1 00:00:02,828 --> 00:00:04,787 IAN, STOP IT. I DID NOT. 2 00:00:04,830 --> 00:00:05,788 YOU DID. 3 00:00:05,831 --> 00:00:06,832 I CALLED YOU ALAN? 4 00:00:06,876 --> 00:00:07,833 [LAUGHING] 5 00:00:07,877 --> 00:00:09,052 JUST FOR THE FIRST DAY. 6 00:00:09,096 --> 00:00:10,314 OKAY, THIS IS A VERY FAMOUS SPOT. 7 00:00:10,358 --> 00:00:11,794 I DON'T KNOW IF YOU KNOW THIS, 8 00:00:11,837 --> 00:00:15,015 BUT WHAT HISTORIC EVENT TOOK PLACE RIGHT HERE? 9 00:00:15,058 --> 00:00:17,669 UH... GIVE ME A HINT. 10 00:00:17,713 --> 00:00:19,019 OKAY. 11 00:00:19,062 --> 00:00:20,020 IT HASN'T HAPPENED YET. 12 00:00:20,063 --> 00:00:22,544 [GUITARISTS START PLAYING] 13 00:00:22,587 --> 00:00:23,980 [♪♪♪] 14 00:00:24,024 --> 00:00:25,025 I LOVE THIS SONG! 15 00:00:25,068 --> 00:00:26,809 THIS IS OUR SONG! 16 00:00:26,852 --> 00:00:27,592 OH, MY GOD! 17 00:00:27,636 --> 00:00:29,551 HEY. 18 00:00:29,594 --> 00:00:30,813 DIANNE? WHAT? 19 00:00:32,032 --> 00:00:34,077 THANKS, BUDDY. 20 00:00:34,121 --> 00:00:36,732 BEN, WHAT ARE YOU... 21 00:00:36,775 --> 00:00:38,821 ROBIN... 22 00:00:40,997 --> 00:00:42,694 WILL YOU MARRY ME? 23 00:00:42,738 --> 00:00:44,870 [♪♪♪] 24 00:00:44,914 --> 00:00:47,177 WELL, SAY YES! 25 00:00:51,138 --> 00:00:53,531 [LAUGHTER AND APPLAUSE] 26 00:01:05,761 --> 00:01:07,893 EXCUSE ME, 27 00:01:07,937 --> 00:01:09,199 ROBIN KEATON, DOES SHE LIVE HERE? 28 00:01:10,679 --> 00:01:11,419 I'M ROBIN KEATON. 29 00:01:13,247 --> 00:01:14,422 SORRY TO BOTHER YOU. 30 00:01:20,819 --> 00:01:22,038 [CAR HONKING] 31 00:01:22,082 --> 00:01:23,257 [TIRES SQUEALING] 32 00:01:23,300 --> 00:01:24,606 HEY, WATCH WHERE YOU'RE GOING! 33 00:01:40,491 --> 00:01:43,233 "I NEVER HAD THE COURAGE UNTIL NOW." 34 00:01:43,277 --> 00:01:44,887 THE DECEASED KEVIN CARPENTER 35 00:01:44,930 --> 00:01:46,280 HAS BEEN TRAVELLING FOR THE PAST THREE YEARS. 36 00:01:46,323 --> 00:01:48,717 INDIA, NEPAL AND THAILAND. 37 00:01:48,760 --> 00:01:51,198 HE LANDED SATURDAY NIGHT, CLEARED CUSTOMS, 38 00:01:51,241 --> 00:01:52,329 CAME HERE AND CHECKED IN. 39 00:01:52,373 --> 00:01:53,765 DO YOU HAVE AN EVIDENCE BAG? 40 00:01:53,809 --> 00:01:55,245 YEAH. WHY? WHAT IS THAT? 41 00:01:55,289 --> 00:01:56,464 LOOKS LIKE A STEERING WHEEL. 42 00:01:56,507 --> 00:01:57,943 THIS STEERING WHEEL IS A DHARMACHAKRA, 43 00:01:57,987 --> 00:02:00,859 THE BUDDHIST SYMBOL FOR THE PATH TO ENLIGHTENMENT. 44 00:02:00,903 --> 00:02:03,253 WELL, IT LOOKS LIKE KEVIN LOST HIS WAY. 45 00:02:03,297 --> 00:02:04,950 HE ALLEGEDLY ENDED HIS LIFE LAST NIGHT 46 00:02:04,994 --> 00:02:06,213 BETWEEN 11:00 P.M., 47 00:02:06,256 --> 00:02:07,170 WHEN HE USED HIS KEYCARD TO ENTER THE ROOM, 48 00:02:07,214 --> 00:02:08,824 AND 8:00 A.M. THIS MORNING-- 49 00:02:08,867 --> 00:02:09,999 [TOGETHER]: WHEN THE MAID CAME TO CLEAN UP. 50 00:02:11,348 --> 00:02:13,350 DID SHE TAKE ANYTHING OR TOUCH ANYTHING? 51 00:02:13,394 --> 00:02:14,699 SHE SAID NO. 52 00:02:14,743 --> 00:02:16,353 THEN WE HAVE GOT A MISSING GLASS. 53 00:02:16,397 --> 00:02:19,269 MAYBE KEVIN HAD COMPANY? 54 00:02:19,313 --> 00:02:21,271 OH, HE DEFINITELY HAD COMPANY. 55 00:02:21,315 --> 00:02:23,708 WHY, WHAT DO YOU GOT FOR US, BETS? 56 00:02:23,752 --> 00:02:27,277 I HAVE A TEXTBOOK CASE OF SLASHED WRISTS. 57 00:02:28,844 --> 00:02:30,367 THERE ARE HESITATION CUTS BEFORE THE FATAL WOUNDS. 58 00:02:30,411 --> 00:02:31,977 AND THE FATAL WOUNDS 59 00:02:32,021 --> 00:02:34,110 ARE DRAWN FROM THE THUMB TO THE FOREFINGER, 60 00:02:34,154 --> 00:02:35,285 INDICATING SELF-HARM. 61 00:02:35,329 --> 00:02:35,938 RIGHT, SO SOMEONE DID THEIR HOMEWORK. 62 00:02:35,981 --> 00:02:37,374 HMM. 63 00:02:37,418 --> 00:02:39,159 LUCKILY, THEY SKIPPED A CHAPTER. 64 00:02:39,202 --> 00:02:39,985 THE TENDONS ARE SEVERED 65 00:02:40,029 --> 00:02:41,813 IN BOTH ARMS, 66 00:02:41,857 --> 00:02:43,685 AND ONCE YOU SEVER A TENDON, 67 00:02:43,728 --> 00:02:45,208 THE HAND IS USELESS. 68 00:02:45,252 --> 00:02:46,688 SO KEVIN CARPENTER HAD HELP. 69 00:02:46,731 --> 00:02:49,081 BUT IS IT ASSISTED SUICIDE OR A HOMICIDE? 70 00:02:49,125 --> 00:02:50,213 EITHER WAY, IT'S MURDER. 71 00:02:51,258 --> 00:02:52,694 YEAH. 72 00:03:03,400 --> 00:03:05,359 [VEGA]: MR. CARPENTER'S INCIDENTALS BILL. 73 00:03:05,402 --> 00:03:06,882 WE HAVE SEVERAL RESTAURANT CHARGES... 74 00:03:06,925 --> 00:03:08,362 EXCUSE US. 75 00:03:08,405 --> 00:03:10,102 THREE LOCAL CALLS AND ONE TO DIRECTORY ASSISTANCE. 76 00:03:10,146 --> 00:03:12,627 SOUNDS PRETTY RESTRAINED 77 00:03:12,670 --> 00:03:14,237 FOR A GUY WHO WASN'T PLANNING ON PAYING HIS BILL. 78 00:03:14,281 --> 00:03:15,238 THE LOCAL CALLS MIGHT EXPLAIN 79 00:03:15,282 --> 00:03:16,326 WHY WE CAN'T FIND A CELL PHONE. 80 00:03:16,370 --> 00:03:17,762 MM... DIDN'T HAVE ONE. 81 00:03:17,806 --> 00:03:19,677 BINGO. 82 00:03:19,721 --> 00:03:21,157 FORENSICS HAS ALREADY FOUND 30 DISCRETE SETS OF PRINTS 83 00:03:21,201 --> 00:03:22,027 IN THE ROOM. 84 00:03:22,071 --> 00:03:23,377 WE'RE GOING TO NEED... 85 00:03:23,420 --> 00:03:24,943 ELIMINATION PRINTS FROM THE HOTEL STAFF. 86 00:03:24,987 --> 00:03:26,249 AND... 87 00:03:26,293 --> 00:03:27,859 REVERSE-LOOKUPS ON THESE NUMBERS? 88 00:03:27,903 --> 00:03:30,471 AND... 89 00:03:30,514 --> 00:03:31,994 A WARRANT FOR THE DIRECTORY ASSISTANCE CALL? 90 00:03:32,037 --> 00:03:33,430 THERE YOU GO. 91 00:03:33,474 --> 00:03:34,475 YEAH, YOU'RE JUST TRYING TO RUSH OFF 92 00:03:34,518 --> 00:03:35,084 AND GET A PIECE OF BOYD'S CAKE. 93 00:03:35,127 --> 00:03:37,129 IT'S LEMON. 94 00:03:37,173 --> 00:03:39,349 UGH, I HATE LEMON. [CELL PHONE CHIMING] 95 00:03:39,393 --> 00:03:41,351 WILL YOU SAVE ME A PIECE? 96 00:04:00,152 --> 00:04:01,937 HOW DID IT GO LAST NIGHT? 97 00:04:01,980 --> 00:04:03,199 HOW DID WHAT GO? 98 00:04:03,243 --> 00:04:04,418 YOUR PHOTO SHOOT? 99 00:04:04,461 --> 00:04:06,158 UH, GOOD. GOOD, ACTUALLY. 100 00:04:06,202 --> 00:04:09,205 I THINK THE MAGAZINE'S GOING TO LIKE THE SHOTS I GOT. 101 00:04:09,249 --> 00:04:11,425 SINCE YOU'RE UP, 102 00:04:11,468 --> 00:04:13,035 DO YOU THINK YOU COULD WALK BEN TO SCHOOL? 103 00:04:13,078 --> 00:04:15,255 YEAH, LOOK, I'M ALL OVER IT. 104 00:04:15,298 --> 00:04:16,778 YOU... ARE... 105 00:04:16,821 --> 00:04:18,954 THE... BEST. 106 00:04:21,391 --> 00:04:22,436 [LAUGHS] 107 00:04:22,479 --> 00:04:24,176 YOU KNOW I'D DO ANYTHING FOR YOU. 108 00:04:24,220 --> 00:04:25,177 [LAUGHING] 109 00:04:25,221 --> 00:04:26,309 I GOTTA GO. 110 00:04:26,353 --> 00:04:28,050 I GOTTA GO. 111 00:04:28,093 --> 00:04:29,269 DON'T FORGET, 112 00:04:29,312 --> 00:04:30,270 DAVE'S COMING OVER TONIGHT. 113 00:04:30,313 --> 00:04:31,532 OH... 114 00:04:31,575 --> 00:04:32,968 YEAH, UH... 115 00:04:33,011 --> 00:04:34,317 [MUMBLES ANXIOUSLY] 116 00:04:34,361 --> 00:04:36,406 HAVE YOU TOLD HIM ABOUT THIS? 117 00:04:38,408 --> 00:04:40,454 OH, BOY. 118 00:04:40,497 --> 00:04:42,107 I DON'T KNOW WHERE YOU GET THIS IDEA DAVE DOESN'T LIKE YOU. 119 00:04:42,151 --> 00:04:43,544 [LAUGHS] FROM THAT TIME 120 00:04:43,587 --> 00:04:45,154 WHEN HE ACTUALLY TOLD ME THAT HE DIDN'T LIKE ME. 121 00:04:45,197 --> 00:04:47,983 THAT WAS OVER TWO YEARS AGO. 122 00:04:48,026 --> 00:04:49,898 HE'S BEN'S GRANDFATHER, 123 00:04:49,941 --> 00:04:51,378 AND HE'S LIKE A FATHER TO ME. 124 00:04:51,421 --> 00:04:52,117 WELL... 125 00:04:52,161 --> 00:04:53,423 AND YOU JUST SAID 126 00:04:53,467 --> 00:04:54,381 THAT YOU WOULD DO ANYTHING FOR ME. 127 00:04:54,424 --> 00:04:55,469 I KNOW, I JUST... 128 00:04:55,512 --> 00:04:56,905 I DON'T KNOW WHAT I'M THINKING. OKAY. 129 00:05:02,650 --> 00:05:05,043 I THOUGHT I WAS CLEAR ABOUT THIS. 130 00:05:05,087 --> 00:05:07,437 NO DAMN CAKE. 131 00:05:07,481 --> 00:05:10,179 SUPERINTENDENT OF INVESTIGATIONS... 132 00:05:10,222 --> 00:05:12,312 HUH? 133 00:05:12,355 --> 00:05:14,009 HOW DOES THAT FEEL? 134 00:05:14,052 --> 00:05:16,011 LIKE MORE PAPERWORK. 135 00:05:16,054 --> 00:05:17,447 WELL, YOU KNOW, 136 00:05:17,491 --> 00:05:20,972 I'M GOING TO MISS YOUR SMILING FACE. 137 00:05:21,016 --> 00:05:22,365 YOU KNOW MY DOOR IS ALWAYS OPEN, RIGHT? 