --> 00:14:10,517 OUR GRAFFITI UNIT DIDN'T HAVE HIS NAME. 331 00:14:10,550 --> 00:14:11,584 HOW DID YOU TRACK HIM DOWN? 332 00:14:11,618 --> 00:14:12,585 I DIDN'T. 333 00:14:12,619 --> 00:14:13,520 PERRY CAME TO ME. 334 00:14:13,553 --> 00:14:16,589 HE WANTED TO MONETIZE HIS "CONTAGION" BRAND. 335 00:14:16,623 --> 00:14:18,525 I SEE, WELL, WE WERE UNDER THE IMPRESSION 336 00:14:18,558 --> 00:14:21,528 THAT PERRY SPECIALIZED IN FREE, ANONYMOUS ART. 337 00:14:21,561 --> 00:14:23,396 PERRY HAD A HEAD FOR MARKETING HIMSELF. 338 00:14:23,430 --> 00:14:24,898 THE MYSTIQUE AROUND "CONTAGION" 339 00:14:24,932 --> 00:14:26,533 DROVE UP HIS VALUE. 340 00:14:26,566 --> 00:14:27,567 WERE YOU OR ANYONE FROM THE AD AGENCY 341 00:14:27,600 --> 00:14:29,536 ON THE OVERPASS LAST NIGHT? 342 00:14:29,569 --> 00:14:30,470 NO. 343 00:14:30,503 --> 00:14:32,072 I'M HIS SOLE CONTACT, 344 00:14:32,105 --> 00:14:33,540 AND I WAS HAVING DRINKS WITH A CLIENT. 345 00:14:33,573 --> 00:14:34,541 WHAT ABOUT ANYBODY ELSE? 346 00:14:34,574 --> 00:14:35,675 DID HE WORK WITH AN ASSISTANT? 347 00:14:35,708 --> 00:14:37,911 PERRY INSISTED ON WORKING ALONE. 348 00:14:37,945 --> 00:14:39,512 HE SAID IT WAS ALL PART 349 00:14:39,546 --> 00:14:40,580 OF CONTAGION'S... 350 00:14:40,613 --> 00:14:41,681 MYSTIQUE? 351 00:14:41,714 --> 00:14:43,316 EXACTLY. 352 00:14:46,153 --> 00:14:47,587 [SIGHS WEARILY] 353 00:14:47,620 --> 00:14:49,556 OKAY... 354 00:14:54,661 --> 00:14:55,662 I HAD THAT FIXED. 355 00:14:55,695 --> 00:14:57,130 FOR SAFETY PURPOSES. 356 00:14:57,164 --> 00:14:58,698 YOU'RE LOCKING ME IN NOW? 357 00:14:58,731 --> 00:15:00,633 WHERE ARE YOU GOING AT THIS TIME OF NIGHT ANYWAY? 358 00:15:03,470 --> 00:15:04,972 THAT'S NOT AN ANSWER. 359 00:15:06,673 --> 00:15:08,641 I'M GOING TO HANG OUT WITH MY FRIENDS. 360 00:15:08,675 --> 00:15:10,510 I THINK YOU'RE OUT TO WRECK PRIVATE PROPERTY. 361 00:15:10,543 --> 00:15:12,579 IT'S NOT VANDALISM, IT'S ART. 362 00:15:12,612 --> 00:15:13,846 IT'S A CRIME, 363 00:15:13,880 --> 00:15:15,715 AND YOU WON'T BE A PARTY TO IT WHILE YOU'RE LIVING IN MY HOUSE. 364 00:15:15,748 --> 00:15:16,950 YEAH, AND YOU'RE NOT MY DAD. 365 00:15:26,759 --> 00:15:29,362 SO PATHETIC. 366 00:15:35,735 --> 00:15:36,769 [ROARS IN ANGER] 367 00:15:36,803 --> 00:15:39,472 UH, YEAH, I'M TRYING TO BOOK A FLIGHT TO NEW YORK 368 00:15:39,506 --> 00:15:40,974 ON YOUR WEBSITE. 369 00:15:41,008 --> 00:15:44,344 YEAH, IT SAYS I NEED A PASSPORT NUMBER. 370 00:15:44,377 --> 00:15:47,480 WHAT IF I DON'T HAVE A PASSPORT? 371 00:15:47,514 --> 00:15:49,649 UH-HUH. 372 00:15:51,018 --> 00:15:52,619 OKAY, YEAH, OKAY. 373 00:15:52,652 --> 00:15:54,687 WHAT IF I DON'T HAVE A DRIVER'S LICENCE? 374 00:15:57,390 --> 00:15:59,759 OKAY, YEAH, THANKS. 375 00:15:59,792 --> 00:16:00,727 [SIGHS] 376 00:16:06,633 --> 00:16:09,002 [KEYS RATTLING IN LOCK] 377 00:16:23,250 --> 00:16:25,585 THANK YOU, SIR. APPRECIATE THAT. 378 00:16:25,618 --> 00:16:27,387 NO WAY COULD PERRY DOYLE AFFORD THIS PLACE 379 00:16:27,420 --> 00:16:28,655 DOING FREE STREET ART. 380 00:16:40,667 --> 00:16:42,635 [POPPING AND SNAPPING] 381 00:16:42,669 --> 00:16:43,670 [POPCORN CRACKLING] 382 00:16:45,605 --> 00:16:46,606 HEY... 383 00:16:46,639 --> 00:16:48,708 I'LL TAKE THIS SIDE. 384 00:17:02,289 --> 00:17:04,057 CLEAR HERE. ARE YOU CLEAR? 385 00:17:04,091 --> 00:17:05,792 CLEAR. 386 00:17:17,737 --> 00:17:19,239 YOU KNOW THAT'S EVIDENCE. 387 00:17:19,272 --> 00:17:21,241 NO, THE PACKAGING IS EVIDENCE. 388 00:17:21,274 --> 00:17:22,142 THE POPCORN IS DELICIOUS. 389 00:17:23,476 --> 00:17:24,844 SO, WE'VE GOT PAINT, 390 00:17:24,877 --> 00:17:26,513 THE MURAL PERMIT. 391 00:17:26,546 --> 00:17:27,647 THAT WITH SOME OTHER STUFF 392 00:17:27,680 --> 00:17:29,282 THAT PERRY WOULD HAVE HAD ON THE OVERPASS. 393 00:17:29,316 --> 00:17:30,717 HIS LANDLORD SAID THAT HE LIVED ALONE. 394 00:17:30,750 --> 00:17:33,253 SO PERRY'S BUDDY MEETS HIM ON THE OVERPASS 395 00:17:33,286 --> 00:17:34,521 TAKES HIS BACKPACK, 396 00:17:34,554 --> 00:17:35,855 AND COMES BACK HERE TO LAY LOW? 397 00:17:35,888 --> 00:17:37,257 HMM, YOU KNOW, 398 00:17:37,290 --> 00:17:38,858 HIDING IN THE FIRST PLACE THE COPS WOULD LOOK, 399 00:17:38,891 --> 00:17:40,527 THAT'S AN INTERESTING CHOICE. 400 00:17:40,560 --> 00:17:41,661 MAYBE THEY FIGURED 401 00:17:41,694 --> 00:17:43,830 THAT CONTAGION'S ANONYMITY WOULD COVER THEIR TRACKS. 402 00:17:43,863 --> 00:17:45,632 MAYBE. OR MAYBE THEY DIDN'T THINK AT ALL, ALL RIGHT? 403 00:17:45,665 --> 00:17:47,267 I MEAN, PUSHING SOMEONE OFF AN OVERPASS, 404 00:17:47,300 --> 00:17:50,270 THAT SUGGESTS, LIKE, YOU KNOW, CRIME OF PASSION. 405 00:17:50,303 --> 00:17:51,271 YEAH, OUR KILLER COULD BE REACTIVE, 406 00:17:51,304 --> 00:17:52,572 DIDN'T HAVE A PLAN. 407 00:17:52,605 --> 00:17:53,773 YUP, I DO NOT THINK WE ARE DEALING WITH 408 00:17:53,806 --> 00:17:55,508 A VERY SOPHISTICATED CRIMINAL. 409 00:18:00,213 --> 00:18:02,115 UH, ONE WAY TO NEW YORK. 410 00:18:02,149 --> 00:18:04,083 THAT'LL BE 556. 411 00:18:10,823 --> 00:18:12,825 HOW FAR WILL THIS GET ME? 412 00:18:13,893 --> 00:18:15,795 UM... 413 00:18:15,828 --> 00:18:16,796 [TYPING] 414 00:18:19,166 --> 00:18:20,467 CONGRATULATIONS. 415 00:18:20,500 --> 00:18:22,302 YOU'RE GOING TO SEATTLE. 