1 00:00:03,171 --> 00:00:04,738 [***] 2 00:00:04,772 --> 00:00:07,007 [CROWD CHEERING] 3 00:00:16,684 --> 00:00:19,053 [BAND STOPS] 4 00:00:19,087 --> 00:00:20,121 [CHEERING AND APPLAUSE] 5 00:00:20,154 --> 00:00:21,455 [WHISTLE BLARES] 6 00:00:21,489 --> 00:00:22,756 HIKE! 7 00:00:27,095 --> 00:00:28,562 [WHISTLE BLOWS, CROWD CHEERS] 8 00:00:28,596 --> 00:00:30,631 CHECK OUT LITTLE DRUMMER BOY. 9 00:00:30,664 --> 00:00:32,400 [LAUGHING] 10 00:00:32,433 --> 00:00:33,667 [TAPPING HAT] 11 00:00:33,701 --> 00:00:35,603 HEY, LOSER. 12 00:00:35,636 --> 00:00:37,471 [WHISTLE BLOWS] 13 00:00:39,573 --> 00:00:40,708 WATCH THIS. 14 00:00:40,741 --> 00:00:42,743 [CROWD CHEERING] 15 00:00:42,776 --> 00:00:46,147 [LAUGHING AND JEERING] 16 00:00:46,180 --> 00:00:48,482 I THINK YOU NEED A NEW THING. 17 00:00:48,516 --> 00:00:53,721 [HORNS BLARE AND DRONE] 18 00:00:53,754 --> 00:00:55,489 [CHEERING] 19 00:00:57,825 --> 00:01:00,828 HAVE SOME POPCORN, YA DOUCHEBAG! 20 00:01:00,861 --> 00:01:02,496 [TRAILING MEAN LAUGHTER] 21 00:01:06,134 --> 00:01:08,136 [TURNS UP STEREO] 22 00:01:08,169 --> 00:01:08,869 [***] 23 00:01:08,902 --> 00:01:11,839 GO, MR. MARTIN, YOU CAN DO IT! 24 00:01:11,872 --> 00:01:12,840 NO... 25 00:01:14,142 --> 00:01:15,676 * YOU'RE A REAL TOUGH COOKIE * 26 00:01:15,709 --> 00:01:17,711 * WITH A LONG HISTORY 27 00:01:17,745 --> 00:01:19,213 * OF BREAKING LITTLE HEARTS 28 00:01:19,247 --> 00:01:21,249 * LIKE THE ONE IN ME 29 00:01:21,282 --> 00:01:23,184 * THAT'S OKAY 30 00:01:23,217 --> 00:01:25,319 * LET'S SEE HOW YOU DO IT 31 00:01:25,353 --> 00:01:29,790 * PUT YOUR DUKES UP AND GET DOWN TO IT * 32 00:01:29,823 --> 00:01:32,293 * HIT ME WITH YOUR BEST SHOT 33 00:01:32,326 --> 00:01:34,728 * WHY DON'T YOU HIT ME WITH YOUR BEST SHOT? * 34 00:01:34,762 --> 00:01:35,729 PUT YOUR HANDS UP! 35 00:01:35,763 --> 00:01:39,867 * HIT ME WITH YOUR BEST SHOT 36 00:01:39,900 --> 00:01:43,204 * FIRE AWAY 37 00:01:43,237 --> 00:01:44,605 [CHEERING AND LAUGHTER] 38 00:01:44,638 --> 00:01:45,606 NICE SHOT, MAN! 39 00:01:49,277 --> 00:01:51,679 [SIREN WAILING] 40 00:01:51,712 --> 00:01:54,215 [***] 41 00:02:35,689 --> 00:02:37,191 EVENING, DETECTIVE FLYNN. 42 00:02:37,225 --> 00:02:38,959 UH, MORNING, ACTUALLY, DAVE. 43 00:02:38,992 --> 00:02:39,760 IDENT HANDED OVER THE SCENE YET? 44 00:02:39,793 --> 00:02:40,894 THEY'RE ALMOST FINISHED. 45 00:02:40,928 --> 00:02:42,563 CORONER'S ON HER WAY DOWN. 46 00:02:42,596 --> 00:02:43,897 THANKS. 47 00:02:43,931 --> 00:02:45,199 YOUR BABY STILL WAKING UP IN THE NIGHT? 48 00:02:45,233 --> 00:02:46,267 HUH? 49 00:02:46,300 --> 00:02:48,969 YOU LOOK LIKE HELL. 50 00:02:49,002 --> 00:02:49,937 KEEP 'EM OFF THE GRASS, HUH? 51 00:02:49,970 --> 00:02:51,972 I DIDN'T KNOW THAT WAS PART OF THIS SCENE. 52 00:02:52,005 --> 00:02:53,841 IT'S NOT. IT'S JUST NICE GRASS. 53 00:02:53,874 --> 00:02:54,908 NOTHING SAYS FRIDAY NIGHT 54 00:02:54,942 --> 00:02:57,811 LIKE A HOMICIDE. 55 00:02:57,845 --> 00:02:59,913 I DON'T KNOW WHY I BOTHER MAKING PLANS. 56 00:02:59,947 --> 00:03:01,549 IT'S LIKE I'M TEMPTING FATE. 57 00:03:01,582 --> 00:03:03,251 OH, SO YOU DID THIS, IT'S YOUR FAULT. 58 00:03:03,284 --> 00:03:04,785 YOU OWE ME CONCERT TICKETS. 59 00:03:04,818 --> 00:03:06,687 CONSIDER IT DONE. 60 00:03:06,720 --> 00:03:09,623 SO... "THE CREEPER," 61 00:03:09,657 --> 00:03:11,759 DOES THAT MEAN ANYTHING TO YOU? 62 00:03:11,792 --> 00:03:12,960 YEAH. 63 00:03:12,993 --> 00:03:13,794 A KILLER WHO WANTS A NAME, 64 00:03:13,827 --> 00:03:14,928 ALWAYS A BAD SIGN. 65 00:03:14,962 --> 00:03:15,996 WHERE'S THE VICTIM? 66 00:03:16,029 --> 00:03:18,632 UPSTAIRS. 67 00:03:18,666 --> 00:03:20,734 HIGH SCHOOL TEACHER NAMED GLENN MARTIN. 68 00:03:20,768 --> 00:03:22,002 BLUNT FORCE HEAD INJURIES. 69 00:03:22,035 --> 00:03:23,671 HIS WIFE FOUND HIM NEXT TO THEIR BED. 70 00:03:23,704 --> 00:03:24,972 WHERE WAS SHE? 71 00:03:25,005 --> 00:03:25,906 SLEEPING IN THE SPARE ROOM. 72 00:03:25,939 --> 00:03:27,241 OR SO SHE SAYS. 73 00:03:27,275 --> 00:03:28,008 WHAT? 74 00:03:28,041 --> 00:03:29,410 IT HAPPENS. 75 00:03:29,443 --> 00:03:30,611 YEAH, IT HAPPENS. YOU KNOW THE STATS. 76 00:03:30,644 --> 00:03:32,746 NUMBERS CAN LIE. 77 00:03:32,780 --> 00:03:34,548 SO CAN PEOPLE. 78 00:03:34,582 --> 00:03:36,817 ANGE? ANGIE? 79 00:03:36,850 --> 00:03:38,419 NO, NO, NO, I WOULDN'T TOUCH THAT. 80 00:03:38,452 --> 00:03:39,353 THERE'S A DOG 81 00:03:39,387 --> 00:03:41,422 INHIBITING ACCESS TO THE BODY. 82 00:03:41,455 --> 00:03:42,656 IT WON'T BUDGE, NOT EVEN FOR THE WIFE. 83 00:03:42,690 --> 00:03:44,292 HEY, GUYS, 84 00:03:44,325 --> 00:03:45,293 WE GOT A MURDER SCENE GROWING COLD, 85 00:03:45,326 --> 00:03:46,159 AND A KILLER RUNNING LOOSE? 86 00:03:46,193 --> 00:03:47,695 IT'S A BIG DOG, ANGIE. [DOG BARKING] 87 00:03:47,728 --> 00:03:49,430 IT'S ALL RIGHT. I GOT A WAY WITH ANIMALS. 88 00:03:49,463 --> 00:03:50,564 I THOUGHT YOU HAD A WAY WITH MEN. 89 00:03:50,598 --> 00:03:53,667 SAME PRINCIPLES APPLY. YOU'VE JUST GOT TO TAKE CONTROL. 90 00:03:53,701 --> 00:03:55,235 GOOD LUCK. 91 00:03:56,304 --> 00:03:57,505 SIT. 92 00:03:58,839 --> 00:03:59,740 [BARKING AND GROWLING] 93 00:04:01,942 --> 00:04:03,344 I SAID, SIT! 94 00:04:03,377 --> 00:04:04,378 [BARKING AND GROWLING] 95 00:04:04,412 --> 00:04:05,746 IF YOU DON'T SIT, RIGHT NOW-- 96 00:04:09,917 --> 00:04:11,051 TAKING CONTROL, HUH? 97 00:04:11,084 --> 00:04:13,987 USUALLY TAKES A COUPLE DATES. 98 00:04:14,021 --> 00:04:15,022 ANIMAL CONTROL'S ON THE WAY. 99 00:04:15,055 --> 00:04:16,524 IN THE MEANTIME, 100 00:04:16,557 --> 00:04:18,992 I THINK I SAW A COFFEE SHOP ON THE CORNER. 101 00:04:19,026 --> 00:04:20,694 HEY, IF YOU'RE GOING, I'LL TAKE A MOCHA... 102 00:04:23,364 --> 00:04:25,699 [BREATHING HARD] 103 00:04:34,041 --> 00:04:36,777 [SHUTTER CLICKING] 104 00:04:44,051 --> 00:04:46,720 THANK YOU FOR BEING SO PATIENT, MRS. MARTIN. 105 00:04:46,754 --> 00:04:48,856 WE'RE ALMOST FINISHED. 106 00:04:48,889 --> 00:04:49,923 MAKE SURE TO GET HER HANDS, PLEASE. 107 00:04:53,060 --> 00:04:54,595 SO WHAT SUBJECT DID GLENN TEACH? 108 00:04:54,628 --> 00:04:56,797 UH, SCIENCE. 109 00:04:56,830 --> 00:04:59,400 THAT'S A HARD ONE, 110 00:04:59,433 --> 00:05:01,735 ALL THOSE CHARTS AND TABLES. 111 00:05:01,769 --> 00:05:05,072 GLENN WROTE THESE CRAZY SONGS FOR HIS KIDS, 112 00:05:05,105 --> 00:05:06,574 TO HELP THEM REMEMBER. 113 00:05:06,607 --> 00:05:08,676 SO HE WAS A SINGING SCIENTIST? 114 00:05:10,411 --> 00:05:11,912 HE MUST HAVE BEEN A HIT. 115 00:05:11,945 --> 00:05:14,782 PEOPLE LOVED BEING AROUND HIM. 116 00:05:14,815 --> 00:05:16,750 WHY WOULD ANYONE... 117 00:05:16,784 --> 00:05:17,751 WHY WOULD-- 118 00:05:17,785 --> 00:05:19,119 OKAY, WE'RE GOOD. 119 00:05:19,152 --> 00:05:20,954 THANK YOU, MRS. MARTIN. 120 00:05:26,126 --> 00:05:29,363 LINDA, I NEED YOUR ROBE AND NIGHTGOWN AS EVIDENCE. 