138 00:05:22,409 --> 00:05:23,497 MM-HMM. 139 00:05:23,540 --> 00:05:24,628 YOU'D BETTER BE CAREFUL, THOUGH, 140 00:05:24,672 --> 00:05:27,196 BECAUSE I'M GOING TO TAKE YOU UP ON THAT. 141 00:05:27,239 --> 00:05:28,197 HEY, WHO GOT THE PROMOTION? 142 00:05:28,240 --> 00:05:29,546 WAS IT ME? 143 00:05:29,590 --> 00:05:31,548 WAS IT ME? 144 00:05:31,592 --> 00:05:33,115 IS IT VEGA? 145 00:05:33,158 --> 00:05:34,421 YOUR MOTEL ROOM VICTIM. 146 00:05:34,464 --> 00:05:37,337 COULD IT HAVE BEEN AN ASSISTED SUICIDE? 147 00:05:37,380 --> 00:05:39,034 WELL, WE HAVEN'T RULED ASSISTED SUICIDE OUT YET, 148 00:05:39,077 --> 00:05:41,558 BUT THEY TEND TO BE POISONINGS, OVERDOSES. 149 00:05:41,602 --> 00:05:43,343 SOMETHING MORE GENTLE. 150 00:05:43,386 --> 00:05:45,867 KEVIN'S WRISTS WERE SLASHED TO THE BONE. 151 00:05:45,910 --> 00:05:47,608 YOU'D HAVE A HARD TIME CONVINCING ANYBODY TO DO THAT. 152 00:05:47,651 --> 00:05:50,088 NO SIGN OF A STRUGGLE, THOUGH. HOW'D THE KILLER PULL THAT OFF? 153 00:05:50,132 --> 00:05:51,960 WE FOUND SLEEPING PILLS IN KEVIN'S ROOM. 154 00:05:52,003 --> 00:05:53,440 ZOLPIDEM. 155 00:05:53,483 --> 00:05:54,702 A COUPLE OF PILLS WOULD HAVE KNOCKED HIM OUT COLD. 156 00:05:54,745 --> 00:05:55,833 YEAH, AFTER THAT, YOU COULD DO IT EASILY. 157 00:05:55,877 --> 00:05:56,486 ALL RIGHT, TELL ME ABOUT THE PHONE CALLS. 158 00:05:56,530 --> 00:05:57,400 THERE WERE THREE. 159 00:05:57,444 --> 00:05:58,662 ONE TO A SHELLEY CARPENTER, 160 00:05:58,706 --> 00:05:59,968 HIS SISTER. 161 00:06:00,011 --> 00:06:01,143 A CONVENIENCE STORE, 162 00:06:01,186 --> 00:06:02,274 AND THE OTHER FOR DIRECTORY ASSISTANCE. 163 00:06:02,318 --> 00:06:03,275 OUR NEXT STOP IS NOTIFYING THE SISTER. 164 00:06:03,319 --> 00:06:04,755 GOOD. 165 00:06:04,799 --> 00:06:06,061 I NEED A MINUTE. 166 00:06:06,104 --> 00:06:07,410 YES, SIR. 167 00:06:07,454 --> 00:06:08,672 [WHISPERS] SO IT'S NOT ME? 168 00:06:08,716 --> 00:06:10,239 RIGHT. 169 00:06:13,329 --> 00:06:14,678 YOU DIDN'T GET THE PROMOTION? 170 00:06:14,722 --> 00:06:15,679 PARTNER, LET IT GO. 171 00:06:15,723 --> 00:06:16,680 IT'S JUST A JOB. 172 00:06:16,724 --> 00:06:18,073 WE HAVE A HOMICIDE TO INVESTIGATE. 173 00:06:18,116 --> 00:06:19,814 OH, TRUST ME, I AM THINKING OF HOMICIDE. 174 00:06:19,857 --> 00:06:21,424 WHO DID GET IT? 175 00:06:21,468 --> 00:06:22,817 I DON'T KNOW. BOYD WOULDN'T SAY. 176 00:06:22,860 --> 00:06:23,644 ALL I KNOW IS THAT HE'S FROM OUTSIDE THE DEPARTMENT. 177 00:06:23,687 --> 00:06:25,036 [SCOFFS] I'M SORRY. 178 00:06:25,080 --> 00:06:26,516 DON'T BE. 179 00:06:26,560 --> 00:06:27,648 ARE YOU SURE THAT BOYD SAID IT WAS A HE? 180 00:06:27,691 --> 00:06:29,519 MM-HMM. WHY, HAVE YOU HEARD SOMETHING? 181 00:06:29,563 --> 00:06:30,738 NO, NO. 182 00:06:30,781 --> 00:06:32,304 NOTHING CONCRETE. 183 00:06:32,348 --> 00:06:33,305 HAVE YOU GOT THE SISTER'S ADDRESS? 184 00:06:33,349 --> 00:06:35,133 I DO. 185 00:06:35,177 --> 00:06:36,787 [SIGHING] 186 00:06:36,831 --> 00:06:39,355 [SHELLEY CARPENTER]: KEVIN CALLED ME SUNDAY MORNING 187 00:06:39,399 --> 00:06:40,530 TO LET ME KNOW HE WAS HOME. 188 00:06:40,574 --> 00:06:42,227 [SIGHS WRYLY] 189 00:06:42,271 --> 00:06:44,795 TYPICAL KEVIN. 190 00:06:44,839 --> 00:06:46,231 HE JUST DIDN'T EVEN BOTHER TO TELL ME HE WAS COMING HOME 191 00:06:46,275 --> 00:06:48,233 UNTIL HE GOT HERE. 192 00:06:50,148 --> 00:06:53,500 I TOLD HIM TO STAY WITH ME, 193 00:06:53,543 --> 00:06:56,503 BUT HE SAID "NAH." 194 00:06:56,546 --> 00:06:58,156 WHEN YOU SPOKE WITH HIM, HOW DID HE SOUND? 195 00:06:58,200 --> 00:07:01,159 HAPPY. 196 00:07:02,683 --> 00:07:06,251 WE HAD PLANS TO HAVE DINNER TONIGHT. 197 00:07:06,295 --> 00:07:07,601 HE SAID HE HAD NEWS. 198 00:07:08,776 --> 00:07:10,908 DID HE GIVE YOU A HINT ABOUT THAT, WHAT THAT WAS? 199 00:07:10,952 --> 00:07:12,214 NO. 200 00:07:12,257 --> 00:07:13,302 DID HE MENTION ANY OTHER PLANS HE'D MADE? 201 00:07:13,345 --> 00:07:14,564 MAYBE SOMEBODY HE WAS GOING TO SEE? 202 00:07:14,608 --> 00:07:15,435 NO. 203 00:07:15,478 --> 00:07:17,219 IT WAS A SHORT CALL. 204 00:07:17,262 --> 00:07:19,351 SAID HE WANTED TO TALK IN PERSON. 205 00:07:19,395 --> 00:07:21,310 DID KEVIN HAVE ANY ISSUES WITH SUBSTANCE ABUSE? 206 00:07:21,353 --> 00:07:24,531 WHY WOULD YOU EVEN ASK THAT? 207 00:07:24,574 --> 00:07:26,533 WE FOUND SLEEPING PILLS AT THE SCENE. 208 00:07:26,576 --> 00:07:29,318 KEVIN'S ALWAYS HAD TROUBLE WITH INSOMNIA. 209 00:07:29,361 --> 00:07:31,059 WE ALSO FOUND A DOCUMENT. 210 00:07:31,102 --> 00:07:33,235 WE'RE WONDERING IF YOU HAVE 211 00:07:33,278 --> 00:07:34,192 ANY SAMPLES OF HIS HANDWRITING 212 00:07:34,236 --> 00:07:35,542 WE COULD MAYBE COMPARE IT TO? 213 00:07:35,585 --> 00:07:37,413 A POSTCARD, NOTE, THAT KIND OF THING. 214 00:07:37,457 --> 00:07:38,283 YEAH, I'VE GOT A BOX OF HIS NOTEBOOKS 215 00:07:38,327 --> 00:07:40,416 IN THE GARAGE. 216 00:07:40,460 --> 00:07:42,549 YOU'RE WELCOME TO GO THROUGH THEM. 217 00:08:01,611 --> 00:08:03,265 LIGHTER FLUID? 218 00:08:04,658 --> 00:08:06,311 NOW YOU'RE GOING TO HAVE TO WAIT 219 00:08:06,355 --> 00:08:07,399 FOR THE CHEMICALS TO BURN OFF. 220 00:08:08,400 --> 00:08:09,576 IT JUST GIVES US MORE TIME TO TALK. 221 00:08:11,273 --> 00:08:14,406 SO, WE HAVE SOME NEWS... 222 00:08:23,415 --> 00:08:25,026 CONGRATULATIONS. 223 00:08:25,069 --> 00:08:26,157 [CHUCKLING FONDLY] 224 00:08:26,201 --> 00:08:27,681 THANK YOU. 225 00:08:27,724 --> 00:08:28,551 I HAVE CHAMPAGNE. 226 00:08:28,595 --> 00:08:30,379 DOES IT TASTE LIKE BEER? 227 00:08:30,422 --> 00:08:31,511 CHAMPAGNE AND BEER. 228 00:08:31,554 --> 00:08:32,642 COMING UP. 229 00:08:35,515 --> 00:08:37,560 SO, YOU FINALLY WORKED UP THE NERVE. 230 00:08:37,604 --> 00:08:38,866 [CHUCKLES] 231 00:08:38,909 --> 00:08:40,520 I DID, YEAH. 232 00:08:42,304 --> 00:08:43,958 SHE'LL NEVER LOVE YOU THE WAY SHE LOVED JOHN. 233 00:08:46,090 --> 00:08:48,397 WHERE'S MY GRANDSON? 234 00:09:06,589 --> 00:09:07,547 DADDY... 235 00:09:07,590 --> 00:09:10,245 OH, SOMEONE ELSE VISITED. 236 00:09:10,288 --> 00:09:12,508 THAT'S NICE. 237 00:09:19,428 --> 00:09:21,386 CAN WE GO TO THE PLAYGROUND NOW? 238 00:09:21,430 --> 00:09:23,040 WE CAN GO TO THE PLAYGROUND NOW. 239 00:09:24,651 --> 00:09:26,478 HEY... 240 00:09:31,309 --> 00:09:33,442 IAN! 241 00:09:53,462 --> 00:09:55,029 WOW, THIS GUY COULD DRAW. 242 00:09:55,072 --> 00:09:56,465 FANTASTIC. 243 00:09:56,508 --> 00:09:57,509 WE'VE MATCHED SIX SETS OF PRINTS 244 00:09:57,553 --> 00:09:58,772 FROM THE HOTEL ROOM 245 00:09:58,815 --> 00:10:00,338 TO THE STAFF. 246 00:10:00,382 --> 00:10:02,210 WE'RE RUNNING THE REMAINDER THROUGH AFIS 247 00:10:02,253 --> 00:10:03,428 YOU GUYS NEED A HAND WITH ANYTHING? 248 00:10:03,472 --> 00:10:04,647 NO, NO, YOU GO HOME. HAVE A LIFE. 249 00:10:04,691 --> 00:10:05,648 I'M SURE MARY'S WAITING FOR YOU. 250 00:10:05,692 --> 00:10:06,693 NOT TONIGHT. 251 00:10:06,736 --> 00:10:08,390 EVERYTHING OKAY? 252 00:10:08,433 --> 00:10:10,697 UH, YEAH. 253 00:10:10,740 --> 00:10:12,046 NO, SHE'S JUST TAKING NIGHT CLASSES. 254 00:10:12,089 --> 00:10:13,264 CERAMICS. 255 00:10:13,308 --> 00:10:14,222 WELL, IF YOU DON'T MIND 256 00:10:14,265 --> 00:10:15,484 RUNNING THIS DOWN TO FORENSICS, 257 00:10:15,527 --> 00:10:16,616 IT WOULD BE GREATLY APPRECIATED. 258 00:10:16,659 --> 00:10:17,747 ON IT. 259 00:10:17,791 --> 00:10:19,401 THANK YOU, SIR. 260 00:10:19,444 --> 00:10:21,621 I CAN TELL YOU RIGHT NOW 261 00:10:21,664 --> 00:10:23,579 KEVIN CARPENTER WROTE THAT SUICIDE NOTE. 262 00:10:23,623 --> 00:10:26,495 YEAH, BUT HE DID NOT SLASH HIS OWN WRISTS. 263 00:10:26,538 --> 00:10:28,366 MAYBE WE ARE LOOKING AT ASSISTED SUICIDE. 264 00:10:30,238 --> 00:10:32,153 MAYBE. MAYBE NOT. 265 00:10:32,196 --> 00:10:33,633 CHECK THIS OUT. 266 00:10:35,504 --> 00:10:36,592 NOW, THAT IS A LOT OF REMORSE. 267 00:10:36,636 --> 00:10:38,638 YEAH. 268 00:10:40,596 --> 00:10:42,729 IT'S THE LAST THING IN THERE. 269 00:10:42,772 --> 00:10:44,339 WHO DID YOU HURT, KEVIN CARPENTER? 