(delightful music)
- I've left you three messages already.
Just call me back or we're going with the understudy.
(delightful music)
Stop smiling with the dancer, Susan.
(delightful music)
All right, that's it.
I'm done, I'm done waiting.
Lucy, you're up.
Let's take it from the top of 27.
I want all the technical cues Kurt, everything.
Places everyone.
Let's move!
(delightful music)
♪ Another night of 27 ♪
♪ Another night of cold alone ♪
- The coffin should be lowered.
Yes, check the lid, quickly.
♪ A different girl will love my life ♪
(crew screaming)
- It's the curse.
- Can we save the theatrics for the actual production?
It's a bit of broken glass, let's move on.
Kurt, lower the coffin.
Let's pick it up from the entrance to the 27 Club.
In five, six, seven and...
(delightful music)
♪ Oh Amy to make you hurt ♪
♪ To add a little piece of your heart ♪
♪ Losing with the hound coming down ♪
♪ After kissing the sky ♪
- Beautiful.
♪ It doesn't matter how much it pains us ♪
♪ Here we are go on entertain us ♪
♪ 'Cause once you lock the fire ♪
♪ You can't exactly just retire ♪
(loud buzzing)
(Lucy screaming)
(dramatic music)
(suspenseful music)
(delightful music)
- It's so majestic.
- Yeah.
- Hello.
- Hey.
You've got the wrong theater.
- Is it?
- No, this is the premiere.
- But you and the princess.
- No we want the premiere.
- This is "Lost Soul".
"Hot Jazz Cold Fusion" is at the princess.
- We're here to clean up a crime scene.
- Oh! You're the cleaners?
God! I'm so sorry.
'Cause I thought you...
'Cause there's this show on at the moment and it's...
- Oh yes.
- How are you?
- Hi.
Thanks for the referral, Peter.
- You'll like this one, Nic, Charlie.
- Like?
- Thought would be professionally interesting.
Leading lady of "Lost Soul", the Amy Winehouse musical,
murdered in the bowels of the theater.
You always liked the theater.
- [Nicola] Who was she?
- A 27-year-old, Linda DiBiase.
- 27?
- Ironic?
- It's not ironic, Peter.
- Well, referring to the 27 Club.
Yeah, it's the Amy Winehouse died, Hector Ben,
Jim Morrisson.
- Yeah, yeah yeah,
but you don't mean ironic, you mean coincidental.
Ironic would be, if she was burnt to death by 27 candles.
- Follow me.
(suspenseful music)
- So, this is hell.
Elizabethan theater,
the area under the stage was always known as hell.
- Half degree in backstage areas, have you?
- PhD in backstage areas, Peter.
- What happened?
- Looks like there was a struggle
that ended with our victim coping a fatal blow to the head,
somewhere around here.
Then she was dragged back over here
and hidden behind these curtains, while the lift was up.
Then she was caught between these folding supports,
when the theater tech lowered the lift.
- She couldn't have been dead for very long before the--
- [Nicola] Or there wouldn't be this much blood.
- The time of death we think was around 9 a.m.
The lift came down about quarter past.
- So what are you thinking?
- I just had an interesting chat with Kristen,
the hairdresser of Jim, the director.
Seems he was sleeping with the understudy.
The hairdresser thinks he was planning
to replace the leading lady with her permanently.
Apparently, she told our victim about her little theory,
so we're thinking she might have confronted the director
and, or, the understudy.
He got all that?
- Hairdresser tells leading lady about affair with understudy.
Got that, thanks Peter.
- How long until we can begin rehearsal again?
Now I realize this is a shocking situation
and the timing could not be worse,
but this is the theater.
We have here in a matter of days, not weeks, days.
And we are so far behind schedule, it's not even funny.
We lost our stage manager to influenza last week,
the choreographer has gout.
We got freak motor scooter accidents,
lights falling from the gods and now this.
How long?
- We appreciate your predicament, Jim.
But it's important we do this properly.
So the sooner we get these guys started,
the sooner they'll be out of your hair.
(suspenseful music) (loud rumbling)
- I'm sorry.
I didn't see you.
Can I help you with something?
- Just...
Is he family?
- Linda's husband, he's just arrived.
- Oh God! How terrible.
- I can imagine.
Must be very painful.
(delightful music)
(Charlie humming)
- Hey there.
