1
00:00:02,436 --> 00:00:05,073
* I CAN SEE YOU
RIGHT BEFORE ME *

2
00:00:05,106 --> 00:00:08,042
* BUT IT FEELS LIKE
YOU'RE MILES AWAY *

3
00:00:08,076 --> 00:00:10,811
* I CAN TOUCH
YOUR BODY, BABY *

4
00:00:10,844 --> 00:00:13,447
* BUT YOU DON'T HAVE
THE WORDS TO SAY... *

5
00:00:13,481 --> 00:00:15,216
[MAN]: WHAT DO YOU MEAN
THIS IS THE LAST TIME?

6
00:00:15,249 --> 00:00:18,219
[SECOND MAN]:
I'M GETTING OUT.

7
00:00:18,252 --> 00:00:19,753
HOW DOES MILO
FEEL ABOUT THAT?

8
00:00:19,787 --> 00:00:21,555
HE DOESN'T LOOK TOO HAPPY.

9
00:00:21,589 --> 00:00:24,125
I DON'T CARE.

10
00:00:24,158 --> 00:00:26,527
I PROMISED HER.

11
00:00:26,560 --> 00:00:28,162
I'VE NEVER SEEN YOU
SO WHIPPED.

12
00:00:28,196 --> 00:00:30,564
LET'S JUST DROP IT, OKAY?

13
00:00:37,205 --> 00:00:38,672
DADDY!

14
00:00:38,706 --> 00:00:39,707
HEY, THERE, BUDDY!

15
00:00:39,740 --> 00:00:41,575
[GRUNTS WITH EFFORT]

16
00:00:41,609 --> 00:00:42,476
IS THE MIGRAINE
ALL RIGHT?

17
00:00:42,510 --> 00:00:43,844
IT'LL BE GONE
BY THE TIME I TAKE HIM.

18
00:00:43,877 --> 00:00:44,812
GOOD.

19
00:00:44,845 --> 00:00:46,180
DID YOU MAKE
LUNCH FOR HIM?

20
00:00:46,214 --> 00:00:47,781
YEAH, PEANUT BUTTER AND JAM.

21
00:00:47,815 --> 00:00:49,183
RIGHT, CHAMP?

22
00:00:49,217 --> 00:00:50,818
AS IF HE'D EAT
ANYTHING ELSE.

23
00:00:50,851 --> 00:00:51,819
[CHUCKLES]

24
00:00:51,852 --> 00:00:54,622
HUH? YOU FIRED UP?

25
00:00:54,655 --> 00:00:56,690
BIG DAY.

26
00:00:56,724 --> 00:00:58,692
WILL YOU TAKE ME?

27
00:00:58,726 --> 00:01:00,128
AW, I WISH I COULD.

28
00:01:00,161 --> 00:01:02,696
DADDY'S GOTTA WORK.

29
00:01:02,730 --> 00:01:03,864
WELL, YOU COULD
PLAY HOOKY.

30
00:01:03,897 --> 00:01:05,166
IT'S HIS FIRST DAY
OF KINDERGARTEN.

31
00:01:05,199 --> 00:01:06,200
MM-HMM. DO YOU
HEAR YOURSELF?

32
00:01:06,234 --> 00:01:07,135
[CHUCKLING] OKAY.

33
00:01:07,168 --> 00:01:08,602
A BIT OF A MIXED MESSAGE.

34
00:01:08,636 --> 00:01:09,670
YEAH, KIND OF.

35
00:01:09,703 --> 00:01:11,572
OKAY, I'LL SEE YOU TONIGHT.

36
00:01:11,605 --> 00:01:14,775
AND I WANT TO HEAR
ABOUT YOUR DAY WHEN I GET BACK.

37
00:01:14,808 --> 00:01:15,776
LOVE YA.

38
00:01:15,809 --> 00:01:16,844
BYE!

39
00:01:16,877 --> 00:01:18,646
BYE!

40
00:01:18,679 --> 00:01:19,680
LOVE YA!

41
00:01:19,713 --> 00:01:20,781
LOVE YOU TOO!

42
00:01:20,814 --> 00:01:22,150
LOVE YOU THREE.

43
00:01:22,183 --> 00:01:23,151
BYE.

44
00:01:23,184 --> 00:01:23,784
SEE YOU.

45
00:01:31,559 --> 00:01:33,127
HI!

46
00:01:33,161 --> 00:01:35,729
WE BROUGHT YOU A MUFFIN.

47
00:01:35,763 --> 00:01:36,764
AW, THANKS.

48
00:01:36,797 --> 00:01:38,499
UH... I SHOULDN'T.

49
00:01:38,532 --> 00:01:39,800
I'M ON
A SUPPORT CLEANSE.

50
00:01:39,833 --> 00:01:41,202
NO WHEAT, NO MEAT,
NO DAIRY.

51
00:01:41,235 --> 00:01:42,603
OH, THAT'S NO FUN.

52
00:01:42,636 --> 00:01:44,172
THAT'S ALL RIGHT,
I ATE SOME ANYWAY.

53
00:01:44,205 --> 00:01:45,906
DO YOU THINK YOU'RE PROMOTING
SELF-MISERY, LUCAS?

54
00:01:45,939 --> 00:01:47,308
MARY.

55
00:01:47,341 --> 00:01:48,909
SHE WANTED TO DO IT,
SO I HAD NO CHOICE.

56
00:01:48,942 --> 00:01:50,544
IF I EVER TALK TO YOU ABOUT
THE BENEFITS OF MARRIAGE,

57
00:01:50,578 --> 00:01:52,546
I WANT YOU TO SAY
"SUPPORT CLEANSE" TO ME.

58
00:01:52,580 --> 00:01:53,481
I DON'T THINK I'M EVER

59
00:01:53,514 --> 00:01:55,416
GOING TO HAVE TO SAY
"SUPPORT CLEANSE" EVER.

60
00:01:55,449 --> 00:01:57,851
[LUCAS]: OUR WITNESS HERE
CALLED IT IN RIGHT AWAY.

61
00:01:57,885 --> 00:01:59,653
UNIFORMS ARE SWEEPING THE AREA.

62
00:01:59,687 --> 00:02:02,890
SO FAR,
NO SIGNS OF ANY WEAPON.

63
00:02:02,923 --> 00:02:04,592
DETECTIVES!

64
00:02:04,625 --> 00:02:06,760
MEET JOHN DOE.

65
00:02:06,794 --> 00:02:07,928
[FLYNN]: BLUNT FORCE TRAUMA
TO THE HEAD...

66
00:02:07,961 --> 00:02:09,930
AND PETECHIAL
HEMORRHAGING

67
00:02:09,963 --> 00:02:11,232
IN THE EYES.

68
00:02:12,200 --> 00:02:15,169
BEATEN, STRANGLED.

69
00:02:15,203 --> 00:02:16,670
OR SUFFOCATED.

70
00:02:16,704 --> 00:02:18,206
SOMEONE WAS VERY THOROUGH.

71
00:02:18,239 --> 00:02:19,607
YEAH.

72
00:02:19,640 --> 00:02:20,674
BODY'S IN MID-RIGOR,

73
00:02:20,708 --> 00:02:22,276
SO I'M GOING TO ESTIMATE

74
00:02:22,310 --> 00:02:23,744
HE WAS KILLED
SOMETIME LATE LAST NIGHT.

75
00:02:23,777 --> 00:02:25,613
JUDGING BY ALL
THE BLOOD ON HIS FACE,

76
00:02:25,646 --> 00:02:26,947
YOU'D EXPECT TO SEE
MORE ON THE GROUND.

77
00:02:26,980 --> 00:02:29,483
IT WAS A BODY DUMP.

78
00:02:29,517 --> 00:02:33,687
WELL, AT LEAST THEY CHOSE
A BEAUTIFUL SPOT FOR HIM.

79
00:02:33,721 --> 00:02:34,922
[RAIN POURING]

80
00:02:34,955 --> 00:02:36,890
HEY, CAN WE GET HIM COVERED?

81
00:02:36,924 --> 00:02:38,359
I DON'T KNOW WHY

82
00:02:38,392 --> 00:02:39,760
WE CAN'T JUST LEAVE IT
THE WAY IT IS.

83
00:02:39,793 --> 00:02:41,429
IT ALL SEEMS
TOO SOON.

84
00:02:41,462 --> 00:02:43,197
WELL, I'M NOT SAYING
WE HAVE TO CHANGE THE COLOUR,

85
00:02:43,231 --> 00:02:45,233
I'M JUST SAYING
THAT, YOU KNOW--

86
00:02:45,266 --> 00:02:46,734
[CELL PHONE RINGS]

87
00:02:46,767 --> 00:02:47,968
--IT NEEDS A TOUCH-UP.

88
00:02:48,001 --> 00:02:51,239
THIS IS WORK.
I HAVE TO TAKE THIS.

89
00:02:51,272 --> 00:02:52,673
[BEEPS CALL]

90
00:02:52,706 --> 00:02:55,843
HEY. YEAH.

91
00:02:55,876 --> 00:02:57,878
I FINISHED MY PART
OF THE PROJECT

92
00:02:57,911 --> 00:03:00,214
LAST NIGHT.

93
00:03:00,248 --> 00:03:02,216
SO, YEAH,
NOW IT'S YOUR TURN.

94
00:03:02,250 --> 00:03:04,418
[WHISPERS]
GIVE ME A SECOND.

95
00:03:04,452 --> 00:03:06,254
[GROWLING ANGRILY]
ALL RIGHT, NOW, LISTEN,

96
00:03:06,287 --> 00:03:08,756
I WANT THIS TO BE OVER, SO...

97
00:03:08,789 --> 00:03:09,957
GET IT DONE.

98
00:03:14,295 --> 00:03:15,296
SORRY ABOUT THAT, BABE.

99
00:03:15,329 --> 00:03:16,697
WAIT UP.

100
00:03:23,704 --> 00:03:26,374
CAN I GIVE THIS BOY
A NAME YET?

101
00:03:26,407 --> 00:03:28,909
I'M STILL HOPING AFIS
KICKS OUT A FINGERPRINT IDENT.

102
00:03:28,942 --> 00:03:29,810
YOU FIGURE OUT A CAUSE OF DEATH?

103
00:03:29,843 --> 00:03:31,845
SUFFOCATION.

104
00:03:31,879 --> 00:03:33,514
PROBABLY FROM A PLASTIC BAG.

105
00:03:33,547 --> 00:03:36,750
CHECK OUT THIS NIFTY BRUISE
AROUND HIS NECK.

106
00:03:36,784 --> 00:03:37,651
ZAPSTRAP.

107
00:03:37,685 --> 00:03:39,787
YEAH, PROBABLY TO HOLD
THE BAG IN PLACE.

108
00:03:39,820 --> 00:03:40,988
AND I FOUND BLOOD
IN HIS LUNGS

109
00:03:41,021 --> 00:03:42,823
AND STOMACH.

110
00:03:42,856 --> 00:03:44,258
SO OUR KILLER
BASHES OUR VICTIM--

111
00:03:44,292 --> 00:03:45,293
WEAPON TBD.

112
00:03:45,326 --> 00:03:46,460
--TO INCAPACITATE HIM,

113
00:03:46,494 --> 00:03:47,728
BAGS HIS HEAD
AND CINCHES IT TIGHT.

114
00:03:47,761 --> 00:03:48,729
IT'S METHODICAL.

115
00:03:48,762 --> 00:03:50,798
VICIOUS.

116
00:03:50,831 --> 00:03:51,465
ANYTHING ELSE?

117
00:03:51,499 --> 00:03:52,700
YEAH,

118
00:03:52,733 --> 00:03:54,001
TIME OF DEATH ABOUT MIDNIGHT,

119
00:03:54,034 --> 00:03:56,937
AND I FOUND PARTIALLY DIGESTED
METHYLPHENIDATE IN HIS STOMACH.

120
00:03:56,970 --> 00:03:57,838
BASE AMOUNT.

121
00:03:57,871 --> 00:03:58,939
STREET NAME?

122
00:03:58,972 --> 00:04:00,508
RITALIN.

123
00:04:00,541 --> 00:04:03,411
-THE ADD DRUG?
-YEAH, ADD, ADHD, NARCOLEPSY.