416 00:18:24,171 --> 00:18:24,871 [POLICE RADIO SQUAWKS] 417 00:18:27,907 --> 00:18:29,709 IT LEAVES LATER TONIGHT. 418 00:18:34,181 --> 00:18:36,849 AND THEN HE CONFISCATED ALL MY CANNONS. 419 00:18:36,883 --> 00:18:39,486 YOU CAN ALWAYS GET MORE PAINT. 420 00:18:39,519 --> 00:18:40,587 THE JERK WON'T EVEN LET ME TOUCH A PENCIL. 421 00:18:40,620 --> 00:18:42,222 HE'S AFRAID I'LL MARK UP HIS PRECIOUS WALLS AGAIN. 422 00:18:42,255 --> 00:18:43,923 THE GUY'S AN INSECURE DICK. 423 00:18:43,956 --> 00:18:45,925 WHAT'S YOUR MOM SEE IN HIM? 424 00:18:45,958 --> 00:18:47,160 I HAVE NO IDEA. 425 00:18:47,194 --> 00:18:49,896 YEAH, YOU'RE PISSED, I GET IT, 426 00:18:49,929 --> 00:18:51,264 BUT DON'T BITCH ABOUT IT. 427 00:18:51,298 --> 00:18:52,499 TURN IT INTO SOMETHING. 428 00:18:52,532 --> 00:18:55,268 AND HEY, NO PRESSURE. 429 00:18:55,302 --> 00:18:59,138 BUT PEOPLE ARE GONNA EXPECT A LOT OUT OF MY PROTEGE. 430 00:19:00,540 --> 00:19:01,874 HERE? 431 00:19:01,908 --> 00:19:02,909 YUP. 432 00:19:02,942 --> 00:19:04,177 DON'T WORRY. 433 00:19:04,211 --> 00:19:05,812 I GOT YOUR BACK. 434 00:19:18,925 --> 00:19:19,892 [KNOCKS] 435 00:19:19,926 --> 00:19:20,893 BETTY? 436 00:19:20,927 --> 00:19:22,895 HEY, BETTY, IT'S VEGA. 437 00:19:24,931 --> 00:19:25,965 HI. 438 00:19:25,998 --> 00:19:27,967 YOU GOT A NEW SECURITY SYSTEM? 439 00:19:28,000 --> 00:19:28,935 YEAH, TIME FOR AN UPGRADE. 440 00:19:28,968 --> 00:19:30,570 I SEE. 441 00:19:30,603 --> 00:19:32,905 UM, I WANTED TO CHECK IN ON THE IDENTIFICATION? 442 00:19:32,939 --> 00:19:35,342 THE INFAMOUS CONTAGION AND PERRY DOYLE 443 00:19:35,375 --> 00:19:36,376 ARE ONE IN THE SAME. 444 00:19:36,409 --> 00:19:37,977 SO, THE DENTAL RECORDS MATCH. 445 00:19:38,010 --> 00:19:39,346 THEY DO. 446 00:19:39,379 --> 00:19:40,780 OH, AND THAT'S NOT ALL. 447 00:19:40,813 --> 00:19:43,250 WHEN I CLEANED HIM UP, I FOUND SOME OLDER ABRASIONS 448 00:19:43,283 --> 00:19:45,218 ON HIS FACE AND KNUCKLES. 449 00:19:45,252 --> 00:19:47,220 THAT WASN'T FROM THE IMPACT WITH THE TRUCK? 450 00:19:47,254 --> 00:19:48,855 NO, IT HAD ALREADY STARTED TO HEAL. 451 00:19:48,888 --> 00:19:51,358 I'D SAY THAT PERRY GOT INTO QUITE A SCRAP 452 00:19:51,391 --> 00:19:53,393 SOMETIME IN THE LAST TWO WEEKS. 453 00:19:53,426 --> 00:19:55,928 IT'S ALL IN MY REPORT. 454 00:19:55,962 --> 00:19:57,264 YOU OKAY? 455 00:19:58,331 --> 00:19:59,899 [CHUCKLES MIRTHLESSLY] 456 00:19:59,932 --> 00:20:02,001 EVERYONE SEEMS SO CONCERNED ABOUT THAT. 457 00:20:02,034 --> 00:20:04,271 JUST ASKING. 458 00:20:04,304 --> 00:20:06,939 YES, AND LUCAS IS TREATING ME LIKE I'M MADE OF GLASS. 459 00:20:06,973 --> 00:20:08,375 BECAUSE HE CARES ABOUT YOU, BETTY. 460 00:20:08,408 --> 00:20:09,476 WE ALL DO. 461 00:20:14,314 --> 00:20:15,348 THANK YOU, OSCAR. 462 00:20:16,649 --> 00:20:19,986 I'M FINE. 463 00:20:27,427 --> 00:20:28,995 THANK YOU. 464 00:20:29,028 --> 00:20:31,264 ANY TIME. 465 00:20:35,335 --> 00:20:36,969 [CHUCKLING] 466 00:20:37,003 --> 00:20:38,871 FORGOT THE REPORT. 467 00:20:45,312 --> 00:20:47,280 DIGITAL FORENSICS FOUND A WHOLE WHACK OF VIDEOS 468 00:20:47,314 --> 00:20:48,815 ON PERRY DOYLE'S COMPUTER. 469 00:20:48,848 --> 00:20:50,417 THIS ONE WAS SHOT THREE DAYS AGO. 470 00:20:50,450 --> 00:20:52,985 SO, WHY DOES AN ANONYMOUS ARTIST MAKE VIDEOS, HUH? 471 00:20:53,019 --> 00:20:54,354 -OH, RIGHT. HEY. -HEY. 472 00:20:54,387 --> 00:20:55,822 HERE, LOOK AT THIS. 473 00:20:55,855 --> 00:20:57,624 GUY'S A REBEL, BUT HE'S A SELL-OUT. 474 00:20:57,657 --> 00:20:58,825 HE INSISTS ON ANONYMITY, 475 00:20:58,858 --> 00:20:59,692 BUT HE FILMS HIMSELF PAINTING? 476 00:20:59,726 --> 00:21:01,428 IT'S LIKE HE'S TWO DIFFERENT PEOPLE. 477 00:21:01,461 --> 00:21:03,029 HMM, THIS IS SHOT HAND-HELD. 478 00:21:03,062 --> 00:21:04,096 OH, YEAH. 479 00:21:04,130 --> 00:21:06,333 SO MAYBE THE BLUR ON THE BRIDGE IS HIS CAMERAMAN. 480 00:21:06,366 --> 00:21:07,967 POSSIBLE. 481 00:21:08,000 --> 00:21:09,669 I PICKED UP THE PRINTS FROM PERRY'S LOFT. 482 00:21:09,702 --> 00:21:11,638 ONE SET BELONGS TO PERRY DOYLE, 483 00:21:11,671 --> 00:21:12,639 AND THEN THERE'S LAURA GRISHOLM 484 00:21:12,672 --> 00:21:13,640 FROM THE AD AGENCY. 485 00:21:13,673 --> 00:21:14,674 OH, THAT'S INTERESTING. 486 00:21:14,707 --> 00:21:15,542 ONE IS AN UNKNOWN SOURCE, 487 00:21:15,575 --> 00:21:18,445 AND THEN ONE GOT A HIT IN THE SYSTEM. 488 00:21:18,478 --> 00:21:20,480 HERMAN CASTWELL. 489 00:21:21,914 --> 00:21:23,049 COURIER. 490 00:21:23,082 --> 00:21:25,385 HE HAD TWO CHARGES IN 2005, 491 00:21:25,418 --> 00:21:26,486 MISCHIEF AND TRESPASSING. 492 00:21:26,519 --> 00:21:28,455 BOTH ARE RELATED TO GRAFFITI. 493 00:21:28,488 --> 00:21:30,457 HMM, THAT SOUNDS LIKE PARTNER MATERIAL TO ME. 494 00:21:30,490 --> 00:21:31,924 YEAH, I THINK WE NEED TO PICK HIM UP. 495 00:21:31,958 --> 00:21:33,493 LISTEN, THE SHIFT CHANGE AT THE REMAND CENTRE 496 00:21:33,526 --> 00:21:34,461 HAPPENS IN A HALF AN HOUR, 497 00:21:34,494 --> 00:21:36,363 SO... 498 00:21:37,464 --> 00:21:39,332 UH... 499 00:21:39,366 --> 00:21:41,334 I THINK I'M GOING TO TRACK DOWN MR. CASTWELL. 