- Hello.
How's it going?
- It's going well, going well, thank you.
How are you going?
- I don't wanna hold you up,
I just need to know when it'll be done
so that I can fix the lift.
- Well, it's an elaborate process.
This coffin is just the tip of the iceberg really.
Down here, there's blood and the splatter
and also a lot of filigree work inside the machinery,
so it could be quite a while here.
- Mighty.
(delightful music)
- I don't know.
Maybe four or five times.
Yeah, totally.
There was blood everywhere.
No, she's already dead.
I know.
Well, she was always on the blow.
I know (laughs).
I think so.
(loud rumbling drowns out speaker)
Listen, I should probably get back in there.
Okay.
Bye.
(toilet flushing)
(delightful music)
Hey.
- What, Lucy?
- You reminded me to come and see you about the wigs?
- You know where I am.
(delightful music)
Unbelievable.
(delightful music)
- Something's not right here Charlie.
I was in the ladies' and the understudy came in.
- Lucy?
- Lucy came in, she was on the phone.
She was saying that Linda was always on the blow.
- On the blow, on the phone, okay.
- No, on the blow, cocaine.
- Oh yeah, right.
- And then the hairdresser came in.
- Kristen?
- And then suddenly Lucy's all sad and (groans).
It's just not right.
She's all happy and giggly,
then when she knows someone's watching, she's all (groans).
I was coming back from the van,
and I saw the director, Jim, on his own, crying.
He didn't think anyone was watching.
So why would he be crying like that if he killed Linda?
It's a gut feeling.
He's not our man.
- He's not our man? - He's not our man.
- Well, I'm your man.
- And then I was in the backstage...
You must been Mr. DiBiase?
- Tom.
- I'm Nicola Bucannon and this is my husband, Charlie.
We're very sorry for your loss.
- Thank you.
The police said that Linda was badly injured
but why is there so much blood?
- Well, she was caught in the scissor lift
and the technician didn't realize.
- I just wanted to come down and see where...
You think that's strange?
- No, not at all.
If there's anything that we can do.
- Thank you.
Actually, sorry.
There is something.
I can't seem to find my wife's wedding ring,
searched the dressing room and it's not at home
and the police said that she wasn't wearing it
and I thought maybe if you guys come across it--
- Of course.
We'll find it.
- It's very similar to that.
My card there.
It would mean a lot to me to have it back.
I think Linda took it off because,
I think she was having an affair.
- It's just very different about it, that's all.
I don't think you should give people false hope.
- What else can I say?
- Well, you could say,
"Tom, you seem like a very nice person
but the chances of finding your wife's wedding ring
are next to nothing."
- [Kristen] What the hell is wrong with you?
- [Man] What?
- You don't think we've had enough bad luck?
Spin.
Now swear.
- What?
- Swear.
- Shit. - Again.
- Shit.
- Now spit.
Now clean it up and don't whistle again.
No wonder we're cursed.
- Well, you gotta admire the commitment.
- You could.
- No, I'm being complementary.
- No, you're not,
you're making fun of him, it's not funny.
- Well, it's a bit funny.
- I don't discount the idea of superstitions.
- Well, you don't believe in ghosts, do you?
- I might.
- Really?
Well, let me tell you something. For every so called curse,
there's a perfectly logical and rational explanation.
Now as I lead through this door,
I'm attacked by a man in a cap and a mask.
Oh! There he is.
(delightful music)
- Hey.
Sorry about that mix up before.
- Oh, no, no, no, it's perfectly understandable.
- Well I didn't put the two together.
- No, no, no, I'm often mistaken for a chorus boy.
So stage door manager?
- Yes!
- You're in charge of all the entrances and exits
here in the theater, yeah?
- Yeah.
- So what?
It's just this one here, the front entrance,
those two there, that one over there?
- There are a few loading doors and stuff,
but I keep them all locked.
- Okay.
And this morning, you're out here, nine o'clock?
- Nine o'clock, right out here.
- Wow!
- Yeah, it's not the most exciting job,
but it pays off.
- Yeah?
- First thing this morning.
One of the guys in the ensemble,
just comes screaming around the corner,
hits something, gone flying.
Came off the scooter, burst an ankle.
- That's nasty.
Thanks Brian.
It was nice talking to you.
- You too.
(delightful music)
(phone ringing)
(delightful music)
- [Charlie] Come, meet me in the forbidden forest.
