1 00:00:03,171 --> 00:00:07,075 HE'S WELL KNOWN FOR HIS USE OF COLOUR AND TEXTURE. 2 00:00:07,108 --> 00:00:08,609 IT'S REALLY QUITE DYNAMIC. 3 00:00:08,642 --> 00:00:11,545 OH, THIS LATEST PIECE JUST ARRIVED YESTERDAY. 4 00:00:11,579 --> 00:00:15,049 QUITE DARING, I THINK YOU'LL AGREE. 5 00:00:15,083 --> 00:00:16,650 HMM. WHAT IS IT? 6 00:00:16,684 --> 00:00:18,452 AH, "WHAT IS IT?" YEAH, YEAH. 7 00:00:18,486 --> 00:00:20,454 YEAH, I MEAN, YOU'RE ALREADY ENGAGING WITH IT. 8 00:00:20,488 --> 00:00:22,390 THAT'S THE SIGN OF A TRUE GENIUS 9 00:00:22,423 --> 00:00:24,058 AS AN ARTIST. 10 00:00:24,092 --> 00:00:26,827 HMM, BUT IF I DON'T KNOW WHAT IT IS...? 11 00:00:26,860 --> 00:00:29,463 THEN YOU HAVE THE COURAGE TO LIVE IN THE QUESTION. 12 00:00:29,497 --> 00:00:30,431 [CHUCKLES] 13 00:00:30,464 --> 00:00:32,733 I WISH ALL MY CLIENTS HAD YOUR CONVICTION. 14 00:00:32,766 --> 00:00:35,803 HMM, PERHAPS IF I COULD SEE THE ARTIST'S STATEMENT. 15 00:00:35,836 --> 00:00:36,570 YES. YES, YES, OF COURSE. 16 00:00:36,604 --> 00:00:37,705 JULIA! 17 00:00:37,738 --> 00:00:39,207 RIGHT HERE! 18 00:00:39,240 --> 00:00:41,475 YOU'RE KEEPING MRS. MORTON WAITING. 19 00:00:41,509 --> 00:00:43,844 SO SORRY, MA'AM. THE PRINTER JAMMED. 20 00:00:43,877 --> 00:00:45,479 HERE YOU GO. 21 00:00:45,513 --> 00:00:47,181 BE RIGHT BACK. 22 00:00:47,215 --> 00:00:49,117 SO THIS IS A 12 GRAND SCULPTURE 23 00:00:49,150 --> 00:00:49,783 THAT I'M TRYING TO SHIFT. 24 00:00:49,817 --> 00:00:51,685 WHERE THE HELL IS HER TEA? 25 00:00:51,719 --> 00:00:53,154 I WAS FIXING THE PRINTER. 26 00:00:53,187 --> 00:00:56,090 WELL, NOW YOU'RE NOT. 27 00:00:56,124 --> 00:00:57,758 RIGHT. OH, JASMINE WITH HONEY. 28 00:00:57,791 --> 00:00:58,592 MMM. 29 00:00:58,626 --> 00:00:59,693 COMING RIGHT UP. 30 00:00:59,727 --> 00:01:01,095 THANK YOU! [CHUCKLES MIRTHLESSLY] 31 00:01:05,199 --> 00:01:07,701 WHICH IS WHY ANDERS ALUMINUM SIDING 32 00:01:07,735 --> 00:01:09,837 IS GUARANTEED FOR 10-- 33 00:01:09,870 --> 00:01:12,206 WELL, MS. SCHLEINMAN, 34 00:01:12,240 --> 00:01:13,507 WHY DON'T I CALL YOU BACK 35 00:01:13,541 --> 00:01:17,145 AFTER YOU'VE HAD A CHANCE TO FINISH YOUR DINNER? 36 00:01:17,178 --> 00:01:19,813 OR, AS YOU SAY, "WHEN HELL FREEZES OVER." 37 00:01:19,847 --> 00:01:21,649 HEY, MOM, CHECK IT OUT. 38 00:01:21,682 --> 00:01:23,617 CIVIL WAR. 35 BUCKS. 39 00:01:23,651 --> 00:01:25,386 GUY AT THE FLEA MARKET HAD NO IDEA WHAT HE HAD. 40 00:01:25,419 --> 00:01:26,487 THAT'S NICE. 41 00:01:26,520 --> 00:01:28,756 IT'S AN AUTHENTIC 1864 BAYONET. 42 00:01:28,789 --> 00:01:29,823 WELL, SHOULD... 43 00:01:29,857 --> 00:01:31,459 SHOULD BE ABLE TO GET 44 00:01:31,492 --> 00:01:33,161 AT LEAST A HUNDRED FOR IT ONLINE. 45 00:01:33,194 --> 00:01:33,794 YUP. 46 00:01:33,827 --> 00:01:36,764 ANOTHER, UH, SLOW DAY? 47 00:01:36,797 --> 00:01:39,267 SLOW MONTH, I'M AFRAID. 48 00:01:39,300 --> 00:01:40,901 THAT MORTGAGE DOESN'T PAY ITSELF, 49 00:01:40,934 --> 00:01:42,136 AND WE'VE HAD TWO EXTENSIONS ALREADY. 50 00:01:44,538 --> 00:01:46,174 I DON'T WANT TO LOSE THIS HOUSE. 51 00:01:46,207 --> 00:01:47,875 AW, COME ON. 52 00:01:47,908 --> 00:01:48,742 WE'LL GET THROUGH IT. 53 00:01:48,776 --> 00:01:50,678 HEY... 54 00:01:50,711 --> 00:01:51,879 WOULD I LIE TO MY BEST GIRL? 55 00:01:51,912 --> 00:01:52,880 [CHUCKLES FONDLY] 56 00:01:52,913 --> 00:01:54,648 OH, SWEETPEA, 57 00:01:54,682 --> 00:01:55,616 YOU CAN ALWAYS MAKE ME SMILE. 58 00:01:55,649 --> 00:01:58,186 [CAT MEOWS] 59 00:01:58,219 --> 00:01:59,920 OH, DON'T WORRY, MATHIAS. 60 00:01:59,953 --> 00:02:02,690 SOMETHING WILL HAPPEN. 61 00:02:02,723 --> 00:02:03,557 IT ALWAYS DOES. 62 00:02:07,428 --> 00:02:09,230 DON'T YOU THINK IT'S TIME TO TRADE UP? 63 00:02:09,263 --> 00:02:10,664 WHY? I LIKE MY CAR. 64 00:02:10,698 --> 00:02:11,732 SO DOES YOUR MECHANIC. 65 00:02:11,765 --> 00:02:13,434 MY CAR JUST NEEDS A LITTLE EXTRA LOVIN', THAT'S ALL. 66 00:02:13,467 --> 00:02:14,368 UH-HUH. 67 00:02:14,402 --> 00:02:15,536 YOU STILL GOT YOUR FLEETWOOD MAC CASSETTE 68 00:02:15,569 --> 00:02:17,171 STUCK IN THE PLAYER? 69 00:02:17,205 --> 00:02:18,806 STEVIE NICKS FOREVER, BABY! 70 00:02:18,839 --> 00:02:19,907 [LUCAS]: GOOD MORNING. 71 00:02:19,940 --> 00:02:20,708 [VEGA]: YOU'RE HALF RIGHT. 72 00:02:20,741 --> 00:02:22,443 WHAT DO WE GOT? 73 00:02:22,476 --> 00:02:23,444 SHOOTING. 74 00:02:23,477 --> 00:02:25,279 VICTIM IS FEMALE, MID-20s. 75 00:02:25,313 --> 00:02:27,415 WITNESS FOUND HER ON HIS MORNING RUN. 76 00:02:27,448 --> 00:02:29,417 SAYS HE HEARD SOMETHING THAT MAY HAVE BEEN A GUNSHOT 77 00:02:29,450 --> 00:02:30,083 10 MINUTES EARLIER. 78 00:02:30,117 --> 00:02:31,885 SO THAT PUTS THE T.O.D. WHEN? 79 00:02:31,919 --> 00:02:33,254 6:15 A.M. 80 00:02:33,287 --> 00:02:35,223 THERE'S NO VISIBLE SIGNS OF SEXUAL ASSAULT. 81 00:02:35,256 --> 00:02:36,324 IT'S PROBABLY NOT A MUGGING. 82 00:02:36,357 --> 00:02:38,659 NOBODY CARRIES THEIR WALLET WHEN THEY GO JOGGING. 83 00:02:38,692 --> 00:02:39,827 YEAH, BUT THESE FANCY RUNNING CLOTHES, 84 00:02:39,860 --> 00:02:40,894 THEY GOT POCKETS ALL OVER THEM. 85 00:02:40,928 --> 00:02:42,696 SHE MIGHT HAVE HAD HER WALLET. 86 00:02:42,730 --> 00:02:43,864 IT WASN'T FOUND ON THE BODY. 87 00:02:43,897 --> 00:02:45,566 DID YOU FIND ANYTHING? 88 00:02:45,599 --> 00:02:46,800 THERE WAS THIS. 89 00:02:46,834 --> 00:02:48,602 A MARATHON TIMING CHIP. 90 00:02:48,636 --> 00:02:50,271 EACH CHIP IS ASSIGNED A UNIQUE NUMBER 91 00:02:50,304 --> 00:02:52,306 THAT IDENTIFIES THE RUNNER. 92 00:02:52,340 --> 00:02:54,842 AH, WELL, THAT'S THE FIRST GOOD NEWS OF THE MORNING. 93 00:02:59,980 --> 00:03:03,317 [BREATHING HARD] 94 00:03:03,351 --> 00:03:04,318 MRS. RIEDER? 95 00:03:04,352 --> 00:03:05,219 [GASPS IN SHOCK] 96 00:03:05,253 --> 00:03:05,919 MA'AM... 97 00:03:05,953 --> 00:03:07,721 MOM, I CALLED THE POLICE. 98 00:03:07,755 --> 00:03:08,956 OWEN, WHAT'S GOING ON? 99 00:03:08,989 --> 00:03:10,824 LISTEN, DON'T PANIC. WE'VE BEEN ROBBED. 100 00:03:10,858 --> 00:03:12,726 I DON'T UNDERSTAND.. 101 00:03:12,760 --> 00:03:14,695 MY BOER WAR WEBLEY HAS BEEN STOLEN. 102 00:03:14,728 --> 00:03:17,331 MY GUN IS GONE. 103 00:03:21,335 --> 00:03:23,371 [***] 104 00:03:25,939 --> 00:03:28,809 OKAY, I'M DONE HERE. SHE'S ALL YOURS. 105 00:03:28,842 --> 00:03:29,977 YOU GOT A SNEAK PREVIEW 106 00:03:30,010 --> 00:03:31,812 YOU COULD SHARE WITH US, BEAUTIFUL LADY? 107 00:03:31,845 --> 00:03:33,013 YEAH, WELL, BODY'S STILL IN EARLY RIGOUR, 108 00:03:33,046 --> 00:03:34,815 SO THAT MEANS THE KILL IS FRESH. 109 00:03:34,848 --> 00:03:36,417 PROBABLY ONLY HAPPENED 110 00:03:36,450 --> 00:03:37,751 A COUPLE OF HOURS AGO. 111 00:03:37,785 --> 00:03:39,487 THAT TRACKS WITH THE WITNESS HEARING A GUNSHOT. 112 00:03:39,520 --> 00:03:40,954 YEAH, THE VICTIM WAS SHOT AT CLOSE RANGE. 113 00:03:40,988 --> 00:03:42,290 SO, WHAT, SHE'S JOGGING, 114 00:03:42,323 --> 00:03:43,791 STOPS, AND LETS HER KILLER APPROACH HER? 115 00:03:43,824 --> 00:03:44,925 OR HE'S HIDING. 116 00:03:44,958 --> 00:03:46,694 JUMPS OUT WITH A GUN, BANG. 117 00:03:46,727 --> 00:03:47,795 ANOTHER THING. 118 00:03:47,828 --> 00:03:49,297 THERE'S SOME INTERESTING BURNS 119 00:03:49,330 --> 00:03:50,964 AROUND THE WOUND. 120 00:03:50,998 --> 00:03:52,533 INTERESTING HOW? 121 00:03:52,566 --> 00:03:54,034 IT'S ALMOST LIKE SHE WAS PEPPERED WITH BUCKSHOT. 122 00:03:54,067 --> 00:03:55,969 BUT THE WOUND PATTERN IS TOO SMALL. 123 00:03:56,003 --> 00:03:57,271 THAT DOESN'T TRACK. 124 00:03:57,305 --> 00:03:58,306 HMM. 125 00:03:58,906 --> 00:03:59,840 SEE YA. 126 00:03:59,873 --> 00:04:01,342 -THANKS. -SEE YA. 127 00:04:01,375 --> 00:04:03,010 CHECK OUT THE BOOTS. 128 00:04:03,043 --> 00:04:05,713 STRANGE THAT NOTHING ELSE WAS STOLEN. 129 00:04:05,746 --> 00:04:07,681 IT'S A RELIEF, IS WHAT IT IS. 130 00:04:07,715 --> 00:04:09,016 AND NO SIGN OF FORCED ENTRY? 131 00:04:09,049 --> 00:04:09,883 ARE YOU SURE 132 00:04:09,917 --> 00:04:10,984 YOU LOCKED THE DOOR AFTER YOU WENT OUT? 133 00:04:11,018 --> 00:04:12,453 I'M SURE. 134 00:04:12,486 --> 00:04:14,054 NO. SOMETIMES YOU GET FORGETFUL. 135 00:04:14,087 --> 00:04:16,023 WHAT? I DO NOT. 136 00:04:16,056 --> 00:04:19,427 DON'T CONTRADICT YOUR MOTHER IN FRONT OF THE NICE OFFICER. 137 00:04:20,994 --> 00:04:22,830 BUT I HAD TO UNLOCK THE DOOR WHEN I CAME HOME. 138 00:04:22,863 --> 00:04:24,432 HOW LONG WERE YOU GONE? 139 00:04:24,465 --> 00:04:25,766 ABOUT AN HOUR. 140 00:04:25,799 --> 00:04:28,068 THERE WAS A BIG FLEA MARKET AT THE STADIUM TODAY. 141 00:04:28,101 --> 00:04:29,603 THIS ONE VENDOR 142 00:04:29,637 --> 00:04:31,405 WAS SUPPOSED TO HAVE THIS HUGE STASH OF SOVIET BLING, 143 00:04:31,439 --> 00:04:33,073 BUT IT WAS JUST THE USUAL 144 00:04:33,106 --> 00:04:35,809 WHACK OF FRAYED BADGES AND DENTED HELMETS-- 145 00:04:35,843 --> 00:04:36,777 OWEN'S A COLLECTOR. 