270 00:10:49,213 --> 00:10:50,693 DIRECTORY ASSISTANCE. NAME AND CITY, PLEASE. 271 00:10:50,737 --> 00:10:52,086 [KEVIN]: ROBIN KEATON. 272 00:10:52,129 --> 00:10:54,088 ANYWHERE IN THE LOWER MAINLAND. 273 00:10:54,131 --> 00:10:55,655 [DIRECTORY ASSISTANCE]: I'M SHOWING TWO LISTINGS 274 00:10:55,698 --> 00:10:56,743 FOR THAT NAME. 275 00:10:56,786 --> 00:10:58,048 [KEVIN]: I'LL TAKE BOTH. 276 00:10:58,092 --> 00:11:00,007 THE PHONE NUMBERS AND ADDRESSES... 277 00:11:00,050 --> 00:11:03,010 OKAY, SO THE QUESTION IS, WHO'S ROBIN KEATON? 278 00:11:03,053 --> 00:11:04,228 [MAN]: MAYBE SHE'S AN EX-GIRLFRIEND 279 00:11:04,272 --> 00:11:05,490 WITH A GRUDGE. 280 00:11:07,536 --> 00:11:10,191 MARK CROSS. 281 00:11:10,234 --> 00:11:11,714 ANGIE FLYNN. 282 00:11:11,758 --> 00:11:14,064 IT'S BEEN A LONG TIME. 283 00:11:14,108 --> 00:11:16,066 UNDERCOVER HAS ITS DRAWBACKS. 284 00:11:17,154 --> 00:11:19,156 I WOULDN'T CALL IT A DRAWBACK. 285 00:11:20,636 --> 00:11:22,159 SAME OLD ANGIE. 286 00:11:22,203 --> 00:11:23,465 YOU MUST BE DETECTIVE VEGA, 287 00:11:23,508 --> 00:11:24,553 ANGIE'S PARTNER. 288 00:11:24,596 --> 00:11:25,902 THAT WOULD BE ME. WELCOME TO HOMICIDE. 289 00:11:25,946 --> 00:11:27,164 THANK YOU. 290 00:11:27,208 --> 00:11:29,036 I'M GUESSING YOU'RE DETECTIVE BRIAN LUCAS, 291 00:11:29,079 --> 00:11:29,906 I'M HEARING GOOD THINGS, DETECTIVE. 292 00:11:29,950 --> 00:11:31,386 REALLY? 293 00:11:31,429 --> 00:11:32,387 THANKS. 294 00:11:32,430 --> 00:11:33,214 [BOYD]: SERGEANT. 295 00:11:33,257 --> 00:11:34,606 HEY. 296 00:11:34,650 --> 00:11:35,912 I SEE YOU'VE ALREADY STARTED INTRODUCTIONS. 297 00:11:35,956 --> 00:11:36,913 YES, I WANTED TO GET A JUMP ON THE MORNING. 298 00:11:36,957 --> 00:11:38,741 EVERYONE, 299 00:11:38,785 --> 00:11:41,352 CAN I HAVE YOUR ATTENTION, PLEASE? 300 00:11:41,396 --> 00:11:43,703 I'D LIKE TO INTRODUCE YOU ALL TO SERGEANT MARK CROSS. 301 00:11:43,746 --> 00:11:46,444 HE'LL BE TAKING OVER MY POSITION AS TEAM COMMANDER. 302 00:11:49,273 --> 00:11:51,623 [MARK CROSS]: UH, WOW, UM... 303 00:11:51,667 --> 00:11:53,756 THIS IS A BIT LIKE THE FIRST DAY OF SCHOOL FOR ME. 304 00:11:53,800 --> 00:11:55,279 SAME TIE AND EVERYTHING. 305 00:11:55,323 --> 00:11:57,455 [LUCAS LAUGHS] 306 00:11:57,499 --> 00:11:59,501 LOOK, SUPERINTENDENT BOYD IS HANDING OVER 307 00:11:59,544 --> 00:12:01,721 A WELL-OILED MACHINE, 308 00:12:01,764 --> 00:12:03,723 AND I HAVE NO PLANS ON CHANGING ANYTHING 309 00:12:03,766 --> 00:12:04,419 IN THE WAY THAT WE OPERATE. 310 00:12:04,462 --> 00:12:05,725 CASE IN POINT, 311 00:12:05,768 --> 00:12:06,943 I'M SURE YOU'RE ALL VERY BUSY, 312 00:12:06,987 --> 00:12:09,163 AND YOU HAVE MUCH BETTER THINGS TO DO 313 00:12:09,206 --> 00:12:10,555 THAN TO LISTEN TO ME UP HERE, 314 00:12:10,599 --> 00:12:12,122 SO I'LL LET YOU GET BACK TO IT. 315 00:12:12,166 --> 00:12:13,080 THANK YOU. 316 00:12:13,123 --> 00:12:13,994 [APPLAUSE AND CHEERS] 317 00:12:14,037 --> 00:12:14,995 DETECTIVES. 318 00:12:16,866 --> 00:12:18,085 I TRIED TO CALL YOU. 319 00:12:18,128 --> 00:12:18,955 YEAH. 320 00:12:18,999 --> 00:12:20,130 I TRIED IGNORING YOU. 321 00:12:22,306 --> 00:12:24,221 HE'S A NICE GUY. 322 00:12:26,223 --> 00:12:28,312 I'M MEAN, YEAH, I'M SURE HE'S A GOOD COP, 323 00:12:28,356 --> 00:12:29,313 BUT HE'S NO VEGA. 324 00:12:29,357 --> 00:12:30,401 SIT DOWN. 325 00:12:30,445 --> 00:12:31,881 GO SIT DOWN. 326 00:12:36,581 --> 00:12:39,236 DO YOU KNOW A ROBIN KEATON? 327 00:12:39,280 --> 00:12:41,195 ROBIN KEATON? 328 00:12:41,238 --> 00:12:44,502 IT DOESN'T RING A BELL. 329 00:12:44,546 --> 00:12:46,243 WELL, MAYBE HE OR SHE WAS A FRIEND FROM ART SCHOOL? 330 00:12:46,287 --> 00:12:47,592 POSSIBLY. 331 00:12:47,636 --> 00:12:49,377 OR A FRIEND FROM HIGH SCHOOL, THE FIRE CREWS... 332 00:12:49,420 --> 00:12:50,334 FIRE CREWS? 333 00:12:50,378 --> 00:12:51,509 YEAH, KEVIN FOUGHT FOREST FIRES 334 00:12:51,553 --> 00:12:52,815 IN THE SUMMER. 335 00:12:52,859 --> 00:12:53,990 THAT'S HOW HE PAID HIS TUITION. 336 00:12:54,034 --> 00:12:55,383 WOULD YOU SAY KEVIN WAS POPULAR? 337 00:12:55,426 --> 00:12:58,603 YEAH, PEOPLE JUST LIKED HIM. 338 00:12:58,647 --> 00:12:59,735 THAT'S WHY I WAS SO SURPRISED 339 00:12:59,779 --> 00:13:01,041 WHEN HE GOT KICKED OUT OF ART SCHOOL. 340 00:13:02,390 --> 00:13:03,478 HOW DO YOU... 341 00:13:03,521 --> 00:13:05,741 GET KICKED OUT OF ART SCHOOL? 342 00:13:05,785 --> 00:13:09,571 HE MEANS, WHAT WAS THE REASON FOR KEVIN'S EXPULSION? 343 00:13:09,614 --> 00:13:11,965 UH, SOMETHING TO DO WITH INCOMPLETE ASSIGNMENTS. 344 00:13:12,008 --> 00:13:14,141 I FIGURED HE'D GET AN EXTENSION, 345 00:13:14,184 --> 00:13:16,360 BUT THE SCHOOL, THEY WERE REAL JERKS ABOUT IT. 346 00:13:16,404 --> 00:13:18,145 AND WHEN WAS HE EXPELLED? 347 00:13:18,188 --> 00:13:20,190 THIS WAS BACK IN 2010, 348 00:13:20,234 --> 00:13:22,497 RIGHT WHEN HE GOT HOME FROM THE FIRES. 349 00:13:22,540 --> 00:13:26,066 LOOK, IT WAS THE ONLY TIME I EVER SAW HIM REALLY DEPRESSED. 350 00:13:29,025 --> 00:13:32,072 TWO DAYS LATER, HE LEFT ON HIS TRIP. 351 00:13:32,115 --> 00:13:34,726 NO, I'VE NEVER SEEN HIM BEFORE. 352 00:13:34,770 --> 00:13:36,511 BUT I'M AT WORK ALL DAY. 353 00:13:36,554 --> 00:13:38,208 MAYBE IAN SAW HIM. 354 00:13:38,252 --> 00:13:39,906 IAN? 355 00:13:42,604 --> 00:13:44,606 IS THAT YOUR SON? 356 00:13:44,649 --> 00:13:46,303 HMM? 357 00:13:46,347 --> 00:13:48,088 OH, YEAH. BEN. 358 00:13:48,131 --> 00:13:49,089 HE'S SIX. 359 00:13:49,132 --> 00:13:50,481 HE'S A CUTIE. 360 00:13:50,525 --> 00:13:51,395 [CHUCKLES FONDLY] 361 00:13:51,439 --> 00:13:53,615 IAN! 362 00:13:55,443 --> 00:13:56,618 HEY. 363 00:13:56,661 --> 00:13:58,315 CAN I HELP YOU? 364 00:13:58,359 --> 00:13:59,882 DETECTIVE ANGELICA FLYNN. 365 00:13:59,926 --> 00:14:00,883 WE'RE TRYING TO TRACK DOWN 366 00:14:00,927 --> 00:14:02,450 ANYBODY WHO MAY HAVE SEEN THIS MAN. 367 00:14:02,493 --> 00:14:04,800 KEVIN CARPENTER? 368 00:14:04,844 --> 00:14:06,628 NO, I'VE NEVER SEEN HIM BEFORE. 369 00:14:06,671 --> 00:14:07,934 WHAT DID HE DO? 370 00:14:07,977 --> 00:14:10,153 I'M SORRY TO SAY HE DIED RECENTLY. 371 00:14:10,197 --> 00:14:11,763 BUT BEFORE HE DIED, 372 00:14:11,807 --> 00:14:13,200 HE CALLED DIRECTORY ASSISTANCE LOOKING FOR A ROBIN KEATON. 373 00:14:15,289 --> 00:14:17,247 MUST BE ANOTHER ROBIN KEATON. 374 00:14:17,291 --> 00:14:19,946 YEAH, THAT'S WHAT THE OTHER ROBIN KEATON SAID. 375 00:14:19,989 --> 00:14:21,599 IF YOU DON'T MIND ME ASKING, WHO'S THAT? 376 00:14:21,643 --> 00:14:23,558 IN THE PICTURE WITH YOUR SON THERE? 377 00:14:23,601 --> 00:14:24,951 OH, UM, 378 00:14:24,994 --> 00:14:27,388 THAT'S HIS FATHER, JOHN. 379 00:14:27,431 --> 00:14:28,911 COULD I GET HIS CONTACT INFORMATION? 380 00:14:28,955 --> 00:14:30,391 MAYBE KEVIN WAS TRYING TO REACH HIM. 381 00:14:30,434 --> 00:14:31,566 JOHN PASSED AWAY THREE YEARS AGO. 382 00:14:32,523 --> 00:14:34,656 OH. I'M SORRY FOR YOUR LOSS. 383 00:14:34,699 --> 00:14:35,831 HERE'S MY CARD. 384 00:14:35,875 --> 00:14:37,485 IF ANYTHING COMES TO MIND, PLEASE CALL ME. 385 00:14:37,528 --> 00:14:39,356 THANKS VERY MUCH. 386 00:14:55,807 --> 00:14:57,505 HEY, LUCAS? 387 00:14:57,548 --> 00:14:59,768 I'M GOING TO NEED YOU TO LOOK SOMETHING UP FOR ME. 388 00:15:20,267 --> 00:15:21,833 AWESOME. YEAH. 389 00:15:21,877 --> 00:15:23,531 HERE, YOU GRAB THE CAMERA-- 390 00:15:23,574 --> 00:15:25,141 I'LL KEEP THIS ON AUTOMATIC-- 391 00:15:25,185 --> 00:15:26,360 AND YOU PRESS THAT BUTTON OVER THERE. 392 00:15:26,403 --> 00:15:28,579 ALL RIGHT? 393 00:15:28,623 --> 00:15:29,711 JUST POINT IT. 394 00:15:30,799 --> 00:15:32,105 WHENEVER YOU'RE READY. 395 00:15:32,148 --> 00:15:33,497 [SHUTTER CLICKING] 396 00:15:33,541 --> 00:15:34,324 THERE YOU GO. 397 00:15:37,066 --> 00:15:38,111 IAN? 398 00:15:38,154 --> 00:15:39,155 YEAH, BUDDY. 