124
00:04:03,444 --> 00:04:05,579
DEPENDS IF YOUR
DOPAMINE LEVELS ARE LOW.

125
00:04:05,613 --> 00:04:06,547
HIS AREN'T.

126
00:04:13,887 --> 00:04:15,523
[KNOCKS BRISKLY]

127
00:04:15,556 --> 00:04:16,357
DID YOU GUYS KNOW THAT
THE OCCUPY WALL STREET MOVEMENT

128
00:04:16,390 --> 00:04:18,492
WAS STARTED
BY THE ADBUSTERS GUY?

129
00:04:18,526 --> 00:04:19,893
AND?

130
00:04:19,927 --> 00:04:21,429
HOMETOWN INSPIRATION.

131
00:04:21,462 --> 00:04:23,397
OUR VICTIM WAS AN OCCUPIER.

132
00:04:23,431 --> 00:04:24,898
AFIS FOUND A MATCH
FROM HIS ARREST

133
00:04:24,932 --> 00:04:26,500
DURING THE PROTEST.

134
00:04:26,534 --> 00:04:28,001
LOOK AT THIS,
TAYLOR HOLLIS WAS ALSO CHARGED

135
00:04:28,035 --> 00:04:29,603
WITH POSSESSION
OF A CONTROLLED SUBSTANCE

136
00:04:29,637 --> 00:04:30,938
WITH INTENT TO SELL
AT THE TIME OF HIS ARREST.

137
00:04:30,971 --> 00:04:32,373
OH, LET ME GUESS--

138
00:04:32,406 --> 00:04:34,007
RITALIN AND ADDERAL.

139
00:04:34,041 --> 00:04:35,443
QUICK, LUCAS, FOR FIVE POINTS,

140
00:04:35,476 --> 00:04:36,377
WHO BUYS RITALIN
FOR RECREATIONAL USE?

141
00:04:36,410 --> 00:04:38,879
UH, TRUCK DRIVERS,
NIGHT SHIFT WORKERS--

142
00:04:38,912 --> 00:04:40,948
STUDENTS.

143
00:04:40,981 --> 00:04:42,350
YOU KNOW, THE BODY DUMP

144
00:04:42,383 --> 00:04:43,751
WAS REALLY CLOSE
TO THE UNIVERSITY.

145
00:04:44,652 --> 00:04:45,786
YEAH, WELL,

146
00:04:45,819 --> 00:04:47,888
MAYBE TAYLOR HAD
A DISSATISFIED CUSTOMER.

147
00:04:47,921 --> 00:04:49,423
OR DISGRUNTLED COMPETITION?

148
00:04:49,457 --> 00:04:50,424
I DON'T KNOW,

149
00:04:50,458 --> 00:04:51,992
UNIVERSITY'S NOT EXACTLY
THE MEAN STREETS, HUH?

150
00:04:52,025 --> 00:04:53,394
I'LL CALL NARCOTICS.

151
00:04:53,427 --> 00:04:55,363
SEE WHO'S FRONTING
PHARMACEUTICALS.

152
00:04:55,396 --> 00:04:57,331
THERE YOU GO, LUCAS.

153
00:04:59,867 --> 00:05:00,734
TASTY TREATS...

154
00:05:00,768 --> 00:05:03,704
[CHUCKLING]

155
00:05:06,006 --> 00:05:07,608
ACCORDING TO OUR FRIENDS,

156
00:05:07,641 --> 00:05:09,009
YOU ARE THE REIGNING KING

157
00:05:09,042 --> 00:05:10,544
OF THE OVER-THE-COUNTER
PHARMACEUTICALS.

158
00:05:10,578 --> 00:05:13,714
YOUR FRIENDS TELL
THE MOST WONDERFUL STORIES.

159
00:05:13,747 --> 00:05:17,017
WHY DON'T YOU TELL US A STORY
ABOUT YOU AND TAYLOR HOLLIS?

160
00:05:17,050 --> 00:05:19,453
WHO IS HE? OR SHE?

161
00:05:19,487 --> 00:05:21,855
AH, THAT WAS ALMOST SINCERE.

162
00:05:21,889 --> 00:05:23,391
IT IS SINCERE.

163
00:05:23,424 --> 00:05:25,426
I WOULD LOVE
TO BELIEVE YOU.

164
00:05:25,459 --> 00:05:26,960
I WOULD ALSO LOVE
TO RIP THIS PLACE APART

165
00:05:26,994 --> 00:05:28,829
AND SEE WHAT WE CAN FIND, SO...

166
00:05:28,862 --> 00:05:29,663
WHAT DO YOU SAY?

167
00:05:29,697 --> 00:05:30,631
YOUR CHOICE.

168
00:05:32,132 --> 00:05:36,103
TAYLOR WAS A SUBCONTRACTOR.

169
00:05:36,136 --> 00:05:38,038
YEAH, HOW WAS HE
AS A SUBCONTRACTOR?

170
00:05:38,071 --> 00:05:39,907
HE WAS A GOOD
PIECE OF BUSINESS.

171
00:05:39,940 --> 00:05:41,475
SMART KID.

172
00:05:41,509 --> 00:05:43,076
QUICK STUDY.

173
00:05:43,110 --> 00:05:44,478
I WAS REALLY SORRY
WHEN HE WALKED.

174
00:05:44,512 --> 00:05:45,345
SO HE QUIT?

175
00:05:45,379 --> 00:05:48,081
LISTEN,
I HAVEN'T TAYLOR IN A MONTH.

176
00:05:48,115 --> 00:05:50,150
WE WENT OUR SEPARATE WAYS,
NO BIG DEAL, OKAY?

177
00:05:50,183 --> 00:05:51,752
IT'S NOT LIKE I CAN'T
FIND SOMEONE ELSE

178
00:05:51,785 --> 00:05:53,554
TO DO THE JOB.

179
00:05:53,587 --> 00:05:55,055
THERE ARE THOUSANDS OF THEM.

180
00:05:55,088 --> 00:05:56,156
WHAT, WHAT DID HE
GET HIMSELF INTO, HMM?

181
00:05:56,189 --> 00:05:57,858
BESIDES A BODY BAG?

182
00:05:57,891 --> 00:05:59,960
HE'S DEAD?

183
00:05:59,993 --> 00:06:01,395
WE NEED TO KNOW WHERE
YOU WERE LAST NIGHT.

184
00:06:01,429 --> 00:06:03,464
YOU KNOW, ALL NIGHT.

185
00:06:03,497 --> 00:06:05,098
I WAS HERE.

186
00:06:05,132 --> 00:06:08,836
A FEW OF THE LADIES
CAN ATTEST TO MY WHEREABOUTS.

187
00:06:08,869 --> 00:06:11,071
UNCOERCED, I'M SURE.

188
00:06:11,104 --> 00:06:12,740
MM-HMM.

189
00:06:30,924 --> 00:06:32,593
YOU GOT
SOMETHING FOR ME?

190
00:06:32,626 --> 00:06:34,094
NO MORE DEALING DRUGS.

191
00:06:34,127 --> 00:06:35,863
[LAUGHING] I'M OUT!

192
00:06:40,233 --> 00:06:41,101
[LAUGHS]

193
00:06:41,134 --> 00:06:42,202
I LOVE YOU.

194
00:06:42,235 --> 00:06:43,971
THAT ONLY SOLVES
HALF OUR PROBLEM.

195
00:06:44,004 --> 00:06:47,608
CALL OFF
THE ENGAGEMENT.

196
00:06:47,641 --> 00:06:49,443
I COULDN'T LOOK MY FATHER
IN THE EYE AND DO THAT.

197
00:06:49,477 --> 00:06:51,712
HE WOULD KILL ME.

198
00:06:54,882 --> 00:06:56,484
THEN WE RUN, OKAY?

199
00:06:56,517 --> 00:06:58,051
TOGETHER, ALL RIGHT?

200
00:06:59,687 --> 00:07:00,888
YEAH. OKAY.

201
00:07:00,921 --> 00:07:02,590
YEAH?
YEAH.

202
00:07:02,623 --> 00:07:03,557
IT SOLVES EVERYTHING.

203
00:07:03,591 --> 00:07:04,458
[GIGGLING]

204
00:07:18,639 --> 00:07:19,473
NANCE?

205
00:07:30,818 --> 00:07:32,052
HEY.

206
00:07:32,085 --> 00:07:32,886
HI.

207
00:07:32,920 --> 00:07:34,187
WHERE YOU GOING?

208
00:07:34,221 --> 00:07:36,524
I GOT A CALL ABOUT
A KITCHEN RENO,

209
00:07:36,557 --> 00:07:38,926
SO I'LL GO OVER THERE
AND WRITE UP A BID.

210
00:07:44,231 --> 00:07:45,799
THAT'S WEIRD.

211
00:07:45,833 --> 00:07:46,900
WHAT?

212
00:07:46,934 --> 00:07:49,503
I THOUGHT I HAD
SOME EXTRA INSULIN.

213
00:07:50,971 --> 00:07:54,207
I THOUGHT I HAD SOME MORE.

214
00:07:54,241 --> 00:07:56,176
IT'S ALL RIGHT
TO BE FORGETFUL.

215
00:07:56,209 --> 00:07:57,745
JUST CALL THE DRUG STORE

216
00:07:57,778 --> 00:07:59,146
AND I'LL PICK IT UP
ON THE WAY HOME.

217
00:07:59,179 --> 00:08:01,014
OKAY.

218
00:08:04,017 --> 00:08:05,586
ANY PLANS
THIS AFTERNOON?

219
00:08:05,619 --> 00:08:07,120
UH...

220
00:08:07,154 --> 00:08:08,255
NO.

221
00:08:08,288 --> 00:08:09,523
NO?

222
00:08:12,325 --> 00:08:15,529
I WON'T BE LONG.

223
00:08:23,336 --> 00:08:25,072
[BEEPING SPEED-DIAL]

224
00:08:26,674 --> 00:08:28,275
HEY, HE'S GONE.

225
00:08:28,308 --> 00:08:31,144
I'LL BE THERE
IN 20 MINUTES, OKAY?

226
00:08:36,617 --> 00:08:37,618
TAYLOR HOLLIS?

227
00:08:37,651 --> 00:08:39,152
SURE, I KNOW HIM.
HE'S MY T.A.

228
00:08:39,186 --> 00:08:41,154
WELL, WE PULLED
HIS PHONE RECORDS,

229
00:08:41,188 --> 00:08:43,657
AND THERE SEEM TO BE
A LOT OF PHONE CALLS

230
00:08:43,691 --> 00:08:44,692
BETWEEN THE TWO OF YOU.

231
00:08:44,725 --> 00:08:45,525
WHICH LEADS US TO BELIEVE

232
00:08:45,559 --> 00:08:46,827
THAT YOUR RELATIONSHIP
WITH TAYLOR

233
00:08:46,860 --> 00:08:48,028
WAS MORE SERIOUS.

234
00:08:48,061 --> 00:08:49,763
TAYLOR?

235
00:08:49,797 --> 00:08:51,298
HE'S A NICE GUY,

236
00:08:51,331 --> 00:08:53,000
AND HE DID ASK ME OUT
A COUPLE OF TIMES,

237
00:08:53,033 --> 00:08:54,167
BUT NO.

238
00:08:54,201 --> 00:08:56,604
UM, I'VE GOT
A FIANCE.

239
00:08:56,637 --> 00:08:57,671
HMM.

240
00:08:57,705 --> 00:08:59,072
WITH MY COMPLIMENTS.

241
00:08:59,106 --> 00:09:01,008
WELL, THANK YOU.

242
00:09:01,041 --> 00:09:02,342
EVERYTHING OKAY?

243
00:09:02,375 --> 00:09:03,911
DAD...

244
00:09:03,944 --> 00:09:06,079
I'M JUST TRYING TO BE
A GOOD HOST.

245
00:09:06,113 --> 00:09:07,247
THANK YOU.

246
00:09:09,683 --> 00:09:12,352
UH, WHAT'S THIS
ALL ABOUT ANYWAY?

247
00:09:12,385 --> 00:09:15,155
IS TAYLOR
IN SOME KIND OF TROUBLE?

248
00:09:15,188 --> 00:09:17,224
UNFORTUNATELY,
TAYLOR DIED LAST NIGHT.

249
00:09:24,097 --> 00:09:25,298
I'M SORRY.