146 00:04:36,810 --> 00:04:38,011 I'M A RESELLER 147 00:04:38,045 --> 00:04:39,947 OF MILITARY MEMORABILIA. 148 00:04:39,980 --> 00:04:40,981 THAT'S RIGHT. EXCUSE ME. 149 00:04:41,014 --> 00:04:42,049 ONLINE AUCTIONS, 150 00:04:42,082 --> 00:04:44,017 BUT ALL MY STUFF IS VINTAGE, 151 00:04:44,051 --> 00:04:45,553 SO I'M SURE THE WEBLEY WOULDN'T EVEN FIRE NOW. 152 00:04:45,586 --> 00:04:46,854 OH... 153 00:04:46,887 --> 00:04:48,889 I'M SURE THAT YOU JUST MISPLACED IT. 154 00:04:48,922 --> 00:04:50,791 MOM, I DID NOT MISPLACE IT. 155 00:04:50,824 --> 00:04:53,394 AND YOU WERE OUT THIS MORNING AS WELL, MA'AM? 156 00:04:53,427 --> 00:04:55,295 YES. 157 00:04:56,630 --> 00:04:59,633 UH, I-I HAD TO GO TO THE STORE TO GET MATHIAS SOME LIVER. 158 00:04:59,667 --> 00:05:02,403 UH, MY-MY CAT. 159 00:05:02,436 --> 00:05:03,804 HE LIKES HIS LIVER FRESH, 160 00:05:03,837 --> 00:05:06,073 BUT THEY DIDN'T HAVE ANY. 161 00:05:06,106 --> 00:05:07,775 HE DOESN'T LIKE THE TINNED KIND. 162 00:05:07,808 --> 00:05:09,577 IT UPSETS HIS TUMMY. 163 00:05:09,610 --> 00:05:10,911 DOESN'T IT, PRECIOUS? 164 00:05:10,944 --> 00:05:12,546 YEAH. 165 00:05:12,580 --> 00:05:13,714 YES... 166 00:05:13,747 --> 00:05:14,782 [CAT PURRING] 167 00:05:14,815 --> 00:05:16,350 UPSETS YOUR TUMMY. 168 00:05:20,854 --> 00:05:22,890 OKAY... PERFECT. 169 00:05:22,923 --> 00:05:25,426 OOH, AND WE'LL PUT YOUR ARTIST'S STATEMENT... 170 00:05:25,459 --> 00:05:27,127 RIGHT HERE. 171 00:05:27,160 --> 00:05:28,128 I HAVE TO ADMIT, KATIE, 172 00:05:28,161 --> 00:05:30,364 I'M A LITTLE NERVOUS. 173 00:05:30,398 --> 00:05:32,132 MAYBE A HUNDRED DOLLARS IS TOO MUCH. 174 00:05:32,165 --> 00:05:33,133 NO, DON'T BE CRAZY. 175 00:05:33,166 --> 00:05:35,569 YOU GOTTA PUT IT OUT THERE. 176 00:05:35,603 --> 00:05:36,837 I'M NOT A PROFESSIONAL. 177 00:05:36,870 --> 00:05:37,705 IT'S JUST A HOBBY. 178 00:05:37,738 --> 00:05:38,872 OH, BUT YOU LOVE IT. 179 00:05:38,906 --> 00:05:40,408 YOU TALK ABOUT IT ALL THE TIME. 180 00:05:40,441 --> 00:05:41,409 I BET THE CUSTOMERS 181 00:05:41,442 --> 00:05:43,544 ARE GOING TO EAT THIS UP. 182 00:05:43,577 --> 00:05:44,545 YOU REALLY THINK THEY'RE GOING TO LIKE IT? 183 00:05:44,578 --> 00:05:45,579 YEAH! 184 00:05:45,613 --> 00:05:46,880 YEAH. 185 00:05:46,914 --> 00:05:49,049 KITSCH IS MAKING A COMEBACK. 186 00:05:49,082 --> 00:05:50,818 I DON'T KNOW MUCH ABOUT ART, 187 00:05:50,851 --> 00:05:53,687 BUT I SURE COULD USE A LITTLE EXTRA MONEY RIGHT NOW. 188 00:05:55,556 --> 00:05:57,725 I HOPE EVERYONE LIKES MATHIAS AS MUCH AS I DO. 189 00:06:01,028 --> 00:06:02,930 -THANKS. -THANKS. 190 00:06:02,963 --> 00:06:05,599 YOU GET AN IDENT ON THE BODY YET? 191 00:06:05,633 --> 00:06:07,601 THE TIMING CHIP IS FROM LAST YEAR'S BOSTON MARATHON. 192 00:06:07,635 --> 00:06:08,802 SHE MADE PRETTY GOOD TIME, TOO-- 193 00:06:08,836 --> 00:06:10,103 YOU GOT A NAME? 194 00:06:10,137 --> 00:06:12,506 CHIP IS REGISTERED TO ONE JULIA CONRAD. 195 00:06:12,540 --> 00:06:13,874 25 YEARS OLD, SINGLE. 196 00:06:13,907 --> 00:06:15,909 WORKS AT AN ART GALLERY DOWNTOWN. 197 00:06:15,943 --> 00:06:17,110 SHE LIVE NEARBY? 198 00:06:17,144 --> 00:06:18,546 ABOUT 10 BLOCKS UP BEEKMAN. 199 00:06:18,579 --> 00:06:20,113 THEY DIDN'T FIND KEYS ON THE BODY? 200 00:06:20,147 --> 00:06:21,482 NOPE. 201 00:06:21,515 --> 00:06:23,083 WOULD YOU GO JOGGING WITHOUT YOUR KEYS? 202 00:06:23,116 --> 00:06:24,184 I WOULD-- I WOULD NOT GO JOGGING. 203 00:06:24,217 --> 00:06:26,420 BUT HYPOTHETICALLY, WOULD YOU? 204 00:06:26,454 --> 00:06:28,155 I GUESS IN SOME PARALLEL UNIVERSE 205 00:06:28,188 --> 00:06:30,458 IF I WENT JOGGING, I'D BRING MY KEYS, YEAH. 206 00:06:30,491 --> 00:06:34,027 I KEEP MY KEYS UNDER A ROCK BY THE FRONT DOOR. 207 00:06:34,061 --> 00:06:35,496 LET'S GO TO HER HOUSE. 208 00:06:35,529 --> 00:06:36,129 YEAH. 209 00:06:41,669 --> 00:06:44,404 [RINGS DOORBELL] 210 00:06:46,206 --> 00:06:48,476 [KNOCKING] 211 00:06:48,976 --> 00:06:50,077 HELLO? 212 00:06:50,110 --> 00:06:51,078 SHE'S THE TRUSTING SORT. 213 00:06:51,111 --> 00:06:52,813 ANYBODY HOME? 214 00:06:54,214 --> 00:06:56,183 POLICE! HELLO? 215 00:07:06,259 --> 00:07:07,895 ALL CLEAR. 216 00:07:07,928 --> 00:07:09,162 UPSTAIRS CLEAR. 217 00:07:12,600 --> 00:07:15,135 WELL, THERE'S THE KEYS. 218 00:07:18,672 --> 00:07:19,473 IF THAT'S HER WALLET, 219 00:07:19,507 --> 00:07:21,642 THAT RULES OUT ROBBERY AS A MOTIVE. 220 00:07:21,675 --> 00:07:23,611 UNLESS THE KILLER TOOK THE KEYS OFF THE BODY 221 00:07:23,644 --> 00:07:24,612 AND THEN CAME BACK HERE. 222 00:07:24,645 --> 00:07:26,480 BUT WHY? TO DO WHAT? 223 00:07:26,514 --> 00:07:28,448 HELLO? 224 00:07:30,083 --> 00:07:31,985 JULIA? 225 00:07:32,019 --> 00:07:33,020 WHO ARE YOU? 226 00:07:33,053 --> 00:07:33,654 DETECTIVE VEGA. 227 00:07:33,687 --> 00:07:35,188 THIS IS MY PARTNER, FLYNN. 228 00:07:35,222 --> 00:07:36,089 BUT WHAT-- ? 229 00:07:36,123 --> 00:07:37,090 AND YOU ARE? 230 00:07:37,124 --> 00:07:38,125 GRETCHEN STILES. 231 00:07:38,158 --> 00:07:39,092 I LIVE HERE. 232 00:07:39,126 --> 00:07:40,060 WITH JULIA CONRAD? 233 00:07:40,093 --> 00:07:42,229 MY ROOMMATE. 234 00:07:42,262 --> 00:07:44,498 SOMETHING'S HAPPENED TO JULIA? 235 00:07:44,532 --> 00:07:46,166 MS. STILES, I'M AFRAID WE HAVE SOME BAD NEWS. 236 00:07:46,199 --> 00:07:47,968 [MESSAGE ALERT CHIMES] 237 00:07:50,638 --> 00:07:51,572 HEY, KATIE. 238 00:07:51,605 --> 00:07:52,272 HEY! 239 00:07:52,305 --> 00:07:54,207 ONE LATTE, EXTRA SHOT. 240 00:07:54,241 --> 00:07:55,275 OOH, LATE NIGHT? 241 00:07:55,308 --> 00:07:56,176 EARLY MORNING. 242 00:07:56,209 --> 00:07:58,679 I GOTTA DO INVENTORY. 243 00:07:58,712 --> 00:08:00,614 OH... 244 00:08:00,648 --> 00:08:01,515 MY... 245 00:08:01,549 --> 00:08:02,683 GOD. 246 00:08:02,716 --> 00:08:03,517 [BOTH CHUCKLING] 247 00:08:03,551 --> 00:08:04,284 RIGHT? 248 00:08:04,317 --> 00:08:07,020 WOW. 249 00:08:07,888 --> 00:08:09,557 JUST... 250 00:08:09,590 --> 00:08:11,158 WOW. 251 00:08:11,191 --> 00:08:13,527 THEY'RE HILARIOUS. 252 00:08:13,561 --> 00:08:15,829 HEY, WE STILL ON FOR OUR JOG TOMORROW? 253 00:08:16,930 --> 00:08:17,965 OH, YEAH. 254 00:08:17,998 --> 00:08:19,499 I COULD USE THE CARB BURN. 255 00:08:31,679 --> 00:08:33,513 [VOICES APPROACH] 256 00:08:44,692 --> 00:08:46,560 [HEAVY SPLASH] 257 00:08:49,096 --> 00:08:52,700 I CAN'T BELIEVE SHE'S REALLY GONE. 258 00:08:52,733 --> 00:08:55,769 I KNOW THIS IS DIFFICULT, BUT COULD YOU LOOK AROUND? 259 00:08:55,803 --> 00:08:57,104 SEE IF ANYTHING'S MISSING 260 00:08:57,137 --> 00:08:59,106 OR LOOKS LIKE IT'S BEEN DISTURBED? 261 00:09:02,876 --> 00:09:04,712 NO, EVERYTHING SEEMS OKAY. 262 00:09:04,745 --> 00:09:06,880 SHE WAS SO CREATIVE. 263 00:09:06,914 --> 00:09:10,083 EVEN DREAMED OF OPENING HER OWN GALLERY ONE DAY. 264 00:09:11,051 --> 00:09:12,720 OH, MY GOD, KATIE. 265 00:09:12,753 --> 00:09:13,621 WHO'S KATIE? 266 00:09:13,654 --> 00:09:15,088 JULIA'S RUNNING PARTNER. 267 00:09:15,122 --> 00:09:16,089 SHE OWNS THE COFFEE SHOP DOWN THE STREET. 268 00:09:16,123 --> 00:09:17,190 IS SHE OKAY? 269 00:09:17,224 --> 00:09:18,692 AS FAR AS WE KNOW, JULIA WAS ALONE, 270 00:09:18,726 --> 00:09:19,326 BUT WE'LL CHECK IT OUT. 271 00:09:20,794 --> 00:09:22,730 SHE ALWAYS BRING HER KEYS WHEN SHE WENT RUNNING? 272 00:09:22,763 --> 00:09:23,363 YEAH, SURE. 273 00:09:23,396 --> 00:09:24,632 ALWAYS? 274 00:09:24,665 --> 00:09:25,766 SHE CLIPPED THEM INSIDE HER JACKET. 275 00:09:25,799 --> 00:09:27,267 OKAY, WELL, JUST TO BE SAFE, 276 00:09:27,300 --> 00:09:28,368 YOU MIGHT WANT TO THINK OF CHANGING THE LOCKS 277 00:09:28,401 --> 00:09:29,837 ON THE FRONT DOOR. 278 00:09:29,870 --> 00:09:31,204 CAN YOU THINK OF ANYBODY WHO'D WANT TO HURT HER? 279 00:09:32,906 --> 00:09:34,174 NO ANGRY EXES? 280 00:09:35,976 --> 00:09:37,611 HER BOSS WAS GIVING HER GRIEF. 281 00:09:39,312 --> 00:09:40,614 HE'D GO ON RANTS. 282 00:09:40,648 --> 00:09:42,349 GUY SOUNDED LIKE A REAL ASS. 283 00:09:48,421 --> 00:09:49,623 HI. 284 00:09:49,657 --> 00:09:51,124 HI. 285 00:09:51,158 --> 00:09:52,192 MY NAME'S JULIA CONRAD. 286 00:09:52,225 --> 00:09:54,695 DOES MARION RIEDER LIVE HERE? 287 00:09:54,728 --> 00:09:57,631 YEAH, YEAH, SHE'S-SHE'S MY MOM. 288 00:09:57,665 --> 00:09:59,399 OH. 289 00:09:59,432 --> 00:10:01,368 I'M OWEN. RIEDER. 290 00:10:01,401 --> 00:10:02,636 NICE TO MEET YOU. 291 00:10:02,670 --> 00:10:04,104 I JUST, UH, 292 00:10:04,137 --> 00:10:05,739 I JUST BOUGHT ONE OF YOUR MOTHER'S PAINTINGS. 293 00:10:05,773 --> 00:10:07,808 WHAT? NO WAY. 294 00:10:07,841 --> 00:10:09,777 SH-SHE'LL BE THRILLED. 