500 00:21:41,368 --> 00:21:42,869 WANT TO JOIN ME? 501 00:21:42,902 --> 00:21:44,904 SURE. 502 00:21:46,439 --> 00:21:47,407 SO, I'M GOING TO GO. 503 00:21:47,440 --> 00:21:48,475 I'LL GO WITH YOU. 504 00:21:48,508 --> 00:21:49,342 WITH ME? 505 00:21:49,376 --> 00:21:50,443 MM-HMM. 506 00:21:50,477 --> 00:21:51,678 YOU SURE? 507 00:21:51,711 --> 00:21:52,712 YOU GO ALONE, YOU'RE A COP WITH A GRUDGE. 508 00:21:52,745 --> 00:21:53,513 YOU GO WITH ME, 509 00:21:53,546 --> 00:21:55,915 IT'S A SANCTIONED INVESTIGATION. 510 00:21:58,718 --> 00:22:01,354 HERMAN CASTWELL? 511 00:22:01,388 --> 00:22:03,055 WHERE YOU HEADED, HERMAN? 512 00:22:03,089 --> 00:22:04,357 WORK. 513 00:22:04,391 --> 00:22:05,358 AND I'M LATE, SO-- 514 00:22:05,392 --> 00:22:06,493 RECOGNIZE THAT GUY? 515 00:22:06,526 --> 00:22:07,494 NO. 516 00:22:07,527 --> 00:22:08,695 THAT'S FASCINATING, 517 00:22:08,728 --> 00:22:10,463 BECAUSE WE FOUND YOUR FINGERPRINTS 518 00:22:10,497 --> 00:22:12,064 ALL OVER HIS APARTMENT, 519 00:22:12,098 --> 00:22:14,066 WHICH TYPICALLY MEANS YOU WERE THERE AS WELL, SIR. 520 00:22:14,100 --> 00:22:16,135 SO MAYBE YOU WANT TO ACTUALLY LOOK AT THE PICTURE THIS TIME. 521 00:22:16,168 --> 00:22:18,070 HIS NAME IS PERRY DOYLE. 522 00:22:19,171 --> 00:22:20,072 NOPE. 523 00:22:20,106 --> 00:22:21,474 YOU'RE SURE? 524 00:22:21,508 --> 00:22:22,975 I'M A COURIER, MAN. 525 00:22:23,009 --> 00:22:24,377 I SEE LOTS OF PEOPLE. 526 00:22:24,411 --> 00:22:25,512 GO LOTS OF PLACES. 527 00:22:25,545 --> 00:22:26,913 PERRY DOYLE WAS A TAGGER, TOO. 528 00:22:26,946 --> 00:22:28,381 MAYBE YOU'VE HEARD OF HIS HANDLE. 529 00:22:28,415 --> 00:22:29,382 CONTAGION? 530 00:22:29,416 --> 00:22:30,550 I DON'T PAINT ANYMORE. 531 00:22:33,753 --> 00:22:35,488 UH-HUH. 532 00:22:35,522 --> 00:22:36,423 LISTEN, I GOTTA GET TO WORK. 533 00:22:36,456 --> 00:22:38,090 YOU'RE GOING TO HAVE TO CALL IN ARRESTED. 534 00:22:39,759 --> 00:22:41,728 [CAR ALARM CHIRPS] 535 00:22:41,761 --> 00:22:43,496 NOW, THAT'S A NICE CAR. 536 00:22:43,530 --> 00:22:44,964 CAN I HELP YOU? 537 00:22:44,997 --> 00:22:46,533 WELL, YOU CAN START BY TELLING ME 538 00:22:46,566 --> 00:22:47,534 HOW YOU GOT A LOAN FOR A NEW CAR 539 00:22:47,567 --> 00:22:49,736 ON A GUARD'S SALARY. 540 00:22:49,769 --> 00:22:50,737 I CAN'T EVEN GET MY BANK TO TALK TO ME. 541 00:22:50,770 --> 00:22:52,539 YOU'RE JANET WONG, AREN'T YOU? 542 00:22:52,572 --> 00:22:54,441 I'M DETECTIVE ANGIE FLYNN. 543 00:22:54,474 --> 00:22:55,575 WE MET WHEN I WAS HERE 544 00:22:55,608 --> 00:22:57,076 INVESTIGATING THE DEREK CASTER MURDER. 545 00:22:57,109 --> 00:22:58,545 THIS IS MY SERGEANT, MARK CROSS. 546 00:22:58,578 --> 00:23:00,413 OH, I BET IT'S GOT THAT NEW CAR SMELL, 547 00:23:00,447 --> 00:23:02,081 DOESN'T IT? 548 00:23:02,114 --> 00:23:03,082 WHAT, DID YOU WIN THE LOTTERY OR SOMETHING? 549 00:23:03,115 --> 00:23:05,084 I GOTTA GET HOME AND CUT THE BABYSITTER LOOSE, 550 00:23:05,117 --> 00:23:06,786 SO, IF YOU COULD TELL ME WHAT YOU WANT? 551 00:23:06,819 --> 00:23:08,087 NO, I'M JUST HERE SAYING HI. 552 00:23:08,120 --> 00:23:10,523 YEAH, HERE TO RE-INTERVIEW MASON GARVEY. 553 00:23:10,557 --> 00:23:12,091 CHANGED HIS TESTIMONY. 554 00:23:12,124 --> 00:23:13,426 NOW HE SAYS SOMEONE PAID HIM TO KILL DEREK CASTER, 555 00:23:13,460 --> 00:23:14,794 YOU BELIEVE THAT? 556 00:23:14,827 --> 00:23:17,797 SAYS WHAT, SOME GUARD PUT HIM UP TO IT. 557 00:23:17,830 --> 00:23:20,099 WASTE OF AN AFTERNOON, IF YOU ASK ME. 558 00:23:22,034 --> 00:23:24,471 BUT THAT IS A NICE CAR, JANET. 559 00:23:31,077 --> 00:23:33,045 WHY DID YOU HAVE A SUITCASE, HERMAN? 560 00:23:33,079 --> 00:23:34,981 WHERE WERE YOU GOING? 561 00:23:35,014 --> 00:23:36,015 OKAY... 562 00:23:36,048 --> 00:23:38,084 WHY DID YOU LIE TO US ABOUT BEING A STREET ARTIST? 563 00:23:38,117 --> 00:23:39,552 YOU KNOW, MAYBE THE SAME REASON YOU LIED TO US 564 00:23:39,586 --> 00:23:40,787 ABOUT KNOWING CONTAGION. 565 00:23:40,820 --> 00:23:45,024 OKAY, YES, I KNOW PERRY DOYLE. 566 00:23:46,225 --> 00:23:47,594 HE'S A POSER. 567 00:23:47,627 --> 00:23:50,530 A TRUST FUND SNOT WHO WENT TO ART SCHOOL. 568 00:23:50,563 --> 00:23:52,599 THAT WOULD BE THE SAME ART SCHOOL YOU WENT TO? 569 00:23:54,100 --> 00:23:57,069 PERRY NEVER PAINTED ANYTHING HE DIDN'T STEAL. 570 00:23:57,103 --> 00:23:59,071 RIGHT, WELL, WE KNOW HE WORKED WITH AN ASSISTANT, 571 00:23:59,105 --> 00:24:00,640 SO MAYBE THAT WAS YOU. 572 00:24:00,673 --> 00:24:04,811 NO WAY WOULD I WORK FOR PERRY. 573 00:24:04,844 --> 00:24:06,579 CONTAGION WORKS ALONE. 574 00:24:07,547 --> 00:24:09,148 HMM, ALONE, TOGETHER, 575 00:24:09,181 --> 00:24:11,050 WHAT DOES IT MATTER, RIGHT? 576 00:24:11,083 --> 00:24:11,851 LIKE YOU SAID, CONTAGION IS A FRAUD. 577 00:24:11,884 --> 00:24:12,418 I NEVER SAID THAT. 578 00:24:12,451 --> 00:24:15,555 I SAID HE WORKS ALONE. 579 00:24:17,624 --> 00:24:19,125 OH, COME ON. 580 00:24:19,158 --> 00:24:20,560 YOU SHOULD HAVE SEEN THIS TACKY VODKA AD 581 00:24:20,593 --> 00:24:22,161 THAT HE WAS DOING WHEN HE WAS KILLED. 582 00:24:22,194 --> 00:24:23,830 YOU ASK ME, CONTAGION WAS OVERRATED. 583 00:24:23,863 --> 00:24:24,664 OH, YEAH, NO, A COMPLETE SELL-OUT-- 584 00:24:24,697 --> 00:24:25,832 CONTAGION 585 00:24:25,865 --> 00:24:27,634 IS A GREAT ARTIST. 586 00:24:27,667 --> 00:24:28,635 YOU KNOW WHAT, 587 00:24:28,668 --> 00:24:30,102 PERRY DOYLE ISN'T CONTAGION. 588 00:24:30,136 --> 00:24:31,604 YOU ARE. 589 00:24:34,574 --> 00:24:37,076 I WANT A LAWYER. 