250
00:09:27,300 --> 00:09:28,235
OH, MY GOD.

251
00:09:28,268 --> 00:09:29,937
I'M SORRY--

252
00:09:29,970 --> 00:09:31,605
SUN?

253
00:09:31,639 --> 00:09:34,141
PLEASE, EXCUSE US.

254
00:09:34,174 --> 00:09:36,343
THAT WAS INTERESTING.

255
00:09:36,376 --> 00:09:37,711
I THOUGHT SO.

256
00:09:40,113 --> 00:09:43,083
SO, WHAT DO WE HAVE?

257
00:09:43,116 --> 00:09:45,385
THE UNIVERSITY CONFIRMS

258
00:09:45,418 --> 00:09:47,287
THAT TAYLOR HOLLIS
WAS WORKING TOWARD HIS PH.D.

259
00:09:47,320 --> 00:09:48,689
IN BUSINESS MANAGEMENT.

260
00:09:48,722 --> 00:09:49,522
NO STUDENT LOANS.

261
00:09:49,556 --> 00:09:51,258
HMM, SO HE WAS FINANCING
HIS STUDIES

262
00:09:51,291 --> 00:09:53,226
WITH A LITTLE
PRACTICAL EXPERIENCE.

263
00:09:53,260 --> 00:09:53,994
HE IDENTIFIED A MARKET,

264
00:09:54,027 --> 00:09:55,362
CREATED A LITTLE
NICHE FOR HIMSELF.

265
00:09:55,395 --> 00:09:57,230
WHERE DOES KRANC STAND ON THIS?

266
00:09:57,264 --> 00:09:58,265
ALIBI CHECKS OUT.

267
00:09:58,298 --> 00:10:00,400
SEVERAL WITNESSES PLACE HIM
AT THE STRIP JOINT

268
00:10:00,433 --> 00:10:01,702
AT THE TIME OF DEATH.

269
00:10:01,735 --> 00:10:02,903
PLUS, TAYLOR'S
BANK STATEMENTS

270
00:10:02,936 --> 00:10:03,837
SHOW A DIP IN HIS EARNINGS

271
00:10:03,871 --> 00:10:05,839
WHEN HE FELL OFF
KRANC'S RADAR A MONTH AGO.

272
00:10:05,873 --> 00:10:07,407
YEAH, AND WHY WOULD KRANC
WAIT A MONTH TO KILL HIM?

273
00:10:07,440 --> 00:10:08,709
LACK OF OPPORTUNITY?

274
00:10:08,742 --> 00:10:09,677
NO, A GUY LIKE KRANC

275
00:10:09,710 --> 00:10:11,779
WOULD MAKE OPPORTUNITY HAPPEN
RIGHT AWAY.

276
00:10:11,812 --> 00:10:13,681
SUNITA RAND
IS A DIFFERENT STORY.

277
00:10:13,714 --> 00:10:14,481
THE WAY SHE REACTED

278
00:10:14,514 --> 00:10:15,415
WHEN WE TOLD HER
ABOUT HIS DEATH...

279
00:10:15,448 --> 00:10:17,818
YEAH, PLUS
THE PHONE RECORDS.

280
00:10:17,851 --> 00:10:19,086
MM-HMM, SECRET ROMANCE
WRIT LARGE.

281
00:10:19,119 --> 00:10:20,253
SECRET?

282
00:10:20,287 --> 00:10:21,321
SHE'S ENGAGED.

283
00:10:21,354 --> 00:10:23,123
WE COULD TRY HER AGAIN
WITHOUT THE FATHER AROUND,

284
00:10:23,156 --> 00:10:24,958
SEE IF THAT OPENS HER UP.

285
00:10:28,028 --> 00:10:29,930
[SAW WHINING]

286
00:10:29,963 --> 00:10:32,399
[CELL PHONE VIBRATES]

287
00:10:32,432 --> 00:10:34,267
CHARLES!

288
00:10:35,468 --> 00:10:37,971
CHARLES!

289
00:10:38,005 --> 00:10:40,407
CHARLES! PHONE!

290
00:10:40,440 --> 00:10:42,976
THANKS!

291
00:10:43,010 --> 00:10:44,411
[BEEPS PHONE ON]

292
00:10:44,444 --> 00:10:46,980
HEY, NANCE. WHAT'S UP?

293
00:10:50,417 --> 00:10:54,387
WHAT?

294
00:10:54,421 --> 00:10:57,157
WHAT ARE YOU TALKING ABOUT?

295
00:10:57,190 --> 00:10:59,192
OKAY. I UNDERSTAND.

296
00:11:08,802 --> 00:11:10,270
UH...

297
00:11:14,374 --> 00:11:17,377
[STRUGGLING TO SPEAK]

298
00:11:17,410 --> 00:11:20,047
MY...

299
00:11:24,918 --> 00:11:28,455
MY S-SON...

300
00:11:28,488 --> 00:11:31,258
IS DEAD.

301
00:11:31,291 --> 00:11:33,994
[SCREAMS IN ANGUISH]

302
00:11:34,027 --> 00:11:38,298
[SOBBING] NO, NO, NO, NO...

303
00:11:44,137 --> 00:11:45,472
I TOLD YOU ALREADY.

304
00:11:45,505 --> 00:11:46,506
SUNITA,
PLEASE, LISTEN,

305
00:11:46,539 --> 00:11:48,475
WE KNOW ABOUT TAYLOR.

306
00:11:48,508 --> 00:11:50,243
I TOLD HIM TO STOP.

307
00:11:50,277 --> 00:11:52,445
I TOLD HIM IT WAS DANGEROUS.

308
00:11:52,479 --> 00:11:54,314
HOW DID YOU KNOW
ABOUT THE DRUGS?

309
00:11:54,347 --> 00:11:56,784
I TOLD YOU, HE WAS
MY T.A. LAST SEMESTER.

310
00:11:56,817 --> 00:11:59,119
I SAW HIM ONE TIME, DEALING.

311
00:11:59,152 --> 00:12:00,153
I KNEW IT...

312
00:12:00,187 --> 00:12:02,355
I KNEW IT, HE WAS SO STUPID.

313
00:12:02,389 --> 00:12:03,256
RIGHT, HE WAS ALSO

314
00:12:03,290 --> 00:12:04,357
MORE THAN A T.A., WASN'T HE?

315
00:12:06,059 --> 00:12:07,460
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

316
00:12:07,494 --> 00:12:09,229
MY FIANCE AND HIS FAMILY
WILL BE HERE FROM INDIA

317
00:12:09,262 --> 00:12:10,898
IN A FEW WEEKS.

318
00:12:10,931 --> 00:12:12,299
YOUR FATHER
ISN'T HERE RIGHT NOW,

319
00:12:12,332 --> 00:12:13,934
SO YOU DON'T
HAVE TO LIE.

320
00:12:13,967 --> 00:12:15,402
IS THIS
AN ARRANGED MARRIAGE?

321
00:12:15,435 --> 00:12:16,870
YES.

322
00:12:16,904 --> 00:12:19,372
IT'S COMPLICATED.

323
00:12:19,406 --> 00:12:22,342
MY ENGAGEMENT HAS BEEN
IN THE WORKS FOR YEARS.

324
00:12:22,375 --> 00:12:26,880
MY FIANCE AND HIS FAMILY
ARE DUE AT THE END OF THE MONTH.

325
00:12:26,914 --> 00:12:30,283
AND TAYLOR?

326
00:12:31,584 --> 00:12:32,419
I LOVED HIM?

327
00:12:34,187 --> 00:12:35,022
HOW WERE YOU GOING TO
MANAGE THAT?

328
00:12:35,055 --> 00:12:37,324
TAYLOR AND I
WERE GOING TO RUN AWAY.

329
00:12:37,357 --> 00:12:38,792
WERE YOU GOING TO
TELL YOUR FATHER

330
00:12:38,826 --> 00:12:40,160
YOU WERE RUNNING AWAY
WITH TAYLOR?

331
00:12:40,193 --> 00:12:41,128
NO.

332
00:12:41,161 --> 00:12:42,362
HOW COULD I?

333
00:12:42,395 --> 00:12:43,330
HE WOULD NEVER
ALLOW THAT TO HAPPEN.

334
00:12:44,965 --> 00:12:46,366
DID YOU TALK TO TAYLOR
MONDAY NIGHT?

335
00:12:46,399 --> 00:12:48,201
HE WAS SUPPOSED TO
COME BY THE RESTAURANT.

336
00:12:50,904 --> 00:12:52,005
WHEN HE DIDN'T GET HERE,
I TEXTED,

337
00:12:52,039 --> 00:12:53,506
AND I DIDN'T GET AN ANSWER,

338
00:12:53,540 --> 00:12:55,876
SO I THOUGHT HE'D CHICKENED OUT,
AND I WENT HOME.

339
00:12:58,611 --> 00:13:01,882
JUST OUT OF CURIOSITY,
WHERE IS YOUR FATHER NOW?

340
00:13:01,915 --> 00:13:03,350
ON A SUPPLY RUN.

341
00:13:05,152 --> 00:13:06,820
WELL, LISTEN,
WE WOULD, UH,

342
00:13:06,854 --> 00:13:08,188
WE'D BE VERY INTERESTED IN
TALKING TO HIM.

343
00:13:11,424 --> 00:13:13,861
JUST PLEASE HAVE HIM CALL US.

344
00:13:13,894 --> 00:13:14,828
THANK YOU.

345
00:13:25,638 --> 00:13:27,107
YOU DON'T HAVE
TO DO THIS TODAY.

346
00:13:27,140 --> 00:13:28,909
I'M HAVING THE GARAGE SALE
THIS WEEKEND.

347
00:13:28,942 --> 00:13:30,543
JUST SAVE IT UNTIL THEN.

348
00:13:30,577 --> 00:13:31,811
YOU'VE BEEN
SAYING THAT FOR WEEKS.

349
00:13:33,546 --> 00:13:34,281
WELL, IT'S NOT MY FAULT

350
00:13:34,314 --> 00:13:36,416
THAT THE WEATHER
HASN'T COOPERATED.

351
00:13:36,449 --> 00:13:40,487
WELL, EITHER
WE GET RID OF IT TODAY, OR...

352
00:13:40,520 --> 00:13:43,957
IT SITS THE GARAGE
GATHERING DUST.

353
00:13:43,991 --> 00:13:46,259
OKAY, SO LET IT
GATHER DUST.

354
00:13:46,293 --> 00:13:48,361
COME WITH ME.

355
00:13:48,395 --> 00:13:49,562
WE'LL DROP IT OFF
AT THE GOODWILL,

356
00:13:49,596 --> 00:13:50,363
AND THEN WE'LL GO SEE HIM.

357
00:13:52,065 --> 00:13:54,567
I NEED TO DO
SOMETHING.

358
00:13:54,601 --> 00:13:58,238
I JUST CAN'T
LOOK AT IT ANYMORE.

359
00:14:03,676 --> 00:14:05,312
NANCE...

360
00:14:11,985 --> 00:14:13,353
THE POLICE
WERE AT MY RESTAURANT.

361
00:14:13,386 --> 00:14:15,422
YEAH?

362
00:14:17,324 --> 00:14:18,425
SO?

363
00:14:18,458 --> 00:14:21,661
THEY WERE ASKING QUESTIONS.

364
00:14:21,694 --> 00:14:22,896
THEY'RE THE POLICE,
THAT'S WHAT THEY DO,

365
00:14:22,930 --> 00:14:24,397
THEY ASK QUESTIONS.

366
00:14:24,431 --> 00:14:26,399
YOU HAVE AN ALIBI, RIGHT?

367
00:14:28,068 --> 00:14:30,270
SO YOU HAVE NOTHING
TO WORRY ABOUT.

368
00:14:33,406 --> 00:14:35,375
THIS IS THE KEY
TO HIS PLACE.

369
00:14:37,577 --> 00:14:38,979
USE THE WHOLE VIAL.

370
00:14:39,012 --> 00:14:40,447
SHOOT HIM ANYWHERE.

371
00:14:40,480 --> 00:14:42,950
HE GOES INTO A COMA,
HIS VITAL ORGANS FAIL.

372
00:14:42,983 --> 00:14:43,917
NOT A SCRATCH.