399 00:15:39,199 --> 00:15:41,331 WHY CAN'T I CALL YOU DAD? 400 00:15:42,637 --> 00:15:44,117 WHO, UH, SAID YOU COULDN'T? 401 00:15:45,422 --> 00:15:46,293 GRANDPA DAVE. 402 00:15:46,336 --> 00:15:48,077 HE DID? 403 00:15:49,600 --> 00:15:50,558 WELL, YOU KNOW WHAT, 404 00:15:50,601 --> 00:15:51,646 AS FAR AS I'M CONCERNED, 405 00:15:51,689 --> 00:15:52,821 YOU CAN CALL ME ANYTHING YOU WANT. 406 00:15:52,864 --> 00:15:54,605 EVEN ALLIGATOR PIMPLE FACE? 407 00:15:54,649 --> 00:15:56,390 [CHUCKLING] 408 00:15:56,433 --> 00:15:58,522 ESPECIALLY ALLIGATOR PIMPLE FACE. 409 00:15:58,566 --> 00:16:00,307 [GIGGLING] 410 00:16:00,350 --> 00:16:02,309 NOW, LET'S LOOK AT YOUR PICTURES. WOW! 411 00:16:02,352 --> 00:16:03,527 [ALERT CHIMES] 412 00:16:28,335 --> 00:16:30,337 HEY, SO WE CHECKED WITH THE ART SCHOOL. 413 00:16:30,380 --> 00:16:31,294 KEVIN WASN'T EXPELLED. 414 00:16:31,338 --> 00:16:32,643 HE QUIT. 415 00:16:32,687 --> 00:16:33,557 HMM. 416 00:16:33,601 --> 00:16:35,124 SO HE LIES TO THE SISTER 417 00:16:35,168 --> 00:16:36,604 AND THEN HE LEAVES TOWN? 418 00:16:36,647 --> 00:16:39,085 AFTER ASKING HER TO SELL EVERYTHING THAT HE OWNS. 419 00:16:39,128 --> 00:16:41,913 SEE, THAT SOUNDS LIKE SOMEONE WHO'S SUICIDAL TO ME. 420 00:16:41,957 --> 00:16:45,004 DID YOU GET THE INFORMATION THAT I NEEDED? 421 00:16:45,047 --> 00:16:46,266 ROBIN KEATON'S FORMER PARTNER 422 00:16:46,309 --> 00:16:47,484 WAS JOHN CHISSOLM. 423 00:16:47,528 --> 00:16:48,616 HE JUMPED FROM THE SECOND NARROWS BRIDGE. 424 00:16:48,659 --> 00:16:50,270 SUICIDE? WHEN? 425 00:16:51,662 --> 00:16:53,490 SEPTEMBER 1ST, 2010. 426 00:16:53,534 --> 00:16:55,623 SEPTEMBER 1ST-- WAIT A MINUTE. 427 00:16:55,666 --> 00:16:58,321 YEAH, KEVIN QUIT SCHOOL SEPTEMBER 2ND. 428 00:16:58,365 --> 00:17:00,367 LEAVES THE COUNTRY SEPTEMBER 3RD. 429 00:17:00,410 --> 00:17:01,759 I MEAN, IT COULD BE A COINCIDENCE. 430 00:17:01,803 --> 00:17:03,587 YES, BUT HE LIED TO HIS SISTER. 431 00:17:05,415 --> 00:17:07,548 [CORONER]: I DIDN'T DO MR. CHISSOLM'S AUTOPSY, 432 00:17:07,591 --> 00:17:08,853 SO I CAN ONLY TELL YOU WHAT I'VE GLEANED FROM THE FILES. 433 00:17:08,897 --> 00:17:11,465 HIS INJURIES ARE CONSISTENT 434 00:17:11,508 --> 00:17:12,727 WITH VERTICAL IMPACT. 435 00:17:12,770 --> 00:17:13,684 THERE'S CRUSHED RIB CAGE, 436 00:17:13,728 --> 00:17:15,730 COMPRESSION FRACTURES, 437 00:17:15,773 --> 00:17:18,515 EXTENSIVE INTERNAL ORGAN DAMAGE... 438 00:17:18,559 --> 00:17:20,343 WHO'S THAT? 439 00:17:20,387 --> 00:17:23,520 OH, THAT IS SERGEANT MARK CROSS. 440 00:17:23,564 --> 00:17:24,869 HE'S THE NEW TEAM LEADER. 441 00:17:24,913 --> 00:17:26,523 HMM, DELICIOUS. 442 00:17:27,742 --> 00:17:29,526 [WHISPERS] NO, HE'S NOT. 443 00:17:29,570 --> 00:17:31,093 SPOILSPORT. 444 00:17:31,137 --> 00:17:33,878 SO WHAT INJURIES ARE INCONSISTENT WITH A JUMPER? 445 00:17:33,922 --> 00:17:35,880 OKAY, WELL, 446 00:17:35,924 --> 00:17:36,794 DO YOU SEE THESE LATERAL FRACTURES 447 00:17:36,838 --> 00:17:38,274 IN THE TIBIA AND FIBULA? 448 00:17:38,318 --> 00:17:39,275 THAT WOULD BE A NEGATIVE. 449 00:17:39,319 --> 00:17:40,276 I DO NOT. 450 00:17:40,320 --> 00:17:41,408 NEITHER DID I, 451 00:17:41,451 --> 00:17:42,974 AT FIRST, 452 00:17:43,018 --> 00:17:45,238 BECAUSE THEY'RE HIDDEN BEHIND THE VERTICAL FRACTURES. 453 00:17:45,281 --> 00:17:48,023 MR. CHISSOLM WAS INVOLVED IN TWO ACCIDENTS THAT NIGHT. 454 00:17:48,067 --> 00:17:50,330 WHAT CAUSED THE FIRST INJURIES? 455 00:17:50,373 --> 00:17:51,896 HIGH VELOCITY IMPACT FROM THE SIDE. 456 00:17:53,637 --> 00:17:55,465 YOU MEAN, LIKE, FROM A CAR? 457 00:17:55,509 --> 00:17:56,510 COULD BE-- 458 00:17:56,553 --> 00:17:57,815 IF IT WAS A CAR. 459 00:17:57,859 --> 00:17:59,774 JUDGING FROM THE HEIGHT OF THE FRACTURES, 460 00:17:59,817 --> 00:18:01,558 I'D SAY HE WAS HIT, 461 00:18:01,602 --> 00:18:04,039 GOES OVER THE CAR, HITS HIS HEAD. 462 00:18:04,083 --> 00:18:05,649 OKAY, SO NOW WE'VE GOT TWO SUICIDES 463 00:18:05,693 --> 00:18:07,347 THAT AREN'T SUICIDES. 464 00:18:07,390 --> 00:18:08,652 YEAH. 465 00:18:13,353 --> 00:18:15,529 MARK! 466 00:18:15,572 --> 00:18:17,879 HEY, YOU WANT TO TELL ME WHAT YOU'RE UP TO? 467 00:18:17,922 --> 00:18:19,446 WELL, I WAS HEADING OUT AND THEN YOU SHOWED UP. 468 00:18:19,489 --> 00:18:20,273 LET ME START AGAIN. 469 00:18:20,316 --> 00:18:22,057 WHY ARE YOU IN HOMICIDE? 470 00:18:22,101 --> 00:18:23,058 COME ON, ANGIE, IT WAS 10 YEARS AGO. 471 00:18:23,102 --> 00:18:24,407 JUST ANSWER THE QUESTION. 472 00:18:27,497 --> 00:18:29,064 I WAS UNDERCOVER. 473 00:18:29,108 --> 00:18:31,240 MY IDENTITY GOT BURNED. CHIEF OFFERED ME THE SPOT. 474 00:18:31,284 --> 00:18:32,415 YEAH, ACTUALLY, I HEARD YOU WERE GIVEN A CHOICE 475 00:18:32,459 --> 00:18:33,199 AND YOU PICKED HOMICIDE. 476 00:18:34,548 --> 00:18:36,289 DON'T WORRY, IT'S GOT NOTHING TO DO WITH YOU. 477 00:18:36,332 --> 00:18:37,464 I'VE ACTUALLY GOT MY EYE 478 00:18:37,507 --> 00:18:38,421 ON ANOTHER PRIZE THIS TIME-- 479 00:18:38,465 --> 00:18:39,248 WELL, I'M VERY RELIEVED. 480 00:18:39,292 --> 00:18:41,163 YOU CAN'T MAKE CHIEF 481 00:18:41,207 --> 00:18:43,339 WITHOUT HOMICIDE ON THE RESUME. 482 00:18:45,036 --> 00:18:47,343 THERE'S GOT TO BE SOME WAY THAT WE CAN MAKE THIS WORK. 483 00:18:47,387 --> 00:18:48,823 THERE IS. YOU CAN TRANSFER OUT. 484 00:18:49,563 --> 00:18:50,651 OR YOU COULD. 485 00:18:50,694 --> 00:18:51,652 THAT'S NOT GOING TO HAPPEN. 486 00:18:51,695 --> 00:18:53,175 [WHISTLES] WOW. 487 00:18:53,219 --> 00:18:54,133 YOU'VE CHANGED. 488 00:18:54,176 --> 00:18:55,699 SEE, THE OLD ANGIE 489 00:18:55,743 --> 00:18:57,571 PROBABLY WOULD HAVE JUST CRACKED ME ONE 490 00:18:57,614 --> 00:18:58,920 JUST FOR SUGGESTING THAT. 491 00:18:58,963 --> 00:18:59,834 WELL, THE NEW ANGIE'S THINKING ABOUT IT. 492 00:19:05,535 --> 00:19:08,190 JOHN AND I HAD A FIGHT THAT NIGHT. 493 00:19:08,234 --> 00:19:10,279 HE LEFT THE APARTMENT TO GO FOR A RUN. 494 00:19:10,323 --> 00:19:11,411 I REMEMBER IT WAS AROUND 9:00 P.M. 495 00:19:11,454 --> 00:19:12,890 WHAT WAS THE FIGHT ABOUT? 496 00:19:14,631 --> 00:19:17,156 HE HAD ASKED ME TO MARRY HIM, 497 00:19:17,199 --> 00:19:19,767 AND I SAID NO. 498 00:19:19,810 --> 00:19:21,421 HOW DID HE REACT? 499 00:19:21,464 --> 00:19:22,422 HE WASN'T SUICIDAL, 500 00:19:22,465 --> 00:19:23,684 IF THAT'S WHAT YOU'RE ASKING-- 501 00:19:23,727 --> 00:19:24,685 HON'? 502 00:19:24,728 --> 00:19:25,425 YOU WANT TO TAKE A BREAK? 503 00:19:25,468 --> 00:19:26,687 WE'RE ALMOST DONE HERE. 504 00:19:26,730 --> 00:19:27,775 DID JOHN LEAVE A NOTE? 505 00:19:27,818 --> 00:19:29,124 NO. 506 00:19:29,168 --> 00:19:30,212 HOW ABOUT AN EMAIL 507 00:19:30,256 --> 00:19:31,300 OR A VOICE MESSAGE 508 00:19:31,344 --> 00:19:32,345 THAT DIDN'T MAKE SENSE AT THE TIME? 509 00:19:32,388 --> 00:19:33,607 NO. NO, NOTHING LIKE THAT. 510 00:19:33,650 --> 00:19:35,609 WHY IS THIS EVEN IMPORTANT RIGHT NOW? 511 00:19:35,652 --> 00:19:36,958 WELL, WE'RE LOOKING FOR A CONNECTION 512 00:19:37,001 --> 00:19:39,221 BETWEEN KEVIN CARPENTER'S DEATH AND JOHN'S DEATH. 513 00:19:39,265 --> 00:19:40,614 SO WE HAVE TO ASK, 514 00:19:40,657 --> 00:19:41,528 WHERE WERE YOU ON TUESDAY NIGHT? 515 00:19:41,571 --> 00:19:43,138 I... 516 00:19:43,182 --> 00:19:44,574 WAIT, YOU THINK ROBIN HAD SOMETHING TO DO WITH THIS? 517 00:19:44,618 --> 00:19:45,967 IT'S JUST A FORMALITY. WE HAVE TO ASK. 518 00:19:47,273 --> 00:19:48,622 I WAS HERE WITH BEN, 519 00:19:48,665 --> 00:19:50,232 AND IAN WAS AT A PHOTO SHOOT. 520 00:19:50,276 --> 00:19:51,886 MM-HMM. 521 00:19:55,281 --> 00:19:58,153 I WOULD NOT WANT TO RELY ON MY SIX-YEAR-OLD 522 00:19:58,197 --> 00:19:59,894 FOR AN ALIBI. 523 00:19:59,937 --> 00:20:02,505 HELL, I WOULDN'T WANT TO RELY ON MY 18-YEAR-OLD FOR AN ALIBI. 524 00:20:03,550 --> 00:20:05,856 HEY, LISTEN, 525 00:20:05,900 --> 00:20:07,728 IF KEVIN CARPENTER VISITED THE OTHER ROBIN, 526 00:20:07,771 --> 00:20:09,860 THEN HE MUST HAVE TRIED TO CONTACT THIS ONE SOMEHOW. 527 00:20:09,904 --> 00:20:11,906 YEAH, LET'S CHECK THE PHONE RECORDS. 528 00:20:15,214 --> 00:20:16,606 [TELEPHONE RINGS] 529 00:20:16,650 --> 00:20:17,825 LET THE MACHINE GET IT. 530 00:20:17,868 --> 00:20:19,609 IT MIGHT BE WORK. HOLD ON. 531 00:20:19,653 --> 00:20:21,916 HELLO? 532 00:20:21,959 --> 00:20:23,526 ALL RIGHT, LISTEN, I'M GOING TO HANG UP. 533 00:20:23,570 --> 00:20:25,702 [KEVIN]: YOU SHOULDN'T BE THERE. 