I'm talking to you Nicola.
- Charlie?
- [Charlie] I am the ghost who loves you.
- Where are you?
- [Charlie] Here I am Nakini.
- How did you get in there?
- It goes on and out the street level.
There's an exit trap.
It's actually very similar to the vomitorium,
used by the Romans in the fourth century.
- That goes all the way to the street.
- Yeah.
- So it didn't have to be someone from the theater,
anyone could have slipped in and out and killed Linda.
And she was having a secret affair.
- Well, if she was,
then someone went to an awful lot of trouble
to keep it a secret.
(suspenseful music)
- Did you touch this?
- No, I didn't even see it.
Where was it?
- In the tunnel,
right next to the vent that leads into the theater.
You sure you didn't touch it? - No, actually.
I put my hands all over it
'cause it's my first time at a crime scene and everything.
I'm an idiot, you gotta forgive me.
- We're gonna need access to the tunnel,
and on the stage area.
You guys can come back tomorrow to finish up.
Charlie.
What were you doing in the man hole?
- Well, I was talking to Brian
and I noticed the man hole cover
wasn't quite flush with the road.
So I thought, I'll look into that,
crack this case wide open, that's all.
- Aren't you clever?
- He really is.
(delightful music)
(Charlie Humming)
What are you doing?
- Well,
we know the scooter accident wasn't the result of any curse,
so let's roll out the falling light, shall we?
Let's see here,
this is a pretty standard screw on clamp,
so it's common regarding human error
or as the Frenchman Petey Dayo said, sabotage.
- Hello.
- What are you doing?
- Charlie is a designer,
and he's so interested in parts of it.
- Look at that.
- Yeah, well, we don't anyone touching that stuff,
it's expensive.
- Sure, sure, sure, sure, absolutely.
Understandable.
- Thanks.
- Do I invoice extra cost,
'cause you have to go back tomorrow?
- No, I'm just gonna have to wear it.
- Oh! That's not fair.
It's not your fault you have to leave the scene.
- We also have to clean out the whip back after dinner.
- Why?
- Because your auntie very kindly promised
the husband of the woman we've been cleaning up
that we'd find her missing wedding ring.
- Why?
- Well, that's another very, very excellent question.
- He was so upset, he just lost his wife
and she's being having an affair,
I mean, he asked.
- Who's she having an affair with?
- Well, it could have been anybody.
Theater is a hotbed of hotbeds.
- Must have been someone
who knew the ins and outs of the theater a bit well.
Most likely someone involved in the production.
- Although, a very clever fellow,
happened to find an exit tunnel,
so it really could have been anyone.
- Oh! Good for you.
- My money is on the director but I don't know.
I mean, he seemed genuinely upset to me when I saw him.
- Then again, this is the theater.
The theater sir.
It could have been acting, is what I mean.
- Might have been that handsome doorman, Brian.
Do you think he's handsome? - Is he?
- [Nicola] Yeah, he's so handsome. - See, I can't tell.
- Or it could have been the leading man.
You might know him actually.
He's from one of those reality talent things.
David Frut.
- Oh yeah! He's all right.
- So, what have we got here then?
- Spaghetti Bolognese.
- (gasps) Good.
- No, I must say, I really enjoyed being back in my theater.
- What do you mean back in the theater?
- Oh! In high school, I was always trading the boards.
- Seriously?
- Yeah, I was really considered quite the triple threat.
Yeah, I don't talk about it much but,
yeah, I've got quite a set of lungs.
(Charlie grunting)
- Am I getting nutmeg?
- No.
- No?
Very nice either way.
(delightful music)
- Charlie,
what was that look over dinner when I mentioned that I sing?
- It wasn't a look, I don't know.
Just my regular face.
- You mean, you do like my singing, right?
(loud buzzing)
- Oh! I think we got something there.
- It's here?
- Yeah, yeah, yeah.
- I feel something.
Yes.
(delightful music)
Would you want my ring back?
- If you're having an affair, no.
- Well, maybe she was trying to end the affair.
I mean, that's why the lover killed her.
- Either way, it's the tunnel.
Obviously he didn't want to be seen,
now was he trying to frame somebody in the theater?
(doorbell rings)
(delightful music)
- Hello.
- Hi.
- We found it.
- Would you like to come in?