373
00:14:43,951 --> 00:14:45,518
IT'S BETTER THAN
HE DESERVES.

374
00:14:45,552 --> 00:14:47,087
HEY! HOW AM I
SUPPOSED TO DO THAT?

375
00:14:47,120 --> 00:14:48,688
[CHUCKLING] ALL RIGHT...

376
00:14:48,721 --> 00:14:50,557
I'VE GOT TO THINK OF EVERYTHING?

377
00:14:50,590 --> 00:14:53,593
THIS IS A 50-50 PARTNERSHIP,
MY FRIEND.

378
00:14:53,626 --> 00:14:55,562
I HANDLED MY END.

379
00:14:55,595 --> 00:14:58,431
YOU BE DAMN SURE
YOU HANDLE YOURS.

380
00:16:01,361 --> 00:16:02,429
[CELL PHONE RINGS]

381
00:16:03,363 --> 00:16:04,597
UH-HUH?

382
00:16:04,631 --> 00:16:06,499
THE POLICE
WANT TO TALK TO YOU.

383
00:16:08,501 --> 00:16:09,736
HELLO?

384
00:16:09,769 --> 00:16:10,537
ABOUT WHAT?

385
00:16:10,570 --> 00:16:13,373
ABOUT MY FRIEND
WHO WAS MURDERED.

386
00:16:13,406 --> 00:16:14,474
AND THEY WANT TO TALK TO ME?

387
00:16:14,507 --> 00:16:16,309
DID THEY SAY WHY?

388
00:16:16,343 --> 00:16:17,444
NO.

389
00:16:19,579 --> 00:16:20,447
OKAY,

390
00:16:20,480 --> 00:16:21,748
UH...

391
00:16:21,781 --> 00:16:24,384
GIVE ME THE NUMBER.

392
00:16:25,585 --> 00:16:28,155
MM-HMM.

393
00:16:29,256 --> 00:16:30,390
OKAY.

394
00:16:31,791 --> 00:16:33,726
[DROPS PHONE INTO COIN TRAY]

395
00:16:40,533 --> 00:16:43,336
[NAIL GUN SNAPPING]

396
00:16:45,605 --> 00:16:46,573
CHARLES?

397
00:16:46,606 --> 00:16:49,109
WHAT ARE YOU DOING HERE?

398
00:16:49,142 --> 00:16:52,412
YOU'VE GOT A BUSINESS TO RUN
AND I GOT A JOB TO DO.

399
00:16:52,445 --> 00:16:55,515
HEY... DON'T WORRY.
I'LL GET SOMEONE ELSE TO FINISH.

400
00:16:55,548 --> 00:16:57,350
I'VE NEVER
WALKED AWAY FROM A JOB.

401
00:16:57,384 --> 00:16:58,451
I'M NOT GOING TO START NOW.

402
00:16:58,485 --> 00:17:00,387
BUT YOUR SON...

403
00:17:00,420 --> 00:17:02,689
MY SON IS DEAD.

404
00:17:02,722 --> 00:17:05,125
[NAIL GUN SNAPPING QUICKLY]

405
00:17:05,158 --> 00:17:07,460
NOTHING I DO
IS GOING TO BRING HIM BACK.

406
00:17:07,494 --> 00:17:09,462
CHARLES, GO HOME,

407
00:17:09,496 --> 00:17:11,798
TO YOUR WIFE.

408
00:17:11,831 --> 00:17:14,101
MY WIFE...

409
00:17:16,703 --> 00:17:20,707
I'M HAVING A REAL HARD TIME
LOOKING AT HER RIGHT NOW.

410
00:17:20,740 --> 00:17:24,744
SHE, UH...

411
00:17:24,777 --> 00:17:27,714
HAS HIS EYES,

412
00:17:27,747 --> 00:17:30,817
SO, YOU KNOW, YOU DON'T KNOW...

413
00:17:30,850 --> 00:17:34,587
AND YOU JUST NEVER KNOW
HOW THINGS ARE GOING TO...

414
00:17:34,621 --> 00:17:37,757
DERAIL.

415
00:17:37,790 --> 00:17:39,626
[CHUCKLES RUEFULLY]

416
00:17:39,659 --> 00:17:42,729
PEOPLE LET YOU DOWN.

417
00:17:42,762 --> 00:17:49,636
JUST ONE DUMB PERSON
CAN CHANGE ALL THAT MATTERS.

418
00:17:51,504 --> 00:17:53,506
MY HEART BREAKS FOR YOU,
MY FRIEND.

419
00:17:53,540 --> 00:17:57,810
MY HEART BREAKS FOR YOU.

420
00:17:57,844 --> 00:18:00,480
YOU'RE GOING TO LOSE
YOUR DAUGHTER...

421
00:18:02,549 --> 00:18:05,718
AND YOU DON'T
EVEN KNOW IT.

422
00:18:09,556 --> 00:18:11,424
WHAT DO YOU
GOT THERE?

423
00:18:11,458 --> 00:18:12,525
I HAVE QUEIJADAS,

424
00:18:12,559 --> 00:18:15,662
THEY ARE PORTUGUESE TARTS,
AND THEY ARE FANTASTIC.

425
00:18:15,695 --> 00:18:16,696
SO MUCH FOR
YOUR SUPPORT CLEANSE.

426
00:18:16,729 --> 00:18:19,632
I PROMISED MARY
I WOULDN'T "BUY" ANY PASTRIES.

427
00:18:19,666 --> 00:18:20,567
WHAT, SO YOU'RE
BUYING THEM?

428
00:18:20,600 --> 00:18:21,568
OH, HE GETS
THE COFFEE.

429
00:18:21,601 --> 00:18:22,769
HMM.

430
00:18:25,438 --> 00:18:26,139
[INHALING DEEPLY]

431
00:18:26,173 --> 00:18:26,806
KOPI LUWAK.

432
00:18:26,839 --> 00:18:27,907
MM! ANY WORD
FROM THE FATHER?

433
00:18:27,940 --> 00:18:29,409
NOT YET.

434
00:18:29,442 --> 00:18:31,444
I PUT OUT AN APB
ON TAYLOR HOLLIS' CAR.

435
00:18:31,478 --> 00:18:32,779
I FIGURE WE FIND THAT,

436
00:18:32,812 --> 00:18:34,414
MAYBE WE'LL FIND
THE CRIME SCENE.

437
00:18:34,447 --> 00:18:35,482
THAT'S EXECUTIVE
THINKING, LUCAS.

438
00:18:35,515 --> 00:18:36,649
WHY DON'T YOU HAVE A TART?

439
00:18:36,683 --> 00:18:38,318
YOU'RE AN ENABLER.

440
00:18:38,351 --> 00:18:39,519
THAT'S WHAT YOU ARE.

441
00:18:39,552 --> 00:18:41,120
HEY, LOOK WHO'S HERE.

442
00:18:43,490 --> 00:18:44,224
VIJAY RAND.

443
00:18:44,257 --> 00:18:45,625
YEAH, AND
HE BROUGHT BACK-UP.

444
00:18:45,658 --> 00:18:46,693
A LITTLE PRE-EMPTIVE
ON THE LEGAL COUNSEL,

445
00:18:46,726 --> 00:18:47,760
DON'T YOU THINK?

446
00:18:49,829 --> 00:18:51,798
YOU UNDERSTAND THIS IS JUST
A FRIENDLY CHAT, YES?

447
00:18:51,831 --> 00:18:53,433
WELL, OF COURSE.

448
00:18:53,466 --> 00:18:55,768
MR. FROBISHER IS HERE
PURELY FOR MY PEACE OF MIND.

449
00:18:55,802 --> 00:18:57,404
I'VE NEVER BEEN ABLE

450
00:18:57,437 --> 00:18:59,672
TO WRAP MY HEAD AROUND
THIS COUNTRY'S LEGAL SYSTEM.

451
00:18:59,706 --> 00:19:02,175
WELL, IT'S NOT
AS COMPLEX AS IT SEEMS.

452
00:19:02,209 --> 00:19:03,610
THIS IS ALL ABOUT
FINDING THE BAD GUY

453
00:19:03,643 --> 00:19:04,911
IN TAYLOR HOLLIS'S MURDER.

454
00:19:04,944 --> 00:19:07,580
WHICH IS EVEN MORE SURPRISING
THAT YOU WANT TO SPEAK WITH ME.

455
00:19:07,614 --> 00:19:09,182
WHY IS THAT?

456
00:19:09,216 --> 00:19:11,584
BECAUSE I NEVER EVEN KNEW
THIS YOUNG MAN.

457
00:19:11,618 --> 00:19:12,719
NO, BUT YOUR DAUGHTER DID.

458
00:19:12,752 --> 00:19:14,887
YEAH, QUITE WELL,
IN FACT.

459
00:19:14,921 --> 00:19:18,625
WE THINK THAT TAYLOR WAS,
UM, MORE THAN A FRIEND.

460
00:19:18,658 --> 00:19:20,560
AND MAYBE SHE WAS GOING TO
LEAVE HER FIANCE FOR HIM.

461
00:19:21,594 --> 00:19:24,397
WELL... IT'S HER LIFE.

462
00:19:24,431 --> 00:19:25,698
WHAT CAN I DO?

463
00:19:25,732 --> 00:19:26,699
WELL, YOU CAN TELL ME
WHERE YOU WERE

464
00:19:26,733 --> 00:19:27,867
MONDAY NIGHT
AROUND MIDNIGHT.

465
00:19:29,902 --> 00:19:30,903
YOU DON'T THINK

466
00:19:30,937 --> 00:19:33,640
I HAD ANYTHING TO DO WITH
THIS POOR BOY'S DEATH?

467
00:19:33,673 --> 00:19:34,574
WELL, WE NEED TO
RULE PEOPLE OUT,

468
00:19:34,607 --> 00:19:35,675
SEE WHO'S LEFT STANDING.

469
00:19:37,677 --> 00:19:39,446
WELL, I WAS AT TEMPLE.

470
00:19:39,479 --> 00:19:40,447
THERE WAS A FUNCTION.

471
00:19:41,714 --> 00:19:42,915
YOU HAVE WITNESSES
THAT CAN PUT YOU THERE?

472
00:19:42,949 --> 00:19:44,717
I CAN GET YOU
A LIST OF WITNESSES.

473
00:19:44,751 --> 00:19:46,553
THERE ARE MORE THAN 200 OF THEM.

474
00:19:48,488 --> 00:19:51,458
[SIGHS]
ARE THERE ANY OTHER QUESTIONS?

475
00:19:52,959 --> 00:19:53,993
NO.

476
00:19:54,026 --> 00:19:55,828
EXCUSE ME, I'D LIKE TO
GET BACK TO MY RESTAURANT.

477
00:19:56,929 --> 00:19:58,197
YOU REALLY
EARNED YOUR PAYCHECK.

478
00:19:59,466 --> 00:20:00,467
THANK YOU.

479
00:20:07,840 --> 00:20:08,775
WHERE ARE YOU GOING NOW?

480
00:20:08,808 --> 00:20:10,510
TO SCHOOL!

481
00:20:10,543 --> 00:20:11,811
-YOU CALL ME WHEN YOU GET THERE.
-WHAT'S WRONG WITH YOU?

482
00:20:11,844 --> 00:20:13,380
I'M NOT DOING ANYTHING!

483
00:20:14,814 --> 00:20:16,283
SUNITA!

484
00:20:28,528 --> 00:20:29,796
THAT WENT WELL.

485
00:20:29,829 --> 00:20:30,663
WHISKEY?

486
00:20:32,599 --> 00:20:33,766
I SHOULDN'T. WORK.

487
00:20:33,800 --> 00:20:35,635
I SHOULDN'T. ULCER.

488
00:20:35,668 --> 00:20:37,504
IT'LL BE OUR LITTLE SECRET.

489
00:20:37,537 --> 00:20:38,338
ALL RIGHT.

490
00:20:39,439 --> 00:20:40,807
A LITTLE MORE.

491
00:20:52,552 --> 00:20:54,554
I CHECKED HER PHONE.

492
00:20:54,587 --> 00:20:58,558
YOU WERE RIGHT.

493
00:20:58,591 --> 00:21:00,059
EVERYTHING I'VE BUILT,

494
00:21:00,092 --> 00:21:02,595
AND THEN THIS BOY,
THIS DRUG DEALER, COMES AND--

495
00:21:02,629 --> 00:21:03,930
[SNAPS FINGERS] GONE.