534 00:20:29,140 --> 00:20:30,403 WHO IS THIS? 535 00:20:30,446 --> 00:20:32,274 [CALL DISCONNECTS] 536 00:20:32,318 --> 00:20:33,667 [BEEPS OFF PHONE] 537 00:20:33,710 --> 00:20:36,409 UH... IT WAS TELEMARKETERS. 538 00:20:36,452 --> 00:20:37,279 I'LL BE RIGHT BACK. 539 00:20:38,846 --> 00:20:42,110 [BEEPING IN NUMBER] 540 00:21:00,737 --> 00:21:02,652 THEY SAID THERE WAS A CONNECTION. 541 00:21:02,696 --> 00:21:04,654 WHAT DO YOU THINK THEY MEANT? 542 00:21:04,698 --> 00:21:06,352 I WOULDN'T READ TOO MUCH INTO IT. 543 00:21:06,395 --> 00:21:07,570 THIS MAN WAS LOOKING FOR ME, 544 00:21:07,614 --> 00:21:08,919 AND NOW HE'S DEAD. 545 00:21:08,963 --> 00:21:11,487 YOU DON'T THINK THAT'S WEIRD? 546 00:21:11,531 --> 00:21:13,620 I THINK IT'S A COINCIDENCE. 547 00:21:13,663 --> 00:21:15,143 YOU'RE GOING OUT AGAIN? 548 00:21:15,186 --> 00:21:17,406 YEAH. 549 00:21:17,450 --> 00:21:18,581 THE MAGAZINE NEEDS SOME RESHOOTS. 550 00:21:18,625 --> 00:21:19,713 DO YOU HAVE TO GO TONIGHT? 551 00:21:19,756 --> 00:21:21,280 LISTEN, BABY, I'LL BE RIGHT BACK, 552 00:21:21,323 --> 00:21:22,324 I PROMISE, OKAY? 553 00:21:22,368 --> 00:21:23,630 I LOVE YOU. 554 00:21:26,676 --> 00:21:28,591 [ANGIE]: OF ALL THE COPS, 555 00:21:28,635 --> 00:21:31,377 THE CHIEF HAS TO PICK MARK CROSS. 556 00:21:31,420 --> 00:21:33,901 HE SHUT DOWN A HUMAN TRAFFICKING OPERATION. 557 00:21:33,944 --> 00:21:35,511 HE'S RESPONSIBLE FOR OVER 70 ARRESTS. 558 00:21:35,555 --> 00:21:38,514 WELL, HE'S GOT... 559 00:21:38,558 --> 00:21:40,255 IMPULSE CONTROL ISSUES 560 00:21:40,299 --> 00:21:41,517 AND HE'S LUCKY TO BE ALIVE. 561 00:21:41,561 --> 00:21:44,041 IT DOES TAKE A CERTAIN TYPE OF PERSONALITY 562 00:21:44,085 --> 00:21:45,434 TO EXCEL AT UNDERCOVER. 563 00:21:45,478 --> 00:21:46,435 HMM. 564 00:21:46,479 --> 00:21:47,828 OR HOMICIDE. 565 00:21:47,871 --> 00:21:49,612 I'VE READ THE FILE 566 00:21:49,656 --> 00:21:50,570 ON YOU AND CROSS. 567 00:21:50,613 --> 00:21:51,788 WHEN? 568 00:21:51,832 --> 00:21:54,356 BEFORE I SIGNED YOU UP. 569 00:21:54,400 --> 00:21:55,792 ARE YOU TELLING ME 570 00:21:55,836 --> 00:21:56,489 I SHOULDN'T HAVE GIVEN YOU THE BENEFIT OF THE DOUBT? 571 00:21:56,532 --> 00:21:57,925 NO, I'M JUST SAYING 572 00:21:57,968 --> 00:21:59,796 DON'T EXPECT THE SAME RESULTS FROM MARK CROSS. 573 00:21:59,840 --> 00:22:01,668 OKAY, THEN, SAY THIS DOESN'T WORK OUT. 574 00:22:01,711 --> 00:22:02,756 WHAT ARE YOU WILLING TO DO? 575 00:22:02,799 --> 00:22:04,714 WELL, I'M NOT LEAVING HOMICIDE. 576 00:22:04,758 --> 00:22:06,063 THEN TELL ME YOU CAN WORK WITH HIM. 577 00:22:07,804 --> 00:22:09,328 [SIGHS HEAVILY] 578 00:22:10,633 --> 00:22:11,852 I CAN WORK WITH HIM. 579 00:22:11,895 --> 00:22:13,462 [LAUGHS] 580 00:22:14,594 --> 00:22:16,552 YOU ALMOST CONVINCED ME. 581 00:22:16,596 --> 00:22:18,424 NOW I HAVE TO CONVINCE MYSELF. 582 00:22:18,467 --> 00:22:20,339 I GOTTA GO. 583 00:22:20,382 --> 00:22:21,949 BUT THANK YOU FOR THIS. 584 00:22:21,992 --> 00:22:24,560 WHOEVER HE IS, HE'S A LUCKY MAN. 585 00:22:24,604 --> 00:22:27,389 YEAH? I WASN'T SURE. 586 00:22:27,433 --> 00:22:29,435 YES, YOU WERE. 587 00:22:30,827 --> 00:22:32,655 [CHUCKLES] 588 00:22:58,377 --> 00:23:01,205 [SHUTTER CLICKING] 589 00:23:03,643 --> 00:23:05,819 [ENGINE REVVING] 590 00:23:16,351 --> 00:23:17,526 HEY. HEY! 591 00:23:17,570 --> 00:23:18,701 SO I WENT THROUGH THE LUDs. 592 00:23:18,745 --> 00:23:20,007 KEVIN DIDN'T CALL THE KEATON RESIDENCE 593 00:23:20,050 --> 00:23:21,617 FROM ANY OF THE HOTEL'S PHONES. 594 00:23:21,661 --> 00:23:23,445 WHAT, SO YOU DECIDED TO PUNISH ME 595 00:23:23,489 --> 00:23:24,707 WITH VEGETARIAN FOOD? 596 00:23:24,751 --> 00:23:26,405 BUT THEY DID RECEIVE A CALL FROM THE PHONE 597 00:23:26,448 --> 00:23:28,450 IN THIS RESTAURANT 7:10 ON MONDAY NIGHT. 598 00:23:28,494 --> 00:23:29,538 YOU SHOW HIS PICTURE AROUND INSIDE? 599 00:23:29,582 --> 00:23:30,539 THEY SAID HE'S BEEN A REGULAR 600 00:23:30,583 --> 00:23:31,627 FOR THE PAST COUPLE DAYS. 601 00:23:31,671 --> 00:23:33,716 WELL, WE NEED TO PLACE KEVIN INSIDE 602 00:23:33,760 --> 00:23:34,717 AT THE SAME TIME AS THE PHONE CALL. 603 00:23:34,761 --> 00:23:35,849 RIGHT THERE. 604 00:23:35,892 --> 00:23:37,633 A VEGETARIAN BURRITO, A BEET SALAD 605 00:23:37,677 --> 00:23:39,200 AND A CLUB SODA. 606 00:23:39,243 --> 00:23:40,680 $24? 607 00:23:40,723 --> 00:23:41,942 YEAH, CHECK THE TIME ON THE CHARGE. 608 00:23:41,985 --> 00:23:43,987 7:05 P.M., MONDAY. 609 00:23:44,031 --> 00:23:47,556 OKAY, SO KEVIN OVERPAYS FOR THE DULLEST MEAL EVER 610 00:23:47,600 --> 00:23:48,775 AND THEN HE CALLS ROBIN KEATON. 611 00:23:48,818 --> 00:23:50,429 THAT IS SOME FINE WORK. 612 00:23:51,647 --> 00:23:52,561 DO YOU WANT TO GRAB A BITE? 613 00:23:52,605 --> 00:23:54,215 ABSOLUTELY. 614 00:23:55,434 --> 00:23:57,436 LET'S GET CHINESE. 615 00:24:58,105 --> 00:24:59,672 SO, WHAT DO WE KNOW? 616 00:24:59,715 --> 00:25:02,544 UH, KEVIN CARPENTER CALLED ROBIN KEATON. 617 00:25:02,588 --> 00:25:03,632 ACCORDING TO THE LUDs, 618 00:25:03,676 --> 00:25:05,155 THE CALL ONLY LASTED 12 SECONDS. 619 00:25:05,199 --> 00:25:07,854 YOU CAN SAY A LOT IN 12 SECONDS. 620 00:25:07,897 --> 00:25:10,073 "I'M SORRY I HIT YOUR BOYFRIEND WITH MY CAR." 621 00:25:10,117 --> 00:25:12,598 "I'M SORRY I MADE IT LOOK LIKE A SUICIDE." 622 00:25:12,641 --> 00:25:14,382 WHY COME BACK? 623 00:25:14,425 --> 00:25:15,731 TRUE. 624 00:25:15,775 --> 00:25:17,211 COULD HAVE MADE THAT CALL FROM ANYWHERE. 625 00:25:17,254 --> 00:25:18,560 YEAH, BUT THE NOTE SAID, 626 00:25:18,604 --> 00:25:20,649 "I NEVER HAD THE COURAGE UNTIL NOW." 627 00:25:20,693 --> 00:25:22,172 SO ASSUMING IT'S NOT A SUICIDE... 628 00:25:22,216 --> 00:25:24,566 WE KNOW IT'S NOT AN APOLOGY. 629 00:25:26,089 --> 00:25:29,092 KEVIN SAID HE HAD NEWS, TO HIS SISTER? 630 00:25:29,136 --> 00:25:30,311 THAT HE WANTED TO TELL HER SOMETHING. 631 00:25:30,354 --> 00:25:31,486 HEY, WAIT A MINUTE, 632 00:25:31,530 --> 00:25:33,706 INDIA, THAILAND, NEPAL. 633 00:25:33,749 --> 00:25:37,579 BUDDHIST COUNTRIES, RIGHT? 634 00:25:37,623 --> 00:25:40,539 HE'S FINDING... HIMSELF... 635 00:25:41,844 --> 00:25:43,106 BALANCING THE SCALES. 636 00:25:43,150 --> 00:25:45,718 IT'S KARMA. 637 00:25:45,761 --> 00:25:47,720 HE WAS COMING BACK TO CONFESS. 638 00:25:50,287 --> 00:25:54,378 [VEGA]: SO KEVIN KILLS JOHN AND CONFESSES TO ROBIN? 639 00:25:54,422 --> 00:25:56,467 [ANGIE]: THEN SHE GOES TO THE HOTEL AND KILLS KEVIN? 640 00:25:56,511 --> 00:25:58,034 SO IS ROBIN KEATON GOOD FOR THE CARPENTER MURDER? 641 00:25:58,078 --> 00:25:59,558 IT'S A THEORY, YEAH. 642 00:25:59,601 --> 00:26:02,038 MOTIVE? 643 00:26:02,082 --> 00:26:03,300 OKAY, WELL, KEVIN'S RESPONSIBLE 644 00:26:03,344 --> 00:26:05,172 FOR HER FORMER PARTNER'S DEATH. 645 00:26:05,215 --> 00:26:08,175 REVENGE, ALL RIGHT. 646 00:26:10,090 --> 00:26:11,874 SO ROBIN KILLS KEVIN. 647 00:26:14,181 --> 00:26:14,964 [SIGHS] 648 00:26:15,008 --> 00:26:15,965 NO. 649 00:26:16,009 --> 00:26:17,053 COULDN'T DO IT ON HER OWN. 650 00:26:17,097 --> 00:26:18,489 CARPENTER WOULD HAVE FOUGHT HER BACK. 651 00:26:18,533 --> 00:26:19,273 HE WAS UNCONSCIOUS. 652 00:26:19,316 --> 00:26:20,753 YEAH, BUT THEN 653 00:26:20,796 --> 00:26:22,189 SHE WOULDN'T HAVE BEEN ABLE TO MOVE HIM BY HERSELF. 654 00:26:22,232 --> 00:26:23,625 BOYD ALLOWED US TO DEVELOP THE THEORIES 655 00:26:23,669 --> 00:26:25,671 AND THEN WE WOULD BRING THEM TO HIM. 656 00:26:25,714 --> 00:26:28,630 SUPERINTENDENT BOYD IS A HELL OF A COP. 657 00:26:28,674 --> 00:26:29,631 OKAY, SO SHE NEEDS HELP. 658 00:26:29,675 --> 00:26:30,763 SOMEONE SHE CAN TRUST. 659 00:26:30,806 --> 00:26:31,851 SOMEONE WHO HAS A VESTED INTEREST 660 00:26:31,894 --> 00:26:33,069 IN SEEING KEVIN GET HIS. 661 00:26:33,113 --> 00:26:34,201 THAT'S A GOOD POINT. 662 00:26:35,637 --> 00:26:36,856 OR SHE'S NOT INVOLVED AT ALL. 663 00:26:37,857 --> 00:26:38,901 BRIAN... 664 00:26:40,642 --> 00:26:42,165 WHAT ARE WE TALKING ABOUT? 665 00:26:42,209 --> 00:26:44,515 BRIAN, WE ARE AT AN IMPASSE. 