590 00:24:46,919 --> 00:24:48,187 WES, WHAT HAPPENED? 591 00:24:48,220 --> 00:24:48,821 NOTHING. 592 00:24:48,855 --> 00:24:50,222 HE GOT CAUGHT TRESPASSING. 593 00:24:50,256 --> 00:24:51,624 IT'S NO BIG DEAL. 594 00:24:51,658 --> 00:24:52,692 VANDALIZING PRIVATE PROPERTY? 595 00:24:52,725 --> 00:24:55,161 IT WAS A SMALL PIECE. 596 00:24:55,194 --> 00:24:56,195 WHAT HAPPENED TO YOU? 597 00:24:56,228 --> 00:24:58,197 OH, HE GOT INTO A FIGHT WITH A SECURITY GUARD. 598 00:24:58,230 --> 00:24:59,231 NO, IT WASN'T A FIGHT, IT WAS JUST A SCUFFLE. 599 00:24:59,265 --> 00:25:01,267 IT'S NOT A BIG DEAL. 600 00:25:01,300 --> 00:25:02,669 DOWNSTAIRS. 601 00:25:02,702 --> 00:25:04,604 WE'LL TALK ABOUT THIS LATER. 602 00:25:05,705 --> 00:25:06,673 WE CAN'T BE SOFT ON HIM. 603 00:25:06,706 --> 00:25:07,674 HE WILL WALK ALL OVER US. 604 00:25:07,707 --> 00:25:09,108 YEAH, DON'T LET SOME JERK 605 00:25:09,141 --> 00:25:10,910 WALK ALL OVER YOU, MOM. 606 00:25:10,943 --> 00:25:12,912 HE'S JUST HAVING TROUBLE ADJUSTING. 607 00:25:12,945 --> 00:25:14,614 WELL, HE'S NOT THE ONLY ONE. 608 00:25:14,647 --> 00:25:15,882 HONESTLY, I DON'T KNOW 609 00:25:15,915 --> 00:25:17,684 HOW MUCH MORE OF THIS I CAN TOLERATE. 610 00:25:17,717 --> 00:25:19,185 ARE YOU REALLY SAYING... 611 00:25:19,218 --> 00:25:20,119 SOMETHING HAS GOT TO GIVE. 612 00:25:24,190 --> 00:25:25,257 [P.A. ANNOUNCEMENT]: ...WILL BE DEPARTING 613 00:25:25,291 --> 00:25:28,160 FROM BERTH THREE IN 10 MINUTES. 614 00:25:29,295 --> 00:25:30,162 HEY, HEY, HEY! 615 00:25:30,196 --> 00:25:31,163 [SWITCHBLADE CLICKS] 616 00:25:31,197 --> 00:25:32,699 WHOA. WHOA... 617 00:25:32,732 --> 00:25:33,700 OKAY, EASY, MAN, TAKE IT. 618 00:25:33,733 --> 00:25:36,135 AND THE SHOES. 619 00:25:36,936 --> 00:25:38,237 YEAH, OKAY. OKAY. 620 00:25:39,672 --> 00:25:40,807 THERE. 621 00:25:51,183 --> 00:25:52,151 HEY. 622 00:25:52,184 --> 00:25:53,920 HEY, HERMAN. 623 00:25:53,953 --> 00:25:55,321 I JUST CAME IN TO TELL YOU, 624 00:25:55,354 --> 00:25:56,723 HIS RENT-A-LAWYER WON'T BE HERE FOR A LITTLE WHILE. 625 00:25:56,756 --> 00:25:57,657 THEY SAY HOW LONG? 626 00:25:57,690 --> 00:25:58,658 COUPLE OF HOURS ANYWAY. 627 00:25:58,691 --> 00:25:59,759 I'M OFF IN AN HOUR. 628 00:25:59,792 --> 00:26:00,793 IS THIS GOING TO HAVE TO WAIT 629 00:26:00,827 --> 00:26:02,829 TILL TOMORROW MORNING? 630 00:26:02,862 --> 00:26:04,363 CONGRATULATIONS, HERMAN. 631 00:26:04,396 --> 00:26:06,132 YOU GET TO SPEND THE NIGHT IN HOLDING. 632 00:26:06,165 --> 00:26:07,166 LISTEN, YOU SURE 633 00:26:07,199 --> 00:26:08,935 YOU DON'T WANT TO GET THIS OUT OF THE WAY JUST NOW? 634 00:26:08,968 --> 00:26:10,169 ALL YOU'VE GOT TO DO 635 00:26:10,202 --> 00:26:12,338 IS TELL US WHERE YOU WERE FRIDAY, 3:00 A.M. 636 00:26:12,371 --> 00:26:13,139 WE'RE NOT INTERESTED IN ARRESTING YOU 637 00:26:13,172 --> 00:26:15,574 FOR GRAFFITI, HERMAN. 638 00:26:17,877 --> 00:26:19,378 GRANVILLE AND PACIFIC. 639 00:26:19,411 --> 00:26:20,613 I DID A BIG PIECE. 640 00:26:20,647 --> 00:26:21,948 YOU CAN CHECK. 641 00:26:21,981 --> 00:26:23,683 OH, WE WILL. WE'LL DO THAT. 642 00:26:23,716 --> 00:26:25,652 WHY WERE YOUR FINGERPRINTS IN PERRY'S LOFT? 643 00:26:25,685 --> 00:26:27,720 COUPLE WEEKS AGO, 644 00:26:27,754 --> 00:26:29,956 I START GETTING EMAILS FROM SOME LADY 645 00:26:29,989 --> 00:26:32,625 ABOUT A VODKA CAMPAIGN. 646 00:26:32,659 --> 00:26:34,160 THEN SHE STARTS TALKING TO ME 647 00:26:34,193 --> 00:26:36,195 LIKE WE'RE ALREADY WORKING TOGETHER. 648 00:26:36,228 --> 00:26:37,964 I TOLD HER TO GET BENT. 649 00:26:37,997 --> 00:26:39,866 THEN I SAW AN AD 650 00:26:39,899 --> 00:26:41,634 IN MY STYLE. 651 00:26:41,668 --> 00:26:42,802 YOU FIGURED IT WAS PERRY. 652 00:26:42,835 --> 00:26:43,970 NO ONE ELSE WOULD HAVE THE BALLS 653 00:26:44,003 --> 00:26:45,838 TO STEAL FROM ME, MAN. 654 00:26:45,872 --> 00:26:47,406 I SEE, SO YOU WENT OVER TO HIS LOFT 655 00:26:47,439 --> 00:26:49,742 TO SET HIM STRAIGHT ABOUT ETIQUETTE. 656 00:26:49,776 --> 00:26:51,644 WHAT ELSE WAS I SUPPOSED TO DO? 657 00:26:51,678 --> 00:26:53,846 WELL, ALMOST ANYTHING OTHER THAN ASSAULT. 658 00:26:53,880 --> 00:26:55,715 YEAH, LIKE, YOU COULD FILE A COMPLAINT, 659 00:26:55,748 --> 00:26:56,716 YOU KNOW, WITH THE POLICE, FOR EXAMPLE. 660 00:26:56,749 --> 00:26:58,184 NO. 661 00:26:58,217 --> 00:27:02,188 CONTAGION HAS TO REMAIN ANONYMOUS. 662 00:27:02,221 --> 00:27:04,023 DOES HE HAVE TO TALK ABOUT HIMSELF 663 00:27:04,056 --> 00:27:07,093 IN THE THIRD PERSON? 664 00:27:28,247 --> 00:27:29,648 WES! 665 00:27:31,718 --> 00:27:32,819 NO! WES! 666 00:27:32,852 --> 00:27:33,652 YOU... 667 00:27:34,854 --> 00:27:36,823 STOP. HEY, STOP! 668 00:27:36,856 --> 00:27:37,990 STOP IT. 669 00:27:38,024 --> 00:27:39,458 COME HERE! 670 00:27:39,491 --> 00:27:40,727 COME HERE! 671 00:27:42,795 --> 00:27:43,629 SO, IT TURNS OUT 672 00:27:43,662 --> 00:27:45,898 THAT FAKE MYSTIQUE IS EXPENSIVE, TOO. 673 00:27:45,932 --> 00:27:49,736 WE KNOW PERRY DOYLE WASN'T THE REAL CONTAGION. 674 00:27:49,769 --> 00:27:51,670 THE QUESTION IS, DID YOU? 675 00:27:53,840 --> 00:27:55,241 LOOKS LIKE A YES. 676 00:27:55,274 --> 00:27:56,475 YEAH, THAT LOOKS LIKE, 677 00:27:56,508 --> 00:27:59,278 "UH-OH, MY CAREER MIGHT BE OVER." 678 00:27:59,311 --> 00:28:01,447 HEY, I'M THE VICTIM HERE. 679 00:28:01,480 --> 00:28:02,782 PERRY SCAMMED ME. 680 00:28:02,815 --> 00:28:05,284 WHEN I REALIZED... 