121 00:05:29,397 --> 00:05:31,365 JUST A FORMALITY. 122 00:05:32,966 --> 00:05:34,067 OKAY. 123 00:05:34,101 --> 00:05:36,336 THANK YOU. 124 00:05:40,107 --> 00:05:41,875 I NEED TO STAY IN THE ROOM. 125 00:05:41,909 --> 00:05:43,377 PROTOCOL. 126 00:05:44,578 --> 00:05:45,879 OH. 127 00:05:59,026 --> 00:06:00,360 THERE WE GO. 128 00:06:01,929 --> 00:06:02,763 FOR GOD'S SAKE, GLENN. 129 00:06:02,796 --> 00:06:04,732 HOW LONG DOES IT TAKE TO WALK A DOG? 130 00:06:06,066 --> 00:06:07,435 I STOPPED BY THE LAMPLIGHTER. 131 00:06:07,468 --> 00:06:08,969 DON'T TELL ME YOU WERE SINGING AGAIN. 132 00:06:11,204 --> 00:06:12,406 CAN WE TALK? 133 00:06:14,074 --> 00:06:15,142 YOU'RE DRUNK. 134 00:06:15,175 --> 00:06:16,410 [STAMMERS AND CHUCKLES] 135 00:06:16,444 --> 00:06:17,244 A LITTLE. 136 00:06:17,277 --> 00:06:19,913 I MEAN, DOESN'T MEAN WE CAN'T TALK. 137 00:06:19,947 --> 00:06:21,048 MIGHT EVEN MAKE IT EASIER. 138 00:06:22,983 --> 00:06:24,818 I TOLD YOU, EVERYTHING'S FINE. 139 00:06:24,852 --> 00:06:25,953 IT DOESN'T FEEL THAT WAY. 140 00:06:29,590 --> 00:06:30,858 WE'LL TALK IN THE MORNING, GLENN. 141 00:06:30,891 --> 00:06:33,060 GO UPSTAIRS, SLEEP IT OFF. 142 00:06:43,036 --> 00:06:45,606 [SWELL OF CHEERING CROWD] 143 00:06:45,639 --> 00:06:47,475 NOTHING LIKE THE SMELL OF SWEATY POLYESTER 144 00:06:47,508 --> 00:06:48,809 ON A FRIDAY NIGHT. 145 00:06:48,842 --> 00:06:49,843 SORRY? 146 00:06:49,877 --> 00:06:51,912 I DON'T SPEAK LOSER. 147 00:06:51,945 --> 00:06:54,114 HOW LONG ARE YOU GONNA BE? 148 00:06:54,147 --> 00:06:56,149 I JUST GOTTA CHANGE. 149 00:06:58,051 --> 00:07:00,153 BAND GEEKS IN THEIR NATURAL HABITAT. 150 00:07:01,589 --> 00:07:02,656 [GIRL]: HEY, GUYS, COME OVER. 151 00:07:02,690 --> 00:07:03,957 I'M GOING TO TAKE-- 152 00:07:03,991 --> 00:07:05,192 I WANT TO TAKE A PICTURE. 153 00:07:05,225 --> 00:07:06,460 KRISTI, HUH? 154 00:07:06,494 --> 00:07:08,496 SHE'S ALL RIGHT FOR A DRUM MAJOR. 155 00:07:08,529 --> 00:07:09,597 HER? 156 00:07:09,630 --> 00:07:11,499 SHE DOESN'T EVEN KNOW I EXIST. 157 00:07:11,532 --> 00:07:13,233 [LAUGHING] 158 00:07:13,266 --> 00:07:14,535 LET'S GET OUT OF HERE. 159 00:07:14,568 --> 00:07:15,836 IT'S TIME FOR THE CREEPERS. 160 00:07:15,869 --> 00:07:16,904 SHUT UP. 161 00:07:16,937 --> 00:07:18,105 WHAT? 162 00:07:18,138 --> 00:07:20,040 NOBODY'S PAYING ATTENTION. 163 00:07:20,073 --> 00:07:22,009 EXACTLY, AND THAT'S THE WAY I LIKE IT. 164 00:07:22,042 --> 00:07:23,744 WE'RE GHOSTS. 165 00:07:23,777 --> 00:07:24,678 GET THE CAR. 166 00:07:24,712 --> 00:07:25,913 OKAY. 167 00:07:27,247 --> 00:07:28,482 SAY... CHEESE! 168 00:07:30,818 --> 00:07:33,487 DUDE, WOODBRIDGE PARK? 169 00:07:33,521 --> 00:07:34,421 YEAH? SO? 170 00:07:34,454 --> 00:07:36,189 SO YOU TOLD ME THE FIRST RULE OF CREEPING 171 00:07:36,223 --> 00:07:38,091 IS TO AVOID AREAS WHERE PEOPLE KNOW YOU. 172 00:07:38,125 --> 00:07:40,060 THOSE WERE THE BEGINNER RULES. 173 00:07:40,093 --> 00:07:42,095 CELL PHONES ON SILENT. 174 00:07:42,129 --> 00:07:43,564 I WANNA SMOKE SOME GREEN FIRST. 175 00:07:43,597 --> 00:07:46,233 I KNOW YOU GOT A FATTIE IN YOUR BACKPACK. 176 00:07:46,266 --> 00:07:47,635 DUDE, DID YOU FORGET YOUR BACKPACK? 177 00:07:47,668 --> 00:07:48,902 DAMMIT, WILLIE! 178 00:07:48,936 --> 00:07:50,604 CREEPING ISN'T A GAME. 179 00:07:50,638 --> 00:07:52,005 IF YOU WANNA GET STONED, 180 00:07:52,039 --> 00:07:53,273 GO HANG OUT WITH YOUR STONER FRIENDS. 181 00:07:53,306 --> 00:07:54,608 IT WAS JUST A SUGGESTION, OKAY? 182 00:07:54,642 --> 00:07:55,943 RELAX. 183 00:08:07,054 --> 00:08:08,689 [CORONER]: GOOD MORNING, BOYS. 184 00:08:08,722 --> 00:08:09,723 [OFFICER]: GOOD MORNING, DOCTOR. 185 00:08:09,757 --> 00:08:12,526 LOOKING SHARP. 186 00:08:12,560 --> 00:08:13,927 HELLO. 187 00:08:13,961 --> 00:08:15,696 MEDICAL EXAMINER. 188 00:08:15,729 --> 00:08:18,165 THEY TOLD ME YOU HAVE A BODY, AND I SEE THAT THEY WERE RIGHT. 189 00:08:19,199 --> 00:08:20,267 VICTIM'S INSIDE, DR. ROGERS. 190 00:08:20,300 --> 00:08:21,869 HMM. 191 00:08:24,204 --> 00:08:26,173 WHAT TIME DID MR. MARTIN COME HOME? 192 00:08:26,206 --> 00:08:29,810 UM... 10:00? 193 00:08:29,843 --> 00:08:31,211 SOMETIMES WITH GLENN, 194 00:08:31,244 --> 00:08:35,048 ONE BEER WOULD TURN INTO FOUR, AND... 195 00:08:35,082 --> 00:08:37,317 HE WAS SNORING BEFORE HIS HEAD HIT THE PILLOW, 196 00:08:37,350 --> 00:08:39,553 WHICH USUALLY HAPPENS WHEN HE HAS TOO MUCH TO DRINK. 197 00:08:39,587 --> 00:08:41,521 I'M GUESSING THAT'S WHY YOU WENT TO THE SPARE ROOM? 198 00:08:43,624 --> 00:08:45,058 YEAH. 199 00:08:45,092 --> 00:08:47,294 THAT'S RIGHT. TO GET SOME SLEEP. 200 00:08:48,896 --> 00:08:50,030 WHAT WOKE YOU UP? 201 00:08:52,600 --> 00:08:54,602 GLENN, HE WAS YELLING AT SOMEONE. 202 00:08:54,635 --> 00:08:56,770 I... GOT OUT OF BED 203 00:08:56,804 --> 00:08:58,238 AND RAN UPSTAIRS AS FAST AS I COULD, 204 00:08:58,271 --> 00:09:01,942 BUT BY THE TIME I MADE IT UP THERE, HE... 205 00:09:01,975 --> 00:09:03,343 HE... 206 00:09:03,376 --> 00:09:05,178 IT'S OKAY. 207 00:09:06,013 --> 00:09:08,682 TAKE YOUR TIME. 208 00:09:08,716 --> 00:09:10,217 I COULDN'T HELP BUT NOTICE 209 00:09:10,250 --> 00:09:11,919 THE EXCESSIVE BLOOD ON YOUR ARMS 210 00:09:11,952 --> 00:09:13,687 AND YOUR HANDS. 211 00:09:13,721 --> 00:09:19,192 WHEN I SAW GLENN ON THE FLOOR, I WENT TO HIM AND I HELD HIM. 212 00:09:19,226 --> 00:09:20,260 HE WAS MY HUSBAND. 213 00:09:22,395 --> 00:09:24,231 YOU THINK THAT I DID THAT IN THERE? 214 00:09:24,264 --> 00:09:26,566 NO, DETECTIVE VEGA DIDN'T MEAN TO SUGGEST THAT. 215 00:09:28,736 --> 00:09:29,937 DID YOU SEE ANYONE 216 00:09:29,970 --> 00:09:31,972 COMING DOWN THE STAIRS? 217 00:09:32,005 --> 00:09:33,040 NO. 218 00:09:33,073 --> 00:09:34,708 HOW WELL DID THE FIRST RESPONDERS 219 00:09:34,742 --> 00:09:36,243 SEARCH THE HOUSE? 220 00:09:37,778 --> 00:09:40,113 [TEENS CHUCKLE] 221 00:09:40,147 --> 00:09:43,651 YO, CHECK OUT THIS MOLESTER VAN. 222 00:09:43,684 --> 00:09:46,319 SHAG CARPET? 223 00:09:46,353 --> 00:09:48,221 WOOD PANELING? MM! 224 00:09:48,255 --> 00:09:52,626 WHERE CAN I GET ONE? 225 00:09:52,660 --> 00:09:53,360 THIS HOUSE LOOKS GOOD. 226 00:09:55,896 --> 00:09:57,330 WE'LL HIT THIS ONE TONIGHT. 227 00:10:00,968 --> 00:10:02,703 [VEGA]: LISTEN UP, PEOPLE, 228 00:10:02,736 --> 00:10:04,638 WE'RE GOING TO DO A MORE THOROUGH SEARCH OF THE HOUSE. 229 00:10:04,672 --> 00:10:05,639 LET'S GO! 230 00:10:05,673 --> 00:10:07,641 THIS WAY! 231 00:10:07,675 --> 00:10:09,142 SERGEANT, TEAMS OF THREE! 232 00:10:09,176 --> 00:10:11,244 BASEMENT, MAIN FLOOR, UPSTAIRS. 233 00:10:11,278 --> 00:10:12,212 TIME'S TICKING, PEOPLE. 234 00:10:12,245 --> 00:10:13,647 COME ON, LET'S FIND THIS GUY! 235 00:10:13,681 --> 00:10:15,115 TOP TO BOTTOM, YOU GUYS. 236 00:10:15,148 --> 00:10:16,216 THERE MAY BE A KILLER IN THE HOUSE. 237 00:10:20,721 --> 00:10:23,891 [OFFICERS BELOW] ALL THE WAY DOWNSTAIRS. 