666 00:26:44,559 --> 00:26:45,560 NO. NO, WE'RE NOT. 667 00:26:45,604 --> 00:26:46,605 WE'RE REALLY NOT. 668 00:26:46,648 --> 00:26:47,518 NOW, WE KNOW 669 00:26:47,562 --> 00:26:49,608 THAT KEVIN CALLED ROBIN KEATON. 670 00:26:49,651 --> 00:26:51,261 NOW, IF HE CONFESSED, THEN MAYBE SHE'S OUR KILLER. 671 00:26:51,305 --> 00:26:52,654 SO, HOW DO WE PROVE IT? 672 00:26:52,698 --> 00:26:55,875 FIRST, WE NEED TO PROVE THAT KEVIN KILLED JOHN? 673 00:26:55,918 --> 00:26:57,267 HOW? 674 00:26:57,311 --> 00:26:58,965 TRACK DOWN HIS OLD CAR. 675 00:26:59,008 --> 00:27:01,620 I LIKE IT. KEEP ME UPDATED. 676 00:27:01,663 --> 00:27:02,403 NICE WORK. 677 00:27:05,275 --> 00:27:06,494 NICE WORK, LUCAS. 678 00:27:06,537 --> 00:27:07,364 YEAH, THAT'S GOOD WORK, LUCAS. 679 00:27:07,408 --> 00:27:08,627 THAT'S REALLY GOOD WORK. 680 00:27:08,670 --> 00:27:09,889 HEY. HEY. 681 00:27:09,932 --> 00:27:12,369 AM I HEARING THINGS? 682 00:27:12,413 --> 00:27:13,675 OR DID YOU JUST AGREE WITH HIM? 683 00:27:13,719 --> 00:27:15,590 HE MADE A GOOD POINT. ROBIN WOULD NEED HELP. 684 00:27:15,634 --> 00:27:16,983 YEAH, THAT'S A GOOD POINT, 685 00:27:17,026 --> 00:27:18,506 BUT WHY AREN'T YOU MAD ABOUT THIS? 686 00:27:18,549 --> 00:27:19,638 MAD ABOUT WHAT? 687 00:27:19,681 --> 00:27:20,769 ABOUT THIS. ABOUT THE PROMOTION. 688 00:27:20,813 --> 00:27:22,118 WELL, WHY ARE YOU SO MAD ABOUT IT? 689 00:27:22,162 --> 00:27:23,554 SOMEONE'S GOT TO BE MAD. 690 00:27:23,598 --> 00:27:26,122 NO, THEY DON'T. 691 00:27:32,651 --> 00:27:33,956 WHERE WERE YOU ON MONDAY NIGHT 692 00:27:34,000 --> 00:27:35,741 BETWEEN 6:00 AND 9:00? 693 00:27:35,784 --> 00:27:37,220 I WAS AT HOME ALL NIGHT. 694 00:27:37,264 --> 00:27:38,874 SAME AS TUESDAY. 695 00:27:38,918 --> 00:27:39,962 DID YOU GET ANY CALLS ON MONDAY NIGHT? 696 00:27:41,181 --> 00:27:42,138 POSSIBLY. 697 00:27:44,401 --> 00:27:45,446 WHAT ARE YOU SAYING? 698 00:27:45,489 --> 00:27:46,534 DID HE CALL MY HOUSE? 699 00:27:46,577 --> 00:27:48,971 7:10 P.M. 700 00:27:50,451 --> 00:27:52,409 I DIDN'T SPEAK WITH HIM. 701 00:27:52,453 --> 00:27:53,976 I REMEMBER THIS, ACTUALLY. 702 00:27:54,020 --> 00:27:55,021 UH... [CLEARING THROAT] 703 00:27:55,064 --> 00:27:55,978 I FIGURED IT WAS A ROBO-CALL. 704 00:27:56,022 --> 00:27:57,937 I HUNG UP. 705 00:27:57,980 --> 00:27:59,025 TUESDAY NIGHT YOU WERE WORKING, RIGHT? 706 00:27:59,068 --> 00:28:01,244 ANYONE WITH YOU? 707 00:28:01,288 --> 00:28:02,724 AN ASSISTANT OR A MODEL? 708 00:28:02,768 --> 00:28:04,465 NO, NO, IT WASN'T THAT KIND OF SHOOT. 709 00:28:04,508 --> 00:28:06,032 I WAS SHOOTING PANORAMAS OF DOWNTOWN. 710 00:28:06,075 --> 00:28:06,902 OH. 711 00:28:06,946 --> 00:28:08,034 CAN WE SEE THOSE PHOTOS? 712 00:28:08,991 --> 00:28:10,166 UH, YEAH. 713 00:28:10,210 --> 00:28:12,386 BASICALLY-- LET ME SHOW YOU WHAT I DID. 714 00:28:12,429 --> 00:28:14,693 I TOOK A BUNCH OF PHOTOS AND STITCHED THEM TOGETHER 715 00:28:14,736 --> 00:28:15,650 TO GET THIS PANORAMA. 716 00:28:15,694 --> 00:28:16,607 [ANGIE'S CELL PHONE RINGS] 717 00:28:16,651 --> 00:28:17,608 THAT'S FANTASTIC. 718 00:28:17,652 --> 00:28:18,827 THANKS. 719 00:28:18,871 --> 00:28:20,176 WE'LL NEED A COPY OF THAT FILE. 720 00:28:20,220 --> 00:28:21,482 YEAH, OKAY. USB OKAY? 721 00:28:21,525 --> 00:28:22,396 SURE. 722 00:28:22,439 --> 00:28:24,398 LUCAS FOUND THE CAR. 723 00:28:24,441 --> 00:28:25,704 ACCORDING TO THIS, 724 00:28:25,747 --> 00:28:28,315 IT'S NEVER BEEN IN A MAJOR ACCIDENT. 725 00:28:28,358 --> 00:28:30,491 IF KEVIN HIT JOHN, IT WASN'T IN THIS CAR. 726 00:28:30,534 --> 00:28:32,275 THE BODY PANELS ARE ALL SMOOTH. 727 00:28:32,319 --> 00:28:34,974 NOTHING'S BEEN HAMMERED OUT HERE. 728 00:28:35,017 --> 00:28:36,497 LET'S JUST LET FORENSICS TAKE A LOOK 729 00:28:36,540 --> 00:28:38,455 TO BE ON THE SAFE SIDE. 730 00:28:38,499 --> 00:28:39,674 YEAH. 731 00:28:39,718 --> 00:28:43,156 NO, THERE'S NO MISALIGNMENTS. 732 00:28:45,506 --> 00:28:46,899 YOU KNOW, IF THEY DON'T FIND ANYTHING, 733 00:28:46,942 --> 00:28:48,204 WE'VE GOT NOTHING THAT CONNECTS JOHN AND KEVIN. 734 00:28:49,379 --> 00:28:51,120 YEAH. 735 00:28:58,606 --> 00:29:00,173 [YAWNING] 736 00:29:00,216 --> 00:29:01,087 SO, WHERE ARE WE 737 00:29:01,130 --> 00:29:03,132 ON THE SUICIDE THAT WASN'T? 738 00:29:03,176 --> 00:29:05,178 WELL... 739 00:29:05,221 --> 00:29:06,570 WE TRY NOT TO MAKE OUR CASES 740 00:29:06,614 --> 00:29:07,702 SOUND LIKE HARDY BOYS MYSTERIES. 741 00:29:07,746 --> 00:29:09,530 ALL RIGHT, WE'RE ALL ALONE, ANGIE, 742 00:29:09,573 --> 00:29:10,487 SO GO AHEAD. 743 00:29:11,793 --> 00:29:12,881 VEGA SHOULD BE IN THAT OFFICE. 744 00:29:12,925 --> 00:29:14,056 SHOULDN'T HAVE THROWN THE INTERVIEW. 745 00:29:14,100 --> 00:29:15,057 HE DIDN'T DO THAT. 746 00:29:15,101 --> 00:29:16,232 THAT'S NOT WHAT I HEARD. 747 00:29:16,276 --> 00:29:17,451 [LAUGHS DERISIVELY] WHAT DID YOU HEAR? 748 00:29:17,494 --> 00:29:19,105 [SUCKS HIS TEETH] 749 00:29:19,148 --> 00:29:19,758 I THINK THAT'S A CONVERSATION BETWEEN YOU AND YOUR PARTNER. 750 00:29:23,674 --> 00:29:25,459 YOU STILL A LIONS FAN? 751 00:29:25,502 --> 00:29:26,721 OF COURSE. 752 00:29:26,765 --> 00:29:29,071 THEY PLAY ON TUESDAY? 753 00:29:29,115 --> 00:29:30,856 THURSDAY. 754 00:29:30,899 --> 00:29:34,685 THEY ONLY OPEN THE STADIUM ROOF ON GAME NIGHT, RIGHT? 755 00:29:34,729 --> 00:29:39,299 SO WHY IS THE STADIUM ROOF OPEN IN THIS PICTURE? 756 00:29:39,342 --> 00:29:41,823 THAT'S A RHETORICAL QUESTION, I KNOW WHY IT'S OPEN. 757 00:29:41,867 --> 00:29:43,564 IAN WEAVER FAKED HIS ALIBI. 758 00:29:47,786 --> 00:29:49,570 -HEY. -HEY. 759 00:29:49,613 --> 00:29:51,224 THANKS FOR COMING IN. 760 00:29:51,267 --> 00:29:52,312 NO SWEAT. 761 00:29:52,355 --> 00:29:53,139 YOU GUYS ARE WASTING A LOT OF TIME 762 00:29:53,182 --> 00:29:54,096 ON A WRONG NUMBER, THOUGH. 763 00:29:54,140 --> 00:29:55,576 98% OF A HOMICIDE INVESTIGATION 764 00:29:55,619 --> 00:29:57,230 IS, YOU KNOW, COLLECTING INFORMATION, 765 00:29:57,273 --> 00:29:59,188 CONFIRMING IT, RECONFIRMING IT. 766 00:29:59,232 --> 00:30:00,233 HOMICIDE? 767 00:30:00,276 --> 00:30:01,451 OH, YEAH, WE DIDN'T TELL YOU. 768 00:30:01,495 --> 00:30:03,845 KEVIN CARPENTER WAS MURDERED. 769 00:30:03,889 --> 00:30:04,672 DO WE NEED A LAWYER? 770 00:30:04,715 --> 00:30:06,239 ONLY IF YOU'RE GUILTY. 771 00:30:08,023 --> 00:30:09,851 SO, ROBIN TELLS US 772 00:30:09,895 --> 00:30:11,766 YOU CAN WORK WHENEVER YOU WANT TO. 773 00:30:11,810 --> 00:30:13,681 THAT MUST BE VERY EXCITING. 774 00:30:13,724 --> 00:30:15,857 WELL, IT'S GOT ITS MOMENTS, YEAH. 775 00:30:15,901 --> 00:30:17,380 YOU GUYS TALKED TO ROBIN WITHOUT ME? 776 00:30:17,424 --> 00:30:18,991 YEAH. 777 00:30:19,034 --> 00:30:20,514 YEAH, WE WENT BY HER OFFICE AND TALKED TO HER THIS MORNING. 778 00:30:20,557 --> 00:30:21,558 THAT'S NOT A PROBLEM FOR YOU, IS IT? 779 00:30:21,602 --> 00:30:22,908 NO, NO, THAT'S NOT A PROBLEM. 780 00:30:22,951 --> 00:30:24,126 IT'S JUST--IT'S STRANGE THAT SHE DIDN'T TELL ME. 781 00:30:24,170 --> 00:30:26,389 MAYBE SHE DOESN'T THINK IT'S IMPORTANT. 782 00:30:26,433 --> 00:30:27,347 LIKE I SAID, 783 00:30:27,390 --> 00:30:28,827 COLLECT, CONFIRM, RECONFIRM. 784 00:30:28,870 --> 00:30:30,698 ROBIN SAID THAT YOU WERE OUT SHOOTING PHOTOS 785 00:30:30,741 --> 00:30:31,568 ON TUESDAY NIGHT. IS THAT CORRECT? 786 00:30:31,612 --> 00:30:32,831 MM-HMM. 787 00:30:32,874 --> 00:30:34,789 OKAY, WHAT WAS THE ASSIGNMENT? 788 00:30:34,833 --> 00:30:37,705 OKAY, UH, WHAT I TOLD ROBIN, 789 00:30:37,748 --> 00:30:38,706 THAT'S NOT ENTIRELY TRUE. 790 00:30:38,749 --> 00:30:40,403 SO, YOU LIED 791 00:30:40,447 --> 00:30:43,102 TO YOUR FIANCEE? 792 00:30:43,145 --> 00:30:44,668 THAT'S NOT THE BEST WAY TO START A MARRIAGE. 793 00:30:44,712 --> 00:30:46,105 YEAH, BUT I HAD TO. 794 00:30:46,148 --> 00:30:47,584 IT'S FOR OUR WEDDING. 795 00:30:47,628 --> 00:30:49,804 I'M PUTTING TOGETHER THIS BOOK OF OUR SPECIAL PLACES, 796 00:30:49,848 --> 00:30:50,761 THESE PHOTOGRAPHS. 797 00:30:50,805 --> 00:30:52,415 OH, THAT'S SWEET. 