496
00:21:05,732 --> 00:21:07,867
YOU'VE ONLY GOT ONE CHILD,
YOU'D BETTER PROTECT HER.

497
00:21:07,900 --> 00:21:09,536
IF I COULD,

498
00:21:09,569 --> 00:21:12,939
I WOULD TWIST HIS NECK
WITH MY BARE HANDS.

499
00:21:12,972 --> 00:21:14,541
SO DO IT.

500
00:21:14,574 --> 00:21:15,742
TWIST HIS NECK.

501
00:21:15,775 --> 00:21:18,611
YOU CAN'T LET THAT KID
RUIN HER LIFE.

502
00:21:18,645 --> 00:21:22,415
WHAT IF
SUNITA FOUND OUT?

503
00:21:23,716 --> 00:21:25,785
I LOST HER MOTHER
FIVE YEARS AGO.

504
00:21:25,818 --> 00:21:28,755
CANCER.

505
00:21:28,788 --> 00:21:30,723
BUT I WON'T LOSE
MY DAUGHTER.

506
00:21:37,597 --> 00:21:40,066
I'VE GOT SOMEONE
I'D KILL IF I COULD.

507
00:21:42,034 --> 00:21:43,703
YOU GET BETRAYED.

508
00:21:43,736 --> 00:21:46,506
YOU JUST WANT THEM TO PAY.

509
00:21:55,147 --> 00:21:56,716
I THOUGHT IT WAS
SUPPOSED TO LOOK LIKE

510
00:21:56,749 --> 00:21:58,518
HE WAS KILLED
BECAUSE OF THE DRUGS.

511
00:21:58,551 --> 00:21:59,752
[SIGHING]

512
00:21:59,786 --> 00:22:02,121
HE DIDN'T HAVE
ANY DRUGS ON HIM.

513
00:22:02,154 --> 00:22:03,923
NOW THE POLICE
SUSPECT ME.

514
00:22:03,956 --> 00:22:05,057
WELL, DID YOU
STICK TO YOUR ALIBI?

515
00:22:05,091 --> 00:22:06,393
HOLD THAT.

516
00:22:06,426 --> 00:22:07,660
OF COURSE.

517
00:22:07,694 --> 00:22:08,928
[FLICKING SWITCHES]

518
00:22:10,697 --> 00:22:12,932
THEN YOU HAVE
NOTHING TO WORRY ABOUT.

519
00:22:12,965 --> 00:22:14,801
HEY, WHAT IF
THEY'RE WATCHING ME?

520
00:22:14,834 --> 00:22:17,470
YOU'RE JUST
BEING PARANOID.

521
00:22:20,773 --> 00:22:22,742
STICK THAT
IN THE TOOL BOX?

522
00:22:24,777 --> 00:22:27,980
I HAVE FAITH
IN YOU, MY FRIEND.

523
00:22:28,014 --> 00:22:29,982
I BELIEVE THAT YOU WILL
RISE TO THE OCCASION.

524
00:22:42,829 --> 00:22:45,398
[SNAPS TOOLBOX SHUT]

525
00:22:50,102 --> 00:22:51,904
[KNOCKS]

526
00:22:54,206 --> 00:22:55,842
WE'RE NOT OPEN YET.

527
00:22:55,875 --> 00:22:57,043
WE'RE SORRY
TO BOTHER YOU.

528
00:22:57,076 --> 00:22:58,478
WE JUST HAVE
ONE MORE QUESTION.

529
00:22:58,511 --> 00:22:59,946
CAN WE COME IN?

530
00:23:01,113 --> 00:23:02,181
SO, WE TALKED TO
SEVERAL WITNESSES

531
00:23:02,214 --> 00:23:04,083
WHO PUT YOUR FATHER
AT TEMPLE

532
00:23:04,116 --> 00:23:06,486
AROUND THE TIME
OF TAYLOR'S MURDER.

533
00:23:06,519 --> 00:23:09,188
BUT THE THING IS,

534
00:23:09,221 --> 00:23:11,924
YOUR FATHER HADN'T BEEN
TO TEMPLE IN A WHILE, HEY?

535
00:23:11,958 --> 00:23:13,960
IF HE'S INNOCENT,
WHAT'S YOUR QUESTION?

536
00:23:13,993 --> 00:23:14,861
DID YOUR FATHER THINK

537
00:23:14,894 --> 00:23:16,095
YOU WERE GOING TO
CALL OFF THE ENGAGEMENT?

538
00:23:16,128 --> 00:23:18,064
NOBODY KNEW.

539
00:23:18,097 --> 00:23:18,798
AND THE NIGHT
TAYLOR WAS KILLED,

540
00:23:18,831 --> 00:23:20,867
WHAT TIME
DID YOUR DAD GET HOME?

541
00:23:20,900 --> 00:23:24,771
MY FATHER WOULD NEVER DO
SOMETHING LIKE THIS, OKAY?

542
00:23:24,804 --> 00:23:25,605
WE JUST WANT TO FIND OUT
WHAT HAPPENED TO TAYLOR,

543
00:23:25,638 --> 00:23:26,806
THAT'S ALL.

544
00:23:26,839 --> 00:23:27,674
I KNOW THAT'S
WHAT YOU WANT, TOO.

545
00:23:27,707 --> 00:23:29,208
OF COURSE IT IS.

546
00:23:29,241 --> 00:23:30,843
YEAH.

547
00:23:31,978 --> 00:23:35,147
I LOCKED UP
AFTER THE CONTRACTOR LEFT.

548
00:23:35,181 --> 00:23:38,618
I GOT HOME JUST AFTER MIDNIGHT
AND MY FATHER WAS THERE.

549
00:23:38,651 --> 00:23:40,119
OKAY.

550
00:23:40,152 --> 00:23:41,754
THIS BIG RENO,

551
00:23:41,788 --> 00:23:42,922
YOU THINK IT HAS
ANYTHING TO DO WITH

552
00:23:42,955 --> 00:23:43,923
YOUR FIANCE'S FAMILY
COMING OVER.

553
00:23:43,956 --> 00:23:46,693
IT HAS EVERYTHING
TO DO WITH IT.

554
00:23:46,726 --> 00:23:47,560
BUT HOW IS YOUR FATHER
GOING TO MANAGE THAT

555
00:23:47,594 --> 00:23:49,962
WITHOUT YOUR FIANCE
AND HIS FAMILY?

556
00:23:51,864 --> 00:23:54,133
WELL, IT'S NOT
A PROBLEM ANYMORE.

557
00:23:58,070 --> 00:24:00,139
I HAVE TO FINISH PREPPING
FOR THE OPENING.

558
00:24:00,172 --> 00:24:01,474
OKAY.

559
00:24:01,508 --> 00:24:01,974
THANKS.

560
00:24:02,008 --> 00:24:03,743
THANK YOU.

561
00:24:04,844 --> 00:24:06,178
OKAY, WE'RE BACK
TO SQUARE ONE,

562
00:24:06,212 --> 00:24:08,815
'CAUSE THERE IS NO WAY
THAT VIJAY COULD HAVE GONE

563
00:24:08,848 --> 00:24:10,149
TO THE UNIVERSITY
FROM THE TEMPLE,

564
00:24:10,182 --> 00:24:11,751
KILLED HOLLIS,
AND BACK HOME IN 15 MINUTES.

565
00:24:11,784 --> 00:24:12,719
IT'S TOO BAD,

566
00:24:12,752 --> 00:24:13,953
BECAUSE IT'S THE PERFECT MOTIVE.

567
00:24:13,986 --> 00:24:15,655
SHE BACK OUT
ON AN ARRANGED MARRIAGE,

568
00:24:15,688 --> 00:24:17,657
HIS BUSINESS PLAN FALLS TO HELL,
AND HE BLAMES TAYLOR HOLLIS--

569
00:24:17,690 --> 00:24:19,225
[CELL PHONE RINGS]

570
00:24:19,258 --> 00:24:20,927
HEY, LUCAS, WHAT'S UP?

571
00:24:20,960 --> 00:24:22,929
[LUCAS]: HEY, LOOK DOWN
THE MAIN ALLEY.

572
00:24:22,962 --> 00:24:24,531
WHAT?

573
00:24:24,564 --> 00:24:25,498
LOOK DOWN THE MAIN ALLEY.

574
00:24:25,532 --> 00:24:26,032
WHERE YOU GOING?

575
00:24:26,065 --> 00:24:26,733
IT'S LUCAS.

576
00:24:26,766 --> 00:24:28,968
YEAH, BUT
WHERE ARE YOU GOING?

577
00:24:29,001 --> 00:24:30,136
HEY, YOU SEE ME?

578
00:24:30,169 --> 00:24:31,504
YEAH?

579
00:24:31,538 --> 00:24:32,505
THIS HERE?

580
00:24:32,539 --> 00:24:33,272
UH-HUH.

581
00:24:33,305 --> 00:24:35,007
TAYLOR HOLLIS' CAR.

582
00:24:35,041 --> 00:24:37,043
GET FORENSICS
TO SWEEP THE WHOLE AREA.

583
00:24:37,076 --> 00:24:39,812
WE JUST MIGHT HAVE
A CRIME SCENE.

584
00:24:39,846 --> 00:24:40,647
GET FORENSICS
ON THE HORN

585
00:24:40,680 --> 00:24:41,914
AND TELL THEM
TO SWEEP THE WHOLE AREA.

586
00:24:43,983 --> 00:24:45,251
THE JANITOR REMEMBERS
TAYLOR HOLLIS

587
00:24:45,284 --> 00:24:47,854
LEAVING THE UNIVERSITY
LIBRARY AT 11:00 P.M.

588
00:24:47,887 --> 00:24:49,756
BECAUSE HE WAS THE LAST ONE OUT.

589
00:24:49,789 --> 00:24:50,990
HIS CAR IS FOUND HERE,

590
00:24:51,023 --> 00:24:51,858
PARKED A BLOCK
AWAY FROM THE RESTAURANT,

591
00:24:51,891 --> 00:24:53,259
BUT SUNITA SAYS
SHE DOESN'T SEE HIM.

592
00:24:53,292 --> 00:24:54,827
BUT FORENSICS
FINDS HIS BLOOD

593
00:24:54,861 --> 00:24:55,762
IN THE ALLEY
BEHIND THE RESTAURANT.

594
00:24:55,795 --> 00:24:57,864
BUT THE BODY
WAS DUMPED HERE.

595
00:24:57,897 --> 00:24:59,632
AND WHAT DID WE FIND
INSIDE THE CAR?

596
00:24:59,666 --> 00:25:00,933
NOTHING.

597
00:25:00,967 --> 00:25:02,134
JUST TAYLOR'S PRINTS,
JUNK FOOD WRAPPERS,

598
00:25:02,168 --> 00:25:03,603
SOME PAPERS HE WAS MARKING.

599
00:25:03,636 --> 00:25:04,837
NO STRUGGLE, NO BLOOD.

600
00:25:04,871 --> 00:25:06,539
BUT BLOOD ON HIS SHIRT
AND JACKET.

601
00:25:06,573 --> 00:25:08,307
GRASS AND DIRT FROM
WHERE THE BODY WAS FOUND.

602
00:25:08,340 --> 00:25:10,743
ANYONE COULD HAVE HIT HIM
BEHIND THE RESTAURANT.

603
00:25:10,777 --> 00:25:12,244
THERE'S ALSO THIS.

604
00:25:12,278 --> 00:25:14,113
WHAT IS THAT?

605
00:25:14,146 --> 00:25:17,049
GYPSUM MIXED WITH FIBERGLASS
IN A WAX EMULSION.

606
00:25:17,083 --> 00:25:18,851
AND NOW IN ENGLISH.

607
00:25:18,885 --> 00:25:20,186
DRYWALL.

608
00:25:21,654 --> 00:25:23,856
HEY. HEY, HEY.

609
00:25:23,890 --> 00:25:26,826
GM RESTAURANT
JUST UNDERWENT RENOVATIONS.

610
00:25:26,859 --> 00:25:29,061
EXPANDING MEANS
TAKING OUT WALLS, WHICH MEANS...