- Oh no, thank you--
- Absolutely.
- Yeah sure, that would be great.
Thank you.
- I don't know what to say.
I can't thank you enough.
- There's really no need.
- No, no, no, you just have.
- [Nicola] You're not in the business yourself?
- No, no, closest I ever got was,
just being an usher at the Princess Theater in my uni days.
I decided to tell the police about the affair.
- It must have been so hard for you when you found out.
- Well, I had been in denial for a while,
but I've known for a long time.
I found a packet of condoms in her purse
and we didn't use them so...
- Did you know the man involved?
- [Tom] No. - No?
- No.
I didn't wanna know.
I always figured that she'd make her way back to me someday.
Of course I didn't think that...
She never had a bad word to say about anybody, Linda.
Except maybe the director.
She didn't seem like him very much.
Didn't think he was very talented,
no one did apparently.
Except the understudy.
Linda was convinced they were sleeping together.
She said that the show was cursed.
I think she might have been right.
- We should probably--
- Yeah, yeah, absolutely.
Yeah.
- I really can't thank you enough.
They're gonna do a tribute at the theater actually,
this Friday.
It would be nice.
You're both more than welcome to come, if you want to.
- Well, thank you, but Friday--
- We'd really love to, wouldn't we?
- Yeah, we could do that.
We could go.
- Great. - Yeah.
- Okay.
Thank you.
(keys jiggling)
- You know, you're a fine person.
I would never even bother looking for that ring.
- Oh, you found it Charlie.
- Well, I'm glad you forced me to help you.
I'm glad we got out of that house too,
it smells like the inside of an old lady's purse.
(delightful music)
- So you've been here all night?
- More or less.
- Any luck?
- Yeah, we got a partial print off the torch,
nothing else in the tunnel,
but we got the tox report back.
She was cut to the eyeballs.
I also had a word with the husband last night.
Apparently, the wife was having an affair.
Poor bastard was gutted.
You didn't look surprised.
- Oh, he mentioned it yesterday
when he asked us to look for Linda's ring.
It's hard to imagine that she could have cheated on him,
isn't it?
- I don't think anyone can ever really trust anybody else.
Stuff happens.
It's human nature.
Hearts get broken.
(dramatic music)
- You should probably blink more.
You can get dry eye if you stay like that.
(dramatic music)
- I can't believe
they didn't find anything else in that tunnel.
- What's the most likely scenario?
- Try me.
- Okay, if Jim and Linda hated each other so much,
why was he so upset?
Unless, it was a love-hate thing.
He was actually in love with her.
- Isn't Jim sleeping with Lucy?
- Maybe it was a love triangle between Linda and Lucy.
- So Lucy did it?
- She got consumed by jealousy.
- Professional and personal jealousy, yes.
- If she gets rid of Linda,
she gets the guy on the label.
- Well, it's "All About Eve", isn't it?
Dan Baxter, Ben Davies, "All Of About Eve", 1950?
- I haven't seen it.
- Fasten your seat belts, It's gonna be...
I can't do Ben Davies.
I can do Christopher Walker.
Fasten your seat belts, it's gonna be a bumpy ride.
- Still haven't seen it.
- Okay, you need to hold still so I can actually secure it.
I know it's uncomfortable
but you just have to put up with it.
Hold still.
- Excuse me.
(delightful music)
She's tough.
- Yeah, it's the theater Charlie, it's tough.
- Somebody, help.
Somebody.
Help!
- Can you breath?
- (Lucy whispering)
- EpiPen.
It could be in her bag.
(dramatic music)
- What does an EpiPen look like? - It's like a tall, thick lipstick.
- Got it, got it, got it.
- Good, good, good.
Don't worry.
Took a St. John's course,
almost to the end.
And you're okay.
- I'm not.
You know I'm allergic to latex,
you did this deliberately.
You're trying to kill me.
- That's not true.
- You should just concentrate on breathing,
just in through the nose, (inhales deeply),
out through the mouth.
- You never liked me.
I tried to reach out to you.
- For God's sake,
how was I supposed to know you had an allergy?
I've been doing this for years,
I've never come across the latex allergy.
- Actually, it's more common than you think.
It's very, very common in hospitals.
- I'm telling Jim about this.
And the police.
Psycho.
(delightful music)
- Kristen must have known about Lucy's allergy.