295 00:10:09,810 --> 00:10:12,012 UH... COME ON IN. YOU WANT TO COME IN? 296 00:10:12,045 --> 00:10:13,113 OKAY, YEAH, SURE. 297 00:10:13,146 --> 00:10:16,183 MY FIRST SALE, I CAN'T BELIEVE IT. 298 00:10:16,216 --> 00:10:17,250 WELL, CONGRATULATIONS, MA, 299 00:10:17,284 --> 00:10:18,085 YOU ARE NOW OFFICIALLY 300 00:10:18,118 --> 00:10:19,987 A PROFESSIONAL ARTIST. 301 00:10:20,020 --> 00:10:21,722 [GIGGLES GLEEFULLY] 302 00:10:21,755 --> 00:10:22,723 WHICH ONE DID YOU BUY? 303 00:10:22,756 --> 00:10:23,957 UH, IT'S A LANDSCAPE? 304 00:10:23,991 --> 00:10:24,958 VERY PRETTY. 305 00:10:24,992 --> 00:10:26,660 THANK YOU. 306 00:10:26,694 --> 00:10:28,195 YOU KNOW, JULIA, 307 00:10:28,228 --> 00:10:30,898 YOU DIDN'T HAVE TO BRING THIS CHEQUE BY IN PERSON. 308 00:10:30,931 --> 00:10:32,900 BUT WE'RE GLAD THAT YOU DID. 309 00:10:32,933 --> 00:10:35,035 YOU COULD HAVE LEFT IT AT THE COFFEE SHOP WITH KATIE. 310 00:10:35,068 --> 00:10:36,770 I TRUST HER. 311 00:10:36,804 --> 00:10:38,238 NO, IT'S NOT THAT, MRS. RIEDER. 312 00:10:38,271 --> 00:10:39,907 I WAS ACTUALLY WONDERING 313 00:10:39,940 --> 00:10:41,709 IF YOU HAVE ANY OTHER PAINTINGS AVAILABLE. 314 00:10:41,742 --> 00:10:43,343 OH, WELL, 315 00:10:43,376 --> 00:10:44,878 JUST THIS ONE. 316 00:10:44,912 --> 00:10:47,781 THE REST OF THEM ARE IN THE COFFEE SHOP. 317 00:10:47,815 --> 00:10:49,316 WELL, I JUST THOUGHT I'D ASK. 318 00:10:49,349 --> 00:10:50,751 OH! 319 00:10:50,784 --> 00:10:52,319 THAT'S MATHIAS. 320 00:10:52,352 --> 00:10:54,254 HE'S MY MUSE. 321 00:10:54,287 --> 00:10:55,255 HOW NICE. 322 00:10:55,288 --> 00:10:56,289 WELL-- 323 00:10:56,323 --> 00:10:57,224 YOU KNOW, UH... 324 00:10:57,257 --> 00:11:00,794 MOM'S ABLE TO JUST CREATE THESE OUT OF, UH, 325 00:11:00,828 --> 00:11:02,262 PAINTINGS SHE PICKS UP AT FLEA MARKETS 326 00:11:02,295 --> 00:11:03,731 AND GARAGE SALES. 327 00:11:03,764 --> 00:11:04,431 OH... 328 00:11:04,464 --> 00:11:05,866 LIKE THE ONE I BOUGHT? 329 00:11:05,899 --> 00:11:07,067 WELL, NO, ACTUALLY, I GOT THAT 330 00:11:07,100 --> 00:11:09,436 AT THE THRIFT SHOP DOWN ON MAIN. 331 00:11:09,469 --> 00:11:11,204 HOW INTERESTING. 332 00:11:12,973 --> 00:11:13,741 [STAMMERING HASTILY] 333 00:11:13,774 --> 00:11:15,375 DO YOU WANT SOMETHING TO DRINK? 334 00:11:15,408 --> 00:11:16,443 A COFFEE? 335 00:11:16,476 --> 00:11:18,145 NO. NO, UH, THANKS. 336 00:11:18,178 --> 00:11:18,912 HOW ABOUT A TEA? WE HAVE TEA. 337 00:11:18,946 --> 00:11:19,880 I'VE TAKEN UP ENOUGH OF YOUR TIME. 338 00:11:19,913 --> 00:11:20,981 ICED TEA? 339 00:11:21,014 --> 00:11:22,215 NO, THANKS, REALLY, I SHOULD GO. 340 00:11:22,249 --> 00:11:23,016 OH, JULIA, 341 00:11:23,050 --> 00:11:24,351 I JUST WANT TO SAY 342 00:11:24,384 --> 00:11:25,919 HOW MUCH IT MEANS TO ME 343 00:11:25,953 --> 00:11:28,021 THAT SOMEONE APPRECIATES MY WORK. 344 00:11:29,990 --> 00:11:31,358 THINGS ARE LOOKING UP. 345 00:11:34,427 --> 00:11:38,198 YES, SIR, I KNOW WE'VE HAD TWO GRACE PERIODS ALREADY. 346 00:11:38,231 --> 00:11:40,400 WELL, YOU DON'T HAVE TO THREATEN ME WITH FORECLOSURE. 347 00:11:40,433 --> 00:11:42,469 YOU WILL HAVE YOUR MONEY BY THE END OF THE MONTH. 348 00:11:45,338 --> 00:11:47,074 HEY, MOM. 349 00:11:47,107 --> 00:11:48,141 HI, SWEETPEA. 350 00:11:48,175 --> 00:11:49,810 WHO WAS THAT? 351 00:11:49,843 --> 00:11:52,145 NOBODY. IT WAS NOTHING. 352 00:11:52,179 --> 00:11:53,947 HEY, MOM, YOU SAID WE WERE OUT OF LIVER. 353 00:11:53,981 --> 00:11:57,050 YOU'VE GOT, LIKE, A POUND HERE. 354 00:11:57,084 --> 00:11:58,752 I-I MUST NOT HAVE SEEN IT. 355 00:11:58,786 --> 00:11:59,820 ARE YOU HUNGRY? 356 00:11:59,853 --> 00:12:01,254 CAN I FIX YOU SOMETHING TO EAT? 357 00:12:01,288 --> 00:12:02,722 NAH, FORGET IT. 358 00:12:04,357 --> 00:12:05,492 YOU KNOW, I DON'T THINK THAT POLICE OFFICER 359 00:12:05,525 --> 00:12:07,094 BELIEVED I WAS ROBBED. 360 00:12:07,127 --> 00:12:08,161 PROBABLY THOUGHT 361 00:12:08,195 --> 00:12:09,897 I WAS TRYING TO PULL SOME KIND OF INSURANCE SCAM. 362 00:12:09,930 --> 00:12:13,033 OH, HONEY, I DON'T THINK THAT HE THINKS THAT. 363 00:12:13,066 --> 00:12:16,269 WELL, I MEAN, IT DOES SOUND CRAZY. 364 00:12:16,303 --> 00:12:18,105 WHY WOULD SOMEBODY TAKE THE WEBLEY 365 00:12:18,138 --> 00:12:19,807 AND LEAVE THE LUFTWAFFE DAGGER 366 00:12:19,840 --> 00:12:21,408 AND THE CIVIL WAR FLINTLOCK? 367 00:12:21,441 --> 00:12:24,311 I MEAN, THOSE ARE THE REALLY VALUABLE ITEMS. 368 00:12:24,344 --> 00:12:27,280 WHO KNOWS WHAT GOES THROUGH A CRIMINAL'S MIND? 369 00:12:27,314 --> 00:12:28,348 WHAT ARE YOU DOING? 370 00:12:29,382 --> 00:12:30,984 OH. 371 00:12:31,018 --> 00:12:32,419 IT'S JUST AN INSECT BITE. 372 00:12:32,452 --> 00:12:33,553 PROBABLY A SPIDER. 373 00:12:33,586 --> 00:12:34,855 I SHOULD VACUUM. 374 00:12:34,888 --> 00:12:35,588 YOU HAVE A BAD BACK. 375 00:12:35,622 --> 00:12:38,125 I DO THE VACUUMING AROUND HERE. 376 00:12:38,158 --> 00:12:40,093 OH, OWEN... 377 00:12:40,127 --> 00:12:42,362 YOU ARE A GOOD SON. 378 00:12:42,395 --> 00:12:43,563 HONEY, DON'T WORRY. 379 00:12:43,596 --> 00:12:45,298 YOU WILL FIND 380 00:12:45,332 --> 00:12:46,266 A REPLACEMENT GUN AND BULLETS. 381 00:12:47,334 --> 00:12:48,268 THE BULLETS. 382 00:12:48,301 --> 00:12:50,270 HOLY COW! 383 00:12:50,303 --> 00:12:52,339 I DIDN'T EVEN THINK TO CHECK IF THOSE WERE STOLEN. 384 00:12:52,372 --> 00:12:54,207 I... 385 00:12:54,241 --> 00:12:56,176 I JUST ASSUMED. 386 00:12:58,078 --> 00:13:00,480 NOW, I KNOW HOW TO MAKE YOU FEEL BETTER. 387 00:13:00,513 --> 00:13:03,250 HOW ABOUT A BUCKET OF CHICKEN? 388 00:13:03,283 --> 00:13:05,118 OH, MOM... 389 00:13:05,152 --> 00:13:07,520 [LAUGHING] COME ON, YOU KNOW IT'S YOUR FAVOURITE. 390 00:13:07,554 --> 00:13:09,556 COME ON. 391 00:13:09,589 --> 00:13:11,859 ALL RIGHT, ALL RIGHT. WE'LL GET CHICKEN. 392 00:13:11,892 --> 00:13:12,792 ALL RIGHT, HONEY. 393 00:13:12,826 --> 00:13:16,263 SEE? MOMMY STILL KNOWS HOW TO MAKE IT BETTER. 394 00:13:44,624 --> 00:13:47,360 OKAY... 395 00:13:47,394 --> 00:13:49,863 COME TO MAMA. 396 00:13:49,897 --> 00:13:51,364 [SQUELCHES] 397 00:13:51,398 --> 00:13:54,868 GOTCHA. 398 00:13:54,902 --> 00:13:56,436 THAT IS WHAT'S LEFT OF THE BULLET. 399 00:13:56,469 --> 00:13:57,871 AND THE CARTRIDGE 400 00:13:57,905 --> 00:13:59,139 ISN'T JACKETED. 401 00:13:59,172 --> 00:14:00,273 WHAT'S ALL THAT WHITE STUFF THERE? 402 00:14:00,307 --> 00:14:01,408 THE LEAD OXIDIZED, 403 00:14:01,441 --> 00:14:03,110 WHICH MEANS IT'S PRETTY OLD. 404 00:14:03,143 --> 00:14:04,244 THAT'S PROBABLY WHY IT DISINTEGRATED. 405 00:14:04,277 --> 00:14:05,478 EXACTLY. 406 00:14:05,512 --> 00:14:08,048 LIKE SHRAPNEL, ON IMPACT. 407 00:14:08,081 --> 00:14:10,483 GO CHECK OUT THE WOUND PATTERN. 408 00:14:10,517 --> 00:14:14,187 A SERIES OF CONCENTRIC HOLES. 409 00:14:14,221 --> 00:14:18,025 NOW, I'D EXPECT TO SEE SCORCHING 410 00:14:18,058 --> 00:14:19,359 FROM A CLOSE-RANGE GUNSHOT, 411 00:14:19,392 --> 00:14:20,027 BUT LOOK AT THAT. 412 00:14:20,060 --> 00:14:21,528 YEAH, THE SKIN IS BLACKENED. 413 00:14:21,561 --> 00:14:23,230 IT'S BURNED. 414 00:14:23,263 --> 00:14:25,565 IT'S ALMOST AS IF, 415 00:14:25,598 --> 00:14:28,435 IN ADDITION TO THE NORMAL DISCHARGE OF A WEAPON, 416 00:14:28,468 --> 00:14:30,003 THERE WAS A SMALL EXPLOSION. 417 00:14:31,972 --> 00:14:35,542 AND THIS... MAY BE WHY. 418 00:14:36,977 --> 00:14:38,545 [SNIFFS] 419 00:14:38,578 --> 00:14:40,547 UGH. 420 00:14:40,580 --> 00:14:41,548 SMELL IT. 421 00:14:41,581 --> 00:14:42,515 I DON'T WANT TO. 422 00:14:42,549 --> 00:14:44,985 UH-HUH. 423 00:14:45,018 --> 00:14:46,253 [SNIFFS] 424 00:14:46,286 --> 00:14:47,454 WOW, REALLY? CORDITE? 425 00:14:48,688 --> 00:14:50,157 RIGHT? 426 00:14:50,190 --> 00:14:51,358 THEY HAVEN'T USED CORDITE BULLETS 427 00:14:51,391 --> 00:14:53,994 SINCE WORLD WAR II. 428 00:14:54,027 --> 00:14:55,062 WELL, THAT'S ALL I NEED 429 00:14:55,095 --> 00:14:56,229 IS A KILLER IN A TIME MACHINE. 430 00:15:01,101 --> 00:15:03,136 OH, HE'S GOT THAT LOOK. 431 00:15:03,170 --> 00:15:04,171 [VEGA]: OH, SHE'S RIGHT. YOU DO. 432 00:15:04,204 --> 00:15:05,238 THE BULLET? 433 00:15:05,272 --> 00:15:06,039 FORENSICS WAS ABLE TO DETERMINE 434 00:15:06,073 --> 00:15:07,040 IT'S A WEBLEY CARTRIDGE. 435 00:15:07,074 --> 00:15:07,975 HOW OLD? 436 00:15:08,008 --> 00:15:09,943 PRE-WORLD WAR I. 437 00:15:09,977 --> 00:15:10,543 THAT'S OLD. 438 00:15:12,312 --> 00:15:14,614 AND IF IT WAS ALSO FIRED BY A PERIOD WEBLEY REVOLVER, 439 00:15:14,647 --> 00:15:15,648 IT'S A MIRACLE THE GUN ITSELF DIDN'T EXPLODE. 440 00:15:15,682 --> 00:15:17,050 WHY? 441 00:15:17,084 --> 00:15:17,917 WELL, A HUNDRED- YEAR-OLD CARTRIDGE, 442 00:15:17,951 --> 00:15:19,352 THE CHARGE WOULD LIKELY BE UNSTABLE. 443 00:15:19,386 --> 00:15:20,487 ALSO, IT WAS UNJACKETED, 444 00:15:20,520 --> 00:15:22,322 SO THE STRUCTURAL INTEGRITY WOULD HAVE BEEN COMPROMISED. 445 00:15:22,355 --> 00:15:24,224 NOT TO MENTION THE CONDITION OF THE REVOLVER ITSELF. 