611
00:25:29,095 --> 00:25:30,563
DRYWALL DUST.

612
00:25:30,597 --> 00:25:32,765
TAYLOR HOLLIS WAS GOING TO
SEE THE DAUGHTER,

613
00:25:32,799 --> 00:25:34,066
PARKS OUTSIDE THE RESTAURANT,

614
00:25:34,100 --> 00:25:36,102
HE GETS WHACKED IN THE ALLEY.

615
00:25:36,135 --> 00:25:38,137
THAT DUST
COULD PLACE HIM INSIDE.

616
00:25:38,170 --> 00:25:39,572
WELL, THAT'S ENOUGH
FOR A SEARCH WARRANT.

617
00:25:39,606 --> 00:25:41,340
PUT TAYLOR INSIDE
THE RESTAURANT FOR SURE,

618
00:25:41,373 --> 00:25:43,109
AND WE'LL
AN ARREST WARRANT.

619
00:25:43,142 --> 00:25:43,910
AND A LOLLIPOP.

620
00:25:53,986 --> 00:25:55,254
WHEN SHOULD I START
CALLING THIS HARASSMENT?

621
00:25:55,287 --> 00:25:56,923
WE'RE GATHERING EVIDENCE

622
00:25:56,956 --> 00:25:58,925
IN A MURDER
INVESTIGATION, MR. RAND.

623
00:25:58,958 --> 00:26:00,226
BUT THE BOY WASN'T
HERE THAT NIGHT.

624
00:26:00,259 --> 00:26:01,928
ALL WE KNOW IS THAT
YOU WEREN'T HERE.

625
00:26:01,961 --> 00:26:03,796
MY DAUGHTER TOLD YOU
SHE DIDN'T SEE HIM.

626
00:26:03,830 --> 00:26:04,931
WELL, FIRST,
SHE TOLD US

627
00:26:04,964 --> 00:26:05,965
SHE DIDN'T EVEN KNOW HIM,

628
00:26:05,998 --> 00:26:06,866
AND THEN SHE TOLD US
ON THE NIGHT HE WAS MURDERED,

629
00:26:06,899 --> 00:26:09,301
THEY WERE GOING TO
RUN AWAY TOGETHER, SO...

630
00:26:09,335 --> 00:26:10,136
LOOK, MY DAUGHTER
IS A ROMANTIC.

631
00:26:10,169 --> 00:26:11,137
SOME BOY LOOKS AT HER,

632
00:26:11,170 --> 00:26:12,972
SHE THINKS THEY'RE GOING TO
RUN OFF TOGETHER.

633
00:26:13,005 --> 00:26:14,106
SHE WATCHES
TOO MANY LIGHT MOVIES.

634
00:26:14,140 --> 00:26:16,042
LOOK, I HAVE A BUSINESS TO RUN.

635
00:26:16,075 --> 00:26:17,977
THIS IS SUPPOSED TO BE
OUR RE-LAUNCH DAY.

636
00:26:18,010 --> 00:26:20,947
PLEASE, TELL ME,
WHAT YOU ARE LOOKING FOR?

637
00:26:20,980 --> 00:26:23,215
TAYLOR HOLLIS HAD DRYWALL DUST
ON HIS CLOTHES.

638
00:26:23,249 --> 00:26:25,284
YOU GUYS WERE
UNDER RENOVATION.

639
00:26:25,317 --> 00:26:27,186
SUNITA SAID THE CONTRACTOR
WAS HERE THAT NIGHT.

640
00:26:27,219 --> 00:26:28,955
HE WAS CHECKING THE WIRING.

641
00:26:28,988 --> 00:26:30,156
WE'RE GOING TO
WANT TO TALK TO HIM.

642
00:26:30,189 --> 00:26:31,057
WHAT'S HIS NAME?

643
00:26:33,660 --> 00:26:34,694
WHAT'S HIS NAME?

644
00:26:34,727 --> 00:26:36,729
UH, CHARLES STANWYCK.

645
00:26:36,763 --> 00:26:37,964
DO YOU HAVE
HIS NUMBER?

646
00:26:37,997 --> 00:26:39,065
YEAH, SURE.

647
00:26:39,098 --> 00:26:41,033
I'LL... I'LL GET IT FOR YOU.

648
00:26:53,245 --> 00:26:55,047
NOW THE POLICE ARE
SEARCHING THE RESTAURANT.

649
00:26:55,081 --> 00:26:56,849
YEAH, WELL, THEY'RE NOT
GOING TO FIND ANYTHING.

650
00:26:56,883 --> 00:26:57,784
I HAD TO GIVE THEM
THE NUMBER.

651
00:26:57,817 --> 00:26:58,751
THEY KNOW
YOU WERE THERE.

652
00:26:58,785 --> 00:27:00,419
SO WHAT?

653
00:27:00,452 --> 00:27:01,754
I TOOK CARE OF EVERYTHING.

654
00:27:01,788 --> 00:27:02,889
I GOT THE JOB DONE.

655
00:27:02,922 --> 00:27:05,257
NOW IT'S YOUR TURN.

656
00:27:05,291 --> 00:27:07,026
I DON'T THINK
I CAN DO THIS.

657
00:27:08,961 --> 00:27:10,296
DO YOU THINK I'M STUPID?

658
00:27:10,329 --> 00:27:11,731
DO YOU THINK...

659
00:27:11,764 --> 00:27:14,200
DO YOU THINK
I DON'T HAVE INSURANCE?

660
00:27:14,233 --> 00:27:16,769
DO YOU THINK THAT YOUR PRINTS
AREN'T ALL OVER THE WEAPON?

661
00:27:16,803 --> 00:27:17,236
WHAT?

662
00:27:17,269 --> 00:27:18,137
YEAH.

663
00:27:18,170 --> 00:27:19,071
HOW?

664
00:27:19,105 --> 00:27:20,072
THE FLASHLIGHT.

665
00:27:20,106 --> 00:27:21,273
YOU HELD IT IN YOUR HAND.

666
00:27:21,307 --> 00:27:23,342
I STILL HAVE IT.

667
00:27:26,245 --> 00:27:28,180
BUT I HAVE AN ALIBI.

668
00:27:28,214 --> 00:27:30,850
YOU'RE THE ONLY ONE
WITH A MOTIVE.

669
00:27:30,883 --> 00:27:34,020
WHAT IF I TELL THEM
EVERYTHING?

670
00:27:34,053 --> 00:27:35,955
YOU KNOW WHAT, GO AHEAD.

671
00:27:35,988 --> 00:27:37,323
YOU SEE HOW FAR
THAT GETS YOU.

672
00:27:37,356 --> 00:27:39,325
NOW, THERE'S ONLY
ONE DEAD BODY.

673
00:27:39,358 --> 00:27:41,127
YOUR GUY IS DEAD.

674
00:27:41,160 --> 00:27:42,862
SO YOU FINISH THIS.

675
00:27:42,895 --> 00:27:44,997
YOU MAKE THIS RIGHT.

676
00:27:52,271 --> 00:27:54,206
ARE YOU CHARLES STANWYCK?

677
00:27:54,240 --> 00:27:54,874
YEAH.

678
00:27:54,907 --> 00:27:55,908
DETECTIVE FLYNN.

679
00:27:55,942 --> 00:27:56,342
DETECTIVE VEGA.

680
00:27:56,375 --> 00:27:57,910
HEY. HI.

681
00:27:57,944 --> 00:28:00,046
HERE, LET ME
HELP YOU WITH THAT.

682
00:28:00,079 --> 00:28:02,048
THANKS.

683
00:28:03,415 --> 00:28:04,884
THERE YOU GO.

684
00:28:04,917 --> 00:28:07,053
YOU DID SOME CONTRACT WORK
FOR VIJAY RAND?

685
00:28:07,086 --> 00:28:07,954
YEAH.

686
00:28:07,987 --> 00:28:10,089
A RESTAURANT RENO.

687
00:28:12,091 --> 00:28:14,326
ON TIME AND UNDER BUDGET.

688
00:28:14,360 --> 00:28:16,128
TAYLOR HOLLIS WAS HIS DAUGHTER'S
BOYFRIEND.

689
00:28:16,162 --> 00:28:18,130
HE WAS KILLED THE OTHER NIGHT
ON HIS WAY TO SEE SUNITA,

690
00:28:18,164 --> 00:28:19,265
AND WE WONDERED

691
00:28:19,298 --> 00:28:20,432
IF YOU SAW ANYTHING?

692
00:28:20,466 --> 00:28:22,835
WELL, I WAS PRETTY BAGGED
THE NIGHT I LEFT THE RESTAURANT.

693
00:28:22,869 --> 00:28:25,938
I SAW SUNITA, AND...

694
00:28:25,972 --> 00:28:27,039
NOTHING ELSE.

695
00:28:27,073 --> 00:28:28,941
YOU DIDN'T SEE
VIJAY RAND THAT NIGHT?

696
00:28:28,975 --> 00:28:30,442
NO. HE WAS AT, UH,

697
00:28:30,476 --> 00:28:31,377
WHAT DO YOU CALL IT...

698
00:28:31,410 --> 00:28:32,478
TEMPLE.

699
00:28:32,511 --> 00:28:33,913
A LATE-NIGHT THING.

700
00:28:33,946 --> 00:28:34,713
I'M SURE SOMEONE
SAW HIM THERE.

701
00:28:34,747 --> 00:28:36,783
YEAH. IT'S INTERESTING,
THOUGH,

702
00:28:36,816 --> 00:28:38,150
BECAUSE WE FOUND
TAYLOR HOLLIS' BLOOD

703
00:28:38,184 --> 00:28:39,118
IN THE ALLEY.

704
00:28:39,151 --> 00:28:40,887
WE FOUND HIS CAR
A BLOCK AWAY.

705
00:28:40,920 --> 00:28:41,821
YOU SURE YOU DIDN'T
SEE ANYTHING?

706
00:28:41,854 --> 00:28:43,289
NAH.

707
00:28:43,322 --> 00:28:46,092
JUST SUNITA.

708
00:28:46,125 --> 00:28:47,860
UM...

709
00:28:47,894 --> 00:28:50,229
YOU SHOULD KNOW THAT THAT KID,
HE'S A DRUG DEALER.

710
00:28:50,262 --> 00:28:51,463
IT MIGHT HAVE HAD
SOMETHING TO DO WITH THAT.

711
00:28:51,497 --> 00:28:53,532
HOW DO YOU KNOW THAT?

712
00:28:53,565 --> 00:28:55,301
WELL, HE OFFERED ME
SOME STUFF A COUPLE OF TIMES.

713
00:28:55,334 --> 00:28:56,502
HE SAID I LOOKED TIRED.

714
00:28:56,535 --> 00:28:57,236
A LITTLE PICK-ME-UP.

715
00:28:57,269 --> 00:28:59,205
-RIGHT.
-HMM. GOOD TO KNOW.

716
00:28:59,238 --> 00:29:00,439
ANYTHING I CAN DO
TO HELP, DETECTIVES.

717
00:29:00,472 --> 00:29:02,942
IF ANYTHING ELSE
COMES TO MIND...

718
00:29:02,975 --> 00:29:04,110
DEFINITELY.

719
00:29:04,143 --> 00:29:06,112
IF YOU NEED A RENO,
I'M YOUR GUY.

720
00:29:06,145 --> 00:29:08,114
-THANKS.
-HAVE A GOOD NIGHT.

721
00:29:08,147 --> 00:29:08,848
GOOD NIGHT.

722
00:29:08,881 --> 00:29:10,316
I LIKE HOW HE KNEW
THE SPECIFICS

723
00:29:10,349 --> 00:29:12,251
OF VIJAY'S ALIBI.

724
00:29:12,284 --> 00:29:14,120
YEAH, YOU KNOW
WHAT I LIKE?

725
00:29:14,153 --> 00:29:15,922
DRYWALL.

726
00:29:15,955 --> 00:29:17,156
NICE.

727
00:29:17,189 --> 00:29:19,926
I'VE GOT
AN EVIDENCE BAG IN THERE.