681 00:28:05,317 --> 00:28:09,055 I'D ALREADY TOLD EVERYONE I HAD CONTAGION. 682 00:28:09,088 --> 00:28:10,957 IF I HAD TO ADMIT THE TRUTH, 683 00:28:10,990 --> 00:28:12,091 MY CAREER WOULD BE OVER. 684 00:28:12,124 --> 00:28:13,960 YOU COULD HAVE FIRED HIM. 685 00:28:13,993 --> 00:28:16,062 HE DID A GREAT JOB ON THE FIRST PIECE, 686 00:28:16,095 --> 00:28:17,463 AND HE GAVE ME THIS SOB STORY 687 00:28:17,496 --> 00:28:18,931 ABOUT NEEDING MONEY TO SUPPORT HIS KID. 688 00:28:18,965 --> 00:28:20,466 WAIT A MINUTE, WHAT KID? 689 00:28:20,499 --> 00:28:22,034 HE LIED ABOUT THAT, TOO? 690 00:28:22,068 --> 00:28:23,770 UNBELIEVABLE. 691 00:28:23,803 --> 00:28:24,804 SIT DOWN. 692 00:28:25,938 --> 00:28:26,839 DO YOU HAVE ANY IDEA 693 00:28:26,873 --> 00:28:28,474 HOW WORRIED YOUR MOTHER AND I HAVE BEEN? 694 00:28:28,507 --> 00:28:29,408 LANCE, IT'S-- 695 00:28:29,441 --> 00:28:30,242 THEN YOU COME BACK HERE TO STEAL FROM ME? 696 00:28:30,276 --> 00:28:31,177 AFTER EVERYTHING I'VE DONE FOR YOU? 697 00:28:31,210 --> 00:28:33,045 YEAH, YEAH, YOU'RE A REAL PRINCE, LANCE. 698 00:28:33,079 --> 00:28:34,480 WESLEY, PLEASE! 699 00:28:34,513 --> 00:28:36,182 THE IMPORTANT THING IS THAT WES IS BACK. 700 00:28:37,516 --> 00:28:40,820 AND WE'RE ALL GOING TO TRY A LOT HARDER FROM NOW ON. 701 00:28:40,853 --> 00:28:41,720 AREN'T WE? 702 00:28:50,329 --> 00:28:53,099 HEY, DID YOU RUN DOWN HERMAN'S ALIBI? 703 00:28:53,132 --> 00:28:54,767 DIDN'T HAVE TO. 704 00:28:54,801 --> 00:28:56,002 BOOKING PUTS HIM IN AT 6'1". 705 00:28:56,035 --> 00:28:57,770 JUDGING BY THE HEIGHT OF THE RAILING, 706 00:28:57,804 --> 00:28:59,806 HE'S A GOOD SIX INCHES TALLER THAN THE GUY ON THE OVERPASS. 707 00:28:59,839 --> 00:29:00,940 YEAH, THIS GUY IS SHORT, ISN'T HE? 708 00:29:02,942 --> 00:29:03,876 [ANGIE]: JANET WONG. 709 00:29:08,047 --> 00:29:08,981 WHAT DID YOU DO, YOU SET UP A MEETING? 710 00:29:09,015 --> 00:29:10,850 NO. 711 00:29:10,883 --> 00:29:12,785 THAT'S A BIT OF A SURPRISE. 712 00:29:15,888 --> 00:29:18,524 I FELT SICK ABOUT IT. 713 00:29:18,557 --> 00:29:20,759 BUT HE WAS WILLING TO PAY SO MUCH. 714 00:29:21,928 --> 00:29:22,862 AND ALL I HAD TO DO 715 00:29:22,895 --> 00:29:26,032 WAS PUT DEREK CASTER IN A CELL WITH GARVEY. 716 00:29:26,065 --> 00:29:29,768 ALL WE WANT IS A NAME. 717 00:29:31,570 --> 00:29:34,006 HEY, LISTEN, JANET, I GET IT. 718 00:29:34,040 --> 00:29:34,907 YOU'RE A SINGLE MOM. 719 00:29:34,941 --> 00:29:36,843 WORKING REMAND, THAT'S NOT A BIG PAYCHEQUE. 720 00:29:36,876 --> 00:29:37,844 YOU SAW AN OPPORTUNITY, 721 00:29:37,877 --> 00:29:40,146 YOU TOOK IT. 722 00:29:40,179 --> 00:29:43,850 THIS LAWYER, HENRY GUENTHER. 723 00:29:45,617 --> 00:29:47,854 IS THAT HIM? 724 00:29:47,887 --> 00:29:48,988 YES. 725 00:29:50,089 --> 00:29:51,157 HOW MUCH DID HE PAY YOU? 726 00:29:51,190 --> 00:29:53,893 50,000 CASH. 727 00:29:53,926 --> 00:29:55,794 AND HOW MUCH DID YOU PROMISE MASON GARVEY TO KILL CASTER? 728 00:29:56,963 --> 00:29:58,230 FIVE. 729 00:30:00,399 --> 00:30:02,068 HOW DID GUENTHER PAY YOU? 730 00:30:03,169 --> 00:30:05,071 HE LEFT THE MONEY IN HIS CAR, PARKED AT A DINER. 731 00:30:07,006 --> 00:30:08,807 ALL I HAD TO DO WAS PICK IT UP. 732 00:30:16,215 --> 00:30:17,884 ARE YOU AND ANGIE 733 00:30:17,917 --> 00:30:18,851 STILL INVESTIGATING DEREK CASTER'S MURDER? 734 00:30:20,887 --> 00:30:23,189 WELL, ANGIE THINKS THAT NEVILLE MONTGOMERY IS DIRTY. 735 00:30:23,222 --> 00:30:24,957 WHAT DO YOU THINK? 736 00:30:24,991 --> 00:30:27,593 I THINK THAT NEVILLE MONTGOMERY IS DIRTY. 737 00:30:27,626 --> 00:30:29,028 I HOPE YOU HAVE SOMETHING SOLID ON HIM. 738 00:30:29,061 --> 00:30:30,596 WHY'S THAT? 739 00:30:30,629 --> 00:30:32,431 WE INVESTIGATED MONTGOMERY ON TWO SEPARATE OCCASIONS 740 00:30:32,464 --> 00:30:35,134 WHEN I WAS IN FINANCIAL CRIMES. 741 00:30:35,167 --> 00:30:38,871 IT DIDN'T SEEM TO MATTER WHAT WE HAD ON HIM, 742 00:30:38,905 --> 00:30:41,073 HE ALWAYS HAD A PLAUSIBLE EXPLANATION. 743 00:30:41,107 --> 00:30:43,075 WELL, THANK YOU, THAT'S GOOD TO KNOW. 744 00:30:43,109 --> 00:30:45,044 YOU KNOW, THERE IS NOTHING IN HERE 745 00:30:45,077 --> 00:30:47,980 THAT SUGGESTS THAT PERRY DOYLE HAD A KID. 746 00:30:48,014 --> 00:30:49,916 WELL, EXCEPT FOR THE GAMING SYSTEM... 747 00:30:51,117 --> 00:30:53,219 WHICH IS STILL ON. 748 00:30:53,252 --> 00:30:55,988 OUR INTRUDER DID LEAVE IN A HURRY. 749 00:30:57,656 --> 00:30:59,125 ALL RIGHT, SO PERRY'S ONLINE AVATAR 750 00:30:59,158 --> 00:31:02,428 ON HIS GAMING SYSTEM WAS A GENERIC "GNER1C." 751 00:31:02,461 --> 00:31:04,030 MM-HMM, MM-HMM. 752 00:31:04,063 --> 00:31:04,463 THERE WAS ANOTHER PLAYER LOGGED ONTO PERRY'S SYSTEM, 753 00:31:04,496 --> 00:31:05,998 A "TRICKY224." 754 00:31:06,032 --> 00:31:07,433 HMM. 755 00:31:07,466 --> 00:31:09,168 ACCORDING TO THE COMPANY, 756 00:31:09,201 --> 00:31:10,202 THE MEMBERSHIP FEE 757 00:31:10,236 --> 00:31:12,204 FOR TRICKY224'S ONLINE ACCOUNT 758 00:31:12,238 --> 00:31:15,074 WAS PAID FOR BY A NINA HILLRIDGE. 759 00:31:15,107 --> 00:31:16,909 NICE. 760 00:31:16,943 --> 00:31:18,044 NINA HILLRIDGE... 761 00:31:18,077 --> 00:31:18,945 TWO "L'S"? 