446 00:15:24,257 --> 00:15:25,658 AREN'T YOU GLAD YOU ASKED? 447 00:15:25,692 --> 00:15:26,693 I AM. 448 00:15:26,726 --> 00:15:28,261 ALL RIGHT, SO WE'VE GOT AN ART GALLERY WORKER 449 00:15:28,295 --> 00:15:30,130 KILLED WITH AN ANTIQUE GUN. 450 00:15:31,564 --> 00:15:32,966 YOU KNOW WHAT I DON'T UNDERSTAND, 451 00:15:33,000 --> 00:15:34,667 IF YOU WERE GOING TO KILL SOMEONE, 452 00:15:34,701 --> 00:15:36,103 WHY WOULD YOU RUN THE RISK OF BLOWING YOURSELF UP 453 00:15:36,136 --> 00:15:37,204 IN THE PROCESS? 454 00:15:37,237 --> 00:15:39,172 YOU KNOW, ACTUALLY, THEY MAY HAVE DONE US A FAVOUR. 455 00:15:39,206 --> 00:15:41,241 OH, YEAH. 456 00:15:41,274 --> 00:15:43,010 IF THE VICTIM RECEIVED CORDITE BURNS, 457 00:15:43,043 --> 00:15:44,011 THEN MAYBE THE KILLER DID TOO. 458 00:15:44,044 --> 00:15:44,677 HUH? 459 00:16:00,393 --> 00:16:03,030 I HOPE YOU DON'T GET SEASICK, MATHIAS. 460 00:16:03,063 --> 00:16:04,764 [CAT PURRING] 461 00:16:04,797 --> 00:16:05,732 HEY, MOM... 462 00:16:05,765 --> 00:16:07,600 GUESS WHAT? 463 00:16:07,634 --> 00:16:08,701 WHAT? 464 00:16:08,735 --> 00:16:11,638 JULIA WORKS AT AN ART GALLERY DOWNTOWN. 465 00:16:11,671 --> 00:16:13,140 JULIA? 466 00:16:13,173 --> 00:16:15,775 THE GIRL THAT JUST BOUGHT YOUR PAINTING. 467 00:16:15,808 --> 00:16:18,011 A GALLERY? 468 00:16:18,045 --> 00:16:19,712 HOW DO YOU KNOW THAT? 469 00:16:19,746 --> 00:16:21,214 I ALSO KNOW 470 00:16:21,248 --> 00:16:23,116 THAT SHE JUST GRADUATED FROM UNIVERSITY 471 00:16:23,150 --> 00:16:24,584 THREE YEARS AGO WITH AN ART DEGREE. 472 00:16:24,617 --> 00:16:26,119 SHE IS A MARATHON RUNNER. 473 00:16:26,153 --> 00:16:27,187 LIKES TO RUN THE PORT MOODY TRAIL 474 00:16:27,220 --> 00:16:28,021 EARLY IN THE MORNING, 475 00:16:28,055 --> 00:16:29,556 WHICH IS VERY CONVENIENT, 476 00:16:29,589 --> 00:16:31,158 BECAUSE I'VE JUST... 477 00:16:31,191 --> 00:16:32,392 BEEN THINKING ABOUT TAKING UP JOGGING. 478 00:16:32,425 --> 00:16:33,393 [CHUCKLES] OH, YOU WOULDN'T EVEN. 479 00:16:33,426 --> 00:16:36,063 YOU GET A STITCH IN YOUR SIDE WHEN YOU RUN. 480 00:16:36,096 --> 00:16:38,165 I... DO NOT. 481 00:16:38,198 --> 00:16:40,367 HOW DO YOU KNOW ALL OF THIS ABOUT HER? 482 00:16:40,400 --> 00:16:42,602 WELL, I GOT HER NAME AND HER ADDRESS FROM HER CHEQUE, 483 00:16:42,635 --> 00:16:44,704 AND JUST A FEW MINUTES ON GOOGLE AND FACEBOOK 484 00:16:44,737 --> 00:16:46,039 TOOK CARE OF EVERYTHING. 485 00:16:46,073 --> 00:16:49,042 [SCOFFS] THAT SEEMS INDECENT. 486 00:16:49,076 --> 00:16:50,643 WELL, I-I JUST... 487 00:16:50,677 --> 00:16:52,745 THINK SHE'S CUTE. 488 00:16:52,779 --> 00:16:57,084 OWEN, DON'T YOU GET YOUR HEART BROKEN AGAIN. 489 00:16:57,117 --> 00:17:00,687 WHO SAYS SHE'S GOING TO BREAK MY HEART? 490 00:17:00,720 --> 00:17:02,589 HONEY, WHERE ARE YOU GOING? 491 00:17:02,622 --> 00:17:03,690 OUT. 492 00:17:03,723 --> 00:17:05,758 WELL, BE HOME IN TIME FOR DINNER. 493 00:17:11,864 --> 00:17:14,167 HE'S ASKING FOR YOU. 494 00:17:14,201 --> 00:17:15,368 IF HE'S NOT A SERIOUS BUYER, 495 00:17:15,402 --> 00:17:16,669 AND I DON'T SEE HOW HE COULD BE, 496 00:17:16,703 --> 00:17:17,770 PLEASE GET RID OF HIM. 497 00:17:17,804 --> 00:17:18,671 OF COURSE. 498 00:17:18,705 --> 00:17:20,307 THANK YOU. 499 00:17:22,175 --> 00:17:23,610 OWEN? 500 00:17:23,643 --> 00:17:24,811 HEY. 501 00:17:24,844 --> 00:17:26,779 YOU REMEMBERED. 502 00:17:26,813 --> 00:17:29,216 THIS IS A NICE PLACE YOU GOT HERE. 503 00:17:29,249 --> 00:17:31,151 HOW DID YOU KNOW WHERE I WORKED? 504 00:17:32,685 --> 00:17:35,288 HOW MUCH DOES SOMETHING LIKE THIS GO FOR? 505 00:17:35,322 --> 00:17:39,292 UH, $18,000. 506 00:17:39,326 --> 00:17:41,294 NO WAY. 507 00:17:41,328 --> 00:17:44,297 UM, OWEN, I'M KIND OF BUSY TODAY, SO... 508 00:17:44,331 --> 00:17:45,465 SURE, SURE. 509 00:17:45,498 --> 00:17:49,502 UM, I WAS JUST WONDERING IF, MAYBE, UH... 510 00:17:51,204 --> 00:17:52,605 YOU LIKE MOVIES, RIGHT? 511 00:17:54,207 --> 00:17:56,143 I WORK A LOT OF NIGHTS. 512 00:17:56,176 --> 00:17:58,278 WELL, HOW ABOUT A MORNING? 513 00:17:58,311 --> 00:17:59,212 I MEAN, COFFEE... 514 00:17:59,246 --> 00:18:01,348 E-EVERYBODY DRINKS COFFEE. 515 00:18:01,381 --> 00:18:03,350 OWEN, I'M SO SORRY, 516 00:18:03,383 --> 00:18:05,718 BUT I DON'T THINK SO, OKAY? 517 00:18:05,752 --> 00:18:09,622 NOW, I HAVE TO GET BACK TO WORK, OR MY BOSS WILL KILL ME. 518 00:18:09,656 --> 00:18:11,724 YEAH. 519 00:18:28,375 --> 00:18:29,676 KATIE, HERE'S YOUR $20 COMMISSION 520 00:18:29,709 --> 00:18:31,178 ON THE SALE. 521 00:18:31,211 --> 00:18:32,312 OH, THANKS, MARION. 522 00:18:32,345 --> 00:18:33,680 HOPEFULLY THERE'S MANY MORE. 523 00:18:33,713 --> 00:18:34,814 MMM. 524 00:18:36,949 --> 00:18:38,718 I THOUGHT YOU'D BE EXCITED BY THE SALE. 525 00:18:38,751 --> 00:18:40,187 I-I AM. 526 00:18:40,220 --> 00:18:41,154 IT'S JUST A LOT TO TAKE IN. 527 00:18:41,188 --> 00:18:42,889 I KNOW, RIGHT? 528 00:18:42,922 --> 00:18:44,257 THIS COULD BE A WHOLE NEW CHAPTER 529 00:18:44,291 --> 00:18:45,458 OF YOUR LIFE. 530 00:18:45,492 --> 00:18:47,860 YES, IT COULD. 531 00:18:50,763 --> 00:18:52,399 -OH, THANK YOU. -YOU'RE WELCOME. 532 00:18:52,432 --> 00:18:54,267 HI, DETECTIVE FLYNN. 533 00:18:54,301 --> 00:18:55,835 THIS IS DETECTIVE VEGA. 534 00:18:55,868 --> 00:18:58,571 -HI. -HI. 535 00:18:58,605 --> 00:18:59,372 WE WERE SUPPOSED TO GO RUNNING THIS MORNING. 536 00:18:59,406 --> 00:19:00,373 WHY DIDN'T YOU? 537 00:19:00,407 --> 00:19:02,875 I WOKE UP WITH A SORE THROAT. 538 00:19:02,909 --> 00:19:04,477 I DIDN'T WANT TO PUSH IT. 539 00:19:04,511 --> 00:19:07,347 SO WHERE WERE YOU TODAY AT 6:15 A.M.? 540 00:19:07,380 --> 00:19:09,749 IN BED. 541 00:19:09,782 --> 00:19:11,184 WITH MY BOYFRIEND. 542 00:19:11,218 --> 00:19:12,919 THE LAST TIME YOU SAW MS. CONRAD? 543 00:19:12,952 --> 00:19:14,921 YESTERDAY, 544 00:19:14,954 --> 00:19:17,690 ABOUT 8:00 IN THE MORNING. 545 00:19:19,326 --> 00:19:21,394 IF ONLY IF I HAD GONE WITH HER... 546 00:19:21,428 --> 00:19:23,230 YOU MIGHT HAVE BEEN KILLED TOO. 547 00:19:23,263 --> 00:19:24,531 DO YOU KNOW IF MS. CONRAD WAS SEEING ANYBODY? 548 00:19:24,564 --> 00:19:26,533 NOBODY STEADY. 549 00:19:26,566 --> 00:19:28,435 DID SHE SEEM UPSET ABOUT ANYTHING? 550 00:19:28,468 --> 00:19:30,337 JUST THE OPPOSITE. 551 00:19:30,370 --> 00:19:34,307 SHE WAS SAYING HOW THINGS WERE FINALLY LOOKING UP. 552 00:19:34,341 --> 00:19:37,344 WHAT DO YOU SUPPOSE SHE MEANT BY THAT? 553 00:19:37,377 --> 00:19:40,447 SHE SAID IT WAS GOING TO BE A SURPRISE. 554 00:19:40,480 --> 00:19:42,515 SAID HER WHOLE LIFE WAS ABOUT TO CHANGE. 555 00:19:46,886 --> 00:19:49,289 LISTEN, IF YOU CAN THINK OF ANYTHING ELSE, 556 00:19:49,322 --> 00:19:50,957 GIVE US A CALL. THANKS VERY MUCH. 557 00:19:55,495 --> 00:19:58,265 LOOK AT THESE CUTE KITTIES! 558 00:19:58,298 --> 00:19:59,966 THEY'VE GOT CUTE KITTIES EVERYWHERE. 559 00:19:59,999 --> 00:20:01,468 ARE YOU KIDDING ME? 560 00:20:01,501 --> 00:20:02,502 I ALWAYS WANTED A CAT, BUT MANNY'S ALLERGIC. 561 00:20:02,535 --> 00:20:05,405 YEAH, WELL, I'M ALLERGIC TO THAT. 562 00:20:05,438 --> 00:20:07,006 SOMEONE'S GOT A BIRTHDAY COMING UP. 563 00:20:07,039 --> 00:20:09,409 HUH? I KNOW WHAT I'M GONNA GET YOU. 564 00:20:09,442 --> 00:20:10,377 ONE OF THOSE. 565 00:20:10,410 --> 00:20:10,977 NO! 566 00:20:11,010 --> 00:20:13,746 ACTUALLY, YES. 567 00:20:13,780 --> 00:20:15,815 YES, THERE WAS A MAN WHO CAME TO SEE HER YESTERDAY. 568 00:20:15,848 --> 00:20:16,683 DID YOU GET HIS NAME? 569 00:20:16,716 --> 00:20:17,317 NO. 570 00:20:19,018 --> 00:20:20,820 QUITE FRANKLY, I DIDN'T CARE. 571 00:20:20,853 --> 00:20:21,754 IT'S NOT MY JOB 572 00:20:21,788 --> 00:20:24,791 TO ACT AS SOCIAL SECRETARY FOR MY EMPLOYEES. 573 00:20:24,824 --> 00:20:26,359 LET'S JUST SAY 574 00:20:26,393 --> 00:20:28,295 THAT HE WASN'T EXACTLY THE ART COLLECTOR TYPE. 575 00:20:28,328 --> 00:20:29,296 WELL, WHAT DID HE LOOK LIKE? 576 00:20:29,329 --> 00:20:29,996 AVERAGE HEIGHT, I SUPPOSE. 577 00:20:30,029 --> 00:20:32,765 HAIR, SANDY BROWN. 578 00:20:32,799 --> 00:20:34,934 EYES... CREMA. 579 00:20:34,967 --> 00:20:37,870 COULD STAND TO LOSE A FEW POUNDS. 580 00:20:37,904 --> 00:20:38,705 MOUSTACHE? BEARD? 581 00:20:38,738 --> 00:20:40,573 NO. 582 00:20:40,607 --> 00:20:42,375 I THINK HE HAD A BROWN SHIRT. 583 00:20:42,409 --> 00:20:43,310 NO, ACTUALLY, IT WAS OCHRE. 584 00:20:43,343 --> 00:20:44,377 OCHRE! 585 00:20:44,411 --> 00:20:45,845 I REMEMBER BECAUSE HIS JACKET WAS RED. 586 00:20:45,878 --> 00:20:47,847 AND I RECALL THINKING "THOSE COLOURS DON'T GO AT ALL." 587 00:20:50,049 --> 00:20:52,519 I GATHER THAT YOU AND MS. CONRAD 588 00:20:52,552 --> 00:20:53,353 WEREN'T EXACTLY FRIENDLY. 