728
00:29:26,398 --> 00:29:29,001
[TV PLAYING]

729
00:29:32,338 --> 00:29:35,441
[KEY TURNING IN LOCK]

730
00:29:47,153 --> 00:29:50,056
[CLOSES DOOR SILENTLY]

731
00:29:52,959 --> 00:29:56,028
[TV PLAYING]

732
00:30:18,184 --> 00:30:21,253
[CAR APPROACHES OUTSIDE]

733
00:30:21,287 --> 00:30:23,222
[OBJECTS CLATTERING HEAVILY]

734
00:30:26,458 --> 00:30:27,626
[NANCY]: GREG?

735
00:30:27,659 --> 00:30:30,930
[VIJAY SHOUTS,
NANCY YELPS IN FRIGHT]

736
00:30:30,963 --> 00:30:32,098
GREG! GREG, ARE YOU OKAY?

737
00:30:32,131 --> 00:30:33,299
WHO THE HELL
WAS THAT?

738
00:30:36,368 --> 00:30:39,005
GYPROCK DUST ISN'T ENOUGH.

739
00:30:39,038 --> 00:30:39,738
LISTEN,

740
00:30:39,771 --> 00:30:40,973
CHARLES STANWYCK WAS
IN THE ALLEY

741
00:30:41,007 --> 00:30:41,874
THE NIGHT OF THE MURDER,

742
00:30:41,908 --> 00:30:43,409
WHERE WE FOUND THE BLOOD.

743
00:30:43,442 --> 00:30:44,543
TELL ME ONE GOOD REASON

744
00:30:44,576 --> 00:30:45,978
WHY A CONTRACTOR WOULD KILL
SOME UNIVERSITY STUDENT

745
00:30:46,012 --> 00:30:47,947
HE DOESN'T EVEN KNOW?

746
00:30:47,980 --> 00:30:49,448
MONEY.

747
00:30:49,481 --> 00:30:50,983
I DIDN'T KNOW
TAYLOR HOLLIS WAS RICH.

748
00:30:51,017 --> 00:30:52,084
NO, HE WASN'T,

749
00:30:52,118 --> 00:30:53,953
BUT VIJAY RAND HAD A MOTIVE
AND A BUILT-IN ALIBI.

750
00:30:53,986 --> 00:30:55,021
IT WAS AIR-TIGHT.

751
00:30:55,054 --> 00:30:56,322
MAYBE HE HIRED
CHARLES STANWYCK

752
00:30:56,355 --> 00:30:57,489
TO GET RID OF HIS PROBLEM.

753
00:30:57,523 --> 00:30:58,357
GET ME A SOLID
CONNECTION,

754
00:30:58,390 --> 00:31:00,226
AND I'LL GET YOU
THE WARRANT FOR THE VAN.

755
00:31:00,259 --> 00:31:02,061
CIRCLE BACK ON
MILO'S ASSOCIATES.

756
00:31:02,094 --> 00:31:02,929
YEAH.

757
00:31:05,431 --> 00:31:07,533
TELL ME CHARLES STANWYCK
WAS DESPERATE.

758
00:31:07,566 --> 00:31:09,435
TELL ME THE BANKS WERE GOING TO
FORECLOSE ON THE BUSINESS,

759
00:31:09,468 --> 00:31:11,070
THE BUSINESS
WAS GOING DOWN THE TUBES,

760
00:31:11,103 --> 00:31:12,404
AND THAT VIJAY RAND
MADE HIM AN OFFER

761
00:31:12,438 --> 00:31:13,973
THAT HE COULDN'T REFUSE.
TELL ME.

762
00:31:14,006 --> 00:31:15,041
DON'T TELL HER
ANYTHING.

763
00:31:15,074 --> 00:31:16,075
SORRY.

764
00:31:16,108 --> 00:31:18,210
NO PRIORS.

765
00:31:18,244 --> 00:31:19,311
NO WANTS OR WARRANTS.

766
00:31:19,345 --> 00:31:22,982
NO TAX PROBLEMS,
LIENS OR BANKRUPTCIES.

767
00:31:23,015 --> 00:31:24,683
HIS CREDIT SCORE IS
QUITE ADMIRABLE IF YOU ASK ME.

768
00:31:24,716 --> 00:31:26,618
WELL, THAT TAKES AWAY
THE FINANCIAL ANGLE.

769
00:31:26,652 --> 00:31:28,387
WHAT ABOUT
THE PERSONAL FRONT?

770
00:31:28,420 --> 00:31:29,989
WELL, THAT'S... TROUBLED.

771
00:31:30,022 --> 00:31:31,657
HIS SON,

772
00:31:31,690 --> 00:31:33,492
RILEY STANWYCK, AGED SIX.

773
00:31:33,525 --> 00:31:35,127
DIED IN A CAR ACCIDENT
THREE MONTHS AGO.

774
00:31:35,161 --> 00:31:36,996
AW, NO.

775
00:31:37,029 --> 00:31:39,698
IS THAT
THE ACCIDENT REPORT?

776
00:31:39,731 --> 00:31:41,133
IT'S NOT CONNECTED
TO TAYLOR HOLLIS.

777
00:31:41,167 --> 00:31:43,135
9-1-1 JUST FLAGGED
AN INCOMING CALL

778
00:31:43,169 --> 00:31:44,403
FROM NANCY STANWYCK.

779
00:31:44,436 --> 00:31:46,072
ATTEMPTED ASSAULT
AT HER BROTHER'S HOUSE.

780
00:31:46,105 --> 00:31:47,406
-WAS IT CHARLES?
-NO.

781
00:31:47,439 --> 00:31:49,341
EAST INDIAN MAN.
MID-40s.

782
00:32:04,190 --> 00:32:05,291
THANK YOU!

783
00:32:07,226 --> 00:32:08,260
THANK YOU!

784
00:32:08,294 --> 00:32:10,997
[REWINDING TAPE]

785
00:32:11,030 --> 00:32:12,398
THANK YOU!

786
00:32:12,431 --> 00:32:15,134
[REWINDING]

787
00:32:15,167 --> 00:32:18,270
THANK YOU!

788
00:32:18,304 --> 00:32:19,638
THANK YOU!

789
00:32:21,673 --> 00:32:23,142
[CHARLES]:
HEY, LET'S START AGAIN.

790
00:32:23,175 --> 00:32:24,176
[CELL PHONE VIBRATING]

791
00:32:29,715 --> 00:32:30,816
YEAH?

792
00:32:30,849 --> 00:32:32,651
[NANCY]: I'M AT GREG'S.
YOU HAVE TO COME.

793
00:32:32,684 --> 00:32:36,155
THE-THE POLICE
ARE ON THEIR WAY.

794
00:32:36,188 --> 00:32:38,090
WHAT'S HAPPENING?

795
00:32:38,124 --> 00:32:39,358
JUST COME, OKAY?

796
00:32:39,391 --> 00:32:41,427
PLEASE? FAST.

797
00:32:41,460 --> 00:32:43,462
I'LL BE RIGHT THERE.

798
00:32:48,067 --> 00:32:49,401
[TURNS OFF TV]

799
00:33:01,247 --> 00:33:02,414
I'M HER HUSBAND.

800
00:33:07,053 --> 00:33:08,420
NANCE?

801
00:33:08,454 --> 00:33:09,488
CHARLES,
I'M SO GLAD YOU'RE HERE.

802
00:33:09,521 --> 00:33:10,756
IT'S OKAY.

803
00:33:10,789 --> 00:33:11,723
YOU'RE NOT GOING TO
BELIEVE WHAT HAPPENED.

804
00:33:11,757 --> 00:33:12,724
CALM DOWN.

805
00:33:12,758 --> 00:33:13,425
IT'S OKAY.

806
00:33:13,459 --> 00:33:14,260
EVERYTHING'S
GOING TO BE OKAY.

807
00:33:14,293 --> 00:33:15,761
THERE WAS SOMEBODY
IN THE HOUSE...

808
00:33:15,794 --> 00:33:16,195
I'M HERE NOW.

809
00:33:16,228 --> 00:33:18,197
THEY BROKE IN...

810
00:33:18,230 --> 00:33:18,930
IT'S OKAY.
I LOVE YOU.

811
00:33:18,964 --> 00:33:20,199
AND THE GUY JUST
RAN OUT THE DOOR

812
00:33:20,232 --> 00:33:21,200
WHEN NANCY GOT HERE.

813
00:33:21,233 --> 00:33:21,833
THAT IS FREAKY, RIGHT?

814
00:33:24,136 --> 00:33:25,404
HE JUST PUSHED
PAST ME--

815
00:33:25,437 --> 00:33:26,572
[CELL PHONE RINGS]

816
00:33:26,605 --> 00:33:28,040
I GOT A LITTLE BIT
OF A LOOK--

817
00:33:28,074 --> 00:33:29,408
ARE YOU LISTENING
TO ME, CHARLES?

818
00:33:29,441 --> 00:33:30,376
SOMEBODY BROKE
INTO HIS HOUSE--

819
00:33:30,409 --> 00:33:32,111
[ANSWERS CALL]

820
00:33:32,144 --> 00:33:33,079
DID YOU HEAR
WHAT I SAID?

821
00:33:33,112 --> 00:33:33,912
HELLO.

822
00:33:33,945 --> 00:33:35,114
CHARLES, DID YOU
HEAR WHAT I JUST--

823
00:33:35,147 --> 00:33:36,515
I CAN SEE THAT.

824
00:33:36,548 --> 00:33:38,050
I'LL BE THERE
IN 15 MINUTES.

825
00:33:38,084 --> 00:33:39,251
CHARLES, WHERE
ARE YOU GOING?

826
00:33:39,285 --> 00:33:40,486
PLEASE, WOULD YOU...

827
00:33:40,519 --> 00:33:42,088
[BEEPS OFF PHONE]

828
00:33:42,121 --> 00:33:42,654
HE'S FINE.

829
00:33:45,357 --> 00:33:46,392
NOT A SCRATCH.

830
00:33:48,094 --> 00:33:49,195
CHARLES, WHERE ARE YOU GOING?

831
00:33:49,228 --> 00:33:52,131
CHARLES!

832
00:33:56,568 --> 00:33:57,369
[FLYNN]: AND HE DROPPED THIS?

833
00:33:57,403 --> 00:33:58,604
[NANCY]: YES.

834
00:33:58,637 --> 00:34:00,139
[GREG]: YOU SURE
THAT ISN'T ONE OF YOURS?

835
00:34:00,172 --> 00:34:02,841
I KEEP AN INSULIN SHOT
IN MY BAG, JUST IN CASE,

836
00:34:02,874 --> 00:34:04,276
BUT, NO, I'VE NEVER
USED ONE HERE.

837
00:34:04,310 --> 00:34:05,344
YOU'RE DIABETIC?

838
00:34:05,377 --> 00:34:07,146
YES.

839
00:34:07,179 --> 00:34:08,046
IS THIS THE MAN
THAT YOU SAW?

840
00:34:12,151 --> 00:34:13,119
YEAH.

841
00:34:13,152 --> 00:34:14,853
YES. YEAH,
THAT'S HIM.

842
00:34:14,886 --> 00:34:17,356
AND YOU TOLD YOUR HUSBAND,
CHARLES, ABOUT THIS?

843
00:34:17,389 --> 00:34:19,125
YES. WELL, I TRIED TO,

844
00:34:19,158 --> 00:34:20,259
BUT HE GOT A CALL
AND HE HAD TO GO.

845
00:34:20,292 --> 00:34:22,194
HMM.

846
00:34:22,228 --> 00:34:23,562
WHAT'S YOUR RELATIONSHIP
WITH HER HUSBAND LIKE?

847
00:34:26,332 --> 00:34:28,467
UM... WE'VE HAD

848
00:34:28,500 --> 00:34:30,336
A BIT OF A ROUGH GO
IN OUR FAMILY

849
00:34:30,369 --> 00:34:32,471
SINCE THE ACCIDENT.

850
00:34:32,504 --> 00:34:33,639
THAT'S WHAT
HE DOESN'T UNDERSTAND,

851
00:34:33,672 --> 00:34:34,606
THAT IT WAS AN ACCIDENT.

852
00:34:39,478 --> 00:34:40,279
AND WHERE DID YOUR HUSBAND GO?

853
00:34:41,680 --> 00:34:44,250
UM, I DON'T KNOW.

854
00:34:44,283 --> 00:34:45,617
HE SAID HE HAD BE SOMEWHERE
IN 15 MINUTES.