798 00:30:52,459 --> 00:30:53,677 SO, WHEN YOU WENT AGAIN ON THURSDAY NIGHT? 799 00:30:53,721 --> 00:30:54,591 YEAH, SAME THING. 800 00:30:54,635 --> 00:30:56,071 LISTEN, YOU KNOW WHAT, 801 00:30:56,115 --> 00:30:57,464 WOULD IT BE OKAY IF WE JUST KEPT THIS BETWEEN OURSELVES? 802 00:30:57,507 --> 00:30:58,726 YEAH. 803 00:30:58,769 --> 00:31:00,032 IT'S KIND OF A SURPRISE FOR ROBIN. 804 00:31:00,075 --> 00:31:01,903 OF COURSE, WE DON'T WANT TO RUIN YOUR WEDDING. 805 00:31:01,947 --> 00:31:03,687 THIS PHOTO, WAS IT SHOT TUESDAY OR THURSDAY? 806 00:31:03,731 --> 00:31:05,080 THIS WAS TUESDAY. 807 00:31:05,124 --> 00:31:06,821 SEE, THAT COULD BE ANY NIGHT OF THE WEEK TO ME. 808 00:31:06,865 --> 00:31:08,823 MOST DEFINITELY TUESDAY. 809 00:31:08,867 --> 00:31:11,434 BUT HOW DO YOU KNOW THAT? 810 00:31:11,478 --> 00:31:12,827 WELL, I MEAN, YOU DON'T HAVE TO TAKE MY WORD FOR IT. 811 00:31:12,871 --> 00:31:14,742 THE CAMERA AUTOMATICALLY RECORDS 812 00:31:14,785 --> 00:31:15,874 DATE AND TIME INFORMATION 813 00:31:15,917 --> 00:31:17,832 DIRECTLY INTO THE DIGITAL FILE. 814 00:31:19,181 --> 00:31:20,139 THE META-DATA. 815 00:31:20,182 --> 00:31:21,314 THE META-DATA. 816 00:31:21,357 --> 00:31:22,576 DID YOU STOP ANYWHERE ELSE THAT NIGHT? 817 00:31:22,619 --> 00:31:25,622 A CONVENIENCE STORE OR A GAS STATION? 818 00:31:25,666 --> 00:31:27,755 WELL, YOU GUYS HAVE THE PHOTOGRAPHS. 819 00:31:27,798 --> 00:31:29,322 ISN'T THAT ENOUGH? 820 00:31:29,365 --> 00:31:31,933 WELL, LIKE I SAID, IN A MURDER INVESTIGATION, 821 00:31:31,977 --> 00:31:33,935 YOU CAN NEVER HAVE TOO MUCH INFORMATION. 822 00:31:33,979 --> 00:31:37,199 NO, I DIDN'T-- I DIDN'T STOP ANYWHERE ELSE. 823 00:31:39,332 --> 00:31:40,507 -OKAY. -OKAY. 824 00:31:40,550 --> 00:31:41,508 THANK YOU. 825 00:31:41,551 --> 00:31:42,465 OKAY. 826 00:31:44,032 --> 00:31:45,251 ALL RIGHT, SO KEVIN CALLS IAN AND ROBIN'S HOUSE 827 00:31:45,294 --> 00:31:46,513 ON MONDAY NIGHT, 828 00:31:46,556 --> 00:31:47,906 TUESDAY NIGHT HE'S DEAD. THAT'S A CONNECTION. 829 00:31:47,949 --> 00:31:49,646 TECHNICALLY, THAT'S ALSO A COINCIDENCE. 830 00:31:49,690 --> 00:31:51,910 EXCEPT THAT IAN WAS OUT ON TUESDAY NIGHT 831 00:31:51,953 --> 00:31:53,389 AND LIED ABOUT HIS ALIBI. 832 00:31:53,433 --> 00:31:54,956 FOR ALL WE KNOW, HE COULD HAVE BEEN HAVING AN AFFAIR. 833 00:31:55,000 --> 00:31:57,437 YOU KNOW, THIS IS WHERE I THINK CROSS HAD A POINT, RIGHT? 834 00:31:57,480 --> 00:32:00,657 IF WE CAN'T CONNECT KEVIN TO JOHN'S DEATH, 835 00:32:00,701 --> 00:32:03,486 THEN WE CAN'T CONNECT IAN TO KEVIN'S DEATH. 836 00:32:03,530 --> 00:32:07,273 EXCEPT WE HAVE BEEN ASSUMING THAT THE MOTIVE IS REVENGE. 837 00:32:07,316 --> 00:32:08,839 WHAT IF IT'S NOT? 838 00:32:08,883 --> 00:32:11,364 WE'VE GOT TO FIND ANOTHER CONNECTION. 839 00:32:12,887 --> 00:32:14,236 THEY STOPPED BY THE OFFICE. 840 00:32:14,280 --> 00:32:15,934 WE TALKED FOR 10 MINUTES. 841 00:32:15,977 --> 00:32:17,457 AND YOU DIDN'T THINK TO TELL ME? 842 00:32:17,500 --> 00:32:19,241 I'M TELLING YOU NOW. 843 00:32:19,285 --> 00:32:20,547 WHERE'S BEN? 844 00:32:20,590 --> 00:32:21,287 HE'S WITH DAVE. 845 00:32:23,463 --> 00:32:24,899 LOOK, WHAT DID THEY WANT TO KNOW? 846 00:32:24,943 --> 00:32:26,814 THEY ASKED ABOUT MY WEEK. 847 00:32:26,857 --> 00:32:28,381 THEY ASKED ABOUT YOU. 848 00:32:28,424 --> 00:32:29,643 WHAT--WHAT ABOUT ME? 849 00:32:29,686 --> 00:32:31,253 IAN, I DON'T SEE WHAT THE PROBLEM IS. 850 00:32:31,297 --> 00:32:33,342 OKAY, THE PROBLEM IS, THEY'RE HARASSING US. 851 00:32:33,386 --> 00:32:34,039 HONEY, 852 00:32:34,082 --> 00:32:35,823 YOU'RE HARASSING ME. 853 00:32:35,866 --> 00:32:36,955 OKAY, I'M GOING TO GO HAVE A BATH. 854 00:32:43,613 --> 00:32:44,788 DIFFERENT HIGH SCHOOLS. 855 00:32:44,832 --> 00:32:46,573 DIFFERENT COLLEGES. DIFFERENT LIVES. 856 00:32:46,616 --> 00:32:47,617 YOU? 857 00:32:47,661 --> 00:32:49,010 SUMMER OF 2010, 858 00:32:49,054 --> 00:32:49,706 IAN PHOTOGRAPHED THE FOREST FIRES 859 00:32:49,750 --> 00:32:51,012 KEVIN WAS FIGHTING. 860 00:32:51,056 --> 00:32:51,926 THAT PUTS THEM IN THE SAME PART OF THE COUNTRY. 861 00:32:51,970 --> 00:32:53,362 IT DOESN'T CONNECT IAN TO KEVIN. 862 00:32:53,406 --> 00:32:54,973 IAN FAKED THAT PHOTO. 863 00:32:55,016 --> 00:32:57,323 THAT DOESN'T CONNECT IAN TO KEVIN. 864 00:32:57,366 --> 00:32:58,454 KEVIN CALLED THEIR HOUSE. 865 00:32:58,498 --> 00:32:59,499 THAT DOES NOT CONNECT IAN TO KEVIN. 866 00:32:59,542 --> 00:33:00,804 [GROANS] 867 00:33:00,848 --> 00:33:01,849 WE NEED TO CONNECT IAN TO KEVIN. 868 00:33:01,892 --> 00:33:03,720 THAT'S A GOOD PLAN. 869 00:33:03,764 --> 00:33:05,157 OKAY, IF I'M KEVIN, 870 00:33:05,200 --> 00:33:07,289 I WANT TO COME HOME AND CONFESS TO A HIT AND RUN. 871 00:33:07,333 --> 00:33:08,899 SO I FLY HOME FROM THAILAND. 872 00:33:08,943 --> 00:33:09,857 YOU CALL YOUR SISTER, DIRECTORY ASSISTANCE 873 00:33:09,900 --> 00:33:11,250 AND A CONVENIENCE STORE. 874 00:33:11,293 --> 00:33:12,729 YEAH, WHY? WHY DOES HE CALL A CONVENIENCE STORE? 875 00:33:12,773 --> 00:33:14,557 WHY CALL ONE IN SURREY? 876 00:33:17,299 --> 00:33:18,822 'CAUSE HE'S NOT CALLING A CONVENIENCE STORE, 877 00:33:18,866 --> 00:33:19,998 HE'S CALLING THE PERSON 878 00:33:20,041 --> 00:33:21,434 THAT HAD THAT NUMBER THREE YEARS AGO. 879 00:33:21,477 --> 00:33:22,652 IS THAT A FOUR OR A NINE? 880 00:33:22,696 --> 00:33:23,523 THAT'S A SEVEN. 881 00:33:23,566 --> 00:33:24,219 THAT'S A SEVEN? 882 00:33:24,263 --> 00:33:26,526 DID YOU WRITE THAT? 883 00:33:26,569 --> 00:33:27,570 I DID. 884 00:33:27,614 --> 00:33:29,616 ALL RIGHT. 885 00:33:30,704 --> 00:33:32,749 BABY... 886 00:33:35,404 --> 00:33:36,840 LET'S ELOPE. 887 00:33:36,884 --> 00:33:38,712 THIS WEEKEND. 888 00:33:38,755 --> 00:33:40,061 BEN CAN STAY WITH DAVE, 889 00:33:40,105 --> 00:33:41,367 WE CAN FLY DOWN TO VEGAS AND GET MARRIED. 890 00:33:41,410 --> 00:33:42,020 IAN... 891 00:33:42,063 --> 00:33:43,978 DO YOU LOVE ME? 892 00:33:44,022 --> 00:33:45,719 YOU KNOW THAT I LOVE YOU. 893 00:33:45,762 --> 00:33:47,895 THEN LET'S GET ON WITH OUR LIVES. 894 00:33:47,938 --> 00:33:49,462 SWEETIE, 895 00:33:49,505 --> 00:33:51,464 I JUST, I CAN'T EVEN THINK ABOUT A WEDDING RIGHT NOW. 896 00:33:51,507 --> 00:33:52,552 WHY NOT? 897 00:33:52,595 --> 00:33:54,554 DO I SERIOUSLY HAVE TO ANSWER THAT? 898 00:33:55,859 --> 00:33:56,860 LOOK, I'M SORRY THAT JOHN IS DEAD, 899 00:33:56,904 --> 00:33:58,514 BUT THIS INVESTIGATION 900 00:33:58,558 --> 00:33:59,950 ISN'T GOING TO CHANGE ANYTHING, ALL RIGHT? 901 00:33:59,994 --> 00:34:01,082 I'M THE ONE WHO'S HERE, ROBIN. 902 00:34:01,126 --> 00:34:02,997 I'M THE ONE THAT'S RAISING BEN. 903 00:34:03,041 --> 00:34:04,433 I'M NOT HAVING THIS CONVERSATION. 904 00:34:06,522 --> 00:34:08,742 WE NEED TO TALK. 905 00:34:08,785 --> 00:34:10,265 [KNOCK ON DOOR] 906 00:34:15,705 --> 00:34:17,316 GUYS, COME ON. 907 00:34:17,359 --> 00:34:18,969 THIS ISN'T A GOOD TIME. 908 00:34:19,013 --> 00:34:20,232 YEAH, WELL, IT'S GOING TO GET WORSE. 909 00:34:20,275 --> 00:34:21,972 YOU SAID YOU DIDN'T KNOW KEVIN CARPENTER. 910 00:34:24,018 --> 00:34:25,585 THAT'S RIGHT, I DON'T KNOW KEVIN CARPENTER. 911 00:34:25,628 --> 00:34:26,542 604-555... 912 00:34:26,586 --> 00:34:28,109 0170. 913 00:34:28,153 --> 00:34:29,763 UH, WHAT IS THAT? 914 00:34:29,806 --> 00:34:31,025 THAT'S YOUR OLD PHONE NUMBER. 915 00:34:31,069 --> 00:34:33,767 YEAH, OKAY. SO? 916 00:34:33,810 --> 00:34:36,639 SO WHY WAS KEVIN CALLING YOU FROM THE HOTEL? 917 00:34:40,121 --> 00:34:43,429 THAT'S WHAT WE CALL A PROVABLE LIE. 918 00:34:45,518 --> 00:34:46,475 AND IT'S THE NEXT BEST THING 919 00:34:46,519 --> 00:34:47,868 TO A CONFESSION. 920 00:34:51,045 --> 00:34:52,612 YOU KNOW WHAT, 921 00:34:52,655 --> 00:34:54,004 THERE'S GOT TO BE SOME KIND OF MISTAKE HERE 922 00:34:54,048 --> 00:34:55,876 THIS IS... 923 00:34:55,919 --> 00:34:57,704 IAN? IAN, WHAT'S GOING ON? 924 00:34:57,747 --> 00:34:59,009 YOU MIGHT WANT TO STEP INSIDE. 925 00:34:59,053 --> 00:34:59,923 JUST GO INSIDE FOR A SECOND, OKAY, BABY? 926 00:34:59,967 --> 00:35:01,142 I GOT THIS. 927 00:35:01,186 --> 00:35:01,969 NOW, YOU LIED TO US TWICE. 