589 00:20:53,386 --> 00:20:57,390 NOT TO SPEAK ILL OF THE DEAD, BUT... 590 00:20:57,424 --> 00:20:59,959 THE GIRL HAD SOME FANTASY ABOUT OPENING HER OWN GALLERY. 591 00:20:59,992 --> 00:21:01,428 SILLY, REALLY. THERE'S NO WAY SHE COULD AFFORD IT. 592 00:21:01,461 --> 00:21:03,830 DID THAT MAKE YOU ANGRY? 593 00:21:05,097 --> 00:21:05,965 YES. 594 00:21:06,999 --> 00:21:08,401 AND IF YOUR NEXT QUESTION IS, 595 00:21:08,435 --> 00:21:09,969 "ANGRY ENOUGH TO KILL HER?" 596 00:21:10,002 --> 00:21:11,838 THE ANSWER IS NO. 597 00:21:11,871 --> 00:21:13,773 THE PROBLEM ACTUALLY RESOLVED ITSELF. 598 00:21:14,874 --> 00:21:16,075 BECAUSE SHE DIED? 599 00:21:16,108 --> 00:21:18,010 NO. BECAUSE SHE QUIT. 600 00:21:19,812 --> 00:21:20,580 RIGHT. 601 00:21:20,613 --> 00:21:22,549 JULIA GAVE HER NOTICE TWO DAYS AGO. 602 00:21:22,582 --> 00:21:23,616 THAT'S GRATITUDE FOR YOU. 603 00:21:23,650 --> 00:21:25,585 IF YOU'LL EXCUSE ME... 604 00:21:32,625 --> 00:21:33,360 HOLY CRAP, MOM-- 605 00:21:33,393 --> 00:21:35,061 OWEN, WE'VE TALKED ABOUT LANGUAGE. 606 00:21:35,094 --> 00:21:36,396 NOT WHILE YOU'RE UNDER THIS ROOF. 607 00:21:36,429 --> 00:21:37,897 NO, I-I WAS JUST WATCHING THE NEWS. 608 00:21:37,930 --> 00:21:40,032 JULIA'S BEEN KILLED! 609 00:21:41,434 --> 00:21:42,635 OH... NO. 610 00:21:42,669 --> 00:21:44,103 WHAT A SHOCK. 611 00:21:44,136 --> 00:21:45,505 AH, WHAT A WORLD WE LIVE IN. 612 00:21:45,538 --> 00:21:47,607 NOW, WHAT WOULD YOU LIKE FOR LUNCH? 613 00:21:47,640 --> 00:21:50,009 DON'T YOU THINK WE SHOULD CALL THE POLICE? 614 00:21:50,042 --> 00:21:51,077 AND TELL THEM WHAT? 615 00:21:51,110 --> 00:21:53,045 THAT WE KNEW HER. 616 00:21:53,079 --> 00:21:54,547 BUT WE DIDN'T, NOT REALLY. 617 00:21:54,581 --> 00:21:56,115 MOM, SHE WAS JUST HERE, IN THIS HOUSE! 618 00:21:56,148 --> 00:21:58,418 DON'T... DON'T GET YOURSELF UPSET. 619 00:21:58,451 --> 00:21:59,586 DON'T GET YOURSELF ALL WOUND UP-- 620 00:21:59,619 --> 00:22:01,921 NO, MOM, PLEASE, DON'T! STOP, PLEASE, THIS IS SERIOUS! 621 00:22:01,954 --> 00:22:04,056 HONEY, WE ARE GOING TO LET THE AUTHORITIES HANDLE THIS. 622 00:22:04,090 --> 00:22:05,425 NOW, WOULD YOU LIKE SOME SOUP? 623 00:22:07,927 --> 00:22:09,662 MOM... 624 00:22:09,696 --> 00:22:11,030 YOU WERE RIGHT ABOUT THE BULLETS. 625 00:22:12,399 --> 00:22:14,467 CAN YOU TELL ME 626 00:22:14,501 --> 00:22:15,368 HOW YOU KNEW ABOUT THAT? 627 00:22:15,402 --> 00:22:16,503 OWEN, I DON'T WANT TO TALK ABOUT THIS. 628 00:22:16,536 --> 00:22:17,970 DON'T YOU THINK THE POLICE ARE GOING TO WANT TO KNOW? 629 00:22:18,004 --> 00:22:19,138 NO, I DON'T. 630 00:22:19,171 --> 00:22:20,973 MOM, PLEASE, CAN YOU LISTEN? 631 00:22:21,007 --> 00:22:23,543 NO! THIS DOES NOT INVOLVE US. 632 00:22:24,977 --> 00:22:26,112 OH. HELLO AGAIN. 633 00:22:26,145 --> 00:22:26,979 I AM SO SORRY TO BOTHER YOU, 634 00:22:27,013 --> 00:22:29,649 BUT I WENT BY THE GALLERY, 635 00:22:29,682 --> 00:22:31,551 AND THEY SAID THAT YOU HAD LEFT FOR THE DAY. 636 00:22:31,584 --> 00:22:34,053 I DON'T USUALLY DO THINGS LIKE THIS, 637 00:22:34,086 --> 00:22:35,522 BUT WHEN OWEN GAVE ME THIS BROCHURE... 638 00:22:35,555 --> 00:22:40,026 "THE BISSON GALLERY IS PROUD TO PRESENT 639 00:22:40,059 --> 00:22:42,662 A SELECTION OF EXCITING LOCAL ARTISTS 640 00:22:42,695 --> 00:22:44,897 AT THEIR PREMIERE NEW LOCAL ARTIST SHOWCASE." 641 00:22:44,931 --> 00:22:46,566 MRS. RIEDER, I-- 642 00:22:46,599 --> 00:22:47,967 AND I KNEW THAT YOU WERE INTERESTED IN MY PAINTINGS, 643 00:22:48,000 --> 00:22:51,003 SO I BROUGHT YOU MY LATEST WORK. 644 00:22:51,037 --> 00:22:52,839 I JUST FINISHED THIS ONE... 645 00:22:52,872 --> 00:22:54,607 TODAY. 646 00:22:56,543 --> 00:22:58,911 I CALL IT "MATHIAS ON THE HIGH SEAS." 647 00:22:58,945 --> 00:23:01,548 MRS. RIEDER, UH... 648 00:23:01,581 --> 00:23:05,485 I DON'T KNOW HOW TO TELL YOU THIS, BUT, UH... 649 00:23:05,518 --> 00:23:07,053 MY GALLERY WOULD NOT BE INTERESTED IN YOUR WORK. 650 00:23:07,086 --> 00:23:09,589 I DON'T UNDERSTAND. 651 00:23:09,622 --> 00:23:11,090 I'M SORRY. 652 00:23:11,123 --> 00:23:13,760 BUT YOU BOUGHT ONE OF MY PAINTINGS. 653 00:23:13,793 --> 00:23:15,628 THAT WAS FOR ME. 654 00:23:15,662 --> 00:23:20,433 I'M AFRAID IT'S NOT SOMETHING THE GALLERY COULD EVER SELL. 655 00:23:21,568 --> 00:23:24,136 OH. I SEE. 656 00:23:24,170 --> 00:23:26,205 SO THE ART GALLERY OWNER'S ALIBI CHECKS OUT? 657 00:23:26,238 --> 00:23:27,540 HE WAS WITH HIS PARTNER 658 00:23:27,574 --> 00:23:29,509 AT AN EARLY MORNING BIKRAM YOGA CLASS. 659 00:23:29,542 --> 00:23:30,510 THERE'S JUST WAY TOO MUCH EXERCISING 660 00:23:30,543 --> 00:23:31,478 GOING ON IN THIS TOWN. 661 00:23:31,511 --> 00:23:34,080 SO FAR OUR BEST LEAD WAS THE MYSTERIOUS GUY 662 00:23:34,113 --> 00:23:35,114 WHO WAS ASKING ABOUT THE VICTIM 663 00:23:35,147 --> 00:23:36,449 THE DAY BEFORE SHE DIED. 664 00:23:36,483 --> 00:23:37,984 NO NAME, JUST A VAGUE DESCRIPTION. 665 00:23:38,017 --> 00:23:39,519 [COMPUTER CHIRPS] 666 00:23:39,552 --> 00:23:41,721 HELLO... 667 00:23:41,754 --> 00:23:43,456 WHAT, DID YOU GET A HIT ON THE MURDER WEAPON? 668 00:23:43,490 --> 00:23:45,124 YEAH, AN ANTIQUE WEBLEY REVOLVER 669 00:23:45,157 --> 00:23:46,726 WAS REPORTED MISSING THIS MORNING. 670 00:23:46,759 --> 00:23:49,529 LICENSED TO ONE OWEN RIEDER. 671 00:23:49,562 --> 00:23:51,964 A DEALER-COLLECTOR OF MILITARY MEMORABILIA. 672 00:23:51,998 --> 00:23:53,566 HEY, WHAT WAS THE DESCRIPTION OF THE GUY FROM THE GALLERY? 673 00:23:55,001 --> 00:23:57,470 AVERAGE HEIGHT. 674 00:23:57,504 --> 00:23:58,605 SANDY BROWN HAIR. 675 00:23:58,638 --> 00:24:01,207 AND EYES WERE DESCRIBED AS... CREMA. 676 00:24:01,240 --> 00:24:02,942 SAY WHAT? 677 00:24:02,975 --> 00:24:04,176 -LIGHT BROWN. -OH. 678 00:24:04,210 --> 00:24:05,778 ALSO, HE'S A BIT OVERWEIGHT, 679 00:24:05,812 --> 00:24:08,147 AND HE WEARS COLOURS THAT CLASH. 680 00:24:08,180 --> 00:24:09,616 THAT'S A CRIME IN AND OF ITSELF. 681 00:24:09,649 --> 00:24:10,617 WHAT DO YOU THINK? 682 00:24:10,650 --> 00:24:12,118 THE BUILD, THE HAIR, THE EYES... 683 00:24:12,151 --> 00:24:14,587 OH, YEAH, THOSE ARE DEFINITELY CREMA. 684 00:24:14,621 --> 00:24:16,956 I WONDER IF THIS IS JULIA CONRAD'S MYSTERY MAN. 685 00:24:21,861 --> 00:24:23,029 [DOOR OPENS] 686 00:24:23,062 --> 00:24:25,197 MOM! 687 00:24:25,231 --> 00:24:27,767 JUST MADE ANOTHER EBAY SALE. 688 00:24:27,800 --> 00:24:29,101 ONLY 50 BUCKS, 689 00:24:29,135 --> 00:24:31,604 BUT EVERY LITTLE BIT COUNTS, HUH? 690 00:24:31,638 --> 00:24:34,240 YOU, UH, HAVE ANY LUCK WITH YOUR CALLS TODAY, MA? 691 00:24:34,273 --> 00:24:36,609 MOM? 692 00:24:36,643 --> 00:24:38,611 WHAT? 693 00:24:38,645 --> 00:24:39,478 YOUR CALLS? 694 00:24:39,512 --> 00:24:41,581 [VOICE BREAKING] I HAVEN'T MADE THEM YET. 695 00:24:41,614 --> 00:24:42,649 WELL, I'M DONE MY INVENTORY. 696 00:24:42,682 --> 00:24:43,650 YOU WANT SOME HELP? 697 00:24:43,683 --> 00:24:45,051 NO, NOT TODAY. 698 00:24:45,084 --> 00:24:46,185 WHY? IS IT YOUR BACK? 699 00:24:46,218 --> 00:24:47,253 YOU WANT ME TO DRIVE YOU TO PHYSIO? 700 00:24:47,286 --> 00:24:49,021 NO, I'M FINE. 701 00:24:50,657 --> 00:24:53,159 MOM, UM... 702 00:24:53,192 --> 00:24:54,794 IS THERE ANYTHING YOU WANT TO TALK ABOUT? 703 00:24:54,827 --> 00:24:56,028 NO, OWEN! 704 00:24:56,062 --> 00:24:58,698 I DON'T WANT TO TALK! 705 00:24:58,731 --> 00:25:01,734 I JUST WANT SOME PEACE AND QUIET! 706 00:25:01,768 --> 00:25:02,769 I'M SORRY. 707 00:25:02,802 --> 00:25:04,971 I-I'M JUST TRYING TO HELP. 708 00:25:05,004 --> 00:25:06,505 YOU CAN'T! 709 00:25:07,640 --> 00:25:08,608 EXTRAORDINARY. 710 00:25:08,641 --> 00:25:10,543 UH, WOULD YOU JUST 711 00:25:10,577 --> 00:25:12,244 STAY HERE FOR A MOMENT? 712 00:25:12,278 --> 00:25:14,146 SPEND SOME TIME WITH THEM. I'LL BE BACK. 713 00:25:15,815 --> 00:25:17,850 I'M WITH A CLIENT. 714 00:25:17,884 --> 00:25:20,152 YOU KNOW, THIS IS MY WIFE, MARY'S, FAVOURITE COLOR. 715 00:25:20,186 --> 00:25:21,688 SHE HAS A BIRTHDAY COMING UP. 716 00:25:21,721 --> 00:25:24,090 WELL, IT'S $15,000. 717 00:25:24,123 --> 00:25:26,525 SHALL I WRAP IT UP FOR YOU? 718 00:25:30,162 --> 00:25:31,598 MAYBE I'LL JUST GET HER A SCARF. 719 00:25:31,631 --> 00:25:32,398 I'M EXTREMELY BUSY. 720 00:25:32,431 --> 00:25:34,300 MAYBE WE CAN DO THIS SOME OTHER TIME? 721 00:25:34,333 --> 00:25:35,868 THIS WON'T TAKE A MOMENT OF YOUR TIME, SIR. 722 00:25:35,902 --> 00:25:38,204 I JUST WANTED TO SHOW YOU THIS. 723 00:25:38,237 --> 00:25:39,171 IS THIS THE MAN WHO WAS ASKING FOR JULIA CONRAD 724 00:25:39,205 --> 00:25:40,206 THE OTHER DAY? 725 00:25:40,239 --> 00:25:42,575 AH... YES. 726 00:25:42,609 --> 00:25:43,542 YOU'RE SURE? 727 00:25:44,811 --> 00:25:46,112 ABSOLUTELY. 728 00:25:46,145 --> 00:25:47,546 THANK YOU. 729 00:25:51,317 --> 00:25:54,754 [KNOCKING] 730 00:26:01,761 --> 00:26:03,129 HI. I'M DETECTIVE VEGA. 731 00:26:03,162 --> 00:26:04,864 THIS IS MY PARTNER, DETECTIVE FLYNN. 