855
00:34:45,651 --> 00:34:46,618
YOU JUST MISSED HIM.

856
00:34:46,652 --> 00:34:49,188
THANK YOU, MRS. STANWYCK.

857
00:34:49,221 --> 00:34:50,156
THESE OFFICERS
WILL STAY WITH YOU.

858
00:34:50,189 --> 00:34:51,190
THANK YOU.

859
00:34:51,223 --> 00:34:52,391
GREAT. THANK YOU.

860
00:34:52,424 --> 00:34:54,426
THANK YOU.

861
00:34:57,229 --> 00:34:58,530
SO WE CAN GET
VIJAY RAND ON INTENT.

862
00:34:58,564 --> 00:35:00,499
AND A HOTSHOT OF INSULIN?

863
00:35:00,532 --> 00:35:02,234
A HOTSHOT OF SOMETHING.

864
00:35:02,268 --> 00:35:05,271
CHARLES KILLS TAYLOR,
SO VIJAY TRIES TO KILL GREG.

865
00:35:05,304 --> 00:35:07,606
WHAT ARE YOU THINKING, PAYBACK?

866
00:35:07,639 --> 00:35:08,574
GREG WAS DRIVING
THE DAY RILEY DIED.

867
00:35:08,607 --> 00:35:10,542
I'D SAY MORE LIKE PAYMENT.

868
00:35:10,576 --> 00:35:13,512
WE WERE LOOKING FOR A MOTIVE.
I DIDN'T THINK WE'D FIND TWO.

869
00:35:25,791 --> 00:35:28,794
WHAT THE HELL, RAND?

870
00:35:28,827 --> 00:35:31,163
I'M NOT GOING TO
KILL THAT MAN.

871
00:35:31,197 --> 00:35:32,664
I'VE BROKEN MY DAUGHTER'S HEART.
ENOUGH IS ENOUGH.

872
00:35:34,433 --> 00:35:37,536
YOUR DAUGHTER WILL GET OVER IT.

873
00:35:37,569 --> 00:35:38,737
YOU HAVE TO FINISH THIS.

874
00:35:38,770 --> 00:35:39,571
I WILL.

875
00:35:39,605 --> 00:35:41,207
WE WILL CALL THE POLICE.

876
00:35:41,240 --> 00:35:42,274
YOU HAVE THE FLASHLIGHT
WITH MY PRINTS ON IT.

877
00:35:44,643 --> 00:35:45,511
I WILL TAKE ALL THE BLAME.

878
00:35:45,544 --> 00:35:47,713
THEN YOU WILL LOSE HER.

879
00:35:47,746 --> 00:35:48,747
I HAVE TO DO WHAT IS RIGHT!

880
00:35:48,780 --> 00:35:49,515
[SLAMS CHAIR]

881
00:35:50,549 --> 00:35:51,750
YOU?

882
00:35:51,783 --> 00:35:53,519
YOU WANT TO TALK TO ME
ABOUT "RIGHT"?

883
00:35:53,552 --> 00:35:55,854
I KILLED THAT BOY FOR YOU.

884
00:35:55,887 --> 00:35:59,625
WITHOUT YOUR END OF THE DEAL,
NOTHING'S RIGHT.

885
00:35:59,658 --> 00:36:01,760
PLEASE, I WILL DO THIS FOR YOU.

886
00:36:01,793 --> 00:36:03,195
OKAY?

887
00:36:03,229 --> 00:36:06,465
I WENT TO TEMPLE THAT NIGHT,
BUT I SNUCK OUT.

888
00:36:06,498 --> 00:36:07,333
NO ONE SAW ME.

889
00:36:07,366 --> 00:36:08,600
I CAME BACK HERE,

890
00:36:08,634 --> 00:36:10,869
I STOLE YOUR FLASHLIGHT,

891
00:36:10,902 --> 00:36:11,837
I WAITED FOR TAYLOR

892
00:36:11,870 --> 00:36:13,705
IN THE BACK OF THE RESTAURANT.

893
00:36:13,739 --> 00:36:15,807
AFTER I KILLED HIM,
I DUMPED THE BODY.

894
00:36:15,841 --> 00:36:18,477
IT'S ALL ON ME.

895
00:36:18,510 --> 00:36:21,513
[SUNITA GASPS]

896
00:36:22,581 --> 00:36:23,915
YOU KILLED TAYLOR?

897
00:36:25,684 --> 00:36:26,718
[QUIETLY] SHUT YOUR MOUTH.

898
00:36:28,454 --> 00:36:29,421
NO.

899
00:36:32,991 --> 00:36:34,860
YES.

900
00:36:34,893 --> 00:36:36,395
I DID.

901
00:36:38,764 --> 00:36:40,932
I'LL KILL HIM MYSELF.

902
00:36:47,839 --> 00:36:50,309
BUT WHY?

903
00:36:50,342 --> 00:36:52,911
YOU, SUNITA.

904
00:36:52,944 --> 00:36:55,581
I COULD NOT LOSE YOU.

905
00:36:59,851 --> 00:37:01,553
[POLICE RADIOS CRACKLE]

906
00:37:02,921 --> 00:37:05,557
I LOVED HIM.

907
00:37:05,591 --> 00:37:07,959
[WAILING SIRENS APPROACH]

908
00:37:17,569 --> 00:37:20,606
MY FATHER KILLED TAYLOR.

909
00:37:20,639 --> 00:37:21,573
NO, HE DIDN'T.

910
00:37:21,607 --> 00:37:24,510
IT WAS AN AGREEMENT.

911
00:37:24,543 --> 00:37:25,977
CHARLES WOULD KILL TAYLOR,

912
00:37:26,011 --> 00:37:28,680
YOUR FATHER WOULD KILL
CHARLES' BROTHER-IN-LAW.

913
00:37:28,714 --> 00:37:30,682
[HANDCUFFS RATTLE]

914
00:37:30,716 --> 00:37:32,318
VIJAY RAND...

915
00:37:32,351 --> 00:37:35,020
YOU'RE UNDER ARREST FOR
CONSPIRACY TO COMMIT MURDER.

916
00:37:35,053 --> 00:37:37,556
[HANDCUFFS CLICK SHUT]

917
00:37:40,826 --> 00:37:41,660
[GASPING WITH SORROW]

918
00:37:45,964 --> 00:37:48,700
[CRYING]

919
00:37:50,869 --> 00:37:53,372
[CHARLES]:
YOUR DAD'S A GOOD MAN.

920
00:37:54,606 --> 00:37:56,475
HE ONLY WANTS THE BEST FOR YOU.

921
00:38:05,817 --> 00:38:08,987
OH, HEY, KID,
YOU SCARED ME.

922
00:38:09,020 --> 00:38:09,788
UH, YOU GOT A SEC?

923
00:38:09,821 --> 00:38:11,022
I'VE GOT TO MOVE
SOME STUFF IN HERE.

924
00:38:11,056 --> 00:38:12,090
I COULD USE A HAND.

925
00:38:12,123 --> 00:38:13,024
YEAH, SURE.

926
00:38:13,058 --> 00:38:14,960
YEAH? IT'S UH...

927
00:38:14,993 --> 00:38:17,696
IT'S MOSTLY
THAT FAN BACK THERE.

928
00:38:19,665 --> 00:38:20,866
[BLOW THUDS]

929
00:38:24,035 --> 00:38:24,936
[MOANS IN PAIN]

930
00:38:29,007 --> 00:38:30,642
[MUFFLED CRIES]

931
00:38:32,744 --> 00:38:33,712
[MUFFLED SCREAMS]

932
00:38:35,681 --> 00:38:39,918
[BLOWS THUDDING,
TAYLOR SCREAMING]

933
00:38:44,723 --> 00:38:48,494
[GARGLED SCREAMS]

934
00:38:49,561 --> 00:38:52,931
[TAYLOR GOES SILENT]

935
00:38:55,734 --> 00:38:56,702
[GASPS WITH EFFORT]

936
00:39:00,906 --> 00:39:02,574
HI.

937
00:39:02,608 --> 00:39:05,411
HI.

938
00:39:16,755 --> 00:39:18,757
[TEXT MESSAGE CHIMES]

939
00:39:36,708 --> 00:39:39,745
[INHALES SHARPLY]

940
00:39:39,778 --> 00:39:41,913
[SHOUTS EXPLOSIVELY]

941
00:39:41,947 --> 00:39:45,417
[SCREAMING IN BURSTS]

942
00:39:47,619 --> 00:39:49,888
[POLICE RADIOS CRACKLE]

943
00:39:53,825 --> 00:39:56,828
YOU DON'T HAVE TO.

944
00:40:08,774 --> 00:40:10,208
I GET IT.

945
00:40:10,241 --> 00:40:13,845
IT'S EASIER TO KILL A STRANGER
THAN YOUR OWN FAMILY.

946
00:40:15,614 --> 00:40:18,016
HE'S NOT MY FAMILY.

947
00:40:18,049 --> 00:40:21,520
NO, BUT HE WAS RILEY'S.

948
00:40:22,821 --> 00:40:26,692
ALL HE HAD TO DO
WAS SAY NO.

949
00:40:26,725 --> 00:40:30,729
I WOULD HAVE DRIVEN MY BOY.

950
00:40:30,762 --> 00:40:33,465
ALL HE HAD TO DO WAS SAY NO.

951
00:40:34,900 --> 00:40:36,968
I AM SORRY
THAT I HAVE TO MISS THIS.

952
00:40:37,002 --> 00:40:38,870
YOU HAVE A PERFECT
FIRST DAY, OKAY?

953
00:40:39,938 --> 00:40:42,107
BIG SQUEEZE.

954
00:40:42,140 --> 00:40:43,041
GET THAT MIGRAINE
IN CHECK.

955
00:40:43,074 --> 00:40:44,810
I GOT YOU COVERED.

956
00:40:44,843 --> 00:40:46,177
OKAY, DON'T FORGET
THE CAR SEAT.

957
00:40:46,211 --> 00:40:47,613
CAR SEAT...

958
00:40:47,646 --> 00:40:51,149
YOU'RE A BIG DUDE TODAY.

959
00:40:51,182 --> 00:40:53,952
[BEEPING IMAGINARY BUTTONS]

960
00:40:53,985 --> 00:40:55,687
INITIATING LAUNCH SEQUENCE.

961
00:40:55,721 --> 00:40:56,755
[IMITATING A BLAST-OFF]

962
00:40:56,788 --> 00:40:57,523
[TIRES SQUEALING]

963
00:41:02,127 --> 00:41:06,164
DID YOU KNOW HE WAS DRUNK
THE NIGHT BEFORE?

964
00:41:06,197 --> 00:41:07,533
[LAUGHS RUEFULLY]

965
00:41:07,566 --> 00:41:08,900
THAT WASN'T ANYTHING NEW,

966
00:41:08,934 --> 00:41:10,736
AND THAT GUY,

967
00:41:10,769 --> 00:41:12,671
HE HASN'T DONE
ANYTHING RIGHT

968
00:41:12,704 --> 00:41:15,173
HIS WHOLE LIFE,

969
00:41:15,206 --> 00:41:19,711
AND HE...

970
00:41:19,745 --> 00:41:24,049
HE WALKS AWAY FROM THE ACCIDENT,

971
00:41:24,082 --> 00:41:27,619
NOT A SCRATCH.

972
00:41:28,787 --> 00:41:30,956
SO YOU WANTED PAYBACK?

973
00:41:30,989 --> 00:41:32,924
YEAH.

974
00:41:32,958 --> 00:41:35,961
WOULDN'T YOU?

975
00:41:35,994 --> 00:41:38,296
WHY DOES HE GET TO LIVE

976
00:41:38,329 --> 00:41:41,833
WHEN MY RILEY'S DEAD?

977
00:41:43,735 --> 00:41:46,004
THAT'S NOT SOMETHING
YOU GET TO DECIDE.

978
00:41:49,174 --> 00:41:50,942
UM...

979
00:41:53,178 --> 00:41:54,746
DO YOU HAVE A KID?

980
00:41:55,947 --> 00:41:57,082
YES, I DO.

981
00:42:00,652 --> 00:42:03,054
THEN YOU GET IT.

982
00:42:06,291 --> 00:42:09,761
[QUIETLY] NO, I DON'T.

983
00:42:32,350 --> 00:42:36,622
[***]