238 00:10:23,924 --> 00:10:25,893 OVER HERE. 239 00:10:25,926 --> 00:10:27,094 NO, IT'S CLEAR. 240 00:10:27,127 --> 00:10:28,962 HEY, ANYBODY GOT A KEY TO THIS TRUNK? 241 00:10:28,996 --> 00:10:30,197 YEAH, WE NEED TO GET THIS OPEN. 242 00:10:31,965 --> 00:10:33,901 [GRUNTING WITH EFFORT] 243 00:10:42,910 --> 00:10:45,212 BASEMENT'S CLEAR! 244 00:10:46,880 --> 00:10:48,015 MAIN FLOOR'S CLEAR! 245 00:10:48,048 --> 00:10:51,351 [VEGA]: UPSTAIRS IS CLEAR, TOO. 246 00:10:51,384 --> 00:10:53,320 I'M TELLING YOU, THE WIFE'S LOOKING GUILTY. 247 00:10:53,353 --> 00:10:54,454 SHE DIDN'T KILL HER HUSBAND. 248 00:10:54,487 --> 00:10:55,856 COME ON, ANGE, SHE REPORTED THE BODY, 249 00:10:55,889 --> 00:10:57,858 AND THEY WERE ALONE IN THE HOUSE. 250 00:10:57,891 --> 00:10:59,459 SO, WHAT ARE YOU SAYING, SHE KNOCKED OFF HER HUBBY 251 00:10:59,492 --> 00:11:00,928 AND SCRAWLED SOMETHING ON THE WALL TO THROW US OFF? 252 00:11:00,961 --> 00:11:02,195 YEAH, WHY NOT? 253 00:11:02,229 --> 00:11:03,864 NO, SHE IS HIDING SOMETHING, 254 00:11:03,897 --> 00:11:04,965 BUT SHE DIDN'T KILL HER HUSBAND. 255 00:11:04,998 --> 00:11:06,734 OH, LET ME GUESS, YOU CAN FEEL HER PAIN? 256 00:11:06,767 --> 00:11:07,434 NO. 257 00:11:07,467 --> 00:11:08,535 OKAY, YES. 258 00:11:08,568 --> 00:11:10,804 WHEN SHE WAS TALKING ABOUT HOW EVERYONE LOVES HIM, 259 00:11:10,838 --> 00:11:12,205 I COULD SEE THE WARMTH IN HER EYES. 260 00:11:12,239 --> 00:11:13,240 YOU COULD SEE THAT. 261 00:11:13,273 --> 00:11:14,307 NO, NO. ALL I SAW WAS THE BLOOD ALL OVER HER. 262 00:11:14,341 --> 00:11:17,010 FROM HUGGING HER DEAD HUSBAND IN A FIT OF GRIEF. 263 00:11:17,044 --> 00:11:18,812 WHICH SHE DID TO COVER THE SPRAY 264 00:11:18,846 --> 00:11:19,813 WHEN SHE BLUDGEONED HIM TO DEATH? 265 00:11:19,847 --> 00:11:21,949 SUCH A ROMANTIC. AND STILL SINGLE? 266 00:11:21,982 --> 00:11:22,950 YOU KNOW, ANGIE, ALL I'M SAYING, 267 00:11:22,983 --> 00:11:24,818 MAYBE IT'S TIME WE START EMBRACING THE FACTS 268 00:11:24,852 --> 00:11:25,819 AND NOT REJECTING THE OBVIOUS. 269 00:11:25,853 --> 00:11:28,321 I AM NOT SAYING THAT THE MARRIAGE WAS GREAT. 270 00:11:28,355 --> 00:11:30,157 BUT LOOK AT THIS, 271 00:11:30,190 --> 00:11:32,092 SHE CUT THE CRUSTS OFF HIS SANDWICHES. 272 00:11:32,125 --> 00:11:33,360 MY KID DOESN'T EVEN GET LUNCH MONEY. 273 00:11:33,393 --> 00:11:34,928 DETECTIVE VEGA? 274 00:11:34,962 --> 00:11:35,963 YEAH. 275 00:11:35,996 --> 00:11:36,797 I EXAMINED ALL POINTS OF ENTRY 276 00:11:36,830 --> 00:11:38,198 LIKE YOU REQUESTED. 277 00:11:38,231 --> 00:11:39,967 NO SIGNS OF FORCED ENTRY, UPSTAIRS OR DOWN. 278 00:11:40,000 --> 00:11:41,034 JUST SAYING. 279 00:11:41,068 --> 00:11:42,235 TELL ME SOMETHING, LUCAS, 280 00:11:42,269 --> 00:11:44,004 CAN YOU FEEL A WOMAN'S PAIN? 281 00:11:45,806 --> 00:11:47,507 INTENSELY. 282 00:11:47,540 --> 00:11:49,176 WOW. 283 00:11:49,209 --> 00:11:50,210 WHAT ELSE YOU GOT? 284 00:11:50,243 --> 00:11:51,411 NO OBJECTS OF VALUE IN THE HOUSE 285 00:11:51,444 --> 00:11:52,946 APPEAR TO BE MISSING. 286 00:11:52,980 --> 00:11:54,481 SODA BOTTLE WAS KNOCKED OVER ON THE COUNTER. 287 00:11:54,514 --> 00:11:55,983 I'VE BAGGED THAT FOR EVIDENCE. 288 00:11:56,016 --> 00:11:57,484 NOTHING ELSE APPEARS OUT OF PLACE. 289 00:11:57,517 --> 00:11:58,518 WELL, EVIDENCE SEEMS TO SAY 290 00:11:58,551 --> 00:12:00,754 THAT NO ONE ELSE WAS IN THE HOUSE, 291 00:12:00,788 --> 00:12:02,756 AND WHEN THE EVIDENCE SPEAKS, ANGIE, 292 00:12:02,790 --> 00:12:04,992 I LISTEN. 293 00:12:05,025 --> 00:12:05,893 SO WHAT DID THE WIFE DO WITH THE MURDER WEAPON? 294 00:12:05,926 --> 00:12:08,228 EXACTLY. 295 00:12:08,261 --> 00:12:09,196 CHECK AND SEE IF YOU CAN FIND 296 00:12:09,229 --> 00:12:10,764 ANY OTHER INCIDENT REPORTS WITH THE CREEPER. 297 00:12:10,798 --> 00:12:11,932 MAYBE THIS WASN'T HIS FIRST NIGHT OUT. 298 00:12:37,925 --> 00:12:40,260 [GASPS OF PASSION FROM SPARE ROOM] 299 00:12:40,293 --> 00:12:42,229 [WHISPERING] DUDE, DUDE, DUDE... 300 00:12:42,262 --> 00:12:45,498 SOMEBODY'S MAKING THE BEAST WITH TWO BACKS. 301 00:12:45,532 --> 00:12:47,134 LET'S FIND ANOTHER HOUSE. 302 00:12:47,167 --> 00:12:48,535 NO, THIS ONE'S PERFECT. 303 00:12:48,568 --> 00:12:51,138 BUT THEY'RE STILL AWAKE. 304 00:12:51,171 --> 00:12:54,474 THIS IS WHAT CREEPING'S ALL ABOUT. 305 00:12:54,507 --> 00:12:56,209 MAKE YOURSELF INVISIBLE. 306 00:12:56,243 --> 00:12:58,511 FINE, LET'S JUST FIND A SOUVENIR AND GO. 307 00:13:20,033 --> 00:13:23,470 [COUPLE GRUNTING AND MOANING WITH PASSION] 308 00:13:34,214 --> 00:13:35,148 [WILLIE, WHISPERING]: COME ON, 309 00:13:35,182 --> 00:13:37,550 GRAB SOMETHING AND LET'S GO. 310 00:13:37,584 --> 00:13:39,452 DUDE, THAT HULA GIRL IS PERFECT. 311 00:13:39,486 --> 00:13:40,587 I DON'T WANT THAT. 312 00:13:42,222 --> 00:13:44,591 SHOPPING FOR SOMETHING SPECIFIC? 313 00:13:44,624 --> 00:13:46,459 'CAUSE I CAN DRIVE YOU TO THE MALL-- 314 00:13:46,493 --> 00:13:49,096 [COUPLE CHATTING AND GIGGLING] 315 00:13:49,129 --> 00:13:50,597 [MAN]: ...THANK YOU FOR THE PHONE CALL. 316 00:13:50,630 --> 00:13:52,199 I HOPE TO SEE YOU SOON. 317 00:14:04,945 --> 00:14:07,514 [LAUGHING] 318 00:14:07,547 --> 00:14:10,217 THAT WAS SO CLOSE! 319 00:14:10,250 --> 00:14:12,185 OH, MAN, WHO WAS THAT GUY? 320 00:14:12,219 --> 00:14:13,987 WHO WAS THAT GUY DOING BORAT? 321 00:14:14,021 --> 00:14:15,188 [IN HEAVY ACCENT]: "THANK YOU FOR PHONE CALL." 322 00:14:15,222 --> 00:14:17,424 COME ON, MAN, LET'S GET STONED. 323 00:14:17,457 --> 00:14:19,359 I KNOW A GUY WHO SELLS THE CHRONIC. 324 00:14:19,392 --> 00:14:21,061 NOT FOR ME. I'M OUT. 325 00:14:21,094 --> 00:14:22,495 I'M OUT. 326 00:14:22,529 --> 00:14:23,931 OKAY, DUDE. 327 00:14:23,964 --> 00:14:24,898 YOU'RE GOING HOME NOW? 328 00:14:24,932 --> 00:14:27,200 FOR SOMEONE WHO LIKES TO LIVE ON THE EDGE, 329 00:14:27,234 --> 00:14:28,936 YOU CAN BE A TOTAL BUZZKILL. 330 00:14:32,973 --> 00:14:34,942 "THANK YOU FOR PHONE CALL." 331 00:14:43,216 --> 00:14:46,553 [CORONER]: WE'VE GOT BLUNT-FORCE TRAUMA TO THE HEAD. 332 00:14:46,586 --> 00:14:50,657 NO CONTUSIONS ON THE NECK. 333 00:14:50,690 --> 00:14:53,160 NO APPARENT DEFENSIVE WOUNDS TO THE HANDS. 334 00:14:53,193 --> 00:14:56,296 THE VICTIM MIGHT NOT HAVE SEEN HIS ATTACKER COMING IN THE DARK. 335 00:14:56,329 --> 00:14:57,564 OR HE SAW HIS ATTACKER AND KNEW HER. 336 00:14:57,597 --> 00:14:58,498 HMM, IT'S A POSSIBILITY. 337 00:15:00,233 --> 00:15:01,601 [ANGE]: WE KNOW HE SAW HIS ATTACKER. 338 00:15:01,634 --> 00:15:02,702 SHE HEARD THEM FIGHTING-- 339 00:15:02,735 --> 00:15:03,603 SO SHE SAYS. 340 00:15:03,636 --> 00:15:05,272 SO, THE TWO OF YOU ARE FIGHTING AGAIN? 341 00:15:05,305 --> 00:15:06,673 WE'RE DISCUSSING. 342 00:15:06,706 --> 00:15:08,608 YEAH. THAT'S WHAT MY SECOND HUSBAND CALLED IT, TOO. 343 00:15:08,641 --> 00:15:09,642 [CHUCKLES WRYLY] 344 00:15:11,278 --> 00:15:13,113 [VEGA]: DO YOU HAVE A TIME OF DEATH? 