If Lucy was carrying an EpiPen,
she must have mentioned it to someone at the theater surely.
- Could you please pass the pepper aunt?
- But maybe that someone didn't pass that information
on to Kristen.
- Or maybe someone else was trying to get to Jim
by wiping out his leading ladies.
Some fouled actress or someone he rejected for the part.
- You know there's no moisture in the tunnel.
I went all the way from street level to the theater entrance
and there was no moisture anywhere.
So how did the mud get on the bottom of the torch?
- Could you please pass the pepperons?
- And why leave the torch behind?
If it was the killer's, why didn't they go back for it?
(delightful music)
There are tunnels like these all over Melbourne.
Random Melbourne, I suppose.
Fascinating story.
Fascinating.
They were built after the rebellion in the goldfields.
- Charlie.
Do you think I can sing?
- Of course you can sing.
You sing all the time.
- Well, I mean, do you think I'm a good singer?
- Let me tell you something honey,
you are many, many, many things.
You're a multifaceted, glittering diamond,
as far as I'm concerned, you're beautiful,
you can dance up a storm,
you're the love of my life
and you cook really interesting food,
but the fact of the matter is,
you're no Kathy Perry.
(delightful music)
Honey?
- What else did you lie to me about?
- I never lied to you about anything, I just...
I mean, I just withheld certain facts
to spare your feelings.
- Well, lying by omission is still lying Charlie.
- There must be tons of things that I do that you don't like
that you never mentioned.
- No, nothing.
You're right, there's no moisture in here at all.
- No, there isn't.
What's that?
- Turn off your torch, turn off your torch.
(suspenseful music)
Charlie.
What!
Who was that?
Was that the killer?
- No, was it?
No, no, no, no, no,
'cause think it through, think it through.
The killer doesn't come back to the scene of the crime,
that's a nonsense and then this door goes to the theater.
This is the scene of the crime, this is the theater.
- It wasn't the killer.
- [Charlie] It wasn't the killer.
- Who was it?
- It was the owner of the torch.
He's the owner of the torch.
And the owner of the torch,
came from there.
- Oh!
What was he doing here?
- After you.
(suspenseful music)
It's just like "The Hardy Boys", aren't we?
- Yeah, I'm Nancy Drew.
- We can't both be Nancy Drew.
- I'm Nancy Drew.
- Yeah.
- Oh Charlie! It's the missing moisture.
- Yeah.
Hello.
(suspenseful music)
And good evening.
(suspenseful music)
- It's cocaine.
- What about that summer I taught myself
to play the bagpipes?
Surely, you hated that.
I mean, I hated it, it was my idea.
- Whoever was down there
must have been clearing out that cocaine stash.
He couldn't have done it early because the place was crawling with cops.
- Sure.
- So whether it was the lover or the dealer,
or whoever it was,
there must have been from the theater, right?
- I guess so.
- They'll all be at the tribute tomorrow.
- Probably.
- I'll talk to Jess
and see if I can talk her into coming along.
It would be good to have an extra set of eyes and ears.
- It's a good idea.
- And for the record, I thought your bagpipes were charming,
as I told you at the time.
(delightful music)
- So why am I here?
- Because your aunt asked you to
and it's a nice thing to do and you should help.
- Eyes and ears.
- Hi guys.
- Hello, how are you?
- Thank you very much for coming.
- Thanks for inviting us.
- It's nice of them to help me with this space.
They've got a final rehearsal in a couple of hours.
- It's beautiful.
- I think they're gonna get going, so if excuse me.
Thanks.
- It's Tom, her husband.
There's the director, Jim,
leading man, David Frut.
- He's better looking in person.
- Go forth and eavesdrop.
- Go on.
- So Linda could have been sleeping with any man in this room
and Tom doesn't seem to be jealous
or suspicious of any of them, does he?
- You know, he's probably being strong for the family.
- [Nicola] I'm not getting lovers from Jim and Lucy.
I mean, she can't get further away from him.
- Oh!
I'm so sorry, it was my fault.
- It's a difficult day, isn't it?
(Nicola wimping)
- Excuse me ladies and gentlemen, just have your attention please.
Just want to say a quick thank you for coming today.
It would have meant a lot to Linda.
She would have loved seeing you all.
Jim, is very kindly offered to say some words so,
I'll introduce him now.