732 00:26:04,897 --> 00:26:06,365 IS THIS ABOUT MY GUN? 733 00:26:06,398 --> 00:26:07,767 YEAH, SOMETHING LIKE THAT. CAN WE COME IN? 734 00:26:07,800 --> 00:26:09,602 UH, I GUESS. 735 00:26:09,636 --> 00:26:10,603 THANKS. 736 00:26:17,977 --> 00:26:18,878 WE ALSO WANTED TO ASK TO YOU 737 00:26:18,911 --> 00:26:20,379 ABOUT YOUR RELATIONSHIP 738 00:26:20,412 --> 00:26:22,749 WITH MS. CONRAD. 739 00:26:22,782 --> 00:26:24,183 JULIA? 740 00:26:24,216 --> 00:26:26,719 DID YOU KNOW HER WELL? 741 00:26:26,753 --> 00:26:27,920 NO. 742 00:26:27,954 --> 00:26:31,290 I MEAN, UM, UH, WE JUST MET. 743 00:26:31,323 --> 00:26:32,625 I LIKED HER, 744 00:26:32,659 --> 00:26:34,727 SURE, BUT... 745 00:26:34,761 --> 00:26:37,363 I DON'T THINK SHE WAS INTERESTED. 746 00:26:37,396 --> 00:26:39,165 I SUPPOSE YOU HEARD WHAT HAPPENED? 747 00:26:40,667 --> 00:26:42,835 I COULDN'T BELIEVE IT WHEN I HEARD THE NEWS TODAY. 748 00:26:42,869 --> 00:26:44,704 YEAH, WELL, SHE WAS KILLED WITH A CORDITE BULLET 749 00:26:44,737 --> 00:26:46,272 THAT WAS FIRED FROM A WEBLEY REVOLVER. 750 00:26:46,305 --> 00:26:47,674 IT WAS THE SAME KIND OF GUN 751 00:26:47,707 --> 00:26:49,108 THAT YOU REPORTED STOLEN. 752 00:26:49,141 --> 00:26:49,976 THAT'S A HECK OF A COINCIDENCE, 753 00:26:50,009 --> 00:26:51,043 DON'T YOU THINK? 754 00:26:51,077 --> 00:26:51,878 AND ACCORDING TO YOUR REPORT, 755 00:26:51,911 --> 00:26:52,945 THERE WAS NO FORCED ENTRY, 756 00:26:52,979 --> 00:26:56,348 SO NOTHING ELSE OF VALUE WAS STOLEN. 757 00:26:56,382 --> 00:26:57,316 CAN YOU SEE HOW THIS IS STARTING TO LOOK? 758 00:26:59,185 --> 00:27:00,853 MY FRIEND? HELLO? HI. 759 00:27:00,887 --> 00:27:02,354 YOU LOOK A LITTLE PALE. ARE YOU OKAY? 760 00:27:02,388 --> 00:27:04,256 NO? 761 00:27:04,290 --> 00:27:05,725 IS THERE SOMETHING YOU WANT TO TELL US? 762 00:27:05,758 --> 00:27:07,259 DO YOU KNOW WHO KILLED JULIA CONRAD? 763 00:27:10,396 --> 00:27:13,265 YEAH. 764 00:27:13,299 --> 00:27:14,300 I DID. 765 00:27:18,137 --> 00:27:20,439 SO, OWEN, YOU'RE A 28-YEAR-OLD MAN 766 00:27:20,472 --> 00:27:23,042 WHO LIVES WITH HIS MOTHER. 767 00:27:23,075 --> 00:27:25,344 I MOVED BACK IN WHEN SHE HURT HER BACK. 768 00:27:25,377 --> 00:27:26,445 THAT'S VERY SWEET OF YOU. 769 00:27:26,478 --> 00:27:28,247 WHEN DID YOU MEET JULIA CONRAD? 770 00:27:28,280 --> 00:27:29,682 WHEN SHE CAME BY OUR HOUSE 771 00:27:29,716 --> 00:27:31,283 TO BUY ONE OF MY MOM'S PAINTINGS. 772 00:27:31,317 --> 00:27:34,220 AND YOU SAY IT WAS LOVE AT FIRST SIGHT? 773 00:27:34,253 --> 00:27:35,254 YES. 774 00:27:36,956 --> 00:27:39,291 UNTIL SHE REJECTED ME, 775 00:27:39,325 --> 00:27:40,426 WHICH MADE ME VERY ANGRY. 776 00:27:40,459 --> 00:27:41,928 SO YOU SHOT HER. 777 00:27:41,961 --> 00:27:44,997 WITH MY WEBLEY MK IV 778 00:27:45,031 --> 00:27:47,433 SELF-EXTRACTING SERVICE REVOLVER. 779 00:27:47,466 --> 00:27:48,367 VERY BOLD CHOICE. 780 00:27:48,400 --> 00:27:50,136 YOU KNOW, THERE ARE OTHER, 781 00:27:50,169 --> 00:27:53,372 MORE DEPENDABLE WEAPONS YOU COULD HAVE USED. 782 00:27:57,309 --> 00:27:59,912 WHAT IF THE WEBLEY HAD EXPLODED? 783 00:27:59,946 --> 00:28:03,382 THEN YOU MIGHT HAVE BEEN KILLED TOO. 784 00:28:03,415 --> 00:28:04,717 IT WOULDN'T HAVE MATTERED. 785 00:28:04,751 --> 00:28:06,352 WHY NOT? 786 00:28:06,385 --> 00:28:07,453 BECAUSE I'M DEPRESSED. 787 00:28:07,486 --> 00:28:08,888 I THOUGHT YOU WERE ANGRY. 788 00:28:08,921 --> 00:28:10,923 I'M ANGRY AND I'M DEPRESSED. 789 00:28:10,957 --> 00:28:13,826 WHERE DID YOU SHOOT HER? 790 00:28:13,860 --> 00:28:16,228 IN THE PARK. 791 00:28:16,262 --> 00:28:17,797 WHERE ON HER BODY? 792 00:28:19,832 --> 00:28:20,632 IN THE FRONT. 793 00:28:20,666 --> 00:28:22,802 WHAT IF THE RAIN HAD RUINED THE CHARGE 794 00:28:22,835 --> 00:28:25,404 ON THE OLD CORDITE BULLET? 795 00:28:25,437 --> 00:28:27,306 I HAD THE GUN HIDDEN UNDER MY COAT. 796 00:28:27,339 --> 00:28:29,809 AH, THAT'S VERY SMART. 797 00:28:29,842 --> 00:28:30,609 VERY SMART. 798 00:28:30,642 --> 00:28:31,811 DID YOU TAKE ANYTHING OFF THE BODY? 799 00:28:33,846 --> 00:28:35,915 HER WALLET. 800 00:28:35,948 --> 00:28:37,850 AND HER KEYS. 801 00:28:37,884 --> 00:28:39,485 WHERE WERE THEY? 802 00:28:39,518 --> 00:28:40,820 IN HER POCKET. 803 00:28:40,853 --> 00:28:44,290 WHY DID YOU TAKE HER KEYS? 804 00:28:44,323 --> 00:28:45,424 I JUST WANTED TO SEE WHERE SHE LIVED. 805 00:28:45,457 --> 00:28:50,396 WHY? 806 00:28:50,429 --> 00:28:51,831 I WAS JUST CURIOUS. 807 00:28:51,864 --> 00:28:53,866 THAT IS CURIOUS. 808 00:28:53,900 --> 00:28:55,234 THAT'S VERY CURIOUS INDEED. 809 00:28:56,535 --> 00:28:59,839 OWEN, SWEETPEA, MOMMY'S HOME! 810 00:28:59,872 --> 00:29:01,841 I GOT YOUR FAVOURITE! 811 00:29:01,874 --> 00:29:03,843 OWEN? 812 00:29:03,876 --> 00:29:04,510 [KNOCK ON DOOR] 813 00:29:11,283 --> 00:29:12,551 MARION RIEDER? 814 00:29:12,584 --> 00:29:13,853 WE HAVE A WARRANT TO SEARCH THE PREMISES. 815 00:29:18,590 --> 00:29:19,826 A CONFESSION IS A CONFESSION. 816 00:29:19,859 --> 00:29:21,027 WHETHER YOU BELIEVE IT OR NOT 817 00:29:21,060 --> 00:29:22,328 DOESN'T CHANGE IT IN THE EYES OF THE LAW. 818 00:29:22,361 --> 00:29:24,063 HE GOT SEVERAL OF THE DETAILS WRONG. 819 00:29:24,096 --> 00:29:25,397 HER RUNNING JACKET DID NOT HAVE A POCKET. 820 00:29:25,431 --> 00:29:26,999 THE KEYS WERE CLIPPED ON THE INSIDE. 821 00:29:27,033 --> 00:29:28,267 WE ASSUME SHE WASN'T CARRYING HER WALLET. 822 00:29:28,300 --> 00:29:29,201 HE DOESN'T HAVE ANY PRIORS. 823 00:29:29,235 --> 00:29:30,069 PLUS, IF HE WAS THE KIND OF GUY 824 00:29:30,102 --> 00:29:31,570 TO SHOOT EVERY WOMAN WHO TURNED HIM DOWN, 825 00:29:31,603 --> 00:29:33,405 THERE WOULD BE A STRING OF BODIES A MILE LONG 826 00:29:33,439 --> 00:29:34,974 FOLLOWING HIM, YOU GOT TO TRUST ME. 827 00:29:35,007 --> 00:29:35,908 TAKE A BREATH. 828 00:29:35,942 --> 00:29:38,044 [BREATHES] 829 00:29:38,077 --> 00:29:39,478 ALL RIGHT, YOU HAVE TO ADMIT 830 00:29:39,511 --> 00:29:40,880 THAT THERE'S A HIGH PROBABILITY 831 00:29:40,913 --> 00:29:42,448 THAT HE OWNS THE ACTUAL MURDER WEAPON. 832 00:29:42,481 --> 00:29:43,182 WHICH HE REPORTED STOLEN. 833 00:29:43,215 --> 00:29:44,884 OLDEST FAKE-OUT IN THE BOOK. 834 00:29:44,917 --> 00:29:46,018 IF HE WAS TRYING TO FAKE US OUT, 835 00:29:46,052 --> 00:29:47,954 WHY WOULD HE WAIT TILL AFTER THE MURDER TO REPORT THAT? 836 00:29:47,987 --> 00:29:50,222 DOESN'T THAT MAKE MORE SENSE TO SET THAT UP DAYS IN ADVANCE? 837 00:29:50,256 --> 00:29:52,024 STUPID PEOPLE COMMIT MURDER TOO. 838 00:29:52,058 --> 00:29:54,060 LOOK, FLYNN, I'M ON YOUR SIDE. 839 00:29:54,093 --> 00:29:56,195 BUT IT'S MY JOB TO PLAY DEVIL'S ADVOCATE. 840 00:29:56,228 --> 00:29:57,096 YOU THINK THE PROSECUTION'S 841 00:29:57,129 --> 00:29:57,930 GOING TO GO ANY EASIER ON THIS EVIDENCE? 842 00:29:57,964 --> 00:30:00,166 I JUST NEED A LITTLE BIT OF SLACK. 843 00:30:00,199 --> 00:30:01,533 BUT HE'S ALREADY IN THE SYSTEM. 844 00:30:06,238 --> 00:30:08,107 BUT I MIGHT BE ABLE TO KEEP HIM OUT OF THE ARRAIGNMENT FOR... 845 00:30:08,140 --> 00:30:09,075 12 HOURS? 846 00:30:09,108 --> 00:30:10,009 I'M GONNA TAKE IT! 847 00:30:10,042 --> 00:30:11,410 TAKE IT! 848 00:30:15,114 --> 00:30:17,216 HEY, LISTEN, OWEN, 849 00:30:17,249 --> 00:30:18,450 I'M TRYING TO HELP YOU HERE. 850 00:30:18,484 --> 00:30:21,888 IF YOU DIDN'T KILL JULIA CONRAD, NOW IS THE TIME TO TELL ME. 851 00:30:21,921 --> 00:30:23,089 [VOICE SHAKING] 852 00:30:23,122 --> 00:30:26,625 I KILLED JULIA CONRAD. 853 00:30:26,658 --> 00:30:28,560 [SCOFFS IN EXASPERATION] 854 00:30:31,964 --> 00:30:34,100 THAT GUY REALLY WANTS TO GO TO JAIL. 855 00:30:34,133 --> 00:30:35,134 YEAH. 856 00:30:35,167 --> 00:30:37,636 OR HE'S PROTECTING SOMEONE. 857 00:30:37,669 --> 00:30:40,272 [SIRENS WAIL] 858 00:30:40,306 --> 00:30:42,541 [CRYING] CAN YOU UNDERSTAND ME? 859 00:30:42,574 --> 00:30:44,543 MY SON DID NOT KILL THAT GIRL! 860 00:30:44,576 --> 00:30:46,946 I DEMAND TO SEE MY SON! 861 00:30:46,979 --> 00:30:49,315 I-I DEMAND TO GO IN AND SEE HIM! HE'S INNOCENT! 862 00:30:49,348 --> 00:30:50,149 MA'AM... 863 00:30:50,182 --> 00:30:51,450 EXCUSE ME, 864 00:30:51,483 --> 00:30:52,551 I'M GOING TO HAVE TO ASK YOU TO CALM DOWN. 865 00:30:52,584 --> 00:30:53,619 THIS IS A MISTAKE. 866 00:30:53,652 --> 00:30:54,453 OKAY, LET'S SEE IF WE CAN GET TO THE BOTTOM OF THIS. 867 00:30:54,486 --> 00:30:56,188 I'M DETECTIVE FLYNN, AND YOU ARE-- 868 00:30:56,222 --> 00:30:58,657 I'M OWEN'S MOTHER. 869 00:30:58,690 --> 00:31:00,526 AND YOU'VE MADE A TERRIBLE MISTAKE. 870 00:31:00,559 --> 00:31:01,961 MY SON IS INNOCENT. 