345 00:15:13,146 --> 00:15:14,514 LIVIDITY SUGGESTS 346 00:15:14,547 --> 00:15:16,516 HE SPROUTED WINGS ABOUT TWO OR THREE HOURS AGO. 347 00:15:18,151 --> 00:15:19,987 SO MIDNIGHT. 348 00:15:20,020 --> 00:15:22,155 HMM. ISH. 349 00:15:22,189 --> 00:15:24,057 I'LL KNOW FOR SURE WHEN I GET HIM BACK TO THE LAB. 350 00:15:24,091 --> 00:15:25,058 HEY, DIDN'T LUCAS SAY 351 00:15:25,092 --> 00:15:26,093 NOTHING OF VALUE WAS MISSING FROM THE HOUSE? 352 00:15:26,126 --> 00:15:27,227 HE DID. 353 00:15:27,260 --> 00:15:28,228 COME CHECK THIS OUT. 354 00:15:30,630 --> 00:15:31,531 YEAH, 355 00:15:31,564 --> 00:15:33,200 I WOULDN'T EXACTLY CLASSIFY A BOWLING TROPHY 356 00:15:33,233 --> 00:15:34,334 AS AN OBJECT OF VALUE. 357 00:15:34,367 --> 00:15:36,703 YOU WOULD IF YOU WON IT. 358 00:15:36,736 --> 00:15:40,173 OR IF YOU USED IT AS A WEAPON. 359 00:15:52,152 --> 00:15:53,153 [SNORING GENTLY] 360 00:16:01,728 --> 00:16:04,164 EASY, BOY. 361 00:16:04,197 --> 00:16:07,134 HEY, BUDDY. 362 00:16:07,167 --> 00:16:09,169 THAT'S A GOOD BOY. 363 00:16:09,202 --> 00:16:11,238 THAT'S A GOOD DOG. 364 00:16:11,271 --> 00:16:13,073 YOU STAY. 365 00:16:14,207 --> 00:16:16,543 [SNORING SOFTLY] 366 00:16:32,392 --> 00:16:33,326 [GLENN, SLEEPILY]: TOM? 367 00:16:33,360 --> 00:16:36,363 IS THAT YOU? 368 00:16:36,396 --> 00:16:37,364 WHAT ARE YOU DOING HERE? 369 00:16:40,133 --> 00:16:41,434 TOM, WAIT! 370 00:16:41,468 --> 00:16:43,136 -LET ME GO! -I'M CALLING THE POLICE! 371 00:16:43,170 --> 00:16:44,404 GLENN? 372 00:16:44,437 --> 00:16:45,738 [DOG BARKING] 373 00:16:49,276 --> 00:16:50,277 GLENN? 374 00:17:17,704 --> 00:17:21,408 OKAY, SO GLENN GETS OUT OF BED TO CONFRONT THE KILLER, 375 00:17:21,441 --> 00:17:23,243 WHO OSTENSIBLY HAS THE TROPHY, 376 00:17:23,276 --> 00:17:24,377 AND WHACK, RIGHT? 377 00:17:24,411 --> 00:17:24,844 RIGHT. 378 00:17:24,877 --> 00:17:26,213 WHY? 379 00:17:26,246 --> 00:17:28,181 BEFORE THE LETHAL BLOW, 380 00:17:28,215 --> 00:17:29,282 THE VICTIM'S WIFE HEARS HIM SHOUTING 381 00:17:29,316 --> 00:17:30,183 FROM THE SPARE ROOM DOWNSTAIRS. 382 00:17:30,217 --> 00:17:31,184 SO SHE SAYS. 383 00:17:31,218 --> 00:17:32,785 OR SO SHE SAYS. 384 00:17:32,819 --> 00:17:34,254 SHE COMES RUSHING UP THE STAIRS TO CHECK ON HER HUSBAND. 385 00:17:34,287 --> 00:17:35,755 BUT HOW'D THE KILLER GET AWAY? 386 00:17:35,788 --> 00:17:37,324 NOT DOWN THE STAIRS. HE WOULD'VE RAN INTO THE WIFE. 387 00:17:38,525 --> 00:17:39,726 [MUTTERING] SO WHERE'D HE GO? 388 00:17:41,861 --> 00:17:43,330 I DON'T KNOW, BUT LUCAS IS RIGHT. 389 00:17:43,363 --> 00:17:44,664 THESE WINDOWS ARE LOCKED. 390 00:18:13,926 --> 00:18:15,195 [WHISPERS] HEY, LUCAS. 391 00:18:15,228 --> 00:18:17,230 GET A LADDER. GET A LADDER. 392 00:18:21,434 --> 00:18:22,902 [WHISPERING] DO YOU HAVE A FLASHLIGHT? 393 00:18:22,935 --> 00:18:24,137 [DIME CLATTERS] 394 00:18:57,937 --> 00:18:59,639 ALL CLEAR. 395 00:18:59,672 --> 00:19:02,309 I'VE GOT A PUDDLE UP HERE THAT'S FRESH AND WET. 396 00:19:03,710 --> 00:19:05,578 LOOKS LIKE HE WENT OUT THROUGH THE VENT. 397 00:19:07,480 --> 00:19:09,182 EXPAND THE PERIMETER AND LOCK IT DOWN. 398 00:19:09,216 --> 00:19:09,882 WE'RE SEARCHING EVERYWHERE. 399 00:19:11,518 --> 00:19:13,486 [OFFICERS SHOUT] 400 00:19:13,520 --> 00:19:15,455 I WANT A MAN ON EITHER SIDE OF THE ALLEY! 401 00:19:15,488 --> 00:19:17,757 YOU TWO, LET'S GO! 402 00:19:24,364 --> 00:19:26,733 IF HE USED THE TROPHY AS THE WEAPON, 403 00:19:26,766 --> 00:19:27,567 IT WAS A CRIME OF OPPORTUNITY. 404 00:19:27,600 --> 00:19:29,202 HE DIDN'T COME HERE ARMED TO KILL. 405 00:19:29,236 --> 00:19:30,937 WELL, HE WAS DISCOVERED AND PANICKED. 406 00:19:30,970 --> 00:19:32,839 AND PEES HIS PANTS? 407 00:19:32,872 --> 00:19:35,275 EITHER FROM NERVES, OR ONE TOO MANY BIG GULPS. 408 00:19:35,308 --> 00:19:36,108 EITHER WAY, 409 00:19:36,142 --> 00:19:37,944 WE'RE DEALING WITH A PROFESSIONAL HERE. 410 00:19:38,878 --> 00:19:40,713 FRANK. 411 00:19:40,747 --> 00:19:43,316 DETECTIVE, THE YARD TURNED UP NOTHING. 412 00:19:46,619 --> 00:19:48,721 [SHUTTER CLICKS] 413 00:19:52,925 --> 00:19:54,261 HEY... 414 00:19:54,294 --> 00:19:56,729 WHO HIDES IN CLOSETS? 415 00:19:56,763 --> 00:19:58,831 KILLERS. 416 00:19:58,865 --> 00:20:02,569 AND LOVERS. 417 00:20:02,602 --> 00:20:03,670 COME ON. 418 00:20:35,001 --> 00:20:36,736 WHAT DID YOU WIN? 419 00:20:38,871 --> 00:20:39,672 NONE OF YOUR BUSINESS, LULU. 420 00:20:39,706 --> 00:20:40,773 GO BACK TO SLEEP. 421 00:20:40,807 --> 00:20:41,874 WHAT'S ALL OVER IT? 422 00:20:43,743 --> 00:20:46,045 JUST DIRT. GO TO BED. 423 00:20:46,078 --> 00:20:48,381 I'M TELLING MOM AND DAD THAT YOU WOKE ME UP. 424 00:20:48,415 --> 00:20:50,417 IF YOU TELL MOM AND DAD ANYTHING, YOU'RE DEAD. 425 00:21:12,772 --> 00:21:14,307 [CLEARS THROAT LOUDLY] 426 00:21:15,675 --> 00:21:16,843 HEY, MOM. 427 00:21:16,876 --> 00:21:19,446 I THOUGHT YOU WERE AT WORK. 428 00:21:19,479 --> 00:21:19,912 CLEARLY. 429 00:21:19,946 --> 00:21:21,748 HEY, MRS. FLYNN. 430 00:21:21,781 --> 00:21:23,650 CRYSTAL, PUT YOUR TOP ON. 431 00:21:23,683 --> 00:21:25,017 ARE THOSE REAL? 432 00:21:25,051 --> 00:21:26,719 NOPE. I GOT 'EM FOR MY BIRTHDAY. 433 00:21:26,753 --> 00:21:27,620 YOU WANNA SEE? 434 00:21:27,654 --> 00:21:29,088 NO. 435 00:21:29,121 --> 00:21:30,657 MAYBE. HOW MUCH DID THEY COST? 436 00:21:30,690 --> 00:21:32,992 NEVER MIND. GO IN. 437 00:21:33,025 --> 00:21:34,894 DO YOUR PARENTS KNOW YOU'RE HERE? 438 00:21:34,927 --> 00:21:37,664 THEY KNOW I'M AT A FRIEND'S. 439 00:21:39,732 --> 00:21:40,733 HOUSE RULES, DUDE. 440 00:21:42,369 --> 00:21:43,836 YOU WANT PANCAKES? 441 00:21:43,870 --> 00:21:44,871 ARE YOU HAVING SEX? 442 00:21:44,904 --> 00:21:46,673 [SCOFFS] 443 00:21:46,706 --> 00:21:48,341 FOR CHRISSAKES... 444 00:21:48,375 --> 00:21:49,876 ARE YOU-- 445 00:21:49,909 --> 00:21:50,710 OKAY, OKAY, OKAY. 446 00:21:52,144 --> 00:21:53,346 TAKE TWO. 447 00:21:53,380 --> 00:21:55,815 HOW WAS YOUR EVENING, SON? 448 00:21:55,848 --> 00:21:57,484 I WOULD'VE TAKEN HER HOME, BUT YOU HAD THE CAR. 449 00:21:57,517 --> 00:21:59,352 UH, YEAH, THAT'S 'CAUSE I'M THE ONE WITH THE JOB. 450 00:21:59,386 --> 00:22:01,020 IF I HAD MY OWN WHEELS... 451 00:22:01,053 --> 00:22:02,822 OH, PLEASE. AND I WON THE LOTTERY. 452 00:22:02,855 --> 00:22:03,890 PLUS, I'M NOT THE ONE 453 00:22:03,923 --> 00:22:05,492 WHO HAD TWO SPEEDING TICKETS IN THE LAST THREE MONTHS 454 00:22:05,525 --> 00:22:06,526 IN A CAR OWNED BY A COP. 455 00:22:06,559 --> 00:22:07,960 IN THAT CAR? 456 00:22:07,994 --> 00:22:09,496 IT'S KIND OF HARD NOT TO PUT PEDAL TO THE METAL. 457 00:22:09,529 --> 00:22:13,099 WELL, MAYBE WE CAN WORK SOMETHING OUT. 458 00:22:13,132 --> 00:22:14,767 IN THE MEANTIME, YOU PROMISED ME PANCAKES. 459 00:22:16,636 --> 00:22:18,405 CAN, UH... 460 00:22:18,438 --> 00:22:19,872 CRYSTAL STAY FOR BREAKFAST? 