(crowd applauding)
- Why should a dog, a horse, a rat have life
and thou no breath at all.
Order comes no more.
Never, never, never, never, never.
Words cannot express how much Linda was loved
and how much she will be missed.
Welcome to this humble celebration
of Linda's exceptional talent.
(delightful music)
♪ I moved around a lot in life ♪
♪ I never stayed for long ♪
- So is Lucy sleeping with the director?
- Who's Lucy?
(Nicola Grunts)
- Oh! No, no, she's not into the old guy.
- Who's the old guy?
- The director.
- He's not old.
- No, she's into him.
- Totally.
I just heard her bitching
about how the old guy hated Linda.
- There's no one sleeping with the old guy?
- Okay, so that kills the love triangle idea.
So who's she sleeping with?
What's Peter doing here?
- Well, there's an open bar.
- Am onto it, I'm just gonna find out.
- Okay.
- Hello there. - Hi.
- You look great.
- What are you doing here?
- We were invited.
- The partial print on the torch,
matched the tech guy, Kurt.
He's got prize for possession.
You really do look great.
- What did you get out of Finn Sike?
- Kurt's a match for the partial on the torch,
it looks like he's the drug dealer.
No wonder he's sniffing all the time,
he's probably using as well.
- I thought so, I thought so.
He was probably choked up when he was fitting the light.
- Choked up?
- Yeah, choked up baby.
Well done Nancy, give us a kiss.
♪ Never had woven yeah ♪
- There's something about that lyric.
- Man, woman,
it's cliche but you know--
- Oh my God! Charlie,
I know who Linda was having the affair with.
(suspenseful music)
- Come on, I don't think it's appropriate for me to come in.
(delightful music)
- I love you L.D.
L.D.
- Leonardo Da Vinci, fair enough too,
he was pretty hot.
- Linda DiBiase.
(delightful music)
- [Charlie] Wash your hands.
- Charlie, we've been on the wrong track.
She wasn't having an affair with a man, it was Kristen,
the hairdresser.
- What?
Because of some graffiti?
- Didn't you tell me
that 90% of women are opaque cubicle users?
- Yeah I did and I'm flattered that you remembered that.
- And I was in here the other day,
Kristen came in to use that stall.
She could have written it.
- I don't think that evidence alone
is going to be strong enough to convict her.
- Okay, something bothered me when Kristen hugged me earlier.
- Okay, what?
- Remember when we went to Tom's to return the ring
and there was that strong smell of perfume in the air?
You said it reminded you
of the inside of an old lady's purse.
- Oh! Yeah, yeah, it was awful, yeah, yeah.
- Kristen was wearing that same smell.
I saw Kristen around the ladies' dressing room
carrying a bottle of perfume.
She must have stolen the perfume
to conjure her lover's scent.
- Possibly, possibly.
I mean, it is so circumstantial as to be borderline nothing,
but it's possible.
Although if Kristen loved her that much
to want to smell like her,
why would she kill her?
- Maybe Linda was refusing to leave Tom
and it all got too much.
Maybe they've...
- What?
- Just don't turn around.
Okay.
(delightful music)
Kristen, you okay?
- I'm fine.
- I don't think that's true.
I think you're devastated and I think I know why.
- No you don't.
- I know that you were having an affair with Linda.
I don't know how you managed to hold it together in there.
Having to hide your grief.
I can't imagine how difficult it must have been.
- How did you know?
- You told me that Linda was having an affair,
I just didn't know who with.
- How did you work out it was me?
- It's just the little things, indicators, just added up.
You're obviously mourning somebody you love very deeply.
- I did.
I loved her very much.
And she loved me.
- Why didn't you tell the police?
- I was respecting Linda's wishes.
She didn't think Tom knew, neither of us did.
She was going to leave him.
She was just waiting for the right time to tell him.
Didn't wanna hurt him.
She was a good person.
(Kristen crying loudly)
- I know how difficult this must be for you,
but you need to talk to the police.
You need to tell them everything.
You knew about Lucy's allergy, didn't you?
- I had no idea how bad it was.
I thought she'd end up with a nasty rash.
So stupid.
I was angry.
- There you are.
Hey, Jim's been looking for you everywhere.
Rehearsals?
- Okay.
- You better get in there, he's pretty pissed off.
- Yeah, okay.
(delightful music)
- Why did Tom tell us
that he found condoms in Linda's purse?