928 00:35:03,797 --> 00:35:05,103 OKAY, YOU KNOW WHAT, YOU CAN TAKE THIS, 929 00:35:05,146 --> 00:35:06,843 BECAUSE THIS IS HARASSMENT. 930 00:35:06,887 --> 00:35:08,280 I'M GOING TO GET MY LAWYERS. YOU CAN TALK TO THEM-- 931 00:35:08,323 --> 00:35:09,542 WE KNOW WHERE YOU WERE ON TUESDAY NIGHT. 932 00:35:09,585 --> 00:35:11,848 WE KNOW THAT YOU WERE WITH KEVIN. 933 00:35:11,892 --> 00:35:13,633 WHAT? 934 00:35:16,026 --> 00:35:17,158 IAN. 935 00:35:17,202 --> 00:35:18,812 RELAX. 936 00:35:18,855 --> 00:35:20,901 I COME IN PEACE. 937 00:35:20,944 --> 00:35:21,902 I DON'T DRINK ANYMORE. 938 00:35:21,945 --> 00:35:23,251 KEVIN... 939 00:35:23,295 --> 00:35:24,905 JUST LET ME IN. 940 00:35:24,948 --> 00:35:27,386 WE'VE GOT A LOT TO TALK ABOUT. 941 00:35:29,736 --> 00:35:30,780 ALL RIGHT. 942 00:35:35,350 --> 00:35:37,831 IT WAS GUILT. 943 00:35:37,874 --> 00:35:39,659 I TRACKED HER DOWN TO A SUICIDE SUPPORT GROUP, 944 00:35:39,702 --> 00:35:42,966 AND I WAS JUST GOING TO SIT IN, HEAR HOW SHE WAS DOING. 945 00:35:43,010 --> 00:35:44,011 I THOUGHT, I DON'T KNOW, 946 00:35:44,054 --> 00:35:45,186 I THOUGHT, MAYBE, YOU KNOW, 947 00:35:45,230 --> 00:35:46,144 IF SHE NEEDS SOME MONEY OR SOMETHING, 948 00:35:46,187 --> 00:35:47,667 I'LL SEND SOME MONEY. 949 00:35:47,710 --> 00:35:48,711 I WASN'T PLANNING ON TALKING TO HER. 950 00:35:50,800 --> 00:35:52,976 I NEVER EXPECTED I'D FALL IN LOVE. 951 00:35:55,718 --> 00:35:56,632 YOU WANTED TO MAKE AMENDS. 952 00:35:56,676 --> 00:35:59,896 EXACTLY. 953 00:35:59,940 --> 00:36:03,073 THAT'S WHY I CAME BACK. 954 00:36:03,117 --> 00:36:05,815 I'M GOING TO TURN MYSELF IN. 955 00:36:07,730 --> 00:36:09,863 [SIGHS] 956 00:36:22,354 --> 00:36:23,833 [PILLS RATTLING] 957 00:36:27,272 --> 00:36:28,621 SO, WHAT DOES YOUR CONFESSION GET YOU, MAN? 958 00:36:28,664 --> 00:36:31,537 PEACE OF MIND? 959 00:36:31,580 --> 00:36:33,191 YEAH. 960 00:36:33,234 --> 00:36:34,844 BUDDY, WE DON'T DESERVE PEACE OF MIND. 961 00:36:34,888 --> 00:36:37,238 YOU'RE SPEAKING FROM A PLACE OF FEAR. 962 00:36:37,282 --> 00:36:40,241 YEAH, I'M AFRAID WHAT THIS IS GOING TO DO TO ROBIN, 963 00:36:40,285 --> 00:36:42,069 BECAUSE WE ALREADY RUINED HER LIFE ONCE. 964 00:36:42,112 --> 00:36:44,245 ALL YOUR CONFESSION IS GOING TO DO IS RUIN IT AGAIN. 965 00:36:44,289 --> 00:36:46,334 DON'T TRY AND RATIONALIZE THIS, RIGHT? 966 00:36:46,378 --> 00:36:48,293 THAT'S WHAT GOT US IN THIS MESS IN THE FIRST PLACE. 967 00:36:50,643 --> 00:36:52,949 EXCUSE ME. 968 00:37:27,070 --> 00:37:29,029 I'M SORRY, I HAVE TO DO THIS. 969 00:37:30,900 --> 00:37:32,815 I'M SORRY, TOO. 970 00:37:51,573 --> 00:37:53,227 KEVIN? 971 00:38:03,324 --> 00:38:05,892 HONEY, LISTEN TO ME, ALL RIGHT? NO. 972 00:38:05,935 --> 00:38:08,286 IT'S... THEY'RE MAKING THIS UP. 973 00:38:08,329 --> 00:38:09,287 ALL RIGHT? ALL THEY HAVE IS... 974 00:38:09,330 --> 00:38:11,071 IT'S AN OLD NUMBER, THAT'S IT. 975 00:38:11,114 --> 00:38:12,899 ACTUALLY, WE HAVE YOUR OLD CAR. 976 00:38:12,942 --> 00:38:14,335 THE ONE YOU WERE DRIVING 977 00:38:14,379 --> 00:38:16,163 THE NIGHT YOU HIT JOHN CHISSOLM. 978 00:38:19,122 --> 00:38:20,428 [KEVIN]: THANKS FOR PICKING ME UP. 979 00:38:20,472 --> 00:38:22,909 I WAS NOT LOOKING FORWARD TO THAT BUS RIDE BACK. 980 00:38:22,952 --> 00:38:24,127 HEY, THANKS FOR THE COMPANY, MAN. 981 00:38:24,171 --> 00:38:25,259 THANKS FOR THE BEER. 982 00:38:25,303 --> 00:38:27,261 [CRACKS CAN OPEN] 983 00:38:31,526 --> 00:38:33,093 [BREATHING HARD] 984 00:38:36,183 --> 00:38:38,620 IT'S FUNNY, I STILL CAN'T UNDERSTAND 985 00:38:38,664 --> 00:38:40,274 HOW YOU CAN DO THAT EVERY SINGLE SUMMER. 986 00:38:40,318 --> 00:38:42,232 OH, IT'S CRAZY MONEY. 987 00:38:42,276 --> 00:38:44,147 AND IT'S THE BEST PICK-UP LINE ON EARTH. 988 00:38:44,191 --> 00:38:46,236 "HELLO, LADIES. I FIGHT FOREST FIRES. 989 00:38:46,280 --> 00:38:47,368 I SAVE BAMBI." 990 00:38:47,412 --> 00:38:48,804 [LAUGHING] 991 00:38:53,983 --> 00:38:54,288 [BRAKES SCREECHING] 992 00:39:03,906 --> 00:39:05,255 OH, MY GOD. 993 00:39:07,693 --> 00:39:09,912 OH, MY GOD. 994 00:39:09,956 --> 00:39:13,089 [GASPING IN HORROR] OH, GOD... 995 00:39:14,090 --> 00:39:15,353 OH, MY GOD. 996 00:39:16,702 --> 00:39:17,746 HEY... 997 00:39:17,790 --> 00:39:19,400 HEY! 998 00:39:23,448 --> 00:39:24,274 WAKE UP. 999 00:39:26,189 --> 00:39:27,452 I THINK HE'S DEAD. 1000 00:39:27,495 --> 00:39:28,931 [DIALING PHONE] 1001 00:39:28,975 --> 00:39:30,933 WHAT ARE YOU DOING? ARE YOU OUT OF YOUR MIND? 1002 00:39:30,977 --> 00:39:31,847 WE GOTTA CALL SOMEONE-- 1003 00:39:31,891 --> 00:39:32,805 NO, NO, NO! 1004 00:39:32,848 --> 00:39:34,633 JUST LET ME THINK! 1005 00:39:34,676 --> 00:39:36,156 THINK ABOUT WHAT? 1006 00:39:36,199 --> 00:39:38,245 HE'S DEAD! 1007 00:39:40,421 --> 00:39:42,118 GET HIS LEGS. 1008 00:39:43,468 --> 00:39:45,470 GET HIS LEGS! 1009 00:39:45,513 --> 00:39:47,036 WE'VE GOT TO CALL SOMEBODY. 1010 00:39:47,080 --> 00:39:48,734 WE ALREADY RUINED ONE LIFE, MAN. DO YOU WANT TO RUIN THREE? 1011 00:39:48,777 --> 00:39:49,691 COME ON, CARPENTER! 1012 00:39:49,735 --> 00:39:51,954 JUST GIVE ME A HAND. 1013 00:39:51,998 --> 00:39:53,260 COME ON! 1014 00:39:55,305 --> 00:39:56,306 [STRAINING WITH EFFORT] 1015 00:40:01,529 --> 00:40:03,096 THREE YEARS LATER, 1016 00:40:03,139 --> 00:40:03,792 WE CAN STILL GET FORENSIC EVIDENCE 1017 00:40:03,836 --> 00:40:05,011 OUT OF YOUR TRUNK. 1018 00:40:08,231 --> 00:40:09,624 OKAY, ROBIN... 1019 00:40:09,668 --> 00:40:10,799 NO, NO, NO, NO. 1020 00:40:10,843 --> 00:40:12,105 JUST LISTEN TO ME. 1021 00:40:12,148 --> 00:40:13,106 NO, CAN YOU JUST GIVE ME A SECOND? 1022 00:40:13,149 --> 00:40:14,063 -YOU ARE UNDER ARREST... -ROBIN! 1023 00:40:14,107 --> 00:40:15,195 GET AWAY FROM ME! 1024 00:40:15,238 --> 00:40:16,239 PLEASE JUST LISTEN TO ME-- 1025 00:40:16,283 --> 00:40:17,719 NO! 1026 00:40:17,763 --> 00:40:19,982 I LOVE YOU. I NEVER LIED ABOUT THAT! 1027 00:40:20,026 --> 00:40:22,420 ♪ DON'T YOU WAIT ON ME 1028 00:40:22,463 --> 00:40:24,247 ♪ I'LL SHOOT YOU DOWN 1029 00:40:24,291 --> 00:40:27,903 ♪ KEEP YOUR EYES CLOSED YOUR EAR TO THE GROUND... ♪ 1030 00:40:27,947 --> 00:40:30,645 DADDY! 1031 00:40:30,689 --> 00:40:32,299 ♪ ...KILL THE SILENCE 1032 00:40:32,342 --> 00:40:35,041 ♪ I CAN'T BEAR TO SPEAK... 1033 00:40:35,084 --> 00:40:38,174 ♪ HEAD FOR THE HEART DOES IT BREAK ♪ 1034 00:40:38,218 --> 00:40:41,177 ♪ WORDS MAY FALL THE BODY REMAINS ♪ 1035 00:40:41,221 --> 00:40:45,268 ♪ AND EVERY MAP IS BLANK 1036 00:40:47,532 --> 00:40:50,491 ♪ WHEN MY WORDS HEAD FOR THE CRACKS ♪ 1037 00:40:50,535 --> 00:40:54,974 ♪ WILL YOU HAVE MY BACK? 1038 00:40:55,017 --> 00:41:00,109 ♪ WE WERE GOOD CHILDREN DARLING, LET IT OUT ♪ 1039 00:41:00,153 --> 00:41:03,112 ♪ WHEN MY WORDS HEAD FOR THE CRACKS ♪ 1040 00:41:03,156 --> 00:41:07,682 ♪ WILL YOU HAVE MY BACK? 1041 00:41:07,726 --> 00:41:11,077 ♪ WE WERE GOOD CHILDREN 1042 00:41:11,120 --> 00:41:14,472 ♪ DARLING, LET IT OUT... 1043 00:41:16,648 --> 00:41:18,127 CAN YOU IMAGINE 1044 00:41:18,171 --> 00:41:20,652 FALLING IN LOVE WITH YOUR BOYFRIEND'S KILLER? 1045 00:41:20,695 --> 00:41:22,654 I WOULDN'T WISH THAT KIND OF PAIN ON ANYONE. 1046 00:41:22,697 --> 00:41:25,352 YEAH. 1047 00:41:25,395 --> 00:41:26,527 CAN I ASK YOU SOMETHING? 1048 00:41:26,571 --> 00:41:28,224 ALWAYS. 1049 00:41:28,268 --> 00:41:30,749 I HEARD A RUMOUR YOU THREW THAT INTERVIEW 1050 00:41:30,792 --> 00:41:31,619 FOR THE PROMOTION. 1051 00:41:31,663 --> 00:41:33,665 IS THAT TRUE? 1052 00:41:33,708 --> 00:41:35,318 WELL, IF I HAD TAKEN IT, WHAT WOULD YOU HAVE THOUGHT? 1053 00:41:36,319 --> 00:41:37,407 WHAT WOULD I HAVE THOUGHT? 1054 00:41:37,451 --> 00:41:38,539 I WOULD HAVE BEEN VERY HAPPY FOR YOU. 1055 00:41:38,583 --> 00:41:40,062 NO, I KNOW. 1056 00:41:40,106 --> 00:41:42,151 I KNOW, BUT... 1057 00:41:44,806 --> 00:41:46,591 WELL, NO ONE LIKES IT WHEN THE BAND BREAKS UP. 1058 00:41:46,634 --> 00:41:49,071 WELL, THERE'S YOUR ANSWER. 1059 00:42:07,829 --> 00:42:10,310 [♪♪♪]