461 00:22:19,906 --> 00:22:21,107 CAN HER BOOBS MAKE COFFEE? 462 00:22:27,914 --> 00:22:29,882 [WOMAN]: NO, NO, NO. I CAN'T DO IT TODAY. 463 00:22:29,916 --> 00:22:31,784 I'M GOING SKATING WITH WILLIE. 464 00:22:31,818 --> 00:22:33,786 I'VE JUST GOT TO GET THE DOG IN THE CAR. 465 00:22:33,820 --> 00:22:34,787 HOLD ON. [BARKING] 466 00:22:34,821 --> 00:22:35,955 BE BACK LATE. 467 00:22:35,988 --> 00:22:37,023 OKAY, HONEY. DON'T FORGET 468 00:22:37,056 --> 00:22:38,858 TO BUY YOUR SISTER A BIRTHDAY PRESENT. 469 00:22:57,610 --> 00:22:59,011 THANKS FOR COMING IN, LINDA. 470 00:22:59,045 --> 00:23:00,880 WE JUST NEED A LITTLE MORE INFORMATION 471 00:23:00,913 --> 00:23:02,081 ON YOUR RELATIONSHIP WITH ARMAN POZNER. 472 00:23:05,017 --> 00:23:06,152 HOW DO YOU KNOW ABOUT ARMAN? 473 00:23:06,185 --> 00:23:07,454 WE CHECKED YOUR BANK RECORDS, 474 00:23:07,487 --> 00:23:09,522 AND YOU WROTE A CHECK TO HIM 475 00:23:09,556 --> 00:23:13,526 JUST TWO DAYS AGO FOR $2,000. 476 00:23:13,560 --> 00:23:15,595 WE WORK TOGETHER AT SEARS. 477 00:23:15,628 --> 00:23:17,063 HE NEEDED A DOWN PAYMENT FOR A VAN. 478 00:23:17,096 --> 00:23:19,165 HE JUST MOVED HERE FROM CHECHNYA. 479 00:23:19,198 --> 00:23:21,000 I'D NEVER LEND YOU MORE THAN FIVE BUCKS. 480 00:23:21,033 --> 00:23:21,801 I'M WELL AWARE. 481 00:23:23,936 --> 00:23:24,804 UNLESS HE'S MORE THAN A CO-WORKER? 482 00:23:27,073 --> 00:23:28,074 I'VE BEEN SLEEPING WITH HIM. 483 00:23:28,107 --> 00:23:30,076 MM-HMM. 484 00:23:30,109 --> 00:23:31,210 I GUESS THAT WOULD ACCOUNT FOR 485 00:23:31,243 --> 00:23:33,179 THE PHONE CALL TO HIS HOUSE LAST NIGHT? 486 00:23:33,212 --> 00:23:36,115 I INVITED ARMAN OVER AFTER GLENN PASSED OUT, 487 00:23:36,148 --> 00:23:37,950 BUT HE HAD NOTHING TO DO WITH THIS. 488 00:23:37,984 --> 00:23:40,820 HE WAS LONG GONE BEFORE I WENT TO BED. 489 00:23:40,853 --> 00:23:41,654 SO YOU TWO HAD SEX 490 00:23:41,688 --> 00:23:43,055 WHILE YOUR HUSBAND WAS IN THE HOUSE? 491 00:23:46,158 --> 00:23:47,960 GLENN'S MORE LIKE A ROOMMATE NOW. 492 00:23:47,994 --> 00:23:49,228 DO YOU THINK THAT YOU MAYBE 493 00:23:49,261 --> 00:23:51,097 WANTED THE ROOMMATE OUT, AND THE RUSSIAN IN? 494 00:23:51,130 --> 00:23:53,900 FOR THE LAST TIME, I LOVED MY HUSBAND. 495 00:23:53,933 --> 00:23:54,901 WE HAD A COMFORTABLE LIFE. 496 00:23:54,934 --> 00:23:57,436 NOW HE'S GONE. 497 00:23:58,638 --> 00:24:00,473 AND I... 498 00:24:00,507 --> 00:24:01,474 DAMMIT, GLENN. 499 00:24:01,508 --> 00:24:02,742 [CRYING] 500 00:24:05,878 --> 00:24:06,979 IF YOU'RE GOING TO RAGE, 501 00:24:07,013 --> 00:24:08,080 YOU SHOULD AIM A LITTLE HIGHER 502 00:24:08,114 --> 00:24:10,116 THAN A BAND GEEK PARTY, FRIENDO. 503 00:24:10,149 --> 00:24:11,484 ALL RIGHT, WE PARTY HERE WITH THE BAND, 504 00:24:11,518 --> 00:24:13,620 BUT WE GO CREEPING AFTERWARDS. 505 00:24:13,653 --> 00:24:15,054 I LOST MY GLOVES LAST NIGHT. 506 00:24:15,087 --> 00:24:16,489 GOOD. 507 00:24:16,523 --> 00:24:18,157 THOSE THINGS WERE SO EMO. 508 00:24:18,190 --> 00:24:20,159 BETTER THAN LEAVING FINGERPRINTS. 509 00:24:20,192 --> 00:24:21,594 I DON'T CARE ABOUT FINGERPRINTS. 510 00:24:21,628 --> 00:24:22,529 WE'RE MINORS. 511 00:24:22,562 --> 00:24:23,896 WHAT ARE THEY GOING TO DO IF THEY CATCH US? 512 00:24:23,930 --> 00:24:25,798 PUT US IN COUNSELLING? 513 00:24:25,832 --> 00:24:27,099 [LAUGHING] 514 00:24:30,670 --> 00:24:32,071 VERY FESTIVE. 515 00:24:34,306 --> 00:24:35,508 WHAT'S GOING ON? 516 00:24:35,542 --> 00:24:36,509 YOU DIDN'T HEAR? 517 00:24:36,543 --> 00:24:37,810 MR. MARTIN'S DEAD. 518 00:24:37,844 --> 00:24:39,111 KILLED LAST NIGHT. 519 00:24:39,145 --> 00:24:41,047 THE TEACHER WHO RAPS? TRAGIC. 520 00:24:41,080 --> 00:24:44,016 SO WHERE'S THE KEG? 521 00:24:57,964 --> 00:24:59,666 [SIGHING HEAVILY] 522 00:24:59,699 --> 00:25:00,933 [BLOWS THUDDING] 523 00:25:16,115 --> 00:25:17,116 HEY, TOM. 524 00:25:20,319 --> 00:25:21,688 I'M GLAD YOU CAME. 525 00:25:21,721 --> 00:25:22,521 HEY, KRISTI. 526 00:25:24,323 --> 00:25:28,260 IT'S WEIRD ABOUT MR. MARTIN, HEY? 527 00:25:28,294 --> 00:25:29,195 YEAH, I CAN'T BELIEVE WHAT HAPPENED. 528 00:25:32,231 --> 00:25:34,100 I HEARD HIS HEAD WAS CRUSHED. 529 00:25:41,107 --> 00:25:42,942 HEY... 530 00:25:46,913 --> 00:25:48,815 IT'S ALL RIGHT. 531 00:25:48,848 --> 00:25:52,652 I WANT IT ALL TO GO AWAY. 532 00:25:52,685 --> 00:25:55,187 I WANT HIM TO BE ALIVE. 533 00:26:18,845 --> 00:26:21,848 ALL RIGHT, DREAM TEAM, WHERE ARE MY LEADS? 534 00:26:21,881 --> 00:26:23,282 GOOD AFTERNOON TO YOU, TOO, SIR. 535 00:26:23,315 --> 00:26:24,183 YEAH, YEAH. 536 00:26:24,216 --> 00:26:26,185 WHAT GIVES WITH THE RUSSIAN BOYFRIEND? 537 00:26:26,218 --> 00:26:27,854 HE ALIBI'D OUT FOR THE TIME OF THE MURDER. 538 00:26:27,887 --> 00:26:28,955 TURNS OUT MRS. MARTIN 539 00:26:28,988 --> 00:26:31,057 WASN'T THE ONLY BORED HOUSEWIFE HE WAS SERVICING. 540 00:26:31,090 --> 00:26:32,224 LUCAS! 541 00:26:32,258 --> 00:26:34,160 YOU GET THE ANALYZED EVIDENCE FROM FORENSICS? 542 00:26:34,193 --> 00:26:35,027 YES, SIR. 543 00:26:35,061 --> 00:26:36,295 THEY HAD NO LUCK PULLING A DNA PROFILE 544 00:26:36,328 --> 00:26:37,429 FROM THE URINE. 545 00:26:37,463 --> 00:26:39,666 DID YOU KNOW HEALTHY INDIVIDUALS DON'T EMIT EPITHELIALS 546 00:26:39,699 --> 00:26:40,767 IN THEIR URINE? 547 00:26:40,800 --> 00:26:42,134 NOW, IF WE HAD SEMEN TRACES, 548 00:26:42,168 --> 00:26:43,736 THEY'D BE BANG ON-- 549 00:26:43,770 --> 00:26:44,637 MOVE ON, LUCAS. 550 00:26:44,671 --> 00:26:45,371 THAT'S THE BAD NEWS. 551 00:26:45,404 --> 00:26:47,339 THE GOOD NEWS IS-- 552 00:26:47,373 --> 00:26:49,108 THERE'S NO GOOD OR BAD NEWS IN HOMICIDE, JUST NEWS. 553 00:26:49,141 --> 00:26:50,877 THE NEWS 554 00:26:50,910 --> 00:26:53,179 IS THAT THE PARTIAL PRINTS AT THE CRIME SCENE 555 00:26:53,212 --> 00:26:54,180 MATCH PRINTS FROM A SERIES OF INCIDENTS. 556 00:26:54,213 --> 00:26:56,849 THE INTRUDER LOOKS FOR UNLOCKED DOORS, WINDOWS, 557 00:26:56,883 --> 00:26:59,752 AND HE LEAVES A SIGNATURE. 558 00:26:59,786 --> 00:27:01,020 YOU TALK TO THE GUYS IN ROBBERY? 559 00:27:01,053 --> 00:27:02,354 THERE'S NO LEADS, 560 00:27:02,388 --> 00:27:03,389 BUT THEY BELIEVE THAT "THE CREEPER" 561 00:27:03,422 --> 00:27:04,757 JUST BREAKS IN FOR THE THRILL, TO STEAL TCHOTCHKES. 562 00:27:04,791 --> 00:27:06,759 SOMEBODY NEEDS A GIRLFRIEND. 563 00:27:06,793 --> 00:27:07,760 COME AGAIN? 564 00:27:07,794 --> 00:27:09,228 WELL, WE'RE LOOKING FOR SOMEONE WHO'S BORED. 565 00:27:09,261 --> 00:27:12,164 LIKES TO TEST AUTHORITY. 566 00:27:12,198 --> 00:27:13,700 THINKS THE RULES DON'T APPLY TO THEM... 567 00:27:13,733 --> 00:27:16,969 STARTING TO SOUND LIKE SOMEONE I KNOW. 568 00:27:18,337 --> 00:27:21,941 I THINK THE CREEPER'S A TEENAGER. 569 00:27:21,974 --> 00:27:24,176 WE'RE LOOKING FOR A TEENAGER. 570 00:27:28,180 --> 00:27:30,016 [LUCAS]: I CHECKED THROUGH THE VICTIM'S STUDENTS 571 00:27:30,049 --> 00:27:31,083 FOR THE LAST THREE YEARS. 