762 00:31:18,978 --> 00:31:19,912 YUP. 763 00:31:19,946 --> 00:31:21,013 OKAY. 764 00:31:25,151 --> 00:31:28,988 NINA HILLRIDGE HAS A 14-YEAR-OLD SON, WESLEY. 765 00:31:29,021 --> 00:31:30,957 SHE REPORTED HIM A RUNAWAY TWO DAYS AGO. 766 00:31:30,990 --> 00:31:32,925 THAT'S THE SAME NIGHT PERRY DOYLE WAS KILLED. 767 00:31:40,399 --> 00:31:42,201 [SIGHS HEAVILY] 768 00:31:42,234 --> 00:31:43,235 SO, WHAT, 769 00:31:43,269 --> 00:31:44,436 YOU'RE JUST GONNA KEEP ME HERE? 770 00:31:44,470 --> 00:31:48,140 LOCKED UP LIKE A PRISONER? 771 00:31:48,174 --> 00:31:52,411 WES, WE NEED TO TALK ABOUT WHAT HAPPENED. 772 00:31:54,380 --> 00:31:56,182 YOU DON'T WANT TO HEAR ANYTHING I HAVE TO SAY. 773 00:31:56,215 --> 00:31:59,685 LOOK, I KNOW THINGS HAVE BEEN DIFFICULT FOR YOU, 774 00:31:59,718 --> 00:32:01,487 BUT YOU'RE MY NUMBER ONE GUY. 775 00:32:01,520 --> 00:32:04,123 YOU KNOW THAT, RIGHT? 776 00:32:04,756 --> 00:32:09,228 WE CAN TALK LATER. 777 00:32:09,261 --> 00:32:11,430 AND DON'T WORRY ABOUT LANCE. 778 00:32:11,463 --> 00:32:14,133 I'LL CALM HIM DOWN. 779 00:32:16,168 --> 00:32:18,437 LANCE ISN'T THE ONE I'M WORRIED ABOUT. 780 00:32:40,426 --> 00:32:42,494 [NINA]: I CAN'T BELIEVE WES IS PUTTING US THROUGH THIS. 781 00:32:42,528 --> 00:32:43,729 [LANCE]: IT'S BECAUSE HIS DAD LEFT. 782 00:32:43,762 --> 00:32:44,496 HE'S JUST TESTING HIS BOUNDARIES. 783 00:32:44,530 --> 00:32:46,265 [NINA]: I KNOW. 784 00:32:46,298 --> 00:32:47,266 [LANCE]: HE'S PROTECTING HIMSELF 785 00:32:47,299 --> 00:32:48,567 FROM GETTING TOO ATTACHED. 786 00:32:50,469 --> 00:32:51,403 -HERE. -THANK YOU. 787 00:32:54,506 --> 00:32:56,308 [LANCE]: I'M NOT GOING ANYWHERE. 788 00:32:56,342 --> 00:32:57,576 [KNOCK ON DOOR] 789 00:32:57,609 --> 00:32:58,510 IT'S OKAY. I'LL SEE WHO IT IS. 790 00:33:07,319 --> 00:33:08,287 CAN I HELP YOU? 791 00:33:08,320 --> 00:33:09,421 HI. I'M DETECTIVE ANGIE FLYNN 792 00:33:09,455 --> 00:33:10,589 THIS IS MY PARTNER OSCAR VEGA. 793 00:33:10,622 --> 00:33:12,491 WE'D LIKE TO ASK YOU A FEW QUESTIONS 794 00:33:12,524 --> 00:33:13,492 ABOUT YOUR SON. WESLEY. 795 00:33:13,525 --> 00:33:15,461 WHAT DID HE DO NOW? 796 00:33:25,271 --> 00:33:26,272 WES? 797 00:33:26,305 --> 00:33:29,275 SWEETIE, THESE DETECTIVES 798 00:33:29,308 --> 00:33:31,343 HAVE SOME QUESTIONS FOR YOU. 799 00:33:31,377 --> 00:33:32,511 WOW. 800 00:33:32,544 --> 00:33:35,447 WISH MY KID WAS THIS NEAT. 801 00:33:35,481 --> 00:33:37,249 GUESS IT'S NOT TRUE WHAT THEY SAY 802 00:33:37,283 --> 00:33:38,517 ABOUT ARTISTS BEING MESSY, HUH? 803 00:33:38,550 --> 00:33:40,552 NO, IT'S TRUE. 804 00:33:40,586 --> 00:33:42,421 THE NEATNESS IS ALL LANCE. 805 00:33:44,323 --> 00:33:47,326 IS THIS ABOUT THAT MISUNDERSTANDING THREE DAYS AGO? 806 00:33:47,359 --> 00:33:48,527 WES GOT CAUGHT PAINTING GRAFFITI. 807 00:33:49,595 --> 00:33:51,363 BUT IT WON'T BE HAPPENING AGAIN. 808 00:33:51,397 --> 00:33:53,299 OKAY, WELL, 809 00:33:53,332 --> 00:33:55,601 WE STILL HAVE A FEW MORE QUESTIONS. 810 00:33:55,634 --> 00:33:56,535 SO, WHY'D YOU RUN AWAY? 811 00:34:00,439 --> 00:34:01,407 A SHRUG ISN'T AN ANSWER. 812 00:34:01,440 --> 00:34:02,541 OKAY, UM, HEY, LANCE, 813 00:34:02,574 --> 00:34:04,576 HOW ABOUT YOU AND I GO TALK ABOUT THIS GRAFFITI INCIDENT 814 00:34:04,610 --> 00:34:05,611 SOMEWHERE ELSE? 815 00:34:05,644 --> 00:34:07,413 SURE. YOU GOT THIS, BABE? 816 00:34:07,446 --> 00:34:08,647 YEAH. 817 00:34:12,351 --> 00:34:14,420 YOUR MOM SAYS YOU RAN AWAY ON THURSDAY. 818 00:34:14,453 --> 00:34:15,587 WHERE DID YOU GO? 819 00:34:15,621 --> 00:34:18,424 I SLEPT ON A PARK BENCH. 820 00:34:18,457 --> 00:34:19,458 WHICH PARK? 821 00:34:19,491 --> 00:34:21,527 I DON'T REMEMBER. 822 00:34:23,662 --> 00:34:25,564 WELL, I'M GLAD TO SEE YOU MADE IT HOME OKAY. 823 00:34:25,597 --> 00:34:28,400 BUT MAYBE YOU'RE, UH, 824 00:34:28,434 --> 00:34:29,501 NOT PLANNING ON STAYING FOR LONG? 825 00:34:29,535 --> 00:34:31,570 OH, WES... 826 00:34:31,603 --> 00:34:33,372 SO, THIS IS THE TRAIN YARD 827 00:34:33,405 --> 00:34:34,240 WHERE WES WAS CAUGHT? 828 00:34:34,273 --> 00:34:36,375 YEAH, GRAFFITI IS JUST THE BEGINNING. 829 00:34:36,408 --> 00:34:38,544 WOULD YOU SAY WES WAS PRONE TO VIOLENCE? 830 00:34:38,577 --> 00:34:40,579 NO. NO, HE'S INTO THE SNEAKY STUFF. 831 00:34:40,612 --> 00:34:42,581 STEALING, VANDALISM. 832 00:34:42,614 --> 00:34:44,450 SMALL ACTS OF REBELLION. 833 00:34:44,483 --> 00:34:45,551 PATHETIC, RIGHT? 834 00:34:45,584 --> 00:34:47,553 YOU MUST GET TIRED OF DEALING WITH KIDS LIKE HIM. 835 00:34:48,554 --> 00:34:50,289 ACTUALLY, I DON'T. 836 00:34:51,690 --> 00:34:54,493 WES, DO YOU KNOW A MAN NAMED PERRY DOYLE? 837 00:34:54,526 --> 00:34:56,428 MAYBE YOU KNOW HIM AS CONTAGION? 838 00:34:56,462 --> 00:34:58,364 UH, SURE. 839 00:34:58,397 --> 00:35:00,366 YEAH, EVERYONE KNOWS CONTAGION, 840 00:35:00,399 --> 00:35:01,600 BUT I NEVER MET HIM. 841 00:35:01,633 --> 00:35:04,536 WELL, PERRY DOYLE'S LOFT WAS BROKEN INTO 842 00:35:04,570 --> 00:35:05,337 A COUPLE OF DAYS AGO, 843 00:35:05,371 --> 00:35:07,506 AND SOMEONE USED YOUR GAMING HANDLE 844 00:35:07,539 --> 00:35:09,608 ON HIS CONSOLE. 845 00:35:09,641 --> 00:35:11,710 PEOPLE CAN CALL THEMSELVES WHATEVER THEY WANT. 846 00:35:11,743 --> 00:35:12,678 I MEAN, THAT DOESN'T PROVE ANYTHING. 