Why would she need condoms if the lover was another woman?
- There were no condoms. - There were no condoms.
Linda told Tom about her relationship with Kristen.
- So it wasn't a jealous lover, it was a jealous husband.
Tom was an usher,
so he would have known about the tunnels under the theater.
- So Linda tells Tom she's leaving him,
he follows her here.
Well, if it was premeditated,
if he had the forethought to use the tunnel,
why would he leave her in the scissor lift?
- Well, he didn't know it was a scissor lift.
It had a curtain around it.
- Even so, surely he would have planned
to get rid of the body unless what? He was trying to frame somebody?
- No, maybe he was interrupted by Kurt
on his way to collect his chalk stash.
- Yes.
- So Tom killed Linda?
But we haven't got any proof.
(delightful music)
I don't think we should have left Jess at the theater.
- She's fine, she's doing good, lovely date for a guy.
- Yeah, yeah, well you know, she's drunk.
- Downstairs?
Do you want to try downstairs? - Yeah, yeah.
(delightful music)
(loud bang)
(delightful music)
Ladies and gentlemen, I give you mud and tunnel dust,
starring Tom DiBiase.
- Proof.
(electrifying music)
♪ I'm doing good stuff ♪
♪ I'm riding what I feel ♪
♪ I'm doing good stuff ♪
♪ My sons feel real ♪
- So one of us has to see his side.
- All right, he'll be here shortly.
Something about improperly obtained evidence--
- I can't believe you left me here.
- Sorry, have you seen Kristen, hairdressing lady?
- Yeah, she's backstage I think.
- What about the husband, Tom? - He's back there somewhere too.
♪ I'm on a perfect turn ♪
♪ She's doing good stuff ♪
♪ I got my car ♪
♪ It feels like forever ♪
♪ It feels so divine ♪
♪ The pulse I get from banging you is better than wine ♪
♪ You're doing good stuff ♪
♪ And it feels good too ♪
♪ And it's due to you ♪
♪ You walked into the bar ♪
- Come on.
We're gonna need help.
♪ Every time you walk back out ♪
♪ It's kinda practice ♪
♪ You send me to the sky ♪
♪ For you there's nothing I won't do ♪
♪ Nothing I won't try ♪
♪ Let's go get high ♪
- [Kristen] I don't know what you're talking about.
- [Tom] I saw you here with my wife.
- Tom, she didn't love you anymore,
she wanted to be with me.
- She didn't want to be with you, look at yourself.
Who'd want to be with you?
She was confused because you screwed with her mind.
- I loved her.
- She wasn't yours to love.
- But she chose me, Tom.
- She died married to me.
(suspenseful music)
(loud thud)
Please, get her off me, please.
(Nicola screaming)
Okay.
- Kristen, you don't wanna do this.
- Kristen.
- Actually, I have never wanted to do anything more in my life.
(Nicola screaming)
♪ Bad stuff ♪
♪ Good stuff ♪
♪ Bad stuff ♪
♪ Doing good stuff bad stuff 'til we're tired ♪
♪ Good stuff ♪
(crew applauding)
(delightful music)
♪ 'Til you return 27 ♪
♪ Can you refuse your quarter up ♪
♪ You always say I act too bold ♪
♪ You're just a girl ♪
♪ But I feel halt ♪
♪ I'm done with what I'm going through ♪
- Okay, well as long as he bags it and labels it,
that will be fine.
Thank you.
Exciting third act guys well done.
- Hey Livier, when you finish taking the curtain calls,
do you mind handing a few more of our business cards?
- It's the least I can do.
- Certainly is.
- Hey, I've got to maintain the integrity of the evidence,
you know that Nic.
- Absolutely.
And you found Tom's boots okay?
- We did.
They were exactly what you said they were.
Please don't tell me you broke into his house.
- Okay.
- Was that lying by omission?
- No, no, that was me taking direction, big difference.
- I see.
You know, if this was "All About Eve",
Peter would be Eve, and you and I, could be Ben Davies.
- I still haven't seen it.
- Yeah we should see it, you know, we should.
- Charlie, you just moved around.
- Yeah, yeah, yeah, not because of any superstition,
it's just practical.
'Cause there could be somebody up there painting
or using a nail gun.
- They're not.
- No, they're not.
- Walk under it then.
(delightful music)