572 00:27:31,117 --> 00:27:32,952 I FOUND TWO WITH JUVENILE RECORDS. 573 00:27:32,985 --> 00:27:34,120 YOU CONTACT THE SUSPECTS? 574 00:27:34,153 --> 00:27:37,023 I SPOKE TO MURPHY THERE. 575 00:27:37,056 --> 00:27:38,357 HE HAS AN ALIBI FROM MIDNIGHT ON. 576 00:27:40,259 --> 00:27:41,227 I'VE NEVER BEEN 577 00:27:41,260 --> 00:27:43,129 TO AN AUTOPSY BEFORE. 578 00:27:43,162 --> 00:27:44,997 ALWAYS HAPPY TO BE SOMEBODY'S FIRST. 579 00:27:45,031 --> 00:27:47,233 YOU GONNA BE OKAY? 580 00:27:47,266 --> 00:27:48,300 YEAH. 581 00:27:49,936 --> 00:27:52,238 SEE THESE INDENTATIONS HERE? 582 00:27:52,271 --> 00:27:54,406 ALL RIGHT ANGLES. 583 00:27:54,440 --> 00:27:56,475 AMAZING. 584 00:27:56,508 --> 00:27:57,309 YOU'RE WEIRD. 585 00:27:58,344 --> 00:28:00,847 I LIKE THAT. 586 00:28:00,880 --> 00:28:02,148 ALL RIGHT, MURPHY HERE HAS AN ALIBI. 587 00:28:02,181 --> 00:28:03,315 WHAT ABOUT THE OTHER GUY? WHERE WAS HE? 588 00:28:03,349 --> 00:28:04,350 JAMES ANTHONY? 589 00:28:04,383 --> 00:28:06,819 HIS PARENTS SAY THAT HE'S AT A PARTY RIGHT NOW. 590 00:28:06,853 --> 00:28:07,453 I HAVE AN ADDRESS. 591 00:28:11,758 --> 00:28:14,226 LOOK AT THIS. 592 00:28:14,260 --> 00:28:16,062 OH, MAN, THIS BRINGS BACK MEMORIES. 593 00:28:16,095 --> 00:28:18,731 UNDER-AGE DRINKING AND RAGING HORMONES? 594 00:28:18,765 --> 00:28:19,331 CLASSIC COMBO. 595 00:28:19,365 --> 00:28:20,199 [CHUCKLES] 596 00:28:22,434 --> 00:28:24,370 HEY... 597 00:28:24,403 --> 00:28:27,173 WHERE DO I FIND JAMES ANTHONY? 598 00:28:27,206 --> 00:28:29,108 UH... I THINK HE'S OUT BY THE POOL. 599 00:28:29,141 --> 00:28:30,376 THANKS. 600 00:28:43,422 --> 00:28:44,456 DETECTIVE ANGIE FLYNN. 601 00:28:44,490 --> 00:28:46,025 WE'RE LOOKING FOR A STUDENT 602 00:28:46,058 --> 00:28:47,293 WHO GOES TO YOUR HIGH SCHOOL. 603 00:28:47,326 --> 00:28:49,228 YEAH, WHERE DO WE FIND JAMES ANTHONY? 604 00:28:49,261 --> 00:28:52,031 UH, DOWN BY THE FIRE PIT. 605 00:28:52,064 --> 00:28:53,265 GREAT. 606 00:28:56,402 --> 00:28:58,370 DON'T WORRY, I'M NOT GOING TO CARD YOU. 607 00:28:58,404 --> 00:28:59,238 HMM? 608 00:28:59,271 --> 00:29:00,807 WELL, YOU JUST SEEM A LITTLE NERVOUS. 609 00:29:00,840 --> 00:29:02,108 [SIGHS] 610 00:29:02,141 --> 00:29:03,209 YEAH, IT'S JUST... 611 00:29:03,242 --> 00:29:05,077 WITH ALL THE MR. MARTIN STUFF GOING ON, YOU KNOW. 612 00:29:05,111 --> 00:29:06,512 YEAH, TERRIBLE, WASN'T IT? 613 00:29:06,545 --> 00:29:07,413 DID YOU HAVE A CLASS WITH HIM? 614 00:29:07,446 --> 00:29:08,547 NO. 615 00:29:08,580 --> 00:29:10,149 BUT YOU SOUND LIKE YOU KNEW HIM. 616 00:29:10,182 --> 00:29:11,383 JUST FROM THE PARK. 617 00:29:11,417 --> 00:29:12,518 WE USED TO RUN OUR DOGS TOGETHER SOMETIMES. 618 00:29:15,587 --> 00:29:17,189 YOU KNOW ANYONE WHO'D WANT TO HURT HIM? 619 00:29:18,324 --> 00:29:19,491 NO. 620 00:29:19,525 --> 00:29:21,460 EVERYBODY LOVED MR. MARTIN. 621 00:29:21,493 --> 00:29:22,995 REALLY? 'CAUSE USUALLY 622 00:29:23,029 --> 00:29:24,530 TEACHERS ARE SUCH DORKS, RIGHT? 623 00:29:24,563 --> 00:29:28,234 BUT MR. MARTIN SOUNDS COOL, HUH? 624 00:29:28,267 --> 00:29:31,270 LIKE I SAID, HE WASN'T MY TEACHER. 625 00:29:31,303 --> 00:29:33,139 WELL, IF YOU THINK OF ANYTHING THAT COULD HELP US, 626 00:29:33,172 --> 00:29:34,473 LET US KNOW. 627 00:29:36,508 --> 00:29:38,144 MY PARENTS ARE GONNA FREAK OUT 628 00:29:38,177 --> 00:29:40,446 WHEN THEY FIND THE COPS HAVE BEEN HERE. 629 00:29:40,479 --> 00:29:43,215 [TV REPORTER]: ...BY ALL HIS STUDENTS 630 00:29:43,249 --> 00:29:45,251 GLENN MARTIN, LOCAL HIGH SCHOOL TEACHER, 631 00:29:45,284 --> 00:29:47,286 WAS FOUND MURDERED IN HIS HOME. 632 00:29:47,319 --> 00:29:49,421 POLICE ARE LOOKING FOR WITNESSES, 633 00:29:49,455 --> 00:29:51,557 AND CRIMESTOPPERS IS OFFERING A REWARD 634 00:29:51,590 --> 00:29:54,026 FOR ANY INFORMATION THAT LEADS TO AN ARREST... 635 00:29:55,461 --> 00:29:57,163 HEY! 636 00:29:57,196 --> 00:29:59,198 HEY! HEY! HEY! HEY! 637 00:29:59,231 --> 00:30:01,400 YOU WERE, UH, 638 00:30:01,433 --> 00:30:03,936 YOU WERE ASKING ABOUT MR. MARTIN'S MURDER? 639 00:30:03,970 --> 00:30:05,171 YEAH, YOU KNOW ANYTHING? 640 00:30:05,204 --> 00:30:07,539 I, UM, I WAS AT THE PARK THAT NIGHT. 641 00:30:07,573 --> 00:30:08,875 I SAW A BLACK VAN 642 00:30:08,908 --> 00:30:10,309 NEAR MR. MARTIN'S HOUSE. 643 00:30:10,342 --> 00:30:12,178 VERY SUSPICIOUS. 644 00:30:12,211 --> 00:30:14,446 A RUSSIAN WAS BEHIND THE WHEEL. 645 00:30:14,480 --> 00:30:16,048 AND HOW COULD YOU TELL HE WAS RUSSIAN? 646 00:30:16,082 --> 00:30:17,884 I DON'T KNOW. HE LOOKED RUSSIAN. 647 00:30:17,917 --> 00:30:19,051 WHAT WERE DOING AT THE PARK SO LATE? 648 00:30:19,085 --> 00:30:21,220 JUST HANGING OUT. 649 00:30:21,253 --> 00:30:22,188 DOING WHAT? 650 00:30:22,221 --> 00:30:24,256 WHAT DIFFERENCE DOES IT MAKE? 651 00:30:24,290 --> 00:30:26,058 IT'D BE GREAT IF YOU COULD JUST ANSWER THE QUESTION. 652 00:30:27,059 --> 00:30:28,160 [LAUGHS NERVOUSLY] 653 00:30:28,194 --> 00:30:30,362 WHOA, EASE OFF THE PEDAL, MAN. 654 00:30:30,396 --> 00:30:34,100 I-I'M ONLY TRYING TO BE HELPFUL. 655 00:30:34,133 --> 00:30:36,302 SO, UH, DO I GET ANY MONEY FOR THIS? 656 00:30:36,335 --> 00:30:38,270 WELL, IT DEPENDS ON HOW GOOD YOUR INFORMATION IS. 657 00:30:38,304 --> 00:30:39,305 HAVE YOU EVER HEARD OF CREEPING? 658 00:30:40,606 --> 00:30:42,508 NAW. 659 00:30:42,541 --> 00:30:43,910 NO, THAT'S ALL I GOT. 660 00:30:43,943 --> 00:30:45,377 UM, I SHOULD GO NOW, GET BACK TO THE PARTY. 661 00:30:45,411 --> 00:30:46,212 HEY, WAIT, WAIT, WAIT. 662 00:30:46,245 --> 00:30:47,379 HERE, DO ME A FAVOUR. 663 00:30:47,413 --> 00:30:49,548 YOU JUST, UH, WRITE YOUR NAME AND NUMBER 664 00:30:49,581 --> 00:30:50,616 ON THE BACK OF THAT, FOR THE REWARD. 665 00:30:50,649 --> 00:30:52,318 YEAH. REWARD... 666 00:30:55,654 --> 00:30:57,556 THANKS, WILLIE. 667 00:30:57,589 --> 00:30:58,891 YOU HAVE A GOOD NIGHT. 668 00:30:58,925 --> 00:30:59,458 YEAH. YOU, TOO. 669 00:30:59,491 --> 00:31:01,193 THANK YOU. 670 00:31:01,227 --> 00:31:02,361 LITTLE LIAR. 671 00:31:02,394 --> 00:31:03,462 HE KNEW WHAT CREEPING IS, 672 00:31:03,495 --> 00:31:05,297 AND HE WAS A LOT CLOSER THAN THE PARK. 673 00:31:05,331 --> 00:31:06,632 I'LL RUN THESE. 674 00:31:06,665 --> 00:31:08,334 AND THEN COMPARE THEM TO THE PARTIALS 675 00:31:08,367 --> 00:31:09,635 AND THE HANDWRITING WE FOUND AT THE CRIME SCENE. 676 00:31:09,668 --> 00:31:11,603 SERIOUSLY? 677 00:31:13,239 --> 00:31:14,306 JUST CHECKING. 678 00:31:14,340 --> 00:31:16,008 WHAT THE HELL WERE YOU DOING? 679 00:31:16,042 --> 00:31:17,543 DUDE, I SAW THIS NEWS REPORT, 680 00:31:17,576 --> 00:31:19,411 AND I'M LIKE, "THAT'S MR. MARTIN'S HOUSE!" 681 00:31:19,445 --> 00:31:21,380 WE WERE THERE THE NIGHT THE DEED WAS DONE. 682 00:31:21,413 --> 00:31:22,414 AND YOU TALKED TO THE COPS? 683 00:31:22,448 --> 00:31:23,115 I KNOW. 684 00:31:23,149 --> 00:31:24,350 THEY'RE LOOKING FOR WITNESSES. 