871 00:31:01,994 --> 00:31:02,995 WHY DON'T YOU COME WITH ME? 872 00:31:03,029 --> 00:31:04,230 HAVE YOU GOT HIM UP HERE? I JUST WANT TO SEE HIM. 873 00:31:04,263 --> 00:31:05,531 WE'RE GOING TO SORT THIS OUT. 874 00:31:05,564 --> 00:31:07,900 HE'S A GOOD BOY. 875 00:31:07,934 --> 00:31:08,534 I'M SURE HE IS. 876 00:31:08,567 --> 00:31:09,368 AND A GOOD SON. 877 00:31:09,401 --> 00:31:11,137 HE MOVED HOME TO TAKE CARE OF ME. 878 00:31:11,170 --> 00:31:11,803 OH, YOU'RE VERY LUCKY. 879 00:31:11,837 --> 00:31:13,139 IT SOUNDS LIKE YOU'RE CLOSE. 880 00:31:13,172 --> 00:31:17,176 I KNOW MY SON. HE COULDN'T HURT ANYONE. 881 00:31:17,209 --> 00:31:18,577 JULIA CONRAD WAS KILLED WITH A GUN 882 00:31:18,610 --> 00:31:19,645 THAT MATCHES THE DESCRIPTION 883 00:31:19,678 --> 00:31:21,280 OF THE ONE THAT OWEN'S MISSING. 884 00:31:21,313 --> 00:31:23,482 I DON'T CARE. HE DID NOT KILL THAT GIRL. 885 00:31:23,515 --> 00:31:25,952 THEN WHY DID HE CONFESS TO MURDER? 886 00:31:28,087 --> 00:31:29,121 HE CONFESSED? 887 00:31:29,155 --> 00:31:31,623 YES, MA'AM, HE DID. 888 00:31:31,657 --> 00:31:32,624 OH, LORD... 889 00:31:32,658 --> 00:31:35,061 OH, MY LORD. 890 00:31:35,094 --> 00:31:37,163 NO. 891 00:31:37,196 --> 00:31:38,664 HE COULDN'T HAVE KILLED HER. 892 00:31:38,697 --> 00:31:40,933 HE WAS WITH ME. WE WERE SHOPPING. 893 00:31:40,967 --> 00:31:42,501 WE WERE TOGETHER WHEN IT HAPPENED. 894 00:31:42,534 --> 00:31:43,535 BUT I HAVEN'T TOLD YOU WHEN THE MURDER OCCURRED. 895 00:31:45,704 --> 00:31:46,605 WE WERE SHOPPING ALL MORNING. 896 00:31:48,440 --> 00:31:50,176 WELL, ACCORDING TO THE INCIDENT REPORT, 897 00:31:50,209 --> 00:31:51,643 OWEN WAS AT THE FLEA MARKET 898 00:31:51,677 --> 00:31:52,945 WHEN YOU WERE AT THE GROCERY STORE. 899 00:31:55,181 --> 00:31:56,949 HE MADE A MISTAKE. 900 00:31:56,983 --> 00:31:58,150 HE WAS WITH ME. 901 00:31:58,184 --> 00:32:00,519 WE WERE TOGETHER. 902 00:32:01,687 --> 00:32:03,655 OKAY. OKAY... 903 00:32:07,226 --> 00:32:09,095 YOU WERE AT THE COFFEE SHOP THIS MORNING, WEREN'T YOU? 904 00:32:09,128 --> 00:32:10,629 THE ONE WITH THE CAT PAINTINGS. 905 00:32:10,662 --> 00:32:11,597 YOU'VE GOT QUITE A TALENT. 906 00:32:11,630 --> 00:32:12,598 OWEN TOLD ME 907 00:32:12,631 --> 00:32:14,166 THAT JULIA CONRAD BOUGHT ONE OF YOUR PAINTINGS. 908 00:32:14,200 --> 00:32:16,468 IT'S A SHAME 909 00:32:16,502 --> 00:32:17,636 SHE DIDN'T REALLY GET A CHANCE TO ENJOY IT, 910 00:32:17,669 --> 00:32:19,605 DID SHE? 911 00:32:22,274 --> 00:32:24,610 I WANT MY BOY BACK. 912 00:32:24,643 --> 00:32:26,178 [KNOCK ON DOOR] 913 00:32:27,079 --> 00:32:27,746 YOU GOT A MINUTE? 914 00:32:27,779 --> 00:32:29,548 EXCUSE ME. 915 00:32:34,220 --> 00:32:36,188 WHAT DO YOU GOT? 916 00:32:36,222 --> 00:32:38,324 FORENSICS CAME BACK ON HIS PARAFFIN TEST. 917 00:32:38,357 --> 00:32:39,691 LET ME GUESS. HE'S CLEAN. 918 00:32:39,725 --> 00:32:40,592 THERE'S NOTHING ON HIS HANDS, 919 00:32:40,626 --> 00:32:42,161 BUT I GUESS HE COULD HAVE WORN GLOVES. 920 00:32:42,194 --> 00:32:43,195 HIS CLOTHES ARE CLEAN, TOO. 921 00:32:43,229 --> 00:32:45,031 NO TRACES OF CORDITE. 922 00:32:45,064 --> 00:32:45,831 HE STILL STICKING TO HIS CONFESSION? 923 00:32:45,864 --> 00:32:47,366 -LIKE GLUE. -THE LITTLE BUGGER. 924 00:32:48,400 --> 00:32:49,201 OKAY. 925 00:32:55,774 --> 00:32:56,742 OKAY. 926 00:32:56,775 --> 00:32:57,543 CAN I SEE HIM? 927 00:32:57,576 --> 00:32:59,445 NOT UNTIL HE'S FINISHED PROCESSING, 928 00:32:59,478 --> 00:33:01,013 SO WHY DON'T YOU GO HOME AND TRY TO RELAX? 929 00:33:01,047 --> 00:33:02,081 WE'LL CALL YOU 930 00:33:02,114 --> 00:33:03,982 WHEN YOU CAN COME AND VISIT, OKAY? 931 00:33:07,519 --> 00:33:10,289 I CAN'T JUST LEAVE HIM HERE ALONE. 932 00:33:10,322 --> 00:33:12,024 IF I COULD TALK TO HIM... 933 00:33:12,058 --> 00:33:13,192 IS THERE ANYTHING YOU CAN TELL ME 934 00:33:13,225 --> 00:33:13,759 THAT MIGHT HELP HIM? 935 00:33:16,162 --> 00:33:17,063 HE'S INNOCENT. 936 00:33:34,446 --> 00:33:36,082 HOW'S MAMA BEAR? 937 00:33:36,115 --> 00:33:37,216 SHE'S CONVINCED HE'S INNOCENT. 938 00:33:37,249 --> 00:33:38,417 OF COURSE SHE IS. 939 00:33:38,450 --> 00:33:40,119 ALL PARENTS WANT TO PROTECT THEIR KIDS. 940 00:33:40,152 --> 00:33:41,753 YEAH, WE DO, DON'T WE? 941 00:33:41,787 --> 00:33:45,257 BUT SOMETIMES KIDS WANT TO PROTECT THEIR PARENTS. 942 00:33:45,291 --> 00:33:46,492 I SEE WHERE YOU'RE HEADED, 943 00:33:46,525 --> 00:33:48,427 BUT WHAT'S THE LINK BETWEEN HER AND OUR VIC? 944 00:33:48,460 --> 00:33:49,795 I'M NOT SURE. 945 00:33:49,828 --> 00:33:51,130 BUT I THINK WE'RE GOING TO FIND IT 946 00:33:51,163 --> 00:33:53,099 AT JULIA CONRAD'S HOUSE. 947 00:33:53,132 --> 00:33:54,500 YOU COMING? 948 00:33:57,469 --> 00:33:59,238 NO CAT PAINTING UPSTAIRS. 949 00:33:59,271 --> 00:34:01,207 YEAH, WE'RE GOOD THERE, TOO. 950 00:34:01,240 --> 00:34:02,308 IT DOESN'T EVEN SEEM LIKE 951 00:34:02,341 --> 00:34:03,409 THE KIND OF THING SHE'D BUY. 952 00:34:03,442 --> 00:34:06,278 JULIA WAS VERY SERIOUS ABOUT ART. 953 00:34:06,312 --> 00:34:08,380 DID SHE PAINT TOO? 954 00:34:08,414 --> 00:34:10,249 NO, JULIA DIDN'T PAINT. 955 00:34:10,282 --> 00:34:11,417 SHE USED TO SAY 956 00:34:11,450 --> 00:34:13,219 SHE HAD TASTE, BUT NO TALENT. 957 00:34:13,252 --> 00:34:15,487 THEN WHY THIS SETUP? 958 00:34:15,521 --> 00:34:17,156 HER GALLERY JOB PAID SO LITTLE, 959 00:34:17,189 --> 00:34:19,458 SHE DID SOME MOONLIGHTING. 960 00:34:19,491 --> 00:34:21,693 CLEANING, RESTORATION, THAT SORT OF THING. 961 00:34:21,727 --> 00:34:23,462 I'M GUESSING THAT KIND OF WORK TAKES PRECISION. 962 00:34:23,495 --> 00:34:25,331 IT'S VERY DELICATE? 963 00:34:25,364 --> 00:34:26,332 GREAT ATTENTION TO DETAIL? 964 00:34:26,365 --> 00:34:27,399 WHAT ARE YOU THINKING? 965 00:34:27,433 --> 00:34:30,336 WELL, I'M JUST NOTICING 966 00:34:30,369 --> 00:34:31,403 THE CAP'S OFF THIS JAR. 967 00:34:31,437 --> 00:34:33,505 IT'S CLEANING SOLVENT. 968 00:34:36,908 --> 00:34:39,245 AND THIS BRUSH... 969 00:34:39,278 --> 00:34:40,679 IT WASN'T CLEANED. IT'S PROBABLY RUINED NOW. 970 00:34:41,913 --> 00:34:42,914 THOSE DON'T LOOK LIKE THE HABITS 971 00:34:42,948 --> 00:34:44,850 OF SOMEONE WHO TAKES GREAT CARE IN THEIR WORK. 972 00:34:44,883 --> 00:34:46,185 IT'S ALMOST LIKE 973 00:34:46,218 --> 00:34:47,286 SHE WAS IN THE MIDDLE OF SOMETHING 974 00:34:47,319 --> 00:34:48,554 AND WENT FOR A JOG AND DIDN'T RETURN. 975 00:34:48,587 --> 00:34:50,222 NO, I DON'T THINK SO. THERE'S NO PAINTING. 976 00:34:51,290 --> 00:34:52,291 OH YES, THERE IS. 977 00:34:54,160 --> 00:34:56,195 AND I'LL BET I KNOW WHERE WE CAN FIND IT. 978 00:35:13,379 --> 00:35:14,413 [KNOCK ON DOOR] 979 00:35:27,459 --> 00:35:29,661 OH! OWEN! 980 00:35:29,695 --> 00:35:30,896 MRS. RIEDER, 981 00:35:30,929 --> 00:35:31,830 DUE TO A LACK OF FORENSIC EVIDENCE, 982 00:35:31,863 --> 00:35:32,631 WE'RE RELEASING YOUR SON. 983 00:35:32,664 --> 00:35:34,766 THANK YOU! 984 00:35:34,800 --> 00:35:35,867 OH, MY BABY... 985 00:35:35,901 --> 00:35:36,868 IT'S OKAY, MOM, DON'T CRY. 986 00:35:36,902 --> 00:35:38,304 MAY WE COME IN? 987 00:35:38,337 --> 00:35:39,238 NO, I REALLY DON'T THINK THAT'S A GOOD IDEA-- 988 00:35:39,271 --> 00:35:40,506 THANKS VERY MUCH. 989 00:35:40,539 --> 00:35:41,840 SURE, BUT WE JUST HAVE A FEW MORE THINGS 990 00:35:41,873 --> 00:35:43,275 WE NEED TO CLEAR UP. 991 00:35:43,309 --> 00:35:45,177 M-MAYBE WE CAN JUST TALK LATER. 992 00:35:45,211 --> 00:35:46,212 YES, LATER IS BETTER. 993 00:35:46,245 --> 00:35:47,213 JUST A MINUTE. JUST A MINUTE. 994 00:35:47,246 --> 00:35:49,348 MRS. RIEDER, IS THIS A COPY 995 00:35:49,381 --> 00:35:50,582 OF THE CHEQUE THAT JULIA GAVE YOU? 996 00:35:50,616 --> 00:35:51,883 YES. 997 00:35:51,917 --> 00:35:54,420 RIGHT. SO RIGHT HERE, UNDERNEATH HER NAME, 998 00:35:54,453 --> 00:35:56,788 THE ADDRESS WHICH OWEN GOOGLED. 999 00:35:56,822 --> 00:35:59,191 RIGHT? TO FIND OUT WHERE SHE WORKED? 1000 00:35:59,225 --> 00:36:00,226 AND HOW YOU KNEW WHERE SHE LIVED. 1001 00:36:01,427 --> 00:36:02,561 I MAY HAVE NOTICED IT. 1002 00:36:02,594 --> 00:36:03,795 TODAY'S SOCIAL MEDIA, 1003 00:36:03,829 --> 00:36:06,232 YOU CAN PRACTICALLY FIND OUT ANYTHING ABOUT ANYBODY NOWADAYS. 1004 00:36:06,265 --> 00:36:07,533 YOU KNOW, 1005 00:36:07,566 --> 00:36:09,268 THEIR FAVORITE MOVIE, THE LAST BOOK THEY READ... 1006 00:36:09,301 --> 00:36:10,502 WHERE THEY LIKE TO GO JOGGING. 1007 00:36:10,536 --> 00:36:12,204 IT CERTAINLY IS A DIFFERENT WORLD 1008 00:36:12,238 --> 00:36:13,839 THAN WHEN I WAS YOUNG. 1009 00:36:13,872 --> 00:36:16,742 NOW, REALLY, I SHOULD BE GETTING OWEN'S SUPPER READY. 1010 00:36:16,775 --> 00:36:18,477 OH, OF COURSE, WE'RE TAKING UP YOUR TIME. 1011 00:36:18,510 --> 00:36:20,279 DID YOU HURT YOURSELF? 1012 00:36:20,312 --> 00:36:22,848 OH, IT'S NOTHING. IT'S JUST A SPIDER BITE. 1013 00:36:22,881 --> 00:36:23,749 OH, LET ME SEE THAT. 1014 00:36:23,782 --> 00:36:25,484 YOU DO NOT WANT THAT TO GET THAT INFECTED. 