847 00:35:12,711 --> 00:35:14,580 NO... 848 00:35:20,652 --> 00:35:22,354 BUT THIS HOODIE DOES. 849 00:35:23,655 --> 00:35:24,923 SEE, WE KNOW THIS IS PERRY DOYLE'S. 850 00:35:24,956 --> 00:35:26,658 WE'VE GOT VIDEO FOOTAGE OF HIM WEARING IT. 851 00:35:26,692 --> 00:35:28,360 A LOT OF PEOPLE WEAR HOODIES. 852 00:35:28,394 --> 00:35:30,729 NOT WITH ORANGE PAINT ALL OVER THE SHOULDER. 853 00:35:30,762 --> 00:35:32,631 YOU WANT TO CHANGE YOUR STORY, WES, 854 00:35:32,664 --> 00:35:33,932 NOW IS A GOOD TIME. 855 00:35:33,965 --> 00:35:35,601 OKAY, UH... 856 00:35:35,634 --> 00:35:38,670 YEAH, YEAH, I DO KNOW PERRY. 857 00:35:38,704 --> 00:35:39,905 BUT HE GAVE ME THAT HOODIE. 858 00:35:39,938 --> 00:35:41,573 WHEN? 859 00:35:41,607 --> 00:35:42,508 I DON'T KNOW. 860 00:35:42,541 --> 00:35:44,676 I HAVEN'T SEEN HIM IN A COUPLE OF WEEKS. 861 00:35:44,710 --> 00:35:46,512 A COUPLE WEEKS. 862 00:35:46,545 --> 00:35:48,447 SEE, WE KNOW PERRY DOYLE WAS WEARING THIS 863 00:35:48,480 --> 00:35:50,549 IN A VIDEO HE MADE FOUR DAYS AGO. 864 00:35:52,551 --> 00:35:54,653 I'M GOING TO NEED TO ARREST HIM FOR BREAKING AND ENTERING. 865 00:35:59,791 --> 00:36:02,728 KEEPING AND WEARING SOMEONE'S HOODIE, 866 00:36:02,761 --> 00:36:04,596 THAT'S A SIGN OF AFFECTION. 867 00:36:04,630 --> 00:36:07,766 SO, WHY WOULD WES KILL SOMEBODY HE CARED ABOUT? 868 00:36:07,799 --> 00:36:11,370 MAYBE HE DIDN'T MEAN TO. 869 00:36:11,403 --> 00:36:13,605 RIGHT, WES KNOCKS PERRY OFF THE OVERPASS, 870 00:36:13,639 --> 00:36:16,575 HE PANICS, RUNS AWAY FROM HOME. 871 00:36:16,608 --> 00:36:18,344 AN ACCIDENT. 872 00:36:18,377 --> 00:36:19,978 WELL, I COULD SEE WHY A TEENAGER WOULD FREAK OUT 873 00:36:20,011 --> 00:36:21,480 AND RUN AWAY FROM HOME 874 00:36:21,513 --> 00:36:22,581 AFTER SOMETHING LIKE THAT, 875 00:36:22,614 --> 00:36:24,950 BUT HE WAS REPORTED MISSING ON THURSDAY AFTERNOON. 876 00:36:24,983 --> 00:36:26,752 THAT'S BEFORE PERRY DOYLE WAS KILLED. 877 00:36:26,785 --> 00:36:30,656 OKAY, SO THE TRIGGER INCIDENT HAPPENED EARLIER. 878 00:36:30,689 --> 00:36:32,558 WHEN WAS HE BUSTED FOR GRAFFITI? WHEN DID THAT HAPPEN? 879 00:36:32,591 --> 00:36:34,360 WEDNESDAY NIGHT, 880 00:36:34,393 --> 00:36:35,994 HE HAD A RUN-IN WITH THE SECURITY GUARD. 881 00:36:36,027 --> 00:36:38,630 WEDNESDAY NIGHT. 882 00:36:38,664 --> 00:36:40,699 YEAH, THAT'S HIM. 883 00:36:40,732 --> 00:36:42,801 CAUGHT HIM TAGGING A PASSENGER CAR OUT BACK. 884 00:36:42,834 --> 00:36:44,970 DAMN KID HIT US TWICE BEFORE I NABBED HIM. 885 00:36:45,003 --> 00:36:46,572 HE TAGGED TWO TRAINS? 886 00:36:46,605 --> 00:36:48,507 NOT EXACTLY. 887 00:36:56,582 --> 00:36:58,550 "GNER1C". 888 00:36:58,584 --> 00:37:00,552 PERRY DOYLE. 889 00:37:00,586 --> 00:37:01,620 THAT'S PERRY'S TAG. 890 00:37:04,456 --> 00:37:06,592 WES, WE NEED YOU TO STOP LYING TO US. 891 00:37:06,625 --> 00:37:08,594 I'M NOT LYING. 892 00:37:08,627 --> 00:37:10,529 YOU LIED ABOUT NOT SEEING PERRY IN WEEKS. 893 00:37:10,562 --> 00:37:11,597 YOU WERE THERE, ON THE OVERPASS, 894 00:37:11,630 --> 00:37:12,864 THE NIGHT HE DIED. 895 00:37:15,734 --> 00:37:17,503 THAT'S YOU THERE, ISN'T IT, WES? 896 00:37:17,536 --> 00:37:19,505 [NINA]: THAT COULD BE ANYONE. 897 00:37:19,538 --> 00:37:21,607 LISTEN, IF YOU WENT THERE INTENDING TO KILL HIM, 898 00:37:21,640 --> 00:37:22,741 THAT'S FIRST DEGREE. 899 00:37:24,676 --> 00:37:25,844 BUT WE DON'T THINK THAT'S WHAT HAPPENED. 900 00:37:25,877 --> 00:37:26,778 WE NEED YOU TO TELL US WHAT HAPPENED. 901 00:37:28,647 --> 00:37:29,715 IT'S OBVIOUS THAT THINGS WERE ROUGH 902 00:37:29,748 --> 00:37:32,784 BETWEEN YOU AND LANCE. 903 00:37:32,818 --> 00:37:33,785 YOU IDOLIZED CONTAGION, DIDN'T YOU? 904 00:37:33,819 --> 00:37:35,287 HE WAS YOUR HERO. 905 00:37:35,321 --> 00:37:36,788 TALENTED. 906 00:37:36,822 --> 00:37:39,625 SOMEONE THAT YOU WANTED TO BE LIKE. 907 00:37:45,897 --> 00:37:47,766 DROP IT! 908 00:37:59,911 --> 00:38:02,714 PERRY! 909 00:38:05,584 --> 00:38:06,885 HELP! PERRY! 910 00:38:08,119 --> 00:38:09,621 PERRY! 911 00:38:09,655 --> 00:38:10,922 HELP! 912 00:38:12,123 --> 00:38:13,759 PERRY! 913 00:38:13,792 --> 00:38:15,594 PERRY, HELP! 914 00:38:19,931 --> 00:38:21,633 AT THE TRAIN STATION, 915 00:38:21,667 --> 00:38:24,670 HE USED HIS OWN NAME, 916 00:38:24,703 --> 00:38:25,771 GNER1C. 917 00:38:25,804 --> 00:38:26,705 DID YOU KNOW THAT? 918 00:38:26,738 --> 00:38:28,874 PERRY WAS HAPPY TO IMPERSONATE OTHER ARTISTS 919 00:38:28,907 --> 00:38:29,975 FOR THE MONEY. 920 00:38:30,008 --> 00:38:33,845 BUT IF HE WAS GOING TO HIT A TOUGH SPOT LIKE THAT? 921 00:38:33,879 --> 00:38:36,348 PERRY WASN'T YOUR HERO AFTER ALL, 922 00:38:36,382 --> 00:38:37,749 AND I THINK YOU FOUND THAT OUT THE HARD WAY. 923 00:38:42,954 --> 00:38:45,891 HEY, TAKE ME WITH YOU. 924 00:38:45,924 --> 00:38:47,659 WHAT? 925 00:38:47,693 --> 00:38:48,660 AFTER I GOT CAUGHT LAST NIGHT, 926 00:38:48,694 --> 00:38:49,628 EVERYTHING BLEW UP AT HOME. 927 00:38:49,661 --> 00:38:50,729 I WANNA GO WITH YOU. 928 00:38:50,762 --> 00:38:52,130 I'M NOT GOING ANYWHERE. 929 00:38:52,163 --> 00:38:53,832 YOUR WEBSITE SAYS YOU'RE GOING TO NEW YORK. 930 00:38:53,865 --> 00:38:55,801 I SAW YOUR POST. 931 00:38:55,834 --> 00:38:57,636 OH, UH, RIGHT. 