685 00:31:24,383 --> 00:31:26,118 YOU REMEMBER THAT BLACK VAN WE SAW? 686 00:31:26,152 --> 00:31:27,153 AND THE RUSSIAN GUY? 687 00:31:27,186 --> 00:31:28,654 I DON'T, AND NEITHER DO YOU. 688 00:31:28,687 --> 00:31:30,022 BUT WE COULD BE, LIKE, 689 00:31:30,056 --> 00:31:31,890 THE KEY TO THE WHOLE SITUATION! 690 00:31:33,993 --> 00:31:35,427 DID YOU MENTION ME? 691 00:31:35,461 --> 00:31:37,463 NO, BUT IF I GET A REWARD, I'LL SPLIT IT WITH YOU. 692 00:31:37,496 --> 00:31:38,464 YOU IDIOT! 693 00:31:38,497 --> 00:31:40,266 WE BROKE INTO HIS HOUSE. WE COMMITTED A CRIME. 694 00:31:40,299 --> 00:31:42,134 DUH! I LEFT THAT PART OUT. 695 00:31:42,168 --> 00:31:43,369 COME ON, MAN, WE COULD CATCH A KILLER. 696 00:31:45,437 --> 00:31:46,538 I'M NOT GOING TO JAIL FOR YOU, DO YOU HEAR ME? 697 00:31:46,572 --> 00:31:48,440 WHAT'S WRONG WITH YOU, MAN? THERE'S A PSYCHO OUT THERE. 698 00:31:48,474 --> 00:31:50,576 I WASN'T THERE. REMEMBER? 699 00:31:50,609 --> 00:31:53,312 I'M INVISIBLE. 700 00:31:53,345 --> 00:31:54,513 DUDE... 701 00:31:57,749 --> 00:31:59,285 [SCOFFING AWKWARDLY] 702 00:31:59,318 --> 00:32:00,686 SOMETHING'S WRONG WITH YOU, MAN. 703 00:32:49,635 --> 00:32:50,369 HI, SON. 704 00:32:50,402 --> 00:32:51,203 HEY. 705 00:32:53,305 --> 00:32:54,406 HAVE A SEAT. 706 00:32:54,440 --> 00:32:57,176 THESE DETECTIVES WANT TO TALK TO YOU. 707 00:32:58,777 --> 00:33:01,013 HI AGAIN. 708 00:33:01,047 --> 00:33:02,514 WILLIE SCHUBERT 709 00:33:02,548 --> 00:33:04,750 WAS AT WOODBRIDGE PARK 710 00:33:04,783 --> 00:33:06,618 ON THE NIGHT MR. MARTIN WAS KILLED, 711 00:33:06,652 --> 00:33:07,653 AND WE ASKED AROUND, 712 00:33:07,686 --> 00:33:09,621 AND WE FOUND OUT THAT YOU TWO ARE PRETTY TIGHT. 713 00:33:10,622 --> 00:33:11,657 TOM? 714 00:33:11,690 --> 00:33:13,592 WERE YOU WITH WILLIE? 715 00:33:13,625 --> 00:33:15,661 NO, I CAME STRAIGHT HOME AFTER THE GAME, REMEMBER? 716 00:33:15,694 --> 00:33:17,729 HE ALWAYS COMES RIGHT HOME. 717 00:33:19,731 --> 00:33:21,233 WILLIE'S YOUR BEST FRIEND. 718 00:33:21,267 --> 00:33:22,334 HE TELL YOU ANYTHING 719 00:33:22,368 --> 00:33:24,370 THAT COULD HELP US? 720 00:33:24,403 --> 00:33:26,038 [KIDS GIGGLING] 721 00:33:26,072 --> 00:33:27,439 SON, IT'S OKAY. 722 00:33:27,473 --> 00:33:29,808 IF YOU KNOW SOMETHING, YOU NEED TO TELL THE POLICE. 723 00:33:29,841 --> 00:33:30,809 YOU SEEMED A LITTLE ANXIOUS THE OTHER DAY 724 00:33:30,842 --> 00:33:32,778 AT THE PARTY. 725 00:33:32,811 --> 00:33:36,348 ANYTHING YOU WANT TO TELL US? 726 00:33:41,687 --> 00:33:43,489 WILLIE WAS IN MR. MARTIN'S HOUSE 727 00:33:43,522 --> 00:33:45,491 THE NIGHT HE GOT KILLED. 728 00:33:45,524 --> 00:33:46,492 HE WAS CREEPING. 729 00:33:46,525 --> 00:33:49,695 WHAT'S CREEPING? 730 00:33:49,728 --> 00:33:51,197 IT'S SOMETHING WILLIE DOES. 731 00:33:51,230 --> 00:33:55,801 HE, UH, SNEAKS INTO HOUSES AND STEALS SOUVENIRS. 732 00:33:57,636 --> 00:34:00,506 [SIGHING] 733 00:34:00,539 --> 00:34:03,375 I THINK WILLIE KILLED MR. MARTIN. 734 00:34:23,829 --> 00:34:26,398 [BACKPACK RUSTLING] 735 00:34:45,651 --> 00:34:47,586 [KNOCKING ON DOOR] 736 00:34:49,755 --> 00:34:51,190 GOOD MORNING, MA'AM. 737 00:34:51,223 --> 00:34:52,023 WE'RE LOOKING FOR YOUR SON, WILLIAM. 738 00:34:52,057 --> 00:34:54,193 WE HAVE A WARRANT TO SEARCH THE HOUSE. 739 00:35:23,255 --> 00:35:24,756 [HANDCUFFS SNAP SHUT] 740 00:35:37,636 --> 00:35:38,504 I ALREADY KNOW WHAT YOU'RE GOING TO SAY. 741 00:35:38,537 --> 00:35:39,738 IF I COULD JUST GET THAT KID ALONE... 742 00:35:39,771 --> 00:35:40,672 WITHOUT HIS LAWYER? 743 00:35:40,706 --> 00:35:42,241 WILLIE'S A MINOR. 744 00:35:42,274 --> 00:35:42,874 YEAH, BUT HE WANTS TO TALK TO ME. YOU SAW HIM. 745 00:35:42,908 --> 00:35:44,210 I SAW HIM. 746 00:35:44,243 --> 00:35:44,910 HE'S SCARED. 747 00:35:44,943 --> 00:35:46,445 HE SHOULD BE. 748 00:35:46,478 --> 00:35:48,647 WE'VE GOT HIS HANDWRITING AND PRINTS AT THE SCENE 749 00:35:48,680 --> 00:35:50,216 AND THE MURDER WEAPON UNDER HIS BED. 750 00:35:50,249 --> 00:35:51,617 I'M NOT DENYING THAT HE WAS THERE. 751 00:35:51,650 --> 00:35:53,619 I JUST, I DON'T THINK HE'S OUR KILLER. 752 00:35:53,652 --> 00:35:55,254 HE HAS NO MOTIVE, 753 00:35:55,287 --> 00:35:56,422 AND WITH NO MOTIVE, IT MAKES NO SENSE. 754 00:35:56,455 --> 00:35:58,257 WHY WOULD WILLIE BLUDGEON ONE OF HIS TEACHERS TO DEATH? 755 00:35:59,891 --> 00:36:00,792 YOUR SHIFT'S OVER, DETECTIVE. 756 00:36:00,826 --> 00:36:03,229 YOU DID A GOOD JOB. 757 00:36:03,262 --> 00:36:04,896 GO HOME. 758 00:36:06,265 --> 00:36:07,866 WHAT DO YOU THINK? 759 00:36:07,899 --> 00:36:10,602 WELL, I THINK YOU THINK THAT IT ISN'T OVER. 760 00:36:10,636 --> 00:36:11,637 YOU'RE RIGHT. 761 00:36:11,670 --> 00:36:12,671 FEELS LIKE IT IS, ANGE. 762 00:36:12,704 --> 00:36:14,673 WHAT, SO NOW YOU'RE WITH BOYD? 763 00:36:14,706 --> 00:36:16,608 JUST SAYING THERE'S A LOT OF EVIDENCE, RIGHT? 764 00:36:16,642 --> 00:36:18,510 MAYBE TOO MUCH? 765 00:36:18,544 --> 00:36:20,412 YOU OFF? 766 00:36:20,446 --> 00:36:22,381 YEAH, MANNY'S WAITING FOR ME. I'M GONNA GO BE A MOM. 767 00:36:22,414 --> 00:36:23,415 HAVE FUN. 768 00:36:23,449 --> 00:36:24,416 WHERE'S LUCAS? 769 00:36:24,450 --> 00:36:25,351 I DON'T KNOW, PROCESSING? 770 00:36:25,384 --> 00:36:26,985 IF YOU FIND HIM, HAVE HIM CALL ME, OKAY? 771 00:36:27,018 --> 00:36:28,220 WILL DO. 772 00:36:29,821 --> 00:36:33,392 [ENGINES REVVING] 773 00:36:33,425 --> 00:36:34,926 OKAY, YOU READY? 774 00:36:34,960 --> 00:36:35,961 I'M READY. 775 00:36:35,994 --> 00:36:37,229 AND AFTER THIS, 776 00:36:37,263 --> 00:36:38,264 THERE'S NO MORE SPEEDING TICKETS. 777 00:36:38,297 --> 00:36:39,665 YOU'RE GOING TO GET THIS OUT OF YOUR SYSTEM, YEAH? 778 00:36:39,698 --> 00:36:40,599 DEAL. 779 00:36:40,632 --> 00:36:41,767 IT'S EXCITING. 780 00:36:41,800 --> 00:36:42,868 YOU'RE GONNA WIN. 781 00:36:42,901 --> 00:36:44,970 MAKE ME PROUD! 782 00:36:45,971 --> 00:36:47,773 [ENGINES ROARING] 783 00:36:59,718 --> 00:37:00,919 PARDON ME. 784 00:37:01,887 --> 00:37:02,854 [BARKING FEROCIOUSLY] 785 00:37:02,888 --> 00:37:04,290 EXCUSE ME. 786 00:37:06,057 --> 00:37:07,359 ARREST FILE, AS REQUESTED. 787 00:37:07,393 --> 00:37:08,394 [TIRES SQUEALING] 788 00:37:08,427 --> 00:37:10,596 WILLIE'S A STONER, NOT A MURDERER. 789 00:37:12,831 --> 00:37:14,733 THIS IS JUST WRONG. THIS KID'S INNOCENT. 790 00:37:14,766 --> 00:37:17,669 HEY, TAKE A SEAT. MANNY'S UP NEXT. 791 00:37:21,072 --> 00:37:23,041 ARE YOU SURE THIS IS GOOD FOR YOUR SON? 792 00:37:23,074 --> 00:37:24,943 THERE'S SOME QUESTIONABLE CHARACTERS IN THIS CROWD. 793 00:37:24,976 --> 00:37:27,846 THEY JUST HAVE A DIFFERENT SENSE OF STYLE THAN YOU, LUCAS. 794 00:37:27,879 --> 00:37:29,915 DON'T BE FOOLED BY WHAT YOU SEE. 795 00:37:29,948 --> 00:37:32,117 [DOG BARKING FEROCIOUSLY] 796 00:37:35,987 --> 00:37:38,524 OR BY WHAT YOU DON'T SEE. 797 00:37:38,557 --> 00:37:39,558 YOU LOST ME. 798 00:37:41,860 --> 00:37:43,695 THAT DOG WAS IN THE HOUSE. 