1015 00:36:25,517 --> 00:36:26,418 I HAD AN AUNT ONCE GOT BITTEN BY A SPIDER, 1016 00:36:26,452 --> 00:36:28,754 ON HER LEG, SWELLED UP LIKE A WATERMELON. 1017 00:36:28,787 --> 00:36:30,289 THAT'S GROSS. 1018 00:36:30,322 --> 00:36:30,856 BE REALLY CAREFUL. THAT COULD GET INFECTED. 1019 00:36:30,889 --> 00:36:32,291 BUT YOU'RE LUCKY, 1020 00:36:32,324 --> 00:36:33,825 BECAUSE THAT IS NOT A BITE. 1021 00:36:33,859 --> 00:36:34,660 THAT'S A BURN. 1022 00:36:34,693 --> 00:36:36,228 MM-HMM. 1023 00:36:36,262 --> 00:36:37,829 IF-IF YOU'LL... 1024 00:36:37,863 --> 00:36:39,231 IF YOU'LL EXCUSE ME, 1025 00:36:39,265 --> 00:36:41,300 I SEEM TO BE GETTING A TERRIBLE HEADACHE. 1026 00:36:41,333 --> 00:36:42,868 YEAH, SHE'S GOT A REALLY BAD BACK. 1027 00:36:42,901 --> 00:36:44,536 Y-YOU WANT TO TAKE A NAP, MOM? 1028 00:36:44,570 --> 00:36:45,471 I DO-- 1029 00:36:45,504 --> 00:36:46,938 HEY, IS THIS WHERE ALL THE MAGIC HAPPENS? 1030 00:36:46,972 --> 00:36:47,906 IF YOU'LL JUST EXC... 1031 00:36:54,980 --> 00:36:56,282 [VEGA]: MM-HMM. 1032 00:36:56,315 --> 00:36:57,949 YOU DO RESTORATION WORK TOO? 1033 00:36:57,983 --> 00:36:59,818 [OWEN]: YEAH, SHE DOES. 1034 00:36:59,851 --> 00:37:02,854 "PROPERTY OF BISSON ART GALLERY." 1035 00:37:02,888 --> 00:37:05,357 THAT'S THE ART GALLERY THAT JULIA CONRAD WORKED AT. 1036 00:37:05,391 --> 00:37:06,992 I WONDER WHAT I'LL FIND 1037 00:37:07,025 --> 00:37:08,427 IF I OPEN THIS BOOK TO THE MARKED PAGE. 1038 00:37:08,460 --> 00:37:09,861 WILL I FIND A MOTIVE FOR MURDER? 1039 00:37:09,895 --> 00:37:11,463 MOM, DON'T SAY ANYTHING. 1040 00:37:12,831 --> 00:37:13,865 JULIA CONRAD SAW YOUR WORK 1041 00:37:13,899 --> 00:37:17,269 AT THE COFFEE SHOP, DIDN'T SHE? 1042 00:37:17,303 --> 00:37:18,504 WE STILL ON FOR OUR RUN TOMORROW? 1043 00:37:18,537 --> 00:37:19,671 OH, YEAH, I NEED THE CARB BURN. 1044 00:37:23,742 --> 00:37:24,810 YOU KNOW, THESE MIGHT BE STARTING TO GROW ON ME. 1045 00:37:24,843 --> 00:37:26,878 TOLD YOU. 1046 00:37:38,056 --> 00:37:41,327 IS THE... ARTIST LOCAL? 1047 00:37:41,360 --> 00:37:43,028 YEAH. 1048 00:37:43,061 --> 00:37:44,330 YOU INTERESTED? 1049 00:37:44,363 --> 00:37:46,832 ANYTHING TO SUPPORT CREATIVITY. 1050 00:37:48,400 --> 00:37:50,736 DOES SHE LIVE CLOSE BY? 1051 00:37:50,769 --> 00:37:51,970 YEAH. 1052 00:37:52,003 --> 00:37:54,373 SO JULIA BROUGHT YOU THE CHECK IN PERSON. 1053 00:37:54,406 --> 00:37:56,375 SHE PROBABLY COULDN'T BELIEVE HER LUCK, 1054 00:37:56,408 --> 00:37:59,010 WANTED TO KNOW WHERE THE PAINTING CAME FROM. 1055 00:37:59,044 --> 00:38:00,045 I TOLD HER THAT I GOT IT-- 1056 00:38:00,078 --> 00:38:00,879 MOM! 1057 00:38:00,912 --> 00:38:02,047 DON'T! 1058 00:38:02,080 --> 00:38:03,949 IT'S TOO LATE, SWEETPEA. 1059 00:38:03,982 --> 00:38:06,318 THEY KNOW. 1060 00:38:06,352 --> 00:38:07,553 YOU KNOW. 1061 00:38:07,586 --> 00:38:09,287 WHEN DID YOU REALIZE WHAT SHE HAD? 1062 00:38:10,989 --> 00:38:12,491 I WENT TO HER APARTMENT. 1063 00:38:13,725 --> 00:38:20,399 I... I THOUGHT SHE WANTED MY PAINTING FOR A SHOWCASE. 1064 00:38:20,432 --> 00:38:22,334 BUT YOU BOUGHT ONE OF MY PAINTINGS. 1065 00:38:22,368 --> 00:38:23,268 YEAH, THAT WAS FOR ME, 1066 00:38:23,301 --> 00:38:26,338 BUT, UH... I'M AFRAID IT'S NOT SOMETHING 1067 00:38:26,372 --> 00:38:27,539 THE GALLERY COULD EVER SELL. 1068 00:38:29,140 --> 00:38:32,077 OH. I SEE. 1069 00:38:32,110 --> 00:38:33,845 YEAH. 1070 00:38:33,879 --> 00:38:35,514 I'M SO SORRY. 1071 00:38:40,151 --> 00:38:40,952 WHAT..? 1072 00:38:40,986 --> 00:38:43,589 NOW, UH, JUST A MINUTE... 1073 00:38:43,622 --> 00:38:44,456 WHAT ARE YOU DOING TO MY PAINTING? 1074 00:38:46,592 --> 00:38:48,026 I, UH-- OH, I-- I SPILLED SOMETHING ON IT 1075 00:38:48,059 --> 00:38:50,496 BY MISTAKE. I... 1076 00:38:50,529 --> 00:38:52,564 OKAY, I-I THINK YOU SHOULD LEAVE NOW. 1077 00:38:52,598 --> 00:38:55,401 AND CAN YOU PLEASE JUST TELL YOUR SON 1078 00:38:55,434 --> 00:38:57,403 TO STOP COMING TO THE GALLERY 1079 00:38:57,436 --> 00:38:58,136 AND TRYING TO FRIEND ME ONLINE? 1080 00:38:58,169 --> 00:38:59,871 I'M REALLY NOT INTERESTED. 1081 00:38:59,905 --> 00:39:01,707 "MISSING MASTERPIECE 1082 00:39:01,740 --> 00:39:04,075 LOST DURING THE EARLY OCCUPATION OF POLAND 1083 00:39:04,109 --> 00:39:06,044 IN 1939." 1084 00:39:06,077 --> 00:39:08,380 THAT'S WHY SHE REALLY WANTED YOUR PAINTING. 1085 00:39:08,414 --> 00:39:09,815 DO YOU KNOW HOW MUCH IT'S WORTH? 1086 00:39:16,655 --> 00:39:18,990 OVER A MILLION DOLLARS. 1087 00:39:19,024 --> 00:39:20,592 WHAT ARE YOU DOING? ARE YOU FOLLOWING ME? 1088 00:39:20,626 --> 00:39:21,493 I LOOKED IT UP. 1089 00:39:24,062 --> 00:39:24,863 IT'S NOT THE REAL PAINTING. 1090 00:39:24,896 --> 00:39:26,131 THEN GIVE IT BACK. 1091 00:39:26,164 --> 00:39:27,833 THAT PAINTING WAS MINE. 1092 00:39:27,866 --> 00:39:29,134 YOU SOLD IT. 1093 00:39:29,167 --> 00:39:31,102 I DESERVE AT LEAST HALF THAT MONEY! 1094 00:39:31,136 --> 00:39:32,103 THERE IS NO MONEY. 1095 00:39:32,137 --> 00:39:33,672 IT'S JUST A CHEAP COPY. 1096 00:39:33,705 --> 00:39:36,107 DO YOU KNOW WHAT I HAVE TO DO TO PAY THE BILLS? 1097 00:39:36,141 --> 00:39:38,677 EIGHT HOURS A DAY I'M ON THAT DAMN PHONE! 1098 00:39:38,710 --> 00:39:41,980 I GET HUNG UP ON, LIED TO, CURSED AT BY PERFECT STRANGERS! 1099 00:39:42,013 --> 00:39:44,049 I AM OLD, AND I'M TIRED, 1100 00:39:44,082 --> 00:39:47,453 AND MY BACK HURTS. 1101 00:39:47,486 --> 00:39:49,020 GET AWAY FROM ME. 1102 00:39:49,054 --> 00:39:50,489 I'LL GIVE YOU ONE LAST CHANCE. 1103 00:39:50,522 --> 00:39:51,423 THE ANSWER IS NO. 1104 00:39:52,190 --> 00:39:53,124 [SHOT BLASTS] 1105 00:40:06,872 --> 00:40:08,640 OH, DEAR. 1106 00:40:08,674 --> 00:40:10,141 YEAH, THAT IS NOT GOOD. 1107 00:40:10,175 --> 00:40:11,510 EXCUSE ME. 1108 00:40:11,543 --> 00:40:14,446 I TRIED TO CLEAN THE REST OF MATHIAS OFF, 1109 00:40:14,480 --> 00:40:15,747 BUT IT DIDN'T WORK. 1110 00:40:15,781 --> 00:40:16,582 MOM, MOM... 1111 00:40:16,615 --> 00:40:17,215 YOU RUINED IT. 1112 00:40:17,248 --> 00:40:19,518 I KNOW THAT! I'M SORRY. 1113 00:40:19,551 --> 00:40:21,487 I RUINED EVERYTHING. 1114 00:40:21,520 --> 00:40:22,988 JULIA TRICKED US, SWEETPEA. 1115 00:40:23,021 --> 00:40:24,456 SHE USED US BOTH. 1116 00:40:24,490 --> 00:40:25,457 YEAH, BUT, MOM, IT DIDN'T MATTER. 1117 00:40:25,491 --> 00:40:27,459 THIS IS REGULATION. I'M SORRY. 1118 00:40:27,493 --> 00:40:30,095 IT'S ALL RIGHT, DEAR. JUST A SECOND. 1119 00:40:30,128 --> 00:40:31,563 YOU DON'T HATE ME? 1120 00:40:33,632 --> 00:40:35,667 I DON'T THINK THAT I COULD TAKE IT IF YOU HATED ME. 1121 00:40:35,701 --> 00:40:37,803 HATE YOU? 1122 00:40:37,836 --> 00:40:39,437 I LOVE YOU. 1123 00:40:41,272 --> 00:40:43,108 YOU'RE A GOOD SON, OWEN. 1124 00:40:43,141 --> 00:40:45,010 WAIT, CAN I-CAN I GO WITH HER? 1125 00:40:45,043 --> 00:40:47,045 YEAH. 1126 00:40:47,078 --> 00:40:49,615 I'LL GET YOUR THINGS. 1127 00:41:00,692 --> 00:41:03,228 THAT WAS AN INTERESTING DAY. [OPENING DRAWER] 1128 00:41:03,261 --> 00:41:04,663 HEY, THAT CRACK THAT YOU MADE THIS MORNING 1129 00:41:04,696 --> 00:41:05,764 ABOUT MY BIRTHDAY PRESENT? 1130 00:41:05,797 --> 00:41:07,132 YEAH? 1131 00:41:07,165 --> 00:41:09,134 YOU WEREN'T REALLY GONNA... [OPENING BOTTLE] 1132 00:41:09,167 --> 00:41:13,071 BUY YOU A CAT PAINTING? 1133 00:41:13,104 --> 00:41:15,273 WHY, YOU PREFER DOGS PLAYING POKER? 1134 00:41:15,306 --> 00:41:17,108 THAT'S FUNNY. 1135 00:41:17,142 --> 00:41:19,578 HEY, YOU THINK MANNY WOULD GO THE MAT FOR ME 1136 00:41:19,611 --> 00:41:21,179 THE WAY OWEN WENT TO THE MAT FOR MARION? 1137 00:41:21,212 --> 00:41:22,781 [SIGHS] 1138 00:41:22,814 --> 00:41:25,283 I DON'T KNOW, WHO ARE YOU THINKING OF KNOCKING OFF? 1139 00:41:25,316 --> 00:41:27,553 BOYD. 1140 00:41:27,586 --> 00:41:29,087 [CHUCKLES] 1141 00:41:29,120 --> 00:41:30,689 IT'S KIND OF SAD IN A WAY. 1142 00:41:30,722 --> 00:41:32,524 MARION'S DREAM OF BECOMING A FAMOUS ARTIST 1143 00:41:32,558 --> 00:41:33,559 IS KIND OF COMING TRUE. 1144 00:41:33,592 --> 00:41:35,627 YEAH, IT'S PROBABLY NOT THE WAY SHE IMAGINED IT. 1145 00:41:35,661 --> 00:41:36,928 YEAH, KNOWING ALL THIS TIME 1146 00:41:36,962 --> 00:41:38,597 A MASTERPIECE WAS RIGHT UNDER HER NOSE, 1147 00:41:38,630 --> 00:41:39,765 SHE DIDN'T EVEN REALIZE IT. 1148 00:41:39,798 --> 00:41:40,899 IT'S AMAZING, RIGHT? 1149 00:41:40,932 --> 00:41:42,668 WHAT PEOPLE WILL TAKE FOR GRANTED. 1150 00:41:42,701 --> 00:41:44,570 HMM. 1151 00:41:44,603 --> 00:41:45,871 [GASPS] 1152 00:41:45,904 --> 00:41:47,773 OH, DON'T. STOP. 1153 00:41:47,806 --> 00:41:49,240 YOU THINK I DON'T APPRECIATE YOU. 1154 00:41:49,274 --> 00:41:50,542 I DO. 1155 00:41:50,576 --> 00:41:52,210 I KNOW YOU DO. 1156 00:41:52,243 --> 00:41:53,712 -[CLINKING MUGS] -I DO. 1157 00:42:05,356 --> 00:42:07,258 [***]