932 00:38:57,669 --> 00:38:58,937 NO, THAT'S AN OLD POST. 933 00:38:58,970 --> 00:39:01,573 YOU JUST POSTED IT THIS AFTERNOON, SO... 934 00:39:06,878 --> 00:39:09,881 YOU'RE NOT CONTAGION. 935 00:39:11,983 --> 00:39:13,852 OH, MY GOD, IT'S TRUE, ISN'T IT? 936 00:39:13,885 --> 00:39:15,654 YOU'RE NOT CONTAGION. 937 00:39:15,687 --> 00:39:16,822 YOU LIED TO ME. 938 00:39:16,855 --> 00:39:17,989 DUDE, DUDE, DUDE, CALM DOWN, KID, ALL RIGHT? 939 00:39:18,023 --> 00:39:19,791 I NEVER SAID I WAS CONTAGION. 940 00:39:19,825 --> 00:39:20,926 YOU USED HIS TAG. YOU LIED! 941 00:39:20,959 --> 00:39:21,960 YEAH, OKAY. 942 00:39:21,993 --> 00:39:23,862 WHATEVER. 943 00:39:24,996 --> 00:39:26,632 GET LOST, KID. 944 00:39:26,665 --> 00:39:28,700 I GOT WORK TO DO. 945 00:39:28,734 --> 00:39:30,636 WAS ANY OF IT TRUE? 946 00:39:30,669 --> 00:39:31,603 ANY OF IT? 947 00:39:31,637 --> 00:39:33,004 AW, WHOA, WAIT, 948 00:39:33,038 --> 00:39:34,840 WHAT, ARE YOU GOING TO CRY NOW? 949 00:39:34,873 --> 00:39:37,709 [LAUGHS] 950 00:39:37,743 --> 00:39:38,877 YOU'RE SO PATHETIC. 951 00:39:45,050 --> 00:39:46,017 [SCREAMS] 952 00:39:53,725 --> 00:39:56,027 IS THAT WHY YOU PUSHED HIM? 953 00:39:56,061 --> 00:39:58,730 OR WAS IT BECAUSE HE LET YOU TAKE THE FALL? 954 00:39:58,764 --> 00:39:59,865 MAYBE THINGS WERE TENSE AT HOME? 955 00:39:59,898 --> 00:40:03,635 MAYBE LANCE GOT ANGRY? 956 00:40:03,669 --> 00:40:04,903 NO. 957 00:40:04,936 --> 00:40:06,972 NOT LANCE. 958 00:40:14,846 --> 00:40:16,014 WHAT HAS GOTTEN INTO YOU? 959 00:40:16,047 --> 00:40:18,016 YOU KNOW HOW LANCE FEELS ABOUT GRAFFITI. 960 00:40:18,049 --> 00:40:19,751 NOW ASK ME IF I CARE. 961 00:40:19,785 --> 00:40:20,719 I DON'T EVEN KNOW WHO YOU ARE. 962 00:40:20,752 --> 00:40:22,788 I COULD SAY THE SAME THING ABOUT YOU, MOM. 963 00:40:22,821 --> 00:40:24,022 I HAVE ALWAYS PUT YOU FIRST. 964 00:40:24,055 --> 00:40:25,857 ALWAYS. 965 00:40:25,891 --> 00:40:26,825 THIS IS THE ONE TIME 966 00:40:26,858 --> 00:40:28,760 I NEED YOU TO THINK OF SOMEONE BEFORE YOURSELF. 967 00:40:28,794 --> 00:40:29,828 I AM. 968 00:40:29,861 --> 00:40:30,862 HE'S NOT GOOD ENOUGH FOR YOU. 969 00:40:30,896 --> 00:40:32,898 THAT IS NOT YOUR DECISION TO MAKE! 970 00:40:32,931 --> 00:40:34,466 I CAN'T LOSE HIM. 971 00:40:34,500 --> 00:40:36,234 DO YOU KNOW HOW DESPERATE YOU LOOK? 972 00:40:36,267 --> 00:40:38,770 DYING TO HANG ONTO SOME JERK 973 00:40:38,804 --> 00:40:39,871 BECAUSE YOU'RE TERRIFIED OF BEING ALONE? 974 00:40:48,279 --> 00:40:50,048 FINE. 975 00:40:50,081 --> 00:40:51,483 YOU WANT ME GONE? 976 00:40:51,517 --> 00:40:52,951 I'M GONE. 977 00:40:53,952 --> 00:40:56,822 OH, GOD, THIS IS MY FAULT. 978 00:40:58,757 --> 00:41:02,961 I'M SORRY, MOM. 979 00:41:04,996 --> 00:41:07,999 I WISH I COULD TAKE IT BACK. 980 00:41:13,839 --> 00:41:14,873 WHAT HAPPENS NOW? 981 00:41:24,983 --> 00:41:26,284 HEY, HOLD UP WHEN WE GET OUT THERE. 982 00:41:26,317 --> 00:41:27,853 OKAY. 983 00:41:29,888 --> 00:41:32,023 YOU CAN'T GO WITH HIM. 984 00:41:32,057 --> 00:41:33,725 AND IF HE WERE MY SON, 985 00:41:33,759 --> 00:41:35,961 THIS IS THE LAWYER I WOULD CALL. 986 00:41:35,994 --> 00:41:38,096 YOU CAN SAY GOODBYE TO HIM NOW. 987 00:41:38,129 --> 00:41:39,097 THANK YOU. 988 00:41:50,742 --> 00:41:52,878 THAT ONE BREAKS MY HEART. 989 00:41:52,911 --> 00:41:54,980 YUP. 990 00:41:55,013 --> 00:41:55,981 HENRY GUENTHER'S AGREED TO COME IN. 991 00:41:56,014 --> 00:41:57,983 -HE DID? -MM-HMM. 992 00:41:58,016 --> 00:41:58,950 I DON'T KNOW, 993 00:41:58,984 --> 00:42:00,085 I THINK YOU SHOULD HOLD OFF A LITTLE LONGER. 994 00:42:00,118 --> 00:42:02,721 MAYBE DIG A LITTLE DEEPER. 995 00:42:02,754 --> 00:42:03,722 I WANT TO SEE HOW HE RESPONDS 996 00:42:03,755 --> 00:42:05,891 TO THE ALLEGATIONS. 997 00:42:10,862 --> 00:42:12,998 CONSPIRACY? 998 00:42:13,031 --> 00:42:15,133 [SCOFFS] HOW ENTERTAINING. 999 00:42:15,166 --> 00:42:18,003 JANET WONG CONFESSED. 1000 00:42:18,036 --> 00:42:20,005 SHE SAID YOU PAID HER $50,000 1001 00:42:20,038 --> 00:42:21,239 TO ARRANGE THE MURDER OF DEREK CASTER. 1002 00:42:22,841 --> 00:42:25,143 AND WHY WOULD I DO SOMETHING SO HEINOUS? 1003 00:42:25,176 --> 00:42:26,778 BECAUSE NEVILLE MONTGOMERY ORDERED YOU TO. 1004 00:42:29,114 --> 00:42:32,150 THAT MONEY WAS STOLEN FROM MY CAR. 1005 00:42:32,183 --> 00:42:33,785 WHAT WAS THE MONEY FOR? 1006 00:42:33,819 --> 00:42:36,054 STUD FEES, FOR NEVILLE'S HORSES. 1007 00:42:36,087 --> 00:42:38,189 AND THIS TIME, IT JUST HAPPENED TO GET STOLEN? 1008 00:42:39,858 --> 00:42:43,829 IF YOU DON'T BELIEVE ME, CHECK THE POLICE REPORT. 1009 00:42:43,862 --> 00:42:46,798 I HAVE THE FILE NUMBER. 1010 00:42:54,205 --> 00:42:57,175 I HAVE MONTGOMERY AND GUENTHER ON TAPE, 1011 00:42:57,208 --> 00:42:57,976 ARRANGING A PAY-OUT-- 1012 00:42:58,009 --> 00:42:59,177 --WHICH HE CLAIMS ARE STUD FEES. 1013 00:42:59,210 --> 00:42:59,978 YOU DON'T BELIEVE THAT. 1014 00:43:00,011 --> 00:43:01,847 IT'S NOT WHAT I BELIEVE, ANGIE. 1015 00:43:01,880 --> 00:43:02,881 IT IS WHAT THE EVIDENCE SUPPORTS-- 1016 00:43:02,914 --> 00:43:03,882 EVIDENCE! 1017 00:43:03,915 --> 00:43:05,116 AND THE EVIDENCE SUPPORTS GUENTHER'S STORY. 1018 00:43:07,886 --> 00:43:09,154 SO, MONTGOMERY JUST GETS AWAY WITH MURDER? 1019 00:43:12,423 --> 00:43:13,224 YEAH, HE DOES. 1020 00:43:18,129 --> 00:43:22,200 [***]