799 00:37:43,729 --> 00:37:46,365 WHY DIDN'T HE ATTACK THE KILLER THE WAY HE ATTACKED ME? 800 00:37:46,398 --> 00:37:47,799 [TIRES SQUEALING] 801 00:37:49,067 --> 00:37:50,669 COME ON, BABY! COME ON, MANNY! 802 00:37:52,938 --> 00:37:54,840 WHY DIDN'T THE DOG ATTACK THE KILLER? 803 00:37:54,873 --> 00:37:57,309 I DON'T KNOW! WHY DIDN'T HE? 804 00:37:57,343 --> 00:37:59,378 [TIRES SQUEALING] 805 00:37:59,411 --> 00:38:00,812 GO! GO! GO! GO! GO, GO, GO! 806 00:38:07,586 --> 00:38:08,720 YEAH! 807 00:38:08,754 --> 00:38:10,556 THAT'S MY BOY! 808 00:38:13,425 --> 00:38:15,060 HEY! COME ON, BOY! 809 00:38:15,093 --> 00:38:16,795 COME ON, BUDDY! 810 00:38:16,828 --> 00:38:18,063 COME ON! 811 00:38:18,096 --> 00:38:19,831 HEY, SKIPPER! 812 00:38:19,865 --> 00:38:20,866 HEY, SKIPPER, HOW YOU DOING? 813 00:38:20,899 --> 00:38:21,867 COME HERE. 814 00:38:21,900 --> 00:38:24,836 HEY... 815 00:38:24,870 --> 00:38:27,373 HOW YOU DOING, BUDDY? 816 00:38:27,406 --> 00:38:29,441 THAT DOG LIKES YOU. 817 00:38:29,475 --> 00:38:30,308 WHEN I WENT INTO THE MARTIN HOUSE, 818 00:38:30,342 --> 00:38:32,077 HE WAS READY TO TEAR OUT MY THROAT. 819 00:38:32,110 --> 00:38:33,979 BUT YOU, HE LIKES. 820 00:38:34,012 --> 00:38:36,448 I'VE KNOWN HIM A LONG TIME. 821 00:38:36,482 --> 00:38:37,349 THAT'S WHY HE DIDN'T BARK 822 00:38:37,383 --> 00:38:38,617 AND WAKE ANYONE UP 823 00:38:38,650 --> 00:38:41,487 WHEN YOU BROKE INTO THEIR HOUSE, ISN'T IT? 824 00:38:41,520 --> 00:38:44,423 I TOOK THIS PHOTO AT THE CRIME SCENE. 825 00:38:44,456 --> 00:38:46,124 YOU LIED TO US. 826 00:38:46,157 --> 00:38:47,959 YOU WERE THERE THAT NIGHT. 827 00:38:54,099 --> 00:38:56,402 DO YOU WANT TO TELL ME WHAT HAPPENED? 828 00:38:57,469 --> 00:38:58,870 WHY DID YOU KILL MR. MARTIN? 829 00:39:09,147 --> 00:39:11,417 YOU LEFT IT AT THE PARK. 830 00:39:11,450 --> 00:39:12,918 HOW DID YOU KNOW IT WAS MINE? 831 00:39:12,951 --> 00:39:14,453 I CHECKED INSIDE FOR AN ID. 832 00:39:14,486 --> 00:39:15,320 IT'S NOT MY MARIJUANA. 833 00:39:15,353 --> 00:39:17,723 IT'S NOT THE DRUGS I'M WORRIED ABOUT. 834 00:39:20,626 --> 00:39:22,961 YOU WENT THROUGH MY STUFF? 835 00:39:22,994 --> 00:39:24,830 THAT'S MY JOURNAL. 836 00:39:24,863 --> 00:39:26,965 IT READS MORE LIKE A MANIFESTO. 837 00:39:26,998 --> 00:39:28,867 TOM... 838 00:39:28,900 --> 00:39:30,569 YOU'RE HOLDING ONTO A LOT OF HATRED INSIDE. 839 00:39:30,602 --> 00:39:32,438 THAT'S PRIVATE. 840 00:39:32,471 --> 00:39:33,371 NO ONE'S SUPPOSED TO READ THAT. 841 00:39:33,405 --> 00:39:34,840 I WASN'T GOING TO DO ANY OF THOSE THINGS. 842 00:39:34,873 --> 00:39:35,707 YOU'RE NOT ALONE. 843 00:39:35,741 --> 00:39:36,842 WHEN I WAS YOUR AGE, 844 00:39:36,875 --> 00:39:37,676 I FELT LIKE AN OUTSIDER, TOO. 845 00:39:43,549 --> 00:39:44,516 GIVE IT TO ME. 846 00:39:44,550 --> 00:39:45,984 [SIGHS] 847 00:39:46,017 --> 00:39:47,519 I'LL MAKE YOU A DEAL. 848 00:39:47,553 --> 00:39:49,187 WE'LL KEEP THIS BETWEEN THE TWO OF US FOR NOW. 849 00:39:49,220 --> 00:39:51,523 YOU AGREE TO BRING THIS TO A COUNSELLOR, 850 00:39:51,557 --> 00:39:52,591 I'LL THROW AWAY THE WEED. 851 00:39:52,624 --> 00:39:53,992 IF YOU DON'T, 852 00:39:54,025 --> 00:39:55,193 I'M TURNING THEM BOTH OVER 853 00:39:55,226 --> 00:39:58,597 TO THE POLICE. 854 00:39:58,630 --> 00:39:59,931 I'LL GIVE YOU TILL MONDAY 855 00:39:59,965 --> 00:40:01,633 TO THINK ABOUT IT. 856 00:40:01,667 --> 00:40:06,004 TILL THEN, I'LL KEEP IT WITH ME. 857 00:40:06,037 --> 00:40:07,138 [SLEEPILY] TOM? 858 00:40:07,172 --> 00:40:08,173 WHAT ARE YOU DOING HERE? 859 00:40:10,241 --> 00:40:11,409 YOU BROKE INTO MY HOUSE? 860 00:40:12,143 --> 00:40:13,679 WHAT ARE YOU DOING HERE? 861 00:40:15,581 --> 00:40:16,448 STOP! 862 00:40:16,482 --> 00:40:17,449 LET ME GO! 863 00:40:17,483 --> 00:40:18,617 TOM, THIS HAS GONE TOO FAR! 864 00:40:18,650 --> 00:40:19,851 LET ME GO! 865 00:40:19,885 --> 00:40:20,786 I'M CALLING THE POLICE. 866 00:40:20,819 --> 00:40:21,953 NO! 867 00:40:21,987 --> 00:40:24,556 [DIALS TWO NUMBERS] WAIT! 868 00:40:24,590 --> 00:40:26,424 [BLOWS THUDDING HEAVILY] 869 00:40:27,926 --> 00:40:29,795 [TOM]: I DIDN'T MEAN TO KILL HIM. 870 00:40:31,530 --> 00:40:33,131 I JUST WANTED BACK WHAT WAS MINE. 871 00:40:34,733 --> 00:40:35,934 GLENN! 872 00:40:35,967 --> 00:40:36,735 [RUNNING FOOTSTEPS APPROACH] 873 00:40:36,768 --> 00:40:38,970 GLENN! 874 00:40:39,004 --> 00:40:40,506 I WANT TO KNOW WHY, TOM. 875 00:40:40,539 --> 00:40:41,773 YOU DON'T HAVE TO ANSWER THAT. 876 00:40:41,807 --> 00:40:43,809 THAT'S TRUE, 877 00:40:43,842 --> 00:40:46,144 BUT I WANT TO UNDERSTAND. 878 00:40:46,177 --> 00:40:48,246 WHY TAKE A MAN'S LIFE? 879 00:40:48,279 --> 00:40:49,247 WHEN MR. MARTIN WOKE UP, 880 00:40:49,280 --> 00:40:52,684 THE WORST YOU WERE GUILTY OF WAS BREAK AND ENTER. 881 00:40:52,718 --> 00:40:57,155 THEY WOULD HAVE GIVEN YOU PROBATION. 882 00:41:07,098 --> 00:41:12,070 BUT I WOULDN'T BE INVISIBLE ANYMORE. 883 00:41:12,103 --> 00:41:15,006 I LIKE TO BE INVISIBLE. 884 00:41:15,040 --> 00:41:16,007 [TOM'S MOTHER SOBS] 885 00:41:19,545 --> 00:41:21,146 [***] 886 00:41:30,055 --> 00:41:32,824 [CLICKS PEN] 887 00:41:36,795 --> 00:41:38,163 WHERE THAT KID'S GOING, 888 00:41:38,196 --> 00:41:39,698 HE'S GOING TO WISH HE WAS INVISIBLE. 889 00:41:39,731 --> 00:41:40,866 THAT KID NEEDS HELP. 890 00:41:40,899 --> 00:41:42,000 MOST OF THEM DO. 891 00:41:42,033 --> 00:41:43,569 NOT ALL OF THEM. 892 00:41:43,602 --> 00:41:46,004 HEY, BABY, YOU DID SO WELL TODAY. 893 00:41:46,037 --> 00:41:47,205 THANKS. I KNOW. 894 00:41:47,238 --> 00:41:49,074 YOU SHOULD HAVE SEEN HIM. 895 00:41:49,107 --> 00:41:50,942 ARE YOU GOING TO SEE CRYSTAL LATER? 896 00:41:50,976 --> 00:41:53,011 MAYBE. 897 00:41:54,746 --> 00:41:56,948 YOU WANT THESE? 898 00:41:56,982 --> 00:41:58,617 ARE YOU MESSING WITH ME? 899 00:41:58,650 --> 00:42:00,185 YES. ALWAYS. 900 00:42:01,620 --> 00:42:02,821 YOU BE SAFE, OKAY? 901 00:42:02,854 --> 00:42:03,288 HAVE FUN. 902 00:42:03,321 --> 00:42:05,023 YEAH. 903 00:42:06,124 --> 00:42:07,092 SO, I'M WITH YOU. 904 00:42:07,125 --> 00:42:08,126 YEAH, NO, I NOTICED. 905 00:42:08,159 --> 00:42:10,028 I WAS GOING TO HEAD TO THE GYM. 906 00:42:10,061 --> 00:42:10,896 YOU CAN CALL IT WHAT IT IS. 907 00:42:10,929 --> 00:42:12,931 TOUGH GUYS DO PILATES, TOO, YOU KNOW. 908 00:42:12,964 --> 00:42:14,299 WE COULD GET RIBS. 909 00:42:14,332 --> 00:42:16,568 LIKE I HAVE A CHOICE? 910 00:42:16,602 --> 00:42:18,103 WELL, IT'S ON THE WAY. 911 00:42:18,136 --> 00:42:19,104 ALL RIGHT, 912 00:42:19,137 --> 00:42:20,839 BUT DON'T EVEN THINK OF ASKING TO DRIVE, THOUGH. 913 00:42:20,872 --> 00:42:22,107 WHY? I'LL BE GENTLE. 914 00:42:22,140 --> 00:42:23,241 NO, YOU WON'T. 915 00:42:23,274 --> 00:42:25,143 [LAUGHING] NO, I WON'T. 916 00:42:40,391 --> 00:42:45,563 [***]